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Manera gahane mama ke: Difference between revisions
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m (Text replacement - "|description=Song by Prabhat Ranjan Sarkar" to "|description=Song by Shrii Prabhat Ranjan Sarkar") |
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</poem> | </poem> | ||
| <poem> | | <poem> | ||
Who is in my | Who is in my mind's elusive place? | ||
Oh, Who is it that came? | Oh, Who is it that came? | ||
Who is in my life-sphere? | Who is in my life-sphere? | ||
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The pitch-dark night has passed. | The pitch-dark night has passed. | ||
Echoing were the unstruck tones{{#tag:ref|At the heart center, the ''anáhata cakra'' (literally, "unstruck plexus"), an elevated mind may hear the sound of ankle bells keeping rhythm with the heartbeat as if in dance.<ref>{{cite book|title=Ananda Vacanamrtam Part 33|chapter=The Mana-Pradhana Creature|author=Anandamurti, Shrii Shrii}}</ref> That sound is deemed to be "unstruck", because it occurs without there being two things coming in contact with each other, for example, the strings of a sitar and the fingers of a sitar player.|group="nb"}} | Echoing were the unstruck tones{{#tag:ref|At the heart center, the ''anáhata cakra'' (literally, "unstruck plexus"), an elevated mind may hear the sound of ankle bells keeping rhythm with the heartbeat as if in dance.<ref>{{cite book|title=Ananda Vacanamrtam Part 33|chapter=The Mana-Pradhana Creature|author=Anandamurti, Shrii Shrii}}</ref> That sound is deemed to be "unstruck", because it occurs without there being two things coming in contact with each other, for example, the strings of a sitar and the fingers of a sitar player.|group="nb"}} | ||
In novel tune | In novel tune, with new music-mode. | ||
Reckoning want-and-get is in vain; | Reckoning want-and-get is in vain; | ||
It's pointless to look back today. | It's pointless to look back today. | ||
He pervades every | He pervades each and every thing, | ||
Both outside and inside of me. | Both outside and inside of me. | ||
</poem> | </poem> | ||