Songs 1-999: Difference between revisions
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== Lyrics and translations == | == Lyrics and translations == | ||
=== 1 (10/9/1982) K JYOTIRGIITA === | === 1 (10/9/1982) K JYOTIRGIITA === | ||
BANDHU HE NIYE CALO<br /> | |||
ÁLOR OI JHARAŃÁ DHÁRÁRA PÁNE<br /> | |||
BANDHU HE NIYE CALO | BANDHU HE NIYE CALO<br /> | ||
ÁNDHÁRER VYATHÁ ÁR SAYE NÁ PRÁŃE<br /> | |||
ÁNDHÁRER VYATHÁ ÁR SAYE NÁ PRÁŃE | |||
BANDHU HE NIYE CALO<br /> | |||
GHUMER GHOR BHÁḾGÁNOR GÁNE GÁNE<br /> | |||
BANDHU HE NIYE CALO<br /> | |||
O dearest Friend,<br /> | |||
lead me on.<br /> | |||
Lead me unto the fountain of effulgence.<br /> | |||
O dearest Friend,<br /> | |||
lead me on.<br /> | |||
I can no longer bear the pain of darkness in my heart.<br /> | |||
O dearest Friend,<br /> | |||
lead me on.<br /> | |||
With Your songs, break my deep slumber.<br /> | |||
O dearest Friend,<br /> | |||
lead me on.<br /> | |||
Purport:<br /> | |||
Paramapurus'a (the Supreme Consciousness) is the real friend. O Paramapurus'a,<br /> | |||
direct me unto the fountain of divine effulgence. I was slumbering in cimmerian darkness.<br /> | |||
I was an ordinary atom. But now I can no longer tolerate the staticity of darkness.<br /> | |||
O Paramapurus'a, sing before me the song which will arouse me from my deep slumber.<br /> | |||
Sing before me that song which will show me what is what and which is which.<br /> | |||
=== 2 (17/9/1982) K MUKTI GIITI === | === 2 (17/9/1982) K MUKTI GIITI === | ||
Revision as of 12:17, 25 September 2016
| Songs 1-999 | |
|---|---|
 | |
| Music and lyrics by Prabhat Ranjan Sarkar | |
| Song number | 1-999 (as found on Prabhatasamgiita.net) |
| License |
 Note |
| Location in Sarkarverse |
 |
On Sarkarverse, each song of Prabhat Samgiita is treated to a separate article. The lyrics are presented in both Roman script and Bengali script (Bangla). And each song is retranslated on a line by line basis. However, that project may take quite a while to complete. On Prabhatasamgiita.net, the lyrics (Roman script only) and the original translations (perhaps by Acarya Vijayananada Avadhuta or Acarya Priyashivananda Avadhuta) are all given on a single HTML page. Here on Sarkarverse, that same page (as of 2016 September 25) has been converted into five Wiki articles (see Songs 1-5018). Except for some very limited formatting and the inclusion of links to the audio file lists, nothing has been changed in respect to the Prabhatasamgiita.net HTML page.[1]
Audio
For the audio to the following songs, go to Songs 1-999.
Dates and abbreviations
In this document, the date when the song was given appears in parentheses after the song number. That date may vary with other, possibly more reliable sources (for example, the books by Acarya Abhidevananda Avadhuta[2][3][4][5][6][7] or Acarya Vijayananda Avadhuta[8][9]).
After the date, there may be one or more abbreviations. These abbreviations typically refer to the style of melody or rhythm. For example, D stands for Dadra, and K stands for Kaharva. Once again, this information may vary with other, possibly more reliable sources (for example, the notes of P. D. Narayan[10].
Lyrics and translations
1 (10/9/1982) K JYOTIRGIITA
BANDHU HE NIYE CALO
ÁLOR OI JHARAŃÁ DHÁRÁRA PÁNE
BANDHU HE NIYE CALO
ÁNDHÁRER VYATHÁ ÁR SAYE NÁ PRÁŃE
BANDHU HE NIYE CALO
GHUMER GHOR BHÁḾGÁNOR GÁNE GÁNE
BANDHU HE NIYE CALO
O dearest Friend,
lead me on.
Lead me unto the fountain of effulgence.
O dearest Friend,
lead me on.
I can no longer bear the pain of darkness in my heart.
O dearest Friend,
lead me on.
With Your songs, break my deep slumber.
O dearest Friend,
lead me on.
Purport:
Paramapurus'a (the Supreme Consciousness) is the real friend. O Paramapurus'a,
direct me unto the fountain of divine effulgence. I was slumbering in cimmerian darkness.
I was an ordinary atom. But now I can no longer tolerate the staticity of darkness.
O Paramapurus'a, sing before me the song which will arouse me from my deep slumber.
Sing before me that song which will show me what is what and which is which.
2 (17/9/1982) K MUKTI GIITI
E GÁN ÁMÁR, ÁLOR JHARAŃÁ DHÁRÁ
UPALA PATHE DINE RÁTE
BAHE JÁI
BAHE JÁI BÁNDHANA HÁRÁ
ÁLOR JHARAŃÁ DHÁRÁ
E GÁN ÁMÁR ÁLOR JHARAŃÁ DHÁRÁ
E PATH ÁMÁR BANDHURA KANT́AKA BHARÁ
UTSA HOTE PRÁŃERA SHROTE
BHEUNGE JÁI
BHENGE JÁI PÁŚÁŃA KÁRÁ
ÁLOR JHARAŃÁ DHÁRÁ
E GÁN ÁMÁR ÁLOR JHARAŃÁ DHÁRÁ
SONG OF LIBERATION
This song of mine is a fountain of effulgence.
On this rocky path, day and night I keep on flowing,
heedless of all obstacles.
This song of mine is a fountain of effulgence.
This path of mine is rugged and full of thorns.
The flowing stream emanating from the source of life
will shatter the granite prison walls.
This song of mine is a fountain of effulgence.
...........................................................................
This song of mine
is like a flow of light.
In the rugged rocky terrain,
day and night, I flow along,
I flow along unhindered.
This path of mine is uneven,
full of thorns.
With a forceful flow of life,
I flow along, breaking asunder,
I move along breaking the prison walls.
Purport:
For those who move along the path of greatness and magnanimity, so much meanness and
littleness stands as insurmountable obstacles. They know this and their song is like a
fountain of divine effulgence it is not a materialistic song. Their song does not move
along a smooth road. In their path there are so many thorns, so many ups and downs just
like a fountain which flows along various rapids and finally merges into the sea. They
recognize no barrier, saying "We move on and on, with all our innate vitality, ever
breaking all the iron prison walls around us."
3 (17/9/1982) K NAVYAMÁNAVATÁDER GIITA
ÁNDHÁRA SHEŚE ÁLORA DESHE
ARUŃ BHORER KATHÁ
SHONÁBO SABÁY D́EKE D́EKE BHÁI
SHONÁBO SABÁY D́EKE D́EKE
ÁNDHÁRA SHEŚE ÁLORA DESHE
TÁRÁY BHARÁ OI JE ÁKÁSH
GANDHA MADIR EI JE VÁTÁS
SABÁR MÁJHE ÁMI ÁCHI
PHULER PARÁG MANE MEKHE
SHONÁBO SABÁY D́EKE D́EKE
ÁNDHÁR SHEŚE, ÁLOR DESHE
ARUŃ BHORER KATHÁ
SHONÁBO SABÁY D́EKE D́EKE, BHÁI
SHONÁBO SABÁY D́EKE D́EKE
ÁNDHÁRA SHEŚE ÁLORA DESHE
CARAŃ TALE EI JE MÁT́II
NIKHÁD SONÁR CEYEO KHÁNT́I
SABUJ CHÁYÁY, MRGER MÁYÁY
NÁCCHE NÚTAN ABHIŚEKE
SHONÁBO SABÁY D́EKE D́EKE
ÁNDHÁRA SHEŚE ÁLORA DESHE
ARUŃ BHORER KATHÁ
SHONÁBO SABÁY D́EKE D́EKE BHÁI
SHONÁBO SABÁY D́EKE D́EKE
SONG OF NEOHUMANISM
Calling all, I will sing the glories of this crimson dawn
in the kingdom of divine light,
beyond the threshold of darkness.
The sky above is studded with stars,
The air is intoxicated with fragrance.
With all entities I exist,
anointing my mind with the pollen of flowers.
Calling all, I will sing the glories of this crimson dawn
in the kingdom of divine light,
beyond the threshold of darkness.
This earth on which I walk
is purer than the purest gold.
In its green shade,
all creatures are cherished.
It dances, blessed with new life.
Calling all, I will sing the glories of this crimson dawn
in the kingdom of divine light,
beyond the threshold of darkness.
..........................................................
Calling all, I will sing the glories of the crimson dawn
in the kingdom of divine light,
beyond the threshold of darkness.
The sky is studded with stars.
The air is sweetly scented.
In all entities I exist,
anointing my mind with the pollen of flowers.
This earth on which I walk
is purer than the purest gold,
in its green shade,
all creatures are cherished.
It dances, blessed with new life.
Purport:
Darkness has come to an end, crossing the threshold at the edge of light. Now is the
proper time to call all and announce that the crimson dawn has come. The beautiful sky is
studded with so many stars, the air is sweetlyscented. The atmosphere, lithosphere,
hydrosphere everything is closely related to me. All the flora and fauna I must preserve;
I must save them from premature extinction because I love everything of this earth. I am a
NeoHumanist. I call one and all to come and create a new rhythm.
4 (18/9/1982) K MADHUR GIITI
SAKAL MANER VIIŃÁ EK SURE BÁJE ÁJ
SAKAL HRDAYE SAORABH
NANDANA MADHU SÁJE ELE TUMI DHARÁ MÁJHE
DILE SABE EK ANUBHAV
SAKAL MANER VIIŃÁ EK SURE BÁJE ÁJ
SAKAL HRDAYE SAORABH
CHINŔO NÁ, CHINŔO NÁ, E KUSUMA MÁLÁKHÁNI
MAMATÁR SÁRÁ VAEBHAV
SAKAL MANER VIIŃÁ EK SURE BÁJE ÁJ
SAKAL HRDAYE SAORABH
ESO TUMI ÁRO KÁCHE, ÁRO KÁCHE, ÁRO KÁCHE
NIYE JÁO JÁHÁ KICHU SAB
SAKAL MANER VIIŃÁ EK SURE BÁJE ÁJ
SAKAL HRDAYE SAORABH
SONG OF SWEETNESS
The lyres of all minds play
to the same tune today.
There is fragrance in all hearts.
You came onto this earth
with Your exquisite appearance
and gave the same feeling to all.
Do not tear my garland of flowers,
my entire wealth of compassion.
Come close to me,
come closer, still closer,
take all that I have.
5 (20/09/1982) K PÚRŃATVER GIITA
ELO, ANEK JUGER SEI AJÁNÁ PATHIK
CETANÁR MADHURA TÁNE
TÁI, JIIVAN ÁMÁR BHARE GELO GÁNE
ELO, ANEK JUGER SEI AJÁNÁ PATHIK
SAB HÁRÁNOR VEDANÁTE
SAKAL BHOLÁR RIKTATÁTE
SAB PEYECHIR CHANDE GÁNE
SUNDARERA ÁVÁHANE
ÁVÁHANE ÁVÁHANE, ÁVÁHANE
TÁI, JIIVAN ÁMÁR BHARE GELO GÁNE
ELO ANEK JUGER SEI AJÁNÁ PATHIK
CETANÁR MADHURA TÁNE
SONG OF FULFILLMENT
The ancient unknown traveler has come.
With the blissful resonance of consciousness,
my life overflows with song.
In the sweet form of the loss of all,
in the destitution of oblivion,
with the rhythm and song of attainment,
with the invocation of the ever beautiful one,
my life overflows with song.
............................................................
The unknown traveler has come,
after so many ages,
with the sweet call of consciousness.
My life is filled with songs.
In the pangs of losing everything,
in the the emptiness of complete oblivion,
in in the rhythm and song of supreme fulfilment,
in the invocation of the eternally beautiful,
my life became filled with songs.
6 (20/09/1982) K SAMVIT SAMGIITA
BANDHU ÁMÁR
BANDHU ÁMÁR
SONÁR ÁLOY D́HÁKÁ
BANDHU ÁMÁR
BHORER PÁKHII
UT́HLO D́ÁKII
PRÁŃER PARÁG MÁKHÁ
BANDHU ÁMÁR
KISER TARE KISER D́ÁKE
DINE RÁTE KHUINJI TÁKE
NOTUN ÁLOY JHALAKÁNI DEY
DOLÁY NOTUN PÁKHÁ
BANDHU ÁMÁR
SONG OF AWAKENING
My Lord is covered in golden light.
The bird of dawn begins to sing,
vibrant with new life.
Why all this?
In answer to whose call?
Day and night I seek Him.
The new light sends forth a blaze of effulgence
and beats its new wings of joy.
My Lord is covered with golden light.
note : This is the experience of a sadhaka (spiritual aspirant) immediately after receiving initiation.
References
- ^ Songs 1-5018 on Prabhatasamgiita.net
- ^ Sarkar, Prabhat Ranjan (2016) Prabhat Samgiita – Songs 1-100 Translated by Acarya Abhidevananda Avadhuta Tel Aviv: AmRevolution, Inc. ASIN B01I58LZWK
- ^ Sarkar, Prabhat Ranjan (2016) Prabhat Samgiita – Songs 101-200 Translated by Acarya Abhidevananda Avadhuta Tel Aviv: AmRevolution, Inc. ASIN B01I8E8A0G
- ^ Sarkar, Prabhat Ranjan (2016) Prabhat Samgiita – Songs 201-300 Translated by Acarya Abhidevananda Avadhuta Tel Aviv: AmRevolution, Inc. ASIN B01IGQOJZ6
- ^ Sarkar, Prabhat Ranjan (2016) Prabhat Samgiita – Songs 301-400 Translated by Acarya Abhidevananda Avadhuta Tel Aviv: AmRevolution, Inc. ASIN B01IQNSMCA
- ^ Sarkar, Prabhat Ranjan (2016) Prabhat Samgiita – Songs 401-500 Translated by Acarya Abhidevananda Avadhuta Tel Aviv: AmRevolution, Inc. ASIN B01J19F0P0
- ^ Sarkar, Prabhat Ranjan (2016) Prabhat Samgiita – Songs 501-600 Translated by Acarya Abhidevananda Avadhuta Tel Aviv: AmRevolution, Inc. ASIN B01L8LXVLY
- ^ Sarkar, Prabhat Ranjan (1993) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 1 Kolkata: Ananda Marga Publications ISBN 81-7252-041-7
- ^ Sarkar, Prabhat Ranjan (1984) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 1 (in Bengali) Kolkata: Ananda Marga Publications ISBN 81-7252-082-4
- ^ Narayan, P. D. A Composite Collection (Presentation) of All 5018 Songs Forming Prabháta Saḿgiita