Maneri gahane madhura carane: Difference between revisions
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My faults and my virtues, You know each one; | My faults and my virtues, You know each one; | ||
So draw me close, to my sins granting pardon. | So draw me close, to my sins granting pardon. | ||
Upon me do confer the | Upon me do confer the purest devotion{{#tag:ref|''Rágátmiká bhakti'' is deemed to be the highest form of devotion. In this state, one loves and serves the Lord for the sole purpose of giving Him pleasure. There is no thought for personal gain.|group="nb"}} | ||
To traverse a shoreless ocean. | To traverse a shoreless ocean. | ||
</poem> | </poem> |
Revision as of 03:43, 15 June 2021
Maneri gahane madhura carane | |
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Music and lyrics by Prabhat Ranjan Sarkar | |
Song number | 1933 |
Date | 1984 October 9 |
Place | Madhumalainca, Kolkata |
Theme | Longing |
Lyrics | Bengali |
Music | Kaharva |
Audio | |
License |
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Location in Sarkarverse | |
Maneri gahane madhura carane is the 1933rd song of Prabhat Ranjan Sarkar's Prabhat Samgiita.[1][2]
Lyrics
Roman script[nb 1] | Bengali script | Translation |
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Maneri gahane madhura carańe |
মনেরই গহনে মধুর চরণে |
Into depths of my mind, with honeyed feet |
Notes
- ^ For details on the notation, see Roman Bengali transliteration.
- ^ Rágátmiká bhakti is deemed to be the highest form of devotion. In this state, one loves and serves the Lord for the sole purpose of giving Him pleasure. There is no thought for personal gain.
References
- ^ Sarkar, Prabhat Ranjan (2021) Prabhat Samgiita – Songs 1901-2000 Translated by Acarya Abhidevananda Avadhuta Tel Aviv: AmRevolution, Inc. ISBN 9798201598891
- ^ Sarkar, Prabhat Ranjan (1999) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 4 (in Bengali) (2nd ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-160-X
Musical notations
Recordings
- Listen to the song Maneri gahane madhura carane sung by Krishna Dutta on Sarkarverse
Preceded by Anek diner pare, tomare pelum ghare |
Prabhat Samgiita 1984 With: Maneri gahane madhura carane |
Succeeded by Tomar varata baye jai |