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List of songs of Prabhat Samgiita: Difference between revisions
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== Introduction == | == Introduction == | ||
Sarkar's songs cover a multitude of themes. There are devotional songs, mystical songs, and revolutionary songs. There are folk songs, children's songs, women's songs, and ballads. There are wedding songs, birthday songs, and festival songs. Regardless of the theme, in every song there is a strong spiritual undercurrent, expressive of Sarkar's personal philosophy of [[Neohumanism]].<ref name=PSV1/><ref name=PSV2/><ref name=PSV3/><ref name=PSV4/><ref name=PSV5/><ref name=PSV6/><ref name=PSV7/><ref name=PSV8/> | Sarkar's songs cover a multitude of themes. There are devotional songs, mystical songs, and revolutionary songs. There are folk songs, children's songs, women's songs, and ballads. There are wedding songs, birthday songs, and festival songs. Regardless of the theme, in every song there is a strong spiritual undercurrent, expressive of Sarkar's personal philosophy of [[Neohumanism]].<ref name=PSV1/><ref name=PSV2/><ref name=PSV3/><ref name=PSV4/><ref name=PSV5/><ref name=PSV6/><ref name=PSV7/><ref name=PSV8/><ref name=PSV9/> | ||
Most of the song lyrics are in Bengali or a Bengali dialect. Nevertheless, the lyrics of over 40 songs are in other languages (English, Samskrta, Hindi, Urdu, Magahi, Maithili, and Angika).<ref name="PS1">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volume 1|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta|location=Kolkata|year=1993|ISBN=81-7252-041-7}}</ref><ref name="PRS Vol1-10">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volumes 1-10|location=Kolkata|year=1984-1990|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta and Acarya Sarvatmananda Avadhuta|language=Bengali}}</ref> | Most of the song lyrics are in Bengali or a Bengali dialect. Nevertheless, the lyrics of over 40 songs are in other languages (English, Samskrta, Hindi, Urdu, Magahi, Maithili, and Angika).<ref name="PS1">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volume 1|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta|location=Kolkata|year=1993|ISBN=81-7252-041-7}}</ref><ref name="PRS Vol1-10">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volumes 1-10|location=Kolkata|year=1984-1990|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta and Acarya Sarvatmananda Avadhuta|language=Bengali}}</ref> | ||
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The melodies of Prabhat Samgiita represent most of the major classical and folk styles of India. However, these Indian musical styles are often blended, occasionally for the first time, with musical styles from different parts of the world and different historical eras.<ref name="PS1">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volume 1|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta|location=Kolkata|year=1993|ISBN=81-7252-041-7}}</ref><ref name="PRS Vol1-10">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volumes 1-10|location=Kolkata|year=1984-1990|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta and Acarya Sarvatmananda Avadhuta|language=Bengali}}</ref> | The melodies of Prabhat Samgiita represent most of the major classical and folk styles of India. However, these Indian musical styles are often blended, occasionally for the first time, with musical styles from different parts of the world and different historical eras.<ref name="PS1">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volume 1|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta|location=Kolkata|year=1993|ISBN=81-7252-041-7}}</ref><ref name="PRS Vol1-10">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volumes 1-10|location=Kolkata|year=1984-1990|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta and Acarya Sarvatmananda Avadhuta|language=Bengali}}</ref> | ||
As Sarkar rarely gave titles to his songs, the songs are referenced by their first line. In other words, the first line of each song is treated as the song's title. Whenever identification of a song on the basis of the first line alone might be ambiguous, that song is distinguished by adding the second line of the song, generally separated from the first line by a comma.<ref name=PSV1/><ref name=PSV2/><ref name=PSV3/><ref name=PSV4/><ref name=PSV5/><ref name=PSV6/><ref name=PSV7/><ref name=PSV8/><ref name=PS1/><ref name="PRS Vol1-10"/> | As Sarkar rarely gave titles to his songs, the songs are referenced by their first line. In other words, the first line of each song is treated as the song's title. Whenever identification of a song on the basis of the first line alone might be ambiguous, that song is distinguished by adding the second line of the song, generally separated from the first line by a comma.<ref name=PSV1/><ref name=PSV2/><ref name=PSV3/><ref name=PSV4/><ref name=PSV5/><ref name=PSV6/><ref name=PSV7/><ref name=PSV8/><ref name=PSV9/><ref name=PS1/><ref name="PRS Vol1-10"/> | ||
== Note == | == Note == | ||