User:Abhidevananda/Sandbox3: Difference between revisions

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Áloker path dhare
Áloker path dhare
Járá giyechilo dúre
Járá giyechilo dúre
He prabhu rayecho bhare
He prabhu rayeche bhare
Tomári antare
Tomári antare
Háráyechi bhává bhul
Háráyechi bhává bhul
Dole je dodul dul
Dole je dodul dul
Smritir drághimá pare
Smrtir drághimá pare
Táhárá saora kare
Táhárá saora kare


Hárái hárái sadái bháviyá tháki
Hárái hárái sadái bháviyá tháki
Yadio kichuháráy ná tháke ná bákii
Jadio kichu háráy ná tháke ná báki
Tumi ácho jabe mahá táńd́ave
Tumi ácho jabe mahátáńd́ave
Saḿge niye sabáre
Sauṋge niye sabáre


Áloke tumi rayecho
Áloke tumi rayecho
Ándhár randhre ácho
Áṋdhár randhre ácho
Abháve o bháve smita anubhave
Abháve o bháve smita anubhave
Dhvanicho marma táre
Dhvanicho marma táre
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হে প্রভু রয়েছে ভরে'
হে প্রভু রয়েছে ভরে'
তোমারই অন্তরে
তোমারই অন্তরে
হারায়েছি ভাবা ভুল
হারায়েছি ভাবা ভুল
দোলে দোদুল দুল
দোলে যে দোদুল দুল
স্মৃতির দ্রাঘিমা 'পরে
স্মৃতির দ্রাঘিমা 'পরে
তাহারা সৌর করে
তাহারা সৌর করে
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== Recordings ==
== Recordings ==
Despite the ordering of these two renditions (based on recording quality), the second recording is more in accordance with the [[#Musical notations|original Sargam notation]] and hence a better example of how the song should be sung.
* {{PSmp3|https://sarkarverse.org/PS/2000-2999-f/2613%20Aloker%20path%20dhare.mp3}}
* {{PSmp3|https://sarkarverse.org/PS/2000-2999-f/2613%20Aloker%20path%20dhare.mp3}}
* {{PSmp3alt|https://sarkarverse.org/PS/2000-2999-f/2613%20A%27LOKER%20PATH%20DHARE.mp3|singer=Kalyanii Ghosh|weblink=[[Sarkarverse]]}}
* {{PSmp3alt|https://sarkarverse.org/PS/2000-2999-f/2613%20A%27LOKER%20PATH%20DHARE.mp3|singer=Kalyanii Ghosh|weblink=[[Sarkarverse]]}}

Revision as of 02:30, 22 January 2023

Abhidevananda/Sandbox3
PrabhatSamgiita trilokesh.png
Music and lyrics
by Prabhat Ranjan Sarkar
Song number 2613
Date 1985 April 22
Place Madhumalainca, Kolkata
Theme Contemplation
Lyrics Bengali
Music Dadra
Audio
License
⚠ Note
None of the information in this article or in the links therefrom should be deemed to provide the right to reuse either the melody or the lyrics of any Prabhat Samgiita song without prior permission from the copyright holder.
Location in Sarkarverse
SVmap LiteraryWorks.png

Abhidevananda/Sandbox3 is the 2613th song of Prabhat Ranjan Sarkar's Prabhat Samgiita.[1] For other songs with the same or similar first line (title), see Aloker path dhare.

Lyrics

Roman script[nb 1] Bengali script Translation

Áloker path dhare
Járá giyechilo dúre
He prabhu rayeche bhare
Tomári antare
Háráyechi bhává bhul
Dole je dodul dul
Smrtir drághimá pare
Táhárá saora kare

Hárái hárái sadái bháviyá tháki
Jadio kichu háráy ná tháke ná báki
Tumi ácho jabe mahátáńd́ave
Sauṋge niye sabáre

Áloke tumi rayecho
Áṋdhár randhre ácho
Abháve o bháve smita anubhave
Dhvanicho marma táre

আলোকের পথ ধরে
যারা গিয়েছিল দূরে
হে প্রভু রয়েছে ভরে'
তোমারই অন্তরে
হারায়েছি ভাবা ভুল
দোলে যে দোদুল দুল
স্মৃতির দ্রাঘিমা 'পরে
তাহারা সৌর করে

হারাই হারাই সদাই ভাবিয়া থাকি
যদিও কিছু হারায় না থাকে না বাকি
তুমি আছ যবে মহাতাণ্ডবে
সঙ্গে নিয়ে সবারে

আলোকে তুমি রয়েছ
আঁধার-রন্ধ্রে আছ
অভাবে ও ভাবে স্মিত অনুভবে
ধ্বনিছ মর্ম তারে

O lord, holding on the path of effulgence,
those who had gone far,
they occupy place within you.
thinking that they are lost is a mistake;
they still vibrate on the oscillating swing
of latitude of memory with the rays of the sun.
losing and losing again always,
i think, what is there that does not get lost.
when you are there taking the entire world
with the great eternal ta’n’d’ava dance.
you remain in the light
as well as in the pores of darkness.
in shortages and overwhelming state,
with smiling feelings,
you resonate within their core.

Notes

  1. ^ For details on the notation, see Roman Bengali transliteration.

References

  1. ^ Sarkar, Prabhat Ranjan (2001) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 6 (in Bengali) (2nd ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-210-X 

Musical notations

Recordings

Despite the ordering of these two renditions (based on recording quality), the second recording is more in accordance with the original Sargam notation and hence a better example of how the song should be sung.


Preceded by
Aji notun aloke pulake palake
Prabhat Samgiita
1985
With: Abhidevananda/Sandbox3
Succeeded by
Prane eso mane eso