Manera gahane mama ke: Difference between revisions

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m (Text replacement - "|description=Song by Prabhat Ranjan Sarkar" to "|description=Song by Shrii Prabhat Ranjan Sarkar")
(Refinements)
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The pitch-dark night has passed.
The pitch-dark night has passed.
Echoing were the unstruck tones{{#tag:ref|At the heart center, the ''anáhata cakra'' (literally, "unstruck plexus"), an elevated mind may hear the sound of ankle bells keeping rhythm with the heartbeat as if in dance.<ref>{{cite book|title=Ananda Vacanamrtam Part 33|chapter=The Mana-Pradhana Creature|author=Anandamurti, Shrii Shrii}}</ref> That sound is deemed to be "unstruck", because it occurs without there being two things coming in contact with each other, for example, the strings of a sitar and the fingers of a sitar player.|group="nb"}}
Echoing were the unstruck tones{{#tag:ref|At the heart center, the ''anáhata cakra'' (literally, "unstruck plexus"), an elevated mind may hear the sound of ankle bells keeping rhythm with the heartbeat as if in dance.<ref>{{cite book|title=Ananda Vacanamrtam Part 33|chapter=The Mana-Pradhana Creature|author=Anandamurti, Shrii Shrii}}</ref> That sound is deemed to be "unstruck", because it occurs without there being two things coming in contact with each other, for example, the strings of a sitar and the fingers of a sitar player.|group="nb"}}
In novel tune and musical mode.
In novel tune, with new music-mode.


Reckoning want-and-get is in vain;
Reckoning want-and-get is in vain;
It's pointless to look back today.
It's pointless to look back today.
He pervades every little thing,
He pervades each and every thing,
Both outside and inside of me.
Both outside and inside of me.
</poem>
</poem>

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