Bhalobesechi hiya sanpechi

Bhalobesechi hiya sanpechi
Music and lyrics ; by Prabhat Ranjan Sarkar
Song number	0891
Date	1983 September 21
Place	Madhumalainca, Kolkata
Theme	Contemplation
Lyrics	Bengali
Music	Kaharva
Audio
License	NoteNone of the information in this article or in the links therefrom should be deemed to provide the right to reuse either the melody or the lyrics of any Prabhat Samgiita song without prior permission from the copyright holder.
Location in Sarkarverse
Prabhat Samgiita portal

Bhalobesechi hiya sanpechi is the 891^st song of Prabhat Ranjan Sarkar's Prabhat Samgiita.^[1]^[2]

Lyrics

Roman script^{[nb 1]}	Bengali script	Translation
Bhálobesechi hiyá saṋpechi Tabu elo ná baṋdhu elo ná Kusumakánana kariyá cayana Málá geṋthechi deoyá gelo ná Cittavediike sájáye rekhechi Ráge anuráge ásana petechi Práńera sandiipe pradiip jvelechi Árati halo ná árati halo ná Bhávera candane gláni náshiyáchi Rágánugá bhaktivári secechi Ragátmikáte nijere bhulechi Bhulechi jata chilo marmavedaná	ভালোবেসেছি হিয়া সঁপেছি তবু এলো না বঁধু এলো না কুসুমকানন করিয়া চয়ন মালা গেঁথেছি দেওয়া গেলো না চিত্তবেদীকে সাজায়ে রেখেছি রাগে অনুরাগে আসন পেতেছি প্রাণের সন্দীপে প্রদীপ জ্বেলেছি আরতি হলো না আরতি হলো না ভাবের চন্দনে গ্লানি নাশিয়াছি রাগানুগা ভক্তিবারি সেচেছি রাগাত্মিকাতে নিজেরে ভুলেছি ভুলেছি যত ছিলো মর্মবেদনা	I have loved, my heart I've entrusted; Still, my Darling did not come, He did not come. Picking flowers from the garden, A garland I have strung; yet no offering was done. My mental altar I have kept adorned; I've spread His seat with love and affection. From my heart-flame, a lamp I've lit; But árati^{[nb 2]} did not happen. With abstract sandalpaste, I'd removed impurity, Being sprinkled with rágánugá bhakti. Now in rágátmiká I've forgot myself; I've forgot all pangs of my heart.^{[nb 3]}

Notes

^ For details on the notation, see Roman Bengali transliteration.
^ Ritualistic greeting of a deity involving the waving of a lighted lamp, incense stick, or censer.
^ According to Sarkar: "High-grade devotion is divided into two categories: rágánugá and rágátmiká. The rágánugá bhakta says, 'Why do I love the Lord, my Vrajagopála, my Parama Puruśa? Because my love for Him gives Him joy, and from this I get joy.' This is rágánugá bhakti. Rágátmiká is somewhat different from rágánugá. The rágátmiká bhakta says: 'I love Parama Puruśa because I want to give Him ánandam. I don’t care whether or not I get ánandam. My only desire is to give Him joy through my love. I shall perform, even at the cost of profuse sweat and difficulty, only those noble deeds which will give Him joy. I am ready to undergo any amount of pain and suffering to give Him joy.'"^[3]

References

^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 801-900 Translated by Acarya Abhidevananda Avadhuta Tel Aviv: AmRevolution, Inc. ASIN B082Z7FRXH ISBN 9781386976707
^ Sarkar, Prabhat Ranjan (1994) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 2 (in Bengali) (2nd ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-084-0
^ Anandamurti, Shrii Shrii (1997) "Vrajagopala and Aesthetic Science (Discourse 25)" Namami Krsnasundaram (2nd Edition ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-111-1

Musical notations

Original Sargam notation, if available on Sarkarverse

Recordings

Listen to the song Bhalobesechi hiya sanpechi sung by Acarya Priyashivananda Avadhuta on Sarkarverse

Preceded by Vijane basiya kii jena kahile	Prabhat Samgiita 1983 With: Bhalobesechi hiya sanpechi	Succeeded by Tandra bheunge dio

[3] For details on the notation, see Roman Bengali transliteration.

[4] Ritualistic greeting of a deity involving the waving of a lighted lamp, incense stick, or censer.

[6] According to Sarkar: "High-grade devotion is divided into two categories: rágánugá and rágátmiká. The rágánugá bhakta says, 'Why do I love the Lord, my Vrajagopála, my Parama Puruśa? Because my love for Him gives Him joy, and from this I get joy.' This is rágánugá bhakti. Rágátmiká is somewhat different from rágánugá. The rágátmiká bhakta says: 'I love Parama Puruśa because I want to give Him ánandam. I don’t care whether or not I get ánandam. My only desire is to give Him joy through my love. I shall perform, even at the cost of profuse sweat and difficulty, only those noble deeds which will give Him joy. I am ready to undergo any amount of pain and suffering to give Him joy.'"^[3]

[PSV9-1] Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 801-900 Translated by Acarya Abhidevananda Avadhuta Tel Aviv: AmRevolution, Inc. ASIN B082Z7FRXH ISBN 9781386976707

[PRS_Vol2-2] Sarkar, Prabhat Ranjan (1994) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 2 (in Bengali) (2nd ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-084-0

[NKS-5] Anandamurti, Shrii Shrii (1997) "Vrajagopala and Aesthetic Science (Discourse 25)" Namami Krsnasundaram (2nd Edition ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-111-1

[1]

[2]

[nb 1]

[nb 2]

[nb 3]

[3]

Bhalobesechi hiya sanpechi

Music and lyrics by Prabhat Ranjan Sarkar
Song number	0891
Date	1983 September 21
Place	Madhumalainca, Kolkata
Theme	Contemplation
Lyrics	Bengali
Music	Kaharva
Audio
License	NoteNone of the information in this article or in the links therefrom should be deemed to provide the right to reuse either the melody or the lyrics of any Prabhat Samgiita song without prior permission from the copyright holder.
Location in Sarkarverse
Prabhat Samgiita portal