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Manera gahane mama ke: Difference between revisions
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{{#seo: | {{#seo: | ||
|keywords=Prabhat Samgiita,Prabhata Samgiita,Prabhat Samgiit,Prabhat Sangeeta,Prabhat Sangeet,contemplation | |keywords=Prabhat Samgiita,Prabhata Samgiita,Prabhat Samgiit,Prabhat Sangeeta,Prabhat Sangeet,contemplation | ||
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</poem> | </poem> | ||
| <poem> | | <poem> | ||
Who is | Who is in my mind-cave? | ||
Who is that | Oh, Who is it that came? | ||
Who is | Who is in my life-sphere? | ||
Who | Oh, Who awakens me? | ||
The | The gates of gloom have been cracked, | ||
The pitch-dark night has passed. | |||
Echoing were the unstruck tones{{#tag:ref|At the heart center, the ''anáhata cakra'' (literally, "unstruck plexus"), an elevated mind may hear the sound of ankle bells keeping rhythm with the heartbeat as if in dance.<ref>{{cite book|title=Ananda Vacanamrtam Part 33|chapter=The Mana-Pradhana Creature|author=Anandamurti, Shrii Shrii}}</ref> That sound is deemed to be "unstruck", because it occurs without there being two things coming in contact with each other, for example, the strings of a sitar and the fingers of a sitar player.|group="nb"}} | |||
In novel tune and musical mode. | |||
Reckoning want-and-get is in vain; | |||
It's pointless to look back today. | |||
He pervades | He pervades every little thing, | ||
Both outside and inside of me. | |||
</poem> | </poem> | ||
|} | |} | ||