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Hariye gechi ajke ami, tumi patha khunje dao: Difference between revisions
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Hariye gechi ajke ami, tumi patha khunje dao (view source)
Revision as of 04:39, 6 January 2020
, 6 January 2020Spelling
m (Text replacement - "<ref name="PSV7">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita – Songs 601-700|publisher=AmRevolution, Inc.|others=Translated by Acarya Abhidevananda Avadhuta|location=Tel Aviv|year=2016|ASIN=B01N1T7ZF0|ISBN=9781386095170}}</ref>" to "<ref name="PSV7">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita – Songs 601-700|publisher=AmRevolution, Inc.|others=Translated by Acarya Abhidevananda Avadhuta|location=Tel Aviv|year=2019|ASIN=B082XJY826|ISBN=9781386095170}}</ref>") |
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Why that's so, who really knows? | Why that's so, who really knows? | ||
In my mind, in secrecy, | In my mind, in secrecy, | ||
A song in | A song in Deepak Raag,{{#tag:ref|According to legend, [[:wikipedia:Tansen|Tansen]], a renowned bard in the imperial court of [[:wikipedia:Akbar|Akbar]], could ignite oil lamps merely by singing his Diipak Raga. Hence, the Diipak Raga mentioned here is clearly not just a reference to the style of classical melody but also a metaphor for spiritual enlightenment.|group="nb"}} You sing. | ||
Having lost my way, I've come to You, | Having lost my way, I've come to You, | ||