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Niilakashe alo bhase: Difference between revisions
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Light floats upon a blue sky; | Light floats upon a blue sky; | ||
On such a day, Who comes to mind? | On such a day, Who comes to mind? | ||
[[:wikipedia:Saraca asoca|Ashok]] and [[:wikipedia:Butea monosperma|palash]] beside | [[:wikipedia:Saraca asoca|Ashok]] and [[:wikipedia:Butea monosperma|palash]] beside, | ||
Affliction forgotten, the woodland smiles. | Affliction forgotten, the woodland smiles. | ||
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Dispelling what's made black and painting well in color, | Dispelling what's made black and painting well in color, | ||
Hope goes a-floating | Hope goes a-floating | ||
In slow-stepping{{#tag:ref|Here both the literal and the technical translation apply. ''Mandákrántá'' is a metric style employed in classic [[Samskrta]] verse. It is often used for expressing mystic love. In ''mandákrántá'', the number of syllables and the pattern of heavy and light syllables is maintained strictly throughout each verse. Rhyming may or may not be there; however, in this example of ''mandákrántá'', that too is maintained. Literally, the word, ''mandákrántá'', means "lady slowly approaching" or "slow stepper".|group="nb"}} | In slow-stepping{{#tag:ref|Here both the literal and the technical translation apply. ''Mandákrántá'' is a metric style employed in classic [[Samskrta]] verse. It is often used for expressing mystic love. In ''mandákrántá'', the number of syllables and the pattern of heavy and light syllables is maintained strictly throughout each verse. Rhyming may or may not be there; however, in this example of ''mandákrántá'', that too is maintained. Literally, the word, ''mandákrántá'', means "lady slowly approaching" or "slow stepper".|group="nb"}} cadence, beat after beat. | ||
</poem> | </poem> | ||
|} | |} | ||