Amar dike dur nimese: Difference between revisions

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m (Text replacement - "Prabhat Ranjan Sarkar's Prabhat Samgiita.<ref name="PRS Vol4">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volume 4|edition=2nd|location=Kolkata|year=1999|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta|language=Bengali|isbn=81-7252-160-X}}</ref>" to "Prabhat Ranjan Sarkar's Prabhat Samgiita.<ref name="PSV16">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita – Songs 1501-1600|publisher=AmRevolution, Inc.|others=Translated by Acarya Abhidevananda Avadhuta|location=Tel Aviv|year=2020|ISBN=9781393400363}}</ref><ref name="PRS Vol4">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgii)
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|keywords=Prabhat Samgiita,Prabhata Samgiita,Prabhat Ranjan Sarkar,Anandamurti,Ananda Marga,contemplation
|keywords=Prabhat Samgiita,Prabhata Samgiita,Prabhat Ranjan Sarkar,Anandamurti,Ananda Marga,contemplation
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</poem>
</poem>
| <poem>
| <poem>
From my company,  
To my dismay, afar without delay,
in a moment,  
Staring at some place, You went away.
He went away to an unknown arena.  
Language of the eyes and love's desire
Of mine, You could not realize.


He could not understand the language of my eyes
I could not obliterate
nor the hope of my love.  
That smile and sweet gaze.
From a mental nook, furtively,
You applied color upon seat of psyche.


I cannot forget that sweet smile and glance,  
Still today, there is sketched a painting;
as he applied colour to the recess of my mind,  
Inside its periphery, everything is embodied.
secretly, on my mental seat.
With lines of a paintbrush as Your facsimile
 
Kept intact, You departed with rhythm and beat.
Even today that figure remains imprinted in it
and everything is materialised into that surrounding.
He went away sketching with his brush,  
leaving with rhythm and beats.
</poem>
</poem>
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