84,726
edits
Andharer sei hatasha: Difference between revisions
Jump to navigation
Jump to search
m
Refinements
m (Text replacement - "<ref name="PSV1">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita – Songs 1-100|edition=3rd|publisher=AmRevolution, Inc.|others=Translated by Acarya Abhidevananda Avadhuta|location=Tel Aviv|year=2016|ASIN=B082RDDH81|ISBN=9781386726890}}</ref>" to "<ref name="PSV1">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita – Songs 1-100|edition=3rd|publisher=AmRevolution, Inc.|others=Translated by Acarya Abhidevananda Avadhuta|location=Tel Aviv|year=2019|ASIN=B082RDDH81|ISBN=9781386726890}}</ref>") |
m (Refinements) |
||
| Line 51: | Line 51: | ||
</poem> | </poem> | ||
| <poem> | | <poem> | ||
That selfsame dark despair | That selfsame dark despair | ||
Is getting cut away today, | |||
The touch of light | The touch of light having attained. | ||
Where does my desert-thirst go off, | |||
Under the pleasant shade of sweetness | Under the pleasant shade of sweetness? | ||
In my song, there is no prayer; | In my song, there is no prayer; | ||
In my smile, just acquisition. | In my smile, just acquisition. | ||
My every movement, each expression, | My every movement, each expression, | ||
Having ridden a stream of sweet grace, | |||
Proceeds with aim of radiant effulgence. | Proceeds with aim of radiant effulgence. | ||
</poem> | </poem> | ||