Talk:Narada shono katha amar ei vyatha: Difference between revisions
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m (Abhidevananda moved page Talk:Narada shona katha amar ei vyatha to Talk:Narada shono katha amar ei vyatha: Better transliteration) |
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This is a great interpretation of a classic story. I find it significant that this song comes immediately after the song in which Krsna publicly humiliates the people of Vraja. This reminds me of Baba's dharma samiksa and its impact. --[[User:Abhidevananda|Abhidevananda]] ([[User talk:Abhidevananda|talk]]) 11:50, 9 August 2016 (UTC) | This is a great interpretation of a classic story. I find it significant that this song comes immediately after the song in which Krsna publicly humiliates the people of Vraja. This reminds me of Baba's dharma samiksa and its impact. --[[User:Abhidevananda|Abhidevananda]] ([[User talk:Abhidevananda|talk]]) 11:50, 9 August 2016 (UTC) | ||
== At any personal cost == | |||
The best devotee wants only one thing… the Master to please. --[[User:Abhidevananda|Abhidevananda]] ([[User talk:Abhidevananda|talk]]) 22:18, 10 February 2020 (GMT) |
Latest revision as of 22:18, 10 February 2020
This is the talk page for discussing improvements to the Narada shono katha amar ei vyatha article. | |||
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Footdust
This is a great interpretation of a classic story. I find it significant that this song comes immediately after the song in which Krsna publicly humiliates the people of Vraja. This reminds me of Baba's dharma samiksa and its impact. --Abhidevananda (talk) 11:50, 9 August 2016 (UTC)
At any personal cost
The best devotee wants only one thing… the Master to please. --Abhidevananda (talk) 22:18, 10 February 2020 (GMT)