Niilakashe alo bhase: Difference between revisions

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{{#seo:
{{#seo:
|keywords=Prabhat Samgiita,Prabhata Samgiita,Prabhat Ranjan Sarkar,Anandamurti,Ananda Marga,contemplation
|keywords=Prabhat Samgiita,Prabhata Samgiita,Prabhat Ranjan Sarkar,Anandamurti,Ananda Marga,contemplation
|description=Song by Prabhat Ranjan Sarkar
|description=Song by Shrii Prabhat Ranjan Sarkar
|og:image=https://sarkarverse.org/200fb/200px_KrsnaFlute.png
|image=https://sarkarverse.org/200fb/200px_KrsnaFlute.png
|og:image:width=200
|image_width=200
|og:image:height=200
|image_height=200
}}
}}{{Infobox Prabhat Samgiita
{{Infobox Prabhat Samgiita
| original_title_lang = bn
| original_title_lang = bn
| song number = [[List of songs of Prabhat Samgiita|1579]]
| song number = [[List of songs of Prabhat Samgiita|1579]]
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| lyrics = Bengali
| lyrics = Bengali
| music = [[:wikipedia:Dadra|Dadra]] + [[:wikipedia:Keherwa|Kaharva]]
| music = [[:wikipedia:Dadra|Dadra]] + [[:wikipedia:Keherwa|Kaharva]]
| audio = <flashmp3>https://sarkarverse.org/PS/1000-1999-f/1579%20NIILA%27KA%27SHE%20A%27LO%20BHA%27SE.mp3</flashmp3>
| audio = {{#widget:Audio|url=https://sarkarverse.org/PS/1000-1999-f/1579%20NIILA%27KA%27SHE%20A%27LO%20BHA%27SE.mp3}}
}}
}}
'''''Niilakashe alo bhase''''' is the [[List of songs of Prabhat Samgiita|1579<sup>th</sup> song]] of [[Prabhat Ranjan Sarkar|Prabhat Ranjan Sarkar's]] [[Prabhat Samgiita]].<ref name="PSV16">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 1501-1600|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2020|ISBN=9781393400363}}</ref><ref name="PRS Vol4">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volume 4|edition=2nd|location=Kolkata|year=1999|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta|language=Bengali|isbn=81-7252-160-X}}</ref>
'''''Niilakashe alo bhase''''' is the [[List of songs of Prabhat Samgiita|1579<sup>th</sup> song]] of [[Prabhat Ranjan Sarkar|Prabhat Ranjan Sarkar's]] [[Prabhat Samgiita]].<ref name="PSV16">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 1501-1600|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2020|ASIN=B089S33T8D|ISBN=9781393400363}}</ref><ref name="PRS Vol4">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volume 4|edition=2nd|location=Kolkata|year=1999|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta|language=Bengali|isbn=81-7252-160-X}}</ref>


== Lyrics ==
== Lyrics ==
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Light floats upon a blue sky;
Light floats upon a blue sky;
On such a day, Who comes to mind?
On such a day, Who comes to mind?
[[:wikipedia:Saraca asoca|Ashok]] and [[:wikipedia:Butea monosperma|palash]] beside
[[:wikipedia:Saraca asoca|Ashok]] and [[:wikipedia:Butea monosperma|palash]] beside,
Affliction forgotten, the woodland smiles.
Affliction forgotten, woodlands smile.


Floral pollen drifts upon a restless wind,
Floral pollen drifts upon a restless wind,
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Dispelling what's made black and painting well in color,
Dispelling what's made black and painting well in color,
Hope goes a-floating
Hope goes a-floating
In slow-stepping{{#tag:ref|Here both the literal and the technical translation apply. ''Mandákrántá'' is a metric style employed in classic [[Samskrta]] verse. It is often used for expressing mystic love. In ''mandákrántá'', the number of syllables and the pattern of heavy and light syllables is maintained strictly throughout each verse. Rhyming may or may not be there; however, in this example of ''mandákrántá'', that too is maintained. Literally, the word, ''mandákrántá'', means "lady slowly approaching" or "slow stepper".|group="nb"}} rhythm, beat after beat.
In slow-stepping{{#tag:ref|Here both the literal and the technical translation apply. ''Mandákrántá'' is a metric style employed in classic [[Samskrta]] verse. It is often used for expressing mystic love. In ''mandákrántá'', the number of syllables and the pattern of heavy and light syllables is maintained strictly throughout each verse. Rhyming may or may not be there; however, in this example of ''mandákrántá'', that too is maintained. Literally, the word, ''mandákrántá'', means "lady slowly approaching" or "slow stepper".|group="nb"}} cadence, beat after beat.
</poem>
</poem>
|}
|}