Ekii liila vishvamelay

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Ekii liila vishvamelay
PrabhatSamgiita trilokesh.png
Music and lyrics
by Prabhat Ranjan Sarkar
Song number 2157
Date 1984 December 1
Place Madhumalainca, Kolkata
Theme Contemplation
Lyrics Bengali
Music Dadra
Audio None available
⚠ Note
None of the information in this article or in the links therefrom should be deemed to provide the right to reuse either the melody or the lyrics of any Prabhat Samgiita song without prior permission from the copyright holder.
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Ekii liila vishvamelay is the 2157th song of Prabhat Ranjan Sarkar's Prabhat Samgiita.[1]


Roman script[nb 1] Bengali script Translation

Ekii liilá vishvameláy
Ápan mane kare calecho
Kotháo bháuṋgo kotháo gaŕo
Kotháo mane t́ene nitecho

E visrśt́ir neiko ádi
Neiko anta niravadhi
Payokańá theke mahápayodhi
Sabáre náce mátiyecho

Juktite tomáre páoyá
Shaktite tomáre cáoyá
Sámarthyeri báire jáoyá
Ekathá bujhiye diyecho

একী লীলা বিশ্বমেলায়
আপন মনে করে’ চলেছ
কোথাও ভাঙ্গ কোথাও গড়ো
কোথাও মনে টেনে’ নিতেছ

এ বিসৃষ্টির নেইকো আদি
নেইকো অন্ত নিরবধি
পয়োকণা থেকে মহাপয়োধি
সবারে নাচে মাতিয়েছ

যুক্তিতে তোমারে পাওয়া
শক্তিতে তোমারে চাওয়া
সামর্থ্যেরই বাইরে যাওয়া
একথা বুঝিয়ে দিয়েছ

O lord, what sort of divine illusion in this crowded world,
you go on imagining in your mind?
somewhere you destroy, somewhere you create
and someone you pull to withdraw back into your mind.
there is no beginning of this creation,
neither there is any end, o the Eternal one.
o the great ocean, like droplets
you have intoxicated all in a cosmic dance.
You make all understand that attaining you
with logic and reasoning,
observing you with energy,
all are beyond the capacity.


  1. ^ For details on the notation, see Roman Bengali transliteration.


  1. ^ Sarkar, Prabhat Ranjan (1999) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 5 (in Bengali) (2nd ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-161-8 

Musical notations


Currently, no audio file is available.

Preceded by
Amar mane saungopane
Prabhat Samgiita
With: Ekii liila vishvamelay
Succeeded by
Priya tumi priya tumi