85,198
edits
Tomay amay pratham dekha, sonalii sagartate: Difference between revisions
Tomay amay pratham dekha, sonalii sagartate (view source)
Revision as of 13:00, 12 February 2020
, 12 February 2020Refinements
m (Text replacement - "<ref name="PSV3">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita – Songs 201-300|edition=2nd|publisher=AmRevolution, Inc.|others=Translated by Acarya Abhidevananda Avadhuta|location=Tel Aviv|year=2016|ASIN=B01IGQOJZ6|ISBN=9781386899754}}</ref>" to "<ref name="PSV3">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita – Songs 201-300|edition=2nd|publisher=AmRevolution, Inc.|others=Translated by Acarya Abhidevananda Avadhuta|location=Tel Aviv|year=2019|ASIN=B082TWBFZX|ISBN=9781386899754}}</ref>") |
m (Refinements) |
||
| Line 58: | Line 58: | ||
My first vision of You | My first vision of You | ||
On the golden seashore...{{#tag:ref|Perhaps this is a reference to the ''hirańmaya kośa'', the subtlest of the five layers of mind in yogic psychology. ''Hirańmaya kośa'' (the golden level) is the link between individual mind and ''átmá'', soul or pure consciousness.|group="nb"}} | On the golden seashore...{{#tag:ref|Perhaps this is a reference to the ''hirańmaya kośa'', the subtlest of the five layers of mind in yogic psychology. ''Hirańmaya kośa'' (the golden level) is the link between individual mind and ''átmá'', soul or pure consciousness.|group="nb"}} | ||
Bringing a flood of streaming light, | |||
You burst upon mind | You had burst upon the canvas of my mind.{{#tag:ref|In the philosophy of [[Ananda Marga]], this is usually referred to as the "mental plate".|group="nb"}} | ||
On | On silent night You had come | ||
With | With flourish of harpstrings. | ||
Sky teeming with minstrelsy, | |||
You | You'd conceded unreservedly. | ||
In dream | In my dream You granted embrace; | ||
Why not come when | Why not come when I’m awake... | ||
To brighten my entire existence, | To brighten my entire existence, | ||
In pain, in pleasure, in exigence? | In pain, in pleasure, in exigence? | ||