Songs 3000-3999: Difference between revisions
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{{#seo: | {{#seo: | ||
|keywords=Prabhat Samgiita,Prabhata Samgiita,Prabhat | |keywords=Prabhat Samgiita,Prabhata Samgiita,Prabhat Ranjan Sarkar,Anandamurti,Ananda Marga,Prabhatasamgiita.net | ||
|description=Original Roman-script lyrics and translations for Prabhat Samgiita found on Prabhatasamgiita.net | |description=Original Roman-script lyrics and translations for Prabhat Samgiita found on Prabhatasamgiita.net | ||
}} | }}{{Infobox Prabhat Samgiita | ||
{{Infobox Prabhat Samgiita | |||
| above= Songs 3000-3999 | | above= Songs 3000-3999 | ||
| image = [[File:PrabhatSamgiita trilokesh.png|100px]] | | image = [[File:PrabhatSamgiita trilokesh.png|100px]] | ||
| song number = 3000-3999 (as found on [[Prabhatasamgiita.net]] | | song number = 3000-3999 (as found on [[Prabhatasamgiita.net]]) | ||
| date= 1984-10-18 – 1987-01-22 | |||
}} | }} | ||
On [[Sarkarverse]], each song of [[Prabhat Samgiita]] is treated to [[List of songs of Prabhat Samgiita|a separate article]]. The lyrics are presented in both [[Roman Bengali transliteration|Roman script]] and Bengali script ([[:wikipedia:Bengali language|Bangla]]). And each song is retranslated on a line by line basis. However, that project may take quite a while to complete. On [[Prabhatasamgiita.net]], the lyrics (Roman script only) and | On [[Sarkarverse]], each song of [[Prabhat Samgiita]] is treated to [[List of songs of Prabhat Samgiita|a separate article]]. The lyrics are presented in both [[Roman Bengali transliteration|Roman script]] and Bengali script ([[:wikipedia:Bengali language|Bangla]]). And each song is retranslated on a line by line basis. However, that project may take quite a while to complete. On [[Prabhatasamgiita.net]], the lyrics (Roman script only) and some early translations (mostly by Shrii P.D. Narayan<ref name="PDN">{{cite book|last=Narayan|first=P. D.|title=A Composite Collection (Presentation) of All 5018 Songs Forming Prabháta Saḿgiita}}</ref> and perhaps additionally by Acarya Vijayananada Avadhuta or Acarya Priyashivananda Avadhuta) are all given on a single HTML page. Here on Sarkarverse, that same page (as of 2016 September 25) has been converted into five [[:wikipedia:Wiki|Wiki]] articles (see [[Songs 1-5018]]). Except for some very limited formatting and the inclusion of links to the audio file lists, nothing has been changed in respect to the Prabhatasamgiita.net HTML page.<ref>[http://www.prabhatasamgiita.net/1-5018.htm Songs 1-5018] on [[Prabhatasamgiita.net]]</ref> | ||
<div class="nonumtoc">__TOC__</div> | |||
== Audio == | |||
For the audio to the following songs, go to [https://sarkarverse.org/PS/3000-3999-f/andromeda.php Songs 3000-3999]. | |||
== Dates and abbreviations == | |||
In this document, the date when the song was given appears in parentheses after the song number. That date may vary with other, possibly more reliable sources, for example, the books by Acarya Abhidevananda Avadhuta or Acarya Vijayananda Avadhuta.<ref name="PSV1">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 1-100|edition=3rd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2019|ASIN=B082RDDH81|ISBN=9781386726890}}</ref><ref name="PSV2">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 101-200|edition=3rd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2019|ASIN=B082SCW552|ISBN=9781386077879}}</ref><ref name="PSV3">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 201-300|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2019|ASIN=B082TWBFZX|ISBN=9781386899754}}</ref><ref name="PSV4">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 301-400|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2019|ASIN=B082VHJBK1|ISBN=9781386489122}}</ref><ref name="PSV5">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 401-500|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2019|ASIN=B082WFJPSJ|ISBN=9781386431787}}</ref><ref name="PSV6">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 501-600|edition=3rd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2019|ASIN=B082X65YMB|ISBN=9781386728276}}</ref><ref name="PSV7">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 601-700|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2019|ASIN=B082XJY826|ISBN=9781386095170}}</ref><ref name="PSV8">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 701-800|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2019|ASIN=B082YJ8MYB|ISBN=9781386967255}}</ref><ref name="PSV9">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 801-900|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2019|ASIN=B082Z7FRXH|ISBN=9781386976707}}</ref><ref name="PSV10">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 901-1000|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2019|ASIN=B082ZS2RGC|ISBN=9781386144267}}</ref><ref name="PSV11">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 1001-1100|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2019|ASIN=B0831P7HQD|ISBN=9781386532316}}</ref><ref name="PSV12">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 1101-1200|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2019|ASIN=B0833C8TWR|ISBN=9781386538998}}</ref><ref name="PSV13">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 1201-1300|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2019|ASIN=B0833GD8XR|ISBN=9781386807537}}</ref><ref name="PSV14">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 1301-1400|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2019|ASIN=B0833XCRJK|ISBN=9781386629412}}</ref><ref name="PSV15">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 1401-1500|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2020|ASIN=B084LPYLHV|ISBN=9781393988007}}</ref><ref name="PSV16">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 1501-1600|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2020|ASIN=B089S33T8D|ISBN=9781393400363}}</ref><ref name="PSV17">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 1601-1700|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2020|ASIN=B08HY4FFZ2|ISBN=9781393645771}}</ref><ref name="PSV18">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 1701-1800|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2020|ASIN=B08RC8XSQ2|ISBN=9781393154877}}</ref><ref name="PSV19">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 1801-1900|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2021|ASIN=B094GQMCJF|ISBN=9781393595281}}</ref><ref name="PSV20">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 1901-2000|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2021|ASIN=B09DBB4HNV|ISBN=9798201598891}}</ref><ref name="PSV21">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 2001-2100|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2021|ASIN=B09MKNJYFY|ISBN=9798201399177}}</ref><ref name="PSV22">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 2101-2200|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2021|ASIN=B09TZSBWHY|ISBN=9798201016975}}</ref><ref name="PSV23">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 2201-2300|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2022|ASIN=B0B3VK2VV8|ISBN=9798201819286}}</ref><ref name="PSV24">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 2301-2400|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2022|ASIN=B0BFR8TKB2|ISBN=9798201896676}}</ref><ref name="PSV25">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 2401-2500|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2022|ASIN=B0BRJS1W7C|ISBN=9798215576731}}</ref><ref name="PSV26">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 2501-2600|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2023|ASIN=B0C1XC5362|ISBN=9798215502570}}</ref><ref name="PSV27">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 2601-2700|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2023|ASIN=B0CBN6WX8T|ISBN=9798223353959}}</ref><ref name="PSV28">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 2701-2800|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2023|ASIN=B0CLJWZHXM|ISBN=9798223315087}}</ref><ref name="PSV29">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 2801-2900|edition=2nd|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2023|ASIN=B0CTFLM81L|ISBN=9798223249382}}</ref><ref name="PSV30">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 2901-3000|edition=1st|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2024|ASIN=B0D3BTFN3G|ISBN=9798224417551}}</ref><ref name="PSV31">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Songs 3001-3100|edition=1st|publisher=[[AmRevolution, Inc.]]|others=Translated by [[Abhidevananda|Acarya Abhidevananda Avadhuta]]|location=Tel Aviv|year=2024|ASIN=|ISBN=9798224917662}}</ref><ref name="PS1">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volume 1|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta|location=Kolkata|year=1993|ISBN=81-7252-041-7}}</ref><ref name="PRS Vol1">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volume 1|edition=2nd|location=Kolkata|year=1994|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta|language=Bengali|isbn=81-7252-082-4}}</ref><ref name="PRS Vol2">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volume 2|edition=2nd|location=Kolkata|year=1994|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta|language=Bengali|isbn=81-7252-084-0}}</ref><ref name="PRS Vol3">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volume 3|edition=2nd|location=Kolkata|year=1998|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta|language=Bengali|isbn=81-7252-155-3}}</ref><ref name="PRS Vol4">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volume 4|edition=2nd|location=Kolkata|year=1999|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta|language=Bengali|isbn=81-7252-160-X}}</ref><ref name="PRS Vol5">{{cite book|last=Sarkar|first=Prabhat Ranjan|title=Prabhat Samgiita Volume 5|edition=2nd|location=Kolkata|year=1999|publisher=Ananda Marga Publications|editor=Acarya Vijayananda Avadhuta|language=Bengali|isbn=81-7252-161-8}}</ref> | |||
After the date, there may be one or more abbreviations. These abbreviations typically refer to the style of melody or rhythm. For example, ''D'' stands for [[:wikipedia:Dadra|Dadra]], and ''K'' stands for [[:wikipedia:Keherwa|Kaharva]]. Once again, this information may vary with other, possibly more reliable sources. | |||
== Lyrics and translations == | |||
=== 3000 (08/08/1985) K === | |||
TOMÁY ÁMI CEYECHI<br /> | |||
SHATA RÚPE, MANE MANE<br /> | |||
PRÁŃER DEVATÁ KENO NÁHI ELE<br /> | |||
DÚRE RAYE GELE ABHIMÁNE<br /> | |||
SHATA RÚPE, MANE MANE<br /> | |||
ALAKHE PULAKE TUMI GEYE JÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKHE PULAKE TUMI GEYE JÁO<br /> | |||
PARÁŃ BHARE SUR SARITÁ BAHÁO<br /> | |||
TOMÁRI VIIŃÁR, TOMÁRI<br /> | |||
VIIŃÁR TÁR SMITA JHAUNKÁRE<br /> | |||
MORE NIYE BHÁSE DÚR VIMÁNE<br /> | |||
SHATA RÚPE, MANE MANE<br /> | |||
E TAVA ÁKARŚAŃ EŔÁNO NÁ JÁY<br /> | |||
MANER MÁDHURII MOR TOMÁ PÁNE DHÁY<br /> | |||
E KII SUDHÁ TUMI CHAŔÁLE<br /> | |||
TÁR SURABHI TÁR SURABHI JE PRÁŃE JAŔÁLE<br /> | |||
TÁRI RÁGE, TÁRI RÁGE PARÁGE ANURÁGE<br /> | |||
MORE T́ENE NEY MÁNÁ NÁ MÁNE<br /> | |||
SHATA RÚPE, MANE MANE<br /> | |||
TOMÁY ÁMI CEYECHI<br /> | |||
SHATA RÚPE, MANE MANE<br /> | |||
I’ve loved You in my mind in hundreds of ways.<br /> | |||
God of my heart, why didn’t You come?<br /> | |||
Instead You stayed far away because of some hurt feelings.<br /> | |||
With an unseen quiver,<br /> | |||
You go on singing,<br /> | |||
flowing wholeheartedly in the stream of melody.<br /> | |||
The sound of Your viina strings<br /> | |||
lifts me far off as in an airplane.<br /> | |||
I cannot get rid of this attraction,<br /> | |||
its fragrance is embedded in my heart,<br /> | |||
its affection pulls me along without any obstacles.<br /> | |||
=== 3001 (08/08/1985) K === | |||
GÁNER MÁLÁ JENO SHUKHÁIÁ NÁ JÁY<br /> | |||
VISHTUŚKA MÁRAVA VÁTE<br /> | |||
SHÁNTI SECAN VÁRI TAVA KARUŃÁY<br /> | |||
SADÁ JENO THÁKE MOR SÁTHE<br /> | |||
VISHTUŚKA MÁRAVA VÁTE<br /> | |||
MANER MÁDHURII DIYE KUSUM PHOT́ÁYECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER MÁDHURII DIYE KUSUM PHOT́ÁYECHI<br /> | |||
MANER MÁDHURII DIYE KUSUM PHOT́ÁYECHI<br /> | |||
MANER MÁDHURII DIYE KUSUM PHOT́ÁYECHI<br /> | |||
PRIITI D́ORE MÁLÁ KHÁNI JATANE GÁNTHIYÁCHI<br /> | |||
TOMÁRE PARÁBO GALE UDDVEL HOYE ÁCHI<br /> | |||
PATH CEYE DIVAS RÁTE<br /> | |||
VISHTUŚKA MÁRAVA VÁTE<br /> | |||
TOMÁR PRERAŃÁY MANE MÁDHURII ESECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR PRERAŃÁY MANE MÁDHURII ESECHE<br /> | |||
TOMÁR PRERAŃÁY MANE MÁDHURII ESECHE<br /> | |||
TOMÁR PRERAŃÁY MANE MÁDHURII ESECHE<br /> | |||
TAVA KRIPÁ KAŃÁY BUK MOR BHARE GECHE<br /> | |||
TOMÁRE ARGHYA DITE CITTA MÁTIYÁCHE<br /> | |||
PRIITIR PRATIITI NIYE HÁTE<br /> | |||
VISHTUŚKA MÁRAVA VÁTE<br /> | |||
GÁNER MÁLÁ JENO SHUKHÁIÁ NÁ JÁY<br /> | |||
VISHTUŚKA MÁRAVA VÁTE<br /> | |||
Let not this garland of songs dry out in the hot desert wind. To sprinkle on it, let, by your grace, the water of heavenly peace always remain with me. With the sweetness of my heart, I have made the flowers bloom. With meticulous care, I have threaded the garland with the thread of love. To put it around your neck, I am restless and look to your path of arrival day and night. Your inspiration has brought sweetness into my mind. With an iota of your grace my heart is filled. To make offering of love with conviction to You, my mind is impatient.<br /> | |||
=== 3002 (08/08/1985) D === | |||
CIR KÁLER BANDHU<br /> | |||
NIKAT́E ESE GHUM BHÁUNGIO<br /> | |||
GHUM BHÁUNGIO<br /> | |||
JAD́ERI BHÁVANÁY YADI METE<br /> | |||
THÁKI, JÁGIE DIO<br /> | |||
NIKAT́E ESE GHUM BHÁUNGIO<br /> | |||
GHUM BHÁUNGIO<br /> | |||
KICHUI TOMÁR AJÁNÁ NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KICHUI TOMÁR AJÁNÁ NÁI<br /> | |||
RANDHRE RANDHRE ÁCHO SADÁI<br /> | |||
TOMÁY BHÚLE JAD́E HÁRÁI<br /> | |||
T́ENE PATHE ÁNIO<br /> | |||
NIKAT́E ESE GHUM BHÁUNGIO<br /> | |||
GHUM BHÁUNGIO<br /> | |||
ANÁDI ASHEŚA E LIILÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁDI ASHEŚA E LIILÁY<br /> | |||
TOMÁY KHONJÁ HOYE UT́HE DÁY<br /> | |||
BHRÁNTI KICHU DEKHATE NÁ DEY<br /> | |||
TUMI DIIPAK JVÁLIO<br /> | |||
NIKAT́E ESE GHUM BHÁUNGIO<br /> | |||
GHUM BHÁUNGIO<br /> | |||
CIR KÁLER BANDHU<br /> | |||
NIKAT́E ESE GHUM BHÁUNGIO<br /> | |||
GHUM BHÁUNGIO<br /> | |||
O eternal Companion, coming close, break my sleep. If I am engrossed in the materialistic thoughts, wake me up. Nothing is unknown to You, as You always pervade each pore. Forgetting You I am lost in matter, hence pulling me bring to the proper path. This divine play, liila, is without beginning and end. Searching You is most difficult. The delusion does permit me to see anything, You kindle the lamp.<br /> | |||
=== 3003 (09/08/1985) K === | |||
ÁMRA VANER MADHU JHARE JÁY<br /> | |||
VASANTERI HAOÁ DIGANTE HÁRÁY<br /> | |||
VASANTERI HAOÁ DIGANTE HÁRÁY<br /> | |||
VASANTERI HAOÁ DIGANTE HÁRÁY<br /> | |||
NIDÁGHER TÁPE ÁJ KOKIL BHULECHE GÁN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIDÁGHER TÁPE ÁJ KOKIL BHULECHE GÁN | |||
NIDÁGHER TÁPE ÁJ KOKIL BHULECHE GÁN | |||
NIDÁGHER TÁPE ÁJ KOKIL BHULECHE GÁN | |||
SHYÁMALIMÁ HÁRÁNO VEŃU VANE NEI TÁN | |||
BÁDAL MEGHE NÁ DEKHE MAYURO NIŚPRÁŃ<br /> | |||
NÁ PHOT́Á MUKUL ÁTAPE SHUKÁY<br /> | |||
ÁMRA VANER MADHU JHARE JÁY<br /> | |||
HARIT TRIŃE LEGECHE HARIDRÁ CHÁP<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HARIT TRIŃE LEGECHE HARIDRÁ CHÁP<br /> | |||
HARIT TRIŃE LEGECHE HARIDRÁ CHÁP<br /> | |||
HARIT TRIŃE LEGECHE HARIDRÁ CHÁP<br /> | |||
JENO SE BAYE JÁY DUSTAR ANUTÁP<br /> | |||
CEPE RÁKHÁ MARMER JATA CHILO SANTÁP<br /> | |||
UŚŃA MÁRAVA ÁNKHITE MILÁY<br /> | |||
ÁMRA VANER MADHU JHARE JÁY<br /> | |||
The honey in the mango grove gets withered. The spring wind is getting lost in the horizon. Due to intense heat of the sun, the cuckoo forgets the song. In the greenness lost bamboo grove there is no melody. By not seeing any cloud in the sky, the peacock is devoid of vitality. The unbloomed buds get dried in the sun. The green grass is marked with yellowish colour, due to blow of hot air over them. All the burns kept suppressed in the core and warm sand get mixed into the eyes.<br /> | |||
=== 3004 (09/08/1985) D === | |||
TÁL TAMÁLIR VANER MÁJHE<br /> | |||
TÁL TAMÁLIR VANER MÁJHE<br /> | |||
TÁL TAMÁLIR VANER MÁJHE<br /> | |||
KE GO ELE NAVA SÁJE<br /> | |||
MANER DUÁR KHULE DIYE<br /> | |||
ÁNLE ÁMÁY TAVA KÁJE<br /> | |||
KE GO ELE NAVA SÁJE<br /> | |||
VARAŚAŃE PLÁVITA DHARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VARAŚAŃE PLÁVITA DHARÁ<br /> | |||
VARAŚAŃE PLÁVITA DHARÁ<br /> | |||
VARAŚAŃE PLÁVITA DHARÁ<br /> | |||
HRID GOŚPAD EKEI HÁRÁ<br /> | |||
JHAUNKRITA MAN TOMÁY BHARÁ<br /> | |||
NANDAN SURABHI MÁJHE<br /> | |||
KE GO ELE NAVA SÁJE<br /> | |||
ÁKÁSH PÁTÁL BHÁVE EKÁKÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁKÁSH PÁTÁL BHÁVE EKÁKÁR<br /> | |||
ÁKÁSH PÁTÁL BHÁVE EKÁKÁR<br /> | |||
ÁKÁSH PÁTÁL BHÁVE EKÁKÁR<br /> | |||
EKI CHANDE NRITYA SABÁR<br /> | |||
EK DYOTANÁR SPANDITA HÁR<br /> | |||
TOMÁR KRIPÁ KAŃÁ JÁCE<br /> | |||
KE GO ELE NAVA SÁJE<br /> | |||
TÁL TAMÁLIR VANER MÁJHE<br /> | |||
KE GO ELE NAVA SÁJE<br /> | |||
Into the forest of palm and palmyra, who has come in new adornment? Opening the doors of the mind, He brought me for Your work. The earth was flooded with rain. The pits and the heart are lost in one. Amidst the heavenly fragrance, the vibrated mind is full of You. The sky and the underworld have merged together and with only one rhythm, all dance. Vibrated and vanquished with one significance, all seek wee bit of Your grace, O Lord.<br /> | |||
=== 3005 (10/08/1985) K === | |||
ASIIMER MÁJHE SIIMÁ NIHITA ÁCHE<br /> | |||
DUYETEI TUMI PRIYA PRABHU<br /> | |||
SABÁRE GHIRE ÁCHO MAN KE BHARE<br /> | |||
DHARÁ CHONYÁ DÁO NÁ TABU<br /> | |||
DUYETEI TUMI PRIYA PRABHU<br /> | |||
LIILÁR DOLÁY TUMI DÚLE CALE JÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LIILÁR DOLÁY TUMI DÚLE CALE JÁO<br /> | |||
TOMÁKE BUJHITE GELE BODHA NIYE NÁO<br /> | |||
JE VAHNI SHIKHÁ PRÁŃA BHARIYE RÁKHE<br /> | |||
NIVITE DÁO NÁ KABHU<br /> | |||
DUYETEI TUMI PRIYA PRABHU<br /> | |||
ÁCHO, ANALE ANILE NABHAH NIILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANALE ANILE NABHAH NIILE<br /> | |||
TÁRÁR HÁSITE ÁCHO BHÁVER MILE<br /> | |||
JE PRIITIR KAŃÁ MANE MÁDHURII MÁKHE<br /> | |||
TÁRO DHYEYA TUMI VIBHU<br /> | |||
DUYETEI TUMI PRIYA PRABHU<br /> | |||
O Dear Lord, within the limitedness, limit is located, but both are You only. You surround everything and fill the mind; still You do not get touched by the earth. You go on swinging, oscillating the swing of divine play, liila. You bring the intuition for understanding You. The flame of fire that has kept the mind full, that You do not allow to be extinguished. You are in air, fire, and blue sky, and mixed with the feelings of smiling stars. The particle of love that smears sweetness in mind. Their object of meditation is You, O Lord.<br /> | |||
=== 3006 (10/08/1985) K === | |||
TOMÁRI KATHÁ BHEVE MÁRMIK ANUBHAVE<br /> | |||
BÁNDHA BHÁUNGÁMAN MOR ASIIME BHÁSIYÁ JÁY<br /> | |||
DYULOK BHÚLOK PATI TUMI AGATIR GATI<br /> | |||
TOMÁR PRIITIR KAŃÁ HIYÁ PULAKE BHARÁY<br /> | |||
BÁNDHA BHÁUNGÁMAN MOR ASIIME BHÁSIYÁ JÁY<br /> | |||
CHANDE ANÚPAMA GANDHE MANORAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHANDE ANÚPAMA GANDHE MANORAMA<br /> | |||
BHÁVÁRÚŔHA SPANDANE SABÁKÁR PRIYATAMA<br /> | |||
KUSUME TUMI MÁLIKÁ, MÁLÁY TUMI MAŃIKÁ<br /> | |||
VIITARÁGA HOYE HÁSO ANURÁGE SUŚAMÁY<br /> | |||
BÁNDHA BHÁUNGÁMAN MOR ASIIME BHÁSIYÁ JÁY<br /> | |||
DÁRUŃA NIDÁGH TÁPE PRATHAM VÁRI DHÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DÁRUŃA NIDÁGH TÁPE PRATHAM VÁRI DHÁRÁ<br /> | |||
VARAŚÁ MEGHER PHÁNKE UJJVAL DHRUVA TÁRÁ<br /> | |||
TIMIRE VIDHUR MÁYÁ MIHIRE TARUR CHÁYÁ<br /> | |||
DÚRE THÁKIÁO THÁKO MAN MADHU ALAKÁY<br /> | |||
BÁNDHA BHÁUNGÁMAN MOR ASIIME BHÁSIYÁ JÁY<br /> | |||
TOMÁRI KATHÁ BHEVE MÁRMIK ANUBHAVE<br /> | |||
BÁNDHA BHÁUNGÁMAN MOR ASIIME BHÁSIYÁ JÁY<br /> | |||
Thinking about You and getting inmost feelings, my mind breaks the bondages and goes on floating to infinity. You are the controller of heaven and earth, and resort of helpless. By wee bit of Your love, the heart gets filled with bliss. You are the Dearest of all with incomparable rhythm, charming fragrance, and vibrations infused with feelings. You are flower in the garland, beads in the rosary, remaining unattached, You smile with loving beauty. You are the first quenching flow of cool water over the heat of the sun. You are the pole star peeping through the gaps of the rainy clouds. You are moonlight in the darkness and shade of tree during sun of the noon. Even if staying far, You reside in the sweet mental heaven.<br /> | |||
=== 3007 (10/08/1985) D === | |||
KE JENO ÁSIÁ MARME PASHIYÁ<br /> | |||
BOLILO MADHU MÁSE ÁSIBE<br /> | |||
MOR JATA DOŚA MANE CÁPÁ KOŚA<br /> | |||
ŚAMIYÁ KARUŃÁ KARIBE<br /> | |||
BOLILO MADHU MÁSE ÁSIBE<br /> | |||
PATH DEKHÁYECHO PATH BUJHIYÁCHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATH DEKHÁYECHO PATH BUJHIYÁCHI<br /> | |||
ÁLASYE UPEKŚÁ KARECHI<br /> | |||
JENE SHUNE BHÚL PATHE CALIYÁCHI<br /> | |||
BHAROSÁ HOLO SMITA HÁSIBE<br /> | |||
BOLILO MADHU MÁSE ÁSIBE<br /> | |||
JÁNI MOR BOLITE KICHU NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁNI MOR BOLITE KICHU NÁI<br /> | |||
TOMÁR JINISE MOR BOLE JÁI<br /> | |||
E MOHA CHALANÁ SHRÁNTI YÁTANÁ<br /> | |||
BOLO NIRASAN KARIBE KABE<br /> | |||
BOLILO MADHU MÁSE ÁSIBE<br /> | |||
KE JENO ÁSIÁ MARME PASHIYÁ<br /> | |||
BOLILO MADHU MÁSE ÁSIBE<br /> | |||
As if someone came and entered my core and told that the sweet springtime would come. Pardoning all my faults and anger suppressed in the mind, He would shower mercy. You have shown the path and I understood the way. But due to lethargy I ignored that and knowingly moved on the wrong way. Still I hoped that You would laugh smilingly. I know that there is nothing really belonging to me. Your articles I declare as mine. This delusion of infatuation, and torture of fatigue, who would redress and when, tell me.<br /> | |||
=== 3008 (11/08/1985) K === | |||
MÁYÁLOKE ESO AJÁNÁ PATHIK<br /> | |||
JENE SHUNE BHÚL KARE MOR GHARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TANDRÁ VIJAŔITA MOR ÁNKHITE<br /> | |||
KUÁSHÁR ÁVARAŃ BHED KARE<br /> | |||
JENE SHUNE BHÚL KARE MOR GHARE<br /> | |||
TUMI CHÁŔÁ ÁR KICHU CÁOÁR JE NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI CHÁŔÁ ÁR KICHU CÁOÁR JE NÁI<br /> | |||
DVITIIYA KONO KICHUTE TRIPTI NÁ PÁI<br /> | |||
ÚŚÁR UDAY HOTE PRATI PALE TÁI<br /> | |||
LIILÁY BHOLÁO SHATA RÚPA DHARE<br /> | |||
JENE SHUNE BHÚL KARE MOR GHARE<br /> | |||
KICHUTEI BHÚLIBO NÁ ÁMIO LIILÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KICHUTEI BHÚLIBO NÁ ÁMIO LIILÁY<br /> | |||
MOR MAN TAVA BHÁVE SAḾSTHITI CÁY<br /> | |||
ÁLOKE ÁNDHÁRE EKI SURE GEYE JÁY<br /> | |||
MÁNE ABHIMÁNE ESO PRÁŃA BHARE<br /> | |||
JENE SHUNE BHÚL KARE MOR GHARE<br /> | |||
MÁYÁLOKE ESO AJÁNÁ PATHIK<br /> | |||
JENE SHUNE BHÚL KARE MOR GHARE<br /> | |||
O the unknown traveler, come into this world of delusion. Knowingly make the mistake and come to my home. Come into my drowsiness fastened eyes, piercing the blanket of fog. There is nothing worth desiring other than You. I do not get satisfaction with anything else. Thus right from the sunrise each moment adopting hundreds of forms, You delude with Your divine game, liila. I shall not forget this liila, Your game by any means. My mind wants to be established in Your ideation and in only one tune goes on singing in light or darkness. Come full of dignity and respect wholeheartedly.<br /> | |||
=== 3009 (11/08/1985) K === | |||
VEŃU VANE NÚPUR PÁY<br /> | |||
KE GO ELE BOLO NÁ ÁMÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ,<br /> | |||
BOLO NÁ ÁMÁY<br /> | |||
ADHARERI RAINJAN NAYANERI AINJAN | |||
ADHARERI RAINJAN NAYANERI AINJAN | |||
ADHARERI RAINJAN NAYANERI AINJAN | |||
DYULOKER DYUTI VARAŚÁY<br /> | |||
KE GO ELE BOLO NÁ ÁMÁY<br /> | |||
BÁNSHI BÁJE SAEKATE VAN HOTE VAN PATHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁNSHI BÁJE SAEKATE VAN HOTE VAN PATHE<br /> | |||
BÁNSHI BÁJE SAEKATE VAN HOTE VAN PATHE<br /> | |||
BÁNSHI BÁJE SAEKATE VAN HOTE VAN PATHE<br /> | |||
ÁNDHÁR JYOTITE JHALAKÁY<br /> | |||
KE GO ELE BOLO NÁ ÁMÁY<br /> | |||
TOMÁR SURE HÁRÁ ÁSAMUDRA DHARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR SURE HÁRÁ ÁSAMUDRA DHARÁ<br /> | |||
TOMÁR SURE HÁRÁ ÁSAMUDRA DHARÁ<br /> | |||
TOMÁR SURE HÁRÁ ÁSAMUDRA DHARÁ<br /> | |||
PULAKE PLÁVANE MURACHÁY<br /> | |||
KE GO ELE BOLO NÁ ÁMÁY<br /> | |||
TUMI SAB KICHU PÁRO JÁHÁRE KARUŃÁ KARO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI SAB KICHU PÁRO JÁHÁRE KARUŃÁ KARO<br /> | |||
TUMI SAB KICHU PÁRO JÁHÁRE KARUŃÁ KARO<br /> | |||
TUMI SAB KICHU PÁRO JÁHÁRE KARUŃÁ KARO<br /> | |||
PRIITITE DOLÁO CINMAYA DOLÁY<br /> | |||
KE GO ELE BOLO NÁ ÁMÁY<br /> | |||
VEŃU VANE NÚPUR PÁY<br /> | |||
KE GO ELE BOLO NÁ ÁMÁY<br /> | |||
Into the bamboo grove, with the tinkling of ankle bell, who has come, tell me. With colour on the lips and dark decoration on the eyes, He rained heavenly effulgence. Playing the flute in the forest on the path, He shines brilliance in darkness. From ocean to land, all are lost in Your melody and faint due to flood of joy. You can do anything to him on which You shower Your mercy. By the swing of love, You oscillate, O the embodiment of consciousness.<br /> | |||
=== 3010 (11/08/1985) D === | |||
GÁN GEYE GECHI<br /> | |||
SUR SEDHE GECHI<br /> | |||
TOMÁKE SHONÁTE CEYECHI<br /> | |||
TOMÁKE JE BHÁLOBESECHI<br /> | |||
SUR SEDHE GECHI<br /> | |||
ÁLOKER LOKE TUMI ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOKER LOKE TUMI ÁCHO<br /> | |||
ÁNDHÁRE LUKIYE RAYECHO<br /> | |||
SAUNGE SAUNGE THEKE GECHO<br /> | |||
E KATHÁ BUJHE NIYECHI<br /> | |||
SUR SEDHE GECHI<br /> | |||
KŚUDHÁR ANNA JUGIYECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KŚUDHÁR ANNA JUGIYECHO<br /> | |||
MAMATÁY KLESH BHULIYECHO<br /> | |||
SHOKE SÁNTVANÁ DIYECHO<br /> | |||
TOMÁKE BHULE KII KARE BÁNCI<br /> | |||
SUR SEDHE GECHI<br /> | |||
GÁN GEYE GECHI<br /> | |||
, SUR SEDHE GECHI<br /> | |||
TOMÁKE SHONÁTE CEYECHI<br /> | |||
TOMÁKE JE BHÁLOBESECHI<br /> | |||
O Lord, I continued to sing the song and rehearse the melody, and wanted to sing to You since I love You. You are in the arena of effulgence and also keep hidden in the darkness. You also kept remaining together with me, this fact I have understood. You provide for food to the hungry, by Your affection make others forget their pain, give consolation during sorrows. By forgetting You how can I survive?<br /> | |||
=== 3011 (11/08/1985) D === | |||
CHILO NÁ CHILO NÁ KICHUI JAKHAN | |||
TUMI EKÁKI CHILE PRIYA EKÁKI CHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
STAMBHIT CHILO SABAI<br /> | |||
SE AMÁNISHÁRI GHORE<br /> | |||
PRIYA EKÁKI CHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TAMASÁY, TAMASÁY CHILE EKELÁ<br /> | |||
CHILO NÁ BELÁ ABELÁ<br /> | |||
CHILO NÁ PHÚLERI MÁLÁ<br /> | |||
NÁ KEU PARÁTE GALE<br /> | |||
PRIYA EKÁKI CHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁILE, CÁILE RAUNGERI MELÁ<br /> | |||
THÁKIBO NÁ ÁR EKELÁ<br /> | |||
JÁGÁBO BHUVANE DOLÁ<br /> | |||
PRIITI UDADHI KÚLE<br /> | |||
VISRIŚTIR PRATHAM PALE<br /> | |||
PRIYA EKÁKI CHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILO NÁ CHILO NÁ KICHUI JAKHAN | |||
TUMI EKÁKI CHILE PRIYA EKÁKI CHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
O Dear Lord, when there was nothing, You were all alone. All were astonished, in that intense darkness. You were alone in the darkness; there was question of good or bad time. There was no floral garland, neither there was anybody to place that around Your neck. You wanted colourful festivity, did not want to stay alone any more, wanted to raise stir in the world, on the shore of the ocean of love during initial moment of rain.<br /> | |||
=== 3012 (12/08/1985) K === | |||
NANDAN MADHU SÁTHE KE GO ELE<br /> | |||
PÁRIJÁT PARÁG CHAŔIYE DILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SVARŃIM REKHÁ MANE ENKE DIYE<br /> | |||
VARŃE VARAŃE AMRTA JHARÁLE<br /> | |||
PÁRIJÁT PARÁG CHAŔIYE DILE<br /> | |||
JÁR JATA BHÁVANÁ TOMÁTEI MISHE GELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁR JATA BHÁVANÁ TOMÁTEI MISHE GELO<br /> | |||
ASIIMER UTSA HOTE ASHEŚE ELO<br /> | |||
ANEKER KLESHA EKE ESE MILILO<br /> | |||
EKER ÁNANDE SABE BHARILE<br /> | |||
PÁRIJÁT PARÁG CHAŔIYE DILE<br /> | |||
ANEKER RAUNGA ÁJ EK RAUNGA HOYE GELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANEKER RAUNGA ÁJ EK RAUNGA HOYE GELO<br /> | |||
ANEK PRÁŃER KŚUDHÁ SUDHÁ RÚPE DEKHÁ DILO<br /> | |||
ANEKER CHANDA EKI TÁLE NÁCILO<br /> | |||
SAKAL SIIMÁ REKHÁ DÚRE SARÁLE<br /> | |||
PÁRIJÁT PARÁG CHAŔIYE DILE<br /> | |||
NANDAN MADHU SÁTHE KE GO ELE<br /> | |||
PÁRIJÁT PARÁG CHAŔIYE DILE<br /> | |||
Who has come today bringing heavenly sweetness, scattering fragrance of heavenly flower pa’rijata, marking golden line in the mind and raining nectar in diverse colours? All the feelings of everyone got merged in You, O Lord, from the origin of infinity, it came to endlessness. The sorrows of many came and merged in One, filling one bliss in all. Color of many has become one today. The inner hunger of all is seen as form of nectar. The rhythms of many today are dancing in unison beats. All the line of limitations is moved out.<br /> | |||
=== 3013 (12/08/1985) K === | |||
ÁNKHIR BÁDAL MUCHECHE KÁJAL<br /> | |||
KÁR KATHÁ MANE PAŔE BOLO NÁ<br /> | |||
KENO JE NINDA NÁI TOMÁKE SUDHÁI<br /> | |||
MANERI KATHÁT́I KENO KAO NÁ<br /> | |||
KÁR KATHÁ MANE PAŔE BOLO NÁ<br /> | |||
ÁLOY ÁLO DISHÁ EMAN MADHUNISHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOY ÁLO DISHÁ EMAN MADHUNISHÁ<br /> | |||
MANERI SURABHI KLIŚT́A BHÁRA NÁSHÁ<br /> | |||
KÁRE CEYE JEGECHE NIRÁSHÁ<br /> | |||
LÁJ BHIITI BHÚLE TÁRE CENÁO NÁ<br /> | |||
KÁR KATHÁ MANE PAŔE BOLO NÁ<br /> | |||
MANER KÁLO MEGHA THÁKE NÁ CIRA DIN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER KÁLO MEGHA THÁKE NÁ CIRA DIN | |||
DHYÁN DHÁRAŃÁY KRAMASHAH HOYE KŚIIŃA<br /> | |||
KUDINERI PARE ÁSIBE SUDIN | |||
TÁI JENE BOLI KICHU BHEVO NÁ<br /> | |||
KÁR KATHÁ MANE PAŔE BOLO NÁ<br /> | |||
ÁNKHIR BÁDAL MUCHECHE KÁJAL<br /> | |||
KÁR KATHÁ MANE PAŔE BOLO NÁ<br /> | |||
The clouds in the eyes wipe the dark decorative mark. Whose events have occurred into your eyes, tell? Why is sleep not coming in your eyes? Whose affairs have entered in your mind, tell? In such a charming sweet night, when all sides are illuminated, and mental fragrance destroys the load of pains, in whose longing are you awake with disappointment? Why cannot you recognise Him forgetting fear and shyness? The dark clouds of the mind would not stay for long. They will gradually decay with concentration and meditation. The good days will come after the bad days, knowing this fact, I tell you not to worry.<br /> | |||
=== 3014 (13/08/1985) D === | |||
ÁSO NI SUKHER DINE<br /> | |||
ELE SAMÁDHITE DITE PHÚL<br /> | |||
BASO NI SIḾHÁSANE<br /> | |||
MOCHONI CARAŃ RÁTÚL<br /> | |||
ELE SAMÁDHITE DITE PHÚL<br /> | |||
DEKHECHI ANEK LIILÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DEKHECHI ANEK LIILÁY<br /> | |||
SHATA RÚPE ÁLOY CHÁYÁY<br /> | |||
BÁNSHITE BELÁ ABELÁY<br /> | |||
D́EKE GECHO MARME ATÚL<br /> | |||
ELE SAMÁDHITE DITE PHÚL<br /> | |||
DYUTIMAYA PARIVESHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DYUTIMAYA PARIVESHE<br /> | |||
CINMAYA SE ÁVESHE<br /> | |||
MAN JETE CÁY JE MISHE<br /> | |||
TOMÁTE ÁVEGE ÁKUL<br /> | |||
ELE SAMÁDHITE DITE PHÚL<br /> | |||
ÁSO NI SUKHER DINE<br /> | |||
ELE SAMÁDHITE DITE PHÚL<br /> | |||
O Lord, You do not come in happy days, and came in engrossment, offering flower. You do not sit on the throne and do not wipe Your red feet. I see many divine plays, liila, in hundreds of forms of light and shade. With the sound of Your flute, You go on calling in the core of the heart in excellent styles from time to time. In the illuminated environment, with the impulse of consciousness, the mind wants to go merge in You restlessly with speed.<br /> | |||
=== 3015 (13/08/1985) D === | |||
ÁMÁR, DIN CALE JÁY<br /> | |||
DIN CALE JÁYA<br /> | |||
CÁNDER ÁLOY NISHÁR KÁLOY<br /> | |||
BHÚLIYE DIYE, KOTHÁY JE HÁRÁY<br /> | |||
DIN CALE JÁY<br /> | |||
DIN CALE JÁYA<br /> | |||
BHEVE CHILUM LÁGBO KÁJE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHEVE CHILUM LÁGBO KÁJE<br /> | |||
THÁKABO METE SABÁR MÁJHE<br /> | |||
RAIBO SEJE NÁNÁN SÁJE<br /> | |||
TOMÁR MAN JÁ CÁY<br /> | |||
DIN CALE JÁY<br /> | |||
DIN CALE JÁYA<br /> | |||
BHEVE CHILUM KAIBE KATHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHEVE CHILUM KAIBE KATHÁ<br /> | |||
SHONÁBE SÁR ITIKATHÁ<br /> | |||
BAYE JÁBO SEI VÁRTÁ, SÁRÁ VASUDHÁY<br /> | |||
DIN CALE JÁY<br /> | |||
DIN CALE JÁYA<br /> | |||
ÁMÁR, DIN CALE JÁY<br /> | |||
DIN CALE JÁYA<br /> | |||
My days are passing, my days are passing. Where are they lost forgetting the moonlight and darkness of the nights? I was thinking that I should remain indulged in action, stay engrossed amidst all and remain adorned in various decorations as per Your wishes, O Lord. I was thinking that I should tell the realities, speaking the essence of history and go on floating in that affairs whole of the world.<br /> | |||
=== 3016 (13/08/1985) K === | |||
JIIVANER UTSA HOTE<br /> | |||
JE SHROTE BHÁSIÁ CHILÁM<br /> | |||
TUMI RAYECHO SE SHROTE<br /> | |||
TOMÁY NÁ DEKHIÁ CHILÁM<br /> | |||
JE SHROTE BHÁSIÁ CHILÁM<br /> | |||
CHILE MOR SÁTHE SÁTHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILE MOR SÁTHE SÁTHE<br /> | |||
ATANDRA DINE NISHIITHE<br /> | |||
ÁNDHÁRE ÁLO HÁTE<br /> | |||
TOMÁY NÁ CINIÁCHILÁM<br /> | |||
JE SHROTE BHÁSIÁ CHILÁM<br /> | |||
SAUNGE RAYECHO ÁJO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAUNGE RAYECHO ÁJO<br /> | |||
SHATA RÚPE PALAKE SÁJO<br /> | |||
SPANDANE SADÁ NÁCO<br /> | |||
DEKHINI COKH D́HÁKIÁ CHILÁM<br /> | |||
JE SHROTE BHÁSIÁ CHILÁM<br /> | |||
JIIVANER UTSA HOTE<br /> | |||
JE SHROTE BHÁSIÁ CHILÁM<br /> | |||
O Lord, right from the origin of life, I have been floating in that stream in which You were also present, but I could not see You. You were with me day and night, ever awake, holding the lamp of effulgence in Your hand. But that time I could not recognise You. Even today You are together with me satiating my eyes with hundreds of forms, ever dancing in vibrations, but I could not observe that with my eyes.<br /> | |||
=== 3017 (14/08/1985) K === | |||
ÁSO NÁ KATHÁ BOLO NÁ<br /> | |||
E BHÁLOBÁSÁ HOLO NÁ<br /> | |||
SHOŃO NÁ VYATHÁ BOJHO NÁ<br /> | |||
KEMAN BUDDHI BUJHINÁ<br /> | |||
E BHÁLOBÁSÁ HOLO NÁ<br /> | |||
MANE MANE ÁCHO SÁTHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANE MANE ÁCHO SÁTHE<br /> | |||
PÁINÁ KABHU DEKHITE<br /> | |||
SHUNIYÁCHOOTAH PROTE<br /> | |||
LUKIYE KII LÁBH BOLO NÁ<br /> | |||
E BHÁLOBÁSÁ HOLO NÁ<br /> | |||
ÁNKHITE REKHE ÁNKHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁNKHITE REKHE ÁNKHI<br /> | |||
BOLITE PÁRO NÁ KI<br /> | |||
ÁR DIN NÁHI BÁKI<br /> | |||
PÚRIBE TOMÁR SÁDHANÁ<br /> | |||
E BHÁLOBÁSÁ HOLO NÁ<br /> | |||
ÁSO NÁ KATHÁ BOLO NÁ<br /> | |||
E BHÁLOBÁSÁ HOLO NÁ<br /> | |||
O Lord, You do not come and speak out, this is not love. You do not listen, do not understand the pain, how, my intellect cannot understand. You are mentally together, yet I cannot see You anytime. I have heard that You are individually and collectively together, what is the use of Your hiding? Keeping eye to eye, cannot You speak out? There is not much time left, fulfill my sa’dhana’, the spiritual effort.<br /> | |||
=== 3018 (14/08/1985) D === | |||
JIIVANER PRATHAM DINE<br /> | |||
JE SUDHÁ JHARIYE CHILE<br /> | |||
TÁRI ÁVESHE MÁTIYE<br /> | |||
CALIVÁR PRERAŃÁ DILE<br /> | |||
JE SUDHÁ JHARIYE CHILE<br /> | |||
ÁVEGE ELUM PATHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁVEGE ELUM PATHE<br /> | |||
NISHÁNÁ JÁNÁ CHILO NÁ<br /> | |||
TOMÁKE DEKHALUM NÁ<br /> | |||
BHULINI ÁJO JE KATHÁ<br /> | |||
ANUTÁP JÁGIYE CHILE<br /> | |||
JE SUDHÁ JHARIYE CHILE<br /> | |||
KATA YUGA CALE GECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA YUGA CALE GECHE<br /> | |||
KATA KI ATIITA HOYECHE<br /> | |||
KATA PHÚL JHARE PAŔECHE<br /> | |||
JÁ MANE PHÚT́IYE CHILE<br /> | |||
JE SUDHÁ JHARIYE CHILE<br /> | |||
JIIVANER PRATHAM DINE<br /> | |||
JE SUDHÁ JHARIYE CHILE<br /> | |||
O Lord, on the first day of life, You flowed the nectar and propelled and frenzied by that, provided inspiration for movement. In that momentum, I came to the path, but the beacon or desideratum was not known, I did not see You. Even today I did not forget that reality and repentance rose up. Many eras have passed and became event of past. Many flowers that bloomed in the mind, withered down.<br /> | |||
=== 3019 (14/08/1985) K === | |||
AUNGANE MOR NÁHI ELE YADI<br /> | |||
MANER MUKURE BHÁSIO<br /> | |||
KONO KATHÁ KAITE NÁ CÁHILE<br /> | |||
MIŚT́I MADHUR HÁSIO<br /> | |||
MANER MUKURE BHÁSIO<br /> | |||
KATA NÁ YUGA DHARE GECHE TAPASYÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA NÁ YUGA DHARE GECHE TAPASYÁ<br /> | |||
KET́ECHE DIIRGHA AMÁVASYÁ<br /> | |||
ÁJIKE EI PRÁTE ARUŃA ÁLOTE<br /> | |||
SEI TAMISRÁ NÁSHIO<br /> | |||
MANER MUKURE BHÁSIO<br /> | |||
BHÁVER JAGATE VYARTHATÁ NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVER JAGATE VYARTHATÁ NÁI<br /> | |||
DRIŔHA BHÁVE TÁI TOMÁKEI CÁI<br /> | |||
KARUŃÁ DHÁRÁY MUCHÁYE ÁMÁY<br /> | |||
AHAETUKI BHÁLOBÁSIO<br /> | |||
MANER MUKURE BHÁSIO<br /> | |||
AUNGANE MOR NÁHI ELE YADI<br /> | |||
MANER MUKURE BHÁSIO<br /> | |||
O Lord, if You did not come into my courtyard, appear in my mental mirror. I do not want a talk, simply smile sweetly. How many eras have passed in penances, and long dark nights have passed. Today on this morning, with crimson light, destroy that darkness. There is no wastage in the psychic world, that is why with firm conviction I want You. With the flow of causeless mercy, wiping my ego, You love.<br /> | |||
=== 3020 (14/08/1985) K === | |||
MÁRAVA PATHE SMITA JHARAŃÁ<br /> | |||
KLIŚT́A DINER JVÁLÁR SHEŚE<br /> | |||
DAHANÁNALE SHIITALATÁ DILE<br /> | |||
SAKAL MÁDHURII TOMÁY MESHE<br /> | |||
KLIŚT́A DINER JVÁLÁR SHEŚE<br /> | |||
SAKAL CÁOÁR TUMI NIVRITTI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAKAL CÁOÁR TUMI NIVRITTI<br /> | |||
SAKAL PÁOÁR MUKHYÁ VRITTI<br /> | |||
YUGE YUGÁNTARE CEYECHI TOMÁRE<br /> | |||
ÁJ ELEMOHAN VESHE<br /> | |||
KLIŚT́A DINER JOÁLÁR SHEŚE<br /> | |||
KII JE KARI BHÁVÁ NÁHI JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KII JE KARI BHÁVÁ NÁHI JÁY<br /> | |||
ÁNANDA MOR BÁNDHA BHEUNGE DEY<br /> | |||
RÚPÁTIITA CHILE RÚPE DHARÁ DILE<br /> | |||
DHULIR DHARAŃIITE ESE<br /> | |||
KLIŚT́A DINER JVÁLÁR SHEŚE<br /> | |||
O Lord, as smiling fountain on the desert path, at the end of heat of painful day, You provided coolness on the burns of fire, mixing all sweetness in You. You are the cessation of all desires, and topmost desire of attainment. For eras after eras, I have longed for You, and today You came with charming adornment. I am unable to think what to do, my bliss breaks all barriers. You were formless and came into fold in form, by coming on this muddy earth.<br /> | |||
=== 3021 (15/08/1985) D === | |||
ÁKÁSHE VÁTÁSE MAHIMA<br /> | |||
CHAŔIYE RAYECHE TOMÁR<br /> | |||
CINTÁ KARE VISHVA GHÚRE<br /> | |||
TOMÁR SAMÁN DEKHINÁ ÁR<br /> | |||
CHAŔIYE RAYECHE TOMÁR<br /> | |||
ANÁDIRAI UTSA HOTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁDIRAI UTSA HOTE<br /> | |||
KATA DINE KATA RÁTE<br /> | |||
ÁCHO ÁMÁR ÁCHO ÁMÁR<br /> | |||
ÁCHO ÁMÁR SÁTHE SÁTHE<br /> | |||
SAB GUŃER TUMI SAMÁHÁR<br /> | |||
CHAŔIYE RAYECHE TOMÁR?<br /> | |||
TOMÁR KATHÁ NÁHI PHURÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR KATHÁ NÁHI PHURÁY<br /> | |||
AŃU BOLITE KI PÁRE TÁY<br /> | |||
KATA JANAM, KATA JANAM<br /> | |||
KATA JANAM, CALIYA JÁY<br /> | |||
ÁSHE TAVA KRIPÁ KAŃÁR<br /> | |||
CHAŔIYE RAYECHE TOMÁR?<br /> | |||
ÁKÁSHE VÁTÁSE MAHIMA<br /> | |||
CHAŔIYE RAYECHE TOMÁR<br /> | |||
O Lord, Your glory is scattered into the sky and air. Thinking about that, roaming all over the world, I do not see any one like You. From the origin of beginninglessness, how many days and how many nights, You have remained along with me. You are the aggregate of all qualities. Your events never conclude, what a small unit mind can say. Life after life goes in the hope of wee bit of Your grace.<br /> | |||
=== 3022 (15/08/1985) K === | |||
KICHU NÁ JÁNIYE SE ESE CHILO<br /> | |||
BADDHA ARGAL KHÚLE DIYE<br /> | |||
MANER GABHIIRE DHIIRE BASE CHILO<br /> | |||
SE ESE CHILO<br /> | |||
VARŚAŃA SNÁTA RÁTE CUPISÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VARŚAŃA SNÁTA RÁTE CUPISÁRE<br /> | |||
NIIRAVA CARAŃE ESE EI ÁŚÁŔHE<br /> | |||
NÁ KARIYÁ KARÁGHÁT KONO DHVANI SAUNGHÁT<br /> | |||
MADHUR OŚT́ÁDHARE HESE CHILO<br /> | |||
SE ESE CHILO<br /> | |||
ALAKH DEVATÁ ALAKHE ÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKH DEVATÁ ALAKHE ÁSE<br /> | |||
MANER GAHAN KOŃE GOPANE HÁSE<br /> | |||
TÁHÁRI KATHÁ BHEVE TÁHÁRI MADHUR BHÁVE<br /> | |||
MAN MOR TADÁTMA HOYECHILO<br /> | |||
SE ESE CHILO<br /> | |||
KICHU NÁ JÁNIYE SE ESE CHILO<br /> | |||
Without declaring, He came. Opening the closed doorbolt, He sat slowly into the depth of the mind. Secretly, in the rain bathed night, coming with silent feet, in this rainy season, without knocking with hand, or any sound blow, He just smiled with sweet lips. The unseen Lord comes unseen, and smiles secretly in deep recess of the mind. Thinking about Him with His sweet ideation, my mind becomes one with Him.<br /> | |||
=== 3023 (15/08/1985) D === | |||
ESO ESO PRIYA MAMA<br /> | |||
NIIRAVA CARAŃ PHELE<br /> | |||
JÁNIBE NÁ BUJHIBE NÁ<br /> | |||
KEU EI AVANII TALE<br /> | |||
NIIRAVA CARAŃ PHELE<br /> | |||
KUSUM SUVÁSE ESO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KUSUM SUVÁSE ESO<br /> | |||
MANERI MADHUTE MESHO<br /> | |||
PARÁGE BHÁLOBÁSO<br /> | |||
BHÁVER GABHIIRE ATALE<br /> | |||
NIIRAVA CARAŃ PHELE<br /> | |||
KATA VINIDRA RÁTI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA VINIDRA RÁTI<br /> | |||
HE AJÁNÁ ATITHI<br /> | |||
JÁGIYE DIYE PRATIITI<br /> | |||
BOLE ÁSIBE CALE<br /> | |||
NIIRAVA CARAŃ PHELE<br /> | |||
ESO ESO PRIYA MAMA<br /> | |||
NIIRAVA CARAŃ PHELE<br /> | |||
O My Dear, come propelling silent feet. No one on this land will know or understand. Come with floral fragrance, and merge with the sweetness of the mind. Love with the floral pollen in the bottom depth of feelings. O the unknown traveler how many sleepless nights came and went awakening realization.<br /> | |||
=== 3024 (16/08/1985) D === | |||
ÁSIBE ÁSIBE BOLE GELE<br /> | |||
KENO ELE NÁ<br /> | |||
GÁNTHÁ PHÚLER MÁLÁ<br /> | |||
JHARE GELOPARILE NÁ<br /> | |||
KENO ELE NÁ<br /> | |||
VÁTÁYANE ÁNAMANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VÁTÁYANE ÁNAMANE<br /> | |||
BASE THÁKI NIRJANE<br /> | |||
MALAY SHONÁY KÁŃE<br /> | |||
KATHÁ RÁKHILE NÁ<br /> | |||
KENO ELE NÁ<br /> | |||
RAVI ÁSE JÁY D́UBE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RAVI ÁSE JÁY D́UBE<br /> | |||
KAYE JÁY CUPE CUPE<br /> | |||
ÁBÁR JÁGIBO PÚBE<br /> | |||
TUMI KENDO NÁ<br /> | |||
KENO ELE NÁ<br /> | |||
ÁSIBE BOLE GELE<br /> | |||
KENO ELE NÁ<br /> | |||
O Lord, You went telling that You would return, but why did not You come? The threaded garland of flower withered away, You, You did not put on. In the balcony, unmindfully, I remained seated in isolation. The sandal breeze whispered in the ears that You did not keep the words. The sun rises and sets, speaking secretly, “This time I would appear in the east, you do not cry”.<br /> | |||
=== 3025 (16/08/1985) K === | |||
EI, GHAN MEGH DALE ELE<br /> | |||
BHUVAN BHARIYÁ<br /> | |||
PUINJE PUINJE KÁLO ÁRO KÁLO<br /> | |||
RAUNGE ÁKÁSHA D́HÁKIYÁ<br /> | |||
BHUVAN BHARIYÁ<br /> | |||
ALAKÁR UPAHÁR TUMI DHARÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKÁR UPAHÁR TUMI DHARÁTE<br /> | |||
SHYÁMALIMÁ D́HELE DÁO PRÁŃA DHÁRÁTE<br /> | |||
NIDÁGHER NIŚT́HUR ULKÁGHÁTE<br /> | |||
ELE KOMALATÁ MÁKHIYÁ<br /> | |||
BHUVAN BHARIYÁ<br /> | |||
MANER MAÚR NÁCE KALÁPETE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER MAÚR NÁCE KALÁPETE<br /> | |||
TOMÁKE DEKHIYÁ CHANDE SAḾGIITE<br /> | |||
CÁY NÁ KONO KICHU CÁY JE DITE<br /> | |||
SAB SAINCAY TAVA BHÁVE MÁTIYA<br /> | |||
BHUVAN BHARIYÁ<br /> | |||
EI, GHAN MEGH DALE ELE<br /> | |||
BHUVAN BHARIYÁ<br /> | |||
O Lord, You came as the clusters of dense clouds, filling the whole world, with bunches and bunches of dark and darker clouds, covering the sky. You are the heavenly gift on the earth and go on pouring the greenness with the flow of life. Over the injuries of hot cruel meteor falls, You brought smearing softness. The mental peacock dances with raised tail with rhythmic melody, looking at You. It does not to get anything, only wants to give, all its collections, intoxicated in Your ideation.<br /> | |||
=== 3026 (17/08/1985) D === | |||
EI, SHARAT ÁKÁSHE<br /> | |||
SHARAT ÁKÁSHE SHEFÁLII RABHASE<br /> | |||
SÁDÁ MEGHA KOTHÁ BHESE JÁY<br /> | |||
RÚPÁLI BHELÁY SANDHYÁ BELÁY<br /> | |||
SVAPNÁVESHA BHARIYE DEY<br /> | |||
SÁDÁ MEGHA KOTHÁ BHESE JÁY<br /> | |||
DHARÁY ENECHE AMARÁR RÚPA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DHARÁY ENECHE AMARÁR RÚPA<br /> | |||
SHYÁMALE KOMALE MÁYÁ APARÚPA<br /> | |||
SNIGDHA SAMIIRE SURABHITA DHÚPA<br /> | |||
NÁ JÁNIYE KÁR PÁNE DHÁY<br /> | |||
SÁDÁMEGHA KOTHÁ BHESE JÁY<br /> | |||
SAB CHÚT́E JÁY EKERI PÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAB CHÚT́E JÁY EKERI PÁNE<br /> | |||
NÁCE GÁNE VIHAGER KALA TÁNE<br /> | |||
CHANDA MÁDHURII BHARIYÁ PARÁŃE<br /> | |||
SUR JHAUNKÁRE MURACHÁY<br /> | |||
SÁDÁ MEGHA KOTHÁ BHESE JÁY<br /> | |||
EI, SHARAT ÁKÁSHE<br /> | |||
SHARAT ÁKÁSHE SHEFÁLII RABHASE<br /> | |||
SÁDÁ MEGHA KOTHÁ BHESE JÁY<br /> | |||
On this autumn sky, with the upsurge of shefa’lii fragrance, where the white cloud goes on floating? On the silvery boat, at this evening time, it fills with dreamy impulse. On this earth heavenly beauty has come, tender and green incomparable, illusive beauty. With soft breeze, as fragrant incense, unknowingly towards which desideratum does it rush? All rush towards only One, dancing and singing as the chirping of birds, and filling the sweetness of rhythm in life, fainting by the tinkling of melody.<br /> | |||
=== 3027 (17/08/1985) D === | |||
TUMI YADI NÁ ELE<br /> | |||
TUMI YADI NÁ ELE<br /> | |||
VRITHÁI MAN MUKULE<br /> | |||
SEJE BASE THÁKÁ<br /> | |||
VÁTÁYANE ÁNKHI REKHE<br /> | |||
PRIITIRI MÁDHURII MEKHE<br /> | |||
ÁSHÁY BHARE RÁKHÁ<br /> | |||
SEJE BASE THÁKÁ<br /> | |||
NAYANERI AINJANA<br /> | |||
O HE KLESHA BHAINJANA<br /> | |||
SHUDHUI SMRITITE D́HÁKÁ<br /> | |||
SEJE BASE THÁKÁ<br /> | |||
KENO NÁHI ÁLO BOLO<br /> | |||
KENO BÁ EŔIYE CALO<br /> | |||
KENO DÚRÁKÁSHE JVALO<br /> | |||
ETA SUDHÁ MÁKHÁ<br /> | |||
SEJE BASE THÁKÁ<br /> | |||
TUMI YADI NÁ ELE<br /> | |||
VRITHÁI MAN MUKULE<br /> | |||
SEJE BASE THÁKÁ<br /> | |||
O Lord, if You do not come, it is useless to keep the mind decorated with floral buds and looking at the balcony, with eyes smeared with the sweetness of love and full of hope. O the decoration of my eyes and destroyer of pains, joy of my mind, only covered with memories. Tell me why do not You come. Why do You go on avoiding me? Why do You shine in the distant sky with so much absorbed in nectar?<br /> | |||
=== 3028 (17/08/1985) K === | |||
PRIYA ÁMÁR BANDHU ÁMÁR<br /> | |||
DÚRE KENO THÁKO<br /> | |||
TÁL TAMÁLIIRA JHÚLANA KHELÁY<br /> | |||
MEGHER KÁJAL MÁKHO<br /> | |||
DÚRE KENO THÁKO<br /> | |||
VAN GAHANER URDDHVE CEYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VAN GAHANER URDDHVE CEYE<br /> | |||
THÁKI ÁMITOMÁY NIYE<br /> | |||
BHÁVERA GHORE SEI ÁNDHÁRE<br /> | |||
ÁMÁY KENO D́ÁKO<br /> | |||
DÚRE KENO THÁKO<br /> | |||
KATA TAŔIT ÁSE O JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA TAŔIT ÁSE O JÁY<br /> | |||
KŚAŃA PRABHÁ KŚAŃE MILÁY<br /> | |||
TOMÁR ÁMÁR BÁNDHAN HIYÁY<br /> | |||
ANANTA KÁL THÁKO<br /> | |||
DÚRE KENO THÁKO<br /> | |||
O my ever companion, my dearest, why did you stay away? You are absorbed in the swinging game of palm and tama’l trees and darkness of clouds. Looking above the dense forest, I am only staying for you. Amidst the dense darkness of thoughts, why are you calling me? How many lightning come and go appearing for a moment and disappearing again. The bondage of your and my heart, keep forever.<br /> | |||
=== 3029 (31/08/1985) K === | |||
KON SE AJÁNÁ PATHIK ELO<br /> | |||
SABÁRE ÁPAN KARE NILO<br /> | |||
KONO KATHÁ KÁRO SÁTHE NÁHI KAHILO<br /> | |||
VÁŃII HÁRÁ MUKHE HÁSILO<br /> | |||
SABÁRE ÁPAN KARE NILO<br /> | |||
ÁNKHITE CHILO TÁR PRIITI AINJAN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁNKHITE CHILO TÁR PRIITI AINJAN | |||
KANT́HE BHARÁ CHILO GIITI VIMOHANA<br /> | |||
KAR KAMALE VARŃA SUSHOBHAN | |||
DHARÁTE AMRTA D́HELE CHILO<br /> | |||
SABÁRE ÁPAN KARE NILO<br /> | |||
JE DYUTI CHAŔÁLO SE E PRITHIVITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE DYUTI CHAŔÁLO SE E PRITHIVITE<br /> | |||
ÁJO TÁ BAHE JÁY ANANTA SHROTE<br /> | |||
ÁNDHÁRE ÁLOTE AMÁ JYOTSNÁ RÁTE<br /> | |||
NIJERE VILÁYE CALE GELO<br /> | |||
SABÁRE ÁPAN KARE NILO<br /> | |||
KON SE AJÁNÁ PATHIK ELO<br /> | |||
SABÁRE ÁPAN KARE NILO<br /> | |||
Which unknown traveler came and made everyone His own. He did not talk to anyone anything, with speechless face He just smiled. There was decoration mark of love in His eyes and throat was full of enchanting songs. With lotus palms full of colours, He poured nectar on the earth. The effulgence He scattered on this earth, that flows even today through the infinite stream. All the darkness and illumination, dark or moonlit night, He dissolved in Himself and went.<br /> | |||
=== 3030 (18/08/10985) K === | |||
KON SE SUDURE THÁKO TUMI<br /> | |||
CUPI CUPI BOLO<br /> | |||
PRÁŃER VAHNI SHIKHÁ ÁSHÁR UJJVAL T́IIKÁ<br /> | |||
TAVA DYOTANÁY JHALAMALO<br /> | |||
CUPI CUPI BOLO<br /> | |||
TRITIIYA KEHO NÁI SHUNITE GOPAN KATHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TRITIIYA KEHO NÁI SHUNITE GOPAN KATHÁ<br /> | |||
TUMI BOLIBE ÁMI SHUNI BASE VÁRTÁ<br /> | |||
MÁLIKÁ SAMA HIYÁY THÁKIBE GÁNTHÁ<br /> | |||
DERII SAHENÁ EK PALAO<br /> | |||
CUPI CUPI BOLO<br /> | |||
TOMÁRE BHÁLOBESE DÚRE THÁKÁ HOLO DÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁRE BHÁLOBESE DÚRE THÁKÁ HOLO DÁY<br /> | |||
BÁHIR ANTARA TAVA DYUTI JHALAKÁY<br /> | |||
MANER MADHUVAN TOMÁRE PETE CÁY<br /> | |||
TAVA BHÁVANÁY UCCHALO<br /> | |||
CUPI CUPI BOLO<br /> | |||
KON SE SUDURE THÁKO TUMI<br /> | |||
CUPI CUPI BOLO<br /> | |||
O Lord, at what distant place You stay, tell me secretly. The flame tip of my life, shining mark of hope, glitters with Your gesture. There is no third person to listen to our secret conversation. You shall speak and I sit and listen to Your talk. I shall thread my heart with Yours like a garland. I cannot bear the delay even for a moment. It is difficult for me to love You from a distance. Both outside and inside Your effulgence shines. My mental garden wants to get You and is restless with Your ideation.<br /> | |||
=== 3031 (18/08/1985) D === | |||
MEGHER PARE ROD UT́HECHE<br /> | |||
ÁLOR HÁSI JHALAMALA<br /> | |||
ÁLOR HÁSI JHALAMALA<br /> | |||
EMAN SAMAY TUMI ELE<br /> | |||
KARE DILE PRÁŃOCCHALA<br /> | |||
ÁLOR HÁSI JHALAMALA<br /> | |||
ÁLOR HÁSI JHALAMALA<br /> | |||
ÁNANDA ÁJ BÁNDHA NÁ MÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁNANDA ÁJ BÁNDHA NÁ MÁNE<br /> | |||
ÁKÁSHA VÁTÁS MUKHAR GÁNE<br /> | |||
DÚR NIRADHI CHANDA ÁNE<br /> | |||
URMI MÁLÁY SAMUJJVALA<br /> | |||
ÁLOR HÁSI JHALAMALA<br /> | |||
ÁLOR HÁSI JHALAMALA<br /> | |||
PHÚRÁLO ÁJ SAKAL KATHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHÚRÁLO ÁJ SAKAL KATHÁ<br /> | |||
NÁBOLÁ SAB ITIKATHÁ<br /> | |||
SUKHER SMRITI DUHKHER VYATHÁ<br /> | |||
BHOLÁY BHÁVE SHATADALA<br /> | |||
ÁLOR HÁSI JHALAMALA<br /> | |||
ÁLOR HÁSI JHALAMALA<br /> | |||
MEGHER PARE ROD UT́HECHE<br /> | |||
ÁLOR HÁSI JHALAMALA<br /> | |||
ÁLOR HÁSI JHALAMALA<br /> | |||
The sunshine appears beyond the clouds, and the smile of shine glitters. At such a time You came, and made me overwhelmed. The joy today does not heed to any hindrance. The sky and air is resonant with songs. The distant ocean brings rhythm and the series of waves shines. All talks concluded today, all untold history. The memories of pleasure and sorrows of pain, is forgotten in the ideation of the hundredpetal lotus.<br /> | |||
=== 3032 (18/08/1985) D === | |||
KATA BHÁVE MORE BHÁLOBÁSIYÁCHO<br /> | |||
MUKHE SHONÁONI KAKHANO<br /> | |||
BOLITE CÁO NI EKHANO<br /> | |||
MIT́ÁYECHO KŚUDHÁ D́HÁLIYÁCHO SUDHÁ<br /> | |||
MAMATÁR MADHU MÁKHÁNO<br /> | |||
BOLITE CÁO NI EKHANO<br /> | |||
ANDHA TÁMASII VIBHÁVARI MÁJHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANDHA TÁMASII VIBHÁVARI MÁJHE<br /> | |||
TAVA PRIITI KAŃÁ ALAKHE VIRÁJE<br /> | |||
ÁLOKERI SÁJE TYAJI BHAYA LÁJE<br /> | |||
DEKHI TUMI MAN MÁTÁNO<br /> | |||
BOLITE CÁO NI EKHANO<br /> | |||
KATA BÁR KÁLO MEGH D́HÁKIYÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA BÁR KÁLO MEGH D́HÁKIYÁCHE<br /> | |||
TAVA RAVIKARA TÁRE SARÁYECHE<br /> | |||
ÁNDHÁRER PAR ÁLOK NECECHE<br /> | |||
PATH HÁRÁINI KAKHANO<br /> | |||
BOLITE CÁO NI EKHANO<br /> | |||
O Lord, in numerous ways You have loved me, but never told me anytime, even now You do not want to speak. You have satiated my hunger, pored nectar, and smeared sweetness of affection. During deep dark nights, Your wee bit of love appears unseen. With illumination of light, leaving fear and shyness, I see You intoxicating my mind. Several times the dark clouds have covered, but Your solar rays have removed them. Beyond darkness, the light dances, thus I shall never lose the path.<br /> | |||
=== 3033 (19/08/1985) D === | |||
AMÁNISHÁR AVASÁNE<br /> | |||
ELE PRIYA MANE MANE<br /> | |||
JATA KÁLO SARE GELO<br /> | |||
ÁLO ELO PÚRVA GAGANE<br /> | |||
ELE PRIYA MANE MANE<br /> | |||
MRIŃÁLE KAMALE E KII<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MRIŃÁLE KAMALE E KII<br /> | |||
LIILÁ RACIÁCHO DEKHI<br /> | |||
NATA ÁNKHI NATA ÁNKHI<br /> | |||
NATA ÁNKHI LÁJE D́HÁKI<br /> | |||
BOLE TOMÁY CÁI GAHANE<br /> | |||
ELE PRIYA MANE MANE<br /> | |||
KÁLO RÁTRI ESE CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁLO RÁTRI ESE CHILO<br /> | |||
JAD́ATÁTE D́HEKE CHILO<br /> | |||
BHULIYE SAKAL BHULIYE SAKAL<br /> | |||
BHULIYE SAKAL, MANDA BHÁLO<br /> | |||
BENDHE MÁYÁRI BÁNDHANE<br /> | |||
ELE PRIYA MANE MANE<br /> | |||
AMÁNISHÁR AVASÁNE<br /> | |||
ELE PRIYA MANE MANE<br /> | |||
O Dear, You came mentally, at the end of the dark night. All the darkness was removed and light came in the eastern sky. What divine game, liila, You have created through the lotus and its stem, that I saw. The eyes, bowed down and covered with shyness, tell that they want You in the deep recess. Dark nights came, and covered with inertia. Forgetting all good and bad, it bound with the bondage of illusion, ma’ya’.<br /> | |||
=== 3034 (19/08/1985) D === | |||
BHULOKE DYULOKE TOMÁR PULAKE<br /> | |||
KARUŃÁR KAŃÁ BHESE JÁY<br /> | |||
BHESE JÁY PRIYA/ÁR? BHESE JÁY<br /> | |||
AMÁ JYOTSNÁY<br /> | |||
AMÁ JYOTSNÁY MRIG TRIŚŃÁY<br /> | |||
HIME HIMÁNII TE JHALAKÁY?<br /> | |||
BHESE JÁY PRIYA/ÁR? BHESE JÁY<br /> | |||
KABHU UDYAME KAKHANO LÁSYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KABHU UDYAME KAKHANO LÁSYE<br /> | |||
ASHRU DHÁRÁY KAKHANO HÁSYE<br /> | |||
BAHÁIYÁ DIYE NRITYE MÁTIYE<br /> | |||
ASIIM VALAYE MURACHÁY<br /> | |||
BHESE JÁY PRIYA/ÁR? BHESE JÁY<br /> | |||
ÁNDHÁRETE DYUTI AGATIR GATI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁNDHÁRETE DYUTI AGATIR GATI<br /> | |||
VYATHÁ HATA PRÁŃE PRIITIR PRATIITI<br /> | |||
SUKHE MADHU SMRITI DUHKHE VISMRITI<br /> | |||
ENE BHARE SUDHÁ VASUDHÁY<br /> | |||
BHESE JÁY PRIYA/ÁR? BHESE JÁY<br /> | |||
BHULOKE DYULOKE TOMÁR PULAKE<br /> | |||
KARUŃÁR KAŃÁ BHESE JÁY<br /> | |||
O Dear Lord, on earth and heaven, by Your pleasure, the particles of Your mercy go on floating. In the dark nights and moonlit nights, through snow and ice, like a mirage, it goes on floating. Sometimes in actions and sometimes through gestures, sometimes in flow of tears and sometimes through smiles, You have flowed it, intoxicating by dance, making the infinite universal ring stunned with astonishment. You are illumination in the darkness, resort of helpless, symbol of love for the afflicted lives. You bring and fill nectar in the world with sweet memories of joy and obliviousness of pain | |||
=== 3035 (19/08/1985) === | |||
DÚRER PARI SURER TARI<br /> | |||
BHÁSÁO KÁRE NIYE<br /> | |||
KON AJÁNÁY BHESE SE JÁY<br /> | |||
KICHU NÁ JÁNIYE<br /> | |||
BHÁSÁO KÁRE NIYE<br /> | |||
TOMÁR SÁTHE MOR PARICAYA<br /> | |||
DU CÁR DINER KATHÁ TO NAY<br /> | |||
TUMI CHILE ÁMI CHILUM<br /> | |||
KÁLER SIIMÁ CHÁPIYE<br /> | |||
BHÁSÁO KÁRE NIYE<br /> | |||
TUMI JEMAN CHILE ÁCHO<br /> | |||
NOTUN RÁGE SÁDHIYÁCHO<br /> | |||
ÁMÁY DÚRE SARIYECHO<br /> | |||
ASHRU DHÁRÁ DIYE<br /> | |||
BHÁSÁO KÁRE NIYE<br /> | |||
DÚRER PARI SURER TARI<br /> | |||
BHÁSÁO KÁRE NIYE<br /> | |||
O the distant angel, what for You have floated the boat of melody? It goes on floating to some unknown destination, without knowing anything. My acquaintance with You is not a matter of two or four days. You were there and I was also there enveloping the boundary of time. You remain in the same condition as in the past, rehearsing new melodies. But You have moved me out giving flow of tears.<br /> | |||
=== 3036 (19/08/1985) K === | |||
ESO PRABHU ESO MOR MANE GOPANE<br /> | |||
JÁNIBE NÁ DEKHIBE NÁ KEHO EI ÁNÁGONÁ<br /> | |||
SHUNIBE NÁ KABHU SHRAVAŃE<br /> | |||
ESO PRABHU ESO MOR MANE GOPANE<br /> | |||
VEDII SÁJIYECHI MANE DHAOTA ASHRU JALE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VEDII SÁJIYECHI MANE DHAOTA ASHRU JALE<br /> | |||
CANDAN SUVÁSE SURABHITA KARE TULE<br /> | |||
CITTA KALÁPE VICITRA NÁNÁ PHÚLE<br /> | |||
MÁDHURI D́HÁLIÁ JATANE<br /> | |||
ESO PRABHU ESO MOR MANE GOPANE<br /> | |||
VARAŚA BHULIÁ GECHI BHULE GECHI SÁL KÁLA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VARAŚA BHULIÁ GECHI BHULE GECHI SÁL KÁLA<br /> | |||
TOMÁRE BHEVECHI DINE RÁTE SANDHYÁ SAKÁL<br /> | |||
KÁCHE T́ENE NÁO MORE CHINŔE JATA MÁYÁJÁL<br /> | |||
SHODHAN KARIYÁ MANANE<br /> | |||
ESO PRABHU ESO MOR MANE GOPANE<br /> | |||
O Lord, come into my mind secretly. Nobody would know, see or hear with ears about this coming and going. I have decorated the mental altar after washing with the tears. I have made it fragrant with the fragrance of sandal. I have decorated the mental peacock’s tail with various colourful flowers, after pouring sweetness in that carefully. I have forgotten the rains and also forgotten the years and time. As I go on thinking about You, day and night, morning and evening. You pull me close to You tearing the entire net of illusion, ma’ya’ and purify my mind.<br /> | |||
=== 3037 (20/08/1985) K === | |||
GÁNER MÁLIKÁ GENTHE JÁI<br /> | |||
ÁR KICHU NÁI PRABHU<br /> | |||
ÁR KICHU NÁI<br /> | |||
SUKHE DUHKHE TOMÁKE SHOŃÁI<br /> | |||
TÁTE TRIPTI JE PÁI<br /> | |||
ÁR KICHU NÁI PRABHU<br /> | |||
ÁR KICHU NÁI<br /> | |||
NIŚPRÁŃA ASRIŚT́ITE TUMI JEGE CHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIŚPRÁŃA ASRIŚT́ITE TUMI JEGE CHILE<br /> | |||
MANER MÁDHURII NAVA SRIŚT́ITE D́HELE CHILE<br /> | |||
KICHU NÁ THÁKÁR MÁJHE SAB KICHU ENE DILE<br /> | |||
TÁI TO TOMÁR GUŃA GÁI<br /> | |||
ÁR KICHU NÁI PRABHU<br /> | |||
ÁR KICHU NÁI<br /> | |||
PATANE ABHYUDAYE TAVA PATHE CALIYÁCHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATANE ABHYUDAYE TAVA PATHE CALIYÁCHI<br /> | |||
KAKHANO PAŔE GECHI KABHU UT́HE DÁNŔIYECHI<br /> | |||
TOMÁR RACITA CHANDE NÁCE MÁTIYECHI<br /> | |||
TAVA BHÁVE ABHÁVE SABÁI<br /> | |||
ÁR KICHU NÁI PRABHU<br /> | |||
ÁR KICHU NÁI<br /> | |||
GÁNER MÁLIKÁ GENTHE JÁI<br /> | |||
ÁR KICHU NÁI PRABHU<br /> | |||
ÁR KICHU NÁI<br /> | |||
O Lord, I just go on threading the garland of songs, nothing else. I tell You my pain and pleasure, by that I get satisfaction. You were alert in the lifeless noncreation. You poured out sweetness of the mind in new creation. Within nothingness, You brought everything. That is why I go on singing Your glory. I move on Your path with rise and fall. Sometimes I lie down and sometimes rise and stand. With Your rhythm and dance, I am intoxicated with or without all Your ideation.<br /> | |||
=== 3038 (20/08/1985) D === | |||
THEKO SAUNGE PRATI KŚAŃE<br /> | |||
THEKO PRABHU ÁMÁR DHYÁNE<br /> | |||
JHAŔ BAYE JÁY YADI E DHARÁY<br /> | |||
PRASHÁNTI REKHO MOR MANE<br /> | |||
THEKO PRABHU ÁMÁR DHYÁNE<br /> | |||
CÁI NÁ KONO KICHU TOMÁR KÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁI NÁ KONO KICHU TOMÁR KÁCHE<br /> | |||
TUMI JÁR TÁR KII ABHÁVA ÁCHE<br /> | |||
E PARASH MAŃI SAUNGE RAYECHE<br /> | |||
MOR PRAYOJAN SEI JÁNE<br /> | |||
THEKO PRABHU ÁMÁR DHYÁNE<br /> | |||
OHA AVOHETE PATH CALE JÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
OHA AVOHETE PATH CALE JÁI<br /> | |||
THÁMIVÁR KONO AVAKÁSHA NÁI<br /> | |||
JE KÁCHE RAYECHE TÁRE KAYE JÁI<br /> | |||
SE JENO NÁ SARE ABHIMÁNE, T<br /> | |||
HEKO PRABHU ÁMÁR DHYÁNE<br /> | |||
THEKO SAUNGE PRATI KŚAŃE<br /> | |||
THEKO PRABHU ÁMÁR DHYÁNE<br /> | |||
O Lord, stay with me each moment, stay in my meditation. If storm blows on this earth, keep my mind tranquil. I do not want anything from You, if You belong to someone, what want is there for him? This touchstone remains together, and knows my purpose. With thinking I go on moving on the path. There is no chance for pause. Those who are nearby, to them I go on telling, so that they do not move away due to ego.<br /> | |||
=== 3039 (20/08/1985) D === | |||
TUMI YADI BHÁLOBÁSO<br /> | |||
KENO NÁHI ÁSO KÁCHE<br /> | |||
DÚRE THEKE KENO HÁSO<br /> | |||
MAN MÁTÁNO SÁJE<br /> | |||
KENO NÁHI ÁSO KÁCHE<br /> | |||
KABARIR VEŃI ÁMÁR<br /> | |||
KHULIÁ GIÁCHE NIRÁSHÁY<br /> | |||
JATANE GÁNTHÁ MÁLÁ<br /> | |||
SHUKHÁYECHE TUMI SAJJÁY<br /> | |||
KÁJALE ÁNKHIR JALE<br /> | |||
SAB KICHU BHÁSIÁ JÁY<br /> | |||
RÚPMAYA RÚPERI MÁJHE<br /> | |||
KENO NÁHI ÁSO KÁCHE<br /> | |||
SHUNI TUMI SABI MANE RÁKHO<br /> | |||
SABÁRE MANETE RÁKHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHUNI TUMI SABI MANE RÁKHO<br /> | |||
SABÁRE MANETE RÁKHO<br /> | |||
MAN MÁJHE MADHU MÁKHO<br /> | |||
MÁDHAVI NIKUINJA MÁJHE<br /> | |||
KENO NÁHI ÁSO KÁCHE<br /> | |||
O Lord, if you love me, why do not you come close? With charming adornment, why do you stand away smiling? Due to hopelessness, my chignon braiding has opened out. The carefully threaded floral garland for your welcome is dried up. Due to tears from the eyes, all its black makeup is washed off. O Beautiful, why do not you come in the arena of forms? I have heard that you keep everything and each one in your mind. Within the mind itself You smear sweetness, under the ma’dhavii floral arbor.<br /> | |||
=== 3040 (21/08/1985) D === | |||
ÁLOKE ÁSONIKO<br /> | |||
ELE TUMI TAMASÁTE<br /> | |||
ÁSONI MÁLÁ PARITE<br /> | |||
ESE CHILE ÁNKHI MUCHÁTE<br /> | |||
ELE TUMI TAMASÁTE<br /> | |||
ÁSONI SUKHER DINE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSONI SUKHER DINE<br /> | |||
UTSAVE NIMANTRAŃE<br /> | |||
SAHAKÁR PATRE GHAT́E<br /> | |||
ÁLPANÁ ÁLÁPANE<br /> | |||
ESECHILE DUHKHER RÁTE<br /> | |||
SNEHER SÁNTVANÁ DITE<br /> | |||
ELE TUMI TAMASÁTE<br /> | |||
ÁLOKE KHUINJECHI TOMÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOKE KHUINJECHI TOMÁY<br /> | |||
EŔÁTE ÁNDHÁR KUÁSHÁY<br /> | |||
BHÁVINIKO ÁNDHÁR MÁJHEO<br /> | |||
TAVA JYOTI JVALE NIBHRITE<br /> | |||
ELE TUMI TAMASÁTE<br /> | |||
O Lord, during light, You do not come. And came during darkness. You do not come to wear the garland, and came for wiping the eyes. You do not come during happy days with the invitation for festivity, and mango leaves on the pot or colourful paintings. You came during night of sorrows to provide affectionate consolation. I search You in light, avoiding the fog of darkness. I could not imagine that even in darkness, Your effulgence shines in isolation.<br /> | |||
=== 3041 (21/08/1985) D === | |||
TOMÁY PELUM MANER MÁJHE<br /> | |||
ÁKÁSHE VÁTÁSE ÁJ<br /> | |||
SÁRÁ SAḾSÁR HE PRABHU TOMÁR<br /> | |||
KARIYÁ CALECHE KÁJ<br /> | |||
ÁKÁSHE VÁTÁSE ÁJ<br /> | |||
SABE ÁSHÁ NIYE ÁCHE CEYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABE ÁSHÁ NIYE ÁCHE CEYE<br /> | |||
KABE ÁLO ENE SAB HRDAYE<br /> | |||
O HE NITYA SHUDDHA APÁPA VIDDHA<br /> | |||
HÁSIBE RÁJÁDHIRÁJ<br /> | |||
ÁKÁSHE VÁTÁSE ÁJ<br /> | |||
TOMÁR TRILOKE NÁHI TULANÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR TRILOKE NÁHI TULANÁ<br /> | |||
TUMI SHREŚT́HA SHREYA SÁDHANÁ<br /> | |||
GHRŃÁ NÁHI KARE CÁHO PRIITI BHARE<br /> | |||
SAMVITE NÁSHO LÁJ<br /> | |||
ÁKÁSHE VÁTÁSE ÁJ<br /> | |||
TOMÁY PELUM MANER MÁJHE<br /> | |||
ÁKÁSHE VÁTÁSE ÁJ<br /> | |||
O Lord, today I attained You in the mind, sky and air. Entire universe of Yours goes on performing the action. All carrying hope are looking forward, when the light would be brought into all hearts. O the Eternal, Pure, unaffected with sins, King of Kings, when shall You smile? You have no comparison in the three worlds. You are the supreme benevolent sa’dhana’, the endeavor. Without hating You want all with love. With consciousness, destroy the shyness.<br /> | |||
=== 3042 (21/08/1985) K === | |||
ANDHAKÁR GHARE MOR<br /> | |||
KE GO ELE TUMI KE GO ELE<br /> | |||
DEKHITE PÁINI JÁNITE PÁRINI<br /> | |||
KEMANE ELE KAKHAN ESE CHILE<br /> | |||
KE GO ELE TUMI KE GO ELE<br /> | |||
KARÁGHÁTA NÁHI KARE NIIRAVA CARAŃ PHELE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KARÁGHÁTA NÁHI KARE NIIRAVA CARAŃ PHELE<br /> | |||
AJÁNTE ÁMÁR HRIDAYE PRAVESHILE<br /> | |||
RÚPER CHAT́ÁY ÁLOKITA KARE DILE<br /> | |||
ABHÁJANE KRIPÁ KARILE<br /> | |||
KE GO ELE TUMI KE GO ELE<br /> | |||
MANTRA MUGDHA ÁMI VISMAYE CEYE CHINU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANTRA MUGDHA ÁMI VISMAYE CEYE CHINU<br /> | |||
TOMÁR LIILÁR RASE BHÁSIYÁ GIYE CHINU<br /> | |||
KARUŃÁ EKEI BOLE<br /> | |||
KE GO ELE TUMI KE GO ELE<br /> | |||
ANDHAKÁR GHARE MOR<br /> | |||
KE GO ELE TUMI KE GO ELE<br /> | |||
Who is that You, who came to my dark home? I could not see, could not know, how and when You came? Without knocking, extending silent feet, without my awareness, You entered my heart. By the splendor of beauty, You illuminated, showering grace on this nondeserving me. I was enchanted, looked with astonishment, and floated in the flow of Your divine game, liila. Is it called mercy?<br /> | |||
=== 3043 (22/08/1985) K === | |||
KISERI PULAKE SABÁRI ALAKHE<br /> | |||
JEGE CHILE TUMI KON ATIITE<br /> | |||
JEGE CHILE<br /> | |||
CHILO NÁKO KÁLA TITHI SAMAYER PARIMITI<br /> | |||
AKÁLE GHUMIYE CHILE<br /> | |||
JEGE CHILE<br /> | |||
SEI GHUM BHEUNGE GELO VARŃE VISHVA ELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SEI GHUM BHEUNGE GELO VARŃE VISHVA ELO<br /> | |||
MANER ANSHUMÁLI PURVÁKÁSHE RÁUNGÁILO<br /> | |||
MADHU ELO MÁNASA SHATADALE<br /> | |||
JEGE CHILE<br /> | |||
ÁLOKE ÁTMA HÁRÁ BHÁVETE PURŃA DHÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOKE ÁTMA HÁRÁ BHÁVETE PURŃA DHÁRÁ<br /> | |||
NOTUN PRATIITI NIYE TOMÁTEI HOLO BHARÁ<br /> | |||
DHVANI ELO RÁGA RÁGINIIRI MÚLE<br /> | |||
JEGE CHILE<br /> | |||
KISERI PULAKE SABÁRI ALAKHE<br /> | |||
JEGE CHILE TUMI KON ATIITE<br /> | |||
JEGE CHILE<br /> | |||
O Lord, by whose thrill, unseen by all, You have remained awakened, since distant past? There date and time, no limitation of time, You were asleep beyond time. That sleep was broken and colourful world came. The mental sun coloured the eastern sky and honey came into the hundredpetal mental lotus. Losing the identity into the effulgence, in the full current of the ideation, bringing new realization, it became full by You. At the foundation of melodies and tunes, sound came.<br /> | |||
=== 3044 (22/08/1985) K === | |||
TOMÁKE DEKHINI BUJHITE PÁRINI<br /> | |||
TABU TOMÁY BHÁLOBÁSI<br /> | |||
BHÁŚÁO SHUNINI KHUINJIÁ PÁINI<br /> | |||
PÁOÁR ÁSHÁY SURE BHÁSI<br /> | |||
TABU TOMÁY BHÁLOBÁSI<br /> | |||
ESO GO ESO GO MOR PRIYATAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ESO GO ESO GO MOR PRIYATAMA<br /> | |||
ANTAR MÁJHE ANTAR TAMA<br /> | |||
PULAKE NÁCIYÁ MAN KE BHARIÁ<br /> | |||
HÁSO VIMOHAN HÁSI<br /> | |||
TABU TOMÁY BHÁLOBÁSI<br /> | |||
SHONO ÁMÁR KATHÁ CALIÁ JÁO KOTHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHONO ÁMÁR KATHÁ CALIÁ JÁO KOTHÁ<br /> | |||
MARMERI MÁJHE GÁO ITIKATHÁ<br /> | |||
BHÁVERI DOLÁY TRILOK DOLÁY<br /> | |||
TOMÁRI MADHUR BÁNSHI<br /> | |||
TABU TOMÁY BHÁLOBÁSI<br /> | |||
TOMÁKE DEKHINI BUJHITE PÁRINI<br /> | |||
TABU TOMÁY BHÁLOBÁSI<br /> | |||
O Lord, I did not see You, could not understand You, still I love You. I did not hear Your speech, could not search, and floated in melody with hope of finding You. O my most beloved, come within my inner most core. Dancing with thrill, satiating the mind, laugh with charming smile. Listen to my talk, where are You going? Sing the history within my core. Your sweet charming flute swings the feelings and oscillates the world.<br /> | |||
=== 3045 (22/08/1985) K === | |||
ÁMÁKE PHELE REKHE<br /> | |||
EKALÁ PATHE KOTHÁY CALECHO<br /> | |||
SÁDÁ MEGHERI BHELÁY<br /> | |||
MALAY VÁY KENO BHESECHO<br /> | |||
KOTHÁY CALECHO<br /> | |||
BÁGICÁY BULBULI GÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁGICÁY BULBULI GÁY<br /> | |||
SUR BHARIÁ KÁNAY KÁNÁY<br /> | |||
BHÁVI KI BHÁVE METE<br /> | |||
KÁCHE PETE ADHIIR HOYECHO<br /> | |||
KOTHÁY CALECHO<br /> | |||
ÁMÁKE NÁO NÁ SÁTHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁKE NÁO NÁ SÁTHE<br /> | |||
JEO NÁ EKALÁ PATHE<br /> | |||
TÁRÁRÁ DRIŚT́I HENE<br /> | |||
KAY JE KÁŃE KENO JETE DICCHO<br /> | |||
KOTHÁY CALECHO<br /> | |||
ÁMÁKE PHELE REKHE<br /> | |||
EKALÁ PATHE KOTHÁY CALECHO<br /> | |||
O Lord, leaving me alone, where do You go? On the boat of white cloud, through the sandal breeze, why do You float away? The nightingale in the garden sings crying with full throat. I am wondering, intoxicated with what ideation, You get restless. Take me also with You; do not go alone on the path. The stars casting the eyes say, why do You heed to that call.<br /> | |||
=== 3046 (22/08/1985) K === | |||
TOMÁY ÁMI BHÁLOBÁSINI<br /> | |||
TUMI BHÁLOBESECHO<br /> | |||
ÁMÁY YUGE YUGE<br /> | |||
TOMÁR ÁLOY ÁMI KÁLO KARECHI<br /> | |||
DAYÁ KARE TABU SHIARE ÁCHO JEGE<br /> | |||
ÁMÁY JUGE JUGE<br /> | |||
TOMÁR BHUVANE ÁMI TUCCHA AŃU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR BHUVANE ÁMI TUCCHA AŃU<br /> | |||
TOMÁR KRIPÁY MOR MÁNAS TANU<br /> | |||
TOMÁRE GHIRE CALI TOMÁRI ÁLO JVÁLI<br /> | |||
BENCE ÁCHI PRABHU TOMÁRI SAḾVEGE<br /> | |||
ÁMÁY JUGE JUGE<br /> | |||
AMARÁR RABHASE TUMI BHESE JÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AMARÁR RABHASE TUMI BHESE JÁO<br /> | |||
AŃUR AHAMIKÁ KŚAMÁ KARE DÁO<br /> | |||
TAVA KARUŃÁR SROTE VASUDHÁ NRTYE MÁTE<br /> | |||
ÁCHO SUKHE DUHKHE OTAH PROTA YOGE<br /> | |||
ÁMÁY JUGE JUGE<br /> | |||
TOMÁY ÁMI BHÁLOBÁSINI<br /> | |||
TUMI BHÁLOBESECHO<br /> | |||
ÁMÁY YUGE YUGE<br /> | |||
O Lord, I have never loved You, but You have loved me since ages after ages. Your<br /> | |||
effulgence I have darkened, but mercifully, You have remained awake within my head. I am a<br /> | |||
meagre atom in Your universe. My mind and body is due to Your grace. I move around You<br /> | |||
kindling Your light, surviving by Your impulse. With heavenly upsurge, You go on floating<br /> | |||
pardoning the ego of this meagre atom. In the stream of Your mercy, the earth is<br /> | |||
intoxicated in dance. You remain individually and collectively associated.<br /> | |||
=== 3047 (22/08/1985) K === | |||
TOMÁY CEYECHI ÁMI GOPANE<br /> | |||
NIIRAVE MANERI GAHANE<br /> | |||
TUMI CHÁŔÁ ÁMÁR ÁR KEHO NÁI<br /> | |||
LÁINCHANÁ KLESHA KATA SAYECHI<br /> | |||
PARÁŃA BHARIYÁ SHUDHU KENDECHI<br /> | |||
ÁNKHI MUCHE DITE KÁREO NÁHI PÁI<br /> | |||
TUMI CHÁŔÁ ÁMÁR ÁR KEHO NÁI<br /> | |||
TRILOKE TUMI SHUDHU SHÁSHVATA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TRILOKE TUMI SHUDHU SHÁSHVATA<br /> | |||
BÁKI CAKRA GHORE AGAŃITA<br /> | |||
TÁI TOMÁKEI PETE CÁI<br /> | |||
TUMI CHÁŔÁ ÁMÁR ÁR KEHO NÁI<br /> | |||
ANÁDI ASHEŚE TUMI ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁDI ASHEŚE TUMI ÁCHO<br /> | |||
AŃUR MÁJHE BHÁLOBÁSÁ D́HELECHO<br /> | |||
TÁI SUKHE DUHKHE TOMÁR GUŃA GÁI<br /> | |||
TUMI CHÁŔÁ ÁMÁR ÁR KEHO NÁI<br /> | |||
TOMÁY CEYECHI ÁMI GOPANE<br /> | |||
NIIRAVE MANERI GAHANE<br /> | |||
TUMI CHÁŔÁ ÁMÁR ÁR KEHO NÁI<br /> | |||
O Lord, I wanted You secretly, silently in the depth of the mind. Nobody belongs to me<br /> | |||
other than You. You alone are eternal in the three worlds; all innumerable others revolve<br /> | |||
in circle around You. That is why I want to attain You. You exist in begininglessness and<br /> | |||
endlessness and pour love onto the meagre atom. Hence in pain and pleasure I sing Your<br /> | |||
glory.<br /> | |||
=== 3048 (23/08/1985) D === | |||
PHÚT́ECHE ÁJIKE KATANÁ PHÚL<br /> | |||
UPAVANE NAY MANOVANE<br /> | |||
DULICHE TÁY PRIITIR SHISHIR DODUL<br /> | |||
ÁNAMANE NAY JENE SHUNE<br /> | |||
UPAVANE NAY MANOVANE<br /> | |||
JÁHÁKE KAKHANO HOYENI PÁOÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁHÁKE KAKHANO HOYENI PÁOÁ<br /> | |||
LÁJE JÁHÁR PÁNE HOYENI CÁOÁ<br /> | |||
JIIVANE JE GÁN HOYENI GÁOÁ<br /> | |||
TÁRÁI JENO ELO SANTARPAŃE<br /> | |||
UPAVANE NAY MANOVANE<br /> | |||
CÁPÁ CHILO JÁ MUKULER MÁJHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁPÁ CHILO JÁ MUKULER MÁJHE<br /> | |||
PHÚT́ILO TÁHÁ KUSUMER SÁJE<br /> | |||
CUPI SÁRE SARÁYE LÁJE<br /> | |||
MADHU D́HELE DILO GÁNE GÁNE<br /> | |||
UPAVANE NAY MANOVANE<br /> | |||
PHÚT́ECHE ÁJIKE KATANÁ PHÚL<br /> | |||
UPAVANE NAY MANOVANE<br /> | |||
Today innumerable flowers have bloomed, not in the floral garden but in mental arena. Over<br /> | |||
then dewdrops oscillate swinging, not unmindfully but deliberately. The One who could<br /> | |||
never be attained, towards whom there has never been will. The songs that could never be<br /> | |||
sung in life, they came as if very carefully. That which was hidden amidst bud, that<br /> | |||
bloomed as beautiful flower. Coming secretly removing the shyness, He poured honey in song<br /> | |||
after song.<br /> | |||
=== 3049 (23/08/1985) D === | |||
PHÚLER VANE ÁNAMANE<br /> | |||
BHRAMAR ELO KENO BOLO<br /> | |||
MANER KOŃE SAḾGOPANE<br /> | |||
HOLO SAORABHE UDDVELO<br /> | |||
BHRAMAR ELO KENO BOLO<br /> | |||
ÁKÁSHA PÁTÁL SABAI CENÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁKÁSHA PÁTÁL SABAI CENÁ<br /> | |||
SAB KHÁNE TÁR ÁNÁ GONÁ<br /> | |||
NIIRAVA RÁTE VIINÁ HÁTE<br /> | |||
JHAUNKÁRE HOYE CAINCALO<br /> | |||
BHRAMAR ELO KENO BOLO<br /> | |||
CIRA KÁLER ACENÁ SE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CIRA KÁLER ACENÁ SE<br /> | |||
PRIITI MADHU ÁSHE ÁSE<br /> | |||
CHANDE SURE MÁNAS PURE<br /> | |||
SAḾGIITE HOYE UCCHALO<br /> | |||
BHRAMAR ELO KENO BOLO<br /> | |||
PHÚLER VANE ÁNAMANE<br /> | |||
BHRAMAR ELO KENO BOLO<br /> | |||
The bee came into the garden unmindfully, why, tell me. The recess of the mind secretly<br /> | |||
became restless with fragrance. The sky, the netherworld, all are known, everywhere His<br /> | |||
movement persists. In the silent night with viin’a’ in hand, He makes restless with<br /> | |||
the tinkling. He was unknown for a very long time, but came with the hope of honey of<br /> | |||
love. The mental arena, with rhythm and melody, became restless with music and songs.<br /> | |||
=== 3050 (23/08/1985) D === | |||
PHÁGUN ESECHILO<br /> | |||
MANE DOLÁ DIYE GELO<br /> | |||
SHUKANO D́ÁLE KISHALAY DALE<br /> | |||
NÚTAN SUŚAMÁ D́HELE DILO<br /> | |||
MANE DOLÁ DIE GELO<br /> | |||
SAHAKÁR SHÁKHÁ MUKALITA HOLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAHAKÁR SHÁKHÁ MUKALITA HOLO<br /> | |||
BAKUL PUŚPA SHOBHÁTE BHARILO<br /> | |||
SHÁLMALI GÁCHE RÁNGÁ PHÚL PHOT́E<br /> | |||
KIḾSHUK VAHNI D́HÁLILO<br /> | |||
MANE DOLÁ DIE GELO<br /> | |||
BÁHIRE PRAKRITI NAVA RAUNGE SÁJE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁHIRE PRAKRITI NAVA RAUNGE SÁJE<br /> | |||
VAN KURAUNGA NÁCE MANO MÁJHE<br /> | |||
MADHU MÁSE EI MADHUR ÁVESHE<br /> | |||
SAB KICHU MOR NIYE NILO<br /> | |||
MANE DOLÁ DIE GELO<br /> | |||
PHÁGUN ESECHILO<br /> | |||
MANE DOLÁ DIYE GELO<br /> | |||
The spring season came and started swinging the mind. Into the dry branches, with the<br /> | |||
bunches of new leaves, it poured new beauty. The mango branch became full of buds, the<br /> | |||
bakul tree became full of floral decoration. On sha’lmalii tree colourful flowers<br /> | |||
bloomed and kim’shuk tree with red flowers poured fire. Outside the nature is decorated<br /> | |||
with new colour, the wild stag started dancing in the mind. In this sweet impulse of the<br /> | |||
sweet season, He has taken all that belonged to me.<br /> | |||
=== 3051 (23/08/1985) K === | |||
GÁNE TUMI ESECHO<br /> | |||
BHUVAN BHARIYÁ<br /> | |||
NRTYA RATÁ DHARÁ<br /> | |||
HOYECHE SAYAMBARÁ<br /> | |||
TOMÁRE NIKAT́E HERIYÁ<br /> | |||
BHUVAN BHARIYÁ<br /> | |||
TOMÁR ÁGAMANE PHÚL PHÚT́ECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR ÁGAMANE PHÚL PHÚT́ECHE<br /> | |||
MUKULE JATA LÁJA SARIYA GECHE<br /> | |||
TÁRI MADHU, TÁRI MADHU<br /> | |||
BUKE RÁKHIYACHE SHUDHU<br /> | |||
TOMÁRII ITIKATHÁ SMARIYÁ<br /> | |||
BHUVAN BHARIYÁ<br /> | |||
TOMÁR ÁGAMANE RAUNGA HESECHE<br /> | |||
BHAYÁL AMÁNISHÁ DÚRE SARECHE<br /> | |||
RÁTERI ÁLO, RÁTERI ÁLO<br /> | |||
NÁSHIYÁ JATA KÁLO<br /> | |||
TOMÁRE ENECHE KÁCHE DHARIYÁ<br /> | |||
BHUVAN BHARIYÁ<br /> | |||
GÁNE TUMI ESECHO<br /> | |||
BHUVAN BHARIYÁ<br /> | |||
O Lord, You came with songs filling the whole world. The dance engrossed earth became<br /> | |||
selfselecting of the groom, on finding You close. By Your arrival, flowers bloom, all the<br /> | |||
shyness of the buds was removed. Keeping only His honey in the bosom, remembering Your<br /> | |||
glory. By Your arrival the colours smile, the frightening dark night moved away. The<br /> | |||
light, destroying all the darkness, brought You, close under the folds.<br /> | |||
=== 3052 (23/08/1985) D === | |||
TUMI ESECHO ÁLO ENECHO<br /> | |||
ÁNDHÁR SARE GECHE<br /> | |||
MAN MÁTÁNO VYATHÁ BHOLÁNO<br /> | |||
MADHURIMÁ ESECHE<br /> | |||
ÁNDHÁR SARE GECHE<br /> | |||
ALAKE ÁLOKE TUMI BHESE JÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKE ÁLOKE TUMI BHESE JÁO<br /> | |||
OŚT́HE ADHARE HESE HESE CÁO<br /> | |||
PRIITIR AINJANA KALUŚA BHAINJANA<br /> | |||
CIDÁKÁSHE BHESECHE<br /> | |||
ÁNDHÁR SARE GECHE<br /> | |||
JEO NÁ JEO NÁ BOJHO VYÁKULATÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JEO NÁ, JEO NÁ, BOJHO VYÁKULATÁ<br /> | |||
KÁN PETE DHIIRE SHONO ÁMÁR KATHÁ<br /> | |||
ESECHO JAKHAN THÁKO AŃUKŚAŃA<br /> | |||
ÁMÁR KÁCHE KÁCHE<br /> | |||
ÁNDHÁR SARE GECHE<br /> | |||
TUMI ESECHO ÁLO ENECHO<br /> | |||
ÁNDHÁR SARE GECHE<br /> | |||
O Lord You have come, and brought light, the darkness is removed. The mind is enchanted<br /> | |||
the pain is forgotten, the sweetness has come. With heavenly effulgence, You go on | |||
floating and look with smiling lips. The mark of as ointment to eyes and the destroyer of<br /> | |||
dirt floats in the firmament of the mind. Do not go, do not go, understand my<br /> | |||
restlessness. Directing the ears, slowly listen to my talk. Once that You have come, stay<br /> | |||
for a while close to me.<br /> | |||
=== 3053 (23/08/1985) D === | |||
PHÚLER MÁLIKÁ SHUKHÁIÁ GECHE<br /> | |||
PÁPAŔI JHARIYÁ GECHE TÁR<br /> | |||
TÁR E ITIKATHÁ KEU KI SHOŃE NI<br /> | |||
KARENIKO KONO PRATIKÁR<br /> | |||
PÁPAŔI JHARIYÁ GECHE TÁR<br /> | |||
SAYATANE TOLÁ PHÚL GULI CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAYATANE TOLÁ PHÚL GULI CHILO<br /> | |||
SUŚAMÁ SUVÁSE CHILO UCCHALA<br /> | |||
BHÁVE O MADHUTE CHILO UDDVEL<br /> | |||
KEU KI DEKHENI E DHARÁR<br /> | |||
PÁPAŔI JHARIYÁ GECHE TÁR<br /> | |||
SABÁR ALAKHE JHARIYÁ PAŔECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABÁR ALAKHE JHARIÁ PAŔECHE<br /> | |||
SABÁR CARAŃE VINATI KARECHE<br /> | |||
SHOŃO MOR KATHÁ BOJHO MOR VYATHÁ<br /> | |||
BHÚLIO NÁ BHEVE BOJHÁ BHÁR<br /> | |||
PÁPAŔI JHARIYÁ GECHE TÁR<br /> | |||
PHÚLER MÁLIKÁ SHUKHÁIÁ GECHE<br /> | |||
PÁPAŔI JHARIYÁ GECHE TÁR<br /> | |||
The floral garland has dried up; its petals have withered down. Their history no one<br /> | |||
heard, neither any remedy was made. The flowers were carefully lifted. The beauty and the<br /> | |||
fragrance were overwhelming with the feelings and sweetness, but nobody observed that on | |||
the earth. It fell down unseen by all, praying before all feet. Listen to my talk<br /> | |||
understand my agony, do not ignore thinking that it is difficult to understand.<br /> | |||
=== 3054 (24/08/1985) K === | |||
SABÁR TUMI VARAŃIIYA<br /> | |||
SABÁR MÁJHE ANUPAMA<br /> | |||
TOMÁY ÁMI BHÁLOBÁSI<br /> | |||
NIRDVIDHÁY PRIYA MAMA<br /> | |||
SABÁR MÁJHE ANUPAMA<br /> | |||
TOMÁRI ÁLOKE PRÁŃA BHARÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁRI ÁLOKE PRÁŃA BHARÁI<br /> | |||
TOMÁRE ÁNDHÁRE KHUNJIYÁ JÁI<br /> | |||
MANER MÁJHE RÚPER SÁJE<br /> | |||
ARÚP TUMI MANORAMA<br /> | |||
SABÁR MÁJHE ANUPAMA<br /> | |||
SHREŚT́HA BOLITE DEKHI SHUNI JÁHÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHREŚT́HA BOLITE DEKHI SHUNI JÁHÁI<br /> | |||
SABÁRI URDDHVE TAVA DYUTI PÁI<br /> | |||
TÁI TO JENE NÁ JENE SABÁI<br /> | |||
TOMÁY BOLI NAMAH NAMAH<br /> | |||
SABÁR MÁJHE ANUPAMA<br /> | |||
SABÁR TUMI VARAŃIIYA<br /> | |||
SABÁR MÁJHE ANUPAMA<br /> | |||
O Lord<br /> | |||
You are adorable to all.<br /> | |||
You are excellence amongst all.<br /> | |||
O dear one<br /> | |||
I fill my life with Your effulgence.<br /> | |||
Yet, I keep searching You in darkness.<br /> | |||
O charming one<br /> | |||
although adorned with internal beauty<br /> | |||
You are beyond beauty.<br /> | |||
In whatever I have heard or seen as best<br /> | |||
Your brilliance shines above it all.<br /> | |||
That is why<br /> | |||
knowingly or unknowingly<br /> | |||
all express their salutation to You.<br /> | |||
........................................................<br /> | |||
You are embraced by all<br /> | |||
and of all, You are the finest.<br /> | |||
I loved You without reservation.<br /> | |||
Your effulgence fills my life.<br /> | |||
Searching You in darkness<br /> | |||
I find beauty inside my mind.<br /> | |||
Yet, O Lord<br /> | |||
You are beyond beauty.<br /> | |||
In whatever I see<br /> | |||
I see You as greatest.<br /> | |||
Your effulgence transcends everything.<br /> | |||
Knowingly or unknowingly<br /> | |||
all offer their pranam (salutation) to You..<br /> | |||
=== 3055 (24/08/1985) K === | |||
AJÁNÁ PATHIK EK ESE CHILO<br /> | |||
MANE DOLÁ DIYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ADHARE HESE CHILO MADHUR HÁSI<br /> | |||
KENO NÁ JÁNIYE<br /> | |||
MANE DOLÁ DIYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATH CEYE BASE CHINU YUGA DHARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATH CEYE BASE CHINU YUGA DHARE<br /> | |||
ÁSHÁY PURÁLE MOR ANEK PARE<br /> | |||
KATA JYOTSNÁ KENDE GECHE JE SARE<br /> | |||
VYATHITA HRIDAYE<br /> | |||
MANE DOLÁ DIYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHÚL JHARE GECHE MADHU GANDHE BHARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHÚL JHARE GECHE MADHU GANDHE BHARÁ<br /> | |||
PRIITIR ÁVESHE KATA NECECHE DHARÁ<br /> | |||
HÁRIYE GECHE ÁJ KOTHÁY TÁRÁ<br /> | |||
MORE GÁN SHUNIYE<br /> | |||
MANE DOLÁ DIYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AJÁNÁ PATHIK EK ESE CHILO<br /> | |||
MANE DOLÁ DIYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
One unknown traveler came and oscillated the mind. He was smiling with sweetness on the<br /> | |||
lips, what for I do not know. I have been sitting waiting for Him since ages. After such a<br /> | |||
long time He fulfilled my desire. How many moonlit nights had passed crying with heartfelt<br /> | |||
pain. The flowers full of sweet fragrance had withered away. How much the earth had<br /> | |||
revolved with impulse of love. Where they all are lost today, listening to my song.<br /> | |||
=== 3056 (14/08/1985) K === | |||
MANER MAYUR, MANER MAYUR<br /> | |||
MANER MAYUR<br /> | |||
UŔE JÁY, JÁY, JÁY, JÁY<br /> | |||
KONO BÁDHÁ NÁ SE JÁNE<br /> | |||
KONO MÁNÁ NÁ SE MÁNE<br /> | |||
KALÁP MELE NECE CALE<br /> | |||
KON SE AJÁNÁY<br /> | |||
JÁY, JÁY, JÁY<br /> | |||
SARIT GIRI BÁT́ PERIYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SARIT GIRI BÁT́ PERIYE<br /> | |||
TEPÁNTARER MÁT́H D́INGIYE<br /> | |||
KÁSHER VANE DOLÁ DIYE<br /> | |||
DHÁY, DHÁY, DHÁY<br /> | |||
JÁY, JÁY, JÁY<br /> | |||
PRIYA ÁMÁR DHYEYA ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRIYA ÁMÁR DHYEYA ÁMÁR<br /> | |||
SAKAL GUŃER EK SAMÁHÁR<br /> | |||
COKHER MAŃI TUMI SABÁR<br /> | |||
TOMÁY SABÁI CÁY, CÁY, CÁ<br /> | |||
Y, JÁY, JÁY, JÁY<br /> | |||
MANER MAYUR, MANER MAYUR<br /> | |||
MANER MAYUR<br /> | |||
UŔE JÁY, JÁY, JÁY, JÁY<br /> | |||
The mental peacock goes on flying. It does not know any obstruction, does not heed to any<br /> | |||
prohibition, spreading its wings it goes on dancing to some unknown arena. Crossing<br /> | |||
streams, mountains and roads, passing through fields in wilderness, shaking the forests of<br /> | |||
tall grass, it goes on rushing. O My Dear and Object of meditation, You are aggregate of<br /> | |||
all attributes and pupil of the eyes of all, everyone loves You.<br /> | |||
=== 3057 (24/08/1985) K === | |||
ÁNDHÁRE TUMI ELE<br /> | |||
ÁLOY BHARIYÁ DILE<br /> | |||
GLÁNI DÚRE GELO<br /> | |||
TAMASÁ NIMEŚE SARÁLE<br /> | |||
ÁLOY BHARIYÁ DILE<br /> | |||
JE PÚNJIIBHÚTA MEGH<br /> | |||
JIIVANE D́HÁKIYÁ CHILO<br /> | |||
TAVA MÁDHURI SAMVEG<br /> | |||
TÁHÁKE BHÁSÁYE DILO<br /> | |||
BHÁR MUKTA KARE MORE<br /> | |||
NIKAT́E T́ÁNIÁ NILE<br /> | |||
ÁLOY BHARIYÁ DILE<br /> | |||
SAUNGE RAYECHO PRABHU<br /> | |||
EKÁKI NAHI JE KABHU<br /> | |||
JENEO KENDECHI TABU<br /> | |||
SE KÁNDÁ ÁJI KE BHOLÁLE<br /> | |||
ÁLOY BHARIYÁ DILE<br /> | |||
ÁNDHÁRE TUMI ELE<br /> | |||
ÁLOY BHARIYÁ DILE<br /> | |||
O Lord, You came during darkness, and filled illumination. All weariness was removed, and<br /> | |||
darkness moved out in moments. The accumulated clouds that had covered the life, with Your<br /> | |||
sweet impact You floated them away. Making me free from the burden, You pulled me close. O<br /> | |||
Lord, You remain together. I am never alone. Still knowingly I cry, and that crying You<br /> | |||
made me forget today.<br /> | |||
=== 3058 (24/08/1985) K === | |||
JE GÁN TUMI GEYE GELE<br /> | |||
TÁRI RESHE<br /> | |||
BHESE JÁI ÁMI SUDÚRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE DIIP JVELE GIYE CHILE<br /> | |||
TÁR SHIKHÁ JVALE KATA YUGA DHARE<br /> | |||
BHESE JÁI ÁMI SUDÚRE<br /> | |||
KARUŃÁR PRATIBHU TUMI DEVATÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KARUŃÁR PRATIBHU TUMI DEVATÁ<br /> | |||
TUMI CHÁŔÁ NÁHI MOR KEHO TRÁTÁ<br /> | |||
ÁSÁ JÁOÁ TAVA ICCHÁY VIDHÁTÁ<br /> | |||
TUMI JÁNO BHÁLO KARE<br /> | |||
BHESE JÁI ÁMI SUDÚRE<br /> | |||
SŔŚT́IR PRATHAM ARUŃODAY HOTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SŔŚT́IR PRATHAM ARUŃODAY HOTE<br /> | |||
TUMI ÁCHO SÁTHE SÁTHE OTAH PROTE<br /> | |||
BHÁSIYÁ CALECHI ÁMI TOMÁR SHROTE<br /> | |||
TUMI JENO BHÚLO NÁ MORE<br /> | |||
BHESE JÁI ÁMI SUDÚRE<br /> | |||
JE GÁN TUMI GEYE GELETÁRI RESHE<br /> | |||
BHESE JÁI ÁMI SUDÚRE<br /> | |||
O Lord, the song that You had sung, by the left trace of that, I go on floating far. The<br /> | |||
lamp that had kindled, the flame of which glows since many ages. O Lord, You are the icon | |||
of mercy. Other than You, I have no protector. O Lord, coming and going is Your wish and<br /> | |||
that You know very well. Since the first sunrise of creation, You are together<br /> | |||
individually and collectively. I go on floating in Your stream, so that You never forget<br /> | |||
me.<br /> | |||
=== 3059 (24/08/1985) K === | |||
TOMÁRE CEYECHI MOR KÁCHE KÁCHE<br /> | |||
ÁLOKER E UTSAVE<br /> | |||
CHANDE SURE RÁGA RÁGINII BHARE<br /> | |||
JIIVANER E ÁSAVE<br /> | |||
ÁLOKER E UTSAVE<br /> | |||
TOMÁR SAMÁN GUŃII TRIBHUVANE NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR SAMÁN GUŃII TRIBHUVANE NÁI<br /> | |||
GUŃÁTIITA NIRGUŃA BOLE THÁKI TÁI<br /> | |||
SAKAL GUŃER MORÁ SAMÁHÁR PÁI<br /> | |||
TOMÁRI ANUBHAVE<br /> | |||
ÁLOKER E UTSAVE<br /> | |||
TOMÁR SAMÁN KARUŃÁ NÁHI PÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR SAMÁN KARUŃÁ NÁHI PÁI<br /> | |||
KARUŃÁR VIIŃÁ BÁJIYE CALO SADÁI<br /> | |||
MUKTI MOKŚA CIDÁKÁSHE MORÁ PÁI<br /> | |||
MOHANER ÁVIRBHÁVE<br /> | |||
ÁLOKER E UTSAVE<br /> | |||
TOMÁRE CEYECHI MOR KÁCHE KÁCHE<br /> | |||
ÁLOKER E UTSAVE<br /> | |||
O Lord, I want You close to me during this festivity of light, filled with rhythms<br /> | |||
melodies, and tunes as essence of life. There is no one with attributions like You in the<br /> | |||
three worlds. That is why I call You beyond attributes and without attributes. During<br /> | |||
ideation on You, I find totality of all attributes. I do not find mercy like You anywhere<br /> | |||
else. You always go on playing viin’a’ of mercy. I find liberation and salvation in | |||
the firmament of mind with the advent of the Charming One.<br /> | |||
=== 3060 (24/08/1985) D === | |||
TOMÁY ÁMI CEYE GECHI<br /> | |||
ÁPAN MANE ÁPAN MANE<br /> | |||
BÁHIRE T́HÁIN PÁINIKO TÁI<br /> | |||
RÁKHITE CÁI SAḾGOPANE<br /> | |||
ÁPAN MANE ÁPAN MANE<br /> | |||
DHARÁR DHÚLÁY NÁMAVE TUMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DHARÁR DHÚLÁY NÁMAVE TUMI<br /> | |||
E KEMANE SAIBO ÁMI<br /> | |||
RÁTUL PÁYE KOMAL PÁYE<br /> | |||
DOBO VYATHÁ KON PARÁŃE<br /> | |||
ÁPAN MANE ÁPAN MANE<br /> | |||
MANEI ÁCHE SVARŃA ÁSAN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANEI ÁCHE SVARŃA ÁSAN | |||
TOMÁR TARE MAŃIR BHÚŚAŃ<br /> | |||
ÁSABE HESE BASABE SEJE<br /> | |||
TRIPTA KARE MOR NAYANE<br /> | |||
ÁPAN MANE ÁPAN MANE<br /> | |||
TOMÁY ÁMI CEYE GECHI<br /> | |||
ÁPAN MANE ÁPAN MANE<br /> | |||
O Lord, I have remained desirous of You in my own mind. I do not find proper place<br /> | |||
outside, hence I want to keep You hidden inside. You would come down to the dusty earth<br /> | |||
how can I tolerate that. In Your soft red feet how my heart would allow to cause pain. The<br /> | |||
golden throne is there in the mind itself for You decorated with gems. You would come, sit<br /> | |||
there and satiate my eyes.<br /> | |||
=== 3061 (25/08/1985) D === | |||
JEGE BASE CHILÚM<br /> | |||
TOMÁR TARE PRABHU TOMÁR TARE<br /> | |||
PRADIIP JVELE CHILUM<br /> | |||
MANERI GABHIIRE ANDHAKÁRE<br /> | |||
TOMÁR TARE PRABHU TOMÁR TARE<br /> | |||
KATA YUGA ELO GELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA YUGA ELO GELO<br /> | |||
KATA JANAM PHURÁLO<br /> | |||
TAVA KARUŃÁ NÁ HOLO<br /> | |||
ELE NÁKO PRABHU ÁMÁR GHARE<br /> | |||
TOMÁR TARE PRABHU TOMÁR TARE<br /> | |||
KATA CAMELI JHARILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA CAMELI JHARILO<br /> | |||
KATA SHEFÁLI SHUKÁLO<br /> | |||
KATA JYOTSNÁ KENDE GELO<br /> | |||
SHARATE VASANTE HÁHÁKÁRE<br /> | |||
TOMÁR TARE PRABHU TOMÁR TARE<br /> | |||
JEGE BASE CHILÚM<br /> | |||
TOMÁR TARE PRABHU TOMÁR TARE<br /> | |||
O Lord, I am sitting awake for You. I kindle lamp in the dark depth of my mind. Several<br /> | |||
ages have come and gone. Many lives concluded. But Your mercy did not materialize and You<br /> | |||
did not come to my home. Many camelii flowers have withered down. Many shefa’lii flowers<br /> | |||
dried up. Many moonlit nights of autumn and spring passed crying lamenting.<br /> | |||
=== 3062 (25/08/1985) D === | |||
KÁL KATA RÁTE, KÁL KATA RÁTE<br /> | |||
KÁL KATA RÁTE KUVALAY HÁTE<br /> | |||
KAOMUDI DHOYÁ KÁNANE<br /> | |||
TUMI ESE CHILE<br /> | |||
CHINU GHUM GHORE MANER MUKURE<br /> | |||
CHINU GHUM GHORE MANER MUKURE<br /> | |||
CHINU GHUM GHORE MANER MUKURE<br /> | |||
DEKHÁ HOYE NÁI BASE CHILE<br /> | |||
TUMI ESE CHILE<br /> | |||
BUJHIBÁR JÁHÁ BOJHÁN JÁY NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BUJHIBÁR JÁHÁ BOJHÁN JÁY NÁ<br /> | |||
JATA SHONÁ HOYE SHONÁN HOY NÁ<br /> | |||
SONÁLII MÁDHURII KHÁNCÁY THÁKE NÁ<br /> | |||
SABAI BHESE JÁY SMRITI JALE<br /> | |||
TUMI ESE CHILE<br /> | |||
ÁMÁR E VYATHÁ TUMI KI BOJHO NI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR E VYATHÁ TUMI KI BOJHO NI<br /> | |||
MOR ITIKATHÁ TUMI KI SHONO NI<br /> | |||
NIJER AŃURE CINITE PÁRO NI<br /> | |||
TÁI KI SHUDHUI HESE CHILE<br /> | |||
TUMI ESE CHILE<br /> | |||
KÁL KATA RÁTE, KÁL KATA RÁTE<br /> | |||
KÁL KATA RÁTE KUVALAY HÁTE<br /> | |||
KAOMUDI DHOYÁ KÁNANE<br /> | |||
TUMI ESE CHILE<br /> | |||
Yesterday, in deep night, with blue lotus in hand, in the moonlight washed garden, You had<br /> | |||
come. I was in deep slumber, I could not see in the mental mirror and You sat. Whatever<br /> | |||
was understood cannot be explained, whatever was heard, cannot be told. The golden | |||
sweetness cannot stay in a cage; all float away in the water of memory. This agony of<br /> | |||
mine, cannot You understand? Cannot You listen to my history? Cannot You recognise Your<br /> | |||
own particle? Is it due to that You simply smiled?<br /> | |||
=== 3063 (25/08/1985) D === | |||
TUMI ESECHILE ESECHILE ESE CHILE<br /> | |||
BHULE ABHIMÁN BHULE ABHIMÁN | |||
E DHARAŃII CHILO KLED PICCHIL<br /> | |||
TUMI ENE DILE SONÁLI VÁN | |||
BHULE ABHIMÁN BHULE ABHIMÁN | |||
MADHURIMÁ MÁJHE D́HÁLILE SURABHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MADHURIMÁ MÁJHE D́HÁLILE SURABHI<br /> | |||
VIBHIISHIKÁ KE SARÁLO PRIITI CHAVI<br /> | |||
NISHCHIDRA ÁNDHÁRE ELO RAVI<br /> | |||
HOLO ÁLOKER ABHIYÁN, BHULE<br /> | |||
ABHIMÁN BHULE ABHIMÁN | |||
AVYAKTE BHESE ELO PRÁŃA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AVYAKTE BHESE ELO PRÁŃA<br /> | |||
SARITÁR DHVANI VANE KALATÁN | |||
VIIŃÁ JHAUNKÁRE MANER VITÁN | |||
GÁILO TOMÁR JAY GÁN | |||
BHULE ABHIMÁN BHULE ABHIMÁN | |||
O Lord, You came ignoring the suppressed sorrow. This earth was slippery with mud, You<br /> | |||
brought golden flood. Into sweetness, You poured out fragrance. The loving image has<br /> | |||
removed the frightening figure. In pitch darkness, sun arose. The journey of light<br /> | |||
started. In the unexpressed entity, life came, also came murmuring in the stream and<br /> | |||
chirping in the woods. In the mental canopy, tinkling of viin’a’ came singing Your<br /> | |||
victory song.<br /> | |||
=== 3064 (25/08/1985) K === | |||
JE VAHNI SHALÁKÁ JVÁLÁLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIVIBE NÁ TÁ KAKHANO<br /> | |||
TAVA RÁGE, TAVA RÁGE ANURÁGE<br /> | |||
SE SHIKHÁ JVALIBE JENO<br /> | |||
NIVIBE NÁ TÁ KAKHANO<br /> | |||
PRIITI RASE TUMI ÁCHO<br /> | |||
PRIITI RASE TUMI ÁCHO<br /> | |||
PRIITI RASE TUMI ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRIITI RASE TUMI ÁCHO<br /> | |||
RABHASE METE RAYECHO<br /> | |||
MANO MÁJHE, MANO<br /> | |||
MÁJHE, NÁCITE CHO<br /> | |||
MADHUTE MÁDHURII GHANO<br /> | |||
NIVIBE NÁ TÁ KAKHANO<br /> | |||
JÁHÁ ÁCHE JÁHÁ GECHE<br /> | |||
JÁHÁ ÁCHE JÁHÁ GECHE<br /> | |||
JÁHÁ ÁCHE JÁHÁ GECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁHÁ ÁCHE JÁHÁ GECHE<br /> | |||
JÁHÁ ÁJO ÁSITECHE<br /> | |||
SABAI TAVA, SABAI TAVA, MANE ÁCHE<br /> | |||
SHÁSHVATA TUMI PURÁNO<br /> | |||
NIVIBE NÁ TÁ KAKHANO<br /> | |||
JE VAHNI SHALÁKÁ JVÁLÁLE<br /> | |||
NIVIBE NÁ TÁ KAKHANO<br /> | |||
O Lord, the flame of fire that You have kindled, will never be extinguished. By Your love<br /> | |||
and affectionate colour that flame will continue glowing. You exist in the flow of love<br /> | |||
remaining engrossed in upsurge of emotions, You continue dancing in the mind with intense<br /> | |||
sweetness of honey. Whatever exists, what has gone, whatever is coming today, all are<br /> | |||
present in Your Cosmic mind eternally, O The Ancient One.<br /> | |||
=== 3065 (26/08/1985) K === | |||
GÁNERI SUR BHESE ELO<br /> | |||
ELO ÁMÁRI MANE<br /> | |||
MAN KE DOLÁ SE DILO<br /> | |||
KENO JÁNINE<br /> | |||
ELO ÁMÁRI MANE<br /> | |||
JE MAN CHILO MOR DHULOY D́HÁKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE MAN CHILO MOR DHULOY D́HÁKÁ<br /> | |||
DÚRE UŔITE PÁRITO NÁ PÁKHÁ<br /> | |||
CHOT́O CHOT́O BHÁVANÁY CHILO MÁKHÁ<br /> | |||
SE UŔE DÚR GAGANE<br /> | |||
ELO ÁMÁRI MANE<br /> | |||
JE BHÁVANÁ SIIMITA CHILO GHARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE BHÁVANÁ SIIMITA CHILO GHARE<br /> | |||
SIIMÁR BÁNDHAN BHENGE BHÁSE SUDÚRE<br /> | |||
KHÁNCÁR VIHAG NECE CHANDE SURE<br /> | |||
UŔE JÁY EKERI PÁNE<br /> | |||
ELO ÁMÁRI MANE<br /> | |||
The melody of Your song came floating into my mind.<br /> | |||
It shook my mind.<br /> | |||
Why it did, I am unable to understand.<br /> | |||
My mind was covered under dust<br /> | |||
and could not fly due to lacking wings.<br /> | |||
It was engrossed in mean thoughts.<br /> | |||
Now, it started flying into the distant sky.<br /> | |||
The mind that was confined to home<br /> | |||
now breaks all bondages and floats afar.<br /> | |||
The bird of the cage now flies off<br /> | |||
dancing with rhythm towards its one desideratum.<br /> | |||
=== 3066 (26/08/1985) K === | |||
ÁKÁSH SHONÁY GÁN CHANDE SURE<br /> | |||
VÁTÁSE MAHIMÁ TAVA SADÁ JHARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SUVÁS BHARIÁ DEY PHÚL NIKARE<br /> | |||
NATA MADHU BHÁRE<br /> | |||
VÁTÁSE MAHIMÁ TAVA SADÁ JHARE<br /> | |||
AMARÁR PARIVESHA TUMI ENECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AMARÁR PARIVESHA TUMI ENECHO<br /> | |||
DHARÁR DHÚLIR PARE PRIITI D́HELECHO<br /> | |||
MÚK MUKHE SUMADHUR BHÁŚÁ DIYECHO<br /> | |||
JHANKÁRITA SMITA OŚT́ÁDHARE<br /> | |||
VÁTÁSE MAHIMÁ TAVA SADÁ JHARE<br /> | |||
SUNDARTÁR PRATIBHU TUMI PRABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SUNDARTÁR PRATIBHU TUMI PRABHU<br /> | |||
JE RATNADIIP JVÁLAO NEVE NÁ KABHU<br /> | |||
ABODHA AJINA MORÁ KÁNDIYE TABU<br /> | |||
NAYANE BASAN BENDHE BADDHA GHARE<br /> | |||
VÁTÁSE MAHIMÁ TAVA SADÁ JHARE<br /> | |||
ÁKÁSH SHONÁY GÁN CHANDE SURE<br /> | |||
VÁTÁSE MAHIMÁ TAVA SADÁ JHARE<br /> | |||
The sky is singing the song with melody. In the air, Your glory ever blows. The collection | |||
of flowers is filled with fragrance and bowed due to load of honey. You brought this<br /> | |||
immortal environment. You poured love on the dust of earth. You provided sweet language in | |||
the dumb mouth. O Lord, You are the symbol of beauty, The gem studded lamp that You<br /> | |||
kindled, would never be extinguished. Still as ignorant and simpleton, I continue crying<br /> | |||
tying the eyes with cloth inside the closed room.<br /> | |||
=== 3067 (26/08/1985) K === | |||
CEYECHI ÁMI, CEYECHI ÁMI<br /> | |||
CEYECHI ÁMI TOMÁRE SHUDHU<br /> | |||
PHÚLER RÁGER PARÁG TUMI<br /> | |||
PHÚLER RÁGER PARÁG TUMI<br /> | |||
MAHÁKÁSHE SAHÁS VIDHU<br /> | |||
CEYECHI ÁMI TOMÁRE SHUDHU<br /> | |||
KATA YUG DHARE<br /> | |||
KATA YUG DHARE CEYECHI TOMÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA YUG DHARE CEYECHI TOMÁY<br /> | |||
KATA YUG DHARE CEYECHI TOMÁY<br /> | |||
NEI TÁ LEKHÁ ITIKATHÁY<br /> | |||
KATA ÁNKHI JALA VRITHÁ JHARE JÁY<br /> | |||
TOMÁRI TARE DÚRERI BANDHU<br /> | |||
CEYECHI ÁMI TOMÁRE SHUDHU<br /> | |||
GAHAN VANE GAHAN VANE MANERI KOŃE<br /> | |||
GAHAN VANE GAHAN VANE MANERI KOŃE<br /> | |||
TOMÁY D́EKE GECHI SAḾGOPANE<br /> | |||
ÁJO ÁSHÁ BHARÁ MANE<br /> | |||
JAMIYE RÁKHI BHÁVERI MADHU<br /> | |||
CEYECHI ÁMI TOMÁRE SHUDHU<br /> | |||
CEYECHI ÁMI, CEYECHI ÁMI<br /> | |||
CEYECHI ÁMI TOMÁRE SHUDHU<br /> | |||
O Lord, I want You alone. You are the fragrance in the pollen of flower and smiling moon | |||
in the great sky. Since how many ages, I have remained desirous of You, there is no record<br /> | |||
or history. O the distant friend, how much tears flow for You in vain. In the dense forest<br /> | |||
and recess of mind, I have been calling You secretly, even today with overwhelming heart<br /> | |||
in which honey of ideation I have collected.<br /> | |||
=== 3068 (26/08/1985) K === | |||
EI, GHAN NABH NIILE ELE<br /> | |||
PRIITI BHARÁ HRDAYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁSA RITU SÁL SAB DÚRE PHELE<br /> | |||
AKÁLER NILAYE<br /> | |||
PRIITI BHARÁ HRIDAYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHÁGUNE MÁDHAVI MANE TUMI SURABHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHÁGUNE MÁDHAVI MANE TUMI SURABHI<br /> | |||
ÁGUNE PALÁSH VANE RAUNGIIN CHAVI<br /> | |||
JÁHÁ JÁNI JÁHÁ NÁ JÁNI TUMII SABAI<br /> | |||
ÁJ DILE JÁNIYE<br /> | |||
PRIITI BHARÁ HRIDAYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIDÁGHER UTTÁPE TUMII ULKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIDÁGHER UTTÁPE TUMII ULKÁ<br /> | |||
SHARATE RÚPÁLI MEGHE BHÁSÁ BALÁKÁ<br /> | |||
VASANTE NAVA KISHALAYE D́HÁKÁ<br /> | |||
PATHE CALO EGIYE<br /> | |||
PRIITI BHARÁ HRIDAYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EI, GHAN NABH NIILE ELE<br /> | |||
PRIITI BHARÁ HRDAYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
O Lord, You came to my home with heart full of love during this dense deep blue sky<br /> | |||
untimely ignoring all periods of month, season and years. During spring, in the mind of<br /> | |||
the ma’dhavii flowers, You are the fragrance. You are the colourful panorama like red<br /> | |||
fire in the pala’sh forest. Whatever I know and what I do not know, You are everything.<br /> | |||
You made it known that today. You are also the hot meteorite during heat of sun. You are<br /> | |||
floating, gliding swan like silver cloud in autumn. Covering with the new leaves during<br /> | |||
spring, You move forward.<br /> | |||
=== 3069 (25/08/1985) K === | |||
JYOTSNÁ DILE PHÚL PHOT́ÁLE<br /> | |||
KENO NIJE ELE NÁ<br /> | |||
MAN BHEJÁLE DÚRE RAHILE<br /> | |||
KENO DHARÁ DILE NÁ<br /> | |||
KENO NIJE ELE NÁ<br /> | |||
ÚŚÁR UDAY SAMA TUMI SPAŚT́A<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÚŚÁR UDAY SAMA TUMI SPAŚT́A<br /> | |||
ARUŃER RÁGA TOMÁTEI SRIŚT́A<br /> | |||
SAKAL GUŃE TUMI VISHŚT́A<br /> | |||
TOMÁR NÁI TULANÁ<br /> | |||
KENO NIJE ELE NÁ<br /> | |||
ALAKŚYE KENO THÁKO SUMUKHE ESO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKŚYE KENO THÁKO SUMUKHE ESO<br /> | |||
MANER MÁDHURI NIYE NIKAT́E BASO<br /> | |||
MOHAN MURALI HÁTHE MADHUR HÁSO<br /> | |||
ÁR DÚRE THEKO NÁ<br /> | |||
KENO NIJE ELE NÁ<br /> | |||
You provided moonlight<br /> | |||
and made flowers bloom<br /> | |||
but why did You not come Yourself?<br /> | |||
You drenched my mind with devotion but remained far.<br /> | |||
Why did You not come within my reach?<br /> | |||
You are as clear as the morning sun.<br /> | |||
You create the colour of the crimson dawn.<br /> | |||
You surpass all qualities.<br /> | |||
You have no comparison.<br /> | |||
Why do You remain unseen?<br /> | |||
Come closer and sit near me<br /> | |||
with the sweetness of Your mind.<br /> | |||
Smile sweetly with Your charming flute in hand.<br /> | |||
Do not stay away from me any longer.<br /> | |||
=== 3070 (27/08/1985) D === | |||
TUMI, KII SURE GÁN SHONÁLE<br /> | |||
KII SURE GÁN SHONÁLE<br /> | |||
ÁMÁR MANER ANTARÁLE<br /> | |||
KÁCHE ELE DHARÁ NÁ DILE<br /> | |||
KÁCHE ELE DHARÁ NÁ DILE<br /> | |||
JEMAN CHILE RAYE GELE<br /> | |||
KII SURE GÁN SHONÁLE<br /> | |||
ÁMÁR MANER ANTARÁLE<br /> | |||
HIMVÁHO TUMII GIRIR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HIMVÁHO TUMII GIRIR<br /> | |||
MAHODADHIR ATAL GABHIIR<br /> | |||
JÁ KICHU HOYE JÁ NÁHI HOYE<br /> | |||
SABAI TOMÁR MANE DOLE<br /> | |||
KII SURE GÁN SHONÁLE<br /> | |||
ÁMÁR MANER ANTARÁLE<br /> | |||
TUMI CHÁŔÁ ÁR KEHO NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI CHÁŔÁ ÁR KEHO NÁI<br /> | |||
MARMA KATHÁ JÁKE SHONÁI<br /> | |||
SAB BHAYA LÁJ BHÚLIÁ ÁJ<br /> | |||
SHARAŃ NITE ELUM CALE<br /> | |||
TUMI, KII SURE GÁN SHONÁLE<br /> | |||
KII SURE GÁN SHONÁLE<br /> | |||
ÁMÁR MANER ANTARÁLE<br /> | |||
O Lord, in what melody, have You sung the song, in the recess of my mind? Coming close<br /> | |||
You did not come into the fold. You remained same. Among the mountains, You are the<br /> | |||
Himalayas and still deep unfathomable ocean. Whatever is happening and what not, all swing<br /> | |||
in Your mind. There is no one other than You whom I can tell the events of the core of my<br /> | |||
mind. Forgetting all fear and shyness today, I have come to take Your shelter.<br /> | |||
=== 3071 (27/08/1985) D === | |||
KATA KÁCHE CHILO SE JE<br /> | |||
ÁJ KE KATA DÚR<br /> | |||
SE KII PHIRABE NÁ KÁCHE ÁSABE NÁ<br /> | |||
ÁJO ÁCHE MANER MÁJHE<br /> | |||
SMRITITE BHARAPÚR<br /> | |||
KATHÁ SE KI KAIBE NÁ<br /> | |||
SE KII PHIRABE NÁ KÁCHE ÁSABE NÁ<br /> | |||
KATA SHARAT VASANTA RÁT<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA SHARAT VASANTA RÁT<br /> | |||
KATA PRADOŚA KATA PRABHÁT<br /> | |||
CHILO SÁTHE CHANDE METE<br /> | |||
ÁR KI SE GÁN GÁIBE NÁ<br /> | |||
SE KII PHIRABE NÁ KÁCHE ÁSABE NÁ<br /> | |||
RODER BELÁ CHÁYÁR BELÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RODER BELÁ CHÁYÁR BELÁ<br /> | |||
KARECHE SUKH DUHKHER KHELÁ<br /> | |||
JHAINJHÁVÁTE VAJRA PÁTE<br /> | |||
TÁR KI GHUM ÁR BHÁUNGABE NÁ<br /> | |||
SE KII PHIRABE NÁ KÁCHE ÁSABE NÁ<br /> | |||
KATA KÁCHE CHILO SE JE<br /> | |||
ÁJ KE KATA DÚR<br /> | |||
SE KII PHIRABE NÁ KÁCHE ÁSABE NÁ<br /> | |||
How much close He was, but today how far is He? Will He not return back close to you? Even | |||
today He is filling the whole memory in the mind. Will He not talk? How many winter and<br /> | |||
spring nights and mornings and evenings have passed. He was together, frenzied with<br /> | |||
rhythms, would He not sing song any more? During sun and shade, He performs the game of<br /> | |||
pain and pleasure, storm and lightning; will not His sleep be broken?<br /> | |||
=== 3072 (27/08/1985) D === | |||
PATH BECHECHI TOMÁR ÁMI<br /> | |||
ÁR KICHUTEI BHULABO NÁ<br /> | |||
KUT́IL PATHE CALABO NÁ<br /> | |||
NÁ, NÁ, NÁ<br /> | |||
JE KÁL ÁMÁR CALE GECHE<br /> | |||
TÁR TARE ÁR KÁNDABO NÁ<br /> | |||
KUT́IL PATHE CALABO NÁ, NÁ, NÁ, NÁ<br /> | |||
TOMÁR PATHEI SUMUKH PÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR PATHEI SUMUKH PÁNE<br /> | |||
CALABO TOMÁR GÁNE GÁNE<br /> | |||
TOMÁY BHEVE MANE PRÁŃE<br /> | |||
KONO BÁDHÁY T́ALABO NÁ<br /> | |||
KUT́IL PATHE CALABO NÁ<br /> | |||
NÁ, NÁ, NÁ<br /> | |||
TUMI ÁMÁR DHRUVA TÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ÁMÁR DHRUVA TÁRÁ<br /> | |||
JIIVANERI ASHEŚA DHÁRÁ<br /> | |||
TOMÁR BHÁVE HOLEM HÁRÁ<br /> | |||
CHANDA PATAN GHAT́ABE NÁ<br /> | |||
KUT́IL PATHE CALABO NÁ<br /> | |||
NÁ, NÁ, NÁ<br /> | |||
PATH BECHECHI TOMÁR ÁMI<br /> | |||
ÁR KICHUTEI BHULABO NÁ<br /> | |||
KUT́IL PATHE CALABO NÁ<br /> | |||
NÁ, NÁ, NÁ<br /> | |||
O Lord, I am constantly waiting for You, looking at Your path and will not deviate by<br /> | |||
anything. I shall not move on the crooked path. The past time that has gone away, for that<br /> | |||
I will not cry any more. I shall move forward only on Your path with Your song after song.<br /> | |||
Thinking and ideating ever on You wholeheartedly, I shall not budge by any obstacle. You<br /> | |||
are my polestar, an endless flow of life. I am lost in Your ideation, and will not allow<br /> | |||
any break in rhythm.<br /> | |||
=== 3073 (27/08/1985) K === | |||
TAVA KARUŃÁY PÁOÁ JÁY<br /> | |||
PRABHU TOMÁY<br /> | |||
VIDYÁ BUDDHI BAL ÁRTHIK SAMBAL<br /> | |||
KICHU DHARITE NÁ PÁRE HÁY<br /> | |||
PRABHU TOMÁY<br /> | |||
KICHUI NÁHIK JÁR JÁGATIK UPÁCÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KICHUI NÁHIK JÁR JÁGATIK UPÁCÁR<br /> | |||
MÁN SAMMÁN YASHA PRATIBHÁR SAMÁHÁR<br /> | |||
SEO TOMÁRE PEYE JÁY<br /> | |||
PRABHU TOMÁY<br /> | |||
SHATA TIIRTHA YÁTRÁ DÁNA DAKŚIŃÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHATA TIIRTHA YÁTRÁ DÁNA DAKŚIŃÁTE<br /> | |||
MANER KÁLIMÁ NÁHI PÁRE SARÁITE<br /> | |||
NIJERI ÁNDHÁRE SE HÁRÁY<br /> | |||
PRABHU TOMÁY<br /> | |||
TAVA KARUŃÁY PÁOÁ JÁY<br /> | |||
PRABHU TOMÁY<br /> | |||
O Lord, by Your mercy only You can be attained. The skill, knowledge, intellect or wealth<br /> | |||
nothing can bring You in folds. Those who have no worldly position, collection of honor<br /> | |||
prestige, name and fame, brilliance, even they attain You. By hundreds of pilgrimage and<br /> | |||
charities, the mental darkness is not possible to be removed. They get lost in own | |||
darkness.<br /> | |||
=== 3074 (27/08/1985) K === | |||
TUMI YADI NÁHI ELE, KENO ÁLO JHARÁLE<br /> | |||
KENO PHÚL PHOT́ÁLE<br /> | |||
KENO BHÁLOBÁSILE KENO MAN MÁTÁLE<br /> | |||
KENO ÁLO JHARÁLE, KENO PHÚL PHOT́ÁLE<br /> | |||
BELÁ JÚTHIKÁR GANDHE BHESE ÁSO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BELÁ JÚTHIKÁR GANDHE BHESE ÁSO<br /> | |||
MANER MADHUPE DEKHE PULAKE HÁSO<br /> | |||
TANDRÁHATA ANDHAKÁRO NÁSHO<br /> | |||
MANE MÁDHURI MÁKHÁLE<br /> | |||
KENO ÁLO JHARÁLE, KENO PHÚL PHOT́ÁLE<br /> | |||
JIIVANER PRATI PADAKŚEPE ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVANER PRATI PADAKŚEPE ÁCHO<br /> | |||
PRÁŃER SPHAT́IKE UJJVAL KARECHO<br /> | |||
CHANDE GÁNE NÁCE METE RAYECHO<br /> | |||
UCCHAL SMRITI JVALE<br /> | |||
KENO ÁLO JHARÁLE, KENO PHÚL PHOT́ÁLE<br /> | |||
TUMI YADI NÁHI ELE, KENO ÁLO JHARÁLE<br /> | |||
KENO PHÚL PHOT́ÁLE<br /> | |||
O Lord, if You do not have to come, why have You scattered illumination and bloomed the<br /> | |||
flowers? Why did You love and intoxicated the mind? Floating through the fragrance of<br /> | |||
bela’ and juhi flower You come and looking at the mental bee You smile with joy.<br /> | |||
Destroying the inertia affected darkness; You smear sweetness in the mind. At each<br /> | |||
footstep of life You are present shining the crystal of life. You ever remain engrossed in | |||
rhythm, song and dance, vibrantly glowing the memoirs.<br /> | |||
=== 3075 (27/08/1985) D === | |||
TUMI, JE BHÁLOBÁSÁ D́HÁLIÁ DIYÁCHO<br /> | |||
JE BHÁLOBÁSÁ D́HÁLIÁ DIYÁCHO<br /> | |||
JE BHÁLOBÁSÁ D́HÁLIÁ DIYÁCHO<br /> | |||
BHUVANE TÁHÁR TULANÁ NÁI<br /> | |||
KE MÁNE, KE NÁ MÁNE, NÁ BHEVE<br /> | |||
MÚRTA KARUŃÁ DEKHITE PÁI<br /> | |||
BHUVANE TÁHÁR TULANÁ NÁI<br /> | |||
MAMATÁ MÁDHURI BHÁVE D́HAL D́HALO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAMATÁ MÁDHURI BHÁVE D́HAL D́HALO<br /> | |||
PRIITIR PAYODHI PRÁŃE UCCHALO<br /> | |||
URMI MÁLÁY JAD́ATÁ BHOLÁY<br /> | |||
RÚPA SÁYARE NIJERE HÁRÁI<br /> | |||
BHUVANE TÁHÁR TULANÁ NÁI<br /> | |||
AŃU PARAMÁŃUTE MISHE RAYECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AŃU PARAMÁŃUTE MISHE RAYECHO<br /> | |||
KOTHÁO SHÚNYATÁ NÁHI REKHECHO<br /> | |||
TÁI TAVA NÁME NINDE JÁGARAŃE<br /> | |||
SVAPNA SAMIDHE SHIKHÁ JVÁLÁI<br /> | |||
BHUVANE TÁHÁR TULANÁ NÁI<br /> | |||
TUMI, JE BHÁLOBÁSÁ D́HÁLIÁ DIYÁCHO<br /> | |||
BHUVANE TÁHÁR TULANÁ NÁI<br /> | |||
O Lord, the love that You have poured, it has no comparison in the world. Whether anybody<br /> | |||
accepts or not, without any consideration, I could see the embodiment of mercy. You flow<br /> | |||
the feeling of sweet affection like rapid flood along slope. The ocean of love is<br /> | |||
overwhelmingly vibrant. The series of waves makes one forget the inertia. In the lake of<br /> | |||
beauty, I lose myself. You are mixed with each atom and molecule. You have not left void<br /> | |||
anywhere. Hence in Your name in sleep or awake, I kindle the flame with the wood of dream.<br /> | |||
=== 3076 (28/08/1985) D === | |||
KÁL SANDHYÁY PRATHAM TOMÁY<br /> | |||
JYOTSNÁY ÁMI DEKHECHI<br /> | |||
JYOTSNÁY ÁMI DEKHECHI<br /> | |||
SHATA JANAMER ÁSHÁ PURŃER<br /> | |||
ÁNANDETE METECHI<br /> | |||
JYOTSNÁY ÁMI DEKHECHI<br /> | |||
CEYECHILE TUMI SHUDHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CEYECHILE TUMI SHUDHU<br /> | |||
ADHARETE CHILO MADHU<br /> | |||
CÁNDANI SÁNJHER SNIGDHA VIDHU<br /> | |||
TOMÁY KÁCHE PEYECHI<br /> | |||
JYOTSNÁY ÁMI DEKHECHI<br /> | |||
KAO NI KATHÁ TUMI KONO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KAO NI KATHÁ TUMI KONO<br /> | |||
NEI KO TÁTE DUHKHA JENO<br /> | |||
MANER MÁJHE RÁJÁDHIRÁJE<br /> | |||
ÁPAN KARE NIYECHI<br /> | |||
JYOTSNÁY ÁMI DEKHECHI<br /> | |||
KÁL SANDHYÁY PRATHAM TOMÁY<br /> | |||
JYOTSNÁY ÁMI DEKHECHI<br /> | |||
JYOTSNÁY ÁMI DEKHECHI<br /> | |||
O Lord, yesterday evening in moonlight, I saw You for the first time. With the fulfilment<br /> | |||
of desire, which was carried through several lives, I was intoxicated with bliss. You were<br /> | |||
simply looking, with sweetness on the lips. O the soft moon of the moonlit evening, I<br /> | |||
found You close. You did not say anything, as if there would be no pain. O the King of<br /> | |||
Kings, within Your own mind, You have made me Your own.<br /> | |||
=== 3077 (28/08/1985) K === | |||
TOMÁRE BHÁVIÁ CALI RÁTI DIN | |||
KENO DÚRE RAYE GELE<br /> | |||
MOR ÁSHÁ BHÁLOBÁSÁ<br /> | |||
AVAHELE DILE PHELE<br /> | |||
KENO DÚRE RAYE GELE<br /> | |||
ÁNDHÁR HRIDAYE VIDHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁNDHÁR HRIDAYE VIDHU<br /> | |||
MARUTE MÁDHAVII MADHU<br /> | |||
ÁMÁRE KÁNDÁLE SHUDHU<br /> | |||
KI KARILE LIILÁ CHALE<br /> | |||
KENO DÚRE RAYE GELE<br /> | |||
TOMÁRE BUJHE OT́HÁ BHÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁRE BUJHE OT́HÁ BHÁR<br /> | |||
KÁNT́Á KUSUM DUI UPAHÁR<br /> | |||
EKE BÁDE THÁKE NÁ ÁR<br /> | |||
LIILÁ RASE KII RACILE<br /> | |||
KENO DÚRE RAYE GELE<br /> | |||
KENO DÚRE RAYE GELE<br /> | |||
O Lord, I go on thinking of You day and night, why have You remained away far? My hopes<br /> | |||
and love, You have totally neglected away. O the moon of my dark heart, sweet ma’dhavii<br /> | |||
flower in the desert, You have only made me cry. What have You done by Your delusive game<br /> | |||
liila? It is difficult to understand You. Your presentation consists of both flowers<br /> | |||
and thorns. There is no exception to this. What creation have You made through flow of<br /> | |||
Your divine play, liila?<br /> | |||
=== 3078 (28/08/1985) K === | |||
JE PATH DHARIYÁ CALIYÁ CHILO PRABHU<br /> | |||
JATA TÁPAS MORE SE PATHE CÁLÁO ÁJ<br /> | |||
ÁLOKE UDBHÁSITA SATYE UNMOCITA<br /> | |||
SE PATH DHARIYÁ CALE JÁBO TYAJI LÁJ<br /> | |||
JATA TÁPAS MORE SE PATHE CÁLÁO ÁJ<br /> | |||
THÁKUK SHATA UPAL THÁKUK JATA KÁNT́Á<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
THÁKUK SHATA UPAL THÁKUK JATA KÁNT́Á<br /> | |||
JOÁRE BAHIYÁ JÁBO MÁNIBO NÁ BHÁNT́Á<br /> | |||
TOMÁRI RASHMI PÁTE TOMÁRI BHÁVER SHROTE<br /> | |||
BHESE JÁBO SE JE JEMAN PARÁBE SÁJ<br /> | |||
JATA TÁPAS MORE SE PATHE CÁLÁO ÁJ<br /> | |||
TOMÁR PATHE PRABHU NÁHIKO KONO BHAYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR PATHE PRABHU NÁHIKO KONO BHAYA<br /> | |||
KARUŃÁ KAŃÁ DIO EI SHUDHU ANUNAYA<br /> | |||
KET́E JÁBE JATA MOHA KET́E JÁBE SAḾSHAY<br /> | |||
DRIŔHA PADE JÁBO KARIYÁ TOMÁR KÁJ<br /> | |||
JATA TÁPAS MORE SE PATHE CÁLÁO ÁJ<br /> | |||
JE PATH DHARIYÁ CALIYÁ CHILO PRABHU<br /> | |||
JATA TÁPAS MORE SE PATHE CÁLÁO ÁJ<br /> | |||
O Lord, the path holding on to which, You have made all the ascetics to move, make me also<br /> | |||
move on that path today. Illuminated with effulgence, uncovered with truth, I shall go on | |||
moving on that path, leaving shyness. Let there be hundreds of stones, let there be many<br /> | |||
thorns, I shall go on flowing into the rising tides without accepting the reverse flow.<br /> | |||
With fall of Your rays, into the stream of Your ideation, I shall go on floating for<br /> | |||
putting on the adornment. O Lord, on Your path there is no fear. Give me a wee bit of Your<br /> | |||
mercy, this is my only prayer. All infatuation and doubts would tear away. With firm foot<br /> | |||
I shall go on doing Your work.<br /> | |||
=== 3079 (29/08/1985) K === | |||
SHÁRAD PRÁTE JHARÁ SHEFÁLITE<br /> | |||
MAN MOR GEYE JÁY<br /> | |||
TUMI KOTHÁY, TUMI KOTHÁY<br /> | |||
NOTUN ÚŚÁR ÁLO SARIYE KÁLO<br /> | |||
BOLE HETHÁY TUMI HETHÁY<br /> | |||
TUMI KOTHÁY, TUMI KOTHÁY<br /> | |||
RÁTER ÁNDHÁRE JÁHÁ JÁY NI DEKHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÁTER ÁNDHÁRE JÁHÁ JÁY NI DEKHÁ<br /> | |||
BHORER ÁLOY TÁHÁ THÁKENI D́HÁKÁ<br /> | |||
SAB KHÁNE TUMI ÁCHO MARME DIIP JVELECHO<br /> | |||
TOMÁRI DEKHE ÁNKHI SEI DIKE CÁY<br /> | |||
TUMI KOTHÁY, TUMI KOTHÁY<br /> | |||
MANER GAHAN KOŃE CHILE LUKIYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER GAHAN KOŃE CHILE LUKIYE<br /> | |||
JAD́ATÁR ÁVARAŃE DEKHÁ NÁ DIYE<br /> | |||
TAVA SPANDAN ELO JAD́ATÁ DÚRE GELO<br /> | |||
MAN TOMÁRE DEKHILO NAVA BHÚMIKÁY<br /> | |||
TUMI KOTHÁY, TUMI KOTHÁY<br /> | |||
SHÁRAD PRÁTE JHARÁ SHEFÁLITE<br /> | |||
MAN MOR GEYE JÁY<br /> | |||
TUMI KOTHÁY, TUMI KOTHÁY<br /> | |||
On this winter morning with dropped shefa’lii flower, my mind goes on singing, “where<br /> | |||
are You, where are You”. The effulgence of new dawn, removing the darkness, says that<br /> | |||
You are here. That which is not observable in the darkness of the night, that is uncovered<br /> | |||
in the morning light. You are everywhere, and kindle lamp in the core of the heart, by<br /> | |||
looking at You, the eyes want to see there only. You were hidden in the deep recess of the<br /> | |||
mind, but were not observable due to blanket of inertia. Your vibration came and the<br /> | |||
inertia was moved away. The mind saw You in new role.<br /> | |||
=== 3080 (29/08/1985) K === | |||
HEMANTE JHARÁ SHISHIR VINDUTE<br /> | |||
MAN KII JE CÁY KENO JÁNINÁ<br /> | |||
DÚRE SARE JETE CÁI JATA BÁR<br /> | |||
EŔÁTE KICHUTE PÁRI NÁ<br /> | |||
MAN KII JE CÁY KENO JÁNINÁ<br /> | |||
HALUD GÁNDHÁR PHÚL PHÚT́ECHE GO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HALUD GÁNDHÁR PHÚL PHÚT́ECHE GO<br /> | |||
CANDRA MALLIKÁ HESE UT́HECHE GO<br /> | |||
SÁDÁ KUNDA PHÚLE HÁOÁ LEGECHO GO<br /> | |||
GHARE THÁKITE MAN CÁY NÁ<br /> | |||
MAN KII JE CÁY KENO JÁNINÁ<br /> | |||
MANER MÁNUŚ TUMI ÁCHO KUTHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER MÁNUŚ TUMI ÁCHO KUTHÁ<br /> | |||
TOMÁR TARE KENDE MARI VRITHÁ<br /> | |||
BUJHITE PÁRO NÁ KI ÁMÁR VYATHÁ<br /> | |||
KÁRTIK SHEŚEO KENO ELE NÁ<br /> | |||
MAN KII JE CÁY KENO JÁNINÁ<br /> | |||
HEMANTE JHARÁ SHISHIR VINDUTE<br /> | |||
MAN KII JE CÁY KENO JÁNINÁ<br /> | |||
On this post winter with dropped dew droplets, what the mind wants and why, I do not know.<br /> | |||
The yellow marigold flowers bloom. The candramallika’ flower also blossom smilingly.<br /> | |||
Breeze strikes the white kunda flowers; the mind does not want to stay in home. O my<br /> | |||
favorite of the heart, where are You? I keep on crying uselessly for You. Are You unable<br /> | |||
to understand my pain? At the end of this autumnal ka’rtik month, why did not You come?<br /> | |||
=== 3081 (29/08/1985) K === | |||
EI, SURABHITA CANDAN VANE<br /> | |||
KE PÁT́HÁLE TOMÁYA<br /> | |||
NIJER THEKEI YADI ESE THÁKO<br /> | |||
BOLO MAN KÁRE CÁY<br /> | |||
KE PÁT́HÁLE TOMÁYA<br /> | |||
VYÁGHRA SHÁSITA SARPA SANKULA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VYÁGHRA SHÁSITA SARPA SANKULA<br /> | |||
CANDAN VAN CHILO BHIITI SAMÁKULA<br /> | |||
BHIITI SARE GIYE HOLO PRIITITE ÁKULA<br /> | |||
KON JÁDÚR MÁYÁYA<br /> | |||
KE PÁT́HÁLE TOMÁYA<br /> | |||
CANDAN TARU KABHU DEY NIKO PHAL<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CANDAN TARU KABHU DEY NIKO PHAL<br /> | |||
KŚUDHITE TRIŚITE PHIRE GECHE NIŚKALA<br /> | |||
TAVA ÁGAMANE DILO SABAI SAMBALA<br /> | |||
RÁUNGÁ CARAŃ DHULÁY<br /> | |||
KE PÁT́HÁLE TOMÁYA<br /> | |||
EI, SURABHITA CANDAN VANE<br /> | |||
KE PÁT́HÁLE TOMÁYA<br /> | |||
On this sandalwood grove, who has sent you? If You wish to confine within yourself, tell<br /> | |||
me whom the mind should seek? Controlled by wild animals and infested with serpents, the<br /> | |||
sandal forest was full of fearfulness. With removal of fear, it became earnest with love<br /> | |||
by which magic charm? The sandal tree never bears any fruit. Going there with hunger and<br /> | |||
thirst becomes useless. By Your arrival, with the dust of Your colourful feet, it provided<br /> | |||
consolation to all.<br /> | |||
=== 3082 (29/08/1985) K === | |||
MANANER KOŃE ELO<br /> | |||
KÁR SE ÁLO, KENO ÁJI BOLO<br /> | |||
MARAME BHARIYE DILO<br /> | |||
SARIYE KÁLO, KE SE UCCHALO<br /> | |||
KENO ÁJI BOLO<br /> | |||
ETA DIN LUKIYE CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ETA DIN LUKIYE CHILO<br /> | |||
HAT́HÁT KENO SÁMANE ELO<br /> | |||
SURE SURE MAN KE BHARE<br /> | |||
CHANDE MÁTILO<br /> | |||
KENO ÁJI BOLO<br /> | |||
SABAI SE KARATE PÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABAI SE KARATE PÁRE<br /> | |||
VISHVA RACE BHÁVER GHORE<br /> | |||
LIILÁR DHÁRÁY HÁSÁY KÁNDÁY<br /> | |||
TÁI KI JECE ELO<br /> | |||
KENO ÁJI BOLO<br /> | |||
MANANER KOŃE ELO<br /> | |||
KÁR SE ÁLO, KENO ÁJI BOLO<br /> | |||
Into the recess of the mind, today what effulgence has come and why, tell me. All these<br /> | |||
days it was hidden, suddenly why did it come in front? Filling the mind with melody after<br /> | |||
melody, it intoxicated the mind. He can do everything, creating the universe with intense<br /> | |||
revolution of the thoughts, with flow of the divine play liila, He males one cry and<br /> | |||
smile, seeking that it came.<br /> | |||
=== 3083 (29/08/1985) K === | |||
SVARŃA SHATADAL PULAKE JHALAMALA<br /> | |||
ARUŃA ÁLOY TUMI DHARÁY ESECHILE<br /> | |||
MALAY PAVANE PHÚLE SURABHI BHÁSIYE DILE<br /> | |||
SABÁKÁR MAN PRÁŃA PALAKE JINIYÁ NILE<br /> | |||
ARUŃA ÁLOY TUMI DHARÁY ESECHILE<br /> | |||
THEKE JÁO YUGE YUGE SABÁR SHIYARE JEGE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
THEKE JÁO YUGE YUGE SABÁR SHIYARE JEGE<br /> | |||
MAMATÁ MÁDHURII MEKHE SUKHE DUHKHE SAB ÁVEGE<br /> | |||
TUMI CIRA ANUBHAVA NITYA NAVA NAVA<br /> | |||
MANETE DOLÁ DIYE MANANE BHULIYE DILE<br /> | |||
ARUŃA ÁLOY TUMI DHARÁY ESECHILE<br /> | |||
BHOLÁ NÁHI JÁY TAVA AHAETUKI KARUŃÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHOLÁ NÁHI JÁY TAVA AHAETUKI KARUŃÁY<br /> | |||
JIIVAN CHANDE BHESE JÁO SHYÁM SUŚAMÁY<br /> | |||
TUMI ÁCHO TÁI ÁCHI CARAŃ GHIRIYÁ NÁCI<br /> | |||
MÁDHURII D́HÁLIÁ DIYE KALÁPE PRATI PALE<br /> | |||
ARUŃA ÁLOY TUMI DHARÁY ESECHILE<br /> | |||
SVARŃA SHATADAL PULAKE JHALAMALA<br /> | |||
ARUŃA ÁLOY TUMI DHARÁY ESECHILE<br /> | |||
O Lord, with gleeful effulgence on the golden lotus, with crimson light You arrived on the<br /> | |||
earth. Floating floral fragrance and sandal breeze, in a moment You were aware of<br /> | |||
everyone’s mind and life. You continue awakened from ages to ages in everyone’s<br /> | |||
topmost psychic centre, smearing impulse of affection during pains, pleasures and all<br /> | |||
feelings. You provide evernew experience eternally, vibrating the mind and engrossing it.<br /> | |||
Your causeless mercy cannot be forgotten. Go on floating in the rhythm of life with green | |||
fresh beauty. You are there that is I am there dancing around Your feet. You go on pouring<br /> | |||
sweetness on the beautiful peacock tail each moment.<br /> | |||
=== 3084 (29/08/1985) K === | |||
KATA YUGA PARE ELE<br /> | |||
KATA D́EKECHI TOMÁY<br /> | |||
KATA SAORA KARE<br /> | |||
KATA GHOR TIMIRE<br /> | |||
KATA DIVASE NISHÁY<br /> | |||
KATA D́EKECHI TOMÁY<br /> | |||
NIDÁGHER UTTAPTA DUPURE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIDÁGHER UTTAPTA DUPURE<br /> | |||
VARŚÁY JALA SIKTA NÚPÚRE<br /> | |||
SHARATE SHEFÁLITE BHEJÁ SHISHIRE<br /> | |||
KATA KÁJE BHÁVANÁY<br /> | |||
KATA D́EKECHI TOMÁY<br /> | |||
HEMANTE D́EKE GECHI HIMEL HAOÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HEMANTE D́EKE GECHI HIMEL HAOÁY<br /> | |||
SHIITE KEMPE D́EKECHI DÁRUŃA JAD́ATÁY<br /> | |||
VASANTA KISHALAYE PHÚL SUŚAMÁY<br /> | |||
APSARÁ RÁJYER RAUNGIIN HAOÁY<br /> | |||
KATA D́EKECHI TOMÁY<br /> | |||
KATA YUGA PARE ELE<br /> | |||
KATA D́EKECHI TOMÁY<br /> | |||
O Lord, after so many ages You came, how much have I called You? In how many sunlight and<br /> | |||
how many intense darkness, how many days and nights I went on calling You? In the hot<br /> | |||
sunny noon, in wet tinkling of rains, in due moist shefa’lii flowers of autumns, with<br /> | |||
ideation in many jobs I continued calling You. I went on calling You in frosty winds of<br /> | |||
prewinter. During intense inertial cold of winter with shiver. During the spring with the<br /> | |||
beauty of new tender leaves and flowers. In colourful airs of the heavenly kingdom of<br /> | |||
angels.<br /> | |||
=== 3085 (29/08/1985) D === | |||
TUMI, SARVA VIPAD BHAINJANA<br /> | |||
SARVA KÁLER TUMI HARI<br /> | |||
ALAKE ÁLOKE RAINJANA<br /> | |||
NIKHIL CITTA VIHÁRI<br /> | |||
SARVA KÁLER TUMI HARI<br /> | |||
TOMÁR MÁDHURI BHÁVÁ NÁHI JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR MÁDHURI BHÁVÁ NÁHI JÁY<br /> | |||
TOMÁR SUŚAMÁ TRILOKE CHÁPÁY<br /> | |||
TOMÁR DOLÁY SABE DOLÁ PÁY<br /> | |||
TUMI ANTAR CÁRII<br /> | |||
SARVA KÁLER TUMI HARI<br /> | |||
TOMÁR VIBHÚTI MANANE MÁTÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR VIBHÚTI MANANE MÁTÁY<br /> | |||
TOMÁR MAHIMÁ ASHIVE SARÁY<br /> | |||
TOMÁR ÁKUTI CHANDE NÁCÁY<br /> | |||
TUMI CIR SANTÁP HÁRI<br /> | |||
SARVA KÁLER TUMI HARI<br /> | |||
TUMI, SARVA VIPAD BHAINJANA<br /> | |||
SARVA KÁLER TUMI HARI<br /> | |||
O Lord, You are destroyer of all calamities and stealer of sins all the time. Coloring<br /> | |||
them with heavenly effulgence, You reside in all minds. Your sweetness is beyond<br /> | |||
imagination. Your beauty is spread in all the three worlds. Your swing oscillates all. You<br /> | |||
move within the internal mind. Your powers are enchanting to the mind. Your glory removes<br /> | |||
all nonbenevolence. Your earnestness makes all dance with rhythm. You ever take away the<br /> | |||
afflictions.<br /> | |||
=== 3086 (29/08/1985) K === | |||
MANER MAYÚR MELECHE KALÁP<br /> | |||
TUMI ESO PRABHU KÁCHE ESO<br /> | |||
TOMÁRI SURE TÁLE NÁCIÁ SE CALE<br /> | |||
HE CIR NOTUN CEYE HÁSO<br /> | |||
TUMI ESO PRABHU KÁCHE ESO<br /> | |||
ÁMÁR BOLITE KONO KICHU NÁI<br /> | |||
TOMÁRI VASTU KE MOR BOLE JÁI<br /> | |||
E MOR CHALANÁ ÁTMA PRATÁRAŃÁ<br /> | |||
DRIŔHA BHÁVE PRABHU TUMI NÁSHO<br /> | |||
TUMI ESO PRABHU KÁCHE ESO<br /> | |||
NIVIŔA TIMIRE PAŔE CHINU D́HÁKÁ<br /> | |||
KÁNE BHESE ELO GHORE RATHA CÁKÁ<br /> | |||
HE CIR SÁRATHI MARMER SÁTHI<br /> | |||
CIDÁKÁSHE ÁJ TUMI BHÁSO<br /> | |||
TUMI ESO PRABHU KÁCHE ESO<br /> | |||
MANER MAYÚR MELECHE KALÁP<br /> | |||
TUMI ESO PRABHU KÁCHE ESO<br /> | |||
O Lord, the mental peacock has spread the tail, You come, come close. With Your melody and<br /> | |||
rhythm it goes on dancing. O ever new look and smile. There is nothing that I can call as<br /> | |||
mine. Your belongings, I simply call as mine. This delusion of mine, and self deception | |||
with firm determination, You destroy O Lord. I was lying covered by the dense dark night<br /> | |||
when the revolving wheel of the cart came floating into the ears. O the ever charioteer<br /> | |||
companion of core of my mind, into the firmament of my mind, You shine today.<br /> | |||
=== 3087 (29/08/1985) K === | |||
ÁKÁSHA D́ÁKIYÁ JÁY<br /> | |||
NIILIMÁR KOŃE KOŃE<br /> | |||
VÁTÁS MADHUKŚARAY<br /> | |||
MANANER PRATI KŚAŃE<br /> | |||
NIILIMÁR KOŃE KOŃE<br /> | |||
PRABHÁT ÁLOKE JE RÚPA DEKHE JÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRABHÁT ÁLOKE JE RÚPA DEKHE JÁI<br /> | |||
SANDHYÁR RAKTA RÁGE TÁRE NÁHI PÁI<br /> | |||
PALE PALE NAVA NAVA VICITRA ANUBHAVA<br /> | |||
BHUVANER MANE MANE<br /> | |||
NIILIMÁR KOŃE KOŃE<br /> | |||
SHUŚKA NIDÁGHE PRAKRITIRE JÁ DEKHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHUŚKA NIDÁGHE PRAKRITIRE JÁ DEKHI<br /> | |||
SHARATER SÁDÁ MEGHE SE THÁKE NÁKI<br /> | |||
SHIITER JAD́ATÁY JE TARU SHOBHÁ HÁRÁY<br /> | |||
SEO PHIRE PÁY PHÁGUNER ÁGAMANE<br /> | |||
NIILIMÁR KOŃE KOŃE<br /> | |||
ÁKÁSHA D́ÁKIYÁ JÁY<br /> | |||
NIILIMÁR KOŃE KOŃE<br /> | |||
The sky goes on calling, from all its corners. The air oozes out honey each moment into<br /> | |||
the mind. The beauty that I see in the morning light, that I do not find in the red colour<br /> | |||
of the evening. Each moment evernew feelings come into every mind of the world. In the dry<br /> | |||
hot sun what I see in nature, that does not stay in the white clouds of the autumn. During<br /> | |||
inertia of winter, the tree that loses its beauty, that again gets it back with the<br /> | |||
arrival of the spring.<br /> | |||
=== 3088 (29/08/1985) K === | |||
JIIVAN BELÁY, ÁLOR MELÁY<br /> | |||
AJÁNÁ PATHIK TUMI KE GO ELE<br /> | |||
CENÁ NÁHI JÁY, KABHU BHÁVANÁY<br /> | |||
MANE HOE JENO MOR CENÁ CHILE<br /> | |||
AJÁNÁ PATHIK TUMI KE GO ELE<br /> | |||
ÁLOKER UTSAVE TUMI GÁN SHONÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOKER UTSAVE TUMI GÁN SHONÁO<br /> | |||
PRÁŃER SAKAL SUDHÁ AKÁTARE D́HELE DÁO<br /> | |||
TOMÁR SAMÁN DÁTÁ NÁHI NIKHILE<br /> | |||
AJÁNÁ PATHIK TUMI KE GO ELE<br /> | |||
KONO BÁDHÁTE THÁMO NÁ KONO MÁNÁ MÁNO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KONO BÁDHÁTE THÁMO NÁ KONO MÁNÁ MÁNO NÁ<br /> | |||
PATH CALÁ KÁLE KARO SATYER SÁDHANÁ<br /> | |||
KII NÁ HOITE PÁRE TUMI CÁHILE<br /> | |||
AJÁNÁ PATHIK TUMI KE GO ELE<br /> | |||
JIIVAN BELÁY, ÁLOR MELÁY<br /> | |||
AJÁNÁ PATHIK TUMI KE GO ELE<br /> | |||
At the shore of life, with the festivity of light, O the unknown traveler, who is that<br /> | |||
You, who came? Unable to recognise, sometimes the feeling comes in the mind, that You are<br /> | |||
known to me. You sing the song during the festivity of light, and pour out entire nectar<br /> | |||
of Your heart onto this afflicted one. There is no body as generous as You in the entire<br /> | |||
world. You do not pause by any obstacle and do not accept any inhibition. At the time of<br /> | |||
movement on the path, You go on ideating on the eternal truth. If You wish, nothing is<br /> | |||
impossible.<br /> | |||
=== 3089 (29/08/1985) D === | |||
MEGHER PARE MEGH JAMECHE<br /> | |||
ÁŚÁŔHER ÁKÁSHA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VRIŚT́I PAŔE JHAINJHÁ JHAŔE<br /> | |||
UNMATTA VÁTÁS<br /> | |||
ÁŚÁŔHER ÁKÁSH<br /> | |||
PÁKHIR BÁSÁ BHÁSIYÁ JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PÁKHIR BÁSÁ BHÁSIYÁ JÁY<br /> | |||
SIKTA PATHIK ÁSHRAY CÁY<br /> | |||
DHÁNER KŚETE JALA SHROTE<br /> | |||
SÁGARER ÁBHÁS<br /> | |||
ÁŚÁŔHER ÁKÁSHA<br /> | |||
TARII BEYE NÁVIK CALE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TARII BEYE NÁVIK CALE<br /> | |||
KÚLA KINÁRÁ JÁY SE BHÚLE<br /> | |||
THAI NÁ PEYE AGÁDH JALE<br /> | |||
VRIŚT́I TÁR UDÁS<br /> | |||
ÁŚÁŔHER ÁKÁSHA<br /> | |||
MEGHER PARE MEGH JAMECHE<br /> | |||
ÁŚÁŔHER ÁKÁSHA<br /> | |||
Clods after clouds are accumulated in the sky of rainy season. With storm, heavy downpour<br /> | |||
is there and the wind is frenzied. The nest of the birds fly off and the wet traveler<br /> | |||
seeks shelter. In the paddy fields and the water streams, appearance of ocean comes. The<br /> | |||
boatman sails the boat, but forgets the shore and sides. He is unable to estimate the<br /> | |||
depth of deep water, for him the rain is sorrow.<br /> | |||
=== 3090 (29/08/1985) K === | |||
E MADHU JYOTSNÁY ÁLOY BHESE JÁY<br /> | |||
ÁKÁSHA VASUDHÁ EK SÁTHE<br /> | |||
TUMI KI DHARÁ DEVE NIKAT́E ÁSIBE<br /> | |||
MALAY VÁTE E SURABHITA RÁTE<br /> | |||
ÁKÁSHA VASUDHÁ EK SÁTHE<br /> | |||
PATH CEYE BASE ÁCHI YUGE YUGE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATH CEYE BASE ÁCHI YUGE YUGE<br /> | |||
ÁSHÁ NIYE BUKE DIVÁ RÁTI JEGE<br /> | |||
TUMI NÁHI ELE ÁSHÁ NÁ PÚRÁLE<br /> | |||
KII PHAL E MÁLATI MÁLÁ GENTHE<br /> | |||
ÁKÁSHA VASUDHÁ EK SÁTHE<br /> | |||
MANER KATHÁ JÁNO ABUJHA HOYO NÁKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER KATHÁ JÁNO ABUJHA HOYO NÁKO<br /> | |||
VYATHIIR VYATHÁ JENE LIILÁ KARO NÁKO<br /> | |||
MARMA MÁJHE BASE ÁNKHI MELE HÁSO<br /> | |||
KONO KŚATI KÁRO NEI TÁTE<br /> | |||
ÁKÁSHA VASUDHÁ EK SÁTHE<br /> | |||
On this sweet moonlight, the light goes on floating together on earth and sky. O Lord<br /> | |||
would You come close and come into fold this night fragrant with sandal breeze? I am<br /> | |||
sitting day and night since ages after ages, looking at the path, with hope. You did not<br /> | |||
come and did not fulfill the expectation. What is the result of my threading the garland<br /> | |||
of malatii flowers? You know about my mind, do not pretend to be ignorant. Knowing the<br /> | |||
pain of this afflicted, do not play liila, the illusive game. Sitting in the core of the<br /> | |||
mind, smile opening the eyes. There is no harm in doing that.<br /> | |||
=== 3091 (30/08/1985) === | |||
SUKHE ELE NÁKO<br /> | |||
SHOKE SÁNTVANÁ DITE ELE<br /> | |||
ÁMÁR BOLINI KABHU<br /> | |||
TABU ÁMÁR HOYE GELE<br /> | |||
SHOKE SÁNTVANÁ DITE ELE<br /> | |||
VIHVALA CHINU DUHKHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIHVALA CHINU DUHKHE<br /> | |||
BOLINI KICHU MUKHE<br /> | |||
MANER CITRA DEKHE<br /> | |||
MAMATÁ MÁDHURII D́HELE DILE<br /> | |||
SHOKE SÁNTVANÁ DITE ELE<br /> | |||
SUKHE CINITE PÁRINI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SUKHE CINITE PÁRINI<br /> | |||
DUHKHE CINECHI TOMÁY<br /> | |||
VEDANÁY BHÁLOBÁSÁ DILE<br /> | |||
SARÁLE SAB TAMASÁY<br /> | |||
ÁMÁR ÁMIRE BHARE REKHE<br /> | |||
GHIRE RAYE GELE PRATIPALE<br /> | |||
SHOKE SÁNTVANÁ DITE ELE<br /> | |||
SUKHE ELE NÁKO<br /> | |||
SHOKE SÁNTVANÁ DITE ELE<br /> | |||
O Lord, You did not come during my happiness, and came during my sorrows to provide<br /> | |||
consolation. I was restless with pains, but did not speak anything with mouth. Looking at<br /> | |||
the condition of my mind, You pored the sweetness of affection. I could not recognise You<br /> | |||
during happiness, but recognised during sorrows. By providing love during pains, You<br /> | |||
removed all darkness. Filling my “I” feeling entirely, You kept me surrounded each<br /> | |||
moment.<br /> | |||
=== 3092 (30/08/1985) D === | |||
ÁMÁR GHARE TOMÁR<br /> | |||
ÁLOR NIMANTRAŃ<br /> | |||
ESO AVASHYAI<br /> | |||
RAYILO NIVEDAN | |||
ÁMÁR GHARE TOMÁR<br /> | |||
ÁLOR NIMANTRAŃ<br /> | |||
SÁRÁ JIIVAN DHARE<br /> | |||
TOMÁR SUR SEDHECHI<br /> | |||
PRÁŃER SHIKHÁ JVELE<br /> | |||
GHAR ÁLO KARECHI<br /> | |||
SAKAL KÁJER MÁJHE<br /> | |||
TOMÁY BHEVE GECHI<br /> | |||
JENE ÁMÁR PRÁŃE<br /> | |||
CEYO KICHU KŚAŃ<br /> | |||
ÁMÁR GHARE TOMÁR<br /> | |||
ÁLOR NIMANTRAŃ<br /> | |||
MOR PRADIIPE PRABHU<br /> | |||
TUMII JE SHALÁKÁ<br /> | |||
GHRITA TUMII TUMI<br /> | |||
SALITÁ JE EKÁ<br /> | |||
TOMÁR PATHEI CALI<br /> | |||
SE PATH NAHE BÁNKÁ<br /> | |||
TOMÁR CARAŃA DHÚLI<br /> | |||
ÁMÁR AŃU MAN | |||
ÁMÁR GHARE TOMÁR<br /> | |||
ÁLOR NIMANTRAŃ<br /> | |||
O Lord, into my home, I invite Your effulgence. You must come, this is my prayer.<br /> | |||
Throughout my life, I have rehearsed Your tune. Kindling the flame of my vitality, I have<br /> | |||
illuminated the home. Amidst all my actions, I have ideated on You. All these so that, You<br /> | |||
look towards me for a few moments. O Lord, in my lamp You are Yourself singularly the<br /> | |||
lighting stick, the fuel ghee, and the wick. I move on to Your path, which is not curved.<br /> | |||
My unit mind is just the dust of Your feet.<br /> | |||
=== 3093 (30/08/1985) K === | |||
TOMÁR MANER ÁNGINÁTE<br /> | |||
SABÁR KHELÁ DHULÁ<br /> | |||
SABÁR KHELÁ DHÚLÁ<br /> | |||
SABÁR SÁTHE ÁCHO METE<br /> | |||
SAKÁL SANDHYÁ BELÁ<br /> | |||
SABÁR KHELÁ DHÚLÁ<br /> | |||
SÚRYA UT́HE PÚRVÁKÁSHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SÚRYA UT́HE PÚRVÁKÁSHE<br /> | |||
TOMÁR MANER EKAT́I PÁSHE<br /> | |||
ÁLOY KARO LIILÁ<br /> | |||
SABÁR KHELÁ DHÚLÁ<br /> | |||
RAVI D́OBE SANDHYÁ RÁGE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RAVI D́OBE SANDHYÁ RÁGE<br /> | |||
TOMÁR KALIR ANURÁGE<br /> | |||
PARÁG BHÁSE DÚR ASHEŚE<br /> | |||
TANDRÁ MÁYÁR BHELÁ<br /> | |||
SABÁR KHELÁ DHÚLÁ<br /> | |||
TOMÁR MANER ÁNGINÁTE<br /> | |||
SABÁR KHELÁ DHULÁ<br /> | |||
SABÁR KHELÁ DHÚLÁ<br /> | |||
O Lord, in the courtyard of Your mind, in the activity of games, You are engrossed with<br /> | |||
all the times, mornings and evenings. The sun rises in the eastern sky, close beside Your<br /> | |||
mind. And You play with light. The sun sets in the evening with red colour. Due to Your<br /> | |||
love for the buds, the fragrance floats far off on the boat of Your ma’ya’, delusive<br /> | |||
drowsiness.<br /> | |||
=== 3094 (30/08/1985) K === | |||
VISHVA MÁNASE DOLÁ DILE<br /> | |||
NIJEKE CHAŔÁYE GELE<br /> | |||
KEU TAVA PAR NAY SABÁI ÁPAN | |||
SABÁRE NIKAT́E T́ENE NILE<br /> | |||
NIJEKE CHAŔÁYE GELE<br /> | |||
MÁDHAVII SVANANE TUMI MADHUPE THÁKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁDHAVII SVANANE TUMI MADHUPE THÁKO<br /> | |||
MANER MAYÚRE NITI NIKAT́E D́ÁKO<br /> | |||
MAMATÁR MÁDHURII MANE MÁKHO<br /> | |||
SABÁRE ÁLOKE BHARÁLE<br /> | |||
NIJEKE CHAŔÁYE GELE<br /> | |||
EKÁ TUMI THEKE GECHO SABÁR MANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EKÁ TUMI THEKE GECHO SABÁR MANE<br /> | |||
SAB DESHE SAB KÁLE PRATI KŚAŃE<br /> | |||
SABÁKÁR SAMÁHÁR EKE TUMI EKÁKÁR<br /> | |||
PRIITI DIYE SABÁKÁR PRIITI PELE<br /> | |||
NIJEKE CHAŔÁYE GELE<br /> | |||
VISHVA MÁNASE DOLÁ DILE<br /> | |||
NIJEKE CHAŔÁYE GELE<br /> | |||
O Lord, swinging the minds in the universe, You have spread Yourself. Nobody is distant<br /> | |||
for You, all are Your own. You pulled everyone close to You. In ma’dhavii flower, You<br /> | |||
are resonating honeybee. You ever call the mental peacock close to You. You smear the<br /> | |||
sweetness of affection in the in the mind. You fill everyone with light. Being alone, You<br /> | |||
have stayed in all minds, all the time and at all places, each moment. As aggregate of<br /> | |||
all, You are alone unified entity. You offer love to all on getting love.<br /> | |||
=== 3095 (30/08/1985) K === | |||
NISTABDHA CHILO MAHÁKÁSH<br /> | |||
TUMI ELE GÁNE GÁNE<br /> | |||
JIIVANER SPANDANE KÁMPILO VÁTÁS<br /> | |||
CETANÁR SHUBHÁGAMANE<br /> | |||
TUMI ELE GÁNE GÁNE<br /> | |||
DIIRGHA KÁLER GHUM BHEUNGE GELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIIRGHA KÁLER GHUM BHEUNGE GELO<br /> | |||
KALAKÁKALITE DHARÁ MUKHAR HOLO<br /> | |||
ÁLOKER UDBHÁSE MUKTI ELO<br /> | |||
PRÁŃA ELO MAHÁPRÁŃE<br /> | |||
TUMI ELE GÁNE GÁNE<br /> | |||
VARŃE VARŃE NÁNÁ PHÚL PHUT́ILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VARŃE VARŃE NÁNÁ PHÚL PHUT́ILO<br /> | |||
BUKER MADHUTE DHARÁ PÚRŃA HOLO<br /> | |||
SABÁKÁR SUKH DUHKHA SABE BUJHILO<br /> | |||
BRIHATER ÁVÁHANE<br /> | |||
TUMI ELE GÁNE GÁNE<br /> | |||
NISTABDHA CHILO MAHÁKÁSH<br /> | |||
TUMI ELE GÁNE GÁNE<br /> | |||
The great sky was calm, when You came through song after song. The air was vibrant with<br /> | |||
life with the auspicious arrival of consciousness. The sleep of a very long duration | |||
broke, and the earth became noisy with chirping of the birds. With the shining of light<br /> | |||
liberation came and life came into the cosmic vitality. Diverse flowers bloomed in various<br /> | |||
colours. The earth became full with the honey in the bosom. All realized the pain and<br /> | |||
pleasure of all at the call of the great.<br /> | |||
=== 3096 (30/08/1985) K === | |||
ANDHAKÁRER MÁJHE ÁLO ELO<br /> | |||
PRATHAM PRABHÁT ELO<br /> | |||
KICHU NÁ THÁKÁR BUKE SABI ELO<br /> | |||
PRÁŃE DHARÁ BHARE GELO<br /> | |||
PRATHAM PRABHÁT ELO<br /> | |||
JE BHUVAN PAŔE CHILO RIKTATÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE BHUVAN PAŔE CHILO RIKTATÁTE<br /> | |||
DRUTA SE EGIYE GELO PÚRŃA HOTE<br /> | |||
ÁSHÁR MADIRÁ ELO AŃU MANETE<br /> | |||
VISHVA JÁGIYÁ UT́HILO<br /> | |||
PRATHAM PRABHÁT ELO<br /> | |||
NÁNÁ RÁGE NÁNÁ RÚPE E DIIPÁVALII<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NÁNÁ RÁGE NÁNÁ RÚPE E DIIPÁVALII<br /> | |||
JVALIÁ UT́HILO NABHE DRIŚT́I MELI<br /> | |||
PRÁŃA SPANDANE ELO KALAKÁKALI<br /> | |||
VIIŃÁ JHAUNKRITA HOLO<br /> | |||
PRATHAM PRABHÁT ELO<br /> | |||
ANDHAKÁRER MÁJHE ÁLO ELO<br /> | |||
PRATHAM PRABHÁT ELO<br /> | |||
Light came amid darkness, the first morning appeared. At the bosom of nothingness<br /> | |||
everything came and the earth became filled with vital energy. The universe that was lying<br /> | |||
in void ness, it started moving fast on becoming complete. Into the unit minds, the<br /> | |||
intoxicant of aspiration came and the world awakened up. It was a festival of lights with<br /> | |||
innumerable forms and colours that started glowing in the cosmos with open eyes. With the<br /> | |||
vibration of life, noise came and the viin’a’ started tinkling.<br /> | |||
=== 3097 (30/08/1985) K === | |||
ÁJIKE PRÁTE ÁSHÁ BHARÁ ÁLOTE<br /> | |||
PRABHÁT SAMIIRE MAN TOMÁRE CÁY<br /> | |||
NIKAT́E DÚRE NÁNÁN SURE<br /> | |||
TOMÁR GIITIKÁ MAN PRÁŃA BHARE GÁY<br /> | |||
PRABHÁT SAMIIRE MAN TOMÁRE CÁY<br /> | |||
E ÁLOR DRUTI KABHU MÁPÁ JÁY NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
E ÁLOR DRUTI KABHU MÁPÁ JÁY NÁ<br /> | |||
E GIITIR GATI KONO MÁNE NÁ MÁNÁ<br /> | |||
ÁLO ÁR GIITI CALE BHUVANER VEDII MÚLE<br /> | |||
SÁTHE NIYE PATHE JABE JÁHÁRE PÁY<br /> | |||
PRABHÁT SAMIIRE MAN TOMÁRE CÁY<br /> | |||
E GIITIKÁ DIYE JÁY BHUVANE DOLÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
E GIITIKÁ DIYE JÁY BHUVANE DOLÁ<br /> | |||
E GIITIKÁ KARE DEY ÁPAN BHOLÁ<br /> | |||
NOTUN EGIYE CALE PURÁTANE PICHE PHELE<br /> | |||
SHATA BHÁVE SHATA DHÁRE SUMUKHE DHÁY<br /> | |||
PRABHÁT SAMIIRE MAN TOMÁRE CÁY<br /> | |||
ÁJIKE PRÁTE ÁSHÁ BHARÁ ÁLOTE<br /> | |||
PRABHÁT SAMIIRE MAN TOMÁRE CÁY<br /> | |||
O Lord, this dawn, in the light full of hope, with morning breeze, the mind wants You.<br /> | |||
From far and near with several melodies, the mind sings Your song wholeheartedly. The<br /> | |||
speed of this brilliance cannot be measured any time. The speed of this song does not heed<br /> | |||
to any hindrance. The light and the song move at the root of the universe, taking with<br /> | |||
them all whom they find on the way. This song goes on giving swings to the world. This<br /> | |||
song makes one oblivious of own existence. The new moves forward leaving the old behind.<br /> | |||
With hundreds of feelings and flows it rushes forward.<br /> | |||
=== 3098 (31/08/1985) K === | |||
EI, CAINCALA PAVANE LIILÁYIITA<br /> | |||
TUMI KE GO ELE TUMI KE GO ELE<br /> | |||
MANER JAD́ATÁ MOR SARIYE DIYE<br /> | |||
JYOTIR DHÁRÁY UJJVAL KARILE<br /> | |||
TUMI KE GO ELE TUMI KE GO ELE<br /> | |||
TOMÁKE CINITE PÁRI NÁI JE KABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁKE CINITE PÁRI NÁI JE KABHU<br /> | |||
SHUNIYÁ CHILÁM TUMI SABÁR PRABHU<br /> | |||
SAMARPAŃA MOR HOYENI TABU<br /> | |||
ÁJ TÁHÁ KARIYÁ DILE<br /> | |||
TUMI KE GO ELE TUMI KE GO ELE<br /> | |||
SABÁR PRIYA TUMI ÁNKHIR TÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABÁR PRIYA TUMI ÁNKHIR TÁRÁ<br /> | |||
TOMÁR TARE DHARÁ ÁTMA HÁRÁ<br /> | |||
VISHVER JATA SUDHÁ TOMÁTE BHARÁ<br /> | |||
ELE PRÁŃA SARITÁR UPAKÚLE<br /> | |||
TUMI KE GO ELE TUMI KE GO ELE<br /> | |||
EI, CAINCAL PAVANE LIILÁYIITA<br /> | |||
TUMI KE GO ELE TUMI KE GO ELE<br /> | |||
O Lord, enchanting this restless wind, who is that You, who came? You removed the inertia<br /> | |||
of my mind and made it shine with flow of effulgence. I am unable to recognise You any<br /> | |||
time. I have only heard that You are the controlling Lord of all. Still my surrender never<br /> | |||
takes place. That You made possible today. You are beloved of all, their pupil of the<br /> | |||
eyes. For You the earth has lost itself. All the nectar of the universe is filled in You<br /> | |||
and came at the bank of the stream of life.<br /> | |||
=== 3099 (31/08/1985) D (Krsna) === | |||
MANER GOPÁL MANETE RAYECHO<br /> | |||
MAN MÁJHE LIILÁ KARE CALECHO<br /> | |||
MANER GAHANE NIBHRITA BHUVANE<br /> | |||
TAVA BÁNSHURIR DHVANI TÚLECHO<br /> | |||
MAN MÁJHE LIILÁ KARE CALECHO<br /> | |||
MOHAN MURALI DEKHITE NÁ PÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MOHAN MURALI DEKHITE NÁ PÁI<br /> | |||
RAŃANE UDDVEL HOYE JÁI<br /> | |||
LIILÁYIITA KARE RAINJITÁDHARE<br /> | |||
ÁMÁR BHUVAN JINE NIYECHO<br /> | |||
MAN MÁJHE LIILÁ KARE CALECHO<br /> | |||
TOMÁR LIILÁR ANTA JE NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR LIILÁR ANTA JE NÁI<br /> | |||
HRIDI VRAJA BHUME CHED NÁHI PÁI<br /> | |||
PRÁŃER GOKULE KÚLA LÁJA BHÚLE<br /> | |||
ÁMÁRE TOMÁR KÁCHE T́ENECHO<br /> | |||
MAN MÁJHE LIILÁ KARE CALECHO<br /> | |||
MANER GOPÁL MANETE RAYECHO<br /> | |||
MAN MÁJHE LIILÁ KARE CALECHO<br /> | |||
The Gopa’l of my mind remains in the mind itself and goes on performing illusive game<br /> | |||
liila within the mind. In the depth of the mind, isolated from the world, the sound of<br /> | |||
Your flute arises. The charming flute I am unable to see, but get restless with the<br /> | |||
resonance. Enchanting with the coloured You win over my world. There is no end of Your<br /> | |||
illusive game liila, I do not find any loop hole in the Vrajabhu’mi of my heart. For<br /> | |||
getting the dynasty and shyness in the Gokul of my heart, You pull me close to Yourself.<br /> | |||
=== 3100 (31/08/1985) K === | |||
TOMÁRI TARE PRABHU<br /> | |||
KATA YUGA CALE GECHE<br /> | |||
KATA VINIDRA RÁTI KATA<br /> | |||
ÁNKHI VÁRI BAYECHE<br /> | |||
KATA YUGA CALE GECHE<br /> | |||
SHRÁVAŃER DHÁRÁ SAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHRÁVAŃER DHÁRÁ SAMA<br /> | |||
ÁNKHI JAL JHARECHE MAMA<br /> | |||
KETAKII PARÁG SAMA<br /> | |||
VARAŚÁY DÚRE BHESECHE<br /> | |||
KATA YUGA CALE GECHE<br /> | |||
ÁSONI TUMI TABU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSONI TUMI TABU<br /> | |||
BÁJENI MARME KABHU<br /> | |||
ÁMÁR E VIIŃÁR TÁRE<br /> | |||
SE GIITI BHESE CALECHE<br /> | |||
KATA YUGA CALE GECHE<br /> | |||
TOMÁRI TARE PRABHU<br /> | |||
KATA YUGA CALE GECHE<br /> | |||
O Lord, for You innumerable ages have passed. Many sleepless nights have passed flowing<br /> | |||
tears profusely. Like flow of rains, my tears have flowed. Like the fragrance of ketakii<br /> | |||
flower, they float away far in the rain. Still You do not come, Never in the core of my<br /> | |||
mind, the strings of viin’a’ have sounded and floated with the song.<br /> | |||
=== 3101 (01/09/1985) D (Krsna) === | |||
BÁNSHII<br /> | |||
BÁJIYÁ UT́HILO YAMUNÁY<br /> | |||
BÁJIYÁ UT́HILO YAMUNÁY<br /> | |||
AHARAHA BÁJE BHULI GRIHA KÁJE<br /> | |||
MAN CH’OT́E NADII KINÁRÁY<br /> | |||
BÁJIYÁ UT́HILO YAMUNÁY<br /> | |||
BÁJIYÁ UT́HILO YAMUNÁY<br /> | |||
MAYUR CALECHE MELIYÁ KALÁP<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAYUR CALECHE MELIYÁ KALÁP<br /> | |||
VAN HARIŃIIRÁ KARITE ÁLÁP<br /> | |||
ALI GUINJARE MADHU SAḾLÁP<br /> | |||
KARE CALE KENO PÁPIYÁY<br /> | |||
BÁJIYÁ UT́HILO YAMUNÁY<br /> | |||
BÁJIYÁ UT́HILO YAMUNÁY<br /> | |||
KÁR TARE ETA PHÚT́E JÁY PHÚL<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁR TARE ETA PHÚT́E JÁY PHÚL<br /> | |||
MANER PARÁGE DULIYE DODUL<br /> | |||
BHÁVER GOKUL CHANDE ÁKUL<br /> | |||
NECE CALE KÁR DYOTANÁY<br /> | |||
BÁJIYÁ UT́HILO YAMUNÁY<br /> | |||
BÁJIYÁ UT́HILO YAMUNÁY<br /> | |||
BÁNSHII<br /> | |||
BÁJIYÁ UT́HILO YAMUNÁY<br /> | |||
BÁJIYÁ UT́HILO YAMUNÁY<br /> | |||
The flute started playing at the Yamuna’ river. It goes on playing continuously, and<br /> | |||
forgetting the household works; the mind goes on rushing at the shore of the river. The<br /> | |||
peacock goes spreading the wings, the wild deer cry. The honeybee hums, why the papiya’<br /> | |||
bird goes on speaking? What for so many flowers bloom with mental fragrance swinging? The<br /> | |||
Gokul of feelings is restless with rhythm, at whose signal it goes on dancing?<br /> | |||
=== 3102 (01/09/1985) D === | |||
KENO, AMAN KARIYÁ D́EKE CALO<br /> | |||
KÚPODAK DIYE DILE TARAUNGA D́HELE<br /> | |||
BHÁVÁVEGE KARE UCCHVALO<br /> | |||
AMAN KARIYÁ D́EKE CALO<br /> | |||
SÁGARER TIIRE CHILUM EKELÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SÁGARER TIIRE CHILUM EKELÁ<br /> | |||
JHINUK KÚŔIYE KET́E GECHE BELÁ<br /> | |||
DHÚLOBÁLI NIYE KARE GECHI KHELÁ<br /> | |||
DEKHINI SINDHU UDDVELO<br /> | |||
AMAN KARIYÁ D́EKE CALO<br /> | |||
GURU GARJANE SINDHU SARAVA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GURU GARJANE SINDHU SARAVA<br /> | |||
TÁHÁTE MISHIÁ JÁY DHVANI SABA<br /> | |||
KŚUDRA PRÁŃER ANIMÁ ÁSAVA<br /> | |||
SE MAHÁDHVANITE CANCALO<br /> | |||
AMAN KARIYÁ D́EKE CALO<br /> | |||
KENO, AMAN KARIYÁ D́EKE CALO<br /> | |||
O Lord, why like this You continue calling? Giving well water, but pouring waves, You make<br /> | |||
me restless with the impulse of ideation. I was alone at the shore of the ocean, passing<br /> | |||
time picking up shells. I continued play with shore sands, and did not see the restless<br /> | |||
ocean. With loud roar the ocean sounded. In that all sounds were merged. The meagre heart<br /> | |||
with the nectar of pointed ness, became restless with that great roar.<br /> | |||
=== 3103 (01/09/1985) K (Krsna) === | |||
ÁMÁR KÁNU, ÁMÁR KÁNU<br /> | |||
ÁMÁR KÁNU, JÁY, JÁY, JÁY, JÁY<br /> | |||
VRINDÁVANER VANE VANE<br /> | |||
BHÁSIE DIYE ÁNKHIR VÁNE<br /> | |||
SHÚRASENER RÁJÁ HOTE<br /> | |||
MATHURÁTE DHÁY<br /> | |||
JÁY, JÁY, JÁY<br /> | |||
TOMÁY KÁNU BHULABO NÁKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁY KÁNU BHULABO NÁKO<br /> | |||
JATA DÚREI TUMI THÁKO<br /> | |||
ÁMÁR MANER VEDI THEKE<br /> | |||
KE TOMÁKE SARÁY<br /> | |||
JÁY, JÁY, JÁY<br /> | |||
ÁBÁR TUMI VRAJE ESO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁBÁR TUMI VRAJE ESO<br /> | |||
BÁNSHIR TÁNE MADHUR HESO<br /> | |||
VAN HARIŃI MAN MAYÚRII<br /> | |||
TOMÁR CARAŃ CÁY, JÁY, JÁY, JÁY<br /> | |||
ÁMÁR KÁNU, ÁMÁR KÁNU<br /> | |||
ÁMÁR KÁNU, JÁY, JÁY, JÁY, JÁY<br /> | |||
My Young Krsna is going. Into the forests of Vrindavan, floating eyes into the<br /> | |||
tears. Even after being the King of Shu’rasen, from there He is running towards<br /> | |||
Mathura’. I shall never forget You O Krsna, to whatever distance You stay. From my<br /> | |||
mental altar, who can remove You? This time You come to the land of Vraja, with the melody<br /> | |||
of flute, You smile sweetly. The wild deer and the mental peacock want Your holy feet.<br /> | |||
=== 3104 (01/09/1985) K (Krsna) === | |||
ALAKER ÁNANDA TUMI<br /> | |||
DHARÁTE NEVE ESECHO<br /> | |||
MAMATÁ MÁDHURII D́HELE<br /> | |||
KURISHE KOMAL KARECHO<br /> | |||
DHARÁTE NEVE ESECHO<br /> | |||
BHUVAN BHOLÁNO HÁSI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHUVAN BHOLÁNO HÁSI<br /> | |||
ADHARER MOHAN BÁNSHI<br /> | |||
BOLE SABE BHÁLOBÁSI<br /> | |||
MORE KENO DÚRE REKHECHO<br /> | |||
DHARÁTE NEVE ESECHO<br /> | |||
ÁMÁRE CÁO VÁ NÁ CÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁRE CÁO VÁ NÁ CÁO<br /> | |||
MORE JENO BHULIÁ NÁ JÁO<br /> | |||
SHUDHU MORE E KATHÁ JÁNÁO<br /> | |||
MANE LIILÁ KARE CALECHO<br /> | |||
DHARÁTE NEVE ESECHO<br /> | |||
ALAKER ÁNANDA TUMI<br /> | |||
DHARÁTE NEVE ESECHO<br /> | |||
MAMATÁ MÁDHURI D́HELE<br /> | |||
O Lord, You have brought down heavenly bliss on this earth. By pouring sweet affection | |||
You have made soft hard dried dung. Your world enchanting smile, and charming flute on the<br /> | |||
lips, expresses love to all, but why have You kept me away? Whether You like me or not, do<br /> | |||
not forget me. Tell me only about this as You go on performing Your divine play, liila<br /> | |||
in the mind.<br /> | |||
=== 3105 (02/09/1985) K === | |||
MOR MADHUMÁS<br /> | |||
MOR MADHUMÁS<br /> | |||
MOR MADHUMÁS CALE JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KISHALAY PATRA HOLO<br /> | |||
PATRA PARŃA HOYE<br /> | |||
DHULÁY NIHSHEŚE MISHÁY<br /> | |||
MOR MADHUMÁS CALE JÁY<br /> | |||
KOYEL ESE CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KOYEL ESE CHILO<br /> | |||
GÁNE VÁN D́EKE CHILO<br /> | |||
NIDÁGHER ÁGAMANE<br /> | |||
SE DHÁRÁ KOTHÁ HÁRÁY<br /> | |||
MOR MADHUMÁS CALE JÁY<br /> | |||
VÁTÁSE SUDHÁ CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VÁTÁSE SUDHÁ CHILO<br /> | |||
ÁKÁSHE SUDHÁNSHU CHILO<br /> | |||
PRÁVIT́ER GHAN MEGHE<br /> | |||
TÁDER D́HÁKIYÁ DEY<br /> | |||
MOR MADHUMÁS CALE JÁY<br /> | |||
My sweet spring season is going away. The tender leaves became matured; the green leaves<br /> | |||
became yellow and withered down merging totally with the dust. The cuckoo came and with<br /> | |||
flood of songs it called. With the arrival of summer sun where that flow is lost? There<br /> | |||
was sweetness in the air, and moon in the sky, but dense rainbearing clouds cover them.<br /> | |||
=== 3106 (02/09/1985) D === | |||
TUMI, DÚR NABHAH NIILE DHRUVA TÁRÁ<br /> | |||
ÁMI, DHULOR DHARÁR EKATÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI MAHÁ OMKÁRE D́EKE CALO<br /> | |||
BHÁVÁVEGE ÁMI HOI HÁRÁ<br /> | |||
ÁMI, DHULOR DHARÁR EKATÁRÁ<br /> | |||
TOMÁY ÁMÁY HOYE NÁ TULANÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁY ÁMÁY HOYE NÁ TULANÁ<br /> | |||
MOR JIIVANER TUMII SÁDHANÁ<br /> | |||
SAB PRÁPTIR EKAI EŚAŃÁ<br /> | |||
TOMÁR ÁLOTE MAN BHARÁ<br /> | |||
ÁMI, DHULOR DHARÁR EKATÁRÁ<br /> | |||
TUMI CHÁŔÁ ÁMI KICHUI JÁNI NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI CHÁŔÁ ÁMI KICHUI JÁNI NÁ ÁR<br /> | |||
KONO KICHU MÁNITE CÁHINÁ<br /> | |||
KONO ÁGHÁTEI VIKAL HOI NÁ, EKÁ<br /> | |||
TUMI PRIYA SUDHÁ KŚARÁ<br /> | |||
ÁMI, DHULOR DHARÁR EKATÁRÁ<br /> | |||
TUMI, DÚR NABHAH NIILE DHRUVA TÁRÁ<br /> | |||
ÁMI, DHULOR DHARÁR EKATÁRÁ<br /> | |||
O Lord, You are the polestar in the distant blue sky and I am monochord on the dusty<br /> | |||
earth. You go on calling through the Great Cosmic sound “OM”, and with the impulse of<br /> | |||
ideation I lose myself. There cannot be any comparison between You and me. You are<br /> | |||
sa’dhana’, the ultimate endeavor of my life. There is only one earnestness of all<br /> | |||
achievements that is to fill the mind with Your effulgence. I do not know anything other<br /> | |||
than You, neither I want anything else to accept. I do not get dispirited by any blow, as<br /> | |||
You are only dear oozing nectar.<br /> | |||
=== 3107 (02/09/1985) K === | |||
TOMÁRE DEKHECHI ÁMI<br /> | |||
PRAPAINCETE MANE MANE<br /> | |||
JEMAN CHILE RAYE GELE<br /> | |||
JAD́E PARIVARTAN ENE<br /> | |||
PRAPAINCETE MANE MANE<br /> | |||
ÁLOKE ÁNDHÁRE HÁSO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOKE ÁNDHÁRE HÁSO<br /> | |||
AŃUR PRIITI BHÁLOBÁSO<br /> | |||
MAHÁKÁSHE RAUNGE BHÁSO<br /> | |||
RÚPE RÚPE PRATI KŚAŃE<br /> | |||
PRAPAINCETE MANE MANE<br /> | |||
ANALE ANILE ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANALE ANILE ÁCHO<br /> | |||
TRIŃA MAINJARITE NÁCO<br /> | |||
CIDÁKÁSHE THEKE GECHO<br /> | |||
BHÁVAMAYER ANUDHYÁNE<br /> | |||
PRAPAINCETE MANE MANE<br /> | |||
TOMÁRE DEKHECHI ÁMI<br /> | |||
PRAPAINCETE MANE MANE<br /> | |||
O Lord, I see You in the quinquenmental world mentally. You remained as You were and<br /> | |||
brought mutation in the inert. You smile in light and darkness. You love the microcosm<br /> | |||
intensely. You float as colour in the great space, in diverse forms each moment. You are<br /> | |||
present in fire and air. You dance in the grass and buds. You stayed in the firmament of<br /> | |||
the mind as ideational in the meditation.<br /> | |||
=== 3108 (02/09/1985) K === | |||
ÁMÁR E MANO VIIŃÁYA<br /> | |||
TAVA RÁGA NÁHI ELE<br /> | |||
BHUVAN BHÁSÁYE DIO<br /> | |||
ANÚBHÚTIR UPAKÚLE<br /> | |||
TAVA RÁGA NÁHI ELE<br /> | |||
RAŃANE TUMI ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RAŃANE TUMI ÁCHO<br /> | |||
SURE RÁGE BHARE RAYECHO<br /> | |||
MANANER MAŃIKÁ MÁLÁY<br /> | |||
KARUŃÁR DHÁRÁ D́HÁLILE<br /> | |||
TAVA RÁGA NÁHI ELE<br /> | |||
CHANDE TUMI RAYECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHANDE TUMI RAYECHO<br /> | |||
SVACCHANDE NÁCITECHO<br /> | |||
JIIVANER SHUKTI BELÁY<br /> | |||
EKÁ CHILE ANEK HOLE<br /> | |||
TAVA RÁGA NÁHI ELE<br /> | |||
ÁMÁR E MANO VIIŃÁYA<br /> | |||
TAVA RÁGA NÁHI ELE<br /> | |||
O Lord, on the mental viin’a’ of mine, Your melody did not come. You made the world<br /> | |||
float on the shore of feelings. You are present in the resonance, filled with melodies and<br /> | |||
tunes. Into the garland of gems as counting beads, You pour the flow of mercy. You stayed<br /> | |||
in the rhythm, and dances freely as per own wish. At the shore of life, You became many<br /> | |||
from One.<br /> | |||
=== 3109 (03/09/1985) K === | |||
D́EKECHI YUGE YUGE<br /> | |||
TUMI SHONONI ÁMÁR KATHÁ<br /> | |||
DÚRE CHILE SARE<br /> | |||
BOJHONI ÁMÁR VYÁKULATÁ<br /> | |||
TUMI SHONONI ÁMÁR KATHÁ<br /> | |||
VAJRER HUTÁSHE D́EKECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VAJRER HUTÁSHE D́EKECHI<br /> | |||
MALAY VÁTÁSE GEYE GECHI<br /> | |||
SÁGARER GARJANE MANE PRÁŃE<br /> | |||
ÁHVÁN KARE GECHI VRITHÁ<br /> | |||
TUMI SHONONI ÁMÁR KAOTHÁ<br /> | |||
JVÁLÁMUKHIR UDGIIRAŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JVÁLÁMUKHIR UDGIIRAŃE<br /> | |||
MADHUPER MADHU GUINJARAŃE<br /> | |||
JHAINJHÁR SAGHAN SVANANE<br /> | |||
BOJHÁTE CEYECHI MOR VYATHÁ<br /> | |||
TUMI SHONONI ÁMÁR KATHÁ<br /> | |||
CIDÁKÁSHER PÁNE CEYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CIDÁKÁSHER PÁNE CEYE<br /> | |||
MANER MÁLATI MÁLÁ NIYE<br /> | |||
BHÁVETE CÁOÁKE CHÁPIYE<br /> | |||
D́EKECHI BHEUNGECHO NIIRAVATÁ<br /> | |||
TUMI SHONONI ÁMÁR KATHÁ<br /> | |||
D́EKECHI YUGE YUGE<br /> | |||
TUMI SHONONI ÁMÁR KATHÁ<br /> | |||
O Lord, I have been calling You since ages after ages. But You never heard my talk. You<br /> | |||
stayed far away and did not understand my restlessness. Shouting with expression of<br /> | |||
dismay, I continued moving with the sandal breeze. Roaring like ocean with heart and soul<br /> | |||
I have invoked You uselessly. I have been trying to express to You my pain like eruptions<br /> | |||
of volcano, sweet humming of the bees, and intense noise of the storm. Looking towards the<br /> | |||
firmament of the mind with garland of ma’lati flowers, suppressing the feelings, I had<br /> | |||
been calling You breaking the silence.<br /> | |||
=== 3110 (03/09/1985) K === | |||
VASANTERI MAINJARI<br /> | |||
NÚTANER ÁBHÁS ÁNE<br /> | |||
CIR NÚTANER LUKOCURI<br /> | |||
SHONÁY SE GÁNE GÁNE<br /> | |||
NÚTANER ÁBHÁS ÁNE<br /> | |||
KÁNAN KUSUME HESE CÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁNAN KUSUME HESE CÁY<br /> | |||
VÁTÁSE SURABHI BHESE JÁY<br /> | |||
ÁKÁSHE PÁPIYÁ GÁN GÁY<br /> | |||
NÚTANER SPANDANE<br /> | |||
NÚTANER ÁBHÁS ÁNE<br /> | |||
NÚTAN SUDHÁ JHARE VASUDHÁR GÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NÚTAN SUDHÁ JHARE VASUDHÁR GÁY<br /> | |||
NÚTANER ÁLO BHARÁ COKHE SE TÁKÁY<br /> | |||
MARME CIRA NÚTAN MURACHÁY<br /> | |||
BRIHATER PRIITIR T́ÁNE<br /> | |||
NÚTANER ÁBHÁS ÁNE<br /> | |||
VASANTERI MAINJARI<br /> | |||
NÚTANER ÁBHÁS ÁNE<br /> | |||
The bunches of new leaves and buds<br /> | |||
appear in spring<br /> | |||
and bring about an indistinct presence of the new.<br /> | |||
Song after song<br /> | |||
the hide and seek play<br /> | |||
of the ever new is praised.<br /> | |||
The flowers in the garden want to smile<br /> | |||
and fragrance floats adrift in the air.<br /> | |||
In the sky the nightingale sings along<br /> | |||
to the vibration of the new.<br /> | |||
Nectar flows afresh on the body of the earth<br /> | |||
whose eyes are filled with a new shine.<br /> | |||
On the innermost core of my heart<br /> | |||
the attractive pull of the Great reflects itself.<br /> | |||
=== 3111 (03/09/1985) K === | |||
EI, TANDRÁ JAŔIMÁ MÁKHÁ JYOTSNÁY<br /> | |||
TANDRÁ JAŔIMÁ MÁKHÁ JYOTSNÁY<br /> | |||
MAN BHESE JÁY, BHESE JÁY<br /> | |||
KICHUI BUJHITE NÁHI PÁRÁ JÁY<br /> | |||
KOTHÁ HOTE ÁSIÁCHE JÁY SE KOTHÁY<br /> | |||
MAN BHESE JÁY, BHESE JÁY<br /> | |||
SPANDITA SURABHITE KE SE D́EKE JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SPANDITA SURABHITE KE SE D́EKE JÁY<br /> | |||
NANDITA MÁDHURIITE KE GIIT SHONÁY<br /> | |||
ÁLOKE SHISHIRE GÁNE CHANDE MÁTÁY<br /> | |||
PRÁŃA JHALAKÁY<br /> | |||
MAN BHESE JÁY, BHESE JÁY<br /> | |||
AJÁNÁ PATHIK TUMI ATITHI ÁJI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AJÁNÁ PATHIK TUMI ATITHI ÁJI<br /> | |||
MARME ELE MOHAN SÁJE SÁJI<br /> | |||
TOMÁR CARAŃE EI KARUŃÁ JÁCI<br /> | |||
THEKE JÁO MOR MÁJHE NIRÁLÁY<br /> | |||
MAN BHESE JÁY, BHESE JÁY<br /> | |||
EI, TANDRÁ JAŔIMÁ MÁKHÁ JYOTSNÁY<br /> | |||
TANDRÁ JAŔIMÁ MÁKHÁ JYOTSNÁY<br /> | |||
MAN BHESE JÁY, BHESE JÁY<br /> | |||
In this moonlight smeared with inertial drowsiness, the mind goes on floating. It is<br /> | |||
impossible to understand anything from where has it come and where it is going. Who is<br /> | |||
calling with the vibrant fragrance, with pleasing sweetness who is singing the song? The<br /> | |||
dewdrops in light are frenzied with rhythm and song showing glimpses if life. O the<br /> | |||
unknown traveler, You are the guest today, coming into the core of mind with charming<br /> | |||
adornment. At Your feet this much mercy I am seeking, remain within me secluded.<br /> | |||
=== 3112 (03/09/1985) K === | |||
MOR, UDDVEL HRDAYE ELE<br /> | |||
KENO BOLO NÁ KENO BOLO NÁ<br /> | |||
SAB BHÁVA BHÁVANÁ NIYE NILE<br /> | |||
KICHU BOLITE DILE NÁ<br /> | |||
KENO BOLO NÁ KENO BOLO NÁ<br /> | |||
TOMÁR GATI VIDHI JÁNITE NÁ PÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR GATI VIDHI JÁNITE NÁ PÁI<br /> | |||
MOR KONO KICHU TAVA AJÁNÁ NÁI<br /> | |||
PRATI KŚAŃE PRATI RÚPE DEKHIYÁ JÁI<br /> | |||
KONO BÁNDHANEI BÁNDHÁ PAŔO NÁ<br /> | |||
KENO BOLO NÁ KENO BOLO NÁ<br /> | |||
JÁNITE GELE KENDE PHIRIYÁ ÁSI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁNITE GELE KENDE PHIRIYÁ ÁSI<br /> | |||
KHUNJITE GELE ASIIME BHÁSI<br /> | |||
DHARITE NÁ PÁRILEO BHÁLOBÁSI<br /> | |||
TÁ KII CEYE DEKHO NÁ<br /> | |||
KENO BOLO NÁ KENO BOLO NÁ<br /> | |||
MOR, UDDVEL HRDAYE ELE<br /> | |||
KENO BOLO NÁ KENO BOLO NÁ<br /> | |||
O Lord, You came into my restless heart, tell me, why? You took away all feelings and<br /> | |||
sentiments and did not allow to speak anything. I am unable to know Your activities;<br /> | |||
nothing of mine is unknown to You. Each moment in each form, I go on seeing that with any<br /> | |||
bondage You do not get bound. In attempt to know I just return back crying, while trying<br /> | |||
to search, I get floated in the infinite. Even with love You do not come into folds, that<br /> | |||
is why You do not see.<br /> | |||
=== 3113 (03/09/1985) D === | |||
GÁNER SURE ANEK DÚRE<br /> | |||
BHESE CHILUM EKÁ EKÁ<br /> | |||
VÁR TITHI TÁR MANE NEI ÁR<br /> | |||
TUMII BOLATE PÁRO SAKHÁ<br /> | |||
BHESE CHILUM EKÁ EKÁ<br /> | |||
TÁRÁRÁ BOLE CHILO ÁMÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TÁRÁRÁ BOLE CHILO ÁMÁY<br /> | |||
JÁCCHO TUMI JE AJÁNÁY<br /> | |||
SEI AJÁNÁY HÁRIYE JÁY<br /> | |||
MAN BALÁKÁR SMITA PÁKHÁ<br /> | |||
BHESE CHILUM EKÁ EKÁ<br /> | |||
PHÚLER HÁSI JHARE CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHÚLER HÁSI JHARE CHILO<br /> | |||
MADHU MEKHE BOLE CHILO<br /> | |||
SE CITACOR CEYE CHILO<br /> | |||
TÁI PELE TÁR PRIITI SHIKHÁ<br /> | |||
BHESE CHILUM EKÁ EKÁ<br /> | |||
GÁNER SURE ANEK DÚRE<br /> | |||
BHESE CHILUM EKÁ EKÁ<br /> | |||
With the tune of the melody, I was floating all alone. I do not remember the day and date<br /> | |||
of that, O ever companion, You only tell. The stars told me that You are going to unknown | |||
arena. Into that unknown the swan of the mind with smiling wings get lost. Te smile was<br /> | |||
scattering from the flower and spoke smeared with sweetness, that stealer of the heart<br /> | |||
wanted that is why you got the flame of His lamp.<br /> | |||
=== 3114 (04/09/1985) K === | |||
TOMÁY D́ÁKI DINE RÁTE<br /> | |||
TUMI KI PÁO NÁ SHUNITE<br /> | |||
D́ÁKI ÁLOY ÁNDHÁRETE<br /> | |||
JÁGARAŃE SVAPNE NIDE<br /> | |||
TUMI KI PÁO NÁ SHUNITE<br /> | |||
DIN ÁSE DIN CALE JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIN ÁSE DIN CALE JÁY<br /> | |||
CIR TARE KATA RÁT HÁRÁY<br /> | |||
ÁSHÁ MARIICIKÁ MÁYÁY<br /> | |||
BASE THÁKI CEYE PATHE<br /> | |||
TUMI KI PÁO NÁ SHUNITE<br /> | |||
GRIIŚME VARAŚÁY SHARATE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GRIIŚME VARAŚÁY SHARATE<br /> | |||
HEMANTE SHIITER RITUTE<br /> | |||
VYARTHA HOYEO THÁKI METE<br /> | |||
BHÁVI ÁSIBE VASANTE<br /> | |||
TUMI KI PÁO NÁ SHUNITE<br /> | |||
TOMÁY D́ÁKI DINE RÁTE<br /> | |||
TUMI KI PÁO NÁ SHUNITE<br /> | |||
O Lord, I call You day and night, are You not able to listen? I call You in light and<br /> | |||
dark, sleep awake or dream. The day comes and passes. Many long nights are lost. In the<br /> | |||
illusive mirage of hope I am sitting looking towards the path. In the seasons of summer<br /> | |||
rain, autumn, prewinter and winter I have remained engrossed in the thought that the<br /> | |||
spring would come.<br /> | |||
=== 3115 (04/09/1985) D === | |||
D́ÁK DIYE JÁI, D́ÁK DIYE JÁI<br /> | |||
TRIBHUVANE MOR PAR KEHO NÁI<br /> | |||
ÁHVÁN SABÁRE JÁNÁI<br /> | |||
D́ÁK DIYE JÁI, D́ÁK DIYE JÁI<br /> | |||
ÁKÁSHE VÁTÁSE SABÁKÁR HÁSI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁKÁSHE VÁTÁSE SABÁKÁR HÁSI<br /> | |||
PRÁŃOCCHVÁSE UT́HE UDBHÁSI<br /> | |||
KRANDAN ROLE DAHANE ANALE<br /> | |||
SABE EKAI BHÁVE DEKHITE PÁI<br /> | |||
D́ÁK DIYE JÁI, D́ÁK DIYE JÁI<br /> | |||
CALITE HOIBE SABE MILE MISHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CALITE HOIBE SABE MILE MISHE<br /> | |||
GHRŃÁ BHAYA BHÚLE SHUDHU BHÁLOBESE<br /> | |||
SABÁR PARASHE MANER HARAŚE<br /> | |||
SAMÁJ GAŔIYÁ NITE CÁI<br /> | |||
D́ÁK DIYE JÁI, D́ÁK DIYE JÁI<br /> | |||
I go on calling, in all the three worlds nobody is distant for me, hence I announce to<br /> | |||
all. In the sky and air everyone’s smile arises wholeheartedly springing up. In the<br /> | |||
outcry of weeping with the burn of fire, I see all with the same feeling. Let all move<br /> | |||
together forgetting hatred and fear only with love. Touching all, pleasing all I wish to<br /> | |||
create a better society.<br /> | |||
=== 3116 (04/09/1985) D === | |||
ÁKÁSHE VÁTÁSE MÁDHURII D́HELE<br /> | |||
ESECHILO SE ESECHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TÁRAKÁ MÁLÁY NIIHÁRIKÁY<br /> | |||
CEYE PRIITI BHARE HESE CHILO<br /> | |||
ESECHILO SE ESECHILO<br /> | |||
SAHAKÁR VANE SUVÁS BHARIYÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAHAKÁR VANE SUVÁS BHARIYÁ<br /> | |||
KISHALAYE TARU LATÁ D́HÁKIÁ<br /> | |||
ASHOKE PÁLÁSHE RAḾGE MÁTÁIÁ<br /> | |||
AMARÁ RACANÁ KARE CHILO<br /> | |||
ESECHILO SE ESECHILO<br /> | |||
ÁBÁR ÁSIBE JALADER GÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁBÁR ÁSIBE JALADER GÁY<br /> | |||
SHYÁMAL SUŚAMÁ D́HÁLIBE DHARÁY<br /> | |||
PÚRŃA KARIYÁ SABÁR ÁSHÁY<br /> | |||
E JÁDU KOTHÁ SE SHIKHE CHILO<br /> | |||
ESECHILO SE ESECHILO<br /> | |||
ÁKÁSHE VÁTÁSE MÁDHURII<br /> | |||
D́HELE, ESECHILO SE ESECHILO<br /> | |||
Pouring sweetness in sky and air, He had come. Into the series of stars and nebula<br /> | |||
filling love, He had smiled. Filling fragrance in the mango grove, covering the trees and<br /> | |||
creepers with new leaves, Intoxicating the ashok and pala’sh trees with colours, He made<br /> | |||
an immortal creation. The clods sing that He would come again and pour green beauty on the<br /> | |||
earth and fulfilling everyone’s hopes. How He has learnt this magic?<br /> | |||
=== 3117 (04/09/1985) D === | |||
ÁKÁSHER NIILE<br /> | |||
ÁKÁSHER NIILE MALAYÁNILE<br /> | |||
KII SAḾGIIT BHESE ÁSE<br /> | |||
SATATA SE DHÁY<br /> | |||
SATATA SE DHÁY TABU NÁ PHURÁY<br /> | |||
PLÁVAN ÁNIYÁ DESHE DESHE<br /> | |||
KII SAḾGIIT BHESE ÁSE<br /> | |||
AŃU MÁNASE DOLÁ DIYE JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AŃU MÁNASE DOLÁ DIYE JÁY<br /> | |||
BRIHATER SPANDANE NÁŔÁ DEYA<br /> | |||
KŚUDRA MANER SIIMÁNÁ HÁRÁY<br /> | |||
KÁR ÁGAMANER ULLÁSE<br /> | |||
KII SAḾGIIT BHESE ÁSE<br /> | |||
SALÁJ KALIRÁ ÁVESHE TÁKÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SALÁJ KALIRÁ ÁVESHE TÁKÁY<br /> | |||
GHOMT́Á SARIYE MADHU D́HELE DEY<br /> | |||
CIRA TARE TÁRÁ MISHE JETE CÁY<br /> | |||
SE CIT CORER ABHILÁŚE<br /> | |||
KII SAḾGIIT BHESE ÁSE<br /> | |||
ÁKÁSHER NIILE<br /> | |||
ÁKÁSHER NIILE MALAYÁNILE<br /> | |||
KII SAḾGIIT BHESE ÁSE<br /> | |||
In the blue sky, through the sandal breeze, what music comes floating? It rushes<br /> | |||
constantly still does not terminate, and brings flood in places after places. It gives<br /> | |||
swing to the unit minds, and gives a jerk in the Cosmic oscillation of the great. By whose<br /> | |||
arrival with joy, the meagre unit mind loses its limitation? The shy buds look with<br /> | |||
impulse and removing the veils, go on pouring honey. For a long time they wanted to merge<br /> | |||
with that stealer of the mind with earnestness.<br /> | |||
=== 3118 (05/09/1985) K === | |||
TUMI JAKHAN PRATHAM ELE<br /> | |||
CÁNDA CHILO ÁKÁSHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JYOTSNÁTE DHARÁ BHÁSE<br /> | |||
MANER DUÁR DILE KHULE<br /> | |||
NILÁJ VÁTÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JYOTSNÁTE DHARÁ BHÁSE<br /> | |||
PUINJIBHÚTA JATA GLÁNI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PUINJIBHÚTA JATA GLÁNI<br /> | |||
MAN THEKE SE NILO T́ÁNI<br /> | |||
SAB HÁRÁNO CITTA KHÁNI<br /> | |||
TÁKÁLO ÁVESHE<br /> | |||
JYOTSNÁTE DHARÁ BHÁSE<br /> | |||
MANE PRAVESH KARE CHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANE PRAVESH KARE CHILE<br /> | |||
BHÁVER DOLÁ DIYE GELE<br /> | |||
MAŃIR DYUTI HE ATITHI<br /> | |||
BHARÁLE SUVÁSE<br /> | |||
JYOTSNÁTE DHARÁ BHÁSE<br /> | |||
TUMI JAKHAN PRATHAM ELE<br /> | |||
CÁNDA CHILO ÁKÁSHE<br /> | |||
TUMI JAKHAN PRATHAM ELE<br /> | |||
CÁNDA CHILO ÁKÁSHE<br /> | |||
O Lord, when You first came, there was moon in the sky. The earth was shining with<br /> | |||
moonlight. You opened the doors of the mind for entry of the breeze without hesitation.<br /> | |||
All the accumulated agonies, He pulled out from the mind. The mind stuff, losing all its<br /> | |||
existence, looked with excitement. You entered into the mind, and oscillated the feelings.<br /> | |||
O the Guest, You filled that with effulgence of the gems and fragrance.<br /> | |||
=== 3119 (05/09/1985) K === | |||
NIHSHABDA CHILO TRIBHUVANA<br /> | |||
GÁNE GÁNE TUMI ELE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KUHELIR ÁVARAŃA SARIYE DILE<br /> | |||
ÁLOY BHUVAN BHARÁLE<br /> | |||
GÁNE GÁNE TUMI ELE<br /> | |||
PRATHAM ÚŚÁR ABHYUDAYA HOLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRATHAM ÚŚÁR ABHYUDAYA HOLO<br /> | |||
PÚRVÁKÁSHA RAINJITA HOYE GELO<br /> | |||
TARU LATÁY SHYÁMALIMÁ ELO<br /> | |||
RAḾGE RAḾGE SABE SÁJÁLE<br /> | |||
GÁNE GÁNE TUMI ELE<br /> | |||
KON SE ATIITE HOYE CHILO SRIŚT́I<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KON SE ATIITE HOYE CHILO SRIŚT́I<br /> | |||
NAVA DHARÁ PELO TAVA NAVA DRIŚT́I<br /> | |||
BHÁLOBESE VARAŚILE KRPÁ VRIŚT́I<br /> | |||
MAMATÁ MATHITA KARILE<br /> | |||
GÁNE GÁNE TUMI ELE<br /> | |||
NIHSHABDA CHILO TRIBHUVANA<br /> | |||
GÁNE GÁNE TUMI ELE<br /> | |||
The threelayered world was silent when You came with song after song. You removed the<br /> | |||
cover of the fog and filled the world with light. The first dawn arose and the eastern sky<br /> | |||
became coloured. Over the trees and creepers, greenness came and all became colourfully<br /> | |||
decorated. In which past the creation was made. The new earth found new vision of Yours.<br /> | |||
With love You rained grace and stirred the affection.<br /> | |||
=== 3120 (05/09/1985) K (Krsna) === | |||
KE GO GÁN SHONÁLE ÁMÁY<br /> | |||
KII BOLO TAVA PARICAYA<br /> | |||
MOHAN BÁNSHI ÁR MADHUR HÁSI<br /> | |||
VÁN ÁNE MAN YAMUNÁY<br /> | |||
KII BOLO TAVA PARICAYA<br /> | |||
BÁNSHI BÁJE YUGE YUGE NITYA VRAJE ÁVEGE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁNSHI BÁJE YUGE YUGE NITYA VRAJE ÁVEGE<br /> | |||
MAN KE MÁTIYE DIYE PHÁGUNER RÁUNGÁ PHÁGE<br /> | |||
PRIITI MAINJARI KATHÁ KAYA<br /> | |||
KII BOLO TAVA PARICAYA<br /> | |||
NITYA BHÁVE TUMI SHÁSHVATA ANUBHAVA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NITYA BHÁVE TUMI SHÁSHVATA ANUBHAVA<br /> | |||
ASHEŚA LIILÁ RASE BHÁVA DHÁRÁ ABHINAVA<br /> | |||
PALAKETE NECE CALO PULAKETE UCCHALA<br /> | |||
TOMÁY BOJHÁ SOJÁ NAYA<br /> | |||
KII BOLO TAVA PARICAYA<br /> | |||
KE GO GÁN SHONÁLE ÁMÁY<br /> | |||
KII BOLO TAVA PARICAYA<br /> | |||
Who sings song to me, what is Your identity? Your charming flute and sweet smile brings<br /> | |||
flood in the mental river Yamuna’. The flute sounds in ages after ages with impulse in | |||
the ever arena of Vraja. It intoxicates the mind with the play of colours in this spring<br /> | |||
season. The buds of love speak out. You are ever new feeling in the eternal ideation, with<br /> | |||
endless flow of divine game, liila, with new flow of ideation. In a moment You start<br /> | |||
dancing vibrant with joy. It is not simple to understand You.<br /> | |||
=== 3121 (05/09/1985) K === | |||
NANDITA TUMI SAB MANE PRÁŃE PRABHU<br /> | |||
VANDITA TUMI SÁRÁ BHUVANE<br /> | |||
MANER SONÁLI KOŃE SIIVANTI UPAVANE<br /> | |||
GIRI MEKHALÁY DRUMA SVANANE<br /> | |||
VANDITA TUMI SÁRÁ BHUVANE<br /> | |||
JÁ CÁO TÁ KARE JÁO ICCHÁ TOMÁR VASHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁ CÁO TÁ KARE JÁO ICCHÁ TOMÁR VASHE<br /> | |||
EŚÁŃÁY RÚPA DÁO NIMEŚE HESE HESE<br /> | |||
UHA AVOHE NÚTANER SAMÁROHA<br /> | |||
MÁDAKATÁY BHARÁ MANANE<br /> | |||
VANDITA TUMI SÁRÁ BHUVANE<br /> | |||
TOMÁKE PÁOÁ JÁY SHUDHU BHÁLOBESE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁKE PÁOÁ JÁY SHUDHU BHÁLOBESE<br /> | |||
LOKA DEKHÁNO SAB KICHU KENDE PHIRE ÁSE<br /> | |||
MANER GABHIRE THÁKO OTAH PROTE MADHU MÁKHO<br /> | |||
SUKHE DUHKHE SABÁKÁR SMARAŃE<br /> | |||
VANDITA TUMI SÁRÁ BHUVANE<br /> | |||
NANDITA TUMI SAB MANE PRÁŃE PRABHU<br /> | |||
VANDITA TUMI SÁRÁ BHUVANE<br /> | |||
O Lord, You are felicitated in all minds and lives, and revered in the whole world. You<br /> | |||
are established in the golden recess of the mind, in the shrub of milkhedge plants, series<br /> | |||
of mountains and the murmurs of the trees. Whatever You wish You do, the desire is under<br /> | |||
control. Within moment You materialize Your will smilingly. You do so with the new<br /> | |||
assemblage of thought waves, with mind filled with frenzy. You can be attained only with<br /> | |||
love, those who want to exhibit publicly every thing, return back. You dwell in the depth<br /> | |||
of the mind individually and collectively smeared with sweetness, in the memories of all<br /> | |||
during pain and pleasure.<br /> | |||
=== 3122 (06/09/1985) D === | |||
GÁNE GÁNE ESE CHILE<br /> | |||
PRÁŃE TUMI DHARÁ DILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANTRA MUGDHA KARE DIYE MORE<br /> | |||
NIJER KARIYÁ T́ENE NILE<br /> | |||
PRÁŃE TUMI DHARÁ DILE<br /> | |||
ALAKÁR SUKH CÁI NÁ ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKÁR SUKH CÁI NÁ ÁMÁR<br /> | |||
AMARÁ RDDHI TÁO BHÁVI BHÁR<br /> | |||
DHARÁR DHÚLIR ÁSTARAŃE<br /> | |||
TÁI KI ÁMÁY ENE CHILE<br /> | |||
PRÁŃE TUMI DHARÁ DILE<br /> | |||
KARMA HIINER SVARGA VILÁSA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KARMA HIINER SVARGA VILÁSA<br /> | |||
DIO NÁKO PRABHU MORE TÁR ÁBHÁS<br /> | |||
SABÁR SEVÁY TAVA ICCHÁY<br /> | |||
KÁJ KARE JENO JÁI CALE<br /> | |||
PRÁŃE TUMI DHARÁ DILE<br /> | |||
GÁNE GÁNE ESE CHILE<br /> | |||
PRÁŃE TUMI DHARÁ DILE<br /> | |||
O Lord, You came with song after song and came into the fold of the life. You charmed me<br /> | |||
and pulled me Yourself towards You. I do not want any heavenly pleasure, the achievements<br /> | |||
of heaven, I consider as burden. The blanket of dust is on the earth, is it due to that<br /> | |||
You brought me here. The pleasure of heaven to some one who has no accumulation of<br /> | |||
virtues, You do not provide me, O Lord, even indication of that. Your wish is to serve<br /> | |||
all, so that I go on doing Your work.<br /> | |||
=== 3123 (07/09/1985) K === | |||
TOMÁR PATHE TOMÁR PATHE<br /> | |||
KABE HOTE DINE RÁTE<br /> | |||
CALE JÁI, NÁI JÁNÁ NÁI<br /> | |||
CALE GECHI BHEVE GECHI<br /> | |||
SHUDHU TOMÁR BHÁVANÁI<br /> | |||
NÁI JÁNÁ NÁI<br /> | |||
KHUNJE GECHI PATHER KOŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KHUNJE GECHI PATHER KOŃE<br /> | |||
TÁKIYE GECHI DÚRER VANE<br /> | |||
CÁINI SHUDHU NIJER MANE<br /> | |||
MAN KE KARE UPEKŚÁI<br /> | |||
NÁI JÁNÁ NÁI<br /> | |||
HAT́HÁT SHUNI BHÁSE DHVANI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HAT́HÁT SHUNI BHÁSE DHVANI<br /> | |||
TUMI MANER PARASHA MAŃI<br /> | |||
ÁNDHÁR GUHÁRA RATNA KHANI<br /> | |||
DEKHATE DEYANI ASMITÁI<br /> | |||
NÁI JÁNÁ NÁI<br /> | |||
TOMÁR PATHE TOMÁR PATHE<br /> | |||
KABE HOTE DINE RÁTE<br /> | |||
CALE JÁI, NÁI JÁNÁ NÁI<br /> | |||
O Lord, on Your path day and night, I go on moving, since when, I do not know. I go on | |||
moving and thinking only of Your ideation. I searched on the corners of the path, went on | |||
seeing in distant forests, only I did not see in my own mind, as I have been ignoring the<br /> | |||
mind. Suddenly I heard the floating voice; You are the touchstone of the mind. You are the<br /> | |||
quarry of gems in the dark depth, but did not show due to my ego.<br /> | |||
=== 3124 (07/09/1985) K === | |||
GÁNER RÁJÁ<br /> | |||
GÁNER RÁJÁ TUMI PRÁŃE ELE<br /> | |||
MARMA MÁJHE DHVANI JÁGÁLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHANDE SURE BHUVAN PURE<br /> | |||
E KII JHAUNKÁRE MAN MÁTIYE DILE<br /> | |||
MARMA MÁJHE DHVANI JÁGÁLE<br /> | |||
ANÁDI KÁLA THEKE GÁN TUMI GÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁDI KÁLA THEKE GÁN TUMI GÁO<br /> | |||
KONO STHITITE VIRATI NÁ DÁO<br /> | |||
ASHEŚA ANANTE BHÁSIÁ CALE JÁO<br /> | |||
BOLO NÁ TRIPTA HOYO KI JE PELE<br /> | |||
MARMA MÁJHE DHVANI JÁGÁLE<br /> | |||
TOMÁY PÁVO ÁMI GÁN SHUNIYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁY PÁVO ÁMI GÁN SHUNIYE<br /> | |||
MANER DOLÁY TOMÁY DULIYE DIYE<br /> | |||
SAB KICHU BHULE GIYE TOMÁY NIYE<br /> | |||
THÁKIBO DINE RÁTE KÁLÁKÁLE<br /> | |||
MARMA MÁJHE DHVANI JÁGÁLE<br /> | |||
GÁNER RÁJÁ<br /> | |||
GÁNER RÁJÁ TUMI PRÁŃE ELE<br /> | |||
MARMA MÁJHE DHVANI JÁGÁLE<br /> | |||
O The King of songs, You came into my heart and raised voice in my core. Filling the world<br /> | |||
with rhythm and melody, with what tinkling have You intoxicated the mind? You sing the<br /> | |||
song from time immemorial, without pausing under any situation. Towards endless infinity<br /> | |||
You go on floating. Tell me by getting what You would be satiated. You arouse sound in the<br /> | |||
core of the heart, I shall attain You on hearing the song. Swinging the mind oscillated by<br /> | |||
You, I have forgotten everything getting You and would stay so day and night at all the<br /> | |||
time.<br /> | |||
=== 3125 (07/09/1985) K === | |||
TANDRÁ ÁNKÁ CHILO ÁNKHI PÁTE<br /> | |||
MANE EŚAŃÁ BHARÁ CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KEHOI CHILO NÁ DVITIIYA SÁTHE<br /> | |||
E KATHÁ JE BUJHE CHILO<br /> | |||
MANE EŚAŃÁ BHARÁ CHILO<br /> | |||
MANER KATHÁ SHUDHU TUMI BOJHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER KATHÁ SHUDHU TUMI BOJHO<br /> | |||
JENE SHUNE ABUJH KENO JE SÁJO<br /> | |||
ANTARE BÁHIRE VRITHÁI RÁJO<br /> | |||
YADI MAMATÁ NÁ RAHILO<br /> | |||
MANE EŚAŃÁ BHARÁ CHILO<br /> | |||
SHRAVAŃE MANANE NIDIDHYÁSANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHRAVAŃE MANANE NIDIDHYÁSANE<br /> | |||
TUMI MOR DHRUVA TÁRÁ DHYÁNE JINÁNE<br /> | |||
SHAYANE SVAPANE NINDE JÁGARAŃE<br /> | |||
E KATHÁ KE BHULIYE DILO<br /> | |||
MANE EŚAŃÁ BHARÁ CHILO<br /> | |||
TANDRÁ ÁNKÁ CHILO ÁNKHI PÁTE<br /> | |||
MANE EŚAŃÁ BHARÁ CHILO<br /> | |||
Drowsiness was marked in the eyes, and the eyes were full of earnest will. There was no<br /> | |||
second body accompanying who could understand this fact. You alone knew the affairs of<br /> | |||
the mind. Knowingly why to pretend as ignorant, why dwell inside and outside uselessly, if<br /> | |||
there was no affection? You are my polestar in my listening, feeling and ideation with<br /> | |||
concentration and meditation, in sleep, dream or awaken state, how can that be forgotten?<br /> | |||
=== 3126 (06/09/1985) D === | |||
TUMI DÚRE THEKO NÁ<br /> | |||
TUMI DÚRE THEKO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁLÁ GÁNTHI VEDII SÁJÁI<br /> | |||
TOMÁR TARE GÁN SEDHE JÁI<br /> | |||
BHÚLE JEO NÁ<br /> | |||
TUMI DÚRE THEKO NÁ<br /> | |||
TUMI DÚRE THEKO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GHÚRE GHÚRE TOMÁR KHONJE<br /> | |||
PÁHÁŔ SÁGAR VANER MÁJHE<br /> | |||
CHOT́ BAŔ SAKAL KÁJE<br /> | |||
KLÁNTITE SHUI NÁ<br /> | |||
TUMI DÚRE THEKO NÁ<br /> | |||
TUMI DÚRE THEKO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NÁNÁN JANE NÁNÁN BOLE<br /> | |||
SAHIYÁ JÁI HÁSIR CHALE<br /> | |||
TOMÁR NÁME TOMÁR BALE<br /> | |||
TÁKI JÁNO NÁ<br /> | |||
TUMI DÚRE THEKO NÁ<br /> | |||
TUMI DÚRE THEKO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
O Lord, You do not stay away. I have threaded the garland and decorated the altar<br /> | |||
rehearsed the song for You, please do not forget that. For searching You, wandering here<br /> | |||
and there, into the mountains, oceans, and forests, in all small and big actions, did not<br /> | |||
sleep due to fatigue. Many people spoke differently ridiculing, I continued tolerating<br /> | |||
them with irony of smile, with Your strength and name, do not You know that?<br /> | |||
=== 3127 (06/09/1985) === | |||
ÁKÁSHE DIIPAKE E KÁRTTIKE<br /> | |||
JE ÁLO JVÁLÁLE<br /> | |||
TÁR NÁI TULANÁ TÁR NÁI TULANÁ<br /> | |||
ÁNDHÁR NISHÁTE DISHÁ JÁNÁTE<br /> | |||
E TAVA KARÚŃÁ KAŃÁ<br /> | |||
TÁR NÁI TULANÁ TÁR NÁI TULANÁ<br /> | |||
TOMÁRE BHULIÁ JÁI YADI KABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁRE BHULIÁ JÁI YADI KABHU<br /> | |||
CALITE CALITE ÁNAMANE PRABHU<br /> | |||
E TAVA DIIPIKÁ PRIITIR KAŃIKÁ<br /> | |||
BOLE LAKŚYE BHULO NÁ<br /> | |||
TÁR NÁI TULANÁ TÁR NÁI TULANÁ<br /> | |||
VYAŚT́I JIIVAN YADI BHULE JÁY<br /> | |||
TAVA AYÁCITA PRIITIR KAŃÁY<br /> | |||
RUDRÁBHIGHOŚE BOLE NIRGHOŚE<br /> | |||
NIJERE KORO NÁ CHALANÁ<br /> | |||
TÁR NÁI TULANÁ TÁR NÁI TULANÁ<br /> | |||
ÁKÁSHE DIIPAKE E KÁRTTIKE<br /> | |||
JE ÁLO JVÁLÁLE<br /> | |||
On this month of autumn, into the lamp at the sky, the light that You have kindled, that<br /> | |||
has no comparison. If I forget You anytime, O Lord, unmindfully while moving, then this<br /> | |||
lamp of Yours, the spark of love, says that I should not forget the desideratum. If I<br /> | |||
forget the personal life then by Your unsought spark of love, You announce loudly, that I<br /> | |||
should not deceive myself.<br /> | |||
=== 3128 (07/1985) D === | |||
MANER E MADHUVANE<br /> | |||
BHARILE GÁNE GÁNE<br /> | |||
TÁHÁRI ANURAŃANE<br /> | |||
ÁMI JE GECHI BHESE<br /> | |||
ÁMI JE GECHI BHESE<br /> | |||
BHUVANE TULANÁ NÁI<br /> | |||
MANANE KHUNJIÁ NÁ PÁI<br /> | |||
MARME RAYECHO SADÁI<br /> | |||
SMRITITE ÁSO HESE<br /> | |||
VISHVER VARAŃIIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VISHVER VARAŃIIYA<br /> | |||
CITTERA CAYANIIYA<br /> | |||
TAVA ÁVEGE DIO<br /> | |||
ÁMÁRE BHARE ÁVESHE<br /> | |||
ÁMI JE GECHI BHESE<br /> | |||
PRIITITE REKHECHO D́HÁKI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRIITITE REKHECHO D́HÁKI<br /> | |||
RAYECHO MADHUTE MÁKHI<br /> | |||
KONO SHREYA NÁIKO BÁKI<br /> | |||
HE PRABHU TAVA SAKÁSHE<br /> | |||
ÁMI JE GECHI BHESE<br /> | |||
MANER E MADHUVANE<br /> | |||
BHARILE GÁNE GÁNE<br /> | |||
TÁHÁRI ANURAŃANE<br /> | |||
ÁMI JE GECHI BHESE<br /> | |||
ÁMI JE GECHI BHESE<br /> | |||
O Lord, my mental sweet garden, You have filled with song after song, along with the<br /> | |||
resonance of that, I go on floating. You have no comparison in the world, I am unable to<br /> | |||
search You in the mind, as You always reside in the core, coming with smile in the<br /> | |||
memories. O Most adorable in the world, most cherished in the mind, You have filled me<br /> | |||
with impulse from Your momentum. O Lord, in front of You no other benevolence is left.<br /> | |||
=== 3129 (07/09/1985) K === | |||
ÁMI, TÁI BHEVECHI TÁI BHEVECHI<br /> | |||
MAN JÁ BHÁVITE PÁRE NÁ<br /> | |||
ÁNDHÁR GUHÁY CÁNDE PETE CEYECHI<br /> | |||
MARU MÁJHE NIRJHARAŃÁ<br /> | |||
MAN JÁ BHÁVITE PÁRE NÁ<br /> | |||
JÁ BHEVECHI TATODHIKA PEYE GECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁ BHEVECHI TATODHIKA PEYE GECHI<br /> | |||
SHATA VIDHU SAMÁHÁR ÁNDHÁRE DEKHECHI<br /> | |||
JVÁLÁMUKHITE SVADU JHARAŃÁ DEKHECHI<br /> | |||
JÁ AHAETUKII KARÚŃÁ<br /> | |||
MAN JÁ BHÁVITE PÁRE NÁ<br /> | |||
PÁOÁR ÁNANDE HÁRIYE GECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PÁOÁR ÁNANDE HÁRIYE GECHI<br /> | |||
BHÁVANÁ DHÁRÁY UDDVEL HOYECHI<br /> | |||
MANANEO ANUDHYÁNE TÁKE JENECHI<br /> | |||
SHÁSTRE JE JÁNÁ JÁY NÁ<br /> | |||
MAN JÁ BHÁVITE PÁRE NÁ<br /> | |||
ÁMI, TÁI BHEVECHI TÁI BHEVECHI<br /> | |||
MAN JÁ BHÁVITE PÁRE NÁ<br /> | |||
I think of that only, which my mind is unable to think of. I wanted to find moon in the<br /> | |||
dark cave and a water fountain in the desert. Whatever I could imagine, I continued to get<br /> | |||
more than that. In the darkness, I could see collection of hundreds of moon. In the<br /> | |||
volcano I saw fountain of sweet water, which is nothing but causeless mercy. I have lost<br /> | |||
the pleasure of achievement and become restless with the flow of feelings. During<br /> | |||
meditation in the mind I could know Him, which cannot be known through scriptures.<br /> | |||
=== 3130 (07/09/1985) K === | |||
TUMI, ÁNDHÁR NISHÁY DHRUVATÁRÁ<br /> | |||
DÁO NÁ HOTE PATH HÁRÁ<br /> | |||
ÁMI VEŃUKÁR KÁNANE DISHÁ HÁRÁ<br /> | |||
VAN HARIŃIR ÁNKHI TÁRÁ<br /> | |||
DÁO NÁ HOTE PATH HÁRÁ<br /> | |||
VAN MARMARE TRASTA CAKITA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VAN MARMARE TRASTA CAKITA<br /> | |||
SADÁ SHAUNKITA BHÁVANÁY JAŔITA<br /> | |||
TABU TUMI MORE CEYE MANER MAMATÁ DIYE<br /> | |||
DÁO DEKHIYE CALIVÁR ISHÁRÁ<br /> | |||
DÁO NÁ HOTE PATH HÁRÁ<br /> | |||
KASTÚRI KURAUNGA SAMA CHÚT́I<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KASTÚRI KURAUNGA SAMA CHÚT́I<br /> | |||
NIJERI ÁNDHÁRE BHIITA HOYE UT́HI<br /> | |||
DEKHINÁ ÁLOK REKHÁ UT́HECHE PHÚT́I<br /> | |||
MANER GAHANE BHÁSE SHATA DHÁRÁ<br /> | |||
DÁO NÁ HOTE PATH HÁRÁ<br /> | |||
TUMI, ÁNDHÁR NISHÁY DHRUVATÁRÁ<br /> | |||
DÁO NÁ HOTE PATH HÁRÁ<br /> | |||
O Lord, You are pole star of the dark night, You would not let anyone lose his path. I<br /> | |||
have lost the proper direction trapped in the forest of bamboos. You are the pupil of eyes<br /> | |||
of the wild deer. She is always afraid and surprised, scared and engrossed in doubtful<br /> | |||
thoughts. Still, You looked at me and offered mental affection. You provided direction for<br /> | |||
movement. Rushing like the musk deer, raising fear in own darkness, I did not see that the<br /> | |||
ray of light has arisen and appears in the depth of the mind in hundreds of flows.<br /> | |||
=== 3131 (08/09/1985) K === | |||
GÁNERI MÁJHÁRE PEYECHI TOMÁRE<br /> | |||
SURERI DOLÁY TUMI DOLO<br /> | |||
SAB CETANÁR TUMI SAMÁHÁR<br /> | |||
AYUTA DHÁRÁY NECE CALO<br /> | |||
SURERI DOLÁY TUMI DOLO<br /> | |||
ATANDRA ÁNKHI DIVÁ GHANÁY ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ATANDRA ÁNKHI DIVÁ GHANÁY ÁCHO<br /> | |||
MAMATÁ MADHU KE NIJEKE CHAŔIYECHO<br /> | |||
CHANDE RÚPE RÁGE SATTÁ SAḾVEGE<br /> | |||
BHÁVE BHÁVÁTIITE UDDVELO<br /> | |||
SURERI DOLÁY TUMI DOLO<br /> | |||
TOMÁR BÁHIRE KICHU NÁHI ÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR BÁHIRE KICHU NÁHI ÁCHE<br /> | |||
TOMÁRI MANANE BHUVAN NÁCITECHE<br /> | |||
TAVA CARAŃ GHIRE KOMAL MADHURE<br /> | |||
ÁPÁTAH KAT́HORE DHVANI TOLO<br /> | |||
SURERI DOLÁY TUMI DOLO<br /> | |||
GÁNERI MÁJHÁRE PEYECHI TOMÁRE<br /> | |||
SURERI DOLÁY TUMI DOLO<br /> | |||
O Lord, within songs, I found You. You oscillate on the swing of melody. You are the<br /> | |||
aggregate of all consciousness, and go on dancing with innumerable flows. You have<br /> | |||
intensely alert eyes like daytime and scattered Yourself as sweet affection. With rhythm<br /> | |||
melody, beauty and impulse of existence, You are restless within and beyond feelings.<br /> | |||
There is nothing outside You. The whole world dances within Your mind, revolving around<br /> | |||
Your feet and You raise the sounds soft and sweet, though apparently harsh.<br /> | |||
=== 3132 (08/09/1985) D === | |||
ÁMÁR ÁMI BHESE GECHE<br /> | |||
SHROTER JALE PHÚLER MATO<br /> | |||
JÁY NI RÁKHÁ TÁKE KÁCHE<br /> | |||
JAD́A BÁNDHANE AVIRATO<br /> | |||
SHROTER JALE PHÚLER MATO<br /> | |||
DINE RÁTE NÁNÁN BHÁVE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DINE RÁTE NÁNÁN BHÁVE<br /> | |||
CEYE CHILUM ANUBHAVE<br /> | |||
BHÁVA SARITÁR SAB ABHÁVE<br /> | |||
RAUNGA LÁGÁTE SHATA SHATA<br /> | |||
SHROTER JALE PHÚLER MATO<br /> | |||
SONÁR KHÁINCÁR SEI JE ÁMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SONÁR KHÁNCÁR SEI JE ÁMI<br /> | |||
D́ÁKLE KAKHAN TÁKE TUMI<br /> | |||
NILE T́ENE SHIIRŚA CÚMI<br /> | |||
BOLALE RAUNGE HÁRÁONITO<br /> | |||
SHROTER JALE PHÚLER MATO<br /> | |||
ÁMÁR ÁMI BHESE GECHE<br /> | |||
SHROTER JALE PHÚLER MATO<br /> | |||
My “I” feeling went floating in the water of stream like flower. It is impossible to<br /> | |||
keep it held close continuously in the bondage of inert substances. Day and night in | |||
various thoughts, I have been feeling so. In the stream of thoughts devoid of anything<br /> | |||
hundreds and hundreds of colours were put. I was placed in a golden cage, when You called<br /> | |||
and took to the top telling that I should not get lost in the colours.<br /> | |||
=== 3133 (08/09/1985) D === | |||
ÁMÁKE TUMI BHOLONIKO<br /> | |||
TOMÁKE ÁMI BHÚLECHI<br /> | |||
TOMÁR ÁSHRAYE THEKE<br /> | |||
TOMÁR PÁNE NÁHI CEYECHI<br /> | |||
TOMÁKE ÁMI BHÚLECHI<br /> | |||
GHANA VANE ÁPAN MANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GHANA VANE ÁPAN MANE<br /> | |||
GECHI MADHUR ANVEŚAŃE<br /> | |||
UPAL GHÁYE ÁGHÁT PEYE<br /> | |||
KENDE TOMÁY D́EKECHI<br /> | |||
TOMÁKE ÁMI BHÚLECHI<br /> | |||
NIDÁGH TÁPE MARMÁGHÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIDÁGH TÁPE MARMÁGHÁTE<br /> | |||
LÁINCHANÁTE VYATHITA CITE<br /> | |||
DÁRUŃ SHOKE SANTVANÁTE<br /> | |||
TOMÁY KÁCHE PEYECHI<br /> | |||
TOMÁKE ÁMI BHÚLECHI<br /> | |||
ÁMÁKE TUMI BHOLONIKO<br /> | |||
TOMÁKE ÁMI BHÚLECHI<br /> | |||
O Lord, You do not forget me though I have forgotten You. I did not look towards You<br /> | |||
though remaining under Your shelter. In the dense forest of my mind, I went in the search<br /> | |||
of sweetness. Injured by stone, getting hurt, I cry calling You. During intense heat, by<br /> | |||
blow at the core, afflicted heart due to humiliation, and during intense sorrows, I found<br /> | |||
You close.<br /> | |||
=== 3134 (08/09/1985) K === | |||
MRIG NAYANÁ MORE BOLO NÁ<br /> | |||
KÁR TARE TUMI ETA KÁNDO NISHI DIN | |||
ÁSIBE BOLE JE GECHE CALE<br /> | |||
TÁR PAR BHULE GECHE KE SE MAMATÁHIIN | |||
KÁR TARE TUMI ETA KÁNDO NISHI DIN | |||
ALAK GUCCHA TAVA ÁKÁSHE UŔE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAK GUCCHA TAVA ÁKÁSHE UŔE<br /> | |||
MANER IISHÁN KOŃE MEGHER JHAŔE<br /> | |||
TABU SE TÁKÁLO NÁ VEDANÁ BUJHILO NÁ<br /> | |||
DÚRE RAHIYÁ GELO KEMANE SE KAT́HIN | |||
KÁR TARE TUMI ETA KÁNDO NISHI DIN | |||
ÁNAMANE CEYE ÁCHO DÚRÁKÁSHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁNAMANE CEYE ÁCHO DÚRÁKÁSHE<br /> | |||
MAN TAVA BHESE JÁY DIIRGHA SHVÁSE<br /> | |||
SE KI TABU ÁSIBE NÁ KE SE CIR ACIN | |||
KÁR TARE TUMI ETA KÁNDO NISHI DIN | |||
MRIG NAYANÁ MORE BOLO NÁ<br /> | |||
KÁR TARE TUMI ETA KÁNDO NISHI DIN | |||
O deereyed, tell me, for whom you cry so much day and night? Who is that affection less<br /> | |||
that went away announcing return back and then forgot? Your tuft of hair blows into the<br /> | |||
sky, and in the northeastern corner of your mind, clouds rain. Still He did not see and<br /> | |||
understand your pain, how harshly did He remain away? Unmindfully you look at the distant<br /> | |||
sky, and you mind goes on floating with long breath. Will He not come, Who is that ever<br /> | |||
unknown?<br /> | |||
=== 3135 (08/09/1985) D === | |||
JAKHAN KEU TO CÁHE NÁI<br /> | |||
TUMI MORE DEKHIÁ CILE<br /> | |||
KÁCHE KEU ÁSE NÁI<br /> | |||
TUMI BHÁLOBÁSIÁ CHILE<br /> | |||
TUMI MORE DEKHIÁ CILE<br /> | |||
TOMÁRI ÁNKHI TÁRÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁRI ÁNKHI TÁRÁY<br /> | |||
VASUDHÁRÁ SUDHÁ JHARÁY<br /> | |||
ALAKÁR AMARÁ DYUTI<br /> | |||
AKÁTARE D́HÁLIÁ CHILE<br /> | |||
TUMI MORE DEKHIÁ CILE<br /> | |||
ÁLOKE TUMI HÁSO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOKE TUMI HÁSO<br /> | |||
ÁNDHÁRE TUMII BHÁSO<br /> | |||
ÁLO TAMASÁRI PÁRE<br /> | |||
SURE RÁGE PRÁŃA BHARILE<br /> | |||
TUMI MORE DEKHIÁ CILE<br /> | |||
JAKHAN KEU TO CÁHE NÁI<br /> | |||
TUMI MORE DEKHIÁ CILE<br /> | |||
O Lord, when nobody wanted, You looked at me. When none came close, You loved me. In the<br /> | |||
pupil of Your eyes, nectar of the world flows. The heavenly immortal effulgence, You<br /> | |||
poured on the afflicted. You smile during light, and shine in the darkness. Beyond the<br /> | |||
light and darkness, You filled life with melodies and tunes.<br /> | |||
=== 3136 (09/09/1985) D === | |||
TOMÁRI ÁSÁRI ÁSHE<br /> | |||
KATA RÁTI GECHE JEGE<br /> | |||
KATA TITHI GECHE BHESE<br /> | |||
TOMÁRI ÁSÁRI ÁSHE<br /> | |||
PALE PALE PHÚL PARÁGE<br /> | |||
KATA TITHI GECHE BHESE<br /> | |||
SARVA GUŃER TUMII ÁDHÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SARVA GUŃER TUMII ÁDHÁR<br /> | |||
ANÁDI ANATA APÁR<br /> | |||
ÁDI ANTA DUI ÁCHE ÁMÁR<br /> | |||
MÁTI RÁGE ANURÁGE<br /> | |||
KATA TITHI GECHE BHESE<br /> | |||
TOMÁRI ÁSÁRI ÁSHE<br /> | |||
NAVA RÚPE NAVÁLOKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NAVA RÚPE NAVÁLOKE<br /> | |||
PHÚT́E OT́HO PRATI PALAKE<br /> | |||
TAVA DHÁRÁY TOMÁRI MÁYÁY<br /> | |||
NÁCI ÁMI SURE RÁGE<br /> | |||
KATA TITHI GECHE BHESE<br /> | |||
TOMÁRI ÁSÁRI ÁSHE<br /> | |||
KATA RÁTI GECHE JEGE<br /> | |||
KATA TITHI GECHE BHESE<br /> | |||
TOMÁRI ÁSÁRI ÁSHE<br /> | |||
O Lord. In the hope of Your arrival, how many nights have passed without sleep. How many<br /> | |||
days have flown away counting each moment with floral fragrance. You are the base of all<br /> | |||
attributes, without beginning, endless and unlimited. I have a beginning and an end both<br /> | |||
frenzied with attachments and love. In new form, with new light, keep rising each moment.<br /> | |||
In Your flow by Your ma’ya’, the illusion, I dance with tune and melody.<br /> | |||
=== 3137 (09/09/1985) D === | |||
SARITÁR DHÁRÁ BAHE JÁY<br /> | |||
KOTHÁ JÁY KOTHÁ JÁY<br /> | |||
URMIMÁLÁY JHAUNKÁR TULE<br /> | |||
KON SÁGARE BUKE HÁRÁY<br /> | |||
KOTHÁ JÁY KOTHÁ JÁY<br /> | |||
KON HIMAVÁH THEKE NEVE CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KON HIMAVÁH THEKE NEVE CHILO<br /> | |||
KON GIRI GÁTRE UTSÁRILO<br /> | |||
KATA UPADHÁRÁ SÁTHE MISHE CHILO<br /> | |||
SABAI RAYE GECHE AJÁNÁY<br /> | |||
KOTHÁ JÁY KOTHÁ JÁY<br /> | |||
KATA JANAPADA PATH KARE DILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA JANAPADA PATH KARE DILO<br /> | |||
ÁNANDA KOLÁHALA PATHE CHILO<br /> | |||
KATA SMASHÁNER CITÁ JVALE CHILO<br /> | |||
BHAŚMA D́HÁLIÁ E DHARÁY<br /> | |||
KOTHÁ JÁY KOTHÁ JÁY<br /> | |||
SARITÁR DHÁRÁ BAHE JÁY<br /> | |||
KOTHÁ JÁY KOTHÁ JÁY<br /> | |||
The current of stream goes on flowing, where does it go? Raising the murmur of the series<br /> | |||
of waves, into which ocean does it get lost? From which glacier it came down, through<br /> | |||
which body of hills it emanated? How many sub currents it merged together? All remains<br /> | |||
unknown. Through how many towns it has made the way on which much noise and pleasures were<br /> | |||
present? How many cremation places it has burnt the funeral pyres pouring the ashes on the<br /> | |||
earth?<br /> | |||
=== 3138 (09/09/1985) D (Krsna) === | |||
NÁ JÁNIYÁ BHÁLOBESECHI<br /> | |||
BESE DEKHI JÁNÁ NÁHI JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MADHUR HÁSIR MOHAN BÁNSHII<br /> | |||
ÁŔÁLE THÁKE SE SHYÁM RÁY<br /> | |||
BESE DEKHI JÁNÁ NÁHI JÁY<br /> | |||
BHÁVE JE YAMUNÁ UJÁNETE DHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVE JE YAMUNÁ UJÁNETE DHÁY<br /> | |||
TÁRE BHÚLE SHYÁM JÁY DVÁRAKÁY<br /> | |||
NANDA YASHODÁ DILO SNEHA SUDHÁ<br /> | |||
TÁDER PÁNEO NÁHI TÁKÁY<br /> | |||
BESE DEKHI JÁNÁ NÁHI JÁY<br /> | |||
JE GOPIKÁ DILO PARÁŃERA MADHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE GOPIKÁ DILO PARÁŃERA MADHU<br /> | |||
TÁDERO TYÁJILO SE JYOTSNÁ VIDHU<br /> | |||
CAKITA HARIŃII PREKŚAŃÁ SHUDHU<br /> | |||
KÁNDIÁ KÁNDIÁ KÁLA KÁT́ÁY<br /> | |||
BESE DEKHI JÁNÁ NÁHI JÁY<br /> | |||
Unknowingly I have loved, even on observation, it is not possible to know. That Shya’m<br /> | |||
Ra’y remines hidden with sweet smile and charming flute. The Yamuna’ river that<br /> | |||
overflows with impulse, forgetting that Shyam is going to Dvaraka’. Nanda and Yashoda’<br /> | |||
had given nectar of affection. He is not looking even at them. The cow maids who offered<br /> | |||
the sweetness of their lives to Him, He left that too that illuminating moon. Only like<br /> | |||
observation of the astonished frightened deer, the time passes crying.<br /> | |||
=== 3139 (09/09/1985) K === | |||
YADI, NÁ ÁSIBE TABE KENO<br /> | |||
BHÁLOBESE CHILE<br /> | |||
YADI NIKAT́E ESE NÁHI HÁSIBE<br /> | |||
KENO TÁKIE CHILE<br /> | |||
BHÁLOBESE CHILE<br /> | |||
KENO<br /> | |||
KÁLÁKÁLE TAVA BÁNSHURII D́ÁKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁLÁKÁLE TAVA BÁNSHURII D́ÁKE<br /> | |||
MANTRA MUGDHA KARE DEY ÁMÁKE<br /> | |||
KHUSHIR ÁLO DEKHI MEGHERI PHÁNKE<br /> | |||
E LIILÁ KOTHÁ SHIKHILE<br /> | |||
BHÁLOBESE CHILE<br /> | |||
GHARETE MAN T́EKE NÁ BÁHIRE CHÚT́I<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GHARETE MAN T́EKE NÁ BÁHIRE CHÚT́I<br /> | |||
BÁHIRE THEKEO MAN KORAKE PHÚT́I<br /> | |||
PARÁGER MADHU MEKHE ABHÁVE LÚT́I<br /> | |||
BOLONI KI JE CÁHILE<br /> | |||
BHÁLOBESE CHILE<br /> | |||
SHITHILA KABARII MOR UŔE VÁTÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHITHILA KABARII MOR UŔE VÁTÁSE<br /> | |||
DEKHI NÁKO KÁRÁ ÁSE ÁSHE PÁSHE<br /> | |||
BHÁVI NÁKO KE KII KAY KE KÁNDE HÁSE<br /> | |||
SAB BHÚLIYE DILE<br /> | |||
BHÁLOBESE CHILE<br /> | |||
YADI, NÁ ÁSIBE TABE KENO<br /> | |||
BHÁLOBESE CHILE<br /> | |||
O Lord, if You would not come then why did you love? If You do not smile on coming close<br /> | |||
why did You see? Why does Your flute calls me from time to time? That makes me charmed.<br /> | |||
Through the gaps of clouds, I see the light of joy. Where did You learn this illusive game<br /> | |||
liila? The mind does not stay in home and rushes out. Staying outside the core of mind<br /> | |||
blooms. Smearing with honey from the pollen, the shortage is looted; tell me what is that<br /> | |||
You want? The loose chignon of mine blows in the wind, I do not see who is coming nearby.<br /> | |||
I do not think who is telling what and who is crying, I have forgotten all.<br /> | |||
=== 3140 (10/09/1985) K === | |||
ATANU RÁGE ANURÁGE<br /> | |||
PHÚL PARÁGE KE ELO BHESE<br /> | |||
KATHÁ NÁHI KAY SHUDHU CEYE RAY<br /> | |||
GUL BÁGICÁR KORAKE ESE<br /> | |||
PHÚL PARÁGE KE ELO BHESE<br /> | |||
ÁJIKE MAN ÁVESHE BHARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁJIKE MAN ÁVESHE BHARÁ<br /> | |||
BHÁVER SARITÁ UJÁNE BHARÁ<br /> | |||
KÁHÁRI T́ÁNE SE SHUDHU JÁNE<br /> | |||
E PARIVESHE ELO HARAŚE<br /> | |||
PHÚL PARÁGE KE ELO BHESE<br /> | |||
ÁJIKE TÁI BUJHITE NÁRI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁJIKE TÁI BUJHITE NÁRI<br /> | |||
SHATA RÚPE KENO EKERI HERI<br /> | |||
EKERI KATHÁ HOYE SHATADHÁ<br /> | |||
SHATA BHÁVE KENO HÁSE ÁKÁSHE<br /> | |||
PHÚL PARÁGE KE ELO BHESE<br /> | |||
ATANU RÁGE ANURÁGE<br /> | |||
PHÚL PARÁGE KE ELO BHESE<br /> | |||
With bodiless hue and love, and floral fragrance, Who came floating? He does not speak<br /> | |||
only observes and came into the cores of the floral garden. Today the mind is full of<br /> | |||
impulse, the stream of feelings overflows. Under Whose pull, He only knows, in this<br /> | |||
environment He came joyfully. Today I am unable to understand Him. In hundreds of forms<br /> | |||
why should I search the One? The affairs of One became flowing in hundreds of ways, why<br /> | |||
does He smile in the sky in hundreds of ways?<br /> | |||
=== 3141 (10/09/1985) D === | |||
GÁNER MÁLÁ TOMÁR GALE<br /> | |||
PARIYE DILUM PRIYATAMA<br /> | |||
THÁKUK KÁCHE SUVÁS ÁCHE<br /> | |||
NITYA NÚTAN PRÁŃER MAMA<br /> | |||
PARIYE DILUM PRIYATAMA<br /> | |||
MOR BAGÁNE JÁ CHILO PHÚL<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MOR BAGÁNE JÁ CHILO PHÚL<br /> | |||
MADHU GANDHE VARŃE ATUL<br /> | |||
SABÁI TÁRÁ CHILO ÁKUL<br /> | |||
TOMÁY PETE HE ANUPAMA<br /> | |||
PARIYE DILUM PRIYATAMA<br /> | |||
LIILÁR RASE SABÁI ÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LIILÁR RASE SABÁI ÁSE<br /> | |||
ESEI PUNAH DÚRE BHÁSE<br /> | |||
CALÁR CHANDE KÁNDE HÁSE<br /> | |||
INDRA DHANU SAMA<br /> | |||
TUMI E KÁ KÁLÁTIITA<br /> | |||
TOMÁY NAMAH NAMAH<br /> | |||
PARIYE DILUM PRIYATAMA<br /> | |||
GÁNER MÁLÁ TOMÁR GALE<br /> | |||
PARIYE DILUM PRIYATAMA<br /> | |||
O the Dearest, the garland of songs, I have placed around Your neck. O the ever new life<br /> | |||
of mine, stay close with fragrance. In my garden whatever flowers were present, with<br /> | |||
incomparable colour and sweet fragrance, all of them are restless to get You O the<br /> | |||
Matchless. All come in the flow of Your divine game, liila, and after coming again they<br /> | |||
float away far. With the rhythm of movement, they cry and smile, like a rainbow. You are<br /> | |||
only beyond time factor, thus I salute You.<br /> | |||
=== 3142 (10/09/1985) D === | |||
CHALA CHALA COKHE ÁMI<br /> | |||
CHALA CHALA COKHE ÁMI<br /> | |||
BOLIYÁ CHILÁM TOMÁY<br /> | |||
JE PATH DEKHÁLE TUMI<br /> | |||
BOLO TÁR SHEŚA KOTHÁY<br /> | |||
BOLO TÁR SHEŚA KOTHÁY<br /> | |||
PATH CALECHE SUMUKHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATH CALECHE SUMUKHE<br /> | |||
ÁNDHÁRE PICHANE REKHE<br /> | |||
USHÁR KIRAŃ MEKHE<br /> | |||
JIIVANE BHARIYÁ SUDHÁY<br /> | |||
BOLO TÁR SHEŚA KOTHÁY<br /> | |||
TUMI MORE BOLE CHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI MORE BOLE CHILE<br /> | |||
SHEŚA ÁDI KATHÁ BHÚLE<br /> | |||
NITYA DHÁME JE DOLE<br /> | |||
DHARO TÁRE BHÁVANÁY<br /> | |||
BOLO TÁR SHEŚA KOTHÁY<br /> | |||
CHALA CHALA COKHE ÁMI<br /> | |||
CHALA CHALA COKHE ÁMI<br /> | |||
BOLIYÁ CHILÁM TOMÁY<br /> | |||
O Lord, with tearful eyes, I had asked You, “ The path that You have shown, tell me<br /> | |||
where is the end of that? The path moves ahead leaving the darkness behind, smeared with<br /> | |||
rising sun’s rays, filling nectar in life”. You had told, “ Forgetting the details<br /> | |||
of beginning and end, the One who ever vibrates in the eternal arena, hold Him in | |||
ideation.<br /> | |||
=== 3143 (10/09/1985) K === | |||
CHÁPIYE KÁJAL ÁNKHITE CHILO JALA<br /> | |||
KENO BUJHI NÁ BOLITE PÁRI NÁ<br /> | |||
NÁMIYE BÁDAL KARIYÁ UCCHALA<br /> | |||
SE JE CALE GELO KOTHÁ JÁNI NÁ<br /> | |||
KENO BUJHI NÁ BOLITE PÁRI NÁ<br /> | |||
BHEVE CHILUM JHARÁBO NÁ ÁNKHI DHÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHEVE CHILUM JHARÁBO NÁ ÁNKHI DHÁR<br /> | |||
JE DÚRE SARE JÁY SE KI GO ÁMÁR<br /> | |||
MANERI NIBHRITE BHÁVERI SAḾGIITE<br /> | |||
DEKHI SE RAYE GECHE UPACE EŚÁŃÁ<br /> | |||
KENO BUJHI NÁ BOLITE PÁRI NÁ<br /> | |||
MÁN ABHIMÁN KARIYÁ LÁBH NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁN ABHIMÁN KARIYÁ LÁBH NÁI<br /> | |||
SADÁ GHURE CALI TÁHÁRE GHERIYÁI<br /> | |||
PRATI PALAKE ÁLOKE PULAKE<br /> | |||
MANANE SE HÁSE JÁ BHOLÁ JÁY NÁ<br /> | |||
KENO BUJHI NÁ BOLITE PÁRI NÁ<br /> | |||
CHÁPIYE KÁJAL ÁNKHITE CHILO JALA<br /> | |||
KENO BUJHI NÁ BOLITE PÁRI NÁ<br /> | |||
Covering the decoration mark, the eyes were full of tears, why that so, I am unable to<br /> | |||
understand and say. Bringing clouds, and making restless, He went away, where, I do not<br /> | |||
know. I had thought, I shall not weep flowing tears, if He goes away, how can He be my<br /> | |||
own. In the isolation of the mind, with the song of ideation, I saw that He remained and<br /> | |||
the will arose. There is no use of ego or obtrusion, and I ever revolved around Him each<br /> | |||
moment with bright joy. He smiles in the mind and that cannot be forgotten.<br /> | |||
=== 3144 (10/09/1985) K === | |||
KAKHANO TUMI HÁRÁO NÁ PRABHU<br /> | |||
ÁMI, NIJER DOŚE DEKHI NÁ TOMÁY<br /> | |||
ÁMI KRŚŃA VASANE D́HEKE ÁNKHI<br /> | |||
ÁHVÁN KARI JAD́ATÁR TAMASÁY<br /> | |||
ÁMI, NIJER DOŚE DEKHI NÁ TOMÁY<br /> | |||
TUMI, ÁLO JVÁLO ÁMI MEGHE D́HÁKI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI, ÁLO JVÁLO ÁMI MEGHE D́HÁKI<br /> | |||
TUMI, SE MEGHER PHÁNKE PHÁNKE CALO D́ÁKI<br /> | |||
SEI ÁLOR MÁJHE ÁMI KÁJAL RÁKHI<br /> | |||
TUMI SE KÁJAL ALAKŚYE PARÁO ÁMÁY<br /> | |||
ÁMI, NIJER DOŚE DEKHI NÁ TOMÁY<br /> | |||
TUMI, PHÚLE SÁJÁO ÁMI KIIT́E KÁT́I<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI, PHÚLE SÁJÁO ÁMI KIIT́E KÁT́I<br /> | |||
TUMI, SONÁLI REKHÁ ÁMI MARAŃ KÁT́HI<br /> | |||
TAVA SVARŃA BELÁY ÁMI BÁLUKÁ MÁT́I<br /> | |||
TUMI SE MÁT́ITE RACE JÁO SHYÁMAL DHARÁY<br /> | |||
ÁMI, NIJER DOŚE DEKHI NÁ TOMÁY<br /> | |||
KAKHANO TUMI HÁRÁO NÁ PRABHU<br /> | |||
ÁMI, NIJER DOŚE DEKHI NÁ TOMÁY<br /> | |||
O Lord, You never get lost, it is due to my own fault that I do not see You. Covering my<br /> | |||
eyes with black cloth, I invoke the darkness of inertia. You kindle light and I cover that<br /> | |||
with clouds. Still through the gaps of those clouds, You go on calling. Even in that<br /> | |||
shine, I put charcoal. The same charcoal, unseen, You put over me. You decorate flowers<br /> | |||
and I as a worm bite that. You are the golden ray of light and I am firewood for funeral<br /> | |||
pyre. You are golden beach and I am muddy sand. But even with that mud, You go on creating<br /> | |||
the green earth.<br /> | |||
=== 3145 (10/09/1985) D === | |||
GÁNER TARII BHESE JÁY<br /> | |||
BHESE JÁY, BHESE JÁY<br /> | |||
KON SARITÁR TIIR HOTE ÁSE<br /> | |||
KON SÁGARER PÁNE DHÁY<br /> | |||
BHESE JÁY, BHESE JÁY<br /> | |||
SUDHÁR PASARÁ MARTYE ENECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SUDHÁR PASARÁ MARTYE ENECHE<br /> | |||
AMARÁR MADHU DHARÁY D́HELECHE<br /> | |||
CHANDE O TÁLE BHUVAN BHARECHE<br /> | |||
NÁM NÁ JÁNÁ DYOTANÁY<br /> | |||
BHESE JÁY, BHESE JÁY<br /> | |||
KATA ATIITER KÁHINI KAYECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA ATIITER KÁHINI KAYECHE<br /> | |||
SURER RABHASE MÁTIYE DIYECHE<br /> | |||
UPALÁGHÁTE VYATHITA CITTE<br /> | |||
VIIŃÁ JHAUNKÁRE MURACHÁY<br /> | |||
BHESE JÁY, BHESE JÁY<br /> | |||
GÁNER TARII BHESE JÁY<br /> | |||
BHESE JÁY, BHESE JÁY<br /> | |||
The boat of song goes on sailing. From the bank of which stream has it come and towards<br /> | |||
which ocean it rushes. On the mortal world, nectar is brought, and heavenly sweet flow is<br /> | |||
pored on this earth. The world is filled with rhythm and beats, by some unknown gesture.<br /> | |||
It says many stories of the past, and intoxicates with the upsurge of melodies. The mind<br /> | |||
afflicted with injury from stonehit, gets engrossed in the tinkling of viin’a’.<br /> | |||
=== 3146 (11/09/1985) K === | |||
JE AGNI SPHURLINGA DHRÁY CHAŔÁLE<br /> | |||
TÁHÁR DHÁRÁY EGIYE CALE<br /> | |||
JE VAHNI SHIKHÁ RÚPE ARÚPE<br /> | |||
BHUVAN BHARIYÁ SATATA DOLE<br /> | |||
TÁHÁR DHÁRÁY EGIYE CALE<br /> | |||
SE PRÁŃA SHAKTI KEO NEVÁTE PÁRE NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE PRÁŃA SHAKTI KEO NEVÁTE PÁRE NÁ<br /> | |||
SE PRAYUKTI KEU BUJHIÁ UT́HE NÁ<br /> | |||
SE SAḾSTHITI MÁJHE ÁCHE TAVA KARUŃÁ<br /> | |||
SARVA BHÁVE ÁR SARVA KÁLE<br /> | |||
TÁHÁR DHÁRÁY EGIYE CALE<br /> | |||
ETO LIILÁ EKÁ TUMI KI RÚPE KARIYÁ JÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ETO LIILÁ EKÁ TUMI KI RÚPE KARIYÁ JÁO<br /> | |||
KONO BÁDHÁ VIPATTITE NÁHI THEME JÁO<br /> | |||
HALÁHALA NIJE NIYE AMRTA VILÁYE DÁO<br /> | |||
TÁI TAVA NÁME NATA SABE NIKHILE<br /> | |||
TÁHÁR DHÁRÁY EGIYE CALE<br /> | |||
JE AGNI SPHURLINGA DHRÁY CHAŔÁLE<br /> | |||
TÁHÁR DHÁRÁY EGIYE CALE<br /> | |||
O Lord, the sparks of fire that You have scattered on the earth, its flow goes on moving<br /> | |||
forward. The flame of fire, You have kindled in the darkness, which, filling the whole<br /> | |||
world constantly glows. That vital energy, no one is capable of extinguish. That<br /> | |||
actuation, no one can understand. Within that orderly situation is Your mercy, from any<br /> | |||
point of view and at all the time. So much divine activities in what way do You go on | |||
performing, without pausing by any obstruction or affliction. You accept poison for<br /> | |||
Yourself and distribute nectar. That is why at Your name whole world bows before You.<br /> | |||
=== 3147 (12/09/1985) K === | |||
JE KAMAL PHÚT́E CHILO SAROVARE UCCHALA<br /> | |||
PRABHÁT SAMIIRE TÁR BHESE ÁSE PARIMALA<br /> | |||
BÁHIRE JÁY NÁ DEKHÁ MANANEI THÁKE ÁNKÁ<br /> | |||
MANA MÁJHE PHÚT́E THÁKE TRIBHUVANE SE VIRALA<br /> | |||
PRABHÁT SAMIIRE TÁR BHESE ÁSE PARIMALA<br /> | |||
SATATA UDBHÁSITA SÚRYER PÁNE ÁNKHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SATATA UDBHÁSITA SÚRYER PÁNE ÁNKHI<br /> | |||
NIYATA JÁGIÁ THÁKE SAORA KIRAŃ MÁKHI<br /> | |||
MRIŃÁLE YUKTA HOYE KARDAME NÁHI CHÚNYE<br /> | |||
PULAKE HÁSITE THÁKE LIILÁ RASE SE CAPALA<br /> | |||
PRABHÁT SAMIIRE TÁR BHESE ÁSE PARIMALA<br /> | |||
E MÁN SAROVARA ÁMÁR NÁHI SHUKÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
E MÁN SAROVARA ÁMÁR NÁHI SHUKÁY<br /> | |||
TÚHINE PUŚT́A HOYE NIDÁGHEO THEKE JÁY<br /> | |||
TARAUNGE CHAL CHALA PRIITITE SMUJJVALA<br /> | |||
YUGE YUGÁNTARE PAREO SUVIMALA<br /> | |||
PRABHÁT SAMIIRE TÁR BHESE ÁSE PARIMALA<br /> | |||
JE KAMAL PHÚT́E CHILO SAROVARE UCCHALA<br /> | |||
PRABHÁT SAMIIRE TÁR BHESE ÁSE PARIMALA<br /> | |||
The lotus that bloomed in the lake overwhelmingly, in this morning breeze, its fragrance<br /> | |||
comes floating. It is not possible to see outside, but can be estimated only in the mind.<br /> | |||
That lotus, rare in the three world, bloomed in the mind. The eyes are constantly opened<br /> | |||
and directed towards the sun. It ever remains awake smeared with the solar rays. Even | |||
after remaining attached with the stem, it does not touch the slime. It smiles with joy of<br /> | |||
the restless flow of Your liila, the divine game. Let this Ma’nsarovar lake of mine<br /> | |||
be never dried. Let it flourish with the snow and stay in the sun. Vibrant with the waves<br /> | |||
brightened with the love, let it stay from ages to ages beautifully.<br /> | |||
=== 3148 (13/09/1985) K === | |||
SHABDA SPARSHA RÚPA RASE BHARE ÁCHO<br /> | |||
MANER MUKULE TUMI MADHU ÁMÁRA<br /> | |||
JÁNÁ VÁ AJÁNÁ JE PARICAYE RAYECHO<br /> | |||
SARVA RIDDHIRI TUMI SAMÁHÁRA<br /> | |||
MANER MUKULE TUMI MADHU ÁMÁRA<br /> | |||
NIDÁGHER ASAHYA ÚŚŃA VÁYUR SHROTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIDÁGHER ASAHYA ÚŚŃA VÁYUR SHROTE<br /> | |||
SNIGDHA JHARAŃÁ SAMA THÁKO TUMI SÁTHE SÁTHE<br /> | |||
VARAŚÁY VIŚIKTA KARDAMÁKTA PATHE<br /> | |||
ŚAŚT́I SAMA TUMI LAKŚYE CALÁRA<br /> | |||
MANER MUKULE TUMI MADHU ÁMÁRA<br /> | |||
TOMÁR CÁOÁTE TOMÁKE JÁNÁ NÁ JÁNÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR CÁOÁTE TOMÁKE JÁNÁ NÁ JÁNÁ<br /> | |||
CÁHILEI JÁNIBO NAHILE RABE AJÁNÁ<br /> | |||
TOMÁKE TUŚT́A KARÁ ÁMÁR SÁR SÁDHANÁ<br /> | |||
SE VRATE PRÁRTHII ÁMI TAVA KARUŃÁR<br /> | |||
MANER MUKULE TUMI MADHU ÁMÁRA<br /> | |||
SHABDA SPARSHA RÚP RASE BHARE ÁCHO<br /> | |||
MANER MUKULE TUMI MADHU ÁMÁRA<br /> | |||
O Lord, You are full of the fundamental factors or inferences like that of sound, touch<br /> | |||
light (form), flow and smell as sweetness in the flower buds of my mind. Whatever known or<br /> | |||
unknown acquaintances are there, You are collection of all wealth. During unbearable<br /> | |||
intensely hot winds, You stay with me together like soft, cool fountain. During turbid<br /> | |||
path with rotten rainwater, You guide and goad towards the goal like the engel<br /> | |||
s’as’t’i. Knowing or not knowing You depends upon Your sweet will, if You want, we<br /> | |||
know You otherwise we remain ignorant. The essence of my spiritual endeavor is only to<br /> | |||
satisfy You. Having that vow, I pray You for Your mercy.<br /> | |||
=== 3149 (14/09/1985) K === | |||
ÁKÁSHE SHÚNYE BHESE<br /> | |||
PSARÁRÁ, KON SE DESHE JÁY<br /> | |||
MANERI MAŃIKOT́HÁY SUR JHARIYE<br /> | |||
KENO DOLÁ DEYA<br /> | |||
KON SE DESHE JÁY<br /> | |||
BHÁSE SE KISER ÁSHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁSE SE KISER ÁSHÁY<br /> | |||
KE JÁNE KÁR IISHÁRÁY<br /> | |||
KON ÁLO LÁGALO BHÁLO<br /> | |||
JÁRE SE PARÁŃ BHARE CÁY<br /> | |||
KON SE DESHE JÁY<br /> | |||
KE GO SE DÚRER PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KE GO SE DÚRER PRIYA<br /> | |||
SUDÚREO ÁKARŚAŃIIYA<br /> | |||
SE SUDHÁ EI VASUDHÁ<br /> | |||
NITE GIYE NIJEKE HÁRÁYA<br /> | |||
KON SE DESHE JÁY<br /> | |||
D́ÁKE NÁ KENO KÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
D́ÁKE NÁ KENO KÁCHE<br /> | |||
KENO SE DÚRE RAYECHE<br /> | |||
DÚRER PRIYA HIYÁY NIO<br /> | |||
MANERI MAŃI MAINJÚŚÁYA<br /> | |||
KON SE DESHE JÁY<br /> | |||
ÁKÁSHE SHÚNYE BHESE<br /> | |||
APSARÁRÁ, KON SE DESHE JÁY<br /> | |||
In the void of the sky, the engels are soaring, to what place are they going? Flowing<br /> | |||
fountain of melody in the mental casket, why oscillations come? With what expectations are<br /> | |||
they floating, who knows under whose inspiration and indication? Which brilliance they<br /> | |||
liked towards which they are going overwhelmingly. Who is their dear at the distance, who<br /> | |||
attracts them from a distance? Losing oneself, they have gone to fetch that nectar to the<br /> | |||
earth. Why does not He call close? Why does He stay far? That distant Dear has taken the<br /> | |||
heart.<br /> | |||
=== 3150 (14/09/1985) K === | |||
TUMI, CARÁCARER PRIYA<br /> | |||
CARÁCARER PRIYA<br /> | |||
HE PRABHU ÁMÁRA<br /> | |||
ANAL ANILE ÁCHO SABÁRE<br /> | |||
GHIRE RAYECHO<br /> | |||
SABÁR TUMI ÁDHÁRA<br /> | |||
HE PRABHU ÁMÁRA<br /> | |||
EKÁ TUMI GÚŔHA BHÁVE<br /> | |||
ANEKER MÁJHE ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EKÁ TUMI GÚŔHA BHÁVE<br /> | |||
ANEKER MÁJHE ÁCHO<br /> | |||
ÁKÁSHE PÁTÁLE GUŃE<br /> | |||
SATTÁY BHARE ÁCHO<br /> | |||
ANTARÁTMÁ SABÁKÁRA<br /> | |||
HE PRABHU ÁMÁRA<br /> | |||
LOKE BHÁVE ÁMI KARI<br /> | |||
ÁMI NIYE GHAR KARI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LOKE BHÁVE ÁMI KARI<br /> | |||
ÁMI NIYE GHAR KARI<br /> | |||
KINTU ÁMI TAVA CARAŃ RAJAH, HARI<br /> | |||
BUDBUD E ÁMI TAVA KARUŃÁRA<br /> | |||
HE PRABHU ÁMÁRA<br /> | |||
O My Lord, You are dear of all living and nonliving entities of the world. You are in air<br /> | |||
and fire and engulf everything. You are the base of all. As a singular entity with<br /> | |||
intricate idea You pervade all. In sky and nether land, as existence of attributes, You<br /> | |||
fill all. You are the inner soul of souls of all. O the stealer of sins, Hari, I live in | |||
the world acting and making my own world, but I am the dust of Your feet. I am a bubble of<br /> | |||
Your mercy.<br /> | |||
=== 3151 (16/09/1985) K === | |||
SHUKANO PÁTÁRÁ DRUME<br /> | |||
JHARE JÁY<br /> | |||
NAVA KISHALAYA HÁSI JHARÁY<br /> | |||
SHUKANO PÁTÁRÁ DRUME<br /> | |||
JHARE JÁY<br /> | |||
ANÁHÚTA NÚTAN ESE DÁNŔÁY<br /> | |||
PURONORÁ DÚRE HÁRÁY<br /> | |||
NAVA KISHALAYA HÁSI JHARÁY<br /> | |||
RÁUNGÁ KISHALAY HOYE SHYÁM VARŃA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÁUNGÁ KISHALAY HOYE SHYÁM VARŃA<br /> | |||
SHYÁMAL SHAŚPA HOYE PIITA VARŃA<br /> | |||
RAUNGER KHELÁ CALIÁCHE BHUVANE<br /> | |||
KENDE ÁSE KŚAŃE HÁSE KOTHÁ BHESE JÁY<br /> | |||
NAVA KISHALAYA HÁSI JHARÁY<br /> | |||
KONO RAUNGII JÁY NÁKO RÁKHÁ DHARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KONO RAUNGII JÁY NÁKO RÁKHÁ DHARE<br /> | |||
ARUŃA RAKTIMÁBHÁ JÁBEI SARE<br /> | |||
SHUDHU TUMI CHILE ÁCHO THÁKIÁ JÁBE<br /> | |||
SMARAŃA NILUM TÁI TAVA PÁY<br /> | |||
NAVA KISHALAYA HÁSI JHARÁY<br /> | |||
SHUKANO PÁTÁRÁ DRUME<br /> | |||
JHARE JÁY<br /> | |||
NAVA KISHALAYA HÁSI JHARÁY<br /> | |||
The dry leaves from the tree fall off and new tender leaves smile. Uncalled new come and<br /> | |||
stand, and old ones move away far. New red tender leaves become green, the green young<br /> | |||
grass becomes yellow. The play of colours goes on in the world, coming with cries and<br /> | |||
smiling in a moment, where are they float away. No colourful object can be held. The<br /> | |||
crimson hue of the dawn also moves away. Only You existed, are present and will stay<br /> | |||
hence I take shelter at Your feet.<br /> | |||
=== 3152 (18/09/1985) D === | |||
KOTHÁ HOTE ÁSI KOTHÁ JÁI BHÁSI<br /> | |||
E KATHÁR KATHÁ BOLO MORE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
UTSA JÁNINÁ ANTA DEKHINÁ<br /> | |||
CALIÁCHI KON SÁGARE<br /> | |||
E KATHÁR KATHÁ BOLO MORE<br /> | |||
NIJER ATIITA KICHUI JÁNINÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIJER ATIITA KICHUI JÁNINÁ<br /> | |||
BHAVIŚYATO BUJHITE PÁRI NÁ<br /> | |||
ATIITA BHAVIŚYATA MÁJHE<br /> | |||
KE CÁLIYE CALE ÁMÁRE<br /> | |||
E KATHÁR KATHÁ BOLO MORE<br /> | |||
AKÁRAŃA NAY KICHUI BHUVANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AKÁRAŃA NAY KICHUI BHUVANE<br /> | |||
KÁRAŃA NIHITA PRABHU TAVA MANE<br /> | |||
KII ÁMI, KARUŃÁ KARE BOLO MORE<br /> | |||
KÁLODADHIR UPAL TIIRE<br /> | |||
E KATHÁR KATHÁ BOLO MORE<br /> | |||
KOTHÁ HOTE ÁSI KOTHÁ JÁI BHÁSI<br /> | |||
E KATHÁR KATHÁ BOLO MORE<br /> | |||
O Lord, from where have I come and whereto I am floating away, the details of this affair<br /> | |||
You tell me. I do not know the origin; do not see the end, to which ocean I go on moving.<br /> | |||
I do not know my own past, cannot understand the future. Between the past and the future<br /> | |||
Who is moving me? Nothing in the world is without a cause. But the cause is located within | |||
Your mind, O Lord. Who am “I”, at the rocky beach of the ocean of time, tell me<br /> | |||
mercifully.<br /> | |||
=== 3153 (19/09/1985) D === | |||
ACIN DESHE BHÁVE BHESE<br /> | |||
SE APSARÁ ESE CHILO<br /> | |||
NANDITA SE CIDÁKÁSHE<br /> | |||
MADHUR MOHAN HESE CHILO<br /> | |||
SE APSARÁ ESE CHILO<br /> | |||
SAKAL ANDHAKÁR SARÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAKAL ANDHAKÁR SARÁLO<br /> | |||
ÁLOR TARAUNGA BAHÁLO<br /> | |||
MANDÁNILE SHIKHÁNALE<br /> | |||
SABÁRE PATH DEKHÁLO<br /> | |||
SE APSARÁ ESE CHILO<br /> | |||
BOLALE ÁMI SABÁR TARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BOLALE ÁMI SABÁR TARE<br /> | |||
KEU THEKO NÁ ANDHAKÁRE<br /> | |||
JE ÁLO ÁJI JVALILO<br /> | |||
TOMÁR SAUNGE RAYE GELO<br /> | |||
SE APSARÁ ESE CHILO<br /> | |||
ACIN DESHE BHÁVE BHESE<br /> | |||
SE APSARÁ ESE CHILO<br /> | |||
From the unknown arena, floating through the feelings, that angel came joyfully into the<br /> | |||
firmament of the mind and smiled with sweet charm. All darkness vanished, waves of light<br /> | |||
flowed. With the torch flame in the gentle breeze, He has shown the path. He told,” I<br /> | |||
am for all, nobody stay in darkness. The light that I have kindled today would remain with<br /> | |||
you.<br /> | |||
=== 3154 (19/09/1985) K === | |||
MAN KE NIYE E KII LIILÁ<br /> | |||
KARE CALECHO PRATIKŚAŃE<br /> | |||
MAN JE ÁMÁR EI BHÁVANÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAN JE ÁMÁR EI BHÁVANÁY<br /> | |||
BHAVA VEDANÁY RÁTE DINE<br /> | |||
KARE CALECHO PRATIKŚAŃE<br /> | |||
TOMÁR DEOÁ E MAN ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR DEOÁ E MAN ÁMÁR<br /> | |||
TOMÁR GUŃAI ERA BHÁVÁDHÁR<br /> | |||
TOMÁKE BHÚLE THÁKATE GELE<br /> | |||
JAD́E MISHE JAD́A HOI PRÁŃE<br /> | |||
KARE CALECHO PRATIKŚAŃE<br /> | |||
TOMÁY BHÁVÁ TOMÁTE BHÁSÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁY BHÁVÁ TOMÁTE BHÁSÁ<br /> | |||
TOMÁR TAREI KÁNDÁ HÁ<br /> | |||
MADHU JHARÁK SAḾGOPANE<br /> | |||
KARE CALECHO PRATIKŚAŃE<br /> | |||
MAN KE NIYE E KII LIILÁ<br /> | |||
KARE CALECHO PRATIKŚAŃE<br /> | |||
O Lord, taking the mind what a divine play, liila, You go on playing each moment. My<br /> | |||
mind is ever engrossed in the thought of worldly pains and pleasures, day and night. This<br /> | |||
mind of mine is given by You. Your attribute is its base. By forgetting You, my life<br /> | |||
becomes inert mixed with inanimate. By Your thought I think, the language also comes from<br /> | |||
You. My crying and smiling is for You. Your song is immortal song, and emanates sweetness<br /> | |||
secretly.<br /> | |||
=== 3155 (19/09/1985) D === | |||
ÁMI TOMÁY NÁHI JÁNI<br /> | |||
TUMI JÁNO PRABHU ÁMÁRE<br /> | |||
BRIHAT TOMÁY KÁCHE NÁ T́ÁNI<br /> | |||
BAŔA KARE JÁI NIJERE<br /> | |||
TUMI JÁNO PRABHU ÁMÁRE<br /> | |||
ÁMÁR JIIVAN SIIMÁ DIYE GHERÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR JIIVAN SIIMÁ DIYE GHERÁ<br /> | |||
ÁTMA PARER VIBHEDE BHARÁ<br /> | |||
TAVA SAḾSÁR AVÁRITA DVÁR<br /> | |||
ARGAL THÁKITE NÁ PÁRE<br /> | |||
TUMI JÁNO PRABHU ÁMÁRE<br /> | |||
BÁRE BÁRE ÁMI ÁSIÁI HETHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁRE BÁRE ÁMI ÁSIÁI HETHÁ<br /> | |||
VYAKTA KARITE NIJERI KATHÁ<br /> | |||
ANANTA KÁJE NIRATA THEKE<br /> | |||
BOLO NÁ SABI JE JÁO KARE<br /> | |||
TUMI JÁNO PRABHU ÁMÁRE<br /> | |||
ÁMI TOMÁY NÁHI JÁNI<br /> | |||
TUMI JÁNO PRABHU ÁMÁRE<br /> | |||
O Lord, I do not know You, but You know me. O Great, I never pulled You close, rather I<br /> | |||
went on making myself big. My life is bounded by limitations, full of the distinction of<br /> | |||
own and others. In the unbarred door of Your arena, no closing bolt can be used. I come<br /> | |||
here again and again, expressing my own affairs. Busy in endless jobs; tell me all that<br /> | |||
You do.<br /> | |||
=== 3156 (22/09/1985) D === | |||
TUMI MAHESHA, TUMI MAHESHA<br /> | |||
TUMI HARI TOMÁY ÁMI PRAŃÁM KARI<br /> | |||
MANE PRÁŃE TOMÁY VARI<br /> | |||
ÁCHI TOMÁR CARAŃ DHARI<br /> | |||
TOMÁY ÁMI PRAŃÁM KARI<br /> | |||
DINER ÁLOY TUMII SAKHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DINER ÁLOY TUMII SAKHÁ<br /> | |||
RÁTER KÁLOY PRADIIP SHIKHÁ<br /> | |||
HIYÁR MÁJHE MOHAN SÁJE<br /> | |||
HÁSO NÁCO ÁMÁY BHARI<br /> | |||
TOMÁY ÁMI PRAŃÁM KARI<br /> | |||
ÁSÁ JÁOÁ NÁI KO TOMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSÁ JÁOÁ NÁI KO TOMÁR<br /> | |||
KÁLÁVADHI MÁNE JE HÁR<br /> | |||
SURE SURE BÁNSHI PÚRE<br /> | |||
KÁLÁNTARE BHÁSÁO TARII<br /> | |||
TOMÁY ÁMI PRAŃÁM KARI<br /> | |||
TUMI MAHESHA, TUMI MAHESHA<br /> | |||
TUMI HARI TOMÁY ÁMI PRAŃÁM KARI<br /> | |||
O The Greatest God, You are Hari, stealer of sins. I salute You. I adore You<br /> | |||
wholeheartedly and keep Your feet held. You are the companion during daylight, and flame<br /> | |||
of lamp during the darkness of the night. Within the heart, with charming adornment, You<br /> | |||
dance and sing, fulfilling me. There is no coming and going for You. Even the limit of<br /> | |||
time accepts defeat. With each melody of the flute, You float the boat beyond time.<br /> | |||
=== 3157 (23/09/1985) D === | |||
NIILÁKÁSHER ACIN DESHER<br /> | |||
KE GO ELE MARME HESE<br /> | |||
RIITI TOMÁR LIILÁ APÁR<br /> | |||
SVAPNA GHERÁ MÁYÁY MESHE<br /> | |||
KE GO ELE MARME HESE<br /> | |||
NIILÁKÁSHER ACIN DESHER<br /> | |||
TUMI ÁDI ANTA ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ÁDI ANTA ÁMÁR<br /> | |||
SAB JIIVANER SÁRÁTSÁR<br /> | |||
JANMA JANMÁNTARERI BHÁR<br /> | |||
NIYE JÁO ASIIME BHESE<br /> | |||
KE GO ELE MARME HESE<br /> | |||
NIILÁKÁSHER ACIN DESHER<br /> | |||
KON KICHUI CÁO NÁKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KON KICHUI CÁO NÁKO<br /> | |||
CÁOÁR PÁOÁR ÚRDDHVE THÁKO<br /> | |||
MANER MADHU MANER MADHU<br /> | |||
MANER MADHU HIYÁR MÁKHO<br /> | |||
JYOTSNÁLOKE SMITÁBHÁSE<br /> | |||
KE GO ELE MARME HESE<br /> | |||
NIILÁKÁSHER ACIN DESHER<br /> | |||
NIILÁKÁSHER ACIN DESHER<br /> | |||
KE GO ELE MARME HESE<br /> | |||
From the unknown arena of the blue sky, who came smilingly into my core? Your method of<br /> | |||
divine play, liila, is unlimited. It is mixed with the illusory ma’ya’ and is<br /> | |||
surrounded by dream. You are my beginning and end, essence of essence of all lives. All<br /> | |||
the loads of sam’ska’rs, carried through life after life, You take away into infinity<br /> | |||
floating. You never want anything, and stay above all desires and achievements. You smear<br /> | |||
the honey of mind into the heart in moonlight with smile.<br /> | |||
=== 3158 (24/09/1985) K === | |||
ÁKÁSHE KÁLO MEGH BHESE JÁY<br /> | |||
ÁKÁSHE KÁLO MEGH BHESE JÁY<br /> | |||
NIIP SHÁKHÁTE SHIKHI KÁKE CÁY<br /> | |||
ÁKÁSHE KÁLO MEGH BHESE JÁY<br /> | |||
JALA SIKTA KŚITI PRIITITE SURABHI D́HÁLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JALA SIKTA KŚITI PRIITITE SURABHI D́HÁLE<br /> | |||
MEGH GARJANE VÁYU SVANANE TARU DOLE<br /> | |||
AJÁNÁ PATHIK E KII LIILÁ KARE CALE<br /> | |||
KÁCHE ÁSE DÚRE HÁRÁY<br /> | |||
ÁKÁSHE KÁLO MEGH BHESE JÁY<br /> | |||
ARGAL RUDDHA ÁJI BHAVANE BHAVANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ARGAL RUDDHA ÁJI BHAVANE BHAVANE<br /> | |||
ÁRO MEGH JAME CALE MANERI IISHÁN KOŃE<br /> | |||
ARGAL KHULE ESO MISHE JÁI TÁRII SANE<br /> | |||
ÁNDHÁRE JE JYOTI VARAŚÁY<br /> | |||
ÁKÁSHE KÁLO MEGH BHESE JÁY<br /> | |||
The dark clouds go on floating in the sky. Sitting on the branch of niip tree, whom does<br /> | |||
the peacock seek? The land, wet with water lovingly emanates fragrance, Due to thunder of<br /> | |||
clouds, and sound of wind, the trees shake. What a divine game, liila, the unknown | |||
traveler goes on performing? He comes close and then gets lost away. Today each house is<br /> | |||
closed with bolts. And the clouds go on accumulating in the northeast corner of the mind.<br /> | |||
Come opening the bolts, I want to merge with You, so that illuminations rain in darkness.<br /> | |||
=== 3159 (25/09/1985) K === | |||
TUMI, MUKULER LUKONO MADHU<br /> | |||
VASUDHÁR SUDHÁ DHÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANANER MÁJHE PRATYABHIGYÁ<br /> | |||
HÁRÁNO HIYÁR SMRITI BHARÁ<br /> | |||
VASUDHÁR SUDHÁ DHÁRÁ<br /> | |||
ÚŚÁR ARUŃODAYE TUMI RIDDHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÚŚÁR ARUŃODAYE TUMI RIDDHI<br /> | |||
SURE TÁLE LAYE BHÁVA SAḾVRIDDHI<br /> | |||
KÁCHE ÁSÁ DÚRE JÁOÁ HÁRIYE ÁBÁR PÁOÁ<br /> | |||
E LIILÁLNANDE PRIITI JHARÁ<br /> | |||
VASUDHÁR SUDHÁ DHÁRÁ<br /> | |||
KÁLER SÁGAR BELÁ TOMÁ PÁNE CÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁLER SÁGAR BELÁ TOMÁ PÁNE CÁY<br /> | |||
SONÁLI BÁLIR SÁTHE ÚRMI MÁLÁYA<br /> | |||
KEU THEME THÁKE NÁKO SABE TUMI SADÁ D́ÁKO<br /> | |||
SE D́ÁK HOYE NÁ KÁLE HÁRÁ<br /> | |||
VASUDHÁR SUDHÁ DHÁRÁ<br /> | |||
TUMI, MUKULER LUKONO MADHU<br /> | |||
VASUDHÁR SUDHÁ DHÁRÁ<br /> | |||
O Lord, You are honey hidden within the buds, flow of nectar on the earth. You are perfect<br /> | |||
profound knowledge within the mind, full of the memories of lost hearts. You are the<br /> | |||
wealth of the rising sun and development of feelings in the tune, melody or rhythm. Your<br /> | |||
coming close, going away, losing and getting back again, in this blissful game Your love<br /> | |||
emanates. The seashore wants You along with series of waves and golden beach. In order<br /> | |||
that nobody stops behind, You ever call everybody. That call is never lost in time.<br /> | |||
=== 3160 (26/09/1985) D === | |||
ÁJ, KENO ELO SE JE KENO GELO<br /> | |||
PHÚL PHÚT́IYE ÁLO JHARIYE<br /> | |||
MAN KE MÁTIYE KENO DILO<br /> | |||
KENO ELO SE JE KENO GELO<br /> | |||
KATA KENO MANE ÁSE ÁR JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA KENO MANE ÁSE ÁR JÁY<br /> | |||
KONO KICHURI KINÁRÁ NÁ PÁY<br /> | |||
BHÁVETE GELE MAN JE HÁRÁY<br /> | |||
E KII LIILÁ RASE BHÁSÁLO<br /> | |||
KENO ELO SE JE KENO GELO<br /> | |||
TÁHÁKE BHÁVIYÁ ÁNANDA PÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TÁHÁKE BHÁVIYÁ ÁNANDA PÁI<br /> | |||
JATA KLESHA VYATHÁ TÁHÁ BHULE JÁI<br /> | |||
TÁKE CHÁŔÁ ÁR KICHU NÁHI CÁI<br /> | |||
E KII PRIITI RÁGE SE RÁUNGÁLO<br /> | |||
KENO ELO SE JE KENO GELO, ÁJ<br /> | |||
KENO ELO SE JE KENO GELO<br /> | |||
Today, why did He come and why did He go away? Blooming the flowers, scattering light why<br /> | |||
did He intoxicate the mind? How many “whys” come and go in the mind, no shore is found<br /> | |||
to that anyway. Thinking constantly of that, the mind gets lost. In what flow of divine<br /> | |||
game, liila, He floated me away? By thinking of Him, I get bliss, and thus and all<br /> | |||
pains and agonies I forget. Other than Him I do not want anything, in what sort of love<br /> | |||
He coloured me?<br /> | |||
=== 3161 (27/09/1985) K === | |||
BHÚLO NÁ PRABHÚ<br /> | |||
E TAVA KAŃÁRE BHÚLO NÁ<br /> | |||
TOMÁ HOTE ÁSIÁCHI<br /> | |||
TOMÁRI MÁJHE ÁCHI<br /> | |||
TOMÁR BÁHIRE PHELO NÁ<br /> | |||
E TAVA KAŃÁRE BHÚLO NÁ<br /> | |||
BHÚLO NÁ PRABHÚ<br /> | |||
E TAVA KAŃÁRE BHÚLO NÁ<br /> | |||
SRIŚT́IR ÁDI HOTE<br /> | |||
ÁCHO SÁTHE BHÁVA SHROTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SRIŚT́IR ÁDI HOTE<br /> | |||
ÁCHO SÁTHE BHÁVA SHROTE<br /> | |||
DAKHINA MALAYÁNILE<br /> | |||
PRÁŃE PRÁŃE ÁCHO MILE<br /> | |||
NIJERE DÚRE SARIYONÁ<br /> | |||
E TAVA KAŃÁRE BHÚLO NÁ<br /> | |||
BHÚLO NÁ PRABHÚ<br /> | |||
E TAVA KAŃÁRE BHÚLO NÁ<br /> | |||
JIIVA THÁKE DOŚE GUŃE<br /> | |||
MOR DOŚE D́HÁKE GUŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVA THÁKE DOŚE GUŃE<br /> | |||
MOR DOŚE D́HÁKE GUŃE<br /> | |||
TAMASÁVRITA LOKE<br /> | |||
KENDE MARI DUHKHE SHOKE<br /> | |||
MOR PRATI NIDAYA HOYO NÁ<br /> | |||
E TAVA KAŃÁRE BHÚLO NÁ<br /> | |||
BHÚLO NÁ PRABHÚ<br /> | |||
E TAVA KAŃÁRE BHÚLO NÁ<br /> | |||
O Lord<br /> | |||
please do not forget this tiny little entity of Yours.<br /> | |||
I have come from You<br /> | |||
and remain within You.<br /> | |||
Please do not expel me.<br /> | |||
Since the beginning of creation | |||
You are together with me<br /> | |||
in the stream of thought waves.<br /> | |||
My life is mixed with Yours like sandal breeze.<br /> | |||
Do not move me away from You.<br /> | |||
In living beings<br /> | |||
both good and bad qualities are inherent<br /> | |||
but my defects surpass and engulf my merits.<br /> | |||
In this darkness enveloped arena<br /> | |||
I die, crying with pain and sorrows.<br /> | |||
Please do not be unkind towards me.<br /> | |||
................................................<br /> | |||
Lord, don't forget this tiny little entity.<br /> | |||
I have come from You<br /> | |||
I remain within You.<br /> | |||
So, please don't make me distant.<br /> | |||
In a sweet ideational flow You are within me<br /> | |||
from the beginning of creation.<br /> | |||
As spring always brings the sweet sandle breeze<br /> | |||
so my life is caught in Your life.<br /> | |||
Please do not remain far from me.<br /> | |||
Everybody has good and bad qualities<br /> | |||
but my bad qualities far outshine my good ones.<br /> | |||
So, caught in the sorrow of a dark night<br /> | |||
please Lord don't be unkind to me.<br /> | |||
=== 3162 (27/09/1985) K === | |||
PATHA PÁNE CEYE THÁKI<br /> | |||
ÁSHÁ BHARÁ ÁNKHI NIYE<br /> | |||
YUGE YUGE ÁCHI JEGE<br /> | |||
DEKHO NÁ TUMI TÁKIYE<br /> | |||
ÁSHÁ BHARÁ ÁNKHI NIYE<br /> | |||
GRIIŚME?<br /> | |||
GRIIŚME? SHUKÁYE DEYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GRIIŚME? SHUKÁYE DEYA<br /> | |||
VARAŚÁ? ÁNKHITE BHEJÁY<br /> | |||
KUSHE KÁSHE NIILÁKÁSHE<br /> | |||
SHARAT SHOBHÁY DEY BHÁSIYE<br /> | |||
ÁSHÁ BHARÁ ÁNKHI NIYE<br /> | |||
SÁDÁ MEGHER<br /> | |||
SÁDÁ MEGHER BHELÁ BHOLÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SÁDÁ MEGHER BHELÁ BHOLÁY<br /> | |||
HEMANTERI HIMEL HAOÁY<br /> | |||
SHISHIRE NÁ ELE PARE<br /> | |||
VASANTE BOJHÁI KI DIYE<br /> | |||
ÁSHÁ BHARÁ ÁNKHI NIYE<br /> | |||
PATHA PÁNE CEYE THÁKI<br /> | |||
ÁSHÁ BHARÁ ÁNKHI NIYE<br /> | |||
O Lord, I am staying at the path, with eyes filled with hopes. I am awake since ages, but<br /> | |||
You do not see me. Summer makes me dry, and rain wets the eyes. In the tall grasses and<br /> | |||
blue sky, the autumn floats decoration. The yacht of white clouds with the cold wind<br /> | |||
engrosses me. Even in winter You did not come, by offering what, You can make me<br /> | |||
understand the spring?<br /> | |||
=== 3163 (28/09/1985) K (Krsna) === | |||
VARAŚÁ RÁTE. EI VARAŚÁ RÁTE<br /> | |||
ÁNDHÁR DHARÁTE<br /> | |||
TUMI KI PHELILE CARAŃ<br /> | |||
MANETE ÁCHO JÁNI MANERI RÁJÁ MÁNI<br /> | |||
BÁHIRE ELE KI KÁRAŃ<br /> | |||
TUMI KI PHELILE CARAŃ<br /> | |||
BÁHIRER JALADHÁRÁ ÁNKHI NIIRE HOLO HÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁHIRER JALADHÁRÁ ÁNKHI NIIRE HOLO HÁRÁ<br /> | |||
BÁHIRE MEGHER GHAT́Á MANETE BIJALI CHAT́Á<br /> | |||
ERÁ KEU NÁ MÁNE BÁRAŃ<br /> | |||
TUMI KI PHELILE CARAŃ<br /> | |||
MAN YAMUNÁR NIIR UPACIÁ DUI TIIR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAN YAMUNÁR NIIR UPACIÁ DUI TIIR<br /> | |||
UDDVEL ASTHIR ÁNANDE ADHIIR<br /> | |||
GOKULER PHÚL KHONJE ANUKŚAŃ<br /> | |||
TUMI KI PHELILE CARAŃ<br /> | |||
VARAŚÁ RÁTE. EI VARAŚÁ RÁTE<br /> | |||
ÁNDHÁR DHARÁTE<br /> | |||
TUMI KI PHELILE CARAŃ<br /> | |||
O Lord, during this rainy night, on the dark earth, You put forward Your step. I know You<br /> | |||
are in the mind, and I accept You as King of my mind. For what reason did You come out?<br /> | |||
Outside there is flow of water and eyes are also submerged in tears. Outside is<br /> | |||
accumulation of clouds and inside shine of lightning. They do not accept any barrier. The<br /> | |||
water in the mental Yamuna’ river overflows on both banks. It is restless overwhelmed<br /> | |||
and impatient with bliss, looking for the flower of Gokul each moment.<br /> | |||
=== 3164 (30/09/1985) D === | |||
TUMI KATA LIILÁ KARE JÁO<br /> | |||
KE BUJHIBE KII BHÁVANÁY<br /> | |||
LIILÁ RASE NECE CALO<br /> | |||
SE RASA SABÁRE NÁCÁY<br /> | |||
TUMI KATA LIILÁ KARE JÁO<br /> | |||
ANÁDI ATIITA HOTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁDI ATIITA HOTE<br /> | |||
UTSÁRITA BHÁVA SHROTE<br /> | |||
PULAKETE OTAH PROTE<br /> | |||
RAYECHO E KII DYOTANÁY<br /> | |||
TUMI KATA LIILÁ KARE JÁO<br /> | |||
AŃU KI BUJHIBE KABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AŃU KI BUJHIBE KABHU<br /> | |||
NIJA BALE TOMÁY PRABHU<br /> | |||
KÁJE LÁGIYE JÁI TABU<br /> | |||
JE BAL DIYECHO ÁMÁY<br /> | |||
TUMI KATA LIILÁ KARE JÁO<br /> | |||
O Lord, how many divine game, liila, You go on playing? Who can understand the mystery<br /> | |||
behind all these? You are dancing in the flow of Your liila and that same flow makes<br /> | |||
everyone else dance also. Right since beginingless past, You emanate in the stream of<br /> | |||
ideation. With quiver, individually and collectively, You remain as effulgent figurative<br /> | |||
expression. O Lord, will this unit mind ever be able to understand Your glory with its<br /> | |||
own strength? Still I shall ever remain engaged in Your work with whatever strength You have<br /> | |||
granted me.<br /> | |||
=== 3165 (08/09/1985) K === | |||
TOMÁR TARE MÁLÁ GÁNTHÁ<br /> | |||
TOMÁR PÁNE CEYE THÁKÁ<br /> | |||
KABARI PHÚLE SÁJÁNO<br /> | |||
MANE MADHU BHARE RÁKHÁ<br /> | |||
TOMÁR PÁNE CEYE THÁKÁ<br /> | |||
DINER ÁLO TOMÁY D́ÁKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DINER ÁLO TOMÁY D́ÁKE<br /> | |||
NISHÁR KÁLOR PHÁNKE PHÁNKE<br /> | |||
KEMAN E BHÁVANÁ KE<br /> | |||
BHÚLI JÁHÁ MARME MÁKHÁ<br /> | |||
TOMÁR PÁNE CEYE THÁKÁ<br /> | |||
VEŃII BÁNDHI KRIŚŃA D́ORE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VEŃII BÁNDHI KRIŚŃA D́ORE<br /> | |||
MADHUVANE BHÁVER GHORE<br /> | |||
VIIŃÁR TÁRE CUPI SÁRE<br /> | |||
KENO JVÁLÁO PRIITIR SHIKHÁ<br /> | |||
TOMÁR TARE MÁLÁ GÁNTHÁ<br /> | |||
TOMÁR PÁNE CEYE THÁKÁ<br /> | |||
O Lord, for You I have threaded the garland, decorated chignon with flowers, filled<br /> | |||
sweetness in the mind and seated looking for You. The daylight calls You, through the gaps<br /> | |||
of darkness of the nights. How can I forget this feeling, which is absorbed in the core of<br /> | |||
the mind? I have dressed my hairs with black thread, with intense ideation in the sweet<br /> | |||
garden. Secretly on the strings of the viin’a’, why did You kindle the flame of love?<br /> | |||
=== 3166 (30/09/1985) K === | |||
TOMÁKE CEYECHI KENO NÁHI JÁNI<br /> | |||
CEYECHI SHUDHU EI JÁNI<br /> | |||
TUMI JÁNO KII<br /> | |||
DHARÁTE ESECHI KENO BUJHI NÁ<br /> | |||
ESECHI BUJHIO MÁNI<br /> | |||
TUMI ENECHO KI<br /> | |||
TUMI JÁNO KII<br /> | |||
JIIVAN DULE JÁY BHUVAN DOLÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVAN DULE JÁY BHUVAN DOLÁY<br /> | |||
BHÁVER DOLANÁY MADHUL MÁYÁY<br /> | |||
THÁMÁ NÁHI JÁY PIICHE NÁ CÁOÁ JÁY<br /> | |||
E LIILÁY YUKTI ÁCHE KI<br /> | |||
TUMI JÁNO KII<br /> | |||
ANSHUMÁLIR HE CIRA ANSHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANSHUMÁLIR HE CIRA ANSHU<br /> | |||
TÁMAS MANANE TUMI SITÁNSHU<br /> | |||
TOMÁKE BHÚLE THÁKÁ VASANE ÁNKHI D́HÁKÁ<br /> | |||
E VAEDUŚYA NAY KI PHÁNKI<br /> | |||
TUMI JÁNO KII<br /> | |||
TOMÁKE CEYECHI KENO NÁHI JÁNI<br /> | |||
CEYECHI SHUDHU EI JÁNI<br /> | |||
TUMI JÁNO KII<br /> | |||
O Lord, I have loved You, why I do not know. I only know that I love, do not You know<br /> | |||
that? With the oscillations of the world, the life also swings on the swing of the<br /> | |||
feelings with sweet enchantment. It is impossible to pause and look back. What is the<br /> | |||
reason behind this divine play, liila? O The evershining sun creating the rays, You are<br /> | |||
also moon for the dark minds. Forgetting You with eyes covered with cloth, is not this<br /> | |||
intellect only cheating?<br /> | |||
=== 3167 (02/10/1985) K === | |||
TOMÁKE GHIRIYÁ NÁCICHE VISHVA<br /> | |||
MÁJHE TUMI ANUPAMA<br /> | |||
SABÁRI MANANE EKAI DRISHYA<br /> | |||
TUMI PRÁŃE PRAETI MAMA<br /> | |||
MÁJHE TUMI ANUPAMA<br /> | |||
SHUDHU MANANE NAO DHÁRAŃÁTEO TUMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHUDHU MANANE NAO DHÁRAŃÁTEO TUMI<br /> | |||
E BHAVA CAKRERA HE CAKRANEMI<br /> | |||
BHÚMÁ BHÁVE PURUŚOTTAMA<br /> | |||
MÁJHE TUMI ANUPAMA<br /> | |||
SHAYANE SVAPANE JÁGARAŃE TUMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHAYANE SVAPANE JÁGARAŃE TUMI<br /> | |||
OTAH PROTA YOGE ÁCHO CITA CÚMI<br /> | |||
NIRÁSHA HRIDAYE ÁSHÁ MAMA<br /> | |||
MÁJHE TUMI ANUPAMA<br /> | |||
TOMÁKE GHIRIYÁ NÁCICHE VISHVA<br /> | |||
MÁJHE TUMI ANUPAMA<br /> | |||
O Lord, whole world revolves around You, in which You are incomparable. In all minds there<br /> | |||
only one scene, You are my heartfelt contentment. Only with constant ideation, You come<br /> | |||
down into the meditative fold. O the periphery of the cycle of creation, You are also the<br /> | |||
nucleus and axis, Purus’ottama of the Cosmic ideation. In sleep, dream or awaken state<br /> | |||
You are present individually and collectively close to the mind. You are the hope of my<br /> | |||
destitute mind.<br /> | |||
=== 3168 (03/10/1985) K === | |||
NIIRAVATÁTE ÁSONIKO<br /> | |||
GÁNE GÁNE TUMI ELE<br /> | |||
CHAL CÁTURITE BHÚLO NÁKO<br /> | |||
BHÁLOBÁSÁY DHARÁ DILE<br /> | |||
GÁNE GÁNE TUMI ELE<br /> | |||
HE MOR PRIYATAMA SMITA PARÁG SAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HE MOR PRIYATAMA SMITA PARÁG SAMA<br /> | |||
SMRITITE UJJVALA BHUVANE ANUPAMA<br /> | |||
NISHÁVASÁNE ÁSHÁ PÚRÁLE<br /> | |||
GÁNE GÁNE TUMI ELE<br /> | |||
MÁYÁ JÁLE GHERÁ KÁCHE KE DÚRE KARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁYÁ JÁLE GHERÁ KÁCHE KE DÚRE KARÁ<br /> | |||
ÁVILATÁ TE BHARÁ MALINATÁY HÁRÁ<br /> | |||
MANETE MÁDHURII MÁKHÁLE<br /> | |||
GÁNE GÁNE TUMI ELE<br /> | |||
NIIRAVATÁTE ÁSONIKO<br /> | |||
GÁNE GÁNE TUMI ELE<br /> | |||
O Lord, You do not come in silence, but though song after song You came. Without ignoring<br /> | |||
deceit and cunningness, You came into fold by love. O my Dearest, You are like smiling<br /> | |||
fragrance from pollen, bright in memory and unique in the world. You fulfill the hope at<br /> | |||
the end of the night. Surrounding with the web of illusion, ma’ya’, You move away the<br /> | |||
close ones far who are full of impurities and lost in dirt. You smear sweetness of the<br /> | |||
mind.<br /> | |||
=== 3169 (04/10/1985) K === | |||
JE ÁLO TUMI JHARÁLE<br /> | |||
NECE DIGANTE SE DHÁY<br /> | |||
SIIMÁR PARIDHI MÁJHE SURABHI D́HELE<br /> | |||
ASIIMER GIITIKÁ LEKHÁY<br /> | |||
ÁSÁ ÁR JÁOÁ NIYE CALAMÁNATÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSÁ ÁR JÁOÁ NIYE CALAMÁNATÁ<br /> | |||
TÁTEI NIHITA TAVA PRIITIR KATHÁ<br /> | |||
CHANDE SURE BHÁVÁNUBHÚTI BHARE<br /> | |||
AŃU CITTER JHALAKÁY<br /> | |||
NECE DIGANTE SE DHÁY<br /> | |||
PÁINI TOMÁY BOLÁ JÁY NÁ KABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PÁINI TOMÁY BOLÁ JÁY NÁ KABHU<br /> | |||
NIJE ESE DHARÁ DIYE RAYECHO PRABHU<br /> | |||
JAD́ATÁR KUÁSHÁY DEKHINÁ TABU<br /> | |||
HESE CALO HIYÁ ALAKÁY<br /> | |||
NECE DIGANTE SE DHÁY<br /> | |||
JE ÁLO TUMI JHARÁLE<br /> | |||
NECE DIGANTE SE DHÁY<br /> | |||
O Lord, the effulgence that You have emanated, by that the horizon rushes dancing. Pouring<br /> | |||
fragrance within the periphery of limitation, the song of infinity You write. The activity<br /> | |||
of movement consists of coming and going. Within that is located the event of Your love.<br /> | |||
Filled with rhythm, melody and experiences of feelings, its glimpses are shown in the<br /> | |||
microcosmic unit minds. It cannot be said that I could not attain You, as You Yourself<br /> | |||
arrive and come into folds. Still I do not see the fog of inertia; You go on smiling in | |||
the heaven of the heart.<br /> | |||
=== 3170 (05/10/1985) K === | |||
TUMI ESECHO PRÁŃA D́HELECHO<br /> | |||
ÁNDHÁR SARIYE DIYECHO<br /> | |||
BHÁLO CEYECHO BHÁLOBESECHO<br /> | |||
ÁPAN KARE T́ENE NIYECHO<br /> | |||
ÁNDHÁR SARIYE DIYECHO<br /> | |||
THÁKO GO THÁKO KÁCHE JEO NÁ DÚRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
THÁKO GO THÁKO KÁCHE JEO NÁ DÚRE<br /> | |||
MANANERA SHIKHI NÁCE TOMÁRE GHIRE<br /> | |||
TUMI KI TÁKIYE DEKHECHO<br /> | |||
ÁNDHÁR SARIYE DIYECHO<br /> | |||
MANER HOMÁNALE TOMÁRI ÁLO JVALE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER HOMÁNALE TOMÁRI ÁLO JVALE<br /> | |||
PRÁŃER SHATADALE TAVA SURABHI DOLE<br /> | |||
TUMI KII BHÚLITE PERECHO<br /> | |||
ÁNDHÁR SARIYE DIYECHO<br /> | |||
TUMI ESECHO PRÁŃA D́HELECHO<br /> | |||
ÁNDHÁR SARIYE DIYECHO<br /> | |||
O Lord, You came, poured out Your heart, and removed the darkness. You wanted benevolence<br /> | |||
and You loved, making Your own You pulled the people. You stay, stay close, and never go<br /> | |||
away. My mental peacock dances around You, are You not seeing that? In the oblation fire<br /> | |||
of my mind, Your flame is kindled. In the hundredpetal lotus of my heart, Your fragrance<br /> | |||
vibrates. Can You forget that?<br /> | |||
=== 3171 (18/09/1985) D === | |||
TANDRÁ JAKHAN COKHE NEVE ELO<br /> | |||
TAKHAN MANE ÁNDHÁR CHILO<br /> | |||
SHATA DHÁRE BAYÁ JIIVAN SARITÁ<br /> | |||
KOTHÁ JÁBE NÁHI BUJHE CHILO<br /> | |||
TAKHAN MANE ÁNDHÁR CHILO<br /> | |||
JOÁRER JALA BHÁVE UCCHALA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JOÁRER JALA BHÁVE UCCHALA<br /> | |||
JAD́ÁKARŚAŃE CHILO CAINCALA<br /> | |||
CÁNDER MÁDHURII ÁKÁSHE NÁ HERI<br /> | |||
CÁNDERI VISHVE METE CHILO<br /> | |||
TAKHAN MANE ÁNDHÁR CHILO<br /> | |||
BHÁNT́Á ELO PARE JIIVAN JOÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁNT́Á ELO PARE JIIVAN JOÁRE<br /> | |||
UJÁNER JALA GELO DÚRE SARE<br /> | |||
SÁMARTHYA NÁI SE DIKE TÁKÁI<br /> | |||
JE VIDHU NIKAT́E T́ENE CHILO<br /> | |||
TAKHAN MANE ÁNDHÁR CHILO<br /> | |||
TANDRÁ JAKHAN COKHE NEVE ELO<br /> | |||
TAKHAN MANE ÁNDHÁR CHILO<br /> | |||
When drowsiness came down over the eyes, then the mind was in darkness. Flowing into<br /> | |||
hundreds of currents, where the stream of life was going, I could not understand. The<br /> | |||
water during the tide was overflowing with feelings, restless with the attraction of<br /> | |||
materials. I did not seek the sweetness of moonlight in the sky, the moon that intoxicated<br /> | |||
the world. Then flow of low tide came into tide of life, The over flown water receded back<br /> | |||
far. I have no capacity to look towards that side, the moon that attracted close.<br /> | |||
=== 3172 (07/10/1985) D === | |||
ÁMÁR BHUVAN HÁRIYE GECHE<br /> | |||
ÁNDHÁR MANER GAHAN KOŃE<br /> | |||
KHUNJE BEŔÁI KÁNDI KÁNDÁI<br /> | |||
SABÁR MANER SAḾGOPANE<br /> | |||
ÁNDHÁR MANER GAHAN KOŃE<br /> | |||
KÁNDÁBONÁ KAKHANO ÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁNDÁBONÁ KAKHANO ÁR<br /> | |||
NEIKO SAMA SHEFÁLII HÁR<br /> | |||
SHISHIR SIKTA SARVARIKTA<br /> | |||
BHÁVER GHARE NIRJANE<br /> | |||
ÁNDHÁR MANER GAHAN KOŃE<br /> | |||
ÁMÁR DHARÁ ÁMÁR GAŔÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR DHARÁ ÁMÁR GAŔÁ<br /> | |||
DUHKHER DINE ÁKUL KARÁ<br /> | |||
UCCHALATÁY UPACE PAŔÁ<br /> | |||
URMI MÁLÁY SUKHER KŚAŃE<br /> | |||
ÁNDHÁR MANER GAHAN KOŃE<br /> | |||
ÁMÁR BHUVAN HÁRIYE GECHE<br /> | |||
ÁNDHÁR MANER GAHAN KOŃE<br /> | |||
My home is lost in the deep recess of the dark mind. With cries, I searched for that<br /> | |||
secretly in everyone’s mind. I shall not cry any more. There is nothing like garland of<br /> | |||
shefa’lii flowers, moist with dewdrops, in the totally empty house of feelings, in this<br /> | |||
isolation. My world is my own creation, making me restless in the sorrowful days. It over<br /> | |||
flows with restlessness, with series of waves during moments of pleasure.<br /> | |||
=== 3173 (07/10/1985) K === | |||
AJÁNÁ PATHIK ÁJIKE ELO<br /> | |||
BHÁVITE PÁRINI EO HOTE PÁRE<br /> | |||
ÁMÁR KUT́IIRE E KI GO HOLO<br /> | |||
AJÁNÁ PATHIK ÁJIKE ELO<br /> | |||
BHUVANE ESO PRIYA JIIVANE ESO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHUVANE ESO PRIYA JIIVANE ESO<br /> | |||
HÁSIR MADHURIMÁ CHAŔIYE KÁCHE BASO<br /> | |||
TOMÁR PRIITI BHÁSE ÁKÁSHE VÁTÁSE<br /> | |||
PRÁŃER DYOTANÁ JÁGIYE TOLO<br /> | |||
AJÁNÁ PATHIK ÁJIKE ELO<br /> | |||
JIIVAN YAMUMÁ UJÁNE BAYE GELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVAN YAMUMÁ UJÁNE BAYE GELO<br /> | |||
SAB ÁVILATÁ ÁLOKE HÁRÁLO<br /> | |||
DÚR KE KÁCHE PAR KE GHARE D́EKE NILO<br /> | |||
MANER MÁDHURII UPACE DILO<br /> | |||
AJÁNÁ PATHIK ÁJIKE ELO<br /> | |||
The unknown traveler came today, I could not imagine how it was possible, what has<br /> | |||
happened in my hut. O Dear, come into my home, my life and scattering the sweetness of<br /> | |||
smile, sit close. Your love floats in sky and air. Awaken up the indication of vigor. The<br /> | |||
flow of river Yamuna’ of my life has turned upwards. All impurities got lost into<br /> | |||
effulgence. It called the distant ones close and others into the home, overflowing the<br /> | |||
sweetness of the mind.<br /> | |||
=== 3174 (08/10/1985) K === | |||
E KII, MÁYÁ CHAŔIYE DILE ÁKÁSHE<br /> | |||
HRIDAY BHARIYE DILE KII ÁSHE<br /> | |||
ÁMÁR DHARÁY TÁI TUMI CHÁŔÁ KEHO NÁI<br /> | |||
ÁTMA PARER SAB BHEDA HÁRÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁTMA PARER SAB BHEDA HÁRÁLO<br /> | |||
DÚR KE NIKAT́E T́ENE NILO<br /> | |||
BADDHA ARGAL KHULE GELO<br /> | |||
TOMÁR PRIITIR SIIMÁ NÁHI PÁI<br /> | |||
ÁMÁR DHARÁY TÁI TUMI CHÁŔÁ KEHO NÁI<br /> | |||
ÁGUN LÁGIYE DILE PHÁGUNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁGUN LÁGIYE DILE PHÁGUNE<br /> | |||
VISHIIRŃA PARŃE MOR KI GUŃE<br /> | |||
LÚKIYE CHILE TUMI KON KHÁNE<br /> | |||
KÁCHE PEYE E KATHÁI BHEVE JÁI<br /> | |||
ÁMÁR DHARÁY TÁI TUMI CHÁŔÁ KEHO NÁI<br /> | |||
E KII, MÁYÁ CHAŔIYE DILE ÁKÁSHE<br /> | |||
HRIDAY BHARIYE DILE KII ÁSHE<br /> | |||
ÁMÁR DHARÁY TÁI TUMI CHÁŔÁ KEHO NÁI<br /> | |||
O Lord, what an enchanting ma’ya’ You have scattered in the sky. With what hope have<br /> | |||
You filled the heart? Thus in my world, there is no one other than You. All distinction | |||
between own and others is lost. You have pulled the distant ones close. The closed<br /> | |||
doorbolts got opened; I cannot find the limit of Your love. In the spring season, You have<br /> | |||
created fire of red flowers into the torn leaves of mine, what deserving quality did You<br /> | |||
see in me? Where were You hidden, on finding You close, I go on pondering over that?<br /> | |||
=== 3175 (09/10/1985) K === | |||
TOMÁKE KÁCHE T́ÁNI<br /> | |||
MANER SAKAL DVIDHÁ SARIYE DIYE<br /> | |||
ÁR KEU NEIKO JÁNI<br /> | |||
JE ÁMÁKE BOJHE MARMA CHUNYE<br /> | |||
MANER SAKAL DVIDHÁ SARIYE DIYE<br /> | |||
KATA DIN ÁSE JÁY<br /> | |||
KATA NISHÁ ÁNKHI JHARÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA DIN ÁSE JÁY<br /> | |||
KATA NISHÁ ÁNKHI JHARÁY<br /> | |||
KATA YUGA ÁNDHÁRE HÁRÁY<br /> | |||
BHÁVER MADHURIMÁ KEŔE NIYE<br /> | |||
MANER SAKAL DVIDHÁ SARIYE DIYE<br /> | |||
PEYECHI SUKHE DUHKHE<br /> | |||
HATÁSHÁY MARUR BUKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PEYECHI SUKHE DUHKHE<br /> | |||
HATÁSHÁY MARUR BUKE<br /> | |||
MÁNASER MÁYÁ MADHUKE<br /> | |||
CÁOÁR, BÁHIRE JAKHAN JÁI HÁRIYE<br /> | |||
MANER SAKAL DVIDHÁ SARIYE DIYE<br /> | |||
TOMÁKE KÁCHE T́ÁNI<br /> | |||
MANER SAKAL DVIDHÁ SARIYE DIYE<br /> | |||
O Lord, I pull You close, leaving all dilemma of the mind. I do not know anyone else who<br /> | |||
can understand me touching the core of the heart. Many days come and go. Many nights came<br /> | |||
flowing tears in the eyes. Many ages are lost in darkness, snatching away the sweetness of<br /> | |||
feelings. I found You in pain and pleasures, amid desert of disappointments, and<br /> | |||
enchanting sweetness of the mind, when it loses itself going outside the arena of desires.<br /> | |||
=== 3176 (09/10/1985) D === | |||
ÁMI, GOLÁPER BÚKE SURABHI BHARIÁ JÁI<br /> | |||
MOR JÁOÁR VIRATI NÁI<br /> | |||
ÁMI ÁLOKER MUKHE JHALAK D́HÁLITE CÁI<br /> | |||
MOR CÁOÁR SHEŚA NÁ PÁI<br /> | |||
MOR JÁOÁR VIRATI NÁI<br /> | |||
BHÁŚÁ PHOT́ÁI MAONA JIIVANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁŚÁ PHOT́ÁI MAONA JIIVANE<br /> | |||
KAL KÁKALITE HARIŃII NAYANE<br /> | |||
SABÁKÁR MANE VIRALE VIJANE<br /> | |||
MADHURIMÁ DHIIRE DHIIRE MÁKHÁI<br /> | |||
MOR JÁOÁR VIRATI NÁI<br /> | |||
SABÁKÁR KATHÁ SATATA BHÁVI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABÁKÁR KATHÁ SATATA BHÁVI<br /> | |||
OHA AVOHER NÁCE UT́HI NÁVI<br /> | |||
MATTA PAVANE UTTÁLE SABAI<br /> | |||
KŚAŃE SARIYE MANE LUKÁI<br /> | |||
MOR JÁOÁR VIRATI NÁI<br /> | |||
ÁMI, GOLÁPER BÚKE SURABHI BHARIÁ JÁI<br /> | |||
MOR JÁOÁR VIRATI NÁI<br /> | |||
I go on filling fragrance into the rose flower; I have no abstinence for movement. I want<br /> | |||
to pour shine into the light; I find no end of will. I arouse language in silent mouths<br /> | |||
into the chirpings and eyes of the deer. Into everybody’s minds, in isolation and in | |||
seclusion. I gently smear sweetness. I always think about all and with feelings, I rise to<br /> | |||
dance, making all overwhelmed with frenzied wind and hiding into the minds moving in a<br /> | |||
moment.<br /> | |||
=== 3177 (11/10/1985) K === | |||
DOLÁ DIYE KE GO CALE JÁY, ÁMÁY<br /> | |||
DOLÁ DIYE KE GO CALE JÁY<br /> | |||
MANO MOHAN SÁJE VANE MADHUR MÁJHE<br /> | |||
RÚPE RÚPÁTIITE MELÁY, ÁMÁY<br /> | |||
DOLÁ DIYE KE GO CALE JÁY<br /> | |||
CINITE PÁRI NÁ TÁRE GHORE GHARE BÁHIRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CINITE PÁRI NÁ TÁRE GHORE GHARE BÁHIRE<br /> | |||
CITTER AGOCARE MANE ÁSE KI KARE<br /> | |||
HRDAYE ALAKH DYUTI PARÁŃE APÁR PRIITI<br /> | |||
BHÁLOBESE BHOLÁ HOLO DÁY<br /> | |||
ÁMÁY, DOLÁ DIYE KE GO CALE JÁY<br /> | |||
JATA BHÁVI BHÁVIBO NÁ TÁR PÁNE CÁHIBO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JATA BHÁVI BHÁVIBO NÁ TÁR PÁNE CÁHIBO NÁ<br /> | |||
NIKAT́E ELEO KABHU KONO KATHÁ KAHIBO NÁ<br /> | |||
NIJEKE BÁNDHITE NÁRI TÁRI BHÁVE BHEUNGE PAŔI<br /> | |||
E KATHÁ KE KÁHÁ KE BOJHÁY<br /> | |||
ÁMÁY, DOLÁ DIYE KE GO CALE JÁY<br /> | |||
DOLÁ DIYE KE GO CALE JÁY, ÁMÁY<br /> | |||
DOLÁ DIYE KE GO CALE JÁY<br /> | |||
Swinging me Who is that going away, into the forest with sweet charming adornment, merging<br /> | |||
the form with formless? I am unable to recognise Him even after roaming inside and<br /> | |||
outside. Unseen by the mind stuff, what for He is coming into the mind? With unseen | |||
brilliance in the heart and limitless love in the mind, it is difficult to forget Him due<br /> | |||
to love. Whatsoever I think that I shall no longer think about Him, would not look towards<br /> | |||
Him, and even after His coming near, I would not talk to Him anything, I am unable to bind<br /> | |||
myself, and break out with His ideation, who can explain this state of affairs to anybody?<br /> | |||
=== 3178 (12/10/1985) D === | |||
BHÁLOBÁSÁR ÁLOY RATHE<br /> | |||
KE GO TUMI BHESE ELE<br /> | |||
BHÁVITE PÁRINI JÁHÁ<br /> | |||
TÁI ÁJIKE KARE DILE<br /> | |||
BHÁLOBÁSÁR ÁLOY RATHE<br /> | |||
ÁSÁR ÁSHÁY BASE CHILUM<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSÁR ÁSHÁY BASE CHILUM<br /> | |||
YUGE YUGE D́EKE CHILUM<br /> | |||
KENDE KENDE BOLE CHILUM<br /> | |||
VRITHÁ THÁKÁ JAD́E BHULE<br /> | |||
BHÁLOBÁSÁR ÁLOY RATHE<br /> | |||
BHEVE CHILUM SHOŃO NÁKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHEVE CHILUM SHOŃO NÁKO<br /> | |||
BUJHI ANEK DÚRE THÁKO<br /> | |||
PRIITIR PARÁG PRÁŃE MÁKHO<br /> | |||
SHUDHUI TOMÁR KÁCHE GELE<br /> | |||
BHÁLOBÁSÁR ÁLOY RATHE<br /> | |||
BHÁLOBÁSÁR ÁLOY RATHE<br /> | |||
KE GO TUMI BHESE ELE<br /> | |||
O Lord, who is that You who came riding the chariot of light of love? Whatever I could not<br /> | |||
imagine, that You have done today. I was sitting in the hope of arrival, and calling since<br /> | |||
ages after ages. Crying and weeping I said, “ I was immersed in materialism<br /> | |||
uselessly”. I was thinking that You would not hear, thinking that You are far away.<br /> | |||
Smearing the fragrance of love in heart, I have gone only close to You.<br /> | |||
=== 3179 (13/09/1985) D === | |||
VIRÁT́ TUMI AŃU ÁMI<br /> | |||
ÁMÁR PARE KENO ABHIMÁN | |||
D́EKE GECHI KENDE GECHI<br /> | |||
KARE GECHI TAVA ANUDHYÁN | |||
ÁMÁR PARE KENO ABHIMÁN | |||
TOMÁR RABHASE METECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR RABHASE METECHI<br /> | |||
SUDHÁ RASE BHÁSIÁCHI<br /> | |||
TOMÁR BHÁVE BHÚLIYÁCHI<br /> | |||
JATA GLÁNI JATA APAMÁN | |||
ÁMÁR PARE KENO ABHIMÁN | |||
PATHE VÁ VIPATHE GECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATHE VÁ VIPATHE GECHI<br /> | |||
TOMÁY SUMUKHE REKHECHI<br /> | |||
SHUDHU TOMÁRE DEKHECHI<br /> | |||
GEYE GECHI SHUDHUI TAVA GÁN | |||
ÁMÁR PARE KENO ABHIMÁN | |||
VIRÁT́ TUMI AŃU ÁMI<br /> | |||
ÁMÁR PARE KENO ABHIMÁN | |||
O Lord, You are Vast and I am a particle, why are You unhappy with me? I have continued to<br /> | |||
call You, to cry and to meditate on You. I am frenzied with Your deep devotion, floating<br /> | |||
in the flow of nectar. In Your ideation, I have forgotten all agonies and humiliations.<br /> | |||
Whether I moved on right or wrong path, I have always kept You before me, seeing only You<br /> | |||
and singing only Your song.<br /> | |||
=== 3180 (13/10/1985) K === | |||
TUMI ESECHILE ÁLO D́HELE CHILE<br /> | |||
ÁNKHI MELE CEYE CHILE<br /> | |||
DHÚLIR DHARAŃIITE MANER MÁDHURIITE<br /> | |||
PHÚL PHÚT́IYE DIYECHILE<br /> | |||
ÁNKHI MELE CEYE CHILE<br /> | |||
PARÁGERI SUDHÁ PEYECHE VASUDHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PARÁGERI SUDHÁ PEYECHE VASUDHÁ<br /> | |||
TOMÁR ÁGAMANE MIT́ECHE SAB KŚUDHÁ<br /> | |||
MARMERI KOŃE NIIRAVE VIJANE<br /> | |||
ÁSAN PÁTIYÁ BASE CHILE<br /> | |||
ÁNKHI MELE CEYE CHILE<br /> | |||
SARE GELO SAB DVAETA BHÁVANÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SARE GELO SAB DVAETA BHÁVANÁ<br /> | |||
KŚUDRA BRIHATER BHEDERI DHÁRAŃÁ<br /> | |||
EKE ANEK HOYE ANEK EKE NIYE<br /> | |||
NIJEKE PRAKÁSH KARE CHILE<br /> | |||
ÁNKHI MELE CEYE CHILE<br /> | |||
TUMI ESECHILE ÁLO D́HELE CHILE<br /> | |||
ÁNKHI MELE CEYE CHILE<br /> | |||
O Lord, You came, poured light, and looked at me with open eyes. On this dusty earth, with<br /> | |||
sweetness of mind, You have bloomed flowers. The earth got nectar of pollen, and by Your<br /> | |||
arrival all hunger was satiated. In silence and seclusion, in the core of the heart, You<br /> | |||
seated on the seat. All the feeling of duality was removed and all concept of distinction | |||
between small and big. Becoming many from One and taking many into One, You have expressed<br /> | |||
Yourself.<br /> | |||
=== 3181 (14/10/1985) D === | |||
GÁNER MÁLÁ GÁNTHIYÁCHI<br /> | |||
TOMÁR TARE PRIYATAMA<br /> | |||
ÁSABE TUMI HÁSABE TUMI<br /> | |||
BÁSABE BHÁLO AŃUPAMA<br /> | |||
TOMÁR TARE PRIYATAMA<br /> | |||
ÁLO CHÁYÁY TOMÁR KHELÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLO CHÁYÁY TOMÁR KHELÁ<br /> | |||
VAJRA VIIŃÁY TOMÁR LIILÁ<br /> | |||
BHÁSÁO ÁMÁR VISHVA BHELÁ<br /> | |||
CHANDE TOMÁR STAMBA SAMA<br /> | |||
TOMÁR TARE PRIYATAMA<br /> | |||
LIILÁR SHROTE SABÁY BHÁSÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LIILÁR SHROTE SABÁY BHÁSÁO<br /> | |||
LIILÁ RASER RÚPA DHARE JÁO<br /> | |||
ARÚPA TUMI KAKHAN KI CÁO<br /> | |||
BUJHIYE DÁO MARME MAMA<br /> | |||
TOMÁR TARE PRIYATAMA<br /> | |||
GÁNER MÁLÁ GÁNTHIÁCHI<br /> | |||
TOMÁR TARE PRIYATAMA<br /> | |||
O The Dearest, I have threaded garland of songs for You. So that O, incomparable, You<br /> | |||
would come. Smile and love. Your game is through light and shade, Your divine game<br /> | |||
liila, is through thunder and viin’a’. Float me on the boat of the world, providing<br /> | |||
forms in the flow of liila, Your divine game. O The Formless, what do You expect<br /> | |||
explain me in the core of my heart.<br /> | |||
=== 3182 (15/10/1985) D === | |||
PATH PÁNE CEYE BASIÁ ÁCHI<br /> | |||
ESO PRIYA MOR GHARETE<br /> | |||
TANDRÁ TYAJIÁ JÁGIÁ RAYECHI<br /> | |||
CANDRÁLOKER MÁYÁTE<br /> | |||
ESO PRIYA MOR GHARETE<br /> | |||
VASUDHÁR SUDHÁSÁR PRIYATAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VASUDHÁR SUDHÁSÁR PRIYATAMA<br /> | |||
ANTAR MÁJHE ANTAR TAMA<br /> | |||
SAB KŚUDRATÁ SARIYE MAMA<br /> | |||
ESO TARU SAMA MARUTE<br /> | |||
ESO PRIYA MOR GHARETE<br /> | |||
VISHVER PRÁŃA KORAKER MADHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VISHVER PRÁŃA KORAKER MADHU<br /> | |||
SHARAT NIILÁKÁSHE PÚRŃA VIDHU<br /> | |||
MANER MADHUP TOMÁKEI SHUDHU<br /> | |||
CHEYE JÁY EI DHARÁTE<br /> | |||
ESO PRIYA MOR GHARETE<br /> | |||
PATH PÁNE CEYE BASIÁ ÁCHI<br /> | |||
ESO PRIYA MOR GHARETE<br /> | |||
O Lord, I am sitting and waiting for You looking toward the path of Your arrival. O my<br /> | |||
dearest One, please come to my home. Leaving all my drowsiness, I am sitting alert in the<br /> | |||
beautiful enchanting moonlight, waiting for You. O the Dearest, the essence of nectar of<br /> | |||
this earth, You are my innermost within my core. Removing all my meanness, come like the<br /> | |||
soothing cool shade of a tree in hot desert. O The life force of the world, and honey of<br /> | |||
the floral nucleus, O the Full moon of the blue sky of the autumn, You are the bee of the<br /> | |||
mind, loving this world.<br /> | |||
=== 3183 (16/10/1985) D === | |||
E DHÚLIR DHARAŃIITE<br /> | |||
SHUDHU BHÁLO LÁGÁ ÁR BHÁLOBÁSÁ<br /> | |||
ÁNANDA PRATIBHU TUMI<br /> | |||
TAVA PARIBHÚTE JATA KÁNDÁ HÁSÁ<br /> | |||
SHUDHU BHÁLO LÁGÁ ÁR BHÁLOBÁSÁ<br /> | |||
ÁLOK D́HÁLIÁ SABÁKÁR MANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOK D́HÁLIÁ SABÁKÁR MANE<br /> | |||
ÁBHUŚAŃE KUSUMER VANE VANE<br /> | |||
BHESE CALE JÁO SUMUKHER PÁNE<br /> | |||
MARMA MÁJHÁRE BHARE ÁSHÁ<br /> | |||
SHUDHU BHÁLO LÁGÁ ÁR BHÁLOBÁSÁ<br /> | |||
SVARŃA DYUTIR DRUTAGA RATHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SVARŃA DYUTIR DRUTAGA RATHE<br /> | |||
AJÁNÁ PATHIK AJÁNÁR PATHE<br /> | |||
BHESE CALE JÁO MADHURIMÁ SÁTHE<br /> | |||
MLÁNA MÚKÁNANE DIYE BHÁŚÁ<br /> | |||
SHUDHU BHÁLO LÁGÁ ÁR BHÁLOBÁSÁ<br /> | |||
E DHÚLIR DHARAŃIITE<br /> | |||
SHUDHU BHÁLO LÁGÁ ÁR BHÁLOBÁSÁ<br /> | |||
On this dusty earth<br /> | |||
everything appears endearing and loving.<br /> | |||
You are the symbol of bliss<br /> | |||
within which all cries and smiles lie.<br /> | |||
You pour light into everyone's mind.<br /> | |||
Flowers decorate each garden.<br /> | |||
You keep floating forward<br /> | |||
filling the core of our hearts with hope.<br /> | |||
On the speedy chariot of golden light<br /> | |||
as an unknown traveler on an unknown path<br /> | |||
You glide ahead with sweetness<br /> | |||
and bestow language on gloomy and dumb faces.<br /> | |||
=== 3184 (17/10/1985) D === | |||
D́EKE JÁI SÁŔÁ NÁHI PÁI<br /> | |||
E KII KAT́HIN HRDAY, KAT́HIN HRDAY<br /> | |||
D́EKE JÁI SÁŔÁ NÁHI PÁI<br /> | |||
KABHU KÁCHE ÁSO KABHU DÚRE HÁSO<br /> | |||
E KII LIILÁ E KII ABHINAY<br /> | |||
E KII KAT́HIN HRIDAY, KAT́HIN HRIDAY<br /> | |||
D́EKE JÁI SÁŔÁ NÁHI PÁI<br /> | |||
NRITYER TÁLE BHÁSO UTTÁLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NRITYER TÁLE BHÁSO UTTÁLE<br /> | |||
ÚRMI MÁLÁY JALADHIRI JALE<br /> | |||
JIIVAN DOLÁR KÚLE UPAKÚLE<br /> | |||
TOMÁR MÁDHURI KATHÁ KAY<br /> | |||
E KII KAT́HIN HRIDAY, KAT́HIN HRIDAY<br /> | |||
D́EKE JÁI SÁŔÁ NÁHI PÁI<br /> | |||
SAB YUGE ÁCHO, ÁCHO SAB KÁLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAB YUGE ÁCHO, ÁCHO SAB KÁLE<br /> | |||
HÁRÁNO SMRITITE AKÁLER BHÁLE<br /> | |||
BHÁVEO ABHÁVE SABÁKÁR MÚLE<br /> | |||
TAVA PRIITI DHÁRÁ MISHE RAYA<br /> | |||
E KII KAT́HIN HRIDAY, KAT́HIN HRIDAY<br /> | |||
D́EKE JÁI SÁŔÁ NÁHI PÁI<br /> | |||
O Lord, I go on calling You, but I never get any response. Your heart is tough. Sometimes<br /> | |||
You come close and sometimes You go on smiling, keeping Yourself distant. What type of<br /> | |||
drama or divine play is this? With the melody and rhythm of the dance, You go on floating<br /> | |||
like a tidal wave in the water of ocean. In all the ups and downs of Your various<br /> | |||
vibrations I always feel narration of Your sweetness. You are present in all ages, all the<br /> | |||
time. You are also present in those memories which have untimely already faded away. You<br /> | |||
are everpresent at the root of everything, manifested or not manifested, submerging in the<br /> | |||
flow of love.<br /> | |||
=== 3185 (18/10/1985) K === | |||
BHÁLOBÁSIYÁCHI TOMÁRE CEYECHI<br /> | |||
ÁMÁR MANER MAINJÚŚÁY<br /> | |||
KÁCHE ÁSO NÁKO<br /> | |||
KÁCHE ÁSO NÁKO KENO DÚRE THÁKO<br /> | |||
BUJHEO BOJHO NÁKO MOR ÁSHÁY<br /> | |||
ÁMÁR MANER MAINJÚŚÁY<br /> | |||
SUDÚRE THEKEO<br /> | |||
SUDÚRE THEKEO KENO HESE JÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SUDÚRE THEKEO KENO HESE JÁO<br /> | |||
MADHURIMÁKEO MADHUTE D́HEKE DÁO<br /> | |||
ÁLO ÁNDHÁRE LIILÁTE LÚKÁO<br /> | |||
TOMÁY BUJHE OT́HÁ HOLO DÁY<br /> | |||
ÁMÁR MANER MANJÚŚÁY<br /> | |||
YUGE YUGE JATA<br /> | |||
YUGE YUGE JATA ESECHE YOGIIRÁ<br /> | |||
TOMÁR BHÁVE GHIRE THEKECHE TÁRÁ<br /> | |||
AŃU PARAMÁŃU NIIHÁRIKÁ TÁRÁ<br /> | |||
PRIITI DHÁRE TAVA STUTI GÁY<br /> | |||
ÁMÁR MANER MANJÚŚÁY<br /> | |||
O Lord, I love You deeply inside my mental casket. Why do not You come and remain away?<br /> | |||
Knowingly You do not understand my aspirations. Staying away, why do You go on smiling?<br /> | |||
Why do You cover the sweetness of the honey? You are hiding Yourself within Your divine<br /> | |||
liila of darkness and light. To understand You, and realize You is very difficult. Since<br /> | |||
ages after ages, all the yogis, aspirants, who came, they also remained surrounded by Your<br /> | |||
ideation. All the atoms, molecules, stars and nebula, sing Your praise in flow of Your<br /> | |||
love.<br /> | |||
=== 3186 (19/10/1985) K === | |||
NRITYER TÁLE TÁLE MARMER UPAKÚLE<br /> | |||
KE GO TUMI ÁJI ELE HIYÁ MOR UPACÁY<br /> | |||
ANUBHÚTIR GABHIRE BHÁVANÁR STARE STARE<br /> | |||
MAN KE ÁPLUTA KARE UDDVEL KARE DEY<br /> | |||
KE GO TUMI ÁJI ELE HIYÁ MOR UPACÁY<br /> | |||
JÁNÁ BOJHÁ NÁHI JÁY VYAKTIR SIIMÁ NÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁNÁ BOJHÁ NÁHI JÁY VYAKTIR SIIMÁ NÁY<br /> | |||
ANTAR MÁJHE THEKE ANTARE DOLÁ DEY<br /> | |||
ÁMÁR ÁMIRE BHÚLI VÁSANÁ SAMIDHA JVÁLI<br /> | |||
CITTE ÁHUTI D́HÁLI BHÁVÁTIITA DYOTANÁY<br /> | |||
KE GO TUMI ÁJI ELE HIYÁ MOR UPACÁY<br /> | |||
BHÁVER GABHIRTÁY BHÁŚÁ NÁHI STHÁNA PÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVER GABHIRTÁY BHÁŚÁ NÁHI STHÁNA PÁY<br /> | |||
ANUBHÚTIR MÁJHE BHÁVAO DEKHI HÁRÁY<br /> | |||
VYAKTÁVYAKTA TUMI SAPTALOKE CUMI<br /> | |||
ÁSO CETANÁY NÁMI EI SHUDHU BOLÁ JÁY<br /> | |||
KE GO TUMI ÁJI ELE HIYÁ MOR UPACÁY<br /> | |||
NRITYER TÁLE TÁLE MARMER UPAKÚLE<br /> | |||
KE GO TUMI ÁJI ELE HIYÁ MOR UPACÁY<br /> | |||
O Lord, with each rhythm of the dance, Who is that You, who came over flowing my heart? In | |||
the depth of feelings, through each layer of thoughts, You have flooded the mind and made<br /> | |||
it restless. It is not possible to know and understand, there is no limit of expressions.<br /> | |||
Sitting inside the heart, You have swung it. I have forgotten my own “I” feeling, and<br /> | |||
burnt the wood of desires. I have poured oblation of the objecivated mind stuff, offering<br /> | |||
for the One beyond thoughts. Language cannot find place in the depth of feelings. You are<br /> | |||
expressed as well as unexpressed touching all the seven layers of existence. Come<br /> | |||
bringing consciousness, only this much can be told.<br /> | |||
=== 3187 (20/10/1985) K === | |||
TIIRTHA PATI TUMI BHARE ÁCHO MANOBHÚMI<br /> | |||
TOMÁR SAMÁN GUŃII BHÁVÁ JÁY NÁ<br /> | |||
SAPTA LOKER SVÁMI RAYECHO CETANÁ CÚMI<br /> | |||
TOMÁR MATAN GYÁNI ÁR KEU HOYE NÁ<br /> | |||
TOMÁR SAMÁN GUŃII BHÁVÁ JÁY NÁ<br /> | |||
BHÁŚÁR ATIITA LOKE BHÁVANÁR SMITÁLOKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁŚÁR ATIITA LOKE BHÁVANÁR SMITÁLOKE<br /> | |||
SAB KICHU DEKHE JÁO PRIITI AINJAN MEKHE<br /> | |||
TOMÁR UPAMÁ NÁI TOMÁRE SABÁI CÁI<br /> | |||
UDDVEL MAN KONO MÁNÁ MÁNE NÁ<br /> | |||
TOMÁR SAMÁN GUŃII BHÁVÁ JÁY NÁ<br /> | |||
MARMER GABHIRE BHÁVER MADHUPURE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MARMER GABHIRE BHÁVER MADHUPURE<br /> | |||
UNMADA DYOTANÁY CITTA CETANÁDHÁRE<br /> | |||
ALAKHE PULAKE HÁSO SABETE PRIITITE BHÁSO<br /> | |||
NIKHIL VISHVE TAVA TULANÁ HOYE NÁ<br /> | |||
TOMÁR SAMÁN GUŃII BHÁVÁ JÁY NÁ<br /> | |||
TIIRTHA PATI TUMI BHARE ÁCHO MANOBHÚMI<br /> | |||
TOMÁR SAMÁN GUŃII BHÁVÁ JÁY NÁ<br /> | |||
O The Lord of the pilgrim place, You are filled throughout my mental arena. It is not<br /> | |||
possible to think of any greater possessor of attributes. The controller of seven strata<br /> | |||
of the world, You remain touching the consciousness, no one is as wise as You. In the<br /> | |||
arena beyond language, in the smiling light of thoughts, You go on seeing everything<br /> | |||
smearing the ointment of love in the eyes. You have no comparison, all want You. The<br /> | |||
restless mind does not heed to any bidding. In the depth of mind, in the sweet dwellings<br /> | |||
of the thoughts, with frenzied indications, making consciousness as base of mind, unseen | |||
You smile with joy, float in all with love, in whole of the world, Your comparison cannot<br /> | |||
be made.<br /> | |||
=== 3188 (21/10/1985) K === | |||
TUMI, BHESE CALOPRIYA KON SE DESHE<br /> | |||
PHÚLER VANE SABÁR MANE MANE<br /> | |||
ABHRAUNLEHI GIRIR TUŚÁR STÚPE<br /> | |||
RÚPE RÚPE PRATI KŚAŃE KŚAŃE<br /> | |||
PHÚLER VANE SABÁR MANE MANE<br /> | |||
TOMÁKE BHEVE NIJE KE HÁRÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁKE BHEVE NIJE KE HÁRÁI<br /> | |||
TOMÁR SHIKHÁY PRÁŃER PRADIIP JVÁLÁI<br /> | |||
TOMÁR PRIITIR SMRITITE GIITI GÁI<br /> | |||
PRÁŃER T́ÁNE BHÚLE ABHIMÁNE<br /> | |||
PHÚLER VANE SABÁR MANE MANE<br /> | |||
ÁMÁR CIDÁKÁSHE TUMII VIDHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR CIDÁKÁSHE TUMII VIDHU<br /> | |||
TOMÁR JYOTSNÁLOKA D́HÁLE MADHU<br /> | |||
PRATYABHIGYÁY SAKAL ABHIDHYÁNE<br /> | |||
PHÚLER VANE SABÁR MANE MANE<br /> | |||
TUMI, BHESE CALOPRIYA KON SE DESHE<br /> | |||
PHÚLER VANE SABÁR MANE MANE<br /> | |||
O Dear, in which arena You go on floating, into floral garden, into each mind of everyone<br /> | |||
the icy peak of skytouching mountains, into each form all the moments. By thinking of You<br /> | |||
I lose myself. By Your flame, I kindle lamp of my own heart. With memory of Your love, I<br /> | |||
sing song, with the pull of heart, forgetting all ego. You are the moon in my mental sky.<br /> | |||
Your moonlight pours honey. You are the perfect profound knowledge in everyone’s<br /> | |||
meditation.<br /> | |||
=== 3189 (22/10/1985) D === | |||
JE GÁN CHILO MANE GÁOÁ<br /> | |||
GÁINI TÁHÁ SABHÁR MÁJHE<br /> | |||
CEPE RÁKHÁ ÁSHÁ ÁKÁNKŚÁ<br /> | |||
VYAKTA KARI NIKO LÁJE<br /> | |||
GÁINI TÁHÁ SABHÁR MÁJHE<br /> | |||
MANER KATHÁ TUMI JÁNO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER KATHÁ TUMI JÁNO<br /> | |||
MARMETE KÁN PETE SHONO<br /> | |||
MANER RÁJÁ NEIKO KONO<br /> | |||
DVIDHÁ TOMÁR KÁCHE<br /> | |||
GÁINI TÁHÁ SABHÁR MÁJHE<br /> | |||
SABHÁR PARE BÁIRE ESE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABHÁR PARE BÁIRE ESE<br /> | |||
SAKAL GÁNER RESHER SHEŚE<br /> | |||
NÁ GÁOÁ GÁN SHUNI BHÁSE<br /> | |||
MAŃI DYUTIR SÁJE<br /> | |||
LAJJÁ BHÚLE ÁSHÁY DÚLE<br /> | |||
TOMÁR KRPÁI JÁCE<br /> | |||
GÁINI TÁHÁ SABHÁR MÁJHE<br /> | |||
JE GÁN CHILO MANE GÁOÁ<br /> | |||
GÁINI TÁHÁ SABHÁR MÁJHE<br /> | |||
O Lord, the song that was sung in my mind, that I did not sing during the public<br /> | |||
gathering. The hopes and desires that I had kept suppressed in the mind, I did not express<br /> | |||
due to shyness. You know the events of my mind, as You listen attentively to the voice of<br /> | |||
my core. O the King of my mind, I have no dilemma in front of You. After coming out from<br /> | |||
the gathering, at the end of traces of all songs, the unsung song come into my ears<br /> | |||
floating adorned with glittering gems. Ignoring shyness, swinging with hopes, I seek Your<br /> | |||
grace.<br /> | |||
=== 3190 (22/10/1985) D === | |||
TUMI ESO, ÁMÁR GHARE<br /> | |||
ÁSHÁR DIIPAK JVALE APALAK<br /> | |||
TOMÁR TARE ÁMÁR GHARE<br /> | |||
SVAPANE PÁI TOMÁR DEKHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SVAPANE PÁI TOMÁR DEKHÁ<br /> | |||
JEGEO BHÁVI TOMÁR KATHÁ<br /> | |||
ÁNKÁ TOMÁR PRIITIR REKHÁ<br /> | |||
SABÁR PAREÁMÁR GHARE<br /> | |||
BHULEO BHULATE PÁRI NÁKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHULEO BHULATE PÁRI NÁKO<br /> | |||
NIVIŔA BHÁVE MARME THÁKO<br /> | |||
MADHURATÁY MÁKHIYE RÁKHO<br /> | |||
BHUVAN BHARE<br /> | |||
ÁMÁR GHARE TUMI ESO<br /> | |||
ÁMÁR GHARE<br /> | |||
O Lord, You come to my home. The lamp of hope is glowing without blinking for You. I get<br /> | |||
You in my dreams. On awakening, I think about You. The mark of Your love is sketched on | |||
all. I am unable to forget You even if I try to do so. With most intimate feeling, You<br /> | |||
stay in the core of my heart. Keeping absorbed in sweetness, You have overwhelmed the<br /> | |||
whole world.<br /> | |||
=== 3191 (23/10/1985) K === | |||
KAMAL KALI NIIRAVA KENO<br /> | |||
KAO NÁ ÁMÁY MANER KATHÁ<br /> | |||
PÁPAŔITE KENO JHARE ASHRU<br /> | |||
KE DIYECHE MARME VYATHÁ<br /> | |||
KAO NÁ ÁMÁY MANER KATHÁ<br /> | |||
KATAI JHÁPAT́Á ESE PAŔE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATAI JHÁPAT́Á ESE PAŔE<br /> | |||
TOMÁR PARE URMI JHAŔE<br /> | |||
KOMAL PRÁŃE SAB KII KARE<br /> | |||
KAO ÁMÁRE SE VÁRTÁ<br /> | |||
KAO NÁ ÁMÁY MANER KATHÁ<br /> | |||
PRABHÁT RAVI ÁLO D́HÁLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRABHÁT RAVI ÁLO D́HÁLE<br /> | |||
RÁY RÁKÁ JHALAMALE<br /> | |||
BHOMRÁ ESE KII JÁY BOLE<br /> | |||
BHÁLOBESE MADHURATÁ<br /> | |||
KAO NÁ ÁMÁY MANER KATHÁ<br /> | |||
KAMAL KALI NIIRAVA KENO<br /> | |||
KAO NÁ ÁMÁY MANER KATHÁ<br /> | |||
O the lotus bud, why are you silent, tell me about your mental affairs. At your petals<br /> | |||
why tears are dropped, who has inflicted injury to core of your heart? How many storms<br /> | |||
came and waves have fallen on you, at soft heart, what for? Tell me all details. The<br /> | |||
morning sun pours light, and moon shines the earth. The honeybee coming what goes on | |||
saying with sweetness and love.<br /> | |||
=== 3192 (24/10/1985) === | |||
TOMÁRI DEOÁ SURE TOMÁRI BHÁŚÁ BHARE<br /> | |||
HE PRABHU TAVA TARE GEYE GECHI GÁN | |||
ÁMÁR BOLITE NEI KICHU ETE<br /> | |||
TOMÁRI SHAKTITE TAVA AVADÁN | |||
HE PRABHU TAVA TARE GEYE GECHI GÁN | |||
JABE KUHAKE BHULE BHESECHI MOHA JAD́E<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JABE KUHAKE BHULE BHESECHI MOHA JAD́E<br /> | |||
AHAMIKÁR GHORE ÁMÁR MANE KARE<br /> | |||
TUMII SE KÁLE TUMI BUJHIYE DILE<br /> | |||
NEI ÁMÁR KICHU KARITE AVADHÁN | |||
HE PRABHU TAVA TARE GEYE GECHI GÁN | |||
DIYECHO PHÚL HÁR PRIITIRI SAMBHÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIYECHO PHÚL HÁR PRIITIRI SAMBHÁR<br /> | |||
ŚOD́ASH UPÁCÁR VIIŃÁR JHAUNKÁR<br /> | |||
BOLILE DEKHE JÁO BHITARE TÁKÁO<br /> | |||
CÁO VÁ NÁHI CÁO E KARUŃÁR DÁN | |||
HE PRABHU TAVA TARE GEYE GECHI GÁN | |||
O Lord, through the melody given by you, using your language, for you I am singing song. I<br /> | |||
have nothing to call my own here, this is your energy and gift.<br /> | |||
I was totally lost in delusion, attached blindly under intense ego. At that time you made<br /> | |||
me understand that I have in reality nothing to offer you. You gave me floral garland<br /> | |||
items for love and worship methodology of worship, the tinkling of lyre. You told me to<br /> | |||
continue observing inside, whether you relish or not, this is the graceful gift due to<br /> | |||
compassion.<br /> | |||
=== 3193 (26/10/1985) K === | |||
CARAŃ DHARIYÁ VINATI KARI<br /> | |||
BHÚLO NÁ ÁMÁY PRABHU<br /> | |||
ÁMI TOMÁR KAŃÁ ÁMI PARÁG KAŃÁ<br /> | |||
JIIVAN BHARIYÁ TOMÁRE SMARI<br /> | |||
BHÚLITE PÁRI NÁ KABHU<br /> | |||
MOR NÁI DOT́ÁNÁ NÁI KONO DOT́ÁNÁ<br /> | |||
ÁMI TOMÁR KAŃÁ ÁMI PARÁG KAŃÁ<br /> | |||
ANALE ANILE TOMÁR MAHIMÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANALE ANILE TOMÁR MAHIMÁ<br /> | |||
ÁKÁSHE PÁTÁLE TOMÁR TANIMÁ<br /> | |||
KONO KICHUTEI NÁI TAVA SIIMÁ<br /> | |||
SABETE TAVA DYOTANÁ<br /> | |||
ÁMI TOMÁR KAŃÁ ÁMI PARÁG KAŃÁ<br /> | |||
KŚUDRA ÁMI TUMI JE VIRÁT́A<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KŚUDRA ÁMI TUMI JE VIRÁT́A<br /> | |||
ARÚPER MÁJHE KI RÚPER HÁT́<br /> | |||
ENKE CALO EKAT́ÁNÁ<br /> | |||
ÁMI TOMÁR KAŃÁ ÁMI PARÁG KAŃÁ<br /> | |||
CARAŃ DHARIYÁ VINATI KARI<br /> | |||
BHÚLO NÁ ÁMÁY PRABHU<br /> | |||
ÁMI TOMÁR KAŃÁ ÁMI PARÁG KAŃÁ<br /> | |||
O Lord, holding Your feet, I pray You, that You should never forget me. I am Your spark<br /> | |||
Your particle of fragrance. I have remembered You throughout the life and could never<br /> | |||
forget You. I have no doubt, no dilemma. In air and fire, You glory is present. In sky and<br /> | |||
netherworld, Your graceful subtlety is present. Nowhere Your limit exists, You are<br /> | |||
indicated everywhere. I am meagre, You are greatly vast, within formless, a beautiful<br /> | |||
shopping place. Go on sketching without break.<br /> | |||
=== 3194 (27/10/1985) D === | |||
MADHUR TOMÁR LÁGI<br /> | |||
ÁSHÁR PRADIIP ÁCHI JVÁLI<br /> | |||
NIRVÁTA E DIIP SHIKHÁ JATA<br /> | |||
BÁDHÁR BHRIKUT́I JÁY DALI<br /> | |||
ÁSHÁR PRADIIP ÁCHI JVÁLI<br /> | |||
CAL CAINCAL SAKALII JAGATE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CAL CAINCAL SAKALII JAGATE<br /> | |||
MADHUMAY TUMI CIRA STHÁYII<br /> | |||
ÁSE JÁY SABE TOMÁRI SHROTE<br /> | |||
AŃU MAYA TUMI KÁL JAYII<br /> | |||
ÁSHÁR PRADIIP ÁCHI JVÁLI<br /> | |||
CHILE ÁCHO TUMI THÁKIYÁ JÁIBE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILE ÁCHO TUMI THÁKIYÁ JÁIBE<br /> | |||
KÁLE KÁLÁTIITE UCCHALI<br /> | |||
ÁSHÁR PRADIIP ÁCHI JVÁLI<br /> | |||
RÚPA RASA ÁR DHVANI SAMAŚT́I<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÚPA RASA ÁR DHVANI SAMAŚT́I<br /> | |||
VARŃA GANDHA TAVA VISRIŚT́I<br /> | |||
EI PÁNCA DIYE LIILÁY BHÚLIYE<br /> | |||
LIILÁR GOPÁL ÁCHO BHÚLI<br /> | |||
ÁSHÁR PRADIIP ÁCHI JVÁLI<br /> | |||
MADHUR TOMÁR LÁGI<br /> | |||
ÁSHÁR PRADIIP ÁCHI JVÁLI<br /> | |||
O sweet Lord, for You, I have kept the lamp of hope glowing. This non flickering flame<br /> | |||
goes on suppressing all threatening of obstructions. The whole world is restlessly moving.<br /> | |||
You are the only One sweetness filled and permanent. All come and go within Your stream<br /> | |||
You comprise of microcosms and victorious over the time factor. You were in the past, are<br /> | |||
present now, and will stay forever, vibrant within and beyond time. You are congregate of<br /> | |||
the fundamental factors, ethereal, aerial, luminous, liquid and solid as well as their<br /> | |||
creator. Taking these five together, make one engrossed in the divine game, and people<br /> | |||
forget the creator, the Gopa’l or the nucleus.<br /> | |||
=== 3195 (28/10/1985) D === | |||
MANER GOPÁL MANETE RAYECHO<br /> | |||
MANO BHUMI KARE ÁLOKITA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MADHUR PARASHE MADHUR HARAŚE<br /> | |||
MAN MADHUPER IISPITA<br /> | |||
MANO BHUMI KARE ÁLOKITA<br /> | |||
CARAŃE TOMÁR SAPTA VYAHRITI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CARAŃE TOMÁR SAPTA VYAHRITI<br /> | |||
MANANE TOMÁR MATTA PRAKRITI<br /> | |||
NAYANE TOMÁR AHAETUKI PRIITI<br /> | |||
ÁKÁSHE PÁTÁLE PRASÁRITA<br /> | |||
MANO BHUMI KARE ÁLOKITA<br /> | |||
TUMI NÁI HENO STHÁN NÁHI PÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI NÁI HENO STHÁN NÁHI PÁI<br /> | |||
TOMÁR AKÁLE KONO KÁLA NÁI<br /> | |||
TOMÁR CHANDE NÁCICHE SABÁI<br /> | |||
TAVA BHÁVÁDHÁRE ÁSHRITA<br /> | |||
MANO BHUMI KARE ÁLOKITA<br /> | |||
MANER GOPÁL MANETE RAYECHO<br /> | |||
MANO BHUMI KARE ÁLOKITA<br /> | |||
O The Gopa’l of the mind, You stay in the mind itself illuminating the mental arena. You<br /> | |||
are longed by the mental honeybee for the sweet touch and sweet joy. At Your feet are<br /> | |||
seven expressions; within Your mind is frenzied prakrti, the omni active entity. Within | |||
Your eyes is causeless love, pervading all over, the sky and the netherworld. I do not<br /> | |||
find a place where You are not present. Within Your arena beyond time, there is no death<br /> | |||
or time. All dance to Your rhythm restlessly, as the base of all thoughts.<br /> | |||
=== 3196 (19/10/1985) D (Krsna) === | |||
VRAJER GOPÁL HÁRIYE GECHE<br /> | |||
MAN VRAJABHÚME TÁRE KHUNJI<br /> | |||
ÁLOKE UCCHVALATÁ PHURIYE GECHE<br /> | |||
BHÁVER DIIPAKE TÁRE KHUNJI<br /> | |||
MAN VRAJABHÚME TÁRE KHUNJI<br /> | |||
DIN ÁSE JÁY MORE NÁHI CÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIN ÁSE JÁY MORE NÁHI CÁY<br /> | |||
SABAI DEKHE JÁY KICHU NÁ JÁNÁY<br /> | |||
NIRUDDHA TITHI MUKTA ATITHI<br /> | |||
VIMUKTA HOTE TÁRE JÁCI<br /> | |||
MAN VRAJABHÚME TÁRE KHUNJI<br /> | |||
AJÁNÁ PATHIK AJÁNÁI THÁKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AJÁNÁ PATHIK AJÁNÁI THÁKE<br /> | |||
NIKAT́E ELEO CENÁ DÁY TÁKE<br /> | |||
SATTÁR MÁJHE BHÁVANÁR PHÁNKE<br /> | |||
UNKI DIYE JÁY EO BUJHI<br /> | |||
MAN VRAJABHÚME TÁRE KHUNJI<br /> | |||
VRAJER GOPÁL HÁRIYE GECHE<br /> | |||
MAN VRAJABHÚME TÁRE KHUNJI<br /> | |||
My Gopa’l of the arena of Vraja is lost, I am searching Him in the mental arena. The<br /> | |||
vibrancy of light is extinguished, in the lamp of feelings, I am searching Him. The days<br /> | |||
come and go but do not pay attention to me, they see all without announcing. With halted<br /> | |||
date, and free guest, for liberation I seek Him. The unknown traveler remains unknown | |||
even after coming close; it is difficult to recognise Him. Within the existence, through<br /> | |||
the gaps of feelings, He goes on peeping, this much I understand.<br /> | |||
=== 3197 (29/10/1985) D === | |||
CIT NANDAN MANORAINJAN | |||
TOMÁRE CEYECHI KÁCHE<br /> | |||
ANTARERI ANTAH STHALE<br /> | |||
SAKAL VEDANÁ MÁJHE<br /> | |||
TOMÁRE CEYECHI KÁCHE<br /> | |||
ARUŃODAYE PRABHÁT KUSUME<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ARUŃODAYE PRABHÁT KUSUME<br /> | |||
SMITA PÁPAŔIR PRAKÁSHODGAME<br /> | |||
HÁSÁ BHÁLOBÁSÁ CÁOÁ PIPÁSÁ<br /> | |||
ÁMÁR SAKAL KÁJE<br /> | |||
TOMÁRE CEYECHI KÁCHE<br /> | |||
CÁINI TOMÁRE ÁMÁR KARITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁINI TOMÁRE ÁMÁR KARITE<br /> | |||
CEYECHI ÁMÁR SAB KICHU DITE<br /> | |||
BOLE GECHI SHUDHU ESO MOR VIDHU<br /> | |||
NITYA NÚTAN SÁJE<br /> | |||
TOMÁRE CEYECHI KÁCHE<br /> | |||
CIT NANDAN MANORAINJAN | |||
TOMÁRE CEYECHI KÁCHE<br /> | |||
O the blissful charming Entity, I want You close, in my inner arena of inside, within all<br /> | |||
agonies. During sunrise, in the morning flower, in the origin of light from the smiling<br /> | |||
petals, in smile, love, desires, thirst, in all my actions. I do not want You to make my<br /> | |||
own. I just want to give all belonging to me. I only go on saying, “O my Moon, come<br /> | |||
always with ever new adornment”.<br /> | |||
=== 3198 (30/10/1985) D === | |||
MADHUR TOMÁR PARASH LÁGI<br /> | |||
CEYE ÁCHI ÁSHÁ PATH PÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIDHUR ÁMI TANDRÁ TYÁGI<br /> | |||
KÁLA JE KÁT́ÁI PALA GUŃE<br /> | |||
CEYE ÁCHI ÁSHÁ PATH PÁNE<br /> | |||
JE HÁR GALÁY PARIYE GELE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE HÁR GALÁY PARIYE GELE<br /> | |||
JE PHÚL DHÚLÁY JHARIYE DILE<br /> | |||
JE BHÁLOBÁSÁY MAN BHARÁLE<br /> | |||
TÁO KI ÁBÁR NEVE T́ENE<br /> | |||
CEYE ÁCHI ÁSHÁ PATH PÁNE<br /> | |||
TOMÁR RIITI BUJHE UT́HÁ BHÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR RIITI BUJHE UT́HÁ BHÁR<br /> | |||
KŚAŃE KLESH BHÁR KŚAŃE MAŃIHÁR<br /> | |||
KABE KII KARIBE KE JÁNE<br /> | |||
CEYE ÁCHI ÁSHÁ PATH PÁNE<br /> | |||
MADHUR TOMÁR PARASH LÁGI<br /> | |||
CEYE ÁCHI ÁSHÁ PATH PÁNE<br /> | |||
O The sweet One, for Your touch, I am looking at path of Your arrival with Hope. I am<br /> | |||
bewildered, leaving drowsiness; I am passing time counting moments. The garland that You<br /> | |||
put on Your neck, the flowers that dropped down on the ground, the love that fulfilled the<br /> | |||
heart, all that would You pull again? It is hard to understand Your procedure. In one<br /> | |||
moment there is load of sorrows and in the other garland of gems. When will You do what<br /> | |||
nobody knows.<br /> | |||
=== 3199 (31/10/1985) D === | |||
JHAŔER RÁTE ÁNDHÁRETE<br /> | |||
KENDE CHILUM VAN? MÁJHE<br /> | |||
KAITE KATHÁ BUJHATE VYATHÁ<br /> | |||
KEU CHILO NÁ MOR KÁCHE<br /> | |||
KENDE CHILUM VAN MÁJHE<br /> | |||
KATA SHÁKHÁ BHEUNGE PAŔECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA SHÁKHÁ BHEUNGE PAŔECHE<br /> | |||
KACI KALI JHAŔE GECHE<br /> | |||
KUSUM PHALERÁ KHASECHE<br /> | |||
ÁRTA NÁDE GÁCHE GÁCHE<br /> | |||
KENDE CHILUM VAN MÁJHE<br /> | |||
ÁMÁR MANER MADHUVANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR MANER MADHUVANE<br /> | |||
JHAŔER SHEŚE LAGHU PAVANE<br /> | |||
KÁL RÁTRIR AVASÁNE<br /> | |||
ÁSABE KI MOHAN SÁJE<br /> | |||
KENDE CHILUM VAN MÁJHE<br /> | |||
JHAŔER RÁTE ÁNDHÁRETE<br /> | |||
KENDE CHILUM VAN MÁJHE<br /> | |||
On that stormy night in darkness, I was crying in the forest. Nobody was close there to<br /> | |||
talk and understand my suffering. Many branches were broken and tender buds were laid<br /> | |||
down. The flowers and fruits were detached from the trees crying with lamentation. In my<br /> | |||
mental garden, at the end of frightful night after the storm, mild breeze blew. Would You<br /> | |||
come with charming adornment?<br /> | |||
=== 3200 (31/10/1985) K+D === | |||
MANER GABHIRE CUPISÁRE<br /> | |||
KE GO ELE TUMI<br /> | |||
BOLE DÁO MORE BOLO MORE<br /> | |||
BHÁVER GAHANESMITÁNANE<br /> | |||
SAPTA LOKE CÚMI<br /> | |||
GÁN GEYE GELE KON SURE<br /> | |||
KII SE SURE<br /> | |||
BOLE DÁO MORE BOLO MORE<br /> | |||
ALAKÁR ÁLO BHÚLOKE NÁVÁLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKÁR ÁLO BHÚLOKE NÁVÁLE<br /> | |||
MADHU JYOTSNÁY MAN BHARE DILE<br /> | |||
AŃU PARAMÁŃU SABÁRE NÁCÁLE<br /> | |||
BHEDÁBHEDA TUCCHA KARE<br /> | |||
BOLE DÁO MORE BOLO MORE<br /> | |||
TUMI ÁCHO TÁI JAGAT RAYECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ÁCHO TÁI JAGAT RAYECHE<br /> | |||
KALA KÁKALITE BHUVAN BHARECHE<br /> | |||
PHÚLER HÁSITE MÁDHURII JHARECHE<br /> | |||
KÁLER KÁLIMÁ GECHE SARE<br /> | |||
BOLE DÁO MORE BOLO MORE<br /> | |||
MANER GABHIRE CUPISÁRE<br /> | |||
KE GO ELE TUMI<br /> | |||
BOLE DÁO MORE BOLO MORE<br /> | |||
O Lord, in the depth of mind, secretly, who is that You who came. Tell me. In the depth of<br /> | |||
the mind, with smiling face, touching all the seven arenas, You went on singing song, in | |||
what melody? You brought down the heavenly brilliance on the ground and fulfilled mind<br /> | |||
with sweet moonlight. You made all atoms and molecules dance, ignoring distinction of any<br /> | |||
kind. You are there that is why the world exists and the universe is filled with time and<br /> | |||
beyond. Due to that only sweetness emanates from the smile of the flowers and the<br /> | |||
importance of time gets removed.<br /> | |||
=== 3201 (01/11/1985) K === | |||
TOMÁRE CEYECHI ÁMI EKÁNTE VIJANE<br /> | |||
PHÚLERI PARIMALE KEKÁ KÚJANE<br /> | |||
CEYECHI DINE RÁTE CEYE CHINU SANDHYÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CEYECHI DINE RÁTE CEYE CHINU SANDHYÁY<br /> | |||
MARAKATA DYUTITE VYATHÁ BHARÁ HIYÁY<br /> | |||
CÁINI BÁŔHÁTE DUHKHA CEYECHI DITE SUKH<br /> | |||
LUKANO MAINJÚŚÁTE MANERI KOŃE<br /> | |||
TOMÁRE CEYECHI ÁMI EKÁNTE VIJANE<br /> | |||
TUMI MOR JATA SUKH TUMII ÁNANDA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI MOR JATA SUKH TUMII ÁNANDA<br /> | |||
CITTA KORAKA MÁJHE SUDHÁ NIŚYANDA<br /> | |||
SABAI PATHE PAŔE RAY TUMI BHARÁ HRDAY<br /> | |||
SABERI VINIMAYE MARME MANANE<br /> | |||
TOMÁRE CEYECHI ÁMI EKÁNTE VIJANE<br /> | |||
O Lord, I love You in seclusion and isolation in nectar of flowers, in peacock’s calls.<br /> | |||
I have loved You in day, in nights, and during evenings, in brilliance of gems with heart<br /> | |||
full of sorrows. I do not want to increase my sorrows rather wanted to provide happiness<br /> | |||
in the hidden casket within the recess of mind. You are my total happiness and bliss;<br /> | |||
essence of nectar within the nucleus of the mind. All remain lying on the path, while You<br /> | |||
are full of compassionate heart. In exchange of everything I love You from the core of the<br /> | |||
heart.<br /> | |||
=== 3202 (02/11/1985) K === | |||
GHOR TIMIR GHAN NIVIŔA NISHIITHE<br /> | |||
TUMI ESE CHILE PRIYA KHULE MOR DVÁR<br /> | |||
BADDHA GHARE CHINU RUDDHA VÁTÁYANE<br /> | |||
PADA DHVANI TÁI ÁMI SHUNINI TOMÁR<br /> | |||
TUMI ESE CHILE PRIYA KHULE MOR DVÁR<br /> | |||
ÁKÁSHE MEGHER GHAT́Á HRDAYE ÁLOR CHAT́Á<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁKÁSHE MEGHER GHAT́Á HRDAYE ÁLOR CHAT́Á<br /> | |||
BÁHIRE BHAERAVA NÁCICHE CHAŔÁYE JAT́Á<br /> | |||
EI PARIVESHE TUMI MOR KÁCHE ELE NÁMI<br /> | |||
NIMEŚE SARIYE DILE JATA KLESH BHÁR<br /> | |||
TUMI ESE CHILE PRIYA KHULE MOR DVÁR<br /> | |||
CIDÁKÁSHE MOR JATA KÁLO MEGH JAME CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CIDÁKÁSHE MOR JATA KÁLO MEGH JAME CHILO<br /> | |||
KAOMUDI KIRAŃE KOTHÁY HÁRIYE GELO<br /> | |||
DÚRE GELO UPÁHÁSA JATA DIIRGHASHVÁSA<br /> | |||
AŃU PELO ÁSHVÁSA TAVA KARUŃÁR<br /> | |||
TUMI ESE CHILE PRIYA KHULE MOR DVÁR<br /> | |||
GHOR TIMIR GHAN NIVIŔA NISHIITHE<br /> | |||
TUMI ESE CHILE PRIYA KHULE MOR DVÁR<br /> | |||
O Dear Lord, in the intensely dark night, in seclusion, You entered opening my doors. I<br /> | |||
was in closed doors with shut windows, thus I could not hear Your footsteps. In the sky<br /> | |||
there were dense clouds and within heart luster of light. Outside the god of death was<br /> | |||
dancing with spread tuft of hair. Under such an environment, You came down close to me and<br /> | |||
within moment removed all burden of my pains. All the dark clouds that were accumulated<br /> | |||
within the firmament of my mind vanished with the moonlight. All taunts and sighs went<br /> | |||
away and the microcosm got the consolation of Your mercy.<br /> | |||
=== 3203 (04/11/1985) K === | |||
YUGE YUGE ÁMI CÁHIYÁ GECHI<br /> | |||
RÁKHITE TOMÁY MANERI MÁJHE<br /> | |||
MOR MANERI MÁJHE<br /> | |||
BHÁVER GHORE MOR ÁNKHIR PARE<br /> | |||
DEKHITE TOMÁY MOHAN SÁJE<br /> | |||
RÁKHITE TOMÁY MANERI MÁJHE<br /> | |||
MOR MANERI MÁJHE<br /> | |||
SHUBHRÁNSHU GIRI TUMI PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHUBHRÁNSHU GIRI TUMI PRIYA<br /> | |||
NANDITA VANDITA VARAŃIIYA<br /> | |||
ÁMÁRE MANER MATO KARE NIO<br /> | |||
MOR, SAKAL KÁJE<br /> | |||
RÁKHITE TOMÁY MANERI MÁJHE<br /> | |||
MOR MANERI MÁJHE<br /> | |||
SHARAŃÁGATA ÁMI KRPÁ PRÁRTHII<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHARAŃÁGATA ÁMI KRPÁ PRÁRTHII<br /> | |||
KARUŃÁ NIDHI TUMI CIRA SHUBHÁRTHII<br /> | |||
SARÁO MANER JATA JAD́A ÁSAKTI<br /> | |||
SATTÁ JENO TAVA NÚPUR BÁJE<br /> | |||
RÁKHITE TOMÁY MANERI MÁJHE<br /> | |||
MOR MANERI MÁJHE<br /> | |||
YUGE YUGE ÁMI CÁHIYÁ GECHI<br /> | |||
RÁKHITE TOMÁY MANERI MÁJHE<br /> | |||
MOR MANERI MÁJHE<br /> | |||
O Lord, for ages I have desired to keep You in my mind, intensely ideating on You within | |||
my eyes and seeing You in charming adornment. O Dear, the brilliantly shining mountain | |||
adorable, respected and pleasing entity, put me in all my actions according to the will. I<br /> | |||
am at Your shelter, praying for Your grace, as You are source of mercy, ever willing of<br /> | |||
benevolence. Remove from my mind, all materialistic attachments, so that Your existence<br /> | |||
plays in Your anklebell.<br /> | |||
=== 3204 (05/11/1985) K === | |||
KÁLO JALADHIR BELÁTE BASE<br /> | |||
PAL GUŃE JÁI PRABHU<br /> | |||
TOMÁRE SMARE SHUDHU TOMÁRE SMARE<br /> | |||
BELÁ ABELÁ AKÁLE MESHE<br /> | |||
MADHU BHARI BÚKE TABÚ<br /> | |||
TOMÁRI TARE SHUDHU TOMÁRI TARE<br /> | |||
TOMÁRE SMARE SHUDHU TOMÁRE SMARE<br /> | |||
PRÁŃER PARÁG DÚRE UŔE JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRÁŃER PARÁG DÚRE UŔE JÁY<br /> | |||
KON AJÁNÁY NABHONIILIMÁY<br /> | |||
BÁDHÁ NÁHI JÁNE KLÁNTI NÁ MÁNE<br /> | |||
UTKRAMI DUSTARE<br /> | |||
TOMÁRE SMARE SHUDHU TOMÁRE SMARE<br /> | |||
KENO PÁT́HIYECHO KABE EI BHAVE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KENO PÁT́HIYECHO KABE EI BHAVE<br /> | |||
KICHU NÁHI JÁNI KISER ÁSAVE<br /> | |||
MORE BOLE DÁO KI BÁ TUMI CÁO<br /> | |||
KÁŃE KÁŃE DHIIRE DHIIRE<br /> | |||
TOMÁRE SMARE SHUDHU TOMÁRE SMARE<br /> | |||
KÁLO JALADHIR BELÁTE BASE<br /> | |||
PAL GUŃE JÁI PRABHU<br /> | |||
TOMÁRE SMARE SHUDHU TOMÁRE SMARE<br /> | |||
O Lord, sitting along the shore of the dark ocean, remembering only You, engrossing from<br /> | |||
time to time, and beyond time, still filling the heart with honey. The fragrance of my<br /> | |||
élanvital blows out far into the blue sky towards some unknown destination, without<br /> | |||
considering any obstruction, without accepting any tiredness and crossing the<br /> | |||
difficulties. Why have You sent me to this world and when, I do not know with what spirit?<br /> | |||
Tell me whispering into my ears slowly what do You want.<br /> | |||
=== 3205 (06/11/1985) D === | |||
ÁSÁ ÁR JÁOÁ CÁOÁ ÁR PÁOÁ<br /> | |||
EDER NIYEI KÁNDÁ HÁSÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHUDHU BHÚLE THÁKÁ SMARAŃE RÁKHÁ<br /> | |||
MAŃIR UDBHÁSE BHÁLOBÁSÁ<br /> | |||
EDER NIYEI KÁNDÁ HÁSÁ<br /> | |||
RAVIR KETANE JE KIRAŃ ÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RAVIR KETANE JE KIRAŃ ÁSE<br /> | |||
SANDHYÁ MALAYE JE PRIITI BHÁSE<br /> | |||
CÁNDER ÁLOY JE MÁDHURII HÁSE<br /> | |||
TÁRÁI MANANE ÁNE ÁSHÁ<br /> | |||
EDER NIYEI KÁNDÁ HÁSÁ<br /> | |||
TUMI BRIHAT KŚUDRA ÁMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI BRIHAT KŚUDRA ÁMI<br /> | |||
TAVA PATH DHARE TOMÁKEI NAMI<br /> | |||
CALIÁCHI ÁMI KABHU NÁHI THÁMI<br /> | |||
MIT́ÁTE MANER MARU TRIŚÁ<br /> | |||
EDER NIYEI KÁNDÁ HÁSÁ<br /> | |||
ÁSÁ ÁR JÁOÁ CÁOÁ ÁR PÁOÁ<br /> | |||
EDER NIYEI KÁNDÁ HÁSÁ<br /> | |||
Coming and going, desiring and obtaining, taking these is all cries and smiles. Sometimes<br /> | |||
forgetting or keeping in memory and loving the shine of the gem. The rays present on the<br /> | |||
banner of the sun, the love appearing with the evening sandal breeze, the sweetness<br /> | |||
smiling in the moonlight, they bring hope in the mind. You are Great and I am meagre.<br /> | |||
Holding on Your path, I salute You. I go on moving never pausing, to quench the desert<br /> | |||
thirst of my mind.<br /> | |||
=== 3206 (07/11/1985) D === | |||
TOMÁY ÁMI BUJHI PRIYA<br /> | |||
AKHAŃD́A JIIVANE<br /> | |||
ÁLOR UTTARAŃE<br /> | |||
ÁKÁSHA CHONYÁ PÁTÁL DHOYÁ<br /> | |||
MANERI RAŃANE<br /> | |||
ÁLOR UTTARAŃE<br /> | |||
BHÁVATE NÁHI PÁRI JÁHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVATE NÁHI PÁRI JÁHÁ<br /> | |||
TOMÁTE NIHITA TÁHÁ<br /> | |||
SAKAL CÁOÁ NÁHI CÁOÁR<br /> | |||
UDDVEL ÁSTARAŃE<br /> | |||
NIDIDHYÁSAN KIIRTI SHRAVAŃ<br /> | |||
DIIPTIR AŃUDHYÁNE<br /> | |||
ÁLOR UTTARAŃE<br /> | |||
ÁCHO ÁMÁR KÁCHE KÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁCHO ÁMÁR KÁCHE KÁCHE<br /> | |||
RANDHRE RANDHRE MANER MÁJHE<br /> | |||
SAB BHÁVANÁR SAKAL KÁJE<br /> | |||
EKÁNTE SMARAŃE<br /> | |||
SHÁNTA NIIŔE SNIGDHA NIIRE<br /> | |||
ASHÁNTA PAVANE<br /> | |||
ÁLOR UTTARAŃE<br /> | |||
TOMÁY ÁMI BUJHI PRIYA<br /> | |||
AKHAŃD́A JIIVANE<br /> | |||
ÁLOR UTTARAŃE<br /> | |||
O Lord, I have understood You in my life with the descend of effulgence, touching the sky<br /> | |||
and the netherworld, with the resonance in the mind. Whatever I could not imagine, that is<br /> | |||
located within You, under restless cover of the whole desired and undesired objects and<br /> | |||
within listening to the glory and meditation on the effulgence. You are with me close by<br /> | |||
within each pores of the mind. You are close by in all thoughts and entire actions, in | |||
memories during isolation, within calm nest, quiet water and restless wind.<br /> | |||
=== 3207 (08/11/1985) K === | |||
TOMÁY ÁMI NÁHI JÁNI<br /> | |||
TABU TOMÁY BHÁLOBÁSI<br /> | |||
TOMÁR NÁME TOMÁR GÁNE<br /> | |||
CHANDA SURE ÁMI BHÁSI<br /> | |||
TABU TOMÁY BHÁLOBÁSI<br /> | |||
ANÁDI ASHEŚA TOMÁR LIILÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁDI ASHEŚA TOMÁR LIILÁ<br /> | |||
SABÁR MARMA CHUNYE TOMÁR CALÁ<br /> | |||
ÁNDHÁR PATHE JHAŔER RÁTE<br /> | |||
BHAROSÁ DÁO BHAYA NÁSHI<br /> | |||
TABU TOMÁY BHÁLOBÁSI<br /> | |||
TUMI BINÁ BÁNCATE NÁ PÁRI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI BINÁ BÁNCATE NÁ PÁRI<br /> | |||
TOMÁR VIIŃÁR DHVANITE PRÁŃA BHARI<br /> | |||
MANER MÁJHE MOHAN SÁJE<br /> | |||
NECE CALO DIVÁ NISHI<br /> | |||
TABU TOMÁY BHÁLOBÁSI<br /> | |||
TOMÁY ÁMI NÁHI JÁNI<br /> | |||
TABU TOMÁY BHÁLOBÁSI<br /> | |||
I do not know You<br /> | |||
and yet, I love You.<br /> | |||
In Your name and song<br /> | |||
I float ahead in rhythm and melody.<br /> | |||
Your divine play (liila)<br /> | |||
is beginning less and endless.<br /> | |||
Your movement touches the core of every heart.<br /> | |||
On dark paths during stormy nights<br /> | |||
You provide confidence, O dispeller of fear!<br /> | |||
I cannot survive without You.<br /> | |||
I fill my heart with the sound of Your viin’a’.<br /> | |||
In my mind<br /> | |||
You keep on dancing day and night<br /> | |||
with charming adornments.<br /> | |||
=== 3208 (09/12/1985) K === | |||
YADIO NÁHI ELE KATHÁ NÁHI RÁKHILE<br /> | |||
TABUO BHÁLOBÁSI<br /> | |||
SUKHE KÁCHE PÁINI KABHU<br /> | |||
DUHKHE DÚRE THÁKONI PRABHU<br /> | |||
DIYECHO MADHUR ÁSHVÁS<br /> | |||
DIYECHO MRIDU HÁSI<br /> | |||
TABUO BHÁLOBÁSI<br /> | |||
BOLILE TUMI SABÁKÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BOLILE TUMI SABÁKÁR<br /> | |||
EKÁ NAY KEU E DHARÁR<br /> | |||
KAKHANO BHÚLE NÁHI JÁO<br /> | |||
PRIITI GIITI KÁŃE SHOŃÁO<br /> | |||
MARMER MÁJHÁRE BASI<br /> | |||
TABUO BHÁLOBÁSI<br /> | |||
MANERAI MÁDHAVII VANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANERAI MÁDHAVII VANE<br /> | |||
RAYECHO SAḾGOPANE<br /> | |||
ÁNKHITE DILE NÁ DHARÁ<br /> | |||
HOYECHO ÁNKHIR TÁRÁ<br /> | |||
CIDÁKÁSHE UDBHÁSI<br /> | |||
TABUO BHÁLOBÁSI<br /> | |||
O Lord, even if You do not come, not keeping Your words, still I shall love You. I never<br /> | |||
find You close in my happy days, but do not stay far during sorrows. You have given me<br /> | |||
sweet assurance, and soft smile. You had told me that You belong to all; nobody on this<br /> | |||
earth is alone. You never forget and whisper the loving song in the ears, sitting in the<br /> | |||
core of the heart. In my mental garden of ma’dhavii flowers, You dwell secretly. By not<br /> | |||
coming externally into the folds of the eyes, You stay as pupil of the eyes, shining in | |||
the firmament of the mind.<br /> | |||
=== 3209 (06/11/1985) K === | |||
TUMI JE ÁMÁR PRÁŃERI PRIYATAMA<br /> | |||
VYATHÁ VEDANÁY BHÁVE BHÁVANÁY<br /> | |||
MANER MAINJÚŚÁY MARAKATA MAŃI SAMA<br /> | |||
TUMI JE ÁMÁR PRÁŃERI PRIYATAMA<br /> | |||
GOLÁPETE TUMI KÁNT́ÁY TOMÁY PÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GOLÁPETE TUMI KÁNT́ÁY TOMÁY PÁI<br /> | |||
GULA BÁGE TUMI NITYA DEKHIYÁ JÁI<br /> | |||
KORAKERI MÁJHE MADHUR MOHAN SÁJE<br /> | |||
SHVÁSE PRASHVÁSE GANDHA VAHA SAMA<br /> | |||
TUMI JE ÁMÁR PRÁŃERI PRIYATAMA<br /> | |||
TUMI BINÁ PRIYA ÁMÁR KICHUI NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI BINÁ PRIYA ÁMÁR KICHUI NÁI<br /> | |||
TOMÁRI CETANÁY TOMÁY KHUNJE PÁI<br /> | |||
ALOKE PULAKE PRATIT́I PALAKE<br /> | |||
SAKAL DHÁRAŃÁY TUMII ANUPAMA<br /> | |||
TUMI JE ÁMÁR PRÁŃERI PRIYATAMA<br /> | |||
O Lord, You are Dear most in my life, within the pains of agonies and feelings of the<br /> | |||
thoughts, in the casket of the mind like the shining of the gem. I find You as the thorn | |||
in the roses and I always go on seeing You in the garden. You are the sweetness in the<br /> | |||
nucleus as the fragrance carrying breathes as charming adornment. I have nothing without<br /> | |||
You O Dear, by Your consciousness; I am able to search You. You are without example within | |||
all holding of the mind each moment as blissfulness of light.<br /> | |||
=== 3210 (10/11/1985) K === | |||
ÁSHÁR ÁKÁSHE TUMI ÁSO<br /> | |||
KENO NEVE ÁSO NÁ<br /> | |||
MALAY VÁTÁSE TUMI BHÁSO<br /> | |||
KENO KATHÁ BOLO NÁ<br /> | |||
KENO NEVE ÁSO NÁ<br /> | |||
JIIVANER JOÁRE TUMI UTTÁLA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVANER JOÁRE TUMI UTTÁLA<br /> | |||
TOMÁR KÁCHE NEI KONO KÁLÁKÁLA<br /> | |||
TAVA BHÁVANÁY CHINŔE JÁY MOHA JÁLA<br /> | |||
TUMI SHREYA SÁDHANÁ<br /> | |||
KENO NEVE ÁSO NÁ<br /> | |||
PRIITIR YAMUNÁ TOMÁ PÁNE DHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRIITIR YAMUNÁ TOMÁ PÁNE DHÁY<br /> | |||
GOKULER KÚLA UPACIÁ SHIHARÁY<br /> | |||
PREŚAŃÁY PRAJINÁY SHUBHA CETANÁY<br /> | |||
TUMI MÁNÁ MÁNO NÁ<br /> | |||
KENO NEVE ÁSO NÁ<br /> | |||
ÁSHÁR ÁKÁSHE TUMI ÁSO<br /> | |||
KENO NEVE ÁSO NÁ<br /> | |||
O Lord, You exist in the sky of hope, why do not You come down? You float in the sandal<br /> | |||
breeze, why do not You speak out? You are restless in the tide of life, there is nothing<br /> | |||
like any particular time for You, by Your ideation, the net of infatuation breaks away and<br /> | |||
You are the benevolent object of meditation. The river Yamuna’ of love, rush towards You<br /> | |||
and the banks in the land of Gokul, overflows with quiver. You do not get restricted with<br /> | |||
transmission, intuition and benevolent consciousness.<br /> | |||
=== 3211 (11/11/1985) K === | |||
JHAINJHÁ VÁTESHRÁVAŃA RÁTE<br /> | |||
ESE CHILO NIBHRITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KAY NI KATHÁ CHILO NIIRAVATÁ<br /> | |||
CEYE CHILO PRIITITE<br /> | |||
ESE CHILO NIBHRITE<br /> | |||
OŚT́ÁDHARE CHILO HÁSI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
OŚT́ÁDHARE CHILO HÁSI<br /> | |||
BÁDAL NISHÁR ÁNDHÁR NÁSHI<br /> | |||
BOLALE JENO BHÁLOBÁSI<br /> | |||
TÁI ESECHI KÁLA RÁTE<br /> | |||
ESE CHILO NIBHRITE<br /> | |||
SAGHAN KÁLO MEGHER MÁJHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAGHAN KÁLO MEGHER MÁJHE<br /> | |||
ANUKTA SE DHVANI JE BÁJE<br /> | |||
TAMASÁY JYOTI DHÁRÁ SE JE<br /> | |||
BHÁSÁLO ÁMÁY TÁR SHROTE<br /> | |||
ESE CHILO NIBHRITE<br /> | |||
JHAINJHÁ VÁTESHRÁVAŃA RÁTE<br /> | |||
ESE CHILO NIBHRITE<br /> | |||
O Lord, with stormy wind in the rainy night, You had come in isolation. You did not speak<br /> | |||
out and a loving silence was spread all over. On Your lips was smile destroying the<br /> | |||
darkness of the cloudy night. You told that You loved and that is why You came in this<br /> | |||
cimmerian night. Within the dense dark clouds, The unpronounced sound was resonating that<br /> | |||
made me float in that stream of the flow of effulgence in the darkness.<br /> | |||
=== 3212 (13/11/1985) K === | |||
SVAPANE PEYECHI BHEVE DEKHECHI<br /> | |||
MANER MAINJÚŚÁY<br /> | |||
TUMI COKHER MAŃI, TUMI COKHER MAŃI<br /> | |||
MANANE BÚJHECHI KAŃE SHUŃECHI<br /> | |||
KÁLER BÁLUKÁ BELÁY<br /> | |||
TÁI ASHEŚA JÁNI<br /> | |||
TUMI COKHER MAŃI, TUMI COKHER MAŃI<br /> | |||
NABHO NIILIMÁY TOMÁR MAHIMÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NABHO NIILIMÁY TOMÁR MAHIMÁ<br /> | |||
TÁRÁY TÁRÁY TOMÁR SUŚAMÁ<br /> | |||
BHÁŚÁY TOMÁRE DITE NÁRE SIIMÁ<br /> | |||
TÁI MARMAE T́ÁNI<br /> | |||
TUMI COKHER MAŃI, TUMI COKHER MAŃI<br /> | |||
NIIRAVE NIBHRITE PHÚLER PARÁGE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIIRAVE NIBHRITE PHÚLER PARÁGE<br /> | |||
RAYE GECHO TUMI RÁGE ANURÁGE<br /> | |||
ATANDRA PRIITI DIVÁ RÁTI JÁGE<br /> | |||
BHÁSE BHÁVE ÁPANI<br /> | |||
TUMI COKHER MAŃI, TUMI COKHER MAŃI<br /> | |||
O Lord, I attained You in dream and saw You in the thoughts within the casket of my mind.<br /> | |||
You are the pupil of my eyes. I understood You in the mind and heard in ears, thus at the<br /> | |||
shore of time, knew You to be endless. Your glory is in the blue sky; Your beauty is in | |||
each star. The language cannot provide any limitation hence I pull You in the core of my<br /> | |||
heart. You have remained silently hidden in the fragrance of the flowers as colourful<br /> | |||
love. Day and night, Your love rouses floating through Your ideation.<br /> | |||
=== 3213 (14/11/1985) K === | |||
MANER MÁJHÁRE TUMI KE<br /> | |||
NECE CHÚT́E JÁO<br /> | |||
MOHAN SÁJE ÁJI KE<br /> | |||
ÁMÁRE BHÚLÁO<br /> | |||
NECE CHÚT́E JÁO<br /> | |||
PATH CEYE BASE ÁCHI<br /> | |||
BHAYA LÁJA BHÚLE GECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATH CEYE BASE ÁCHI<br /> | |||
BHAYA LÁJA BHÚLE GECHI<br /> | |||
PULAKE PRITIT́I PALAKE<br /> | |||
DYOTANÁ JÁGÁO<br /> | |||
NECE CHÚT́E JÁO<br /> | |||
KÁLO DADHI SAEKATE<br /> | |||
JIIVANERI OTAH PROTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁLO DADHI SAEKATE<br /> | |||
JIIVANERI OTAH PROTE<br /> | |||
D́EKE D́EKE CETANÁ ÁNÁO<br /> | |||
NECE CHÚT́E JÁO<br /> | |||
MANER MÁJHÁRE TUMI KE<br /> | |||
NECE CHÚT́E JÁO<br /> | |||
Who is that You who rushes dancing within the mind, today, enchanting me with charming<br /> | |||
adornment? I am sitting looking on the path and have forgotten all shyness and fears.<br /> | |||
Awaken expression of significance, each moment with joy. On the sandy beach of the ocean | |||
of time, individually and collectively, in the life, with call after call bring<br /> | |||
consciousness.<br /> | |||
=== 3214 (15/11/1985) D === | |||
ÁJI PRABHÁTE CHANDE GIITE<br /> | |||
RÚPER SHROTE PELUM TOMÁY<br /> | |||
ÁJI PRABHÁTE CHANDE GIITE<br /> | |||
PÚRVÁCALE MANTRA BALE<br /> | |||
ÁLOR DHÁRÁ ÁNALE DHARÁY<br /> | |||
RÚPER SHROTE PELUM TOMÁY<br /> | |||
ÁJI PRABHÁTE CHANDE GIITE<br /> | |||
ÁNDHÁRER BHRIKUT́I GECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁNDHÁRER BHRIKUT́I GECHE<br /> | |||
AŃUR BÚKE PRÁŃA JEGECHE<br /> | |||
ÁTMA HÁRÁ CHANDE BHARÁ<br /> | |||
MANER MAYÚR NECE CHÚT́E JÁY<br /> | |||
RÚPER SHROTE PELUM TOMÁY<br /> | |||
ÁJI PRABHÁTE CHANDE GIITE<br /> | |||
VIBHIIŚIKÁ SARE GELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIBHIIŚIKÁ SARE GELO<br /> | |||
ABHIŚEKER LAGNA ELO<br /> | |||
RAKTIMÁBHÁY PUŚPA SHOBHÁY<br /> | |||
D́HELE DILE PRÁŃA CETANÁY<br /> | |||
RÚPER SHROTE PELUM TOMÁY<br /> | |||
ÁJI PRABHÁTE CHANDE GIITE<br /> | |||
O Lord, with rhythm and song today morning, I attained You at the stream of beauty. With<br /> | |||
the power of mantra You have brought on the earth the stream of effulgence. The raised<br /> | |||
eyebrow of darkness has gone, and within the molecule life has arisen. Losing itself, full<br /> | |||
of rhythm, the mental peacock goes rushing dancing. The threat has gone away, and the<br /> | |||
auspicious time of crowning has come. With the crimson glow and the decoration of flowers<br /> | |||
You have poured life and consciousness.<br /> | |||
=== 3215 (15/11/1985) D === | |||
TOMÁRE CEYECHI<br /> | |||
MANERI NIIPE MAŃI DIIPE<br /> | |||
TUMI ELE NÁ<br /> | |||
VARŚÁ KÁJAL RÁTE<br /> | |||
BHAYÁL BÁDAL VÁTE<br /> | |||
DHARÁ DILE NÁ<br /> | |||
TUMI ELE NÁ<br /> | |||
PRÁVRIT́A PRAKRTI KATANÁ LIILÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRÁVRIT́A PRAKRTI KATANÁ LIILÁY<br /> | |||
GHIRE CHILO MORE AYUTA MÁYÁY<br /> | |||
SARVOTTARA TAVA MAHIMÁY<br /> | |||
D́HÁKÁR CHILO KI CHALANÁ<br /> | |||
TUMI ELE NÁ<br /> | |||
MANDÁKRÁNTÁ TÁLE CALE DHARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANDÁKRÁNTÁ TÁLE CALE DHARÁ<br /> | |||
PATH KLÁNTÁ VIVASHE VIDHURÁ<br /> | |||
TOMÁRAI ÁSHE TÁI GHURE SÁRÁ<br /> | |||
ÁNKHI MELE KENO DEKHAO NÁ<br /> | |||
TUMI ELE NÁ<br /> | |||
TOMÁRE CEYECHI<br /> | |||
MANERI NIIPE MAŃI DIIPE<br /> | |||
TUMI ELE NÁ<br /> | |||
O Lord, I wanted You in the mental garden of niip with lamp of gem, but You did not come.<br /> | |||
I wanted You in the dark rainy night, with frightening clouds and winds, but You did not<br /> | |||
come into the fold. The over flooding rainy nature with many illusionary game, surrounded<br /> | |||
me with innumerable delusions. They had covered Your highest glory, what is this<br /> | |||
enchantment? The earth moves with a special manda’kranta’ rhythm, she is tired of<br /> | |||
movement, compelled and afflicted. She makes all the revolutions hoping for You, why do<br /> | |||
not You look at her opening the eyes?<br /> | |||
=== 3216 (16/11/1985) K === | |||
KAKHAN SAHASÁ TUMI ELE<br /> | |||
MANE DOLÁ DIYE GELE<br /> | |||
MUKHER PÁNE SHUDHU CÁHILE<br /> | |||
KONO KATHÁ NÁHI KAHILE<br /> | |||
MANE DOLÁ DIYE GELE<br /> | |||
JIIVANER SPANDAN TUMI DHARAŃIIR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVANER SPANDAN TUMI DHARAŃIIR<br /> | |||
MANANER SPANDAN SAPTA BHÚMIR<br /> | |||
UCCHVAL URMI MÁLÁ JALADHIR<br /> | |||
PRIITI DHÁRÁ D́HELE DILE<br /> | |||
MANE DOLÁ DIYE GELE<br /> | |||
SHARAŃÁGATA ÁMI TAVA KARUŃÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHARAŃÁGATA ÁMI TAVA KARUŃÁR<br /> | |||
SASIIMER BUDBUD ASIIM BHÚMÁR<br /> | |||
ACENÁ AJÁNÁ MÁJHE CALÁ JE ÁMÁR<br /> | |||
THEKO MOR MARMA MÚLE<br /> | |||
MANE DOLÁ DIYE GELE<br /> | |||
KAKHAN SAHASÁ TUMI ELE<br /> | |||
MANE DOLÁ DIYE GELE<br /> | |||
O Lord, when did You come suddenly and went oscillating the mind? You only looked towards<br /> | |||
the face and did not speak anything. You are the vibration of life of this earth and<br /> | |||
mental vibration of the seven arenas. You are the restless series of waves, pouring flow<br /> | |||
of love. I am at the shelter of Your mercy, a limited bubble in the unlimited Cosmos. My<br /> | |||
movement is within unknown and unrecognised, You dwell at the root of my core.<br /> | |||
=== 3217 (17/11/1985) K === | |||
PATH CEYE ÁCHI<br /> | |||
MÁLÁ GENTHE REKHECHI<br /> | |||
TUMI ELE NÁ<br /> | |||
DIN CALE GECHE<br /> | |||
RÁTAO SHEŚA HOYECHE<br /> | |||
MANER VYATHÁ KI BOJHO NÁ<br /> | |||
TUMI ELE NÁ<br /> | |||
JHARÁ SHEFÁLI RÁSHI HIME GECHE BHÁSI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JHARÁ SHEFÁLI RÁSHI HIME GECHE BHÁSI<br /> | |||
HÁRIYE GECHE KUSHA KÁSHERO HÁSI<br /> | |||
MALAY SAMIIR ÁR NIKAT́E ÁSI<br /> | |||
KATHÁ BOLE NÁ<br /> | |||
TUMI ELE NÁ<br /> | |||
HIMÁNI PUNJE D́HÁKÁ PAŔECHE DHARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HIMÁNI PUNJE D́HÁKÁ PAŔECHE DHARÁ<br /> | |||
RIKTA SHOBHÁ ÁJ SARVA HÁRÁ<br /> | |||
NAEHSHABDE LIIN KUHU KEKÁRÁ<br /> | |||
DHVANI TOLE NÁ<br /> | |||
TUMI ELE NÁ<br /> | |||
O Lord, I have been waiting on the path, kept the garland threaded, but You did not come.<br /> | |||
The day passed, the night ended, do not You understand the agony of my mind? The<br /> | |||
accumulated dropped shefa’lii flowers floated away with the snow. The smile of tall<br /> | |||
grasses is lost. But the sandal breeze coming closer did not speak out. The earth is<br /> | |||
covered with the much of snow, losing all its beauty today. The peacock is engrossed in | |||
silence and does not raise the sound.<br /> | |||
=== 3218 (18/11/1985) K === | |||
BHÁLOBÁSO KI NÁ JÁNI NÁ<br /> | |||
JÁNI SHUDHU SAUNGE THÁKO<br /> | |||
VYATHÁ BOJHO KI NÁ BUJHI NÁ<br /> | |||
JÁNI MORE MARME D́ÁKO<br /> | |||
JÁNI SHUDHU SAUNGE THÁKO<br /> | |||
JABE GHANA GHOR ÁNDHÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JABE GHANA GHOR ÁNDHÁRE<br /> | |||
DEKHITE NÁ PÁI NIJERE<br /> | |||
DEKHI MANERI MÁJHÁRE<br /> | |||
ÁLO CHÁŔÁ THÁKO NÁKO<br /> | |||
JÁNI SHUDHU SAUNGE THÁKO<br /> | |||
BÁHIRE TOMÁRE KHUNJI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁHIRE TOMÁRE KHUNJI<br /> | |||
BÁHIREI SATATA PÚJI<br /> | |||
CEYE DEKHI ÁNKHI BUJI<br /> | |||
AŃU PARAMÁŃUTE JÁGO<br /> | |||
JÁNI SHUDHU SANGE THÁKO<br /> | |||
BHÁLOBÁSO KI NÁ JÁNI NÁ<br /> | |||
JÁNI SHUDHU SAUNGE THÁKO<br /> | |||
I do not know if You love me or not.<br /> | |||
I only know that You forever accompany me.<br /> | |||
I do not know whether or not You understand my pain | |||
but I know You call me from within the core of my heart.<br /> | |||
When in cimmerian darkness<br /> | |||
I am unable to see myself<br /> | |||
I see that in my heart nothing but effulgence pervades.<br /> | |||
I search You in the external world<br /> | |||
and continuously worship You outside.<br /> | |||
But when I close my eyes and look within | |||
I find You living in each atom and molecule.<br /> | |||
=== 3219 (19/11/1985) === | |||
NAYANE KENO KE JÁNE ÁJI<br /> | |||
NEVECHE SHRÁVAŃERI JAL<br /> | |||
ÁMÁKE DÚRE THEKE KE<br /> | |||
KÁNDÁCCHE, VYATHÁTE AVIRAL<br /> | |||
NEVECHE SHRÁVAŃERI JAL<br /> | |||
KE GO TUMI KAT́HIN HIYÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KE GO TUMI KAT́HIN HIYÁ<br /> | |||
BUJHATE NÁHI CÁO BUJHIYÁ<br /> | |||
ÁNKHIR DHÁRE SHATA DHÁRE TÁI KI<br /> | |||
NÁVÁO BÁDALERI D́HAL<br /> | |||
NEVECHE SHRÁVAŃERI JAL<br /> | |||
TOMÁKE AYUTA NAMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁKE AYUTA NAMI<br /> | |||
BUDDHIR AGAMYA JE TUMI<br /> | |||
KABHU HÁSI KAKHANO KÁNDI<br /> | |||
TOMÁR LIILÁ RASE UCCHAL<br /> | |||
NEVECHE SHRÁVAŃERI JAL<br /> | |||
NAYANE KENO KE JÁNE ÁJI<br /> | |||
NEVECHE SHRÁVAŃERI JAL<br /> | |||
Today, in the eyes, who knows why tears are overflowing? Who is making me cry with<br /> | |||
continuous pain by keeping me away? Who is that You with hard heart, who knowing do not<br /> | |||
want to understand that? How is it that You with hundreds of flow bring rain? I salute You<br /> | |||
countless times as You are unknowable with intellect, restless with Your divine game<br /> | |||
liila, I sometimes smile and sometimes cry.<br /> | |||
=== 3220 (20/11/1985) D === | |||
TUMI, MADHU PRABHÁTE ESECHO<br /> | |||
KISHALAY SÁTHE MUKULE PHÚLETE<br /> | |||
BHUVAN BHARIÁ HESECHO, ESECHO<br /> | |||
BÁHIR BHIITAR EK KARE DILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁHIR BHIITAR EK KARE DILE<br /> | |||
KANAK KIRAŃE ÁNDHÁR SARÁLE<br /> | |||
MANUR MANANE AŃUR NAYANE<br /> | |||
PRIITI BANDHANE BENDHECHO, ESECHO<br /> | |||
KICHUI TAVA NÁI PARISIIMÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KICHUI TAVA NÁI PARISIIMÁ<br /> | |||
TRILOK VYÁPTA TOMÁR MAHIMÁ<br /> | |||
AŃU PARAMÁŃUTE ENKE DRÁGHIMÁ<br /> | |||
APÚRVA SÁJE SEJECHO, ESECHO<br /> | |||
TUMI, MADHU PRABHÁTE ESECHO<br /> | |||
O Lord, You came in the sweet morning along with new tender leaves, buds and flowers. You<br /> | |||
smiled filling the whole world. You made the inside and outside one and with golden rays<br /> | |||
removed the darkness. You get bounded with the bondage of love by human mind through the<br /> | |||
aspiring look of the microcosm. You have no boundary and Your glory pervades the entire<br /> | |||
three strata of the world. By marking the longitudes on atoms and molecules, You remain | |||
adorned in unique decoration.<br /> | |||
=== 3221 (21/11/1985) D === | |||
TUMI, KÁR T́ÁNE ELE KENO ELE<br /> | |||
KON SE HÁRÁNO VIRAHI HIYÁR<br /> | |||
AŃUTE AŃUTE MISHE GELE<br /> | |||
KÁR T́ÁNE ELE KENO ELE<br /> | |||
KI BÁ TUMI CÁO PÁRI NÁ BUJHITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KI BÁ TUMI CÁO PÁRI NÁ BUJHITE<br /> | |||
KON RÁGE GÁO PÁRI NÁ DHARITE<br /> | |||
MARMER MÁJHE KENO JE LUKÁO<br /> | |||
ÁLO CHÁYÁY NECE CALE<br /> | |||
KÁR T́ÁNE ELE KENO ELE<br /> | |||
YUGA YUGA DHARE NÁNÁ NÁME GÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
YUGA YUGA DHARE NÁNÁ NÁME GÁNE<br /> | |||
ADHIIR E DHARÁ MANER VITÁNE<br /> | |||
D́ÁKE KI TOMÁY PRIITI SPANDANE<br /> | |||
PRÁŃA SARITÁR KÚLE KULE<br /> | |||
KÁR T́ÁNE ELE KENO ELE<br /> | |||
O Lord, by whose pull and why did You come? Which is that separationafflicted heart? You<br /> | |||
merged into each atom. I am unable to understand what You want. I am unable to hold the<br /> | |||
melody sung by You. Why have You hidden within the core of the heart, dancing through<br /> | |||
light and shade. From ages after ages through the chants of various names, the earth is<br /> | |||
impatient through the mental arbor, does it call You with the vibration of love along<br /> | |||
banks of the stream of life.<br /> | |||
=== 3222 (22/11/1985) D === | |||
CEYE DEKHO OGO PRABHU<br /> | |||
TAVA TARE CHÚT́E ESECHI<br /> | |||
ÁMI, DEKHINI TOMÁKE KABHU<br /> | |||
DÚRE THEKE BHÁLOBESECHI<br /> | |||
TAVA TARE CHÚT́E ESECHI<br /> | |||
MALAY SÁDHENI MORE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MALAY SÁDHENI MORE<br /> | |||
PRALAY RODHENI D́ARE<br /> | |||
MOHA BÁNDHENI PHÚL D́ORE<br /> | |||
BHÁLOBÁSÁR T́ÁNE METECHI<br /> | |||
TAVA TARE CHÚT́E ESECHI<br /> | |||
SHIRE KARE KARÁGHÁTA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHIRE KARE KARÁGHÁTA<br /> | |||
KET́E GECHE KATA RÁTA<br /> | |||
ESECHE RÁUNGÁ PRABHÁTA<br /> | |||
DVÁR KHULE PATHE NEVECHI<br /> | |||
TAVA TARE CHÚT́E ESECHI<br /> | |||
CEYE DEKHO OGO PRABHU<br /> | |||
TAVA TARE CHÚT́E ESECHI<br /> | |||
O Lord, see, for You I have come rushing. I have never seen You, but from a distance I<br /> | |||
love You. The sandal breeze did not charm me, the devastation did not obstruct me with<br /> | |||
fear, the infatuation did not bind me with flowerrope, I am only intoxicated with the pull<br /> | |||
of love. Hitting the head with hand several nights have passed. Today the colourful<br /> | |||
morning has come, opening the door, I have come on the path.<br /> | |||
=== 3223 (23/11/1985) K+D === | |||
TOMÁRI GUŃETE MUGDHA DHARÁ<br /> | |||
TUMI KARO SABE TRÁŃA<br /> | |||
TUMI SABÁR GATI, TUMI SABÁR GATI<br /> | |||
SABÁKÁR MAN PRÁŃA<br /> | |||
DÁO SABE SUMATI DÁO SABE SUMATI<br /> | |||
TUMI SABÁR GATI, TUMI SABÁR GATI<br /> | |||
JAKHAN CHILO NÁ E VISRIT́I<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JAKHAN CHILO NÁ E VISRIT́I<br /> | |||
MARAKATA SHYÁM PRÁŃIIN DRIŚT́I<br /> | |||
TAKHANO SABÁR SAMBHÁVANÁR<br /> | |||
CHILO AYUTA DYUTI CHILO AYUTA DYUTI<br /> | |||
TUMI SABÁR GATI, TUMI SABÁR GATI<br /> | |||
TAVA EŚAŃÁY SAB KICHU ELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TAVA EŚAŃÁY SAB KICHU ELO<br /> | |||
AJASHRA GUŃE VISHIŚT́A HOLO<br /> | |||
CIT CETANÁR AMIT MAMATÁR<br /> | |||
DOLÁ JÁGÁLO PRIITI DOLÁ JÁGÁLO PRIITI<br /> | |||
TUMI SABÁR GATI, TUMI SABÁR GATI<br /> | |||
TOMÁRI GUŃETE MUGDHA DHARÁ<br /> | |||
TUMI KARO SABE TRÁŃA<br /> | |||
TUMI SABÁR GATI, TUMI SABÁR GATI<br /> | |||
O Lord, by Your attributes, the world is enchanted, You protect all, You are the ultimate<br /> | |||
desideratum of all. By Your beauty and dance, everyone’s mind and heart is filled.<br /> | |||
Provide good sense to all. When the universe was not created, there was no lively green | |||
shine like emerald, then also the infinite brilliance of potentiality and possibility was<br /> | |||
there. By Your will, everything came and the creation was made with innumerable specific<br /> | |||
qualities. By providing consciousness and the mind, due to immeasurable affection, You<br /> | |||
awakened oscillations of love.<br /> | |||
=== 3224 (23/11/1985) D === | |||
JEONÁ, RÁKHO MOR KATHÁ<br /> | |||
ÁR EKAT́I PRAHAR THEKE JÁO<br /> | |||
THEKE JÁO PRIYA THEKE JÁO<br /> | |||
JE MÁLÁ GENTHECHI TÁHÁRI VÁRTÁ<br /> | |||
KÁN PETE SHUDHU SHUŃE NÁO<br /> | |||
THEKE JÁO PRIYA THEKE JÁO<br /> | |||
CARAŃ JAŔIYE PHÚL HÁR DIYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CARAŃ JAŔIYE PHÚL HÁR DIYE<br /> | |||
RÁKHITE CÁHI NÁ ÁMÁR NILAYE<br /> | |||
SHÁNTA CARAŃE JEO SVASTHÁNE<br /> | |||
KAHIBO NÁ EKAT́I KATHÁO<br /> | |||
THEKE JÁO PRIYA THEKE JÁO<br /> | |||
MANER MUKURE DHUYE ÁNKHI NIIRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER MUKURE DHUYE ÁNKHI NIIRE<br /> | |||
GÁNTHIÁCHI MÁLÁ TOMÁRI TARE<br /> | |||
E HÁR ÁMÁR VAHE PRIITI BHÁR<br /> | |||
VEDANÁ NÁI TÁTE KOTHÁO<br /> | |||
THEKE JÁO PRIYA THEKE JÁO<br /> | |||
JEONÁ, RÁKHO MOR KATHÁ<br /> | |||
ÁR EKAT́I PRAHAR THEKE JÁO<br /> | |||
THEKE JÁO PRIYA THEKE JÁO<br /> | |||
O Lord, do not go away, listen to and keep my words, and stop here just for sometimes, O<br /> | |||
Dear. The garland that I have threaded about that only listen attentively. By tying You<br /> | |||
feet with the floral garland, I do not want to keep You bound to my home. With silent<br /> | |||
feet, You go to Your abode; I shall not stop You by uttering a word. Washing the mental<br /> | |||
mirror with tears, I have threaded the garland for You. This garland of mine carries the<br /> | |||
load of love, and there is no fatigue or affliction at all in that.<br /> | |||
=== 3225 (24/11/1985) D === | |||
JAKHANI BHÁVI KICHU CINI BUJHI<br /> | |||
DEKHI ÁMI KICHU JÁNINÁ, ÁMI JÁNI NÁ<br /> | |||
JABE PATHE NÁVI PÁTHEYA KHUNJI<br /> | |||
KII KHUNJI BUJHITE PÁRI NÁ<br /> | |||
DEKHI ÁMI KICHU JÁNINÁ, ÁMI JÁNI NÁ<br /> | |||
KON SE ATIITE AJÁNÁR SROTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KON SE ATIITE AJÁNÁR SROTE<br /> | |||
BHÁSIÁ CALECHI DURE DÚR HOTE<br /> | |||
AJÁNÁR KHONJE GHURE DINE RÁTE<br /> | |||
KENO JE GHUMÁI BUJHINÁ<br /> | |||
DEKHI ÁMI KICHU JÁNINÁ, ÁMI JÁNI NÁ<br /> | |||
HE KARUŃÁMAYA E KII LIILÁ TAVA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HE KARUŃÁMAYA E KII LIILÁ TAVA<br /> | |||
KŚUDRA KE NIYE LIILÁ ABHINAVA<br /> | |||
AŃUR SAUNGE BHÚMÁR E LIILÁ<br /> | |||
CALITE PÁRE KI BOLO NÁ<br /> | |||
DEKHI ÁMI KICHU JÁNINÁ, ÁMI JÁNI NÁ<br /> | |||
JAKHANI BHÁVI KICHU CINI BUJHI<br /> | |||
DEKHI ÁMI KICHU JÁNINÁ, ÁMI JÁNI NÁ<br /> | |||
Whenever I think that I know and understand something, I observe that I no nothing. When I<br /> | |||
come to the path and look for the means of the journey, I do not understand what to seek.<br /> | |||
Since unknown past, in the unknown stream, I go on floating far and further. Even after<br /> | |||
searching the unknown, wandering day and night, I do not understand why do I wander. O the<br /> | |||
merciful, what is Your divine play, liila, You play with this meagre in new ways. How<br /> | |||
this game of the Cosmic with microcosm would continue?<br /> | |||
=== 3226 (25/11/1985) D === | |||
PATH CEYE BASE CHINU YUGA DHARE<br /> | |||
ELE ÁJI GHAN VARAŚÁY<br /> | |||
ELE ÁJI GHAN VARAŚÁY<br /> | |||
UDAK SIKTA SURABHI ÁMÁR<br /> | |||
KETAKI PARÁGE BHESE JÁY<br /> | |||
ELE ÁJI GHAN VARAŚÁY<br /> | |||
ELE ÁJI GHAN VARAŚÁY<br /> | |||
DINER ÁLOKE KHUNJECHI TOMÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DINER ÁLOKE KHUNJECHI TOMÁY<br /> | |||
ÁNDHÁR NISHÁY TÁRÁY TÁRÁY<br /> | |||
KHUNJECHI TOMÁY NABHONIILIMÁY<br /> | |||
LUKÁIÁ CHILE AJÁNÁY<br /> | |||
ELE ÁJI GHAN VARAŚÁY<br /> | |||
ELE ÁJI GHAN VARAŚÁY<br /> | |||
TAPTA DIVAS CALE GECHE MOR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TAPTA DIVAS CALE GECHE MOR<br /> | |||
KLÁNTÁ YÁMINI HOYE GECHE BHOR<br /> | |||
MÁLÁ CHILO TÁR ÁCHE SHUDHU D́OR<br /> | |||
KII DIYE SÁJÁBE PRIYA TOMÁY<br /> | |||
ELE ÁJI GHAN VARAŚÁY<br /> | |||
ELE ÁJI GHAN VARAŚÁY<br /> | |||
O Lord, since ages I was sitting on the path of Your arrival waiting for You. Today You<br /> | |||
came in the intense rain. My moist fragrance goes on floating, with the pollen of ketakii<br /> | |||
flower. I have searched for You during daylight and in stars after stars during dark<br /> | |||
nights. I have searched for You in deep blue sky, but You were hidden in unknown arena. My<br /> | |||
hot days and tiring nights have passed. Now morning has come when the garland is present<br /> | |||
but without with only thread without flowers. O Dear by offering what can I decorate You<br /> | |||
for the welcome?<br /> | |||
=== 3227 (27/11/1985) D === | |||
TUMI ESECHILE TUMI ESECHILE<br /> | |||
TUMI ESECHILE KENO ESECHILE<br /> | |||
BHÁLOBESE CHILE SE KI LIILÁ CHALE<br /> | |||
TUMI ESECHILE KENO ESECHILE<br /> | |||
KENOR UTTAR SABERI ÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KENOR UTTAR SABERI ÁCHE<br /> | |||
NEI SHUDHU TÁHÁ TAVA LIILÁ MÁJHE<br /> | |||
JÁHÁ KARO TUMI SHUBHA MÁNI ÁMI<br /> | |||
UTKRAMI BÁDHÁ TÁRI BALE<br /> | |||
TUMI ESECHILE KENO ESECHILE<br /> | |||
KENOR UTTAR PÁITE NÁCÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KENOR UTTAR PÁITE NÁCÁI<br /> | |||
TUMI CHÁŔÁMOR KONO DHYEYA NÁI<br /> | |||
MANER MUKURE THÁKO CIRA TARE<br /> | |||
SAB STHÁNE ÁR SAB KÁLE<br /> | |||
TUMI ESECHILE KENO ESECHILE<br /> | |||
TUMI ESECHILE TUMI ESECHILE<br /> | |||
TUMI ESECHILE KENO ESECHILE<br /> | |||
BHÁLOBESE CHILE SE KI LIILÁ CHALE<br /> | |||
TUMI ESECHILE KENO ESECHILE<br /> | |||
O Lord, You came but what for, You loved was it for delusive game, liila? The reply to<br /> | |||
all “whys” are there, except only within Your illusive game liila. Whatever You do<br /> | |||
I consider as auspicious, and I cross the obstacles by that strength. I do not want answer<br /> | |||
to the “why” as no one is my object of meditation except You. You stay in my mental<br /> | |||
mirror at all times and places.<br /> | |||
=== 3228 (27/11/1985) K === | |||
CHEYE, NABHAH GHANA NIIL GAGANE<br /> | |||
NABHAH GHANA NIIL GAGANE<br /> | |||
TUMI, ELE ÁJI TUMI ELE ÁJI<br /> | |||
CHEYE, NABHAH GHANA NIIL GAGANE<br /> | |||
MEGHE KETAKI PARÁG PARÁŃE<br /> | |||
SHIKHI UT́HILO NÁCI SHIKHI UT́HILO NÁCI<br /> | |||
CHEYE, NABHAH GHANA NIIL GAGANE<br /> | |||
SAORABHE JUTHIKÁR VÁTÁS BHARIYÁ GECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAORABHE JUTHIKÁR VÁTÁS BHARIYÁ GECHE<br /> | |||
VANA VIITHIKAR MRIG ÁKÁSHE CÁHIYÁ ÁCHE<br /> | |||
BHEVE TÁDER KATHÁ MANANE<br /> | |||
VIIŃÁ UT́HILO BÁJI VIIŃÁ UT́HILO BÁJI<br /> | |||
CHEYE, NABHAH GHAN NIILGAGANE<br /> | |||
KADAMBA KESHARE PULAK CHAŔIYE GECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KADAMBA KESHARE PULAK CHAŔIYE GECHE<br /> | |||
VINDU VINDU UDAK TÁTE ÁNKÁ ÁCHE<br /> | |||
DEKHE NIIPER SHOBHÁ NAYANE<br /> | |||
DHARÁ UT́HILO SÁJI DHARÁ UT́HILO SÁJI<br /> | |||
CHEYE, NABHAH GHANA NIIL GAGANE<br /> | |||
TUMI, ELE ÁJI TUMI ELE ÁJI<br /> | |||
CHEYE, NABHAH GHANA NIIL GAGANE<br /> | |||
Filling the deep blue sky with all Your being<br /> | |||
You have come today.<br /> | |||
The clouds bear the pollen | |||
of ketakii (screwpine) flowers on their bosom<br /> | |||
and the peacocks of my heart started dancing with joy.<br /> | |||
The fragrance of jasmine flowers fills in the air.<br /> | |||
The deer in the forest glades<br /> | |||
are looking up into the sky.<br /> | |||
Thinking about Him<br /> | |||
the viin’a’ of my mind started playing anew.<br /> | |||
The pollen of kadamba flowers<br /> | |||
are scattered about in delight<br /> | |||
and drops of water lie traced on them.<br /> | |||
My eyes look at the decorations of the niipa trees<br /> | |||
and see the world dressed up in celebration.<br /> | |||
=== 3229 (27/11/1985) D (Krsna) === | |||
BÁNSHARI DHVANI TOMÁRI<br /> | |||
T́ÁNE ÁMÁRE<br /> | |||
T́ÁNE ÁMÁRE, T́ÁNE ÁMÁRE<br /> | |||
SHUNIBO NÁ JATAI BHÁVI<br /> | |||
MAN THÁKITE NÁRE<br /> | |||
T́ÁNE ÁMÁRE, T́ÁNE ÁMÁRE<br /> | |||
MAN VRINDÁVANER VANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAN VRINDÁVANER VANE<br /> | |||
ÁLOKER ÁNDHÁRER KOŃE<br /> | |||
JETHÁY LUKÁI SHUNITE PÁI<br /> | |||
PRIITIR DYUTIR MÁJHÁRE<br /> | |||
T́ÁNE ÁMÁRE, T́ÁNE ÁMÁRE<br /> | |||
SVARGA MARTYA RASÁTALE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SVARGA MARTYA RASÁTALE<br /> | |||
JAKHAN JETHÁY JÁI GO CALE<br /> | |||
SÁTHE SÁTHE DINE RÁTE<br /> | |||
BÁNDHE PRIITIRI D́ORE<br /> | |||
T́ÁNE ÁMÁRE, T́ÁNE ÁMÁRE<br /> | |||
BÁNSHARI DHVANI TOMÁRI<br /> | |||
T́ÁNE ÁMÁRE<br /> | |||
T́ÁNE ÁMÁRE, T́ÁNE ÁMÁRE<br /> | |||
O Lord, the sound of Your flute attracts me. Whatsoever I I decide not to listen to that<br /> | |||
the mind does not heed to that. In the garden of mental Vrnda’van, in the recess of<br /> | |||
light and shade, wherever I hide, I hear that in the effulgence of love. In the heaven | |||
mortal world or hell, wherever I go, it remains with me day and night, binding me with the<br /> | |||
twine of love.<br /> | |||
=== 3230 (28/11/1985) D === | |||
SÁGAR JETHÁY DÚR NIILIMÁY<br /> | |||
ÁKÁSER MÁJHE HOYECHE LIIN | |||
BÁLUKÁ BELÁY RAKTIM ÚŚÁY<br /> | |||
BASE PÁI TÁR ÁBHÁS KŚIIŃA<br /> | |||
ÁKÁSER MÁJHE HOYECHE LIIN | |||
BHÁLOBÁSI TOMÁY HE RÚPAKÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁLOBÁSI TOMÁY HE RÚPAKÁR<br /> | |||
MANE PRÁŃE NÁCI CHANDE TOMÁR<br /> | |||
SPANDANE TAVA JÁGE ABHINAVA<br /> | |||
PRIITIR ÁKUTI VIRATI HIIN | |||
ÁKÁSER MÁJHE HOYECHE LIIN | |||
CALE GECHE KATA NIMEŚA ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CALE GECHE KATA NIMEŚA ÁMÁR<br /> | |||
KATA JE RÁTRI HOYE GECHE PÁR<br /> | |||
HE SINDHU TUMI ASHEŚA APÁR<br /> | |||
CETANÁ DYUTITE CIRA ACIN | |||
ÁKÁSER MÁJHE HOYECHE LIIN | |||
SÁGAR JETHÁY DÚR NIILIMÁY<br /> | |||
ÁKÁSER MÁJHE HOYECHE LIIN | |||
Where the ocean gets dissolved into the distant blue sky, sitting on the sandy beach<br /> | |||
thereat the crimson dawn, I find His faint indistinct presence. O the creator of the<br /> | |||
beauty, I love You, and dance to Your rhythm wholeheartedly. Your vibration awakens<br /> | |||
evernew pauseless earnest love. Innumerable moments of mine have passed, several nights<br /> | |||
have passed. O the Ocean, You are endless and infinite, ever unknown with the effulgence<br /> | |||
of consciousness.<br /> | |||
=== 3231 (29/11/1985) D === | |||
TUMI PRABHU ÁMÁR JÁNI<br /> | |||
TABE KENO PÁI NÁ KÁCHE<br /> | |||
OTAH PROTAH YOGE SHUNI<br /> | |||
ÁCHO SABÁR HIYÁR MÁJHE<br /> | |||
TABE KENO PÁI NÁ KÁCHE<br /> | |||
TUMI ÚŚÁR RAKTA BHÁNU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ÚŚÁR RAKTA BHÁNU<br /> | |||
MÁRTAND́ERI TAPTA TANU<br /> | |||
MÁTÁO AŃU PRAMÁŃU<br /> | |||
TOMÁY GHIRE CHANDE NÁCE<br /> | |||
TABE KENO PÁI NÁ KÁCHE<br /> | |||
PHÚLER MANER GOPAN KATHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHÚLER MANER GOPAN KATHÁ<br /> | |||
PRIITIR MADHU VIRAH VYATHÁ<br /> | |||
NÁ LEKHÁ JATA ITIKATHÁ<br /> | |||
SHUŃIYE JÁO PÁPŔI SÁJE<br /> | |||
TABE KENO PÁI NÁ KÁCHE<br /> | |||
TUMI PRABHU ÁMÁR JÁNI<br /> | |||
TABE KENO PÁI NÁ KÁCHE<br /> | |||
O Lord, You are mine that I know, yet why do not I get You close? I have heard that You<br /> | |||
are within all hearts individually and collectively. You are the red sun of the morning<br /> | |||
and hotbodied sun of the day. You intoxicate the atoms and molecules that dance<br /> | |||
rhythmically around You. You are the secret event of the mind of the flowers, and sweet<br /> | |||
pang of separation of love. You go on listening to all the unwritten history with the<br /> | |||
adornment of petals.<br /> | |||
=== 3232 (29/11/1985) D === | |||
TOMÁKE CENÁ HOLO DÁY<br /> | |||
CENÁ HOLO DÁY TOMÁKE<br /> | |||
CENÁ HOLO DÁY<br /> | |||
TOMÁKE CENÁ HOLO DÁY<br /> | |||
MADHUR CEYE MADHUR TAVA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MADHUR CEYE MADHUR TAVA<br /> | |||
BHÁVALE PRÁŃER PRIYATARA<br /> | |||
VAJRA SHILÁY DHVANSA LIILÁY<br /> | |||
BHARE BHUVAN CHÁY<br /> | |||
TOMÁKE CENÁ HOLO DÁY<br /> | |||
JAKHAN BHÁVI DÚR TAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JAKHAN BHÁVI DÚR TAMA<br /> | |||
KAT́HOR MÁJHE KAT́HIN TAMA<br /> | |||
PHÚLER HÁSI JYOTSNÁ RÁSHIO<br /> | |||
PRIITIR GIITI GÁY<br /> | |||
TOMÁKE CENÁ HOLO DÁY<br /> | |||
CENÁ HOLO DÁY TOMÁKE<br /> | |||
CENÁ HOLO DÁY<br /> | |||
TOMÁKE CENÁ HOLO DÁY<br /> | |||
O Lord, it is difficult to recognise You. You are situated in sweet and sweeter feelings<br /> | |||
as the entity dearer than life, as well as in hard stone and destructive game liila<br /> | |||
spreading throughout the universe. When I think You as distant most and hardest amongst<br /> | |||
the hard, then the intense moonlight sings the song of love through smile of the flowers.<br /> | |||
=== 3233 (01/12/1985) K === | |||
ESECHO ÁMÁR GHARE<br /> | |||
KRIPÁR PASARÁ HÁTE KARE<br /> | |||
YOGYATÁ NEI KONO<br /> | |||
TABU D́EKE GECHI PRÁŃA BHARE<br /> | |||
KRIPÁR PASARÁ HÁTE KARE<br /> | |||
ÁKÁSHER TÁRÁRÁ JÁNÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁKÁSHER TÁRÁRÁ JÁNÁY<br /> | |||
SABÁKÁR TUMI SAHÁY<br /> | |||
ULKÁY NABHAH NIILIMÁY<br /> | |||
ÁLO JHARE PRABHU TAVA TARE<br /> | |||
KRIPÁR PASARÁ HÁTE KARE<br /> | |||
DIYECHO ANEK MORE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIYECHO ANEK MORE<br /> | |||
DIYINI KICHU TOMÁRE<br /> | |||
KALI PHÚLE BHARÁ NIJERE<br /> | |||
DILUM ÁJI KE CARAŃ PARE<br /> | |||
KRIPÁR PASARÁ HÁTE KARE<br /> | |||
ESECHO ÁMÁR GHARE<br /> | |||
KRIPÁR PASARÁ HÁTE KARE<br /> | |||
O Lord, You came to my home with articles of grace in the hands. I have no merit at all<br /> | |||
yet I continued calling You wholeheartedly. The stars in the sky make me know that that<br /> | |||
You are helpful to all. O Lord, the meteorites in the blue sky radiate light for You. You<br /> | |||
have given me much, but I have not given You anything. Through the bud of flower, I am<br /> | |||
offering myself at Your feet today.<br /> | |||
=== 3234 (02/12/1985) D === | |||
KÁR TARE TUMI MÁLÁ GÁNTHIÁCHO<br /> | |||
KÁR PATH PÁNE CEYE ÁCHO<br /> | |||
KE SE DÚRATAMA TABU PRIYATAMA<br /> | |||
MANE DHARE JÁRE RÁKHIYÁCHO<br /> | |||
KÁR PATH PÁNE CEYE ÁCHO<br /> | |||
AMARÁR SUDHÁ BUKE BHARIÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AMARÁR SUDHÁ BUKE BHARIÁCHO<br /> | |||
SUSMITA PHULE SEJ SÁJÁYECHO<br /> | |||
NÁ BOLÁ VEDANÁ DÚRE SARÁYECHO<br /> | |||
CIT CAMELITE MÁTIÁCHO<br /> | |||
KÁR PATH PÁNE CEYE ÁCHO<br /> | |||
ÁJI KE TOMÁR KEU PAR NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁJI KE TOMÁR KEU PAR NÁI<br /> | |||
ÁTMÁR ÁTMIIYA JE SABÁI<br /> | |||
MANER GAHANE CITI VÁTÁYANE<br /> | |||
ÁRGAL KHÚLE PHELIÁCO<br /> | |||
KÁR PATH PÁNE CEYE ÁCHO<br /> | |||
KÁR TARE TUMI MÁLÁ GÁNTHIÁCHO<br /> | |||
KÁR PATH PÁNE CEYE ÁCHO<br /> | |||
The Lord is asking the devotee sa’dhaka; For whom You have prepared this garland. For<br /> | |||
whom are you looking toward the path? Who is farthest, still your Dearest, whom you have<br /> | |||
kept in your heart? For whom have you filled the heavenly nectar in the bosom and<br /> | |||
decorated the bed with smiling flowers? For whom, ignoring away the untold sorrows you are<br /> | |||
frenzied with camelii fragrance in the mind? Today for You, nobody is distant; everyone is<br /> | |||
closest and most intimate. For whom have you kept the doors and windows of the deep depths<br /> | |||
of your mind?<br /> | |||
=== 3235 (03/12/1985) K === | |||
NIHSAUNGA PHÚL KAY<br /> | |||
BOLO NÁ ÁMÁY<br /> | |||
TUMI BOLO NÁ ÁMÁY<br /> | |||
BHRAMARÁ ÁJI KENO ELENÁ<br /> | |||
TUMI E MALAY VÁY<br /> | |||
TUMI BOLO NÁ ÁMÁY<br /> | |||
KON SE AJÁNÁ PARII D́EKE CHILO TOMÁKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KON SE AJÁNÁ PARII D́EKE CHILO TOMÁKE<br /> | |||
ÁLOKER ÁBHÁSE JINE CHILO MAN KE<br /> | |||
UCCHAL CETANÁR UNMADA BHÁVANÁR<br /> | |||
MÁYÁY BHOLÁLO TOMÁY<br /> | |||
TUMI BOLO NÁ ÁMÁY<br /> | |||
KON SE KUMUDINI BUK BHARÁ MADHUTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KON SE KUMUDINI BUK BHARÁ MADHUTE<br /> | |||
MANER KESHARE CHONYÁ JYOTSNÁR VIDHUTE<br /> | |||
SAHÁSE TÁKIYE CHILO RABHASE D́EKE CHILO<br /> | |||
TUMI CALE GELE NIRÚPÁY<br /> | |||
TUMI BOLO NÁ ÁMÁY<br /> | |||
NIHSAUNGA PHÚL KAY<br /> | |||
BOLO NÁ ÁMÁY<br /> | |||
TUMI BOLO NÁ ÁMÁY<br /> | |||
The isolated flower tells today, “You tell me, O the sandal breeze, why the honeybee did<br /> | |||
not come today”. Which unknown angel had called You, with the faint appearance of light<br /> | |||
he won over the mind. With frenzied illusive feeling of restless consciousness, who made<br /> | |||
me oblivious of You? Which lily flowers with heart full of honey, touched with mental<br /> | |||
saffron, and light of the moon, smilingly looked with feelings, called You that You went<br /> | |||
away without option.<br /> | |||
=== 3236 (04/12/1985) K === | |||
JE BHÁLOBESECHO TUMI<br /> | |||
AŃU AŃUTE PARAMÁŃUTE<br /> | |||
PRÁŃER SARITÁ CÚMI<br /> | |||
RAYE GECHO KÁLÁTIITE<br /> | |||
AŃU AŃUTE PARAMÁŃUTE<br /> | |||
PHÚLER PARÁGE ÁCHO PRÁŃER ÁKÚTITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHÚLER PARÁGE ÁCHO PRÁŃER ÁKÚTITE<br /> | |||
VISHVAEK RÁGE MANTRÁNUBHÚTITE<br /> | |||
KUSH KÁSH MÚLE ÁCHO SARAS MRITTIKÁTE<br /> | |||
BHARE ÁCHO NIIHÁRIKÁTE<br /> | |||
AŃU AŃUTE PARAMÁŃUTE<br /> | |||
VIDYUTÁŃU GHORE TOMÁRI PREŚAŃÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIDYUTÁŃU GHORE TOMÁRI PREŚAŃÁTE<br /> | |||
MAN NECE CALE DÚRE TAVA TRYASAREŃUTE<br /> | |||
JALE STHALE VYOME ÁCHO ANALE ANILE ÁCHO<br /> | |||
CHEYE ÁCHO SARVA BHÚTE<br /> | |||
AŃU AŃUTE PARAMÁŃUTE<br /> | |||
JE BHÁLOBESECHO TUMI<br /> | |||
AŃU AŃUTE PARAMÁŃUTE<br /> | |||
O Lord, the way You loved each atom and molecule that remained kissing the stream of life<br /> | |||
from beyond the periphery of time. You remain in the pollen of flower with earnestness of<br /> | |||
heart and in the enchantment of the worldly colours. You are at the root of tall grasses<br /> | |||
filling the wet mud and in the galaxies. The electrons revolve by your will, and the mind<br /> | |||
goes on dancing far due to Your particles. You are in the land, water and sky, in the air<br /> | |||
and fire and pervade all fundamental factors.<br /> | |||
=== 3237 (04/12/1985) === | |||
ÁMÁR MANER UDDVELATÁY<br /> | |||
TUMI BUJHECHO KÁCHE ESECHO<br /> | |||
ÚRMI CAINCAL EI SARITÁY<br /> | |||
TUMI CINECHO KÁCHE T́ENECHO<br /> | |||
TUMI BUJHECHO KÁCHE ESECHO<br /> | |||
DÚRATVA RÁKHONI KONO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAMATÁTE BENDHECHE AŃURE JENO<br /> | |||
HE MAHÁSINDHU E NIIR VINDU KE<br /> | |||
BHÁLOBESE PHELECHO<br /> | |||
TUMI BUJHECHO KÁCHE ESECHO<br /> | |||
HÁRÁVÁR BHAY NEIKO ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TRILOKE TRIGUŃE TUMI SABÁKÁR<br /> | |||
ASHEŚ APÁR TUMI SÁRÁTSÁR<br /> | |||
E VÁŃII JÁNIYE DIYECHO<br /> | |||
TUMI BUJHECHO KÁCHE ESECHO<br /> | |||
Only you O Lord could understand the restless of my mind and so you came close to me. Only<br /> | |||
you could recognise this stream, throbbing with ripples and drew close it close to you.<br /> | |||
You did not like us to be separated by distance. It seemed you had bound this microcosm<br /> | |||
inseparably with the ties of your love. O the great ocean, you had fallen in love with<br /> | |||
this tiny drop of yours. I have no fear of losing anything. You are endless and boundless.<br /> | |||
You are quintenesence of everything. You have conveyed this message to all.<br /> | |||
=== 3238 (05/12/1985) K === | |||
TOMÁKE CÁI ÁMI JIIVANE<br /> | |||
ÁLOKE ÁNDHÁRE SAB KHÁNE<br /> | |||
TOMÁY SAUNGE NIYE THÁKATE CÁI<br /> | |||
TUMI ÁMÁR, TUMI ÁMÁR<br /> | |||
E MOR MARÚBHÚMIR EK KOŃE<br /> | |||
THÁKABO TUMI ÁMI DÚJANE<br /> | |||
TUMI CHÁŔÁ ÁR KICHU NÁHI CÁI<br /> | |||
TUMI ÁSHRAY, TUMI ÁDHÁR<br /> | |||
TUMI ÁMÁR, TUMI ÁMÁR<br /> | |||
CALE GECHE JÁRÁ ATIITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CALE GECHE JÁRÁ ATIITE<br /> | |||
ÁSCHE JÁRÁ BHAVIŚYATE<br /> | |||
TÁDER MANER KATHÁ BOLE JÁI<br /> | |||
KEU NIIC NAY SABÁI TOMÁR<br /> | |||
TUMI ÁMÁR, TUMI ÁMÁR<br /> | |||
PATHE VÁ VIPATHE JÁI KARI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATHE VÁ VIPATHE JÁI KARI<br /> | |||
TOMÁKE JENO SHIRE DHARI<br /> | |||
SHRAVAŃE MANANE GIITE GÁI<br /> | |||
RÚPE TUMI ANANTA GUŃE APÁR<br /> | |||
TUMI ÁMÁR, TUMI ÁMÁR<br /> | |||
TOMÁKE CÁI ÁMI JIIVANE<br /> | |||
ÁLOKE ÁNDHÁRE SAB KHÁNE<br /> | |||
TOMÁY SAUNGE NIYE THÁKATE CÁI<br /> | |||
TUMI ÁMÁR, TUMI ÁMÁR<br /> | |||
I want You everywhere in my life<br /> | |||
I want You in both light and darkness.<br /> | |||
I want to live with You.<br /> | |||
You are mine<br /> | |||
You are mine only.<br /> | |||
In the corner of my deserted heart<br /> | |||
both You and I will live together.<br /> | |||
I want nothing but You.<br /> | |||
You are my shelter and You are my base.<br /> | |||
Those who have left in the past<br /> | |||
and those who are to come in the future<br /> | |||
will continue to be spoken of in our minds.<br /> | |||
None is inferior, all are Yours.<br /> | |||
Whatever I am to do in a right or a wrong way<br /> | |||
I shall do with Your ideation and in total surrender.<br /> | |||
I shall sing Your song with concentration and attentiveness.<br /> | |||
You are endless in beauty<br /> | |||
and unlimited in qualities.<br /> | |||
=== 3239 (05/12/1985) D === | |||
ÁMI TOMÁY BHÁLOBÁSI<br /> | |||
TOMÁR TAREI BENCE ÁCHI<br /> | |||
PRIYA TOMÁR TAREI BENCE ÁCHI<br /> | |||
TOMÁR PRIITIR CANDANETE<br /> | |||
MANDÁNILE BHÁSI NÁCI<br /> | |||
TOMÁR TAREI BENCE ÁCHI<br /> | |||
KÁLA RÁTRIR ANDHAKÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁLA RÁTRIR ANDHAKÁRE<br /> | |||
TOMÁRE PÁI AGOCARE<br /> | |||
TOMÁR HÁSIR JYOTSNÁ RÁSHI<br /> | |||
VÁTÁYANE BHÁSE ÁSI<br /> | |||
TOMÁR TAREI BENCE ÁCHI<br /> | |||
VIŚAM JIIVAN JANTRAŃÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIŚAM JIIVAN JANTRAŃÁTE<br /> | |||
SURABHITE PARÁG SÁTHE<br /> | |||
ESO MANER PUŚPA PÁTE<br /> | |||
ÁSHÁR PASARÁ ENECHI<br /> | |||
TOMÁR TAREI BENCE ÁCHI<br /> | |||
ÁMI TOMÁY BHÁLOBÁSI<br /> | |||
TOMÁR TAREI BENCE ÁCHI<br /> | |||
O Lord, I love You and I am surviving for You only, O Dear. Due to the sandal of your<br /> | |||
love, I go on dancing floating in the gentle breeze. In the darkness of cimmerian night, I<br /> | |||
find You unseen. The moonlight effulgence of Your smile comes calling through the balcony<br /> | |||
window. During this torture hard life, with fragrance of pollen come into the mental drop<br /> | |||
of flowers, I have brought the article of hope.<br /> | |||
=== 3240 (06/12/1985) D === | |||
ÁMÁR E GÁNER TARII<br /> | |||
BHÁSIYE DILUM TOMÁR PÁNE<br /> | |||
PÁL UŔIYE D́HEU GUNŔIYE<br /> | |||
PÁL UŔIYE D́HEU GUŃIYE<br /> | |||
CALABE SE JEDÚR UJÁNE<br /> | |||
BHÁSIYE DILUM TOMÁR PÁNE<br /> | |||
KONO MÁNÁ MÁNI NÁ ÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KONO MÁNÁ MÁNI NÁ ÁR<br /> | |||
TUMI JÁHÁR KI BHAYA TÁHÁR<br /> | |||
SAB BÁDHÁYBHULE ÁSHÁY DULE<br /> | |||
BÁDHÁYBHULE ÁSHÁY DULE<br /> | |||
EGIYE JÁBO MUKTA PRÁŃE<br /> | |||
BHÁSIYE DILUM TOMÁR PÁNE<br /> | |||
ALAKH PURUŚA ÁLOKE THÁKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKH PURUŚA ÁLOKE THÁKO<br /> | |||
DÚRE THEKE ÁBHÁSE D́ÁKO<br /> | |||
PRIITIR PARÁG PRÁŃE MÁKHO<br /> | |||
PRIITIR PARÁG PRÁŃE MÁKHO<br /> | |||
KÁCHE ÁNO ALAKH T́ÁNE<br /> | |||
BHÁSIYE DILUM TOMÁR PÁNE<br /> | |||
ÁMÁR E GÁNER TARII<br /> | |||
BHÁSIYE DILUM TOMÁR PÁNE<br /> | |||
O Lord, I have floated the boat of this song of mine towards You. With hoisted sail<br /> | |||
crushing the waves, it would go on far against the flow. I will no more heed to any<br /> | |||
forbidding, Why should one fear when You are his? Forgetting all obstructions, oscillating<br /> | |||
with hope, I shall move forward with open and free vitality. O the unseen Lord, You stay<br /> | |||
in effulgence, and call from the distance with indicative signal. You smear the fragrance<br /> | |||
of love in the life, and bring close with unseen pull.<br /> | |||
=== 3241 (06/12/1985) D === | |||
ÁMI TOMÁY CEYECHI<br /> | |||
ELE NÁ DEKHÁ DILE NÁ<br /> | |||
KII DOŚA KARECHI<br /> | |||
BHÁVI TOMÁY DINE RÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVI TOMÁY DINE RÁTE<br /> | |||
BHÁVI TOMÁY DINE RÁTE<br /> | |||
SANDHYÁ RÁGE RAUNGIIN PRÁTE<br /> | |||
ÁSHÁ BHARÁ ÁSHÁ BHARÁ<br /> | |||
ÁSHÁ BHARÁ ÁNKHI PÁTE<br /> | |||
ENKE REKHECHI<br /> | |||
ÁMI TOMÁY CEYECHI<br /> | |||
MÁNAS YAMUNÁ TIIRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁNAS YAMUNÁ TIIRE<br /> | |||
MÁNAS YAMUNÁ TIIRE<br /> | |||
KHUNJE BEŔÁI PRATI PRAHARE<br /> | |||
VYATHÁ HATA, VYATHAHATA<br /> | |||
VYATHÁ HATA ÁNKHI NIIRE<br /> | |||
KENO PHIRE ESECHI<br /> | |||
ÁMI TOMÁY CEYECHI<br /> | |||
ELE NÁ DEKHÁ DILE NÁ<br /> | |||
KII DOŚA KARECHI<br /> | |||
O Lord, I love You. You did not come, did not show Yourself, what mistake have I<br /> | |||
committed? I think of You day and night, during colourful evenings and mornings. The hope<br /> | |||
filled eyes I have kept marked. At the bank of the mental river Yamuna’, I have been | |||
searching You each hour, with agony afflicted tears, I come again, why?<br /> | |||
=== 3242 (06/12/1985) D === | |||
KIḾSHUKA VANE ÁJI NIRJANE<br /> | |||
KE TUMI VIIŃÁ BÁJÁO<br /> | |||
DEKHÁ DÁO MORE DEKHÁ DÁO<br /> | |||
ANSHUK SAM UJJVAL MANE<br /> | |||
MÁDHURII CHAŔIYE JÁO<br /> | |||
DEKHÁ DÁO MORE DEKHÁ DÁO<br /> | |||
CÁO NÁ TUMI KICHU KAKHANO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁO NÁ TUMI KICHU KAKHANO<br /> | |||
HOYETO NEIKO PRAYOJANA KONO<br /> | |||
BHÁVER ATIITE VIJANE NIBHRITE<br /> | |||
E KII VÁŃII SHONÁO<br /> | |||
DEKHÁ DÁO MORE DEKHÁ DÁO<br /> | |||
ÁMÁR MANER RIKTA NILAYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR MANER RIKTA NILAYE<br /> | |||
DHARÁ DEVE KI NÁ BOLE NÁ KAYE<br /> | |||
JYOTSNÁ SNÁTA PRAYÁT PRADOŚE<br /> | |||
ASIIMER GÁN GÁO<br /> | |||
DEKHÁ DÁO MORE DEKHÁ DÁO<br /> | |||
KIḾSHUKA VANE ÁJI NIRJANE<br /> | |||
KE TUMI VIIŃÁ BÁJÁO<br /> | |||
DEKHÁ DÁO MORE DEKHÁ DÁO<br /> | |||
Today, in is isolation, in the grove of kim’shuk flowers, who is that You playing<br /> | |||
viin’a’, show me off. You scatter sweetness in the mind as dazzling white cloth. You<br /> | |||
never want anything anytime, since there is no purpose of that. From the arena beyond the<br /> | |||
thoughts, in isolation, and seclusion, what a message do You announce? In the empty house<br /> | |||
of my mind, would You come into the fold, tell be with speech. At the departed moonlit<br /> | |||
bathed evening, You sing the song of the infinity.<br /> | |||
=== 3243 (07/12/1985) D === | |||
TOMÁR ÁLOKE BHUVAN BHARECHE<br /> | |||
KENO TUMI RAYE GECHO DÚRE<br /> | |||
RASÁLE PALÁSHE MUKUL DHARECHE<br /> | |||
TUMI KI JÁNO NÁ TAVA TARE<br /> | |||
KENO TUMI RAYE GECHO DÚRE<br /> | |||
AVANIIR SÁRÁTSÁRA TUMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AVANIIR SÁRÁTSÁRA TUMI<br /> | |||
PADMA VEDIITE BASE ÁCHO<br /> | |||
KON SUDÚRER NIILÁMBU THEKE<br /> | |||
SMITÁNANE SHUDHU DEKHITECHO<br /> | |||
KENO TUMI RAYE GECHO DÚRE<br /> | |||
ÁRO KÁCHE ESO YADI BHÁLOBÁSO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁRO KÁCHE ESO YADI BHÁLOBÁSO<br /> | |||
TRUT́I KŚAMI PRABHU KRIPÁ KARE<br /> | |||
ÁLOKER EI MAHOTSAVE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOKER EI MAHOTSAVE<br /> | |||
TUMI NÁ ÁSIBE ÁR KE ÁSIBE<br /> | |||
JIIVANER JAY GÁN GEYE JÁBE<br /> | |||
NIJA MUKHE NAVA RÁGE SURE<br /> | |||
KENO TUMI RAYE GECHO DÚRE<br /> | |||
TOMÁR ÁLOKE BHUVAN BHARECHE<br /> | |||
KENO TUMI RAYE GECHO DÚRE<br /> | |||
O Lord, with Your effulgence the world is filled, but why did You stay away? Buds have<br /> | |||
appeared on the mango and pala’sh trees for You, do not You know that? As the essence of<br /> | |||
essence of the world, You are seated on the lotus altar, Staying at the distant blue<br /> | |||
water, with smiling face, only You go on observing. If You love me come still closer, by<br /> | |||
forgiving my mistakes, showering Your grace, O Lord. At the time of this great festivity<br /> | |||
of light, if You do not come, who else will come? Come singing the victory song of the<br /> | |||
life, in new tune and melody through Your own mouth.<br /> | |||
=== 3244 (07/12/1985) K === | |||
TOMÁR MANER CHOT́T́A KOŃE<br /> | |||
T́HÁIN DIO PRABHU ÁMÁRE<br /> | |||
CÁI NÁ ÁMI BESHI KICHU<br /> | |||
CÁI NÁ AMRTA NIRJHARE<br /> | |||
T́HÁIN DIO PRABHU ÁMÁRE<br /> | |||
THÁKABO TOMÁR KÁCHÁ KÁCHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BUJHABO ÁMI TOMÁTE ÁCHI<br /> | |||
TOMÁY NIYEI HÁSI NACI<br /> | |||
TOMÁR MANER SAḾSÁRE<br /> | |||
T́HÁIN DIO PRABHU ÁMÁRE<br /> | |||
ÁSHÁ ÁKÁNKŚÁR JOÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSHÁ ÁKÁNKŚÁR JOÁRE<br /> | |||
SARE CHILUM ANEK DÚRE<br /> | |||
EKHAN DEKHI ARÚPA SÁYARE<br /> | |||
MISHEI PÁVO TOMÁRE<br /> | |||
T́HÁIN DIO PRABHU ÁMÁRE<br /> | |||
TOMÁR MANER CHOT́T́A KOŃE<br /> | |||
T́HÁIN DIO PRABHU ÁMÁRE<br /> | |||
O Lord, in a small corner of Your mind, grant me shelter. I do not want anything more, I<br /> | |||
do not want fountain of nectar. I shall stay close to You, and feel always that I am<br /> | |||
within You. Taking You with me I shall smile or cry within Your mental world. With the<br /> | |||
tides of hopes and desires, I had gone much far, now I have seen the formless ocean, so<br /> | |||
that I get merged into You.<br /> | |||
=== 3245 (07/12/1985) D === | |||
CINITE GIYE TOMÁRE<br /> | |||
CINITE GIYE TOMÁRE<br /> | |||
BÁRE BÁRE ÁSI PHIRE<br /> | |||
DIVÁ NISHI PRAYÁSA KARI<br /> | |||
MAN KE GHORÁI TOMÁY GHIRE<br /> | |||
CINITE GIYE TOMÁRE<br /> | |||
BÁRE BÁRE ÁSI PHIRE<br /> | |||
UTSA TUMI JE SARITÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
UTSA TUMI JE SARITÁR<br /> | |||
LAKŚYA PRABHÚ TUMI TÁHÁR<br /> | |||
UBHAYATA PRAVÁHINII<br /> | |||
CITTA NADI GHARE BÁHIRE<br /> | |||
CINITE GIYE TOMÁRE<br /> | |||
BÁRE BÁRE ÁSI PHIRE<br /> | |||
UPALÁGHÁTE TAT́INI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
UPALÁGHÁTE TAT́INI<br /> | |||
BHOLE NÁKO TOMÁY JÁNI<br /> | |||
BADDHA KÁRÁY RUDDHA SHVÁSE<br /> | |||
BHENGE SE PHELE PRÁCIIRE<br /> | |||
CINITE GIYE TOMÁRE<br /> | |||
BÁRE BÁRE ÁSI PHIRE<br /> | |||
O Lord, O infinite consciousness, I have now recognised and understood you, by frequently<br /> | |||
coming and going.<br /> | |||
The stream of the universe has origin in you and you are its sole desideratum. The river<br /> | |||
of mind flows in both directions, internally and externally. That river, after knowing<br /> | |||
you, never forgets you in spite of being hindered by stones. It has the potential of<br /> | |||
breaking the walls by concentrating all its energy.<br /> | |||
=== 3246 (07/12/1985) D SAḾSKRTA === | |||
SHAUNKARA HARA HARA MAHÁDEVA<br /> | |||
SHIVA SHAMBHO NAMÁMYAHAḾ<br /> | |||
ANÁDI ANANTATVAM<br /> | |||
TAVA GUŃÁNINA JÁNÁMYAHAM<br /> | |||
SHIVA SHAMBHO NAMÁMYAHAM<br /> | |||
KÁLÁNI NÁDHIGACCHANTI TE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁLÁNI NÁDHIGACCHANTI TE<br /> | |||
RÚPÁNI NÁTI CALANTITE<br /> | |||
ATA TVAḾ KÁLOTTARAḾ<br /> | |||
RÚPOTTARAḾ SMARÁMYAHAḾ<br /> | |||
SHIVA SHAMBHO NAMÁMYAHAḾ<br /> | |||
KANT́AKAE TVAḾ MADHVASI PRABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KANT́AKAE TVAḾ MADHVASI PRABHU<br /> | |||
SANKAT́AE TVAḾ SAHÁYASI VIBHU<br /> | |||
KARUŃÁRUŃE BHÁSAYASI<br /> | |||
SVAYAMBHÚ STAVḾ SARVA KÁLAM<br /> | |||
SHIVA SHAMBHO NAMÁMYAHAḾ<br /> | |||
SHAUNKARA HARA HARA MAHÁDEVA<br /> | |||
SHIVA SHAMBHO NAMÁMYAHAḾ<br /> | |||
O Shaunkara, Hara, Mahadeva, Shiva, Shambhu<br /> | |||
I salute You.<br /> | |||
You are without beginning nor end.<br /> | |||
I do not know all Your attributes.<br /> | |||
Time does not overpower You<br /> | |||
beautiful forms do not reflect You fully.<br /> | |||
Therefore, I remember You as one<br /> | |||
beyond the scope of time and form.<br /> | |||
You are like honey in a thorny bush<br /> | |||
in difficulty You provide help.<br /> | |||
You radiate soft rays of compassion.<br /> | |||
You are the selfcreated Lord of all time.<br /> | |||
=== 3247 (08/12/1985) D === | |||
JYOTSNÁ MADHUR CAKOR VIDHUR<br /> | |||
TOMÁR ÁSHÁY NABHE GHORE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSÁ JÁOÁ TÁR HOYE SHUDHU SÁR<br /> | |||
VIPHAL MÁNASE ÁSE NIIŔE<br /> | |||
TOMÁR ÁSHÁY NABHE GHORE<br /> | |||
AMRITER SVÁD SÁDHYA TÁHÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AMRITER SVÁD SÁDHYA TÁHÁR<br /> | |||
SÁDHANÁ SÁDHAKE HOYE EKÁKÁR<br /> | |||
BOJHE NÁKO KICHU CHOT́E PICHU PICHU<br /> | |||
DÚRER VIDHURE MANE DHARE<br /> | |||
TOMÁR ÁSHÁY NABHE GHORE<br /> | |||
ÁMI BUJHIYÁCHI BOJHÁR ATIITA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMI BUJHIYÁCHI BOJHÁR ATIITA<br /> | |||
E SHASHÁUNKA BHARE THÁKE CITA<br /> | |||
CITTA UPACI ÁLEKHYYA RACI<br /> | |||
MANER MUKURE DEKHI TÁRE<br /> | |||
TOMÁR ÁSHÁY NABHE GHORE<br /> | |||
O Lord, the sweet moonlight influenced cakor bird goes round the sky with Your<br /> | |||
expectation. But essentially only its coming and going takes place, and comes back failing<br /> | |||
into the mental nest. The taste of nectar is its objective; the endeavor and the aspirant<br /> | |||
become unified one. Keeping in the mind the distant moon, it does not understand that some<br /> | |||
are left behind. I grasp the past understanding that the moon is filled in the mind. With<br /> | |||
over flooding heart, creating the portrait, I see Him in the mental mirror.<br /> | |||
=== 3248 (09/12/1985) D === | |||
ÁKÁSHE VÁTÁSE TOMÁR MÁDHURII<br /> | |||
TUMI CHÁŔÁ KEU KOTHÁO NÁI<br /> | |||
KALA KÁKALITE TOMÁR MAHIMÁ<br /> | |||
VAN BHUME PÁKHI GHOŚICHE OI<br /> | |||
ÁKÁSHE VÁTÁSE TOMÁR MÁDHURII<br /> | |||
TUMI CHÁŔÁ KEU KOTHÁO NÁI<br /> | |||
PURÁTANA JÁY NAVATAMA ÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PURÁTANA JÁY NAVATAMA ÁSE<br /> | |||
TOMÁR DYUTIR RÁGE UDBHÁSE<br /> | |||
PURÁTANA SEO TOMÁTEI MESHE<br /> | |||
TOMÁKEI BENCE THÁKE SADÁI<br /> | |||
ÁKÁSHE VÁTÁSE TOMÁR MÁDHURI<br /> | |||
TUMI CHÁŔÁ KEU KOTHÁO NÁI<br /> | |||
OGO PURÁTANA HE CIR NÚTAN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
OGO PURÁTANA HE CIR NÚTAN | |||
TOMÁTE NIHITA VISHVA JIIVAN | |||
AŃUTE AŃUTE TANUTE TANUTE<br /> | |||
MISHIÁ RAYECHO SABETE TÁI<br /> | |||
ÁKÁSHE VÁTÁSE TOMÁR MÁDHURI<br /> | |||
TUMI CHÁŔÁ KEU KOTHÁO NÁI<br /> | |||
O Lord, Your sweetness is there in sky and air, other than You there is none anywhere.<br /> | |||
Your glory is within and beyond the periphery of time. The bird in the forest also<br /> | |||
declares that. The old goes and the newest come, shining and illuminated with Your<br /> | |||
colourful light. The old ones also merge in You, and survive within You always. O the Old<br /> | |||
O the Ever new, within You is located the whole universal life. With each atom and body<br /> | |||
thus, You remain pervaded into all.<br /> | |||
=== 3249 (09/12/1985) D === | |||
CÁNDER DESHER PARII ESE<br /> | |||
ÁLOR KHABAR DIYE GELO<br /> | |||
MIŚT́I HESE BHÁLOBESE<br /> | |||
BOLALE SABÁR SABAI BHÁLO<br /> | |||
ÁLOR KHABAR DIYE GELO<br /> | |||
KEU KÁNDE NÁ ANÁHÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KEU KÁNDE NÁ ANÁHÁRE<br /> | |||
KEU DHONKE NÁ ROGER GHORE<br /> | |||
MANER VYATHÁR HÁHÁKÁRE<br /> | |||
KEU DEKHE NÁ DHARÁY KÁLO<br /> | |||
ÁLOR KHABAR DIYE GELO<br /> | |||
SMITAOJJVALYA SABÁR MUKHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SMITAOJJVALYA SABÁR MUKHE<br /> | |||
PRAPHULLATÁY GHUMÁY SUKHE<br /> | |||
PARÁG MADHU PHULER BÚKE<br /> | |||
KALPA LOKE JEMAN CHILO<br /> | |||
ÁLOR KHABAR DIYE GELO<br /> | |||
CÁNDER DESHER PARII ESE<br /> | |||
ÁLOR KHABAR DIYE GELO<br /> | |||
The angel coming from the arena of effulgence gave the news of light. With sweet smile and<br /> | |||
love, He told all to love all. So that no one cries with the pangs of hunger, or panting<br /> | |||
for breathe due to intense suffering from disease. Due to lamentation caused by mental<br /> | |||
agony, no one should see the darkness of the world.<br /> | |||
Let all faces be smilingly bright, let all relax pleasingly with happiness, the way in the<br /> | |||
dream world, honey is there in the pollen of flower.<br /> | |||
=== 3250 (10/12/1985) K === | |||
TOMÁKE PEYECHI MANERI NIIPE ÁMI<br /> | |||
PRASPHUT́ITA NIIPE MANERI MADHUPE<br /> | |||
GHÚRIYÁ BEŔÁY SMITA PARÁG CUMI<br /> | |||
TOMÁKE PEYECHI MANERI NIIPE ÁMI<br /> | |||
JÁHÁ CHILO MOR ÁSHÁR ATIITA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁHÁ CHILO MOR ÁSHÁR ATIITA<br /> | |||
ANUBHÚTIR LOKE BHÁŚÁY ANÁHATA<br /> | |||
SE NANDANA MADHU SHÁRAD SAHÁS VIDHU<br /> | |||
REKHE GELE MOR MANA KORAKE TUMI<br /> | |||
TOMÁKE PEYECHI MANERI NIIPE ÁMI<br /> | |||
NÁM RÚPA GUŃOPÁDHI KICHU TAVA JÁNÁ NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NÁM RÚPA GUŃOPÁDHI KICHU TAVA JÁNÁ NÁI<br /> | |||
JÁNI TUMI TÁI ÁMI JÁHÁKE CÁI<br /> | |||
TOMÁR KARUŃÁY AHAETUKI KRPÁY<br /> | |||
ÁLOR YÁTRÁ PATHE CALIBO NÁHI THÁMI<br /> | |||
TOMÁKE PEYECHI MANERI NIIPE ÁMI<br /> | |||
O Lord, I have attained You in the mental niip flower. On the bloomed niip flower of the<br /> | |||
mind, the honeybee hovers around smilingly to kiss the pollen. Whatever was beyond my<br /> | |||
expectations, in the world of feelings, unaffected by language, that pleasing honey, as<br /> | |||
the smiling moon of the autumn You kept in the core of my mind. The name, form and<br /> | |||
attributes of Yours, nothing is known. I only know that You are that Entity whom I wanted.<br /> | |||
By Your mercy and causeless grace, I shall move on the path of effulgence without pause.<br /> | |||
=== 3251 (10/12/1985) D === | |||
NISHÁ HOLO BHOR SVAPNER GHOR<br /> | |||
NISHÁ HOLO BHOR SVAPNER GHOR<br /> | |||
NISHÁ HOLO BHOR SVAPNER GHOR<br /> | |||
KÁT́IÁ GIYÁCHE ÁJI ÁMÁR<br /> | |||
CHILO VIBHÁVARII MOHETE ÁVARII<br /> | |||
CHILO VIBHÁVARIIIMOHETE ÁVARII<br /> | |||
CHILO VIBHÁVARII MOHETE ÁVARII<br /> | |||
KÚL HÁRÁ CHILO TAMAH APÁR<br /> | |||
KÁT́IÁ GIYÁCHE ÁJI ÁMÁR<br /> | |||
DHRUVA TÁRÁ SEO D́HÁKÁ CHILO MEGHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DHRUVA TÁRÁ SEO D́HÁKÁ CHILO MEGHE<br /> | |||
DHRUVA TÁRÁ SEO D́HÁKÁ CHILO MEGHE<br /> | |||
DHRUVA TÁRÁ SEO D́HÁKÁ CHILO MEGHE<br /> | |||
JHAŔ BAYE CHILO PRACAŃD́A VEGE<br /> | |||
ÁMI D́EKE CHINU TOMÁKE ÁVEGE<br /> | |||
UTKRAMITE ANDHAKÁR<br /> | |||
KÁT́IÁ GIYÁCHE ÁJI ÁMÁR<br /> | |||
CANDAN VANE BHARÁ CHILO KÁNT́Á<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CANDAN VANE BHARÁ CHILO KÁNT́Á<br /> | |||
CANDAN VANE BHARÁ CHILO KÁNT́Á<br /> | |||
CANDAN VANE BHARÁ CHILO KÁNT́Á<br /> | |||
NÁNDANIKEO NEVE CHILO BHÁŃT́Á<br /> | |||
SÁR HOYE CHILO PRAVAINCE LOT́Á<br /> | |||
PELUM AHAETUKI KRIPÁ TOMÁR<br /> | |||
KÁT́IÁ GIYÁCHE ÁJI ÁMÁR<br /> | |||
NISHÁ HOLO BHOR SVAPNER GHOR<br /> | |||
KÁT́IÁ GIYÁCHE ÁJI ÁMÁR<br /> | |||
The night turned into morning and my intense dream has passed off today. The night was<br /> | |||
covered with infatuation, and the unlimited darkness was unbound. Even the polestar was<br /> | |||
covered with cloud and storm was blowing with intense speed. I was calling You<br /> | |||
impulsively, crossing the darkness. The sandal grove was filled with thorns. Even | |||
recession has come on the delightful state or bliss. The deceptive rolling also turned<br /> | |||
into abstracted. I got Your causeless grace.<br /> | |||
=== 3252 (11/12/1985) D === | |||
TANDRÁ JAKHAN BHARÁ CHILO COKHE<br /> | |||
TANDRÁ JAKHAN BHARÁ CHILO COKHE<br /> | |||
TANDRÁ JAKHAN BHARÁ CHILO COKHE<br /> | |||
TUMI CHILE PRABHU KÁCHE KÁCHE<br /> | |||
ÁNKHI MELE DEKHI SARE GELE E KII<br /> | |||
ÁNKHI MELE DEKHI SARE GELE E KII<br /> | |||
ÁNKHI MELE DEKHI SARE GELE E KII<br /> | |||
SHUDHUI NÚPUR DHVANI BÁJE<br /> | |||
TUMI CHILE PRABHU KÁCHE KÁCHE<br /> | |||
DÚR AMARÁR NIIHÁRIKÁ THEKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DÚR AMARÁR NIIHÁRIKÁ THEKE<br /> | |||
DÚR AMARÁR NIIHÁRIKÁ THEKE<br /> | |||
SUR JHAUNKÁR NIRNIMEŚE<br /> | |||
BHESE ÁSE SHUNI APALAK COKHE<br /> | |||
SHRUTIR PRAETI MANE NÁCE<br /> | |||
TUMI CHILE PRABHU KÁCHE KÁCHE<br /> | |||
E KII TAVA LIILÁ HIYÁ NIYE KHELÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
E KII TAVA LIILÁ HIYÁ NIYE KHELÁ<br /> | |||
E KII TAVA LIILÁ HIYÁ NIYE KHELÁ<br /> | |||
AŃU CETANÁR E KII AVAHELÁ<br /> | |||
PARÁITE CÁI MÁLAINCA MÁLÁ<br /> | |||
MANER MOHAN MADHU MÁSE<br /> | |||
TUMI CHILE PRABHU KÁCHE KÁCHE<br /> | |||
TANDRÁ JAKHAN BHARÁ CHILO COKHE<br /> | |||
TUMI CHILE PRABHU KÁCHE KÁCHE<br /> | |||
O Lord, when the drowsiness had filled the eyes, You were close by. Opening the eyes, I<br /> | |||
saw whether You moved away, as only the ankle bell was sounding. From the distant heavenly<br /> | |||
nebula, continuously the tinkling of melody comes floating that I hear without winking the<br /> | |||
eyes. The melody and satisfaction to the ears dances in the mind. What an illusive game<br /> | |||
liila of Yours, is this with my heart? What a neglect of unit microcosmic<br /> | |||
consciousness? I wanted to place the garland of the garden in the charming spring of the<br /> | |||
mind.<br /> | |||
=== 3253 (12/12/1985) D === | |||
INDRA DHANUTE RÚPER D́ÁLITE<br /> | |||
PRATHAM ÁSIÁ CHILE KABE<br /> | |||
JIIVA TARU LATÁ, JIIVA TARU LATÁ<br /> | |||
JIIVA TARU LATÁ GULMA CHILO NÁ<br /> | |||
CHILO NÁKO PRÁŃA ANUBHAVE<br /> | |||
PRATHAM ÁSIÁ CHILE KABE<br /> | |||
RAVI JEGE CHILO TAMASÁ NÁSHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RAVI JEGE CHILO TAMASÁ NÁSHI<br /> | |||
RAVI JEGE CHILO TAMASÁ NÁSHI<br /> | |||
CHILO SAMUDRA TARAUNGA RÁSHI<br /> | |||
KRŚŃA MEGHETE BIJALIR HÁSI<br /> | |||
CHILO SE DINER ÁDI NABHE<br /> | |||
PRATHAM ÁSIÁ CHILE KABE<br /> | |||
PRÁGAETIHÁSIK SARE GECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRÁGAETIHÁSIK SARE GECHE<br /> | |||
PRÁGAETIHÁSIK SARE GECHE<br /> | |||
NAVA ITIHÁS RACITA HOYECHE<br /> | |||
SUR TARAUNGE BHUVAN BHARECHE<br /> | |||
MÁNUŚE VIHAGE TAVA STAVE<br /> | |||
PRATHAM ÁSIÁ CHILE KABE<br /> | |||
INDRA DHANUTE RÚPER D́ÁLITE<br /> | |||
PRATHAM ÁSIÁ CHILE KABE<br /> | |||
O Lord, putting colour in the rainbow, when did You come for the first time? There were no<br /> | |||
living beings, trees, creepers or shrubs; there was no feeling of vitality. The sun arose<br /> | |||
destroying the darkness; there were series of waves in the ocean. Lighting smiled through<br /> | |||
the dark clouds. The initial sky was there on that day. The prehistoric passed away, new<br /> | |||
history was created. With the waves of melodies the world was filled. The mankind and<br /> | |||
creatures like bird prayed You.<br /> | |||
=== 3254 (13/12/1985) K === | |||
BHÁLOBESE JE ESE CHILO<br /> | |||
SE KENO DÚRE SARE GELO<br /> | |||
ÚŚÁR ÁLOYA<br /> | |||
ÚŚÁR ÁLOYA JE HESE CHILO<br /> | |||
SÁNJHER KÁLOTE MISHÁLO<br /> | |||
SE KENO DÚRE SARE GELO<br /> | |||
OGO BEDARDII<br /> | |||
OGO BEDARADII MORE BOLE DÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
OGO BEDARADII MORE BOLE DÁO<br /> | |||
KUSUME KENO KÁNT́ÁTE SÁJÁO<br /> | |||
ARUŃODAYE JE PHÚL PHUT́E CHILO<br /> | |||
KHAR TÁPE KENO SHUKÁLO<br /> | |||
SE KENO DÚRE SARE GELO<br /> | |||
MAN NIYE TAVA<br /> | |||
MAN NIYE TAVA E KII LIILÁ KHELÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAN NIYE TAVA E KII LIILÁ KHELÁ<br /> | |||
MAN NIYE TAVA E KII LIILÁ KHELÁ<br /> | |||
NÁ MÁNO KÁLÁKÁLA BELÁ ABELÁ<br /> | |||
TOMÁR JÁ KHUSHI<br /> | |||
TOMÁR JÁ KHUSHI ÁMI KÁNDI HÁSI<br /> | |||
ÁMÁR KHUSHITE NÁHI CALO<br /> | |||
SE KENO DÚRE SARE GELO<br /> | |||
BHÁLOBESE JE ESE CHILO<br /> | |||
SE KENO DÚRE SARE GELO<br /> | |||
He who came by love, why did He go away far? He who smiled in the morning light, got<br /> | |||
dissolved in the darkness of the evening. O the compassionless, tell me, why did You adorn | |||
the flowers with thorns? The flowers that bloomed in the dawn, why they dried up due to<br /> | |||
intense heat of the sun? Thi illusive game, liila, of Yours, taking the mind, and You<br /> | |||
do not heed to any particular time. Whatever be Your wish, I smile and cry, You do not<br /> | |||
move as per my desires.<br /> | |||
=== 3255 (13/12/1985) K === | |||
TUMI YADI NÁHI ELE<br /> | |||
KISER TARE E MÁLÁ RÁKHÁ<br /> | |||
JYOTSNÁ YADI NÁHI ELO<br /> | |||
VRITHÁI KUMUDIR MADHUMÁKHÁ<br /> | |||
KISER TARE E MÁLÁ RÁKHÁ<br /> | |||
AMÁNISHÁY CAKORII HÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AMÁNISHÁY CAKORII HÁY<br /> | |||
KISER ÁSHÁY NABHAH PÁNE CÁY<br /> | |||
SARVA KÁLER HE MOR PRIYA<br /> | |||
KENO KRIŚŃA MEGHE D́HÁKÁ<br /> | |||
KISER TARE E MÁLÁ RÁKHÁ<br /> | |||
MANER KATHÁ TUMI JÁNO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER KATHÁ TUMI JÁNO<br /> | |||
NÁ PÁOÁR VYATHÁ JAMÁNO<br /> | |||
MAN KE YADI NÁ NITE CÁO<br /> | |||
KISER BHAYE LUKIYE THÁKÁ<br /> | |||
KISER TARE E MÁLÁ RÁKHÁ<br /> | |||
TUMI YADI NÁHI ELE<br /> | |||
KISER TARE E MÁLÁ RÁKHÁ<br /> | |||
O Lord, if You do not come, what for have I preserved this garland? If the moonlight does<br /> | |||
not come, wasteful is the use of smearing honey by the lily. Alas, the cakorii bird, in | |||
the dark night, expecting whom does she look towards the sky? You know the affairs of my<br /> | |||
mind, the accumulated pain of nonachievement. If You do not want to take the mind, for<br /> | |||
whose fear You remain hidden?<br /> | |||
=== 3256 (13/12/1985) K === | |||
NÚTAN ÚŚÁY<br /> | |||
NÚTAN ÚŚÁY SE ESE CHILO<br /> | |||
DÚR ÁLOKE BHESE GELO<br /> | |||
MANER KAOSTUBHE JEGE CHILO<br /> | |||
ÁNDHÁR KARE KOTHÁ LÚKÁLO<br /> | |||
ESE CHILO, DÚR ÁLOKE BHESE GELO<br /> | |||
KENO SE ÁSE KENO SE JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KENO SE ÁSE KENO SE JÁY<br /> | |||
KENO SE ÁSE KENO SE JÁY<br /> | |||
KENO SE ÁSE KENO SE JÁY<br /> | |||
CHANDE HÁSÁY CHANDE KÁNDÁY<br /> | |||
HÁSI KÁNNÁR CUNI PÁNNÁR<br /> | |||
ÁŔALE SMRITI ENKE DILO<br /> | |||
ESE CHILO, DÚR ÁLOKE BHESE GELO<br /> | |||
VASANTERAI PUŚPA SHOBHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VASANTERAI PUŚPA SHOBHÁY<br /> | |||
VASANTERAI PUŚPA SHOBHÁY<br /> | |||
VASANTERAI PUŚPA SHOBHÁY<br /> | |||
DHARÁ DIYEO DHARÁ NÁHI DEYA<br /> | |||
PHÁGUNE KIḾSHUKER ÁGUNE<br /> | |||
RAḾGER NESHÁTE MÁTÁLO<br /> | |||
ESE CHILO, DÚRÁLOKE BHESE GELO<br /> | |||
NÚTAN ÚŚÁY, NÚTAN ÚŚÁY SE ESE CHILO<br /> | |||
DÚR ÁLOKE BHESE GELO<br /> | |||
He came at the new morning and floated away in distant effulgence. The gem of the mind<br /> | |||
started shining and the darkness has hidden. Why does He come and why does He go away?<br /> | |||
With rhythm He makes me smile and with rhythm He makes me cry. Picking up the emeralds<br /> | |||
with cries and smile, He made mark behind the memories. With the decoration and beauty of<br /> | |||
the spring season, even after coming into folds, He does not stay. But with the fire of<br /> | |||
the red kim’shuk flowers, in the spring, He makes me frenzied with intoxication of<br /> | |||
colours.<br /> | |||
=== 3257 (14/12/1985) D === | |||
TOMÁRI TARE KATA NÁ KENDECHI<br /> | |||
TABU ELE NÁKO MOR GHARE<br /> | |||
MÁLÁ GÁNTHIYÁCHI VEDII SÁJÁYECHI<br /> | |||
MÁLÁ GÁNTHIYÁCHI<br /> | |||
MÁLÁ GÁNTHIYÁCHI VEDII SÁJÁYECHI<br /> | |||
DIIP JVÁLIYÁCHI PRIITI BHARE<br /> | |||
TABU ELE NÁKO MOR GHARE<br /> | |||
PRÁŃER DEVATÁ KOTHÁ GELE TUMI<br /> | |||
PRÁŃER DEVATÁ KOTHÁ GELE TUMI<br /> | |||
PRÁŃER DEVATÁ KOTHÁ GELE TUMI<br /> | |||
RIKTA REKHE ÁMÁR CITI BHÚMI<br /> | |||
SMARAŃE TOMÁY, SMARAŃE TOMÁY<br /> | |||
SHATA SHATA NAMI, PRAŃÁM LAITE CÁHO PHIRE<br /> | |||
TABU ELE NÁKO MOR GHARE<br /> | |||
KARITE PÁRO JÁ ICCHÁ TAVA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KARITE PÁRO JÁ ICCHÁ TAVA<br /> | |||
TUCCHA KARE JIIVAN ÁSAVA<br /> | |||
E ÁSAVE JVÁLÁ E ÁSAVE JVÁLÁ<br /> | |||
E ÁSAVE JVÁLÁ ÁLOKOTSAVA<br /> | |||
DITE DIIPÁVALI TOMÁRE<br /> | |||
TABU ELE NÁKO MOR GHARE<br /> | |||
TOMÁRI TARE KATA NÁ KENDECHI<br /> | |||
TABU ELE NÁKO MOR GHARE<br /> | |||
O Lord, for You, how much I cried, still You did not come to my home. I thread garland<br /> | |||
decorate the altar, kindle lamp with love. O the God of my life, where did You go, leaving<br /> | |||
my mind vacant? Remembering You I bow hundreds of times, accept my salutations at least.<br /> | |||
Whatever You wish You do, ignoring the essence of my life. By burning this essence in the<br /> | |||
lamps, I offer You the celebration of lights.<br /> | |||
=== 3258 (15/12/1985) K === | |||
OI, NAVA GHANA NIIL GAGANE<br /> | |||
ESE CHILE TUMI HESE CHILE<br /> | |||
TUMI, ESE CHILE TUMI HESE CHILE<br /> | |||
TÁRÁY TÁRÁY ÁR NIIHÁRIKÁY<br /> | |||
ÁLOR DHÁRÁY NÁCÁLE<br /> | |||
ESE CHILE TUMI HESE CHILE<br /> | |||
KAOSTUBHA KÁNTITE MARAKAT DYUTITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KAOSTUBH KÁNTITE MARAKAT DYUTITE<br /> | |||
KAOSTUBH KÁNTITE MARAKAT DYUTITE<br /> | |||
ASIIMER UTSA HOTE ELE BHÁVA SHROTE<br /> | |||
NECE CALO ASHEŚE MANER PARIDHI SHEŚE<br /> | |||
BHÁVE BHÁVÁTIITE MESHÁLE<br /> | |||
ESE CHILE TUMI HESE CHILE<br /> | |||
KŚUDRA BUDDHITE TOMÁR GUŃÁLOCANÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KŚUDRA BUDDHITE TOMÁR GUŃÁLOCANÁ<br /> | |||
KŚUDRA BUDDHITE TOMÁR GUŃÁLOCANÁ<br /> | |||
KŚUDRA BUDDHITE TOMÁR GUŃÁLOCANÁ<br /> | |||
SAMUDRA SAEKATE BÁLUKÁR KAŃÁ GONÁ<br /> | |||
BHÁLOBÁSÁ SHUDHU JÁY PÁOÁR NÁHI UPÁY<br /> | |||
ANUBHÚTI KARUŃÁ PELE<br /> | |||
ESE CHILE TUMI HESE CHILE<br /> | |||
OI, NAVA GHANA NIIL GAGANE<br /> | |||
ESE CHILE TUMI HESE CHILE<br /> | |||
O Lord, into that new intensely blue sky, You appeared and smiled. Into the stars and<br /> | |||
nebula, You made the effulgence dance. With the glow of the kaostubha diamond, and shine<br /> | |||
of emerald, originating from the infinite, You came through the stream of ideation. You go<br /> | |||
on dancing endlessly, to the limit of the mind, merging the thoughts with that beyond<br /> | |||
thoughts. Analyzing Your attributes with meagre intellect is like counting the particles<br /> | |||
of sand on the shore of the ocean. There is no alternative but only to love for attaining<br /> | |||
You, by realizing with Your mercy.<br /> | |||
=== 3259 (15/12/1985) K === | |||
JYOTSNÁ NISHITE SMITA JÚTHIKÁTE<br /> | |||
ÁLOKERI RATHE KE TUMI ELE<br /> | |||
ÁMÁR SÁTHE NIRÁLÁTE<br /> | |||
E LUKOCURITE KENO MÁTILE<br /> | |||
KE TUMI ELE<br /> | |||
NEIKO KONO SAMPAD ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NEIKO KONO SAMPAD ÁMÁR<br /> | |||
NEIKO KONO SAMPAD ÁMÁR<br /> | |||
NEIKO KONO SAMPAD ÁMÁR<br /> | |||
PÁITE VINIMAYE PRIITI TOMÁR<br /> | |||
JÁ DIYECHO NÁO MOR PÁNE CÁO<br /> | |||
JEO NÁ EKALÁ CHEŔE CALE<br /> | |||
KE TUMI ELE<br /> | |||
YUGE YUGE TAVA VICITRA LIILÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
YUGE YUGE TAVA VICITRA LIILÁ<br /> | |||
YUGE YUGE TAVA VICITRA LIILÁ<br /> | |||
YUGE YUGE TAVA VICITRA LIILÁ<br /> | |||
KAKHANO ÁNDHÁRE KABHU ÁLOKE KHELÁ<br /> | |||
BHÁLOBÁSO BALE ÁSO NÁNÁ CHALE<br /> | |||
RÁKHO NÁ KAKHANO DÚRE PHELE<br /> | |||
KE TUMI ELE<br /> | |||
JYOTSNÁ NISHITE SMITA JÚTHIKÁTE<br /> | |||
ÁLOKERI RATHE KE TUMI ELE<br /> | |||
Who is that You who came in the moonlit night with smiling juhi flowers, riding on the<br /> | |||
chariot of light, accompanying me during my isolation? Why have You intoxicated me with<br /> | |||
this hide and seek? I have no wealth, enabling me to obtain Your love in exchange.<br /> | |||
Whatever You have given me see that. But do not go leaving me alone. Your amazing illusive<br /> | |||
game, liila, coming from ages, is sometimes dark and sometimes light. Even with force<br /> | |||
of love You do not come making many delusions, and sometimes You do not keep the<br /> | |||
distance.<br /> | |||
=== 3260 (15/12/1985) D === | |||
ÁMÁRE, DÁO NÁ KENO DHARÁ<br /> | |||
D́ÁKI NIRAVADHI SHUNE THÁKO YADI’<br /> | |||
KEMAN PRIITIR DHÁRÁ<br /> | |||
ÁMÁRE, DÁO NÁ KENO DHARÁ<br /> | |||
SANDHYÁ MÁLATIITE KHARO NIDÁGHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SANDHYÁ MÁLATIITE KHARO NIDÁGHE<br /> | |||
GHANA VARAŚÁY KETAKI PARÁGE<br /> | |||
SHARATE SHEFÁLIR PRIITI ANURÁGE<br /> | |||
KUSHE KÁSHE ÁLO JHARÁ<br /> | |||
ÁMÁRE, DÁO NÁ KENO DHARÁ<br /> | |||
HEMANTERI LAGHU HIMÁNIITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HEMANTERI LAGHU HIMÁNIITE<br /> | |||
SHISHIRE TIIVRA TUHIIN SHAETE<br /> | |||
MADHU MÁSE MADHUKAR GHRÁŃETE<br /> | |||
PHÁGER RÁGETE BHARÁ<br /> | |||
ÁMÁRE, DÁO NÁ KENO DHARÁ<br /> | |||
D́ÁKI NIRAVADHI SHUNE THÁKO YADI’<br /> | |||
KEMAN PRIITIR DHÁRÁ<br /> | |||
ÁMÁRE, DÁO NÁ KENO DHARÁ<br /> | |||
O Lord, why do not You come into my folds? You may be listening that I call constantly<br /> | |||
how is the flow of love? The evening flower of malatii, during intense sun, fragrance of<br /> | |||
ketakii during rains, the loving affection of the shefa’lii flower during autumn, and on | |||
tall grasses, light is emanated. The small flakes of snow during winter, the intense drop<br /> | |||
of snow in prowinter cold, the smell of bee in the spring, all are filled with colour of<br /> | |||
springfestivity.<br /> | |||
=== 3261 (15/12/1985) K === | |||
PRIYA ÁMÁR, PRIYATAMA TUMI MOR<br /> | |||
GHAN TAMASÁY JHAINJHÁ JHAT́IKÁY<br /> | |||
SÁTHE ÁCHO CITA CHOR<br /> | |||
PRIYA ÁMÁR, PRIYATAMA TUMI MOR<br /> | |||
ALAKH NIRAINJANA VIPAD BHAINJANA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKH NIRAINJANA VIPAD BHAINJANA<br /> | |||
PRÁŃER SPANDANA CITI BODHÁINJANA<br /> | |||
RÚPE GUŃE HRIDI BHOR<br /> | |||
PRIYA ÁMÁR, PRIYATAMA TUMI MOR<br /> | |||
SE KÁRE BHAYA KARE JE PÁY TOMÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE KÁRE BHAYA KARE JE PÁY TOMÁRE<br /> | |||
ANURÁGER D́ORE BÁNDHE SE TOMÁRE<br /> | |||
KÁT́E BÁDHÁ GHANA GHOR<br /> | |||
PRIYA ÁMÁR, PRIYATAMA TUMI MOR<br /> | |||
You are my dear Lord.<br /> | |||
You are my dearest.<br /> | |||
O stealer of unit minds<br /> | |||
during intense darkness<br /> | |||
in storms and typhoons<br /> | |||
You are with me.<br /> | |||
You are ever invisible<br /> | |||
untarnished<br /> | |||
destroyer of calamities<br /> | |||
pulsation of life<br /> | |||
and ointment for attaining cognition.<br /> | |||
Your beauty and qualities engross my heart.<br /> | |||
One who attains You fears none.<br /> | |||
Such a person binds You with bonds of love and devotion.<br /> | |||
=== 3262 (16/12/1985) D+K === | |||
ÁMÁRI VYATHÁTE GALE<br /> | |||
ÁMÁRE DEKHIBE BOLE<br /> | |||
ESECHO KI EI DHARÁTALE<br /> | |||
HRIDAYE MÁDHURII BHARÁ<br /> | |||
HÁSITE MUKUTÁ JHARÁ<br /> | |||
ÁNKHITE PRIITIR KAJJALE<br /> | |||
THÁKONI TRIDASHE TUMI<br /> | |||
ESECHORABHASE NÁMI<br /> | |||
MANERA KORAKE LIILÁ CHALE<br /> | |||
ESECHO KI EI DHARÁTALE<br /> | |||
NÁMA RÚPA TAVA NÁI<br /> | |||
SHATA NÁME RÚPE PÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NÁMA RÚPA TAVA NÁI<br /> | |||
SHATA NÁME RÚPE PÁI<br /> | |||
BUDDHI KE TALIYE DILE<br /> | |||
THEKO MOR SÁTHE SÁTHE<br /> | |||
SAB KÁLE KÁLÁTIITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
THEKO MOR SÁTHE SÁTHE<br /> | |||
SAB KÁLE KÁLÁTIITE<br /> | |||
MADHURA BHÁVE CITI KAMALE<br /> | |||
ESECHO KI EI DHARÁTALE<br /> | |||
ÁMÁRI VYATHÁTE GALE<br /> | |||
ÁMÁRE DEKHIBE BOLE<br /> | |||
ESECHO KI EI DHARÁTALE<br /> | |||
Is it that observing my pain | |||
You melted<br /> | |||
and descended onto this earth<br /> | |||
to attend to me?<br /> | |||
You came with a heart full of sweetness<br /> | |||
with a pearl scattering smile<br /> | |||
and with eyes marked with the collyrium of love.<br /> | |||
You refused to remain in heaven | |||
You have descended in divine sport.<br /> | |||
You do not have any particular name or form.<br /> | |||
I find You in hundreds of names and forms.<br /> | |||
In the tender blossom of my mind<br /> | |||
in Your mysterious play<br /> | |||
You drowned my intellect.<br /> | |||
Remain with me always<br /> | |||
within and beyond the periphery of time<br /> | |||
in sweet ideation | |||
in the lotus of my heart.<br /> | |||
=== 3263 (17/12/1985) K === | |||
NÁ BOLE ELE NÁ BOLE GELE<br /> | |||
NÁ BOLE ELE NÁ BOLE GELE<br /> | |||
NÁ BOLE ELE NÁ BOLE GELE<br /> | |||
CARAŃ CIHNA REKHE GELE<br /> | |||
VYATHÁY PRALEP DIYE GELE<br /> | |||
ÁSHÁR PRADIIP JVELE DILE<br /> | |||
NÁ BOLE ELE NÁ BOLE GELE<br /> | |||
SAPTA LOKERA TUMII ADHIISHA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAPTA LOKERA TUMII ADHIISHA<br /> | |||
SARVA DYOTANÁR TUMII ATIISHA<br /> | |||
BHÁVÁTIITA HOYEO TABU<br /> | |||
LIILÁY DHARÁ CHONYÁY ELE<br /> | |||
NÁ BOLE ELE NÁ BOLE GELE<br /> | |||
KŚUDRA MANANE KII I BÁ BUJHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KŚUDRA MANANE KII I BÁ BUJHI<br /> | |||
KARUŃÁ KAŃÁY ÁDHÁR KHUNJI<br /> | |||
VARAŃE VARAŃE BHÁVOTTARAŃE<br /> | |||
KÁRÁR ARGAL SARÁLE<br /> | |||
NÁ BOLE ELE NÁ BOLE GELE<br /> | |||
O Lord, You came without announcing and went away without telling. But You left Your<br /> | |||
footprints, applied balm on the pain, and kindled light of hope. You are the controller of<br /> | |||
the seven arenas, You surpass all indications, and still You remain beyond the<br /> | |||
imagination. By Your illusive game, You came to touch this earth. With a limited meagre<br /> | |||
mind how can I understand that and search the basis of the particles of mercy. With<br /> | |||
diverse colours and descend of ideation, You have opened the closing bolt of the prison.<br /> | |||
=== 3264 (18/12/1985) D === | |||
TOMÁR ÁMÁR<br /> | |||
TOMÁR ÁMÁR PRIITIR E HÁR<br /> | |||
KE GENTHE CHILO TUMI NÁ ÁMI<br /> | |||
BOLO, ÁMI CHILUM DHÚLIR DHARÁY<br /> | |||
MÁT́IR PARE MÁT́IR PRADIIP DHARE<br /> | |||
SAKÁL SÁNJHE PRIYA TOMÁY NAMI<br /> | |||
KE GENTHE CHILO TUMI NÁ ÁMI<br /> | |||
MOR HÁTE CHILO MÁLATI MÁLÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MOR HÁTE CHILO MÁLATI MÁLÁ<br /> | |||
PRÁŃER PARÁG MÁKHÁ MADHU D́HÁLÁ<br /> | |||
TOMÁR KANT́HE VAEJAYANTI MÁLÁ<br /> | |||
KAOSTUBHER DYUTITE ELE NÁMI<br /> | |||
KE GENTHE CHILO TUMI NÁ ÁMI<br /> | |||
ÁMÁR ÁMI KE DILUM MÁLÁY TULE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR ÁMI KE DILUM MÁLÁY TULE<br /> | |||
KŚUDRATÁR SAKAL SIIMÁNÁ BHÚLE<br /> | |||
SARVA SATTÁ MOR UT́HALO DÚLE<br /> | |||
BHÁVA KE NILE BHÁVÁTIITE TUMI<br /> | |||
KE GENTHE CHILO TUMI NÁ ÁMI<br /> | |||
O Lord, this garland of love between You and me, tell me, who has threaded, You or me? I<br /> | |||
was on the dusty earth, lying in mud holding earthen lamp, saluting You mornings and<br /> | |||
evenings. In my hands was the garland of malatii flowers, smeared with the lively<br /> | |||
fragrance and honey. In Your neck was garland of vaejayantii flowers, and emanating the<br /> | |||
brilliance of kaostubha diamond, You came down. I am offering my own self, “I”<br /> | |||
lifting the garland, forgetting all limitations of smallness, my whole existence started<br /> | |||
shaking, when You took the feeling, O the entity beyond thoughts.<br /> | |||
=== 3265 (18/12/1985) D === | |||
RÁKHÁL RÁJÁ RE<br /> | |||
RÁKHÁL RÁJÁRE<br /> | |||
KÁKE TUMI SÁJÁO PHÚLE<br /> | |||
BÁJÁO BÁNSHII KÁR TARE<br /> | |||
RÁKHÁL RÁJÁ RE<br /> | |||
RÁKHÁL RÁJÁRE<br /> | |||
AHARNISHI TOMÁR HÁSI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AHARNISHI TOMÁR HÁSI<br /> | |||
VYATHÁY PRALEP DEY JE ÁSI<br /> | |||
AHARNISHI TOMÁR HÁSI<br /> | |||
VYATHÁY PRALEP DEY JE ÁSI<br /> | |||
NÁ DEKHIÁO BHÁLOBÁSI<br /> | |||
TOMÁY MANER MUKURE<br /> | |||
RÁKHÁL RÁJÁ RE<br /> | |||
RÁKHÁL RÁJÁRE<br /> | |||
ANANTA KÁLA TUMI ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANANTA KÁLA TUMI ÁCHO<br /> | |||
MAN YAMUNÁY MÁTIYECHO<br /> | |||
ANANTA KÁLA TUMI ÁCHO<br /> | |||
MAN YAMUNÁY MÁTIYECHO<br /> | |||
SRŚT́I STHITI LAYE ÁCHO<br /> | |||
KÁLÁKÁLER BÁHIRE<br /> | |||
RÁKHÁL RÁJÁ RE<br /> | |||
RÁKHÁL RÁJÁRE<br /> | |||
O cowherd prince!<br /> | |||
Who do You decorate with flowers<br /> | |||
and what for do You play Your flute?<br /> | |||
Day and night<br /> | |||
Your smile bestows healing balms on sorrows.<br /> | |||
Even without physically seeing You<br /> | |||
I love You<br /> | |||
in the mirror of mind.<br /> | |||
You exist for all time<br /> | |||
intoxicating the stream of my mental Yamuna’ river.<br /> | |||
You dance on | |||
in creation, preservation and destruction | |||
both within and beyond the scope of time.<br /> | |||
=== 3266 (18/12/1985) D === | |||
ÁMI TOMÁY BHÁLOBÁSI, TÁI<br /> | |||
MAN KE DILUM JENE SHUNE<br /> | |||
TOMÁR MADHUR MIŚT́I HÁSI<br /> | |||
SARÁY SAKAL ABHIMÁNE<br /> | |||
TÁI, MAN KE DILUM JENE SHUNE<br /> | |||
TUMI, ÁCHO TÁI TO ÁCHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI, ÁCHO TÁI TO ÁCHI<br /> | |||
TOMÁR MANEI GHAR BENDHECHI<br /> | |||
DUHKHA SUKHER GIIT RACECHI<br /> | |||
TOMÁR MANER PHÚL VANE<br /> | |||
TÁI, MAN KE DILUM JENE SHUNE<br /> | |||
TOMÁY ÁMI CÁI JIIVANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁY ÁMI CÁI JIIVANE<br /> | |||
ÁCHI SATRIŚŃA NAYANE<br /> | |||
MAN YAMUNÁ DHÁY UJÁNE<br /> | |||
TOMÁR PRIITI SPANDANE<br /> | |||
TÁI, MAN KE DILUM JENE SHUNE<br /> | |||
ÁMI TOMÁY BHÁLOBÁSI, TÁI<br /> | |||
MAN KE DILUM JENE SHUNE<br /> | |||
O Lord, I love You, that is why I have given You my mind knowingly. Your sweet smile<br /> | |||
removes the entire ego in me. You are there hence I exist and build home within Your mind.<br /> | |||
I create songs during pain and pleasure within Your floral garden. I want You in my life<br /> | |||
with earnest thirst in my eyes. My mental river Yamuna’ rushes overflowing, due the<br /> | |||
vibration of Your love.<br /> | |||
=== 3267 (19/12/1985) D === | |||
GÁN GEYE GEYE MÁDHURII CHAŔÁYE<br /> | |||
KE GO ELE MOR MANOVANE<br /> | |||
DEKHINI KAKHANO NAYANE<br /> | |||
ÚŚÁR ÁLOY MANDA BHÁLOY<br /> | |||
EK KARE NILE SURE TÁNE<br /> | |||
DEKHINI KAKHANO NAYANE<br /> | |||
ÁTMA PAR BÁHIR BHIITAR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁTMA PAR BÁHIR BHIITAR<br /> | |||
NEIKO TOMÁR GHRŃÁ ANÁDAR<br /> | |||
SABÁI KE NIYE NIKHIL NILAYE<br /> | |||
NÁCO SUSMITA SPANDANE<br /> | |||
DEKHINI KAKHANO NAYANE<br /> | |||
ALAKHA PURUŚA E KII LIILÁ TAVA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKHA PURUŚA E KII LIILÁ TAVA<br /> | |||
ANUBHÚTI DÁO NITI NAVA NAVA<br /> | |||
BHÁVA HOTE BHÁVÁTIITE ABHINAVA<br /> | |||
BHESE CALE JÁO MANANE<br /> | |||
DEKHINI KAKHANO NAYANE<br /> | |||
GÁN GEYE GEYE MÁDHURII CHAŔÁYE<br /> | |||
KE GO ELE MOR MANOVANE<br /> | |||
DEKHINI KAKHANO NAYANE<br /> | |||
Singing songs and scattering sweetness, who has come into my mental garden? I have never<br /> | |||
seen Him with eyes. With the morning light, by tunes and melodies, He unified all good and<br /> | |||
bad. Own and others, outside and inside, for You there is no hatred or disrespect. Taking<br /> | |||
all in the whole home, You dance with smiling vibration. O the unseen Lord, what an | |||
illusive game, liila, is Yours, You provide ever new feelings. From thought to beyond<br /> | |||
that in new way, You go on floating in the mind.<br /> | |||
=== 3268 (19/12/1985) K === | |||
ÁLOKERI SÁTHE ESECHILE<br /> | |||
JYOTI DHÁRÁ CHAŔÁLE<br /> | |||
NÁ D́ÁKITEI ESE GELE<br /> | |||
NÁ BOLE MÁDHURII MÁKHÁLE<br /> | |||
JYOTI DHÁRÁ CHAŔÁLE<br /> | |||
PUINJIBHÚTA GLÁNI JATA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PUINJIBHÚTA GLÁNI JATA<br /> | |||
NIMEŚE DÚRE SARE GELO<br /> | |||
PAUNKILATÁR GHÚRŃÁVARTE<br /> | |||
BHÁLOBÁSÁ JÁGILO<br /> | |||
CENÁ NÁ CENÁ MAN MÁNE NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CENÁ NÁ CENÁ MAN MÁNE NÁ<br /> | |||
BHÁSE MAMATÁR PÁ MELE<br /> | |||
JYOTI DHÁRÁ CHAŔÁLE<br /> | |||
ASHRU BHARÁ MANERI KATHÁ<br /> | |||
PALAKE HOLO PULAKE GÁNTHÁ<br /> | |||
RANDHRE RANDHRE PRIITI VÁRATÁ<br /> | |||
SHRUTI SMRITITE BHARÁLE<br /> | |||
JYOTI DHÁRÁ CHAŔÁLE<br /> | |||
ÁLOKERI SÁTHE ESECHILE<br /> | |||
JYOTI DHÁRÁ CHAŔÁLE<br /> | |||
O Lord, You came along with the light, scattering the flow of effulgence. You came without<br /> | |||
announcing and smeared sweetness without telling. All the accumulated agonies, was removed<br /> | |||
within moment. Amid the muddy cyclone, love awakened. The mind does not accept the known | |||
and unknown and floats into affection comfortably spreading the feet. The tearful mental<br /> | |||
story became studded with joy within moment. With the message of love, You pervaded and<br /> | |||
filled each pore of the memories and ears.<br /> | |||
=== 3269 (19/12/1985) D === | |||
DIIP JVELE JÁI, KHUSHITE BHARAI<br /> | |||
ÁMI TOMÁDER, ÁMI TOMÁDER<br /> | |||
KEU PAR NÁI, ÁPAN JE SABÁI<br /> | |||
ANÁDI KÁLER<br /> | |||
ÁMI TOMÁDER, ÁMI TOMÁDER<br /> | |||
DIIP JVELE JÁI<br /> | |||
KHUSHITE BHARAI<br /> | |||
ÁMI TOMÁDER, ÁMI TOMÁDER<br /> | |||
ASHRU SIKTA ÁNKHI ÁMI<br /> | |||
DEKHITE NÁ CÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ASHRU SIKTA ÁNKHI ÁMI<br /> | |||
DEKHITE NÁ CÁI<br /> | |||
BHÁVA NIŚIKTA PRIITI SADÁI<br /> | |||
CEYE CEYE JÁI<br /> | |||
KEU DÚRE THEKO NÁ<br /> | |||
ÁMÁKE BHÚL BUJHO NÁ<br /> | |||
E LIILÁ ÁNANDER<br /> | |||
ÁMI TOMÁDER, ÁMI TOMÁDER<br /> | |||
GÁNER SURE RÁGÁNURÁGETE RAYECHI<br /> | |||
HRDAY BHARE PHÚL PARÁGE<br /> | |||
BHESE CALECHI<br /> | |||
DÚLI PRIITIIR MÁLÁY GIITI MEKHALÁY<br /> | |||
BELÁY JIIVANERA<br /> | |||
ÁMI TOMÁDER, ÁMI TOMÁDER<br /> | |||
DIIP JVELE JÁI, KHUSHITE BHARAI<br /> | |||
ÁMI TOMÁDER, ÁMI TOMÁDER<br /> | |||
“I keep kindling lamps<br /> | |||
I ever remain full of joy.<br /> | |||
I am Yours and Yours alone.<br /> | |||
None is distant from me.<br /> | |||
All have been my own since time immemorial.<br /> | |||
I don't want to see your tearful eyes.<br /> | |||
I wish to always see the moist love of your feelings.<br /> | |||
Let no one remain far.<br /> | |||
Let no one misunderstand me<br /> | |||
in this blissful game.<br /> | |||
I exist in the tunes and melodies of songs.<br /> | |||
I keep floating in the pollen of flowers.<br /> | |||
I swing the garland of love<br /> | |||
and adorn songs on life's shore.”<br /> | |||
=== 3270 (20/12/1985) K+D === | |||
PHÚLER MÁLÁY EI ABELÁY<br /> | |||
DHULÁY JHARITE DIO NÁ<br /> | |||
MANER SUŚAMÁ PRIITI ANUPAMÁ<br /> | |||
E BHÁVE BHULIÁ JEO NÁ<br /> | |||
DHULÁY JHARITE DIO NÁ<br /> | |||
TILE TILE PHÚL KARECHI CAYAN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TILE TILE PHÚL KARECHI CAYAN | |||
KHUNJIÁ ÁMÁR CITTA UPAVAN | |||
MÁLÁ GÁNTHIÁCHI, MÁLÁ GÁNTHIÁCHI<br /> | |||
MÁLÁ GÁNTHIÁCHI KARIÁ JATAN | |||
UPEKŚÁ TÁRE KARO NÁ<br /> | |||
DHULÁY JHARITE DIO NÁ<br /> | |||
JÁNI IHÁ TUCCHA TOMÁR KÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁNI IHÁ TUCCHA TOMÁR KÁCHE<br /> | |||
AYUTA RATAN ÁRO TAVA ÁCHE<br /> | |||
MOR NIRYÁS, MOR NIRYÁS<br /> | |||
MOR NIRYÁS, ETE MILIYÁCHE<br /> | |||
E KATHÁ BHÁVIÁ DEKHI NÁ<br /> | |||
DHULÁY JHARITE DIO NÁ<br /> | |||
PHÚLER MÁLÁY EI ABELÁY<br /> | |||
DHULÁY JHARITE DIO NÁ<br /> | |||
O Lord, the floral garland at this immature time, do not allow to fall and get withered<br /> | |||
into dust, without garlanding You. The beauty of my heart with incomparable love, do not<br /> | |||
ignore like this. I have collected the flowers, after minute selection, searching in my<br /> | |||
mental garden. Carefully I have threaded the garland, please do not neglect it. I know<br /> | |||
this is just meagre before You, as You possess much more immense wealth of gems. But my<br /> | |||
essence of existence is merged in this, let this fact be observed.<br /> | |||
=== 3271 (21/12/1985) === | |||
D́EKE CHILUM ASHRU NIIRE<br /> | |||
TABU PRIYA CÁONIKO PHIRE<br /> | |||
BHÁVA JAGATER MADHYAMAŃI<br /> | |||
RAYE GELE BAHU DÚRE<br /> | |||
TABU PRIYA CÁONIKO PHIRE<br /> | |||
TOMÁR ÁMÁR E PRIITIR HÁR<br /> | |||
KEU JÁNENÁ ITIKATHÁR<br /> | |||
HÁSI KÁNNÁR CÚNII PÁNNÁR<br /> | |||
ÁSHÁ NIRÁSHÁR GÁNTHÁ D́ORE<br /> | |||
TABU PRIYA CÁONIKO PHIRE<br /> | |||
CEYE DEKHI HAT́HÁT E KII<br /> | |||
NAIKO ÁMI KABHU EKÁKII<br /> | |||
BHÁVA JAGATE NEIKO PHÁNKI<br /> | |||
RANDHRE RANDHRE ÁCHO BHARE<br /> | |||
TABU PRIYA CÁONIKO PHIRE<br /> | |||
D́EKE CHILUM ASHRU NIIRE<br /> | |||
TABU PRIYA CÁONIKO PHIRE<br /> | |||
O Dear, I have been calling You with tearful eyes, yet You did not look at me. You<br /> | |||
remained far away as the central gem in the nucleus of the arena of ideation. This garland<br /> | |||
of love between You and me, nobody knows its history. This is threaded in the twine of<br /> | |||
hope and despair, picking up the emeralds of smile and cries. Suddenly what I observed is<br /> | |||
that I am not alone anytime. In the arena of ideation there is no deception, as You<br /> | |||
pervade each pore.<br /> | |||
=== 3272 (21/12/1985) D === | |||
ÁMI CHILUM DHULOY PAŔE<br /> | |||
TUMI T́ENE NILE KOLE<br /> | |||
DHULO JHEŔE BOLALE MORE<br /> | |||
THÁKO DHARÁ PARE MÁTHÁ TÚLE<br /> | |||
TUMI T́ENE NILE KOLE<br /> | |||
KATA TITHI PRAHAR GECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA TITHI PRAHAR GECHE<br /> | |||
ÁSHÁR ÁLO KATA NIVECHE<br /> | |||
TAVA CINMAYA PRIITIR MÁJHE<br /> | |||
DHRUVA JYOTI JVÁLÁLE<br /> | |||
TUMI T́ENE NILE KOLE<br /> | |||
JÁR KEHO NÁI TUMII ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁR KEHO NÁI TUMII ÁCHO<br /> | |||
JÁR KEHO NÁI TUMII ÁCHO<br /> | |||
DIIN HIIN KEO BHÁLOBESECHO<br /> | |||
CHÁYÁR MATA CHUNYE RAYECHO<br /> | |||
KÁLA SÁGARER UPAKÚLE<br /> | |||
TUMI T́ENE NILE KOLE<br /> | |||
ÁMI CHILUM DHULOY PAŔE<br /> | |||
TUMI T́ENE NILE KOLE<br /> | |||
O Lord, I was lying in the dust and You pulled me up in Your lap. Removing the dust, You<br /> | |||
told me, stay on the earth with raised head. How many days and hours have passed, how many<br /> | |||
lights of hope got extinguished, within You love full of conscience, You kindled the fixed<br /> | |||
constant light. You are for him who has none, loving the distressed and downtrodden. You<br /> | |||
ever keep touching and accompanying like a shadow, at the bank of the ocean of time.<br /> | |||
=== 3273 (21/12/1985) D === | |||
ÁMI, CÁI NÁ KICHU TOMÁR KÁCHE<br /> | |||
CÁI JE SHUDHU TOMÁKE<br /> | |||
JÁ ÁSE JÁY KI HOBE TÁY<br /> | |||
KÁNDÁY BHOLÁY ÁMÁKE<br /> | |||
CÁI JE SHUDHU TOMÁKE<br /> | |||
MAŃI MUKTÁY RAJAT HIRAŃ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAŃI MUKTÁY RAJAT HIRAŃ<br /> | |||
MAŃI MUKTÁY RAJAT HIRAŃ<br /> | |||
SÁT SÁGARER SAINCITA DHAN | |||
THÁKE NÁ ANANTA JIIVAN | |||
HÁSHI KHUSHIR JHALAKE<br /> | |||
CÁI JE SHUDHU TOMÁKE<br /> | |||
THÁKO ÁMÁR ÁPAN HOYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
THÁKO ÁMÁR ÁPAN HOYE<br /> | |||
THÁKO ÁMÁR ÁPAN HOYE<br /> | |||
KŚUDRA MANER DRIGVALAYE<br /> | |||
MADHUR MOHAN BHÁVAT́I LAYE<br /> | |||
ARÚPERI RÚPÁLOKE<br /> | |||
CÁI JE SHUDHU TOMÁKE<br /> | |||
ÁMI, CÁI NÁ KICHU TOMÁR KÁCHE<br /> | |||
CÁI JE SHUDHU TOMÁKE<br /> | |||
O Lord, I do not want anything from You, I want only You. What would happen with the<br /> | |||
things that come and go, they simply delude and make one cry. The gems, pearls, silver and<br /> | |||
gold, the collected wealth of the seven oceans, never stay in the infinite life and show<br /> | |||
only the glimpses of temporary joy. You remain becoming my own, within the periphery of my<br /> | |||
meagre mental vision, absorbed in sweet charming ideation, in the excellent light of<br /> | |||
visible arena.<br /> | |||
=== 3274 (22/12/1985) D === | |||
TUMI KOTHÁY ÁMI KOTHÁY<br /> | |||
MÁJHE KENO BÁDHÁR SÁGAR<br /> | |||
D́ÁKI TOMÁY ÁNKHIR DHÁRÁY<br /> | |||
ÚRMIMÁLÁY D́HÁKE SE SVAR<br /> | |||
MÁJHE KENO BÁDHÁR SÁGAR<br /> | |||
TUMI ÁMÁR ATI ÁPANÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ÁMÁR ATI ÁPANÁR<br /> | |||
TOMÁR CHANDE JIIVAN ÁMÁR<br /> | |||
VISHVA TANTRIITE SUR TOMÁR<br /> | |||
BHOLÁY VIBHEDA ÁPAN O PAR<br /> | |||
MÁJHE KENO BÁDHÁR SÁGAR<br /> | |||
CÁINÁ KICHUI TOMÁR KÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁINÁ KICHUI TOMÁR KÁCHE<br /> | |||
MAN SHUDHU E KRPÁ JÁCE<br /> | |||
THEKO ÁMÁR BHÁVER MÁJHE<br /> | |||
MOHAN SÁJE PRATI PRAHAR<br /> | |||
MÁJHE KENO BÁDHÁR SÁGAR<br /> | |||
TUMI KOTHÁY ÁMI KOTHÁY<br /> | |||
MÁJHE KENO BÁDHÁR SÁGAR<br /> | |||
O Lord, where are You and where am I, in between why there is ocean of obstruction? I call<br /> | |||
You with flow of tears, but the voice is covered by the series of waves. You are my<br /> | |||
closest own, my life is with Your rhythm. Your voice is on the lyre of the universe<br /> | |||
making forget the feelings of own and others. I do not want anything from You; the mind<br /> | |||
only wants this much grace. Stay within my feelings, with charming adornments each<br /> | |||
moment.<br /> | |||
=== 3275 (22/12/1985) D+K === | |||
TOMÁR PHÁGER RÁG LEGECHE<br /> | |||
TOMÁR PHÁGER RÁG LEGECHE<br /> | |||
E PHÁGUNE ÁJ ÁMÁR MANOVANE<br /> | |||
SHUKNO SHÁKHÁ RAUNGE ÁNKÁ<br /> | |||
PELO PHÚLER SÁJ<br /> | |||
TOMÁR ÁGAMANE<br /> | |||
E PHÁGUNE ÁJ ÁMÁR MANOVANE<br /> | |||
GÁN DHARECHE PIK O KEKÁ<br /> | |||
VIJAN VANEO KEU NAY EKÁ<br /> | |||
TOMÁR PRIITI PARÁG MÁKHÁ<br /> | |||
NÚPÚR SINJANE<br /> | |||
E PHÁGUNE ÁJ ÁMÁR MANOVANE<br /> | |||
JÁNI TUMI DEKHO CEYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁNI TUMI DEKHO CEYE<br /> | |||
SABÁI MATTA TOMÁY NIYE<br /> | |||
UDVELITA TOMÁY PEYE<br /> | |||
UDVELITA TOMÁY PEYE<br /> | |||
SMITA MUKTI SNÁNE<br /> | |||
JÁNI TUMI DEKHO CEYE<br /> | |||
E PHÁGUNE ÁJ ÁMÁR MANOVANE<br /> | |||
TOMÁR PHÁGER RÁG LEGECHE<br /> | |||
TOMÁR PHÁGER RÁG LEGECHE<br /> | |||
E PHÁGUNE ÁJ ÁMÁR MANOVANE<br /> | |||
O Lord, during this spring festivity of colours, Your spring colour is smeared in my<br /> | |||
mental garden today. The dry branches are marked with colour on finding the adornment of<br /> | |||
flowers, with Your arrival. The peacock and the cuckoo have started singing in the<br /> | |||
isolated forest when nobody is alone, with fragrance smeared love, and the sound of<br /> | |||
anklebell. I know that You see all that everyone is intoxicated for You. They are restless<br /> | |||
to get You, for smiling bath of liberation.<br /> | |||
=== 3276 (22/12/1985) D (Krsna) === | |||
MANER GOPÁL MANETE HESECHO<br /> | |||
MAN PRÁŃA KEŔE NIYECHO<br /> | |||
DHYÁNERI DHYEYA GÚŃE AMEYA<br /> | |||
JIIVA KE BHÁLOBESECHO<br /> | |||
MAN PRÁŃA KEŔE NIYECHO<br /> | |||
RAINJITÁDHARE BÁNSHURI BÁJÁYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RAINJITÁDHARE BÁNSHURI BÁJÁYE<br /> | |||
PRÁŃA JAMUNÁY UJÁNE BAHÁYE<br /> | |||
SHRIŚT́I STHITI LAYE NÁCÁYE<br /> | |||
MADHUR LIILÁY METECHO<br /> | |||
MAN PRÁŃA KEŔE NIYECHO<br /> | |||
MARU MÁJHE TUMI PHALGU DHÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MARU MÁJHE TUMI PHALGU DHÁRÁ<br /> | |||
BÁHIR VISHVE ÁPANHÁRÁ<br /> | |||
VRINDÁVANER VANE VANE BHARÁ<br /> | |||
MÁDHURII VILÁYE DIYECHO<br /> | |||
MAN PRÁŃA KEŔE NIYECHO<br /> | |||
MANER GOPÁL MANETE HESECHO<br /> | |||
MAN PRÁŃA KEŔE NIYECHO<br /> | |||
O Krsna, Gopa’l of my mind, You smile within the mind itself, and have snatched<br /> | |||
away my mind with the whole being. O the object of meditation with immeasurable<br /> | |||
attributes, You love the living beings. Playing flute with colourful lips, over flooding<br /> | |||
the Jamuna’ river of my life, making all dance with creation, sustenance and<br /> | |||
dissolution, in the sweet illusive game You are absorbed. You are the under current<br /> | |||
flowing beneath the sand, losing Self in the external world, filling all garden of<br /> | |||
Vrinda’van, You submerge all in sweetness.<br /> | |||
=== 3277 (23/12/1985) D === | |||
ANDHAKÁRER JAD́ER BHIIŔE<br /> | |||
GHUMIYE CHILUM MOHA JÁLE, ÁMI<br /> | |||
GHUMIYE CHILUM MOHA JÁLE<br /> | |||
TUMI ELE GHUM BHÁUNGÁLE<br /> | |||
ÁLOY ÁLOY BHARE DILE<br /> | |||
GHUMIYE CHILUM MOHA JÁLE, ÁMI<br /> | |||
GHUMIYE CHILUM MOHA JÁLE<br /> | |||
KICHUI TOMÁR AJÁNÁ NEI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KICHUI TOMÁR AJÁNÁ NEI<br /> | |||
CARÁCARER JÁNO SABÁKEI<br /> | |||
VISHVA GATA VISHVÁTIITA<br /> | |||
RÁKHO NÁ KÁUKE DÚRE PHELE<br /> | |||
GHUMIYE CHILUM MOHA JÁLE, ÁMI<br /> | |||
GHUMIYE CHILUM MOHA JÁLE<br /> | |||
SABÁR PÁNE SATATA CÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABÁR PÁNE SATATA CÁO<br /> | |||
PRIITIR DRIŚT́I NÁHI SARÁO<br /> | |||
BHÁGYA SMITA BHÁGYA HATA<br /> | |||
SABÁI TOMÁR ÁCHE KOLE<br /> | |||
GHUMIYE CHILUM MOHA JÁLE, ÁMI<br /> | |||
GHUMIYE CHILUM MOHA JÁLE<br /> | |||
ANDHAKÁRER JAD́ER BHIIŔE<br /> | |||
GHUMIYE CHILUM MOHA JÁLE, ÁMI<br /> | |||
GHUMIYE CHILUM MOHA JÁLE<br /> | |||
O Lord, within inert crowd of darkness, I was asleep in the net of infatuations. You came<br /> | |||
and broke the slumber and filled with light. Nothing is unknown to You. You know all<br /> | |||
living and inanimate bodies. Within and beyond the Universe, You do not keep anyone away.<br /> | |||
You look to all, ever, and do not remove the sight of love. Those who are fortunate and<br /> | |||
even unfortunate, all are within Your lap.<br /> | |||
=== 3278 (23/12/1985) K === | |||
EI, TIMIRÁVRITA NISHIITE<br /> | |||
TUMI ELE ÁLO HÁTETUMI ELE<br /> | |||
UPALÁHATA KANT́AKITA PATHE<br /> | |||
ÁSHÁR VÁŃIII SHONÁLE<br /> | |||
TUMI ELE<br /> | |||
GHAN VARŚÁR SÁTHE CHILO JHAT́IKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GHAN VARŚÁR SÁTHE CHILO JHAT́IKÁ<br /> | |||
GHAN VARŚÁR SÁTHE CHILO JHAT́IKÁ<br /> | |||
KHAR ASHANI BÁJIYE CHILO D́AUNKÁ<br /> | |||
DHVASTA BHRÁNTA CHILO MAN BALÁKÁ<br /> | |||
PATHER NISHÁNÁ DEKHÁLE<br /> | |||
TUMI ELE ÁLO HÁTETUMI ELE<br /> | |||
BASE THÁKIVÁR ÁR NÁI JE SAMAY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BASE THÁKIVÁR ÁR NÁI JE SAMAY<br /> | |||
BASE THÁKIVÁR ÁR NÁI JE SAMAY<br /> | |||
KUSUM SHAEYYÁ NAY SÁJJÁO NAY<br /> | |||
D́ÁK DEY KOŃE KOŃE MANE CINMAYA<br /> | |||
SE DHVANI KI TUMI DILE<br /> | |||
TUMI ELE ÁLO HÁTETUMI ELE<br /> | |||
EI, TIMIRÁVRITA NISHIITE<br /> | |||
TUMI ELE ÁLO HÁTETUMI ELE<br /> | |||
O Lord, on this darkness covered night, carrying light in hands, You came. On the rocky<br /> | |||
thorny path, You spoke the words of hope. Storm was accompanying the intense rains, severe<br /> | |||
thunder was sounding roar of drums, the mental swan was impaired and deluded, and then You<br /> | |||
showed the beacon for the path. There is no time for sitting and resting; the floral bed<br /> | |||
is not spread. The consciousness calls the mind in all its corners. Those voices You only<br /> | |||
provided.<br /> | |||
=== 3279 (23/12/1985) D === | |||
TUMI, BHÁLOBESE CHILE<br /> | |||
TÁI KI ELE<br /> | |||
PHÚLER PARÁG RÁG ANURÁG MISHIYE DILE<br /> | |||
TÁI KI ELE<br /> | |||
CHILO MÁNUŚA ANDHAKÁRE<br /> | |||
JAD́A BHÁVANÁR BADDHA GHARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILO MÁNUŚA ANDHAKÁRE<br /> | |||
JAD́A BHÁVANÁR BADDHA GHARE<br /> | |||
DUÁR KHULE ÁLO D́HELE<br /> | |||
MAN KE MÁTÁLE<br /> | |||
TÁI KI ELE<br /> | |||
TUMI, BHÁLOBESE CHILE<br /> | |||
TÁI KI ELE<br /> | |||
TOMÁR PRIITIR RAUNGA MASHÁLE<br /> | |||
MÁNAVA JIIVAN UT́HALO DULE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR PRIITIR RAUNGA MASHÁLE<br /> | |||
MÁNAVA JIIVAN UT́HALO DULE<br /> | |||
ÁSHÁR DHVAJÁ ÚRDHVE TULE<br /> | |||
SÁMANE DÁNŔÁLE<br /> | |||
TÁI KI ELE<br /> | |||
TUMI, BHÁLOBESE CHILE<br /> | |||
TÁI KI ELE<br /> | |||
O Lord, You have loved me, is it due to which You came, mixing affection and love with the<br /> | |||
fragrance of flowers? The human beings were in darkness in the closed home of inert<br /> | |||
thoughts. By opening the doors, pouring light, You intoxicated the mind. By the colourful<br /> | |||
torch of Your love, the human life started swinging. Raising the flag of hope high up, You<br /> | |||
stood in the front.<br /> | |||
=== 3280 (23/12/1985) D === | |||
PRADIIP JVELE D́EKE CHILUM<br /> | |||
BÁRE BÁRE ÁNKHI JALE<br /> | |||
TUMI DÁO NI SÁŔÁ SARE GELE<br /> | |||
LOKE BOLE KOMAL HRIDAY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LOKE BOLE KOMAL HRIDAY<br /> | |||
KUSUM KORAK MADHUR NILAY<br /> | |||
ÁMÁR KÁCHE SATYA SE NAY<br /> | |||
EKE KI KOMAL BOLÁ CALE<br /> | |||
TUMI DÁONI SÁŔÁSARE GELE<br /> | |||
PRADIIP SARIYE DIYE DEKHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRADIIP SARIYE DIYE DEKHI<br /> | |||
LUKIYE CHILE TUMI EKII<br /> | |||
TOMÁR KÁCHE NEIKO PHÁNKI<br /> | |||
DINE RÁTE SÁTHE CHILE<br /> | |||
TUMI DÁO NI SÁŔÁ SARE GELE<br /> | |||
PRADIIP JVELE D́EKE CHILUM<br /> | |||
BÁRE BÁRE ÁNKHI JALE<br /> | |||
TUMI DÁO NI SÁŔÁ SARE GELE<br /> | |||
Kindling the lamp, I have been calling You, again and again with tearful eyes, but You did<br /> | |||
not respond O Lord. People say that You are soft hearted, like pollen of flower with<br /> | |||
sweetness, but for me that is not true, how can it be called softness? Removing the lamp I<br /> | |||
observed, whether You were hidden somewhere. There is no deception before You as You are<br /> | |||
ever together accompanying day and night.<br /> | |||
=== 3281 (24/12/1985) D === | |||
TUMI, KON SE SURE PRÁŃER VIIŃÁ<br /> | |||
BÁJIYE<br /> | |||
D́ÁK DIYE JÁO, D́ÁK DIYE JÁO<br /> | |||
ÁKÁSHA VÁTÁS BHARIYE TOLE<br /> | |||
CHANDE TÁLE<br /> | |||
KENO BOLE DÁO<br /> | |||
D́ÁK DIYE JÁO, D́ÁK DIYE JÁO<br /> | |||
KABE THEKE SHURU D́ÁKÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KABE THEKE SHURU D́ÁKÁR<br /> | |||
KEU JÁNE NÁ ITIKATHÁR<br /> | |||
MUKUTÁ HÁR PHÚLER BÁHÁR<br /> | |||
KEU CHILO NÁ JÁR PÁNE TÁKÁO<br /> | |||
D́ÁK DIYE JÁO, D́ÁK DIYE JÁO<br /> | |||
EMNI BHÁVE KENO D́ÁKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EMNI BHÁVE KENO D́ÁKO<br /> | |||
KICHUI BUJHATE PÁRI NÁKO<br /> | |||
ASTHIRATÁY EKALÁ THÁKO<br /> | |||
TÁI KI TUMI KHELÁR SÁTHI CÁO<br /> | |||
D́ÁK DIYE JÁO, D́ÁK DIYE JÁO<br /> | |||
TUMI, KON SE SURE PRÁŃER VIIŃÁ<br /> | |||
BÁJIYE<br /> | |||
D́ÁK DIYE JÁO, D́ÁK DIYE JÁO<br /> | |||
Playing on the viina of my heart<br /> | |||
in which tune do You give Your calls?<br /> | |||
Why do You fill the sky and air<br /> | |||
with rhythm and tempo?<br /> | |||
Please tell me.<br /> | |||
No one knows the history<br /> | |||
about the origins of Your calls.<br /> | |||
There were neither pearl necklaces<br /> | |||
nor beautiful flowers for You to look at.<br /> | |||
Why You keep calling me in this way<br /> | |||
I am unable to understand.<br /> | |||
Amidst restlessness<br /> | |||
You were alone.<br /> | |||
That is why You wanted a playmate.<br /> | |||
=== 3282 (24/12/1985) D (Shiva giiti) === | |||
TÁND́AVA NÁCE METECHO<br /> | |||
HE BHAERAVA KÁL BHAERAV<br /> | |||
KÁL BHAERAV<br /> | |||
DHÚRJAT́I JAT́Á KHULECHO<br /> | |||
VILÁLE VAEBHAV<br /> | |||
KÁL BHAERAV KÁLA BHAERAV<br /> | |||
CHANDE TÁLE UTTÁLETE<br /> | |||
SHÁNTA DHARÁ UT́HALO METE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHANDE TÁLE UTTÁLETE<br /> | |||
SHÁNTA DHARÁ UT́HALO METE<br /> | |||
JVÁLÁMUKHIR UTTÁPETE<br /> | |||
NÁCALO AŃU SAB<br /> | |||
KÁL BHAERAV KÁL BHAERAV<br /> | |||
NÁGA PÁSHERI BANDHANETE<br /> | |||
BADDHA JÁRÁ CHILO CITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NÁGA PÁSHERI BANDHANETE<br /> | |||
BADDHA JÁRÁ CHILO CITE<br /> | |||
TÁDER BÁNDHAN KHULE DITE<br /> | |||
JÁGALO VIŚÁŃA RAV<br /> | |||
KÁL BHAERAV KÁL BHAERAV<br /> | |||
TÁND́AVA NÁCE METECHO<br /> | |||
HE BHAERAV KÁL BHAERAV, KÁL BHAERAV<br /> | |||
O Lord Bhaerava<br /> | |||
Lord of time<br /> | |||
You remain ever engrossed<br /> | |||
in Your rhythmic Ta’nd’ava dance.<br /> | |||
You have untied the knot of Your matted hair<br /> | |||
and scattered Your spiritual wealth unto all.<br /> | |||
By Your dance in cadence & rhythm<br /> | |||
with vigorous jumps<br /> | |||
the tranquil earth surges.<br /> | |||
And, as if caught in the burning heat of fiery volcanos<br /> | |||
all the atoms of the universe begin to dance.<br /> | |||
To shatter the bondages<br /> | |||
of all those whose minds were bound<br /> | |||
by a serpentine noose<br /> | |||
You blew Your long horn.<br /> | |||
=== 3283 (24/12/1985) D === | |||
KEU TORÁ YADI BHAYA PÁS<br /> | |||
ÁMRÁ JÁBOI, ÁMRÁ JÁBOI<br /> | |||
GHERE YADI BHAYÁL AT́T́AHÁS<br /> | |||
EGOBOI, EGOBOI<br /> | |||
KÁTAR COKHE TÁKÁSO KENO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁTAR COKHE TÁKÁSO KENO<br /> | |||
MAN KE DAMÁSO NÁ JENO<br /> | |||
ÚŚÁR MARU TUŚÁR MERU<br /> | |||
PEROBOI, PEROBOI<br /> | |||
ÁMRÁ JÁBOI, ÁMRÁ JÁBOI<br /> | |||
BHÁGYA DEVI VIMUKHA HOLEO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁGYA DEVI VIMUKHA HOLEO<br /> | |||
ÁKÁSHA BHEUNGE BÁJ PAŔALEO<br /> | |||
ÁDARSHA KE SÁMANE REKHE<br /> | |||
PÁ PHELO BOI, PÁ PHELO BOI<br /> | |||
ÁMRÁ JÁBOI, ÁMRÁ JÁBOI<br /> | |||
If ever someone be filled with fear<br /> | |||
we shall bring that person close to us.<br /> | |||
Even if raucous laughter may surround us<br /> | |||
we shall surely march ahead.<br /> | |||
Why do you keep staring with sorrowful eyes?<br /> | |||
Do not be disheartened.<br /> | |||
We shall cross the arid deserts<br /> | |||
and the snowcapped mountain peaks.<br /> | |||
If the goddess of fortune turns away her face<br /> | |||
if the roaring of thunder crashes from the sky<br /> | |||
keeping our ideology fixed before our eyes<br /> | |||
we shall surely march ahead.<br /> | |||
=== 3284 (24/12/1985) D === | |||
NÁM NÁ JÁNÁ JAGAT THEKE<br /> | |||
AJÁNÁ PATHIK ELO<br /> | |||
ELO, ELO<br /> | |||
ÁSHÁY BHÁŚÁY BHARE DIYE<br /> | |||
PRÁŃER CHONYÁ DILO<br /> | |||
CÁI NI KICHU KÁRO KÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁI NI KICHU KÁRO KÁCHE<br /> | |||
NÁ CÁHILEO SAB NIYECHE?<br /> | |||
BHÚMÁR VINIMAYE AŃU NILO<br /> | |||
ELO, ELO<br /> | |||
JAD́A BHÁVANÁY BHRÁNTA MÁNUŚA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JAD́A BHÁVANÁY BHRÁNTA MÁNUŚA<br /> | |||
MÁNUŚA BOLE CHILO NÁ HONSH<br /> | |||
JHAINJHÁKÁSHE BHÁSÁ PHÁNUS<br /> | |||
MÁT́IR PARASH PELO<br /> | |||
NÁM NÁ JÁNÁ JAGAT THEKE<br /> | |||
AJÁNÁ PATHIK ELO<br /> | |||
ELO, ELO<br /> | |||
From the world of which the name is unknown, the unknown traveler came. He filled with the<br /> | |||
language of hope and touched the essence of life. Without expecting anyone or anything, He<br /> | |||
takes all. He takes microcosm in exchange of Cosmic. The human beings were deluded in | |||
thoughts of inert; they have lost the awareness that they are human beings. The balloon | |||
floating in the stormy sky got the touch of earth.<br /> | |||
=== 3285 (24/12/1985) D === | |||
ÁMI, CÁI NÁ HOTE GYÁNER (JINÁNER) PÁHÁŔ<br /> | |||
GUŃER SÁGAR, GUŃER SÁGAR<br /> | |||
CÁI TOMÁRE ÁPAN KARE<br /> | |||
SANDHYÁ SAKÁL SAKAL PRAHAR<br /> | |||
GUŃER SÁGAR, GUŃER SÁGAR<br /> | |||
ARÚP RATAN PARASH MAŃI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ARÚP RATAN PARASH MAŃI<br /> | |||
SABAI TUMI BUJHI JÁNI<br /> | |||
TUMI THÁKALEI SABÁI ÁCHE<br /> | |||
TABEI ÁCHE GUŃER KADAR<br /> | |||
GUŃER SÁGAR, GUŃER SÁGAR<br /> | |||
THEKO ÁMÁR MANER KOŃE<br /> | |||
ÁMÁR HOYE SAUNGOPANE<br /> | |||
SÁTHE SÁTHE RÁTRI DINE<br /> | |||
NAILE VRITHÁI TOMÁR ÁDAR<br /> | |||
GUŃER SÁGAR, GUŃER SÁGAR<br /> | |||
ÁMI, CÁI NÁ HOTE GYÁNER PÁHÁŔ<br /> | |||
GUŃER SÁGAR, GUŃER SÁGAR<br /> | |||
I do not want to become a mountain of knowledge<br /> | |||
nor an ocean of qualities.<br /> | |||
I just want to make You mine<br /> | |||
for all time to come<br /> | |||
mornings, evenings etc.<br /> | |||
O formless gem!<br /> | |||
O touchstone!<br /> | |||
I know and understand<br /> | |||
that You are everything.<br /> | |||
Due to Your existence<br /> | |||
everything else exists.<br /> | |||
Due to Your existence<br /> | |||
qualities attain value.<br /> | |||
Secretly become my own | |||
and stay in the recess of my mind day and night.<br /> | |||
My respect and adoration shall not prove futile.<br /> | |||
=== 3286 (24/12/1985) D === | |||
KEU KÁCHE PEYEO CINATE NÁRE<br /> | |||
DÚRE THEKE KEU CENE<br /> | |||
KEU DÚRE THEKEO CENE<br /> | |||
KEU PRÁŃER PARASH PEYEO THÁKE<br /> | |||
JAD́ERI GHORE, KEU NÁ JÁNIÁO MÁNE<br /> | |||
KEU KÁCHE PEYEO CINATE NÁRE<br /> | |||
DÚRE THEKE KEU CENE<br /> | |||
KEU DÚRE THEKEO CENE<br /> | |||
UŚÁR ÁLOY RÁTER KÁLOY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
UŚÁR ÁLOY RÁTER KÁLOY<br /> | |||
RÚPER CHÁT́ÁY NABHONIILEO<br /> | |||
DEKHEO KEU NÁ SHONE GÁN | |||
NÁ DEKHE KEU SHOŃE<br /> | |||
KEU KÁCHE PEYEO CINATE NÁRE<br /> | |||
DÚRE THEKE KEU CENE<br /> | |||
KEU DÚRE THEKEO CENE<br /> | |||
ÁMÁR TARE ETO KARO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR TARE ETO KARO<br /> | |||
ÁMÁR HRIDAY SUDHÁY BHARO<br /> | |||
TABU O TOMÁY CININI CHILUM ANYA MANE<br /> | |||
KEU KÁCHE PEYEO CINATE NÁRE<br /> | |||
DÚRE THEKE KEU CENE<br /> | |||
KEU DÚRE THEKEO CENE<br /> | |||
Even after remaining in close vicinity, some people do not recognise the Supreme Entity<br /> | |||
but some people, staying away are in position to realize Him. Some people even after<br /> | |||
getting the vital touch, remain immersed in intense inertia, but some people even without<br /> | |||
knowing Him, accept Him. The morning light and the darkness of the night, the scattered<br /> | |||
beauty in the blue sky, even after observing, do not listen to the song, but some people<br /> | |||
even without seeing, listen to that. O Lord, do this much only for me, fill my heart with<br /> | |||
sweetness. So that I may attain You without remaining oblivious.<br /> | |||
=== 3287 (25/12/1985) K === | |||
ÁKÁSHE ÁLOKE BHESE JÁY<br /> | |||
TAVA MAHIMÁRI KATHÁ<br /> | |||
TAVA MAHIMÁRI KATHÁ<br /> | |||
BHULOKE DYULOKE JHALAKÁY<br /> | |||
CIR PURÁTANERI GÁTHÁ<br /> | |||
HE PURÁTANA TUMI NAVIIN TAMA<br /> | |||
SABÁR SAUNGE ÁCHO PRÁŃA SAMA<br /> | |||
BHÁVE BHÁVANÁY THÁKO PRAGYÁ GHANA<br /> | |||
TÁI TOTOMÁR TARE E ÁKULATÁ<br /> | |||
TAVA MAHIMÁRI KATHÁ<br /> | |||
TAVA MAHIMÁRI KATHÁ<br /> | |||
ÁLOKER UDBHÁSE MAN KE RÁUNGÁO<br /> | |||
BHÁVER GAHANE BASE BÁNSHURI BÁJÁO<br /> | |||
PHELE NÁHI DÁO NISHÁNÁ DEKHÁO<br /> | |||
JE PATHE RAYECHE CIR SÁRTHAKATÁ<br /> | |||
TAVA MAHIMÁRI KATHÁ<br /> | |||
TAVA MAHIMÁRI KATHÁ<br /> | |||
ÁKÁSHE ÁLOKE BHESE JÁY<br /> | |||
TAVA MAHIMÁRI KATHÁ<br /> | |||
TAVA MAHIMÁRI KATHÁ<br /> | |||
O Lord, through the light in the sky goes on floating the story of Your glory. It shows<br /> | |||
the glimpses of the ancient events in the earth and heaven. O the Ancient, You are the<br /> | |||
newest, You are with all like the life. You are present in feelings and ideations as<br /> | |||
intense intuition. That is why there is this earnestness. With the emanation of<br /> | |||
illuminations, colour the mind. Staying amidst depth of feelings, play Your flute. Do not<br /> | |||
ignore, show the guiding beacon, so that remaining on that path is ever fruitful.<br /> | |||
=== 3288 (25/12/1985) K === | |||
ÁLOK UTSAVE ESE CHILE<br /> | |||
ÁNDHÁR KARE CALE JEONÁ<br /> | |||
NÁ NÁ NÁ<br /> | |||
VYATHITER D́ÁK SHUŃE CHILE<br /> | |||
YADIO CHILO NÁ SHREYA SÁDHANÁ<br /> | |||
BHULOKE DYULOKE BHARE RAYECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHULOKE DYULOKE BHARE RAYECHO<br /> | |||
MANER MUKURE DHARÁ DIYECHO<br /> | |||
BÁHIR VISHVE RÚPA ENECHO<br /> | |||
SE RÚPA SARIYE NIO NÁ<br /> | |||
KI JE BHÁVO KI NÁ BHÁVO KICHU NÁ JÁNI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KI JE BHÁVO KI NÁ BHÁVO KICHU NÁ JÁNI<br /> | |||
KALYÁŃA BHEVE THÁKO E SHUDHU MÁNI<br /> | |||
ÁSHÁ BHÁŚÁ BHARE DÁO MAMATÁ T́ÁNI<br /> | |||
SE PRIITIR D́OR KABHU CHINŔONÁ<br /> | |||
ÁLOK UTSAVE ESE CHILE<br /> | |||
ÁNDHÁR KARE CALE JEONÁ<br /> | |||
O Lord, You came in the festivity of light, do not go away creating darkness. You have<br /> | |||
heard the call of the afflicted, even if there is no benevolent spiritual endeavor. You<br /> | |||
have filled the earth and heaven; still You come into the fold of the mental mirror. You<br /> | |||
have brought form in the external world, do not remove that beauty. What You think and<br /> | |||
what You do not think, I do not know at all. I only accept that You think of benevolence.<br /> | |||
With the pull of affection, You fill the language of hope. That thread of love, You never<br /> | |||
break.<br /> | |||
=== 3289 (25/12/1985) K === | |||
ESECHO TUMI ESECHO<br /> | |||
BHUVAN BHARIYÁ ESECHO<br /> | |||
YUGÁNTARER GLÁNI SARIYE DIYE<br /> | |||
ÁLOKER DHÁRÁ ENECHO<br /> | |||
ANDHAKÁRE KEU THÁKIBE NÁ ÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANDHAKÁRE KEU THÁKIBE NÁ ÁR<br /> | |||
KARME JINÁNE DHYÁNE TUMI SAMÁHÁR<br /> | |||
PRIITIR PAYODHI TUMI AMEYA APÁR<br /> | |||
MAMATÁR SHROTE METECHO<br /> | |||
BHUVAN BHARIYÁ ESECHO<br /> | |||
SHRIŚT́I STHITI LAYA TOMÁTE DHRITA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHRIŚT́I STHITI LAYA TOMÁTE DHRITA<br /> | |||
TRIGUŃA TOMÁY MÁJHE HE GUŃÁTIITA<br /> | |||
KÁLA NIYE KHELÁ KARO HE KÁLÁTIITA<br /> | |||
LIILÁR CHANDE NECECHO<br /> | |||
BHUVAN BHARIYÁ ESECHO<br /> | |||
ESECHO TUMI ESECHO<br /> | |||
BHUVAN BHARIYÁ ESECHO<br /> | |||
O Lord, You came and filled the entire world. Having removed the agonies of eras, You<br /> | |||
brought flow of effulgence. Nobody should stay in darkness any more. You are the totality<br /> | |||
of action, knowledge and meditation of devotion. You are the immeasurable unlimited ocean | |||
of love and remain engrossed in the stream of affection. The creation, sustenance and<br /> | |||
dissolution is held within You. Even the three attributes are within You, O the Entity<br /> | |||
beyond attributes. O the Entity beyond time factor, You go on performing Your game with<br /> | |||
time and remain engrossed with the rhythm of liila, Your divine game.<br /> | |||
=== 3290 (25/12/1985) D === | |||
DUHKHE KLESHE KÁTAR HOYE<br /> | |||
D́EKE CHILUM BÁRE BÁRE<br /> | |||
SÁŔÁ TUMI DÁONI PRABHU<br /> | |||
BADHIR HOYE CHILE KI KARE<br /> | |||
ATYÁCÁRE AVICÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ATYÁCÁRE AVICÁRE<br /> | |||
SONÁR SVAPAN PAŔALO JHARE<br /> | |||
MÁNAVATÁ KENDE MARE<br /> | |||
DÁRUŃA HÁHÁKÁRE<br /> | |||
BADHIR HOYE CHILE KI KARE<br /> | |||
RUDRA RÚPE TUMI ELE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RUDRA RÚPE TUMI ELE<br /> | |||
SHUBHRA DYUTI CHAŔIYE DILE<br /> | |||
DÁNAVATÁY PUŔIYE DILE<br /> | |||
JVALANTA ANALE<br /> | |||
VIŚÁŃER HUNKÁRE<br /> | |||
BADHIR HOYE CHILE KI KARE<br /> | |||
DUHKHE KLESHE KÁTAR HOYE<br /> | |||
D́EKE CHILUM BÁRE BÁRE<br /> | |||
SÁŔÁ TUMI DÁONI PRABHU<br /> | |||
BADHIR HOYE CHILE KI KARE<br /> | |||
O Lord, having been afflicted by sorrows and agonies, I have been calling You again and<br /> | |||
again, but You did not respond, why have You made Yourself deaf to my calls? Due to<br /> | |||
victimization, and injustice, the golden dream withered away. The humanity cries out with<br /> | |||
severe lamentations. You came in the form of Rudra (Shiva), the God who makes us cry, and<br /> | |||
scattered brilliant light. You burnt the devilish, with intense fire and roar of Your long<br /> | |||
horn.<br /> | |||
=== 3291 (25/12/1985) D === | |||
TOMÁKE CINE OT́HÁ DÁY<br /> | |||
OTAH PROTA BHÁVE THÁKILEO<br /> | |||
DHARÁ NÁHI JÁY<br /> | |||
TOMÁKE CINE OT́HÁ DÁY<br /> | |||
ÁLOKE ÁNDHÁRE THÁKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOKE ÁNDHÁRE THÁKO<br /> | |||
MANOVANER GANDHE SNÁTO<br /> | |||
SURE TÁLE, SURE TÁLE<br /> | |||
CHANDE MÁTO<br /> | |||
JIIVAN BELÁY, TOMÁKE<br /> | |||
CINE OT́HÁ DÁY<br /> | |||
ICCHÁMATA KÁNDÁO HÁSÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ICCHÁMATA KÁNDÁO HÁSÁO<br /> | |||
NABHAH NIILER BHÁVE BHÁSÁO<br /> | |||
JE MANAT́I CÁO TEMANI NÁCÁO<br /> | |||
ABODHYA LIILÁY<br /> | |||
TOMÁKE CINE OT́HÁ DÁY<br /> | |||
O Lord, it is difficult to understand you. You are all pervasive. Yet you are beyond the<br /> | |||
comprehension. You exist in light and darkness. You are bathed in the fragrance of flowers<br /> | |||
of your mind. You are engrossed in melodies and rhythms, all the time. According to your<br /> | |||
sweet will you make others laugh and cry. You float the ideas into the vast blue sky. In | |||
your incomprehensible divine play, you make everyone dance to your wish.<br /> | |||
=== 3292 (26/12/1985) K === | |||
TUMI, KON SE RÁGE ANURÁGER<br /> | |||
GÁN GEYECHO<br /> | |||
KEU JÁNE NÁ<br /> | |||
SARVA SATTÁY SPANDITA KA<br /> | |||
RE DIYECHO<br /> | |||
KE BOJHE NÁ<br /> | |||
CHILO JÁHÁ ÁNDHAR D́HÁKÁ<br /> | |||
HOLO SE ÁJ RAUNGE ÁNKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILO JÁHÁ ÁNDHAR D́HÁKÁ<br /> | |||
HOLO SE ÁJ RAUNGE ÁNKÁ<br /> | |||
RÁTER TAPASYÁTE LEKHÁ<br /> | |||
PRATHAM ÚŚÁR VYAINJANÁ<br /> | |||
GÁN GEYECHO<br /> | |||
KEU JÁNE NÁ<br /> | |||
SEI DHVANITE MAHÁKÁSHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SEI DHVANITE MAHÁKÁSHE<br /> | |||
PRÁŃER DHÁRÁR CALALO BHESE<br /> | |||
SUPTI SHEŚE TÁR ÁVESHE<br /> | |||
ELO KÁLER KALPANÁ<br /> | |||
GÁN GEYECHO<br /> | |||
KEU JÁNE NÁ<br /> | |||
TUMI, KON SE RÁGE ANURÁGER<br /> | |||
GÁN GEYECHO<br /> | |||
KEU JÁNE NÁ<br /> | |||
O Lord, in what tune of affection, You sing the songs, nobody knows. You have vibrated the<br /> | |||
whole existence, but none understands that. That which was covered with darkness, that<br /> | |||
became marked with colours today. Written with the penance of the night, that is<br /> | |||
characteristic sign and indication of the first morning. From that sound in the Cosmos<br /> | |||
the flow of life started floating. At the end of the slumber, under its impulse, concept<br /> | |||
of time factor came.<br /> | |||
=== 3293 (26/12/1985) D (Krsna) === | |||
ÁGUN JVELE DIYE GELE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁGUN JVELE DIYE GELE<br /> | |||
PHÁGUNE EI PALÁSH VANE<br /> | |||
MANER KOŃE MANER KOŃE<br /> | |||
SAUNGOPANE<br /> | |||
PHÁGE RÁUNGÁLE KENO KE JÁNE<br /> | |||
PHÁGUNE EI PALÁSH VANE<br /> | |||
RAUNGE RÁUNGÁ MANAT́I TOMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RAUNGE RÁUNGÁ MANAT́I TOMÁR<br /> | |||
RAUNGE RÁUNGÁ MANAT́I TOMÁR<br /> | |||
UJÁŔA KARE DILE E BÁR<br /> | |||
VRINDÁVANER VRINDÁVANER<br /> | |||
VRINDÁVANER VANE KÁHÁR<br /> | |||
SURE MÁTE SHUK SÁRI GÁNE<br /> | |||
PHÁGUNE EI PALÁSH VANE<br /> | |||
SUR SHUNE MAN GHARE NÁ RAY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SUR SHUNE MAN GHARE NÁ RAY<br /> | |||
UDVELITA HOLO HRIDAY<br /> | |||
VRAJER KÁNU VRAJER KÁNU<br /> | |||
VRAJER KÁNU ELO E SAMAY<br /> | |||
MADHU MÁSE MAN VITÁNE<br /> | |||
PHÁGUNE EI PALÁSH VANE<br /> | |||
ÁGUN JVELE DIYE GELE<br /> | |||
PHÁGUNE EI PALÁSH VANE<br /> | |||
O Lord, You kindled fire during the spring in this grave of palash with red flowers. In | |||
the recess of mind, secretly, what for have You colouring of festivity, who knows? Your<br /> | |||
mind is colourful, that You have totally poured out this time. In the garden of Vrindavan | |||
by whose melody, the series of parrots are engrossed in singing. Having heard the tune<br /> | |||
the mind does not stay in itself, the heart is restless. O the Krsna of Vraja, the<br /> | |||
time has come, at the arbor of the mind during the spring.<br /> | |||
=== 3294 (26/12/1985) K === | |||
ESO, MANERI MUKURE GOPANE<br /> | |||
RÁTUL CARAŃ DÚT́I NIIRAVE UT́HIBE PHUT́I<br /> | |||
RÁTUL CARAŃ DÚT́I NIIRAVE UT́HIBE PHUT́I<br /> | |||
RÁTUL CARAŃ DÚT́I NIIRAVE UT́HIBE PHUT́I<br /> | |||
MOR KAMALE VIJANE<br /> | |||
ASHRU SAJAL ÁNKHI PATH PÁNE THÁKE TÁKI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ASHRU SAJAL ÁNKHI PATH PÁNE THÁKE TÁKI<br /> | |||
BHAVAN SHIKHI MOR BÁRE BÁRE UT́HE D́ÁKI<br /> | |||
VÁSTAVE JÁGARAŃE NÁ ÁSILE JIIVANE<br /> | |||
ESO SVAPANE<br /> | |||
ESO, MANERI MUKURE GOPANE<br /> | |||
GHAR PAR NÁHI MOR SABAI TOMÁTE VIBHOR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GHAR PAR NÁHI MOR SABAI TOMÁTE VIBHOR<br /> | |||
TOMÁRI BHÁVANÁTE KATA NISHI HOYE BHOR<br /> | |||
CÁHO KARUŃÁ NAYANE EK BÁR MOR PÁNE<br /> | |||
NÚPÚR SHIINJANE<br /> | |||
ESO, MANERI MUKURE GOPANE<br /> | |||
O Lord, come into the mental mirror secretly. Both red feet of Yours would appear in | |||
silence at the lotus of my mind in isolation. With tearful eyes, I am sitting, looking at<br /> | |||
the path. The peacock of my home starts calling again and again. If You do not come in | |||
reality of awakening in my life, come in the dream. My home is not alien for You, all are<br /> | |||
engrossed in You. In Your ideation numerous nights have passed on into mornings. Look at<br /> | |||
me with merciful eyes at least once, with the sound of the anklebell.<br /> | |||
=== 3295 (26/12/1985) K === | |||
AJÁNÁ PATHIK ESE CHILO<br /> | |||
MANER GAHANE KENO KE JÁNE<br /> | |||
CHANDE CHANDE MÁTIYE DILO<br /> | |||
MADHUR GANDHE MANO VANE<br /> | |||
MANER GAHANE KENO KE JÁNE<br /> | |||
BHÁLOBESE CHILUM TÁKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁLOBESE CHILUM TÁKE<br /> | |||
NÁ JENE YUKTI NÁ MENE TARKE<br /> | |||
JÁI NI KÁRO KONO VITARKE<br /> | |||
EKÁKI CHILUM DHYÁNÁSANE<br /> | |||
MANER GAHANE KENO KE JÁNE<br /> | |||
SE PATHIK MOR ÁJO RAYECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE PATHIK MOR ÁJO RAYECHE<br /> | |||
PRATI PALAKE PRIITI D́HELECHE<br /> | |||
MANER MAYUR NECE CALECHE<br /> | |||
PEYE TÁHÁKE NIRJANE<br /> | |||
MANER GAHANE KENO KE JÁNE<br /> | |||
AJÁNÁ PATHIK ESE CHILO<br /> | |||
MANER GAHANE KENO KE JÁNE<br /> | |||
The unknown traveler came into the depth of the mind, what for who knows? He intoxicated<br /> | |||
with rhythm after rhythm and sweet fragrance in the mental garden. I have love Him<br /> | |||
without any consideration of logic and reasoning. I do not move by any argumentativeness<br /> | |||
any time and remain sitting alone in the posture of meditation. That Traveler of mine<br /> | |||
stays even today, pouring love each moment. The mental peacock goes on dancing finding Him<br /> | |||
in isolation.<br /> | |||
=== 3296 (26/12/1985) K === | |||
EI, JIIVAN SAEKATE ÁMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EI, JIIVAN SAEKATE ÁMI<br /> | |||
SHUKTI KUŔÁI EKÁ EKÁ<br /> | |||
SHUKTI KUŔÁI EKÁ EKÁ<br /> | |||
ÁKÁSHE TÁRÁ JVALE JHALA MALE<br /> | |||
CEYE DEKHE NIIHÁRIKÁ<br /> | |||
SHUKTI KUŔÁI EKÁ EKÁ<br /> | |||
SHUKTI KUŔÁI EKÁ EKÁ<br /> | |||
MAN MÁJHE ÁSE KATA BHÁVANÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAN MÁJHE ÁSE KATA BHÁVANÁ<br /> | |||
ATIITER KATA KATHÁ KATA CHALANÁ<br /> | |||
HÁRIYECHE TÁRÁ KOTHÁ KEU JÁNE NÁ<br /> | |||
HOYETO BÁ NABHE ÁCHE ÁNKÁ<br /> | |||
SHUKTI KUŔÁI EKÁ EKÁ<br /> | |||
SHUKTI KUŔÁI EKÁ EKÁ<br /> | |||
BHÁVANÁR MOR KONO SHEŚA NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVANÁR MOR KONO SHEŚA NÁI<br /> | |||
ÁSE JÁY PHELE MORE EKALÁI<br /> | |||
TÁI TO TOMÁY KÁCHE PETE CÁI<br /> | |||
KÁLÁKÁL BHULE KENDE D́ÁKÁ<br /> | |||
SHUKTI KUŔÁI EKÁ EKÁ<br /> | |||
SHUKTI KUŔÁI EKÁ EKÁ<br /> | |||
EI, JIIVAN SAEKATE ÁMI<br /> | |||
SHUKTI KUŔÁI EKÁ EKÁ<br /> | |||
SHUKTI KUŔÁI EKÁ EKÁ<br /> | |||
On this sandy beach of my life, I am picking shells all alone. The stars in the sky shine<br /> | |||
with glow, and nebula also want to see. Numerous thoughts appear in the mind, many events<br /> | |||
of past and several illusions. Where are they lost, no body knows, perhaps they are marked<br /> | |||
in the sky. There is no end to my thoughts and feelings, they come and go leaving me<br /> | |||
alone. That is why I want to get You close, forgetting appropriate time, I call You<br /> | |||
crying.<br /> | |||
=== 3297 (26/12/1985) K === | |||
DOŚA GUŃA KARINI VICÁR<br /> | |||
TOMÁKEI BHÁLOBESECHI<br /> | |||
PRIITIR PAYODHI TUMI AMEYA APÁR<br /> | |||
TOMÁKEI PÁSHE PEYECHI<br /> | |||
SUKHE ÁCHO DUHKHE ÁCHO SATATA ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SUKHE ÁCHO DUHKHE ÁCHO SATATA ÁMÁR<br /> | |||
ALAKŚYA HOILEO LAKSYA SABÁR<br /> | |||
JINÁNE DHYÁNE NIŚT́HÁY TUMI SAMÁHÁR<br /> | |||
RANDHRE RANDHRE JIIVANER BUJHECHI<br /> | |||
TOMÁKEI BHÁLOBESECHI<br /> | |||
BHÁLOR PRATIBHU TUMI ÁLOR PRATIIK<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁLOR PRATIBHU TUMI ÁLOR PRATIIK<br /> | |||
RÁGE ANURÁGE TUMI PRIYA PRÁŃÁDHIK<br /> | |||
TOMÁKE JÁNÁTE JÁOÁ NAY KI ALIIK<br /> | |||
ANUBHAVE BUJHE NIYECHI<br /> | |||
TOMÁKEI BHÁLOBESECHI<br /> | |||
DOŚA GUŃA KARINI VICÁR<br /> | |||
TOMÁKEI BHÁLOBESECHI<br /> | |||
O Lord, without any consideration of good or bad qualities, I just love You. You are the<br /> | |||
limitless immeasurable ocean of love, thus I want to get You close. You are constantly<br /> | |||
present in my pain and pleasure. Even though unseen, You are the desideratum of all. You<br /> | |||
are the totality of meditation, knowledge and devotion. I realize You in each pore of<br /> | |||
life. O the symbol of benevolence and icon of effulgence, You are dearer than my own life<br /> | |||
in attachment and affection. I have understood by experience, that trying to know You is<br /> | |||
not vain.<br /> | |||
=== 3298 (27/12/1985) D (Krsna) === | |||
VRAJER KÁNU BÁJIYE VEŃU<br /> | |||
ÁJ KE TUMI KENO ELE<br /> | |||
MAN YAMUNÁ ÁR NÁCE NÁ<br /> | |||
JAD́ER BHIIŔE SURE TÁLE<br /> | |||
VRINDÁVANE VAN KONO NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VRINDÁVANE VAN KONO NÁI<br /> | |||
MAN KE GHERE AT́T́ÁLIKÁI<br /> | |||
SE MÁDHURII ÁR NÁHI PÁI<br /> | |||
KADAMBERI TALE<br /> | |||
TUMI JEMAN DEKHE CHILE<br /> | |||
ÁJ KE TUMI KENO ELE<br /> | |||
YAMUNÁ ÁJ SHIIRŃA KÁYÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
YAMUNÁ ÁJ SHIIRŃA KÁYÁ<br /> | |||
NEIKO VAT́ER CHATRA CHÁYÁ<br /> | |||
NEI TAMÁLER KRŚŃA MÁYÁ<br /> | |||
KRŚŃA MEGHER KOLE<br /> | |||
KRŚŃA CANDRA LUKOLO KII<br /> | |||
KÁLER ANTARÁLE<br /> | |||
ÁJ KE TUMI KENO ELE<br /> | |||
VRAJER KÁNU BÁJIYE VEŃU<br /> | |||
ÁJ KE TUMI KENO ELE<br /> | |||
O Krsna of Vraja, playing the flute, what for have You come today? The mental river<br /> | |||
Yamuna does not dance any more with melody and rhythm under the crowd of inert matters.<br /> | |||
There is no grave of Vrindavan, the High Buildings surround the mind. That sweetness I do<br /> | |||
not find any more the way You were looking below the kadamba tree. The river Yamuna is<br /> | |||
shrunk today; there is no shade of banyan tree. There is dark charm of tama’l tree<br /> | |||
under the lap of dark clouds. Whether the moon like Krsna is hidden due to lapse of<br /> | |||
time.<br /> | |||
=== 3299 (27/12/1985) D === | |||
TOMÁRE CEYECHI MANE PRÁŃE, ÁMI<br /> | |||
SÁŔÁ DILE NÁKO MOR D́ÁKE<br /> | |||
KHUNJECHI TIIRTHE KHUNJECHI TIIRTHE<br /> | |||
KHUNJI VANA BHUMI<br /> | |||
KHUNJECHI MEGHER PHÁNKE PHÁNKE<br /> | |||
SÁŔÁ DILE NÁKO MOR D́ÁKE<br /> | |||
VICITRA TAVA LIILÁ PRIYATAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VICITRA TAVA LIILÁ PRIYATAMA<br /> | |||
VICITRA TAVA LIILÁ PRIYATAMA<br /> | |||
TIIRTHA PATI HE MANDIRE MAMA<br /> | |||
ANTARERI ANTARERI ANTAR TAMA<br /> | |||
BUJHECHI? E KATHÁ DÚRE THEKE<br /> | |||
SÁŔÁ DILE NÁKO MOR D́ÁKE<br /> | |||
LIILÁ KARE JÁO KONO KŚATI NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LIILÁ KARE JÁO KONO KŚATI NÁI<br /> | |||
AMARÁ MÁDHURI JENO DEKHE JÁI<br /> | |||
CINMAYA TAVA CINMAYA TAVA, KRIPÁ KAŃÁ CÁI<br /> | |||
PRATI PALAKERI PULAKE<br /> | |||
SÁŔÁ DILE NÁKO MOR D́ÁKE<br /> | |||
TOMÁRE CEYECHI MANE PRÁŃE, ÁMI<br /> | |||
SÁŔÁ DILE NÁKO MOR D́ÁKE<br /> | |||
O Lord, I love You wholeheartedly, but You have not responded to my call. I searched in | |||
the pilgrim places and forests and within the gaps of the clouds. O The dearest, Your<br /> | |||
divine game is mysterious, O the presiding deity of my mental temple. O the inner most of<br /> | |||
my inside, I have understood this fact, staying away far. You may continue the Divine<br /> | |||
play, liila, there is no harm, so that I can see the heavenly sweetness. O the<br /> | |||
embodiment of consciousness, I seek a wee bit of Your grace, each moment with bliss.<br /> | |||
=== 3300 (28/12/1985) K === | |||
ÁLOKE ÁNDHÁRE E KII LIILÁ TAVA<br /> | |||
MAN MÁNE NÁ DÚRE THÁKÁ JÁY NÁ<br /> | |||
KAMAL UPAVANE CINMAYA PAVANE<br /> | |||
KAMAL UPAVANE<br /> | |||
KAMAL UPAVANE CINMAYA PAVANE<br /> | |||
DOLÁ DILE STHAERYA KÁRO THÁKE NÁ<br /> | |||
MAN MÁNE NÁ DÚRE THÁKÁ JÁY NÁ<br /> | |||
ESECHI DHARÁTE TAVA KÁJ KARITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ESECHI DHARÁTE TAVA KÁJ KARITE<br /> | |||
BHÁLOBÁSÁR D́ORE TOMÁRE BÁNDHITE<br /> | |||
HE ANUPAMA NIKAT́A TAMA<br /> | |||
MANERI KATHÁ BUJHE KENO BOJHO NÁ<br /> | |||
MAN MÁNE NÁ DÚRE THÁKÁ JÁY NÁ<br /> | |||
SAḾSKÁR BANDHAN TUMI BHIITI BHAINJANA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAḾSKÁR BANDHAN TUMI BHIITI BHAINJANA<br /> | |||
SARVA DHII RAINJAN ALAKH NIRAINJANA<br /> | |||
DHIIRE KÁCHE ESO MADHUR MOHAN HÁSO<br /> | |||
TOMÁRI KATHÁ BHÚLITE PÁRI NÁ<br /> | |||
MAN MÁNE NÁ DÚRE THÁKÁ JÁY NÁ<br /> | |||
ÁLOKE ÁNDHÁRE E KII LIILÁ TAVA<br /> | |||
MAN MÁNE NÁ DÚRE THÁKÁ JÁY NÁ<br /> | |||
O Lord, with light and shade, what is Your divine game, the mind does not heed and cannot<br /> | |||
stay away. You have created oscillations in the lotus garden and consciousness absorbed<br /> | |||
breeze, no body remains stationary. I have come to this earth to do Your work, to tie You<br /> | |||
with the twine of love. O the nearest and incomparable, knowing the affairs of my mind<br /> | |||
why do not You understand? You break fear of the bondage of reactive momenta. You<br /> | |||
illuminate all the minds, as unseen and without any blemish. Come close slowly and smile<br /> | |||
with sweet charm. I cannot forget about You.<br /> | |||
=== 3301 (28/12/1985) D === | |||
ANDHAKÁRE GHUMIYE CHILÚM<br /> | |||
ANDHAKÁRE GHUMIYE CHILÚM<br /> | |||
ANDHAKÁRE GHUMIYE CHILÚM<br /> | |||
TAMASÁ BHEDIYÁ TUMI ELE<br /> | |||
JAD́ER KŚUDHÁY KÁTAR CHILUM<br /> | |||
AMRITER SVÁDA ENE DILE<br /> | |||
TAMASÁ BHEDIYÁ TUMI ELE<br /> | |||
KATA DIN GECHE KATA RÁT GECHE<br /> | |||
KATA DIN GECHE KATA RÁT GECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA DIN GECHE KATA RÁT GECHE<br /> | |||
KATA DIN GECHE KATA RÁT GECHE<br /> | |||
AMÁR ÁNDHÁR SHEŚA NÁ HOYECHE<br /> | |||
VAJRA ÁGHOŚE SMITA ÁSHVÁSE<br /> | |||
KAVOŚŃÁVESHE JÁGÁLE<br /> | |||
TAMASÁ BHEDIYÁ TUMI ELE<br /> | |||
CEYE DEKHI MOR GECHE TAMA GHOR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CEYE DEKHI MOR GECHE TAMA GHOR<br /> | |||
CEYE DEKHI MOR GECHE TAMA GHOR<br /> | |||
JIIVANE ESECHE RAUNGE RÁUNGÁ BHOR<br /> | |||
MOR KŚUDRATÁ HE VIBHU DEVATÁ<br /> | |||
SARIYE ÁMÁRE T́ENE NILE<br /> | |||
TAMASÁ BHEDIYÁ TUMI ELE<br /> | |||
ANDHAKÁRE GHUMIYE CHILÚM<br /> | |||
TAMASÁ BHEDIYÁ TUMI ELE<br /> | |||
O Lord, I was sleeping in dark, when piercing the darkness, You came. I was afflicted with<br /> | |||
the hunger of matter; You brought the taste of nectar. Countless days and nights have<br /> | |||
passed. There was no end of my darkness. With thunderous declaration and smiling<br /> | |||
consolation, You woke me up with lukewarm impulse. Then I saw, that my intense darkness<br /> | |||
was removed, and in life, colourful morning had come. O my God, removing my meanness, You<br /> | |||
pulled me.<br /> | |||
=== 3302 (28/12/1985) K (Shiva) === | |||
SABÁR TAPASYÁY ESECHILE<br /> | |||
KON AJÁNÁY CALE GELE<br /> | |||
HE SHIVA SHAḾKAR HE KARUŃÁKAR<br /> | |||
PRAJINÁ D́HELE PATHA DEKHÁILE<br /> | |||
TOMÁKE BUJHIVÁR BUDDHI KÁRO NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁKE BUJHIVÁR BUDDHI KÁRO NÁI<br /> | |||
TOMÁKE BUJHIVÁR BUDDHI KÁRO NÁI<br /> | |||
TOMÁKE MÁPIVÁR RIDDHI PÁSA NÁI<br /> | |||
CARAŃE TOMÁRA KARUŃÁ JÁCI TÁI<br /> | |||
HE ÁSHUTOŚA SABE SAB KÁLE<br /> | |||
KON AJÁNÁY CALE GELE<br /> | |||
HE KÁL BHAERAVA BANDHAN MOCANA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HE KÁL BHAERAVA BANDHAN MOCANA<br /> | |||
PÚINJIBHÚTA PÁPE DAHAN HUTÁSHANA<br /> | |||
TRISHÚLE VIŚÁŃE CIR SUSHOBHANA<br /> | |||
RAJATA GIRI SAMA JHALAMALE<br /> | |||
KON AJÁNÁY CALE GELE<br /> | |||
SABÁR TAPASYÁY ESECHILE<br /> | |||
KON AJÁNÁY CALE GELE<br /> | |||
O Lord, You came by virtue of the penance of all and went away to some unknown arena. O<br /> | |||
Lord Shiva, Sham’kar, the merciful, by pouring out intuition, You have shown the path.<br /> | |||
No one has the intellect to understand You; no one possesses the power to estimate You.<br /> | |||
Hence at Your feet, I seek Your mercy. O the entity quickly pleased by all at all the<br /> | |||
time. O the God of annihilation, destroyer of the bondages, burning expression of fright<br /> | |||
for the accumulated sins, ever adorned with trident and long horn, You shine like silvery<br /> | |||
mountain.<br /> | |||
=== 3303 (31/12/1985) K === | |||
EI BHÁLOLÁGÁ PHÚLA VANE<br /> | |||
TUMI MADHU CAMPAKA<br /> | |||
BHÁLOBÁSI ÁMI RÁTE DINE<br /> | |||
CEYE THÁKI APALAKA<br /> | |||
TOMÁR PARÁG BHÁSE VÁTÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR PARÁG BHÁSE VÁTÁSE<br /> | |||
SUDÚR NILIIMÁY MAHÁKÁSHE<br /> | |||
ÁVESHE BHARÁ CITE ÁSO PRAKÁSHE<br /> | |||
HE MÁLAINCA KANAKA<br /> | |||
DÁO NÁI HENO KICHU NÁI E DHARÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DÁO NÁI HENO KICHU NÁI E DHARÁY<br /> | |||
PITÁR SNEHA MÁTÁR MAMATÁY<br /> | |||
GRAHE ULKÁY NIIHÁRIKÁ TÁRÁY<br /> | |||
PÁI TOMÁR JHALAK<br /> | |||
TUMI MADHU CAMPAKA<br /> | |||
EI BHÁLOLÁGÁ PHÚLA VANE<br /> | |||
TUMI MADHU CAMPAKA<br /> | |||
O Lord, on this lovely floral garden, You are the sweet campak flower. I love You day and<br /> | |||
night, looking unblinkingly. Your fragrance floats in the air, in the distant great blue<br /> | |||
sky. Come into the broad light full of impulse, O the golden flower garden. There is<br /> | |||
nothing in the world that You cannot give, like fatherly love and motherly affection.<br /> | |||
Within the stars, planets and nebula, I find Your glimpses.<br /> | |||
=== 3304 (02/01/1986) K+D === | |||
TUMI, GÁNE ESECHO<br /> | |||
TUMI, GÁNE ESECHO TUMI<br /> | |||
PRÁŃE CHONYÁ DÁO<br /> | |||
MANANE UDBHÁSITA, ÁNANE SMITA<br /> | |||
DHYÁNE KÁCHE ESE JÁO<br /> | |||
PRÁŃE CHONYÁ DÁO<br /> | |||
PRÁŃE CHONYÁ DÁO<br /> | |||
DIVAS KET́ECHE TAVA BHÁVANÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIVAS KET́ECHE TAVA BHÁVANÁY<br /> | |||
SANDHYÁ ÁKÁSHE ÁLO JHALAKÁY<br /> | |||
ESECHO JAKHAN THÁKO AŃUKŚAŃA<br /> | |||
MORE TAVA KARE NÁO<br /> | |||
PRÁŃE CHONYÁ DÁO<br /> | |||
PRÁŃE CHONYÁ DÁO<br /> | |||
E SANDHYÁ JENO SÁRÁ KŚAŃA THÁKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
E SANDHYÁ JENO SÁRÁ KŚAŃA THÁKE<br /> | |||
JYOTSNÁR SÁTHE MATHITA PULAKE<br /> | |||
SAKAL ÁKUTI MADHUMAYA SMRITI<br /> | |||
TOMÁRI SURE BHÁSÁO<br /> | |||
PRÁŃE CHONYÁ DÁO<br /> | |||
PRÁŃE CHONYÁ DÁO<br /> | |||
O Lord, You came through the song, give a touch to my heart. Manifested in the mind, with<br /> | |||
smiling face, come close in my meditation. The day passes in Your ideation, shining light<br /> | |||
in the evening sky. When You have come, stay for some moments, make me Your own. On this<br /> | |||
evening, as if all the moments are collected. With moonlight, and churned joy, all<br /> | |||
earnestness and sweetness impregnated memories, float into Your melody.<br /> | |||
=== 3305 (03/01/1986) K === | |||
TUMI, BHÁLOBESE ESECHILE<br /> | |||
BHÁLOBESE ESECHILE<br /> | |||
BHÁLOBESE ESECHILE<br /> | |||
CALECHO KOTHÁY, BOLO NÁ ÁMÁY<br /> | |||
TUMI, BOLO NÁ ÁMÁY<br /> | |||
ÁNDHÁRE ÁLOK SHIKHÁ JVELE CHILE<br /> | |||
SE DIIP JENO NÁ NIVE JÁY<br /> | |||
BOLO NÁ ÁMÁY, TUMI, BOLO NÁ ÁMÁY<br /> | |||
AŃU PARAMÁŃUTE E KII LIILÁ TOMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AŃU PARAMÁŃUTE E KII LIILÁ TOMÁR<br /> | |||
AŃU PARAMÁŃUTE E KII LIILÁ TOMÁR<br /> | |||
SAKAL SATTÁ MÁJHE TUMI EKAI SAMÁHÁR<br /> | |||
NIDRÁ TANDRÁ GHORE KÁLA KET́ECHE ÁMÁR<br /> | |||
JÁGIYE DIYE CALE JÁO KOTHÁY<br /> | |||
BOLO NÁ ÁMÁY, TUMI, BOLO NÁ ÁMÁY<br /> | |||
JAGATE ÁCHI ÁMI TOMÁRI ICCHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JAGATE ÁCHI ÁMI TOMÁRI ICCHÁY<br /> | |||
JAGATE ÁCHI ÁMI TOMÁRI ICCHÁY<br /> | |||
ÁSÁ JÁOÁ SABI MOR TAVA ANUKAMPÁY<br /> | |||
DIN RÁT KENO ÁSE KENOI BÁ CALE JÁY<br /> | |||
KENO ÁSI SHUDHU TUMI JÁNO E DHARÁY<br /> | |||
BOLO NÁ ÁMÁY, TUMI, BOLO NÁ ÁMÁY<br /> | |||
TUMI, BHÁLOBESE ESECHILE<br /> | |||
CALECHO KOTHÁY<br /> | |||
BOLO NÁ ÁMÁY, TUMI, BOLO NÁ ÁMÁY<br /> | |||
O Lord, You came with love, but where do You go, tell me. You kindled flame of light in | |||
darkness; let not that flame get extinguished. What a divine game, liila, is Yours, in | |||
the entire existence, You are the sole aggregate. My time passes in intense slumber and<br /> | |||
drowsiness, awakening me where do You go? I exist in the world by Your wish. All my coming<br /> | |||
and going is due to Your mercy. Why the days and nights come and why do they go, why have<br /> | |||
I come, only You know in the world.<br /> | |||
=== 3306 (03/01/1986) K === | |||
BHÁLOBÁSÁ ELO JIIVANE<br /> | |||
KENO KE JÁNE KENO KE JÁNE<br /> | |||
TANMAY HOYECHI DHYÁNE<br /> | |||
BÁNDHÁ PAŔECHI PRÁŃE<br /> | |||
KENO KE JÁNE KENO KE JÁNE<br /> | |||
JAMÁT́ BÁNDHÁ HIM PALAKE GALIYÁ GELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JAMÁT́ BÁNDHÁ HIM PALAKE GALIYÁ GELO<br /> | |||
JAMÁT́ BÁNDHÁ HIM PALAKE GALIYÁ GELO<br /> | |||
VARŃOJJVAL HEM PULAKE PHUT́E UT́HILO<br /> | |||
SABÁR TARE MANE MAMATÁ DEKHÁ DILO<br /> | |||
SABI TAVA CHANDE GÁNE<br /> | |||
KENO KE JÁNE KENO KE JÁNE<br /> | |||
ÁKÁSHA BHARÁ MEGH NIMEŚE BHÁSIYÁ GELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁKÁSHA BHARÁ MEGH NIMEŚE BHÁSIYÁ GELO<br /> | |||
ÁKÁSHA BHARÁ MEGH NIMEŚE BHÁSIYÁ GELO<br /> | |||
CIDÁKÁSH JYOTSANÁY UDBHÁSITA HOLO<br /> | |||
JÁHÁ BHÁVI NÁI TÁHÁ RÚPÁYIT HOYE ELO<br /> | |||
TAVA MÁDHURIRI T́ÁNE<br /> | |||
KENO KE JÁNE KENO KE JÁNE<br /> | |||
BHÁLOBÁSÁ ELO JIIVANE<br /> | |||
KENO KE JÁNE KENO KE JÁNE<br /> | |||
Love has come into my life, why? Who knows? I get totally engrossed in meditation, bound<br /> | |||
by vivacity. The binding frozen ice melted away in moments. Bright shining gold appeared<br /> | |||
with joy. You showed affection for all in the mind, as all are within Your rhythm and<br /> | |||
song. The clouds filling the sky floated away in a moment. Within the firmament of the<br /> | |||
mind, moonlight started shining. What I could not imagine that materialized in form. And<br /> | |||
came due to pull of Your sweetness.<br /> | |||
=== 3307 (03/01/1986) D === | |||
KAMAL KALI KÁNDACHO KENO<br /> | |||
KÁHÁR KATHÁ MANE PAŔECHE<br /> | |||
HIMÁNIITE SANDHYÁ VÁTE<br /> | |||
KE VYATHÁTE BHARE DIYECHE<br /> | |||
KÁHÁR KATHÁ MANE PAŔECHE<br /> | |||
MANER KATHÁ KAO NÁ MORE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER KATHÁ KAO NÁ MORE<br /> | |||
ESECHI LOKE TOMÁR TARE<br /> | |||
PRIITIIR KAŃÁY SPARSHA KARE<br /> | |||
SAKAL MADHU NIYE NIYECHE<br /> | |||
KÁHÁR KATHÁ MANE PAŔECHE<br /> | |||
KAMAL KALI KÁNDACHO KENO<br /> | |||
KÁHÁR KATHÁ MANE PAŔECHE<br /> | |||
KAMAL VANE TUMI THÁKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KAMAL VANE TUMI THÁKO<br /> | |||
AMAL MANE GANDHE D́HÁKO<br /> | |||
ÁVILATÁ SARIYE RÁKHO<br /> | |||
KE TOMÁKE BHÚL BUJHECHE<br /> | |||
KÁHÁR KATHÁ MANE PAŔECHE<br /> | |||
KAMAL KALI KÁNDACHO KENO<br /> | |||
KÁHÁR KATHÁ MANE PAŔECHE<br /> | |||
O The lotus bud, why are you crying? Whose events have entered your mind? With snowy<br /> | |||
evening wind, Who has filled you with agonies? Tell me the internal matters of your mind.<br /> | |||
I have come to this world for You. Touching with the particles of love, who has taken away<br /> | |||
your entire sweetness? You stay in the garden of lotus, covering the pure mind with the<br /> | |||
fragrance. Keep the impurities away, who considers you as wrongdoer?<br /> | |||
=== 3308 (03/01/1986) K === | |||
TOMÁR PRIITITE PHÚL PHOT́E KÁNANE<br /> | |||
TOMÁY CHEŔE ÁMI KOTHÁY JÁBO<br /> | |||
ÁMÁR PRAŃATI NÁO TAVA CARAŃE<br /> | |||
ÁSHIRVÁD SATATA CÁHIBO<br /> | |||
TOMÁY CHEŔE ÁMI KOTHÁY JÁBO<br /> | |||
KAMAL HOYE NÁ KABHU MRIŃÁL CHÁŔÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KAMAL HOYE NÁ KABHU MRIŃÁL CHÁŔÁ<br /> | |||
KLINNA HOLEO SE PHÚL PASHARÁ<br /> | |||
ÁMÁR JAGAT PRIYA TOMÁTE BHARÁ<br /> | |||
TOMÁR KATHÁ KI KARE BHULIBO<br /> | |||
TOMÁY CHEŔE ÁMI KOTHÁY JÁBO<br /> | |||
MANER KAMAL TUMI MANETE THÁKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER KAMAL TUMI MANETE THÁKO<br /> | |||
ASIIM HOLEO SIIMÁ CHÚNYE RÁKHO<br /> | |||
SMITA HESE BHÁLOBESE MADHU MÁKHO<br /> | |||
EMAN RATAN ÁMI KOTHÁY PÁVO<br /> | |||
TOMÁY CHEŔE ÁMI KOTHÁY JÁBO<br /> | |||
TOMÁR PRIITITE PHÚL PHOT́E KÁNANE<br /> | |||
TOMÁY CHEŔE ÁMI KOTHÁY JÁBO<br /> | |||
O Lord, by Your love, flowers bloom in the forest, leaving You, where shall I go, tell me.<br /> | |||
Take my salutations at Your feet; I ever want Your blessings. The lotus flower cannot<br /> | |||
survive leaving its stem. The petals of the flowers just whither away. O Dear, my world is<br /> | |||
full of You only, how can I forget You? O my mental lotus, You continue to stay in the<br /> | |||
mind only. Even though infinite, keep touching the limitation. With loving smile, smear<br /> | |||
sweetness, where can I find such a priceless gem?<br /> | |||
=== 3309 (04/01/1986) D === | |||
ÁSO NIKO LOKER BHIIŔE<br /> | |||
ÁSO NIKO LOKER BHIIŔE<br /> | |||
ÁSO NIKO LOKER BHIIŔE<br /> | |||
MAN VITHIIKÁY ELE, TUMI<br /> | |||
MAN VITHIIKÁY ELE<br /> | |||
ESE CHILE ÁNKHIR NIIRE<br /> | |||
ESE CHILE ÁNKHIR NIIRE<br /> | |||
ÁNKHI MUCHÁIYÁ DILE<br /> | |||
MAN VITHIIKÁY ELE, TUMI<br /> | |||
MAN VITHIIKÁY ELE<br /> | |||
ÁSÁ ÁR JÁOÁ JIIVER ANIVÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSÁ ÁR JÁOÁ JIIVER ANIVÁR<br /> | |||
TÁI TÁRÁ BHÁVE TÁHÁO TOMÁR<br /> | |||
ÁSÁ JÁOÁ TAVA EI ANUBHAVA<br /> | |||
ÁSÁ JÁOÁ TAVA EI ANUBHAVA<br /> | |||
ÁSÁ JÁOÁ TAVA EI ANUBHAVA<br /> | |||
JIIVA PÁY NIJE CALE BALE<br /> | |||
TAVA BHÁSVAR DYUTITE ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TAVA BHÁSVAR DYUTITE ÁMÁR<br /> | |||
SARÁIYÁ DÁO JATA GLÁNI BHÁR<br /> | |||
TUMI JE MAMA O HE PRIYATAMA<br /> | |||
BUJHIBO KARUŃÁ HOLE<br /> | |||
MAN VITHIIKÁY ELE, TUMI<br /> | |||
MAN VITHIIKÁY ELE<br /> | |||
ÁSO NIKO LOKER BHIIŔE<br /> | |||
MAN VITHIIKÁY ELE, TUMI<br /> | |||
MAN VITHIIKÁY ELE<br /> | |||
O Lord, You do not appear amidst the crowd of people, but appeared in the mental lane.<br /> | |||
Having come through the tears from the eyes, You wiped it out. Coming and going for the<br /> | |||
living beings is essential, that is why, they have to keep Your ideation. With this<br /> | |||
experience of coming and going within You, the living beings find strength to move on | |||
themselves. With Your luminous effulgence, please remove all my load of agony. You are<br /> | |||
mine, O Dear most; let me understand that Your mercy occurred.<br /> | |||
=== 3310 (04/01/1986) D+K === | |||
TUMI ESE CHILE DIIPIKÁ JVELE<br /> | |||
PRIITIR PARASH DILE<br /> | |||
ÁMI, CININI TOMÁY ÁMI BUJHINI TOMÁY<br /> | |||
MALAYÁNILE NABHAH NIILE<br /> | |||
SE PRIITIR DHÁRÁ BAYE JÁY<br /> | |||
ÁMI, CININI TOMÁY ÁMI BUJHINI TOMÁY<br /> | |||
ÁLOKER UTSAVE TUMI ESECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOKER UTSAVE TUMI ESECHO<br /> | |||
MANER GAHANE VITÁNE HESECHO<br /> | |||
RIKTA MANER MÁJHE BHÁVA BHARECHO<br /> | |||
JÁ KÁKE KE BOJHÁY, JÁ KÁKE KE BOJHÁY<br /> | |||
ÁMI, CININI TOMÁY ÁMI BUJHINI TOMÁY<br /> | |||
ANDHAKÁRE BHAYÁRTA JIIVE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANDHAKÁRE BHAYÁRTA JIIVE<br /> | |||
NIRBHAYA DILE T́ENE NILE SABE<br /> | |||
BOLALE ÁMI ÁCHI PRÁŃOTSAVE<br /> | |||
RAUNGE RACÁ E DHARÁY<br /> | |||
RAUNGE RACÁ E DHARÁY<br /> | |||
ÁMI, CININI TOMÁY ÁMI BUJHINI TOMÁY<br /> | |||
TUMI ESE CHILE DIIPIKÁ JVELE<br /> | |||
PRIITIR PARASH DILE<br /> | |||
ÁMI, CININI TOMÁY ÁMI BUJHINI TOMÁY<br /> | |||
O Lord, You came, kindled lamp and provided touch of love. Still I could not recognise You<br /> | |||
and understood You. Through the sandal breeze in the blue sky, that current of love goes<br /> | |||
on flowing. You came as the festivity of light, and smiled in the canopy of the depth of<br /> | |||
mind. You filled feelings in the empty mind. Who would explain all that to whom? To the<br /> | |||
scared living beings in the darkness, You provided fearlessness and pulled all. You told<br /> | |||
“ I am present along with the festivity of life, in the world formed with colours.<br /> | |||
=== 3311 (06/01/1986) D === | |||
TOMÁR GÁNER MÁLÁY<br /> | |||
ÁMI EKAT́I PHÚL<br /> | |||
TOMÁR SURE RÁGE TÁLE<br /> | |||
DULI DODUL DÚL<br /> | |||
CÁI NÁ KICHUI TOMÁR KÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁI NÁ KICHUI TOMÁR KÁCHE<br /> | |||
TOMÁR DOLÁY SABAI ÁCHE<br /> | |||
PRÁŃER PARÁG SMITA ANURÁG<br /> | |||
PRIITI RÁTUL<br /> | |||
ÁMI EKAT́I PHÚL<br /> | |||
REKHO ÁMÁY KÁCHE KÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
REKHO ÁMÁY KÁCHE KÁCHE<br /> | |||
EI KARUŃÁ MARME JÁCE<br /> | |||
JHAINJHÁ VÁTE KARAKÁPÁTE<br /> | |||
DIO SPANDAN ATÚL<br /> | |||
ÁMI EKAT́I PHÚL<br /> | |||
TOMÁR GÁNER MÁLÁY<br /> | |||
ÁMI EKAT́I PHÚL<br /> | |||
O Lord, in the garland of Your songs, I am a single flower. I go on oscillating on the<br /> | |||
swing at Your tunes and melodies. I do not want anything from You; everything is present<br /> | |||
in Your oscillations, as fragrance of life, smiling affection and red love. Keep me close<br /> | |||
to Yourself; this is the only mercy that my heart begs. During stormy winds, and<br /> | |||
hailstorm, provide special feelings.<br /> | |||
=== 3312 (07/01/1986) D === | |||
MAN, TOMÁKEI KÁCHE PETE CÁY<br /> | |||
TOMÁKEI KÁCHE PETE CÁY<br /> | |||
SHAYANE SVAPANE NINDE JÁGARAŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHAYANE SVAPANE NINDE JÁGARAŃE<br /> | |||
NÁHI MÁNE BELÁ ABELÁY<br /> | |||
MAN, TOMÁKEI KÁCHE PETE CÁY<br /> | |||
TOMÁKEI KÁCHE PETE CÁY<br /> | |||
ÚŚÁR UDAYE RAKTIM PRÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÚŚÁR UDAYE RAKTIM PRÁTE<br /> | |||
PHÚL MÁLIKÁY VIHAGERI GIITE<br /> | |||
ULKÁ NIPÁTE KHUNJI JHAINJHÁTE<br /> | |||
SAGHAN KRIŚŃA KUÁSHÁY<br /> | |||
MAN, TOMÁKEI KÁCHE PETE CÁY<br /> | |||
TOMÁKEI KÁCHE PETE CÁY<br /> | |||
SHONO MOR KATHÁ BOJHO MOR VYATHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHONO MOR KATHÁ BOJHO MOR VYATHÁ<br /> | |||
AŃU MÁNASER BHÚMÁ VYÁKULATÁ<br /> | |||
KÁJALER JALE LEKHÁ ITIKATHÁ<br /> | |||
D́HÁKÁ SUSMITA SUŚAMÁY<br /> | |||
HÁRIYE GECHI DEKHI ÁMI ÁJ<br /> | |||
KOTHÁ SARE GELO JATA BHAYA LÁJ<br /> | |||
MADHURIMÁ MEKHE ESECHO NILÁJ<br /> | |||
ÁLO KARE KÁLO VARASÁY<br /> | |||
MAN, TOMÁKEI KÁCHE PETE CÁY<br /> | |||
TOMÁKEI KÁCHE PETE CÁY<br /> | |||
O Lord, the mind wants You to get close. During sleep, dream, relaxing or awaken state, it<br /> | |||
does not heed to any time consideration. During crimson mornings with the rise of the sun | |||
within floral garland and songs of the birds; I search during the fall of meteorites, and<br /> | |||
storms, in dark, dense fog. Please listen to my story and feel my agony, the earnest<br /> | |||
restlessness of the microcosm for the Cosmic. The eventful history is written with tears<br /> | |||
covering the smiling beauty. Today I find myself defeated, all the fears and shyness is<br /> | |||
moved out. You came smearing sweetness illuminating the rain of darkness.<br /> | |||
=== 3313 (08/01/1986) D === | |||
NANDAN SHUBH PRABHÁTE, ÁJ<br /> | |||
NANDAN SHUBH PRABHÁTE<br /> | |||
TUMI ESECHILE PRABHU ÁLO SÁTHE<br /> | |||
TITHI LEKHENIKO KEU E DHARÁTE<br /> | |||
ÁNDHÁR SARIYE SEI ÁLO<br /> | |||
NECE CHUT́E GELO BHÁVA SHROTE<br /> | |||
TUMI ESECHILE PRABHU ÁLO SÁTHE<br /> | |||
ANÁDI ASIIM MAHÁKÁSH THEKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁDI ASIIM MAHÁKÁSH THEKE<br /> | |||
VIDYUT KAŃÁ GELO CÁRI DIKE<br /> | |||
STABDHATÁ SHEŚE PRÁŃER<br /> | |||
ÁLOKE MUKHARITA HOLO AŃU TÁTE<br /> | |||
TUMI ESECHILE PRABHU ÁLO SÁTHE<br /> | |||
TÁR PAR KATA KÁLA CALE GECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TÁR PAR KATA KÁLA CALE GECHE<br /> | |||
KATA VICITRA CHANDA ESECHE<br /> | |||
NAVA ANURÁGE RÁGE METE<br /> | |||
TUMI ESECHILE PRABHU ÁLO SÁTHE<br /> | |||
NANDAN SHUBH PRABHÁTE, ÁJ<br /> | |||
NANDAN SHUBH PRABHÁTE<br /> | |||
TUMI ESECHILE PRABHU ÁLO SÁTHE<br /> | |||
O Lord, on this blissful auspicious morning today, You arrived with effulgence. Nobody on | |||
the earth had forecasted that and that light rushed dancing as abstract stream removing<br /> | |||
the darkness. From the beginning less, unlimited Cosmic space, the sparks of lightning<br /> | |||
scattered in all the directions. Terminating the inertial stupor with the illumination of<br /> | |||
vitality, by that all atoms became vibrant. After that how much time has passed, many<br /> | |||
strange rhythms came, intoxicated with new colourful love.<br /> | |||
=== 3314 (08/01/1986) K === | |||
ÁNKHITE BÁDAL BHINJECHE KÁJAL<br /> | |||
KENO BOLO NÁ OGO SUNAYANÁ<br /> | |||
KAPOLERI TIL PEYE RAUNGE MIL<br /> | |||
BHULECHE NIKHILER JÁTANÁ<br /> | |||
KENO BOLO NÁ OGO SUNAYANÁ<br /> | |||
KÁLOTE D́HÁKÁ PAŔE NIVECHE ÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁLOTE D́HÁKÁ PAŔE NIVECHE ÁLO<br /> | |||
ÁNDHÁR HÁRÁYECHE MANDA BHÁLO<br /> | |||
MANER MÁDHURII ÁRO BESHII D́HÁLO<br /> | |||
E TIMIRE DÚRE RÁKHÁ KI CÁO NÁ<br /> | |||
KENO BOLO NÁ OGO SUNAYANÁ<br /> | |||
KRIŚŃA VEŃI TAVA KÁLO D́ORE BÁNDHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KRIŚŃA VEŃI TAVA KÁLO D́ORE BÁNDHÁ<br /> | |||
ÁJ SHUDHU GÁO TÁRI ITIKATHÁ<br /> | |||
TÁRE CHÁŔÁ ÁR KICHU BHEVO NÁ<br /> | |||
KENO BOLO NÁ OGO SUNAYANÁ<br /> | |||
ÁNKHITE BÁDAL BHINJECHE KÁJAL<br /> | |||
KENO BOLO NÁ OGO SUNAYANÁ<br /> | |||
O the beautifuleyed, tell me why the clouds in the eyes, have wetted them. The dark mark<br /> | |||
on the cheek getting mixed with that colour, have forgotten the entire agonies of the<br /> | |||
world. The light has covered the darkness; the darkness is lost with all good and bad.<br /> | |||
Pour more and more mental sweetness. Do not You want to keep this darkness away? Your dark<br /> | |||
chignon is tied with dark thread; today only sing His history and attributes. Do not think<br /> | |||
of anything other than Him.<br /> | |||
=== 3315 (09/01/1986) D === | |||
ÁGUNER PARASH DIYE HIM<br /> | |||
SHIITALATÁ SARIYE DILE<br /> | |||
NIRJIIVA JAD́A KE NIYE BHÁVE<br /> | |||
NIŚIKTA LIILÁ RACILE<br /> | |||
HIM SHIITALATÁ SARIYE DILE<br /> | |||
KENO EI LIILÁ KICHUI BUJHINÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KENO EI LIILÁ KICHUI BUJHINÁ<br /> | |||
LIILÁ CHÁŔÁ KICHU NÁI TÁ BHULI NÁ<br /> | |||
LIILÁMAYE KHONJÁ SÁDHYA SÁDHANÁ<br /> | |||
E BHÁVANÁ MANE JÁGÁLE<br /> | |||
HIM SHIITALATÁ SARIYE DILE<br /> | |||
LIILÁ ÁCHE TÁI JIIVA BENCE ÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LIILÁ ÁCHE TÁI JIIVA BENCE ÁCHE<br /> | |||
SAB CÁOÁ PÁOÁ LIILÁRI MÁJHE<br /> | |||
LIILÁR BHUVANE LIILÁR MANANE<br /> | |||
PRIITI DHÁRÁ LIILÁTE BAHÁLE<br /> | |||
HIM SHIITALATÁ SARIYE DILE<br /> | |||
ÁGUNER PARASH DIYE HIM<br /> | |||
SHIITALATÁ SARIYE DILE<br /> | |||
O Lord, with the touch of fire, You removed the icy coldness. By providing feelings in the<br /> | |||
inert beings, You created a coloursoaked game. I do not understand at all, what for is<br /> | |||
this divine game. I do not forget that there is nothing other than this play. Searching<br /> | |||
the creator of this game is the ultimate desideratum and spiritual practice<br /> | |||
sa’dhana’. This thought You awaken in the mind. It is due to this divine play that the<br /> | |||
living beings survive. All the desires and attainments are within this game only. In this<br /> | |||
world of liila, with the thoughts of liila, You have flowed the current of<br /> | |||
liila.<br /> | |||
=== 3316 (10/01/1986) D === | |||
TOMÁR CARAŃ TALE PRABHU<br /> | |||
DIYINI KABHU KICHUI TÚLE<br /> | |||
JÁ DIYECHI TOMÁR DEOÁ<br /> | |||
TOMÁR JINIS ÁMÁR BOLE<br /> | |||
DIYINI KABHU KICHUI TÚLE<br /> | |||
AHAMIKÁY MATTA HOYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AHAMIKÁY MATTA HOYE<br /> | |||
MÁNAVATÁY SARIYE DIYE<br /> | |||
MANER DÁNAVE REKHECHI<br /> | |||
KARMA BHÁVANÁRI MÚLE<br /> | |||
DIYINI KABHU KICHUI TÚLE<br /> | |||
SAMVIT ELO ANEK PARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAMVIT ELO ANEK PARE<br /> | |||
CEYE DEKHI ÁMÁY GHIRE<br /> | |||
JAMÁ ÁCHE JAMÁT́ ÁNDHÁR<br /> | |||
TÁMASIKTÁR DHUMRA JÁLE<br /> | |||
ÁJ, BHÚLER SHEŚE DIIRGHA SHVÁSE<br /> | |||
TOMÁY D́ÁKI ASHRU JALE<br /> | |||
DIYINI KABHU KICHUI TÚLE<br /> | |||
TOMÁR CARAŃ TALE PRABHU<br /> | |||
DIYINI KABHU KICHUI TÚLE<br /> | |||
O Lord, at Your feet I have never offered anything, lifting in hand. Whatever I gave was<br /> | |||
given by You to me and I considered Your that thing as mine. Remaining intoxicated with<br /> | |||
ego, removing the humanity, retaining the devil of the mind, at the root of motive for<br /> | |||
action. After long, consciousness arose. And I observed that accumulated darkness<br /> | |||
surrounded me as blinding web of inertia. Today after the mistake with long breath, I call<br /> | |||
You with tears in the eyes.<br /> | |||
=== 3317 (11/01/1986) D === | |||
TOMÁR RÚPE JAGAT ÁLO<br /> | |||
TÁI KI LÁGE SAB BHÁLO<br /> | |||
MANDA MADHUR MALAYÁNILE<br /> | |||
MANER MÁJHE MADHU D́HÁLO<br /> | |||
TÁI KI LÁGE SAB BHÁLO<br /> | |||
ÁKÁSHA VÁTÁS ÁNDOLITA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁKÁSHA VÁTÁS ÁNDOLITA<br /> | |||
AŃU MÁNAS UDVELITA<br /> | |||
AJÁNÁ KON SURER LIILÁY<br /> | |||
AMBU MÁLÁY DOLÁ DILO<br /> | |||
TÁI KI LÁGE SAB BHÁLO<br /> | |||
MASII KRIŚŃA NIKAŚA NISHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MASII KRIŚŃA NIKAŚA NISHÁ<br /> | |||
SARE GELO KÁLO KUÁSHÁ<br /> | |||
RIKTA RÁGE RAKTIMÁSHÁ<br /> | |||
PÚRVA KAKUBHE ÚŚÁ ELO<br /> | |||
TÁI KI LÁGE SAB BHÁLO<br /> | |||
TOMÁR RÚPE JAGAT ÁLO<br /> | |||
TÁI KI LÁGE SAB BHÁLO<br /> | |||
O Lord, by your effulgence the world is illuminated, that is why everything appears<br /> | |||
lovely. You pour nectar in the mind through soft sweet sandal breeze. The sky and air is<br /> | |||
stirred and the microcosmic mind is restless. With what charm of unknown melody, You have<br /> | |||
raised a series of waves? The intensely black dark night and dark fog is moved out. The<br /> | |||
crimson ray of hope in the eastern direction appeared within emptiness.<br /> | |||
=== 3318 (11/01/1986) D === | |||
TUMI JE ÁMÁR PRÁŃERI DIIPAK<br /> | |||
ÁLO D́HÁLO APALAKA<br /> | |||
ÁMÁR MANANE BHÁVA SPANDANE<br /> | |||
SUSMITA CAMPAKA<br /> | |||
ÁLO D́HÁLO APALAKA<br /> | |||
DÚR THEKE ESE DÚRE CALE JÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DÚR THEKE ESE DÚRE CALE JÁI<br /> | |||
TUMI CHÁŔÁ MOR KEHO SÁTHI NÁI<br /> | |||
BÁHIRE GHARE TOMÁKE KÁCHE CÁI<br /> | |||
HE CIRA VEŃU VÁDAKA<br /> | |||
ÁLO D́HÁLO APALAKA<br /> | |||
CUMBAK SAMA T́ÁNITE JÁNO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CUMBAK SAMA T́ÁNITE JÁNO<br /> | |||
HÁRÁNO HIYÁKE NIKAT́E ÁNO<br /> | |||
MANER GOPAN SAB KATHÁ JÁNO<br /> | |||
AINJANE RAINJAKA<br /> | |||
ÁLO D́HÁLO APALAKA<br /> | |||
TUMI JE ÁMÁR PRÁŃERI DIIPAK<br /> | |||
ÁLO D́HÁLO APALAKA<br /> | |||
O Lord, You are the lamp of my life. You pour light constantly. You are the smiling campak<br /> | |||
flower within the abstract vibrations of my mind. Coming from far, I go on moving towards<br /> | |||
far. There is no companion of mine other than You. O ever player of the flute, I want You<br /> | |||
close outside and inside. You know how to attract like a magnet. You bring close the lost<br /> | |||
heart. You know all secret events of the mind, and You apply decoration marks on the<br /> | |||
eyes.<br /> | |||
=== 3319 (12/01/1986) D === | |||
TOMÁY ÁMI BHÁLOBÁSI<br /> | |||
KENO THÁKO SARE DÚRE<br /> | |||
MUKTÁJHARÁ TOMÁR HÁSI<br /> | |||
BÁJÁYE BÁNSHII KATA NÁ SURE<br /> | |||
KENO THÁKO SARE DÚRE<br /> | |||
CÁOÁ PÁOÁ HE PRIYA MOR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁOÁ PÁOÁ HE PRIYA MOR<br /> | |||
TOMÁR NÁME THÁKE VIBHOR<br /> | |||
UŔE BEŔÁY CITTA CAKOR<br /> | |||
TOMÁR PÁNE GHURE GHURE<br /> | |||
KENO THÁKO SARE DÚRE<br /> | |||
JE ASHEŚE VYAKTA TUMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE ASHEŚE VYAKTA TUMI<br /> | |||
AVYAKTA JÁR ÁDHÁR BHUMI<br /> | |||
DUHKHA SUKHER PARA PÁRE<br /> | |||
KENO THÁKO SARE DÚRE<br /> | |||
LIILÁ BHÁVE ÁCHO LIILÁMAYA<br /> | |||
DÁO NÁ DHARÁ MAN MUKURE<br /> | |||
TOMÁY ÁMI BHÁLOBÁSI<br /> | |||
KENO THÁKO SARE DÚRE<br /> | |||
O Lord, I love You, why do You stay away? Your pearl flowing smile plays flute in many<br /> | |||
melodies. O my beloved, all my desires and achievements are charmed with Your name. The<br /> | |||
cakor bird of my mind flies away towards You encircling. The endless expressions of Yours<br /> | |||
has unexpressed pabulum, beyond pain and pleasure. O the embodiment of the cosmic game<br /> | |||
You remain as abstract game and do not come into the folds of mental mirror.<br /> | |||
=== 3320 (12/01/1986) K === | |||
TOMÁY ÁMI ETO D́ÁKI<br /> | |||
TOMÁY ÁMI ETO D́ÁKI<br /> | |||
TOMÁY ÁMI ETO D́ÁKI<br /> | |||
TUMI SHONO NÁ KENO<br /> | |||
KLESHE JALE BHARÁ ÁNKHI<br /> | |||
TUMI KI NÁ CENO<br /> | |||
TUMI SHONO NÁ KENO<br /> | |||
(TOMÁY ÁMI ETO D́ÁKI)<br /> | |||
DHARÁ ÁMÁY DEY JE PHÁNKI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DHARÁ ÁMÁY DEY JE PHÁNKI<br /> | |||
TUMIO TÁ DEVE NÁKI<br /> | |||
BHAYE, BHAYE, BHAYE, BHAYE<br /> | |||
BHAYE, BHAYE LUKIYE RÁKHI<br /> | |||
PRIITI JHARE NÁ JÁY JENO<br /> | |||
TUMI SHONO NÁ KENO<br /> | |||
(TOMÁY ÁMI ETO D́ÁKI)<br /> | |||
ASHANE VIRÁG MAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ASHANE VIRÁG MAMA<br /> | |||
BASAN BHUJAGA SAMA<br /> | |||
SHAYAN ARÁTITAMA, SHAYAN ARÁTITAMA<br /> | |||
SHAYAN ARÁTITAMA<br /> | |||
KI SE BOLO HOLO HENO<br /> | |||
TUMI SHONO NÁ KENO<br /> | |||
(TOMÁY ÁMI ETO D́ÁKI)<br /> | |||
O Lord<br /> | |||
I call You so ardently.<br /> | |||
Why do You not respond?<br /> | |||
My eyes are filled with tears of sorrow.<br /> | |||
Do You not know why?<br /> | |||
The world deliberately deceives me.<br /> | |||
Will You do the same?<br /> | |||
I always keep my love hidden | |||
lest it should wither away.<br /> | |||
I have lost all interest in food and drink.<br /> | |||
Clothes are as repulsive to me as are serpents.<br /> | |||
Rest and sleep are like the worst enemies.<br /> | |||
Tell me why it all happened.<br /> | |||
=== 3321 (13/01/1986) D === | |||
SASIIME ASIIME TUMI<br /> | |||
SASIIME ASIIME TUMI<br /> | |||
SASIIME ASIIME TUMI<br /> | |||
DÁO NÁ DHARÁ CÁOÁ PÁOÁTE<br /> | |||
SUR SAPTALOKE BHRAMI<br /> | |||
AŃUTE PARAMÁŃUTE<br /> | |||
DÁO NÁ DHARÁ CÁOÁ PÁOÁTE<br /> | |||
BHÚLEO TOMÁY BHÚLÁ NÁ JÁY<br /> | |||
BHÚLEO TOMÁY BHÚLÁ NÁ JÁY<br /> | |||
BHÚLEO TOMÁY BHÚLÁ NÁ JÁY<br /> | |||
MAN SHUDHU TOMÁ PÁNE DHÁY<br /> | |||
BHÁVÁTIITE BHÁVÁTIITE<br /> | |||
BHÁVETE CÁY<br /> | |||
RÚPE BHARÁ E DHARÁTE<br /> | |||
RÚPE BHARÁ E DHARÁTE<br /> | |||
RÚPE BHARÁ E DHARÁTE<br /> | |||
DÁO NÁ DHARÁ CÁOÁ PÁOÁTE<br /> | |||
TUMI ARUŃ ÁLOR REKHÁ<br /> | |||
JYOTSNÁKÁSHE BHÁSÁ BALÁKÁ<br /> | |||
CALE TOMÁR CALE TOMÁR<br /> | |||
CALE TOMÁR RATHER CÁKÁ<br /> | |||
ANÁDI HOTE ANANTE<br /> | |||
DÁO NÁ DHARÁ CÁOÁ PÁOÁTE<br /> | |||
SASIIME ASIIME TUMI<br /> | |||
DÁO NÁ DHARÁ CÁOÁ PÁOÁTE<br /> | |||
O unlimited and still within boundary, You do not come into the folds of desires and<br /> | |||
achievements. With the notes of octave, You move into each atom and molecule. It is not<br /> | |||
possible to forget You, even after trying to do so. The mind ever rushes only towards You.<br /> | |||
It wants the Entity beyond thought into the realm of thought, within this world full of<br /> | |||
forms. You are the ray of crimson light, like a gliding swan in the moonlit sky. The<br /> | |||
wheels of Your cart go on moving beginning less ness<br /> | |||
=== 3322 (15/01/1986) D === | |||
TUMI YADI NÁHI ELE, VRITHÁ<br /> | |||
VRITHÁI ÁMÁR JEGE THÁKÁ<br /> | |||
SMRITI BUKE DHARE RÁKHÁ<br /> | |||
NIIR DHÁRÁ NÁ JHARILE KENO<br /> | |||
KENO NÁCE MÁTE KEKÁ<br /> | |||
VRITHÁI ÁMÁR JEGE THÁKÁ<br /> | |||
ÁLOKERI UTTARAŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOKERI UTTARAŃE<br /> | |||
SPANDAN ELO SABÁR PRÁŃE<br /> | |||
ÁMÁR MANER GAHAN VANE<br /> | |||
HOLO NÁ TÁR REKHÁ ÁNKÁ<br /> | |||
VRITHÁI ÁMÁR JEGE THÁKÁ<br /> | |||
SHUŃI TUMI BHÁLOBÁSO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHUŃI TUMI BHÁLOBÁSO<br /> | |||
CIDÁKÁSHE SABÁR BHÁSO<br /> | |||
MADIR MADHUR MOHAN HÁSO<br /> | |||
OTAH PROTA BHÁVE MÁKHÁ<br /> | |||
VRITHÁI ÁMÁR JEGE THÁKÁ<br /> | |||
TUMI YADI NÁHI ELE, VRITHÁ<br /> | |||
VRITHÁI ÁMÁR JEGE THÁKÁ<br /> | |||
If You do not come,<br /> | |||
my keeping awake,<br /> | |||
my waiting for You,<br /> | |||
my holding You in my memory,<br /> | |||
will have been wasted.<br /> | |||
Why does the flow of water not rain down?<br /> | |||
Why does the peacock restlessly dance on?<br /> | |||
As descending light,<br /> | |||
You filled everyone’s life with Your vibration.<br /> | |||
But in the dense forest of my mind,<br /> | |||
there was no trace of Yours.<br /> | |||
I heard that You love,<br /> | |||
that You shine in the firmament of all minds,<br /> | |||
and charmingly smile,<br /> | |||
associating Yourself both with the individual and the collective.<br /> | |||
=== 3323 (16/01/1986) D === | |||
GÁNER MÁLÁ GÁNER MÁLÁ<br /> | |||
GÁNER MÁLÁ<br /> | |||
GÁNER MÁLÁ TOMÁR TARE<br /> | |||
GENTHE REKHECHI ÁJ BHORE<br /> | |||
ESO TUMI KARUŃÁ KARE<br /> | |||
PARÁBO PARÁŃ BHARE<br /> | |||
GENTHE REKHECHI ÁJ BHORE<br /> | |||
SNÁNÁNTE ANSHÚK PARI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SNÁNÁNTE ANSHÚK PARI<br /> | |||
SNÁNÁNTE ANSHÚK PARI<br /> | |||
SNÁNÁNTE ANSHÚK PARI<br /> | |||
SANYATANE CAYAN KARI<br /> | |||
SAJÁYECHI SVARŃA SÁJI<br /> | |||
CHANDE RÁGE SURE<br /> | |||
GENTHE REKHECHI ÁJ BHORE<br /> | |||
E PHÚL ÁMÁR NEIKO VANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
E PHÚL ÁMÁR NEIKO VANE<br /> | |||
E PHÚL ÁMÁR NEIKO VANE<br /> | |||
E PHÚL ÁMÁR NEIKO VANE<br /> | |||
E PHOT́E MANER GAHANE<br /> | |||
PRIITIR DHÁRÁY MADHUR MÁYÁY<br /> | |||
VIIŃÁR TÁRE TÁRE<br /> | |||
AJÁNÁR ABHISÁRE<br /> | |||
GENTHE REKHECHI ÁJ BHORE<br /> | |||
GÁNER MÁLÁ TOMÁR TARE<br /> | |||
GENTHE REKHECHI ÁJ BHORE<br /> | |||
O Lord, I have kept the garland of songs for You since morning today. You come showing<br /> | |||
mercy, so that I shall place over Your neck, wholeheartedly. Putting on fresh clothes<br /> | |||
after the bath, selecting carefully them, I decorated the golden tray with rhythms, tunes<br /> | |||
and melodies. These flowers are not from garden, but bloomed in the depth of my mind, with<br /> | |||
the flow of love, sweet charm, through the strings of viin’a’.<br /> | |||
=== 3324 (16/01/1986) D === | |||
TUMI JE ÁMÁR<br /> | |||
TUMI JE ÁMÁR KATA ÁPANÁR<br /> | |||
ÁGE JÁNINI ÁJ JENECHI<br /> | |||
KÁCHE KÁCHE CHILE DÚRE SARE GELE<br /> | |||
MARMA MÁJHÁRE DHARE REKHECHI<br /> | |||
ÁGE JÁNINI ÁJ JENECHI<br /> | |||
HIM SHIITALATÁ CHILO MOR PRÁŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HIM SHIITALATÁ CHILO MOR PRÁŃE<br /> | |||
HIM SHIITALATÁ CHILO MOR PRÁŃE<br /> | |||
HIM SHIITALATÁ CHILO MOR PRÁŃE<br /> | |||
JIIVANI AGNI TUMI DILE ENE<br /> | |||
PRÁŃER PRADIIPE SHIITE UTTÁPE<br /> | |||
UŚŃA ÁTAPE SMRITI BHARECHI<br /> | |||
ÁGE JÁNINI ÁJ JENECHI<br /> | |||
ÁJO DÚRE NAO OGO MOR PRABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁJO DÚRE NAO OGO MOR PRABHU<br /> | |||
ÁJO DÚRE NAO OGO MOR PRABHU<br /> | |||
ÁJO DÚRE NAO OGO MOR PRABHU<br /> | |||
ÁMI BHULILEO BHOLO NÁKO KABHU<br /> | |||
ASIIMER MÁJHE JE AŃUT́I RÁJE<br /> | |||
SEI ÁMI TAVA KRIPÁ BUJHECHI<br /> | |||
ÁGE JÁNINI ÁJ JENECHI<br /> | |||
TUMI JE ÁMÁR KATA ÁPANÁR<br /> | |||
ÁGE JÁNINI ÁJ JENECHI<br /> | |||
O Lord, how much my You have remained for me, this fact I did not know earlier, only now I<br /> | |||
could understand that. You were very close to me, but went away far, thus I had kept You<br /> | |||
in my folds within the core of my heart. My vitality had icy coldness, You brought<br /> | |||
enlivening fire to kindle lamp of life. With that warm sun, I have filled my memory. O my<br /> | |||
Lord, even today You are not far. Even if I forget, You never forget me. The presence of<br /> | |||
this microcosmic soul within the infinite, which I consider only as Your grace.<br /> | |||
=== 3325 (17/01/1986) D === | |||
TUMI JAKHAN ELE<br /> | |||
TUMI JAKHAN ELE<br /> | |||
TUMI JAKHAN ELE<br /> | |||
ÁNDHÁR SARE GELO<br /> | |||
GHARE ÁLO ELO<br /> | |||
YUGÁNTARER GLÁNI<br /> | |||
MAN BHULE GELO<br /> | |||
GHARE ÁLO ELO<br /> | |||
JE PHÚL KABHU NÁ PHÚT́ITO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE PHÚL KABHU NÁ PHÚT́ITO<br /> | |||
JE PHÚL KABHU NÁ PHÚT́ITO<br /> | |||
JE PHÚL KABHU NÁ PHÚT́ITO<br /> | |||
KALITE JHARIYÁ JETO<br /> | |||
TOMÁR CARAŃ SPARSHA PEYE<br /> | |||
SE CÁHILO NAYAN MELILO<br /> | |||
GHARE ÁLO ELO<br /> | |||
HÁSATO NÁ JE DHARÁY ESE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HÁSATO NÁ JE DHARÁY ESE<br /> | |||
HÁSATO NÁ JE DHARÁY ESE<br /> | |||
HÁSATO NÁ JE DHARÁY ESE<br /> | |||
BÁSATO NÁ BHÁLO ÁVESHE<br /> | |||
TOMÁR KATHÁ BHEVE ÁJI SE<br /> | |||
BÁSALO BHÁLO PRIITI JHARILO<br /> | |||
GHARE ÁLO ELO<br /> | |||
TUMI JAKHAN ELE<br /> | |||
ÁNDHÁR SARE GELO<br /> | |||
GHARE ÁLO ELO<br /> | |||
O Lord, when You arrived, the darkness was removed and light came into home. The mind<br /> | |||
forgot the agonies of eons. The flower that could never bloom, would have withered as bud<br /> | |||
itself, by getting the touch of Your feet, it wished and opened the eyes. Those coming<br /> | |||
into the world without any smile, without any impulse of love, today, by thinking of You<br /> | |||
started loving pouring affection.<br /> | |||
=== 3326 (17/01/1986) D === | |||
TOMÁR HÁSI HE PRIYA MOR<br /> | |||
MAN VIIŃÁY BÁJÁYE JE SUR<br /> | |||
TABE KENO BHULE THÁKO<br /> | |||
MORE RÁKHO DÚR HOTE DUR<br /> | |||
TOMÁR HÁSI HE PRIYA MOR<br /> | |||
MAN VIIŃÁY BÁJÁYE JE SUR<br /> | |||
DESHÁNTARE JEO NÁ ÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DESHÁNTARE JEO NÁ ÁR<br /> | |||
DESHÁNTARE JEO NÁ ÁR<br /> | |||
DESHÁNTARE JEO NÁ ÁR<br /> | |||
BHOLÁO YUGÁNTARERI BHÁR<br /> | |||
KÁCHE ESE KÁCHE ESE<br /> | |||
KÁCHE ESE BHÁLOBESE<br /> | |||
RÁTUL PÁYE BÁJAO NÚPUR<br /> | |||
TOMÁR HÁSI HE PRIYA MOR<br /> | |||
MAN VIIŃÁY BÁJÁYE JE SUR<br /> | |||
SHRÁNTA ÁMI KLÁNTA ÁNKHI<br /> | |||
SHRÁNTA ÁMI KLÁNTA ÁNKHI<br /> | |||
SHRÁNTA ÁMI KLÁNTA ÁNKHI<br /> | |||
TÁI KI TOMÁY NÁHI DEKHI<br /> | |||
HOYETO PÁSHE, HOYETO PÁSHE<br /> | |||
HOYETO PÁSHE, ÁCHO BASE<br /> | |||
DEKHI NÁ TÁI HOI JE VIDHUR<br /> | |||
TOMÁR HÁSI HE PRIYA MOR<br /> | |||
MAN VIIŃÁY BÁJÁYE JE SUR<br /> | |||
TUMI ÁCHO ÁMI ÁCHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ÁCHO ÁMI ÁCHI<br /> | |||
TUMI ÁCHO ÁMI ÁCHI<br /> | |||
TUMI ÁCHO ÁMI ÁCHI<br /> | |||
TOMÁY ÁMI BHÁLOBESECHI<br /> | |||
TOMÁR TARE, TOMÁR TARE<br /> | |||
TOMÁR TARE RÁKHI DHARE<br /> | |||
RAUNGE RÁUNGÁ ÁSHÁ MADHUR<br /> | |||
TOMÁR HÁSI HE PRIYA MOR<br /> | |||
MAN VIIŃÁY BÁJÁYE JE SUR<br /> | |||
O my beloved, Your smile, plays tune on my mental viin’a’. Then why have You forgotten | |||
me and kept me far and far away? Do not go away into other arenas any more, ignore my load<br /> | |||
carried though eons. Coming close, with love, play the anklebell on Your red feet. I am<br /> | |||
tired and fatigued, that Is why I am unable to see You. Even though You are sitting<br /> | |||
nearby, I am unable to see that and feel unhappy. You are there and I am there, and I love<br /> | |||
You. For You I have kept colourful sweet expectation.<br /> | |||
=== 3327 (17/01/1986) K === | |||
TUMI ESE CHILE<br /> | |||
SHEFÁLIR SNIGDHA SUVÁSE<br /> | |||
REKHE GELE MANE MADHUR RAŃANE<br /> | |||
JÁ BOLE CHILE BHÁLOBESE<br /> | |||
TUMI ESE CHILE<br /> | |||
SHEFÁLIR SNIGDHA SUVÁSE<br /> | |||
HE ÁMÁR PRIYA SÁTHE REKHE DIO<br /> | |||
ÁMÁR NÁBOLÁ ABHILÁŚE<br /> | |||
YUGE YUGÁNTARE KÁLE KÁLÁNTARE<br /> | |||
THEKO TUMI ÁMÁRI PÁSHE<br /> | |||
TUMI ESE CHILE<br /> | |||
SHEFÁLIR SNIGDHA SUVÁSE<br /> | |||
NÁ JÁI VIPATHE KABHU PATH DEKHÁIO PRABHU<br /> | |||
PRIITIRI MOHAN PRAKÁSHE<br /> | |||
EI ANURODH ÁMÁR KICHUI CÁHI NÁ ÁR<br /> | |||
THEKO SÁTHE KLESHE/DUHKHA? HARAŚE<br /> | |||
TUMI ESE CHILE<br /> | |||
SHEFÁLIR SNIGDHA SUVÁSE<br /> | |||
O Lord, You had come with the soft fragrance of shefa’lii flower, and kept sweet<br /> | |||
vibration in the mind of Your loving words. O my Dear, You left with me the unspoken | |||
desire. Eons after eons, time after time, You stay near me. So that I never deviate from<br /> | |||
the path shown by You, O Lord, in the charming illumination of love. This is my only<br /> | |||
request to You, I do not want anything more, stay with me, in my pain and pleasure.<br /> | |||
=== 3328 (17/01/1986) D === | |||
SÁTHI ÁMÁR PRIYA ÁMÁR<br /> | |||
SHOŃO ÁMÁR KATHÁ<br /> | |||
SHOŃO ÁMÁR KATHÁ<br /> | |||
TOMÁR TARE JIIVAN BHARE<br /> | |||
VAHI VIRAHER VYATHÁ<br /> | |||
SHOŃO ÁMÁR KATHÁ<br /> | |||
SHOŃO ÁMÁR KATHÁ<br /> | |||
RÁTER SHEŚE PÚRVÁKÁSHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÁTER SHEŚE PÚRVÁKÁSHE<br /> | |||
ÚŚÁR ARUŃ JAKHAN HÁSE<br /> | |||
TOMÁY BHEVE TOMÁR BHÁVE<br /> | |||
RACI TOMÁR GÁTHÁ<br /> | |||
SHOŃO ÁMÁR KATHÁ<br /> | |||
SHOŃO ÁMÁR KATHÁ<br /> | |||
SANDHYÁKÁSHE ASTA RAVI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SANDHYÁKÁSHE ASTA RAVI<br /> | |||
JAKHAN ÁNKE RAUNGIIN CHAVI<br /> | |||
MAN PAVANE PRADOŚA VANE<br /> | |||
GÁI TAVA ITIKATHÁ<br /> | |||
SHOŃO ÁMÁR KATHÁ<br /> | |||
SHOŃO ÁMÁR KATHÁ<br /> | |||
O my companion, my beloved, listen to my events, for You, whole of my life, I have been | |||
carrying the pangs of separation. At the end of night, in the eastern sky, when the rising<br /> | |||
sun smiles, thinking about You, with Your ideation, I create Your glorifying history. When | |||
the sun setting in the evening, draws a colourful, beautiful panorama, with the mental<br /> | |||
wind in the evening forest, I sing Your history.<br /> | |||
=== 3329 (18/01/1986) K === | |||
TOMÁR PRIITIR ÁLOY<br /> | |||
ELO DHARÁY PRÁŃA SPANDAN | |||
SE ÁLOKE LÁGLO BHÁLO<br /> | |||
DULALO DOLÁY SABÁR MANA<br /> | |||
ELO DHARÁY PRÁŃA SPANDAN | |||
BÁNDHAN DILE MUKTI DILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁNDHAN DILE MUKTI DILE<br /> | |||
AŃUKE BHÁLOBÁSILE<br /> | |||
ARÚP TUMI RÚPE ELE<br /> | |||
HOLO BHÁVER UTTARAŃA<br /> | |||
ELO DHARÁY PRÁŃA SPANDAN | |||
KI ÁCHE NÁI NÁHI JÁNI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KI ÁCHE NÁI NÁHI JÁNI<br /> | |||
ÁCHO TUMI SHUDHUI MÁNI<br /> | |||
MANER KOŃE SANGOPANE<br /> | |||
BUJHI ÁKARŚAŃA<br /> | |||
ELO DHARÁY PRÁŃA SPANDAN | |||
TOMÁR PRIITIR ÁLOY<br /> | |||
ELO DHARÁY PRÁŃA SPANDAN | |||
O Lord, the effulgence of Your love, brought on the earth, vibration of life. With that<br /> | |||
loving light, everyone’s mind is oscillated. You provided bondage and liberation, and<br /> | |||
loved the microcosm. O the formless, You came into form, the ideation descended. What<br /> | |||
exists or not, I do not know, I only know and accept that You exist. In the recess of my<br /> | |||
mind, secretly, I understand Your attraction.<br /> | |||
=== 3330 (18/01/1986) K === | |||
TUMI SABÁR ÁSHÁR ÁLO<br /> | |||
TUMI SABÁR PRÁŃERA PRADIIP<br /> | |||
NIKAŚA KÁLOY SHUBHRA ÁLOY<br /> | |||
MADHU MÁKHÁ TUMI JE NIIP<br /> | |||
TUMI SABÁR PRÁŃERA PRADIIP<br /> | |||
ÁLO ÁNDHÁRERI KHELÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLO ÁNDHÁRERI KHELÁY<br /> | |||
VYAKTA TUMI VISHVA LIILÁY<br /> | |||
ARUP MÁJHE RÚPER MELÁY<br /> | |||
KABHU RIJU KABHU PRATIIP<br /> | |||
TUMI SABÁR PRÁŃERA PRADIIP<br /> | |||
TOMÁY ÁMI BHÁLOBÁSI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁY ÁMI BHÁLOBÁSI<br /> | |||
TOMÁR TAREI KÁNDI HÁSI<br /> | |||
MOR SAKAL TAMASÁ NÁSHI<br /> | |||
MANER SUDHÁY ESO ADHIIP<br /> | |||
TUMI SABÁR PRÁŃERA PRADIIP<br /> | |||
TUMI SABÁR ÁSHÁR ÁLO<br /> | |||
TUMI SABÁR PRÁŃERA PRADIIP<br /> | |||
O Lord, To all you are the only ray of hope. To every heart. You are the lamp within. In | |||
cimmerian darkness, you are the dazzling white effulgence. You are the kadamba flower<br /> | |||
sweetened with honey.<br /> | |||
In the eternal play of light and shade, you manifest yourself in your universal divine<br /> | |||
sport. In the midst of formlessness, and myriads, of form, you are sometimes straight and<br /> | |||
sometimes angular. I love you For you only I laugh and weep Dispelling the darkness of my<br /> | |||
ignorance pray reveal yourself. O Lord, in the sweet flow of your cognition.<br /> | |||
=== 3331 (18/01/1986) K === | |||
RÚPER MELÁY BASE TUMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÚPER MELÁY BASE TUMI<br /> | |||
ARÚP GÁN SHUNIYE JÁO<br /> | |||
RÚPA SÁYARE GÁHAN KARE<br /> | |||
MARME DHVANI JÁGÁO<br /> | |||
ARÚP GÁN SHUNIYE JÁO<br /> | |||
CETAN ACETANER MÁJHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CETAN ACETANER MÁJHE<br /> | |||
TOMÁR DHVANI NITYA BÁJE<br /> | |||
SAB BHÁVANÁR SAKAL KÁJE<br /> | |||
MAMATÁ MÁKHÁO<br /> | |||
ARÚP GÁN SHUNIYE JÁO<br /> | |||
PARAMÁŃUR TRYASAREŃU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PARAMÁŃUR TRYASAREŃU<br /> | |||
SABÁR MÁJHE BÁJÁO VEŃU<br /> | |||
KÁLÁNTARER NÁDA TANU<br /> | |||
KALA KE JINE NÁO<br /> | |||
ARÚP GÁN SHUNIYE JÁO<br /> | |||
RÚPER MELÁY BASE TUMI<br /> | |||
ARÚP GÁN SHUNIYE JÁO<br /> | |||
O Lord, sitting within the crowd of forms, You go on listening to the song of formless.<br /> | |||
Immersing in the ocean of form and beauty, You awaken the sound in the core of the heart.<br /> | |||
Within the animated and unanimated bodies, Your sound resonates all the time. In all<br /> | |||
actions of all thoughts, you smear affection. In each particle of atoms, and molecules, in | |||
all You play Your flute. O the embodiment of all eras, You go on winning over the<br /> | |||
limitation of time.<br /> | |||
=== 3332 (16/01/1986) K === | |||
BHÁLO JE BÁSE TOMÁY<br /> | |||
TÁR KATHÁ HÁY KENO BHÁVO NÁ<br /> | |||
DILO JE PRÁŃER SUDHÁ<br /> | |||
BHULE VASUDHÁ KENO TÁRE CÁO NÁ<br /> | |||
TÁR KATHÁ HÁY KENO BHÁVO NÁ<br /> | |||
ALAS PRAHARETE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAS PRAHARETE<br /> | |||
KAKHNO DINE VÁ RÁTE<br /> | |||
MANERI EK KOŃETE<br /> | |||
KENO JE D́EKE TÁKÁO NÁ<br /> | |||
TÁR KATHÁ HÁY KENO BHÁVO NÁ<br /> | |||
KENO TÁRE CÁO NÁ<br /> | |||
TOMÁY JE SAB DIYECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁY JE SAB DIYECHE<br /> | |||
TOMÁKEI BHEVE CALECHE<br /> | |||
MANANE DIIP JVELECHE<br /> | |||
SE DIIPE ÁNKHI RÁKHO NÁ<br /> | |||
TÁR KATHÁ HÁY KENO BHÁVO NÁ<br /> | |||
KENO TÁRE CÁO NÁ<br /> | |||
TÁR KATHÁ HÁY KENO BHÁVO NÁ<br /> | |||
BHÁLO JE BÁSE TOMÁY<br /> | |||
TÁR KATHÁ HÁY KENO BHÁVO NÁ<br /> | |||
O Lord, those who love You, alas, why do not You think about them? Those who have offered<br /> | |||
the nectar of their lives, ignoring the world, why do not You pay attention to them?<br /> | |||
During Your leisure period of time, whether in day or night, those who call You, why do<br /> | |||
not You see them in one corner of Your mind? Those who have offered You all their<br /> | |||
belongings, and go on thinking about You only, those who keep their mental lamp glowing<br /> | |||
why do You ignore that lamp?<br /> | |||
=== 3333 (19/01/1986) K === | |||
TUMI JÁKE BHÁLOBÁSO<br /> | |||
SE KENO ÁRÁLE THÁKE<br /> | |||
PRASHANSÁKE HÁSIMUKHE<br /> | |||
KENOI BÁ SE DÚRE RÁKHE<br /> | |||
SE KENO ÁRÁLE THÁKE<br /> | |||
VITTA SÁMARTHYA ANNYE DÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VITTA SÁMARTHYA ANNYE DÁO<br /> | |||
AESHVARYE SHIKHARE BASÁO<br /> | |||
BHAKTA JANER SAB NIYE NÁO<br /> | |||
BHAKTI SE SARAME MÁKHE<br /> | |||
SE KENO ÁRÁLE THÁKE<br /> | |||
AŚT́A AESHVARYA TUMI CHÁŔÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AŚT́A AESHVARYA TUMI CHÁŔÁ<br /> | |||
ANNYE KARE VIVEKA HÁRÁ<br /> | |||
BHAKTA MANE PRATI KŚAŃE<br /> | |||
TOMÁY PEYE ÁSE SUKHE<br /> | |||
PÚRŃATÁRA ÁNANDA LOKE<br /> | |||
SE KENO ÁRÁLE THÁKE<br /> | |||
Why do those who You love<br /> | |||
remain hidden?<br /> | |||
Why do You keep them away<br /> | |||
from the smiling face of praise?<br /> | |||
You grant wealth and capability to others<br /> | |||
raising them to the top of attributes<br /> | |||
but You take away everything from the devotees<br /> | |||
who are absorbed in modesty.<br /> | |||
The eight occult powers<br /> | |||
make others devoid of discrimination.<br /> | |||
Those who possess them eventually leave You.<br /> | |||
The devotees, however<br /> | |||
find You in their mind each moment<br /> | |||
and enjoy the bliss of fulfilment.<br /> | |||
=== 3334 (16/01/1986) K === | |||
TOMÁR KATHÁ BHEVE<br /> | |||
DIN CALE JÁY<br /> | |||
ÁMÁR PRABHU SUKHE DUHKHE<br /> | |||
TOMÁR KATHÁ BHEVE<br /> | |||
ESO TUMI NIICE NEVE<br /> | |||
DHULIR E DHARÁY<br /> | |||
TOMÁR RACÁ MARTYA LOKE<br /> | |||
TOMÁR KATHÁ BHEVE<br /> | |||
ÁMI PRABHU MÁT́IR MÁNUŚA<br /> | |||
TOMÁR GAŔÁ RAUNGIIN PHÁNÚSA<br /> | |||
ÁKÁSHERI PARASH PETE<br /> | |||
CHÚT́I URDHVA MÚKHE<br /> | |||
TOMÁR KATHÁ BHEVE<br /> | |||
KÁLÁKÁLER BHEDA NÁ BUJHI<br /> | |||
TOMÁR MÁJHE SHÁNTI KHUNJI<br /> | |||
ESO KÁCHE MARMA MÁJHE<br /> | |||
NIRVÁTA ÁLOKE<br /> | |||
TOMÁR KATHÁ BHEVE<br /> | |||
TOMÁR KATHÁ BHEVE<br /> | |||
DIN CALE JÁY<br /> | |||
ÁMÁR PRABHU SUKHE DUHKHE<br /> | |||
TOMÁR KATHÁ BHEVE<br /> | |||
O Lord, thinking about You, my days are passing in pain and pleasure. You descend down to<br /> | |||
this muddy earth, upon the mortal world created by You. O Lord, I am a human being made up<br /> | |||
of earthen material, a colourful paper balloon, created by You, for getting the touch of<br /> | |||
the sky, I rush upwards. I do not understand the distinction of appropriate time, and look<br /> | |||
for peace within You. You come close within the core of my heart, in nonflickering light.<br /> | |||
=== 3335 (20/01/1986) K === | |||
TOMÁR KATHÁ SHUNI<br /> | |||
SABÁI KÁR MUKHE<br /> | |||
DEKHINIKO KAKHANO<br /> | |||
TUMI PRÁŃER PRATHAM DHVANI<br /> | |||
KENO THÁKO MAONO<br /> | |||
DEKHINIKO KAKHANO<br /> | |||
PRÁŃER TOMÁR ARUŃ ÁBHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRÁŃER TOMÁR ARUŃ ÁBHÁ<br /> | |||
AMEYA TOMÁR PRATIBHÁ<br /> | |||
TULANÁ NÁI KONO<br /> | |||
DEKHINIKO KAKHANO<br /> | |||
ÁDI VINDUTE RAYECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁDI VINDUTE RAYECHO<br /> | |||
ANANTE BHESE CALECHO<br /> | |||
CALÁR PATHE CHANDE ÁCHO<br /> | |||
DÁO NÁ DHARÁ KENO<br /> | |||
DEKHINIKO KAKHANO<br /> | |||
TOMÁR KATHÁ SHUNI<br /> | |||
SABÁI KÁR MUKHE<br /> | |||
DEKHINIKO KAKHANO<br /> | |||
O Lord, I have heard about You, from the mouth of all, but I have never seen You. You are<br /> | |||
the primordial sound of life, why do You remain silent? There is no comparison of Your<br /> | |||
crimson glow of life, Your intellect is immeasurable. You stay in the initial point, and<br /> | |||
go on floating towards the infinity. You are present in the rhythm of movement on the<br /> | |||
path, still why do not You come into the folds?<br /> | |||
=== 3336 (21/01/1986) K === | |||
TUMI KI BHULIYÁ GELE<br /> | |||
D́EKECHI KATA TOMÁRE<br /> | |||
MOR MANER GABHIRE<br /> | |||
KENO NÁHI SHUNILE<br /> | |||
TUMI KI BHULIYÁ GELE<br /> | |||
ÁKÁSHER TÁRÁ BOLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁKÁSHER TÁRÁ BOLE<br /> | |||
TUMI KII NABHE LUKÁLE<br /> | |||
MEGHER THEKE ÁŔÁLE<br /> | |||
E KII LIILÁ RCILE<br /> | |||
TUMI KI BHULIYÁ GELE<br /> | |||
ÁLOKER SIḾHÁSANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOKER SIḾHÁSANE<br /> | |||
CALECHE E KII SVANANE<br /> | |||
VAJRA ULKÁSANE<br /> | |||
TRIBHVAN KÁMPIYE DILE<br /> | |||
TUMI KI BHULIYÁ GELE<br /> | |||
Have you forgotten me? How much I yearned for you deep in my heart. What did not you<br /> | |||
listen to me?<br /> | |||
The stars in the sky wonder if you had hidden in the heaven. From behind the cover of<br /> | |||
clouds, what a unique divine play you play? Riding on the throne of effulgence what a<br /> | |||
wonderful sonorous journey you are playing on. With thunders and meteors at your command.<br /> | |||
You have shaken the entire creation.<br /> | |||
=== 3337 (22/01/1986) K === | |||
KATA VITANDRA VIBHÁVARII<br /> | |||
TOMÁRI TARE<br /> | |||
KET́ECHE ÁMÁR PRABHU KET́ECHE ÁMÁR<br /> | |||
KATA TAMASÁMAYII NISHÁ<br /> | |||
D́HEKECHE ÁMÁR ÁNDHÁRE DURNIVÁR<br /> | |||
PRABHU KET́ECHE ÁMÁR<br /> | |||
ÁNKHI PALLAVA MOR SIKTA ASHRU NIIRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁNKHI PALLAVA MOR SIKTA ASHRU NIIRE<br /> | |||
PATHA HÁRÁ PATHIKER ÁKUL HÁHÁKÁRE<br /> | |||
EK BÁRO PRIITI BHARE ELO NÁ ÁMÁR TARE<br /> | |||
SHUNE THÁKI TUMI ÁPANÁR<br /> | |||
PRABHU KET́ECHE ÁMÁR<br /> | |||
NÁ ELEO KŚATI NÁI MAN MÁJHE JENO PÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NÁ ELEO KŚATI NÁI MAN MÁJHE JENO PÁI<br /> | |||
ÁMÁR BHUVANE TUMI CHÁŔÁ ÁR KEHO NÁI<br /> | |||
PÁRO TO MANANE ESE MADHUR MOHAN HESE<br /> | |||
BOLE JÁO ÁMI TOMÁR<br /> | |||
PRABHU KET́ECHE ÁMÁR<br /> | |||
KATA VITANDRA VIBHÁVARII<br /> | |||
TOMÁRI TARE<br /> | |||
KET́ECHE ÁMÁR PRABHU KET́ECHE ÁMÁR<br /> | |||
O Lord, how many sleepless nights of mine have passed for You? How many dark nights have<br /> | |||
covered me with irresistible darkness? My eyelids are wet with tears. The earnest<br /> | |||
screaming of the traveler losing the path. Not even once, You came for me filled with<br /> | |||
love, though I have heard that You are most own. Even if You do not come, there is no<br /> | |||
harm, since I find You in my mind. In my home, there is no one other than You. Come into<br /> | |||
the mind, with charming smile and go on telling that I am Yours.<br /> | |||
=== 3338 (22/01/1986) K === | |||
ÁNKHITE CHILO JE JALA<br /> | |||
JAKHAN CALIYÁ GELE<br /> | |||
BHARÁ KUSUMERI D́ÁLÁ<br /> | |||
DHULÁY PHELIYÁ DILE<br /> | |||
JAKHAN CALIYÁ GELE<br /> | |||
TOMÁTE ÁMÁTE PRABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁTE ÁMÁTE PRABHU<br /> | |||
TULANÁ HOYE NÁ KABHU<br /> | |||
TUMI ÁKÁSHERI TÁRÁ<br /> | |||
ÁMI I JONÁKI BHÚTALE<br /> | |||
JAKHAN CALIYÁ GELE<br /> | |||
CHILO JALA KÁR ÁNKHITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILO JALA KÁR ÁNKHITE<br /> | |||
JÁNE TÁ SABE DHARÁTE<br /> | |||
ANÁDI ASIIM HOLEO<br /> | |||
BHÁLOBESE ESE CHILE<br /> | |||
JAKHAN CALIYÁ GELE<br /> | |||
ÁNKHITE CHILO JE JALA<br /> | |||
JAKHAN CALIYÁ GELE<br /> | |||
O Lord, when You went away, my eyes were full of tears. You threw away the tray full of<br /> | |||
flowers into the dust. O Lord, between You and me, there can never be any comparison. You<br /> | |||
are the star of the sky and I am a firefly on the earth. In whose eyes, tears were<br /> | |||
present, that was known to all in the world. Even though being beginning less and<br /> | |||
unlimited, due to love, You had come.<br /> | |||
=== 3339 (23/01/1986) D === | |||
TUMI, NÁ JÁNIYE NIIRAVA PÁYE ELE<br /> | |||
KÁR TARE GO KÁR TARE<br /> | |||
KON SE KOŃE SAḾGOPANE KÁR KÁŃE<br /> | |||
KAILE KATHÁ PRÁŃA BHARE<br /> | |||
KÁR TARE GO KÁR TARE<br /> | |||
EKALÁ TUMI NAOKO KABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EKALÁ TUMI NAOKO KABHU<br /> | |||
SAUNGE SABÁR ÁCHO PRABHU<br /> | |||
PRÁŃER VIIŃÁY SVAMAHIMÁYA<br /> | |||
SABÁY D́ÁKO JHAUNKÁRE<br /> | |||
KÁR TARE GO KÁR TARE<br /> | |||
SABÁR KÁŃEI KAO JE KATHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABÁR KÁŃEI KAO JE KATHÁ<br /> | |||
BOJHO SABÁR VYÁKULATÁ<br /> | |||
ÁMRÁ BADHIR HOI JE ADHIIR<br /> | |||
NÁ SHUŃIYÁ TOMÁRE<br /> | |||
KÁR TARE GO KÁR TARE<br /> | |||
TUMI, NÁ JÁNIYE NIIRAVA PÁYE ELE<br /> | |||
KÁR TARE GO KÁR TARE<br /> | |||
O Lord, You came with silent feet without telling, what for? In which corner secretly, in | |||
whose ears, You spoke all the facts wholeheartedly. O Lord, You are not alone, You are<br /> | |||
present accompanying all.<br /> | |||
With the flute of vitality and by virtue of greatness or glory of the self, You call all<br /> | |||
with resonance. You whisper the facts in everyone’s ears, and understand restlessness of<br /> | |||
everyone. We only remain deaf due to impatience, and do not listen to You.<br /> | |||
=== 3340 (24/01/1986) K === | |||
E SHÁRAD SANDHYÁ NÁCE MADHU CHANDÁ<br /> | |||
CEYE ÁCHE TOMÁRI PÁNE<br /> | |||
SHEFÁLII SUVÁSE SHUKLA MEGHERI VÁSE<br /> | |||
KII SE CÁY KE I BÁ JÁNE<br /> | |||
CEYE ÁCHE TOMÁRI PÁNE<br /> | |||
PRATHAM SÚRYODAYA KABE HOLO KE JÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRATHAM SÚRYODAYA KABE HOLO KE JÁNE<br /> | |||
SHEŚA SÚRYÁSTA NEI KÁRO ANUMÁNE<br /> | |||
TUMI SAB KICHU JÁNO SABÁRE SATATA T́ÁNO<br /> | |||
E SANDHYÁ SE KATHÁ MÁNE<br /> | |||
CEYE ÁCHE TOMÁRI PÁNE<br /> | |||
DÁO PARÁBHAKTI SEI ANURAKTI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DÁO PARÁBHAKTI SEI ANURAKTI<br /> | |||
JÁR BALE PETE PÁRI HE PRABHU VIMUKTI<br /> | |||
SANDHYÁ RATNA RÁGE SHEFÁLIIR ANURÁGE<br /> | |||
E KARUŃÁ JÁCI CARAŃE<br /> | |||
CEYE ÁCHE TOMÁRI PÁNE<br /> | |||
E SHÁRAD SANDHYÁ NÁCE MADHU CHANDÁ<br /> | |||
CEYE ÁCHE TOMÁRI PÁNE<br /> | |||
O Lord, this beautiful evening of prewinter is dancing in ecstasy and looking towards You.<br /> | |||
In the atmosphere of the sweet fragrance of the shepha'lii flower, who knows what these<br /> | |||
beautiful white clouds in the sky want to express, what loving feeling of their heart they<br /> | |||
want to communicate and to whom. Who can say when the first sunrise happened; nor<br /> | |||
can anybody guess when the last sunset will happen. But this beautiful evening of<br /> | |||
prewinter season understands the fact that You know everything and You are always<br /> | |||
attracting everyone. I have only one longing in my heart: That You grant me absolute<br /> | |||
devotion, Para’bhakti. With that strength, O' Lord, I can get You, salvation. In the<br /> | |||
atmosphere of this melodious and colourful evening, saturated with the love and fragrance<br /> | |||
of the shepha'lii flower, I ask, bowing down to Your feet, to have mercy on me.<br /> | |||
=== 3341 (24/01/1986) D === | |||
TUMI, SABÁR MÁJHE LUKIYE RAYECHO<br /> | |||
SABÁR SHREYA SABÁR DHYEYA<br /> | |||
SABETE BHARE ÁCHO<br /> | |||
TUMI, SABÁR MÁJHE LUKIYE RAYECHO<br /> | |||
KÁCHE PEYEO TOMÁY DHARÁ NÁHI JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁCHE PEYEO TOMÁY DHARÁ NÁHI JÁY<br /> | |||
VARŃANÁTE BHÁŚÁ JE PHURÁY<br /> | |||
MAN MÁTÁNO PRÁŃA BHOLÁNO<br /> | |||
LIILÁTE METECHO<br /> | |||
TUMI, SABÁR MÁJHE LUKIYE RAYECHO<br /> | |||
BUDDHITE TOMÁY PÁOÁ JÁY NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BUDDHITE TOMÁY PÁOÁ JÁY NÁ<br /> | |||
VIDYÁTE TUMI DHARÁ DÁO NÁ<br /> | |||
SAKAL GARVA KHARVA KARE<br /> | |||
BHÁLOBESE CHO<br /> | |||
TUMI, SABÁR MÁJHE LUKIYE RAYECHO<br /> | |||
O Lord, You remain hidden within all. O the most benevolent and object of meditation of<br /> | |||
all, You are filled in everyone. Even after finding You close, it is possible to get You<br /> | |||
into folds. While describing You, language gets exhausted. Intoxicating the mind, charming<br /> | |||
the heart, You remain frenzied in Your enchanting game, liila. It is not possible to<br /> | |||
get You by intellect. You cannot be brought into folds by skill. You love after<br /> | |||
diminishing all pride and vanity.<br /> | |||
=== 3342 (25/01/1986) K === | |||
GÁNER MÁLÁKHÁNI<br /> | |||
TOMÁRAI TARE<br /> | |||
GENTHE RÁKHÁ CHILO<br /> | |||
DIVAS GELO SANDHYÁ GELO<br /> | |||
ÁNKHIR NIIRE<br /> | |||
RÁTAO JE PHURÁLO<br /> | |||
GENTHE RÁKHÁ CHILO<br /> | |||
YUGA YUGÁNTE HE PRIYA MOR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
YUGA YUGÁNTE HE PRIYA MOR<br /> | |||
CHILO SÁTHE PRIITIRI D́OR<br /> | |||
GÁNER PHÚLE BHÁVA GOKULE<br /> | |||
MÁLÁRI RÚPA NILO<br /> | |||
GENTHE RÁKHÁ CHILO<br /> | |||
DÚR DURÁNTE JETHÁY THÁKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DÚR DURÁNTE JETHÁY THÁKO<br /> | |||
TOMÁY KABHU BHULABO NÁKO<br /> | |||
BHARÁ RÁGE ANURÁGE<br /> | |||
MAN JE TOMÁR HOLO<br /> | |||
GENTHE RÁKHÁ CHILO<br /> | |||
GÁNER MÁLÁKHÁNI<br /> | |||
TOMÁRAI TARE<br /> | |||
GENTHE RÁKHÁ CHILO<br /> | |||
O Lord, I have kept the garland of songs threaded for You. The day has passed, the evening<br /> | |||
passed; now the night is also ending with tears in the eyes. O my Dear, since eons after<br /> | |||
eons, You have remained accompanying me tied with the thread of love. With the flowers of<br /> | |||
songs, in the abode of abstract, the form of garland has appeared. Whatever far You remain | |||
away, I shall never forget You. With full of love and affection, the mind has become<br /> | |||
Yours.<br /> | |||
=== 3343 (25/01/1986) K === | |||
KATA NÁ YUGA PARE<br /> | |||
TUMI ESECHO<br /> | |||
MANER MADHUR VRINDÁVANE<br /> | |||
CIDÁKÁSHE BHARE DIYECHO<br /> | |||
CETANÁRI CHANDE GÁNE<br /> | |||
MANER MADHUR VRINDÁVANE<br /> | |||
VISHVA CEYE CHILO TOMÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VISHVA CEYE CHILO TOMÁY<br /> | |||
BHÁVANÁRI ÁDHÁR SHILÁY<br /> | |||
SE ÁSHÁRE PÚRŃA KARE<br /> | |||
ELE ABHIDHYÁNE<br /> | |||
MANER MADHUR VRINDÁVANE<br /> | |||
DÚR KAKÚBHE DEKHI TOMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DÚR KAKÚBHE DEKHI TOMÁR<br /> | |||
MANDRA MUKHAR VARŃÁBHISÁR<br /> | |||
TÁRI RAUNGE RAUNGA MILIYE<br /> | |||
BHÁSI TOMÁR SANE<br /> | |||
MANER MADHUR VRINDÁVANE<br /> | |||
KATA NÁ YUGA PARE<br /> | |||
TUMI ESECHO<br /> | |||
MANER MADHUR VRINDÁVANE<br /> | |||
O Lord, after how many eons, You have come into the sweet garden, Vrinda’van of my mind<br /> | |||
and filled its firmament with the songs and rhythm of consciousness? The world wanted You<br /> | |||
with the foundation of ideation. Fulfilling that aspiration, You came into my meditation.<br /> | |||
In the far eastern direction, I saw Your soft, beautiful expression. Merging my hue in | |||
that colour, I float towards You.<br /> | |||
=== 3344 (25/01/1986) K === | |||
TOMÁKE JÁNITE BUJHITE GIYÁCHI<br /> | |||
JATA BÁR ÁMI PRIYATAMA<br /> | |||
MANER MÁJHÁRE TAKHAN DEKHECHI<br /> | |||
BHÁSVAR TUMI ANUPAMA<br /> | |||
JATA BÁR ÁMI PRIYATAMA<br /> | |||
DEKHECHI TOMÁY PRABHÁT KUSUME<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DEKHECHI TOMÁY PRABHÁT KUSUME<br /> | |||
DHAMANII SHIRÁY MOR MANOBHUME<br /> | |||
MRIDU SAMIIRAŃE VIHAG KÚJANE<br /> | |||
BALÁKÁR DHVANITE RÁGE MAMA<br /> | |||
JATA BÁR ÁMI PRIYATAMA<br /> | |||
MOR BUDDHITE DHARÁ NÁHI DÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MOR BUDDHITE DHARÁ NÁHI DÁO<br /> | |||
MOR BUDDHIKE TUMI NIYE NÁO<br /> | |||
MOR ASMITÁ JAD́ÁTMIKATÁ<br /> | |||
DHULITE MISHÁKO DHULI SAMA<br /> | |||
GHAN VIBHÁVARI TOMÁRE ÁVARI<br /> | |||
KARECHE TOMÁY DÚR TAMA<br /> | |||
JATA BÁR ÁMI PRIYATAMA<br /> | |||
TOMÁKE JÁNITE BUJHITE GIYÁCHI<br /> | |||
JATA BÁR ÁMI PRIYATAMA<br /> | |||
O Dearest Lord, whenever I could know and understand You, I saw You shining uniquely<br /> | |||
within my own mind. I saw you within the morning flowers, within my arteries and within | |||
the arena of my own mind. I saw You also in soft breeze, chirping of birds, sound of the<br /> | |||
swan and my own tunes. You do not come into folds by my own intellect, as You take away my<br /> | |||
intellect. My own ego and inertness, You merge into dust of the mud. The intense darkness<br /> | |||
covering You makes You away from me.<br /> | |||
=== 3345 (25/01/1986) D === | |||
CAINCALA CETANÁTE ELE<br /> | |||
CAINCAL CETANÁTE ELE MANE<br /> | |||
STHÁYII REKHÁ REKHE DIYE GELE<br /> | |||
MAMATÁ MÁDHURII D́HÁLILE<br /> | |||
CIRA BHAROSÁR BHÁŚÁ SHONÁLE<br /> | |||
STHÁYII REKHÁ REKHE DIYE GELE<br /> | |||
ACINTANIIYA JÁ CHILO ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ACINTANIIYA JÁ CHILO ÁMÁR<br /> | |||
SHRIŚT́I STHITI LAYE SAMÁHÁR<br /> | |||
MAHÁ SAMUDRA AGÁDH APÁR<br /> | |||
SEI TUMI MOR KÁCHE ELE<br /> | |||
STHÁYII REKHÁ REKHE DIYE GELE<br /> | |||
TOMÁRE PEYECHI MANANE ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁRE PEYECHI MANANE ÁMÁR<br /> | |||
TOMÁRE BHARECHI BHÁVE SHATADHÁR<br /> | |||
BUJHECHI HE PRABHU ÁMI JE TOMÁR<br /> | |||
ENECHO ÁMÁRE LIILÁ CHALE<br /> | |||
STHÁYII REKHÁ REKHE DIYE GELE<br /> | |||
CAINCALA CETANÁTE ELE<br /> | |||
CAINCAL CETANÁTE ELE MANE<br /> | |||
STHÁYII REKHÁ REKHE DIYE GELE<br /> | |||
O Lord, You came through restless consciousness, and sketched a permanent marking line.<br /> | |||
Pouring sweetness of affection, You announced the language of ever consolation. Whatever<br /> | |||
was unthinkable for me, the aggregate of creation, sustenance and dissolution, within the<br /> | |||
unlimited and incomprehensible, that You came close. I found You in my own mind. O Lord<br /> | |||
having filled myself with You in hundreds of forms, I understood that You are mine. You<br /> | |||
have brought me with liila, illusory deception.<br /> | |||
=== 3346 (26/01/1986) K === | |||
TUMI, PHÚLERI BÚKE MADHU D́HÁLILE<br /> | |||
KÁNT́ÁTE GOLÁP PHOT́ÁLE<br /> | |||
SHIITE ÁRÁM ÁGUNE DILE<br /> | |||
NIDÁGHE CANDAN CHONYÁLE<br /> | |||
KÁNT́ÁTE GOLÁP PHOT́ÁLE<br /> | |||
ICCHÁMATA KÁJ KARE JÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ICCHÁMATA KÁJ KARE JÁO<br /> | |||
KAKHANO KÁNDÁO KAKHANO HÁSÁO<br /> | |||
KAKHANO PRIITITE KÁCHE T́ENE NÁO<br /> | |||
KAKHANO CEYEO NÁ TÁKÁLE<br /> | |||
KÁNT́ÁTE GOLÁP PHOT́ÁLE<br /> | |||
ÁGUNERI TÁPE LUKIYE RAYECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁGUNERI TÁPE LUKIYE RAYECHO<br /> | |||
UDAKERI BHÁPE ÁKÁSHE UŔECHO<br /> | |||
MANER MAYURE NÁCIYE CALECHO<br /> | |||
ÁLO CÁYÁR KHELÁ KHELE<br /> | |||
KÁNT́ÁTE GOLÁP PHOT́ÁLE<br /> | |||
TUMI, PHÚLERI BÚKE MADHU D́HÁLILE<br /> | |||
KÁNT́ÁTE GOLÁP PHOT́ÁLE<br /> | |||
O Lord, You have poured nectar into the hearts of the flowers. Amidst the thorns, You made<br /> | |||
the roses blossom. In the cold winter season You provide the soothing warmth of a fire. In | |||
the burning heat of summer Your touch is like the refreshing, coolness of sandalwood<br /> | |||
paste. As per Your desire, You go on doing all the work. Sometimes You make one cry;<br /> | |||
sometimes You make one laugh. Often with the attraction of Your love You pull one close.<br /> | |||
At times even after looking towards You, You do not give any response. Just You overlook.<br /> | |||
And other times without awareness, You attract one with Your divine attraction and love.<br /> | |||
You are everywhere. You are hiding in the heat of the fire. And at the same time You<br /> | |||
are in the water vapor that floats in the sky. O the peacock of mind, You go on making the<br /> | |||
play of light and shade.<br /> | |||
=== 3347 (26/01/1986) K === | |||
GOLÁPERAI VANE<br /> | |||
GOLÁPERAI VANE KE TUMI VIJANE<br /> | |||
KÁNT́ÁR MÁJHE BASE ÁNAMANE<br /> | |||
CEYEO DEKHILENÁ<br /> | |||
CEYEO DEKHILENÁ KÁCHEO ELE NÁ<br /> | |||
KATHÁO KAHILE NÁ MOR SANE<br /> | |||
KÁNT́ÁR MÁJHE BASE ÁNAMANE<br /> | |||
OGO AKARÚŃA<br /> | |||
OGO AKARÚŃA, E KII KHELÁ TAVA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
OGO AKARÚŃA, E KII KHELÁ TAVA<br /> | |||
LIILÁ RACE JÁO NITI NAVA NAVA<br /> | |||
RÁGE ANURÁGE CIR ABHINAVA<br /> | |||
MARMA MÁJHE ÁSO SMITÁNANE<br /> | |||
KÁNT́ÁR MÁJHE BASE ÁNAMANE<br /> | |||
ÁLÁPE KALÁPE<br /> | |||
ÁLÁPE KALÁPE MANER MAYÚRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLÁPE KALÁPE MANER MAYÚRE<br /> | |||
SATATA NÁCÁO CHANDE O SURE<br /> | |||
KAKHANO NIKAT́E KABHU BAHU DÚRE<br /> | |||
HESE BHESE JÁO KII KÁRAŃE<br /> | |||
KÁNT́ÁR MÁJHE BASE ÁNAMANE<br /> | |||
GOLÁPERAI VANE<br /> | |||
GOLÁPERAI VANE KE TUMI VIJANE<br /> | |||
KÁNT́ÁR MÁJHE BASE ÁNAMANE<br /> | |||
In the garden of roses, who is that You who came, sitting unmindfully within the thorns?<br /> | |||
In spite of attempt, I could not see You; You did not also come close and talked with me.<br /> | |||
O the merciless, what is the game of Yours, You create ever new game, liila, with love<br /> | |||
and affection, and lasting experience. Come into my mind with smiling face. With melodious<br /> | |||
sound, You make the mental peacock dance constantly, on Your tune and rhythm. Sometimes<br /> | |||
nearby sometimes far off, You go on gliding what reason?<br /> | |||
=== 3348 (28/01/1986) K === | |||
ÁNDHÁR E BHUVANE CHANDE GÁNE<br /> | |||
MÁTIYE TUMI ESE CHILE<br /> | |||
JÁHÁ CHILO NÁ, JÁ BHÁVÁ JETO NÁ<br /> | |||
TÁHÁO SAUNGE ENE CHILE<br /> | |||
MÁTIYE TUMI ESE CHILE<br /> | |||
ENE CHILE PRATHAM ÁLOR/ÁSHÁR? DIIP<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ENE CHILE PRATHAM ÁLOR/ÁSHÁR? DIIP<br /> | |||
ÚŚŃA CETANÁR PRADIIPTA NIIP<br /> | |||
PHULER HÁSITE MOHAN BÁNSHITE<br /> | |||
PRÁŃER PRIITITE BHESE CHILE<br /> | |||
MÁTIYE TUMI ESE CHILE<br /> | |||
CÁI NÁ KONO KICHU PRABHU TOMÁR KÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁI NÁ KONO KICHU PRABHU TOMÁR KÁCHE<br /> | |||
NEOÁR BÁKI BOLO ÁRO KI BÁ ÁCHE<br /> | |||
RANDHRE RANDHRE AŃUTE RAYECHE<br /> | |||
HE DEVATÁ JÁHÁ DIYE CHILE<br /> | |||
MÁTIYE TUMI ESE CHILE<br /> | |||
O Lord, in this dark house, enchanting with rhythm and song, You had come. What did not<br /> | |||
exist, where the thoughts could never reach, that also You brought with You. You brought<br /> | |||
first the lamp of hope. Bloomed niip flower warm with consciousness, Enchanting with smile<br /> | |||
of flowers, and charming flute, You had come. O Lord, I do not want anything from You<br /> | |||
what is left to be taken by You, that You tell me. Whatever You have given me stays in | |||
each pore and atom of mine.<br /> | |||
=== 3349 (28/01/1986) D === | |||
MARÁ JAMUNÁY VÁN ELE DILE<br /> | |||
ÁMÁR MANER GOKULE<br /> | |||
DESH VIDESHER BHEDA BHULIYE<br /> | |||
MÁNAVER VYATHÁ BOJHÁLE<br /> | |||
ÁMÁR MANER GOKULE<br /> | |||
MÁNAVÁTMÁ DHULOY KENDECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁNAVÁTMÁ DHULOY KENDECHE<br /> | |||
ANÁDARE DÚRE SARIYÁ THEKECHE<br /> | |||
ASHRU SIKTA SE ITIVRITTA<br /> | |||
SABÁKÁR KÁNE SHONÁLE<br /> | |||
ÁMÁR MANER GOKULE<br /> | |||
RÚPER E DHARÁ SAKALER TARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÚPER E DHARÁ SAKALER TARE<br /> | |||
PRABHÁTER ÁLO SABE ÁSHÁ KARE<br /> | |||
KAMBU KANT́HE E MAHÁMANTRE<br /> | |||
SMITA PRATYAYE JÁNÁLE<br /> | |||
ÁMÁR MANER GOKULE<br /> | |||
MARÁ JAMUNÁY VÁN ELE DILE<br /> | |||
ÁMÁR MANER GOKULE<br /> | |||
O Lord, in my mental abode of Yours, Gokul, You brought flood in the dried river<br /> | |||
Yamuna’, having ignored the distinction of places, realizing the agonies of human | |||
beings. The human existence was crying in dust, the bliss had stayed away far with<br /> | |||
humiliation. That tearful event, You announced to all. This beautiful world is for all<br /> | |||
all expect the morning light, with loud voice like conch, with this great mantra<br /> | |||
smilingly, You declared this conviction.<br /> | |||
=== 3350 (29/01/1986) K === | |||
JYOTSNÁLOKE TOMÁR HÁSI<br /> | |||
ÁKÁSHA VÁTÁS BHARIE DIYE<br /> | |||
KON SUDURE JÁY<br /> | |||
JAY GO JÁY<br /> | |||
MANER KOŃER BHÁVAT́I BHEVE<br /> | |||
RAUNGE RÁUNGIYE DEY<br /> | |||
JAY GO JÁY<br /> | |||
ANIRUDDHA ARÚPA MÁYÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANIRUDDHA ARÚPA MÁYÁY<br /> | |||
ABÁDH GATIR ANÚPA CHÁYÁY<br /> | |||
GANDHA PHULER MANDA HÁOÁY<br /> | |||
D́ÁNÁ MELE CÁY<br /> | |||
JAY GO JÁY<br /> | |||
KABE PRATHAM HESE CHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KABE PRATHAM HESE CHILE<br /> | |||
ÁLOR MÁLÁ JVELE CHILE<br /> | |||
PRÁŃER CHONYÁ DIYE CHILE<br /> | |||
BHÁVER DYOTANÁY<br /> | |||
PRIITIR ALOKÁY<br /> | |||
JAY GO JÁY<br /> | |||
JYOTSNÁLOKE TOMÁR HÁSI<br /> | |||
ÁKÁSHA VÁTÁS BHARIE DIYE<br /> | |||
KON SUDURE JÁY<br /> | |||
JAY GO JÁY<br /> | |||
O Lord, with the shine of moonlight, filling the sky and air, where far Your smile is<br /> | |||
going? Thinking of ideation in the recess of the mind, it colours that with hue. With<br /> | |||
unbound formless ma’ya’, the illusory attribute, and unique panorama with unhindered<br /> | |||
speed, with floral fragrance, through gentle breeze, it wants to move spreading the wings.<br /> | |||
When initially did You smile, and kindled the series of lights, touching the vitality<br /> | |||
with indication of heavenly feelings of love.<br /> | |||
=== 3351 (26/01/1986) D === | |||
PÚRVÁKÁSHE RAUNGA DHARECHE<br /> | |||
ÁLO E BÁR ELO BALE<br /> | |||
ÁLOR ÁSHÁY JIIVA JEGECHO<br /> | |||
HÁSI PHUT́ECHE KAMALE<br /> | |||
ÁLO E BÁR ELO BALE<br /> | |||
KÁLOY D́HÁKÁ SABUJ PÁTÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁLOY D́HÁKÁ SABUJ PÁTÁ<br /> | |||
CAKCAKIYE TÚLCHE MÁTHÁ<br /> | |||
CAKOR BHULE MANER VYATHÁ<br /> | |||
D́ÁK DIYE JÁY TARU D́ÁLE<br /> | |||
ÁLO E BÁR ELO BALE<br /> | |||
SABÁI ÁPAN ÁSHÁ NIYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABÁI ÁPAN ÁSHÁ NIYE<br /> | |||
BHÁVER BHÁŚÁY PRALEP DIYE<br /> | |||
ÁKÁSHA PÁNE ÁCHE CEYE<br /> | |||
ÁNDHO JÁGÁ SAKÁLE<br /> | |||
NÚTAN SÁJE TOMÁR KÁJE<br /> | |||
NÁ BÁRI PRÁK KÁLE<br /> | |||
ÁLO E BÁR ELO BALE<br /> | |||
PÚRVÁKÁSHE RAUNGA DHARECHE<br /> | |||
ÁLO E BÁR ELO BALE<br /> | |||
The eastern sky has become colourful, saying that light is coming this time. With the hope<br /> | |||
of light, the living beings are awake, and the smile appeared on the lotus flowers. The<br /> | |||
green leaves that were covered with darkness are now shining, waving their heads. The<br /> | |||
cakor bird, forgetting its mental agonies, goes on calling perching on the tree branch.<br /> | |||
Everyone carrying their expectations, smearing language on their thoughts, look towards<br /> | |||
the sky, waking up in early morning, decorated in dress for Your work, without staying in | |||
home.<br /> | |||
=== 3352 (30/01/1986) D === | |||
KÁLO SÁYARER BÁLUKÁ BELÁY<br /> | |||
BASE BASE PALA GUNI<br /> | |||
MANE BHÁVI YADI CETANÁ VIIŃÁY<br /> | |||
TAVA KATHÁ KICHU SHUŃI<br /> | |||
BASE BASE PALA GUNI<br /> | |||
DÚR THEKE ESE DÚRE BHESE JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DÚR THEKE ESE DÚRE BHESE JÁY<br /> | |||
SE VIIŃÁR TÁR AŃUKE NÁCÁY<br /> | |||
SE MAHÁCHANDE PARAMÁNANDE<br /> | |||
KALPANÁ JÁL BUNI<br /> | |||
BASE BASE PALA GUNI<br /> | |||
KI BÁ ÁSE JÁY JADI EK BÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KI BÁ ÁSE JÁY JADI EK BÁR<br /> | |||
PALAKE DÁNŔÁO SUMUKHE ÁMÁR<br /> | |||
MÁNI NÁHI KONO SÁDHANÁ ÁMÁR<br /> | |||
D́ÁKI BHÁVE AŃURAŃI<br /> | |||
BASE BASE PALA GUNI<br /> | |||
Sitting on the sandy shore of the ocean of time, I count moments. I have been thinking in | |||
the mind, if I could listen something about You on the viin’a’ of consciousness.<br /> | |||
Coming from distance, it goes on floating away far, the strings of that viin’a’ make<br /> | |||
the microcosms dance. With that Cosmic rhythm and highest bliss, I go on weaving the web<br /> | |||
of imaginations. What comes and goes, once, You stand before me, for a moment. I admit<br /> | |||
that I have no spiritual effort, so I call following the feelings.<br /> | |||
=== 3353 (31/01/1986) K === | |||
ÁLOR SHATADAL PHUT́ECHE<br /> | |||
KÁJALÁ DIIGHITE<br /> | |||
KÁJALÁ DIIGHITE<br /> | |||
ÁNDHÁR RÁTER ADHIIR CÁOÁR<br /> | |||
YAVANIKÁTE<br /> | |||
KÁJALÁ DIIGHITE<br /> | |||
AŃU MANER BHUMÁ ÁSHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AŃU MANER BHUMÁ ÁSHÁ<br /> | |||
TOMÁR MANERI BÁNDHABE BÁSÁ<br /> | |||
D́HELE DEVE BHÁLOBÁSÁ<br /> | |||
TOMÁRI CHANDETE<br /> | |||
KÁJALÁ DIIGHITE<br /> | |||
ANANTA LOKERI ÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANANTA LOKERI ÁLO<br /> | |||
DIIGHI BUKE RAUNGA DHARÁLO<br /> | |||
SARE GELO SAKAL KÁLO<br /> | |||
EK LAHAMÁTE<br /> | |||
KÁJALÁ DIIGHITE<br /> | |||
ÁLOR SHATADAL PHUT́ECHE<br /> | |||
KÁJALÁ DIIGHITE<br /> | |||
KÁJALÁ DIIGHITE<br /> | |||
The hundredpetalled lotus of effulgence blooms in the dark lake, in the curtain of restless<br /> | |||
will of the dark night. The cosmic will of the microcosm, would create home in your mind.<br /> | |||
It would pour love into Your rhythm. The effulgence of the infinite arena would put colour<br /> | |||
in the pond. By this within a moment all darkness vanished.<br /> | |||
=== 3354 (31/1/1986) K === | |||
EI, MADHU NISHÁ JENO NÁ PHURÁY<br /> | |||
JENO NÁHI HÁRÁY<br /> | |||
RÚPÁLI CÁNDE JYOTSNÁ KAKUDE<br /> | |||
MAN UCCHALIÁ JÁY<br /> | |||
JENO NÁHI HÁRÁY<br /> | |||
BHÁLOBÁSÁ BHARÁ CHILO MANERI KOŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁLOBÁSÁ BHARÁ CHILO MANERI KOŃE<br /> | |||
JIIVAN TÁ PÁY NIKO KONO PHÁGUNE<br /> | |||
MADHU NISHÁ ELO ÁJ TOMÁKE PELO<br /> | |||
PRIITI BHÁVE MURACHÁY<br /> | |||
JENO NÁHI HÁRÁY<br /> | |||
TOMÁR HÁSITE MUKUTÁ JHARILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR HÁSITE MUKUTÁ JHARILO<br /> | |||
TOMÁR BÁNSHIITE NABHAH PLÁVITA HOLO<br /> | |||
TUMI CHANDE GÁNE ELE SABÁR PRÁŃE<br /> | |||
DHARÁ MESHE ALAKÁY<br /> | |||
JENO NÁHI HÁRÁY<br /> | |||
EI, MADHU NISHÁ JENO NÁ PHURÁY<br /> | |||
JENO NÁHI HÁRÁY<br /> | |||
Let not this sweet night cease, be lost. With silvery moonlight in the eastern sky, the<br /> | |||
mind goes on jumping. In the recess of the mind, the life full of love was not getting any<br /> | |||
joy of spring. The sweet night came, today and found You, getting enchanted with the<br /> | |||
feeling of love. By Your smile, pearls flow, by Your flute, the sky is flooded. You came<br /> | |||
with rhythm and song, into everyone’s life, merging the earth with the heaven.<br /> | |||
=== 3355 (01/02/1986) D (Krsna) === | |||
KÁNU BINU, THÁKÁ NÁHI JÁY<br /> | |||
SE JE MARMER MÁJHE JHALAKÁY<br /> | |||
THÁKÁ NÁHI JÁY<br /> | |||
DIVÁ NISHI TÁNR BÁNSHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIVÁ NISHI TÁNR BÁNSHI<br /> | |||
PRATI PALE PRÁŃE PASHI<br /> | |||
BOLE MORE BHÁLOBÁSI<br /> | |||
TÁI TO D́ÁKI TOMÁY<br /> | |||
THÁKÁ NÁHI JÁY<br /> | |||
JIIVAN JAMUNÁ MOR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVAN JAMUNÁ MOR<br /> | |||
TÁRI BHÁVETE VIBHOR<br /> | |||
JUJHIÁ KUHELII GHOR<br /> | |||
UJÁNETE DHÁY SHATADHÁY<br /> | |||
THÁKÁ NÁHI JÁY, KÁNU BINU<br /> | |||
THÁKÁ NÁHI JÁY<br /> | |||
Without Lord Krsna, surviving itself is very difficult. He is that glittering Entity of my<br /> | |||
heart. Day and night His flute enters my heart every moment. He tells me, 'I love you<br /> | |||
that is why I am calling you'. The flow (river Jamuna’) of my life is ensconced in His<br /> | |||
ideation and it goes on struggling strongly against the deep fog and it is rushing with<br /> | |||
the high tide in a hundred directions.<br /> | |||
=== 3356 (01/02/1986) D === | |||
BHÁVO BHULE GIYE JATA VYATHÁ BHÁR<br /> | |||
SHUDHU, HÁSI KHUSHI EI DHARAŃIITE<br /> | |||
ÁNKHI AINJANE ENKE PRIITI TÁR, DEKHO<br /> | |||
NAVA CETANÁR ÁLOTE<br /> | |||
SHUDHU, HÁSI KHUSHI EI DHARAŃIITE<br /> | |||
MAYUR NÁCICHE KADAMBA VANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAYUR NÁCICHE KADAMBA VANE<br /> | |||
DIGVALAYER SONÁLI SVAPANE<br /> | |||
VIVASHA NIKHIL PEYE GECHE MIL<br /> | |||
MANANE O BHÁVE CAKITE<br /> | |||
SHUDHU, HÁSI KHUSHI EI DHARAŃIITE<br /> | |||
MANER ARGAL KHULIÁ GIÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER ARGAL KHULIÁ GIÁCHE<br /> | |||
BHÁVA BHÁŚÁ SUR EKETE MISHECHE<br /> | |||
EKER ICCHÁY EKAI PREŚAŃÁY<br /> | |||
SABE BHESE CALE EK SHROTE<br /> | |||
SHUDHU, HÁSI KHUSHI EI DHARAŃIITE<br /> | |||
BHÁVO BHULE GIYE JATA VYATHÁ BHÁR<br /> | |||
SHUDHU, HÁSI KHUSHI EI DHARAŃIITE<br /> | |||
The mind forgot all the burden of pain, only joy and pleasure is present on the earth.<br /> | |||
Applying the ointment of love on that, look in the illumination of consciousness. The<br /> | |||
peacock dances in the grove of kadamba. All around the horizon is golden dream. The<br /> | |||
helpless world got the cherished object, with sudden surprise, in the mind. The door bolts<br /> | |||
of the mind opened up. The thoughts, language and the tune got merged together into one.<br /> | |||
By the will and projection of the singular entity, all started floating in one direction.<br /> | |||
=== 3357 (01/02/1986) K === | |||
PRÁŃERI UJÁNE CHANDE GÁNE<br /> | |||
ESO PRABHU MANOVITÁNE<br /> | |||
ESO PRABHU MANOVITÁNE<br /> | |||
AMÁR ÁNDHÁR MORE<br /> | |||
REKHECHE KUHELII BHARE<br /> | |||
SARÁO TÁHÁRE SVANANE<br /> | |||
ESO PRABHU MANOVITÁNE<br /> | |||
KAMAL PARIMALA GANDHA VAHA BAHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KAMAL PARIMALA GANDHA VAHA BAHE<br /> | |||
DÚRE REKHECHI TÁRE THEKECHI BADDHA MOHE<br /> | |||
MOR ÁNKHI KHULE DILE BÁNDHAN SARIYE DILE<br /> | |||
ÁJIKÁR E NAVÁRUŃE<br /> | |||
ESO PRABHU MANOVITÁNE<br /> | |||
PHÁGUNER HINDOLE ASHOK PALÁSH DOLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHÁGUNER HINDOLE ASHOK PALÁSH DOLE<br /> | |||
RAUNGA BERAUNGER MELÁ VASANTA GULÁLE<br /> | |||
RAUNGER DHARAŃII ÁJ SÁJIÁCHE NAVA SÁJ<br /> | |||
TUMI ESE SÁJÁO MANE<br /> | |||
ESO PRABHU MANOVITÁNE<br /> | |||
PRÁŃERI UJÁNE CHANDE GÁNE<br /> | |||
ESO PRABHU MANOVITÁNE<br /> | |||
ESO PRABHU MANOVITÁNE<br /> | |||
With the tide in the heart, through songs and rhythms, O Lord, come into the arbor of the<br /> | |||
mind. The pitch darkness has kept me covered with dark fog. O Lord, You remove that with<br /> | |||
sound. The fragrance of lotus is being carried with the pollen, but I have kept that away<br /> | |||
remaining engrossed in closed chamber of infatuation. You opened my eyes and removed the<br /> | |||
bondage, today with the new crimson dawn. Oscillated by the spring season, the ashok and<br /> | |||
palash trees are swinging. There is a festivity of colours. The earth is decorated with<br /> | |||
new adornment of colours. You come and decorate the mind.<br /> | |||
=== 3358 (01/2/1986) D === | |||
TUMI ÁMÁY BHÁLOBÁSO<br /> | |||
BUJHEO ÁMI TÁ BUJHI NÁ<br /> | |||
ARUŃ ÁLOY MIŚT́I HÁSO<br /> | |||
DEKHEO KABHU TÁ DEKHI NÁ<br /> | |||
BUJHEO ÁMI TÁ BUJHI NÁ<br /> | |||
ÁLOKA STAMBHA ÁNDHÁR RÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOKA STAMBHA ÁNDHÁR RÁTE<br /> | |||
ÁCHO MORE PATH JÁNÁTE<br /> | |||
PRABHÁTE DYUTI SAḾPÁTE<br /> | |||
GÁN GEYE JÁO TÁO SHUŃI NÁ<br /> | |||
BUJHEO ÁMI TÁ BUJHI NÁ<br /> | |||
NÚTANERI VÁRTÁ VAH<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NÚTANERI VÁRTÁ VAH<br /> | |||
KAKHANO PURÁTAN NAHO<br /> | |||
BHÁVÁLOKE JHALAMALA<br /> | |||
CINEO TOMÁY KENO CININÁ<br /> | |||
BUJHEO ÁMI TÁ BUJHI NÁ<br /> | |||
TUMI ÁMÁY BHÁLOBÁSO<br /> | |||
BUJHEO ÁMI TÁ BUJHI NÁ<br /> | |||
O Lord, You love me, even after knowing that I do not understand that. Even after seeing<br /> | |||
You smile in the crimson light, I do not visualize that. Like a beacon of light, during<br /> | |||
dark night, You show me the path. With the fall of morning illumination, You go on singing<br /> | |||
the song, but I do not listen to that. Carrying the message of the new, never the old, You<br /> | |||
shine in the abstract realm, but even after knowing that why do not I recognise You?<br /> | |||
=== 3359 (01/02/1986) K === | |||
EI, SHUBHA ARUŃODAYE ELE<br /> | |||
ÁLO JHARÁLE<br /> | |||
ÁNDHÁR SARIYE AMÁGIRI GALIYE<br /> | |||
MANER MUKURE HÁSILE<br /> | |||
ÁLO JHARÁLE<br /> | |||
VASUDHÁR VYATHÁ BHÁR BHULIYE DILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VASUDHÁR VYATHÁ BHÁR BHULIYE DILE<br /> | |||
CETANÁR AVIKÁRE MAN JINILE<br /> | |||
BIIJ THEKE MAHIRUHE<br /> | |||
BHÁVER ADHIROHE MORE T́ÁNILE<br /> | |||
ÁLO JHARÁLE<br /> | |||
KATA BÁR KATA RÚPE ESECHO PRABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA BÁR KATA RÚPE ESECHO PRABHU<br /> | |||
SHATA DHÁR ABHIDHYÁN THÁMENI KABHU<br /> | |||
ANINDYA EŚÁŃÁY ACINTYA PREŚAŃÁYA<br /> | |||
KATHÁ KAHILE<br /> | |||
ÁLO JHARÁLE<br /> | |||
EI, SHUBHA ARUŃODAYE ELE<br /> | |||
ÁLO JHARÁLE<br /> | |||
O Lord, at the time of this very beautiful new dawn You came close to me. You<br /> | |||
showered me in the effulgence of Your presence and vibration. You removed<br /> | |||
all the darkness from my mind. The darkness was like a towering mountain of<br /> | |||
deep, dark, blackness of the dark, nomoon night. And that huge pile of<br /> | |||
darkness You removed, so that only Your divine presence was remaining in my<br /> | |||
mind and You were smiling in a very soft and sweet way. Today in | |||
this glorious new dawn You graced me by coming close.<br /> | |||
=== 3360 (02/02/1986) K === | |||
TOMÁKE CEYECHI ÁMI<br /> | |||
JIIVANER PRATI PALAKE<br /> | |||
ÁSHÁR ÁLOK REKHÁ ÁKÁSHA CÚMI<br /> | |||
CHÁRIYE GECHE DYULOKE<br /> | |||
JIIVANER PRATI PALAKE<br /> | |||
AŃUR BHÁVANÁ PÚRŃA KARITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AŃUR BHÁVANÁ PÚRŃA KARITE<br /> | |||
MARMER PRATI RANDHRA BHARITE<br /> | |||
IISHÁNER KÁLO MEGH SARIYE DITE<br /> | |||
MANANER MADHU KORAKE<br /> | |||
JIIVANER PRATI PALAKE<br /> | |||
JE ÁMI PAŔIÁ CHILO PATHERI PÁSHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE ÁMI PAŔIÁ CHILO PATHERI PÁSHE<br /> | |||
TYAKTA RIKTA JALA SIKTA VÁSE<br /> | |||
TÁHÁKE T́ÁNIÁ NILE NIJA SAKÁSHE<br /> | |||
MAMATÁR MÁDHURII MEKHE<br /> | |||
JIIVANER PRATI PALAKE<br /> | |||
O Lord, I want You each moment of my life. You have marked the skykissing ray of light<br /> | |||
scattering up to heaven. Fulfilling the feelings of the microcosms, filling each of the<br /> | |||
pore in the core in the nucleus of the mind, You remove the dark cloud of the northeastern | |||
sky. I was lying beside the path, rejected, hollow, with wet clothes, that You pulled<br /> | |||
close to Yourself, smearing the sweetness of affection.<br /> | |||
=== 3361 (02/02/1986) K === | |||
PRABHU HE, TOMÁR<br /> | |||
LIILÁ BOJHÁ BHÁR<br /> | |||
ÁSÁ JÁOÁY SHRIŚT́I ÁCHE<br /> | |||
BUJHE GECHI SÁR<br /> | |||
TOMÁR, LIILÁ BOJHÁ BHÁR<br /> | |||
PRABHÁT RAVIR PRATHAM ÁSÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRABHÁT RAVIR PRATHAM ÁSÁ<br /> | |||
SANDHYÁ RÁGER BHÁLOBÁSÁ<br /> | |||
TÁRI MÁJHE BÁNDHE BÁSÁ<br /> | |||
ÁMÁR E SAḾSÁRA<br /> | |||
TOMÁR, LIILÁ BOJHÁ BHÁR<br /> | |||
MANDÁNILE PHÚLER SUVÁSA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANDÁNILE PHÚLER SUVÁSA<br /> | |||
BHARIYÁ DEY SUNIIL ÁKÁSHA<br /> | |||
SHARATE SHEPHÁLII KUSH KÁSHA<br /> | |||
SHEŚEI SHURU JÁR<br /> | |||
TOMÁR, LIILÁ BOJHÁ BHÁR<br /> | |||
PRABHU HE<br /> | |||
TOMÁR, LIILÁ BOJHÁ BHÁR<br /> | |||
O Lord, it is difficult to understand Your illusive divine game. I have understood the<br /> | |||
essence that the creation consists of coming and going. Coming first with the morning sun | |||
and colourful love of the evening, staying bound within that is my world. The floral<br /> | |||
fragrance in the mild breeze fills the deep blue sky. The shefa’lii flower and tall<br /> | |||
grass of the pre winter, start showing the end.<br /> | |||
=== 3362 (02/02/1986) K === | |||
KUSUM SHOBHÁR E VITÁNE<br /> | |||
ÁJ KÁR MANE PAŔE BIHÁN BELÁ<br /> | |||
KUSUM SHOBHÁR E VITÁNE<br /> | |||
DYUTIR VIKIRAŃE AŃUMANANE<br /> | |||
ANANTA LIILÁ<br /> | |||
ÁJ KÁR MANE PAŔE BIHÁN BELÁ<br /> | |||
KUSUM SHOBHÁR E VITÁNE<br /> | |||
CANDAN SURABHITE KE SE ESECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CANDAN SURABHITE KE SE ESECHE<br /> | |||
NANDAN MÁDHURIITE DHARÁ DIYECHE<br /> | |||
RAUNGER SÁTHE RÁGE MÁTÁTE<br /> | |||
SE ELO EKELÁ<br /> | |||
ÁJ KÁR MANE PAŔE BIHÁN BELÁ<br /> | |||
KUSUM SHOBHÁR E VITÁNE<br /> | |||
MANER MADIRÁ UPACIÁ PAŔECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER MADIRÁ UPACIÁ PAŔECHE<br /> | |||
BHÁVER MAHODADHI NECE CALECHE<br /> | |||
TÁR KEU PAR NAY NÁI SAMAY ASAMAY<br /> | |||
KARE SABE UTALÁ<br /> | |||
ÁJ KÁR MANE PAŔE BIHÁN BELÁ<br /> | |||
KUSUM SHOBHÁR E VITÁNE<br /> | |||
In the arbor of floral beauty, today, in whose mind, morning time appears? With the<br /> | |||
effulgence of light in the microcosmic mind, infinite divine illusive game appeared. Who<br /> | |||
has come with the sandal fragrance and came into the folds with pleasing sweetness? Along<br /> | |||
with colours, charming with the affection, He has come alone. The wine of the mind<br /> | |||
overflows, the ocean of the feelings goes on dancing. For Him, no one is distant, there is<br /> | |||
no good or bad time, and He makes all frenzied.<br /> | |||
=== 3363 (03/02/1986) K === | |||
BHÁLOBÁSÁ ELO JIIVANE<br /> | |||
KENO KE JÁNE<br /> | |||
TAVA SANDHÁNE GIYE<br /> | |||
MANANER ADHIROHAŃE<br /> | |||
KENO KE JÁNE<br /> | |||
ÁMÁR BHUVANE CHILO PHAL PHULERI MELÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR BHUVANE CHILO PHAL PHULERI MELÁ<br /> | |||
TÁHÁRÁ T́ENECHE MORE ÁMI CHILUM EKELÁ<br /> | |||
BUJHITE PÁRI NÁI HÁRIÁ KENDE JÁCHI TÁI<br /> | |||
HATÁSHÁY ÁPAN MANE<br /> | |||
KENO KE JÁNE<br /> | |||
ÁMÁR BHUVAN ÁJ TAVA BHÁVETE BHARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR BHUVAN ÁJ TAVA BHÁVETE BHARÁ<br /> | |||
SE BHÁVER MADHYE MAŃI KE KHUNJE ÁMI SÁRÁ<br /> | |||
KHONJÁ CHÁŔÁ PATH NÁI KHUNJIÁ CALECHI TÁI<br /> | |||
BHÁLOBESE JÁI GOPANE<br /> | |||
KENO KE JÁNE<br /> | |||
BHÁLOBÁSÁ ELO JIIVANE<br /> | |||
KENO KE JÁNE<br /> | |||
Love appeared in the life, why, who knows that? Going looking for You with upward rise of<br /> | |||
the mind, why? In my home, there was festivity of flowers and fruits. Those You have<br /> | |||
pulled, and I was left alone. I could not understand and went on begging that, desperately<br /> | |||
in my own mind. Today my home is filled with Your ideation; within that searching for<br /> | |||
gems, I am frenzied. There is no go but to search, hence, I continue searching, loving<br /> | |||
secretly.<br /> | |||
=== 3364 (03/021986) K === | |||
VASANTE DOLE MANE DOLÁ DILE<br /> | |||
RAUNGER SHOBHÁ NABHE BHESE JÁYA<br /> | |||
SNIGDHA MANE NÁ JÁNÁ KÁRAŃE<br /> | |||
AJÁNTE KE JENO GIIT MORE SHONÁY<br /> | |||
RAUNGER SHOBHÁ NABHE BHESE JÁYA<br /> | |||
VARŃER DHARÁ PRATIPHALITA MANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VARŃER DHARÁ PRATIPHALITA MANE<br /> | |||
BÁHIR CHÚT́E ÁSE MANE GAHANE<br /> | |||
BÁHIR BHIITAR ELO BHIITAR BÁHIRE GELO<br /> | |||
E DÚYER MÁJHE PAŔE ASMITÁ HÁRÁY<br /> | |||
RAUNGER SHOBHÁ NABHE BHESE JÁYA<br /> | |||
MADHUVANE MADHUMÁSE MÁDHAVII MÁYÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MADHUVANE MADHUMÁSE MÁDHAVII MÁYÁY<br /> | |||
MOHAN MÚRTA HOLO MOR MÁLIKÁY<br /> | |||
NIKAT́ GELO DÚRE DÚR ELO ANTAH PURE<br /> | |||
SE JE NEI KÁCHE DÚRE SE HESE JÁNÁY<br /> | |||
RAUNGER SHOBHÁ NABHE BHESE JÁYA<br /> | |||
VASANTE DOLE MANE DOLÁ DILE<br /> | |||
RAUNGER SHOBHÁ NABHE BHESE JÁYA<br /> | |||
With the swing of the spring, the mind is oscillated; the beauty of colours goes on | |||
floating in the sky. For unknown reason, with soft mind, from unknown arena, some one is<br /> | |||
singing song to me. The colourful world is reflected in the mind, from outside, it comes<br /> | |||
rushing into the depth of the mind. The outside came inside and the inside went outside.<br /> | |||
Remaining within these two, the ego gets lost. With the charm of ma’dhavii flower in the<br /> | |||
sweet arbor, during the spring, the charmer gets embodied in my garland. The near went<br /> | |||
away and the distant came into the core. He informs smilingly, that He is not far or<br /> | |||
near.<br /> | |||
=== 3365 (04/02/1986) K === | |||
TUMI ÁMÁY BHÁLOBÁSO<br /> | |||
ÁMI JÁNIGO, KEU JÁNE NÁ<br /> | |||
CALÁR PATHE PÁTHEYA ÁMÁR<br /> | |||
TUMI DIYE JÁO CÁITE HOY NÁ<br /> | |||
ÁMI JÁNIGO, KEU JÁNE NÁ<br /> | |||
ANDHAKÁRE JVÁLO ÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANDHAKÁRE JVÁLO ÁLO<br /> | |||
VIDHUR HIYÁY SUDHÁ D́HÁLO<br /> | |||
SAB PRERAŃÁR SURABHI SABÁR<br /> | |||
DÚRE KAKHANO SARO NÁ<br /> | |||
ÁMI JÁNIGO, KEU JÁNE NÁ<br /> | |||
BHÚL KARE JÁI SHÁSAN KARO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÚL KARE JÁI SHÁSAN KARO<br /> | |||
KALYÁŃERI CHANDA BHARO<br /> | |||
TUMII ÁMÁR KIRIIT́ MÁTHÁR<br /> | |||
JHARE KAKHANO PAŔO NÁ<br /> | |||
ÁMI JÁNIGO, KEU JÁNE NÁ<br /> | |||
TUMI ÁMÁY BHÁLOBÁSO<br /> | |||
ÁMI JÁNIGO, KEU JÁNE NÁ<br /> | |||
O, Lord, You love me. I know that but nobody else knows. Without my even asking, You go on | |||
providing energy for my forward movement on the path. You kindle light in the darkness and<br /> | |||
pour nectar into the afflicted hearts. You are the aroma of all inspirations for all<br /> | |||
never moving away. Always You are along with me, by my side. I go on making mistakes still<br /> | |||
You care for me and guide me with control filling with the rhythm of welfare. You are the<br /> | |||
crown on my head that never falls.<br /> | |||
=== 3366 (05/02/1986) K === | |||
ÁMI CEYECHINU<br /> | |||
RÁTE DINE TOMÁR PATH PÁNE<br /> | |||
TUMI BÁJIYE VEŃU<br /> | |||
SMITÁNANE ELE MOR KÁNANE<br /> | |||
RÁTE DINE TOMÁR PATH PÁNE<br /> | |||
ALAKE KABARI KHÁNI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKE KABARI KHÁNI<br /> | |||
BELÁ MÁLÁTE BÁNDHINI<br /> | |||
SÁDHINI KONO RÁGINII<br /> | |||
SHUDHU D́EKE GECHI MANE MANE<br /> | |||
RÁTE DINE TOMÁR PATH PÁNE<br /> | |||
PRATIITI SUVÁSE ÁKÚL<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRATIITI SUVÁSE ÁKÚL<br /> | |||
DÚLECHE ÁSHÁ DODUL DÚL<br /> | |||
D́HELECHE PRIITI MÁKHÁ PHÚL<br /> | |||
SÁJÁTEO RÁTUL CARAŃ DHYÁNE<br /> | |||
RÁTE DINE TOMÁR PATH PÁNE<br /> | |||
ÁMI CEYECHINU<br /> | |||
RÁTE DINE TOMÁR PATH PÁNE<br /> | |||
O Lord, I have been looking for You, day and night, towards Your arrival path. You came<br /> | |||
into my garden with smiling face, playing the flute. I had not tied the tuft into chignon | |||
with the garland of bela’ flower. I had not rehearsed any tune, only I continued calling<br /> | |||
within the mind. The impression, restless with the fragrance, oscillates on the swing of<br /> | |||
hope. It pours out lovesmeared flowers for decorating the red feet in the meditation.<br /> | |||
=== 3367 (06/02/1986) K === | |||
ESO, HATÁSHÁY BHARÁ JIIVANE<br /> | |||
MANDA MADHUR PAVANE<br /> | |||
NRITYE CHANDE RÁGE<br /> | |||
PHÁGUNER RÁUNGÁ PHÁGE<br /> | |||
CETANÁR ADHIROHAŃE<br /> | |||
MANDA MADHUR PAVANE<br /> | |||
JATA KICHU PHELE ÁSÁ<br /> | |||
JATA KICHU PHELE ÁSÁ<br /> | |||
JATA KICHU KÁNDÁ HÁSÁ<br /> | |||
CÁOÁ PÁVÁRI GAHANE<br /> | |||
MANDA MADHUR PAVANE<br /> | |||
ANURÁGE JVÁLÁ DIIPE<br /> | |||
ANURÁGE JVÁLÁ DIIPE<br /> | |||
SURABHITA MÁLÁ DHÚPE<br /> | |||
ANTARLOKE VIJANE<br /> | |||
MANDA MADHUR PAVANE<br /> | |||
O Lord, come into my life, which is full of disappointments, with gentle sweet breeze.<br /> | |||
Come dancing with rhythm and melody during this colourful spring season with the upward<br /> | |||
rise of consciousness. Whatever comes and goes, whatever cries and smiles are located deep<br /> | |||
in desires and achievements. Come into the isolated inner arena, kindling lamp with love<br /> | |||
fragrant garland and incense.<br /> | |||
=== 3368 (06/02/1986) K === | |||
KAKHANO ÁMI PRABHU D́ÁKINI TOMÁYA<br /> | |||
TUMI BHÁLO BESECHO MORE<br /> | |||
BHÚLEO TOMÁR KÁJE DIINI SAMAYA<br /> | |||
TUMI DEKHIYÁCHO ÁMÁRE<br /> | |||
TUMI BHÁLO BESECHO MORE<br /> | |||
DHÚLIR DHARÁY DHÚLI SAMA PAŔE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DHÚLIR DHARÁY DHÚLI SAMA PAŔE<br /> | |||
JAŔER BHÁVANÁYA CEYECHI JAŔE<br /> | |||
BUJHI NIKO STAMBAO NÁHI NAŔE<br /> | |||
TUMI NÁHI CÁHILE PARE<br /> | |||
TUMI BHÁLO BESECHO MORE<br /> | |||
DIVASERA ÁLO ÁSE TOMÁRI KRPÁYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIVASERA ÁLO ÁSE TOMÁRI KRPÁYA<br /> | |||
NISHIITHE CÁNDER HÁSI TAVA KARUŃÁYA<br /> | |||
SAKALERA SNEHA ÁR PRIITI MAMATÁYA<br /> | |||
TUMI ÁCHO BHUVAN BHARE<br /> | |||
TUMI BHÁLO BESECHO MORE<br /> | |||
I never called You<br /> | |||
and yet, You always loved me.<br /> | |||
When even in mistake<br /> | |||
I did not spare time for Your work<br /> | |||
You looked after me.<br /> | |||
I was lying on the ground like mere dust.<br /> | |||
Engrossed in worldly thoughts<br /> | |||
I constantly longed for matter.<br /> | |||
I did not understand<br /> | |||
that even a blade of grass<br /> | |||
could not move without Your will.<br /> | |||
The light of the sun during daytime<br /> | |||
comes by Your grace<br /> | |||
and in the night<br /> | |||
the moon smiles by Your kindness.<br /> | |||
In love, affection and compassion | |||
You pervade the whole world.<br /> | |||
=== 3369 (06/02/1986) K === | |||
ÁLOKE ÁNDHÁRE E KII LIILÁ<br /> | |||
RACIÁ CALECHO HE DAYÁMAYA<br /> | |||
KAKHANO KÁNDÁO KAKHANO HÁSÁO<br /> | |||
KAKHANO JÁNÁO TUMI SARVAMAYA<br /> | |||
RACIÁ CALECHO HE DAYÁMAYA<br /> | |||
KAKHANO MERUTE DYUTI ÁNÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KAKHANO MERUTE DYUTI ÁNÁO<br /> | |||
KAKHANO MERUTE PUŚPA PHOT́ÁO<br /> | |||
KAKHANO IISHÁN KOŃE MEGHER GHAT́Á ENE<br /> | |||
KÁLA BAESHÁKHITE HOYO JHAINJHÁMAYA<br /> | |||
RACIÁ CALECHO HE DAYÁMAYA<br /> | |||
SHATA RÚPE TOMÁRE BESECHI BHÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHATA RÚPE TOMÁRE BESECHI BHÁLO<br /> | |||
YUGE YUGE TUMI MOR ÁSHÁR ÁLO<br /> | |||
KÁCHE VÁ DÚRE THÁKO ÁŔÁLE JEO NÁKO<br /> | |||
MANER VITÁNE TUMI GIITI MAYA<br /> | |||
RACIÁ CALECHO HE DAYÁMAYA<br /> | |||
ÁLOKE ÁNDHÁRE E KII LIILÁ<br /> | |||
RACIÁ CALECHO HE DAYÁMAYA<br /> | |||
O Kind Lord, what a divine illusory game You go on creating? Sometimes You make one smile<br /> | |||
and sometime You make one cry, and sometimes You make one know that You are everything.<br /> | |||
Sometimes You bring shine on the mountain peaks, and sometimes You bloom flowers on them.<br /> | |||
Sometimes, bringing intense clouds in the northeastern sky, You become annihilating storm.<br /> | |||
I live You in hundreds of forms. You are the ray of hope for me, from ages after ages. You<br /> | |||
stay close or far within the arbor of the mind, but do not go hiding.<br /> | |||
=== 3370 (07/02/1986) K === | |||
MAMATÁ MÁKHÁ NAYANE<br /> | |||
ÁSHÁ KÁNANE<br /> | |||
CEYE CHILE TUMI ÁPANA MANE<br /> | |||
ÁSHÁ KÁNANE<br /> | |||
BUJHI NÁI KI JE CÁI<br /> | |||
BUJHITE CÁHI NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BUJHI NÁI KI JE CÁI<br /> | |||
BUJHITE CÁHI NÁI<br /> | |||
TAVA KARUŃÁR KATHÁ KAKHANO BHÁVI NÁI<br /> | |||
TÁKÁI NÁI TAVA ÁNKHIR PÁNE<br /> | |||
ÁSHÁ KÁNANE<br /> | |||
HE BANDHU PRIYATAMA<br /> | |||
SUKHE DUHKHE SÁTHI MAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HE BANDHU PRIYATAMA<br /> | |||
SUKHE DUHKHE SÁTHI MAMA<br /> | |||
ÁTMÁR ÁTMIIYA SARVA DHII SUGAM<br /> | |||
BHÁLOBESE KÁCHE ESE<br /> | |||
MARME HÁSO VIJANE<br /> | |||
ÁSHÁ KÁNANE<br /> | |||
MAMATÁ MÁKHÁ NAYANE<br /> | |||
ÁSHÁ KÁNANE<br /> | |||
In the garden of hope<br /> | |||
with eyes absorbed in compassion | |||
You looked into Your own mind.<br /> | |||
I knew not what to ask<br /> | |||
nor did I endeavour to find out.<br /> | |||
I never thought of Your grace<br /> | |||
and not even did I look into Your eyes.<br /> | |||
O my friend, my dearest!<br /> | |||
You are my eternal companion in weal and woe.<br /> | |||
You are the soul of my soul.<br /> | |||
You penetrate all intellect.<br /> | |||
Please come near<br /> | |||
bestowing Your love and smile<br /> | |||
and fill the loneliness<br /> | |||
of my innermost heart.<br /> | |||
=== 3371 (07/02/1986) K === | |||
ÁNKHIR TÁRÁY MAMATÁ BHARÁ<br /> | |||
TÁR ÁHVÁNE ESE CHILE<br /> | |||
KE SE PUJÁRI HIYÁ NINGÁŔI<br /> | |||
MANER MÁDHURI D́HELE DILE<br /> | |||
TÁR ÁHVÁNE ESE CHILE<br /> | |||
VISHVE JÁ KICHU CHILO BHÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VISHVE JÁ KICHU CHILO BHÁLO<br /> | |||
TOMÁRI MÁJHE MÚRTA HOLO<br /> | |||
ACETAN SABE CETANÁ ÁSAVE<br /> | |||
AŃUKE VEŃU KE JÁGÁLE<br /> | |||
TÁR ÁHVÁNE ESE CHILE<br /> | |||
PHÚLER BÚKE D́HELE DILE MADHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHÚLER BÚKE D́HELE DILE MADHU<br /> | |||
PRIITITE SE SABE DEKHE NILE SHUDHU<br /> | |||
ÁNDHÁR NISHIITHE ENE DILE VIDHU<br /> | |||
BHÁLOBÁSÁY KII NÁ KARILE<br /> | |||
TÁR ÁHVÁNE ESE CHILE<br /> | |||
ÁNKHIR TÁRÁY MAMATÁ BHARÁ<br /> | |||
TÁR ÁHVÁNE ESE CHILE<br /> | |||
O Lord, with affection filled pupil of the eyes, You had come at their call. Who is that<br /> | |||
worshipper, who has poured sweetness of the mind, squeezing the heart? Whatever good has<br /> | |||
been in the world that materialized within You. With the nectar of consciousness, You<br /> | |||
awakened all inert microcosms, with the flute of consciousness. You poured honey within | |||
the centre of the flower, only with love You saw everyone. You brought moon in the dark<br /> | |||
night. By love You have done all.<br /> | |||
=== 3372 (07/02/1986) D === | |||
SHUŃI TUMI BHÁLOBÁSO<br /> | |||
KENO TABE DÚRE THÁKO<br /> | |||
KENO MORE KENO MORE<br /> | |||
KENO MORE EMAN KARE<br /> | |||
ÁNKHI NIIRE PHELE RÁKHO<br /> | |||
KENO TABE DÚRE THÁKO<br /> | |||
TOMÁR SAUNGE MOR PARICAYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR SAUNGE MOR PARICAYA<br /> | |||
DÚ CÁR YUGER KATHÁ TO NAY<br /> | |||
CHILO ÁGE, CHILO ÁGE<br /> | |||
CHILO ÁGE ANURÁGE<br /> | |||
SE ANURÁG BHÚLO NÁKO<br /> | |||
KENO TABE DÚRE THÁKO<br /> | |||
DINE RÁTE SANDHYÁ SAKÁL<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DINE RÁTE SANDHYÁ SAKÁL<br /> | |||
ÁCHO TUMI ANANTA KÁL<br /> | |||
KSAŃEK BHULE SAB KÁLÁKÁLA<br /> | |||
ÁMÁR PÁNE CEYE DEKHO<br /> | |||
KENO TABE DÚRE THÁKO<br /> | |||
SHUŃI TUMI BHÁLOBÁSO<br /> | |||
KENO TABE DÚRE THÁKO<br /> | |||
O Lord, I have heard that You love, but then why do You stay away? Why have You kept me<br /> | |||
with tearful eyes like this? My acquaintance with You is not just a matter of a few eras.<br /> | |||
You were present with love earlier too, that love, You do not forget. Day and night<br /> | |||
morning till evening, You are present for time immemorial. Forgetting the consideration of<br /> | |||
appropriate time, for a moment, look towards me.<br /> | |||
=== 3373 (07/02/1986) K === | |||
TUMI KEMAN RÁJÁ KEI BÁ JÁNE<br /> | |||
SENÁO NEI SACIVAO NEI<br /> | |||
SATATA KÁJER RATA RAYECHO MANE<br /> | |||
TUMI KEMAN RÁJÁ KEI BÁ JÁNE<br /> | |||
NINDE JÁGARAŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NINDE JÁGARAŃE, SVAPANE MANANE<br /> | |||
NIYATA ÁCHO JEGE SVANANE RAŃANE<br /> | |||
JINÁNERAO SIIMÁ NÁI BHÁVERO PRAMÁ NÁI<br /> | |||
ÁLOKERI SURE METECHO GÁNE<br /> | |||
TUMI KEMAN RÁJÁ KEI BÁ JÁNE<br /> | |||
SABÁR SÁTHE THÁKO DIVASE NISHIITHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABÁR SÁTHE THÁKO DIVASE NISHIITHE<br /> | |||
OTAH PROTA YOGE CHANDE RÁGETE<br /> | |||
KINÁRÁ NÁHI PÁI JABE BHÁVITE JÁI<br /> | |||
HE PRIYATAMA TUMI NÁCO VIJANE<br /> | |||
TUMI KEMAN RÁJÁ KEI BÁ JÁNE<br /> | |||
O Lord, who knows what type of king You are? You do not have army, nor any secretary, and<br /> | |||
still remain busy in action in the mind. During sleep, awake, dream or thought, You ever<br /> | |||
remain alert with sound and resonance. There is no limit of the knowledge, no balance<br /> | |||
prama’ of thought, with the melody of light, You are ever engrossed in the song. You are<br /> | |||
with all day and night, with individual and collective association, through rhythm and<br /> | |||
tunes. I do not find any edge, whenever I go on thinking, O the Dearest, You dance in | |||
isolation.<br /> | |||
=== 3374 (07/02/1986) K === | |||
PHÚLER MÁLÁ VARAŃ D́ÁLÁ<br /> | |||
BRITHÁI SÁJÁNO TOMÁR TARE<br /> | |||
PRAHAR CALE GECHE DIN CALE JÁY<br /> | |||
ÁSIBE NÁ MANE HOYE ÁMÁR GHARE<br /> | |||
BRITHÁI SÁJÁNO TOMÁR TARE<br /> | |||
VIHÁNE ARUŃ RÁGE TUMI HESECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIHÁNE ARUŃ RÁGE TUMI HESECHO<br /> | |||
SÁNJHER SHEFÁLII PHÚLE BHÁVE BHESECHO<br /> | |||
RÁTER JYOTSNÁ RÁSHITE MISHECHO<br /> | |||
NANDAN CANDAN HRIDAY BHARE<br /> | |||
BRITHÁI SÁJÁNO TOMÁR TARE<br /> | |||
ÁMÁR KATHÁ TABE KENO SHONO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR KATHÁ TABE KENO SHONO NÁ<br /> | |||
ÁMÁR MANER VYATHÁ KENO BOJHO NÁ<br /> | |||
ÁMÁR ÁSHÁR DIIPE KENO ÁSO NÁ<br /> | |||
MARICI MÁLIIR VESHE BHÁSVARA KARE<br /> | |||
BRITHÁI SÁJÁNO TOMÁR TARE<br /> | |||
PHÚLER MÁLÁ VARAŃ D́ÁLÁ<br /> | |||
BRITHÁI SÁJÁNO TOMÁR TARE<br /> | |||
O Lord, the floral garland and tray of colours for You, I had decorated uselessly. The<br /> | |||
period of hours passed, the day is passing. Would You not come to my mind and into my<br /> | |||
home? You smile in the crimson colour in the dawn. In the evening, You express Yourself in | |||
the shefa’lii flower. You are merged in the abundance of moonlight, fulfilling the heart<br /> | |||
with pleasing sandalwood fragrance. Then why do not You listen to my affairs? Why do not<br /> | |||
You understand the agony of my mind? Why do not You come to the lamp of my hope<br /> | |||
illuminating my existence like the sun?<br /> | |||
=== 3375 (07/02/1986) D === | |||
E KE AJÁNÁ PATHIK ELO<br /> | |||
KENO DÚRE CHILO JÁNINÁ<br /> | |||
KENO SARE JÁY KENO SARE JÁY<br /> | |||
KENO SARE JÁY THÁMITE NÁ CÁY<br /> | |||
DHARÁ NÁHI DEY BUJHI NÁ<br /> | |||
KENO DÚRE CHILO JÁNINÁ<br /> | |||
SHEŚA RÁTE CHILUM KRANDAN RATA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHEŚA RÁTE CHILUM KRANDAN RATA<br /> | |||
TAMASÁR MÁJHE CHILUM BHAYE BHIITA<br /> | |||
ARUŃODAYE DEKHECHI TÁKIYE<br /> | |||
BHÁVINI E KÁR KARUŃÁ<br /> | |||
KENO DÚRE CHILO JÁNINÁ<br /> | |||
MADHYÁHNE MÁRTAND́ERI TÁPE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MADHYÁHNE MÁRTAND́ERI TÁPE<br /> | |||
DAHAN JVÁLÁY HUTÁSHER KOPE<br /> | |||
TRÁŃA CEYE CEYE CEYECHI TÁKIYE<br /> | |||
CINITE KARI NI SÁDHANÁ<br /> | |||
KENO DÚRE CHILO JÁNINÁ<br /> | |||
SANDHYÁ RAVIR RAKTIMÁKÁSHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SANDHYÁ RAVIR RAKTIMÁKÁSHE<br /> | |||
JUJHIYÁ CALECHI HATÁSHE O ÁSHE<br /> | |||
PRAŃATI JÁNÁI DÁBI KICHU NÁI<br /> | |||
KRPÁ CHÁŔÁ KICHU CÁHINÁ<br /> | |||
KENO DÚRE CHILO JÁNINÁ<br /> | |||
Who is this unknown traveler has come? Why was He away, I do not know? Why does He move<br /> | |||
away without willing to pause, without coming into fold, I do not know? I was continuously<br /> | |||
crying till the end of night, afraid of fearfulness, in the inertness. I observed on | |||
looking at the sunrise, but did not think whose mercy was that. During midnoon, with the<br /> | |||
heat of the sun, with the angry expression of frightful burning flame, looking for<br /> | |||
protection, I observed, and knew but did not perform any sa’dhana’, the endeavor to<br /> | |||
attain Him. During red sky of the evening sun, I go on struggling with hopes and despairs.<br /> | |||
I express salutations, without any inhibition, and do not expect anything other than the<br /> | |||
grace.<br /> | |||
=== 3376 (07/02/1986) D === | |||
SONÁR KAMAL PHÚT́ECHE<br /> | |||
MÁNAS SARE ÁJ BHORE<br /> | |||
MANERI SHUDHU DEKHÁ TÁ JÁY<br /> | |||
MANETEI MADHU JHARE<br /> | |||
MÁNAS SARE ÁJ BHORE<br /> | |||
KATA KAŚT́A KARE ÁSÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA KAŚT́A KARE ÁSÁ<br /> | |||
PÚRALO TABE DIIRGHA ÁSHÁ<br /> | |||
UDDVELITA BHÁLOBÁSÁ<br /> | |||
JÁGALO TÁRE GHIRE<br /> | |||
MÁNAS SARE ÁJ BHORE<br /> | |||
RATNA DIIPER ÁLOY DEKHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RATNA DIIPER ÁLOY DEKHI<br /> | |||
LUKIYE ÁCHO TUMI E KII<br /> | |||
SNIGDHA KARE ÁMÁR ÁNKHI<br /> | |||
MANER GAHAN PÚRE<br /> | |||
MÁNAS SARE ÁJ BHORE<br /> | |||
SONÁR KAMAL PHÚT́ECHE<br /> | |||
MÁNAS SARE ÁJ BHORE<br /> | |||
Today morning, the golden lotus bloomed in the mental pond. That can be seen only within | |||
the mind, and oozes honey in the mind only. Coming with so much pain, still fulfilling the<br /> | |||
long held hope. Restless love awakened around Him. I saw the light from the gem lamp, to<br /> | |||
observe whether You are hidden there. With soft touch of hands over my eyes, within the<br /> | |||
deep arena of the mind.<br /> | |||
=== 3377 (08/02/1986) D (Krsna) === | |||
RÚPER ÁLOKE ARÚPA ESECHO<br /> | |||
SE KI KEU JÁNITO NÁ<br /> | |||
PRIITI BHÁVANÁY BHUVAN BHARECHO<br /> | |||
LOKE KII TÁ BUJHITO NÁ<br /> | |||
SE KI KEU JÁNITO NÁ<br /> | |||
VRAJER KRIŚŃA VRAJE RAYE GECHO<br /> | |||
MANO BHUME TAVA VRAJA RACIÁCHO<br /> | |||
BHARÁ JAMUNÁY UCCHALATÁY<br /> | |||
E KII KEU DEKHITO NÁ<br /> | |||
SE KI KEU JÁNITO NÁ<br /> | |||
SE JAMUNÁ ÁJ SHUKHÁIÁ GECHE<br /> | |||
TAVA KATHÁ LOKE BHÚLITE CALECHE<br /> | |||
VIDAGDHA HIYÁ TOMÁRE SMARIYÁ<br /> | |||
VIJANE BÁJÁY VIIŃÁ<br /> | |||
SE KI KEU JÁNITO NÁ<br /> | |||
RÚPER ÁLOKE ARÚP ESECHO<br /> | |||
SE KI KEU JÁNITO NÁ<br /> | |||
In the effulgence of beauty, the formless came, does not anyone know of that? You have<br /> | |||
filled the world with the feeling of love. Do not the people understand that? The Krsna<br /> | |||
of Vraja remained in Vraja only and in Your mental arena, You created Vraja. Due to the<br /> | |||
overflowing of the flooding Yamuna’ river, that no one could see. That Yamuna’ river<br /> | |||
is dried today, people go on forgetting about You. But my burnt heart, remembering You<br /> | |||
plays viin’a’ in isolation.<br /> | |||
=== 3378 (08/02/1986) D === | |||
ÁMÁR E KAT́HIN HIYÁY<br /> | |||
ÁSABE TUMI KI NÁ JÁNI NÁ<br /> | |||
YADI BHÚL KAREI ÁSO<br /> | |||
YADI BHÚL KAREI ÁSO<br /> | |||
TÁTEO KICHU JÁY ÁSE NÁ<br /> | |||
ÁSABE TUMI KI NÁ JÁNI NÁ<br /> | |||
RÚPÁLOKE SÁJIYE VEDII<br /> | |||
GÁN GEYE JÁI NIRAVADHI<br /> | |||
TOMÁR BHÁVE TOMÁR SURE<br /> | |||
TOMÁR BHÁŚÁY KARI RACANÁ<br /> | |||
ÁSABE TUMI KI NÁ JÁNI NÁ<br /> | |||
MANE MOR ANEK ÁSHÁ<br /> | |||
ANEK CÁOÁ BHÁLOBÁSÁ<br /> | |||
ANEKER MÁJHE KICHU<br /> | |||
DEVE KI NÁ TÁO BUJHINÁ<br /> | |||
ÁSABE TUMI KI NÁ JÁNI NÁ<br /> | |||
ÁMÁR E KAT́HIN HIYÁY<br /> | |||
ÁSABE TUMI KI NÁ JÁNI NÁ<br /> | |||
O Lord, into my hard heart, whether You would come or not, I do not know. If by mistake<br /> | |||
You come, then nothing would be lost or gained. Decorating the altar with the beauty of<br /> | |||
light, I go on singing song continuously. With Your ideation, with Your melody, with Your<br /> | |||
language, I create them. In my mind, there are numerous hopes, desires and love, amidst<br /> | |||
all these, whether You would grant me something or not, I do not know.<br /> | |||
=== 3379 (08/02/1986) D+K === | |||
JEO NÁ JEO NÁ<br /> | |||
ÁŔÁLE JEO NÁ<br /> | |||
ÁMI YADI VÁ BHULI<br /> | |||
ÁMÁRE BHÚLO NÁ<br /> | |||
ÁŔÁLE JEO NÁ<br /> | |||
TARUŃA TRIŃA PARE SABUJ GÁLICÁTE<br /> | |||
MANER MUKURE PHÚLER HÁSITE<br /> | |||
KABHU KÁCHE ÁSO KAKHANO DÚRE BHÁSO<br /> | |||
MANER VYATHÁ KENO BOJHO NÁ<br /> | |||
ÁŔÁLE JEO NÁ<br /> | |||
ÁLOKE ÁNDHÁRE E KII TAVA LIILÁ<br /> | |||
MANER MÁJHE THEKE MAN NIYE KHELÁ<br /> | |||
BHÁVER MÁJHÁRE BHÁVA NIYE LIILÁ<br /> | |||
BHÁVER TRUT́I KENO SARÁO NÁ<br /> | |||
ÁŔÁLE JEO NÁ<br /> | |||
O Lord, please do not go hiding. Even if I forget You please do not forget me. Over the<br /> | |||
young grass like green carpet, on the mental mirror as floral smile, sometimes You come<br /> | |||
and sometimes You stay away.<br /> | |||
Why don't You understand my mental agony? Staying within the mind, taking mind as the<br /> | |||
playing tool, staying within the feelings taking feelings as tool, why do not You remove<br /> | |||
the defects of the psychic realm?<br /> | |||
=== 3380 (08/02/1986) TEOŔÁ === | |||
TOMÁY PÁOÁR ÁSHÁ NIYE<br /> | |||
JEGE RAYECHI<br /> | |||
SÁGARERI MAŃI TOMÁR TARE<br /> | |||
ÁMI PAL JE GUŃECHI<br /> | |||
JEGE RAYECHI<br /> | |||
KATA NISHÁ BHOR HOECHE<br /> | |||
KATA TÁRÁ KHASE GECHE<br /> | |||
KATA KAOMUDI HÁRIYECHE<br /> | |||
HISÁB BHULECHI<br /> | |||
JEGE RAYECHI<br /> | |||
NÁ JÁNIYEI SHÁRAD SÁNJHE<br /> | |||
ELE NIJEI MANER MÁJHE<br /> | |||
ACIN NAVIIN MOHAN SÁJE<br /> | |||
TABU CINECHI<br /> | |||
JEGE RAYECHI<br /> | |||
With the hope of attaining You<br /> | |||
I have remained awake.<br /> | |||
I continue counting time<br /> | |||
as if counting gems in an ocean.<br /> | |||
How many nights have turned into mornings?<br /> | |||
How many stars have set?<br /> | |||
How many moonlit nights have passed by?<br /> | |||
There is no count to it.<br /> | |||
On that winter evening<br /> | |||
without announcement,You came into my mind.<br /> | |||
You came in a new and enchanting outfit<br /> | |||
but I recognised You.<br /> | |||
=== 3381 (08/02/1986) D === | |||
ÁMÁR PATHER SHEŚE ESECHI<br /> | |||
ANYA KONO PATH JE NÁI<br /> | |||
TOMÁR PATHEI CÁLÁO MORE<br /> | |||
O PATH DHAREI CALATE CÁI<br /> | |||
ANYA KONO PATH JE NÁI<br /> | |||
KÁNT́ÁY BHARÁ PATHE ÁMÁR<br /> | |||
JARJARITA CHILUM APÁR<br /> | |||
UPALÁGHÁTE PRATI PALETE<br /> | |||
SHÁNTI KHUNJECHI VRITHÁI<br /> | |||
ANYA KONO PATH JE NÁI<br /> | |||
ÁDI ANTA HIIN O PATHE<br /> | |||
CALABO ÁMI CHANDE GIITE<br /> | |||
THÁKABE TUMI ÁLO HÁTE<br /> | |||
TÁI TO PRIITIR GIIT SHOŃÁI<br /> | |||
ANYA KONO PATH JE NÁI<br /> | |||
ÁMÁR PATHER SHEŚE ESECHI<br /> | |||
ANYA KONO PATH JE NÁI<br /> | |||
O Lord, I have come to the proper path of mine, since there is no other path. You move me<br /> | |||
upon Your path, that path I want to tread. On my path, full of thorns, I have been much<br /> | |||
torn. With the hurt by stones each moment, uselessly I was searching peace. Upon the<br /> | |||
beginning less and endless path, I shall move on with rhythm and melody. You would remain | |||
with light in the hand, that is why I sing the song of love to You.<br /> | |||
=== 3382 (08/02/1986) K === | |||
SE? DIN SANDHYÁY SMITA VASUDHÁY<br /> | |||
TUMI ESE CHILE MOR GHARE<br /> | |||
CHANDA CHILO MANE ÁNANDA DHYÁNE<br /> | |||
AINJAN ENKE DILE ÁNKHI PARE<br /> | |||
TUMI ESE CHILE MOR GHARE<br /> | |||
SHIARE REKHE HÁT KATHÁ KAHILE<br /> | |||
NIMEŚE SAB VYATHÁ SARÁIYÁ DILE<br /> | |||
BOLILE NÁHI BHAYA JHAINJHÁ JHAŔ ELE<br /> | |||
ÁMI ÁCHI TOMÁRE GHIRE<br /> | |||
TUMI ESE CHILE MOR GHARE<br /> | |||
OT́HÁNÁMÁ ÁR PATAN ABHYUDAY<br /> | |||
CALÁR PATHE ÁSE O KICHU NAY<br /> | |||
LAKŚYA SÁTHE REKHE CALIO NISHCAYA<br /> | |||
MÁNAVTÁR JAY ÁNIVÁRE<br /> | |||
TUMI ESE CHILE MOR GHARE<br /> | |||
SE? DIN SANDHYÁY SMITA VASUDHÁY<br /> | |||
TUMI ESE CHILE MOR GHARE<br /> | |||
O Lord, that evening, with smiling earth, You had come into my home. There was rhythm in | |||
mind and bliss in meditation; You applied ointment into my eyes. Placing hand on my head<br /> | |||
You spoke, and removed all my agonies in a moment. You told, “ Nothing to fear, even if<br /> | |||
storms and typhoons come. Rise and fall and awakening come on the path of movement, they<br /> | |||
are negligible. Keeping the goal in front, move on firmly, victory to humanity is<br /> | |||
definite.<br /> | |||
=== 3383 (08/02/1986) K === | |||
DHÚLIR DHARAŃIITE MÁDHURII D́HÁLITE<br /> | |||
TUMI ESECHO ÁJIKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ESECHO ÁJIKE<br /> | |||
KRANDAN ÁVARTE SÁNTVANÁ SUDHÁ DITE<br /> | |||
MUKHAR KARITE MÚKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ESECHO ÁJIKE<br /> | |||
PIICHE PAŔE CHILO JÁRÁ ANÁDRITA SABA HÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PIICHE PAŔE CHILO JÁRÁ ANÁDRITA SABA HÁRÁ<br /> | |||
TÁDER JIIVANER BHÁUNGILE ANDHAKÁRÁ<br /> | |||
SABÁRE T́ÁNIÁ NILE VIBHED BHULÁYE DILE<br /> | |||
EK KARE NILE ANEKE<br /> | |||
TUMI ESECHO ÁJIKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ESECHO ÁJIKE<br /> | |||
HATÁSHÁY JÁRÁ CHILO ÁNDHÁRE D́UBIÁ CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HATÁSHÁY JÁRÁ CHILO ÁNDHÁRE D́UBIÁ CHILO<br /> | |||
HARŚA LÁJE TÁRÁ TOMÁRE BARIÁ NILO<br /> | |||
PRAJANMA ÁLO PELO SABÁI EGIE GELO<br /> | |||
PRATI PALKER PULAKE<br /> | |||
TUMI ESECHO ÁJIKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ESECHO ÁJIKE<br /> | |||
DHÚLIR DHARAŃIITE MÁDHURII D́HÁLITE<br /> | |||
TUMI ESECHO ÁJIKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ESECHO ÁJIKE<br /> | |||
You came today<br /> | |||
to pour sweetness into this dusty earth.<br /> | |||
You came to provide nectar like consolation | |||
to those who had been crying continuously,<br /> | |||
and to give speech to the dumb.<br /> | |||
You broke the dark imprisonment<br /> | |||
of those who were lagging behind<br /> | |||
and, disrespected, had lost everything in their life.<br /> | |||
You pulled everyone towards You<br /> | |||
and made us forget all differences.<br /> | |||
Those who had been frustrated<br /> | |||
and had sunken into darkness<br /> | |||
accepted You with smiles of happiness.<br /> | |||
A whole generation attained light<br /> | |||
in the joyful forward movement of the moment.<br /> | |||
=== 3384 (08/02/1986) === | |||
ÁLOKER OI JHARŃÁDHÁRÁY<br /> | |||
SNÁNA KARÁTE TUMI ELE<br /> | |||
MÁTHÁR MUKUT́ SARIYE DIYE<br /> | |||
TIIRTHODAKE ÁSHIIS DILE<br /> | |||
SNÁNA KARÁTE TUMI ELE<br /> | |||
ÁTMA PARER BHEDA GHOCÁLE<br /> | |||
NOTUN JIIVAN DEKHIYE DILE<br /> | |||
PASHU UDBHIDA PÁKHI CENÁLE<br /> | |||
SABÁR ÁPAN BOLE SHIKHÁLE<br /> | |||
SNÁNA KARÁTE TUMI ELE<br /> | |||
KEU DURE NAY SABÁI SVAJAN | |||
SABÁR TARE VISHVA BHUVAN | |||
VRITHÁ MÁPÁ PAR O ÁPAN | |||
SABÁY NIYE JAGAT CALE<br /> | |||
SNÁNA KARÁTE TUMI ELE<br /> | |||
ÁLOKER OI JHARŃÁDHÁRÁY<br /> | |||
SNÁNA KARÁTE TUMI ELE<br /> | |||
O Lord, making me bathe into the fountain of effulgence, You came. Removing the crown from<br /> | |||
the head, with pious water, You blessed me. Eliminating the distinction between own and<br /> | |||
others, You have shown a new life. You acquainted me with plants, animals and birds, and<br /> | |||
taught me to consider all as own. Nobody is distant, all are own, the whole world is for<br /> | |||
all. It is useless to measure own and others, the world moves carrying all.<br /> | |||
=== 3385 (08/02/1986) D === | |||
NIIL SÁYARER SVARŃA KAMAL<br /> | |||
PHUT́ATO KENO KEI BÁ JÁNE<br /> | |||
NÁ NÁ NÁ SE JE ÁMÁR MANE<br /> | |||
DOLÁ DITO BHÁVA JÁGÁTO<br /> | |||
VYATHÁ JÁNÁTO SAḾGOPANE<br /> | |||
NÁ NÁ NÁ SE JE ÁMÁR MANE<br /> | |||
MADHUR ÁSHE GUNJARIYÁ<br /> | |||
ÁSATO BHRAMAR SANTRAPIÁ<br /> | |||
PHULER PARÁG JATA ANURÁG<br /> | |||
D́HELE DITO TÁR PARÁŃE<br /> | |||
NÁ NÁ NÁ SE JE ÁMÁR MANE<br /> | |||
KAITO KATHÁ ÁPAN MANE<br /> | |||
SE BHÁŚÁ TÁR SEI JÁNE<br /> | |||
MAN MAYURE THEKE DÚRE<br /> | |||
DEKHE TÁRE NÁCATO VIJANE<br /> | |||
PRÁŃOCCHVASE DURE RABHASE<br /> | |||
UT́HATO HESE AKÁRAŃE<br /> | |||
NÁ NÁ NÁ SE JE ÁMÁR MANE<br /> | |||
NIIL SÁYARER SVARŃA KAMAL<br /> | |||
PHUT́ATO KENO KEI BÁ JÁNE<br /> | |||
NÁ NÁ NÁ SE JE ÁMÁR MANE<br /> | |||
In the blue sea, golden lotus blooms, why so nobody knows. No, it blooms in my own mind.<br /> | |||
It starts swinging, raising the feelings, and making understand the agony secretly. The<br /> | |||
honeybee comes buzzing, thirsty, with the hope of honey. All the affection stored in the<br /> | |||
pollen You have poured out in their heart. Speaking of the things in the own mind, the<br /> | |||
language of which is known to him only, the mental peacock staying away, observes them<br /> | |||
dancing in the isolation. With deep exhalation, the upsurge of emotion arises from<br /> | |||
distance.<br /> | |||
=== 3386 (09/02/1986) D === | |||
TOMÁKE, SAKALEI JE CÁY, TOMÁKE<br /> | |||
TOMÁR GUŃE TOMÁR GÁNE<br /> | |||
TOMÁR HÁSI KHUSHIR T́ÁNE<br /> | |||
BHUVAN BHESE JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAKALEI JE CÁY<br /> | |||
TUMI ÁMÁR ÁMI TOMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ÁMÁR ÁMI TOMÁR<br /> | |||
ÁR JÁ KICHU SABAI ASÁR<br /> | |||
MANE RÁKHI E SÁRÁTSÁR<br /> | |||
PRATI LAHAMÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAKALEI JE CÁY<br /> | |||
TOMÁKE, SAKALEI JE CÁY<br /> | |||
JAGAT GHORE NIJER GHORE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JAGAT GHORE NIJER GHORE<br /> | |||
TOMÁR CARAŃ GHIRE GHIRE<br /> | |||
ÁMI JÁCI ASHRU NIIRE<br /> | |||
TAVA KARUŃÁY<br /> | |||
SAKALEI JE CÁY<br /> | |||
TOMÁKE, SAKALEI JE CÁY<br /> | |||
Everyone cherishes You.<br /> | |||
The world floats on | |||
by the pull of Your attributes<br /> | |||
of Your song<br /> | |||
and of Your smile.<br /> | |||
You are mine and I am Yours<br /> | |||
everything else is of no value.<br /> | |||
In my mind<br /> | |||
this essence of essence<br /> | |||
is preserved each moment.<br /> | |||
The earth moves<br /> | |||
around Your feet.<br /> | |||
And for Your grace<br /> | |||
I pray with tearfilled eyes.<br /> | |||
=== 3387 (09/02/1986) D === | |||
ÁMI, CHILUM BASE<br /> | |||
TOMÁRI ÁSHE<br /> | |||
ELE NÁKO TUMI<br /> | |||
KAILE NÁ KATHÁ<br /> | |||
VYARTHA HOLO ÁMÁR GHAT́ER SAHAKÁR<br /> | |||
VYARTHA HOLO JATA/KATA?<br /> | |||
SÁDHER MÁLÁ GÁNTHÁ<br /> | |||
KAILE NÁ KATHÁ<br /> | |||
SANDHYÁLOKE PÁKHI<br /> | |||
NIIŔER PÁNE CHOT́E<br /> | |||
SANDHYÁ RÁGE KUMUD<br /> | |||
CÁNDA KE DEKHE PHOT́E<br /> | |||
ÁMÁR E SANDHYÁY<br /> | |||
BOJHO MANER VYATHÁ<br /> | |||
KAILE NÁ KATHÁ<br /> | |||
ÁNDHÁR D́HÁKÁ RAVI<br /> | |||
NEI SE PÚRVÁCALE<br /> | |||
UŚÁR ARUŃ REKHÁ<br /> | |||
JÁY NI KICHUI BHULE?<br /> | |||
SHUŃCHO TUMI JAKHAN | |||
BOJHO VYÁKULATÁ<br /> | |||
KAILE NÁ KATHÁ<br /> | |||
ÁMI, CHILUM BASE<br /> | |||
TOMÁRI ÁSHE<br /> | |||
ELE NÁKO TUMI<br /> | |||
KAILE NÁ KATHÁ<br /> | |||
O Lord, I was sitting expecting You, but You did not come, and did not speak a word. The<br /> | |||
decorating of mango leaves on the water pot altar was useless and useless was my threading<br /> | |||
of all floral garland meant for offering. The birds rush towards home in the evening<br /> | |||
light. The night lily looking at the moon in the evening twilight starts blooming. During<br /> | |||
this evening of mine, understand my mental agony. The sun covered with the darkness is not<br /> | |||
present in the eastern horizon. The crimson ray of the dawn never forgets any thing.<br /> | |||
Whenever You hear, understand my restlessness.<br /> | |||
=== 3388 (10/02/1986) K === | |||
TÚMI ESECHO MÁDHURI JHARIYECHO<br /> | |||
NANDAN LOKER ÁNANDA ENECHO<br /> | |||
TIMIRÁVRITTA MANE CETANÁ PAVANE<br /> | |||
JÁ KICHU BHÁLO BHARE DIYECHO<br /> | |||
NANDAN LOKER ÁNANDA ENECHO<br /> | |||
TOMÁR GUŃER KATHÁ KE KAHITE PÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR GUŃER KATHÁ KE KAHITE PÁRE<br /> | |||
TOMÁR RÚPERA RÁGE MAN SABÁRAI BHARE<br /> | |||
TOMÁR BHÁLOBÁSÁ SARVA KALUŚA NÁSHÁ<br /> | |||
TÁHÁTE GIITI BHARECHO<br /> | |||
NANDAN LOKER ÁNANDA ENECHO<br /> | |||
HE MAHODADHI TAVA KICHURI KINÁRÁ NEI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HE MAHODADHI TAVA KICHURI KINÁRÁ NEI<br /> | |||
TAVA BHÁVANÁY BUDBUD MORÁ SAKALEI<br /> | |||
PRIITIR CHANDE GÁNE AMRITERA SPANDANE<br /> | |||
SABÁRE NÁCIYE CALECHO<br /> | |||
NANDAN LOKER ÁNANDA ENECHO<br /> | |||
TÚMI ESECHO MÁDHURI JHARIYECHO<br /> | |||
NANDAN LOKER ÁNANDA ENECHO<br /> | |||
You came showering sweetness<br /> | |||
and bringing about heavenly bliss.<br /> | |||
You filled my darknessenveloped mind<br /> | |||
with whatever good there is<br /> | |||
by blowing into it a breeze of consciousness.<br /> | |||
Who could ever explain Your qualities?<br /> | |||
With Your beauty and colour all minds are filled.<br /> | |||
Your love cures all ailments<br /> | |||
and carries sweetest music.<br /> | |||
O great ocean | |||
no banks (limitations) contain You<br /> | |||
we are all merely bubbles in Your thought waves.<br /> | |||
In a loving song<br /> | |||
with rhythm and sweet vibrations<br /> | |||
You make all dance.<br /> | |||
=== 3389 (10/02/1986) K === | |||
TOMÁY ÁMI BHÁLOBÁSI<br /> | |||
TÁKI JÁNO NÁ JÁNO NÁ<br /> | |||
DHÁRAŃÁ DHYÁNE CÁI VIJANE<br /> | |||
TÁ KI BOJHO NÁ BOJHO NÁ<br /> | |||
JÁNO NÁ<br /> | |||
SABÁR TUMI MUKUT́A MAŃI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABÁR TUMI MUKUT́A MAŃI<br /> | |||
ÁNDHÁR DHARÁR HIIRAK KHANI<br /> | |||
TAVA KÁHINI SATATA SHUŃI<br /> | |||
TÁ KI SHOŃO NÁ SHOŃO NÁ<br /> | |||
JÁNO NÁ<br /> | |||
JHAINJHÁ VÁTE KARAKÁ PÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JHAINJHÁ VÁTE KARAKÁ PÁTE<br /> | |||
NIYATA THÁKO SÁTHE SÁTHE<br /> | |||
VAJRA TOMÁR BANDHU ÁMÁR<br /> | |||
TÁ KI MÁNO NÁ MÁNO NÁ<br /> | |||
JÁNO NÁ<br /> | |||
TOMÁY ÁMI BHÁLOBÁSI<br /> | |||
TÁKI JÁNO NÁ JÁNO NÁ<br /> | |||
I love You<br /> | |||
do not You know that?<br /> | |||
I meditate and concentrate on You in solitude.<br /> | |||
Do not You understand that?<br /> | |||
You are the crowning jewel of everyone's life.<br /> | |||
In this dark world, You are the dazzling diamond.<br /> | |||
All the time I hear the story of Your glory.<br /> | |||
Do not You hear it too?<br /> | |||
During storms and lightning<br /> | |||
You are with me.<br /> | |||
Your thunderbolt is my friend.<br /> | |||
Do not You agree with that?<br /> | |||
=== 3390 (10/02/1986) K === | |||
TUMI, BHUMÁ JYOTI ÁMI KHADYOT DYUTI<br /> | |||
ÁMÁR SÁDHYI KI KAI KATHÁ TOMÁR SAUNGE<br /> | |||
ÁMÁR SÁDHYI KI KAI KATHÁ TOMÁR SAUNGE<br /> | |||
TUMI, BRAHMA KAMAL ÁMI TRIŃA SAMAL<br /> | |||
ÁMI, RÁUNGI KI KARE BOLO TOMÁR RAUNGE<br /> | |||
ÁMÁR SÁDHYI KI KATHÁ TOMÁR SAUNGE, JABE<br /> | |||
MANE ÁSO MORE BHÁLOBÁSO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANE ÁSO MORE BHÁLOBÁSO<br /> | |||
KADAMBA NIKUNJE MRIDU HÁSO<br /> | |||
ÁMI DIINATÁ BHÚLE BHÁSI BHÁVER JALE<br /> | |||
JIIVANER UPAKÚLE NÁNÁ RAUNGE<br /> | |||
ÁMÁR SÁDHYI KI KATHÁ TOMÁR SAUNGE, JABE<br /> | |||
LUKIYE THÁKO ÁNKHI MELO NÁKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LUKIYE THÁKO ÁNKHI MELO NÁKO<br /> | |||
SHATA D́EKE GELEO SÁŔÁ DÁO NÁKO<br /> | |||
ÁMI ÁNKHIR JALE BHÁSI AKULE<br /> | |||
CEYE DEKHI HÁSO TUMI GIRI TUNGE<br /> | |||
ÁMÁR SÁDHYI KI KATHÁ TOMÁR SAUNGE<br /> | |||
TUMI, BHUMÁ JYOTI ÁMI KHADYOT DYUTI<br /> | |||
ÁMÁR SÁDHYI KI KAI KATHÁ TOMÁR SAUNGE<br /> | |||
O Lord, You are the Cosmic Effulgence, and I am glow of a firefly. What can I tell about<br /> | |||
my meagre endeavor before You? You are the Brahma Kamal, the divine lotus, and I am just a<br /> | |||
dirty grass. How can I get coloured by Your colour, tell me? You come into my mind and<br /> | |||
love. Smile softly in the garden of kadamba. Forgetting my shortcomings, I float in the<br /> | |||
water of thoughts, in diverse colours, at the shore of life. You remain hidden, without<br /> | |||
opening the eyes. Despite hundreds of calls, You do not respond. With tears in eyes, I<br /> | |||
float without any shore. On keen observation, I see You sitting on the top of the<br /> | |||
mountain.<br /> | |||
=== 3391 (10/02/1986) D === | |||
TUMI, KII CÁO JÁNI NÁ<br /> | |||
KENO TUMI, KENOTUMI LIILÁKHELÁY<br /> | |||
SUMUKHE ÁSO NÁ<br /> | |||
KII CÁO JÁNI NÁ<br /> | |||
MANE PRÁŃE BHÁLOBÁSI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANE PRÁŃE BHÁLOBÁSI<br /> | |||
MANE PRÁŃE BHÁLOBÁSI<br /> | |||
MANE PRÁŃE BHÁLOBÁSI<br /> | |||
KENO DHARÁ DÁO NÁ ÁSI<br /> | |||
MANER KOŃE MANER KOŃE<br /> | |||
SANGOPANE KI PÁO BOLO NÁ<br /> | |||
KII CÁO JÁNI NÁ<br /> | |||
AMÁNISHÁR GHOR TAMASÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AMÁNISHÁR GHOR TAMASÁY<br /> | |||
AMÁNISHÁR GHOR TAMASÁY<br /> | |||
AMÁNISHÁR GHOR TAMASÁY<br /> | |||
TOMÁR DYUTI CHÁPIYE JÁY<br /> | |||
AŃU MANER AŃU MANER<br /> | |||
SAB BHÁVANÁY KENO BHÁSÁO NÁ<br /> | |||
O Lord, I do not know what you want. Why do not you come before me by way of your divine<br /> | |||
play? I love you from the depth of my heart. Why do not you come within my reach? Please<br /> | |||
tell me what you get by hiding in secret crevices of my unit mind? Your effulgence<br /> | |||
overflows the cimmerian darkness of new moon night. Why do not you overflood all the<br /> | |||
thoughts of unit minds away?<br /> | |||
=== 3392 (10/02/1986) K === | |||
TUMI, BHÁLOR BHÁLO SABÁR MUKH CEYE<br /> | |||
BHÁLOR BHÁLO SABÁR MUKH CEYE<br /> | |||
TUMI ÁLO ÁNIYÁCHO ÁNDHÁR BEYE<br /> | |||
TUMI, CHANDE GÁNE SMITÁNANE<br /> | |||
BÁDHÁY JUJHIYÁCHO PRIITI DIYE<br /> | |||
TUMI ÁLO ÁNIYÁCHO ÁNDHÁR BEYE<br /> | |||
TOMÁR, KEU PAR NÁI SABÁI PARAM ÁTMIIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR, KEU PAR NÁI SABÁI PARAM ÁTMIIYA<br /> | |||
SABÁI COKHER MAŃI SABÁI PRIYA<br /> | |||
SABÁR KATHÁ BHEVE NIJE PATHE NEVE<br /> | |||
SABÁY SAUNGE NIYE JÁO EGIYE<br /> | |||
TUMI ÁLO ÁNIYÁCHO ÁNDHÁR BEYE<br /> | |||
KATA, RÁTER TAPASYÁ AMÁNISHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA, RÁTER TAPASYÁ AMÁNISHÁY<br /> | |||
KATA CÁPÁ VYATHÁ NÁBOLÁ BHÁŚÁY<br /> | |||
TUMI SABE CHILE BHÁVE BHARIYE DILE<br /> | |||
KOLE NILE JE CHILO DHULOY LUT́IYE<br /> | |||
TUMI ÁLO ÁNIYÁCHO ÁNDHÁR BEYE<br /> | |||
TUMI, BHÁLOR BHÁLO SABÁR MUKH CEYE<br /> | |||
TUMI ÁLO ÁNIYÁCHO ÁNDHÁR BEYE<br /> | |||
O Lord, looking at everyone with love, You have brought illumination crossing the<br /> | |||
darkness. With smiling face through rhythms and songs, You struggle with the obstructions<br /> | |||
providing love. Everyone is Your very close and intimate relation; no one is alien | |||
for You. Everyone is most dear to You; everyone is the gem of Your eyes. You go on | |||
thinking and caring about one and all, keeping everyone along, You go on moving forward on | |||
Your divine path. By numerous penances of dark nights, with much suppressed untold<br /> | |||
agonies, in all You have filled ideation, and lifted in the lap those who were submerged<br /> | |||
in dust and mud.<br /> | |||
=== 3393 (10/02/1986) K === | |||
JHAINJHÁ VÁTE GHÚRŃI VÁYE<br /> | |||
TUMI ESE CHILE, ÁMI GHUMIYE CHILUM<br /> | |||
MANER MUKURE CHANDE SURE<br /> | |||
ÁMÁRE JÁGIYE DILE, ÁMI TÁKIYE CHILUM<br /> | |||
ÁMI GHUMIYE CHILUM<br /> | |||
ATIITER SAB KICHU BHÚLE GECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ATIITER SAB KICHU BHÚLE GECHI<br /> | |||
NÚTAN UŚÁR PÁNE CEYE DEKHECHI<br /> | |||
PURONO DINER KATHÁ HÁRÁNO SMRITIR VYATHÁ<br /> | |||
SAB KICHU BHÁSIYE DILUM<br /> | |||
ÁMI GHUMIYE CHILUM<br /> | |||
DHIIRE DHIIRE KÁCHE ESE KATHÁ KAHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DHIIRE DHIIRE KÁCHE ESE KATHÁ KAHILE<br /> | |||
MANER GAHAN KOŃE PRAVESH KARILE<br /> | |||
MADHUMAY SE BHÁVANÁ DYUTI MAY SE CETANÁ<br /> | |||
TÁTE NIJE BHESE GELUM<br /> | |||
ÁMI GHUMIYE CHILUM<br /> | |||
You came amidst stormy and cyclonic winds.<br /> | |||
I was asleep.<br /> | |||
With rhythm and melody<br /> | |||
You flashed on the mirror of my mind.<br /> | |||
I woke up and opened my eyes.<br /> | |||
I forgot everything of my past<br /> | |||
and looked into the new dawn.<br /> | |||
All past events, all painful memories<br /> | |||
everything, I set afloat.<br /> | |||
In slow steps You came near me and talked.<br /> | |||
You entered deep into the dense corner of my mind.<br /> | |||
In sweet contemplation | |||
and to the flow of Your effulgent consciousness<br /> | |||
I set myself adrift.<br /> | |||
=== 3394 (11/02/1986) K === | |||
DUHKHE SUKHE ÁSHÁ NIRÁSHÁ PHÁNKE<br /> | |||
ÁNDHÁRE ÁLOKE MOR DIN CALE JÁY<br /> | |||
KABHU, BUJHI NIKAT́E UŚASII NÁT́E<br /> | |||
SONÁLI TAT́E TAVA ÁLO JHALAKÁY<br /> | |||
ÁNDHÁRE ÁLOKE MOR DIN CALE JÁY<br /> | |||
CÁI ÁRO KÁCHE ESO HE PRABHU ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁI ÁRO KÁCHE ESO HE PRABHU ÁMÁR<br /> | |||
SAB ABHIPRAKÁSHE TUMI SAMÁHÁR<br /> | |||
SAKAL AVASTHÁY SÁRÁTSÁR<br /> | |||
SMITA UTPAL TUMI CITI AMARÁY<br /> | |||
ÁNDHÁRE ÁLOKE MOR DIN CALE JÁY<br /> | |||
MÁNI ÁMI TRUT́I BHARÁ NÁHI SÁDHANÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁNI ÁMI TRUT́I BHARÁ NÁHI SÁDHANÁ<br /> | |||
NEIKO RTAMBHARÁ DRŔHA EŚAŃÁ<br /> | |||
TABU KÁCHE ÁSITE NÁI KO MÁNÁ<br /> | |||
ARUŃ DYUTI TUMI JIIVAN BELÁY<br /> | |||
ÁNDHÁRE ÁLOKE MOR DIN CALE JÁY<br /> | |||
DUHKHE SUKHE ÁSHÁ NIRÁSHÁ PHÁNKE<br /> | |||
ÁNDHÁRE ÁLOKE MOR DIN CALE JÁY<br /> | |||
O Lord, with pain and pleasure, with gaps of hope and despair, in light and shade, my days<br /> | |||
are passing. Sometimes I consider You close, like dance of the dawn. On the golden beach<br /> | |||
Your light shines. O my Lord, I want You still closer, come. You are the aggregate of all<br /> | |||
expressions. You are the essence of essence under all situations, a smiling lotus in the<br /> | |||
heaven of mind. I admit that I am full of mistakes, without any sa’dhana’, spiritual<br /> | |||
endeavor. There is no firm will full of truth. Still there is no restriction in Your<br /> | |||
coming close. You are the crimson glow at the shore of my life.<br /> | |||
=== 3395 (11/02/1986) K === | |||
ELO NÁ ELO NÁ SE ÁJAO<br /> | |||
SE KII ÁMÁY BHULE GELO TABE<br /> | |||
ÁNKHIR DHÁRÁ BAHE SHATA DHÁRE<br /> | |||
BUJHILO NÁ SE KI MOR ANUBHAVE<br /> | |||
SE KII ÁMÁY BHULE GELO TABE<br /> | |||
JHARA JHARA JHARE PAŔE VARAŚÁ VÁRI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JHARA JHARA JHARE PAŔE VARAŚÁ VÁRI<br /> | |||
MANER MAYUR NÁCE NÁ TÁRE HERI<br /> | |||
MEGHER SIIMÁY ÁNKÁ NÁ ÁCHE TÁRI<br /> | |||
AINJAN REKHÁ PRIITI MÁKHÁ ÁSAVE<br /> | |||
SE KII ÁMÁY BHULE GELO TABE<br /> | |||
MEGH KAJJVAL MÁJHE NEI KO ÁSHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MEGH KAJJVAL MÁJHE NEI KO ÁSHÁ<br /> | |||
NEIKO HÁSIR ÁLO NEI KO BHÁŚÁ<br /> | |||
JÁCI TÁRI ANURÁG CHANDA GIITIKÁ RÁG<br /> | |||
MANER GAHAN KOŃE PRÁŃOSAVE<br /> | |||
SE KII ÁMÁY BHULE GELO TABE<br /> | |||
ELO NÁ ELO NÁ SE ÁJAO<br /> | |||
SE KII ÁMÁY BHULE GELO TABE<br /> | |||
He did not come even today, then, has He forgotten me? The tears flow from my eyes in | |||
hundredfold. Has He not understood my feelings? The rain water pours down. The mental<br /> | |||
peacock does not dance looking for You. For You there is no covering limit of the cloud<br /> | |||
Who is decorating line of the love smeared nectar. There is no hope within the darkness of<br /> | |||
the cloud, no shine of smile, no language. I beg for Your affection, rhythm, and tune for<br /> | |||
the song, within the deep recess of the mind, with festivity of vitality.<br /> | |||
=== 3396 (11/02/1986) D === | |||
ÁLOKER EI YÁTRÁ PATHE<br /> | |||
PRABHU TUMI SAUNGE THEKO<br /> | |||
CALATE GIYE, CALATE GIYE<br /> | |||
CALATE GIYE THÁMI YADI<br /> | |||
EKALÁ ÁMÁY CHEŔO NÁKO<br /> | |||
PRABHU TUMI SAUNGE THEKO<br /> | |||
ANÁDI KÁLA SAUNGE CHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁDI KÁLA SAUNGE CHILE<br /> | |||
TOMÁR RAUNGE RÁUNGIYE DILE<br /> | |||
EI ABELÁY KÁLA MEKHALÁY<br /> | |||
EI KATHÁT́I I BHULO NÁKO<br /> | |||
PRABHU TUMI SAUNGE THEKO<br /> | |||
PATHER SHEŚEO TUMI ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATHER SHEŚEO TUMI ÁCHO<br /> | |||
ICCHÁMATA BHÁVE T́ENECHO<br /> | |||
ÁMÁ ÁMIR SHEŚA PARIDHIR<br /> | |||
SIIMÁ REKHÁR MADHU MEKHO<br /> | |||
PRABHU TUMI SAUNGE THEKO<br /> | |||
ÁLOKER EI YÁTRÁ PATHE<br /> | |||
PRABHU TUMI SAUNGE THEKO<br /> | |||
O Lord, at this voyage on the path of effulgence, You stay with me. While moving on, if I<br /> | |||
pause, do not leave me alone. You have remained together from time immemorial, colouring<br /> | |||
me with Your colour. At this adverse surrounding zone of time, do not forget this reality.<br /> | |||
You are also present at the end of the path. As per Your own wish and thinking, You<br /> | |||
attract. At the end of the boundary of my own “I” feeling, at the edge, You smear<br /> | |||
honey.<br /> | |||
=== 3397 (11/02/1986) D === | |||
GÁNER DESHER BHOMORÁ ESE<br /> | |||
KII JE KATHÁ KAYE GELO<br /> | |||
KÁŃE KÁŃE<br /> | |||
MANER MADHU NIYE NILO<br /> | |||
VASANTERI GÁNE GÁNE<br /> | |||
KÁŃE KÁŃE<br /> | |||
BÁDHÁ TÁKE DIINI KONO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁDHÁ TÁKE DIINI KONO<br /> | |||
LAJJÁ SE PÁYENI KAKHANO<br /> | |||
ÁMÁR MANER UPAVANE<br /> | |||
ESECHILO GOPANE<br /> | |||
KÁŃE KÁŃE<br /> | |||
BHOMRÁ JAKHAN CALE GELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHOMRÁ JAKHAN CALE GELO<br /> | |||
ABHÁVER PRATIITI HOLO<br /> | |||
RIKTA VANE SIKTÁNANE<br /> | |||
KENDE CHILUM TÁR DHYÁNE<br /> | |||
KÁŃE KÁŃE<br /> | |||
GÁNER DESHER BHOMORÁ ESE<br /> | |||
KII JE KATHÁ KAYE GELO<br /> | |||
KÁŃE KÁŃE<br /> | |||
The honeybee coming from the arena of songs, whispered into my ears, what was that matter?<br /> | |||
It brought the mental honey with each song of the spring. Nobody obstructed Him, neither<br /> | |||
He got any feeling of shyness anytime. Into the mental garden of mine, He arrived<br /> | |||
secretly. When the bee went away, then the feeling of absence came. In the empty forest<br /> | |||
with wet face, I continued crying in His meditation.<br /> | |||
=== 3398 (11/02/1986) K === | |||
TOMÁR TARE JIIVAN BHARE<br /> | |||
GEYE GECHI KATA GÁN PRIYA<br /> | |||
HOYETO TÁRÁ MELENI RÁGE SURE<br /> | |||
HOETO CHILO NÁ SHRAVAŃIIYA<br /> | |||
GEYE GECHI KATA GÁN PRIYA<br /> | |||
GEYECHI KATA GÁN KATANÁ SAKÁLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GEYECHI KATA GÁN KATANÁ SAKÁLE<br /> | |||
SARÁTE NISHÁR TAMASÁ BHARÁ JÁLE<br /> | |||
PRABHÁT KUSUMESÁJÁTE MANOBHUME<br /> | |||
BASÁTE TOMÁY VARAŃIIYA<br /> | |||
GEYE GECHI KATA GÁN PRIYA<br /> | |||
GEYE GECHI GÁN KATANÁ PRADOŚE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GEYE GECHI GÁN KATANÁ PRADOŚE<br /> | |||
TAVA KRPÁ DHÁRÁR KARUŃÁRI RESHE<br /> | |||
PRÁŃER ÁKUTI JETHÁ GIYE MESHE<br /> | |||
SETHÁ MORE SAMVIT DIO<br /> | |||
GEYE GECHI KATA GÁN PRIYA<br /> | |||
TOMÁR TARE JIIVAN BHARE<br /> | |||
GEYE GECHI KATA GÁN PRIYA<br /> | |||
O Dear Lord, for You, whole of my life, how many songs, I continued to sing? If I get<br /> | |||
lyrics, I do not find the melody and tune. If I get them then it is not audible. How many<br /> | |||
songs I have continued to sing in the mornings, removing the darkness filled web of<br /> | |||
inertia, decorating the mental arena with morning flowers, and establishing You, the most<br /> | |||
revered. By wee bit of the flow of Your mercy, I continued singing many songs, mixing with<br /> | |||
them the earnestness of vitality, for that You only have provided the consciousness.<br /> | |||
=== 3399 (11/02/1986) K === | |||
TUMI, GÁN GEYE GEYE CALE JÁO<br /> | |||
SUDURE HÁRÁO<br /> | |||
MANER MAŃIKOT́HÁY RATNA MANJÚŚÁY<br /> | |||
STHÁYII REKHÁ ENKE DÁO<br /> | |||
SUDURE HÁRÁO<br /> | |||
PARICAYA JÁNINÁ JÁNITE PÁRI NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PARICAYA JÁNINÁ JÁNITE PÁRI NÁ<br /> | |||
TUMI CHÁŔÁ TAVA KÁCHE KONO KICHU CÁHI NÁ<br /> | |||
ALAKHA PURUŚA DHARÁ DÁO<br /> | |||
AŃUKE MÁTÁO, SUDURE HÁRÁO<br /> | |||
TOMÁR CALÁR PATH KALUŚITA KARIBO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR CALÁR PATH KALUŚITA KARIBO NÁ<br /> | |||
TOMÁR ÁLOR RATHE KONO BÁDHÁ DOBO NÁ<br /> | |||
MANER MÁJHE BHESE JÁO<br /> | |||
KHUSHITE TÁKÁO<br /> | |||
ÁMÁR MAN KE TAVA SÁTHE NIYE JÁO<br /> | |||
SUDURE HÁRÁO<br /> | |||
TUMI, GÁN GEYE GEYE CALE JÁO<br /> | |||
SUDURE HÁRÁO<br /> | |||
You go on singing the song and get oblivion in far. But in the mental casket, draw a<br /> | |||
permanent mark. I do not know Your acquaintance; I am unable to do so. Before You, except<br /> | |||
You, I do not aspire for anything. O the unseen Purus’a, come into the fold and make the<br /> | |||
microcosm engrossed. I shall not contaminate the path of Your movement. I shall not place<br /> | |||
any obstruction to Your chariot of light. You go on floating within the mind and look<br /> | |||
happily. Take my mind along with You.<br /> | |||
=== 3400 (11/02/1986) K === | |||
TUMI, ÁLOKOTSAVE ESECHO<br /> | |||
SHOŚITA MÁNAVE KOLE TÚLE NIYECHO<br /> | |||
BUDDHIR AGOCARE BODHIR SHUBHA VICÁRE<br /> | |||
BHÁLOBÁSÁ D́HELECHO<br /> | |||
SHOŚITA MÁNAVE KOLE TÚLE NIYECHO<br /> | |||
HE VIBHU E KI TAVA ABODHYA KARÚŃÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HE VIBHU E KI TAVA ABODHYA KARÚŃÁ<br /> | |||
ANEKE EK KARILE ASÁDHYA SÁDHANÁ<br /> | |||
KARE DILE ÁSHÁ BHARE CHO<br /> | |||
SHOŚITA MÁNAVE KOLE TÚLE NIYECHO<br /> | |||
TOMÁR PÁNE SABE ANIMIKHE CEYE ÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR PÁNE SABE ANIMIKHE CEYE ÁCHE<br /> | |||
MÁNAVA VIHAG PASHU PRATI PALA GUŃITECHE<br /> | |||
NIRVÁK PRIITI NIYE TUMI CALECHO EGIYE<br /> | |||
MAŃI DIIP THEKE DYUTI D́HELE DIYECHO<br /> | |||
SHOŚITA MÁNAVE KOLE TÚLE NIYECHO<br /> | |||
TUMI, ÁLOKOTSAVE ESECHO<br /> | |||
SHOŚITA MÁNAVE KOLE TÚLE NIYECHO<br /> | |||
O Lord, You came with the festivity of light, and taken into Your lap the exploited human | |||
beings. Unseen by the intellect, with the auspicious consideration of the intuition, You<br /> | |||
have poured love. O Lord, what an unintelligible is Your mercy, the extremely difficult<br /> | |||
endeavor of unification of many, You performed and filled hope. All expectantly look<br /> | |||
towards You with nonblinking eyes, all human beings, birds and animals, counting every<br /> | |||
moment. You go on forward silently carrying love. Staying in the gem lamp, You go on | |||
pouring effulgence.<br /> | |||
=== 3401 (12/02/1986) K === | |||
CETANÁ KEUR MOR MANERO MAYUR<br /> | |||
NECE CHUT́E JÁY PRIYA TOMÁRI PÁNE<br /> | |||
ACENÁ HOLEO AJÁNÁ JENEO<br /> | |||
GOPAN KATHÁ KAY GÁNE GÁNE<br /> | |||
NECE CHUT́E JÁY PRIYA TOMÁRI PÁNE<br /> | |||
SAB HRIDI ALAKÁR TUMII MAŃI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAB HRIDI ALAKÁR TUMII MAŃI<br /> | |||
SAB RATNER SERÁ TOMÁRE GAŃI<br /> | |||
BHÁVAOJJVALYE TÁI TOMÁR TULANÁ NÁI<br /> | |||
SABE BHEDI CALO TUMI BHEUNGE ABHIMÁNE<br /> | |||
NECE CHUT́E JÁY PRIYA TOMÁRI PÁNE<br /> | |||
TAVA KARUŃÁR KATHÁ SABÁI MÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TAVA KARUŃÁR KATHÁ SABÁI MÁNE<br /> | |||
TAVA UDÁRATÁ GÁTHÁ VISHVA JÁNE<br /> | |||
SABÁR SHREŚT́HA TÁI TOMÁR TULANÁ NÁI<br /> | |||
SARVÁNUSYÚTA TUMI SABÁKÁR PRÁŃE<br /> | |||
NECE CHUT́E JÁY PRIYA TOMÁRI PÁNE<br /> | |||
CETANÁ KEUR MOR MANERO MAYUR<br /> | |||
NECE CHUT́E JÁY PRIYA TOMÁRI PÁNE<br /> | |||
O Dear Lord, the ornament of consciousness, the peacock of my mind goes on rushing towards<br /> | |||
You, Remaining unrecognised and being known as unknown, it tells the secret events through<br /> | |||
song after song. You are the gem of all hearts; I count You as best of all gems. Owing to<br /> | |||
the brightness of ideation, there is no comparison, You go on penetrating through<br /> | |||
everything, tearing the pride. All accept the greatness of Your mercy. Whole world knows<br /> | |||
about the glory of Your liberal attitude. You are the greatest; hence there is no<br /> | |||
comparison of Yours. You are all pervading into all lives.<br /> | |||
=== 3402 (14/02/1986) K === | |||
TOMÁRE DEKHECHI JABE<br /> | |||
TOMÁRE DEKHECHI JABE<br /> | |||
JIIVANER UTSAVE<br /> | |||
ÁLOR DHÁRÁY TUMI HÁSITE CHILE<br /> | |||
KUSUMITA UPAVANE<br /> | |||
KUSUMITA UPAVANE MÁLATIIR VITÁNE<br /> | |||
SUŚAMÁY DHIIRE DHIIRE BHÁSITE CHILE<br /> | |||
ÁLOR DHÁRÁY TUMI HÁSITE CHILE<br /> | |||
CARA CAINCALA EI<br /> | |||
CARA CAINCALA EI DHARÁ MÁJHE ESE CHILE<br /> | |||
SHINJITA NÚPURE KRANDAN SHUŃE CHILE<br /> | |||
TÁHÁRI RAŃANE<br /> | |||
TÁHÁRI RAŃANE<br /> | |||
TÁHÁRI RAŃANE<br /> | |||
TÁHÁRI RAŃANE MÁDHURII VIKIIRAŃE<br /> | |||
ACETAN JAD́E PRÁŃA ÁNIYÁ DILE<br /> | |||
ÁLOR DHÁRÁY TUMI HÁSITE CHILE<br /> | |||
DINER HISÁB NÁI<br /> | |||
DINER HISÁB NÁI KÁLER PARIDHI NÁI<br /> | |||
TAVA ABHIVYAKTIR ANUMÁN NÁHI PÁI<br /> | |||
SMITA SUDHÁ SANE<br /> | |||
SMITA SUDHÁ SANE<br /> | |||
KALYÁŃA BHEVE MANE<br /> | |||
VICITRA E KII LIILÁ RACIYÁ CHILE<br /> | |||
ÁLOR DHÁRÁY TUMI HÁSITE CHILE<br /> | |||
TOMÁRE DEKHECHI JABE, JIIVANER UTSAVE<br /> | |||
ÁLOR DHÁRÁY TUMI HÁSITE CHILE<br /> | |||
O Lord, when I saw You during the festivity of life, You were smiling in the flow of<br /> | |||
effulgence. In the bloomed floral garden, within the arbor of ma’latii, in its beauty<br /> | |||
You were floating slowly. You came on this moving and restless earth with the sound of<br /> | |||
ankle bell and heard the cries. Into that resonance, radiating sweetness, You brought life<br /> | |||
into the inert beings. There is no counting of days, no limitation of time; I cannot<br /> | |||
estimate Your expressions. Along with sweet smile, considering the welfare and benevolence<br /> | |||
in the mind. What an astonishing divine game, You have created?<br /> | |||
=== 3403 (16/02/1986) K === | |||
DÚR VIDESHER KANAK CÁMPÁ<br /> | |||
UPACE DIYE CHILO PRÁŃA<br /> | |||
SMITA DYUTITE MADHUR VÁTE<br /> | |||
BHESE ESE CHILO TÁR GÁN | |||
DÚR VIDESHER KANAK CÁMPÁ<br /> | |||
UPACE DIYE CHILO PRÁŃA<br /> | |||
KHUSHIR ÁLO TÁR KAPOLETE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KHUSHIR ÁLO TÁR KAPOLETE<br /> | |||
SHUDHUI BHÁLONEI MANDA TÁTE<br /> | |||
BINÁ D́ÁKE ESE CHILO SUPRABHÁTE<br /> | |||
BHULE GIYE TÁR JATA ABHIMÁN | |||
DÚR VIDESHER KANAK CÁMPÁ<br /> | |||
UPACE DIYE CHILO PRÁŃA<br /> | |||
ABELÁY JHARE GELO NÁ BOLE MORE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ABELÁY JHARE GELO NÁ BOLE MORE<br /> | |||
AJÁNÁY SARE GELO AGOCARE<br /> | |||
REKHE GELO GÁN TÁR CHANDE SURE<br /> | |||
SHURU HOLO TÁR NAVA ABHIYÁN | |||
DÚR VIDESHER KANAK CÁMPÁ<br /> | |||
UPACE DIYE CHILO PRÁŃA<br /> | |||
The far, distant kanak campa flower has overwhelmed my mind. With smiling glow, and sweet<br /> | |||
breeze, His song came floating. There was a glow of joy on His cheeks, in which only good<br /> | |||
and no dullness was present. He arrived on this fine morning without call. He forgot all<br /> | |||
His hurt feelings. It untimely withered down without telling me and went away to unknown | |||
arena unseen. But left behind its song with rhythm and melody and His new voyage started.<br /> | |||
=== 3404 (17/02/1986) K === | |||
EI, JALA JHARÁ VARAŚÁ RÁTE<br /> | |||
TAMASÁ SÁTHE KARAKÁ PÁTE<br /> | |||
E KII RÚPE ELE NÁHI PÁRI BUJHITE<br /> | |||
E KII MORE CHALITE<br /> | |||
TAMASÁ SÁTHE KARAKÁ PÁTE<br /> | |||
KAKHAN KI KARE JÁO LIILÁ RACITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KAKHAN KI KARE JÁO LIILÁ RACITE<br /> | |||
YUKTI TARKE KHUNJI MAN BHOLÁTE<br /> | |||
SHEŚE KICHU NÁI PEYE CÁI BHÁSITE<br /> | |||
TAVA KARUŃÁ SHROTE<br /> | |||
TAMASÁ SÁTHE KARAKÁ PÁTE<br /> | |||
ÁDI ANTA MADHYA NÁI TOMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁDI ANTA MADHYA NÁI TOMÁR<br /> | |||
NÁHI KONO PÁRÁPÁR ASHEŚA APÁR<br /> | |||
BUDDHI BODHIR SHEŚE SÁRÁTSÁR<br /> | |||
JATA ITI NETI EK HOYE JÁY TOMÁTE<br /> | |||
TAMASÁ SÁTHE KARAKÁ PÁTE<br /> | |||
EI, JALA JHARÁ VARAŚÁ RÁTE<br /> | |||
TAMASÁ SÁTHE KARAKÁ PÁTE<br /> | |||
On this rainy night, along with darkness and fall of hailstone, in what form You came, I<br /> | |||
am unable to understand, is it for deluding me? When and what You go on doing, by creating<br /> | |||
illusive game, liila, with total engrossment I search with logic and reasoning, but at<br /> | |||
the end by not finding anything, I just want to go on floating in the stream of Your<br /> | |||
mercy. For You, there is no beginning, middle or end. There is no shore, limit or end. As<br /> | |||
the essence of essence, at the end of intellect and intuition, all the beginnings and ends<br /> | |||
terminate in You.<br /> | |||
=== 3405 (16/02/1986) K === | |||
PRABHU TOMÁR MANER KATHÁ<br /> | |||
JÁNÁ JÁY NÁ BOJHÁ JÁY NÁ<br /> | |||
ATAL TUMI PÁTÁL CHONYÁ<br /> | |||
TÁI KI DHARÁ DITE CÁO NÁ<br /> | |||
JÁNÁ JÁY NÁ BOJHÁ JÁY NÁ<br /> | |||
VIDYÁ BUDDHIR JE T́UKU PÚNJI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIDYÁ BUDDHIR JE T́UKU PÚNJI<br /> | |||
TÁHÁRI BALE TÁHÁRE KHÚNJI<br /> | |||
ALPA JINÁNE JE T́UKU BUJHI<br /> | |||
TÁHÁTE KONO THÁI PÁI NÁ<br /> | |||
JÁNÁ JÁY NÁ BOJHÁ JÁY NÁ<br /> | |||
ÁDIR KHONJE NIJERE HÁRÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁDIR KHONJE NIJERE HÁRÁI<br /> | |||
ANTA KHUNJE MANANE KHOÁI<br /> | |||
CALÁR PATHE JÁHÁ DEKHITE PÁI<br /> | |||
KÁLA VÁHITO TÁHÁO THÁKE NÁ<br /> | |||
JÁNÁ JÁY NÁ BOJHÁ JÁY NÁ<br /> | |||
PRABHU TOMÁR MANER KATHÁ<br /> | |||
JÁNÁ JÁY NÁ BOJHÁ JÁY NÁ<br /> | |||
O Lord, the events in your mind, is impossible to be known or understood. Your depth is<br /> | |||
extreme, that is why you do not allow being caught. Whatever little knowledge or intellect<br /> | |||
I have, on that strength I try to get you. With meagre knowledge whatever I understand<br /> | |||
through that I cannot estimate you. I lose myself when I search your beginning and my mind<br /> | |||
gets lost when I search the end point. Whatever I see on this path of movement, due to<br /> | |||
flow of time that also does not stay.<br /> | |||
=== 3406 (19/02/1986) K === | |||
JÁR, ÁR KEU NÁI<br /> | |||
TÁR TUMI ÁCHO<br /> | |||
SE JE NIRÁLÁY GÁN GÁY EKELÁI<br /> | |||
TUMI SHUNE CALECHO<br /> | |||
TÁR TUMI ÁCHO<br /> | |||
BÁKIRÁ SAUNGE ÁSE CALÁR PATHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁKIRÁ SAUNGE ÁSE CALÁR PATHE<br /> | |||
NIJA NIJA BHÁVA NIYE NIJA GATITE<br /> | |||
SE CALE TAVA PATHE SHUDHU TOMÁRE PETE<br /> | |||
TÁRE SAB GATI SAB DYUTI DIYE CALECHO<br /> | |||
TÁR TUMI ÁCHO<br /> | |||
ANÁTHER NÁTH TUMI JAGATER PRÁŃA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁTHER NÁTH TUMI JAGATER PRÁŃA<br /> | |||
KŚUDRA BRIHAT MÁJHE TUMI SUMAHÁN | |||
SABÁR TARE TAVA AHAETUKI T́ÁN | |||
SE T́ÁNE DHARÁRE TUMI DHARE REKHECHO<br /> | |||
TÁR TUMI ÁCHO<br /> | |||
JÁR, ÁR KEU NÁI<br /> | |||
TÁR TUMI ÁCHO<br /> | |||
You belong to those who have none.<br /> | |||
You listen to one<br /> | |||
who sings his/her songs in solitude.<br /> | |||
On the path of movement, others join in | |||
with their own ideas and their own pace.<br /> | |||
You provide speed and light to one<br /> | |||
who moves on Your path to attain You.<br /> | |||
You are the master caretaker of the destitute.<br /> | |||
You are the very life of the world.<br /> | |||
Amongst all, be they small or big<br /> | |||
You are the greatest .<br /> | |||
Your causeless attraction binds all.<br /> | |||
With it, You uphold the earth.<br /> | |||
=== 3407 (20/02/1986) K === | |||
AJÁNÁ PATHIK AJÁNÁ PATHIK<br /> | |||
ÁR KI AJÁNÁ ÁCHO<br /> | |||
BHÁVE ABHÁVE ANUBHAVE<br /> | |||
MANER MUKURE BHESECHO<br /> | |||
ÁR KI AJÁNÁ ÁCHO<br /> | |||
MÁNI TUMI ÁSITECHO ANÁDI HOTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁNI TUMI ÁSITECHO ANÁDI HOTE<br /> | |||
JÁNI TUMI CALIYÁCHO DÚRÁNTE<br /> | |||
TABU VARTAMÁNE SMITA PHULE NAVÁRUŃE<br /> | |||
CITI ALAKÁY NECECHO<br /> | |||
ÁR KI AJÁNÁ ÁCHO<br /> | |||
MAN MAŃI DYUTI TUMI MANETE BHÁSO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAN MAŃI DYUTI TUMI MANETE BHÁSO<br /> | |||
MANER ATIITA LOKE PULAKE HÁSO<br /> | |||
TABU KARE CHINU ÁSHÁ BRIHATER BHÁLOBÁSÁ<br /> | |||
TÁI CETANÁY ESECHO<br /> | |||
ÁR KI AJÁNÁ ÁCHO<br /> | |||
AJÁNÁ PATHIK AJÁNÁ PATHIK<br /> | |||
ÁR KI AJÁNÁ ÁCHO<br /> | |||
O the unknown traveler, are You still remaining unknown? In ideation, blankness and<br /> | |||
feelings, You float in the mental mirror. I accept that You came from no beginning. I also<br /> | |||
know that You go far off. Still in the present, during morning sun, You dance in the<br /> | |||
mental heaven of the smiling flowers. O the glowing gem of the mind, You float into the<br /> | |||
mind. You smile pleasingly in the arena above the mind. Still I hope with the love for the<br /> | |||
great, so You come into consciousness.<br /> | |||
=== 3408 (20/02/1986) D === | |||
CALE ÁMÁR GÁNER TARII<br /> | |||
RÚPA SÁYARER SUR DHARE<br /> | |||
KONO MÁNÁI MÁNE NÁ SE<br /> | |||
THÁME NÁKO KÁRO D́ARE<br /> | |||
RÚPA SÁYARER SUR DHARE<br /> | |||
EGIYE CALE RÁTRI DINE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EGIYE CALE RÁTRI DINE<br /> | |||
DÚR VIMÁNE MAN PAVANE<br /> | |||
SAB ANÁCÁR BÁDHÁR PÁTHÁR<br /> | |||
PERIYE JÁY AKÁTARE<br /> | |||
RÚPA SÁYARER SUR DHARE<br /> | |||
JÁCCHE JÁBE SUMUKH PÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁCCHE JÁBE SUMUKH PÁNE<br /> | |||
MÁNUŚA PASHU PÁKHIR GÁNE<br /> | |||
AJÁNÁ PATHIKER T́ÁNE<br /> | |||
ÁSHÁR BHÁŚÁ SÁTHE KARE<br /> | |||
RÚPA SÁYARER SUR DHARE<br /> | |||
CALE ÁMÁR GÁNER TARII<br /> | |||
RÚPA SÁYARER SUR DHARE<br /> | |||
The boat carrying my songs sails along the streams of melodies in the vast ocean of<br /> | |||
appearances. It does not heed to any forbidding. It does not stop for fear of anyone.<br /> | |||
Propelled By the wind within my inner self, it moves forward day and night onto the<br /> | |||
distant void sailing past the vast ocean of vices and obstructions. Pulled by the divine<br /> | |||
love and attraction of the unknown traveler, it moves and continues to move carrying the<br /> | |||
songs of the humans, birds and animals and the eternal message of hope.<br /> | |||
=== 3409 (21/02/1986) K === | |||
E SUPRABHÁTE ARUŃ ÁLOTE<br /> | |||
TOMÁR MAHIMÁ MOR MANE JHALAKÁY<br /> | |||
KATA KI JE ÁSE JÁY PRATI LAHAMÁY<br /> | |||
SABÁRE CHÁPIYE TAVA D́ÁK SHOŃÁ JÁY<br /> | |||
TOMÁR MAHIMÁ MOR MANE JHALAKÁY<br /> | |||
HE VIRÁT́A ÁCHO TUMI AŃU AŃUTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HE VIRÁT́A ÁCHO TUMI AŃU AŃUTE<br /> | |||
HE SVARÁT́A RÁJO TUMI PRATI REŃUTE<br /> | |||
TOMÁR CALÁR PATHE ACENÁ ANÁDI HOTE<br /> | |||
HESE CALE JÁO TUMI KON SE AJÁNÁY<br /> | |||
TOMÁR MAHIMÁ MOR MANE JHALAKÁY<br /> | |||
CHILE ÁCHO THEKE JÁBE TUMI TÁ JÁNI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHÁSHVATA SATTÁ TUMII MÁNI<br /> | |||
AŃU REŃU ÁSE JÁY TOMÁTE MURACHÁY<br /> | |||
MANER GAHANE TAVA NITYA NIRÁLÁY<br /> | |||
TOMÁR MAHIMÁ MOR MANE JHALAKÁY<br /> | |||
On this fine morning, in the illumination of the sun, Your glories shine into my mind.<br /> | |||
Many come and go each moment, but covering all You call is heard. O the Vira’t’a, the<br /> | |||
Great, You are present in each atom; O the selfpervading, You exist in each particle. On | |||
the path of Your movement, from the unknown without beginning, You go on moving towards<br /> | |||
some unknown arena. I know that You existed in the past, are present now and would remain | |||
in future. I accept You as Eternal Entity. The atoms and molecules come and go and get<br /> | |||
dissolved within You, within the depth of Your mind, O the Eternal Singular Entity.<br /> | |||
=== 3410 (21/02/1986) K === | |||
SPARSHA MAŃI TUMI PRIYA<br /> | |||
ÁMÁR ÁVILATÁ SARIYE DIYE<br /> | |||
MANER MATAN MORE KARE NIO<br /> | |||
SPARSHA MAŃI TUMI PRIYA<br /> | |||
PATHE CALITE DHULE LÁGE GÁYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATHE CALITE DHULE LÁGE GÁYE<br /> | |||
KARDAME KATA PICHANE PHELE DEY<br /> | |||
TUMI KÁCHE ESE EKT́U BHÁLOBESE<br /> | |||
TIIRTHODAKE SNÁNA KARIYE DIO<br /> | |||
SPARSHA MAŃI TUMI PRIYA<br /> | |||
TUMI NÁ THÁKILE MOR KICHU NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI NÁ THÁKILE MOR KICHU NÁI<br /> | |||
TUMI THÁKILEI SAB KICHU PÁI<br /> | |||
MOR CALÁR SHEŚE ÁMÁRE NIHSHEŚE<br /> | |||
TOMÁR RÚPE RASE RÁGE RÁUNGIO<br /> | |||
SPARSHA MAŃI TUMI PRIYA<br /> | |||
O the Dear Touchstone of mine, removing my impurities make my mind pure. While moving on | |||
the path, dust is applied on my body, the mud pushes me back. You coming close, with a bit<br /> | |||
of love, make me bathe in the pious water. I have nothing if You are not present; I attain | |||
everything with Your presence. At the end of my movement on the path, You colour me<br /> | |||
completely with Your form, flow and colour.<br /> | |||
=== 3411 (22/02/1986) D === | |||
KON SE AJÁNÁ SHROTE<br /> | |||
ESE CHILE ÁLO HÁTE<br /> | |||
GHUM BHÁUNGÁTE EI RÁTE<br /> | |||
ÁNDHÁRE ÁVRITA CHILO<br /> | |||
VIKÁSHERA SHATADALA<br /> | |||
SE NISHIITHE<br /> | |||
GHUM BHÁUNGÁTE EI RÁTE<br /> | |||
ASHRU NIHITA VYATHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ASHRU NIHITA VYATHÁ<br /> | |||
RACE CHILO ITIKATHÁ<br /> | |||
NÁ PÁOÁR VYÁKULATÁ<br /> | |||
KENDE CHE MALAY VÁTE<br /> | |||
GHUM BHÁUNGÁTE EI RÁTE<br /> | |||
KATA SUŚAMÁR RÁSHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA SUŚAMÁR RÁSHI<br /> | |||
ANÁDARE GECHE BHÁSI<br /> | |||
KATA JYOTSNÁR HÁSI<br /> | |||
MISHECHE TAMASÁTE<br /> | |||
GHUM BHÁUNGÁTE EI RÁTE<br /> | |||
KON SE AJÁNÁ SHROTE<br /> | |||
ESE CHILE ÁLO HÁTE<br /> | |||
GHUM BHÁUNGÁTE EI RÁTE<br /> | |||
O Lord, through which unknown origin You came with light in Your hand this night, breaking<br /> | |||
my slumber? On that night, the hundredpetal lotus of development was covered with<br /> | |||
darkness. The history was created with tearful agony. The sandal breeze was crying with<br /> | |||
restlessness of nonattainment. Many heaps of beauty went away floating in the darkness.<br /> | |||
Many smiles of moonlight faded into darkness.<br /> | |||
=== 3412 (22/02/1986) K === | |||
TUMI, JE GÁN SHONÁLE VISHVE PRABHU<br /> | |||
TUMI ÁCHO TÁTE MISHE<br /> | |||
HRDAY HOTE UTSÁRITA HOYE<br /> | |||
BHESE JÁY SE NIILÁKÁSHE<br /> | |||
TUMI ÁCHO TÁTE MISHE<br /> | |||
AŃU PARAMÁŃU NÁCE NÁCE TÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AŃU PARAMÁŃU NÁCE NÁCE TÁRÁ<br /> | |||
KOT́I NIIHÁRIKÁ NÁCE ÁTMA HÁRÁ<br /> | |||
TOMÁR GÁNER TÁLE SABÁR ANTARÁLE<br /> | |||
PRÁŃIIN PRAETI BHÁVÁVEGE BHÁSE<br /> | |||
TUMI ÁCHO TÁTE MISHE<br /> | |||
SARVA CARÁCARA GIITI MÁLIKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SARVA CARÁCARA GIITI MÁLIKÁ<br /> | |||
SPANDITA MANDRITA CITI ALAKÁ<br /> | |||
NANDITA ÁSAVE ÁLOR MAHOTSAVE<br /> | |||
JÁNE NÁ KII CÁY ÁJI SE<br /> | |||
TUMI ÁCHO TÁTE MISHE<br /> | |||
TUMI, JE GÁN SHONÁLE VISHVE PRABHU<br /> | |||
TUMI ÁCHO TÁTE MISHE<br /> | |||
O Lord, the songs that You sung to the world, in them You were merged. Emerging from the<br /> | |||
heart, they go on floating in the blue sky. The atoms, molecules and the stars dance<br /> | |||
millions of nebula dance with total engrossment. With the rhythm of Your song, within the<br /> | |||
core of everyone, feeling of love shines overwhelmingly. The garland of songs, consisting<br /> | |||
of all animate and inanimate beings, vibrates and oscillates the heaven of the mind. In | |||
the festivity of light, with joyful essence, I do not know what does it say.<br /> | |||
=== 3413 (22/02/1986) D === | |||
ÁMÁR, ÁNDHÁR GHARE JVÁLALE ÁLO<br /> | |||
BOLALE ÁMÁY BHÁLOBÁSO<br /> | |||
MANER KALI PHUT́E GELO<br /> | |||
SMITÁLOKE CIDÁKÁSHAO<br /> | |||
BOLALE ÁMÁY BHÁLOBÁSO<br /> | |||
SÁGAR PÁHÁŔ ÁKÁSHA PÁTHÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SÁGAR PÁHÁŔ ÁKÁSHA PÁTHÁR<br /> | |||
VANDANÁ KARE JE TOMÁR<br /> | |||
ÚRDHVA MUKHE SÚRYA MUKHI<br /> | |||
BOLE MOR KORAKE BHÁSO<br /> | |||
BOLALE ÁMÁY BHÁLOBÁSO<br /> | |||
PHÁGUNER EI RAUNGER DINE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHÁGUNER EI RAUNGER DINE<br /> | |||
ELE PHELE PÁ SAḾGOPANE<br /> | |||
AMBU DHÁRÁY VARŃA CHAT́ÁY<br /> | |||
TANMAYATÁY TAMO NÁSHO<br /> | |||
BOLALE ÁMÁY BHÁLOBÁSO<br /> | |||
ÁMÁR, ÁNDHÁR GHARE JVÁLALE ÁLO<br /> | |||
BOLALE ÁMÁY BHÁLOBÁSO<br /> | |||
O Lord, kindling light in my dark home, You told me to love You. My mental bud bloomed in | |||
the firmament of my mind with that smiling light. The ocean, mountains, sky and sea<br /> | |||
worship You. The sunflower, with upward face tells,” shine within my core”. On this<br /> | |||
colourful day of the spring, You came spreading Your feet secretly. With flow of water<br /> | |||
and beauty of colours, engrossingly You destroy the inertia.<br /> | |||
=== 3414 (23/02/1986) D === | |||
TOMÁR GOPAN KATHÁ<br /> | |||
BHÁVANÁR VYÁKULATÁ<br /> | |||
ÁJIKE SHUŃIYEO<br /> | |||
VARAŚÁRGÁNE GÁNE<br /> | |||
VARAŚÁR GÁNE GÁNE<br /> | |||
JÁHÁ CHILO CÁPÁ MANE<br /> | |||
BOLO NI JÁ ABHIMÁNE<br /> | |||
VYAKTA KARIYÁ DIO<br /> | |||
NIKHILER SURE TÁNE<br /> | |||
VARAŚÁR GÁNE GÁNE<br /> | |||
JÁHÁ KARE CHILO VIDHUR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁHÁ KARE CHILO VIDHUR<br /> | |||
MANANE JÁ CHILO MADHUR<br /> | |||
TÁHÁKE SHRAVAŃE ENE<br /> | |||
DÁO CIRA UTSÁRAŃE<br /> | |||
VARAŚÁR GÁNE GÁNE<br /> | |||
ÁRO THEKO NÁKO DÚRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁRO THEKO NÁKO DÚRE<br /> | |||
TRIDASHA ANTAPURE<br /> | |||
NEVE ESO BHÁVE BHÁVE<br /> | |||
MAMATÁR T́ÁNE T́ÁNE<br /> | |||
VARAŚÁR GÁNE GÁNE<br /> | |||
TOMÁR GOPAN KATHÁ<br /> | |||
BHÁVANÁR VYÁKULATÁ<br /> | |||
ÁJIKE SHUŃIYEO<br /> | |||
VARAŚÁR GÁNE GÁNE<br /> | |||
O Lord, Your secret reality, the restlessness of feelings, today convey to me through the<br /> | |||
songs of the rain. Whatever was suppressed in mind, that You did not speak out due to ego<br /> | |||
express them to the world with tune and melody. Whatever has made bewildered, whatever was<br /> | |||
sweet in the mind, by bringing that to audible level, erupt forever. Do not stay away far<br /> | |||
inside within the heaven, come down with each ideation, by the pull of affection.<br /> | |||
=== 3415 (23/02/1986) D === | |||
TUMI, KENO MORE DHARÁ DÁO NÁ<br /> | |||
KÁCHE ÁSO MRIDU HÁSO<br /> | |||
HIYÁTE THÁKITE CÁO NÁ<br /> | |||
TUMI, KENO MORE DHARÁ DÁO NÁ<br /> | |||
ÁNKHI JALE SADÁ BHÁSI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁNKHI JALE SADÁ BHÁSI<br /> | |||
BHULATE GIYEO BHÁLO BÁSI<br /> | |||
MAN AJÁNÁY JÁY JE MISHI<br /> | |||
E KATHÁ KI BOJHO NÁ<br /> | |||
TUMI, KENO MORE DHARÁ DÁO NÁ<br /> | |||
AJÁNÁ PATHIK EKLÁ PATHER<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AJÁNÁ PATHIK EKLÁ PATHER<br /> | |||
NISHÁNÁ DÁO SVARŃA RATHER<br /> | |||
DYUTI CHAŔÁO JYOTSNÁ RÁTER<br /> | |||
KOTHÁO THEME THÁKO NÁ<br /> | |||
TUMI, KENO MORE DHARÁ DÁO NÁ<br /> | |||
O Lord, why do not You allow Yourself to get into my fold? Come close and smile softly<br /> | |||
why do not You want to stay in my heart? My eyes are always tearful, I have forgotten | |||
love, and the mind goes on merging in the unknown, why do not You understand this fact. O<br /> | |||
the unknown traveler, on the solitary path, provide me guiding beacon on the golden | |||
chariot. Scatter moonlight illumination in the night, so that no one stops.<br /> | |||
=== 3416 (24/02/1986) D === | |||
TOMÁR TARE KATA VYATHÁ<br /> | |||
TUMI JÁNO NÁ KI<br /> | |||
MADHU MÁSE BASE KÁNDI<br /> | |||
TAMASÁTE THÁKI<br /> | |||
TUMI JÁNO NÁ KI<br /> | |||
SHÁNTI KHUNJI KÁLA SAYARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHÁNTI KHUNJI KÁLA SAYARE<br /> | |||
DIIPTI KHUNJI ANDHAKÁRE<br /> | |||
PRIITI JÁCI PRIITI<br /> | |||
JÁCI PRIITI JÁCI MARU PÁTHÁRE<br /> | |||
JÁ CÁI TÁ NÁ DEKHI<br /> | |||
TUMI JÁNO NÁ KI<br /> | |||
ÁDI ANTAHIIN E LIILÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁDI ANTAHIIN E LIILÁY<br /> | |||
ÁMI KENO AVAHELÁY<br /> | |||
BHÁVER GHARE BHÁVER GHARE<br /> | |||
BHÁVER GHARE DVAETA KHELÁY<br /> | |||
LUKONO JÁBE KII<br /> | |||
TUMI JÁNO NÁ KI<br /> | |||
TOMÁR TARE KATA VYATHÁ<br /> | |||
TUMI JÁNO NÁ KI<br /> | |||
O Lord, how much agony I have for You, do not You know that? Staying in darkness during<br /> | |||
the spring, I continue crying. I search peace in the ocean of time, I search illumination | |||
in darkness. I beg for love in the desert and sea, but I do not see what I want. In this<br /> | |||
divine game, without beginning or end, liila, of Yours, why am I ignored? In the game<br /> | |||
of duality, within the house of thoughts, it is hard to hide.<br /> | |||
=== 3417 (25/02/1986) D === | |||
TOMÁY, BHULEO JÁY NÁ BHOLÁ<br /> | |||
MANER MÁJHE LUKIYE ÁCHO<br /> | |||
KARECHO UTALÁ<br /> | |||
TOMÁY, BHULEO JÁY NÁ BHOLÁ<br /> | |||
TAVA PRÁŃA D́HÁLÁBÁNSHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TAVA PRÁŃA D́HÁLÁBÁNSHI<br /> | |||
ÁMÁRE KARE JE UDÁSI<br /> | |||
NÁ DEKHIYAO BHÁLOBÁSI<br /> | |||
MANE PRÁŃE PÁI DOLÁ<br /> | |||
TOMÁY, BHULEO JÁY NÁ BHOLÁ<br /> | |||
KATA BÁR BHÁVI BHULE JÁBO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA BÁR BHÁVI BHULE JÁBO<br /> | |||
TAVA KATHÁ ÁR NÁ SMARIBO<br /> | |||
MAN THEKE TOMÁY MUCHE DOBO<br /> | |||
PÁRI NÁ KI TAVA LIILÁ<br /> | |||
PRÁŃER GOPAN E KII KARE DILE<br /> | |||
THÁKITE DILE NÁ EKELÁ<br /> | |||
TOMÁY, BHULEO JÁY NÁ BHOLÁ<br /> | |||
MANER MÁJHE LUKIYE ÁCHO<br /> | |||
KARECHO UTALÁ<br /> | |||
TOMÁY, BHULEO JÁY NÁ BHOLÁ<br /> | |||
O Lord, it is not possible to forget You even by mistake. You are hidden within the mind<br /> | |||
itself and make me frenzied. Your overwhelming flute, make me sad. Even without seeing, I<br /> | |||
get vibrated overwhelmingly. Many times I thought that I would forget You, would not<br /> | |||
remember about You any more, would wipe You out from my mind, but I was unable to do so<br /> | |||
what an enchanting game of Yours? Secretly what have You done, You have not left me<br /> | |||
alone.<br /> | |||
=== 3418 (25/02/1986) K === | |||
JYOTSNÁ RÁTE MAN VIITHITE<br /> | |||
GÁN GEYE JÁI KÁŃE KÁŃE<br /> | |||
E GÁN ÁMÁR NAY VYATHÁ BHÁR<br /> | |||
ÁCHE SE BHARÁ SURE TÁNE<br /> | |||
GÁN GEYE JÁI KÁŃE KÁŃE<br /> | |||
E GÁN ÁMÁR TOMÁR TARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
E GÁN ÁMÁR TOMÁR TARE<br /> | |||
HÁRÁY NÁKO ANDHAKÁRE<br /> | |||
THÁKE SE MANER ANTAH PURE<br /> | |||
RAUNGA BERAUNGER PHUL VITÁNE<br /> | |||
GÁN GEYE JÁI KÁŃE KÁŃE<br /> | |||
E GAN ÁMÁR PAŔE JHARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
E GAN ÁMÁR PAŔE JHARE<br /> | |||
SVARŃA BELÁR BÁLUKÁ PARE<br /> | |||
BHÚLE GIYE JATA ÁTMA PARE<br /> | |||
BHESE SE JÁY DÚR UJÁNE<br /> | |||
GÁN GEYE JÁI KÁŃE KÁŃE<br /> | |||
JYOTSNÁ RÁTE MAN VIITHITE<br /> | |||
GÁN GEYE JÁI KÁŃE KÁŃE<br /> | |||
On the moonlit night, in mental street, I go on whispering the songs. This song is not the<br /> | |||
load of my pain, but is filled with tune and melody. This song of mine is for You, and<br /> | |||
does not get lost in darkness. It remains in the depth of the mind, within colourful<br /> | |||
floral arbor. This song of mine flows out on the sands of the golden beach. Forgetting the<br /> | |||
difference of own and others, it goes on floating far along the tides.<br /> | |||
=== 3419 (25/02/1986) D === | |||
TUMI, AVAHELÁ KARE ESECHO<br /> | |||
NAYANER JALE DÚRE REKHE PHELE<br /> | |||
EKHAN NIKAT́E T́ENECHO<br /> | |||
TUMI AVAHALÁ KARE ESECHO<br /> | |||
KATA SMITA ÁLO KÁLO HOYE GECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA SMITA ÁLO KÁLO HOYE GECHE<br /> | |||
KATA MADHUMÁS AKÁLE SARECHE<br /> | |||
KATA NÁ SHEFÁLI KALITE JHARECHE<br /> | |||
TUMI KI TÁKIYE DEKHECHO<br /> | |||
TUMI AVAHALÁ KARE ESECHO<br /> | |||
KATANÁ SVAPNA VAJRE BHENGECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATANÁ SVAPNA VAJRE BHENGECHE<br /> | |||
SHLEŚA VIDRÚP ÁGHÁT HENECHE<br /> | |||
SANDHYÁ MÁLATI SHUKÁIYÁ GECHE<br /> | |||
DÚRE THEKE TUMI HESECHO<br /> | |||
TUMI AVAHALÁ KARE ESECHO<br /> | |||
O Lord, You had come after ignoring me for long. Only now You pulled me close removing<br /> | |||
away the tears from my eyes. How many smiling brilliance have faded. How many springs<br /> | |||
passed untimely. How many shefa’lii flowers dropped as bud only. You had continued<br /> | |||
observing. How many dreams broke by thunder. Injury was inflicted by taunt, sarcasm and<br /> | |||
irony. The evening malatii flower dried up.<br /> | |||
=== 3420 (26/02/1986) === | |||
MANER MÁLI JE TUMI<br /> | |||
MAN KE BHARE RAYECHO<br /> | |||
KÁCHE DÚRE NÁHI BOJHE<br /> | |||
SABÁRE ÁLO KARECHO<br /> | |||
MAN KE BHARE RAYECHO<br /> | |||
JÁ CHILO NÁ KAKHANO<br /> | |||
TÁHÁKE MANANE ÁNO<br /> | |||
JÁHÁ ÁSENI SHRAVAŃE<br /> | |||
TÁKE AUNKE NIYECHO<br /> | |||
MAN KE BHARE RAYECHO<br /> | |||
SHRIŚT́I STHITI LAYE<br /> | |||
TUMI ÁCHO MAN NILAYE<br /> | |||
SABÁKÁR ÁDHÁR HOYE<br /> | |||
ÁLOKE PULAKE NÁCO<br /> | |||
MAN KE BHARE RAYECHO<br /> | |||
MANER MÁLI JE TUMI<br /> | |||
MAN KE BHARE RAYECHO<br /> | |||
O Lord, the gardener of the mind, You have kept my mind full of Yourself. Without any<br /> | |||
consideration of near and far, You have enlightened and illuminated everyone. What was<br /> | |||
never present, that You bring into the mind. You remain with mind as home, during<br /> | |||
creation, sustenance and dissolution. Remaining as base for all, You dance joyfully as<br /> | |||
light.<br /> | |||
=== 3421 (26/02/1986) K === | |||
E KII VAHNI SHIKHÁ JVÁLIYÁ ELE<br /> | |||
PHÁGUNE ÁGUNE MANE PHÁG KHELILE<br /> | |||
VASUDHÁR SAB SUDHÁ MANE D́HÁILE<br /> | |||
PRAETI PRIITITE PRÁŃA BHARIYÁ DILE<br /> | |||
PHÁGUNE ÁGUNE MANE PHÁG KHELILE<br /> | |||
NÁ PÁOÁR JATA DUHKHA JIIVANE CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NÁ PÁOÁR JATA DUHKHA JIIVANE CHILO<br /> | |||
TAVA BHÁVANÁR SUKHE SARIYÁGELO<br /> | |||
TUMI, NIJE ELE MORE KÁCHE T́ÁNILE<br /> | |||
ÁSHÁR KUSUM PÁPAŔITE PHOT́ÁLE<br /> | |||
PHÁGUNE ÁGUNE MANE PHÁG KHELILE<br /> | |||
MADHUMÁSE MÁDHAVITE MAN MÁTÁLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MADHUMÁSE MÁDHAVITE MAN MÁTÁLE<br /> | |||
GUŃITAKE GAHANE GÁN GÁHILE<br /> | |||
SAB JINIYÁ NILE TAVA RAUNGE RÁUNGÁLE<br /> | |||
SHÁSHVATA SHÁNTIR SAOMYÁNILE<br /> | |||
PHÁGUNE ÁGUNE MANE PHÁG KHELILE<br /> | |||
E KII VAHNI SHIKHÁ JVÁLIYÁ ELE<br /> | |||
PHÁGUNE ÁGUNE MANE PHÁG KHELILE<br /> | |||
O Lord, with kindling what a torch of flame did You come. In the spring, You played<br /> | |||
colours with fire in the mind. Pouring all the sweetness of the world into the mind, You<br /> | |||
filled the life with affectionate love. All the pain of nonattainment that was there in | |||
life, was removed by pleasure of Your ideation. You came Yourself and pulled me close, and<br /> | |||
bloomed the flower of hope into petals. During spring, You charmed the mind with<br /> | |||
ma’dhavii flower fragrance. Multiple times, You immersed me in depth of songs. You made<br /> | |||
me know all and coloured me in Your colour with calm breeze of eternal peace.<br /> | |||
=== 3422 (26/02/1986) TEORA === | |||
KATHÁ YADI NÁ KAHILE, KENO<br /> | |||
KENO TABE DEKHÁ DILE<br /> | |||
KENO NÁ AŔÁLE RAHILE<br /> | |||
ÁSHÁY ÁSHÁY BASE CHILUM<br /> | |||
ESE NIRÁSHÁ BÁŔÁLE<br /> | |||
KENO TABE DEKHÁ DILE<br /> | |||
KATA ÁSHÁ JAMÁ CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA ÁSHÁ JAMÁ CHILO<br /> | |||
KATA SVÁRTHA APÚRŃA CHILO<br /> | |||
ÁMÁR MANER MAŃI KOT́HÁY<br /> | |||
JHALAK DIYE SARE GELE<br /> | |||
KENO TABE DEKHÁ DILE<br /> | |||
GÁNTHÁ MÁLÁJHARE GELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GÁNTHÁ MÁLÁJHARE GELO<br /> | |||
SÁDHÁ GÁN SHÚNYE MILÁLO<br /> | |||
MANER KATHÁ NÁHI SHÚŃE<br /> | |||
MÁN SÁTIITE LUKÁLE<br /> | |||
KENO TABE DEKHÁ DILE<br /> | |||
KATHÁ YADI NÁ KAHILE, KENO<br /> | |||
KENO TABE DEKHÁ DILE<br /> | |||
KENO NÁ AŔÁLE RAHILE<br /> | |||
O Lord, why did You show Yourself, if You do not speak to me? Why did not You remain | |||
behind? I had remained seated expecting and hoping for You, by Your arrival You only<br /> | |||
increased my disappointment. How much expectations were accumulated, how many selfish<br /> | |||
desires remained unfulfilled in the casket of my mind? But You just showed the glimpses<br /> | |||
and went away. The threaded floral garland withered away. The well practiced song to<br /> | |||
for You is lost into oblivion. Without listening to the feeling of my heart, You went<br /> | |||
hiding beyond the scope of my mind.<br /> | |||
=== 3423 (27/02/1986) D === | |||
MÁNAVATÁ KE KHAŃD́A KARE<br /> | |||
KII LÁBH HOVE MÁNÚŚERA<br /> | |||
JÁ ÁCHE TÁO THÁKIBE NÁ<br /> | |||
VIŚÁBE VÁYU VISHVERA<br /> | |||
KII LÁBH HOVE MÁNÚŚERA<br /> | |||
KHAŃD́A KABHU HOE NÁ RAVI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KHAŃD́A KABHU HOE NÁ RAVI<br /> | |||
KHAŃD́A NÁ HOY ÚŚÁR CHAVI<br /> | |||
KHAŃD́A MÁNAVA KHAŃD́A ÁŃAVA<br /> | |||
BHARABE BIIJE VINÁSHER<br /> | |||
KII LÁBH HOVE MÁNÚŚERA<br /> | |||
KÁLA PRACAND́A VEGE JÁBE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁLA PRACAND́A VEGE JÁBE<br /> | |||
VAHNI SÁGAR UTHALIBE<br /> | |||
PHÚLER MÁLÁ PRIITI D́ÁLÁ<br /> | |||
HOVE JE STÚPA BHASMER<br /> | |||
KII LÁBH HOVE MÁNÚŚRA<br /> | |||
MÁNAVATÁ KE KHAŃD́A KARE<br /> | |||
KII LÁBH HOVE MÁNÚŚERA<br /> | |||
What will human beings gain by dividing humanity, into different groups? Whatever exists<br /> | |||
today would never remain forever to pollute the pure air of the earth. The sun is never<br /> | |||
divided; the beauty of dawn is same. The divided human and the atom would sow the seed of<br /> | |||
destruction. When the ocean of fire would rush with annihilating speed, with the garland<br /> | |||
of flowers and bouquet of love, that high rising structure would become heap of ashes.<br /> | |||
=== 3424 (27/02/1986) === | |||
TUMI, NÁBOLE ELE NÁ BOLE GELE<br /> | |||
SAKALAI LIILÁR CHALE<br /> | |||
ÁTAPE TÁTE TUHINE SHIITE<br /> | |||
KÁLER ANTARALE<br /> | |||
SAKALAI LIILÁR CHLE<br /> | |||
MÁDHURI TOMÁR PULAKE UCHALE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁDHURI TOMÁR PULAKE UCHALE<br /> | |||
JYOTSNÁ NISHIITHE SÁGAR SALILE<br /> | |||
EŚAŃÁ TÁHÁR ÁNE ANIVÁR<br /> | |||
PRIITI DHÁRÁ DHARÁTALE<br /> | |||
SAKALAI LIILÁR CHLE<br /> | |||
KATA LIILÁ JÁNO OGO LIILÁMAYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA LIILÁ JÁNO OGO LIILÁMAYA<br /> | |||
SABÁR ÁŔÁLE TUMI CINMAYA<br /> | |||
KARUŃÁ GHAN SABÁR ÁPAN | |||
PRIYATAMA E NIKHILE<br /> | |||
SAKALAI LIILÁR CHLE<br /> | |||
TUMI, NÁBOLE ELE NÁ BOLE GELE<br /> | |||
SAKALAI LIILÁR CHALE<br /> | |||
O Lord, You came without informing and went without telling, all with the delusion of Your<br /> | |||
illusive game, liila. This was at the gap of time with heat from the sun and snow of<br /> | |||
winter. Your sweetness overflows with joy in moonlit night and water of the sea. Your will<br /> | |||
would certainly bring the flow of love on the earth. O the Embodiment of liila, the<br /> | |||
illusion, how much delusion and sleight You know, as the consciousness remaining hidden.<br /> | |||
You are own for all as compact mercy, the dearest of the world.<br /> | |||
=== 3425 (27/02/1986) D === | |||
ÁJ SAKÁLE ÁLOR SÁJE<br /> | |||
MANER MÁJHE TUMI ELE<br /> | |||
NÁ GÁOÁ GÁN GEYE GELE<br /> | |||
BÁDHÁR PÁHÁŔ BHEUNGE DILE<br /> | |||
MANER MÁJHE TUMI ELE<br /> | |||
CEYE CHILUM MANE MANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CEYE CHILUM MANE MANE<br /> | |||
PÁVO TOMÁY SAḾGOPANE<br /> | |||
THÁKBO TUMI ÁMI DUJANE<br /> | |||
VIJAN TARUR TALE<br /> | |||
MANER MÁJHE TUMI ELE<br /> | |||
TÁI HOLO JÁ BHEVE CHILUM<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TÁI HOLO JÁ BHEVE CHILUM<br /> | |||
MADHU VANE TOMÁY PELUM<br /> | |||
KUINJA VANER SUDHÁINJANE<br /> | |||
PRIITI D́HELE DILE<br /> | |||
BOLE GELE ÁSBE TUMI<br /> | |||
PRÁŃA BHARE D́ÁKILE<br /> | |||
MANER MÁJHE TUMI ELE<br /> | |||
ÁJ SAKÁLE ÁLOR SÁJE<br /> | |||
MANER MÁJHE TUMI ELE<br /> | |||
This morning, with the adornment of effulgence, within the mind, You came, O Lord, singing<br /> | |||
the unsung song. You broke the mountain of obstruction. I desired in the mind, that I<br /> | |||
would attain You secretly, so that only You and me remain below the tree in isolation. The<br /> | |||
same happened what I thought, and I attained You in the sweet garden. In the arbor of the<br /> | |||
garden, with sweet look, You poured love. You went telling that You would come when called<br /> | |||
wholeheartedly.<br /> | |||
=== 3426 (28/02/1986) D === | |||
PRABHÚ TUMI KATA DÚRE<br /> | |||
JÁNITE PÁRI NÁ<br /> | |||
KÁCHE ESE JÁO JE SARE<br /> | |||
E LIILÁ BUJHI NÁ<br /> | |||
JÁNITE PÁRI NÁ<br /> | |||
PRAYÁS KARI TOMÁY DHARI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRAYÁS KARI TOMÁY DHARI<br /> | |||
SHÁSTRA DARSHAN CARCÁ KARI<br /> | |||
DHYÁNÁVESHE ANUNYÁSE<br /> | |||
TOMÁR KARI SÁDHANÁ<br /> | |||
JÁNITE PÁRI NÁ<br /> | |||
D́ÁKIÁ JÁI JIIVAN BHARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
D́ÁKIÁ JÁI JIIVAN BHARE<br /> | |||
ÁSHÁR PARE ÁSHÁY DHARE<br /> | |||
HE LIILÁ MAYA CIR CINMAYA<br /> | |||
TOMÁR JÁCI KARUŃÁ<br /> | |||
JÁNITE PÁRI NÁ<br /> | |||
O Lord, how far are You, I am unable to estimate. Coming close, You move away. This<br /> | |||
liila, illusive game of Yours, I am unable to understand. I try to hold You, discuss<br /> | |||
philosophies and scriptures, with earnest meditation and concentration, I perform<br /> | |||
sa’dhana’, the spiritual endeavor. Whole life I continued to call You, with hope after<br /> | |||
hope. O the embodiment of divine game, and everconsciousness, I simply seek Your mercy.<br /> | |||
=== 3427 (28/02/1986) D === | |||
ÁMI, BHÁLOBESECHI TOMÁKE<br /> | |||
MOR KEHO NÁHIKO JE ÁR<br /> | |||
ÁMÁR MANER KORAK TUMI<br /> | |||
HIYÁ SUDHÁ SÁR<br /> | |||
MOR KEHO NÁHIKO JE ÁR<br /> | |||
ÚŚÁR UDAY LAGNE THÁKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÚŚÁR UDAY LAGNE THÁKO<br /> | |||
SÁNJHE TÁRÁY LUKIYE DEKHO<br /> | |||
PRIITIR PARÁG PRÁŃE MÁKHO<br /> | |||
SARÁO VYATHÁ BHÁR<br /> | |||
MOR KEHO NÁHIKO JE ÁR<br /> | |||
CHILE PRATHAM PADAKŚEPE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILE PRATHAM PADAKŚEPE<br /> | |||
ÁCHO NIKHIL VISHVA VYEPE<br /> | |||
SHEŚER DINE HÁTH T́I CEPE<br /> | |||
DHARE THEKO ÁMÁR<br /> | |||
MOR KEHO NÁHIKO JE ÁR<br /> | |||
ÁMI, BHÁLOBESECHI TOMÁKE<br /> | |||
MOR KEHO NÁHIKO JE ÁR<br /> | |||
O Lord, I love You, as there is no one else for me. You are the nucleus of my mental<br /> | |||
flower, essence of essence of my heart. You are present in the time of rising sun; peep<br /> | |||
hiding in the evening star. You smear the fragrance of love in the life, and remove the<br /> | |||
load of pain. You were present in the initial stride; now present the pervading whole<br /> | |||
world. At the ending days, catching my hand, continue holding me.<br /> | |||
=== 3428 (01/02/1986) D === | |||
TUMI, KABHU KÁNDÁO KABHU HÁSÁO<br /> | |||
KI CÁO BUJHITE PÁRI NÁI<br /> | |||
KABHU TÁKÁO KABHU BHULE JÁO<br /> | |||
LIILÁ BHEVE MÚKA HOE JÁI<br /> | |||
KI CÁO BUJHITE PÁRI NÁI<br /> | |||
NIDÁGHER SNIGDHA BELÁ MÁLIKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIDÁGHER SNIGDHA BELÁ MÁLIKÁ<br /> | |||
VARASÁRI RASE SIKTA JUTHIKÁ<br /> | |||
SHARAT SÁNJHE SMITA SHEFÁLIKÁ<br /> | |||
KENO ÁNO UTTAR NÁHI PÁI<br /> | |||
KI CÁO BUJHITE PÁRI NÁI<br /> | |||
HEMANTERI MLÁNA SUŚAMÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HEMANTERI MLÁNA SUŚAMÁY<br /> | |||
SHIITER SHÁŃITA KAMPRA JAŔATÁY<br /> | |||
VASANTERI PUŚPA SHOBHÁY<br /> | |||
KI JE BOLE JÁO? SHUDHU BHÁVI TÁI?<br /> | |||
KI CÁO BUJHITE PÁRI NÁI<br /> | |||
TUMI, KABHU KÁNDÁO KABHU HÁSÁO<br /> | |||
KI CÁO BUJHITE PÁRI NÁI<br /> | |||
O Lord, sometimes You make me cry and sometimes You make me smile, what do You want, I am<br /> | |||
unable to understand. Sometimes You look at me and sometimes, You ignore, thinking of Your<br /> | |||
illusive game I become dumb. You bring soft bela’ flower during sun, yuthika’ flower<br /> | |||
wet with rain, smiling shefalii flower during prewinter evening, what for, I do not get<br /> | |||
the answer. The dull beauty during post winter, piercing shivering cold during winter<br /> | |||
floral beauty during spring, through all these, what You continue to express, I only go on | |||
thinking that.<br /> | |||
=== 3429 (01/02/1986) K === | |||
ÁLOK TIIRTHE LÁSYE NRITYE<br /> | |||
TUMI ELESVAPANE<br /> | |||
SVAPANE GO SVAPANE<br /> | |||
LOKOTTARATÁY CHÁNDASIKATÁY<br /> | |||
NÚPURERI SHINJINE<br /> | |||
SVAPANE GO SVAPANE<br /> | |||
JÁHÁ KICHU KÁLO CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁHÁ KICHU KÁLO CHILO<br /> | |||
ÁNDHÁRE T́HELE JÁ DITE CHILO<br /> | |||
SABÁRE SARIYE MAN KE BHARIYE<br /> | |||
DILE MADHUR SVNANE<br /> | |||
SVAPANE GO SVAPANE<br /> | |||
EMANI BHÁVE ESO CIRA DIN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EMANI BHÁVE ESO CIRA DIN | |||
ÁMÁR KALMAŚE KARE DITE KŚIIŃA<br /> | |||
DIGVALAYE SMITA KUVALAYE<br /> | |||
RÁUNGIYE AŃU JIIVANE<br /> | |||
SVAPANE GO SVAPANE<br /> | |||
ÁLOK TIIRTHE LÁSYE NRITYE<br /> | |||
TUMI ELESVAPANE<br /> | |||
SVAPANE GO SVAPANE<br /> | |||
O Lord, as the holy stream of effulgence, through gestures and dance, You came into dream.<br /> | |||
With supra mundane rhythmic sound of the ankle bell, You came. Whatever was dirty, pushed<br /> | |||
by darkness, removing all, You filled the mind with sweet resonance. Like that You come<br /> | |||
always, diminishing my dirt, all over the horizon with blue lotus, colour the microcosmic<br /> | |||
life.<br /> | |||
=== 3430 (01/02/1986) D === | |||
ÁMI TOMÁY BHÁLOBÁSI<br /> | |||
TUMI JÁNO NÁ KENO<br /> | |||
TOMÁR TARE KÁNDI HÁSI<br /> | |||
SHOŃO NÁKO JENO<br /> | |||
TUMI JÁNO NÁ KENO<br /> | |||
DINER PARE DIN CALE JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DINER PARE DIN CALE JÁY<br /> | |||
KATA VIBHÁVARII HÁRÁY<br /> | |||
KATA TÁRÁ DÚRE JHARE JÁY<br /> | |||
TUMI KI NÁ JÁNO<br /> | |||
TUMI JÁNO NÁ KENO<br /> | |||
ESECHI ANÁDI HOTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ESECHI ANÁDI HOTE<br /> | |||
BHÁSI ASIIMERI SHROTE<br /> | |||
REŃU TOMÁR CARAŃETE<br /> | |||
ÁMÁY KI NÁ CENO<br /> | |||
TUMI JÁNO NÁ KENO<br /> | |||
ÁMI TOMÁY BHÁLOBÁSI<br /> | |||
TUMI JÁNO NÁ KENO<br /> | |||
O Lord, I love You, why do not You understand that. For You, I cry and smile, is if You do<br /> | |||
not hear that. Days after days pass, many nights are over. Many stars wither away at<br /> | |||
distance, do not You know that? I have come from beginning less ness, and float in endless<br /> | |||
stream, I am dust of Your feet, do not You recognise that?<br /> | |||
=== 3431 (01/02/1986) D === | |||
TOMÁR TARE ANEK GHÚRE<br /> | |||
BHÁVLUM KOTHÁO JÁBO NÁ ÁR<br /> | |||
CITI JAMÚNÁR TIIRE<br /> | |||
DHARÁ DITE HOBE E BÁR<br /> | |||
BHÁVLUM KOTHÁO JÁBO NÁ ÁR<br /> | |||
CALÁR PATHE BHÁVER SHROTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CALÁR PATHE BHÁVER SHROTE<br /> | |||
TOMÁR TARE THÁKABO METE<br /> | |||
TOMÁR RÁTUL CARAŃETE<br /> | |||
RAYE JÁBO NIRVIKÁR<br /> | |||
BHÁVLUM KOTHÁO JÁBO NÁ ÁR<br /> | |||
VRATA PARVA MENE GECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VRATA PARVA MENE GECHI<br /> | |||
TIIRTHA DARSHAN D́HER KARECHI<br /> | |||
MÁNAVATÁY BHEDA ENECHI<br /> | |||
SÁR BHEVE KHUNJECHI ASÁR<br /> | |||
BHÁVLUM KOTHÁO JÁBO NÁ ÁR<br /> | |||
TOMÁR TARE ANEK GHÚRE<br /> | |||
BHÁVLUM KOTHÁO JÁBO NÁ ÁR<br /> | |||
O Lord, having wandered a lot for You, finally I decided not to move any more. I expected<br /> | |||
that at the shore of the mental river Yamuna, You would come into fold this time. Moving<br /> | |||
on the path in the stream of ideation, I shall continue to remain intoxicated for You. I<br /> | |||
shall stay at Your red feet, unmoved. I had been following vows and holy days, performed<br /> | |||
much the pilgrimage and holy vision, brought distinction amidst humanity, expecting<br /> | |||
essence, I continued to search the nonessence.<br /> | |||
=== 3432 (02/02/1986) D === | |||
SE JE CHILO MOR NAYANER TÁRÁ<br /> | |||
PRABHÁTER DYUTI PRIITIR PRATIITI<br /> | |||
AMEYA SMRITI SONÁ JHARÁ<br /> | |||
SE JE CHILO MOR NAYANER TÁRÁ<br /> | |||
YADI KÁRO TÁR SÁTHE JÁNÁ THÁKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
YADI KÁRO TÁR SÁTHE JÁNÁ THÁKE<br /> | |||
BOLO TÁRE ÁMÁR KATHÁ<br /> | |||
SHARATE SÁDÁ MEGHERI PHÁNKE PHÁNKE<br /> | |||
NIYATA JHARICHE MOR VYATHÁ<br /> | |||
TÁRE BHÚLI NÁI BHOLÁ JÁY NÁI<br /> | |||
ÁJO SE ÁMÁR HIYÁ BHARÁ<br /> | |||
SE JE CHILO MOR NAYANER TÁRÁ<br /> | |||
SATATA DOLÁ DIYE JÁY SE JE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SATATA DOLÁ DIYE JÁY SE JE<br /> | |||
ÁMÁR MANER GABHIIRE<br /> | |||
NANDAN MADHU JHARE PAŔE SHUDHU<br /> | |||
KHUNJITE GIYÁ TÁHÁRE<br /> | |||
ÁSHÁ CHÁŔINI BHÁUNGIYÁ PAŔINI<br /> | |||
JÁNI DHYÁNÁLOKE DEVE DHARÁ<br /> | |||
SE JE CHILO MOR NAYANER TÁRÁ<br /> | |||
He was the gem of my eyes, gold flowing like morning illumination, feeling of love and<br /> | |||
immeasurable love. If somebody is approaching Him, tell him about me. Through the gaps of<br /> | |||
pre winter white clouds, my pain ever oozes out. I have not forgotten Him, it is not<br /> | |||
possible to forget Him, and even today He is filled in my heart. He has always vibrated me<br /> | |||
within the depth of my mind. If one goes to search Him, only heavenly nectar flows. But I<br /> | |||
have not lost hope, would not break, as I know that in the illumination of meditation, He<br /> | |||
would come into folds.<br /> | |||
=== 3433 (03/02/1986) D === | |||
TUMI, NAYANER JALE HIYÁR ATALE<br /> | |||
ÁKÁSHER NIILE RAYECHO<br /> | |||
MANER AGOCARE SÁRÁ CARÁCARE<br /> | |||
SNIGDHA SAMIIRE BHESECHO<br /> | |||
BHESE CALECHO<br /> | |||
SNIGDHA SAMIIRE BHESE CALECHO<br /> | |||
NAYANER JALE HIYÁR ATALE<br /> | |||
ÁKÁSHER NIILE RAYECHO<br /> | |||
ÁMI, KÚLA NÁHI PÁI JATA BHEVE JÁI<br /> | |||
AKÚLA SÁYARE BHÁSI GO<br /> | |||
VISHVA BHUVANE EI EK JANE<br /> | |||
NÁ JÁNÁR SHEŚA NÁHIGO<br /> | |||
TÁR SHEŚA NÁHIGO<br /> | |||
EI BHÁVANÁR SHEŚA NÁHI GO<br /> | |||
ÁMI, KÚLA NÁHI PÁI JATA BHEVE JÁI<br /> | |||
AKÚLA SÁYARE BHÁSI GO<br /> | |||
NAYANER JALE HIYÁR ATALE<br /> | |||
ÁKÁSHER NIILE RAYECHO<br /> | |||
ÁBRAHMASTABHE BHARE RAYECHO<br /> | |||
BÁKI NÁHI KONO T́HÁIN | |||
BHAYE LUKÁITE PALÁIÁ JETE<br /> | |||
STHÁNA KONO NÁHI PÁI<br /> | |||
ÁMI, KÚLA NÁHI PÁI JATA BHEVE JÁI<br /> | |||
AKÚLA SÁYARE BHÁSI GO<br /> | |||
SARVATRA TUMI RAYECHO<br /> | |||
ÁNKHIR TÁRÁY BHESE CALECHO<br /> | |||
NAYANER JALE HIYÁR ATALE<br /> | |||
ÁKÁSHER NIILE RAYECHO<br /> | |||
CHILE ÁCHO RAHIYÁ GECHO<br /> | |||
PRABHU TUMI RAHIYÁ GECHO<br /> | |||
NAYANER JALE HIYÁR ATALE<br /> | |||
ÁKÁSHER NIILE RAYECHO<br /> | |||
O Lord, You reside within the depth of heart, in the tears from eyes, in the blueness of<br /> | |||
the sky. Unobserved by the mind, in whole of the world, You go on floating through soft<br /> | |||
breeze. I do not get the shore, howsoever I continue to float, as I continue to float in | |||
the shore less ocean. In the whole world, there is only singular entity, there is no end<br /> | |||
to notknowing. There is no end of Him, there is no end to this ideation. You pervade<br /> | |||
throughout from the blade of grass to the Greatest, there is no place left out. If due to<br /> | |||
fear I escape for hiding, running away, then I do not find any place. You remain | |||
everywhere, float in the pupil of eyes, You were in past, present now and would remain, O<br /> | |||
Lord.<br /> | |||
=== 3434 (03/03/1986) D === | |||
ALAKE ÁLOKE BHULOKE DYULOKE<br /> | |||
RÚPÁLOKE KHUNJI TÁRE<br /> | |||
ÁMI, KHUNJI GO TÁRE<br /> | |||
RÚPÁLOKE ÁMI KHUNJI GO TÁRE<br /> | |||
CITTA VITÁNE TÁRAKÁR GÁNE<br /> | |||
ÁKÁSHE PÁTÁLE SÁGARE<br /> | |||
ÁMI, KHUNJI GO TÁRE<br /> | |||
ÁMÁR GOPÁL HÁRIYE GECHE<br /> | |||
ANDHAKÁRE AGOCARE<br /> | |||
ÁMÁR GOPÁL HÁRIYE GECHE<br /> | |||
ANÁDARE ABHIMÁN KARE<br /> | |||
CALE GECHE KON SUDURE<br /> | |||
ÁMI, KHUNJI GO TÁRE<br /> | |||
ÁR KI GOPÁL ÁSABE NÁKO<br /> | |||
JATAI KÁNDI JATAI SÁDHI<br /> | |||
ÁR KI GOPÁL ÁSABE NÁKO<br /> | |||
EK BÁR GECHE SMRITI KI MUCHECHE<br /> | |||
ÁSHÁ KARI ÁSIBE PHIRE<br /> | |||
ÁMI, KHUNJI GO TÁRE<br /> | |||
In the fringes and in illumination | |||
on earth and in heaven | |||
and in the world of forms<br /> | |||
I search You.<br /> | |||
In the canopy of my mind<br /> | |||
in the songs of stars<br /> | |||
in sky, in hell and in the ocean | |||
I search You.<br /> | |||
My lost one<br /> | |||
my beloved<br /> | |||
my Gopal in darkness<br /> | |||
my unseen one!<br /> | |||
With disrespect and hurting agony<br /> | |||
He left far away.<br /> | |||
Will He not come back?<br /> | |||
However much I cry and console<br /> | |||
will He not return?<br /> | |||
Has he forgotten me once and for all<br /> | |||
by going away?<br /> | |||
I hope He will again return.<br /> | |||
=== 3435 (04/03/1986) D === | |||
TAKHAN, GHAN NIILÁKÁSHE<br /> | |||
SHASHÁUNKA HÁSE<br /> | |||
JYOTSNÁY DHARÁ BHÁSE<br /> | |||
CHINU GRIHA KOŃE EKÁ ÁNAMANE<br /> | |||
TUMI ESE CHILE PÁSHE<br /> | |||
D́ÁK SHUNIÁ ESECHILE<br /> | |||
DIIRGHA PRATIKŚÁRIPARE<br /> | |||
D́ÁK SHUNIÁ ESECHILE<br /> | |||
CHINU GRIHA KOŃE EKÁ ÁNAMANE<br /> | |||
TUMI ESE CHILE PÁSHE<br /> | |||
ÁMI, BHÁVITE PÁRINI SVAPNE DEKHINI<br /> | |||
E GHAT́ÁNÁ HOYE BUJHINI<br /> | |||
SHÁSTRE DARSHANE KÁŃE KÁŃE<br /> | |||
E KATHÁ KAKHANO KAYENI<br /> | |||
JÁ BHÁVINI TÁI JE HOLO<br /> | |||
SVAPNÁTIITA HOYE GELO<br /> | |||
SHÁSTRE DARSHANE KÁŃE KÁŃE<br /> | |||
E KATHÁ KAKHANO KAYENI<br /> | |||
TUMI, SABÁR ATIITE KÁLE KÁLÁTIITE<br /> | |||
BHUVAN BHARIÁ RAYECHO<br /> | |||
SNIGDHA SAJAL PRIITI KAJJAL<br /> | |||
HIYÁY CÁHIÁ DEKHECHO<br /> | |||
SAB KICHUI CEYE DEKHECHO<br /> | |||
LUKANO KÁRO RAYE NÁ KICHU<br /> | |||
SABAI TUMI CEYE DEKHECHO<br /> | |||
SNIGDHA SAJAL PRIITI KAJJAL<br /> | |||
HIYÁY CÁHIÁ DEKHECHO<br /> | |||
TAKHAN, GHAN NIILÁKÁSHE SHASHÁUNKA HÁSE<br /> | |||
JYOTSNÁY DHARÁ BHÁSE<br /> | |||
CHINU GRIHA KOŃE EKÁ ÁNAMANE<br /> | |||
TUMI ESE CHILE PÁSHE<br /> | |||
D́ÁK SHUNIÁ TUMI ELE<br /> | |||
DIIRGHA PRATIKŚÁRI PARE<br /> | |||
D́ÁK SHUNIÁ ÁJI ELE<br /> | |||
O Lord, at that time, in the deep blue sky, with smile of the moon, when moonlight was<br /> | |||
shining on the earth, I was sitting in a corner of the house, alone, and unmindful, when | |||
You had come close. You had come listening to my call, after long wait. I could not<br /> | |||
imagine, did not anticipate even in dream that this would happen. I never told this fact<br /> | |||
even by whispering referring to philosophies and scriptures. You have remained pervading<br /> | |||
the world, in the past of all, within and beyond time. You have ever observed everyone<br /> | |||
with soft, moist love with overwhelming heart, towards all. Nothing belonging to any one<br /> | |||
remains hidden from You, as You ever observe all.<br /> | |||
=== 3436 (04/03/1986) D === | |||
AJÁNÁ PATHIK KÁCHE ESO<br /> | |||
KŚAŃA TARE GHARE BASO<br /> | |||
GHARE BASO<br /> | |||
TOMÁREI CÁI ÁMI JE SADÁI<br /> | |||
BHEVE MORE BHÁLOBESO<br /> | |||
GHARE BASO, GHARE BASO<br /> | |||
DIN ÁSE JÁY TAVA BHÁVANÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIN ÁSE JÁY TAVA BHÁVANÁY<br /> | |||
NISHÁ SHIHARÁY PRIITI CETANÁY<br /> | |||
ASHEŚA VINDU KARUŃÁ SINDHU<br /> | |||
SMITA COKHE MRIDU HESO<br /> | |||
GHARE BASO, GHARE BASO<br /> | |||
ALAKH NIRAINJAN TUMI PRABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKH NIRAINJAN TUMI PRABHU<br /> | |||
NIRÁSH KÁREO KARO NÁ KABHU<br /> | |||
PRÁRTHANÁ NÁI TOMÁREI CÁI<br /> | |||
ESE MOR MANE MESHO<br /> | |||
GHARE BASO, GHARE BASO<br /> | |||
AJÁNÁ PATHIK KÁCHE ESO<br /> | |||
KŚAŃA TARE GHARE BASO<br /> | |||
GHARE BASO<br /> | |||
O the unknown traveler, come close, sit in my home for a moment. I always love You<br /> | |||
thinking that You love me. The days come and go in Your ideation, the nights quiver me<br /> | |||
with awareness of Your love. The endless point of the ocean of mercy, with smiling eyes<br /> | |||
laugh softly. O Lord, You are unseen without a mark. You never disappoint. I have no<br /> | |||
prayer, I just want You, coming close, mix into my mind.<br /> | |||
=== 3437 (04/03/1986) D === | |||
TUMI, ÁMÁR ÁPAN SABÁR SVAJAN | |||
SABÁKÁRA PRIYA BHUVANE<br /> | |||
MANER GAHANE HIRAŃÁSANE<br /> | |||
REKHECHI TOMÁRE JATANE<br /> | |||
SABÁKÁRA PRIYA BHUVANE<br /> | |||
CÁHIBÁR MOR KICHU NÁHI ÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁHIBÁR MOR KICHU NÁHI ÁR<br /> | |||
TUMI ÁCHO JÁR KII ABHÁVA TÁR<br /> | |||
KAOMUDII RÁSHI SUSNIGDHA HÁSI<br /> | |||
D́HÁLIÁ DITECHO MANANE<br /> | |||
SABÁKÁRA PRIYA BHUVANE<br /> | |||
DÁO PARÁBHAKTI PRABHU ÁMÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DÁO PARÁBHAKTI PRABHU ÁMÁY<br /> | |||
SAMARPITE SAKALEI TOMÁY<br /> | |||
ARUŃA NIILAYE NAVA BODHA HOYE<br /> | |||
JÁGITE NÚTAN JIIVANE<br /> | |||
SABÁKÁRA PRIYA BHUVANE<br /> | |||
TUMI, ÁMÁR ÁPAN SABÁR SVAJAN | |||
SABÁKÁRA PRIYA BHUVANE<br /> | |||
O Lord, You are my own, own for all, dear for all in the world. I have kept You<br /> | |||
established carefully on the golden throne in the depth of my mind. I have nothing more to<br /> | |||
aspire for. If You are for one, what want would he have? Soft smile like bunches of lily<br /> | |||
flowers You pour into the mind. O Lord, grant the Supreme Devotion so that I offer<br /> | |||
everything to You. With crimson light entering the home, enlightening the intuition | |||
awaken a new life.<br /> | |||
=== 3438 (05/03/1986) D === | |||
TOMÁR SAUNGE PRATHAM DEKHÁ<br /> | |||
KON SE ATIITE<br /> | |||
NEI TÁ LEKHÁ ITIHÁSE<br /> | |||
NEI TÁ SMRITITE<br /> | |||
KON SE ATIITE<br /> | |||
CHILO NÁKO TAKHAN DHARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILO NÁKO TAKHAN DHARÁ<br /> | |||
TAERI HOENI GRAHA TÁRÁ<br /> | |||
CHILO NÁ PHUL PARÁG BHARÁ<br /> | |||
PRIITI D́HÁLITE<br /> | |||
KON SE ATIITE<br /> | |||
CHILO NÁKO PRÁŃER ÁVEG<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILO NÁKO PRÁŃER ÁVEG<br /> | |||
CHILO NÁ CITI SAḾVEG<br /> | |||
CHILO NÁ SARITÁRI VEG<br /> | |||
CALÁR SAUNGIITE<br /> | |||
KON SE ATIITE<br /> | |||
CHILE TUMI BHÁVA GATA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILE TUMI BHÁVA GATA<br /> | |||
CHILUM ÁMI TÁTE NIHITA<br /> | |||
CHILO NÁ DVAETÁDVAETA<br /> | |||
JAT́ILA TARKETE<br /> | |||
KON SE ATIITE<br /> | |||
TOMÁR SAUNGE PRATHAM DEKHÁ<br /> | |||
KON SE ATIITE<br /> | |||
O Lord, when first I saw You, in the distant past, there is no history of that, neither<br /> | |||
any memory. The earth did not exist, even the planets and stars were not formed. There was<br /> | |||
no flower full of fragrance to pour love. There was no impulse of life, or momentum of<br /> | |||
consciousness. There was no flow of stream to accompany. You were located in abstract, and<br /> | |||
I was located within that. There was no duality or singular ness of the knotty logic.<br /> | |||
=== 3439 (05/03/1986) D === | |||
SONÁLI BHORE KUSUM NIKARE<br /> | |||
KE TUMI RAUNGA BULIYE GELE GELE<br /> | |||
MANE BHÁVI CINI CINIGO TOMÁRE<br /> | |||
PRATYABHIGYÁ TÁI BALE<br /> | |||
KE TUMI RAUNGA BULIYE GELE GELE<br /> | |||
TÚLIR LIKHAN JENO CENÁ CENÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TÚLIR LIKHAN JENO CENÁ CENÁ<br /> | |||
LIPIR DHARAN JENO JÁNÁ JÁNÁ<br /> | |||
KHUNJE PETE MAN NÁHI MÁNE MÁNÁ<br /> | |||
PRIITIR PRATIITI D́HELECHILE<br /> | |||
KE TUMI RAUNGA BULIYE GELE GELE<br /> | |||
AŃU PARAMÁŃUTE E KII LIILÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AŃU PARAMÁŃUTE E KII LIILÁ<br /> | |||
VICITRA GATI SACITRA KHELÁ<br /> | |||
KÁREO KABHU KARO NÁ HELÁ PHELÁ<br /> | |||
SABÁR AUNKE T́ENE NILE<br /> | |||
KE TUMI RAUNGA BULIYE GELE GELE<br /> | |||
SONÁLI BHORE KUSUM NIKARE<br /> | |||
KE TUMI RAUNGA BULIYE GELE GELE<br /> | |||
O Lord, over the collection of flowers on this golden morning, what a colour have You<br /> | |||
spread? It occurs to the mind that I recognise You, is it called perfect profound<br /> | |||
knowledge? The markings by painting brush appears recognised, the style of script appears<br /> | |||
known. The mind does not heed looking for You. You have continued pouring the feelings of<br /> | |||
love. What an illusive game, liila, of Yours in atoms and molecules, a colourful game<br /> | |||
with variegated movement. You never neglect anybody, and pull all into Your lap.<br /> | |||
=== 3440 (05/03/1986) K === | |||
VASANTA MANJARII ESO ESO<br /> | |||
KHAINJARI D́EKE CALE TOMÁRE<br /> | |||
KISHALAY VÁTE ESO KAVOŚŃA SAINCARI<br /> | |||
MAN MANJILE JHAUNKÁRE<br /> | |||
KHAINJARI D́EKE CALE TOMÁRE<br /> | |||
SHIITA JÁI JÁI KARE PARŃA PAŔECHE JHARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHIITA JÁI JÁI KARE PARŃA PAŔECHE JHARE<br /> | |||
ATITHI VIHANGERÁ NIJA DESHE JÁY UŔE<br /> | |||
ÁR KENO ÁCHO DÚRE ESO KÁCHE TVARÁ KARE<br /> | |||
SABÁR BHIITARE BÁHIRE<br /> | |||
KHAINJARI D́EKE CALE TOMÁRE<br /> | |||
PIK DHARIÁCHE GÁN ANYERÁ KALATÁN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PIK DHARIÁCHE GÁN ANYERÁ KALATÁN | |||
MANER MAYUR NÁCE BHÚLE JATA? ABHIMÁN | |||
SÁJÁYE REKHECHI D́ÁLÁ MANER MOHAN MÁLÁ<br /> | |||
OGO PRIYA TOMÁRI TARE<br /> | |||
KHAINJARI D́EKE CALE TOMÁRE<br /> | |||
VASANTA MANJARII ESO ESO<br /> | |||
KHAINJARI D́EKE CALE TOMÁRE<br /> | |||
O the buds of spring, come, the little bird khanjarii, goes on calling You. Come with the<br /> | |||
breeze from tender leaves, creating warmth, into the mind with tinkling. The winter is<br /> | |||
tending to pass over, and the liveliness emerges out. The emigrated guest birds go on | |||
flying into their own countries. Why are You away any more, come close quickly into inside<br /> | |||
and outside of everyone? The cuckoo has started singing, along with chirping of others.<br /> | |||
The mental peacock dances forgetting all feelings. I have kept the tray and the garland of<br /> | |||
flowers ready for You, O the beloved.<br /> | |||
=== 3441 (05/03/1986) K === | |||
AJÁNÁ JAGAT HOTE ÁLO JHALAMALA RÁTE<br /> | |||
APSARÁ ESE CHILO EKHÁNE<br /> | |||
MANER MAŃIKOT́HÁTE TÁHÁRE DHARE RÁKHITE<br /> | |||
CEYE CHILO ANEKEI? JATANE<br /> | |||
APSARÁ ESE CHILO EKHÁNE<br /> | |||
GAORA CANDRA MOR ENECHILE RÁUNGÁ BHOR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GAORA CANDRA MOR ENECHILE RÁUNGÁ BHOR<br /> | |||
SABÁRE BÁNDHIÁ CHILE DIYE CITI PRIITI D́OR<br /> | |||
TOMÁR GUŃA KATHÁ MADHUR MÁNAVATÁ<br /> | |||
ÁJO RAYE GECHE SMARAŃE<br /> | |||
APSARÁ ESE CHILO EKHÁNE<br /> | |||
VINATI KARI CARAŃE BÁR BÁR HETHÁ ESO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VINATI KARI CARAŃE BÁR BÁR HETHÁ ESO<br /> | |||
MÁNAVATÁR UDÁRATÁ DIYE JATA TAMAH NÁSHO<br /> | |||
TOMÁKE BHÁVIYÁ JÁI BHÁVÁR SHEŚA NÁ PÁI<br /> | |||
TUMI HÁSO CID GAGANE<br /> | |||
APSARÁ ESE CHILO EKHÁNE<br /> | |||
AJÁNÁ JAGAT HOTE ÁLO JHALAMALA RÁTE<br /> | |||
APSARÁ ESE CHILO EKHÁNE<br /> | |||
From the unknown world, in the illuminated sky, the angel came here now. Many wanted to<br /> | |||
keep Him held carefully within the casket of their minds. The brilliant moon brought a<br /> | |||
colourful morning. You tied all providing loving thread of consciousness. The glory of<br /> | |||
Your attributes, and sweet humanity, remains in the memory even today. I pray You again | |||
and again to come here. Granting liberty to humanism, destroy all darkness. I go on | |||
thinking about You, I do not find the end of ideation. You smile in my mental sky.<br /> | |||
=== 3442 (06/03/1986) K === | |||
NAYANE KENO ÁSO NÁ<br /> | |||
VYATHÁ BOJHO NÁ KII LIILÁ TAVA<br /> | |||
TABUO PHÁLGUNII VÁYE<br /> | |||
PÁPIÁ GÁY RÁGE NAVA NAVA<br /> | |||
KII LIILÁ TAVA<br /> | |||
SATATA D́ÁKIYA JÁI<br /> | |||
SÁŔÁ NÁ PELEO ÁSHÁ NÁ HÁRÁI<br /> | |||
MANERI MADHUVANE SAḾGOPANE<br /> | |||
TOMÁRE KII ARGHYA DOBO<br /> | |||
KII LIILÁ TAVA<br /> | |||
ÁLOKE ÁNDHÁRE KHELÁ<br /> | |||
KII TAVA RÚPERI MELÁ<br /> | |||
BUJHI NÁ BUJHITE PÁRI NÁ<br /> | |||
E KHELÁ GHARE KII GÁN SHOŃÁBO<br /> | |||
KII LIILÁ TAVA<br /> | |||
NAYANE KENO ÁSO NÁ<br /> | |||
VYATHÁ BOJHO NÁ KII LIILÁ TAVA<br /> | |||
O Lord, why do not You come into my eyes and understand my pain, what an illusive game<br /> | |||
liila, is Yours? The papia bird sings evernew lyrics. Without losing any hope, even | |||
after not getting any response, I continue to call nonstop in the mental garden secretly.<br /> | |||
What offering can I make to You? The game of light and shade, what a festivity of beauty<br /> | |||
of Yours? In this auditorium, what song shall I sing for You?<br /> | |||
=== 3443 (06/03/1986) K === | |||
BHÁLOBESE CALE GELE GELE<br /> | |||
ÁMÁY PHELE EKALÁ PATHE GELE<br /> | |||
ÁNKHI TÁRÁYA MADIRATÁR<br /> | |||
ÁLO D́HELE ÁNDHÁR RÁTE<br /> | |||
ÁMÁY PHELE EKALÁ PATHE GELE<br /> | |||
EKÁI TUMI ESECHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EKÁI TUMI ESECHILE<br /> | |||
MAN KE ÁMÁRA SAUNGE NILE<br /> | |||
KICHU NÁ CEYE SABAI NIYE<br /> | |||
LÚKÁLE KON AJÁNÁTE<br /> | |||
ÁMÁY PHELE EKALÁ PATHE GELE<br /> | |||
SARVA RIKTA ÁJ KE ÁMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SARVA RIKTA ÁJ KE ÁMI<br /> | |||
SAB NIYECHO RÁJÁ TUMI<br /> | |||
CALÁR PATHE EI NIBHRITE<br /> | |||
CARAŃ PÁTE THÁKO SÁTHE<br /> | |||
ÁMÁY PHELE EKALÁ PATHE GELE<br /> | |||
O Lord, You loved and went away leaving me alone on solitary path. In the dark night<br /> | |||
pouring the intoxication into pupil of my eyes. You came alone and took away my mind with<br /> | |||
You. Without desiring for anything, but taking all, You hid in some unknown arena. Today I<br /> | |||
am devoid of everything. O the King, You have taken all. On the movement path, in this<br /> | |||
isolation, providing feet, stay together with me.<br /> | |||
=== 3444 (06/03/1986) K (Krsna) === | |||
MALAY ESE CHILO KÁŃE KÁŃE KAYE GELO<br /> | |||
TUMI ÁSITE PÁRO ÁJ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁKÁSHA THÁKIBE NIIL ÁLO BHARÁ E NIKHIL<br /> | |||
PRAKRTI PARIBE PHÚL SÁJ<br /> | |||
TUMI ÁSITE PÁRO ÁJ<br /> | |||
KÁRO THÁKIBE NÁ DUHKHA NANDITA HOVE MUKHA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁRO THÁKIBE NÁ DUHKHA NANDITA HOVE MUKHA<br /> | |||
ÁSHÁR ÁLOY BHARE UT́HABE SABÁR BÚK<br /> | |||
SABÁR MÁJHÁRE ESE MADHUR MOHAN HESE<br /> | |||
BÁNSHII BÁJÁBE RÁKHÁL RÁJ<br /> | |||
TUMI ÁSITE PÁRO ÁJ<br /> | |||
SVÁGAT JÁNÁTE TÁI TAERI ÁCHI SABÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SVÁGAT JÁNÁTE TÁI TAERI ÁCHI SABÁI<br /> | |||
MANER TORAŃA DVÁRE TÚRYA BÁJE SADÁI<br /> | |||
ESO TUMI KRPÁ KARE BHÁLOBESO HRIDI BHARE<br /> | |||
MORÁ KARE CALI TAVA KÁJ<br /> | |||
TUMI ÁSITE PÁRO ÁJ<br /> | |||
MALAY ESE CHILO KÁŃE KÁŃE KAYE GELO<br /> | |||
TUMI ÁSITE PÁRO ÁJ<br /> | |||
The sandal breeze came and told whispering into my ears, that You would arrive today, O<br /> | |||
Lord. The sky would remain blue, whole world would be illuminated; the nature would put on | |||
floral adornment. Nobody should have pain, and the face should be joyful. With the light<br /> | |||
of hope, everyone’s heart would be filled. Coming amidst all, smiling with sweet charm<br /> | |||
the King of cowherd would play flute. To express welcome to Him, all are ready, there is<br /> | |||
decoration of fresh mango leaves on the door of the mind, and the beguile is blown | |||
continuously. You come expressing mercy, with heart filled with love. We shall continue to<br /> | |||
perform Your work.<br /> | |||
=== 3445 (12/03/186) D === | |||
ÁLOKER EI YÁTRÁ PATHE<br /> | |||
SÁTHE THEKO TUMI PRIYA<br /> | |||
SÁTHE CALO KATHÁ BOLO<br /> | |||
TOMÁR RAUNGE RÁUNGIYE NIO<br /> | |||
ÁLOKER EI YÁTRÁ PATHE<br /> | |||
SÁTHE THEKO TUMI PRIYA<br /> | |||
KOTHÁ THEKE KOTHÁY ELUM<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KOTHÁ THEKE KOTHÁY ELUM<br /> | |||
KABE PATHE NEVE GELUM<br /> | |||
KE ÁMÁRE HÁTAT́I DHARE<br /> | |||
NIYE ELO BOLE DIO<br /> | |||
ÁLOKER EI YÁTRÁ PATHE<br /> | |||
SÁTHE THEKO TUMI PRIYA<br /> | |||
EKALÁ ÁMI NAIKO KABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EKALÁ ÁMI NAIKO KABHU<br /> | |||
SAUNGE THÁKO SABÁR PRABHU<br /> | |||
ÁNDHÁR RÁTE ÁNDHÁR RÁTE<br /> | |||
ÁNDHÁR RÁTE JHAINJHÁ VÁTEO<br /> | |||
VIJAY GIITI GEYE JEO<br /> | |||
ÁLOKER EI YÁTRÁ PATHE<br /> | |||
SÁTHE THEKO TUMI PRIYA<br /> | |||
O Dear Lord, on this path of effulgence, You stay with me. Move together with me<br /> | |||
communicating with me and colouring me in Your colour. Where I was, where did I come, when | |||
did I come to the path? Who has brought me holding my hand, tell me all. O Lord, I am<br /> | |||
never alone. You are always with all. In dark nights and also during stormy winds<br /> | |||
continue singing the victory song.<br /> | |||
=== 3446 (31/03/1986) K === | |||
PHÁGUNE ESECHILE<br /> | |||
BHÚLE GELE KII TRUT́I ÁMÁR<br /> | |||
ÁJIO KISHALYE PHÚL NICAYE<br /> | |||
VASANTA BÁHÁR<br /> | |||
KII TRUT́I ÁMÁR<br /> | |||
PHULERÁ KHUSHITE CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHULERÁ KHUSHITE CHILO<br /> | |||
NIILÁKÁSHA HESE CHILO<br /> | |||
TÁRÁRÁ JÁNIYE CHILO<br /> | |||
CETANÁR PRIITI SAMÁHÁRA<br /> | |||
KII TRUT́I ÁMÁR<br /> | |||
ÁJO PHÚLERÁ SEJECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁJO PHÚLERÁ SEJECHE<br /> | |||
NIILÁKÁSHA CEYE RAYECHE<br /> | |||
TÁRÁRÁ KENDE KAHICHE<br /> | |||
SE PRIYA ÁSIBE NÁKI ÁR<br /> | |||
KII TRUT́I ÁMÁR<br /> | |||
PHÁGUNE ESECHILE<br /> | |||
BHÚLE GELE KII TRUT́I ÁMÁR<br /> | |||
O Lord, You had come during spring, but forgot, what was my mistake? Even today, there is<br /> | |||
spring beauty with developed assemblage of tender leaves and flowers. The flowers were<br /> | |||
joyful, and smiled in the blue sky. They knew the aggregate of love and consciousness.<br /> | |||
Even today the flowers are decorated in the blue sky. They speak crying, “ would not<br /> | |||
that Dear come again”<br /> | |||
=== 3447 (13/03/1986) === | |||
PHÚL PHUT́E CHILO ÁLO JHARE CHILO<br /> | |||
TOMÁR CARAŃ SPARSHE PEYE<br /> | |||
DHARÁ ÁNANDE NECE CHILO<br /> | |||
PHÚL PHUT́E CHILO ÁLO JHARE CHILO<br /> | |||
PATH PÁNE CEYE TÁRÁ JEGECHILO<br /> | |||
ADHIIR HIYÁY PALA GUŃECHILO<br /> | |||
TUMI ELE ÁNKHI MELIYÁ CÁHILE<br /> | |||
SABÁR MARMA DULECHILO<br /> | |||
PHÚL PHUT́E CHILO ÁLO JHARE CHILO<br /> | |||
MÁNASÁTIITE CALÁ PHERÁ TAVA<br /> | |||
SAḾVEG ÁVEGE KIIRŃA ANUBHAVA<br /> | |||
RAUNGA DHELE JÁO NITI NAVA NAVA<br /> | |||
PRIITIR ÁYUDH BOLE CHILO<br /> | |||
PHÚL PHUT́E CHILO ÁLO JHARE CHILO<br /> | |||
TOMÁR CARAŃ SPARSHE PEYE<br /> | |||
DHARÁ ÁNANDE NECE CHILO<br /> | |||
The flowers have bloomed, light is glowing, and the earth is dancing with joy finding the<br /> | |||
touch of Your feet. They are awaken looking towards the path, with eager heart, counting<br /> | |||
moments. Having come, You opened the eyes, and everyone’s core of the heart vibrated.<br /> | |||
Your movement is beyond the mental arena, with spread feelings of momentum and impulse, Go<br /> | |||
always on pouring the evernew colours, announcing the instrument of love.<br /> | |||
=== 3448 (14/03/1986) K (Krsna) === | |||
NECE NECE ÁY MAN MURACHÁY<br /> | |||
ÁMÁR GOPÁL KOLE ÁY RE<br /> | |||
MÁKHANO ENECHI KŚIIRO REKHECHI<br /> | |||
EKHANI KHÁOÁTE TORE<br /> | |||
ÁMÁR GOPÁL KOLE ÁY RE<br /> | |||
DHULO LEGECHE GÁY ÁY DII MUCHIYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DHULO LEGECHE GÁY ÁY DII MUCHIYE<br /> | |||
JHUNT́I KHULE JÁY DOBO RE GUCHIYE<br /> | |||
NÁ REKHE BÁHIRE RÁKHABO BHIITARE<br /> | |||
TORE MOR MANERI GABHIIRE<br /> | |||
ÁMÁR GOPÁL KOLE ÁY RE<br /> | |||
MANATE ÁCHO MOR MOHANÁBHÚŚAŃA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANATE ÁCHO MOR MOHANÁBHÚŚAŃA<br /> | |||
JATANE KHACITA RATAN ÁSAN | |||
DEKHÁTE NÁRI TÁY TAMETE D́HÁKÁ HÁY<br /> | |||
TUI ESE SARÁ SE ÁNDHÁRE<br /> | |||
ÁMÁR GOPÁL KOLE ÁY RE<br /> | |||
BHEVE BHEVE JÁRE MAN MOR UDDVELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHEVE BHEVE JÁRE MAN MOR UDDVELO<br /> | |||
ÁNKHI NÁ HERE TÁRE E KII DÁRUŃA SHAELO<br /> | |||
MAMATÁ YAMUNÁY UJÁNE BAHE JÁY<br /> | |||
ÁSIBE SE KON SE PRAHARE<br /> | |||
ÁMÁR GOPÁL KOLE ÁY RE<br /> | |||
NECE NECE ÁY MAN MURACHÁY<br /> | |||
ÁMÁR GOPÁL KOLE ÁY RE<br /> | |||
O my Krsna, Gopa’l, come into my lap, dancing and charming my mind. I have brought<br /> | |||
butter, the rice cooked in milk too, that I would feed You. The dust smeared on Your body<br /> | |||
I shall wipe, the hair on the head is loosened, I shall tie that. I would not keep You<br /> | |||
outside, but inside within the depth of the mind. Remain in the mind with charming<br /> | |||
adornment, on the welldecorated gemstudded seat. But You are not shown, alas, due to<br /> | |||
covering by the darkness. By coming You remove that darkness. By thinking Whom all the<br /> | |||
time, the mind has become restless the eyes are unable to find Him, what a hard stone? The<br /> | |||
river Yamuna of affection goes on flowing in tide, what time shall He come?<br /> | |||
=== 3449 (14/03/1986) D === | |||
EKALÁ GHARE CHILUM ÁMI<br /> | |||
TOMÁR CHAVI MANE LUKIYE<br /> | |||
CALALO DHARÁ NIJER DHÁRÁY<br /> | |||
ÁMI TOMÁR BHÁVAT́I NIYE<br /> | |||
TOMÁR CHAVI MANE LUKIYE<br /> | |||
KEU CHILO NÁ DVITIIYA ÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KEU CHILO NÁ DVITIIYA ÁR<br /> | |||
KAITE KATHÁ SAUNGE ÁMÁR<br /> | |||
MANER TUMI MANER ÁMI<br /> | |||
MAN CHILO NÁ KON VIŚAYE<br /> | |||
TOMÁR CHAVI MANE LUKIYE<br /> | |||
VIINÁ ÁMI VÁDAKA TUMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIINÁ ÁMI VÁDAKA TUMI<br /> | |||
BÚJHE NILUM SE DIN ÁMI<br /> | |||
TOMÁR CHONYÁ ÁMÁR TÁRE<br /> | |||
JHAUNKRITA HOYE TÁLE LAYE<br /> | |||
TOMÁR CHAVI MANE LUKIYE<br /> | |||
EKALÁ GHARE CHILUM ÁMI<br /> | |||
TOMÁR CHAVI MANE LUKIYE<br /> | |||
O Lord, I was alone in home, hiding Your figure in the mind. The earth was moving in its<br /> | |||
own flow and I was carrying Your ideation. There was no other second entity, to talk with<br /> | |||
me. Both You and I were in the mental arena, and the mid was not having any object. I am<br /> | |||
viin’a’, and You are the player. This fact I understood that day. By Your touch, my<br /> | |||
strings would resonate in Your rhythm and melody.<br /> | |||
=== 3450 (14/03/1986) K === | |||
SHRÁVAŃ NISHIITHE JHAINJHÁ VÁTE<br /> | |||
SAḾGIITA BHESE ÁSE KÁR E ASAMAY<br /> | |||
KE SE ASHARIIRI ÁMÁRE SMARI<br /> | |||
KÁCHE KÁCHE RAYE GECHE NÁ DIYE PARICAYA<br /> | |||
SAḾGIITA BHESE ÁSE KÁR E ASAMAY<br /> | |||
D́ÁKILEO SE JE KABHU SÁŔÁ NÁHI DEY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
D́ÁKILEO SE JE KABHU SÁŔÁ NÁHI DEY<br /> | |||
NÁ D́ÁKILEO DHARÁ DEY JE HIYÁY<br /> | |||
TÁHÁR MADHUR LIILÁ RÚPE RASE BHARÁ MELÁ<br /> | |||
SAB KICHU KARE DEY AMRITAMAY<br /> | |||
SAḾGIIT BHESE ÁSE KÁR E ASAMAY<br /> | |||
OGO AKARUŃA ÁMI TOMÁRE CINI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
OGO AKARUŃA ÁMI TOMÁRE CINI<br /> | |||
SAKAL JINÁNER JINÁNI GUŃER GUŃII<br /> | |||
TUMI CHÁŔÁ KICHU NÁI SABÁRE TOMÁTE PÁI<br /> | |||
TOMÁR SAUNGE KARI SATTÁ VINIMAY<br /> | |||
SAMGIITA BHESE ÁSE KÁR E ASAMAY<br /> | |||
SHRÁVAŃ NISHIITHE JHAINJHÁ VÁTE<br /> | |||
SAḾGIITA BHESE ÁSE KÁR E ASAMAY<br /> | |||
On this rainy night, with stormy wind, Whose song comes floating this untimely? Who is<br /> | |||
that without physical body, who remembering me remained close, without giving<br /> | |||
introduction? When called, He never responds, but without call, He comes into the folds of<br /> | |||
the heart. Your sweet enchanting game, liila, and the fair, full of beauty and taste<br /> | |||
makes everything full of nectar. O The merciless, I recognise You. You are knower of all<br /> | |||
wisdom, and possessor of all attributes. There is nothing other than You. All can take You<br /> | |||
together with them, in exchange of the offer of their whole existence.<br /> | |||
=== 3451 (15/03/1986) K === | |||
VASANTA VIITHIKÁY PHÚL MÁLIKÁY<br /> | |||
KE ELO NÚPUR PÁY<br /> | |||
ÁMI, CINI NÁ TÁRE KABHU DEKHINI TÁRE<br /> | |||
ARÚPA ÁNGINÁY RÚPER MÁYÁY<br /> | |||
NIJERE CHAŔIYE JÁY<br /> | |||
AKAPAT́E GO AKÁTARE<br /> | |||
ÁMI, CINI NÁ TÁRE KABHU DEKHINI TÁRE<br /> | |||
SARITÁR JALE SHISHIRER DODULE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SARITÁR JALE SHISHIRER DODULE<br /> | |||
BHÁVER DEULE RAUNGER KISHALE<br /> | |||
SABETEI ÁCHE BHARIYÁ RAYECHE<br /> | |||
MAN JÁHÁ NEHÁRE ÁNKHI<br /> | |||
JÁHÁRE HERE<br /> | |||
ÁMI, CINI NÁ TÁRE KABHU DEKHINI TÁRE<br /> | |||
THAI KONO NÁI JATA BHEVE JÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
THAI KONO NÁI JATA BHEVE JÁI<br /> | |||
PRADISHA ANUDISHE SE MOHANE PÁI<br /> | |||
ADRI SHIKHARE UDADHI GABHIRE<br /> | |||
TÁR MAHIMÁ JHARE SABE TÁHÁRE SMARE<br /> | |||
ÁMI, CINI NÁ TÁRE KABHU DEKHINI TÁRE<br /> | |||
VASANTA VIITHIKÁY PHÚL MÁLIKÁY<br /> | |||
KE ELO NÚPUR PÁY<br /> | |||
Through the lane decorated with the floral garlands of the spring, Who has come with<br /> | |||
tinkling of ankle bells? I do not recognise Him. I have never seen Him. In the courtyard<br /> | |||
of formless, He goes on scattering Himself as the charming illusive panorama without<br /> | |||
deceit unperturbedly. In the water of the stream, swinging of drops, in the temple of<br /> | |||
ideation, and colour of the tender leaves. You are present pervading all wherever the mind<br /> | |||
observes and searches. How much I continued thinking, there is no estimate. In all<br /> | |||
directions and subdirections, I find the same charming Entity. Over the mountaintops and<br /> | |||
within the depth of the ocean, His glory emanates and all remember Him.<br /> | |||
=== 3452 (15/03/1986) K === | |||
SVAPANE DEKHECHI BHÁLOBESECHI<br /> | |||
DEKHÁ HOYE NÁI NAYANE<br /> | |||
CHINU GHÚM GHORE CHINU GHÚM GHORE<br /> | |||
GHRÁTA CANDANE ANÁHATA MANANE<br /> | |||
BUJHECHI ESECHILE ÁMÁR GHARE<br /> | |||
CHINU GHÚM GHORE CHINU GHÚM GHORE<br /> | |||
SAB CEYE ÁMÁR TUMI ÁPANÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAB CEYE ÁMÁR TUMI ÁPANÁR<br /> | |||
AŃUTE SÁKŚII TUMI GUŃE SAMÁHÁR<br /> | |||
DUHKHE SUKHE ÁCHO SAUNGE ÁMÁR<br /> | |||
PRIITI D́HÁLO DYUTI NIKARE<br /> | |||
CHINU GHÚM GHORE CHINU GHÚM GHORE<br /> | |||
TOMÁR KÁCHE CÁOÁ NÁ CÁOÁ SAMÁN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR KÁCHE CÁOÁ NÁ CÁOÁ SAMÁN | |||
PRAYOJAN ÁYOJAN BOJHO SAḾSTHÁN | |||
DÁO, ABHISHÁPE ABHIŚEKA, HATAMÁNE MÁN | |||
JÁ KARO BHÁVÁR BÁHIRE<br /> | |||
CHINU GHÚM GHORE CHINU GHÚM GHORE<br /> | |||
SVAPANE DEKHECHI BHÁLOBESECHI<br /> | |||
DEKHÁ HOYE NÁI NAYANE<br /> | |||
I have seen Him in dream and loved, but there was facetoface meeting. I was in deep<br /> | |||
slumber. Through the smelled fragrance of sandalwood, undisturbed mind, I could<br /> | |||
understand, that You had visited my home. You are my nearest own, witness of microcosm and<br /> | |||
aggregate of attributes. You are together with me in pain and pleasure, poring love as<br /> | |||
collected effulgence. Before You, there is sameness between desire and dislike. The<br /> | |||
purpose, and preparation, You consider laid in same orderly manner. You grant crowning<br /> | |||
glory to the cursed ones and prestige to the dishonored. Whatever You do is beyond<br /> | |||
thought.<br /> | |||
=== 3453 (16/03/1986) D === | |||
DUHKHER DINE BANDHU ÁMÁR<br /> | |||
NIRÁSHA PRÁŃER ÁSHÁ<br /> | |||
TOMÁR BHÁVANÁKE GHIRE<br /> | |||
BHARE JE MOR BHÁLOBÁSÁ<br /> | |||
NIRÁSHA PRÁŃER ÁSHÁ<br /> | |||
PATH CALITE TOMÁY SMARI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATH CALITE TOMÁY SMARI<br /> | |||
ÁNKHIR NIIRE TOMÁY HERI<br /> | |||
TOMÁR VITTE CITTA BHARI<br /> | |||
SARÁO MANER KUÁSHÁ<br /> | |||
NIRÁSHA PRÁŃER ÁSHÁ<br /> | |||
PÚRAK RECAK TAVA ICCHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PÚRAK RECAK TAVA ICCHÁY<br /> | |||
BHÁVER MADHU TOMÁR DAYÁY<br /> | |||
SMITA VIDHU ÁCHO HIYÁY<br /> | |||
NÁSHO BHRÁNTI DEKHÁO DISHÁ<br /> | |||
NIRÁSHA PRÁŃER ÁSHÁ<br /> | |||
DUHKHER DINE BANDHU ÁMÁR<br /> | |||
NIRÁSHA PRÁŃER ÁSHÁ<br /> | |||
O my companion of painful days, hope for the disappointed hearts, my love is fully<br /> | |||
surrounded with Your ideation. While moving on the path, I remember You, with tearful<br /> | |||
eyes, I search You, with Your wealth, I fill my mind, please remove the fog of my mind.<br /> | |||
The inhalation and exhalation is by Your wish, the sweetness of feelings is by Your grace.<br /> | |||
You are present as smiling moon in the heart, destroy the delusion and show the proper<br /> | |||
direction.<br /> | |||
=== 3454 (16/03/1986) K === | |||
NAYANE CHILO KÁJAL<br /> | |||
YÁTANÁRI JALA, DHÚYE TÁ DILO<br /> | |||
KE DILO MANE VYATHÁ<br /> | |||
KAO SE KATHÁ<br /> | |||
KENO SE KÁNDÁLO<br /> | |||
DHÚYE TÁ DILO<br /> | |||
THÁKE SE KOTHÁY BOLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
THÁKE SE KOTHÁY BOLO<br /> | |||
TOMÁRE KARE VIKALA<br /> | |||
ÁNKHI TÁI CHALA CHALA<br /> | |||
SE MANER KATHÁ NÁ SHUŃILO<br /> | |||
DHÚYE TÁ DILO<br /> | |||
SE PRIYA ETO KI NIT́HUR<br /> | |||
TOMÁRE KARECHE VIDHUR<br /> | |||
TABE KENO HÁSE MADHUR<br /> | |||
YADI NÁ ?MARMA BUJHILO<br /> | |||
DHÚYE TÁ DILO<br /> | |||
NAYANE CHILO KÁJAL<br /> | |||
YÁTANÁRI JALA, DHÚYE TÁ DILO<br /> | |||
The eyes were decorated with dark markings, but it was washed due to the tears of<br /> | |||
tortures. Who gave you such agony, tell me about that. Why has He made You cry? Tell me<br /> | |||
where is He, Who has made you destitute by not listening to your mental agony and making<br /> | |||
your eyes tearful? That Dear is so merciless who has made you afflicted. Then why does not<br /> | |||
He smile sweetly, if He does not understand the reality of the heart.<br /> | |||
=== 3455 (19/03/1986) K === | |||
GÁNETE ESECHO DOLÁ DIYECHO<br /> | |||
MANE RAUNGA LÁGIYECHO<br /> | |||
TUMI ATULNIIYA TUMI ATULNIIYA<br /> | |||
BHÁLOBESECHO ÁLO D́HELECHO<br /> | |||
SABÁR PRIYA<br /> | |||
SABÁR PRIYA TUMI SABÁR PRIYA<br /> | |||
TUMI ATULNIIYA TUMI ATULNIIYA<br /> | |||
SHRIŚT́IR ÁDITEO TUMI CHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHRIŚT́IR ÁDITEO TUMI CHILE<br /> | |||
SARJAN MÁJHE LUKÁYE RAHILE<br /> | |||
AINJITA COKHE MANJULÁNANE<br /> | |||
SABÁKÁR VARAŃIIYA<br /> | |||
TUMI ATULNIIYA TUMI ATULNIIYA<br /> | |||
ÁSHRAY JÁCE SAKALE TOMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSHRAY JÁCE SAKALE TOMÁR<br /> | |||
SHRAVAŃE MANANE BHÁVE BHÁVANÁR<br /> | |||
BODHE BODHÁTIITE CITI SUDHÁ SHROTE<br /> | |||
SHÁSHVATA PÚJANIIYA<br /> | |||
TUMI ATULNIIYA TUMI ATULNIIYA<br /> | |||
GÁNETE ESECHO DOLÁ DIYECHO<br /> | |||
MANE RAUNGA LÁGIYECHO<br /> | |||
TUMI ATULNIIYA TUMI ATULNIIYA<br /> | |||
O Lord, You came into songs and oscillated, smeared colour in the mind. You are<br /> | |||
incomparable. You loved, poured light, You are Dear of all. You existed in the beginning<br /> | |||
of creation, remained hidden during creation, with decorated eyes and beautiful face; You<br /> | |||
are most revered of all. All seek Your shelter. With listening, meditation and ideation | |||
within and beyond intuition, in the stream of nectar of the mind, You are eternally worth<br /> | |||
worshipping.<br /> | |||
=== 3456 (21/03/1986) D === | |||
SHÁRAD SÁNJHE SMITA SHEFÁLII<br /> | |||
SURABHITE KÁKE PETE CÁY<br /> | |||
SÁDÁ MEGH SANE SNIGDHA SVANANE<br /> | |||
SAKAL SIIMÁNÁ BHEUNGE JÁY<br /> | |||
SURABHITE KÁKE PETE CÁY<br /> | |||
BÁDHÁ DITE TÁKE KEHO NÁHI ÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁDHÁ DITE TÁKE KEHO NÁHI ÁR<br /> | |||
PRATI PALAKE PULAKE SAMÁHÁR<br /> | |||
BHULOKER SHEŚE DYULOKA SIIMÁY<br /> | |||
DOLA DEY DIVYA DOLÁY<br /> | |||
SURABHITE KÁKE PETE CÁY<br /> | |||
ANEKER KATHÁ BHÚLE JÁY MAN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANEKER KATHÁ BHÚLE JÁY MAN | |||
EKER ÁKUTI BHARE JE JIIVAN | |||
ANEKE NIHITA JE EK AMITA<br /> | |||
TÁTE SPANDITA DYOTANÁY<br /> | |||
SURABHITE KÁKE PETE CÁY<br /> | |||
SHÁRAD SÁNJHE SMITA SHEFÁLII<br /> | |||
SURABHITE KÁKE PETE CÁY<br /> | |||
On this winter evening, the smiling shefa’lii flower, by its fragrance, whom does it<br /> | |||
want to find? Along with white clouds and soft breeze, it wants to break all limitations.<br /> | |||
There is no one else to obstruct it. Each moment is collection of joy. At the end of<br /> | |||
world, at the boundary of heaven, it swings into heavenly oscillations. The mind wants to<br /> | |||
forget multiplicities and with one earnestness the life is filled. Located within many is<br /> | |||
One immeasurable, by His vibration is illumination.<br /> | |||
=== 3457 (21/03/1986) (Krsna) === | |||
ÁMÁR GOPÁL HÁRIYE GECHE<br /> | |||
MANER VRINDÁVANE KÁNDI<br /> | |||
D́EKE D́EKE PÁINÁ TÁKE<br /> | |||
TABU ÁSHÁY HIYÁY BÁNDHI<br /> | |||
MANER VRINDÁVANE KÁNDI<br /> | |||
SHUNINIKO TÁHÁR KATHÁ<br /> | |||
DIYE GECHI SHUDHU VYATHÁ<br /> | |||
PRIITIR RAUNGER MÁLÁ<br /> | |||
KABHU PARÁINIKO GÁNTHI<br /> | |||
MANER VRINDÁVANE KÁNDI<br /> | |||
SE CEYECHE SARALATÁ<br /> | |||
ÁMÁR CHILO KUT́ILATÁ<br /> | |||
VAKRA PATHE TÁKE PETE<br /> | |||
CEYECHI NIRAVADHI<br /> | |||
BHÁVI AVASHEŚE KŚAMI<br /> | |||
DOSHE ÁJ SE ÁSE YADI<br /> | |||
MANER VRINDÁVANE KÁNDI<br /> | |||
ÁMÁR GOPÁL HÁRIYE GECHE<br /> | |||
MANER VRINDÁVANE KÁNDI<br /> | |||
My Gopa’l, Krsna, is lost, and I am crying in the mental Vrinda’van. Even on | |||
call after call, I do not get Him, still I hold the hope in the heart. I did not listen to<br /> | |||
Him, and thus created only mental agony, I never threaded the garland coloured with love<br /> | |||
to place around Him. He likes simplicity, while I had crookedness. I always wanted to find<br /> | |||
Him through the crooked means. I only think that if I attain Him, I would be excused at<br /> | |||
the end.<br /> | |||
=== 3458 (22/03/1986) K === | |||
VIJANA MANANE MOR BHUVANE<br /> | |||
KE GO TUMI ELE<br /> | |||
PRADIIP JVALENI MÁLÁ MELENI<br /> | |||
NIJER RÚPE DISHÁ BHARÁLE<br /> | |||
ELE<br /> | |||
TRIDASHER UPÁSYA TUMI DEVATÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TRIDASHER UPÁSYA TUMI DEVATÁ<br /> | |||
NIVEDANA KARI TÁI MOR DIINATÁ<br /> | |||
MOR PARE D́HÁLO TAVA PRIITI MAMATÁ<br /> | |||
NIRJANE PRABHU VIRALE<br /> | |||
ELE<br /> | |||
MAHÁKÁSHE CHÚT́E CALE TAVA VÁRTÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAHÁKÁSHE CHÚT́E CALE TAVA VÁRTÁ<br /> | |||
SABÁR SHRAVAŃA TARE SHRUTI KATHÁ<br /> | |||
ANANTA TAVA RÚPA AYUTA GÁTHÁ<br /> | |||
PRÁŃIIN PRAKÁSHE BHÁSE BHUMÁ SALILE<br /> | |||
ELE<br /> | |||
VIJANA MANANE MOR BHUVANE<br /> | |||
KE GO TUMI ELE<br /> | |||
In the isolated mind, into my world, who is that You who came? I had not kindled the lamp<br /> | |||
spread the garland, with Your own effulgence, You filled all directions. You are the Deity<br /> | |||
worth worshipping by heaven, thus I solicit before You my destitution.<br /> | |||
=== 3459 (23/03/1986) K === | |||
ASAHÁY ÁMI SHARAŃE TOMÁR<br /> | |||
KRPÁ NAYANE CÁO HE MOR DEVATÁ<br /> | |||
VIRÁT́A TUMI KŚUDRA ÁMI<br /> | |||
KE ÁR BHUJHIBE BOLO MOR ÁKULATÁ<br /> | |||
KRPÁ NAYANE CÁO HE MOR DEVATÁ<br /> | |||
DIYECHO ASHAN DIYECHO ÁVÁS<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIECHO ASHAN DIECHO ÁVÁS<br /> | |||
SHIITE ÁVARAŃA NITYA SAKÁSH<br /> | |||
PITÁ MÁTÁR SNEHA MAMATÁ MÁKHÁ GEHA<br /> | |||
DIYECHO SAB KICHU BHARÁ MADHURATÁ<br /> | |||
KRPÁ NAYANE CÁO HE MOR DEVATÁ<br /> | |||
CÁOÁR KICHU NÁI BÁKI E JAGATE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁOÁR KICHU NÁI BÁKI E JAGATE<br /> | |||
SABAI DIE JÁO SAKAL RTUTE<br /> | |||
ÁCHO SÁTHE SÁTHE DUHKHE SUKHETE<br /> | |||
TABU KARUŃÁ JÁCI HE BHÁGYA VIDHÁTÁ<br /> | |||
KRPÁ NAYANE CÁO HE MOR DEVATÁ<br /> | |||
ASAHÁY ÁMI SHARAŃE TOMÁR<br /> | |||
KRPÁ NAYANE CÁO HE MOR DEVATÁ<br /> | |||
I am helpless at Your shelter, O My Deity, have grace on me. You are Great and I am<br /> | |||
meagre. Who else would understand my earnestness? You have provided me with food<br /> | |||
residence, cover for cold and ever company. Parents’ fondness, affectionsmeared home<br /> | |||
everything You have given me full of sweetness. There is nothing in the world that I want.<br /> | |||
You go on providing everything in all seasons. You are together in all pains and<br /> | |||
pleasures. Still I beg Your mercy, O the Controller of destiny.<br /> | |||
=== 3460 (24/03/1986) K === | |||
SEI PHÁLGUNI PURŃIMÁ ESECHE PRIYA<br /> | |||
MANO VANE ÁSIO BHÁLOBÁSÁ NIO<br /> | |||
MUKULE MUKULE BAKULERI D́ÁLE<br /> | |||
SNIGDHA SURABHI D́HÁLIYÁ DIO<br /> | |||
MANO VANE ÁSIO BHÁLOBÁSÁ NIO<br /> | |||
TARUTE TARUTE KISHALAY JEGECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TARUTE TARUTE KISHALAY JEGECHE<br /> | |||
MALAY PAVANE NAVA KALI ESECHE<br /> | |||
MANER KÁNAN PHULE BHARIÁ GECHE<br /> | |||
GÁNER SÁJI TAVA TÁTE BHARIO<br /> | |||
MANO VANE ÁSIO BHÁLOBÁSÁ NIO<br /> | |||
CHANDE TÁLE RÁGE KUHU KEKÁ GÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHANDE TÁLE RÁGE KUHU KEKÁ GÁY<br /> | |||
MANER MÁDHURII TÁR SURE MURACHÁYA<br /> | |||
VISTÁRE VIIŃÁ TÁRE GIITI BHESE JÁYA<br /> | |||
TUMI TÁRE TAVA KÁCHE T́ÁNIO<br /> | |||
MANO VANE ÁSIO BHÁLOBÁSÁ NIO<br /> | |||
SEI PHÁLGUNI PURŃIMÁ ESECHE PRIYA<br /> | |||
MANO VANE ÁSIO BHÁLOBÁSÁ NIO<br /> | |||
O Dear, You came on that spring full moon, now come into my mental garden and accept my<br /> | |||
love. On each bud of the branch of bakul tree, pour soft fragrance. On each tree new<br /> | |||
tender leaves have appeared. With sandal breeze, new buds have come. With the adornment of<br /> | |||
Your song, fill them. With rhythm tune and melody the cuckoos and peacocks sing. The<br /> | |||
sweetness of mind gets merged in their tunes. With the extension of the strings of<br /> | |||
viin’a’, the song goes on floating. You pull them close to You.<br /> | |||
=== 3461 (24/03/1986) K === | |||
JHARA JHARA VARAŚÁY E NISHÁY<br /> | |||
MAN TOMÁREI CÁY<br /> | |||
MAN TOMÁREI CÁYA<br /> | |||
KETAKII KESHARE KETANE KARAKÁY<br /> | |||
MAN TOMÁREI CÁY<br /> | |||
MAN TOMÁREI CÁYA<br /> | |||
UDDIPTA ÁJ DARDURERÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
UDDIPTA ÁJ DARDURERÁ<br /> | |||
ULKÁR GATI DHÁRÁ ÁNDHÁRE HÁRÁ<br /> | |||
KÁSÁRER DHÁR VEŃUKÁ RAVE BHARÁ<br /> | |||
NIIP NIKUNJA IRÁ SVANE SHIHARÁY<br /> | |||
MAN TOMÁREI CÁY<br /> | |||
MAN TOMÁREI CÁYA<br /> | |||
KALYÁŃA MAINJARI NIYE HÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KALYÁŃA MAINJARI NIYE HÁTE<br /> | |||
ELE TUMI NRITYER SÁTHE SÁTHE<br /> | |||
KALMAŚA KÁLIMÁ KLEDA SARÁTE<br /> | |||
PRIITIR SUDHÁ SÁRE GIITI ALAKÁY<br /> | |||
MAN TOMÁREI CÁY<br /> | |||
MAN TOMÁREI CÁYA<br /> | |||
JHARA JHARA VARAŚÁY E NISHÁY<br /> | |||
MAN TOMÁREI CÁY<br /> | |||
MAN TOMÁREI CÁYA<br /> | |||
On this continuously raining night, the mind wants You. The fragrant pollen of ketakii<br /> | |||
screwpine flower, scatters from the petals. The toadsounds are vibrant, the trailing mark<br /> | |||
of the meteorite is lost in darkness. The bamboo grove is filled with the sharp noise of<br /> | |||
tall grass in the vicinity. The arbor of niip quivers with the resonance of cosmic sound.<br /> | |||
Carrying the bunch of buds of benevolence and welfare, in the hand, You came along with<br /> | |||
dance to remove the darkness of mud and sin from the heavenly song of sweet nectar of<br /> | |||
love.<br /> | |||
=== 3462 (25/03/1986) D === | |||
TUMI, ÁMÁR PABHU JIIVANE MARAŃE<br /> | |||
ÁCHO SÁTHE SÁTHE RÁTE DINE<br /> | |||
PRABAL JHAINJHÁGHÁTE TUMI ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRABAL JHAINJHÁGHÁTE TUMI ÁCHO<br /> | |||
MALAY MADHUR VÁTE TUMI NÁCO<br /> | |||
KÁLA VAESHÁKHIR SURE CHANDA RACO<br /> | |||
ANALE ANILE PRATI KŚAŃE<br /> | |||
ÁCHO SÁTHE SÁTHE RÁTE DINE<br /> | |||
ANÁDI ANANTA TOMÁR LIILÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁDI ANANTA TOMÁR LIILÁ<br /> | |||
BHÁUNGÁ GAŔÁ NIYE TOMÁR KHELÁ<br /> | |||
HIME SHIITALATÁ NIDÁGH JVÁLÁ<br /> | |||
VAEPARITYE HÁSO MANE MANE<br /> | |||
ÁCHO SÁTHE SÁTHE RÁTE DINE<br /> | |||
TUMI, ÁMÁR PABHU JIIVANE MARAŃE<br /> | |||
ÁCHO SÁTHE SÁTHE RÁTE DINE<br /> | |||
You are my Lord in life and death, remaining together with me day and night. You are<br /> | |||
present in intense blow of storm. You also dance in the sweet sandal breeze. You create<br /> | |||
the rhythms in the tune of annihilating storm, in fire and wind, every moment. Your divine<br /> | |||
illusory game is without a beginning and end. You game consists of creation and<br /> | |||
destruction. With chill cold of the winter and burning sun of the summer, taking the<br /> | |||
opposites, You smile in the mind.<br /> | |||
=== 3463 (25/03/1986) K === | |||
MOR BHÁVER DEULE TUMI ÁCHO PRIYA<br /> | |||
TUMI ÁCHO PRIYA<br /> | |||
MAN MÁJHE AYUTA SÁJE<br /> | |||
HE VARAŃIIYA<br /> | |||
TUMI ÁCHO PRIYA<br /> | |||
ARÚPA HOYEO ÁCHO RÚPE RÚPE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ARÚPA HOYEO ÁCHO RÚPE RÚPE<br /> | |||
AMÚRTA CETANÁY GANDHE DHÚPE<br /> | |||
SHIITER KUHELITE VARAŚÁ NIIPE<br /> | |||
HE ÁDARAŃIIYA<br /> | |||
TUMI ÁCHO PRIYA<br /> | |||
SHRAVAŃE MANANE NIDIDHYÁSANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHRAVAŃE MANANE NIDIDHYÁSANE<br /> | |||
PRÁŃÁYÁME DHÁRAŃÁY DHYÁNÁSANE<br /> | |||
MANER MAŃIKOT́HÁY ADHIKARAŃE<br /> | |||
SARVÁVASTHÁTE ATULNIYA<br /> | |||
TUMI ÁCHO PRIYA<br /> | |||
MOR BHÁVER DEULE TUMI ÁCHO PRIYA<br /> | |||
TUMI ÁCHO PRIYA<br /> | |||
O Dear You reside in the temple of my ideation, within the mind with innumerable<br /> | |||
adornments. Even though remaining formless, You are present in each form, in unexpressed<br /> | |||
consciousness, in fragrance and incense, in the fog of winter and niipflower of rains, O<br /> | |||
the most revered. You are present in listening, meditation, concentration, breathcontrol<br /> | |||
withholding the mind and meditative posture. You exist in the vessel of mental casket<br /> | |||
everywhere, O the incomparable.<br /> | |||
=== 3464 (23/03/1986) D === | |||
NAYANE YADI NÁ ELE<br /> | |||
MANANE MOR ESO NIRÁLÁY<br /> | |||
JIIVANE PATH PÁNE CEYE CEYE<br /> | |||
BENCE ÁCHI ÁSHÁY<br /> | |||
MANANE MOR ESO NIRÁLÁY<br /> | |||
ÁMÁR E GUL BÁGICÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR E GUL BÁGICÁ<br /> | |||
PHÚL HÁRÁ PAŔE ÁCHE KÁNT́Á<br /> | |||
SE KÁNT́Á DICCHE KHONCÁ<br /> | |||
JOÁRERA PARE JENO BHÁNT́Á<br /> | |||
UTALÁ HOI DHAERYA HÁRÁI<br /> | |||
BHEVE BHEVE E NIT́HÚRATÁYA<br /> | |||
MANANE MOR ESO NIRÁLÁY<br /> | |||
EKHANO ÁCHE SAMAY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EKHANO ÁCHE SAMAY<br /> | |||
MALAY VÁY E PHÁLGUNII RÁTE<br /> | |||
KŚAŃEK THÁKO SÁTHE<br /> | |||
E PURŃIMÁTE SUSNIGDHA JYOTSNÁYA<br /> | |||
MANANE MOR ESO NIRÁLÁY<br /> | |||
NAYANE YADI NÁ ELE<br /> | |||
MANANE MOR ESO NIRÁLÁY<br /> | |||
O Lord, if You could not come into the eyes, come into my mind in seclusion. Moving on the<br /> | |||
path of life, I survive with hope. In my floral garden, flowers are lost, only thorns are<br /> | |||
left. Those thorns hurt and prickle like flow after ebb. Thinking of this mercilessness, I<br /> | |||
lose patience and become frenzied. Even now there is time, on this spring night with<br /> | |||
sandal breeze. Stay with me for a moment, during this soft moonlight of full moon.<br /> | |||
=== 3465 (27/03/1986) D === | |||
KENO TUMI ESE CHILE KENO<br /> | |||
GELE CALE KICHUI NÁHI BOLE<br /> | |||
ÁSÁR ASHE PAL GUŃE JÁI<br /> | |||
VYATHÁR ÁNKHI JALE<br /> | |||
KICHUI NÁHI BOLE<br /> | |||
ANSHU MÁLI ÁSE VIHÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANSHU MÁLI ÁSE VIHÁNE<br /> | |||
ÁLOR DHÁRÁ D́HÁLE PRÁŃE<br /> | |||
MANER ÁNDHÁR RAY GAHANE<br /> | |||
NÁ BOLÁR ATALE<br /> | |||
KICHUI NÁHI BOLE<br /> | |||
RAVI CALE ASTÁCALE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RAVI CALE ASTÁCALE<br /> | |||
SANDHYÁ RÁGE JHALAMALE<br /> | |||
CÁNDANII RÁTER MÁYÁ GHERE<br /> | |||
SMITA PRÁŃOCCHALE<br /> | |||
ÁMÁR TIMIR HOYE JE GABHIIR<br /> | |||
ATANDRA KAJJVALE<br /> | |||
KICHUI NÁHI BOLE<br /> | |||
KENO TUMI ESE CHILE<br /> | |||
KENO GELE CALE<br /> | |||
KICHUI NÁHI BOLE<br /> | |||
O Lord, why did You come and why did You go without telling anything? I go on counting<br /> | |||
time with the hope of Your arrival, with tearful eyes due to agony. The sun rises in the<br /> | |||
morning, and pours flow of light into the life. The darkness of mind remains in deep<br /> | |||
recess silently. The sun sets down, the evening colour glows. The mirage like moonlit<br /> | |||
night, surrounds overwhelmingly. My night deepens with intense darkness.<br /> | |||
=== 3466 (27/03/1986) D === | |||
MARME JABE BHÁSILE<br /> | |||
ACENÁ AJÁNÁ CHILE<br /> | |||
KÁCHERI HOLE<br /> | |||
MARME JABE BHÁSILE<br /> | |||
BHÁVANÁY TUMI RAYECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVANÁY TUMI RAYECHO<br /> | |||
DHÁRAŃÁY RAUNGA LÁGIYECHO<br /> | |||
TABU CHALANÁY METECHO<br /> | |||
MÁYÁRI JÁLE<br /> | |||
MARME JABE BHÁSILE<br /> | |||
NAYANE NAYANE ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NAYANE NAYANE ÁCHO<br /> | |||
MANANE RÚPA NIYE CALECHO<br /> | |||
SHRAVAŃE NIDIDHYÁSANE<br /> | |||
LIILÁ RACILE<br /> | |||
MARME JABE BHÁSILE<br /> | |||
O Lord, when You appeared in the core of my mind, You were unknown and unrecognised, but<br /> | |||
You became close. You remain in ideation, apply colour in the concentration of the mind.<br /> | |||
Still You are frenzied working with the web of illusive, ma’ya’. You are present in | |||
each eye and move into the mind with form. With listening, and concentration You have<br /> | |||
created the illusive game, liila.<br /> | |||
=== 3467 (27/03/1986) K === | |||
GÁN GEYE JÁI TOMÁKE SHONÁI<br /> | |||
SHOŃO KI NÁ ÁMI JÁNI NÁ<br /> | |||
SEDHE CALI SUR BHÁVE BHARAPÚR<br /> | |||
BHÁŚÁR VICÁR MÁNI NÁ<br /> | |||
SHOŃO KI NÁ ÁMI JÁNI NÁ<br /> | |||
DHARÁ GHÚRE CALE PRIITIRI NIGAŔE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DHARÁ GHÚRE CALE PRIITIRI NIGAŔE<br /> | |||
RÁGE TÁLE LAYE ABODHYA SVARE<br /> | |||
SE DHVANI DHVANITA TAVA VIIŃÁ TÁRE<br /> | |||
TUMI CHÁŔÁ KEU BOJHE NÁ<br /> | |||
SHOŃO KI NÁ ÁMI JÁNI NÁ<br /> | |||
SUR SAPTAKE MANDRITA ÁBHOGE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SUR SAPTAKE MANDRITA ÁBHOGE<br /> | |||
NRTYE CHANDE MATHITA JE RÁGE<br /> | |||
MOR MANOVIIŃÁ SE RAŃANE JÁGE<br /> | |||
TÁKI TUMI PRIYA DEKHONÁ<br /> | |||
SHOŃO KI NÁ ÁMI JÁNI NÁ<br /> | |||
GÁN GEYE JÁI TOMÁKE SHONÁI<br /> | |||
SHOŃO KI NÁ ÁMI JÁNI NÁ<br /> | |||
O Lord, I go on singing the song to You, but I do not know whether You hear that or not. I<br /> | |||
go on perfecting the tune, full of feelings, without any consideration of the language.<br /> | |||
The earth goes round with knot of love, with tune, melody and rhythm in a sound that is<br /> | |||
hard to understand. That sound emanates from the strings of Your viin’a’, which, other<br /> | |||
than You, no one understands. In the resonating base of the octave, the melody that was<br /> | |||
churned with dance and rhythm, arises in my mental viin’a’ as resonance, that O Dear<br /> | |||
You do not see.<br /> | |||
=== 3468 (28/03/1986) K === | |||
NAYANE ESO PRIYA<br /> | |||
PRIITI NIO E MADHU SANDHYÁY<br /> | |||
ÁJIKE DAKŚINÁ HAOÁY PÁPIÁ GÁY<br /> | |||
VIHVAL HIYÁY<br /> | |||
E MADHU SANDHYÁY<br /> | |||
JEGECHI YUGE YUGE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JEGECHI YUGE YUGE<br /> | |||
SUMADA ANURÁGE<br /> | |||
KUSUMER MADHU PARÁGE<br /> | |||
E CITTA SVÁGATA JÁNÁY<br /> | |||
E MADHU SANDHYÁY<br /> | |||
LUKOCURI SAHE NÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LUKOCURI SAHE NÁR<br /> | |||
O LIILÁ HOLO ANEK BÁR<br /> | |||
JENECHI TUMI SÁRÁTSÁR<br /> | |||
JENEO KI DÚRE THÁKÁ JÁY<br /> | |||
E MADHU SANDHYÁY<br /> | |||
NAYANE ESO PRIYA<br /> | |||
PRIITI NIO E MADHU SANDHYÁY<br /> | |||
O Dear, on this sweet evening, come into eyes and take the sweetness. Today with southern | |||
breeze, the papia’ bird sings with restless heart. I have remained awakened from ages<br /> | |||
after ages with intoxicating love. This mind expresses welcome with the fragrance of<br /> | |||
flower. It cannot bear the pangs of hide and seek any more, that game has taken place<br /> | |||
several times. I know that You are essence of essence, You know that it is not possible to<br /> | |||
remain away.<br /> | |||
=== 3469 (28/03/1986) D === | |||
TOMÁR RATHER CÁKÁ PRABHU<br /> | |||
EGIYE CALE AHARAHAH<br /> | |||
JÚJHE CALE ÁNDHÁR T́HELE<br /> | |||
VICITRA TÁR SAMÁROHA<br /> | |||
TOMÁR RATHER CÁKÁ PRABHU<br /> | |||
KEU THÁKE NÁ PICHE PAŔE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KEU THÁKE NÁ PICHE PAŔE<br /> | |||
ANÁTHA ÁTUR SABÁI CARE<br /> | |||
UT́HATE JE JAN NÁHI PÁRE<br /> | |||
TUMI TÁKE TÚLE LAHO<br /> | |||
TOMÁR RATHER CÁKÁ PRABHU<br /> | |||
ÁLOR PATHER YÁTRII JÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOR PATHER YÁTRII JÁRÁ<br /> | |||
EKER ÁPAN SABÁI TÁRÁ<br /> | |||
BHEUNGE MANER LAOHA KÁRÁ<br /> | |||
TOMÁTE PÁI STHÁYII GEHA<br /> | |||
TOMÁR RATHER CÁKÁ PRABHU<br /> | |||
TOMÁR RATHER CÁKÁ PRABHU<br /> | |||
EGIYE CALE AHARAHAH<br /> | |||
Day and night<br /> | |||
the wheels of Your chariot rhythmically advance<br /> | |||
discarding darkness<br /> | |||
as the chariot finds its way ahead<br /> | |||
in splendid arrangements.<br /> | |||
No one lags behind<br /> | |||
even the helpless and distressed ones are moving on.<br /> | |||
You lift up all those<br /> | |||
who are unable to rise by themselves.<br /> | |||
The pilgrims on the path of light<br /> | |||
are all related to one another.<br /> | |||
Breaking the iron prison of mind<br /> | |||
they find their permanent shelter in You.<br /> | |||
=== 3470 (28/03/1986) D === | |||
BOLO EK BÁR ÁMI TOMÁR<br /> | |||
TOMÁRE KHUNJECHI BHÁVIÁ CALECHI<br /> | |||
UTALÁ HOYECHI KATA BÁR<br /> | |||
BOLO EK BÁR ÁMI TOMÁR<br /> | |||
SAḾSÁRER D́ÁKE HOYE UDDVELITA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAḾSÁRER D́ÁKE HOYE UDDVELITA<br /> | |||
HÁRÁYECHI DISHÁ HÁRÁYECHI CITTA<br /> | |||
DHRUVATÁRÁ HOYE HATTA UPANIITA<br /> | |||
SUMUKHE ÁMÁR BÁRE BÁR<br /> | |||
BOLO EK BÁR ÁMI TOMÁR<br /> | |||
PASHCIME RAVI CALE JÁY BELÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PASHCIME RAVI CALE JÁY BELÁ<br /> | |||
REKHO NÁ BHULÁYE DIYE DHULÁKHELÁ<br /> | |||
THÁMÁO KŚAŃEK TOMÁR E LIILÁ<br /> | |||
ÁMÁKE NIYE PRIYA E BÁR<br /> | |||
BOLO EK BÁR ÁMI TOMÁR<br /> | |||
O Lord, tell me once that I belong to You. I searched You, went on thinking and became<br /> | |||
frenzied many times. With the attractive call of the world, I become restless and lose the<br /> | |||
direction and lose the mind. Becoming the polestar, You come down before me again and<br /> | |||
again. The sun is in the west, the time passes. Do not keep me in delusion creating a game<br /> | |||
of dust. Stop this illusive game of Yours with me for a moment this time, O Dear.<br /> | |||
=== 3471 (29/02/1986) K === | |||
ÁLO JVÁLO KENO ÁJI<br /> | |||
JYOTSANÁTE DHARÁ BHARÁ<br /> | |||
CÁNDER HÁSI PULAKE BHÁSI<br /> | |||
BÁJÁYE BÁNSHII SUDHÁ JHARÁ<br /> | |||
JYOTSANÁTE DHARÁ BHARÁ<br /> | |||
PHÚL JÁBE NÁ KÁRO KÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHÚL JÁBE NÁ KÁRO KÁCHE<br /> | |||
SABÁI TÁRE GHIRE NÁCE<br /> | |||
TÁKÁY YADI KÁRO PÁNE<br /> | |||
SEI BOLE MORE DÁO DHARÁ<br /> | |||
JYOTSANÁTE DHARÁ BHARÁ<br /> | |||
E MADHU MÁSER NEI TULANÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
E MADHU MÁSER NEI TULANÁ<br /> | |||
ÁKÁSHA PÁTÁL SVAPNE BONÁ<br /> | |||
EKER LÁGI ANEK JÁGI<br /> | |||
ÁCHE UJÁŔI PRIITI DHÁRÁ<br /> | |||
JYOTSANÁTE DHARÁ BHARÁ<br /> | |||
ÁLO JVÁLO KENO ÁJI<br /> | |||
JYOTSANÁTE DHARÁ BHARÁ<br /> | |||
O Lord, why have You kindled light today, when the world is full of moonlight? The smile<br /> | |||
of moon appearing with joy, plays flute emanating nectar. The flower does not go to<br /> | |||
anybody, all dance surrounding that. If You look towards someone, he only says come into<br /> | |||
my folds. There is no comparison of this spring, The sky and hell are woven with dream.<br /> | |||
For One many are awaken with overwhelming flow of love.<br /> | |||
=== 3472 (29/03/1986) D === | |||
NIIP NIKUNJE VEŃUKÁ PUNJE<br /> | |||
KEKÁ D́ÁKE KÁR ÁVÁHANE<br /> | |||
KÁR BHÁLOBÁSÁ BHARE DILO ÁSHÁ<br /> | |||
PALAKE PULAK ÁBHUŚAŃE<br /> | |||
KEKÁ D́ÁKE KÁR ÁVÁHANE<br /> | |||
IISHÁN KOŃETE KAJJAL BHÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
IISHÁN KOŃETE KAJJAL BHÁSE<br /> | |||
NAERITE CÁNDA UJJVAL HÁSE<br /> | |||
DÚR KE NIKAT́E DHARIVÁR ÁSHE<br /> | |||
SHIKHI NÁCE TÁR SHIHARAŃE<br /> | |||
KEKÁ D́ÁKE KÁR ÁVÁHANE<br /> | |||
KE SE SUSMITA ACENÁ ATITHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KE SE SUSMITA ACENÁ ATITHI<br /> | |||
PALE ÁSE JÁY NÁHI MÁNE TITHI<br /> | |||
SATATA SHOŃÁY SUDHÁ SÁRE GIITI<br /> | |||
CIRA AJÁNÁR ABHIMÁNE<br /> | |||
KEKÁ D́ÁKE KÁR ÁVÁHANE<br /> | |||
NIIP NIKUNJE VEŃUKÁ PUNJE<br /> | |||
KEKÁ D́ÁKE KÁR ÁVÁHANE<br /> | |||
In the arbor of niip, and in the bamboo grove, at Whose invocation the peacock calls.<br /> | |||
Whose love has filled hope in a moment with ornaments of joy. Darkness appears in the<br /> | |||
northeast direction, the bright moon smiles in the southwestern direction. With the hope<br /> | |||
of holding close, the peacock dances at His quivers. Who is that smiling unrecognised<br /> | |||
guest, coming and going in moments without consideration of time. He ever sings the song<br /> | |||
full of nectar with ever unknown feelings.<br /> | |||
=== 3473 (30/03/1986) K === | |||
EI, PUŚPITA KADAMBA TALE<br /> | |||
EI, PUŚPITA KADAMBA TALE<br /> | |||
CHILUM ÁNKHI JALE<br /> | |||
CHILUM ÁNKHI JALE<br /> | |||
EI, PUŚPITA KADAMBA TALE<br /> | |||
EI, PUŚPITA KADAMBA TALE<br /> | |||
DARDUR SANE VIJANÁSANE<br /> | |||
BASE CHILUM VIRALE<br /> | |||
EI, PUŚPITA KADAMBA TALE<br /> | |||
EI, PUŚPITA KADAMBA TALE<br /> | |||
MEGH D́EKE JÁY MAYURE NÁCÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MEGH D́EKE JÁY MAYURE NÁCÁY<br /> | |||
SVAPNA VIJAŔITA MAN JHALAKÁY<br /> | |||
KÁR PRIITIRI RÁGE AJÁNÁ ANURÁGE<br /> | |||
HATÁSHA CITTA MOR UCCHALE<br /> | |||
EI, PUŚPITA KADAMBA TALE<br /> | |||
EI, PUŚPITA KADAMBA TALE<br /> | |||
KETAKI PARÁG BHÁSE ANILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KETAKI PARÁG BHÁSE ANILE<br /> | |||
JUTHI PARIMAL HÁSE NAVA SALILE<br /> | |||
JATA, RUDDHA DVÁR CHILO ÁMÁR<br /> | |||
PALAKE KHULILO KÁR MANTRA BALE<br /> | |||
EI, PUŚPITA KADAMBA TALE<br /> | |||
EI, PUŚPITA KADAMBA TALE<br /> | |||
At the base of this bloomed kadamba tree, I was with tearful eyes. I was sitting in | |||
isolation alone with toads. The clouds call and make the peacocks dance. It shows the<br /> | |||
glimpses in the mind engrossed in dream. Due to whose affection and unknown love, my<br /> | |||
pessimistic heart bounces up. The pollen of ketakii flower floats in the air. The<br /> | |||
fragrance of juhi flower smiles in fresh water. Whatever closed doors of mine were there<br /> | |||
they got opened out at Whose power of mantra?<br /> | |||
=== 3474 (30/03/1986) K === | |||
KENO, ÁNANDERI YÁTRÁ PATHE ÁMI<br /> | |||
EKÁ ÁMI EKÁ<br /> | |||
ÁCHE ETA LOKA ETA ÁLO<br /> | |||
BHULOKA DYULOKE ÁLEKHYA ÁNKÁ<br /> | |||
ÁMI EKÁ ÁMI EKÁ<br /> | |||
KUSUMER SÁTHE ÁCHE PUŚPA REŃU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KUSUMER SÁTHE ÁCHE PUŚPA REŃU<br /> | |||
NIRJAN VAN PATHE VEŃUKÁ VEŃU<br /> | |||
CHÚT́E CALE RATHA CÁKÁ DHVANI D́ÁKÁ<br /> | |||
ÁMI EKÁ ÁMI EKÁ<br /> | |||
KEU KI ÁMÁR KOTHÁ NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KEU KI ÁMÁR KOTHÁ NÁI<br /> | |||
MANER GAHANE BHÁVI TÁI<br /> | |||
TUMI ÁCHO OTAH PROTE ANÁVILA PRIITI SÁTHE<br /> | |||
MADHUR MOHAN BHÁVE MÁKHÁ<br /> | |||
ÁMI EKÁ ÁMI EKÁ<br /> | |||
KENO, ÁNANDERI YÁTRÁ PATHE ÁMI<br /> | |||
EKÁ ÁMI EKÁ<br /> | |||
Why during the voyage on the path of bliss, I am alone? There are so many spheres, so much<br /> | |||
light, heavens and earths marked as portraits. Along with flowers are its pollens. On the<br /> | |||
solitary forest path are bamboo groves. The wheels of chariot rushes creating sound.<br /> | |||
Nobody is mine anywhere, which is what I have been thinking in the depth of my mind. You<br /> | |||
are present individually and collectively with pure love, smeared with sweet, charming<br /> | |||
feeling.<br /> | |||
=== 3475 (30/03/1986) D === | |||
TAKHAN KENO ELE NÁKO PRIYA<br /> | |||
JAKHAN BELÁ CHILO<br /> | |||
SURE CHILO SÁDHÁ MANERI KATHÁ<br /> | |||
HÁRIYE GELO<br /> | |||
JAKHAN BELÁ CHILO<br /> | |||
HÁTE CHILO BÁLÁ MÁTHE CHILO MÁLÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HÁTE CHILO BÁLÁ MÁTHE CHILO MÁLÁ<br /> | |||
SAINCITA JATA ANAL JVÁLÁ<br /> | |||
DIIP JVELE DILO<br /> | |||
JAKHAN BELÁ CHILO<br /> | |||
CALE JÁY BELÁ KAME ÁSE ÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CALE JÁY BELÁ KAME ÁSE ÁLO<br /> | |||
BUJHITE PERECHI KII MANDA BHÁLO<br /> | |||
ÁMÁR E PRADIIP Á TUMI JVÁLO<br /> | |||
KŚUDHITA PARÁŃE PRIITI D́HÁLO<br /> | |||
JAKHAN BELÁ CHILO<br /> | |||
O Dear why did not You come then, when I had appropriate time. My mental feelings were<br /> | |||
perfected in melody that was lost now. I had bangles in my hands, and garland on head.<br /> | |||
With all collected fire, You kindled lamp. The time goes, the light diminishes, I now<br /> | |||
understand what is good or bad. You kindle my lamp and pour love into this hungry life.<br /> | |||
=== 3476 (30/03/1986) K === | |||
ÁMÁR E PHÚLVANE SAḾGOPANE<br /> | |||
KE GO ELE ÁJ<br /> | |||
KISHALAY PEYE NILAY<br /> | |||
MAN RÁUNGÁLO BHULE SAKAL LÁJ<br /> | |||
KE GO ELE ÁJ<br /> | |||
BULBULI GÁY SHÁKHÁY BASE<br /> | |||
ÁMRA MUKUL GANDHE HÁSE<br /> | |||
ÁMRA MUKUL GANDHE HÁSE<br /> | |||
ÁMRA MUKUL GANDHE HÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMRA MUKUL GANDHE HÁSE<br /> | |||
KINSHUKER RÚP NABHE BHÁSE<br /> | |||
SÁJIYE NOTUN SÁJ<br /> | |||
KE GO ELE ÁJ<br /> | |||
ÁKUL BAKUL DHULÁY JHARE<br /> | |||
SHÁLMALI CÁY SPARDHÁ BHARE<br /> | |||
SHÁLMALI CÁY SPARDHÁ BHARE<br /> | |||
SHÁLMALI CÁY SPARDHÁ BHARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHÁLMALI CÁY SPARDHÁ BHARE<br /> | |||
PÁRUL TÁKÁY URDHVA SHIRE<br /> | |||
KÁMPIYE KANAK TÁJ<br /> | |||
KE GO ELE ÁJ<br /> | |||
Who has secretly come today<br /> | |||
into my floral garden?<br /> | |||
The tender leaf found an abode.<br /> | |||
My mind is coloured and forgets all its works.<br /> | |||
The bulbul bird sings, perched on the branch of a tree.<br /> | |||
The mango buds smile in the fragrance that they diffuse.<br /> | |||
In a new decoration | |||
the red beauty of kinshuk flowers shines in the sky.<br /> | |||
The distressed bakul flowers<br /> | |||
have dropped onto the ground.<br /> | |||
The silk cotton tree is defiant.<br /> | |||
The trumpet flower, parul<br /> | |||
looks overhead, shaking its golden crown.<br /> | |||
=== 3477 (30/03/1986) K === | |||
KENO JE ÁSE MADHUMÁS<br /> | |||
MALAY VÁTÁS<br /> | |||
BUJHEO BOJHE NÁ<br /> | |||
ÁJI, HÁY PHÁLGUNI VÁY<br /> | |||
MAN KÁRE CÁY<br /> | |||
MANAI JÁNE NÁ<br /> | |||
BUJHEO BOJHE NÁ<br /> | |||
KOKILERI KUHU DHVANI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KOKILERI KUHU DHVANI<br /> | |||
SABÁRE DEY HÁT CHÁNI<br /> | |||
BOLE ESO KÁCHE BASO<br /> | |||
E TITHI ROJI ÁSE NÁ<br /> | |||
BUJHEO BOJHE NÁ<br /> | |||
JAGATE RAUNGER KHELÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JAGATE RAUNGER KHELÁ<br /> | |||
ARÚPE RÚPERI LIILÁ<br /> | |||
DIYE JÁY KICHU NÁHI CÁY<br /> | |||
PHÁGUNER NÁI KONO PÁO NÁ<br /> | |||
BUJHEO BOJHE NÁ<br /> | |||
KENO JE ÁSE MADHUMÁS<br /> | |||
MALAY VÁTÁS<br /> | |||
BUJHEO BOJHE NÁ<br /> | |||
Why the spring comes and sandal breeze, even after knowing I do not understand that. Today<br /> | |||
alas, during the spring breeze, Whom the mind wants, the mind does not know. The cooing<br /> | |||
sound of the cuckoo gives inviting signal to all. It tells, “come and sit close, this<br /> | |||
day does not come often”. The world is a panorama of colours, the liila, illusory game<br /> | |||
of forms by the formless. It only provides, does not want anything, there is no obligation | |||
by the spring.<br /> | |||
=== 3478 (30/03/1986) === | |||
TUMI ESECHO DIIP JVELECHO<br /> | |||
ÁNDHÁR DHARÁTE ANDHÁR DHARÁTE<br /> | |||
JÁRÁ GHUMOCCHILO<br /> | |||
JÁRÁ KÁNDOCHILO<br /> | |||
TÁDER JÁGÁTE HÁSI PHOT́ÁTE<br /> | |||
ÁNDHÁR DHARÁTE ANDHÁR DHARÁTE<br /> | |||
SABÁI ÁPAN TOMÁR SABÁI JE PRIYA<br /> | |||
TUMI SABÁKÁR PARAMÁTMIIYA<br /> | |||
SABÁRE NIYE MAN KE MÁTIYE<br /> | |||
LIILÁ RACITE<br /> | |||
ÁNDHÁR DHARÁTE ANDHÁR DHARÁTE<br /> | |||
KÁJ KARE JÁO TUMI ANALAS<br /> | |||
EGIYE CALÁR DUSTAR SÁHAS<br /> | |||
NIYE RATH CÁLÁO PATH KET́E NÁO<br /> | |||
ASHEŚA GATITE<br /> | |||
ÁNDHÁR DHARÁTE ANDHÁR DHARÁTE<br /> | |||
TUMI ESECHO DIIP JVELECHO<br /> | |||
ÁNDHÁR DHARÁTE ANDHÁR DHARÁTE<br /> | |||
O Lord, You came and kindled light in the dark world for awaking those who were sleeping<br /> | |||
and to make those smile who were crying. For You, all are dear, You are closest own for<br /> | |||
all. Taking all together, You create the illusive game, liila, enchanting all minds.<br /> | |||
You go on performing Your function without rest, with extreme courage to move forward.<br /> | |||
Taking the chariot, You pass the path with endless speed.<br /> | |||
=== 3479 (31/03/1986) K === | |||
ESECHO PÁSHE ESECHO<br /> | |||
MADHUMÁSE PÁSHE ESECHO<br /> | |||
TUMI, MADHUMÁSE PÁSHE ESECHO<br /> | |||
MOR MALINATÁ JATA ÁVILATÁ<br /> | |||
ASHEŚE SARIYE DIYECHO<br /> | |||
ESECHO PÁSHE ESECHO<br /> | |||
DHULIR SEJE GHUME CHILUM ÁMI<br /> | |||
ÁMÁRE TULITE NEVE ELE TUMI<br /> | |||
SUMUKHE CÁLÁO DIVAS YÁMI<br /> | |||
SATATA SAUNGE RAYECHO<br /> | |||
ESECHO PÁSHE ESECHO<br /> | |||
ACENÁ ATITHI AJÁNÁ PATHIK<br /> | |||
PRÁŃER CEYEO TUMI JE ADHIK<br /> | |||
ÁNKHI PALLAVE JÁNÁO KŚAŃIK<br /> | |||
MOR KÁCHE KI BÁ PEYECHO<br /> | |||
ESECHO PÁSHE ESECHO<br /> | |||
You came close, during the spring. My dirt, all impurities, You removed completely. I was<br /> | |||
sleeping on the bed of dust, You came to lift me up. Remaining always together, You move<br /> | |||
me ahead, O the mover of the day. O the unrecognised guest, the Unknown traveler, You are<br /> | |||
dear to me more than my own life. Tell me for a moment, with eyelids, what have You found<br /> | |||
in me.<br /> | |||
=== 3480 (31/03/1986) D === | |||
SVAPNAMAYA E JYOTSNÁY<br /> | |||
ÁVESHE DHARÁ BHESE JÁY<br /> | |||
BHESE JÁY DHARÁ BHESE JÁY<br /> | |||
SVAPNAMAYA E JYOTSNÁY<br /> | |||
MANER MUKURE PRÁŃIINATÁ BHARE<br /> | |||
KON SE MÁYÁY NÁCE GÁY<br /> | |||
BHESE JÁY DHARÁ BHESE JÁY<br /> | |||
SVAPNAMAYA E JYOTSNÁY<br /> | |||
AGÁDHA ATAL MOR PRIYATAM<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AGÁDHA ATAL MOR PRIYATAM<br /> | |||
ATHACA SE JE ANTARTAM<br /> | |||
MADHURIMÁ MÁJHE MADHURTAM<br /> | |||
SUR JHANKÁRE MURACHÁY<br /> | |||
BHESE JÁY DHARÁ BHESE JÁY<br /> | |||
SVAPNAMAYA E JYOTSNÁY<br /> | |||
ESO NÁ BALEO RODHITE NÁ PÁRI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ESO NÁ BALEO RODHITE NÁ PÁRI<br /> | |||
ESO BALIÁO ÁNÁTE JE NÁRI<br /> | |||
ÁNKHIR SUMUKHE BHÁVE TÁRE HERI<br /> | |||
MANDRITA MAN MAŃIKÁY<br /> | |||
BHESE JÁY DHARÁ BHESE JÁY<br /> | |||
SVAPNAMAYA E JYOTSNÁY<br /> | |||
SVAPNAMAYA E JYOTSNÁY<br /> | |||
ÁVESHE DHARÁ BHESE JÁY<br /> | |||
BHESE JÁY DHARÁ BHESE JÁY<br /> | |||
SVAPNAMAYA E JYOTSNÁY<br /> | |||
On this dreamy moonlight, the earth goes on floating with impulse. Filling vitality in the<br /> | |||
mental mirror, it goes on dancing with some unknown delusion. O my dearest, You are deep<br /> | |||
beyond estimate, rather the inner most. Sweetest amidst sweetness, charmed with the<br /> | |||
tinkling of octave. Come without telling, I am unable to obstruct, come with announcement<br /> | |||
when not possible to bring. I look for You before my eyes, with swiveling mental rosary.<br /> | |||
=== 3481 (31/03/1986) K === | |||
MANANE ESO PRIYA MOR<br /> | |||
YADI, NAYANE NÁ CÁO<br /> | |||
SAYATANE GÁNTHÁ MOR<br /> | |||
MÁLÁ JHARE ÁCHE D́OR<br /> | |||
ÁSHÁ DIYE KENO BHULÁO<br /> | |||
YADI, NAYANE NÁ CÁO<br /> | |||
MANANE ESO PRIYA MOR<br /> | |||
JÁ KARITÁ KÁJ TAVA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁ KARITÁ KÁJ TAVA<br /> | |||
JÁ KARITÁ KÁJ TAVA<br /> | |||
NITI NITI NAVA NAVA<br /> | |||
BUJHECHI HE ABHINAVA MOR<br /> | |||
DIYE LIILÁ RACÁO<br /> | |||
YADI, NAYANE NÁ CÁO<br /> | |||
MANANE ESO PRIYA MOR<br /> | |||
JÁNI ÁCHO SÁTHE SÁTHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁNI ÁCHO SÁTHE SÁTHE<br /> | |||
JÁNI ÁCHO SÁTHE SÁTHE<br /> | |||
ASHANI KAROKÁGHÁTE<br /> | |||
ULKÁ VAJRA PÁTE<br /> | |||
VYATHÁ DIYE CETANÁ ÁNÁO<br /> | |||
YADI, NAYANE NÁ CÁO<br /> | |||
MANANE ESO PRIYA MOR<br /> | |||
If You do not cast Your eyes on me<br /> | |||
O Lord<br /> | |||
at least please come in my contemplation.<br /> | |||
I threaded the garland with so much care.<br /> | |||
Now, all its flowers have fallen off.<br /> | |||
Only the thread remains.<br /> | |||
Why do You divert my mind by entertaining false hopes?<br /> | |||
Whatever I do each and every day in new and newer styles<br /> | |||
are all Your actions.<br /> | |||
I have realised<br /> | |||
O ever new one<br /> | |||
You want to make me play Your divine sport.<br /> | |||
I know that during thunderbolts and hailstorms<br /> | |||
You are always with me.<br /> | |||
In crashes of meteors and thunderclaps<br /> | |||
by subjecting me to pain and affliction | |||
You bring me back to my senses.<br /> | |||
=== 3482 (31/03/1986) K === | |||
KII KALPA LOKA ÁJI RAYECHO<br /> | |||
E PHÁLGUNI PÚRŃIMÁY<br /> | |||
AMARÁR VÁŃI NIYE ESECHO<br /> | |||
SHUBHRA UJJVAL E JYOTSNÁY<br /> | |||
E PHÁLGUNI PÚRŃIMÁY<br /> | |||
EK HOYE GECHE ÁJ BÁHIR BHIITAR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EK HOYE GECHE ÁJ BÁHIR BHIITAR<br /> | |||
SVAPNAO VÁSTAVE NEI ANTAR<br /> | |||
MANER BALÁKÁ UŔE DESHÁNTAR<br /> | |||
PAR KE KARECHE GHAR DÚR NIILIMÁY<br /> | |||
E PHÁLGUNI PÚRŃIMÁY<br /> | |||
NÁ BHÁVÁR MÁJHE BHÁVÁ ÁSE JHÁNKE JHÁNK<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NÁ BHÁVÁR MÁJHE BHÁVÁ ÁSE JHÁNKE JHÁNK<br /> | |||
NÁ BOLÁ BOLÁR MÁJHE NEI KONO PHÁNK<br /> | |||
KÁN PETE SHUNE JÁY SABE SEI D́ÁK<br /> | |||
JE D́ÁK SIIMÁY ASIIMER GÁN GÁY<br /> | |||
E PHÁLGUNI PÚRŃIMÁY<br /> | |||
KII KALPA LOKA ÁJI RAYECHO<br /> | |||
E PHÁLGUNI PÚRŃIMÁY<br /> | |||
O Lord, in what imaginary arena You stay today, on full moon of this spring? Carrying the<br /> | |||
heavenly message You came in this bright white moonlight. Today outside and inside have<br /> | |||
become one. There is no difference between dream and reality. The mental swan flies from<br /> | |||
country to country. It makes its home at other place in the distant sky. Within | |||
thoughtlessness, the feelings come peeping. Within silent speech there is no gap. Attuning<br /> | |||
the ears, all listen to that call. The call that sings the song of unlimited ness within | |||
limits.<br /> | |||
=== 3483 (31/03/1986) K === | |||
DIYE GELO SAB KICHU JE SE<br /> | |||
HESE HESE MAN KE NIYE JÁY<br /> | |||
CÁYNI KONO KICHUI SE<br /> | |||
SABÁI TÁRE SAB KICHU JE DEY<br /> | |||
HESE HESE MAN KE NIYE JÁY<br /> | |||
CÁOÁ NÁ CÁOÁRI PÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁOÁ NÁ CÁOÁRI PÁRE<br /> | |||
TÁHÁR ÁSAN ÚRDHVA STARE<br /> | |||
PRIITITE TÁR DYUTI JHARE<br /> | |||
TÁRE CHEŔE BENCE THÁKÁ DÁY<br /> | |||
HESE HESE MAN KE NIYE JÁY<br /> | |||
ÁLO ÁNDHÁRERI PÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLO ÁNDHÁRERI PÁRE<br /> | |||
VARŃÁTIITE EKÁDHÁRE<br /> | |||
SHAKTI CITI BALE TÁRE<br /> | |||
CARÁCARE TÁR STUTI GÁY<br /> | |||
HESE HESE MAN KE NIYE JÁY<br /> | |||
DIYE GELO SAB KICHU JE SE<br /> | |||
HESE HESE MAN KE NIYE JÁY<br /> | |||
He who has given all smilingly, is taking the mind away. He does not want anything<br /> | |||
everything belongs to Him, and He provides everything. Beyond desire and nonexpectance<br /> | |||
His seat is located at high level. His effulgence scatters with love, it is hard to stay<br /> | |||
without Him. Beyond light and shade, beyond colour and having singular base, He is known | |||
as Citi Shakti, the Consciousness, and the whole world ings His praise.<br /> | |||
=== 3484 (01/04/1986) D === | |||
ÁLOKER SÁJE ESECHE SE SEJE<br /> | |||
ÁNDHÁR SARIYE DIYECHE<br /> | |||
KÚHELIKÁ KÁLO YAVANIKÁ<br /> | |||
NIMEŚE HÁRIYE DURE ?GIYECHE<br /> | |||
ÁNDHÁR SARIYE DIYECHE<br /> | |||
SE ÁNDHÁR CHILO TAMISHRÁ TAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE ÁNDHÁR CHILO TAMISHRÁ TAMA<br /> | |||
MÁNAS BHUMITE JAD́ATÁ TAMAH<br /> | |||
JAKHANI ELO MOR PRIYATAMA<br /> | |||
PALAKE ÁLOK NECECHE<br /> | |||
ÁNDHÁR SARIYE DIYECHE<br /> | |||
KATA RTU TITHI MÁS CALE GECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA RTU TITHI MÁS CALE GECHE<br /> | |||
KATANÁ VARAŚÁ AJHORE JHARECHE<br /> | |||
KATA PHÚL MÁLÁ MÁT́ITE MISHECHE<br /> | |||
TÁR AMLÁNA DYUTI RAYECHE<br /> | |||
ÁNDHÁR SARIYE DIYECHE<br /> | |||
ÁLOKER SÁJE ESECHE SE SEJE<br /> | |||
ÁNDHÁR SARIYE DIYECHE<br /> | |||
He came decorated with the adornment of light, and removed the darkness. Removing the fog<br /> | |||
and the dark curtain in a moment, He went away far. That darkness was intense. It was<br /> | |||
darkness of inertia in the mental arena. When my dearest came, within moment, effulgence<br /> | |||
danced. How many seasons, days and months passed. How much rains fallen profusely. How<br /> | |||
many floral garlands dropped into mud. Yet, His bright effulgence remains.<br /> | |||
=== 3485 (01/04/1986) D === | |||
TOMÁY ÁMI CEYE CHILUM<br /> | |||
DUHKHE SUKHE MANO MÁJHE<br /> | |||
DEKHÁ DILE NAVA SÁJE<br /> | |||
PHÚL SÁJEGO RÚPA SÁJE<br /> | |||
DUHKHE SUKHE MANO MÁJHE<br /> | |||
GUŃER TOMÁR NÁI TULANÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GUŃER TOMÁR NÁI TULANÁ<br /> | |||
VYAKTA NRITYE CHANDE NÁNÁ<br /> | |||
AVYAKTAO ÁCHE AJÁNÁ<br /> | |||
MUGDHA CITTA KRPÁ JÁCE<br /> | |||
DUHKHE SUKHE MANO MÁJHE<br /> | |||
ÁCHO TUMI SARVA LOKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁCHO TUMI SARVA LOKE<br /> | |||
VYAKTÁVYAKTA TAMASÁ? ÁLOKE<br /> | |||
ÁNÁO ASHRU HÁSI PALAKE<br /> | |||
KABHU DÚR KAKHANO KÁCHE<br /> | |||
DUHKHE SUKHE MANO MÁJHE<br /> | |||
TOMÁY ÁMI CEYE CHILUM<br /> | |||
DUHKHE SUKHE MANO MÁJHE<br /> | |||
O Lord, I have wanted You within my mind during pain and pleasure. You have shown Yourself<br /> | |||
in new adornments of beautiful flowers. There is no comparison of Your attributes. You are<br /> | |||
expressed in various dances and rhythms. The unexpressed is also unknown and there is<br /> | |||
begging of mercy with engrossed mind. You exist in all arenas. In expressed, unexpressed<br /> | |||
in light and shade. You bring tears and smiles in moments, sometimes far and sometimes<br /> | |||
close.<br /> | |||
=== 3486 (01/04/1986) D === | |||
SHUK TÁRÁ KÁL SHUNIYE GECHE<br /> | |||
BHORE TUMI ÁSCHO PRIYA<br /> | |||
DEKHÁR ÁGEI SVÁGAT JÁNÁI<br /> | |||
ÁSÁR ÁGEI PRAŃÁM NIO<br /> | |||
BHORE TUMI ÁSCHO PRIYA<br /> | |||
PHULERÁ SAB CEYE ÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHULERÁ SAB CEYE ÁCHE<br /> | |||
MADHU NIYE PÁPAŔI NÁCE<br /> | |||
DUHKHE SUKHE BHULE GECHE<br /> | |||
TOMÁY BHEVEI HE ÁDARŃIIYA<br /> | |||
BHORE TUMI ÁSCHO PRIYA<br /> | |||
BHORER PÁKHI UT́HACHE D́ÁKI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHORER PÁKHI UT́HACHE D́ÁKI<br /> | |||
SUR SEDHECHE RÁTRI JÁGI<br /> | |||
PRIITIR GIITI NEIKO BÁKI<br /> | |||
ARUŃ RÁGE MAN RÁUNGIO<br /> | |||
BHORE TUMI ÁSCHO PRIYA<br /> | |||
SHUK TÁRÁ KÁL SHUNIYE GECHE<br /> | |||
BHORE TUMI ÁSCHO PRIYA<br /> | |||
O Lord, the Venus planet went telling yesterday that You would come. Before seeing You, I<br /> | |||
express welcome, accept my salutations before coming. All the flowers want You with<br /> | |||
sweetness and dance of petals. They have forgotten all pains and pleasures thinking of<br /> | |||
You, O The Revered. The morning bird started calling, that had rehearsed the tune<br /> | |||
awakening whole night. No more love song is left, with the crimson colour, colour the<br /> | |||
mind.<br /> | |||
=== 3487 (01/04/1986) D === | |||
TOMÁY DHARE RÁKHITE CÁI<br /> | |||
MANER MAŃI MAINJÚŚÁY<br /> | |||
MANER MAŃI MAINJÚŚÁY<br /> | |||
ÁMÁR KARE? ÁMÁR PRÁŃE<br /> | |||
RÁTE DINE SAB SAMAY<br /> | |||
MANER MAŃI MANJÚŚÁY<br /> | |||
MANER MAŃI MANJÚŚÁY<br /> | |||
NEIKO ÁMÁR VIDYÁ DYUTI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NEIKO ÁMÁR VIDYÁ DYUTI<br /> | |||
NEIKO ÁMÁR YASHER JYOTIH<br /> | |||
ÁCHE SHUDHU PRIITIR GIITI<br /> | |||
JÁ SHONÁTE CÁI TOMÁY<br /> | |||
MANER MAŃI MANJÚŚÁY<br /> | |||
MANER MAŃI MANJÚŚÁY<br /> | |||
ÁCHE SABAI TOMÁR PÁYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁCHE SABAI TOMÁR PÁYE<br /> | |||
NÁI BÁ THÁKUK MOR HRDAYE<br /> | |||
TOMÁR CARAŃ REŃU MÁKHIYE<br /> | |||
KARABO SHUCI ÁMI ÁMÁY<br /> | |||
MANER MAŃI MANJÚŚÁY<br /> | |||
MANER MAŃI MANJÚŚÁY<br /> | |||
TOMÁY DHARE RÁKHITE CÁI<br /> | |||
MANER MAŃI MAINJÚŚÁY<br /> | |||
MANER MAŃI MAINJÚŚÁY<br /> | |||
O Lord, I want to keep You under fold within my mental casket of gems, making You my own | |||
wholeheartedly, day and night, all the time. I have no illumination of wisdom, neither<br /> | |||
light of fame. Only song of love is there, that I want to sing for You. By smearing the<br /> | |||
dust of Your Holy feet; I shall purify myself.<br /> | |||
=== 3488 (01/04/1986) D === | |||
ÁMI, GENTHECHI MÁLATI MÁLÁ<br /> | |||
SAJÁYE VARAŃ D́ÁLÁ<br /> | |||
ÁSHÁR ÁSAVE PRÁŃOTSAVE<br /> | |||
BHULECHI DAHAN JVÁLÁ<br /> | |||
SAJÁYE VARAŃ D́ÁLÁ<br /> | |||
JE DIKEI CÁI TUMI CHÁŔÁ NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE DIKEI CÁI TUMI CHÁŔÁ NÁI<br /> | |||
VEDANÁY HÁY DHARITE NÁ PÁI<br /> | |||
ÁMÁR NIKHILE ÁKÁSHER NIILE<br /> | |||
BUJHI TAVA PRIITI D́HÁLÁ<br /> | |||
SAJÁYE VARAŃ D́ÁLÁ<br /> | |||
TUMI ÁCHO PRIYA SVARŃA CÚŔÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ÁCHO PRIYA SVARŃA CÚŔÁY<br /> | |||
ÁMI PAŔE ÁCHI ATAL GUHÁY<br /> | |||
TOMÁR ÁLOY HOYE ÁLOMAYA<br /> | |||
TAVA TARE HOYE UTALÁ<br /> | |||
SAJÁYE VARAŃ D́ÁLÁ<br /> | |||
ÁMI, GENTHECHI MÁLATI MÁLÁ<br /> | |||
SAJÁYE VARAŃ D́ÁLÁ<br /> | |||
I am threading the garland of malatii flowers, decorating the tray of colours. With the<br /> | |||
essence of hope, I forget the burning heat. In whatever direction I see, I do not find<br /> | |||
anything other than You. But due to agony, I am unable to hold You. In whole of my blue<br /> | |||
sky, I feel the flow of Your love. O Dear, You are seated at the golden peak, and I am<br /> | |||
lying in deep recess. By getting illuminated with Your effulgence, I become frenzied for<br /> | |||
You.<br /> | |||
=== 3489 (01/04/1986) D === | |||
TOMÁR BÁNDHAN PRIITI SPANDAN | |||
ÁMÁR GIITIR ABHIŚEKE<br /> | |||
NÁM NÁ JÁNÁ KÁL NÁ MÁNÁ<br /> | |||
GAHAN DYUTI NIRNIMEŚE<br /> | |||
EGIE CALI TOMÁR NÁME<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EGIE CALI TOMÁR NÁME<br /> | |||
JAKHANAI PATHE ELUM NEME<br /> | |||
ÁLGÁ SURE CHANDA BHARE<br /> | |||
JUJHE DÁRUŃA DURVIPÁKE<br /> | |||
ÁMÁR GIITI ABHIŚEKE<br /> | |||
ACENÁ AJÁNÁ ATITHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ACENÁ AJÁNÁ ATITHI<br /> | |||
BOJHÁ JE DÁY TOMÁR RIITI<br /> | |||
TÁI TO ÁMÁR JÁNÁI NATI<br /> | |||
BODHÁTIITE SARVA DHII KE<br /> | |||
ÁMÁR GIITI ABHIŚEKE<br /> | |||
TOMÁR BÁNDHAN PRIITI SPANDAN | |||
ÁMÁR GIITI ABHIŚEKE<br /> | |||
O Lord, Your bondage and vibration of love, is crowning for my song. Without knowing the<br /> | |||
name and recognizing the time, with unblinking eyes, I move to intense illumination. I<br /> | |||
move forward with Your name. When I came down on the path. Filling rhythm in the unfixed<br /> | |||
melody, I am struggling with intense disaster. O the unrecognised, unknown guest, it is<br /> | |||
hard to understand Your method. That is why I offer salutation to You, Who is beyond<br /> | |||
comprehension of all intellects.<br /> | |||
=== 3490 (02/04/1986) D === | |||
ACENÁ AJÁNÁ PATHIK<br /> | |||
ESE CHILE MANER MÁJHE<br /> | |||
BHÁLOBESE MIŚT́I HESE<br /> | |||
CINILE MÁNO MOHAN SÁJE<br /> | |||
ESE CHILE MANER MÁJHE<br /> | |||
LIILÁY TOMÁR NEIKO JUŔI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LIILÁY TOMÁR NEIKO JUŔI<br /> | |||
SARVA DESHE BEŔÁO GHÚRI<br /> | |||
KÁLÁNTARER ANTARÁLE<br /> | |||
TAVA VEŃUKÁ MARME BÁJE<br /> | |||
ESE CHILE MANER MÁJHE<br /> | |||
NITYA VRINDÁVANER SAKHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NITYA VRINDÁVANER SAKHÁ<br /> | |||
KEHOI KABHU NAYKO EKÁ<br /> | |||
OTAH PROTE SABÁR SÁTHE<br /> | |||
TOMÁR PRIITI CHANDE NÁCE<br /> | |||
ESE CHILE MANER MÁJHE<br /> | |||
ACENÁ AJÁNÁ PATHIK<br /> | |||
ESE CHILE MANER MÁJHE<br /> | |||
The unrecognised unknown guest came into my mind. He offered acquaintance smiling sweetly<br /> | |||
with love with charming adornment. There is no match of Your divine play, liila, You<br /> | |||
move around all arenas. Within the gaps of periods also, Your flute plays within the core.<br /> | |||
O The Ever companion of the Eternal Vrinda’van, nobody is alone anytime. With all<br /> | |||
individually and collectively, Your love dances with rhythm.<br /> | |||
=== 3491 (02/04/1986) D === | |||
ALAKÁR ÁLO BHULOKE D́HÁLO<br /> | |||
DYULOKER DYUTI BHARE TOLO<br /> | |||
VISHVA BHUVANE AGAŃITA JANE<br /> | |||
E KARUŃÁ TARE VIHVALO<br /> | |||
DYULOKER DYUTI BHARE TOLO<br /> | |||
KATA KÁLA DHARE AMÁNISHÁ GECHE<br /> | |||
KRIŚŃA KÁKARI KUT́IL HESE CHE<br /> | |||
TUMI ESE PRIYA ÁLO JVELE DIO<br /> | |||
PRAGYÁDHII PATHE NIYE CALO<br /> | |||
DYULOKER DYUTI BHARE TOLO<br /> | |||
E PÚRŃIMÁTE TUMI EK VIDHU<br /> | |||
BÁKIRÁ TÁRAKÁ DIIPÁLOK SHUDHU<br /> | |||
CÁNDE KHADYOTE VINIMAY SHUDHU<br /> | |||
KARE CALE PRIITI UCCHALO<br /> | |||
DYULOKER DYUTI BHARE TOLO<br /> | |||
ALAKÁR ÁLO BHULOKE D́HÁLO<br /> | |||
DYULOKER DYUTI BHARE TOLO<br /> | |||
O Lord, pour the heavenly illumination on the world, taking all the heavenly effulgence.<br /> | |||
Innumerable persons in the world are restless for this mercy of Yours. After a long time<br /> | |||
the dark night has passed. The black owl had smiled sarcastically. O Dear, You come<br /> | |||
kindle the light, and take me along the path of intuitive knowledge. You are the one full<br /> | |||
moon on this moonlight, all others are only twinkling of stars. There is exchange of light<br /> | |||
between moon and firefly with sweet hands of bright love.<br /> | |||
=== 3492 (02/04/1986) D === | |||
ÁLOR DESHE AVASHEŚE<br /> | |||
CALCHI PRIYA TOMÁR KRIPÁY<br /> | |||
AVAHELÁY PRAHAR GECHE<br /> | |||
VACHAR GECHE BHULINI TÁY<br /> | |||
CALCHI PRIYA TOMÁR KRIPÁY<br /> | |||
ANÁDI ASHEŚER LIILAY<br /> | |||
NÁCÁO SABE VISHVA DOLÁY<br /> | |||
TOMÁR DAYÁY TAVA MAMATÁY<br /> | |||
SABÁI SHEŚE KÚL PETE CÁY<br /> | |||
CALCHI PRIYA TOMÁR KRIPÁY<br /> | |||
NITYA KÁLE TUMI PURÁTAN | |||
ALAKH VIDHU ARÚPA RATAN | |||
SÁGAR TALE KÁLO JALE<br /> | |||
LUKIYE CHILE RÚPER MELÁY<br /> | |||
CALCHI PRIYA TOMÁR KRIPÁY<br /> | |||
ÁLOR DESHE AVASHEŚE<br /> | |||
CALCHI PRIYA TOMÁR KRIPÁY<br /> | |||
O Dear, at the end, towards to arena of effulgence I am moving with Your grace. Due to<br /> | |||
negligence, the time and years have passed, but I did not forget Him. With Your divine<br /> | |||
game liila, You make all dance, and swing the world. By Your mercy and affection, all<br /> | |||
want to get the shore at the end. You are ancient all the time, the unseen moon, a<br /> | |||
formless gem. At the bottom of the ocean, below the dark water, You are hidden with<br /> | |||
festivity of beauty.<br /> | |||
=== 3493 (02/04/1986) K === | |||
MANER BHRAMAR KOTHÁY UŔE CALE<br /> | |||
UŔE JÁY KÁR TARE SE DÚR ACALE<br /> | |||
MANER BHRAMAR KOTHÁY UŔE CALE<br /> | |||
PHÚLER MADHU SE JE SHUDHU<br /> | |||
KŚAŃIKER SUKH DITE PÁRE<br /> | |||
VANER PÁNE MAN KE T́ÁNE<br /> | |||
MADHUR ÁSHE BÁRE BÁRE<br /> | |||
BHRAMAR JÁNÁY SE STHÁYII SUKH CÁY<br /> | |||
TÁI SE CHOT́E NABHAH NIILE<br /> | |||
MANER BHRAMAR KOTHÁY UŔE CALE<br /> | |||
STHÁYII MADHU ÁCHE SHUDHU<br /> | |||
SE PURUŚOTTAMERI KÁCHE<br /> | |||
VISHVA BHUVAN HOYE EK MAN | |||
TÁI TÁRE GHIRE NÁCE<br /> | |||
E KATHÁ BUJHE TÁRI KHONJE<br /> | |||
BHRAMARÁ UŔE PÁKHANÁ MELE<br /> | |||
MANER BHRAMAR KOTHÁY UŔE CALE<br /> | |||
Where the mental bee goes on flying? For Whom it goes on flying in distant direction? For<br /> | |||
him, the honey of the flower provides only momentary pleasure, thus pulling the mind, it<br /> | |||
goes towards the garden again and again with the hope of honey. The bee knows that it<br /> | |||
longs for permanent happiness, hence it rushes towards the blue sky. The permanent honey<br /> | |||
is only with the Purus’ottama. Hence, the whole world, becoming of same mind dances<br /> | |||
around Him. Understanding this fact, in search of Him, the bee flies spreading the wings.<br /> | |||
=== 3494 (02/04/1986) K === | |||
MOR, MANER MÁYÁVANE KE TUMI ELE<br /> | |||
DEKHE JENO MANE HOYE CINI TOMÁRE<br /> | |||
PARICAYA NÁHI DILE, MOR<br /> | |||
MANER MÁYÁVANE KE TUMI ELE<br /> | |||
MANER MÁYÁVANE KE TUMI ELE<br /> | |||
VANE MOR JAME CHILO ÁGÁCHÁR BHIIŔ<br /> | |||
CHILO KÁNT́ÁR PÁHÁŔ, CHILO NÁ KONO SAMIIR<br /> | |||
CHILO BADDHA HÁOÁ JAD́A KE CÁVÁ<br /> | |||
TÁDER SARIYE DIYE SHOBHÁ ÁNILE<br /> | |||
MANER MÁYÁVANE KE TUMI ELE<br /> | |||
JE MAN PÁRITA NANDAN VAN HOTE<br /> | |||
PÁRITA SVARŃA CÚŔÁ GAŔIÁ DITE<br /> | |||
CHILO ÁNDHÁRE D́HÁKÁ KÁLIMÁ MÁKHÁ<br /> | |||
TÁHÁTE DYUTIR RATHA TUMI CÁLÁLE<br /> | |||
MANER MÁYÁVANE KE TUMI ELE<br /> | |||
Into the illusive garden of my mind, who is that You who came? On seeing, it appears into<br /> | |||
the mind that I recognise You, though You did not introduce Yourself. Into my mental<br /> | |||
garden, lots of weeds were accumulated. There were mountains of thorns, and there was no<br /> | |||
breeze. There was only closed air with desire of matter. You removed them and brought<br /> | |||
decoration. The mind that was capable of passing through heavenly garden, and creating<br /> | |||
golden bracelet, was covered by darkness, smeared with dirt that You moved on the chariot<br /> | |||
of effulgence.<br /> | |||
=== 3495 (02/04/1986) K === | |||
TUMI KARUŃÁMAYA<br /> | |||
ÁNDHÁRE CHILUM ÁLOTE ELUM<br /> | |||
KARILE AKUTOBHAYA<br /> | |||
TUMI KARUŃÁMAYA<br /> | |||
KET́E GECHE KATA KÁLA GHAN TIMIRE<br /> | |||
KATA VIBHÁVARII GECHE ASHRU NIIRE<br /> | |||
BRISHCIK JVÁLÁ HATAMÁNERI MÁLÁ<br /> | |||
SARÁLE HE MADHUMAY<br /> | |||
TUMI KARUŃÁMAYA<br /> | |||
BHEVECHI ÁR NÁ PÁRI SAHIYÁ JETE<br /> | |||
BHITARE BÁHIRE ARIRE JUJHITE<br /> | |||
DILE MANOBALA PÁTHEY SAMBAL<br /> | |||
ELE HOYE MANOMAY<br /> | |||
TUMI KARUŃÁMAYA<br /> | |||
TUMI KARUŃÁMAYA<br /> | |||
ÁNDHÁRE CHILUM ÁLOTE ELUM<br /> | |||
KARILE AKUTOBHAYA<br /> | |||
O The Merciful, I was in darkness and came into light, You made me fearless. How much time<br /> | |||
has passed in dense darkness. How many nights have passed with tears. The burning sting of<br /> | |||
scorpion, series of insults, You removed O the embodiment of sweetness. What I thought<br /> | |||
that I could never tolerate, struggling with internal and external enemies. You provided<br /> | |||
mental strength, and provisions for the path, having come, O the embodiment of the mind.<br /> | |||
=== 3496 (02/04/1986) K === | |||
MOR MAN NIKUNJE ÁJI KE TUMI ELE<br /> | |||
ELE<br /> | |||
SHUŚKA MARU KE SHYÁMAL KARILE<br /> | |||
KUINJA RACILE<br /> | |||
ELE<br /> | |||
SUŚAMÁR SAMÁHÁR TUMI BANDHU<br /> | |||
PRIITI MAMATÁY BHARÁ SUDHÁ SINDHU<br /> | |||
AHAETUKI KRPÁY SNIGDHA KARUŃÁY<br /> | |||
JÁHÁ BHÁVI NÁI TÁHÁ KARIYÁ CHILE<br /> | |||
ELE<br /> | |||
TRILOKE TOMÁR KONO NÁI TULANÁ<br /> | |||
TRIDASHE DVIITIYA HENO KEU MELE NÁ<br /> | |||
TUMI SARVÁSHRAY SHÁNTI NILAY<br /> | |||
GIITIR ABHISÁRE DYUTI ÁNILE<br /> | |||
ELE<br /> | |||
MOR MAN NIKUNJE ÁJI KE TUMI ELE<br /> | |||
ELE<br /> | |||
Into my mental arbor, Who is that You, who came? You made the dry sand greenish, and<br /> | |||
created a garden. O Companion, You are the collection of beauty, full of affectionate love<br /> | |||
and ocean of sweetness. With Your causeless grace, and soft mercy, whatever I could not<br /> | |||
imagine, that You provided. There is no comparison of Yours in the three spheres<br /> | |||
physical, psychic and spiritual. No second Entity is found in heaven. With rendezvous of<br /> | |||
song, You brought shine.<br /> | |||
=== 3497 (02/04/1986) D === | |||
TOMÁY ÁRO KÁCHE CEYE<br /> | |||
LAJJÁ DILUM NIJEKE<br /> | |||
CHILE KÁCHE MANER MÁJHE<br /> | |||
DEKHINIKO PALAKE<br /> | |||
LAJJÁ DILUM NIJEKE<br /> | |||
NITYA KÁLER SAUNGII ÁMÁR<br /> | |||
ÁSÁ JÁOÁ THÁKÁR SAMÁHÁR<br /> | |||
TOMÁY BHÚLE BHÁSI AKÚLE<br /> | |||
SVASHRIŚT́A DURVIPÁKE<br /> | |||
LAJJÁ DILUM NIJEKE<br /> | |||
SARÁO ÁMÁR MOHA GHANAGHOR<br /> | |||
ÁNÁO JIIVANE RÁUNGÁ BHOR<br /> | |||
TOMÁR LIILÁY AVALIILÁY<br /> | |||
JUJHITE CÁI BÁDHÁKE<br /> | |||
LAJJÁ DILUM NIJEKE<br /> | |||
TOMÁY ÁRO KÁCHE CEYE<br /> | |||
LAJJÁ DILUM NIJEKE<br /> | |||
O Lord, asking You to be still closer, I ashamed myself. You were very close in the mind<br /> | |||
itself, but I did not see with eyes. O my EverCompanion, collection of coming, going and<br /> | |||
stay, by forgetting You, I float shoreless, creating danger myself. Remove my intense<br /> | |||
infatuation, bring in the life, colourful morning. Within Your divine play and sport, I<br /> | |||
want to struggle with the obstructions.<br /> | |||
=== 3498 (02/04/1986) D === | |||
ÁNANDERI MAHOTSAVE<br /> | |||
TUMI PRIYA THEKO KÁCHE KÁCHE<br /> | |||
GIIT RACECHI SUR SEDHECHI<br /> | |||
ÁSHÁR ÁLOY MANO MÁJHE<br /> | |||
TUMI PRIYA THEKO KÁCHE KÁCHE<br /> | |||
RÁTRI DINER NEIKO VICÁR<br /> | |||
SARVA KÁLEI TUMI AVIKÁR<br /> | |||
MAN BHRAMARÁY ÁSE VIKÁR<br /> | |||
HERE GELE KON KÁJE<br /> | |||
TUMI PRIYA THEKO KÁCHE KÁCHE<br /> | |||
HE UTSAVER TIIRTHA PATI<br /> | |||
KARI ANUNAY JÁNIYE NATI<br /> | |||
THEKO MANE SMITÁNANE<br /> | |||
SEJE RAUNGIIN PHÚL SÁJE<br /> | |||
TUMI PRIYA THEKO KÁCHE KÁCHE<br /> | |||
ÁNANDERI MAHOTSAVE<br /> | |||
TUMI PRIYA THEKO KÁCHE KÁCHE<br /> | |||
O Dear, during this festivity of bliss, You stay with me close by. I create songs and<br /> | |||
rehearse the melody within the mind with Your illumination. Without any consideration of<br /> | |||
day and night, You remain undeformed all the time. O The Presiding Deity of the pilgrim<br /> | |||
place, expressing my submission, I pray You, stay in my mind with smiling face, decorated<br /> | |||
with colourful adornment.<br /> | |||
=== 3499 (02/04/1986) K+D === | |||
TUMI, ÁMÁR ARÚPA RATAN | |||
ÁCHO SMITA SÁJE ÁCHO SMITA SÁJE<br /> | |||
DEKHI NIKO TOMÁY<br /> | |||
KABHU BHAYE LÁJE KABHU BHAYE LÁJE<br /> | |||
JE BHAYA CHILO ÁMÁR MANE<br /> | |||
D́HÁKÁ RÁKHÁ SAḾGOPANE<br /> | |||
D́HÁKNÁ KHULE TUMI DILE<br /> | |||
JÁNINÁ KI KÁJE<br /> | |||
ÁCHO SMITA SÁJE ÁCHO SMITA SÁJE<br /> | |||
PÁPŔI MÁJHE THÁKÁ JE LÁJ<br /> | |||
SARÁLE TÁR MADHUKHYA TÁJ<br /> | |||
MAN BHRAMARÁ LAJJÁ HÁRÁ<br /> | |||
UŔE NILÁJ NÁCE<br /> | |||
ÁCHO SMITA SÁJE ÁCHO SMITA SÁJE<br /> | |||
TUMI, ÁMÁR ARÚPA RATAN | |||
ÁCHO SMITA SÁJE ÁCHO SMITA SÁJE<br /> | |||
O formless gem of mine, You are well decorated with smiling adornments. I am unable to<br /> | |||
see You anytime due to fear and shyness. The fear that I had in the mind, kept covered<br /> | |||
secretly, You uncovered that, I do not know why. The shyness that was covered within | |||
petals, You removed its bee wax crown. Now the mental bee losing its shyness flies dancing<br /> | |||
shamelessly.<br /> | |||
=== 3500 (02/04/1986) D === | |||
NÚTAN TOMÁRE VARAŃ KARECHI<br /> | |||
MILANER MADHUPARKATE<br /> | |||
ESO MOR PÁSHE MOR CIDÁKÁSHE<br /> | |||
SUSNIGDHA SMITA JYOTSNÁTE<br /> | |||
MILANER MADHUPARKATE<br /> | |||
PURÁTAN JÁHÁ HOK APANIITA<br /> | |||
HÁRÁNO RÁTER ÁNDHÁRER MATA<br /> | |||
NÚTAN ESECHE JIIVAN HESECHE<br /> | |||
ÁLOK MÁLÁR ÚRMITE<br /> | |||
MILANER MADHUPARKATE<br /> | |||
HÁR JIIT LÁBH BHULE JETE CÁI<br /> | |||
NÚTAN BHELÁTE JIIVAN BHÁSÁI<br /> | |||
SUMUKHER PATHE DRIŔHATÁR SÁTHE<br /> | |||
JUJHIÁ CALITE DINE RÁTE<br /> | |||
MILANER MADHUPARKATE<br /> | |||
NÚTAN TOMÁRE VARAŃ KARECHI<br /> | |||
MILANER MADHUPARKATE<br /> | |||
O New Entity, I worship You with oblation of honey of meeting. Come close to me into the<br /> | |||
firmament of my mind during this soft, smiling moonlight. So that the old is eliminated<br /> | |||
like the darkness of the passed night. The new comes and the life smiles, with the series<br /> | |||
of waves of effulgence. I want to forget, defeat, victory and gain. On new boat, I want to<br /> | |||
float my life, which moves ahead on the path, with firmness, struggling day and night.<br /> | |||
=== 3501 (13/04/1986) K === | |||
TUMI ESE CHILE DIIPAK ENE CHILE<br /> | |||
MANER MUKURE HESE CHILE<br /> | |||
GHAN GHUM GHORE CHILUM? ACETAN | |||
TUMI ÁMÁRE TULE CHILE<br /> | |||
MANER MUKURE HESE CHILE<br /> | |||
KII MANDA KII BHÁLO CHILO NÁ VICÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KII MANDA KII BHÁLO CHILO NÁ VICÁR<br /> | |||
MOR, MANER KÁLO CHILO CÁRI DHÁR<br /> | |||
BUJHI NI KII SÁR KII BÁ ASÁR<br /> | |||
ÁLO DIYE DEKHIYE CHILE<br /> | |||
MANER MUKURE HESE CHILE<br /> | |||
MANER MANJÚŚAR HE HIIRAK DYUTI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER MANJÚŚAR HE HIIRAK DYUTI<br /> | |||
OTAH PROTA BHÁVE TOMÁR ABÁDHA GATI<br /> | |||
RANDHRE RANDHRE GÁO CITI GIITI<br /> | |||
SE RÁGE ÁMÁRE RÁNGIYE DILE<br /> | |||
MANER MUKURE HESECHILE<br /> | |||
TUMI ESE CHILE DIIPAK ENE CHILE<br /> | |||
MANER MUKURE HESE CHILE<br /> | |||
O Lord, You came, brought lamp and smiled in the mental mirror. I was in dense deep sleep<br /> | |||
unconscious, You lifted me up. I had no discrimination of what was good or bad. All over<br /> | |||
into my mind was black dirt. I did not understand what is real essence and what was waste.<br /> | |||
By providing illumination, You have shown that. O The diamond glow in the casket of mind<br /> | |||
Your movements in individual and collective style is unobstructed. Into each pour You sing<br /> | |||
the song of consciousness, and in that colour, You have coloured me.<br /> | |||
=== 3502 (13/04/1986) D === | |||
E PRABHÁT ÁMÁRI TARE<br /> | |||
E PRABHÁT ÁMÁRI TARE<br /> | |||
GÁN SHONÁBO RAUNGA LÁGÁBO<br /> | |||
PHÚL PHOT́ÁBO THARE THARE<br /> | |||
E PRABHÁT ÁMÁRI TARE<br /> | |||
E PRABHÁT ÁMÁRI TARE<br /> | |||
ÁMÁR MANER MAŃI KOT́HÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR MANER MAŃI KOT́HÁY<br /> | |||
SAB KICHU JE HÁRIYE JÁY<br /> | |||
EKE ANEKE MISHE JÁY<br /> | |||
EK VIIŃÁR TÁRE<br /> | |||
E PRABHÁT ÁMÁRI TARE<br /> | |||
E PRABHÁT ÁMÁRI TARE<br /> | |||
SHONO O HE AJÁNÁ PATHIK<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHONO O HE AJÁNÁ PATHIK<br /> | |||
ÁMÁR ÁNDHÁR GEHE MÁŃIK<br /> | |||
CHANDE SURE MÁDHURI BHARE<br /> | |||
NÁCI TOMÁY GHIRE<br /> | |||
E PRABHÁT ÁMÁRI TARE<br /> | |||
E PRABHÁT ÁMÁRI TARE<br /> | |||
This morning belongs to me.<br /> | |||
I shall sing, paint<br /> | |||
and make flowers bloom layer by layer.<br /> | |||
Everything gets lost in the cascade of my mind.<br /> | |||
On the tinkling string of a single viina<br /> | |||
all merge into one.<br /> | |||
O unknown traveller,<br /> | |||
please listen to me!<br /> | |||
You are the gem in my dark abode.<br /> | |||
Pouring sweetness in rhythms and melodies<br /> | |||
I keep dancing around You.<br /> | |||
=== 3503 (14/04/1986) K === | |||
JÚTHIKÁ MÁLÁY KABARI SÁJÁY<br /> | |||
KON SE RÚPASII ÁJI E SANDHYÁY<br /> | |||
RÚPER ALAKÁY KUSUM SAJJÁY<br /> | |||
NIJE KE BHOLÁY BASE NIRÁLÁY<br /> | |||
KON SE RÚPASII ÁJI E SANDHYÁY<br /> | |||
KÁR TARE E RÚPA ESE CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁR TARE E RÚPA ESE CHILO<br /> | |||
KÁR CHONYÁ PEYE COKHE BHESE CHILO<br /> | |||
KON MÁDAKATÁY SE NABHAH PÁNE CÁY<br /> | |||
NECE CHÚT́E JÁY KÁR PREŚAŃÁY<br /> | |||
KON SE RÚPASII ÁJI E SANDHYÁY<br /> | |||
TILOTTAMÁ TILE TILE HOYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TILOTTAMÁ TILE TILE HOYE<br /> | |||
BASE THÁKÁR NEI TILEK SAMAY<br /> | |||
HE PRIYA TOMÁY PÁT́HÁLO DHARÁY<br /> | |||
NÁO JENE KI CÁY SE PRATI LAHAMÁY<br /> | |||
KON SE RÚPASI ÁJI E SANDHYÁY<br /> | |||
JÚTHIKÁ MÁLÁY KABARI SÁJÁY<br /> | |||
KON SE RÚPASI ÁJI E SANDHYÁY<br /> | |||
Decorating the chignon with juhii garland, who is that beauty coming today evening? She is<br /> | |||
sitting in isolation, engrossed, with beautiful hairstyle and floral bed. For whom this<br /> | |||
beauty came, expectation of whose touch whose is floating in the eyes. For what<br /> | |||
enchantment, she looks at the sky, under whose push, she rushes dancing. She is becoming a<br /> | |||
paragon of beauty gradually, there is no time at all to sit. O Dear, sent by You on the<br /> | |||
earth, what does she want each moment, let me know.<br /> | |||
=== 3504 (15/04/1986) D === | |||
MANER MADHUVANE SE ESE CHILO<br /> | |||
KENO JÁNI NÁ CEYE CEYE HESE CHILO<br /> | |||
MANER MADHUVANE SE ESE CHILO<br /> | |||
KÚNŔI TAKHAN PHOT́E NIKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÚNŔI TAKHAN PHOT́E NIKO<br /> | |||
MALAY HAOÁ BAHE NIKO<br /> | |||
NANDANERI SPANDANETE<br /> | |||
ÁKUL ÁNKHI MELE CHILO<br /> | |||
MANER MADHUVANE SE ESE CHILO<br /> | |||
CARAŃ DHVANI PHÚL PHOT́ÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CARAŃ DHVANI PHÚL PHOT́ÁLO<br /> | |||
MALAYÁNIL PARE ELO<br /> | |||
MANER KOŃE SAḾGOPANE<br /> | |||
SE MADHUMÁS ENE DILO<br /> | |||
MANER MADHUVANE SE ESE CHILO<br /> | |||
JIIRŃA GELO NOTUN ELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIRŃA GELO NOTUN ELO<br /> | |||
VYATHÁR GÁTHÁ RAUNGE HÁRÁLO<br /> | |||
ÁLOK MÁLÁR MANJULÁTE<br /> | |||
NAVA VARŚA TAMAH SARÁLO<br /> | |||
MANER MADHUVANE SE ESE CHILO<br /> | |||
Into my sweet mental garden, He came, what for, I do not know, He smiled lovingly. The bud<br /> | |||
had not bloomed then, sandal breeze did not blow, with heavenly vibration, He opened the<br /> | |||
eager eyes. By the footstep sound, He bloomed the flower and made the sandal breeze blow.<br /> | |||
The torn old had gone and new has come. The history of pain was lost in colours. With the<br /> | |||
series of beautiful glow, He removed the darkness in the new year.<br /> | |||
=== 3505 (16/04/1986) K === | |||
PRIYA, TOMÁR TARE<br /> | |||
TAVA PRIITIR T́ÁNE<br /> | |||
TAVA PRIITIR T́ÁNE<br /> | |||
ÁMI ESECHI NIYE SÁJI NAVA PHÁGUNE<br /> | |||
TAVA PRIITIR T́ÁNE<br /> | |||
MANER SVANANE MOR JATA PHÚL PHUT́E CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER SVANANE MOR JATA PHÚL PHUT́E CHILO<br /> | |||
SABÁR GANDHA MADHU E SÁJITE BHARÁ CHILO<br /> | |||
D́HÁLIÁ DIYECHI TÁI MOR ÁRO KICHU NÁI<br /> | |||
NÁO TUMI SMITÁNANE<br /> | |||
TAVA PRIITIR T́ÁNE<br /> | |||
ASPHUT́ KALI KÁR BHÁVANÁ SURABHI PELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ASPHUT́ KALI KÁR BHÁVANÁ SURABHI PELO<br /> | |||
PARÁGER MADHU KÁR ÁSHE NIYE BASE CHILO<br /> | |||
TOMÁR CARAŃ PÁTE DRIK MÁDHURI NIPÁTE<br /> | |||
CHÚT́E ELO KENO KE JÁNE<br /> | |||
TAVA PRIITIR T́ÁNE<br /> | |||
For You, O Beloved,<br /> | |||
by the attraction of Your love,<br /> | |||
I have come with the decoration of the new spring.<br /> | |||
In the sound of my mind,<br /> | |||
this decoration was filled<br /> | |||
with the sweetness and fragrance<br /> | |||
of the flowers that I found blooming.<br /> | |||
I have poured out my all.<br /> | |||
Nothing else have I got left.<br /> | |||
O Lord, accept it with a smiling face.<br /> | |||
Whose ideative fragrance do unbloomed buds carry?<br /> | |||
With what expectation are they waiting,<br /> | |||
keeping honey inside their pollen?<br /> | |||
Who knows when Your footsteps shall become audible?<br /> | |||
Who knows when Your image shall become visible?<br /> | |||
=== 3506 (17/04/1986) D === | |||
SE PRIYA YADI NÁ ELO<br /> | |||
E PRIYA YADI NÁ ELO<br /> | |||
SE PRIYA YADI NÁ ELO<br /> | |||
KENO VRITHÁ MANE RÁKHÁ<br /> | |||
KENO KUSUM SEJ RACANÁ<br /> | |||
PATH PÁNE CEYE THÁKÁ<br /> | |||
KENO VRITHÁ MANE RÁKHÁ<br /> | |||
SHISHIRE GÁHAN KARI<br /> | |||
SHISHIRE GÁHAN KARI<br /> | |||
SHISHIRE GÁHAN KARI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHISHIRE GÁHAN KARI<br /> | |||
SHEFÁLI SUVÁSE BHARI<br /> | |||
SÁDÁ MEGHER BHELÁY CAŔI<br /> | |||
KENOI BÁ SHARATE D́ÁKÁ<br /> | |||
KENO VRITHÁ MANE RÁKHÁ<br /> | |||
KENO BHÁVÁ MADHUR SMRITI<br /> | |||
KENO BHÁVÁ MADHUR SMRITI<br /> | |||
KENO BHÁVÁ MADHUR SMRITI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KENO BHÁVÁ MADHUR SMRITI<br /> | |||
KENO SÁDHÁ PRIITI GIITI<br /> | |||
KENOI BÁ KARÁ VINATI<br /> | |||
TÁR TARE JE RÁKHE EKÁ<br /> | |||
KENO VRITHÁ MANE RÁKHÁ<br /> | |||
SE PRIYA YADI NÁ ELO<br /> | |||
KENO VRITHÁ MANE RÁKHÁ<br /> | |||
KENO KUSUM SEJ RACANÁ<br /> | |||
If that dear One des not come, why did I keep Him in my mind? Why creating a floral seat for<br /> | |||
Him, I continued waiting, looking at His arrival path? With dew dipped shefalii flowers<br /> | |||
full of fragrance, mounting on the boat of white cloud, what is use of calling during the<br /> | |||
winter. Why did I nourish His sweet memory? Why did I rehearse His love song? Why did I<br /> | |||
pray for Him, who has kept me alone?<br /> | |||
=== 3507 (18/04/1986) K+D === | |||
MOR, DIN CALE JÁ Y ÁSHÁ NIRÁSHÁY<br /> | |||
TOMÁR TAREI PRIYA<br /> | |||
TOMÁR TAREI PRIYA<br /> | |||
KABHU KÁNDI VEDANÁY HÁSI DURÁSHÁY<br /> | |||
HE MOR SAOMYA PREYA<br /> | |||
TOMÁR TAREI PRIYA<br /> | |||
TOMÁR TAREI PRIYA<br /> | |||
ÚRDHVA LOKE DRIŚT́I RÁKHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÚRDHVA LOKE DRIŚT́I RÁKHI<br /> | |||
NABHONIILE TÁKIYE THÁKI<br /> | |||
ASHRU NIIRE TOMÁY D́ÁKI<br /> | |||
EKT́U SÁŔÁ DIO<br /> | |||
TOMÁR TAREI PRIYA<br /> | |||
TOMÁR TAREI PRIYA<br /> | |||
KRŚŃA KUHELI RAYECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KRŚŃA KUHELI RAYECHE<br /> | |||
ÁMÁR MANER RANDHRA MÁJHE<br /> | |||
TUMI ELE MOHAN SÁJE<br /> | |||
SE TAMASÁ SARIO<br /> | |||
TOMÁR TAREI PRIYA<br /> | |||
TOMÁR TAREI PRIYA<br /> | |||
O Dear Lord, my days and nights are passing for You in the hope and despair. I sometimes<br /> | |||
cry in the agony of not getting You and sometimes I smile over my high unrealizable<br /> | |||
ambition, O my dignified benevolent. Fixing my eyes on the upward arena, I look towards<br /> | |||
the blue sky. With tearful eyes I call You, just once respond to my call. Black fog<br /> | |||
permeates within pores of my mind, You come with charming adornment and remove that<br /> | |||
darkness.<br /> | |||
=== 3508 (19/04/1986) D === | |||
KENO TUMI MORE D́EKE JÁO<br /> | |||
KŚAŃEK D́ÁKÁ NÁHI THÁMÁO<br /> | |||
TUCCHA ÁMI KŚUDRA ÁMI<br /> | |||
MOR KÁCHE KI BÁ PETE CÁO<br /> | |||
KŚAŃEK D́ÁKÁ NÁHI THÁMÁO<br /> | |||
ESECHI HETHÁY ÁLOK DHÁRÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ESECHI HETHÁY ÁLOK DHÁRÁTE<br /> | |||
TAVA EŚAŃÁR KALPANÁ SHROTE<br /> | |||
AJÁNÁR SURE BHESE JETE JETE<br /> | |||
CALÁR GATITE DRUTI JOGÁO<br /> | |||
KŚAŃEK D́ÁKÁ NÁHI THÁMÁO<br /> | |||
AJÁNÁ PATHIK ACENÁ TUMIO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AJÁNÁ PATHIK ACENÁ TUMIO<br /> | |||
MOR SÁTHE SÁTHE TUMIO CALIO<br /> | |||
PATH CALIVÁR BALA<br /> | |||
BHARE DIO/ GÁN KARE CHILE?<br /> | |||
TAVA ISPITA RÁGE CÁLÁO/ CALÁR<br /> | |||
CHANDE MADHU MÁKHÁY ?<br /> | |||
KŚAŃEK D́ÁKÁ NÁHI THÁMÁO<br /> | |||
KENO TUMI MORE D́EKE JÁO<br /> | |||
KŚAŃEK D́ÁKÁ NÁHI THÁMÁO<br /> | |||
O Lord, why do You calling me, without pausing the call even for a moment? I am meagre<br /> | |||
negligible, what do You expect from me? I have come here with the flow of effulgence, in | |||
the stream of imagination of Your will. While moving floating on the unknown melody, raise<br /> | |||
the speed of the movement. O the unknown traveler, You are also unrecognised, but You also<br /> | |||
move along with me. Fill me with the strength for moving on the path, and make me move to<br /> | |||
Your desired tune. (by creating songs and smearing sweetness in the rhythm of movement)<br /> | |||
=== 3509 (19/04/1986) K === | |||
CHANDA HÁRÁ MOR EK TÁRÁ<br /> | |||
TOMÁR PÁNE CHÚT́E JÁY<br /> | |||
CHINNA ÁSHE AVYAKTA BHÁŚE<br /> | |||
TOMÁY SHUDHU PETE CÁ<br /> | |||
YTOMÁR PÁNE CHÚT́E JÁY<br /> | |||
PÁOÁ NÁ PÁOÁ R URDHVA LOKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PÁVÁ NÁ PÁVÁ R URDHVA LOKE<br /> | |||
BHÁVER PRADIIP UDBHÁSE PULAKE<br /> | |||
MAN MAŃIKÁRA PRADIIPTI SÁR<br /> | |||
SE SHÁSHVATA DHRUVA LOKE MURACHÁYA<br /> | |||
TOMÁR PÁNE CHÚT́E JÁY<br /> | |||
KII CEYECHI KII PEYECHI BHULIÁ GECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KII CEYECHI KII PEYECHI BHULIÁ GECHI<br /> | |||
CÁVÁR ANTA NEI EI JENECHI<br /> | |||
KAPÁLER KURUVINDA JÁTE NIHITA ÁCHE<br /> | |||
ASTI BHÁTI JÁCE SE ÁNANDA SUDHÁ<br /> | |||
TOMÁR PÁNE CHÚT́E JÁY<br /> | |||
CHANDA HÁRÁ MOR EK TÁRÁ<br /> | |||
TOMÁR PÁNE CHÚT́E JÁY<br /> | |||
My tunelost monochord goes rushing towards You. With broken hope and unexpressed language<br /> | |||
it only wants to attain You. Into the arena above desire and achievements, kindling the<br /> | |||
lamp of ideation with joy, with essence of illumination of mental gem rosary, it is<br /> | |||
eternally engrossed in the absolute arena. What I want and what I obtained, I have<br /> | |||
forgotten. This much I know that there is no end of desires. Within Which the central<br /> | |||
decoration mark on forehead is located, that nectar of bliss it seeks through its<br /> | |||
existential glow.<br /> | |||
=== 3510 (20/04/1986) K === | |||
TUMI, HÁSÁTE JÁNO TUMI KÁNDÁTE JÁNO<br /> | |||
PALAKE LUKOTE JÁNO LIILÁCHALE<br /> | |||
DAKHIN MALAY VÁY SHYÁMASHRI VAN CHÁY<br /> | |||
VEŃUKÁ BÁJIYE JÁO MARMA MULE<br /> | |||
PALAKE LUKOTE JÁNO LIILÁCHALE<br /> | |||
ATAL APÁR TUMI SARVA LOKÁSHRAYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ATAL APÁR TUMI SARVA LOKÁSHRAYA<br /> | |||
KONO KICHURI SAUNGE TAVA TULANÁ NÁ HOY<br /> | |||
ANANTA ANÁDI HE PARAMA MAHODADHI<br /> | |||
SARVADHII TUMI DEVA KÁLE AKALE<br /> | |||
PALAKE LUKOTE JÁNO LIILÁCHALE<br /> | |||
JATA THÁKE BHAYA LÁJ JATA THÁKE KALMAŚA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JATA THÁKE BHAYA LÁJ JATA THÁKE KALMAŚA<br /> | |||
CAKITE SARE JÁY PEYE TOMÁRI PARASH<br /> | |||
IŚT́ER JE SÁDHANÁ DURLABHA JE PREŚAŃÁ<br /> | |||
NIMEŚE D́HÁLIÁ JÁO MANTRA BALE<br /> | |||
PALAKE LUKOTE JÁNO LIILÁCHALE<br /> | |||
TUMI, HÁSÁTE JÁNO TUMI KÁNDÁTE JÁNO<br /> | |||
PALAKE LUKOTE JÁNO LIILÁCHALE<br /> | |||
O Lord, You know how o make one cry and smile and to hide in a moment by the delusion of<br /> | |||
Your illusive game, liila. With the southern sandal breeze and greenness spread in the<br /> | |||
forest, go on playing the flute at the root of the core of the heart. You are the shelter<br /> | |||
of all arenas, unlimited and unfathomable. You are the Deity for all minds for all the<br /> | |||
times. All the fears, shyness and dirt, are astonishingly removed getting Your touch.<br /> | |||
The sa’dhana’, spiritual endeavor for the supreme goal, the most difficult projection | |||
You pour within a moment by virtue of the mantra.<br /> | |||
=== 3511 (20/04/1986) K === | |||
NÚTANERI SAMÁROHE<br /> | |||
HE PURÁTANA<br /> | |||
KATA NÚTAN ELO GELO<br /> | |||
TOMÁR MÁJHE HE CIRA NÚTANA<br /> | |||
HE PURÁTANA<br /> | |||
KATA NÚTAN TÁRÁ ELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA NÚTAN TÁRÁ ELO<br /> | |||
NABHO NIILE JHILIK DILO<br /> | |||
ULKÁ SAMA KHASE GELO<br /> | |||
LEKHÁ NEI ELO GELO KAKHANA<br /> | |||
HE PURÁTANA<br /> | |||
KATA SÁGAR ÚRMI MÁLÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA SÁGAR ÚRMI MÁLÁY<br /> | |||
SAB KICHU KEI GRÁSITE CÁY<br /> | |||
TOMÁR MÁJHE TÁRÁO HÁRÁY<br /> | |||
NITYA CAPAL HE MANOMOHANA<br /> | |||
HE PURÁTANA<br /> | |||
NÚTANERI SAMÁROHE<br /> | |||
HE PURÁTANA<br /> | |||
O The Ancient in the festivity of the new, several new came and went within You, O The<br /> | |||
ever new. Many new stars came into the space and shown the glimpses. But like meteorites<br /> | |||
they are also lost and for whose coming and going there is no record any time. Many series<br /> | |||
of waves and the oceans, that wanted to devour everything, they are also dissolved into<br /> | |||
You, O the eternally restless, the enchanting One.<br /> | |||
=== 3512 (21/04/1986) K === | |||
MANERI E MANI KÁ HÁR<br /> | |||
TOMÁR TAREI RÁ KHÁ ÁCHE<br /> | |||
KÁCHE ESE MRIDU HESE<br /> | |||
PARE SÁJO MOHANA SÁJE<br /> | |||
TOMÁR TAREI RÁKHÁ ÁCHE<br /> | |||
JE D́ORE GENTHECHI TÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE D́ORE GENTHECHI TÁRE<br /> | |||
JÁY NÁ DEOÁ UPA HÁRE<br /> | |||
JABE DEOÁ HOYE NIJERE<br /> | |||
TAKHANI NAJARE PAŔE<br /> | |||
TOMÁR TAREI RÁKHÁ ÁCHE<br /> | |||
JÁY NÁ CHENŔÁ E PRIITI D́OR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁY NÁ CHENŔÁ E PRIITI D́OR<br /> | |||
SHUKÁY NÁ HOYE GELO BHOR<br /> | |||
NIJER BHÁVEI THÁKE VIBHOR<br /> | |||
SHOŃE NÁ KE KII BOLECHE<br /> | |||
TOMÁR TAREI RÁKHÁ ÁCHE<br /> | |||
MANERI E MANI KÁ HÁR<br /> | |||
TOMÁR TAREI RÁKHÁ ÁCHE<br /> | |||
O Lord, this mental garland of gems is reserved for You only. Coming close, smiling<br /> | |||
softly, show wearing it with charming adornment. That which I threaded in the morning, but<br /> | |||
I could not offer as present. Only when offering of “self” is made then the dancing is<br /> | |||
observed. It is not possible to leave this thread of love, it did not dry even till<br /> | |||
morning. I was engrossed in thinking of myself, did not listen to w3hat as being told.<br /> | |||
=== 3513 (21/04/1986) D === | |||
BHÁLOBÁSI KI NÁ JÁNINÁ<br /> | |||
BHÁVATE TOMÁY BHÁLO LÁGE<br /> | |||
ÁSHÁ HOYE UDBODHITA<br /> | |||
PÁKHANÁ MELE ÚRDHVALOKE<br /> | |||
BHÁVATE TOMÁY BHÁLO LÁGE<br /> | |||
SALÁJ KORAK ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SALÁJ KORAK ÁMÁR<br /> | |||
TOMÁR RAUNGE HOYE EKÁKÁR<br /> | |||
KAMAL KALI NAYAN MELI<br /> | |||
JENO TÁKÁY SÚRYÁLOKE<br /> | |||
BHÁVATE TOMÁY BHÁLO LÁGE<br /> | |||
KAOMUDI KALÁPE JAKHAN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KAOMUDI KALÁPE JAKHAN | |||
SVAPNA MOHE BHARE BHUVAN | |||
MAN ALAKÁR KUNDE TAKHAN | |||
TOMÁR RAŃAN PHELE D́HOKE<br /> | |||
BHÁVATE TOMÁY BHÁLO LÁGE<br /> | |||
BHÁLOBÁSI KI NÁ JÁNINÁ<br /> | |||
BHÁVATE TOMÁY BHÁLO LÁGE<br /> | |||
O Lord, I do not know whether I love You or not, but I like thinking about You. The hope<br /> | |||
gets enlightened, and flies towards higher arenas spreading the wings. My shy inner bud<br /> | |||
becomes unified with Your colour, as if the lotus bud, opening the eyes, looks towards the<br /> | |||
sunlight. When collected moonlight fills the world with charming dream, then into the<br /> | |||
jasmine in the mental heaven, Your resonance enters.<br /> | |||
=== 3514 (22/04/1986) K === | |||
E PRABHÁT PRABHU TOMÁRI KRIPÁY<br /> | |||
ARUŃ ÁLOTE JHALAKE<br /> | |||
TAMASÁY ÁVARI JE VIBHÁVARII<br /> | |||
REKHE CHILO SARE GELO PALAKE<br /> | |||
ARUŃ ÁLOTE JHALAKE<br /> | |||
AJÁNÁR SUDHÁSÁRE PRIITI NISYANDA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AJÁNÁR SUDHÁSÁRE PRIITI NISYANDA<br /> | |||
MALAY PAVANE BHÁSÁ MAKARANDA<br /> | |||
SUSMITA CETANÁR CIDÁNANDA<br /> | |||
ENKE DILE KAPÁLER TILAKE<br /> | |||
ARUŃ ÁLOTE JHALAKE<br /> | |||
DIN ÁSE CALE JÁY BALÁKÁ PÁKHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIN ÁSE CALE JÁY BALÁKÁ PÁKHÁY<br /> | |||
HÁRIE JÁVÁ SMRITI NÁŔÁ DIYE JÁY<br /> | |||
PÁOÁ NÁ PÁOÁR KATHÁ KE TÁRE SHUDHÁY<br /> | |||
SPANDITA JIIVANER JAMAKE<br /> | |||
ARUŃ ÁLOTE JHALAKE<br /> | |||
E PRABHÁT PRABHU TOMÁRI KRIPÁY<br /> | |||
ARUŃ ÁLOTE JHALAKE<br /> | |||
O Lord, this morning shines with crimson light by Your grace. The night that had covered<br /> | |||
with darkness is removed out in a moment. The exudation of love of the unknown essence of<br /> | |||
nectar, the fragrance floating in the sandal breeze, the pleasing bliss of consciousness<br /> | |||
has put a beauty mark on the forehead. The day comes and goes like the wings of the swan | |||
the memories of the passed keep on calling. Who would explain them the reality of<br /> | |||
achievement and non attainment, the vibrating grandeur of life?<br /> | |||
=== 3515 (23/04/1986) D === | |||
TOMÁR PRIITIR PARASH JE PELO<br /> | |||
SE KII ÁR TÁRE BHULITE PÁRE<br /> | |||
PÁRE NÁ PÁRE NÁ<br /> | |||
JYOTSNÁY NABHONILE MILE THEKE<br /> | |||
BALÁKÁR MAN BHARE KI NIIŔE<br /> | |||
PÁRE NÁ PÁRE NÁ<br /> | |||
RANDHRE RANDHRE TUMI JE RAYECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RANDHRE RANDHRE TUMI JE RAYECHO<br /> | |||
NIIRANDHRA BOLE KICHU NÁ REKHECHO<br /> | |||
ÁLOK KAŃÁY BHARIÁ DIYECHO<br /> | |||
DYULOKER DYUTI PARÁG BHARE<br /> | |||
PÁRE NÁ PÁRE NÁ<br /> | |||
MANANER AGOCARE LUKIYECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANANER AGOCARE LUKIYECHO<br /> | |||
JÁHÁ BHÁVI NÁI TÁHÁO BHEVECHO<br /> | |||
KÁLÁKÁLER URDDHVE REKHECHO<br /> | |||
CINMAY RÚPE AMITA KARE<br /> | |||
PÁRE NÁ PÁRE NÁ<br /> | |||
TOMÁR PRIITIR PARASH JE PELO<br /> | |||
SE KII ÁR TÁRE BHULITE PÁRE<br /> | |||
PÁRE NÁ PÁRE NÁ<br /> | |||
O Lord, he who gets the touch of Your love, can he forget You any more, never, never. You<br /> | |||
pervade each pore, leaving nothing without pore. With particles of effulgence, You have<br /> | |||
filled the heavenly shine full of fragrance. You have hidden unseen by the mind, what I<br /> | |||
cannot think that also You think. You have kept Yourself above the time and beyond, as<br /> | |||
embodiment of consciousness, with immense hands.<br /> | |||
=== 3516 (24/04/1986) D === | |||
KALI BOLE CHILO ALI KENO<br /> | |||
MOR KÁCHE KABHU ÁSE NÁ<br /> | |||
GUL BÁGICÁY UŔE CALE JÁY<br /> | |||
MOR PÁNE KENO CÁY NÁ<br /> | |||
MOR KÁCHE KABHU ÁSE NÁ<br /> | |||
PRASTUTA ÁMI HOTECHI SATATA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRASTUTA ÁMI HOTECHI SATATA<br /> | |||
MANANETE MADHU KARI SAINCITA<br /> | |||
BHÁVER ABHÁVE THÁKI MÁTHÁ NATA<br /> | |||
SE? PRIYA KE TABU BHÚLI NÁ<br /> | |||
MOR KÁCHE KABHU ÁSE NÁ<br /> | |||
KOMAL PÁPAŔI LÁJE MURCHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KOMAL PÁPAŔI LÁJE MURCHÁY<br /> | |||
PARÁGER RÁGE TANIMÁ PHOT́ÁY<br /> | |||
ANURÁGE SURE RÁGE GÁN GÁY<br /> | |||
CETANÁ KETANE D́HÁKE NÁ<br /> | |||
MOR KÁCHE KABHU ÁSE NÁ<br /> | |||
KALI BOLE CHILO ALI KENO<br /> | |||
MOR KÁCHE KABHU ÁSE NÁ<br /> | |||
The bud told, “ why does not the honeybee come to me any time? It goes on flying through<br /> | |||
the floral garden, but does not look at me. I ever remain prepared collecting the mental<br /> | |||
honey. I ever keep my head low for want of feelings, yet never forgetting the Dearest. The<br /> | |||
soft petals faint with shyness, The tenderness blooms with the love of pollen. It sings<br /> | |||
the song in the tune of love without covering the flag of consciousness.<br /> | |||
=== 3517 (25/04/1986) D === | |||
GÁNERAI MÁYÁLOKE<br /> | |||
KE TUMI D́ÁKO ÁMÁKE D́ÁKO<br /> | |||
DINE RÁTE PRATI PALAKE<br /> | |||
KABHU THÁMO NÁKO<br /> | |||
ÁMÁKE D́ÁKO<br /> | |||
SAKÁL VIKÁL NEIKO TOMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAKÁL VIKÁL NEIKO TOMÁR<br /> | |||
NEIKO SANDHYÁ ÚŚÁR VICÁR<br /> | |||
RÁGÁNURÁG ASHEŚAPÁR<br /> | |||
HRDAYE RÁKHO<br /> | |||
ÁMÁKE D́ÁKO<br /> | |||
NITYA KÁLER TUMI PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NITYA KÁLER TUMI PRIYA<br /> | |||
SAKAL KALUŚA SARIYE DIO<br /> | |||
ÁMÁY TOMÁR KARE NIO<br /> | |||
MARME THÁKO<br /> | |||
ÁMÁKE D́ÁKO<br /> | |||
GÁNERAI MÁYÁLOKE<br /> | |||
KE TUMI D́ÁKO ÁMÁKE D́ÁKO<br /> | |||
In the illusive arena of songs, Who is that You, calling me day and night, each moment<br /> | |||
never pausing? There is no morning or evening for You, no consideration of dawn or<br /> | |||
evening. You keep endless, unlimited love and affection in the heart. O The Dear forever<br /> | |||
remove all my dirt. Make me Your own and stay in the core of the heart.<br /> | |||
=== 3518 (26/04/1986) D === | |||
NAVA KISHALAYE KUSUM VALAYE<br /> | |||
SÁJÁYE TANIMÁ KHÁNI<br /> | |||
MADHUMÁS ELO JÁNI<br /> | |||
VIIŃÁ JHAUNKÁRE TRIŃER SHISHIRE<br /> | |||
JIIVANER VÁŃII ÁNI<br /> | |||
MADHUMÁS ELO JÁNI<br /> | |||
CALE GECHE ÁJ SHIITER JAŔÁTÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CALE GECHE ÁJ SHIITER JAŔÁTÁ<br /> | |||
BHULIÁCHE MAN DIIRŃA DIINATÁ<br /> | |||
JÁGIÁ UT́HECHE PRIITI PRÁŃIINATÁ<br /> | |||
SABÁRE MARME T́ÁNI<br /> | |||
MADHUMÁS ELO JÁNI<br /> | |||
HÁRÁIÁ RAUNGA HIMÁNI STÚPE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HÁRÁIÁ RAUNGA HIMÁNI STÚPE<br /> | |||
VASUDHÁ KENDECHE APATRA RÚPE<br /> | |||
SAḾGIITE ÁJ D́ÁKICHE MADHUPE<br /> | |||
NITYA NIPUŃ PÁŃI<br /> | |||
MADHUMÁS ELO JÁNI<br /> | |||
NAVA KISHALAYE KUSUM VALAYE<br /> | |||
SÁJÁYE TANIMÁ KHÁNI<br /> | |||
MADHUMÁS ELO JÁNI<br /> | |||
Decorated with much tenderness with new tender leaves and ring of flowers, the spring has<br /> | |||
come, this I have known. It has brought the message of life through the tinkling of<br /> | |||
viin’a’ and dewdrops on grass. Today the inertia of winter has gone. And the mind has<br /> | |||
forgotten tearing shortages. Liveliness of love has arisen pulling mental core of all. The<br /> | |||
earth losing its colour into the snow hill, cries in the form of leafless ness. Today it<br /> | |||
calls the honeybee with everskilled hands, through song.<br /> | |||
=== 3519 (27/04/1986) K === | |||
TUMI ATANDRA KRŚŃA VIBHÁVARITE<br /> | |||
ÁLO JHARÁLE<br /> | |||
NIIRANDHRA KULISH SHILÁTANUTE<br /> | |||
SUDHÁ JHARILE<br /> | |||
ÁLO JHARÁLE<br /> | |||
KÁY VÁK CITTA MANASÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁY VÁK CITTA MANASÁTE<br /> | |||
BHÁVÁDHIROHAŃE JÁ PÁRINI DITE<br /> | |||
TÁI NIYE NILE TUMI NIMEŚETE<br /> | |||
E KII MANTRA BALE<br /> | |||
ÁLO JHARÁLE<br /> | |||
TOMÁR ANADHIKÁRE KICHUI JE NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR ANADHIKÁRE KICHUI JE NÁI<br /> | |||
SARVA SATTÁ SÁRE TOMÁKEI PÁI<br /> | |||
PÚJYA PÚJAK TUMI TUMI PÚJÁY<br /> | |||
NÁCO LIILÁCHALE<br /> | |||
ÁLO JHARÁLE<br /> | |||
TUMI ATANDRA KRŚŃA VIBHÁVARITE<br /> | |||
ÁLO JHARÁLE<br /> | |||
O Lord, into the intense dark night, You have spread illumination. Into solid rock, You<br /> | |||
poured nectar. With body, speech, thought and mind, what I could not provide with the<br /> | |||
upward movement of ideation, that You accepted and took in a moment, what a power of<br /> | |||
mantra is that? There is nothing, which is beyond Your capability, in the essence of all<br /> | |||
existence, I find You only. You are the worshipped, worshipper and dance within the<br /> | |||
worship by virtue of illusion, liila.<br /> | |||
=== 3520 (28/04/1986) K === | |||
JE TOMÁRE CEYECHE SEI KENDECHE<br /> | |||
BUJHI NÁ E KII RIITI<br /> | |||
ASHRU PLÁVANE PÁI MANE MANE<br /> | |||
EO KII PRIITI<br /> | |||
BUJHI NÁ E KII RIITI<br /> | |||
JIIVAN BAHIYÁ JÁY SHATADRU? SHATA DHÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVAN BAHIYÁ JÁY SHATADRU? SHATA DHÁR<br /> | |||
ULKÁ VAJRA GIRI RODHE NÁ GATI TÁHÁR<br /> | |||
TUMI CHÁŔÁ KEU ÁR THÁKE NÁ SUMUKHE TÁR<br /> | |||
TUMI TÁRE JOGÁO DRUTI<br /> | |||
BUJHI NÁ E KII RIITI<br /> | |||
VIŚÁD HARŚA TÁR HOYE JÁY EKÁKÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIŚÁD HARŚA TÁR HOYE JÁY EKÁKÁR<br /> | |||
MANO MANJÚŚÁ MÁJHE THÁKE NÁ KONO VIKÁR<br /> | |||
NIIHÁRIKÁ ÁR NIIHÁRÁŃU THÁKE NÁ VICÁR<br /> | |||
EKE MELE ANEK GIITI<br /> | |||
BUJHI NÁ E KII RIITI<br /> | |||
O Lord, those who love You, they only cry, I do not understand what is the system. With<br /> | |||
flood of tears, I find You within the mind, is it love? The life goes on flowing through<br /> | |||
hundreds of hills in hundreds of streams. The meteorites, thunders, and mountains do not<br /> | |||
obstruct its motion. Except You, none else can stay before it, as You only provide it the<br /> | |||
speed. Its pain and pleasure go on unified. In its mental casket, there is no distortion.<br /> | |||
There is no consideration of nebula or a dust particle, as several songs merge into one.<br /> | |||
=== 3521 (28/04/1986) K === | |||
MOR MAN MUKURE<br /> | |||
AJÁNÁ PATHIK KENO DÁO NÁ DHARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSHÁR KALIRE KENO MADHUPE BHARE<br /> | |||
PHOT́ÁO NÁ TVARÁ<br /> | |||
DÁO NÁ DHARÁ<br /> | |||
PHULE PHALE ÁCHE D́HÁKÁ<br /> | |||
TOMÁR E TRIBHUVAN,<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHULE PHALE ÁCHE D́HÁKÁ TOMÁR E TRIBHUVAN | |||
GANDHA PARÁG MÁKHÁ PRIITI KORAKER MAN | |||
NIHSVA RIKTA KENO E KALI AKIINCANA<br /> | |||
KENO ÁMI SARVA HÁRÁ<br /> | |||
DÁO NÁ DHARÁ<br /> | |||
LAVAŃÁKTA JALE SIKTA NAYAN MOR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LAVAŃÁKTA JALE SIKTA NAYAN MOR<br /> | |||
VIŚÁDER KÁL RÁTRI KI NÁI HOVE BHOR<br /> | |||
KATA MÁLÁ SHUKÁYECHE PAŔE ÁCHE SHUDHU D́OR<br /> | |||
ÁNO ÁSHÁ BHARÁ PASARÁ<br /> | |||
DÁO NÁ DHARÁ<br /> | |||
MOR MAN MUKURE<br /> | |||
AJÁNÁ PATHIK KENO DÁO NÁ DHARÁ<br /> | |||
O The Unknown traveler, into my mental mirror, why do not You come into fold? The bud of<br /> | |||
hope is full of honeybees, why do not You bloom that quickly? This threelayered universe<br /> | |||
of Yours is full of flowers and fruits. The mind of each nucleus of the bud is smeared<br /> | |||
with pollenfragrance. Why is this egoless bud is empty? Why I have devoid of everything?<br /> | |||
My eyes are wet with saline water. Will there be no morning of this annihilating night of<br /> | |||
agonies. Many floral garlands have dried up, only the thread is left. You bring heap full<br /> | |||
of hopes.<br /> | |||
=== 3522 (29/04/1986) K === | |||
TOMÁRE D́EKECHI TOMÁRE CEYECHI<br /> | |||
TUMI CHÁŔÁ KICHU NÁ JÁNI<br /> | |||
MANANE METECHI BHÁLOBESECHI<br /> | |||
VISHVE SHUDHUI TOMÁRE MÁNI<br /> | |||
TUMI CHÁŔÁ KICHU NÁ JÁNI<br /> | |||
TOMÁRI BHÁVER SHROTE ÁMI BHÁSI GO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁRI BHÁVER SHROTE ÁMI BHÁSI GO<br /> | |||
TOMÁRI KURU VINDATE NÁCIGO<br /> | |||
TUMI SINDHU ÁMI VINDU<br /> | |||
TOMÁRI PRIITI MORE REKHECHE T́ÁNI<br /> | |||
TUMI CHÁŔÁ KICHU NÁ JÁNI<br /> | |||
UŚŃA ULKÁGHATE KAŔAKÁPÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
UŚŃA ULKÁGHATE KAŔAKÁPÁTE<br /> | |||
DAKHINÁ SAMIIRAŃE JYOTSNÁ RÁTE<br /> | |||
MARME BHÁSE DIKVALAYE HÁSE<br /> | |||
TOMÁRI GIITI AMRITA VÁŃII<br /> | |||
TUMI CHÁŔÁ KICHU NÁ JÁNI<br /> | |||
TOMÁRE D́EKECHI TOMÁRE CEYECHI<br /> | |||
TUMI CHÁŔÁ KICHU NÁ JÁNI<br /> | |||
I called You,<br /> | |||
I yearned for You.<br /> | |||
There is no other than You.<br /> | |||
I have mentally merged in You and loved You.<br /> | |||
In the whole universe,<br /> | |||
I accept only You.<br /> | |||
I have merged in the flow of Your thought.<br /> | |||
I dance within Your kuruvindha (Your mental mirror).<br /> | |||
You are the ocean,<br /> | |||
I am a drop of water.<br /> | |||
Nothing but Your love sustains me.<br /> | |||
The blazing meteor strikes lightning flashes.<br /> | |||
In the cool southern breeze,<br /> | |||
in the moonlit night,<br /> | |||
Your song and immortal message<br /> | |||
smile on my mental horizon | |||
and dance in my heart.<br /> | |||
=== 3523 (29/04/1986) K === | |||
TUMI JABE NÁHI ELE<br /> | |||
KENO ÁSHÁ DIYE CHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSIBE BOLIÁ GELE<br /> | |||
MUCHIE MOR ÁNKHI JALE<br /> | |||
KENO ÁSHÁ DIYE CHILE<br /> | |||
AMARÁRA TUMI SUDHÁSÁRA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AMARÁRA TUMI SUDHÁSÁRA<br /> | |||
MARAKATA MAŃI DHARÁR<br /> | |||
PRIITI PAYONIDHI APÁRA<br /> | |||
CITI DYUTI JHALA MALE<br /> | |||
KENO ÁSHÁ DIYE CHILE<br /> | |||
CEYECHI TOMÁY SHATA BÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CEYECHI TOMÁY SHATA BÁ<br /> | |||
SHATA RÚPETE DURNIVÁR<br /> | |||
HE PRÁŃERAI SPANDAN ÁMÁR<br /> | |||
KON PRÁŃE DÚRE RA HILE<br /> | |||
KENO ÁSHÁ DIYE CHILE<br /> | |||
O Lord, why did You give me hope when You did not come? You had gone telling to come<br /> | |||
again, wiping my tears. You are the essence of nectar of the heaven and the splendid gem<br /> | |||
for the earth. You are vast ocean of love, shining as effulgence of consciousness. I love<br /> | |||
You hundreds of times in hundreds of irresistible forms. O the vibration of my life, why<br /> | |||
as my life You have remained away?<br /> | |||
=== 3524 (29/04/1986) D === | |||
ÁSHÁR PRADIIP NIYE HÁTE TUMI<br /> | |||
ESE CHILE PRABHU AMÁ RÁTE<br /> | |||
PATH HÁRÁKE DIIP DEKHÁITE<br /> | |||
NIKAŚA KRŚŃA CHILO DHARÁ<br /> | |||
TAVA ÁLOKE HOLO BHARÁ<br /> | |||
EK PALAKER IUNGITE<br /> | |||
PATH HÁRÁKE DIIP DEKHÁITE<br /> | |||
SHÁNTA SAMÁHITA DHARÁTALA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHÁNTA SAMÁHITA DHARÁTALA<br /> | |||
PRÁŃA SPANDANE HOLO CAINCALA<br /> | |||
BHÁLO BÁSÁ BHARÁ BHÁVE UCCHALA<br /> | |||
CIDÁBHÁSE HOLO CAKITE<br /> | |||
PATH HÁRÁKE DIIP DEKHÁITE<br /> | |||
SEI HOTE TUMI ÁCHO SÁTHE SÁTHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SEI HOTE TUMI ÁCHO SÁTHE SÁTHE<br /> | |||
AŃU PARAMÁŃU TRYASAREŃUTE<br /> | |||
OTAH PROTA YOGE JIIVAN DHARÁTE<br /> | |||
MADHU NIŚYANDA SHROTE<br /> | |||
PATH HÁRÁKE DIIP DEKHÁITE<br /> | |||
ÁSHÁR PRADIIP NIYE HÁTE TUMI<br /> | |||
ESE CHILE PRABHU AMÁ RÁTE<br /> | |||
PATH HÁRÁKE DIIP DEKHÁITE<br /> | |||
O Lord, carrying the lamp of hope in hand, You had come on the dark night, to show the<br /> | |||
beacon light to the pathlost. The earth was in deep darkness, it became full of Your<br /> | |||
effulgence, in a moment with Your gesture. The world engrossed in peace, became restless<br /> | |||
with vibration of life. Restless with the vibration of love, its mind was illuminated<br /> | |||
suddenly. Since then, You are ever together with each atom, molecule and particle, into<br /> | |||
the flow of life, in the stream of sweet nectar, with individual and collective<br /> | |||
association.<br /> | |||
=== 3525 (29/04/1986) D === | |||
TUMI ÁMÁR CIRA DINER SÁTHII<br /> | |||
MANE PRÁŃE JÁNI BUJHI<br /> | |||
MANDÁNILE JHAINJHÁNALE<br /> | |||
ÁNKHIR JALE CI NIYÁCHI<br /> | |||
TUMI ÁMÁR CIR DINER SÁTHII<br /> | |||
MANE PRÁŃE JÁNI BUJHI<br /> | |||
TUMI ÁMÁR CIRA DINER SÁTHII<br /> | |||
UTTÁL HAVÁYA MÁDAKATÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
UTTÁL HAVÁYA MÁDAKATÁY<br /> | |||
BHÁVA SURABHI/MÚRATI? JÁTE NÁ HÁRÁY<br /> | |||
TÁITO TOMÁY ANDHA NISHÁY<br /> | |||
DHRUVA TÁRÁY PEYE GECHI<br /> | |||
MANE PRÁŃE JÁNI BUJHI<br /> | |||
TUMI ÁMÁR CIR DINER SÁTHII<br /> | |||
UDAY ASTA NEIKO TOMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
UDAY ASTA NEIKO TOMÁR<br /> | |||
SARVA KÁLE EK SÁRÁTSÁR<br /> | |||
EKERI ÁSHÁY KII TAPASYÁY<br /> | |||
ANEKE ÁJ JE GE ÁCHE<br /> | |||
MANE PRÁŃE JÁNI BUJHI<br /> | |||
TUMI ÁMÁR CIR DINER SÁTHII<br /> | |||
O Lord, You are my ever companion. This fact I understand in my heart and soul. During<br /> | |||
soft breeze and burning storm with tears I recognise this fact. In order that due to<br /> | |||
madness of high wind, the fragrance of ideation is not lost into that, hence, in the dark<br /> | |||
night, I continue to find You in the polestar. There is no rising up or setting down for<br /> | |||
You. You are the only essence of essence for all the time. With the penance of only one<br /> | |||
hope, I am fully awakened.<br /> | |||
=== 3526 (29/04/1986) K === | |||
BÁNDHAN CHINŔE BERIYE ELUM<br /> | |||
KABE KENO KE JÁNE<br /> | |||
KE JÁNE GO KE JÁNE KE JÁNE KON KHÁNE<br /> | |||
KON MÁYÁY CÁOÁ PÁOÁY CÁINI KON MUKHA PÁNE<br /> | |||
KE JÁNE GO KE JÁNE<br /> | |||
SHUNI NIKO KÁRO ANURODHA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHUNI NIKO KÁRO ANURODHA<br /> | |||
MÁNI NI KONO PRATIRODHA<br /> | |||
KEU BOLECHE MATTA ABODHA<br /> | |||
TULI NI SE KATHÁ PRÁŃE<br /> | |||
KE JÁNE GO KE JÁNE<br /> | |||
KŚUDRA DIYE BRIHAT PELUM<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KŚUDRA DIYE BRIHAT PELUM<br /> | |||
RITER NÁGARIK HOLUM<br /> | |||
PÁONÁ SABAI BHÁSIYE DILUM<br /> | |||
VISHVA PRÁŃER UJÁNE<br /> | |||
PRATI PALER PRASÚNE<br /> | |||
KE JÁNE GO KE JÁNE<br /> | |||
Breaking the bondage when did I come, who knows that? What deluding allurement of desire<br /> | |||
and achievement, I did not want looking towards Whom? I did not listen to anyone’s<br /> | |||
request, did not submit to any resistance, some people called me mad and foolish, but I<br /> | |||
did not heed to that. Having sacrificed the meagre worldly objects, I attained the great<br /> | |||
and became a member of the society of truth. I have floated away all my physical longings<br /> | |||
in the tide of universal flow with the bud of each moment.<br /> | |||
=== 3527 (12/05/1986) D === | |||
ÁMÁR TARE AKÁTARE<br /> | |||
KII NÁ DIYECHO<br /> | |||
KII NÁ DIYECHO GO PRABHU<br /> | |||
KII NÁ DIIYECHO<br /> | |||
BHÁVA JAGATE ALAKŚYETE ESE BASECHO<br /> | |||
KII NÁ DIYECHO GO PRABHU<br /> | |||
KII NÁ DIIYECHO<br /> | |||
KAITE KATHÁ MARI LÁJE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KAITE KATHÁ MARI LÁJE<br /> | |||
KII CHILO MOR ÁJ KII ÁCHE<br /> | |||
CHILUM, DHULOR PARE HATÁDARE<br /> | |||
KÁCHE T́ENECHO<br /> | |||
KII NÁ DIYECHO GO PRABHU<br /> | |||
KII NÁ DIIYECHO<br /> | |||
MANER MÁJHE CHILO NÁ RÚP<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER MÁJHE CHILO NÁ RÚP<br /> | |||
JVELENI DIIP SUGANDHI DHÚP<br /> | |||
CHILUM, BHAYÁL RÁTE TAMISHRÁTE<br /> | |||
KOLE TÚLECHO<br /> | |||
KII NÁ DIYECHO GO PRABHU<br /> | |||
KII NÁ DIIYECHO<br /> | |||
ÁJ BUJHECHI SABAI TOMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁJ BUJHECHI SABAI TOMÁR<br /> | |||
EKÁ TUMII SÁRATSÁR<br /> | |||
MOR, EK TÁRÁTE NIIRAVA PRÁTE<br /> | |||
GÁNE HESECHO<br /> | |||
KII NÁ DIYECHO GO PRABHU<br /> | |||
KII NÁ DIIYECHO<br /> | |||
O Lord,<br /> | |||
You offered all to me ungrudgingly.<br /> | |||
What have You not given me?<br /> | |||
Unnoticed, You took Your seat in my mental arena.<br /> | |||
I felt shy talking to You.<br /> | |||
I wonder what I had in the past and what I have now.<br /> | |||
I was lying around in dust, neglected,<br /> | |||
and You pulled me close.<br /> | |||
I had no mental vision nor object.<br /> | |||
I did not kindle any candle nor incense.<br /> | |||
I was caught in a dreadful and dark night.<br /> | |||
You picked me up onto Your lap.<br /> | |||
Now I understand that everything is Yours.<br /> | |||
You are the sole fundamental essence.<br /> | |||
On my lyre in the calm morning<br /> | |||
You raised a smiling song.<br /> | |||
=== 3528 (12/05/1986) K+D === | |||
SAHÁS ÁNANE MOR KÁNANE<br /> | |||
KE GO BASE ÁNAMANE<br /> | |||
MOR PÁNE CÁO MOR PÁNE<br /> | |||
KUSUM TÚLECHI MÁLÁ GENTHECHI<br /> | |||
PARÁTE TOMÁY NIRJANE<br /> | |||
MOR PÁNE CÁO MOR PÁNE<br /> | |||
NEIKO ÁMÁR GUŃER VYÁHRITI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NEIKO ÁMÁR GUŃER VYÁHRITI<br /> | |||
NEIKO KARMA SÁDHANÁ DIIPTI<br /> | |||
NEIKO BHÁŚÁY BHÁVA PRASISTI?<br /> | |||
ÁCHE SHUDHU PRIITI MANANE<br /> | |||
MOR PÁNE CÁO MOR PÁNE<br /> | |||
YUGA YUGA DHARE BASE ÁCHI PATHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
YUGA YUGA DHARE BASE ÁCHI PATHE<br /> | |||
ALASTA SVEDA SIKTA SMRITITE<br /> | |||
MANER GAHANE CETANÁ SARITE<br /> | |||
SAḾVITE GÁNE GÁNE<br /> | |||
MOR PÁNE CÁO MOR PÁNE<br /> | |||
With smiling face, in my garden Who, sitting unmindfully, looks towards me? O Lord, I have<br /> | |||
picked up flowers and threaded the garland to place around You in isolation. I do not have<br /> | |||
expressions of qualities, neither the shine of good deeds. There is no skill of language<br /> | |||
for feeling. Only love in the mind is present. For ages after ages, I am awaiting on the<br /> | |||
path, actionless with sweatmoist memories, raising the stream of consciousness in the<br /> | |||
depth of the mind with song after song.<br /> | |||
=== 3529 (13/05/1986) D === | |||
MANER KOŃE SAḾGOPANE<br /> | |||
KE GO TUMI BASE EKELÁ<br /> | |||
MARMA MÁJHE DICCHO DOLÁ<br /> | |||
CÁO NI KICHU KAO NI KICHU<br /> | |||
CHAŔAO HÁSI MUKTÁ MÁLÁ<br /> | |||
MARMA MÁJHE DICCHO DOLÁ<br /> | |||
SAUNGII KI KEU NEIKO TOMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAUNGII KI KEU NEIKO TOMÁR<br /> | |||
TÁRI KHONJE GHORO CÁRI DHÁR<br /> | |||
ATAL APÁR EI CARÁCARA<br /> | |||
TÁI KI NIYE KHELÁY BHOLÁ<br /> | |||
MARMA MÁJHE DICCHO DOLÁ<br /> | |||
NEIKO TOMÁR KONOI ABHÁVA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NEIKO TOMÁR KONOI ABHÁVA<br /> | |||
SAKAL BHÁVEI TUMI MAHÁBHÁVA<br /> | |||
AŃU BHÚMÁY SAMÁN PRABHÁVA<br /> | |||
SHATEK DHÁRÁY RACO LIILÁ<br /> | |||
MARMA MÁJHE DICCHO DOLÁ<br /> | |||
MANER KOŃE SAḾGOPANE<br /> | |||
KE GO TUMI BASE EKELÁ<br /> | |||
MARMA MÁJHE DICCHO DOLÁ<br /> | |||
Sitting alone in the recess of mind secretly, Who is that You oscillating the core of the<br /> | |||
mind? You do not want anything, do not speak anything, scatter the smile like clusters of<br /> | |||
pearls. Do not You have any companion, looking for whom You are wandering everywhere? You<br /> | |||
are ever engrossed in the game with the unlimited vast world. You do not have any<br /> | |||
scarcity, You are the collection of all thoughts as the great Ideation. With equal<br /> | |||
influence on the Cosmos and the microcosm, You create illusive game in hundreds of styles.<br /> | |||
=== 3530 (14/05/1986) K === | |||
EI, TAMASÁCCHANNA DHARÁ Y<br /> | |||
ÁLO NIYE ESO PRÁŃE PRÁŃE MESHO<br /> | |||
SABE ADHIIR ÁGRAHE TAVA ÁSÁ PATH CÁHE<br /> | |||
MRIDU HESE MARME BASO<br /> | |||
ÁLO NIYE ESO, EI, TAMASÁCCHANNA DHARÁY<br /> | |||
KATA YUGA KET́E GECHE ÁNDHÁR E DHARÁ PARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA YUGA KET́E GECHE ÁNDHÁR E DHARÁ PARE<br /> | |||
BHAYÁL BHRIKUT́I KATA ÁGHÁT HENECHE TÁRE<br /> | |||
RAKTA KŚAYII RAŃE JUJHECHE BÁRE BÁRE<br /> | |||
PRIITI MAMATÁY UDBHÁSO<br /> | |||
ÁLO NIYE ESO, EI, TAMASÁCCHANNA DHARÁY?<br /> | |||
ÁR NAY OGO PRABHU ANEK LIILÁ KARECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁR NAY OGO PRABHU ANEK LIILÁ KARECHO<br /> | |||
LIILÁR MÁDHURI NIYE ÁJO KENO DÚRE ÁCHO<br /> | |||
NANDAN CANDANE KULIISHE KENO D́HEKECHO<br /> | |||
JADI SABE BHÁLOBÁSO<br /> | |||
ÁLO NIYE ESO, EI, TAMASÁCCHANNA DHARÁY<br /> | |||
O Lord, onto this darkness covered earth, come carrying the light, and merge with each<br /> | |||
life. All are impatiently eager to see You on the arrival path. Smiling sweetly, You sit<br /> | |||
in the core of the mind. Many eras have passed on this dark earth. The frightening<br /> | |||
gestures have hit that many times. It has times and again struggled with much bloodshed.<br /> | |||
Now enlighten with affection and love. O Lord, do not continue this delusive game any<br /> | |||
more. Keeping the sweetness of the play, why are You far away? Why have You covered the<br /> | |||
fragrant sandal paste with mud if You love all?<br /> | |||
=== 3531 (15/05/1986) K === | |||
KÁNU MOR, YADI NÁHI ELO GOKULE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ, YADI NÁHI ELO GOKULE<br /> | |||
KISER TARE SÁJ KISER SAMÁJ LÁJ<br /> | |||
MÁLÁ GÁNTHÁ MÁLATI PHÚLE<br /> | |||
YADI NÁHI ELO GOKULE<br /> | |||
BHÁVI TÁRE DIVÁ NISHI BHÁSI TÁRI BHÁVE MISHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVI TÁRE DIVÁ NISHI BHÁSI TÁRI BHÁVE MISHI<br /> | |||
NAYANER KAJJALE DEKHI SADÁ TÁRI HÁSI<br /> | |||
TÁRI PRIITI MARME DOLE<br /> | |||
YADI NÁHI ELO GOKULE<br /> | |||
LIILÁNANDE SEI MANANER MANORAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LIILÁNANDE SEI MANANER MANORAMA<br /> | |||
NITYÁNANDA VIBHU PRÁŃERI PRIYATAMA<br /> | |||
BHÁŚÁR BÁNDHAN BHEUNGE BHÁVA MOR DURDAMA<br /> | |||
TÁRI T́ÁNE CHOT́E AKÚLE<br /> | |||
YADI NÁHI ELO GOKULE<br /> | |||
KÁNU MOR, YADI NÁHI ELO GOKULE<br /> | |||
If my Krsna does not come to Gokul, what for is all decoration, social custom, the<br /> | |||
garland threaded with ma’latii flower? I have been thinking of You day and night<br /> | |||
submerged in Your ideation. Within the dark decoration mark of the eyes, I always see Your<br /> | |||
smile. Your love oscillates in the core of the heart. The charming liilananda, the<br /> | |||
pleasing illusive game is there in the mind, O the Dearest Lord, ever blissful. My<br /> | |||
irresistible ideation breaks the bondage of language and rushes shoreless towards You by<br /> | |||
Your pull.<br /> | |||
=== 3532 (16/05/1986) D === | |||
ÁLOKOCCHALA DHARITRI TALA<br /> | |||
E ÁLO JVÁLÁLE BOLO KE<br /> | |||
MANER GABHIRE STARE VIISTARE<br /> | |||
RÁUNGIYE DILE SABÁKE<br /> | |||
E ÁLO JVÁLÁLE BOLO KE<br /> | |||
ÁLOKOCCHALA<br /> | |||
ANÁDI KÁLER TUMI PURÁTANA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁDI KÁLER TUMI PURÁTANA<br /> | |||
SHATEK DHÁRÁY TAVA SPANDANA<br /> | |||
UTSÁRITA CHANDÁYITA NAVA TAR PRATI PALAKE<br /> | |||
E ÁLO JVÁLÁLE BOLO KE<br /> | |||
ÁLOKOCCHALA<br /> | |||
ANDHA TAMISHRÁ PÁR HOTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANDHA TAMISHRÁ PÁR HOTE<br /> | |||
ÁLOR PRATIITI ANILE JAGATE<br /> | |||
MANTRA MUGDHA VYASTA CAKITA<br /> | |||
KARE DILE NIIHÁRIKÁ KE<br /> | |||
E ÁLO JVÁLÁLE BOLO KE<br /> | |||
ÁLOKOCCHALA<br /> | |||
The earth is vibrant with illumination. Who has kindled this light, tell. He has coloured<br /> | |||
all in different strata and substrata within the depth of the mind. You are ever ancient<br /> | |||
since time immemorial. Your vibration is emanated and rhythmic in hundreds of styles each<br /> | |||
moment in newer way. Crossing the Cimmerian darkness, You have brought realization of<br /> | |||
light onto the world. You have enchanted and startled and engrossed the nebula.<br /> | |||
=== 3533 (16/05/1986) D === | |||
ÁLOKER EI JHARŃÁ DHÁRÁY<br /> | |||
KE GO? TUMI ELE<br /> | |||
MOR PÁNE CÁO ÁNKHI MELE<br /> | |||
CHILUM GHUME AMÁNISHÁY<br /> | |||
KRIPÁ KARE MOR KÁCHE ELE<br /> | |||
MOR PÁNE CÁO ÁNKHI MELE<br /> | |||
BÁHIR BHIITAR NÁHI KO TOMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁHIR BHIITAR NÁHI KO TOMÁR<br /> | |||
VIKASITA TUMI CAMPAKA HÁR<br /> | |||
ABHROTTARA TUNGA ÁNDHÁR<br /> | |||
PARASHE KALUŚA NÁSHILE<br /> | |||
MOR PÁNE CÁO ÁNKHI MELE<br /> | |||
VISHVA MANER MAŃIKÁR HÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VISHVA MANER MAŃIKÁR HÁR<br /> | |||
AMEYA TUMI ATAL APÁR<br /> | |||
SHÁNTA SNIGDHA SMITA SUDHÁ SÁR<br /> | |||
KE BÁ JÁNE TUMI NÁ JÁNÁLE<br /> | |||
MOR PÁNE CÁO ÁNKHI MELE<br /> | |||
ÁLOKER EI JHARŃÁ DHÁRÁY<br /> | |||
KE GO? TUMI ELE<br /> | |||
MOR PÁNE CÁO ÁNKHI MELE<br /> | |||
Through the stream of fountain of effulgence, who is that You who came looking at me with<br /> | |||
open eyes? I was in intense darkness, You graciously came to me. There is no outside and<br /> | |||
inside for You. You are bloomed like a garland of campak. The dirt and darkness higher<br /> | |||
beyond the sky You have destroyed by our touch. The gemgarland of the universal mind, You<br /> | |||
are immeasurable, unlimited, immense. Who would know the tranquil, soft smiling essence of<br /> | |||
nectar, if You would not make it known?<br /> | |||
=== 3534 (16/05/1986) D === | |||
KOMALE KAT́HORE TUMI PRABHU<br /> | |||
ÁMI, DÚRE THEKE CININI TOMÁY<br /> | |||
GHRIŃÁ KARO NÁ TUMI KABHU SHUDHU<br /> | |||
EGIYE JETE BOLO ÁMÁY<br /> | |||
DÚRE THEKE CININI TOMÁY ÁMI<br /> | |||
DÚRE THEKE CININI TOMÁY<br /> | |||
JE KUNŔIT́I CHILO KÁL RÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE KUNŔIT́I CHILO KÁL RÁTE<br /> | |||
SE HOYECHE PHÚL ÁJ BHORE<br /> | |||
JE MANANE CHILO OTAH PROTE<br /> | |||
SE RAYECHE GÁNTHÁ PRIITI D́ORE<br /> | |||
SE JE, TAVA BHÁVANÁTE MURACHÁY<br /> | |||
DÚRE THEKE CININI TOMÁY<br /> | |||
ÁMI, DÚRE THEKE CININI TOMÁY<br /> | |||
CAINCALA SHOŃITER DHÁRÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CAINCALA SHOŃITER DHÁRÁY<br /> | |||
UCCHAL HIYÁ JHALAKÁY<br /> | |||
MAKARANDA ÁSHE CHÚT́E JÁY<br /> | |||
MOR MAN BHRAMARÁ TOMÁRE CÁY<br /> | |||
DÚRE THEKE CININI TOMÁY<br /> | |||
ÁMI, DÚRE THEKE CININI TOMÁY<br /> | |||
KOMALE KAT́HORE TUMI PRABHU<br /> | |||
ÁMI, DÚRE THEKE CININI TOMÁY<br /> | |||
O Lord, You are soft and hard both. I have not recognised You by staying at distance. You<br /> | |||
never hate, only tell me to move forward. That which was bud last night, it became flower<br /> | |||
this morning. That which was present in the mind, associated individually and<br /> | |||
collectively, that remained threaded in the thread of love. It gets engrossed in Your<br /> | |||
ideation. In restless flow of blood, vibrant heart peeps. With hope of nectar of pollen | |||
my mental bee rushes towards You.<br /> | |||
=== 3535 (17/05/1986) D === | |||
KUSUM SUVÁSE SUDHÁ SÁR<br /> | |||
SONÁLI CÁNDER BHARÁ JOÁR<br /> | |||
JYOTSNÁ NISHITHE ATANDRA GIITE<br /> | |||
RACANÁ KARECHO HE MAHÁR<br /> | |||
SONÁLI CÁNDER BHARÁ JOÁR<br /> | |||
ÁSÁ ÁR JÁOÁ JIIVEDER TARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSÁ ÁR JÁOÁ JIIVEDER TARE<br /> | |||
HE ANIRVÁŃA TUMI DESHOTTARE<br /> | |||
CHILE ÁCHO THÁKIBE CIRA TARE<br /> | |||
DIIPTA MAHIMÁ TUMI APÁR<br /> | |||
SONÁLI CÁNDER BHARÁ JOÁR<br /> | |||
JE RAVIR NEI UDAY ASTA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE RAVIR NEI UDAY ASTA<br /> | |||
KÁLER KAVALE HOVE NÁ GRASTA<br /> | |||
VAJRE KULIISHE NÁ HOE DHVASTA<br /> | |||
SEI TUMI CIR SÁRÁTSÁR<br /> | |||
SONÁLI CÁNDER BHARÁ JOÁR<br /> | |||
KUSUM SUVÁSE SUDHÁ SÁR<br /> | |||
SONÁLI CÁNDER BHARÁ JOÁR<br /> | |||
O The Great, with essence of nectar of floral fragrance, full tide by the golden moon, in | |||
the moonlit night, with lively songs, You create golden necklace. Coming and going is for<br /> | |||
the living beings, O Evereffulgent, You are beyond the arena of space. You were in the<br /> | |||
past, are present now and would remain forever, You are unlimited with ablaze glory. You<br /> | |||
are that Sun, which never rises or sets, nor gets devoured by time. O the ever essence of<br /> | |||
essence, You are that hard stone that never gets pulverized.<br /> | |||
=== 3536 (17/05/1986) D === | |||
EI RÚPER SÁGARE KII KARE<br /> | |||
TUMI, ARÚPA RATAN DHARÁ DILE<br /> | |||
RÚPER SÁGARE KI KARE ÁMI<br /> | |||
BHÁVITE PÁRINÁ BUJHIÁ UT́HINÁ<br /> | |||
KARO, KEMAN E LIILÁ PRATIPALE<br /> | |||
ARÚPA RATAN DHARÁ DILE<br /> | |||
TARI BEYE JÁO DÚR HOTE DÚRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TARI BEYE JÁO DÚR HOTE DÚRE<br /> | |||
ANÁDI ASHEŚA KALPANÁ NIIRE<br /> | |||
MÁSÁRTA KÁLE UPEKŚÁ KARE<br /> | |||
ETA YUGA KII KARE RAHILE<br /> | |||
ARÚPA RATAN DHARÁ DILE<br /> | |||
JÁ ICCHÁ TUMI KARE CALO PRABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁ ICCHÁ TUMI KARE CALO PRABHU<br /> | |||
SAMA DARSHI KŚUDRA BRIHATE TABU<br /> | |||
SAB MANANE MADHU MÁKHÁLE<br /> | |||
ARÚPA RATAN DHARÁ DILE<br /> | |||
EI RÚPER SÁGARE KII KARE<br /> | |||
TUMI, ARÚPA RATAN DHARÁ DILE<br /> | |||
O Formless Gem, into this ocean of forms, what for You came into folds? I am unable to<br /> | |||
conceive and understand. How do You perform this divine game, liila, each moment. In | |||
the endless and beginning less water of imagination, You go on sailing the boat, far and<br /> | |||
further, ignoring the months, seasons, and time for eras after eras. O Lord, whatever You<br /> | |||
want, You go on doing that, never deviating from Your will. You look at small and big<br /> | |||
equally, yet smear honey into all minds.<br /> | |||
=== 3537 (18/05/1986) K+D === | |||
KUSUM KÁNANE MAN VITÁNE<br /> | |||
ÁVESHE PÁPIYÁ GÁY<br /> | |||
TUMI KOTHÁY BOLO, TUMI KOTHÁY<br /> | |||
PRÁŃERI PARASHE GIITI RABHASE<br /> | |||
KALITE DOLÁ JÁGÁY<br /> | |||
TUMI KOTHÁY BOLO, TUMI KOTHÁY<br /> | |||
KISHALAYE ÁR MUKULE MILECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KISHALAYE ÁR MUKULE MILECHE<br /> | |||
SHÁLMALI TARU PHULE BHARE GECHE<br /> | |||
MANER GAHANE SUSMITÁNANE<br /> | |||
SABÁI EKERE CÁY<br /> | |||
TUMI KOTHÁY BOLO, TUMI KOTHÁY<br /> | |||
KINSHUK VAN VARŃE HESECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KINSHUK VAN VARŃE HESECHE<br /> | |||
CYUTA KALIKÁR GANDHA BHESECHE<br /> | |||
KUŚT́HALE JALE ANALE ANILE<br /> | |||
SUDHÁ DHÁRÁ BAYE JÁY<br /> | |||
TUMI KOTHÁY BOLO, TUMI KOTHÁY<br /> | |||
KUSUM KÁNANE MAN VITÁNE<br /> | |||
ÁVESHE PAPIÁ GÁY<br /> | |||
TUMI KOTHÁY BOLO, TUMI KOTHÁY<br /> | |||
The nightingale sings with impulse into the mental arbor of floral garden, “ Where are<br /> | |||
You, tell me Where are You”. With the touch of vitality and upsurge of song, it arises<br /> | |||
oscillations onto the buds. The tender leaves and buds are intermingled. The sha’lmalii<br /> | |||
tree has become full of flowers. In the depth of mind and with smiling face, all want only<br /> | |||
One. The kim’shuk grove smiles with colours, the fragrance of fallen buds floats. In | |||
water, air and sky the stream of nectar goes on flowing.<br /> | |||
=== 3538 (18/05/1986) D === | |||
TOMÁRI PATH CEYE<br /> | |||
CALE GECHE KATA TITHI<br /> | |||
TABU NÁ MOR GHARE ELE<br /> | |||
HE CIRA AJÁNÁ ATITHI<br /> | |||
CALE GECHE KATA TITHI<br /> | |||
TRUT́I ÁMÁR NÁ BUJHECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TRUT́I ÁMÁR NÁ BUJHECHI<br /> | |||
TOMÁRI PATHE CALECHI<br /> | |||
TAVA BHÁVE BENCE ÁCHI<br /> | |||
TOMÁY BHÁVI DIVÁ RÁTI<br /> | |||
CALE GECHE KATA TITHI<br /> | |||
UCALA ACALE CAŔI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
UCALA ACALE CAŔI<br /> | |||
CALÁCALE KHUNJE MARI<br /> | |||
HÁR JIITE TOMÁY SMARI<br /> | |||
BHÚLINÁ TOMÁR PRATIITI<br /> | |||
CALE GECHE KATA TITHI<br /> | |||
TOMÁRI PATH CEYE<br /> | |||
CALE GECHE KATA TITHI<br /> | |||
O Lord, looking towards Your arrival path, how many days have passed, still You did not<br /> | |||
come to my home, O ever unknown traveler. I do not understand my faults. I move on Your<br /> | |||
path and survive with Your ideation, thinking of You, day and night. I climb the high<br /> | |||
mountains, go on searching while moving in vain. In victory and defeat, I remember You<br /> | |||
without forgetting Your impression.<br /> | |||
=== 3539 (19/05/1986) K === | |||
KAMAL KALI BOLE, PRABHU MOR<br /> | |||
KUMUD KALHÁRE JE PRIITI D́OR<br /> | |||
RACANÁ KARO SAROVARE<br /> | |||
TÁR NÁI TULANÁ TÁR NÁI TULANÁ<br /> | |||
ALI GUINJANE PRABHAINJANE<br /> | |||
SÁJÁLE JÁ TUMI ÁNAMANE<br /> | |||
SE NAY CHALANÁ SE NAY CHALANÁ<br /> | |||
TÁR NÁI TULANÁ TÁR NÁI TULANÁ<br /> | |||
PRABHÁTE ÁLO D́HELE DIYECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRABHÁTE ÁLO D́HELE DIYECHO<br /> | |||
SANDHYÁ RÁGER RAUNGE RÁUNGIYECHO<br /> | |||
NRITYER TÁLE TÁLE MANDÁNILE<br /> | |||
SAB KICHU DILE NIJE ELE NÁ<br /> | |||
TÁR NÁI TULANÁ TÁR NÁI TULANÁ<br /> | |||
BHUVAN CHEYE TAVA MÁYÁR KHELÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHUVAN CHEYE TAVA MÁYÁR KHELÁ<br /> | |||
JIIVAN BEYE ÁLO CHÁYÁR MELÁ<br /> | |||
TUMI ÁCHO ÁMI ÁCHI SÁR JENECHI<br /> | |||
E JÁNÁY ÁCHE CIRA SÁNTVANÁ<br /> | |||
TÁR NÁI TULANÁ TÁR NÁI TULANÁ<br /> | |||
The lotus bud says, “ O my Lord, within the bunch of lily flowers, the thread that You<br /> | |||
have created, it has no comparison. That which You have unmindfully decorated with humming<br /> | |||
of bees and storms, it is not simply delusion”. You have poured light in the morning<br /> | |||
coloured the evening with tint. Through the rhythms of the dance and soft breeze, You<br /> | |||
provided everything but did not come Yourself. The play of Your illusion, ma’ya’, is<br /> | |||
spread all over the world. The life flows through the togetherness of light and shade. I<br /> | |||
know the essence that You are there and I am there. In this knowledge is permanent<br /> | |||
consolation.<br /> | |||
=== 3540 (20/05/1986) D === | |||
TOMÁRE CEYECHI KUSUM SUVÁSE<br /> | |||
BHÁUNGÁ BÚKE DIIRGHA SHVÁSE<br /> | |||
TUMI, KAOSTUBHA MAŃI HIIRAKER KHAŃI<br /> | |||
MARU YÁTANÁR HÚTÁSHE<br /> | |||
BHÁUNGÁ BÚKE DIIRGHA SHVÁSE<br /> | |||
ANÁDI ASHEŚA LIILÁ PARIVESHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁDI ASHEŚA LIILÁ PARIVESHE<br /> | |||
KÁNDÁO HÁSÁO NÁCÁO ÁVESHE<br /> | |||
KÁCHE T́ENE NÁO DIVASA AVASHEŚE<br /> | |||
CETANÁR CIRA CIDÁKÁSHE<br /> | |||
BHÁUNGÁ BÚKE DIIRGHA SHVÁSE<br /> | |||
TOMÁR SAMÁN ÁR KEHO NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VISHVE DVITIIYA SATTÁ NÁ PÁI<br /> | |||
KOT́I KOT́I TÁI PRAŃÁM JÁNÁI<br /> | |||
TAVA NÁME TAVA SAKÁSHE<br /> | |||
BHÁUNGÁ BÚKE DIIRGHA SHVÁSE<br /> | |||
TOMÁRE CEYECHI KUSUM SUVÁSE<br /> | |||
BHÁUNGÁ BÚKE DIIRGHA SHVÁSE<br /> | |||
O Lord, I love You with floral fragrance and deep breath of the broken heart. You are the<br /> | |||
most valuable kaostubha gem, a diamondmine, yet expression of dismay of the desert agony.<br /> | |||
Under the environment of endless and beginning less cosmic play, liila, You make one<br /> | |||
cry, smile and dance with impulse. At the end of the day, You pull close to You, in the<br /> | |||
eternal firmament of consciousness. There is no one like You, I do not find a second<br /> | |||
entity. Hence, I express millions of salutations with Your name, before You.<br /> | |||
=== 3541 (20/05/1986) D === | |||
ÁLOKER DYUTI TAVA PRADIIPTI<br /> | |||
SAORA SHAKAT́E BHESE JÁO<br /> | |||
TUMI BHÚMÁ ÁMI TAVA KANIKÁ<br /> | |||
MORE PRÁŃÁVEGE BHARE DÁO<br /> | |||
SAORA SHAKAT́E BHESE JÁO<br /> | |||
JÁHÁ KICHU CHILO JÁHÁ CHILO NÁKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁHÁ KICHU CHILO JÁHÁ CHILO NÁKO<br /> | |||
JÁHÁ THEKE JÁY JÁHÁ THÁKE NÁKO<br /> | |||
SABÁR PRATIIPE PRATYAGÁTMÁ<br /> | |||
TUMI DEVA SABÁRE NÁCÁO<br /> | |||
SAORA SHAKAT́E BHESE JÁO<br /> | |||
ANALE ANILE TOMÁR VIBHÚTI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANALE ANILE TOMÁR VIBHÚTI<br /> | |||
KUSHA KÁSH MÚLE TAVA SAḾSTHITI<br /> | |||
KÁCHER KAŃIKÁ DÚR NIIHÁRIKÁ<br /> | |||
SABÁRE TAVA BHÁVE MÁTÁO<br /> | |||
SAORA SHAKAT́E BHESE JÁO<br /> | |||
ÁLOKER DYUTI TAVA PRADIIPTI<br /> | |||
SAORA SHAKAT́E BHESE JÁO<br /> | |||
With Your brilliance of the effulgence of light, You go on floating on the solar cart. You<br /> | |||
are Cosmic and I am Your particle. You fill me with impulse of vitality. Whatever existed<br /> | |||
whatever did not exist, whatever stays and whatever does not remain, opposite to all, You<br /> | |||
are Parama’tma’, The Param Purus’a, The Divine, making all dance. Your power is<br /> | |||
present in fire and air. You are well established in the roots of grasses. The nearby<br /> | |||
particle or the distant nebula, all You make to dance as per Your will.<br /> | |||
=== 3542 (21/05/1986) K === | |||
TOMÁKE VIJANE CEYE CHILUM<br /> | |||
TUMI, VISHVA SABHÁY CHILE PÁINI EKÁ<br /> | |||
PRATI PALAKE MANE BHEVE CHILUM<br /> | |||
HRIDAYE DHARE NOBO PELE DEKHÁ<br /> | |||
TUMI, VISHVA SABHÁY CHILE PÁINI EKÁ<br /> | |||
BHULE GECHI DIN SÁL BHULE GECHI TITHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHULE GECHI DIN SÁL BHULE GECHI TITHI<br /> | |||
KÁNDIÁ KET́ECHE KATA DIIRGHA RÁTI<br /> | |||
TOMÁR TARE KATA GEYECHI GIITI<br /> | |||
SAHAJ SARAL MANE (?) BINÁ SHAUNKÁ<br /> | |||
TUMI, VISHVA SABHÁY CHILE PÁINI EKÁ<br /> | |||
ÁJI E KRŚŃÁ RÁTE JHAŔE JHAINJHÁ Y<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁJI E KRŚŃÁ RÁTE JHAŔE JHAINJHÁ Y<br /> | |||
ASHNI NIPÁTE JABE PRÁŃA KEMPE JÁYA<br /> | |||
KÁCHE ELE DHARÁ DILE EI NIRÁLÁY<br /> | |||
SPANDITA KARE MOR CITI ALAKÁ<br /> | |||
TUMI, VISHVA SABHÁY CHILE PÁINI EKÁ<br /> | |||
TOMÁKE VIJANE CEYE CHILUM<br /> | |||
TUMI, VISHVA SABHÁY CHILE PÁINI EKÁ<br /> | |||
O Lord, I wanted to have You in a lonely place, but You were involved in Universal<br /> | |||
gathering so I could not find You alone. But in my mind, each and every moment I was<br /> | |||
thinking that if I see You alone then I would hold You in my heart. I have forgotten the<br /> | |||
day and year, and the date. Many nights have passed in crying. I have<br /> | |||
sung so many songs for You with simple and straight mind without any doubt. Today, in | |||
this dark night when the strong wind and cyclone is swirling and the sky is filled with<br /> | |||
thunder and lightening when the heart is quivering, then You came and allowed Yourself to<br /> | |||
be held in this lonely place vibrating the heaven of my mind.<br /> | |||
=== 3543 (21/05/1986) K === | |||
KAVOŚŃA PRABHÁTE KUNTAL GIRITE<br /> | |||
E KII RÚPE ESE GELE OGO MANOHARA<br /> | |||
MANERI GAHANE SUSNIGDHA PAVANE<br /> | |||
NÁŔÁ DIYE DILE VICITRA SUNDARA<br /> | |||
E KII RÚPE ESE GELE OGO MANOHAR<br /> | |||
PRÁŃÁVEGE SAḾVEGE TUMI ATULA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRÁŃÁVEGE SAḾVEGE TUMI ATULA<br /> | |||
SPANDITA KARE DÁO JIIVANER MÚLA<br /> | |||
ATAL ANAL DOLE TOMÁRI ABJA DALE<br /> | |||
JÁNÁ NÁ JÁNÁY TUMI CIRA CITA CHOR<br /> | |||
E KII RÚPE ESE GELE OGO MANOHARA<br /> | |||
HÁRIYE PHELECHILUM NIJEKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HÁRIYE PHELECHILUM NIJEKE<br /> | |||
JAD́ER TANDRÁ GHORE BHESE KUHAKE<br /> | |||
ÁJI TAVA KARUŃÁY SAMVIT JHALAKÁY<br /> | |||
TOMÁKEI SHUDHU CÁI AVÁUNGA MANOGOCARA<br /> | |||
E KII RÚPE ESE GELE OGO MANOHARA<br /> | |||
O The Charming One, in the warm morning, headhair and mountains, in what a form You came<br /> | |||
and went. Into the depth of the mind, and soft breeze, what variegated beautiful response<br /> | |||
have You given? In momentum and impulse of life, You are incomparable. You go on | |||
oscillating the very root of life. At the petal of Your lotus, the fire in the depth<br /> | |||
oscillates. Knowingly or unknowingly You are the stealer of mind. I had lost myself into<br /> | |||
intense drowsiness of inertia, floating enchanted. Today by Your grace, the glimpse of<br /> | |||
consciousness shines. I want only You, physically, mentally and spiritually.<br /> | |||
=== 3544 (22/05/1986) K === | |||
AJÁNÁY CHILE JÁNÁ MÁJHE ELE<br /> | |||
TABU KATA T́UKU JÁNIYÁCHI<br /> | |||
ÁMI, TABU KATA T́UKU JÁNIYÁCHI<br /> | |||
JABE JATA JÁNI TATA NÁHI JÁNI<br /> | |||
AJÁNÁR ÁKÁR BÁŔIYECHI<br /> | |||
TABU KATA T́UKU JÁNIYÁCHI<br /> | |||
KUSUM SUVÁS JALADERI KÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KUSUM SUVÁS JALADERI KÁLO<br /> | |||
GIRIR GARIMÁ PRÁŃE LÁGE BHÁLO<br /> | |||
MAN BHEVE JÁY THAI NÁHI PÁY<br /> | |||
KENO EI BHÁLOBÁSIÁCHI<br /> | |||
TABU KATA T́UKU JÁNIYÁCHI<br /> | |||
TOMÁKE DEKHINI NIKAT́E PÁINI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁKE DEKHINI NIKAT́E PÁINI<br /> | |||
MAN VEDII PARE SÁJÁTE PÁRINI<br /> | |||
TABU SHATA DHÁY ÁSHÁ CHUT́E JÁY<br /> | |||
TOMÁKE T́ÁNITE KÁCHÁKÁCHI<br /> | |||
TABU KATA T́UKU JÁNIYÁCHI<br /> | |||
AJÁNÁY CHILE JÁNÁ MÁJHE ELE<br /> | |||
TABU KATA T́UKU JÁNIYÁCHI<br /> | |||
O Lord, You were in unknown arena but came into known world, still how much do I know You.<br /> | |||
Whenever whatever I know, that much I do not know and I thus increase the area of<br /> | |||
ignorance. The fragrance of flower and darkness of the clouds, and the greatness of<br /> | |||
mountain, all I like wholeheartedly. The mind goes on thinking, yet is unable to estimate<br /> | |||
why do I love these. I have not seen You, did not find close, could not adorn and<br /> | |||
establish You on my mental altar. Still the hope rushes out in hundreds of ways for<br /> | |||
pulling You close and closer.<br /> | |||
=== 3545 (22/05/1986) K === | |||
TOMÁKE SMARIÁ TOMÁKE CÁHIÁ<br /> | |||
MOR ÁRÁDHANÁ BHESE JÁY<br /> | |||
TUMI ÁSILE NÁ KRPÁ KARILE NÁ<br /> | |||
VYATHÁ BUJHILE NÁ KENO HÁ Y<br /> | |||
MOR ÁRÁDHANÁ BHESE JÁY<br /> | |||
PATH CALITECHI ANÁDI HOITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATH CALITECHI ANÁDI HOITE<br /> | |||
NÚTANER CEYE NAVA TARA SHROTE<br /> | |||
ASHEŚE ASIIME MISHIÁ JÁI TE<br /> | |||
SNIGDHA SHYÁMAL TAVA CHÁY<br /> | |||
MOR ÁRÁDHANÁ BHESE JÁY<br /> | |||
KÁJ KARE JÁI TOMÁKEI BHÁVI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁJ KARE JÁI TOMÁKEI BHÁVI<br /> | |||
TOMÁRI ÁLOKE DEKHI TAVA CHAVI<br /> | |||
JÁ ÁCHE JÁ NÁI BUJHI TUMI SABAI<br /> | |||
VYAKTA HOYECHO SHATA DHÁ Y<br /> | |||
MOR ÁRÁDHANÁ BHESE JÁY<br /> | |||
TOMÁKE SMARIÁ TOMÁKE CÁHIÁ<br /> | |||
MOR ÁRÁDHANÁ BHESE JÁY<br /> | |||
O Lord, remembering You and loving You, my worship goes on floating. You did not come did<br /> | |||
not shower Your grace, did not understand my pain, alas, why? From the source without<br /> | |||
beginning, towards new through newer stream, to merge in the endless, unlimited, under the<br /> | |||
soft, green shelter of Yours. I go on performing the actions remembering You. I see Your<br /> | |||
image in Your light. Whatever exists, whatever does not, all that I understand as You<br /> | |||
only. You express Yourself in hundreds of ways.<br /> | |||
=== 3546 (23/05/1986) K === | |||
PRABHÁT ESECHE ÁJI NÚTAN RÚPE<br /> | |||
NÚTANER VÁŃII NIYE PÚRVÁCALE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVA JAD́ATÁR GLÁNI PRIITI KAKUBHE<br /> | |||
SARIYE BHARIYE DITE SMITA KAMALE<br /> | |||
NÚTANER VÁŃII NIYE PÚRVÁCALE<br /> | |||
SAKALEI CEYE CHILO SÁRÁ RÁTI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAKALEI CEYE CHILO SÁRÁ RÁTI<br /> | |||
TAMASÁR AVASÁNE SONÁLII DYUTI<br /> | |||
NAY KONO CAPALATÁ MÁTÁ MÁTI<br /> | |||
NIIRAVA RABHASE PETE RÁUNGÁ KISHALE<br /> | |||
NÚTANER VÁŃII NIYE PÚRVÁCALE<br /> | |||
ÁHAVE METECHE ÁNDHÁRER JIIVERÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁHAVE METECHE ÁNDHÁRER JIIVERÁ<br /> | |||
CÁYNIKO TÁRÁ HOK MADHUR DHARÁ<br /> | |||
E BHRÁNTI EK DIN BHULIBE TÁRÁ<br /> | |||
PRABHÁTER PRATIBHÁTE NAVA NIKHILE<br /> | |||
KŚUDRA E PRABHÁTE CITI MUKULE<br /> | |||
NÚTANER VÁŃII NIYE PÚRVÁCALE<br /> | |||
PRABHÁT ESECHE ÁJI NÚTAN RÚPE<br /> | |||
NÚTANER VÁŃII NIYE PÚRVÁCALE<br /> | |||
Today the morning has come in new form, carrying the message of the new, in the eastern | |||
horizon. Removing the agony of dogma, with loving illumination from Eastern Direction | |||
filling with the smiling lotus. All wanted whole of night, the end of darkness and golden | |||
illumination. There is no restlessness of frenzy, finding the silent upsurge of emotion in | |||
the coloured tender leaves. The living beings are frenzied in fights during the darkness.<br /> | |||
They do not want that the world should be sweet. They shall forget this delusion one day<br /> | |||
with brilliance of morning in the new world with small morning in the blossom of mind.<br /> | |||
=== 3547 (23/05/1986) K === | |||
ANEK DINER PARE SE ESECHE<br /> | |||
BHARIÁ DIYECHE SABÁKÁR PRÁŃA<br /> | |||
ÁJ KONO KATHÁ NAY SHUDHU GÁN ÁRO GÁN | |||
MANJIŚT́HÁ MAINJARII NECE KA Y<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANJIŚT́HÁ MAINJARII NECE KA Y<br /> | |||
MÁDHAVI MUKUL TOR HOLO JE SAMAY<br /> | |||
ÁR SHUYE THÁKÁ NAY SHONO TÁR ÁHVÁN | |||
ÁJ KONO KATHÁ NAY SHUDHU GÁN ÁRO GÁN | |||
BELÁ MÁLATIR MÁJHE BAKULO JÁNÁ Y<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BELÁ MÁLATIR MÁJHE BAKULO JÁNÁ Y<br /> | |||
TÁR ÁSÁR KATHÁ BOLE MALAY VÁ Y<br /> | |||
ÁRO BASE KÁNDÁ NAY HESE NÁO TÁR DÁN | |||
ÁJ KONO KATHÁ NAY SHUDHU GÁN ÁRO GÁN | |||
ANEK DINER PARE SE ESECHE<br /> | |||
BHARIÁ DIYECHE SABÁKÁR PRÁŃA<br /> | |||
ÁJ KONO KATHÁ NAY SHUDHU GÁN ÁRO GÁN | |||
Afer so many days, He has come!<br /> | |||
Filling everyone's hearts to the brim.<br /> | |||
No more talk today!<br /> | |||
Only songs, and more songs<br /> | |||
to celebrate His advent!<br /> | |||
The buds of the mainjis’t’a’ flowers<br /> | |||
dancingly speak to the ma’dhavii buds:<br /> | |||
“Your time has come!<br /> | |||
Do not remain asleep!<br /> | |||
Listen to His call!”<br /> | |||
The bela’ and the ma’latii plants,<br /> | |||
and the bakul trees too, know He came.<br /> | |||
The message of His arrival is also in the sandal breeze.<br /> | |||
Hence, no more sitting and lamentation!<br /> | |||
Laughingly accept His divine gift.<br /> | |||
=== 3548 (23/05/1986) K (Krsna) === | |||
HÁRÁNO KÁNU ELO ÁJ<br /> | |||
NOTUNERI DIGVALAYE<br /> | |||
VRINDÁVANER VANE VANE<br /> | |||
MÁTANO MÁKHIE MA LAYE<br /> | |||
NOTUNERI DIGVALAYE<br /> | |||
VISHTUŚKA KADAMBA TARU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VISHTUŚKA KADAMBA TARU<br /> | |||
GOŚT́HA HOYE CHILO MARU<br /> | |||
YAMU NÁ SHUKHÁYE CHILO<br /> | |||
KÁNU CHILO NÁ HR DAYE<br /> | |||
NOTUNERI DIGVALAYE<br /> | |||
BHÁLOBESE CHILO JÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁLOBESE CHILO JÁRÁ<br /> | |||
STHÁŃU HOYE CHILO TÁRÁ<br /> | |||
ÁJI HOLO’ ATMAHÁRÁ<br /> | |||
PEYE PRIYARE NI LAYE<br /> | |||
NOTUNERI DIGVALAYE<br /> | |||
HÁRÁNO KÁNU ELO ÁJ<br /> | |||
NOTUNERI DIGVALAYE<br /> | |||
Today the lost Krsna appeared in the new horizon, absorbing the gardens of Vrindavan | |||
by smearing sandal fragrance. The kadamba tree is dried, the grazing ground has become<br /> | |||
desert. The river Yamuna is dried up, and Krsna is not in the heart. Those loving<br /> | |||
have become immobile, losing themselves. Finding the home of the dear.<br /> | |||
=== 3549 (24/05/1986) K === | |||
DYULOKER DUNDUBHI BEJE UT́HECHE<br /> | |||
ARUŃ ESECHE NIYE NAVA PRÁŃA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PÚRVÁCALE RÁUNGÁ KISHALE<br /> | |||
JIIVAN BHESE CALE BHARE DITE GÁNA<br /> | |||
ARUŃ ESECHE NIYE NAVA PRÁŃA<br /> | |||
DIIRGHA AMÁR TAMASÁ SARECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIIRGHA AMÁR TAMASÁ SARECHE<br /> | |||
JIIVANER VÁŃII DIKE DIKE CHÚT́ECHE<br /> | |||
SUPTA GAŃACETANÁ JEGE UT́HECHE<br /> | |||
JYOTI MANJIIRE ÁJI ABHII AMLÁN | |||
ARUŃ ESECHE NIYE NAVA PRÁŃA<br /> | |||
NEI, EKAKER KONO ABHIMÁN ÁJIKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NEI, EKAKER KONO ABHIMÁN ÁJIKE<br /> | |||
SABÁI SABÁRE NIYE CALE PULAKE<br /> | |||
BHÁŚÁ BHARE DITE JATA MÚKA MUKHE<br /> | |||
AMRT KUND́E KARE ÁLOKA SNÁNA<br /> | |||
ARUŃ ESECHE NIYE NAVA PRÁŃA<br /> | |||
DYULOKER DUNDUBHI BEJE UT́HECHE<br /> | |||
ARUŃ ESECHE NIYE NAVA PRÁŃA<br /> | |||
The trumpet of heaven has started sounding, the sun has appeared carrying new life. In the<br /> | |||
eastern sky and tender leaves, vitality has started flowing filling with new song. The<br /> | |||
long dark night has passed. The message of life has rushed in various directions. The<br /> | |||
sleeping community consciousness has awakened today with fearless bright light and<br /> | |||
jingling bells. Nobody has any pride of being single today. All taking all together move<br /> | |||
happily, filling language in all the dumb mouths, and making all bathe in the effulgent<br /> | |||
pond of nectar.<br /> | |||
=== 3550 (24/05/1986) K === | |||
CEYE CHILUM ÁMI SHUDHU TOMÁKE<br /> | |||
ANEK KICHU MORE DIYE DILE DÁNA<br /> | |||
TUMI, ANEK KICHU MORE DIYE DILE DÁNA<br /> | |||
BHEVE CHILUM THÁKI NIYE TOMÁKE<br /> | |||
JAD́A SAMPADE MORE DILE UPÁDHÁN | |||
ANEK KICHU MORE DIYE DILE DÁNA<br /> | |||
KAMAL DILE DILE KÁNT́ÁR JVÁLÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KAMAL DILE DILE KÁNT́ÁR JVÁLÁ<br /> | |||
CIKE BHARE DILE KUSUM MÁLÁ<br /> | |||
SAMMÁN DIYE KARE DILE UTALÁ<br /> | |||
BHÚLIYE DILE MORE SHÁSHVATA GÁNA<br /> | |||
ANEK KICHU MORE DIYE DILE DÁNA<br /> | |||
DIIRGHA PATHER SÁTHII JÁNI TOMÁKEI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIIRGHA PATHER SÁTHII JÁNI TOMÁKEI<br /> | |||
ÁMÁR KÁCHE ÁR KEU KOTHÁ NÁ I<br /> | |||
TOMÁR PATHE CALI TOMÁKE PETE I<br /> | |||
TUMI MOR DHRUVA TÁRÁ KARO AVADHÁNA<br /> | |||
ANEK KICHU MORE DIYE DILE DÁNA<br /> | |||
CEYE CHILUM ÁMI SHUDHU TOMÁKE<br /> | |||
ANEK KICHU MORE DIYE DILE DÁNA<br /> | |||
O Lord, I have loved You only. You have given me a lot of gifts. I had thought that I<br /> | |||
would remain with You only, but You provided me with effluent material comfort. By giving<br /> | |||
lotus, You gave me pain of thorns, by giving floral garland, You filled with tight<br /> | |||
necklace. By granting honor, You made me frenzied. You made me forget the eternal song. I<br /> | |||
consider You only as companion of the long path. There is nothing else before me anywhere.<br /> | |||
I move along Your path to attain You only, You are my pole star, consider me.<br /> | |||
=== 3551 (24/05/1986) K === | |||
TUMI ESE CHILE PRIYA<br /> | |||
KRŚŃÁ AMÁNISHÁR SHEŚE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLO D́HELE PÚRVÁCALE<br /> | |||
GLÁNI SARIYE NI MEŚE<br /> | |||
KRŚŃÁ AMÁNISHÁR SHEŚE<br /> | |||
KEU CHILO NÁ PRITHIVIITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KEU CHILO NÁ PRITHIVIITE<br /> | |||
MOR VYATHÁR KATHÁ BUJHITE<br /> | |||
TUMI ELE NIBHRITE<br /> | |||
DUHKHA SUKHER URDHVÁKÁSHE<br /> | |||
KRŚŃÁ AMÁNISHÁR SHEŚE<br /> | |||
DHARÁ PARE ELO ÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DHARÁ PARE ELO ÁLO<br /> | |||
RAUNGE RAUNGE RÚPA PHO T́ÁLO<br /> | |||
TOMÁR HÁSI ENE DILO<br /> | |||
BHÁVOTTARE BHÁVER DESHE<br /> | |||
KRŚŃÁ AMÁNISHÁR SHEŚE<br /> | |||
TUMI ESE CHILE PRIYA<br /> | |||
KRŚŃÁ AMÁNISHÁR SHEŚE<br /> | |||
O Dear Lord, You came at the end of dark night, pouring light in the eastern horizon | |||
removing the agonies in a moment. There was no one in the world to understand the tale of<br /> | |||
my agony. You came in seclusion, from the sky above pain and pleasure. Illumination came<br /> | |||
on the earth, beautiful forms bloomed in diverse colours. You brought smile from an | |||
absolute ideational arena above thoughts.<br /> | |||
=== 3552 (25/05/1986) K === | |||
VÁRTÁ ESECHE DÚR TÁRAKÁ THEKE<br /> | |||
TUMI NÁKI ÁSIBE ÁSHÁ BHARIÁ DEVE<br /> | |||
NIRÁSHA HRDAYE EI MARTYA LOKE<br /> | |||
VÁRTÁ ESECHE DÚR TÁRAKÁ THEKE<br /> | |||
ÁSHÁR AGNI KOŃE JVALIBE NÚTAN ÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSHÁR AGNI KOŃE JVALIBE NÚTAN ÁLO<br /> | |||
BHÁVANÁR MÁNAVATÁ JE MÁDAKATÁ DILO<br /> | |||
TÁHÁRI MÚRTA HOVE KARIBE JÁHÁI BHÁLO<br /> | |||
BHÚMÁTE? MANANER JAMAKE<br /> | |||
VÁRTÁ ESECHE DÚR TÁRAKÁ THEKE<br /> | |||
THÁKIBE NÁ KÁRO DUHKHA BHARIBE SABÁR BÚK<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
THÁKIBE NÁ KÁRO DUHKHA BHARIBE SABÁR BÚK<br /> | |||
BRIHATER PREŚAŃÁY RABE SADÁ UNMUKH<br /> | |||
SUSMITA ÁNKHI TÁRÁ PROJJVAL PRATI MUKH<br /> | |||
MAHÁ JIIVANER JHALAKE<br /> | |||
VÁRTÁ ESECHE DÚR TÁRAKÁ THEKE<br /> | |||
TUMI NÁKI ÁSIBE ÁSHÁ BHARIÁ DEVE<br /> | |||
NIRÁSH HRDAYE EI MARTYA LOKE<br /> | |||
VÁRTÁ ESECHE DÚR TÁRAKÁ THEKE<br /> | |||
From distant star, message has come. Will You not come filling hope in the disappointed<br /> | |||
hearts of this perishable world? In the southeastern direction new light would be ignited.<br /> | |||
The intoxication given by the feeling of humanity would materialize and its benevolence<br /> | |||
would come in spectacular way in the Cosmic mind. Nobody will have sorrow, all hearts<br /> | |||
would be fulfilled, with the impulse of the great, I shall be always eager. With smiling<br /> | |||
shining facing eyes with the glimpse of great life.<br /> | |||
=== 3553 (25/05/1986) K === | |||
TUMI ELE<br /> | |||
ÁMÁR MANER KATHÁ<br /> | |||
SHUŃE CHILE<br /> | |||
BHEVE CHILUM GECHO BHÚLE<br /> | |||
SE ÁMÁR BOJHÁRI BHÚLE<br /> | |||
MANER KATHÁ SHUNE CHILE<br /> | |||
NAYANERI KAJJALE MOR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NAYANERI KAJJALE MOR<br /> | |||
DHUYE DIYECHE ÁNKHI LOR<br /> | |||
KENDE NISHI HOYECHE BHOR<br /> | |||
BHEVECHI KII BADHIR HOLE<br /> | |||
MANER KATHÁ SHUŃE CHILE<br /> | |||
ELE Á J ÁLOK MÁLÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ELE Á J ÁLOK MÁLÁY<br /> | |||
MANERAI MÁJHE NIRÁLÁY<br /> | |||
PRIITIRAI MAYUKH MÁLÁY<br /> | |||
BHÁVANÁY LUKIYE CHILE<br /> | |||
MANER KATHÁ SHUŃE CHILE<br /> | |||
TUMI ELE<br /> | |||
ÁMÁR MANER KATHÁ<br /> | |||
SHUŃE CHILE<br /> | |||
O Lord, You came and heard my mental affairs. I had thought that You had forgotten me, but<br /> | |||
that was my mistake of understanding. My tears had washed away the dark decoration marks<br /> | |||
upon the eyes. Crying whole night, morning appeared and I thought that You had turned<br /> | |||
deaf. Today You came with series of effulgence, into the mind in isolation. As series of<br /> | |||
glow, You were hidden within the abstract psychic arena.<br /> | |||
=== 3554 (26/05/1986) K === | |||
AJÁNÁ PATHIK ÁJ KENO D́ÁKE ÁMÁKE<br /> | |||
SE BRIHAT AŃU ÁMI KI BÁ DITE PÁRI TÁHÁKE<br /> | |||
AJÁNÁ PATHIK ÁJ KENO D́ÁKE ÁMÁKE<br /> | |||
JIIVANE RAYECHE MOR CHOT́ SHIKHÁ NIVU NIVU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVANE RAYECHE MOR CHOT́ SHIKHÁ NIVU NIVU<br /> | |||
JVÁLIYE REKHECHI TÁKE PRÁŃAPAŃA KARE TABU<br /> | |||
E KATHÁ KII SE NÁHI JÁNE<br /> | |||
JÁCI/NÁCI? TÁRI SUMUKHE<br /> | |||
AJÁNÁ PATHIK ÁJ KENO D́ÁKE ÁMÁKE<br /> | |||
KHADYOT ÁMI NÁCI JYOTSNÁR CÁNDE GHIRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KHADYOT ÁMI NÁCI JYOTSNÁR CÁNDE GHIRE<br /> | |||
PRAJINÁ DYUTITE TÁR HÁRÁI JE BÁRE BÁRE<br /> | |||
BHÁSI TÁHÁRI T́ÁNE ANURÁGE PULAKE<br /> | |||
AJÁNÁ PATHIK ÁJ KENO D́ÁKE ÁMÁKE<br /> | |||
SE BRIHAT AŃU ÁMI KI BÁ DITE PÁRI TÁHÁKE<br /> | |||
AJÁNÁ PATHIK ÁJ KENO D́ÁKE ÁMÁKE<br /> | |||
Why does the Unknown Traveler, The Supreme, call me today? He is Great and I am a meagre<br /> | |||
what can I give Him? My life is like tiny flickering flame of a lamp, which I have kept it<br /> | |||
alive with all my might.<br /> | |||
Does He not know about this? I beg dancing before Him. I am like a firefly dancing around<br /> | |||
the brilliant moon. Within His effulgence of intuition, I get lost again and again | |||
floating by His pull with loving joy.<br /> | |||
=== 3555 (26/05/1986) K === | |||
ALAKTA SHILÁ? CHILO CIT KAMALE<br /> | |||
TUMI ÁSIBE BOLE<br /> | |||
CAINCAL PAVANE SAOMYA SNIGDHA GÁNE<br /> | |||
NÁŔÁ DILO PRATI PALE<br /> | |||
TUMI ÁSIBE BOLE<br /> | |||
NIIL SAROVARE MOR PHÚT́E CHILO EKAI PHÚL<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIIL SAROVARE MOR PHÚT́E CHILO EKAI PHÚL<br /> | |||
GANDHA MADHUTE BHARÁ SE CHILO RÚPE ATUL<br /> | |||
UDGRIIVA HOYE CHILO MANE PRÁŃE CEYE CHILO<br /> | |||
TUMI ESE NEVE TÚLE<br /> | |||
TUMI ÁSIBE BOLE<br /> | |||
ÁJ TUMI ÁSIÁCHO MADHUVANE MÁTÁYECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁJ TUMI ÁSIÁCHO MADHUVANE MÁTÁYECHO<br /> | |||
VEŃUKÁR SPANDANE CITTE DOLÁ DIYECHO<br /> | |||
KAMALER UPAVAN JHAUNKRITA PRATI KŚAŃA<br /> | |||
SVARŃA MUKUL NÁCE MRIŃÁL MÚLE<br /> | |||
TUMI ÁSIBE BOLE<br /> | |||
There was a wick on varnished altar of my mental lotus, as You had told to come. Through<br /> | |||
the restless breeze and majestic soft song, each moment it gave a jerk. In the blue pond<br /> | |||
of mine, only one flower bloomed. Filled with fragrance and honey, it was incomparable in | |||
beauty. It became upward facing, looking wholeheartedly, for You to come down and lift.<br /> | |||
Today You have come and intoxicated the garden, with the vibration of flute, You<br /> | |||
oscillated the mind. The lotus garden is tinkled each moment and the golden bud dances<br /> | |||
over the stem.<br /> | |||
=== 3556 (27/05/1986) K === | |||
EI, KISHALAYE RÁUNGÁ PRABHÁTE<br /> | |||
TUMI, ESE CHILE TUMI ESE CHILE<br /> | |||
SUKHADA MANDA VÁYUTE<br /> | |||
TUMI, HESE CHILE TUMI HESE CHILE<br /> | |||
TUMI, ESE CHILE TUMI ESE CHILE<br /> | |||
ALAKÁR VISHVÁDHARE HÁSI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKÁR VISHVÁDHARE HÁSI<br /> | |||
CHILO TÁR SÁTHE TAVA MOHAN BÁNSHI<br /> | |||
KUT́ILA TAMASÁ SHEŚE JAD́ATÁ NÁSHI<br /> | |||
CIDAMBARE TUMI BHESE CHILE<br /> | |||
TUMI, ESE CHILE TUMI ESE CHILE<br /> | |||
CINITE PÁRI NIKO ÁMI TOMÁKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CINITE PÁRI NIKO ÁMI TOMÁKE<br /> | |||
SHÁSTRA DARSHANE BOLENI ÁMÁKE<br /> | |||
BHARIYE DIYE MAN PRATI STABAKE<br /> | |||
ÁRTI VISHIIRŃATÁ SARIYE DILE<br /> | |||
TUMI, ESE CHILE TUMI ESE CHILE<br /> | |||
EI, KISHALAYE RÁUNGÁ PRABHÁTE<br /> | |||
TUMI, ESE CHILE TUMI ESE CHILE<br /> | |||
On this morning, decorated and coloured with tender leaves, You have come. In the pleasing<br /> | |||
soft breeze, You have smiled. The heavenly smile on the lip of the world, and along with<br /> | |||
that was Your charming flute. At the end of the crooked darkness, destroying the inertia<br /> | |||
in the mental sky You had floated. I could not recognise You, the scriptures and<br /> | |||
philosophies did not tell me. You fulfilled the mind with each stabak (panegyric offering<br /> | |||
with folded pair of hands) and removed the affliction and decaying.<br /> | |||
=== 3557 (27/05/1986) K === | |||
CIDAMBARE MOR TUMI KE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIJE ELE ÁJI NIJE ELE<br /> | |||
D́AMBARU NINÁDE PALAKE<br /> | |||
NECE UT́HILE<br /> | |||
NIJE ELE ÁJI NIJE ELE<br /> | |||
BUJHINI KII CÁI ÁMÁR KII BÁ PRAYOJANA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BUJHINI KII CÁI ÁMÁR KII BÁ PRAYOJANA<br /> | |||
CHILO, YASHER PAHAŔ KATA NÁ ÁYOJANA<br /> | |||
SABE, NIMEŚE GUNŔIYE DIYE<br /> | |||
KOLE, NILE TÚLE<br /> | |||
NIJE ELE ÁJI NIJE ELE<br /> | |||
SATYA SHIVA PRABHU TUMI SUNDAR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SATYA SHIVA PRABHU TUMI SUNDAR<br /> | |||
MANER ATIITA LOKE CIRA MANOHARA<br /> | |||
VAEDYUŚYER GURU BHÁR SARIYE<br /> | |||
BOJHÁ, HARIYÁ NILE<br /> | |||
NIJE ELE ÁJI NIJE ELE<br /> | |||
CIDAMBARE MOR TUMI KE<br /> | |||
NIJE ELE ÁJI NIJE ELE<br /> | |||
Into the mental sky of mine, who is that You Who came Himself today? With the uproar of<br /> | |||
d’ambaru in a moment started dancing. I did not know what I needed, what is the purpose?<br /> | |||
I had mountain of fame, and much collection of needed articles. All You pulverized in a<br /> | |||
moment, and lifted me up on the lap. O Lord, You are Truth, Benevolent and Beautiful, in | |||
the arena beyond mind and ever charming. Removing the heavy load of intellect, You took<br /> | |||
away my burden.<br /> | |||
=== 3558 928/05/1986) D === | |||
ÁSÁ ÁR JÁOÁ CÁOÁ ÁR PÁOÁ<br /> | |||
EI NIYE SHUDHU BENCE THÁKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JAD́A O CETAN JATA AŃUMAN | |||
JIIVAN SABÁR E CHAKE ÁNKÁ<br /> | |||
EI NIYE SHUDHU BENCE THÁKÁ<br /> | |||
ÁSITE CÁINI BOLÁ NÁHI JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSITE CÁINI BOLÁ NÁHI JÁY<br /> | |||
KEHOI THÁKIÁ JÁITE NÁ PÁI<br /> | |||
ÁSÁ JÁOÁR E NITYA LIILÁY<br /> | |||
GHARGHARI CALE RATHA CÁKÁ<br /> | |||
EI NIYE SHUDHU BENCE THÁKÁ<br /> | |||
TARU SHYÁMALIMÁ RAVI RAKTIMÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TARU SHYÁMALIMÁ RAVI RAKTIMÁ<br /> | |||
ÁSHÁKÁSHE JYOTSNÁ MADHURIMÁ<br /> | |||
BHÁŚÁY JÁHÁRE DITE NÁRE SIIMÁ<br /> | |||
SE PRABHU RACE E KUHELIKÁ<br /> | |||
THÁKÁ NÁ THÁKÁR E PRAHELIKÁ<br /> | |||
EI NIYE SHUDHU BENCE THÁKÁ<br /> | |||
ÁSÁ ÁR JÁOÁ CÁOÁ ÁR PÁOÁ<br /> | |||
EI NIYE SHUDHU BENCE THÁKÁ<br /> | |||
Coming and going, wishing and gaining, carrying only these, I am surviving. The living and<br /> | |||
nonliving beings, all microcosms, each life is marked on this sketch. It is difficult to<br /> | |||
say that I do not want to come, some people staying do not want to go. With this eternal<br /> | |||
game of coming and going, the wheels of the cart go on rotating with rattling sound<br /> | |||
enveloped under the Cosmic mind. That includes the greenness of the tree, redness of the<br /> | |||
sun, the sweetness of moonlight in the sky of hopes. The Lord, who has created this fog<br /> | |||
riddle and the language is unlimited.<br /> | |||
=== 3559 (28/05/1986) D === | |||
SE JE, AŃUTE AŃUTE NECE JÁY<br /> | |||
SE JE NECE JÁY<br /> | |||
KABHU BÁHIRE KAKHANO BHIITARE<br /> | |||
MANO MÁJHE MOR DOLÁ DEY<br /> | |||
AŃUTE AŃUTE NECE JÁY<br /> | |||
SE JE NECE JÁY<br /> | |||
JÁNITE PÁRI NÁ BUJHEO BUJHI NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁNITE PÁRI NÁ BUJHEO BUJHI NÁ<br /> | |||
VAEDUŚYETE DHARITE PÁRI NÁ<br /> | |||
KABHU NIRÁSHÁY KABHU DURÁSHÁY<br /> | |||
MAN TÁRE KÁCHE PETE CÁY<br /> | |||
AŃUTE AŃUTE NECE JÁY<br /> | |||
SE JE NECE JÁY<br /> | |||
SE EK MÁYAVII MÁYÁY RACECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE EK MÁYAVII MÁYÁY RACECHE<br /> | |||
ALAKÁR LOKE RÚPER SÁJÁYECHE<br /> | |||
KII SE/KE? KABE KARE KE BHÁVITE PÁRE<br /> | |||
BHÁVANÁY TABU JHALAKÁY<br /> | |||
AŃUTE AŃUTE NECE JÁY<br /> | |||
SE JE NECE JÁY<br /> | |||
SE JE, AŃUTE AŃUTE NECE JÁY<br /> | |||
SE JE NECE JÁY<br /> | |||
He goes on dancing within each atom, sometimes outside and sometimes inside, He oscillates<br /> | |||
the swing within my mind. I am unable to know, unable to understand even after grasping<br /> | |||
unable to bring into folds by wisdom and intellect. Sometimes with pessimism and sometimes<br /> | |||
with audacity, the mind wants to get Him close. That One Charmer has created such<br /> | |||
delusion, decorated with beauty the heavenly arena, no one can imagine what He would do<br /> | |||
and when, still He shows the glimpses of ideation.<br /> | |||
=== 3560 (29/05/1986) K === | |||
EI, ÁLOKOJJVAL PRABHÁTE<br /> | |||
TUMI ELE PHÚL PHOT́ÁLE<br /> | |||
DHARÁ SURABHITA KARITE<br /> | |||
EI, ÁLOKOJJVAL PRABHÁTE<br /> | |||
TOMÁRE BARIYÁ NITE ELO SABE<br /> | |||
ÁSHÁR KALIKÁ HÁTE E UTSAVE<br /> | |||
TÁRÁ, DILO JATA MÁN VRITHÁ ABHIMÁN | |||
TOMÁKE PEYE LOKE MOHITA CITE<br /> | |||
EI, ÁLOKOJJVAL PRABHÁTE<br /> | |||
DIN NEI RÁT NEI SAKAL SAMAY<br /> | |||
SÁTHE ÁCHO PRIYATAMA HE CINMAYA<br /> | |||
TAVA, PRIITIR DIIPE BHÁVERA NIIPE<br /> | |||
UCCHALTÁ ELO JAD́A JAGATE<br /> | |||
EI, ÁLOKOJJVAL PRABHÁTE<br /> | |||
EI, ÁLOKOJJVAL PRABHÁTE<br /> | |||
TUMI ELE PHÚL PHOT́ÁLE<br /> | |||
On this bright white morning, You came blooming the flowers and making the earth fragrant.<br /> | |||
For adoring You, all came with the bud of hope in hand during this festivity. You granted<br /> | |||
them the honor and even false vanity and prestige. By finding You people are charmed and<br /> | |||
engrossed. O Dearest, The embodiment of Consciousness, not only in nights or days but at<br /> | |||
all the time, You are together with them accompanying. By the lamp of Your love, niip<br /> | |||
flower of Your ideation, activity came in the inert world.<br /> | |||
=== 3561 (29/05/1986) D (Krsna) === | |||
VRINDÁVANER MÁŃIK KÁŃU<br /> | |||
KOTHÁY GELE MODER PHELE<br /> | |||
NANDA PITÁ MÁ YASHODÁ<br /> | |||
DHENU VEŃU GIYE BHÚLE<br /> | |||
KOTHÁY GELE MODER PHELE<br /> | |||
YAMUNÁ ÁJ EKELÁ DHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
YAMUNÁ ÁJ EKELÁ DHÁY<br /> | |||
KADAM TARU PHUL NÁ PHOT́ÁY<br /> | |||
TAMÁL TALE BHÁUNGÁ GOKULE<br /> | |||
KÁLOR ÁLO ÁR NÁ DOLE<br /> | |||
KOTHÁY GELE MODER PHELE<br /> | |||
MODER JIIVAN TUMI SHYÁM RÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MODER JIIVAN TUMI SHYÁM RÁY<br /> | |||
TUMII GELE SAB CALE JÁY<br /> | |||
ÁJ VEŃU VANE GOVARDHANE<br /> | |||
KEU NÁ TÁKÁY ÁNKHI MELE<br /> | |||
KOTHÁY GELE MODER PHELE<br /> | |||
VRINDÁVANER MÁŃIK KÁŃU<br /> | |||
KOTHÁY GELE MODER PHELE<br /> | |||
O The Ruby gem of Vrindavan, Krsna, leaving me where have You gone? You forgot<br /> | |||
father Nanda, mother Yashoda’, the cows and the bambooflute. The river Yamuna’ is<br /> | |||
running alone, the kadam tree does not bloom, below the tama’l tree at broken cowshed,<br /> | |||
there is darkness, no illumination. In my life, You are the only King Shya’m Ra’i<br /> | |||
when You are gone, all are gone. Today in the bamboo grove, at the Govardhan hills, nobody<br /> | |||
looks with open eyes.<br /> | |||
=== 3562 (30/05/1986) D (Bengali dialect) === | |||
TUKE BHÁLBO HÁMI NAYAN BHARE<br /> | |||
TU ÁI GO ÁI GO MUR GHAR KE ÁJ<br /> | |||
PHULE SÁJÁBO MANE MÁTÁBO<br /> | |||
NÁCABO GHIRYE GHIRYE BHULE BHAYA LÁJ<br /> | |||
TU ÁI GO ÁI GO MUR GHAR KE ÁJ<br /> | |||
DINER BELÁY JABE ÁLOY ÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DINER BELÁY JABE ÁLOY ÁSE<br /> | |||
PUB ÁKÁSHE TOR MUKHAT́I HÁSE<br /> | |||
MAULER JHÁINJHE VÁSE VÁTÁS BHÁSE<br /> | |||
MUR, MAN CHUT́E JÁY TOR PÁNE RÁKHÁL RÁJ<br /> | |||
TU ÁI GO ÁI GO MUR GHAR KE ÁJ<br /> | |||
SÁNJHE RAVI D́OBE ASTÁCALE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SÁNJHE RAVI D́OBE ASTÁCALE<br /> | |||
DOLÁ DIYE JÁY SHÁLUKER PHULE<br /> | |||
KÚLA CHEŔYE MUR MAN JÁY DÚR AKÚLE, ÁR<br /> | |||
RÁKHALI NÁI KÚN BÁDHÁ TÚR ÁR MÚR MÁJHA<br /> | |||
TU ÁI GO ÁI GO MUR GHAR KE ÁJ<br /> | |||
TUKE BHÁLBO HÁMI NAYAN BHARE<br /> | |||
TU ÁI GO ÁI GO MUR GHAR KE ÁJ<br /> | |||
O Lord, I love You wholeheartedly, You come to my home today. I shall decorate with<br /> | |||
flowers, engross my mind and dance around forgetting fear and shyness. During daytime<br /> | |||
when light comes, in the eastern sky You face smiles. With the fragrance of honey, the<br /> | |||
wind blows. O The King of cowherds, my mind rushes towards You. In the evening the sun | |||
sets down into the horizon, swinging the flowers of water lily. Leaving the shore, my mind<br /> | |||
goes rushing far without a shore, and did not have any obstruction between You and me.<br /> | |||
=== 3563 (30/05/1986) D === | |||
EI, NAVÁRUŃE NAVA JIIVANE<br /> | |||
ÁMI, BHESE CALECHI PRABHU TOMÁR PÁNE<br /> | |||
ÁMÁR TÁR JE CHENŔÁ VIIŃÁ CHANDA HÁRÁ<br /> | |||
METE RAYECHI TABU TOMÁR GÁNE<br /> | |||
ÁMI, BHESE CALECHI PRABHU TOMÁR PÁNE<br /> | |||
HENO, GAORAVO NÁI JÁHÁ JAGATE JÁNÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GAORAVO NÁI JÁHÁ JAGATE JÁNÁI<br /> | |||
SHUKTI MÁJHE ÁMÁR MUKTÁ NÁ PÁI<br /> | |||
PABHU, TOMÁR BHÁVE TOMÁR T́ÁNE<br /> | |||
EK HOYE GECHI ÁMI MANE PRÁŃE<br /> | |||
ÁMI, BHESE CALECHI PRABHU TOMÁR PÁNE, ÁMI<br /> | |||
KŚUDRÁTI KŚUDRA AŃUR AŃU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KŚUDRÁTI KŚUDRA AŃUR AŃU<br /> | |||
TUMI, SVARÁT́ JYOTIŚKA VIRÁT́ BHÁNUR BHÁNU<br /> | |||
TUMI, DHYEYA ÁMÁR SHREYA ALAKÁR<br /> | |||
TUMI PRIITI D́HELE CALO AKÁRAŃE<br /> | |||
ÁMI, BHESE CALECHI PRABHU TOMÁR PÁNE<br /> | |||
EI, NAVÁRUŃE NAVA JIIVANE<br /> | |||
ÁMI, BHESE CALECHI PRABHU TOMÁR PÁNE<br /> | |||
O Lord, on this new morning with new life, I go on floating towards You. My string is<br /> | |||
plucked, and the viin’a’ is mistuned, still I remain engrossed in Your song. I have no<br /> | |||
glory such that I present before the world. In my shell, I do not find a pearl. O Lord, in | |||
Your ideation and attraction, I have become one wholeheartedly. I am minutest atom of<br /> | |||
atom, You are grandeur of luminous celestial body, most brilliant sun of sun. You are my<br /> | |||
object of ideation, heavenly benevolence. You go on pouring love causelessly.<br /> | |||
=== 3564 (31/05/1986) K === | |||
TOMÁRE CEYECHI NÁME RÚPE RASE<br /> | |||
MANANE GAHANE NIRÁLÁY<br /> | |||
BHÁVER BHÁVANÁ Y<br /> | |||
BHÁVER BHÁVANÁY ARÚPA DYOTANÁY<br /> | |||
SHRIT́I STHITI LAYE ÁJÁNÁY<br /> | |||
MANANE GAHANE NIRÁLÁY<br /> | |||
OGO KARUŃÁMAYA E KII LIILÁ TAVA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
OGO KARUŃÁMAYA E KII LIILÁ TAVA<br /> | |||
KŚANEKE KATA BHÁUNGO KATA GAŔO NAVA<br /> | |||
KATA KI JE ÁSE KATA KI JE JÁY<br /> | |||
TOMÁR CARAŃ PRÁNTE DHÚLÁY<br /> | |||
MANANE GAHANE NIRÁLÁY<br /> | |||
ALAKHA NIRAINJANA TOMÁRA NÁM<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKHA NIRAINJANA TOMÁRA NÁM<br /> | |||
AVÁUNGA MANO GOCARA TOMÁRE PRAŃÁM<br /> | |||
TUMI ÁDI STHITI TUMII PARIŃÁM<br /> | |||
TUMI HÁSO MANER MAŃI DOLÁY<br /> | |||
MANANE GAHANE NIRÁLÁY<br /> | |||
O Lord, I love You along with Your name, beauty and flow in the depth of the mind secretly<br /> | |||
in isolation. I love You in the ideation of thoughts, in formless gestures, in the unknown | |||
arena of creation, sustenance and dissolution. O the Merciful, what an illusive game<br /> | |||
liila is this, within moments, how many You destroy and how many You create. How many<br /> | |||
come and go away in the arena of the dust of Your feet. Unseen, without blemish, is Your<br /> | |||
name. O beyond the reach of words mind and sense perception, I salute You. You are the<br /> | |||
beginning, sustenance and result, You smile in the mental swing.<br /> | |||
=== 3565 (31/05/1986) D (Krsna) === | |||
VRAJER GOPÁL CALE JÁY<br /> | |||
KOTHÁ THEKE KOTHÁY<br /> | |||
NRITYER TÁLE NABHAH MANDRILE<br /> | |||
SMRITIR PASARÁ PHELE JÁY<br /> | |||
KOTHÁ THEKE KOTHÁY<br /> | |||
JÁNI MOR KÁNU JÁY NÁKO KABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁNI MOR KÁNU JÁY NÁKO KABHU<br /> | |||
HIYÁR ANTARE SADÁ HÁSE TABU<br /> | |||
COKHE NÁ DEKHIÁ MANANE SMARIÁ<br /> | |||
KÁCHE KI DÚRE BOJHÁ DÁY<br /> | |||
KOTHÁ THEKE KOTHÁY<br /> | |||
BHÁVA MISHE JÁY KATA MAHÁBHÁVE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVA MISHE JÁY KATA MAHÁBHÁVE<br /> | |||
ABHÁVER BODHA HÁRÁY SVABHÁVE<br /> | |||
ÁMI, KÚLA HÁRÁ TARII AKULETE GHÚRI<br /> | |||
GOKULER MAN MAŃIKÁY<br /> | |||
KOTHÁ THEKE KOTHÁY<br /> | |||
VRAJER GOPÁL CALE JÁY<br /> | |||
KOTHÁ THEKE KOTHÁY<br /> | |||
The Gopa’l, Krsna, of the land of Vraja, moves on, from where to which place?<br /> | |||
Vibrating the sky through the rhythm of dance, He goes on scattering the articles of<br /> | |||
memories. I know that my Krsna does not go any time, rather ever smiles within the<br /> | |||
heart. Not seeing with eyes, only by remembering in the mind, it is very difficult to<br /> | |||
understand whether He is near or far. The thoughts go on merging into the Great Ideation | |||
the feelings of scarcity gets lost in its own characteristics. Like a shoeless boat, I go<br /> | |||
round without a shore in the mental gemregion of Gokula.<br /> | |||
=== 3566 (01/06/1986) K === | |||
TOMÁRI SMARAŃE<br /> | |||
TOMÁRI SMARAŃE TOMÁRI MANANE<br /> | |||
DIN CALE JÁY TAVA KRIPÁY<br /> | |||
BHÁLOBÁSO NÁ BÁSO<br /> | |||
BHÁLOBÁSO NÁ BÁSO KÁCHE ÁSO NÁ ÁSO<br /> | |||
NIYATA REKHECHO SMITA CHÁYÁY<br /> | |||
DIN CALE JÁY TAVA KRIPÁY<br /> | |||
DHARÁY ESECHI GO<br /> | |||
DHARÁY ESECHI GO KARITE TAVA KÁJ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DHARÁY ESECHI GO KARITE TAVA KÁJ<br /> | |||
SATATA SEJE THÁKI DIYECHO JE SÁJ<br /> | |||
BÁHIRE BHIITARE<br /> | |||
BÁHIRE BHIITARE MARAME GABHIRE<br /> | |||
ÁMÁR ÁMI NÁCE TAVA DOLÁY<br /> | |||
DIN CALE JÁY TAVA KRIPÁY<br /> | |||
SAHITE PÁRI NÁ<br /> | |||
SAHITE PÁRI NÁ TOMÁKE BHULE THÁKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAHITE PÁRI NÁ TOMÁKE BHULE THÁKÁ<br /> | |||
JANMA STHITI LAYA JÁHÁR MANE ÁNKÁ<br /> | |||
JÁHÁR SPANDANE<br /> | |||
JÁHÁR SPANDANE NÚPUR RAŃANE<br /> | |||
BENCE THÁKÁR GIITI BHESE JÁY<br /> | |||
DIN CALE JÁY TAVA KRIPÁY<br /> | |||
TOMÁRI SMARAŃE TOMÁRI MANANE<br /> | |||
DIN CALE JÁY TAVA KRIPÁY<br /> | |||
O Lord, in Your memory and meditation, my days pass by Your grace. Whether You love me or<br /> | |||
not, whether You come close or remain far, but You constantly keep me like smiling shadow.<br /> | |||
I have come to this earth to do Your work. Whatever means You have provided, I am always<br /> | |||
ready with that, to execute this work. In the external and internal worlds, in the depth<br /> | |||
of the mental core, my own “I” dances to Your oscillations. I am unable to tolerate<br /> | |||
being forgetful of You, the One in which the birth, living and dissolution are marked in | |||
Whom, by whose vibrations, resonance of the anklebells, the song of survival and living<br /> | |||
goes on floating.<br /> | |||
=== 3567 (02/06/1986) K === | |||
ÁLOY ELE CHÁYÁY GELE<br /> | |||
ÁLO CHÁYÁY E KII LIILÁ PRABHU TAVA<br /> | |||
MARU HRIDAYE SHYÁMALA KARILE<br /> | |||
E KII KHELÁ TUMI KHELE CALE ABHINAVA<br /> | |||
ÁLO CHÁYÁY E KII LIILÁ PRABHU TAVA<br /> | |||
AJÁNÁ PATHIK TUMI ITIHÁS KAY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AJÁNÁ PATHIK TUMI ITIHÁS KAY<br /> | |||
BHÁŚÁR ATIITA TUMI BHÁVE PARICAYA<br /> | |||
BHÁVA ÁR BHÁVÁTIITA KÁLA ÁR KÁLÁTIITA<br /> | |||
SPARSHA VINDUTE KII MÁDHURII NAVA NAVA<br /> | |||
ÁLO CHÁYÁY E KII LIILÁ PRABHU TAVA<br /> | |||
NIKAT́ATAMA TUMI CIRA AJÁNÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIKAT́ATAMA TUMI CIRA AJÁNÁ<br /> | |||
SUDHÁSYANDYA MÁNO NÁ KONO MÁNÁ<br /> | |||
KÁCHE ÁSO DÚRE JÁO ALAKŚYE DEKHE JÁO<br /> | |||
CIRA PURÁTANA TUMI PRÁŃER PRIITI ÁSAVA<br /> | |||
ÁLO CHÁYÁY E KII LIILÁ PRABHU TAVA<br /> | |||
O Lord, the light came and darkness has gone, what an illusive game, liila, is Yours<br /> | |||
consisting of light and shade? You have converted a desert heart into green, what a new<br /> | |||
game You go on playing? O the unknown traveler, You speak history. Beyond language, You<br /> | |||
are known with feelings. O within and beyond feelings, within and beyond time, at their<br /> | |||
tangential point, You evernew sweetness exists. O the nearest, You are ever unknown | |||
nectaroozing, You do not heed to anything. You come close and go away far, get visualized<br /> | |||
without seeing. O Everancient, You are the essence of love of life.<br /> | |||
=== 3568 (03/06/1986) K === | |||
KUÁSHÁR KÁLO SARIYE<br /> | |||
ÁLO JHARIYE TUMI ESECHO<br /> | |||
MANANE GAHAN KOŃE SAḾGOPANE<br /> | |||
MRIDU HESECHO<br /> | |||
TUMI ESECHO<br /> | |||
PHULERÁ TOMÁRE CÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHULERÁ TOMÁRE CÁY<br /> | |||
PÁPAŔITE HÁY PRIITI BHARIYÁ<br /> | |||
MANANER AVAGÁHANER<br /> | |||
SNIGDHATÁTE SUDHÁ KŚARIÁ<br /> | |||
ESO GO PÁSHE ESO MARAME MESHO<br /> | |||
DÚRE KENO ÁCHO<br /> | |||
TUMI ESECHO<br /> | |||
CIDÁKÁSHE RÁKÁ HESE KAY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CIDÁKÁSHE RÁKÁ HESE KAY<br /> | |||
KÁLOTTIRŃA TUMI MADHUMAY<br /> | |||
SAKAL MADHU PRÁŃER BANDHU<br /> | |||
RÚPÁDHÁRE KENO REKHECHO<br /> | |||
TUMI ESECHO<br /> | |||
KUÁSHÁR KÁLO SARIE ÁLO JHARIYE<br /> | |||
TUMI ESECHO<br /> | |||
O Lord, removing the darkness of the fog, scattering light, You came into the deep recess<br /> | |||
of the mind secretly and smiled softly. Alas, flowers want You full of love with petals<br /> | |||
by immersing in the softness of the mind, oozing nectar. Come, come close, and merge in my<br /> | |||
core, why are You away? In the firmament of mind, the moonlight, smilingly says, that You<br /> | |||
have surmounted time and embodiment of sweetness. All the honey, O the dearest companion | |||
why have You kept within the frame of form?<br /> | |||
=== 3569 (04/06/1986) K === | |||
ÁLOKE ÁNDHÁRE E KII LIILÁ<br /> | |||
RACIÁ CALECHO OGO KARUŃÁMAY<br /> | |||
MANERI MADHUPE E KII KHELÁ<br /> | |||
KARIÁ CALECHO NÁ JENE HE CINMAY<br /> | |||
RACIÁ CALECHO OGO KARUŃÁMAY<br /> | |||
SONÁLI TAT́INII JALADHIR PÁNE DHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SONÁLI TAT́INII JALADHIR PÁNE DHÁY<br /> | |||
AYASKÁNTA MAŃI ÁYUDHE NÁCÁY<br /> | |||
AŃU KUSHA KÁSHA MULE ATAL ANAL DOLE<br /> | |||
DOLAN CÁMPÁR PHULE TRYASAREŃU MADHUMAY<br /> | |||
RACIÁ CALECHO OGO KARUŃÁMAY<br /> | |||
BHÁVANÁ HÁRIYE JÁY BHÁVERI SHROTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVANÁ HÁRIYE JÁY BHÁVERI SHROTE<br /> | |||
MUKHARATÁ MÚK HOYE TAVA DRUTITE<br /> | |||
INDRANIILE NABHAHNIILAO KATHÁ BOLE<br /> | |||
NIIHÁRIKÁ KAŃÁ NÁCE PULAKE CHANDOMAY<br /> | |||
RACIÁ CALECHO OGO KARUŃÁMAY<br /> | |||
ÁLOKE ÁNDHÁRE E KII LIILÁ<br /> | |||
RACIÁ CALECHO OGO KARUŃÁMAY<br /> | |||
O The merciful, what a game of light and shade You go on creating? O the embodiment of<br /> | |||
consciousness, as mental bee, what a game You go on playing, O the merciful? The golden | |||
river rushes towards the sea. The loadstone makes the iron weapon dance. In meagre grass<br /> | |||
lies latent the potential of intense fire. In the campa flower, sweet pollen survives. The<br /> | |||
thoughts get lost in the stream of ideation, and the expressions become dumb at Your<br /> | |||
speed. The blue sapphire and the blue sky speak of that. The particles of the nebula dance<br /> | |||
rhythmically with joy.<br /> | |||
=== 3570 (05/06/1986) K === | |||
JIIVANE MARAŃE<br /> | |||
TOMÁKEI ÁMI JÁNI<br /> | |||
ÁLOKE ÁNDHÁRE<br /> | |||
TOMÁKEI SHUDHU CINI<br /> | |||
JIIVANE MARAŃE<br /> | |||
TOMÁKEI ÁMI JÁNI<br /> | |||
RÚPÁTIITA TUMI PRIYA<br /> | |||
RÚPÁTIITA TUMI PRIYA<br /> | |||
RÚPÁTIITA TUMI PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÚPÁTIITA TUMI PRIYA<br /> | |||
ESECHO RÚPSÁYARE<br /> | |||
BHÁVÁTIITA CINMAYA<br /> | |||
BHÁLOBESECHO ÁMÁRE<br /> | |||
BUDBUDA ÁMI TUMI<br /> | |||
MAHODADHI TOMÁKE MÁNI<br /> | |||
JIIVANE MARAŃE<br /> | |||
TOMÁKEI ÁMI JÁNI<br /> | |||
ESECHI TAVA EŚÁŃÁY<br /> | |||
ESECHI TAVA EŚÁŃÁY<br /> | |||
ESECHI TAVA EŚÁŃÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ESECHI TAVA EŚÁŃÁY<br /> | |||
BHESECHI SE URMI MÁLÁY<br /> | |||
HESECHI TAVA PREŚAŃÁY<br /> | |||
NECECHI TAVA JYOTSNÁY<br /> | |||
ÁSÁ JÁOÁ THÁKÁ MOR<br /> | |||
TAVA SVAPANE VIBHOR<br /> | |||
SE SVAPAN GHIRE ÁMÁR<br /> | |||
JATA RÁUNGÁ JÁL BUNI<br /> | |||
JIIVANE MARAŃE<br /> | |||
TOMÁKEI ÁMI JÁNI<br /> | |||
ÁLOKE ÁNDHÁRE<br /> | |||
TOMÁKEI SHUDHU CINI<br /> | |||
JIIVANE MARAŃE<br /> | |||
TOMÁKEI ÁMI JÁNI<br /> | |||
I know only You in life or death.<br /> | |||
I recognise only You in light or darkness.<br /> | |||
O formless One, You appeared in the ocean of forms.<br /> | |||
O embodiment of consciousness beyond thought,<br /> | |||
You loved me.<br /> | |||
I am a meagre bubble in You as ocean.<br /> | |||
I recognise and follow You only.<br /> | |||
I came by Your will and float on Your waves.<br /> | |||
I smile by Your impetus and dance in Your light.<br /> | |||
My entry, stay and exit are all entranced in Your dream.<br /> | |||
Surrounded by that dream,<br /> | |||
I weave patterns of colourful webs.<br /> | |||
=== 3571 (06/06/1986) D === | |||
ÁLOKER EI JHARŃÁ DHÁRÁY<br /> | |||
TUMI ELE PRIYA MOR PRÁŃE<br /> | |||
CHANDE CHANDE MOHANÁNANDE<br /> | |||
SAḾGIITE RÁGE SURE TÁNE<br /> | |||
TUMI ELE PRIYA MOR PRÁŃE<br /> | |||
ABHÁVA KICHUI NÁI MOR MANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ABHÁVA KICHUI NÁI MOR MANE<br /> | |||
UPACIÁ PAŔE TOMÁRI DÁNE<br /> | |||
HÁRÁIÁ DISHÁ MOR AMÁNISHÁ<br /> | |||
LUKÁLO KOTHÁY KE BÁ JÁNE<br /> | |||
TUMI ELE PRIYA MOR PRÁŃE<br /> | |||
ATIITER PÁNE CÁHITE NÁ CÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ATIITER PÁNE CÁHITE NÁ CÁI TAVA<br /> | |||
PRERAŃÁY SUMUKHE TÁKÁI<br /> | |||
MANOVANE KEKÁ PEYE TAVA DEKHÁ<br /> | |||
UDDVEL HOLO SAKÁRAŃE<br /> | |||
TUMI ELE PRIYA MOR PRÁŃE<br /> | |||
O Dear Lord, through the flow of fountain of effulgence, You came into my life. You came<br /> | |||
with each rhythm as charming bliss, and through songs, tunes and melody. There is no<br /> | |||
scarcity in my mind. It overflows with gifts from You. My dark night, losing the<br /> | |||
directions, is hidden somewhere, who knows. I do not want to go towards the past. By Your<br /> | |||
inspiration I look ahead. The peacock, in the mental garden, having seen You, has become<br /> | |||
overwhelmed with reason.<br /> | |||
=== 3572 (07/06/1986) K === | |||
MANERI RÁJÁ MOR MANE LUKÁYE ÁCHO<br /> | |||
MANERI RÁJÁ MOR MANE LUKÁYE ÁCHO<br /> | |||
MANERI RÁJÁ MOR MANE LUKÁYE ÁCHO<br /> | |||
MANETE DEKHIBO TOMÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁDI KÁLE CHILE ASHEŚE RAYE GECHO<br /> | |||
ANÁDI KÁLE CHILE ASHEŚE RAYE GECHO<br /> | |||
ANÁDI KÁLE CHILE ASHEŚE RAYE GECHO<br /> | |||
TABU PRIITITE DHARÁ JÁY<br /> | |||
NAYANE ÁCHO MOR TÁRÁR KÁLO MÁJHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NAYANE ÁCHO MOR TÁRÁR KÁLO MÁJHE<br /> | |||
VASANE RAYE GECHO RAUNGA BERAUNGA SÁJE<br /> | |||
SE RAUNGA SATATA JHALAKÁY<br /> | |||
ESO GO ÁRO KÁCHE ÁMÁR ÁMI MÁJHE<br /> | |||
ESO GO ÁRO KÁCHE ÁMÁR ÁMI MÁJHE<br /> | |||
ESO GO ÁRO KÁCHE ÁMÁR ÁMI MÁJHE<br /> | |||
ÁMI JENO TOMÁRE HÁRÁY<br /> | |||
MANERI RÁJÁ MOR MANE LUKÁYE ÁCHO<br /> | |||
MANETE DEKHIBO TOMÁY<br /> | |||
O The King of my mind, You are hidden within the mind itself. I shall see You within the<br /> | |||
mind itself. You were present since time immemorial, and continued in the endlessness<br /> | |||
still with love, You can be brought under folds. You are within my eyes, within the<br /> | |||
darkness of the pupils. As dress, colourful adornments remain. That colour shows the<br /> | |||
glimpses continuously. Come still closer, within my “I” feeling, so that I lose myself<br /> | |||
within You.<br /> | |||
=== 3573 (08/06/1986) K === | |||
TUMI, ÁMÁKE BHÚLE GECHO<br /> | |||
ANEKER MÁJHE ANEKERA KÁJE<br /> | |||
NIYATA D́UBE ÁCHO<br /> | |||
TUMI, NIYATA D́UBE ÁCHO<br /> | |||
ÁMÁKE BHÚLE GECHO<br /> | |||
ÁMI KARI TAVA DHYÁNA UPÁSANÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMI KARI TAVA DHYÁNA UPÁSANÁ<br /> | |||
AHARAHA YÁCI TOMÁRI KARUŃÁ<br /> | |||
ÁNKHI JALE BOLI DÚRE THÁKIO NÁ<br /> | |||
KENO MORE EKÁ REKHECHO<br /> | |||
TUMI, KENO MORE EKÁ REKHECHO<br /> | |||
ÁMÁKE BHÚLE GECHO<br /> | |||
TUMI CHÁŔÁ MORA ÁR KEHO NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI CHÁŔÁ MORA ÁR KEHO NÁI<br /> | |||
PRÁŃERA ÁVEGA JÁHÁ KE JÁNÁI<br /> | |||
KUHELII KÁRÁY DISHÁHÁRÁ TÁI<br /> | |||
CHÁYÁY NÁCIYÁ CALECHO<br /> | |||
TUMI, CHÁYÁY NÁCIYÁ CALECHO<br /> | |||
ÁMÁKE BHÚLE GECHO<br /> | |||
TUMI, ÁMÁKE BHÚLE GECHO<br /> | |||
O Lord, You have forgotten me. Within many, engaged in several jobs, You are ever<br /> | |||
engrossed. I perform Your meditation and worship. I constantly beg Your mercy. With<br /> | |||
tearful eyes, I tell You not to keep away. Why have You left me alone? I have no one other<br /> | |||
than You, to whom I can communicate my impulse of heart. Within dark prison, I have lost<br /> | |||
the direction, in which shade, You go on dancing.<br /> | |||
=== 3574 (09/06/1986) K (Krsna) === | |||
MANETE SÁJÁBO MANE ESO MOR<br /> | |||
O HE MOHAN MURÁRI<br /> | |||
KII KÁJ ÁBHARAŃE MANERI ÁBHUŚAŃE<br /> | |||
REKHECHI HE TRIDASHA VIHÁRI<br /> | |||
O HE MOHAN MURÁRI<br /> | |||
ALAKHE NECE CALO NAYANERI MAŃI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKHE NECE CALO NAYANERI MAŃI<br /> | |||
SABÁR PUROBHÁGE TOMÁREI GAŃI<br /> | |||
HE CIRA MOHASAḾHÁRI<br /> | |||
O HE MOHAN MURÁRI<br /> | |||
TOMÁKE CINI NÁ TOMÁKE JÁNI NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁKE CINI NÁ TOMÁKE JÁNI NÁ<br /> | |||
TABU TUMI CHÁŔÁ DVITIIYA MÁNI NÁ<br /> | |||
KALUŚA SÚDANA KAḾSÁRI<br /> | |||
O HE MOHAN MURÁRI<br /> | |||
O Mohan (charming) Mura’rii, come into my mind, I shall adorn and decorate You mentally.<br /> | |||
What is the use of any ornament? O the dweller of heaven, I have kept the mental jewels<br /> | |||
ready. Unseen You go on dancing, O the pupil of my eye. I count You as foremost leader of<br /> | |||
all, O the destroyer of infatuation for all the time. I do not know You or recognise You<br /> | |||
still other than You, I do not accept any other second entity, O the destroyer of sins and<br /> | |||
dirt, and killer of Kam’sa.<br /> | |||
=== 3575 (10/06/1986) K === | |||
DÚ DINERA BHÁLOBÁSÁ<br /> | |||
DHARÁY ÁSÁ KISERA TARE<br /> | |||
E LIILÁ NIT́HUR KHELÁ<br /> | |||
KHELE CALECHO YUGA YUGÁNTARE<br /> | |||
KISERA TARE<br /> | |||
MANE NÁ I KII JE KARE JÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANE NÁ I KII JE KARE JÁI<br /> | |||
ÁSHÁR PAREO ÁSHÁ DHARE JÁI<br /> | |||
KII JE BHÁVI KII JE NÁ BHÁVI<br /> | |||
DO T́ÁNÁY KÁLA JE JÁY SARE<br /> | |||
KISERA TARE<br /> | |||
LIILÁMAYA LIILÁ CHÁŔÁ NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LIILÁMAYA LIILÁ CHÁŔÁ NÁI<br /> | |||
NITYA DHÁMEO TÁRI KRPÁ CÁI<br /> | |||
KII JE BUJHI KII JE NÁ BUJHI<br /> | |||
BUJHITE GELE NAYAN JHARE<br /> | |||
KISERA TARE<br /> | |||
DÚ DINERA BHÁLOBÁSÁ<br /> | |||
DHARÁY ÁSÁ KISERA TARE<br /> | |||
O Lord, what for is coming into the world for a few days’ love? This merciless illusory<br /> | |||
game, liila, You continue playing from ages after ages. What I continued doing, I do<br /> | |||
not remember. I continued having hope after hope. What I should think and what not, in | |||
this dilemma, time passes. The Embodiment of liila, illusory game, is not without that<br /> | |||
and that is why I seek His grace for the eternal abode. What I understand and what not<br /> | |||
thinking of that my eyes flow tears.<br /> | |||
=== 3576 (15/06/1986) K === | |||
TOMÁRI PRIYA NÁM TUMII PARIŃÁMA<br /> | |||
TO MÁKEI NIYE JA TA ÁSHÁ<br /> | |||
MANJUL MAHÁKÁSHE TAVA LÁVAŃII BHÁSE<br /> | |||
TOMÁRI VIDHÁNE JÁOÁ ÁSÁ<br /> | |||
TO MÁKEI NIYE JA TA ÁSHÁ<br /> | |||
KÁRYA KÁRAŃ TAVA KICHU NÁ JÁNI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁRYA KÁRAŃ TAVA KICHU NÁ JÁNI<br /> | |||
SHRIŚT́I STHITI LAYE TOMÁKE MÁNI<br /> | |||
ALAKÁNANDÁ CIRA MADHU CHANDÁ<br /> | |||
TAVA PRAJINÁY NÁSHO JA TA NIRÁSHÁ<br /> | |||
TO MÁKEI NIYE JA TA ÁSHÁ<br /> | |||
MAN NÁCE GHIRE GHIRE SHIINJITA NÚPURE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAN NÁCE GHIRE GHIRE SHIINJITA NÚPURE<br /> | |||
DIGVALAYER PÁRE CETANÁR RÁGE SURE<br /> | |||
MANDRITA TRIBHUVANE TRIDASHERI SPANDANE<br /> | |||
MÚK KARE DIYE JATA MUKHARITA BHÁŚÁ<br /> | |||
TO MÁKEI NIYE JA TA ÁSHÁ<br /> | |||
O Lord, Your name is dear to me, since You are the ultimate desideratum, all my hopes are<br /> | |||
with You only. In the beautiful space, Your charm floats, by Your law, is all coming and<br /> | |||
going. I do not know Your cause and effect. I accept You as the creation, sustenance and<br /> | |||
dissolution. The eversweet rhythmic heavenly stream of bliss, by Your intuition, destroys<br /> | |||
all disappointments. The mind dances around You with the sound of anklebells, with tune<br /> | |||
and melody, beyond the horizon. With heavenly vibration, resonating the three world, You<br /> | |||
have made all the expressed languages dumb.<br /> | |||
=== 3577 (15/06/1986) D === | |||
TUMI, NANDANA VANE CANDAN | |||
TAVA, SUVÁSE VASUDHÁ BHESE JÁY<br /> | |||
TUMI KAMALERA MAKARANDA<br /> | |||
JATA MADHUP TOMÁRE PETE CÁY PETE CÁY<br /> | |||
TAVA, SUVÁSE VASUDHÁ BHESE JÁY, TUMI<br /> | |||
VARAŚÁ KETAKII SAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VARAŚÁ KETAKII SAMA<br /> | |||
PARÁGE BHÁSICHO MAMA<br /> | |||
TUMI CAMPAK CETANÁ DHÁRÁY<br /> | |||
BHÁSO DURMAD MANDRIL VÁY<br /> | |||
TAVA, SUVÁSE VASUDHÁ BHESE JÁY, TAVA<br /> | |||
RÚPER CHAT́ÁY JHALAKÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÚPER CHAT́ÁY JHALAKÁY<br /> | |||
AŃU BHÚMÁ TÁRÁ MAŃIKÁY<br /> | |||
NIIHÁRIKÁ HÁR SHATA DHÁY<br /> | |||
UDVELITA TAVA PÁY<br /> | |||
TAVA, SUVÁSE VASUDHÁ BHESE JÁY<br /> | |||
TUMI, NANDANA VANE CANDAN | |||
TAVA, SUVÁSE VASUDHÁ BHESE JÁY<br /> | |||
You are the sandal of paradise.<br /> | |||
The earth drifts on Your fragrance.<br /> | |||
You are the nectar in the lotus flower.<br /> | |||
The bees all want to have You close.<br /> | |||
You are like the monsoon screwpine flower.<br /> | |||
You are the campaka flower in the flow of cognition,<br /> | |||
drifting along a maddening sonorous breeze.<br /> | |||
The glow of Your beauty sparkles in the unit,<br /> | |||
in the Cosmic, in the stars and in jewels.<br /> | |||
The string of nebulae in numerous trails<br /> | |||
rolls on Your lotus feet overflowingly.<br /> | |||
=== 3578 (16/06/1986) K === | |||
ÁJ, NAYAN BHOLÁNO RÚPE TUMI ESECHO<br /> | |||
STHÚLA SÚKŚMA KÁRAŃE<br /> | |||
MANER MAINJÚŚÁTE DHARÁ DIYECHO<br /> | |||
PRIITIR MADHURA T́ÁNE<br /> | |||
STHÚLA SÚKŚMA KÁRAŃE<br /> | |||
CITKAMALE MOR CHILO MADHU PARÁG<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CITKAMALE MOR CHILO MADHU PARÁG<br /> | |||
SUVÁSERA ÁVESHE CHILO BHARÁ ANURÁGA<br /> | |||
CHANDE DODUL DOLE CHILO SURA LAYA RÁGA<br /> | |||
KÁR TARE KE TÁHÁ JÁNE<br /> | |||
STHÚLA SÚKŚMA KÁRAŃE<br /> | |||
RÚPA SÁYARE E KAMAL ELO KII KARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÚPA SÁYARE E KAMAL ELO KII KARE<br /> | |||
TUMI PRABHU JÁNO TÁHÁ SABAI TAVA ANTARE<br /> | |||
PRAJINÁR PAYONIDHI SAḾBODHI CITI NIIRE<br /> | |||
MUKTÁ BHARO SHUKTIR PRÁŃE<br /> | |||
STHÚLA SÚKŚMA KÁRAŃE<br /> | |||
Today, with enchanting beauty You have come in gross, subtle and causal style. Into the<br /> | |||
casket of mind, You came into the folds by the sweet pull of love. In my mental lotus<br /> | |||
sweet pollen existed that was full of fragrance and impulse of love. It was swinging<br /> | |||
rhythmically full of melody, and tune, for whom, who can know that? Into the ocean of<br /> | |||
beauty, what for this lotus has come? O Lord, You only know that as everything is within | |||
You. You are the ocean of intuition and insight, with the water of Absolute Knowledge of<br /> | |||
Consciousness. You fill pearl within the life of shell.<br /> | |||
=== 3579 (16/06/1986) K === | |||
GÁNER E JHARŃÁ DHÁRÁY<br /> | |||
TUMI, NECE CALECHO<br /> | |||
JAD́ATÁR ANDHAKÁRÁY<br /> | |||
ALO JVELECHO<br /> | |||
TUMI, NECE CALECHO<br /> | |||
JAKHAN CHILO NÁ KONO AŃU PARAMÁŃU BHAVE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JAKHAN CHILO NÁ KONO AŃU PARAMÁŃU BHAVE<br /> | |||
KÁRAŃA CHILO KÁLAGHUME NIDRITA JABE<br /> | |||
CHILO NÁ ÁLOR HÁSI BÁNSHII KONO UTSAVE<br /> | |||
EKÁ TUMI SHUDHU HESECHO<br /> | |||
TUMI NECE CALECHO<br /> | |||
ÁJ ANEKER SÁTHE LIILÁ RASE BHESE JÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁJ ANEKER SÁTHE LIILÁ RASE BHESE JÁO<br /> | |||
EKÁ TUMI ANEKER HIYÁY MADHU MÁKHÁO<br /> | |||
NRITYER TÁLE TÁLE RÚPÁLOKE MÁTÁO<br /> | |||
SABE JABE BHÁLOBESECHO<br /> | |||
TUMI NECE CALECHO<br /> | |||
GÁNER E JHARŃÁ DHÁRÁY<br /> | |||
TUMI, NECE CALECHO<br /> | |||
O Lord, in this flow of the stream of song, You go on dancing. Into the darkness of<br /> | |||
inertia, You kindle light. When there were no atoms and molecules in the universe, when | |||
the cause was sleeping with Cimmerian slumber, there was no smile of light, nor the flute<br /> | |||
in any festivity, You smiled alone. Today with many, You go on floating in the flow of<br /> | |||
Your divine play, liila. Being singular, You smear sweetness in the heart of many. When | |||
You love all, then with each rhythm of dance, intoxicate with the glittering beauty.<br /> | |||
=== 3580 (17/06/1986) K === | |||
MADHUR MOHAN, TUMI CIT RAINJANA<br /> | |||
ÁCHO SADÁ SÁTHE SÁTHE<br /> | |||
VIKŚUBDHÁNILE PRIITIR PRADIIP JVELE<br /> | |||
CÁHO TAMASÁ NÁSHITE<br /> | |||
ÁCHO SADÁ SÁTHE SÁTHE<br /> | |||
MADHUR MOHAN,?<br /> | |||
PALA ANUPALA VIPALA KONO NÁHI TAVA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PALA ANUPALA VIPALA KONO NÁHI TAVA<br /> | |||
KÁLOTTIRŃA VIBHU ANUPAMA ANUBHAVA<br /> | |||
TABU AŃU JIIVERE<br /> | |||
ÁSO BHÁLOBÁSITE<br /> | |||
ÁCHO SADÁ SÁTHE SÁTHE<br /> | |||
MADHUR MOHAN | |||
SHÁSTRA BUDDHI TARKA VICÁR VISHLEŚÁŃA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHÁSTRA BUDDHI TARKA VICÁR VISHLEŚÁŃA<br /> | |||
SABÁR ÚRDDHVE TUMI ALAKHA NIRAINJANA<br /> | |||
MOHA MRGA TRIŚŃIKÁ<br /> | |||
PÁRO TUMI SARÁTE<br /> | |||
ÁCHO SADÁ SÁTHE SÁTHE<br /> | |||
MADHUR MOHAN | |||
O The Sweet Charming One, You colour the mind and stay always together. Kindling the lamp<br /> | |||
of love, with agitated fire, You want to destroy the darkness. For You there is nothing<br /> | |||
like, minutes, seconds or moments. You surpass time, O Lord, with unique feeling. Still<br /> | |||
within the microcosms, You come to love. You are unseen and unblemished above the analysis<br /> | |||
of scriptures, intellect, logic and consideration. You can remove the mirage of<br /> | |||
infatuation.<br /> | |||
=== 3581 (17/06/1986) K === | |||
TOMÁR, ÁLOKE ÁNDHÁRE E KII LIILÁ<br /> | |||
NÁCO KÁLE AKÁLE E KII KHELÁ<br /> | |||
TOMÁR SAUNGE ÁMÁR DEKHÁ NÁI<br /> | |||
TUMI CATUR TUMI CATUR<br /> | |||
TUMI CATUR TUMI CATUR<br /> | |||
BHÁLOBESECHI ÁMI TOMÁKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁLOBESECHI ÁMI TOMÁKE<br /> | |||
JÁNINÁ BÁSO KI NÁ ÁMÁKE<br /> | |||
TABU TOMÁY KÁCHE PETE CÁI<br /> | |||
ÁMI VIDHUR ÁMI VIDHUR<br /> | |||
TUMI CATUR TUMI CATUR<br /> | |||
DIN ÁMÁR ÁSE JÁY AKÁJE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIN ÁMÁR ÁSE JÁY AKÁJE<br /> | |||
GATÁNUGATIKERI MÁJHE<br /> | |||
SHUDHU TOMÁY BHEVE SHÁNTI PÁI<br /> | |||
TUMI MADHUR TUMI MADHUR<br /> | |||
TUMI CATUR TUMI CATUR<br /> | |||
O Lord, what a divine game of light and shade of Yours is this that You go on dancing<br /> | |||
within and beyond time, what a play? You are dexterous. I love You, but do not know<br /> | |||
whether You love me or not. Still I want to get You close, I am afflicted. My days come<br /> | |||
and go uselessly. In this coming and going, only by ideating on You, I get peace, You are<br /> | |||
sweet.<br /> | |||
=== 3582 (18/06/1986) K+D === | |||
TANDRÁ JAŔIMÁ YADI CHILO ÁMÁR<br /> | |||
SARÁLE PRABHU TUMI<br /> | |||
ÁJ, KRŚŃÁ NISHÁY EI KRŚNÁ NISHÁY<br /> | |||
JAD́ATÁ PREŚAŃÁY TAMASÁR BHÁR<br /> | |||
DÚRE GELO LAHAMÁY<br /> | |||
ÁJ, KRŚŃÁ NISHÁY EI KRŚNÁ NISHÁY<br /> | |||
JÁ CHILO ÁMÁR BHÁVANÁTIITA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁ CHILO ÁMÁR BHÁVANÁTIITA<br /> | |||
TÁI HOLO ÁJ ANUBHAVA GATA<br /> | |||
SATATA TAPANER DYUTITE DIIPTA<br /> | |||
KARILE TAMAH KÁRÁY<br /> | |||
ÁJ, KRŚŃÁ NISHÁY EI KRŚNÁ NISHÁY<br /> | |||
VISHVA MÁYÁY E KII LIILÁ TAVA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VISHVA MÁYÁY E KII LIILÁ TAVA<br /> | |||
PALAKE PULAKE KHELÁ NAVA NAVA<br /> | |||
BHÁVA BHÁVANÁR E KII CIKIRŚÁY<br /> | |||
LIILÁYITA DYOTANÁ YA<br /> | |||
ÁJ, KRŚŃÁ NISHÁY EI KRŚNÁ NISHÁY<br /> | |||
TANDRÁ JAŔIMÁ YADI CHILO ÁMÁR<br /> | |||
SARÁLE PRABHU TUMI<br /> | |||
ÁJ, KRŚŃÁ NISHÁY EI KRŚNÁ NISHÁY<br /> | |||
On this dark night today, O Lord, whatever drowsiness of inertia I had, You have removed.<br /> | |||
The load of darkness propelled by inertia moved away far within moment. Whatever was<br /> | |||
beyond my imagination, that came into my experience. This dark prison You illuminated with<br /> | |||
permanent effulgence. What a divine game, liila is Yours, in the universal illusion | |||
that within moments, You joyfully play a new game. What thoughts, feeling and will to act<br /> | |||
of Yours is this that is expressed with charm?<br /> | |||
=== 3583 (19/06/1986) D === | |||
ÁMÁR MANERI GOPÁLA<br /> | |||
AŃTE AŃUTE ÁCHO<br /> | |||
BHUMÁTE VISHÁLA<br /> | |||
MANERI GOPÁLA<br /> | |||
ÁMÁR MANERI GOPÁLA<br /> | |||
KATA YUGER SÁDHANÁ MOR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA YUGER SÁDHANÁ MOR<br /> | |||
ANURÁGE SMITA PHUL D́OR<br /> | |||
BHÁVÁVEGE CITTA CAKOR<br /> | |||
TOMÁR TARE HOYE JE UTTÁLA<br /> | |||
MANERI GOPÁLA<br /> | |||
ÁMÁR MANERI GOPÁLA<br /> | |||
CÁONI KICHU KÁRO KÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁONI KICHU KÁRO KÁCHE<br /> | |||
MAŃIR KHANI TOMÁR ÁCHE<br /> | |||
ASHANI TAŔIT MÁJHE<br /> | |||
JEGE ÁCHO ANANTA KÁLA<br /> | |||
MANERI GOPÁLA<br /> | |||
ÁMÁR MANERI GOPÁLA<br /> | |||
AŃTE AŃUTE ÁCHO<br /> | |||
BHUMÁTE VISHÁLA<br /> | |||
MANERI GOPÁLA<br /> | |||
ÁMÁR MANERI GOPÁLA<br /> | |||
O Gopa’l of my mind, You exist in each atom of this vast universe. My sa’dhana’<br /> | |||
endeavor to attain You since ages, the smiling floral garland of love, the enchanted cakor<br /> | |||
bird of my mind is agitated for You with impulse of ideation. You do not expect anything<br /> | |||
from any body. All the quarry of gems belongs to You. Under lightning and thunder, You are<br /> | |||
ever active since time immemorial.<br /> | |||
=== 3584 (19/06/1986) D === | |||
NIIL ÁKÁSHE OI BALÁKÁ<br /> | |||
KON AJÁNÁY BHESE JE JÁY<br /> | |||
MAN CHOT́E TÁR PICHU EKÁ<br /> | |||
PÁY NÁ DEKHÁ NIIŔA JE KOTHÁY<br /> | |||
KON AJÁNÁY BHESE JE JÁY<br /> | |||
ÁLO ÁNDHÁRITE D́HÁKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLO ÁNDHÁRITE D́HÁKÁ<br /> | |||
E NIIŔ SADÁI BHÁVE MÁKHÁ<br /> | |||
PRIITIR T́ÁNE UŔE JE PÁKHÁ<br /> | |||
SE KHUNJE PÁY T́HIK THIKÁNÁY<br /> | |||
KON AJÁNÁY BHESE JE JÁY<br /> | |||
KARME JINÁNER D́ÁNÁ MELE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KARME JINÁNER D́ÁNÁ MELE<br /> | |||
BHAKTIR NI SHÁNÁY CALE<br /> | |||
BHÁVALE TÁKE SABE BHULE<br /> | |||
SE DHARÁ DEY ARÚPA LIILÁY<br /> | |||
KON AJÁNÁY BHESE JE JÁY<br /> | |||
NIIL ÁKÁSHE OI BALÁKÁ<br /> | |||
KON AJÁNÁY BHESE JE JÁY<br /> | |||
That swan goes on gliding in the blue sky to some unknown direction. The mind rushes<br /> | |||
behind that alone but unable to find where is the nest. Covered with light and shade, this<br /> | |||
nest is always engrossed in ideation. The wings flying at the attraction of love, finds<br /> | |||
the correct destination. Spreading the wings of action and knowledge, it goes towards<br /> | |||
devotion. Looking towards the object, forgetting all, He comes into folds with<br /> | |||
unparalleled divine game.<br /> | |||
=== 3585 (20/06/1986) D === | |||
ÁJ, GÁN GEYE JÁY TÁRÁRÁ<br /> | |||
KÁŃ PETE SHUŃE CALI<br /> | |||
MANANE D́HÁLE SUDHÁ DHÁRÁ<br /> | |||
TÁRÁ, MANANE D́HÁLE SUDHÁ DHÁRÁ<br /> | |||
HIYÁ UCCHALI<br /> | |||
KÁŃ PETE SHUŃE CALI<br /> | |||
GÁN BHÁSE DESHA DESHÁNTARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GÁN BHÁSE DESHA DESHÁNTARE<br /> | |||
SAB CETANÁY SABÁR ANTARE<br /> | |||
AŃU PARAMÁŃU TRYASAREŃU GHIRE<br /> | |||
CITTER DVÁR KHULI<br /> | |||
KÁŃ PETE SHUŃE CALI<br /> | |||
SUR SAPTAKE RÁGE RÁGINIITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SUR SAPTAKE RÁGE RÁGINIITE<br /> | |||
GÁN DOLÁ DEY SUDÚR NABHETE<br /> | |||
DRIKVALAY? ESE SPANDANE MÁTE<br /> | |||
PARIDHIR BÁDHÁ BHÚLI<br /> | |||
KÁŃ PETE SHUŃE CALI<br /> | |||
ÁJ, GÁN GEYE JÁY TÁRÁRÁ<br /> | |||
KÁŃ PETE SHUŃE CALI<br /> | |||
Today the stars go on singing songs, that I go on listening with attuned ears. The song<br /> | |||
goes on pouring stream of nectar into the mind, making the heart restless. The song goes<br /> | |||
on flowing from country to country, into all within the consciousness covering each atom<br /> | |||
molecule and particle and opening the door of the mind. Through the octave of melody, the<br /> | |||
song swings the far sky. Coming into horizon, engrossing in vibration, I forget the<br /> | |||
restriction of limitations.<br /> | |||
=== 3586 (20/06/1986) D (Krsna) === | |||
SAHÁSE MÁNASE E SO<br /> | |||
MANER GOPÁL ÁMÁR<br /> | |||
TOMÁR LÁGI ÁCHI JÁGI<br /> | |||
JHARE JE MOR ÁNKHI DHÁR<br /> | |||
JHARE JE MOR ÁNKHI DHÁR<br /> | |||
PATH CEYE YUGE YUGE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATH CEYE YUGE YUGE<br /> | |||
KATANÁ JANAM GECHE JEGE<br /> | |||
TUMI ELE NÁ MÁLÁ NILE NÁ<br /> | |||
BOJHONI EŚÁŃÁ ANIVÁRA<br /> | |||
JHARE JE MOR ÁNKHI DHÁR<br /> | |||
MAN YAMUNÁ VASHE NÁ RAY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAN YAMUNÁ VASHE NÁ RAY<br /> | |||
KABHU BHÁNT́I KABHU UJÁNE BAY<br /> | |||
TOMÁR MÁJHE CÁY SE NILAY<br /> | |||
TOMÁY KHUNJE BÁRE BÁR<br /> | |||
JHARE JE MOR ÁNKHI DHÁR<br /> | |||
SAHÁSE MÁNASE E SO<br /> | |||
MANER GOPÁL ÁMÁR<br /> | |||
TOMÁR LÁGI ÁCHI JÁGI<br /> | |||
JHARE JE MOR ÁNKHI DHÁR<br /> | |||
JHARE JE MOR ÁNKHI DHÁR<br /> | |||
O the Gopa’l of my mind, come into my mind smilingly, I have kept awake for You with<br /> | |||
tears flowing from eyes. Looking on the path waiting for You since ages, several lives<br /> | |||
have passed awakened. You did not come, did not put on the garland meant for You. Did not<br /> | |||
understand the essential will. My mental river Yamuna’ is no more within control, flows<br /> | |||
with occasional ebb and flow. It wants shelter within You, and searches You again and<br /> | |||
again.<br /> | |||
=== 3587 (21/06/1986) D === | |||
BHÁLOR CEYEO TUMI BHÁLO<br /> | |||
TABE KENO DÚRE RAYECHO<br /> | |||
ÁNDHÁR HIYÁR TUMII ÁLO<br /> | |||
AMÁNISHÁ KENO REKHECHO<br /> | |||
TABE KENO DÚRE RAYECHO<br /> | |||
KATA YUGER IPSITA MOR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA YUGER IPSITA MOR<br /> | |||
SHATA KÁNANER SMITA PHUL D́OR<br /> | |||
KATA NAYANER ÁNANDA LOR<br /> | |||
KENO KUYÁSHÁY LUKIYE ÁCHO<br /> | |||
TABE KENO DÚRE RAYECHO<br /> | |||
MADHUR CEYEO MADHUR TUMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MADHUR CEYEO MADHUR TUMI<br /> | |||
SAPTA LOKE ÁDHÁR TUMI<br /> | |||
NAMI TOMÁY SABE ÁBHUMI<br /> | |||
KENO SÁŔÁ NÁHI DITECHO<br /> | |||
TABE KENO DÚRE RAYECHO<br /> | |||
BHÁLOR CEYEO TUMI BHÁLO<br /> | |||
TABE KENO DÚRE RAYECHO<br /> | |||
ÁNDHÁR HIYÁR TUMII ÁLO<br /> | |||
AMÁNISHÁ KENO REKHECHO<br /> | |||
TABE KENO DÚRE RAYECHO<br /> | |||
You are dearest amongst dears, yet why do You remain away? You are the light of the dark<br /> | |||
heart, why are You keeping the dark nights? O my longing for several ages, smiling floral<br /> | |||
garland of hundreds of gardens, tears of bliss of many eyes, why do You remain hidden | |||
within the fog? O the sweetest amongst the sweet, You are the foundation of the seven | |||
layered world. All offer complete salutation to You, why do not You respond to the calls<br /> | |||
=== 3588 (22/06/1986) K === | |||
THÁKIBE NÁ YADI PRIYA<br /> | |||
KENO ELE MAN BHOLÁTE<br /> | |||
VYATHÁHATA CITTE ÁMÁR<br /> | |||
NIRÁSHÁ JÁGIYE DITE<br /> | |||
KENO ELE MAN BHOLÁTE<br /> | |||
CHILUM KUYÁ SHÁTE BHARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILUM KUYÁSHÁTE BHARÁ<br /> | |||
SVASHRIŚT́A PA RIDHI GHERÁ<br /> | |||
VÁŃII HÁRÁ JAŔÁKŚARÁ<br /> | |||
VIKÁSHERI SUTRAPÁTE<br /> | |||
KENO ELE MAN BHOLÁTE<br /> | |||
TOMÁY ÁMI BHÁLOBÁSI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁY ÁMI BHÁLOBÁSI<br /> | |||
TOMÁR NÁMEI KÁNDI HÁSI<br /> | |||
RÁKÁ RÁTER JYOTSNÁ RÁSHI<br /> | |||
BHÁVE BHARÁO ALAKSYATE<br /> | |||
KENO ELE MAN BHOLÁTE<br /> | |||
THÁKIBE NÁ YADI PRIYA<br /> | |||
KENO ELE MAN BHOLÁTE<br /> | |||
O Beloved, if you are not going to stay, why did you come only for deluding me, only for<br /> | |||
raising further disappointment in my already injured heart? I was totally engrossed in | |||
hopelessness, surrounded by selfcreated boundary. I had lost expression, decayed into<br /> | |||
matter at the climax. I love you, smile and cry at your name, during moonlit nights full<br /> | |||
of the feelings for the unseen.<br /> | |||
=== 3589 (22/06/1986) D === | |||
TOMÁR GÁNE TOMÁR DHYÁNE<br /> | |||
RATA CHILUM NIJA MANE<br /> | |||
ELE DYUTIR UPAKÚLE<br /> | |||
BAITE CHILO MALAY PAVAN | |||
TAKHAN SVANAN UCCHALE<br /> | |||
ELE DYUTIR UPAKÚLE<br /> | |||
KEU CHILO NÁ SAUNGE ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KEU CHILO NÁ SAUNGE ÁMÁR<br /> | |||
ANTARE CEYECHI BÁRE BÁR<br /> | |||
HIYÁR MADHU KARE UJÁŔ<br /> | |||
D́HELE DILUM PRIITI KÚLE<br /> | |||
ELE DYUTIR UPAKÚLE<br /> | |||
PUŃYER BHÁR NEIKO ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PUŃYER BHÁR NEIKO ÁMÁR<br /> | |||
KARUŃÁ JECECHI BÁRE BÁR<br /> | |||
KRIPÁ D́HELE ASHEŚA APÁR<br /> | |||
DHARÁ DILE PATH BHULE<br /> | |||
ELE DYUTIR UPAKÚLE<br /> | |||
TOMÁR GÁNE TOMÁR DHYÁNE<br /> | |||
RATA CHILUM NIJA MANE<br /> | |||
ELE DYUTIR UPAKÚLE<br /> | |||
O Lord, in Your song and meditation, I was constantly engrossed in the mind, You came at<br /> | |||
the shore of effulgence. Then the sandal breeze was blowing, restless with resonance.<br /> | |||
There was no one with me. I wanted within myself again and again, completely offering the<br /> | |||
sweetness of my heart, I poured at the shore of love. I do not have load of virtues, hence<br /> | |||
I seek Your mercy again and again. Then ignoring or forgetting the path, You came into<br /> | |||
folds.<br /> | |||
=== 3590 (23/06/1986) K === | |||
APSARÁR SÁJE CALECHO KÁR KÁJE<br /> | |||
TOMÁKE CÁI ÁMI JIIVANE<br /> | |||
PRÁŃE MANE ESO OTAH PROTE MESHO<br /> | |||
TUMI CHÁŔÁ KE ÁCHE E BHUVANE<br /> | |||
TOMÁKE CÁI ÁMI JIIVANE<br /> | |||
KENO DÚRE ÁCHO ESO ÁRO KÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KENO DÚRE ÁCHO ESO ÁRO KÁCHE<br /> | |||
MOR VIINÁR TÁRE TAVA VÁŃII BÁJE<br /> | |||
ALAKH RÁJÁ MOR CETANÁ DYUTI GHOR<br /> | |||
SHRAVAŃE MANANE NIDIDHYÁSANE<br /> | |||
TOMÁKE CÁI ÁMI JIIVANE<br /> | |||
DIN CALE JÁY BALÁKÁ PÁKHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIN CALE JÁY BALÁKÁ PÁKHÁY<br /> | |||
PHELE REKHE JÁY SMRITI MÁLIKÁY<br /> | |||
SÁDHANÁ SHREYA MOR PRIITI PHULA D́OR<br /> | |||
ÁSÁ JÁOÁ TAVA CARAŃE<br /> | |||
TOMÁKE CÁI ÁMI JIIVANE<br /> | |||
APSARÁR SÁJE CALECHO KÁR KÁJE<br /> | |||
TOMÁKE CÁI ÁMI JIIVANE<br /> | |||
O Lord, in the adornment of a nymph, for what job are You moving? I love You in my life.<br /> | |||
Come into my life and mind and merge individually and collectively. Other than You who<br /> | |||
else is there in the world? Why are You away? Come still closer. Upon the strings of my<br /> | |||
viin’a’, Your words are being played. O the unseen King of mine, intense brilliance of<br /> | |||
Consciousness, come into my hearing, meditation and concentration. The days pass like<br /> | |||
wings of swan, leaving behind the garlands of memories. O benevolent, my sa’dhana’ and<br /> | |||
floral garland of love, all coming and going is at Your feet.<br /> | |||
=== 3591 (23/06/1986) D === | |||
MOR JIIVANER RAUNGIIN DINER<br /> | |||
TUMI CHILE NIIP MUKUL<br /> | |||
VARAŚÁ SNÁTA SARASÁSMITA<br /> | |||
DOLÁ DITE DODUL DÚL<br /> | |||
TUMI CHILE NIIP MUKUL<br /> | |||
KEKÁ KÁKALITE ESE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KEKÁ KÁKALITE ESE<br /> | |||
DÚR NIILIMÁY JETE BHESE<br /> | |||
MAŃI MEKHALÁ TÁRÁR MÁLÁ<br /> | |||
CHILO NÁ TOMÁR SAMATÚL<br /> | |||
TUMI CHILE NIIP MUKUL<br /> | |||
RAUNGIIN DINER RAUNGIIN PÁKHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RAUNGIIN DINER RAUNGIIN PÁKHI<br /> | |||
UŔE GELO SHÚNYE E KII<br /> | |||
SE TAVA KATHÁ ITIKATHÁ<br /> | |||
HOYE PHOT́E SMRITIR PHÚL<br /> | |||
TUMI CHILE NIIP MUKUL<br /> | |||
MOR JIIVANER RAUNGIIN DINER<br /> | |||
TUMI CHILE NIIP MUKUL<br /> | |||
O Lord, You were the niip bud of colourful days in my life. Bathed in rain with succulent<br /> | |||
smile, You oscillated me in the swing. Coming through the peacock’s call, gliding across<br /> | |||
the distant blue sky, with the gem jewel of the garland of stars, there is none comparable<br /> | |||
to You. Is it that the colourful bird of the colourful days has flown away into void<br /> | |||
space? That has become Your event and history and bloomed as flower of Your memories.<br /> | |||
=== 3592 (23/06/1986) K === | |||
ALAKH NIRAINJAN BHAVA BHAYA BHAINJANA<br /> | |||
PRAJINÁINJAN TUMI SHÁSHVATA SANÁTANA<br /> | |||
SAḾDHRITI NANDANA SAḾSTHITI RAINJANA<br /> | |||
SARVA DARSHII TUMI SARVA DHII VARDHANA<br /> | |||
PRAJINÁINJAN TUMI SHÁSHVATA SANÁTANA<br /> | |||
TRILOKE TOMÁR SAMA KEHO NÁHI ÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TRILOKE TOMÁR SAMA KEHO NÁHI ÁR<br /> | |||
TOMÁTE SRIŚT́I STHITI LAYA SAMÁHÁRA<br /> | |||
JÁHÁ CHILO JÁHÁ ÁCHE JÁHÁ PARE ÁSIBE<br /> | |||
SABÁRE NIYE TAVA LIILÁ SAḾRACANA<br /> | |||
PRAJINÁNJAN TUMI SHÁSHVATA SANÁTANA<br /> | |||
BHÁVANÁR BHÁVA TUMI PRÁŃERI PREYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVANÁR BHÁVA TUMI PRÁŃERI PREYA<br /> | |||
MANANER MAŃI SATTÁRI SHREYA<br /> | |||
TAVA KRPÁ KAŃIKÁ MAMATÁSMITA MAŃIKÁ<br /> | |||
PRIITI SÁRIKÁR CHANDÁYIITA NARTANA<br /> | |||
PRAJINÁNJAN TUMI SHÁSHVATA SANÁTANA<br /> | |||
ALAKH NIRAINJAN BHAVA BHAYA BHAINJANA<br /> | |||
PRAJINÁINJAN TUMI SHÁSHVATA SANÁTANA<br /> | |||
O Unseen, Without blemish, destroyer of worldly fears, ointment of intuition, You are<br /> | |||
eternal, coming since time immemorial. O provider of joy through containment and<br /> | |||
fulfilment, happiness through establishment, You see all and develop all intellects.<br /> | |||
There is no one in the triplelayered world like You. Within You, is aggregate of creation | |||
sustenance and dissolution. Whatever was, whatever is present and whatever would come<br /> | |||
taking all is Your constitution. You are the ideational feeling of all thoughts<br /> | |||
overwhelmingly dearest. Gem of mind and benevolent amidst all existence. Your particle of<br /> | |||
grace and smiling gem rosary of Your affection, the rhythmic dance of the lovebirds.<br /> | |||
=== 3593 (23/06/1986) D === | |||
GÁNER GOKULE ÁJ<br /> | |||
TUMI ESECHO<br /> | |||
MAŃIKÁR MÁLÁ GALE MANE MISHECHO<br /> | |||
BHULOKE DYULOKE NÁI DVITIIYA KEHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHULOKE DYULOKE NÁI DVITIIYA KEHO<br /> | |||
TAVA SAMA MADHURATÁ ANÚPA SNEHA<br /> | |||
ÁSÁ JÁOÁ SABÁKÁR TOMÁY GHIRE ANIVÁRA<br /> | |||
EŚAŃÁR DHÁRÁ SHROTE DHARÁ RACECHO<br /> | |||
MAŃIKÁR MÁLÁ GALE MANE MISHECHO<br /> | |||
KICHUI AJÁNÁ NÁI TOMÁR PRABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KICHUI AJÁNÁ NÁI TOMÁR PRABHU<br /> | |||
PRÁŃER ÁKUTI MOR JÁNÁI TABU<br /> | |||
THEKO MOR SÁTHE SÁTHE<br /> | |||
AVÁRITA MAMATÁTE<br /> | |||
JE GIITE TUMI ATIITE LIILÁY METECHO<br /> | |||
MAŃIKÁR MÁLÁ GALE MANE MISHECHO<br /> | |||
GÁNER GOKULE ÁJ<br /> | |||
TUMI ESECHO<br /> | |||
MAŃIKÁR MÁLÁ GALE MANE MISHECHO<br /> | |||
O Lord, in the Gokul of songs, You have come today. With the garland of gems in the neck<br /> | |||
You merged into the mind. There no other entity in the world or heaven like You in | |||
sweetness and unparalleled affection. For every entity, coming and going around You is<br /> | |||
essential. With the flow of will, You create the world. O Lord, there is nothing unknown | |||
to You, still I express my total earnestness. Stay with me with unrestrained affection | |||
with the song of which You are frenzied in the divine play, liila.<br /> | |||
=== 3594 (24/06/1986) D === | |||
GÁN GEYE JÁI TOMÁKE SHONÁI<br /> | |||
SHONO KINÁ JÁNI NÁKO<br /> | |||
AKÚL SHROTE SUR BHÁSÁI<br /> | |||
GÁN GEYE JÁI TOMÁKE SHONÁI<br /> | |||
RÁTRI DIVÁ TOMÁR TARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÁTRI DIVÁ TOMÁR TARE<br /> | |||
GÁNER DHÁRÁ JHAREI PAŔE<br /> | |||
ASHÁNTA TÁR SAODHA GHIRE<br /> | |||
SHÁNTÁNILE RAUNGA LÁGÁI<br /> | |||
GÁN GEYE JÁI TOMÁKE SHONÁI<br /> | |||
TOMÁR SMITA VEDIIR MÚLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR SMITA VEDIIR MÚLE<br /> | |||
BHÚ LUŚT́HITA ARGHYA TÚLE<br /> | |||
MARMA KATHÁ BHÁŚÁR PHULE<br /> | |||
PARÁG MADHUTE BHARÁI<br /> | |||
GÁN GEYE JÁI TOMÁKE SHONÁI<br /> | |||
O Lord, I go on singing the song to You, though I do not know whether You hear that or<br /> | |||
not, I float the melody in the shoreless stream. Day and night for You, the stream of song<br /> | |||
goes on flowing. Restlessly moving around Your mansion, I apply colour with tranquil<br /> | |||
breeze. At the base of Your altar, carrying in hand the earth smeared offering, with the<br /> | |||
flowers of language of the core, I fill the fragrance in the honey.<br /> | |||
=== 3595 (24/06/1986) D === | |||
ESE CHILUM ÁSHÁ NIYE<br /> | |||
ÁLO JHARÁ PRABHÁTE<br /> | |||
KUVALAYERA SAḾGIITE<br /> | |||
BAITE CHILO MALAY TAKHAN | |||
MADIR MÁKHÁ INGITE<br /> | |||
KUVALAYER SAMGIITE<br /> | |||
VITTA KONO CHILO NÁ MOR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VITTA KONO CHILO NÁ MOR<br /> | |||
RIKTA CHILO CITTA CAKOR<br /> | |||
MATTA CHILUM TANDRÁRI GHOR<br /> | |||
ÁNKÁ CHILO ÁNKHITE<br /> | |||
KUVALAYER SAḾGIITE<br /> | |||
TOMÁR PÁNE ÁNKHI PETE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR PÁNE ÁNKHI PETE<br /> | |||
TOMÁR ÁLOY ÁCAMBITE<br /> | |||
MAN BHRAMARÁ UT́HALO METE<br /> | |||
MANDA MADHUR SAMVITE<br /> | |||
KUVALAYER SAMGIITE<br /> | |||
ESE CHILUM ÁSHÁ NIYE<br /> | |||
ÁLO JHARÁ PRABHÁTE<br /> | |||
KUVALAYERA SAḾGIITE<br /> | |||
On this illuminated morning, I have come with hope of the song of blue lotus. Then sandal<br /> | |||
breeze was blowing with intoxication smeared gesture. I had no wealth, the mental cakor was<br /> | |||
hollow. I was engrossed in intense drowsiness marked in my eyes. Looking towards You<br /> | |||
astonished by Your effulgence, my mental bee got excited with slow sweet consciousness.<br /> | |||
=== 3596 (24/06/1986) K === | |||
GÁNERI RÁJÁ TUMI GÁN CHAŔIYE GELE<br /> | |||
GÁNERI RÁJÁ TUMI GÁN CHARIYE GELE<br /> | |||
GÁNERI RÁJÁ TUMI GÁN CHAŔIYE GELE<br /> | |||
BHUVANERI KOŃE KOŃE<br /> | |||
MANERI SERÁ MAŃI DYUTI BHARIYE DILE<br /> | |||
MANERI SERÁ MAŃI DYUTI BHARIYE DILE<br /> | |||
MANERI SERÁ MAŃI DYUTI BHARIYE DILE<br /> | |||
VISHVÁTIITA SPANDANE<br /> | |||
BHUVANERI KOŃE KOŃE<br /> | |||
JAGATE TOMÁR TULANÁ NÁHI PRABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JAGATE TOMÁR TULANÁ NÁHI PRABHU<br /> | |||
BÁHIR ANTARE KHUNJE BEŔÁI TABU<br /> | |||
BUJHINÁ ÁCHO MANE GAHANE<br /> | |||
BHUVANERI KOŃE KOŃE<br /> | |||
ESO NÁCE GÁNE ESO ÁMÁR PRÁŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ESO NÁCE GÁNE ESO ÁMÁR PRÁŃE<br /> | |||
SANTULITA KARO CHANDÁYITA TÁNE<br /> | |||
DÁO DHARÁ MOR ABHIDHYÁNE<br /> | |||
BHUVANERI KOŃE KOŃE<br /> | |||
O the King of songs, You have started scattering the songs in each corner of the world.<br /> | |||
You filled the most glittering shine of gems into the mind, with heavenly vibrations. O<br /> | |||
Lord, there is no comparison of Yours in the world, still outside and inside I go on | |||
searching You. I do not understand that You are seated within the depth of the mind. Come<br /> | |||
into dances and songs and my life and balance the rhythmic tune. Come into the folds in my<br /> | |||
meditation.<br /> | |||
=== 3597 (24/06/1986) K === | |||
TOMÁRI DÁNE TOMÁRI GÁNE<br /> | |||
JIIVAN ÁMÁR BHESE JÁY<br /> | |||
TOMÁRI DHYÁNE TOMÁRI PÁNE<br /> | |||
CEYE THÁKI SAKÁL SANDHYÁY<br /> | |||
JIIVAN ÁMÁR BHESE JÁY<br /> | |||
ALAKHA NIRAINJANA TUMI PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKHA NIRAINJANA TUMI PRIYA<br /> | |||
BHAVA BHAYA BHAINJAN ÁDARŃIIYA<br /> | |||
RÚPE GUŃE BHÁVE ADVITIIYA<br /> | |||
AŃU PARAMÁŃU NÁCE GHIRE TAVA PÁY<br /> | |||
JIIVAN ÁMÁR BHESE JÁY<br /> | |||
TUMI CHÁŔÁ KE BÁ ÁCHE EI JAGATE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI CHÁŔÁ KE BÁ ÁCHE EI JAGATE<br /> | |||
SHRIT́I STHITI LAYA STHITA TOMÁTE<br /> | |||
SABÁKÁR SÁTHE ÁCHO OTAH PROTE<br /> | |||
SABÁR BHÁVANÁY TAVA DYUTI JHALAKÁY<br /> | |||
JIIVAN ÁMÁR BHESE JÁY<br /> | |||
TOMÁRI DÁNE TOMÁRI GÁNE<br /> | |||
JIIVAN ÁMÁR BHESE JÁY<br /> | |||
O Lord, by Your gift and song, my life goes on floating towards You in Your meditation | |||
each morning and evening. O Dear, You are unseen, without blemish, adorable and destroyer<br /> | |||
of worldly fears. O One without a second, in beauty, attributes and ideation, all the<br /> | |||
atoms and molecules dance around Your feet. Who else is there in this world, other than | |||
You? Creation, sustenance and dissolution is located within You. You are with all<br /> | |||
individually and collectively. Within feelings of all, Your effulgence shines.<br /> | |||
=== 3598 (24/06/1986) K === | |||
ÁNDHÁR RÁTE TAVA ÁLOK SHROTE<br /> | |||
E KII KARUŃÁR VIIŃÁ BEJE CALE<br /> | |||
MAN CHUT́E JÁY DÚR ALAKÁ Y<br /> | |||
E KII ÁKARŚAŃA PRATI PALE<br /> | |||
E KII KARUŃÁR VIIŃÁ BEJE CALE<br /> | |||
NÁHI MÁNE KÁCHE DÚRE ÁPAN PARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NÁHI MÁNE KÁCHE DÚRE ÁPAN PARE<br /> | |||
E MAN ÁMÁR KENO KEMAN KARE<br /> | |||
BHESE JÁY BHÁŚAR ATIITA TIIRE<br /> | |||
SUSNIGDHA HIYÁ BHÁVE UCCHALE<br /> | |||
E KII KARUŃÁR VIIŃÁ BEJE CALE<br /> | |||
RÚPA SÁYARER PÁŔE ARÚPA TIIRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÚPA SÁYARER PÁŔE ARÚPA TIIRE<br /> | |||
VIBHU CARAŃ GHIRE JYOTI MAINJIIRE<br /> | |||
BHÁVA NÁCE PULAKE ASHRU NIIRE<br /> | |||
MÚCHÁYE KÁLE KÁLÁTIITE AKÁLE<br /> | |||
E KII KARUŃÁR VIIŃÁ BEJE CALE<br /> | |||
ÁNDHÁR RÁTE TAVA ÁLOK SHROTE<br /> | |||
E KII KARUŃÁR VIIŃÁ BEJE CALE<br /> | |||
O Lord, in the dark night, originating from Your effulgence, what a viin’a’ of mercy<br /> | |||
goes on playing. The mind goes on rushing to far heaven, what an attraction each moment?<br /> | |||
It does not accept near and far or own and others. Why and how You have made my mind like<br /> | |||
that? The soft heart goes on restlessly floating towards the shore beyond language. Beyond<br /> | |||
the ocean of forms, at the formless shore, around the feet of the Lord, with glittering<br /> | |||
ankle bells. The feelings dance with tears of joy, wiping the barriers of time and beyond.<br /> | |||
=== 3599 (24/06/1986) K === | |||
EI, SUSMITA PRÁBHÁTE<br /> | |||
ÁLO NIYE SÁTHE<br /> | |||
TUMI ESECHILE MOR PÁNE<br /> | |||
ÁNILE JIIVAN BHARÁLE BHUVANA<br /> | |||
SARÁLE TAMASÁ GÁNE GÁNE<br /> | |||
TUMI ESECHILE MOR PÁNE<br /> | |||
ÁLO CHUT́E GELO ÁNDHÁRA CIIRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLO CHUT́E GELO ÁNDHÁRA CIIRE<br /> | |||
NAVA JIIVANER DIGANTA GHIRE<br /> | |||
CIT SPANDANE NIIP NANDANE<br /> | |||
KATHÁ KAE GELO KÁŃE KÁŃE<br /> | |||
TUMI ESECHILE MOR PÁNE<br /> | |||
MAMATÁ PRATIBHU TUMI PRIYATAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAMATÁ PRATIBHU TUMI PRIYATAMA<br /> | |||
AYUTA DHÁRÁYA NÁSHO MASIITAMAH<br /> | |||
ÚRMI MÁLÁY MAŃI MEKHALÁY<br /> | |||
D́HEKE DILE MOR ABHIMÁNE<br /> | |||
TUMI ESECHILE MOR PÁNE<br /> | |||
EI, SUSMITA PRÁBHÁTE<br /> | |||
ÁLO NIYE SÁTHE<br /> | |||
TUMI ESECHILE MOR PÁNE<br /> | |||
On this smiling morning, bringing light with Yourself, You came towards me. Bringing life<br /> | |||
filling the universe, You removed darkness through song after song. The light rushed out<br /> | |||
piercing the darkness, covering all directions of new life. With oscillations of the mind<br /> | |||
through the pleasure of niip flower, You went whispering the in the ears. You are the<br /> | |||
dearest icon of affection, with innumerable flows, You destroy the deep darkness. With the<br /> | |||
series of waves, and ornamental griddle of gems, You covered my pride.<br /> | |||
=== 3600 (25/06/1986) K === | |||
SHRIT́I DHÁRÁ DHÁY TOMÁRI KARUŃÁY<br /> | |||
LIILÁ RACANÁY TUMI ADVITIIYA<br /> | |||
ALAKŚYA CÁRI CITTA VIHÁRII<br /> | |||
SARVA DUHKHA HÁRI HE PARAM PRIYA<br /> | |||
LIILÁ RACANÁY TUMI ADVITIIYA<br /> | |||
TOMÁTE ÁMÁTE MILA ANEK PRABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁTE ÁMÁTE MILA ANEK PRABHU<br /> | |||
YADIO ÁMI AŃU TUMI JE VIBHU<br /> | |||
TOMÁRI SPANDANE NANDAN CANDANE<br /> | |||
NECE UT́HE MOR AŃU PARAMÁŃUO<br /> | |||
LIILÁ RACANÁY TUMI ADVITIIYA<br /> | |||
TOMÁR SÁTHE MOR VIBHED KONO NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR SÁTHE MOR VIBHED KONO NÁI<br /> | |||
TUMI ÁCHO ÁMI BENCE ÁCHI TÁI<br /> | |||
TUMI NÁ THÁKILE ÁMIO AKÚLE<br /> | |||
BHESE JETUM KON SHUNYA AMEYA<br /> | |||
LIILÁ RACANÁY TUMI ADVITIIYA<br /> | |||
SHRIT́I DHÁRÁ DHÁY TOMÁRI KARUŃÁY<br /> | |||
LIILÁ RACANÁY TUMI ADVITIIYA<br /> | |||
It is Your grace that sustains the eternal flow of creation.<br /> | |||
You are unparalleled in the creation of the divine play.<br /> | |||
O dearest one,<br /> | |||
You dwell invisibly in minds.<br /> | |||
You are the panacea for all pain.<br /> | |||
Between You and me there are many similarities,<br /> | |||
even though I am but a unit and You are the Lord.<br /> | |||
By Your blissful vibrations and delightful sandal fragrance<br /> | |||
every atom and molecule of my existence<br /> | |||
starts dancing in ecstasy.<br /> | |||
There is no difference between You and me.<br /> | |||
I exist because You exist.<br /> | |||
If You were not, I would have drifted away,<br /> | |||
into the limitlessness of the infinite void.<br /> | |||
=== 3601 (29/06/1986) K === | |||
ARÚPA RATAN PRABHU MOR<br /> | |||
TUMI MAN PRÁŃA ABHIRÁMA<br /> | |||
BUJHINI TOMÁKE JÁNINÁ TUMI KE<br /> | |||
JÁNI SHUDHU TUMI GUŃA DHÁMA<br /> | |||
TUMI MAN PRÁŃA ABHIRÁMA<br /> | |||
JE AKHAND́A LIILÁY SAB KICHU BHESE JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE AKHAND́A LIILÁY SAB KICHU BHESE JÁY<br /> | |||
JE AKHAND́A LIILÁY SAB KICHU BHESE JÁY<br /> | |||
JE AKHAND́A LIILÁY SAB KICHU BHESE JÁY<br /> | |||
AŃUR AŃUTVA KON ASIIME HÁRÁY<br /> | |||
AŃUO BHÚMÁR MÁJHE CETANÁR SHATA SÁJE<br /> | |||
RÚPA RACO TUMI AVIRÁMA<br /> | |||
TUMI MAN PRÁŃA ABHIRÁMA<br /> | |||
NRITYE CHANDE TÁLE CETANÁ EGIYE CALE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NRITYE CHANDE TÁLE CETANÁ EGIYE CALE<br /> | |||
NRITYE CHANDE TÁLE CETANÁ EGIYE CALE<br /> | |||
NRITYE CHANDE TÁLE CETANÁ EGIYE CALE<br /> | |||
ÚRMI MÁLÁY DYUTI MEKHALÁY UCCHALE<br /> | |||
KII TUMI BHÁVIÁ CALO KE ÁR BUJHIBE BOLO<br /> | |||
TAVA CARAŃE KOT́I PRAŃÁMA<br /> | |||
TUMI MAN PRÁŃA ABHIRÁMA<br /> | |||
ARÚPA RATAN PRABHU MOR<br /> | |||
TUMI MAN PRÁŃA ABHIRÁMA<br /> | |||
O Lord, You are incomparable formless gem of mine. You are overwhelmingly pleasant. I do<br /> | |||
not understand You, do not know who You are, but only I know that You are receptacle of<br /> | |||
all attributes. The continuous divine play, in which everything goes on floating, the<br /> | |||
meagreness of atoms, lose themselves in the infinite, with that, within microcosms and<br /> | |||
Cosmos, through hundreds of adornments of consciousness, You go on creating forms without<br /> | |||
pause. With the rhythm and beats of dance, the consciousness moves forwards, oscillating<br /> | |||
brilliance within series of waves and the glittering griddles. What You go on thinking<br /> | |||
who else can understand, tell. Thus, I offer salutations at Your feet millions of times.<br /> | |||
=== 3602 (30/06/1986) === | |||
NANDANA CANDANA SÁR HOTE<br /> | |||
E SUDHÁSYANDA ESECHE<br /> | |||
NRITYE O GIITE CHANDE CAKITE<br /> | |||
NAVA JIIVANER VÁŃII ENECHE<br /> | |||
E SUDHÁSYANDA ESECHE<br /> | |||
ATIITE KAKHANO HOYENIKO JÁHÁ<br /> | |||
AMARÁ RABHASE BHESE ELO TÁRÁ<br /> | |||
MÁNAVA CITTE NIIRAVE NIBHRITE<br /> | |||
PRIITIR PASARÁ D́HELE DIYECHE<br /> | |||
E SUDHÁSYANDA ESECHE<br /> | |||
JE BÁ JETHÁ ÁCHO SHONO MOR KATHÁ<br /> | |||
RACITA HOYECHE RÁG ITIKATHÁ<br /> | |||
SABÁR SÁTHE EKÁR SÁTHE<br /> | |||
SABE CHUT́E ESO, BHOR HOYECHE<br /> | |||
E SUDHÁSYANDA ESECHE<br /> | |||
NANDANA CANDANA SÁR HOTE<br /> | |||
E SUDHÁSYANDA ESECHE<br /> | |||
Through the pleasing essence of sandal, this essence of nectar came. Astonishing through<br /> | |||
the dances, rhythms and songs, it has brought message of new life. Whatever has never<br /> | |||
happened in the past, came floating with heavenly upsurge. Silently, in isolation, in the<br /> | |||
human mind, it has poured the article of love. Whosoever is wherever, listen to me. The<br /> | |||
history of coloured love is being created. Along with all, in this ultimate mission of<br /> | |||
charity, all come rushing, now morning occurred.<br /> | |||
=== 3603 (01/07/1986) K === | |||
PRABHU, TUMI ESO<br /> | |||
PRABHU, TUMI ESO MOR MANANE BASO<br /> | |||
DHYÁNE TOMÁY PETE CEYECHI<br /> | |||
TOMÁRI NÁM NIYE TOMÁRI DHÁRÁ BEYE<br /> | |||
TOMÁRI KÁJ KARE CALECHI<br /> | |||
DHYÁNE TOMÁY PETE CEYECHI<br /> | |||
ALAKH NIRAINJA NA TUMI PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKH NIRAINJA NA TUMI PRIYA<br /> | |||
ALAKH NIRAINJA NA TUMI PRIYA<br /> | |||
ALAKH NIRAINJA NA TUMI PRIYA<br /> | |||
MANE PRÁŃE BARAŃIIYA<br /> | |||
ÁTMÁRI PA RAMÁTMIIYA<br /> | |||
TOMÁRI BHÁVE BHARE RAYECHI<br /> | |||
DHYÁNE TOMÁY PETE CEYECHI<br /> | |||
JIIVAN ÁSE JÁY INDRA DHANU PRÁYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVAN ÁSE JÁY INDRA DHANU PRÁYA<br /> | |||
JIIVAN ÁSE JÁY INDRA DHANU PRÁYA<br /> | |||
JIIVAN ÁSE JÁY INDRA DHANU PRÁYA<br /> | |||
KATA KII JHALAKÁYA PALAKE MURCHÁYA<br /> | |||
MADHU MALAY VÁYA NANDITA CHÁYA<br /> | |||
TOMÁRI MÁJHE NÁCE METECHI<br /> | |||
DHYÁNE TOMÁY PETE CEYECHI<br /> | |||
PRABHU, TUMI ESO MOR MANANE BASO<br /> | |||
DHYÁNE TOMÁY PETE CEYECHI<br /> | |||
O Lord, You come and get seated in my mind, I want to obtain You in my meditation. Taking<br /> | |||
Your name and flowing in Your stream, I continue doing Your work. Unseen, without blemish<br /> | |||
You are my dear, most adorable wholeheartedly. Own amongst own, I am filled with Your<br /> | |||
ideation. The lives come and go like rainbow, shining much but fading in a moment. Within | |||
sweet sandal breeze, and pleasing shade, within You, I am engrossed in dance.<br /> | |||
=== 3604 (02/06/1986) K === | |||
EKT́I KATHÁ SHUDHU EKT́I KATHÁ<br /> | |||
TOMÁRE SHUDHÁI<br /> | |||
HE BHUVANESHVARA NIRDVIDHÁTE<br /> | |||
KENO JIIVE ÁNO EI DHARÁTE<br /> | |||
SHUDHU KI KLESH DITE<br /> | |||
HE BHUVANESHVARA NIRDVIDHÁTE<br /> | |||
JAGATE ESE JIIVA HÁSE KÁNDE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JAGATE ESE JIIVA HÁSE KÁNDE<br /> | |||
KABHU JYOTSNÁ MÁYÁY KABHU ULKÁPÁTE<br /> | |||
MISHE JÁY DHULÁY AVALIILÁY<br /> | |||
NIRAPEKŚA EK KAT́ÁKŚETE<br /> | |||
HE BHUVANESHVARA NIRDVIDHÁTE<br /> | |||
E LIILÁ NIT́HUR KHELÁ KENO KARO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
E LIILÁ NIT́HUR KHELÁ KENO KARO<br /> | |||
KABHU, SHOKE BHÁSÁO KABHU KHUSHITE BHARO<br /> | |||
KABHU, NIKAT́E ÁSO KABHU DÚRE SARO<br /> | |||
ASHEŚA NIRVISHEŚA ÁLO ÁNDHÁRITE<br /> | |||
HE BHUVANESHVARA NIRDVIDHÁTE<br /> | |||
O The Controller of the world, I am asking only one thing to You, without any hesitation.<br /> | |||
Why have You brought living beings, only for giving them pains? The living beings come to<br /> | |||
this world, to smile and cry. Sometimes with the charm of moonlight and sometimes with<br /> | |||
fall of meteorites. They merge with dust in this game, in carefree manner, by one<br /> | |||
impartial look. Why do You perform this liila, merciless play, sometimes floating in | |||
misery and sometimes filling with joy? Sometimes You come close and sometimes move away<br /> | |||
into endless, attributeless, light and darkness.<br /> | |||
=== 3605 (03/07/1986) D === | |||
PATH PÁNE CEYE CEYE<br /> | |||
KATA RÁTRI CALE JÁYA<br /> | |||
ELO NÁ SE MADHU NISHÁY<br /> | |||
ELO NÁ SE MADHU NISHÁYA<br /> | |||
ELO NÁ MALAY VÁYA<br /> | |||
KATA RÁTRI CALE JÁYA<br /> | |||
VYATHÁ ÁMÁR BOJHO NÁ KII<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VYATHÁ ÁMÁR BOJHO NÁ KII<br /> | |||
TÁI KI ÁCHO ÁNKHI D́HÁKI<br /> | |||
NIJERE NIJERE SHUDURE? RÁKHI<br /> | |||
ÁMÁY PHELE E KÁKII<br /> | |||
VIŚAMA E JHAINJHÁY<br /> | |||
KATA RÁTRI CALE JÁY<br /> | |||
BHÚLECHO KIÁMI AŃU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÚLECHO KIÁMI AŃU<br /> | |||
TAVA KALPANÁY MOR TANU<br /> | |||
ÁMI KHADYOT<br /> | |||
ÁMI KHADYOT TUMI BHÁNU<br /> | |||
TABE KENO BÁJÁO VEŃU<br /> | |||
DÚR THEKE E ABELÁY<br /> | |||
KATA RÁTRI CALE JÁY<br /> | |||
PATH PÁNE CEYE CEYE<br /> | |||
KATA RÁTRI CALE JÁYA<br /> | |||
Looking towards the arrival path, how many nights go on passing. That sweet night did not<br /> | |||
come, the sandal breeze did not come. Perhaps You do not understand my agony, that is why<br /> | |||
You have kept Your eyes covered. You have kept Yourself far, leaving me alone under such a<br /> | |||
terrible storm. Have You forgotten that I am an atom and that my body is made by Your<br /> | |||
imagination. I am a firefly and You are sun. Then why do You go on playing Your flute<br /> | |||
leaving me alone at my hard time.<br /> | |||
=== 3606 (04/07/1986) D === | |||
ANDHAKÁRER ANTARETE<br /> | |||
ÁLOR DHÁRÁY TUMI ELE<br /> | |||
CININI JÁNITE PÁRINI<br /> | |||
E KII KRIPÁ MORE KARILE<br /> | |||
ÁLOR DHÁRÁY TUMI ELE<br /> | |||
PATH CEYE CEYE PHÚL JHARILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATH CEYE CEYE PHÚL JHARILO<br /> | |||
GÁN GEYE GEYE PÁKHI GHUMÁLO<br /> | |||
JÁNINI BUJHITE PÁRINI<br /> | |||
KENO KOTHÁY LUKIYE GELE<br /> | |||
ÁLOR DHÁRÁY TUMI ELE<br /> | |||
ÁKHI MELE TÁKIYE DEKHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁKHI MELE TÁKIYE DEKHI<br /> | |||
KÁCHE DÚRE TUMIE KII<br /> | |||
KII SUDHÁY MARU JYOCHANÁY<br /> | |||
KÁNÁY KÁNÁY BHARIE DILE<br /> | |||
ÁLOR DHÁRÁY TUMI ELE<br /> | |||
ANDHAKÁRER ANTARETE<br /> | |||
ÁLOR DHÁRÁY TUMI ELE<br /> | |||
O Lord, after a gap of darkness, as flow of effulgence You came. I could not recognise<br /> | |||
could not know, what grace have You showered on me. Looking towards the path, the flowers<br /> | |||
withered, singing the songs, the bird slept. I do not know, could not understand, why and<br /> | |||
where You hid Yourself. Opening the eyes, when I wanted to see, whether You are near or<br /> | |||
far. With what sweetness and moonlight, You have filled in each particle.<br /> | |||
=== 3607 (04/07/1986) D === | |||
TOMÁKEI SMARAŃA KARI<br /> | |||
TOMÁKEI MANANE DHARI<br /> | |||
KENO TUMI ÁSO NÁ KÁCHE<br /> | |||
O GO MOR NIT́HUR HARI<br /> | |||
KENO TUMI ÁSO NÁ KÁCHE<br /> | |||
O GO MOR NIT́HUR HARI<br /> | |||
DIN MOR ÁSE ÁR JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIN MOR ÁSE ÁR JÁY<br /> | |||
DIN MOR ÁSE ÁR JÁY<br /> | |||
DIN MOR ÁSE ÁR JÁY<br /> | |||
AKÁJE AKŚA REKHÁY<br /> | |||
TUMI BINÁ BÁNCÁ HOLO DÁY<br /> | |||
HALÁHALE KUMBHA BHARI<br /> | |||
KENO TUMI ÁSO NÁ KÁCHE<br /> | |||
O GO MOR NIT́HUR HARI<br /> | |||
DINER ÁLO JYOTSNÁ MÁYÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DINER ÁLO JYOTSNÁ MÁYÁ<br /> | |||
DINER ÁLO JYOTSNÁ MÁYÁ<br /> | |||
DINER ÁLO JYOTSNÁ MÁYÁ<br /> | |||
KUSUM KÁNAN SNIGDHA CHÁYÁ<br /> | |||
SAKALEI MÚLYA HÁRÁY<br /> | |||
ATULYA TOMÁY PÁSHARI<br /> | |||
KENO TUMI ÁSO NÁ KÁCHE<br /> | |||
O GO MOR NIT́HUR HARI<br /> | |||
I have been remembering You, keeping in my mind, but why do not You come close, O my<br /> | |||
merciless Lord, Hari? My days come and go and surviving without You has become hard, I<br /> | |||
fill the pitcher with poison. O the incomparable, the illumination of the day and charm of<br /> | |||
moonlight, soft shade of floral garden, all lose their value.<br /> | |||
=== 3608 (05/07/1986) K === | |||
BHULOKE DYULOKE E KII MÁYÁY<br /> | |||
NÁCÁLE PRABHU TUMI CHANDE RÁGE<br /> | |||
PRATIT́I PALAKE JYOTI JHALAKE<br /> | |||
BHARILE ÁBRAHMASTAMBA ANURÁGE<br /> | |||
NÁCÁLE PRABHU TUMI CHANDE RÁGE<br /> | |||
PALAKE PALAKE E KII PULAKERI SHROTA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PALAKE PALAKE E KII PULAKERI SHROTA<br /> | |||
JHALAKE JHALAKE ÁSE BHÁSE OTAH PROTA<br /> | |||
CINTÁY BHÁVANÁY SHUBHA PRADYOTA<br /> | |||
CHAŔIYE DILE PRIITI PRAETI PARÁGE<br /> | |||
NÁCÁLE PRABHU TUMI CHANDE RÁGE<br /> | |||
HE DEVATÁ MOR KATHÁ BHULO NÁ JENO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HE DEVATÁ MOR KATHÁ BHULO NÁ JENO<br /> | |||
NÁI MOR ITIKATHÁ SÁDHANÁ KONO<br /> | |||
NÁI PUŃYER BALA CETANÁ JENO<br /> | |||
TABU PRATIIKŚÁ RATA CITTA KRPÁ MÁGE<br /> | |||
NÁCÁLE PRABHU TUMI CHANDE RÁGE<br /> | |||
BHULOKE DYULOKE E KII MÁYÁY<br /> | |||
NÁCÁLE PRABHU TUMI CHANDE RÁGE<br /> | |||
O Lord, with what a charm You make the physical world and heaven dance with rhythm and<br /> | |||
beats? Each moment, with the shine of effulgence, You fill from blade of grass to the<br /> | |||
cosmos with affection. In each blink of the eye, stream of joy is present. With each<br /> | |||
glimpse, individual and collective associations come floating. In all thinking and<br /> | |||
ideations, auspicious glow You have scattered with the fragrance of love. O my Divinity<br /> | |||
do not forget me, I have no glory or sa’dhana’, no strength of virtue, no<br /> | |||
consciousness, still the mind ever engrossed in waiting seeks grace.<br /> | |||
=== 3609 (05/07/1986) K === | |||
ANEK VEDANÁ DIYE ANEK ÁNKHI JHARIYE<br /> | |||
NIT́HUR DEVATÁ MOR ESECHO<br /> | |||
KII CÁO TÁO JÁNI NÁ KII KAO TÁO BUJHI NÁ<br /> | |||
SHUDHU JÁNI SHUDHU BUJHI MORE BHÁLOBESECHO<br /> | |||
NIT́HUR DEVATÁ MOR ESECHO<br /> | |||
JÁNI NÁKO THÁKO KI NÁ ANEK DÚRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TÁI KI PASHENÁ VYATHÁ KARŃA KUHARE<br /> | |||
HOETO BADHIR SÁJ JINÁTA SÁRE<br /> | |||
KIMVÁ JÁNITE DITE CÁO NÁ KI BHEVECHO<br /> | |||
NIT́HUR DEVATÁ MOR ESECHO<br /> | |||
TOMÁR LIILÁR CHAVI TUMI ÁNKO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HOETO NÁJENE ÁNKO BHÁVETE THÁKO<br /> | |||
ÁDI MADHYA ANTA MÁNO NÁKO<br /> | |||
SAVISHEŚE NIRVISHEŚE HESE CALECHO<br /> | |||
NIT́HUR DEVATÁ MOR ESECHO<br /> | |||
After giving much agony, and flow of tears, the Merciless Lord of mine came. What You<br /> | |||
want, I do not know. What You say, that also I do not understand. Only this much I know<br /> | |||
that You love me. I do not know whether You live far away and that is why my cry does not<br /> | |||
reach to Your ears. You may be knowingly pretending deaf or may be thinking that none<br /> | |||
should know that. You only sketch the panorama of Your play, liila. You may be<br /> | |||
unknowingly sketching remaining in engrossment. You do not consider beginning, middle or<br /> | |||
end and go on dancing smilingly with and without attributes.<br /> | |||
=== 3610 (06/07/1986) K === | |||
ÁMI, GÁN GEYE JÁI<br /> | |||
MOR KONO SAMPADA NÁI<br /> | |||
PUŃYER BALA NÁI KARUŃÁ JÁCI TÁI<br /> | |||
ÁMI, GÁN GEYE JÁI<br /> | |||
DIYECHO KANT́HA MORE DILE ÁKUTI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIYECHO KANT́HA MORE DILE ÁKUTI<br /> | |||
DIYECHO PARÁŃ BHARÁ MADHU PRAETI<br /> | |||
AMI, TÁI DIYE SHATABHÁVE VINATI JÁNÁI<br /> | |||
ÁMI, GÁN GEYE JÁI<br /> | |||
ÁMI, TOMÁR AŃÚ CARAŃERI REŃU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR AŃÚ CARAŃERI REŃU<br /> | |||
TUMI, CETANÁ GOKULE BASE BÁJÁO VEŃU<br /> | |||
SEI, VEŃUKÁ DHVANI ÁMI MARME SHUŃI<br /> | |||
ASIIMER T́ÁNE SIIMÁ KE HÁRÁI<br /> | |||
ÁMI, GÁN GEYE JÁI<br /> | |||
O Lord, I go on singing the song. I do not have any wealth other than this. I do not have<br /> | |||
strength of virtues hence I beg for mercy. You have given me the voice and earnestness.<br /> | |||
And You have given me overwhelmingly sweet love. With all that in hundreds of ways, I<br /> | |||
express my prayer before You. I am Your atom, a dust particle of Your feet. Staying in the<br /> | |||
Gokul of Consciousness, You go on playing the flute. That sound of flute, I hear within | |||
the core, and by attraction of the unlimited, lose the limitation.<br /> | |||
=== 3611 (07/07/1986) D === | |||
TOMÁR KATHÁ BHEVE BHEVE<br /> | |||
DIVÁ NISHI ASHRU JHARE<br /> | |||
TUMI DÚRE RAILE PRIYA ÁMÁR<br /> | |||
E GHAR ÁNDHÁR KARE<br /> | |||
DIVÁ NISHI ASHRU JHARE<br /> | |||
BÁDAL RÁTER KÁJAL MÁYÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAN TOMÁKE KÁCHE PETE CÁY<br /> | |||
KETAKI KESHAR SAMA HÁY<br /> | |||
ÁSHÁ BHESE JÁY ANDHAKÁRE<br /> | |||
DIVÁ NISHI ASHRU JHARE<br /> | |||
SHARAT SHEFÁLIR SUVÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SÁDÁ MEGHER BHELÁ BHÁSE<br /> | |||
TUMI NÁHI ELE SAKÁSHE<br /> | |||
VRITHÁI SÁJI PHÚLE BHARE<br /> | |||
DIVÁ NISHI ASHRU JHARE<br /> | |||
VASANTERI SNIGDHA ÚŚÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KISHALAYE RAINJITA VÁYA<br /> | |||
KHUNJE MARI TUMI KOTHÁY<br /> | |||
ÁKÁSHA PÁTÁL GHURE GHURE<br /> | |||
DIVÁ NISHI ASHRU JHARE<br /> | |||
TOMÁR KATHÁ BHEVE BHEVE<br /> | |||
DIVÁ NISHI ASHRU JHARE<br /> | |||
O Lord, thinking about You, day and night the tears drop. O my Dear, You remained away<br /> | |||
leaving my home dark. During dark charm of the clouded night, the mind wants to get You<br /> | |||
closer. Like the pollen of ketakii, alas, the hope goes on floating in the darkness.<br /> | |||
During the fragrance of winter shefa’lii the boat of white cloud floats. You did not<br /> | |||
come near, my decoration full of flowers is useless. During the soft dawn of the spring<br /> | |||
breeze coloured with tender leave colour, I go on searching You, wandering through the<br /> | |||
heaven and hell.<br /> | |||
=== 3612 (07/07/1986) D === | |||
ARÚPA TOMÁR RÚPER PARASHE<br /> | |||
ARÚPA TOMÁR RÚPER PARASHE<br /> | |||
ARÚPA TOMÁR RÚPER PARASHE<br /> | |||
ÁNDHÁR JAGATE ÁLO ESECHE<br /> | |||
SE ÁLOTE DIK UDBHÁSITA<br /> | |||
MANTRA MUGDHA DHARÁ JEGECHE<br /> | |||
ÁNDHÁR JAGATE ÁLO ESECHE<br /> | |||
DYULOKER DYUTI BHULOKE ENECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DYULOKER DYUTI BHULOKE ENECHO<br /> | |||
DYULOKER DYUTI BHULOKE ENECHO<br /> | |||
DYULOKER DYUTI BHULOKE ENECHO<br /> | |||
BALÁKÁR SURE SUR MILIYECHO<br /> | |||
ASIIMER GÁN SASIIME GEYECHO<br /> | |||
DIK DIGANTA TÁTE METECHE<br /> | |||
ÁNDHÁR JAGATE ÁLO ESECHE<br /> | |||
TAMISHRÁTE JÁ ÁVRTA CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TAMISHRÁTE JÁ ÁVRTA CHILO<br /> | |||
TAMISHRÁTE JÁ ÁVRITA CHILO<br /> | |||
TAMISHRÁTE JÁ ÁVRITA CHILO<br /> | |||
ÚŚÁR KIRAŃE NAYAN MELILO<br /> | |||
DARSHAN DRIK DRAŚT́Á HÁSILO<br /> | |||
DRISHYA VISHVA PULAKE NÁCE<br /> | |||
ÁNDHÁR JAGATE ÁLO ESECHE<br /> | |||
O The Formless, by the touch of Your beauty, light came into the dark world. By that light<br /> | |||
all directions were illuminated and the mantra charmed earth awakened. You brought heavenly<br /> | |||
glow on the earth. You attuned Your melody with that of the swan. You sang the song of<br /> | |||
infinite into the limited. By which all the directions got frenzied. Those covered with<br /> | |||
darkness, opened the eyes with the rays of dawn. The witness, witnessed and the object<br /> | |||
smiled with joy in the scene of the world.<br /> | |||
=== 3613 (11/07/1986) D === | |||
TÁR, NÁMER MADHU<br /> | |||
MANE MEKHE RAI<br /> | |||
MANE MEKHE RAI<br /> | |||
SE JE ÁMÁR ARUŃ PRÁTER<br /> | |||
GAHAN RATER ÁSHÁ BHAROSÁ<br /> | |||
TÁRE BHÚLATE PÁRI KAI<br /> | |||
ÚŚÁR ÁLOY TÁRI HÁSI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÚŚÁR ÁLOY TÁRI HÁSI<br /> | |||
MANER KOŃE BÁJÁY BÁNSHI<br /> | |||
PHULER RAUNGE MELÁMESHI<br /> | |||
KARE THÁKE TÁI PÁI NÁ THAI<br /> | |||
TÁR, NÁMER MADHU<br /> | |||
MANE MEKHE RAI<br /> | |||
MANE MEKHE RAI<br /> | |||
EMAN BHÁVE JÁY ÁR ÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EMAN BHÁVE JÁY ÁR ÁSE<br /> | |||
EMANI ALAKSYE BHÁSE<br /> | |||
TAMISHRÁ KAT́ÁKŚE NÁSHE<br /> | |||
NÁ DEKHE CINIYÁ LAI<br /> | |||
TÁR, NÁMER MADHU<br /> | |||
MANE MEKHE RAI<br /> | |||
MANE MEKHE RAI<br /> | |||
My mind remains moistened,<br /> | |||
with the nectar of His holy name.<br /> | |||
He is my only one.<br /> | |||
In the crimson dawn,<br /> | |||
as well as in the deep dark night,<br /> | |||
He is my only refuge.<br /> | |||
I cannot forget Him.<br /> | |||
In the morning light,<br /> | |||
it is His smile that plays the flute<br /> | |||
in a lonely corner of my mind.<br /> | |||
He is merged in the colours of flowers.<br /> | |||
Therefore I cannot fathom Him.<br /> | |||
In this way He comes and goes,<br /> | |||
drifting away invisibly, dispelling darkness.<br /> | |||
I recognise Him even without seeing Him.<br /> | |||
=== 3614 (13/07/1986) D === | |||
TOMÁR E GÁN ANÁDI KÁLER<br /> | |||
ANANTE MESHE<br /> | |||
SURE TÁLE NABHAH NIILE JÁY JE BHESE<br /> | |||
KABE SHURU KEU JÁNENÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KABE SHURU KEU JÁNENÁ<br /> | |||
DHAREO DHARE RÁKHÁ CALE NÁ<br /> | |||
MARMA MÁJHE ÁNÁ GONÁ<br /> | |||
KARE THÁKE SHEŚA ASHEŚE<br /> | |||
SURE TÁLE NABHAH NIILE JÁY JE BHESE<br /> | |||
TOMÁR GÁNE TUMI ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR GÁNE TUMI ÁCHO<br /> | |||
VISHVE DOLÁ JÁGIYECHO<br /> | |||
PÚRŃA PRÁŃER CHANDE NÁCO<br /> | |||
MADHURATAMA ÁVESHE<br /> | |||
SURE TÁLE NABHAH NIILE JÁY JE BHESE<br /> | |||
TOMÁR E GÁN ANÁDI KÁLER<br /> | |||
ANANTE MESHE<br /> | |||
SURE TÁLE NABHAH NIILE JÁY JE BHESE<br /> | |||
This song of yours flows from eternity and merges into infinity. In the rhythm and melody<br /> | |||
it drifts on to the blue void. Nobody knows when it started. No one can hold it even if<br /> | |||
one wants to. It comes in and goes out of my mind in an eternal sequence of finitude and<br /> | |||
infinitude. You exist in your songs. You have stirred the universe. You keep dancing in | |||
the full rhythm of universal life with sweetest ecstasy.<br /> | |||
=== 3615 (14/07/1986) D === | |||
TUMI, KAO NÁ KATHÁ SUNAYANÁ<br /> | |||
KENO BOLO NÁ<br /> | |||
KISER TARE ASHRU JHARE<br /> | |||
KE DIYECHE VEDANÁ<br /> | |||
KENO BOLO NÁ<br /> | |||
RÁTRI DIVÁ KÁHÁR ÁSHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÁTRI DIVÁ KÁHÁR ÁSHE<br /> | |||
CEYE THÁKO NIRNIMEŚE<br /> | |||
PRIITIR PARÁG JALE BHÁSE<br /> | |||
KÁR SAKÁSHE JE PHIRE CÁY NÁ<br /> | |||
KENO BOLO NÁ<br /> | |||
DINER ÁLOY KII JE SHOŃO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DINER ÁLOY KII JE SHOŃO<br /> | |||
RÁTER KÁLOY SVAPAN BONO<br /> | |||
KON ÁLEYÁY KÁCHE T́ÁNO<br /> | |||
KII JE TOMÁR SÁDHANÁ<br /> | |||
TUMI, KAO NÁ KATHÁ SUNAYANÁ<br /> | |||
KENO BOLO NÁ<br /> | |||
O the beautiful eyed, why do not You speak out, tell me. What for the tears drop? Who gave<br /> | |||
you agony? With Whose hope, day and night, you are looking without blink, the pollen of<br /> | |||
love floats in water, for Whose proximity, Who does not like that in response? Whatever<br /> | |||
you hear in daylight, whatever dream you weave in the darkness of the night, which mirage<br /> | |||
you pull close, what is your endeavor?<br /> | |||
=== 3616 (15/07/1986) D === | |||
TOMÁR GÁNER TÁLE NECECHI<br /> | |||
TUMI JÁNO NÁ<br /> | |||
TUMI JÁNO NÁ<br /> | |||
TOMÁKE BHÁLOBESECHI<br /> | |||
TOMÁR GÁNER TÁLE NECECHI<br /> | |||
ÚŚÁR ARUŃA RAKTIMÁBHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÚŚÁR ARUŃA RAKTIMÁBHÁY<br /> | |||
PHULER HÁSIR MANTHAR VÁYA<br /> | |||
TANDRÁ BHÁUNGÁ CETANATÁY?<br /> | |||
TOMÁR PÁNE CEYE THEKECHI<br /> | |||
TOMÁR GÁNER TÁLE NECECHI<br /> | |||
DINER SHEŚE SANDHYÁ TÁRÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DINER SHEŚE SANDHYÁ TÁRÁY<br /> | |||
EKAT́I BHÁVER KON EKTÁRÁY<br /> | |||
JE RÁGA RÁTER ÁNDHÁR SARÁY<br /> | |||
TÁRI SURE HÁRIYE GECHI<br /> | |||
TOMÁR GÁNER TÁLE NECECHI<br /> | |||
O Lord, I dance to Your rhythm, do not You that I love You. The crimson red glow of the<br /> | |||
morning sun, smile of flower and gentle breeze, with consciousness broken drowsiness, I<br /> | |||
look towards You. The evening star at the end of the day, with only one ideation on some<br /> | |||
monochord, the tune that removes the darkness of the night, in that melody I am lost.<br /> | |||
=== 3617 (16/07/1986) D === | |||
TUMI, ÁLOR PRATIBHU PRABHU<br /> | |||
TAMASÁ SARÁO<br /> | |||
SUDIIRGHA YÁMINI SHEŚE ÚŚÁ ENE DÁO<br /> | |||
PRATIKŚÁTE CHILUM KATA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRATIKŚÁTE CHILUM KATA<br /> | |||
YUGA YUGÁNTE SHATA SHATA<br /> | |||
MÚŔHA MÁNAS ÁSHÁHATA<br /> | |||
ÁJ KE PHIRE CÁO<br /> | |||
TAMASÁ SARÁO<br /> | |||
DIN KET́E GECHE PALA GUŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIN KET́E GECHE PALA GUŃE<br /> | |||
RÁTER ÁNDHÁR MÚKA VIJANE<br /> | |||
JIIVAN GECHE MITHYÁ JINÁNE<br /> | |||
PRAJINÁ DIIP JVÁLÁO<br /> | |||
TAMASÁ SARÁO<br /> | |||
TUMI, ÁLOR PRATIBHU PRABHU<br /> | |||
TAMASÁ SARÁO<br /> | |||
O Lord, the symbol of light, remove the darkness. At the end of long night, bring morning.<br /> | |||
How much I have remained waiting for hundreds and hundreds of eras. To the disappointed<br /> | |||
ignorant minds, today again. The days pass counting moments, the nights in darkness<br /> | |||
silently in isolation. The life passed in untrue knowledge, kindle the lamp of intuition.<br /> | |||
=== 3618 (16/07/1986) K === | |||
KUŃÁLE KÁNT́Á THÁKE KE NÁ JÁNE<br /> | |||
TÁI BOLE KI KAMAL TULIBO NÁ<br /> | |||
BOLO PRIYA<br /> | |||
ÁNDHÁR NISHIITHE PÁI NÁ DEKHITE<br /> | |||
TABE KI PATHE CALIBO NÁ<br /> | |||
AINJYEYA, BOLO PRIYA<br /> | |||
JÁ NÁI ÁMÁR KÁCHE TÁI JE ASÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁ NÁI ÁMÁR KÁCHE TÁI JE ASÁR<br /> | |||
HENO KATHÁ KAKHANO BHÁVIBO NÁ ÁR<br /> | |||
ASÁRE MÁJHE THÁKE SÁR SAMÁHÁR<br /> | |||
KHAŃIR ANDHAKÚPE HIIRÁ JVALE RAMAŃIIYA<br /> | |||
BOLO PRIYA<br /> | |||
ABODHA ÁMI NÁNÁ BHÚL BHEVECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ABODHA ÁMI NÁNÁ BHÚL BHEVECHI<br /> | |||
SATYA TATTVA JENE NÁHI MENECHI<br /> | |||
SÁYÁHNE ESE ÁJ PATH PEYECHI<br /> | |||
SANDHYÁ SÁYARE JVELO TUMI DYUTI BARAŃIIYA<br /> | |||
BOLO PRIYA<br /> | |||
KUŃÁLE KÁNT́Á THÁKE KE NÁ JÁNE<br /> | |||
TÁI BOLE KI KAMAL TULIBO NÁ<br /> | |||
BOLO PRIYA<br /> | |||
Who does not know that in the stem of lotus there are thorns? Does it say that it would<br /> | |||
not lift the lotus flower? Tell me O Beloved. In the dark night I am unable to see, then | |||
would not I move on the path? O the Unknowable. What I do not possess, that is<br /> | |||
insignificant, this type of thing I shall never think any more. Within the useless is<br /> | |||
collection of essence. Within the dark well of mine, beautiful diamond glitters. I am<br /> | |||
ignorant, I think mostly erroneously. Even after knowing the essence of truth, I do not<br /> | |||
accept that. Coming at the evening, today I found the path. Over this ocean at evening<br /> | |||
You kindle the adorable glow.<br /> | |||
=== 3619 (17/07/1986) D === | |||
BAHE, MADHU PAVAN E JYOTSNÁY<br /> | |||
MADHU PAVAN E JYOTSNÁY<br /> | |||
MADHU PAVAN E JYOTSNÁY<br /> | |||
MALAY PARASHE SURABHI RABHASE<br /> | |||
PIK KII KATHÁ SHONÁY<br /> | |||
KISHALAYE RAUNGE DHARÁ NÁCICHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KISHALAYE RAUNGE DHARÁ NÁCICHE<br /> | |||
CYUTA MUKULER GANDHA BHÁSICHE<br /> | |||
KIḾSHUK SANE UNMUKHA MANE<br /> | |||
SHÁLMALII HESE JÁY<br /> | |||
BAHE, MADHU PAVAN E JYOTSNÁY<br /> | |||
BAKULER SEJ SUVÁSE MÁKHÁNO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BAKULER SEJ SUVÁSE MÁKHÁNO<br /> | |||
CAMPAK VAN PÁRULE MÁTÁNO<br /> | |||
KUSUM BHÚŚAŃA CARAŃE JAŔÁNO<br /> | |||
PRAKRTI RÚPE BHOLÁY<br /> | |||
BAHE, MADHU PAVAN E JYOTSNÁY<br /> | |||
Sweet breeze is blowing in this moonlight. With the touch of sandal and upsurge of<br /> | |||
fragrance, what the cuckoo tells? Colored with tender leaves, the earth dances. The<br /> | |||
fragrance of dropped buds floats. Along with kim’shuk flower with eager mind<br /> | |||
sha’lmalii flower goes on smiling. The bed of bakul flowers is smeared with fragrance.<br /> | |||
The campak garden is frenzied with pa’rul flowers. Decorated with floral ornament at the<br /> | |||
feet, the nature charms with beauty.<br /> | |||
=== 3620 (18/07/1986) D (Shiva) === | |||
ÁNDHÁR SÁGAR PERIYE CALE<br /> | |||
TOMÁR PRIITIR DYUTI<br /> | |||
TUMI, PIŃÁK PÁŃIR GIITI<br /> | |||
SARE MRTYU BHAYÁL DRANŚT́RÁ<br /> | |||
KARÁL RÁHU GRÁSER BHIITI<br /> | |||
TUMI, PIŃÁK PÁŃIR GIITI<br /> | |||
KATA GAORIIR TAPASYÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA GAORIIR TAPASYÁTE<br /> | |||
KATA ATANUR BHASMÁGHATE<br /> | |||
KATA DAKŚER SAMIDHE TE<br /> | |||
ELO E ÁHUTI<br /> | |||
TUMI, PIŃÁK PÁŃIR GIITI<br /> | |||
ÁDI MADHYA ANTA NÁ PÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁDI MADHYA ANTA NÁ PÁI<br /> | |||
BHÁVE BHEVE NIJEI HÁRÁI<br /> | |||
TOMÁR GÁTHÁ GEYEJE JÁI<br /> | |||
D́HELE SAB ÁKUTI<br /> | |||
TUMI, PIŃÁK PÁŃIR GIITI<br /> | |||
ÁNDHÁR SÁGAR PERIYE CALE<br /> | |||
TOMÁR PRIITIR DYUTI<br /> | |||
TUMI, PIŃÁK PÁŃIR GIITI<br /> | |||
O Lord, crossing the dark ocean, the effulgence of Your love moves. You are the song of<br /> | |||
Shiva, the holder of bow in the hand. You came removing the fear of the frightening<br /> | |||
annihilating, destructive jaws of the death. This oblation came after numerous penance of<br /> | |||
Gaurii, much application of the ashes of the bodiless, and offerings of Daks’a. I do not<br /> | |||
find the beginning, middle or the end. By meditating on the idea, I lose myself. I<br /> | |||
continue singing Your glory, pouring all earnestness.<br /> | |||
=== 3621 (19/07/1986) K === | |||
CÁNDERI DESHE ELO BHESE<br /> | |||
KE EK AJÁNÁ APSARÁ ÁJI<br /> | |||
MANERI KOŃE PRATI KŚAŃE<br /> | |||
SE ÁGAMANE DUNDUBHI UT́HE BÁJI<br /> | |||
KE EK AJÁNÁ APSARÁ ÁJI<br /> | |||
GHUMONO KISHALAY JEGE UT́HECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GHUMONO KISHALAY JEGE UT́HECHE<br /> | |||
JHIMONO PATRA PRÁŃA PHIRE PEYECHE<br /> | |||
MUKULE SAORABHE KUHU KEKÁ RAVE<br /> | |||
VIJAN VANA BHUMI UT́HECHE NÁCI<br /> | |||
KE EK AJÁNÁ APSARÁ ÁJI<br /> | |||
SABÁR TANDRÁ JAŔIMÁ GECHE T́UT́I<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABÁR TANDRÁ JAŔIMÁ GECHE T́UT́I<br /> | |||
PHÁGUNER PHÁGE ÁNKHI UT́HECHE PHÚT́I<br /> | |||
PATRA SHOBHÁ ÁR PUŚPA MANOLOBHÁ<br /> | |||
SE RÚPADAKŚE NEVE ÁSITE KARECHE RÁJI<br /> | |||
KE EK AJÁNÁ APSARÁ ÁJI<br /> | |||
CÁNDERI DESHE ELO BHESE<br /> | |||
KE EK AJÁNÁ APSARÁ ÁJI<br /> | |||
Today, one unknown nymph came gliding from the arena of moon. By that arrival, each moment<br /> | |||
in the recess of mind, trumpet started sounding. The sleeping tender leaves awakened. The<br /> | |||
slackened leaves got again vitality. By the fragrance of buds, and the sound of cooing and<br /> | |||
noise of peacock, the silent garden started dancing. The inertial drowsiness of all broke<br /> | |||
off. The colour of spring eyes opened up. Through the beauty of the leaves and charm of<br /> | |||
the flowers, that skilled in beauty came down making all acceptable.<br /> | |||
=== 3622 (20/07/1986) K === | |||
JE ÁGUN JVELE GELE TUMI PRIYA<br /> | |||
TÁHÁ KABHU NIVIBE NÁ SABÁI JÁNI<br /> | |||
JE ÁNDHÁRE TAVA RATNA DIIPCHILO<br /> | |||
TÁHÁKE CIR BHÁSVARA MÁNI<br /> | |||
JE MÁLIKÁ HÁTE TULE NIYE CHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE MÁLIKÁ HÁTE TULE NIYE CHILE<br /> | |||
JE MÁLÁ KANT́HE TAVA PARE CHILE<br /> | |||
JE PUŚPA STABAKE RÁGE ANURÁGE MEKHE<br /> | |||
HÁSIR JHALAK DILE TÁHÁO CINI<br /> | |||
JE ÁLOK PÁTE TAVA CARAŃA PÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE ÁLOK PÁTE TAVA CARAŃA PÁTE<br /> | |||
TAMAH SARE ÁLO ELO ÁNKHI PÁTE<br /> | |||
JE NANDANA MADHU DHARÁY NÁMÁLO VIDHU<br /> | |||
TÁHÁKE PHIRE PETE PAL JE GUŃI<br /> | |||
O Dear Lord, the fire that have kindled will never be extinguished, all know it. In the<br /> | |||
darkness your precious lamp that lighted up, that I consider to be eternally effulgent.<br /> | |||
The garland carried in hand and put on your neck, the floral offering soaked with love was<br /> | |||
recognised in the light of your smile. The light emerging by your arrival, has removed the<br /> | |||
darkness and the eyes are illuminated. The sweet, pleasing moonlight that you brought on | |||
the earth, to find that again, I am counting moments.<br /> | |||
=== 3623 (20/07/1986) D ( Bengali dialect) === | |||
SÁTAT́I CÁMPÁ<br /> | |||
D́EKE BOLE<br /> | |||
KOTHÁY CHILI TUI PÁRUL<br /> | |||
KHUNJE KHUNJE<br /> | |||
AHARNISHE<br /> | |||
SABÁI MORÁ CHILUM ÁKUL<br /> | |||
KHUNJE CHILUM BHORER ÁLOY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KHUNJE CHILUM BHORER ÁLOY<br /> | |||
KHUNJE GECHI RÁTER KÁLOY<br /> | |||
KHUNJECHI SAB MANDA BHÁLOY<br /> | |||
TANNA KARE MAN DEUL<br /> | |||
KOTHÁY CHILI TUI PÁRUL<br /> | |||
MADHYA DINER SAORA KARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MADHYA DINER SAORA KARE<br /> | |||
KHUNJE GECHI ÁVEG BHARE<br /> | |||
JYOTSNÁ RÁTER SVAPAN BHARE<br /> | |||
KHUNJE KHUNJE PÁINI KÚL<br /> | |||
KOTHÁY CHILI TUI PÁRUL<br /> | |||
SÁTAT́I CÁMPÁ<br /> | |||
D́EKE BOLE<br /> | |||
KOTHÁY CHILI TUI PÁRUL<br /> | |||
The seven campa flowers called and asked the parul flower:<br /> | |||
“Where have you been?<br /> | |||
Searching you day and night,<br /> | |||
we all have been restless.<br /> | |||
We searched you in the morning light,<br /> | |||
we continued searching in the darkness of the night,<br /> | |||
we searched in all good and bad,<br /> | |||
we searched thoroughly in the mental temple.<br /> | |||
Under the midday sun rays we searched full of impulse,<br /> | |||
we searched filled with dreams in the moonlit night,<br /> | |||
but despite all searches,<br /> | |||
we did not find any shore.”<br /> | |||
=== 3624 (21/07/1986) K === | |||
TOMÁRI DEOÁ PRÁŃE<br /> | |||
TOMÁRI DEOÁ PRÁŃE<br /> | |||
TOMÁRI DEOÁ PRÁŃE<br /> | |||
TOMÁRI DEOÁ MANE<br /> | |||
TOMÁKE NIYE MOR SÁDHANÁ<br /> | |||
TOMÁRI KATHÁ BHÁVI<br /> | |||
TOMÁRI KATHÁ BHÁVI<br /> | |||
TOMÁRI KATHÁ BHÁVI, BUJHI TOMÁR SABAI<br /> | |||
TUMI CHÁŔÁ KICHUI THÁKE NÁ<br /> | |||
TOMÁKE NIYE MOR SÁDHANÁ<br /> | |||
O GO BEDARADII<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
O GO BEDARADII<br /> | |||
O GO BEDARADII KENO ÁCHO BHÚLE<br /> | |||
KENO GECHO CALE DÚRE ÁMÁY PHELE<br /> | |||
ESO ÁRO KÁCHE, BALÁR KATA ÁCHE<br /> | |||
ÁCHE TOMÁY PÁOÁR YÁCANÁ<br /> | |||
TOMÁKE NIYE MOR SÁDHANÁ<br /> | |||
TOMÁY BHÚLE CHILUM<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁY BHÚLE CHILUM<br /> | |||
TOMÁY BHÚLE CHILUM JÁNINÁ KATA KÁLA<br /> | |||
JAŔER SÁTHE SÁTHE DIYE GECHI TÁL<br /> | |||
ÁJ BUJHIYÁCHI TOMÁRI SÁTHE ÁCHI<br /> | |||
TOMÁY GHIRE ÁMÁR KALPANÁ<br /> | |||
TOMÁKE NIYE MOR SÁDHANÁ<br /> | |||
TOMÁRI DEOÁ PRÁŃE TOMÁRI DEOÁ MANE<br /> | |||
TOMÁKE NIYE MOR SÁDHANÁ<br /> | |||
O Lord, by the life and mind given by You, taking You is my spiritual endeavor<br /> | |||
sa’dhana’. I think of You, consider all as Yours, there is nothing other than You. O<br /> | |||
The Merciless, why have You ignored me, why did You go far away leaving me? Come still<br /> | |||
closer, how much is strength, only begging for Your attainment is there. I do not know for<br /> | |||
what duration I have kept You forgotten. I continued attuned to the rhythm of the inert.<br /> | |||
Today I have understood that I am Yours, and all my imagination and thoughts are around<br /> | |||
You only.<br /> | |||
=== 3625 (22/07/1986) K (Krsna) === | |||
KENO KRIŚŃA SAJAL TITHITE<br /> | |||
TUMI, ÁSIBE NÁ ÁR GHANASHYÁM<br /> | |||
MATHURÁR KÁRÁ PURITE<br /> | |||
MATHURÁR KÁRÁ PURITE<br /> | |||
MATHURÁR KÁRÁ PURITE<br /> | |||
ÁLO JVÁLIBE NÁ KI GUŃADHÁM<br /> | |||
TUMI, ÁSIBE NÁ ÁR GHANASHYÁM<br /> | |||
GOŚT́HER DHENU TAVA NÁME MÁTI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GOŚT́HER DHENU TAVA NÁME MÁTI<br /> | |||
SHUNIBE NÁ BÁNSHII ÁR KÁŃ PÁTI<br /> | |||
ÁLOKOJJWAL THÁKIBE NÁ RÁTI<br /> | |||
NANDA NILAYE ABHIRÁM<br /> | |||
TUMI, ÁSIBE NÁ ÁR GHANASHYÁM<br /> | |||
YAMUNÁR JALE JÁGIBE NÁ D́HEU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
YAMUNÁR JALE JÁGIBE NÁ D́HEU<br /> | |||
KÁLO RAUNGE DEKHITE TOMÁY KEU<br /> | |||
TAMÁL PUNJE NIIP NIKUNJE<br /> | |||
NÁCIBE NÁ GOPI AVIRÁM<br /> | |||
TUMI, ÁSIBE NÁ ÁR GHANASHYÁM<br /> | |||
O Lord Krsna, would you not come again at the dark and cloudy hour of the night? O<br /> | |||
my beloved, the embodiment of of divine qualities, would not the dark prison house of<br /> | |||
Mathura be lit again? Maddened with your sweet name the herds of cows would no more be all<br /> | |||
ears to listen to your flute. In the beautiful palace of king Nanda, nights would be no<br /> | |||
more be as illuminating as before. Waves would no more rise up in the waters of yamuna. No<br /> | |||
one would chance to get a glimpse of of your sin dark colour. The groves of tamala and<br /> | |||
kadamba trees would no more see the gopiis dancing around all the time.<br /> | |||
=== 3626 (23/07/1986) K === | |||
NÚTAN VARAŚE PRÁŃERI HARAŚE<br /> | |||
PRAŃATI JÁNÁI TOMÁRE<br /> | |||
ÁMÁR JIIVANE VARAŃE VARAŃE<br /> | |||
AŃUR MANANE ÁCHO BHARE<br /> | |||
PRAŃATI JÁNÁI TOMÁRE<br /> | |||
DIYECHO ÁVÁS DILE ANNA JALA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIYECHO ÁVÁS DILE ANNA JALA<br /> | |||
DIYECHO ÁLOK DILE PHUL PHALA<br /> | |||
DIYECHO VÁTÁS CHÁYÁ SUSHIITALA<br /> | |||
DIYECHO MAMATÁ TUŚIVÁRE<br /> | |||
PRAŃATI JÁNÁI TOMÁRE<br /> | |||
DIYECHO ANAL SHIITER NISHIITHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIYECHO ANAL SHIITER NISHIITHE<br /> | |||
DILE PARIMALA KUSUMERA SÁTHE<br /> | |||
DILE MEDHÁ BALA ARÁTI JUJHITE<br /> | |||
KII NÁ DILE PRABHU KRPÁ KARE<br /> | |||
PATH BHULIYÁCHI JAD́ETE METECHI<br /> | |||
KŚAMÁ KARIYÁCHO BÁRE BÁRE<br /> | |||
PRAŃATI JÁNÁI TOMÁRE<br /> | |||
NÚTAN VARAŚE PRÁŃERI HARAŚE<br /> | |||
PRAŃATI JÁNÁI TOMÁRE<br /> | |||
O Lord, on the auspicious occasion of New Year's Day, with overwhelming joy, I express my<br /> | |||
reverence to You. In my life, with multiplicities of colours, into unit mind, You pervade<br /> | |||
filling it. You have provided me with necessities of life like shelter, food, water<br /> | |||
light, flowers and fruits. You have given me breeze, cool shade, and affection for<br /> | |||
satiating fulfilment. You provided warmth of fire during cold nights, fragrance along<br /> | |||
with flowers. You have granted me strength of intellect to face the enemies. What have You<br /> | |||
not given me graciously, O Lord? If I forget the path and get engrossed in material<br /> | |||
beings, You pardon me again and again.<br /> | |||
=== 3627 (23/07/1986) K === | |||
BHÁLOR CEYEO BHÁLO TUMI PRIYA<br /> | |||
TUMI SABÁKÁR PRIYATAMA<br /> | |||
KURISH KÁLOY JYOTI REKHÁ TUMI<br /> | |||
RÚPA RÚPÁYAŃE MANORAMA<br /> | |||
TUMI SABÁKÁR PRIYATAMA<br /> | |||
ÁGUNER TÁPA JALADERO VÁRI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁGUNER TÁPA JALADERO VÁRI<br /> | |||
TOMÁKE KAKHANO BHULITE KII PÁRI<br /> | |||
SHAYANE SVAPANE TOMÁRE SMARI<br /> | |||
NIRÁSHÁ SÁYARE ÁSHÁ MAMA<br /> | |||
TUMI SABÁKÁR PRIYATAMA<br /> | |||
KICHU NÁI MOR TUMI ÁCHO SHUDHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KICHU NÁI MOR TUMI ÁCHO SHUDHU<br /> | |||
TAMASÁR ÁKÁSHE TUMI EKAI VIDHU<br /> | |||
RIKTA HRIDAYE SARORUHA MADHU<br /> | |||
D́HELECHO MÁDHURI ANUPAMA<br /> | |||
TUMI SABÁKÁR PRIYATAMA<br /> | |||
BHÁLOR CEYEO BHÁLO TUMI PRIYA<br /> | |||
TUMI SABÁKÁR PRIYATAMA<br /> | |||
O Dear, You are most beloved. You are Dearest of all. Amid the darkness of the dried dung<br /> | |||
You are the ray of light, charming, as embodiment of beauty. During heat of fire and water<br /> | |||
of clouds, can I any time forget You? During sleep, and dream I remember You, You are my<br /> | |||
hope in the ocean of disappointment. Nothing belongs to me, only You. In the dark sky, You<br /> | |||
are the singular moon. You are the sweet lotus in the empty heart. You pour incomparable<br /> | |||
sweetness.<br /> | |||
=== 3628 (23/07/1986) D === | |||
VISHVA JAKHAN HOYENI TAKHAN | |||
TUMI CHILE KÁR MANE<br /> | |||
BOLO, TUMI CHILE KON KHÁNE<br /> | |||
KEU CHILO NÁ KAITE KATHÁ<br /> | |||
DITE VYATHÁ KÁRO PRÁŃE<br /> | |||
TUMI CHILE KON KHÁNE<br /> | |||
LIILÁR SÁGAR TOMÁY MÁNI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LIILÁR SÁGAR TOMÁY MÁNI<br /> | |||
LIILÁ KATA KAT́HOR JÁNI<br /> | |||
LIILÁR T́HAKUR BOLO SHUŃI<br /> | |||
KEMANE CHILE NIRJANE<br /> | |||
TUMI CHILE KON KHÁNE<br /> | |||
SHÁSTRA DARSHAN JÁNINÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHÁSTRA DARSHAN JÁNI NÁ<br /> | |||
TOMÁY CHÁŔÁ KICHU MÁNI NÁ<br /> | |||
TOMÁR KRIPÁR EKT́U KAŃÁ<br /> | |||
TÁI TO JÁCI RÁTE DINE<br /> | |||
TUMI CHILE KON KHÁNE<br /> | |||
VISHVA JAKHAN HOYENI TAKHAN | |||
TUMI CHILE KÁR MANE<br /> | |||
When the universe had not yet been created,<br /> | |||
in whose mind did You exist?<br /> | |||
Tell me, where were You?<br /> | |||
No one was there for You to speak to,<br /> | |||
no one to hurt any heart.<br /> | |||
I consider You the ocean of this divine game<br /> | |||
and I know how harsh it is.<br /> | |||
O Lord of this divine game,<br /> | |||
listen and talk,<br /> | |||
how could You manage in loneliness?<br /> | |||
I know neither philosophy nor scriptures.<br /> | |||
I do not accept any entity other than You.<br /> | |||
For just a tiny bit of Your grace,<br /> | |||
I beg day and night.<br /> | |||
=== 3629 (23/07/1986) K === | |||
TUMI PRIYA MOR ÁMI TOMÁR<br /> | |||
MOR NÁI KONO GUŃA ÁCHE SHUDHU DURGUŃA<br /> | |||
TUMI SAKAL GUŃERI SAMÁHÁR<br /> | |||
TUMI PRIYA MOR ÁMI TOMÁR<br /> | |||
PRABHÁTER BHÁTI TUMI SANDHYÁ RAKTA RÁGA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRABHÁTER BHÁTI TUMI SANDHYÁ RAKTA RÁGA<br /> | |||
KUSUMÁSTIIRŃA VANE MADHU ANURÁGA<br /> | |||
VARAŚÁ NISHIITHE KETAKII PUŚPA PARÁGA<br /> | |||
BHESE CALO ADAM APÁR<br /> | |||
TUMI PRIYA MOR ÁMI TOMÁR<br /> | |||
MOR ÁCHE KÁLÁKÁLA CHANDA TÁLA BETÁLA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MOR ÁCHE KÁLÁKÁLA CHANDA TÁLA BETÁLA<br /> | |||
YATIBANDHANMUKTA TUMI MAHÁKÁLA<br /> | |||
VAHO SVECCHÁY PRAPAINCERI BHÁR<br /> | |||
TUMI PRIYA MOR ÁMI TOMÁR<br /> | |||
O Lord, You are my dear and I am Yours. I have virtues, only bad qualities, You are the<br /> | |||
collection of all attributes. You are the morning glow and red colour of the evening. In | |||
the garden full of flowers, You are the sweet affection. In the rainy night, You are the<br /> | |||
fragrant pollen of ketakii flower, floating with unlimited turbulence. I have<br /> | |||
consideration of time with mistuned rhythm and beats. You are the Great Duration, free<br /> | |||
from the bondage of stoppage. You carry the load of the universe willingly.<br /> | |||
=== 3630 (24/07/1986) K (Krsna) === | |||
GOPI JANA VALLABHA TUMI PRIYA<br /> | |||
KAḾSA SÚDAN MANOCÁRI<br /> | |||
BHÁŚÁR ATIITE CITI GOKULETE<br /> | |||
NIYATA HÁSICHO HE MURÁRI<br /> | |||
KAḾSA SÚDAN MANOCÁRI<br /> | |||
ARUPE RAYECHE ARÚPA ÁBHÁS<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ARUPE RAYECHE ARÚPA ÁBHÁS<br /> | |||
O CÁNDE KARENÁ KABHU RÁHU GRÁS<br /> | |||
O KRŚŃA CANDRA HRDI ÁKÁSHA<br /> | |||
MAINJULÁNILE DEY BHARI<br /> | |||
KAḾSA SÚDAN MANOCÁRI<br /> | |||
VINATI SATATA CARAŃA RÁTULE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VINATI SATATA CARAŃA RÁTULE<br /> | |||
THEKO MOR SÁTHE PALE ANUPALE<br /> | |||
NÁCÁO ÁMÁRE SEI TÁLE TÁLE<br /> | |||
JE TÁLE BÁJÁLE SE BÁNSARI<br /> | |||
KAḾSA SÚDAN MANOCÁRI<br /> | |||
GOPI JANA VALLABHA TUMI PRIYA<br /> | |||
KAḾSA SÚDAN MANOCÁRI<br /> | |||
O dear darling of the Gopiis, killer of the demon Kam’sa and moving in the mind. O<br /> | |||
Mura’ri, You are beyond the language and smile always in the mental Gokul. Staying<br /> | |||
formless with indistinct presence, that moon is never devoured by the demon Ra’hu. That<br /> | |||
Krsna Candra fills the sky of my heart with soft, pleasing breeze. I continuously<br /> | |||
pray at Your red feet. Stay with me each moment. Make me dance to that rhythm with which<br /> | |||
You play Your flute.<br /> | |||
=== 3631 (25/07/1986) K === | |||
PRABHU, TOMÁTE ÁMÁTE PARICAY KABE<br /> | |||
LEKHÁ NEI ITIHÁSE<br /> | |||
TUMI CHILE ÁR ÁMIO CHILUM<br /> | |||
CARAŃA REŃUR ÁSHE<br /> | |||
LEKHÁ NEI ITIHÁSE<br /> | |||
BÁJÁTE VEŃUKÁ TUMI ABHIRÁM<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁJÁTE VEŃUKÁ TUMI ABHIRÁM<br /> | |||
TÁHÁTE MÁTIÁ ÁMI NÁCITÁM<br /> | |||
TOMÁKEI SHUDHU BHÁLOBÁSITÁM<br /> | |||
BÁSINI DÁNER ÁSHE<br /> | |||
LEKHÁ NEI ITIHÁSE<br /> | |||
TÁR PARE KATA YUGA CALE GECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TÁR PARE KATA YUGA CALE GECHE<br /> | |||
JAD́ERI ÁVESHE TAMASÁ ESECHE<br /> | |||
SE KUÁSHÁ BHEDI TAVA DYUTI NÁCE<br /> | |||
MORE T́ÁNE JÁNI NÁ KENO SE<br /> | |||
LEKHÁ NEI ITIHÁSE<br /> | |||
O Lord, when we were introduced to each other, is not recorded in the history. You were<br /> | |||
there and I was there with the hope of the dust of Your feet. You were playing charming<br /> | |||
flute and I was engrossed in dancing. I loved only You. Unwashed with the hope of gift.<br /> | |||
After that how many eons have passed. With the attraction of lifeless beings, inertia<br /> | |||
came. Piercing through that fog, Your glow dances, but why does not it pull me, I do not<br /> | |||
know.<br /> | |||
=== 3632 (26/07/1986) K === | |||
AJÁNÁ PATHIK ESECHE ÁJIKE<br /> | |||
ÁNO VARAŃ D́ÁLÁ ÁNO MÁLÁ<br /> | |||
AGURU CANDANA<br /> | |||
AGURU CANDAN CETANÁNANDAN | |||
ÁNO PHOT́Á NIIPE BHARÁ THÁLÁ<br /> | |||
ÁNO VARAŃ D́ÁLÁ ÁNO MÁLÁ<br /> | |||
SABÁRE BHÁLO<br /> | |||
SABÁRE BHÁLO BÁSITE SE JÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABÁRE BHÁLO BÁSITE SE JÁNE<br /> | |||
SABÁRE NIJER RÁKHE MANER KOŃE<br /> | |||
SABÁRE T́ÁNE SE SVIIYA ÁKARŚAŃE<br /> | |||
NIJA GUŃE BHOLÁY SAB JVÁLÁ<br /> | |||
ÁNO VARAŃ D́ÁLÁ ÁNO MÁLÁ<br /> | |||
TÁHÁR BÁHIRE<br /> | |||
TÁHÁR BÁHIRE KICHUI THÁKE NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TÁHÁR BÁHIRE KICHUI THÁKE NÁ<br /> | |||
TÁHÁRE PÁOÁR VRATAI SÁDHANÁ<br /> | |||
ÁTMA PARÁPAR BHEDA SE MÁNE NÁ<br /> | |||
TÁR AHAETUKI PRIITI PRÁŃA D́HÁLÁ<br /> | |||
ÁNO VARAŃ D́ÁLÁ ÁNO MÁLÁ<br /> | |||
AJÁNÁ PATHIK ESECHE ÁJIKE<br /> | |||
ÁNO VARAŃ D́ÁLÁ ÁNO MÁLÁ<br /> | |||
The Unknown Traveler has come today!<br /> | |||
Bring for Him a tray of colours and flowers,<br /> | |||
a welcoming garland,<br /> | |||
delighting incense and sandalpaste!<br /> | |||
He knows how to love all.<br /> | |||
He keeps everyone in the recess of His mind.<br /> | |||
He attracts and pulls everyone unto Himself.<br /> | |||
He makes all forget their burns.<br /> | |||
Nothing is outside Him.<br /> | |||
All vows and endeavours,<br /> | |||
are directed towards attaining Him.<br /> | |||
He does not distinguish between Himself and others.<br /> | |||
His causeless love is boundless.<br /> | |||
=== 3633 (25/07/1986) K === | |||
KON, RAUNGIINA PRABHÁTE ARUŃA ÁLOTE<br /> | |||
ESECHILE TUMI HE MADHUMAYA<br /> | |||
JAD́A STHÁŃU DHARÁ HOLO PRÁŃA BHARÁ<br /> | |||
TAVA GIITE HOLO TANMAYA<br /> | |||
ESECHILE TUMI HE MADHUMAYA<br /> | |||
AŃU PARAMÁŃU NRITYA CAPAL<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AŃU PARAMÁŃU NRITYA CAPAL<br /> | |||
HOYE UT́HE CHILO BHÁVE UCCHAL<br /> | |||
MAHODADHIR D́HEU HOLO CHALACHALA<br /> | |||
TOMÁRE BARITE HE LIILÁMAYA<br /> | |||
ESECHILE TUMI HE MADHUMAYA<br /> | |||
ITIHÁSA BHULE GECHE SEI KATHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ITIHÁSA BHULE GECHE SEI KATHÁ<br /> | |||
TANDRÁ BHÁUNGÁTE MAHATERA GÁTHÁ<br /> | |||
ÁKÁSHE VÁTÁSE SEI PURÁKATHÁ<br /> | |||
ÁJO BHESE CALE HE BHÚMÁMAYA<br /> | |||
ESECHILE TUMI HE MADHUMAYA<br /> | |||
KON, RAUNGIINA PRABHÁTE ARUŃA ÁLOTE<br /> | |||
ESECHILE TUMI HE MADHUMAYA<br /> | |||
O The embodiment of sweetness, on which colourful morning, with crimson glow You had come.<br /> | |||
The inert, static earth had become enliven, engrossed in Your song. The atoms and<br /> | |||
molecules became restless in dance, with overwhelming feelings. The waves in the ocean | |||
overflowed on adoring You, O the embodiment of the divine game, liila. The history has<br /> | |||
forgotten that fact, the glory of the Great that breaks the drowsiness. But in sky and<br /> | |||
air, that ancient matter goes on floating even today, O The Cosmic Entity.<br /> | |||
=== 3634 (26/07/1986) D === | |||
MÁNUŚER MANE TUMI SAYATANE<br /> | |||
RACILE JE VEDII HE MANOHARA<br /> | |||
PRIITI BHARÁ GÁNE PRIYA ABHIDHYÁNE<br /> | |||
MÁTÁLE TÁHÁ CIDÁMBARA<br /> | |||
RACILE JE VEDII HE MANOHAR<br /> | |||
PRAYOJANA MATO ÁCHE ÁYOJANA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRAYOJANA MATO ÁCHE ÁYOJANA<br /> | |||
KUSUMETE MADHU PARÁG MILAN | |||
SHUKTIR MÁJHE MUKUTÁ VARAŃ<br /> | |||
SÁJÁYE CALECHO PRATI PRAHAR<br /> | |||
RACILE JE VEDII HE MANOHAR<br /> | |||
MÁLIKÁ MUKULE GENTHE DILE MÁLÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁLIKÁ MUKULE GENTHE DILE MÁLÁ<br /> | |||
BHRINGA AUNGE DANSHAN JVÁLÁ<br /> | |||
JYOTSNÁ SVAPNE MOHAKA MEKHALÁ<br /> | |||
TAVA MÁDHURITE LOKESHVARA<br /> | |||
RACILE JE VEDII HE MANOHARA<br /> | |||
MÁNUŚER MANE TUMI SAYATANE<br /> | |||
RACILE JE VEDII HE MANOHARA<br /> | |||
O The Charming One, the altar that You have created carefully in human mind, that frenzies<br /> | |||
the mental sky with song full of love and dear meditation. All arrangements are according<br /> | |||
to the purpose. You go on arranging in each period, the honey in flower mixed with pollen | |||
and pearl within the shell. The buds are threaded into garland, in the body of the bee<br /> | |||
burning sting is provided, the charming ornamental griddle in the dreamy moonlight, all by<br /> | |||
Your sweetness, O the controller of the world.<br /> | |||
=== 3635 (27/07/1986) K === | |||
ÁNDHÁR SARIYE ELE TUMI PRIYATAMA<br /> | |||
BHÁŚÁR ATIITE CHILE BHÁVE DODUL DULE<br /> | |||
HOYE GELE SABÁR NIKAT́A TAMA<br /> | |||
ÁNDHÁR SARIYE ELE TUMI PRIYATAMA<br /> | |||
TUMI JE ÁSIBE BHÁVITE PÁRINI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI JE ÁSIBE BHÁVITE PÁRINI<br /> | |||
KRPÁ JE KARIBE KAKHANO BUJHINI<br /> | |||
TOMÁR LIILÁ BOJHÁ DÁY HE ANÚPAMA<br /> | |||
ÁNDHÁR SARIYE ELE TUMI PRIYATAMA<br /> | |||
ACALE ATALE ÁCHO SABÁR MÁJHE BHARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ACALE ATALE ÁCHO SABÁR MÁJHE BHARE<br /> | |||
MANER SHIKHII NÁCE TOMÁR DYUTI GHIRE<br /> | |||
RÚPER SÁJE ELE ARÚPA NIRÚPAMA<br /> | |||
ÁNDHÁR SARIYE ELE TUMI PRIYATAMA<br /> | |||
O Dearest, You came removing the darkness. You were beyond language oscillating on the<br /> | |||
swing of ideas. You have become nearest to all. That You would come, I could not imagine.<br /> | |||
That You would shower grace, I never understood. O incomparable, it is difficult to<br /> | |||
understand Your divine game, liila. You are filled pervading in all including mountain | |||
and depths. The mental peacock dances around Your effulgence.<br /> | |||
=== 3636 (27/07/1986) D === | |||
TOMÁR TARE KATA VYATHÁ<br /> | |||
TUMI KI JÁNO NÁ BOLO MORE<br /> | |||
DIN ÁSE JÁY ÁSHÁTE HÁY<br /> | |||
NISHÁBHÁSÁY ÁNKHI NIIRE<br /> | |||
TUMI KI JÁNO NÁ BOLO MORE<br /> | |||
KENO BESE CHILUM BHÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KENO BESE CHILUM BHÁLO<br /> | |||
BHÁLO BESE E KII HOLO<br /> | |||
KENDE KENDE JANAM GELO<br /> | |||
MAN TABU BHÚLITE NÁRE<br /> | |||
TUMI KI JÁNO NÁ BOLO MORE<br /> | |||
DÚR ÁKÁSHE ÁLOR REKHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DÚR ÁKÁSHE ÁLOR REKHÁ<br /> | |||
MORE JÁNÁY NÁHI EKÁ<br /> | |||
JEGE ÁCHOCIRA SAKHÁ<br /> | |||
ÁNDHÁR SÁGARERI PÁRE<br /> | |||
TUMI KI JÁNO NÁ BOLO MORE<br /> | |||
TOMÁR TARE KATA VYATHÁ<br /> | |||
TUMI KI JÁNO NÁ BOLO MORE<br /> | |||
O Lord, how much pain I am undergoing to attain You, do not You know that, tell me. Days<br /> | |||
come and go in hope, alas, and nights pass flowing tears. Why did I love You, and by<br /> | |||
loving what has happened, all my life went in crying only. Yet the mind does not forget<br /> | |||
You. The ray of light in the distant sky, tells me that I am not alone. You are ever<br /> | |||
active, O the eternal companion, beyond the dark ocean.<br /> | |||
=== 3637 (28/07/186) D === | |||
TUMI, GIITIR SAORABHE PRIITIR RABHASE<br /> | |||
VASUDHÁY T́ENE REKHECHO<br /> | |||
ÁLOK DYUTITE ALAKH CITITE<br /> | |||
JANE JANE JINE NIYECHO<br /> | |||
VASUDHÁY T́ENE REKHECHO<br /> | |||
KEU DÚRE NÁI KEU PAR NAY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KEU DÚRE NÁI KEU PAR NAY<br /> | |||
SABÁI TOMÁR EI PARICAYA<br /> | |||
MANERI GAHANE NIBHRITA BHUVANE<br /> | |||
SABÁKÁR KATHÁ BHEVECHO<br /> | |||
VASUDHÁY T́ENE REKHECHO<br /> | |||
AGRYA PURUŚA KUSHÁGRE VICARI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AGRYA PURUŚA KUSHÁGRE VICARI<br /> | |||
MARME MÁKHIYE MANAN MÁDHURII<br /> | |||
ÁKÁSHA VÁTÁS SUDHÁSYANDE BHARI<br /> | |||
MAHIMÁNVITA HOYECHO<br /> | |||
VASUDHÁY T́ENE REKHECHO<br /> | |||
TUMI, GIITIR SAORABHE PRIITIR RABHASE<br /> | |||
VASUDHÁY T́ENE REKHECHO<br /> | |||
O Lord, with upsurge of love and fragrance of songs, kept the earth attracted towards<br /> | |||
Yourself. With glow of effulgence and unseen consciousness, You have won over each and<br /> | |||
everyone. No one is far, no one is distant, all are Yours, this is Your introduction. In | |||
the depth of mind, isolated from the world, You think about all. O the Foremost Entity<br /> | |||
moving sharply, You have smeared sweetness in the core of heart. Filling the sky and air<br /> | |||
with the essence of nectar, You become glorified.<br /> | |||
=== 3638 (28/07/1986) D === | |||
BHÁLOBESECHILE ÁMÁRE PRIYA<br /> | |||
VINIMAYE KICHU CÁONI<br /> | |||
DUHÁT BHARIÁ NIYE GECHI DÁNA<br /> | |||
KONO KICHU DITE PÁRINI<br /> | |||
VINIMAYE KICHU CÁONI<br /> | |||
RÁTER ÁNDHÁRE DIYE GECHO ÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÁTER ÁNDHÁRE DIYE GECHO ÁLO<br /> | |||
VIVEK JÁGÁYE JÁNÁLE KI BHÁLO<br /> | |||
VAJRA ÁGHOŚE JVÁLÁILE KÁLO<br /> | |||
SHALÁKÁRO SHIKHÁ NÁONI<br /> | |||
VINIMAYE KICHU CÁONI<br /> | |||
APARÁHNERI NISTEJA ÁTAPE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
APARÁHNERI NISTEJA ÁTAPE<br /> | |||
KAHILE ÁMÁRE KÁŃE CUPE CUPE<br /> | |||
ÁMI ÁCHI SÁTHE SUKHE DUHKHE TÁPE<br /> | |||
TOMÁKE KAKHANO BHULINI<br /> | |||
VINIMAYE KICHU CÁONI<br /> | |||
BHÁLOBESECHILE ÁMÁRE PRIYA<br /> | |||
VINIMAYE KICHU CÁONI<br /> | |||
O Dear, You have loved me and did not want any thing in return. I have continued<br /> | |||
collecting gifts from You spreading both hands, but could not give You any thing. You have<br /> | |||
been providing light in the darkness of the night, by awakening the power of<br /> | |||
discrimination, You taught me what is good. With thunderous voice, You burnt the darkness<br /> | |||
without bringing the flame stick. During dull sunlight of the afternoon, You whispered into<br /> | |||
my ears secretly, “ I am there with you during pain, pleasure and heat, without<br /> | |||
forgetting you any time.”<br /> | |||
=== 3639 (28/07/1986) D === | |||
CAMPAK HÁRE SAJÁYE TOMÁRE<br /> | |||
BASÁBO VEDIITE ÁJ<br /> | |||
JE JÁ KHUSHI BOLE BOLUK ÁMÁRE<br /> | |||
SE KATHÁ SHUŃE KII KÁJ<br /> | |||
BASÁBO VEDIITE ÁJ<br /> | |||
ÁMI, GENTHECHI MÁLATI MÁLÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GENTHECHI MÁLATI MÁLÁ<br /> | |||
SÁJÁYE VARAŃ D́ÁLÁ<br /> | |||
PUŚPE PATRE VARŃA SHOBHÁTE<br /> | |||
UDDVELA RITU RÁJ<br /> | |||
BASÁBO VEDIITE ÁJ<br /> | |||
AEK TÁNETE DUNDUBHI BÁJE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AEK TÁNETE DUNDUBHI BÁJE<br /> | |||
ALAK VIHÁRI DHYÁNÁLOKE RÁJE<br /> | |||
JATA ÁVILATÁ MOHA JAT́ILATÁ<br /> | |||
LUKOLO PEYE ÁJ<br /> | |||
BASÁBO VEDIITE ÁJ<br /> | |||
CAMPAK HÁRE SAJÁYE TOMÁRE<br /> | |||
BASÁBO VEDIITE ÁJ<br /> | |||
O Lord, today, decorating You with the garland of campak flowers, I shall make You seated<br /> | |||
on the altar. Others pass whatever comments to me, what is the use of listening to them. I<br /> | |||
thread the garland of ma’latii flowers, decorate the tray of colours, with beautiful<br /> | |||
colours of flowers and fruits, the spring season is excited. The trumpets play unison, the<br /> | |||
heavenly entity is established in the arena of meditation. All impurities and complexities<br /> | |||
of infatuation, have hidden today on getting You.<br /> | |||
=== 3640 (29/07/1986) K (Krsna) === | |||
KADAMBA VANE ELE VEŃUKÁ BÁJÁVE BALE<br /> | |||
E KII LIILÁ SHYÁM RÁY<br /> | |||
DHARÁ NÁHI DÁO BOLO NÁ KII BÁ CÁO<br /> | |||
BOLO NÁ KII KARE DHARÁ JÁY<br /> | |||
E KII LIILÁ SHYÁM RÁY<br /> | |||
ANANTA LIILÁ TAVA BHÁVER PARIDHI NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANANTA LIILÁ TAVA BHÁVER PARIDHI NÁI<br /> | |||
SAB KÁLÁKÁLER ÚRDDHVE TOMÁRE PÁI<br /> | |||
AKHAND́A JYOTI TUMI KARUŃÁY ELE NÁMI<br /> | |||
SE KARUŃÁ BHÁVE JHALAKÁY<br /> | |||
E KII LIILÁ SHYÁM RÁY<br /> | |||
MANO VRINDÁVANE MOHAN MÁDHURII SANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANO VRINDÁVANE MOHAN MÁDHURII SANE<br /> | |||
HE GOPI JAN VALLABHA ÁCHO PRATIKŚAŃE<br /> | |||
PRIITI YAMUNÁY UJÁNER SHROTE DHÁY<br /> | |||
SAMVIT ANUKAMPÁY<br /> | |||
E KII LIILÁ SHYÁM RÁY<br /> | |||
KADAMBA VANE ELE VEŃUKÁ BÁJÁVE BALE<br /> | |||
E KII LIILÁ SHYÁM RÁY<br /> | |||
O Krsna, Shya’mra’y, You came to the kadamba grove and told that You would play<br /> | |||
the flute, but what a game, liila, You played? You did not come into the folds, tell me<br /> | |||
what You want, how can You come into the folds? Your divine game is infinite, there is no<br /> | |||
limitation to Your thoughts. I find You above all time and beyond. Mercifully, with<br /> | |||
limitless effulgence, You came down, that mercy is seen in Your thoughts. Into the mental<br /> | |||
Vrinda’van, with charming sweetness, O the beloved of gopiis, the devotees, come each<br /> | |||
moment. The Yamuna’ river of love, rushes with tides, with the grace of consciousness.<br /> | |||
=== 3641 (29/07/1986) K === | |||
MANER GAHANE ELE BUJHI NÁ KII MÁYÁ BALE<br /> | |||
KON SE LIILÁR CHALE JÁNI NÁ TUMI KII CÁO<br /> | |||
ADHARE AMIYA HÁSI GOPANE GELE PASHI<br /> | |||
BHÁVITE PÁRE NÁ KEU KENO LIILÁ RACE JÁO<br /> | |||
KON SE LIILÁR CHALE JÁNI NÁ TUMI KII CÁO<br /> | |||
ANÁDI KÁLA THEKE ANANTE BHESE CALO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁDI KÁLA THEKE ANANTE BHESE CALO<br /> | |||
ALAKŚYE THEKE D́EKE MARME KATHÁ BOLO<br /> | |||
RÚPER ÚRDDHVA LOKE ARUP MÁDHURI MEKHE<br /> | |||
NIJA PARICAY D́HEKE KALMAŚA NIYE NÁO<br /> | |||
KON SE LIILÁR CHALE JÁNI NÁ TUMI KII CÁO<br /> | |||
TOMÁR SAMÁN ÁR TRIBHUVANE KEU NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR SAMÁN ÁR TRIBHUVANE KEU NÁI<br /> | |||
SVARGA MARTYA PÁTÁLE DVITIIYA NÁHI PÁI<br /> | |||
MUKTI SÁDHAN VIBHU SARVÁNUSYÚTA PRABHU<br /> | |||
ALAKH ÁLOK MEKHE ÁLOKER GIITI GÁO<br /> | |||
KON SE LIILÁR CHALE JÁNI NÁ TUMI KII CÁO<br /> | |||
O Lord, you came to the depth of my mind, I do not understand with what hypnotizing<br /> | |||
influence, with what deceptive divine game, I do not know what do you want. With ambrosial<br /> | |||
smile on lips, secretly you entered. No one can imagine why you go on creating divine<br /> | |||
games. From begininglessness to endlessness you keep on floating. Staying in invisible<br /> | |||
arena, you call and speak in the core of my heart. In the expressed world of forms, from<br /> | |||
the sweet absorbed unexpressed world, concealing your identity, you take away our dirt.<br /> | |||
There is no entity like you in the three worlds. In heaven, earth or hell, I do not find<br /> | |||
any second entity. O omnitelepathic Lord, you are controlling nucleus and the medium of<br /> | |||
liberation. Unseen, absorbed in effulgence, you sing the song of light.<br /> | |||
=== 3642 (30/07/1986) D === | |||
ARÚPA TOMÁR ÁBHÁS PELUM, RÚPA SÁYARER TIIRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁO NI TUMI DHARÁ DITE<br /> | |||
LUKIYE CHILE DÚRE<br /> | |||
RÚPA SÁYARER TIIRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHULE GECHI MITI TITHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHULE GECHI MITI TITHI<br /> | |||
NEIKO MANE MILAN GIITI<br /> | |||
ÁCHE SHUDHU PÁOÁR SMRITI<br /> | |||
MANJULÁMBARE RÚPA SÁYARER TIIRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LIILÁR T́HÁKUR TOMÁY GAŃI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LIILÁR T́HÁKUR TOMÁY GAŃI<br /> | |||
ÁNDHÁR HIYÁY HIIRAK KHAŃI<br /> | |||
DYUTIR MARAKATA MAŃI<br /> | |||
AMÁR TIMIRE RÚPA SÁYARER TIIRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ARÚPA TOMÁR ÁBHÁS PELUM<br /> | |||
RÚPA SÁYARER TIIRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
O The Formless, I found Your glow at the shore of the ocean of beauty. You do not want to<br /> | |||
come into folds, and stayed hidden far. I have forgotten the date and the period, the song<br /> | |||
of rendezvous is not in the mind. Only the memory of getting exists in the beautiful sky.<br /> | |||
I consider You as the Lord of the divine game, liila, as You are the glowing diamond of<br /> | |||
the dark heart with shine of gem, in the dark night.<br /> | |||
=== 3643 (30/07/1986) D === | |||
BHÁLOBESECHI TOMÁRE ÁMI<br /> | |||
CÁI NI KICHUI VINIMAYE<br /> | |||
BHÁLOBESECHI<br /> | |||
SABÁKÁR TUMI MARMER MAŃI<br /> | |||
MANDRITA MAN NILAYE<br /> | |||
CÁI NI KICHUI VINIMAYE<br /> | |||
KHUNJE BEŔIECHI ADRI SHIKHARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KHUNJE BEŔIECHI ADRI SHIKHARE<br /> | |||
PÁTÁLERA TARE PÚTA SAROVARE<br /> | |||
PATRE PATRE CHATRE CHATRE<br /> | |||
PHIRECHI NIRÁSHA HRDAYE<br /> | |||
CÁI NI KICHUI VINIMAYE<br /> | |||
VIDYÁ BUDDHI JÁ CHILO ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIDYÁ BUDDHI JÁ CHILO ÁMÁR<br /> | |||
DEKHI SABÁKÁR TUMI SAMÁHÁR<br /> | |||
MOR SÁMARTHYE THAI PÁOÁ BHÁR<br /> | |||
TOMÁR APÁR ÁSHAYE<br /> | |||
CÁI NI KICHUI VINIMAYE<br /> | |||
BHÁLOBESECHI TOMÁRE ÁMI<br /> | |||
CÁI NI KICHUI VINIMAYE<br /> | |||
O Lord, I love and do not want anything in return. You are the innermost gem of all<br /> | |||
vibrating in the mental house. I have been wandering looking for You on mountain tops<br /> | |||
deep depths and pious ponds, in each leaves and shades, but returned with disappointed<br /> | |||
heart. Whatever intellect and wisdom I had, with that I saw that You are the aggregate of<br /> | |||
all. With my own capacity, estimating You is difficult with Your limitless arena.<br /> | |||
=== 3644 (31/07/1986) K === | |||
ÁSHÁR PASARÁ SAHASÁ ELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSHÁR PASARÁ SAHASÁ ELO<br /> | |||
ÁLOR TÚFÁN NIKAT́E ELO<br /> | |||
ÁLOKERI VÁN ADRI SAMÁN | |||
SÁRÁ VASUDHÁ KE D́HEKE DILO<br /> | |||
ÁSHÁR PASARÁ SAHASÁ ELO<br /> | |||
ÁNDHÁR THÁKILO NÁ KONO KOŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁNDHÁR THÁKILO NÁ KONO KOŃE<br /> | |||
KALUŚA RAHILO NÁ KÁHÁRO MANE<br /> | |||
PRÁŃER PARE PRÁŃA D́HÁLIYÁ MAHÁPRÁŃA<br /> | |||
SAB BHÁVANÁY T́ENE NILO<br /> | |||
ÁSHÁR PASARÁ SAHASÁ ELO<br /> | |||
BADDHA CHILO JÁRÁ ANDHA KÚPE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BADDHA CHILO JÁRÁ ANDHA KÚPE<br /> | |||
BHÁVA JAD́ATÁR TAMASÁ STÚPE<br /> | |||
TÁRÁ ÁNKHI MELILO CÁHIYÁ DEKHILO<br /> | |||
ÚŚÁY UDBHÁSITA ARUŃÁCALE<br /> | |||
ÁSHÁR PASARÁ SAHASÁ ELO<br /> | |||
The spread of hope suddenly came. The storm of effulgence came close. That flood of<br /> | |||
effulgence like mountain covered the whole earth. In no corner darkness was left. No dirt<br /> | |||
remained in any one’s mind. Pouring vitality after vitality, the Great repository of the<br /> | |||
energy, pulled all thoughts. Those who were bound within the dark well, those who had dark<br /> | |||
heap of dogma, their eyes were opened to see with love, the illuminated mountain at the<br /> | |||
dawn.<br /> | |||
=== 3645 (01/08/1986) D === | |||
ÁLOKETE CHILE ÁLOKER DÚTA<br /> | |||
TOMÁKE CINITE PÁRINI<br /> | |||
KÁCHE CALE ELE MAN BHULÁILE<br /> | |||
TABU JECE KATHÁ BOLINI<br /> | |||
TOMÁKE CINITE PÁRINI<br /> | |||
ÁLOKETE CHILE<br /> | |||
SAPTA SÁYAR PÁR HOYE ELE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAPTA SÁYAR PÁR HOYE ELE<br /> | |||
SAPTA SÁYAR PÁR HOYE ELE<br /> | |||
SAPTA SÁYAR PÁR HOYE ELE<br /> | |||
TAMASÁ BHRKUT́I JVÁLÁIYÁ DILE<br /> | |||
SARAŃIIR KÁNT́Á SARÁYE PHELILE<br /> | |||
TABU MANE T́ENE NIYINI<br /> | |||
TOMÁKE CINITE PÁRINI<br /> | |||
ÁLOKETE CHILE<br /> | |||
BHÁVIÁ DEKHINI KE BÁ TUMI MOR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVIÁ DEKHINI KE BÁ TUMI MOR<br /> | |||
BHÁVIÁ DEKHINI KE BÁ TUMI MOR<br /> | |||
BHÁVIÁ DEKHINI KE BÁ TUMI MOR<br /> | |||
TAVA KARUŃÁR NISHÁ HOVE BHOR<br /> | |||
TUMI CÁHILEI KÁT́E KLESHA GHOR<br /> | |||
JENEO JÁNITE SHIKHINI<br /> | |||
TOMÁKE CINITE PÁRINI<br /> | |||
ÁLOKETE CHILE<br /> | |||
ÁLOKETE CHILE ÁLOKER DÚTA<br /> | |||
TOMÁKE CINITE PÁRINI<br /> | |||
O The envoy of effulgence, You were in brightness, and I could not recognise You. You came<br /> | |||
close enchanting the mind, still I did not tell my prayers. You came crossing seven oceans<br /> | |||
and burnt the inhibition of inertial darkness. You removed out the thorns of the path<br /> | |||
still I did not pull You close to my mind. I did not see on consideration how You were<br /> | |||
related to me. Let there be morning to the night of Your mercy. If You want, intense agony<br /> | |||
can be overcome, that I did not learn despite knowing.<br /> | |||
=== 3646 (02/08/1986) D === | |||
ÁLOR DEVATASHOŃO MOR KATHÁ<br /> | |||
ÁLO D́HÁLO ÁNDHÁR E BHUVANE<br /> | |||
SPARSHA JÁCE MAN SHIKHI NÁCE<br /> | |||
ÁNANDA BHARO JIIVANE<br /> | |||
ÁLO D́HÁLO ÁNDHÁR E BHUVANE<br /> | |||
CARAŃA GHIRE TÁRÁ NIIHÁRIKÁ GHORE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CARAŃA GHIRE TÁRÁ NIIHÁRIKÁ GHORE<br /> | |||
CARAŃA GHIRE TÁRÁ NIIHÁRIKÁ GHORE<br /> | |||
CARAŃA GHIRE TÁRÁ NIIHÁRIKÁ GHORE<br /> | |||
ASTI BHÁTI ÁNANDERI TARE<br /> | |||
KAOSTUBHA SAMA DYUTI ANUPAMA<br /> | |||
ÁNO SAB ÁNANE ÁNANE<br /> | |||
ÁLO D́HÁLO ÁNDHÁR E BHUVANE<br /> | |||
CALÁR PATHER HE CIRA DISHÁRI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CALÁR PATHER HE CIRA DISHÁRI<br /> | |||
CALÁR PATHER HE CIRA DISHÁRI<br /> | |||
CALÁR PATHER HE CIRA DISHÁRI<br /> | |||
TAVA GUŃA KATHÁ BHÁVITE NÁ PÁRI<br /> | |||
AŃU PARAMÁŃU SPANDITA KARI<br /> | |||
CETANÁ JÁGÁO PRÁŃE PRÁŃE<br /> | |||
ÁLO D́HÁLO ÁNDHÁR E BHUVANE<br /> | |||
ÁLOR DEVATA, SHOŃO MOR KATHÁ<br /> | |||
ÁLO D́HÁLO ÁNDHÁR E BHUVANE<br /> | |||
O the Deity of light, listen to me, pour effulgence in the world. Seeking touch, the<br /> | |||
peacock of the mind dances, fill bliss in the life. The stars and nebula encircle around<br /> | |||
Your feet for existence, glow and bliss. Bring on all faces unparallel glow of kaostubha<br /> | |||
diamond gem. O Ever director of the path of movement, the glory of You attributes is<br /> | |||
beyond my thought. By vibrating atoms and molecules, awaken consciousness in each life.<br /> | |||
=== 3647 (02/08/1986) D === | |||
BHULITE CÁHINÁ KABHU BHULIBONÁ<br /> | |||
SÁTHE THEKO PRIYA MANE THEKO<br /> | |||
JAD́ER TÚFÁNE ALIIKER VÁNE<br /> | |||
CETANÁRE MORE DHARE REKHO<br /> | |||
SÁTHE THEKO PRIYA MANE THEKO<br /> | |||
SAMVIT ÁSAVE PRÁŃA BHARE DIO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAMVIT ÁSAVE PRÁŃA BHARE DIO<br /> | |||
SUVIDARIŚT́E KÁJE LÁGÁIO<br /> | |||
MANER GABHIRE CIT GHAN NIIRE<br /> | |||
RÁGE ANURÁGE MORE D́EKO<br /> | |||
SÁTHE THEKO PRIYA MANE THEKO<br /> | |||
ATAL APÁR HE PRIITI SINDHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ATAL APÁR HE PRIITI SINDHU<br /> | |||
ATAL APÁR HE PRIITI SINDHU<br /> | |||
ATAL APÁR HE PRIITI SINDHU<br /> | |||
MANE REKHO ÁMI TOMÁR VINDU<br /> | |||
TAVA KARUŃÁY ANUKAMPÁY<br /> | |||
PALE PALE MORE CEYE DEKHO<br /> | |||
SÁTHE THEKO PRIYA MANE THEKO<br /> | |||
BHULITE CÁHINÁ KABHU BHULIBONÁ<br /> | |||
SÁTHE THEKO PRIYA MANE THEKO<br /> | |||
O Lord, I do not want to forget, nor I will ever forget You. Stay with me, O Dear, stay in | |||
mind. In the storm of inert matters, and flood of falsehood, keep me held with<br /> | |||
consciousness. Fill my life with the essence of consciousness. With elixir of knowledge<br /> | |||
put me in action. In the depth of mind, with water of condensed consciousness, call me<br /> | |||
with love and affection. O the deep unlimited ocean of love, keep me in Your mind, I am<br /> | |||
Your droplet. With Your mercy and kindness, each moment keep watching me.<br /> | |||
=== 3648 (02/8/1986) D === | |||
RTURÁJ ESE KÁŃE KAYE GECHE<br /> | |||
SHOŃO KATHÁ KALI PHUT́O NÁ ÁJ<br /> | |||
PÁIBE YÁTANÁ PRIYA ÁSIBE NÁ<br /> | |||
VYATHÁ BUJHIBE NÁ SE CIT RÁJ<br /> | |||
SHOŃO KATHÁ KALI PHUT́O NÁ ÁJ<br /> | |||
ANAL SAMÁN DAHIBE CITTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANAL SAMÁN DAHIBE CITTE<br /> | |||
ANAL SAMÁN DAHIBE CITTE<br /> | |||
ANAL SAMÁN DAHIBE CITTE<br /> | |||
SUDÚRE THÁKIYÁ MÁTÁBE NRITYE<br /> | |||
MADHUR HÁSIBE DHARÁ NÁHI DEVE<br /> | |||
TOMÁRE KÁNDÁVE SEI NILÁJ<br /> | |||
SHOŃO KATHÁ KALI PHUT́O NÁ ÁJ<br /> | |||
VEŃUKÁ BÁJÁBE RÁGE ANÚPAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VEŃUKÁ BÁJÁBE RÁGE ANÚPAMA<br /> | |||
VEŃUKÁ BÁJÁBE RÁGE ANÚPAMA<br /> | |||
VEŃUKÁ BÁJÁBE RÁGE ANÚPAMA<br /> | |||
CHANDEO GIITE MÁDHURII PARAM<br /> | |||
D́HÁLIÁ JÁIBE VIVASHA KARIBE<br /> | |||
ALAKHE THÁKIBE TRILOKA RÁJ<br /> | |||
SHOŃO KATHÁ KALI PHUT́O NÁ ÁJ<br /> | |||
The king of seasons, Spring came and whispered into the ears, “ O, bud, do not bloom<br /> | |||
today. I shall continue getting agony, as the dear one is not coming today, That King of<br /> | |||
my mind would not understand my pain. He shall burn the mind like fire, staying far off<br /> | |||
make me frenzied by dance, smiling softly, not getting into folds, He makes You cry like<br /> | |||
shameless. He plays flute with unparalleled melody, rhythm and song, pouring extreme<br /> | |||
sweetness making me helpless, still remaining unseen, the King of the three worlds.<br /> | |||
=== 3649 (03/08/1986) K (Krsna) === | |||
GOPIJANA VALLABHA NITYA ANUBHAVA<br /> | |||
ÁMÁRI BHÁVÁNILE BHÁSE<br /> | |||
VRAJARÁJ NANDANA MANASIJA CANDAN | |||
SHUBHRA JYOTSNÁLOKE HÁSE<br /> | |||
ÁMÁRI BHÁVÁNILE BHÁSE<br /> | |||
E KRIŚŃA CANDRE KABHU RÁHU KARE NÁ GRÁS<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
E KRIŚŃA CANDRE KABHU RÁHU KARE NÁ GRÁS<br /> | |||
E MANOBHUMIR RÁJÁ KARE NÁ KICHURI ÁSH<br /> | |||
BHÁLOBÁSÁ D́HELE JÁY VINIMAYE NÁHI CÁY<br /> | |||
SATATA SPHURTA SVAPRAKÁSHE<br /> | |||
ÁMÁRI BHÁVÁNILE BHÁSE<br /> | |||
SABÁR PARAMÁGATI VISHVER ADHIPATI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABÁR PARAMÁGATI VISHVER ADHIPATI<br /> | |||
KARUŃÁ NAYANE DEKHO SHUBHAUNKAR PRIITI DYUTI<br /> | |||
VINATI CARAŃE KARI SADÁ KÁCHE DEKHO HARI<br /> | |||
MAN VRINDÁVAN MÁJHE<br /> | |||
ÁMÁRI BHÁVÁNILE BHÁSE<br /> | |||
The lover (Lord) of gopiis (devotees) ever appears providing realization in the firmament<br /> | |||
of my mind. The joyful Lord of Vraja, the deity of love with fragrance of sandalwood<br /> | |||
smiles radiating white effulgence. No demon should ever overpower this Krsna moon.<br /> | |||
This king of psychic world does not expect anything. He just goes on pouring love without<br /> | |||
expecting anything in return. He is ever illuminated in His own light. O, the ultimate<br /> | |||
destination of all and controller of the world, look at me with graceful eyes, with<br /> | |||
auspicious light of love. I pray unto your feet, in my mental vrida’van ever remain | |||
engaged in action.<br /> | |||
=== 3650 (03/08/1986) K (Krsna) === | |||
KRŚŃA BINÁ E NIIP KUINJA<br /> | |||
RÚPA HIIN HOYE GECHE VÁŃII HÁRÁ PAŔE ÁCHE<br /> | |||
DHÚLIR SHAYANE KÁNDE KARAINJA<br /> | |||
KRŚŃA BINÁ E NIIP KUINJA<br /> | |||
TRIŃA CHEŔE MUKH TÚLE CÁY NÁ VRAJER DHENU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TRIŃA CHEŔE MUKH TÚLE CÁY NÁ VRAJER DHENU<br /> | |||
TRIŃA CHEŔE MUKH TÚLE CÁY NÁ VRAJER DHENU<br /> | |||
TRIŃA CHEŔE MUKH TÚLE CÁY NÁ VRAJER DHENU<br /> | |||
UTKARŃA HOYE SHONE NÁKO KÁRO VEŃU<br /> | |||
MAYÚR ÁRO NÁ NÁCE CÁTAK VÁRI NÁ JÁCE<br /> | |||
KHAINJAN HOYE GECHE KHAINJA<br /> | |||
KRŚŃA BINÁ E NIIP KUNJA<br /> | |||
YAMUNÁR DHÁRÁ ÁR UJÁNE NÁHI DHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
YAMUNÁR DHÁRÁ ÁR UJÁNE NÁHI DHÁY<br /> | |||
YAMUNÁR DHÁRÁ ÁR UJÁNE NÁHI DHÁY<br /> | |||
YAMUNÁR DHÁRÁ ÁR UJÁNE NÁHI DHÁY<br /> | |||
MÁCHRÁUNGÁ KÁMARÁUNGÁ RAUNGE MAN NÁ BHOLÁY<br /> | |||
DÁDUR VARAŚÁGAME D́ÁKE NÁ D́ÁHUK SANE<br /> | |||
NABHE PÁI SHYÁM MEGH PUINJA<br /> | |||
KRŚŃA BINÁ E NIIP KUNJA<br /> | |||
This arbor of niip in the absence of Krsna, has become devoid of beauty and is lying<br /> | |||
dumb. The plum fruits lying in dust crying. The cows of Vraja have left eating grass and<br /> | |||
raised their mouth. No one is eager to listen the flute with attentive ears. The peacock<br /> | |||
does not dance any more and the ca’tak bird does not seek rainwater. The khainjan bird<br /> | |||
has become lame. There is no flow of tide in the stream of Yamuna’. The colours of<br /> | |||
kingfisher or chameleon do not charm the mind. The toads do not call along with gallinule<br /> | |||
birds on arrival of rains and on finding the collection of dark clouds.<br /> | |||
=== 3651 (03/08/1986) K === | |||
VARAŚÁ MUKHAR RÁTE SAJAL ÁNKHI PÁTE<br /> | |||
CEYE TAVA ÁSÁ PATHE JEGE CHINU HE SAKHÁ<br /> | |||
BÁHIRE CHILO JHAT́IKÁ BASE CHINU ÁMI EKÁ<br /> | |||
BHEVE CHINU PÁVO DEKHÁ BHEDI KUJJHAT́IKÁ<br /> | |||
CEYE TAVA ÁSÁ PATHE JEGE CHINU HE SAKHÁ<br /> | |||
PÁVAK SAMA PÚTA TOMÁR PRAGÁŔHA PRIITI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PÁVAK SAMA PÚTA TOMÁR PRAGÁŔHA PRIITI<br /> | |||
PÁVAK SAMA PÚTA TOMÁR PRAGÁŔHA PRIITI<br /> | |||
PÁVAK SAMA PÚTA TOMÁR PRAGÁŔHA PRIITI<br /> | |||
MANER MALINATÁ SARIYE JÁGÁYE DYUTI<br /> | |||
DÚR KARE SANTÁPA DÚR HOYE JATA BHIITI<br /> | |||
MAŃIR RATNÁDHÁRE ÁNKE KANAK T́IIKÁ<br /> | |||
CEYE TAVA ÁSÁ PATHE JEGE CHINU HE SAKHÁ<br /> | |||
DIN NÁI KŚAŃA NÁI KONO KÁLÁKÁLA NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIN NÁI KŚAŃA NÁI KONO KÁLÁKÁLA NÁI<br /> | |||
DIN NÁI KŚAŃA NÁI KONO KÁLÁKÁLA NÁI<br /> | |||
DIN NÁI KŚAŃA NÁI KONO KÁLÁKÁLA NÁI<br /> | |||
ÁSÁ JÁOÁR TAVA KONO PARIDHI NÁ PÁI<br /> | |||
TOMÁTE NIHITA DEKHI JÁHÁ KICHU MORÁ CÁI<br /> | |||
CETAN SATTÁ MÁJHE BODHI DHRUVA DIIPIKÁ<br /> | |||
CEYE TAVA ÁSÁ PATHE JEGE CHINU HE SAKHÁ<br /> | |||
O my Companion, during the rainy night with wet eyes I continued awake looking to Your<br /> | |||
path. Outside was storm, I was sitting alone, thinking that piercing through the typhoon | |||
I would see Him. Your dense love is pious like fire, and removing the dirt of the mind, it<br /> | |||
awakens light. It removes the pains and all fears vanish. On the gembase of the lamp, it<br /> | |||
stamps the golden mark. There is no consideration of day, moment or proper time, there is<br /> | |||
no demarcation boundary of Your coming and going. Whatever I wanted, I found located<br /> | |||
within You. You are the constant fixed beacon lamp of intuition within conscious entity.<br /> | |||
=== 3652 (04/08/1986) K === | |||
NIIL SÁYARER SVARŃA KAMALA<br /> | |||
PHUT́E CHILO KABE KE JÁNE<br /> | |||
NIILÁMBUDHIR VAKŚA MÁJHE ÁLOKER UTSAVE<br /> | |||
MADHUR TÁR GÁNE, KE JÁNE<br /> | |||
NIIL SÁYARER SVARŃA KAMALA<br /> | |||
PHUT́E CHILO KABE KE JÁNE<br /> | |||
BHORER ÁLOY MUKHAT́I TÚLE<br /> | |||
DULATO HAOÁY DODUL DÚLE<br /> | |||
BHULATO NÁ SE DITE SUVÁS<br /> | |||
PRIITIRI ÁSAVE CHANDA BHARÁ PRÁŃE, KE JÁNE<br /> | |||
NIIL SÁYARER SVARŃA KAMALA<br /> | |||
PHUT́E CHILO KABE KE JÁNE<br /> | |||
ÁCAMBHITE SE EK PARII<br /> | |||
NIYE GELO TÁRE DHARI<br /> | |||
MÁNILO NÁ KONO MÁNÁ<br /> | |||
VYATHÁR PRATISVARE NIJHUM NIRJANE, KE JÁNE<br /> | |||
NIIL SÁYARER SVARŃA KAMALA<br /> | |||
PHUT́E CHILO KABE KE JÁNE<br /> | |||
When the golden lotus of the blue sea bloomed, who knows? By whose sweet song in the<br /> | |||
festivity of light, within the bosom of the blue ocean? Raising the face in the light of<br /> | |||
the morning, oscillating on the swing of wind, who is not allowing forgetting that<br /> | |||
fragrance with the elixir of love and rhythm full of vitality? Suddenly one angel came and<br /> | |||
took it away holding that unrestrained by any forbidding, against the call of pain, into<br /> | |||
isolation, silently.<br /> | |||
=== 3653 (05/08/1986) K SAḾSKRTA === | |||
SHIVA SHAUNKARA HE SHUBHAUNKARAH<br /> | |||
VISHVA BIIJAH PRABHU KARUŃÁ ÁKARAH<br /> | |||
RAJATÁDRI NIBHAH CANDRA SHEKHARAH<br /> | |||
RATNAUJJVALA MAUNGALÁDHÁRAH<br /> | |||
VISHVA BIIJAH PRBHU KARUŃÁ ÁKARAH<br /> | |||
SHIVA SHAUNKARA<br /> | |||
PARASHU MRIG VARÁBHIITI KARAḾ TVÁM<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PARASHU MRIG VARÁBHIITI KARAḾ TVÁM<br /> | |||
PARASHU MRIG VARÁBHIITI KARAḾ TVÁM<br /> | |||
PARASHU MRIG VARÁBHIITI KARAḾ TVÁM<br /> | |||
NAMÁMI SATATAḾ KURU KRIPÁḾ MÁM<br /> | |||
PRASANNA BHAVA HE CITI ANUBHAVA<br /> | |||
VYÁGHRA AMBARE VAJRA PINÁKA KARAH<br /> | |||
VISHVA BIIJAH PRABHU KARUŃÁ ÁKARAH<br /> | |||
SHIVA SHAUNKARA<br /> | |||
SAMA SAMÁJA TATTVE ADHIŚT́HITAḾ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAMA SAMÁJA TATTVE ADHIŚT́HITAḾ<br /> | |||
SAMA SAMÁJA TATTVE ADHIŚT́HITAḾ<br /> | |||
SAMA SAMÁJA TATTVE ADHIŚT́HITAḾ<br /> | |||
TAVA GUŃÁRŃAVAḾ SHÁSTRE AKATHITAḾ<br /> | |||
TAVA CARAŃA DHÚLI KAŃÁM DEHI MÁḾ<br /> | |||
VISHVÁTIITAH VISHVÁDYAH BHIITI HARAH<br /> | |||
VISHVA BIIJAH PRABHU KARUŃÁ ÁKARAH<br /> | |||
SHIVA SHAUNKARA<br /> | |||
O Shiva, Shaunkara, supreme benevolent Lord!<br /> | |||
You are the seed of the universe<br /> | |||
and the source of all compassion.<br /> | |||
You resemble a silver mountain | |||
and hold a crescent moon on Your head.<br /> | |||
You are like a bright jewel.<br /> | |||
You are the basis of all wellbeing.<br /> | |||
You hold in Your hand an axe for taming animals<br /> | |||
and bestow blessings through Your vara'bhaya mudra.<br /> | |||
I always bow down unto You.<br /> | |||
Please grant me Your grace.<br /> | |||
Be pleased and bestow realisation upon me<br /> | |||
O, one dressed in tiger skin,<br /> | |||
holder of the vajra and of the long horn.<br /> | |||
All the wealth of Your qualities,<br /> | |||
based on the principle of social equality,<br /> | |||
are not mentioned in the scriptures.<br /> | |||
O Lord, You are above this universe.<br /> | |||
You are the cause of creation and the remover of fear.<br /> | |||
Give me the dust particles of Your holy feet.<br /> | |||
..........................................................................<br /> | |||
O Supreme Benevolent Lord!<br /> | |||
You are Shivashankara<br /> | |||
the seed of the universe<br /> | |||
the supreme Lord and the fountain of all compassion.<br /> | |||
You are like the silver mountain.<br /> | |||
Lord Shiva on whose head shines the moon.<br /> | |||
You are brighter than the brightest jewel.<br /> | |||
From You came the wellbeing of the universe.<br /> | |||
I pay obeisance to You who holds the axe<br /> | |||
tames wild animals and bestows the vara'bhaya mudra.<br /> | |||
I entreat You to shower Your grace always upon me.<br /> | |||
Be pleased, O Lord<br /> | |||
who can give the realisation of the Átman.<br /> | |||
You are dressed in tiger skin | |||
holding the vajra and the long horn.<br /> | |||
All the wealth of Your qualities<br /> | |||
based on the principles of social equality<br /> | |||
are not mentioned in the scriptures.<br /> | |||
O Lord You are above the universe<br /> | |||
the cause of creation and the remover of fear.<br /> | |||
O dear Lord be gracious to give me<br /> | |||
the dust particles of Your holy feet.<br /> | |||
=== 3654 (06/08/1986) K === | |||
TUMI, KII CÁO ÁMI JÁNI NÁ<br /> | |||
KI JE BALA BUJHI NÁ<br /> | |||
KE TUMI AJÁNÁ PATHIK<br /> | |||
KŚAŃEK KENO THÁMO NÁ<br /> | |||
KI JE BALA BUJHI NÁ<br /> | |||
ALAKÁR ÁSHIŚ ENECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKÁR ÁSHIŚ ENECHO<br /> | |||
PRIITIR PASARÁ D́HELECHO<br /> | |||
MANER RANDHRE BHESECHO<br /> | |||
E LIILÁ BUJHITE PÁRI NÁ<br /> | |||
KI JE BALA BUJHI NÁ<br /> | |||
JYOTSNÁR CÁNDE HESECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JYOTSNÁR CÁNDE HESECHO<br /> | |||
RÁM DHANU RAUNGA MEKHE CHO<br /> | |||
VARAŚÁR GÁNE METECHO<br /> | |||
HE ARÚP AJÁNÁ<br /> | |||
KI JE BALA BUJHI NÁ<br /> | |||
I do not know what You want.<br /> | |||
I have no capacity to understand that.<br /> | |||
Who are You the unknown traveler,<br /> | |||
who does not pause even for a moment?<br /> | |||
You brought about heavenly blessings.<br /> | |||
You made love spread all around.<br /> | |||
You shine in the recess of minds.<br /> | |||
Your divine game I am unable to understand.<br /> | |||
You smile in the moon radiating light.<br /> | |||
You are absorbed in the colour of the rainbow.<br /> | |||
O formless, unknown one,<br /> | |||
You are absorbed in the song of the rain.<br /> | |||
=== 3655 06/08/1986) D (Krsna) === | |||
GIITIR KÁNU PRIITIR KÁNU<br /> | |||
VRAJER KÁNU E ANUNAY<br /> | |||
ÁMÁR MANE MADHU KÁNANE<br /> | |||
HE MOHAN HÁSO PRATIITI MAYA<br /> | |||
VRAJER KÁNU E ANUNAY<br /> | |||
KHUNJATE JÁTE HOYE NÁ JETE<br /> | |||
DÚR ARAŃYE GIRI GUHÁTE<br /> | |||
TÁI CITTER PUŚPA VEDIITE<br /> | |||
RÁJ VESHE ESO HE LIILÁMAY<br /> | |||
VRAJER KÁNU E ANUNAY<br /> | |||
KAITE KATHÁ TOMÁR GUŃER<br /> | |||
BAITE DYUTI TOMÁR NÁMER<br /> | |||
ÚRMI MÁLÁY SUDHÁRŃAVER<br /> | |||
KARUŃÁ KARO HE MARMA MAYA<br /> | |||
VRAJER KÁNU E ANUNAY<br /> | |||
GIITIR KÁNU PRIITIR KÁNU<br /> | |||
VRAJER KÁNU E ANUNAY<br /> | |||
O Krsna of song, O Krsna of love, O Krsna of Vraja, I have this request<br /> | |||
to You. O the charming, Mohan, smile in my sweet garden of mind, as embodiment of<br /> | |||
realization. It is not possible for me to go on searching in far jungles, or<br /> | |||
mountain caves. Hence, at the floral altar of my mind, sit in the adornment of a King, O<br /> | |||
the embodiment of the illusive play, liila. Singing the glory of Your attributes<br /> | |||
flowing in the effulgence of Your name, in the series of waves of the ocean of nectar<br /> | |||
have mercy on me, O the embodiment of the inner core.<br /> | |||
=== 3656 (07/08/1986) K === | |||
ÁKÁSHA BOLE CHILO VÁTÁS BOLE CHILO<br /> | |||
ÁBHÁS DIYE CHILO SAKALE<br /> | |||
TUMI ÁSIBE DIINESH THÁKIBE NÁ KONO KLESH<br /> | |||
TUMI ÁSIBE DIINESH THÁKIBE NÁ KONO KLESH<br /> | |||
TUMI ÁSIBE DIINESH THÁKIBE NÁ KONO KLESH<br /> | |||
NIHSHEŚA HOBE ANÁCÁR E BHUTALE<br /> | |||
ÁBHÁS DIYE CHILO SAKALE<br /> | |||
BHAYÁL KETU TÁRÁ ÁR NÁ NÁCIBE NABHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHAYÁL KETU TÁRÁ ÁR NÁ NÁCIBE NABHE<br /> | |||
BHAYÁL KETU TÁRÁ ÁR NÁ NÁCIBE NABHE<br /> | |||
BHAYÁL KETU TÁRÁ ÁR NÁ NÁCIBE NABHE<br /> | |||
SONÁLI JIIVAN BHÁSÁYE NÁ DEBE KETUBHE<br /> | |||
ANTARMUKHI HOYE PRÁŃE BHARÁ HOVE SABE<br /> | |||
BHU BHÁR HARAŃ TAVA PRIITI PÁVE PRATI PALE<br /> | |||
ÁBHÁS DIYE CHILO SAKALE<br /> | |||
TOMÁR SVÁGAT TARE PRASTUTA ÁCHE DHARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR SVÁGAT TARE PRASTUTA ÁCHE DHARÁ<br /> | |||
TOMÁR SVÁGAT TARE PRASTUTA ÁCHE DHARÁ<br /> | |||
TOMÁR SVÁGAT TARE PRASTUTA ÁCHE DHARÁ<br /> | |||
TUMI KARE DÁO TÁRE SARVA SVAYAMBHARÁ<br /> | |||
TANDRÁ APASRITA TÁRÁ SARAŃII DEKHIYE TVARÁ<br /> | |||
UCCHÁ KARE DÁO MANDRILA MANOBALE<br /> | |||
ÁBHÁS DIYE CHILO SAKALE<br /> | |||
ÁKÁSHA BOLE CHILO VÁTÁS BOLE CHILO<br /> | |||
ÁBHÁS DIYE CHILO SAKALE<br /> | |||
The sky told that, the air told that, and given indication to all, that You, the<br /> | |||
benevolent to the poor, would come and no misery would remain, the immorality will be<br /> | |||
finished totally from the world. The frightening comet would no more surround the sky, the<br /> | |||
golden life would not be allowed to blow away into the descending node. All would be full<br /> | |||
of vitality looking inwards, getting Your love each moment, O the remover of the worldly<br /> | |||
burden. For welcoming You, the world is ready, You make that selfsufficient. Leaving all<br /> | |||
drowsiness, looking at the path, quickly raise their shaking selfconfidence.<br /> | |||
=== 3657 (07/08/1986) D (Krsna) === | |||
JE ÁMÁRE JÁHÁI BOLUK<br /> | |||
TOMÁKE BHÁLOBÁSI<br /> | |||
TOMÁR ÁSÁ TOMÁR HÁSÁ<br /> | |||
TOMÁR ÁSÁ TOMÁR HÁSÁ<br /> | |||
ÁMÁR PRÁŃE BÁJÁYE BÁNSHII<br /> | |||
TOMÁKE BHÁLOBÁSI<br /> | |||
ÁSHÁ MOR TOMÁY NIYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSHÁ MOR TOMÁY NIYE<br /> | |||
THEKE JÁBO MAN NILAYE<br /> | |||
HE SHÁNTI DÚTA PRASHÁNTA RÚPA<br /> | |||
BÁRE BÁRE TÁI TO ÁSI<br /> | |||
TOMÁKE BHÁLOBÁSI<br /> | |||
VRAJA BHÁVE SADÁI ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VRAJA BHÁVE SADÁI ÁCHO<br /> | |||
PRIITIRI PHÁG MEKHE RAYECHO<br /> | |||
HE GOPI JAN VALLABHA<br /> | |||
TOMÁR TAREI KÁNDI HÁSI<br /> | |||
TOMÁKE BHÁLOBÁSI<br /> | |||
JE ÁMÁRE JÁHÁI BOLUK<br /> | |||
TOMÁKE BHÁLOBÁSI<br /> | |||
O Lord, whosoever comment and tell me whatsoever, I love You. Your coming and smiling<br /> | |||
plays flute in my heart. I have all expectation for You, I shall continue staying in the<br /> | |||
mental home. O The messenger of peace, tranquil form, I come again and again for that. You<br /> | |||
are ever in the ideation of Vraja. Remain smeared with the colour of love. O the dear of<br /> | |||
the gopiis, the devotees, I cry and smile for You only.<br /> | |||
=== 3658 (07/08/1986) K (Krsna) === | |||
BÁNSHARII BÁJIYE JÁY SAHÁSA NAYANE CÁY<br /> | |||
GOLOKER HARI ÁJI GOKULE LIILÁ RACÁY<br /> | |||
RAINJITA ADHARE NANDITA KARE<br /> | |||
SABÁRE D́EKE D́EKE BOLE CHUT́E ÁY<br /> | |||
GOLOKER HARI ÁJI GOKULE LIILÁ RACÁY<br /> | |||
KEU TÁR PAR NAY KEU DÚRE NAY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KEU TÁR PAR NAY KEU DÚRE NAY<br /> | |||
SABÁI ÁTMIIYA MANANE SABÁRE PÁY<br /> | |||
YAMUNÁ UJÁNE JALE UCCHALA CHALA CHALE<br /> | |||
ÚRMI MÁLÁ DOLÁ TÁR GUINJÁ MÁLÁY<br /> | |||
GOLOKER HARI ÁJI GOKULE LIILÁ RACÁY<br /> | |||
DUŚT́A DAMAN HETU SHIŚT́A PÁLAN TARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DUŚT́A DAMAN HETU SHIŚT́A PÁLAN TARE<br /> | |||
ADHARMA KÁLA KETU DHVANSA KARIVÁRE<br /> | |||
ÁSE SE BÁRE BÁRE D́AUNKÁR T́AḾKÁRE<br /> | |||
TÁHÁR SAMÁN NÁI GUŃA DHÁM E DHARÁY<br /> | |||
GOLOKER HARI ÁJI GOKULE LIILÁ RACÁY<br /> | |||
Playing the flute, looking with smile, the Lord of heaven creates illusory play liila<br /> | |||
in Gokul, today. Pleasing with coloured lips, calling all, He says, “Come rushing”.<br /> | |||
Nobody is disowned or distant. All are own, all get Him mentally. The river Yamuna’<br /> | |||
overflows with tides, with series of waves swinging like the garland of coloured guinja’<br /> | |||
seeds. For the purpose of suppressing the wicked, For preserving the righteous and for<br /> | |||
destroying the annihilating comet of unjust, He comes again and again with the twang of<br /> | |||
drum. Like Him, there is no abode of attributes in this earth.<br /> | |||
=== 3659 (07/08/1986) K === | |||
ÁMI, TOMÁRE CEYECHI GOPANE<br /> | |||
ÁMÁR PRIYA TUMI SABÁR SAKHÁ<br /> | |||
ÁCHO JIIVANE BHARÁ CHANDE GÁNE<br /> | |||
SMARAŃIIYA TUMI SATYE D́HÁKÁ<br /> | |||
ÁMÁR PRIYA TUMI SABÁR SAKHÁ<br /> | |||
ÁLOKER VARTIKÁ SÁTHE REKHECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOKER VARTIKÁ SÁTHE REKHECHO<br /> | |||
PRIITIR PALLAVE DODUL DULE CHO<br /> | |||
JE ANÁDRITA SEO TOMÁTE STHITA<br /> | |||
KAKHANO KARO NÁ TÁKE TRILOKE EKÁ<br /> | |||
ÁMÁR PRIYA TUMI SABÁR SAKHÁ<br /> | |||
JÁR, KEU KOTHÁ NÁI SEO TOMÁKE D́ÁKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KEU KOTHÁ NÁI SEO TOMÁKE D́ÁKE<br /> | |||
BAHIRÁNTARE MEGHERI PHÁNKE PHÁNKE<br /> | |||
JAD́E SUPTA TUMI BHÁVE DIIPTA TUMI<br /> | |||
SHUBHRA JYOTSNÁLOKE RAMYA RÁKÁ<br /> | |||
ÁMÁR PRIYA TUMI SABÁR SAKHÁ<br /> | |||
ÁMI, TOMÁRE CEYECHI GOPANE<br /> | |||
ÁMÁR PRIYA TUMI SABÁR SAKHÁ<br /> | |||
O Dear Lord, companion of all, I love You secretly. You are filling the life with rhythm<br /> | |||
and songs, O the memorable One, You are enveloped with Truth. You ever keep the torch of<br /> | |||
light with Yourself and oscillate on the swing of petals. Those who are dishonored, they<br /> | |||
are also located within You. You never even leave them alone in the three worlds. Those<br /> | |||
who are nowhere, they too call You through the gaps of internal and external clouds. You<br /> | |||
are latent within the inert beings, glowing in ideation, as beautiful brilliant moonlight.<br /> | |||
=== 3660 (08/08/1986) K === | |||
ELE ARÚPA SHROTE RÚPER PARIDHITE<br /> | |||
PRIYATAMA TUMI TAMASÁ NÁSHO HARI<br /> | |||
SRIŚT́I STITHI LAYE VIDHRITA NILAYE<br /> | |||
LIILÁ KARO HE ÁNANDA VIHÁRI<br /> | |||
PRIYATAMA TUMI TAMASÁ NÁSHO HARI<br /> | |||
RÚPÁTIITA VIBHU RÚPE ELE KABE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÚPÁTIITA VIBHU RÚPE ELE KABE<br /> | |||
KON SE ATIITE ÁLOK UTSAVE<br /> | |||
CHAŔIYE DILE PRÁŃA KON SE ÁSAVE<br /> | |||
KATA NÁ KAḾSÁVATANSA SAMHÁRI<br /> | |||
PRIYATAMA TUMI TAMASÁ NÁSHO HARI<br /> | |||
ÁSÁ JÁOÁ TAVA HOYE NÁKO KABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSÁ JÁOÁ TAVA HOYE NÁKO KABHU<br /> | |||
DESHAGATA BÁDHÁ NÁHI TOMÁR PRABHU<br /> | |||
ABODHA MAN TOMÁY KÁCHE D́ÁKE TABU<br /> | |||
YADIO TUMI ANTARTARA CÁRI<br /> | |||
PRIYATAMA TUMI TAMASÁ NÁSHO HARI<br /> | |||
ELE ARÚPA SHROTE RÚPER PARIDHITE<br /> | |||
PRIYATAMA TUMI TAMASÁ NÁSHO HARI<br /> | |||
O The Dearest Lord, You came within the periphery of form, destroy the darkness. In the<br /> | |||
arena held and confined within creation, sustenance and dissolution, You continue Your<br /> | |||
illusive game, O the enjoyer of bliss. O the entity beyond form, when did You come within | |||
the form, what time in the past during the festivity of effulgence. With what elixir You<br /> | |||
scattered vitality, and how many devilish entities have You destroyed? Never for You<br /> | |||
coming and going occurs. O Lord, there is no restriction of place for You. Still this<br /> | |||
ignorant mind calls You close, even though You move within the inner arena.<br /> | |||
=== 3661 (08/08/1986) D === | |||
GÁNER E ÁNGINÁTE<br /> | |||
ELE TUMI EI PRABHÁTE<br /> | |||
MAN KAJJALE LUKIYE CHILE<br /> | |||
DEKHÁ DILE ÁCAMBHITE<br /> | |||
ELE TUMI EI PRABHÁTE<br /> | |||
TUMI DHARÁR SÁRÁTSÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI DHARÁR SÁRÁTSÁR<br /> | |||
JINÁNA KARMA SABAI TOMÁR<br /> | |||
AHAMIKÁY MATTA HOYE<br /> | |||
ÁMÁR BHÁVI MANE BHOLÁTE<br /> | |||
ELE TUMI EI PRABHÁTE<br /> | |||
TUMI CHÁŔÁ ÁR KEHO NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI CHÁŔÁ ÁR KEHO NÁI<br /> | |||
TAVA BUDBUD JE SABÁI<br /> | |||
TAVA SÁYARE SINÁN KARE<br /> | |||
MISHE JÁBO SHEŚE TOMÁTE<br /> | |||
ELE TUMI EI PRABHÁTE<br /> | |||
GÁNER E ÁNGINÁTE<br /> | |||
ELE TUMI EI PRABHÁTE<br /> | |||
O Lord, in this courtyard of songs, You came this morning. You were hidden within the<br /> | |||
darkness of the mind, suddenly You were seen. You are the essence of essence of the world.<br /> | |||
All the knowledge and actions belong to You, but remaining frenzied with ego, I considered<br /> | |||
them as mine deluding my own mind. There is no existence other than You, all entities are<br /> | |||
merely Your bubbles. Bathing within Your ocean, I would finally merge within You at the<br /> | |||
end.<br /> | |||
=== 3662 (08/08/1986) K === | |||
TUMI, CHILE SUKH SHAYANE<br /> | |||
ÁMI D́EKE GECHI PRIYA D́EKE GECHI<br /> | |||
ÁMI D́EKE GECHI PRIYA D́EKE GECHI<br /> | |||
MOR D́ÁK PASHENIKO ALAS TAVA SHRAVAŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MOR D́ÁK PASHENIKO ALAS TAVA SHRAVAŃE<br /> | |||
TABU ÁSHÁ NÁHI CHEŔECHI<br /> | |||
ÁMI D́EKE GECHI PRIYA D́EKE GECHI<br /> | |||
VAEKUNT́HE TUMI NIDRÁ MAGNA CHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VAEKUNT́HE TUMI NIDRÁ MAGNA CHILE<br /> | |||
KAT́HOR DHARÁY MOR DIN GECHE AVAHELE<br /> | |||
MOR PÁNE TUMI BHULE CÁHONI ÁNKHI MELE<br /> | |||
DEKHONI KATA KENDECHI<br /> | |||
ÁMI D́EKE GECHI PRIYA D́EKE GECHI<br /> | |||
PHUL PHAL ÁTAP JAL SABAI ÁCHE TOMÁRI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHUL PHAL ÁTAP JAL SABAI ÁCHE TOMÁRI<br /> | |||
MOR NÁI KICHU ÁMI TAVA KRIPÁ BHIKHÁRI<br /> | |||
GOŚT́E GOŚT́E NÁCO ADHARE OŚT́HE HÁSO<br /> | |||
MÁYÁ GHUME NÁHI BHULECHI<br /> | |||
ÁMI D́EKE GECHI PRIYA D́EKE GECHI<br /> | |||
O Lord, I continued calling You, but You were sleeping happily, O Dear. Into Your open | |||
ears, my calls never entered, still I never lost hope. You were engrossed in sleep in the<br /> | |||
heaven, and my days passed under negligence on this hard earth. Opening the eyes, You<br /> | |||
never looked at me even by mistake, and did not see how much I cried. The flowers, fruits<br /> | |||
sunlight, water all belong to You. Nothing belongs to me and I am beggar of Your grace.<br /> | |||
You go on dancing in all assembly grounds, smiling charmingly with Your lips. This fog of<br /> | |||
illusion, ma’ya’, I do not forget.<br /> | |||
=== 3663 (09/08/1986) K === | |||
VARŚÁ ESE CHILO BHAROSÁ DIYE CHILO<br /> | |||
SHYÁMASRI PHIRE PÁVE DHARÁ<br /> | |||
SEI BHAROSÁR MÁJHE TAVA GIITI RÚPE RÁJE<br /> | |||
CHILO TÁTE TAVA PRIITI BHARÁ<br /> | |||
SHYÁMASRI PHIRE PÁVE DHARÁ<br /> | |||
D́ÁHUK D́ÁKIBE PUNAH CÁTAK CÁVE NÁ VÁRI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
D́ÁHUK D́ÁKIBE PUNAH CÁTAK CÁVE NÁ VÁRI<br /> | |||
MAYUR KALÁPE NÁCIBE BHÁVA SAINCÁRI<br /> | |||
CHANDE CHANDE TÁLE KETAKI PHULE PHULE<br /> | |||
PARÁG DEVE MANE NÁŔÁ<br /> | |||
SHYÁMASRI PHIRE PÁVE DHARÁ<br /> | |||
DARDUR DHVANI UT́HIBE SAROVAR TIIRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DARDUR DHVANI UT́HIBE SAROVAR TIIRE<br /> | |||
BHRINGA GUINJARIBE NIIP KESHAR GHIRE<br /> | |||
MANER AGOCARE KUÁSHÁR PAR PÁRE<br /> | |||
UDBHÁSIBE DHRUVA TÁRÁ<br /> | |||
VARŚÁ ESE CHILO BHAROSÁ DIYE CHILO<br /> | |||
SHYÁMASRI PHIRE PÁVE DHARÁ<br /> | |||
The rain came and gave the confidence that the earth would again get the greenness. Within | |||
that consolation, Your song is established with beauty, within which Your love is filled.<br /> | |||
The gallinule bird would call again, the catak bird would no longer seek water, the<br /> | |||
peacock would dance raising its tail with sweet feelings. The bloomed ketakii flowers<br /> | |||
would provide fragrance oscillating with jerk at each rhythm and beats into the mind. The<br /> | |||
sound of toads would rise again at the shore of the lakes. The honeybee would hum<br /> | |||
surrounding the pollens of niip flowers. Unseen with the mind, from beyond the fog, the<br /> | |||
polestar would shine.<br /> | |||
=== 3664 (09/09/1986) K === | |||
JHALAMALA ÁLOTE DHARÁ TUMI DÁO NI<br /> | |||
DUHKHER ASHRU NIIRE ESE CHILE SAKHÁ<br /> | |||
SÁJÁNO VEDIIR PÁNE BHULEO TÁKÁO NI<br /> | |||
VYATHÁR ÁRTANÁDE DIYE CHILE DEKHÁ<br /> | |||
DUHKHER ASHRU NIIRE ESE CHILE SAKHÁ<br /> | |||
SHRÁVAŃER MEGH BHÁR ESE CHILO JIIVANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHRÁVAŃER MEGH BHÁR ESE CHILO JIIVANE<br /> | |||
UTTÁL ÚRMI BHENGE CHILO SVAPANE<br /> | |||
KEU CHILO NÁKO KÁCHE SABE BHAYE DÚRE GECHE<br /> | |||
TUMI EKÁ ESE BOLE CHILE NAI EKÁ<br /> | |||
DUHKHER ASHRU NIIRE ESE CHILE SAKHÁ<br /> | |||
VAHNIR DAHANE VARUŃER TÁND́AVE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VAHNIR DAHANE VARUŃER TÁND́AVE<br /> | |||
PRATI KSAŃE SÁTHE CHILE SAB BHÁVE ABHÁVE<br /> | |||
SARONI DÚRE KABHU SHARAŃE REKHECHO PRABHU<br /> | |||
ENKECHO DAGDHA BHÁLE DURJAY T́IIKÁ<br /> | |||
DUHKHER ASHRU NIIRE ESE CHILE SAKHÁ<br /> | |||
O Companion, within the brilliance of light, You do not come into the folds, and came with<br /> | |||
the tears of sorrows. You did not see towards the decorated altar even by mistake, but<br /> | |||
were seen at the lamentation of pain. In life, loads of clouds appeared, the high waves<br /> | |||
broke the dreams. There was nobody close to me, all went away with fears, but You coming<br /> | |||
alone told me that I was not alone. During the burns from fire and macabre dance of the<br /> | |||
flood water, each moment You were with me in all miseries and affluence. You never go away<br /> | |||
and keep me sheltered, and mark the victory mark on the burnt forehead.<br /> | |||
=== 3665 (10/08/1986) D === | |||
GÁNE GÁNE BHARIYE DILE<br /> | |||
GÁNE GÁNE BHARIYE DILE<br /> | |||
HE PRABHÚ TOMÁR E JAGAT<br /> | |||
NÁCE AŃU PARAMÁŃU<br /> | |||
GÁNER TÁLE TUCCHA BRHAT<br /> | |||
HE PRABHÚ TOMÁR E JAGAT<br /> | |||
NECE CALE NIIHÁRIKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NECE CALE NIIHÁRIKÁ<br /> | |||
NÁCE ULKÁ TÁRAKÁ<br /> | |||
NÁCE GRAHA UPAGRAHA<br /> | |||
NECE THÁKE KŚUDRA MAHAT<br /> | |||
HE PRABHÚ TOMÁR E JAGAT<br /> | |||
KALÁPE SHIKHI NÁCE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KALÁPE SHIKHI NÁCE<br /> | |||
SHARAT SHEFÁLI KUSH KÁSHE<br /> | |||
MADHUL MUKUL KISHAL DUKUL<br /> | |||
NÁCÁY VASANTE YUGAPAT<br /> | |||
HE PRABHÚ TOMÁR E JAGAT<br /> | |||
GÁNE GÁNE BHARIYE DILE<br /> | |||
HE PRABHÚ TOMÁR E JAGAT<br /> | |||
O Lord, with song after song, You have filled Your world. On the rhythm of Your song, all<br /> | |||
small and big entities dance, all atoms and molecules. The nebula go on dancing, stars and<br /> | |||
meteorites dance, all meagre and great entities dance. He peacock dances with its raised<br /> | |||
tail, in the shefali grove and tall grass of the winter. The mahul buds and the tender<br /> | |||
leaves are simultaneously made to dance overwhelmingly by the spring.<br /> | |||
=== 3666 (10/08/1986) D === | |||
TOMÁR RÁTUL CARAŃE MORE<br /> | |||
HE PRABHU DÁO APÁR PRIITI<br /> | |||
ÁMI, TRIŃA SAMA BHÁSI JALE ÁMI<br /> | |||
CARAŃE CÁI SHARAŃ NITI<br /> | |||
HE PRABHU DÁO APÁR PRIITI<br /> | |||
BHESE CALI BHÁVER SHROTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHESE CALI BHÁVER SHROTE<br /> | |||
NEI MÚLER YOGA MRITTIKÁTE<br /> | |||
ITASTASTATAH GHÚRE BEŔÁI<br /> | |||
SHÁNTI NÁ PÁI STHITI<br /> | |||
HE PRABHU DÁO APÁR PRIITI<br /> | |||
KABE THEKE SHURU BHÁSÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KABE THEKE SHURU BHÁSÁR<br /> | |||
KEU JÁNE NÁ ITIKATHÁR<br /> | |||
MANER MÁŃIK TÁKÁO KHÁNIK<br /> | |||
SHONÁO KŚAŃIK ABHAY GIITI<br /> | |||
HE PRABHU DÁO APÁR PRIITI<br /> | |||
TOMÁR RÁTUL CARAŃE MORE<br /> | |||
HE PRABHU DÁO APÁR PRIITI<br /> | |||
O Lord, towards Your red feet, grant me unlimited love. I float in the water like a blade<br /> | |||
of grass, and want eternal shelter at the feet. I go on floating in the stream of<br /> | |||
feelings, uprooted from soil, all over I wandered, but did not get peaceful state. When | |||
did this floating started, no one knows the history. O the gem of my mind, look for a<br /> | |||
little while, and sing to me the song of fearlessness.<br /> | |||
=== 3667 (10/08/1986) D === | |||
TUMI JÁNO KI NÁ JÁNINÁ<br /> | |||
TOMÁKE BHÁLOBÁSI<br /> | |||
MOR PÁNE TÁKÁO KI NÁ TÁKÁO<br /> | |||
DEKHI TAVA MADHUR HÁSI<br /> | |||
TOMÁKE BHÁLOBÁSI<br /> | |||
BHULE JETE CÁO TO BHÚLE JÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHULE JETE CÁO TO BHÚLE JÁO<br /> | |||
ATHAVÁ KÁCHE T́ENE NÁO<br /> | |||
KÚHELI YADI GHIRE DÁO<br /> | |||
THÁMIO NÁ MOHAN BÁNSHII<br /> | |||
TOMÁKE BHÁLOBÁSI<br /> | |||
CÁOÁ NÁI ÁMÁR KICHURAI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁOÁ NÁI ÁMÁR KICHURAI<br /> | |||
RÁJÁ NAI KUBERO TO NAI<br /> | |||
TOMÁKE BHEVE TRIPTA HOI<br /> | |||
JIIVANE AHARNISHI<br /> | |||
TOMÁKE BHÁLOBÁSI<br /> | |||
TUMI JÁNO KI NÁ JÁNINÁ<br /> | |||
TOMÁKE BHÁLOBÁSI<br /> | |||
O Lord, whether You know it or not, I love You. Whether You look towards me or not, I see<br /> | |||
Your sweet smile. If You want to forget, then forget me, otherwise pull me close. If You<br /> | |||
want me to surround by fog, yet, You do not stop Your charming flute. I have no desire<br /> | |||
neither to become king nor to become Deity of wealth. Thinking of You, I am satisfied in | |||
life, day and night.<br /> | |||
=== 3668 (11/08/1986) D === | |||
ÁLO ESECHILO<br /> | |||
PHÚL PHUT́E CHILO<br /> | |||
TUMI ELE NÁ KENO<br /> | |||
MEGH BOLE CHILO<br /> | |||
HAOÁ GEYE CHILO<br /> | |||
SE PRIYA ÁSIBE JENO<br /> | |||
TUMI ELE NÁ KENO<br /> | |||
MAN BHEVE CHILO, ÁRO DERI NAY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAN BHEVE CHILO, ÁRO DERI NAY<br /> | |||
SHEFÁLI SUVÁSE SEI KATHÁ KAY<br /> | |||
KOKIL KÚJANE MOR KÁŃE KÁŃE<br /> | |||
KAYE CHILO TÁRE MANANE ENO<br /> | |||
TUMI ELE NÁ KENO<br /> | |||
KENO ÁSILE NÁ KICHU BUJHI NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KENO ÁSILE NÁ KICHU BUJHI NÁI<br /> | |||
HRIDAY KHUNJIYÁ PARE JENE JÁI<br /> | |||
ÁNDHÁR E GHARE PRAVESHER TARE<br /> | |||
DIIP JVALENI KONO<br /> | |||
TUMI ELE NÁ KENO<br /> | |||
ÁLO ESECHILO<br /> | |||
PHÚL PHUT́E CHILO<br /> | |||
TUMI ELE NÁ KENO<br /> | |||
O Lord, light came, the flowers bloomed, but why You did not come. The cloud told and the<br /> | |||
air sang as if that Dear would come. My mind imagined that there would not be further<br /> | |||
delay, the fragrance of shefalii also conveys the same. Why did not You come, I could not<br /> | |||
understand at all. After searching the heart, I could know. For the entry into this dark<br /> | |||
house, I did not kindle any lamp.<br /> | |||
=== 3669 (12/08/1986) K === | |||
ÁMI CÁINI KONO KICHU TOMÁR KÁCHE<br /> | |||
SHUDHU GEYE GECHI GÁN GEYE GECHI<br /> | |||
BOLINI KONO KATHÁ KAKHANO JECE<br /> | |||
DHYÁNE DEKHE GECHI GÁN GEYE GECHI<br /> | |||
TOMÁR ÁMÁR MÁJHE DUSTAR DÚR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR ÁMÁR MÁJHE DUSTAR DÚR<br /> | |||
CHILO AMEYA APÁR BHARÁ AJÁNÁ SUR<br /> | |||
CHILO KUÁSHÁ D́HÁKÁ NIRÁSHÁ BHARAPÚR<br /> | |||
TABU BHEVE GECHI GÁN GEYE GECHI<br /> | |||
AHAETUKI KRPÁ PRABHU TUMI KARILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AHAETUKI KRPÁ PRABHU TUMI KARILE<br /> | |||
ÁMI ÁCHI THEKE JÁBO SARVA KÁLE<br /> | |||
TOMÁY BHÁLOBESECHI GÁN GEYE GECHI<br /> | |||
ÁMI CÁINI KONO KICHU TOMÁR KÁCHE<br /> | |||
SHUDHU GEYE GECHI GÁN GEYE GECHI<br /> | |||
O Lord, I do not anything from You, I only continued singing, singing song. I never told<br /> | |||
anything begging, just continued seeing You in meditation. Between You and me the distance<br /> | |||
is hard to cross. It was full of immeasurable unlimited unknown melodies. There was too<br /> | |||
much disappointment blanketing with fog, still I continued thinking of You. O Lord, You<br /> | |||
offered causeless grace, continued to look at this disgusted face. I exist and would<br /> | |||
remain all the time, loving You.<br /> | |||
=== 3670 (12/08/1986) K === | |||
TOMÁKE PEYECHI KATA TAPASYÁY<br /> | |||
(ÁÁÁÁÁÁÁÁÁÁ)<br /> | |||
THÁKO ÁRO KÁCHE MOR MARMA MÁJHE<br /> | |||
BHÁVITE BHÁLO LÁGE MADHU JYOTSNÁY<br /> | |||
TOMÁKE GHIRE MOR MAN MADHUP NÁCE<br /> | |||
THÁKO ÁRO KÁCHE MOR MARMA MÁJHE<br /> | |||
VASUDHÁR SÁRÁTSÁR HE PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VASUDHÁR SÁRÁTSÁR HE PRIYA<br /> | |||
SABÁKÁR RÚPKÁR VARAŃIIYA<br /> | |||
CIKIIRŚÁ MANIIŚÁR SMARAŃIIYA<br /> | |||
HE ALAKH DYUTI SABE NITI TOMÁKE JÁCE<br /> | |||
THÁKO ÁRO KÁCHE MOR MARMA MÁJHE<br /> | |||
TAVA MAMATÁ MAINJÚŚÁ AVIRATA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TAVA MAMATÁ MAINJÚŚÁ AVIRATA<br /> | |||
TAVA MAMATÁ MAINJÚŚÁ AVIRATA<br /> | |||
TAVA MAMATÁ MAINJÚŚÁ AVIRATA<br /> | |||
KARUŃÁ KARIYE JÁY PRATI NIYATA<br /> | |||
HE VAEDÚRYA MAŃI APÁR HIIRAK KHANI<br /> | |||
JIIVANE MARAŃE TAVA MÁDHURII RÁJE<br /> | |||
THÁKO ÁRO KÁCHE MOR MARMA MÁJHE<br /> | |||
TOMÁKE PEYECHI KATA TAPASYÁY<br /> | |||
THÁKO ÁRO KÁCHE MOR MARMA MÁJHE<br /> | |||
O Lord, I attained You after too much of penance. Stay more close to me, within the core<br /> | |||
of my heart. I like thinking of You like sweet moonlight. My mental bee dances surrounding<br /> | |||
You. O the Dear, the essence of the world, most adorable creator artist for all. O the<br /> | |||
unseen effulgence, memorable by intellect and for will for action. All seek You always.<br /> | |||
Your treasure of affection offers perpetual mercy continuously. O the most precious gem<br /> | |||
mine of unlimited diamonds, in life and death both, Your sweetness is established.<br /> | |||
=== 3671 (13/08/1986) K (Shiva) === | |||
SUDÚR AMBARE MEGH D́AMBARU<br /> | |||
BÁJE VIŚÁŃ TOMÁR KÁMPE SÁRÁ CARÁCAR<br /> | |||
PRACAND́A BHÁVE JABE NÁCO TÁND́AVA<br /> | |||
JATA, KALUŚA KÁLIMÁ HOYE JÁY CHÁR KHÁR<br /> | |||
BÁJE, VIŚÁŃ TOMÁR KÁMPE SÁRÁ CARÁCAR<br /> | |||
AVYARTHA AMOGHA TRISHÚLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AVYARTHA AMOGHA TRISHÚLE<br /> | |||
PÁPA RÁSHI BHESE JÁY KOTHÁ SAMÚLE<br /> | |||
TUMI TAMO NÁSHO AT́T́AHÁSO<br /> | |||
TRITIYA NAYANE DÁHO JATA AVICÁR<br /> | |||
BÁJE, VIŚÁŃ TOMÁR KÁMPE SÁRÁ CARÁCAR<br /> | |||
DUŚT́A DAMAN TUMI SHIŚT́A PÁLAN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DUŚT́A DAMAN TUMI SHIŚT́A PÁLAN | |||
SABÁR PRIYA TUMI TRILOKA SHOBHAN | |||
TAVA RUDRA VÁŃE KOTHÁ JÁY KE JÁNE<br /> | |||
DHARAŃI THEKE SARE JATA DURÁCÁR<br /> | |||
BÁJE, VIŚÁŃ TOMÁR KÁMPE SÁRÁ CARÁCAR<br /> | |||
SUDÚR AMBARE MEGH D́AMBARU<br /> | |||
BÁJE VIŚÁŃ TOMÁR KÁMPE SÁRÁ CARÁCAR<br /> | |||
O Lord, when You perform ta’nd’ava dance intensely, the cloud d’ambaru (hand held<br /> | |||
drum) plays in the distant sky and with the play of Your long horn, vis’an’, whole of<br /> | |||
world shivers. Your valuable and infallible trident wipes the accumulated sins wiped with<br /> | |||
root. You destroy the darkness, with laughter and with the third eye, burn all the immoral<br /> | |||
thoughts. You are suppressor of the wicked and protector of the righteous, dear of all and<br /> | |||
beautifier of the three worlds. By Your annihilating arrow, who would go where, no one<br /> | |||
know. From the earth all the immoralities would go away.<br /> | |||
=== 3672 (13/08/1986) K === | |||
TOMÁR KATHÁ BHEVE DIN CALE JÁY<br /> | |||
TOMÁY ÁMI BHÁLOBÁSI, BÁSIGO<br /> | |||
TOMÁY ÁMI BHÁLOBÁSI<br /> | |||
TOMÁR MAN GOKULE ÁLO JHALAKÁY<br /> | |||
SE ÁLOKE ÁNKHI REKHE HÁSI HÁSIGO<br /> | |||
TOMÁY ÁMI BHÁLOBÁSI<br /> | |||
ACENÁ AJÁNÁ TUMI TABU ÁPANÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ACENÁ AJÁNÁ TUMI TABU ÁPANÁR<br /> | |||
ACENÁ AJÁNÁ TUMI TABU ÁPANÁR<br /> | |||
ACENÁ AJÁNÁ TUMI TABU ÁPANÁR<br /> | |||
NITYA KÁLER PRABHU SÁRÁTSÁR<br /> | |||
TUMI CHÁŔÁ ÁMI NÁI E KATHÁ BUJHI SADÁI<br /> | |||
TAVA KARUŃÁ TAMO VINÁSHI, BÁSIGO<br /> | |||
TOMÁY ÁMI BHÁLOBÁSI<br /> | |||
MARME MISHE ÁCHO HE ALAKH DEVATÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MARME MISHE ÁCHO HE ALAKH DEVATÁ<br /> | |||
MARME MISHE ÁCHO HE ALAKH DEVATÁ<br /> | |||
MARME MISHE ÁCHO HE ALAKH DEVATÁ<br /> | |||
DEKHITE NÁ PEYE KÁNDI E MOR AJINATÁ<br /> | |||
RAJATE SHUKTI JINÁNE PHELE DIYE ÁNAMANE<br /> | |||
MARIICIKÁ PÁNE CHUT́E ÁSI<br /> | |||
BÁSIGO, TOMÁY ÁMI BHÁLOBÁSI<br /> | |||
TOMÁR KATHÁ BHEVE DIN CALE JÁY<br /> | |||
TOMÁY ÁMI BHÁLOBÁSI BÁSIGO<br /> | |||
TOMÁY ÁMI BHÁLOBÁSI<br /> | |||
O Lord, thinking about You my days pass. I love You, In my mental Gokul, Your light<br /> | |||
shines, and in that illumination keeping my vision, I smile. You are unknown and<br /> | |||
unrecognised, still, You are mine. The Lord of all times and essence of essence. I always<br /> | |||
understand the fact that I do not survive without You. O the unseen Lord, You are merged<br /> | |||
in the core of my heart, being unable to see, I cry, this is my ignorance. Unmindfully<br /> | |||
throwing the knowledge of shining pearl within, I rush towards the mirage.<br /> | |||
=== 3673 (14/08/1986) Kf === | |||
TUMI, SAOMYA RAMYA PRASHÁNTA DHIIR<br /> | |||
JHAT́IKÁ ÁHATA PRÁŃE MALAYA SAMIIR<br /> | |||
TUMI, JHAT́IKÁ ÁHATA PRÁŃE MALAYA SAMIIR<br /> | |||
BAJRA KETANA HIMAGIRI GAMBHII R<br /> | |||
KÁLODADHI TUMI BHÁVE SUGABHIIR<br /> | |||
JHAT́IKÁ ÁHATA PRÁŃE MALAYA SAMIIR<br /> | |||
TUMI, JHAT́IKÁ ÁHATA PRÁŃE MALAYA SAMIIR<br /> | |||
NIDÁGHER DÁHANE TUMI CANDAN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIDÁGHER DÁHANE TUMI CANDAN | |||
VARASÁ KETAKI VANE SURABHI PAVAN | |||
SHARATER KUSH KÁSHE SHUBHRA SVANAN | |||
SÁDÁ MEGHE SAMVEGE SNIGDHA SHISHIR<br /> | |||
JHAT́IKÁ ÁHATA PRÁŃE MALAYA SAMIIR<br /> | |||
TUMI, JHAT́IKÁ ÁHAT PRÁŃE MALAY SAMIIR<br /> | |||
HEMANTE NISHÁNTE KUJJHAT́IKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HEMANTE NISHÁNTE KUJJHAT́IKÁ<br /> | |||
SHIITER TUSHÁR PÁTE VIBHIISHIKÁ<br /> | |||
PHÁGUN NILAYE KISHALAY MÁLIKÁ<br /> | |||
RITURÁJE GIITI BÁJE TAVA TANTRIIR<br /> | |||
JHAT́IKÁ ÁHATA PRÁŃE MALAYA SAMIIR<br /> | |||
TUMI, JHAT́IKÁ ÁHATA PRÁŃE MALAYA SAMIIR<br /> | |||
You are graceful, charming, tranquil and steady.<br /> | |||
You are the soothing sandal fragrant breeze<br /> | |||
to storm-afflicted people.<br /> | |||
You are a majestic snowy mountain,<br /> | |||
constantly lashed by thunder.<br /> | |||
You are the deep ocean | |||
and You are the profound ideas.<br /> | |||
You are the soothing sandal paste<br /> | |||
in the scorching heat of the sun.<br /> | |||
You are the refreshing breeze,<br /> | |||
blowing through the ketakii grove<br /> | |||
in the rainy season.<br /> | |||
You are the gentle autumn breeze,<br /> | |||
caressing the grove of kusha and kasha grass.<br /> | |||
You are the glistening dewdrops<br /> | |||
in the white clouds above.<br /> | |||
You are the morning mist in late autumn | |||
and the terrible snowstorm in winter.<br /> | |||
Your strings echo the melodious sound of spring.<br /> | |||
=== 3674 (15/08/1986) K === | |||
ÁMI TOMÁY BHÁLOBÁSI<br /> | |||
JÁNÁI KI KARE BOJHÁI KÁRE<br /> | |||
BOJHO TUMI MANO MÁJHE PASHI<br /> | |||
MOR VÁŃIIHÁRÁ BHÁVE PHALGU DHÁRE<br /> | |||
BOJHÁI KÁRE, JÁNÁI KI KARE BOJHÁI KÁRE<br /> | |||
BHÁVA MOR NÁHI PÁY BHÁŚÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVA MOR NÁHI PÁY BHÁŚÁ<br /> | |||
BHÁVA MOR NÁHI PÁY BHÁŚÁ<br /> | |||
BHÁVA MOR NÁHI PÁY BHÁŚÁ<br /> | |||
VEDANÁHATA JATA ÁSHÁ<br /> | |||
NIDÁGHOPAHAT MARU PIPÁSÁ<br /> | |||
JHARE ÁNKHI NIIRE BOJHÁI KÁRE<br /> | |||
JÁNÁI KI KARE BOJHÁI KÁRE<br /> | |||
TAT́INII SAMA TAT́A PLÁVIÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TAT́INII SAMA TAT́A PLÁVIÁ<br /> | |||
NAT́INII NÁCE BHÁVA MATHIYÁ<br /> | |||
UTSÁRIYÁ UDDVEL HIYÁ, NIRVIKÁRE<br /> | |||
BOJHÁI KÁRE JÁNÁI KI KARE BOJHÁI KÁRE<br /> | |||
O Lord, I love You, do not know why, who would explain that? You know that You have<br /> | |||
entered my mind in silent feelings, as hidden undercurrent of the river (Phalgu). My<br /> | |||
feelings do not find language, all hopes are shattered, afflicted with intense sun, with<br /> | |||
desert thirst, my eyes flow tears. Like river, flooding the banks, the dancer dances<br /> | |||
churning the feelings, emanating the restless heart, without any hesitation.<br /> | |||
=== 3675 (15/08/1986) K === | |||
TÁHÁRI ÁSHÁY PATH CEYE HÁY<br /> | |||
DINER PAR DIN ÁMÁR CALE JÁY<br /> | |||
KEU BÁ BOJHÁY BHOLO E BHÁVANÁY<br /> | |||
SE JE ÁKÁSHER CÁNDA TÁRE KE BÁ PÁY<br /> | |||
DINER PAR DIN ÁMÁR CALE JÁY<br /> | |||
JYOTSNÁLOKE ÁMÁR PRIITI LUŃT́HITA DEKHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JYOTSNÁLOKE ÁMÁR PRIITI LUŃT́HITA DEKHI<br /> | |||
JYOTSNÁLOKE ÁMÁR PRIITI LUŃT́HITA DEKHI<br /> | |||
JYOTSNÁLOKE ÁMÁR PRIITI LUŃT́HITA DEKHI<br /> | |||
AVAGUNT́HITA ÁNKHI SALÁJE KÁCHE D́ÁKI<br /> | |||
TÁRI PARÁG MANER AŃU AŃUTE MÁKHI<br /> | |||
DHÁRAŃÁ ANUDHYÁNE MURACHÁY<br /> | |||
DINER PAR DIN ÁMÁR CALE JÁY<br /> | |||
KAMAL KESHAR KAY KAMANIIYA TÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KAMAL KESHAR KAY KAMANIIYA TÁY<br /> | |||
KAMAL KESHAR KAY KAMANIIYA TÁY<br /> | |||
KAMAL KESHAR KAY KAMANIIYA TÁY<br /> | |||
KE KABE KOTHÁ PÁY KETAN KARUŃÁY<br /> | |||
DHYÁNE JE D́EKE JÁY RAUNGETE RAUNGA MESHÁY<br /> | |||
TÁRI HIYÁY SE JE JHALAKÁY<br /> | |||
DINER PAR DIN ÁMÁR CALE JÁY<br /> | |||
TÁHÁRI ÁSHÁY PATH CEYE HÁY<br /> | |||
DINER PAR DIN ÁMÁR CALE JÁY<br /> | |||
O Lord, hoping for You, looking at the path, alas, my days after days pass. I should<br /> | |||
forget the idea that someone would console me. He is moon of the sky, who can get Him? In | |||
my moonlight, I saw my love wallowed, with veiled eyes, I shyly called Him close. Smearing<br /> | |||
His pollen into each atom of my mind, it gets engrossed in concentration and meditation.<br /> | |||
The pollen of lotus says with charm, who has ever got Him, the icon of mercy, anytime? He<br /> | |||
who continues to call Him in meditation, merging his colour with His, into his heart, He<br /> | |||
shows His effulgence.<br /> | |||
=== 3676 (16/08/1986) K === | |||
VISHVA BHUVANE DOLÁ LÁGIYECHO<br /> | |||
TANU MANE NÁCIYE CHO<br /> | |||
CANDRA TÁRAKÁGRAHA NIIHÁRIKÁ<br /> | |||
SABE PRÁŃE BHARIYECHO<br /> | |||
TANU MANE NÁCIYE CHO<br /> | |||
TOMÁR<br /> | |||
TOMÁR PRAŃAY JHALAKE JHALAKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR PRAŃAY JHALAKE JHALAKE<br /> | |||
TOMÁR PRAŃAY JHALAKE JHALAKE<br /> | |||
TOMÁR PRAŃAY JHALAKE JHALAKE<br /> | |||
NECE CHUT́E JÁY BHULOKE DYULOKE<br /> | |||
ÚRMI MÁLÁY JALADERI GÁY<br /> | |||
MADHURIMÁ D́HÁLIYECHO<br /> | |||
TANU MANE NÁCIYE CHO<br /> | |||
TOMÁR<br /> | |||
TOMÁR MAHIMÁ BOLÁ NÁHI JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR MAHIMÁ BOLÁ NÁHI JÁY<br /> | |||
TOMÁR MAHIMÁ BOLÁ NÁHI JÁY<br /> | |||
TOMÁR MAHIMÁ BOLÁ NÁHI JÁY<br /> | |||
BOLIBÁR BHÁŚÁ, BHÁVA NÁHI PÁY<br /> | |||
JINÁNÁMBUDHI TIIRE MARME GABHIRE<br /> | |||
RAUNGE RAUNGE RÁUNGIYECHO<br /> | |||
TANU MANE NÁCIYE CHO<br /> | |||
O Lord, You have oscillated the whole Universe and dance within all bodies and minds. You<br /> | |||
have filled life into stars, moon, planets and nebulas. Your love goes on rushing, dancing<br /> | |||
and shining throughout earth and heaven. Through the songs of series of waves and clouds<br /> | |||
You pour sweetness. It is not possible to speak of Your Great Glory. The ideation and<br /> | |||
feelings do not find language to speak. On the shore of the ocean of knowledge, in the<br /> | |||
depth of the core of mind, You colour with diverse hues.<br /> | |||
=== 3677 (17/08/1986) K === | |||
ÁMÁKE PRIYA TUMI BHULIÁ GECHO<br /> | |||
TOMÁKE BHÁLOBÁSÁR ÁRO ANEKE ÁCHE<br /> | |||
TUCCHA ÁMI, BUJHECHO<br /> | |||
ÁMÁKE PRIYA TUMI BHULIÁ GECHO<br /> | |||
NEIKO ÁMÁR PRIYA BUDDHI DHRITI BALA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NEIKO ÁMÁR PRIYA BUDDHI DHRITI BALA<br /> | |||
NEIKO ÁMÁR PRIYA BUDDHI DHRITI BALA<br /> | |||
NEIKO ÁMÁR PRIYA BUDDHI DHRITI BALA<br /> | |||
NEIKO SAINCITA, SHUBHA SAḾSKÁR PHALA<br /> | |||
VEDANÁ SIKTA COKHE LAVAŃÁKTA JALA<br /> | |||
TÁI KI DÚRE, SARECHO<br /> | |||
ÁMÁKE PRIYA TUMI BHULIÁ GECHO<br /> | |||
TAVA PÚJÁSTHALIR ÁMI JE MRIT PRADIIP<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TAVA PÚJÁSTHALIR ÁMI JE MRIT PRADIIP<br /> | |||
TAVA PÚJÁSTHALIR ÁMI JE MRIT PRADIIP<br /> | |||
TAVA PÚJÁSTHALIR ÁMI JE MRIT PRADIIP<br /> | |||
KAMPRA VAKŚE DULI JENO ÁDHA PHOT́Á NIIP<br /> | |||
GHARMA LIPTA BHÁLE KURUVINDÚ T́IP<br /> | |||
BHULE GECHO BHÁLOI KARECHO<br /> | |||
ÁMÁKE PRIYA TUMI BHULIÁ GECHO<br /> | |||
O Dear Lord, You have forgotten me. There are many devotees and lovers of Yours, and You<br /> | |||
consider me most meagre. O Dear, I have no strength of wisdom and retention. I have no<br /> | |||
accumulation of good results of sam’ska’ras. My eyes are wet with the tears of pain | |||
is it due to why You remain away? On the altar of Your worship, I am an earthen lamp. I<br /> | |||
swing on the trembling bosom like a half bloomed niip flower, and loose like the mark on | |||
the sweat drenched forehead. You have done good that You have forgotten me.<br /> | |||
=== 3678 (17/08/1986) D === | |||
PRIYA YADI NÁ ELE PHIRE<br /> | |||
KISER TAREÁMI KÁR TARE<br /> | |||
THÁKABOGHARE<br /> | |||
ÁKÁSHA VÁTÁS BHINNA KARE<br /> | |||
GRAHATANNA TANNA KARE<br /> | |||
AŃUR MÁJHE KHUNJABO TÁRE<br /> | |||
KISER TAREÁMI KÁR TARE<br /> | |||
THÁKABOGHARE<br /> | |||
KHUNJABO TÁRE NIIHÁRIKÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KHUNJABO TÁRE NIIHÁRIKÁY<br /> | |||
KHUNJABO TÁRE NIIHÁRIKÁY<br /> | |||
KHUNJABO SHASHÁUNKE TÁRAKÁY<br /> | |||
KHUNJE KHUNJE DÚR ALAKÁY<br /> | |||
ÁNABO DHARE<br /> | |||
KISER TAREÁMI KÁR TARE<br /> | |||
THÁKABOGHARE<br /> | |||
THÁKATE DÚRE NÁHI PÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
THÁKATE DÚRE NÁHI PÁRE<br /> | |||
THÁKATE DÚRE NÁHI PÁRE<br /> | |||
KHUNJABO MANERI KANDARE<br /> | |||
BHÁLOBÁSÁY PÁVOI TÁRE<br /> | |||
ÁNDHÁR PÁRE<br /> | |||
KISER TAREÁMI KÁR TARE<br /> | |||
THÁKABOGHARE<br /> | |||
O Dear, if You do not come back, for whom and why should I remain in home? Piercing<br /> | |||
through the sky and air, crossing thorough the planets, even within atoms I shall search<br /> | |||
You. I shall search You amidst nebulas, amongst moon and stars, and searching You in the<br /> | |||
distant heaven, I shall hold and bring You. You can not remain far, I shall search You<br /> | |||
within the cave of my mind, and by loving You, I shall get You, beyond the darkness.<br /> | |||
=== 3679 (17/08/1986) K === | |||
ASHRU SAJAL MOR ÁNKHI PÁTE<br /> | |||
HE PRIYA ELE ÁJI PRABHÁTE<br /> | |||
NÁI TAVA ÁVÁHAN NÁI KO VÁHAN | |||
ÁSÁ JÁOÁ KARE JÁO NIBHRITE<br /> | |||
HE PRIYA ELE ÁJI PRABHÁTE<br /> | |||
ÚŚÁR ARUŃODAYE TUMI HÁSO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÚŚÁR ARUŃODAYE TUMI HÁSO<br /> | |||
BHÁŚÁR KISHALYE RAUNGE BHÁSO<br /> | |||
RAKTIM OŚT́ÁDHARE PRIYA BHÁŚO<br /> | |||
MAN KE CINE NÁO CAKITE<br /> | |||
HE PRIYA ELE ÁJI PRABHÁTE<br /> | |||
GOLÁPI GANDHE TAVA GARIMÁBHÁ<br /> | |||
VISHVE PRAKIIRTITA TAVA PRATIBHÁ<br /> | |||
RANDHRE RANDHRE ÁCHO OTAH PROTE<br /> | |||
HE PRIYA ELE ÁJI PRABHÁTE<br /> | |||
O Dear, Lord, over my eyes wet with tears, You arrived today morning. There is no<br /> | |||
invocation for You, nor any vehicle. You just come and go silently. You smile in the<br /> | |||
rising sun of the morning. You appear in the colour of tender leaves of language. O Dear<br /> | |||
You speak with the red lips and astonishingly recognise the mind. In the fragrance of<br /> | |||
rose, Your glimpses of glory are seen. Your brilliance is glorified in the universe. You<br /> | |||
are present in each pore associated individually and collectively.<br /> | |||
=== 3680 (18/08/1986) D === | |||
TUMI JABE CHILE MANE<br /> | |||
JE CÁNDA ÁKÁSHE CHILO<br /> | |||
SE KI ÁR ÁSIBE NÁ<br /> | |||
TAVA PRIITI AINJANE<br /> | |||
JE CÁNDA BHÁSIÁ CHILO<br /> | |||
SE KI ÁR HÁSIBE NÁ<br /> | |||
SE KI ÁR ÁSIBE NÁ<br /> | |||
MANANE SVANANE ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANANE SVANANE ÁCHO<br /> | |||
MANANE SVANANE ÁCHO<br /> | |||
MANANE SVANANE ÁCHO<br /> | |||
BÁHIRE BHIITARE NÁCO<br /> | |||
AŃU AŃUTER RAYECHO<br /> | |||
TOMÁR NÁHI TULANÁ<br /> | |||
SE KI ÁR ÁSIBE NÁ<br /> | |||
GOLOKE GOKULE ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GOLOKE GOKULE ÁCHO<br /> | |||
GOLOKE GOKULE ÁCHO<br /> | |||
GOLOKE GOKULE ÁCHO<br /> | |||
RANDHRE RANDHRE HÁSO<br /> | |||
TRYASREŃU MÁTIYECHO<br /> | |||
CÁNDER TUMI AJÁNÁ<br /> | |||
SE KI ÁR ÁSIBE NÁ<br /> | |||
O Lord, when You were in the mind, the moon that was in the sky, would it not come any<br /> | |||
more? Within the love decoration mark of Your eyes, the moon that was appearing, would it<br /> | |||
no more smile? You are present in meditative resonance, dance both outside and inside<br /> | |||
reside in each atom, there is no comparison of Yours. You are present in both heaven and<br /> | |||
Gokul, smile in each pore, and make each particle frenzied. You remain like unknown moon.<br /> | |||
=== 3681 (18/08/1986) K === | |||
MOR, D́ÁKÁTE ÁSONIKO KRPÁTE ELE<br /> | |||
D́EKE GECHI NIJA MAN BHÚLÁTE<br /> | |||
BHÁŚÁTE ÁSONIKO BHÁVETE ELE<br /> | |||
STAVA STUTI PÁRENIKO D́HALÁTE<br /> | |||
D́EKE GECHI NIJA MAN BHÚLÁTE<br /> | |||
NIKAT́A TAMA TUMI MADHUR TAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIKAT́A TAMA TUMI MADHUR TAMA<br /> | |||
SAB KICHU JÁNO SHONO PRIYATAMA<br /> | |||
AHAMIKÁ KUHELIKÁ SARIYE MAMA<br /> | |||
PRASTUTA THÁKO DHARÁ DITE<br /> | |||
D́EKE GECHI NIJA MAN BHÚLÁTE<br /> | |||
STAVA STUTI VINATI JÁ KICHU KARI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
STAVA STUTI VINATI JÁ KICHU KARI<br /> | |||
TOMÁRE KÁCHE PETE TUŚITE HARI<br /> | |||
BUJHE MOR MÚŔHATÁ DAENYA HERI<br /> | |||
MÁDHURII MÁKHIYO MOR CETANÁTE<br /> | |||
D́EKE GECHI NIJA MAN BHÚLÁTE<br /> | |||
MOR, D́ÁKÁTE ÁSONIKO KRPÁTE ELE<br /> | |||
D́EKE GECHI NIJA MAN BHÚLÁTE<br /> | |||
O Lord, on my call, You never came, You came only by Your grace. I continued calling You<br /> | |||
only for my selfsatisfaction. Without listening to the language of the call, You came<br /> | |||
hearing the inner feelings. Prayers or solicitations are unable to melt You. You are the<br /> | |||
nearest and sweetest. O Dearest, You know and listen to everything. Removing the fog of my<br /> | |||
ego, You are ever prepared to come into my folds. Whatever prayers, request, worship I<br /> | |||
perform, is for getting You close and satisfying You. Considering my ignorance, and<br /> | |||
misery, smear sweetness into my consciousness.<br /> | |||
=== 3682 (16/08/1986) D === | |||
NIKHIL MÁNAS MANTHAN KARI<br /> | |||
HE PRABHU TUMI ESECHO<br /> | |||
SVARŃA JHARANÁ SAMA UTSÁRI<br /> | |||
SVARŃA JHARANÁ SAMA UTSÁRI<br /> | |||
ARÚPA RÚPE HESECHO<br /> | |||
HE PRABHU TUMI ESECHO<br /> | |||
PALA ANUPALA VIPALA MÁNO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PALA ANUPALA VIPALA MÁNO NÁ<br /> | |||
PALA ANUPALA VIPALA MÁNO NÁ<br /> | |||
PALA ANUPALA VIPALA MÁNO NÁ<br /> | |||
KALYÁŃA VRATE VIPHAL KARO NÁ<br /> | |||
SHÁSANE NIYAME SHITHILA HOYO NÁ<br /> | |||
DRIŔHATÁ SHIKHÁYECHO<br /> | |||
HE PRABHU TUMI ESECHO<br /> | |||
MARMA MÁDHURII SABÁRI SAMÁN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MARMA MÁDHURII SABÁRI SAMÁN | |||
MARMA MÁDHURII SABÁRI SAMÁN | |||
MARMA MÁDHURII SABÁRI SAMÁN | |||
BHÁVATANTRIITE SABE GÁI GÁN | |||
BÁNCÁRO ADHIKÁR BRIHATERO T́ÁN | |||
SABÁRI ÁCHE BOLECHO<br /> | |||
HE PRABHU TUMI ESECHO<br /> | |||
NIKHIL MÁNAS MANTHAN KARI<br /> | |||
HE PRABHU TUMI ESECHO<br /> | |||
O Lord, churning the entire mind, You came. Emanating like a golden fountain, with<br /> | |||
incomparable charm, You smile. You have no consideration of moments, seconds, minutes, do<br /> | |||
not fail the vow of benevolence. You are never slack in control and regulations, and teach<br /> | |||
firmness. The sweetness in the core of all is same. On the string of feelings, all sing<br /> | |||
the song. You say that the right of survival and attraction of the great exists in all.<br /> | |||
=== 3683 (20/08/1986) K === | |||
ÁNDHÁRER PAR PÁRE<br /> | |||
ÁLOKER E ABHISÁRE, TUMI ELE<br /> | |||
CÁO NI KONO DÁN KARO NIKO ABHIMÁN | |||
CÁO NI KONO DÁN KARO NIKO ABHIMÁN | |||
CÁO NI KONO DÁN KARO NIKO ABHIMÁN | |||
AHAETUKI PRIITI JHARÁLE, TUMI ELE<br /> | |||
VIRÁT́A ABHYUDAYE PURVÁKÁSHA RÁUNGÁLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIRÁT́A ABHYUDAYE PURVÁKÁSHA RÁUNGÁLE<br /> | |||
VIRÁT́A ABHYUDAYE PURVÁKÁSHA RÁUNGÁLE<br /> | |||
VIRÁT́A ABHYUDAYE PURVÁKÁSHA RÁUNGÁLE<br /> | |||
VARŃERI KISHALAYE MANO BHÚMI MÁTÁLE<br /> | |||
CHINNA VIIŃÁ SURA SAPTAKE BHARE DILE<br /> | |||
NÁ CÁHITE SABAI KARILE, TUMI ELE<br /> | |||
YUGA YUGA DHARE LOKE CEYECHE E ÁGAMAN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
YUGA YUGA DHARE LOKE CEYECHE E ÁGAMAN | |||
YUGA YUGA DHARE LOKE CEYECHE E ÁGAMAN | |||
YUGA YUGA DHARE LOKE CEYECHE E ÁGAMAN | |||
VISHÁLA VYAŚT́I MÁJHE SAMAŚT́I RÚPÁYAŃ<br /> | |||
AŃU PARAMÁŃU MÁJHE BRIHATER ÁVARTANA<br /> | |||
ESE SE ÁSHÁ PURÁLE, TUMI ELE<br /> | |||
ÁNDHÁRER PAR PÁRE<br /> | |||
ÁLOKER E ABHISÁRE, TUMI ELE<br /> | |||
O Lord, from beyond the darkness, for the rendezvous of effulgence, You came. You do not<br /> | |||
expect any gift, and are never egoistic, simply causeless grace You flow. With the grand<br /> | |||
rise of the Great, You colour the eastern sky. With the colour of tender leaves, You charm<br /> | |||
the mind. Into the broken viin’a’, You have filled octave. Without will You do<br /> | |||
everything. Since eras after eras, people wanted this advent, within a grand personality<br /> | |||
descend of the cosmic. Revolving of the Great within atoms and molecules, He came<br /> | |||
fulfilling the hope.<br /> | |||
=== 3684 (21/08/1986) D === | |||
TOMÁKE BHÁLOBÁSIÁCHI<br /> | |||
JIIVANE JENE SHUŃE<br /> | |||
SHAYANE SVAPANE CEYECHI<br /> | |||
CEYE GECHI JÁGARAŃE<br /> | |||
JIIVANE JENE SHUŃE<br /> | |||
BHÁLOBESECHI KENO JÁNINÁ<br /> | |||
ANTA VIHIIN CHILO EŚAŃÁ<br /> | |||
CHILO NÁ VAEDHII SÁDHANÁ<br /> | |||
TABU D́EKECHI PRATI KŚAŃE<br /> | |||
JIIVANE JENE SHUŃE<br /> | |||
TOMÁR NÁME TOMÁR GÁNE<br /> | |||
PÁI JE ÁNANDA APÁR<br /> | |||
TUCCHA HOLEO BUJHE GECHI<br /> | |||
TUMII SABÁR SÁRÁTSÁR<br /> | |||
TUMI YADI MANANE THÁKO<br /> | |||
PRIITIR PARÁG PRÁŃE MÁKHO<br /> | |||
ÁNDHÁR SHEŚE JÁI JE MISHE<br /> | |||
SABE TOMÁTE TAVA GUŃE<br /> | |||
HE PRIYA TOMÁKE CÁY LOKE<br /> | |||
TÁI TO PRÁŃERA SPANDANE<br /> | |||
JIIVANE JENE SHUŃE<br /> | |||
O Lord, I love you in life, on hearing and knowing you. I ever loved you in sleep, dream<br /> | |||
and wakeful states. Why do I love you, I do not know. I had endless desire. I had no<br /> | |||
formal spiritual practice, still I see you every moment. By singing your name and songs, I<br /> | |||
get endless bliss. Even though I am meagre, I have understood that you are the essence of<br /> | |||
everything. If you stay in mind, absorbing life with fragrance of love, then at the end of<br /> | |||
the darkness, all merge in you by your qualities. That is why, O dear, people love you<br /> | |||
with rhythm of life.<br /> | |||
=== 3685 (21/08/1986) K === | |||
JYOTSNÁ RÁTE TUMI ESE CHILE<br /> | |||
SHUBHRA SHUCITÁ D́HELE DIYE GIYE CHILE<br /> | |||
ÁMI CHINU ÁNAMANE KISER CHALE<br /> | |||
MANER KATHÁ MOR TUMI BUJHE NIYE CHILE<br /> | |||
SHUBHRA SHUCITÁ D́HELE DIYE GIYE CHILE<br /> | |||
SE NISHÁ KI JIIVANE ÁSIBE NÁ ÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE NISHÁ KI JIIVANE ÁSIBE NÁ ÁR<br /> | |||
SE RÁKÁ KI MANANE HÁSIBE ÁBÁR<br /> | |||
SE SHASHÁUNKA ÁTAUNKA SARIYE DIYE<br /> | |||
MANER MAYURE KI NÁCÁBE MANTRA BALE<br /> | |||
SHUBHRA SHUCITÁ D́HELE DIYE GIYE CHILE<br /> | |||
ÁBÁR ESE GECHE PHÁGUNER RÁTA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁBÁR ESE GECHE PHÁGUNER RÁTA<br /> | |||
JHALAKE KIḾSHUKE NAVA ANURÁGA<br /> | |||
SHÁLMALII SHÁKHÁ DOLE NAVODITA MUKULE<br /> | |||
PRIITIR PASARÁ PUNAH DHARÁTALE REKHE GELE<br /> | |||
SHUBHRA SHUCITÁ D́HELE DIYE GIYE CHILE<br /> | |||
JYOTSNÁ RÁTE TUMI ESE CHILE<br /> | |||
SHUBHRA SHUCITÁ D́HELE DIYE GIYE CHILE<br /> | |||
O Lord, You came in the moonlit night, and poured shining purity. I was unmindful under<br /> | |||
some delusion, You understood my mental state. Will not that night come into my life<br /> | |||
again? Will that moonlight smile in my mind this time again? Will that moon removing the<br /> | |||
fear, make my mind dance with the power of mantra? This time again the night of spring had<br /> | |||
come. In the kim’shuk flowers, new love is seen. On the branches of sha’lmalii, newly<br /> | |||
grown buds swing and again left the article of love on the earth.<br /> | |||
=== 3686 (22/08/1986) K === | |||
ALAS PRAHARE KARUŃÁY ÁNKHI BHARE<br /> | |||
TUMI PRABHU MOR PÁNE TÁKIYE CHILE<br /> | |||
MANDRITA PAVANE NANDITA SVANANE<br /> | |||
ÁNDHÁRER STÚPE ÁLO JHARIYE CHILE<br /> | |||
TUMI PRABHU MOR PÁNE TÁKIYE CHILE<br /> | |||
VAJRER HUNKÁRE ESE CHILE BÁRE BÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VAJRER HUNKÁRE ESE CHILE BÁRE BÁR<br /> | |||
ASHANI NIPÁTE CHINNA CHILO SANSÁR<br /> | |||
NIRÁLÁY TUMI ESE MADHUR MOHAN HESE<br /> | |||
NIJA HÁTE ÁNKHI PÁTE MUCHIYE DILE<br /> | |||
TUMI PRABHU MOR PÁNE TÁKIYE CHILE<br /> | |||
TUCCHA HOLEO BUJHILÁM ÁMI NAI EKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUCCHA HOLEO BUJHILÁM ÁMI NAI EKÁ<br /> | |||
SHAYANE SVAPANE JÁGARAŃE TUMI ÁCHO SAKHÁ<br /> | |||
ÁMÁR ÁMIR MÁJHE RÁGA? SAMÁROHE RÁJE<br /> | |||
TAVA AMIYA DYUTI AMITA KÁLER<br /> | |||
TUMI PRABHU MOR PÁNE TÁKIYE CHILE<br /> | |||
O Lord, filling mercy in the eyes, during Your leisure period, You had looked towards me.<br /> | |||
With oscillating wind and pleasing resonance, over the pile of darkness, You poured<br /> | |||
effulgence. With roar of thunder You came again and again, the world was broken into<br /> | |||
pieces by the fall of lightning. In isolation You came smiling with sweet charm, and with<br /> | |||
own hands wiped out the tears. Even though I was a meagre, You made me understand that I<br /> | |||
am not alone. In my sleep, dream & wakeful condition You are always with me as my<br /> | |||
sakha’, companion. Within my “I” feeling, established as Royal festivity, is Your<br /> | |||
nectareffulgence for time immemorial.<br /> | |||
=== 3687 (22/08/1986) K === | |||
VINATI JÁI KARE TAVA CARAŃ DHARE<br /> | |||
ESO TUMI MOR GHARE KRPÁ KARE BÁR BÁR<br /> | |||
ÁCHE TAVA AGUŃITA MAINJILA MANO MATA<br /> | |||
TABU MOR E KUT́IRER TUMII TO RÚPAKÁR<br /> | |||
ESO TUMI MOR GHARE KRPÁ KARE BÁR BÁR<br /> | |||
TOMÁRI CHANDE NÁCI TOMÁRI DHVANITE GÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁRI CHANDE NÁCI TOMÁRI DHVANITE GÁI<br /> | |||
TOMÁRI LAYE MÁNI TOMÁRI VIIŃÁ BÁJÁI<br /> | |||
ÁMIO TOMÁRI GO TOMÁRI SAKALAI TO<br /> | |||
TOMÁRI LIILÁ TUMI ÁMÁDER E SAḾSÁR<br /> | |||
ESO TUMI MOR GHARE KRPÁ KARE BÁR BÁR<br /> | |||
TOMÁRI BHÁVE BHÁVI TOMÁRI BHÁŚÁY BOLI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁRI BHÁVE BHÁVI TOMÁRI BHÁŚÁY BOLI<br /> | |||
TOMÁRI BÁNSHIITE HÁSI TAVA PRERAŃÁTE CALI<br /> | |||
TUMI JE SARVÁDHÁR TUMII SÁRÁTSÁR<br /> | |||
HE ANANTA APÁR TUMI PRÁŃA SABÁKÁR<br /> | |||
ESO TUMI MOR GHARE KRIPÁ KARE BÁR BÁR<br /> | |||
VINATI JÁI KARE TAVA CARAŃ DHARE<br /> | |||
ESO TUMI MOR GHARE KRPÁ KARE BÁR BÁR<br /> | |||
O Lord, holding Your feet, I go on praying You to come to my home again and again gracing<br /> | |||
me. You have numerous destinations of Your choice, but You are the creator of this hut of<br /> | |||
mine. I dance to Your rhythm, sing in Your voice, considering You only as the tune, I play<br /> | |||
Your viin’a’. I am also Yours, though all are Yours, it is Your divine play, liila<br /> | |||
and You are my world. I think as per Your thought, speak in Your language. I smile by Your<br /> | |||
flute and move by Your inspiration. You are the base of everything, You are the essence of<br /> | |||
essence. O the Unlimited and Infinite, You are the life of all.<br /> | |||
=== 3688 (22/08/1986) K === | |||
TUMI ESO ÁMÁR GHARE PRIYA<br /> | |||
DVÁRA KHULE DIYE BASE ÁCHI<br /> | |||
DIIP JVELECHI MÁLÁ GENTHECHI<br /> | |||
VEDII SÁJIYE REKHECHI<br /> | |||
DVÁRA KHULE DIYE BASE ÁCHI<br /> | |||
NIJER BOLITE MOR KEHO NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIJER BOLITE MOR KEHO NÁI<br /> | |||
MANER KATHÁ JÁHÁKE JÁNÁI<br /> | |||
BHÁVE ABHÁVE TÁI TOMÁKEI CÁI<br /> | |||
PRIITIR PASARÁ D́HELE DIYECHI<br /> | |||
DVÁRA KHULE DIYE BASE ÁCHI<br /> | |||
HE CIRA MADHURA ANTARTAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HE CIRA MADHURA ANTARTAMA<br /> | |||
JIIVANE MARAŃE SÁTHE THEKO MAMA<br /> | |||
GORASE RASÁBHÁSA TÁPE DÁHIKÁ SAMA<br /> | |||
KUSUM KORAKE BHARE REKHECHI<br /> | |||
DVÁRA KHULE DIYE BASE ÁCHI<br /> | |||
TUMI ESO ÁMÁR GHARE PRIYA<br /> | |||
DVÁRA KHULE DIYE BASE ÁCHI<br /> | |||
O Dear, You come to my home, I am sitting having kept the door open. I have kindled lamp<br /> | |||
threaded the garland, and kept the altar decorated. There is no one whom I can call my<br /> | |||
own, and to whom I can tell the feelings of my heart and mind. Thus, during adversity or<br /> | |||
affluence, I love You only and poured out all the articles of love. O ever sweet and<br /> | |||
innermost, stay with me in my life and death. I have kept filled the nucleus of flower<br /> | |||
with honey, like the soothing cow milk opposed to burning quality of heat.<br /> | |||
=== 3689 (23/08/1986) K === | |||
MADHU, MÁLATIIR MANE KII MÁYÁ CHILO<br /> | |||
TÁ JÁNE NÁ LOKE<br /> | |||
JYOTSNÁLOKE SE KII KATHÁ KAHILO<br /> | |||
BUJHE CHILO SHASHÁUNKE<br /> | |||
TÁ JÁNE NÁ LOKE<br /> | |||
BOLE CHILO SABE CALE EI CARÁCARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BOLE CHILO SABE CALE EI CARÁCARE<br /> | |||
ÁSE ÁR CALE JÁY KEU NÁ RODHE KÁHÁRE<br /> | |||
ALAKÁPURIIR PRIITI JHARE SABÁKÁR PARE<br /> | |||
UJJVALA ARUŃÁLOKE<br /> | |||
TÁ JÁNE NÁ LOKE<br /> | |||
ÁRO BOLE CHILO EKAI PRIYATAMA SABÁKÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁRO BOLE CHILO EKAI PRIYATAMA SABÁKÁR<br /> | |||
SMITA SHUCI SHUBHAUNKARA SARVÁDHÁR<br /> | |||
HE CIRA ALAKH DYUTI TÁRI PARAMÁ PRIITI<br /> | |||
PRATI PALAKE JHALAKE<br /> | |||
TÁ JÁNE NÁ LOKE<br /> | |||
MADHU, MÁLATIIR MANE KII MÁYÁ CHILO<br /> | |||
TÁ JÁNE NÁ LOKE<br /> | |||
In the mind of sweet malatii flower, what a charm was present that people do not know.<br /> | |||
Under the illumination of moonlight, what did it say, that the moon understood. It told<br /> | |||
all move in this world, all come and go, nobody stops any one. The heavenly love falls on | |||
all, in the bright sunlight. It told further, that there is only one beloved of all, who<br /> | |||
is base of all, pure, benevolent, and smiling. O the everunseen effulgence, your extreme<br /> | |||
love shines each moment.<br /> | |||
=== 3690 (23/08/1986) D === | |||
GÁNER E MÁLÁ GENTHECHI<br /> | |||
TOMÁY PRIYA PARÁBO BALE<br /> | |||
SUDHÁ SÁRE SIKTA KARI<br /> | |||
SANDHYÁ RÁGE SÁSHRU JALE<br /> | |||
TOMÁY PRIYA PARÁBO BALE<br /> | |||
DULE CALE DODUL DOLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DULE CALE DODUL DOLE<br /> | |||
MÁNASÁBJE KESHAR MÚLE<br /> | |||
ÁTMA PARER PRABHEDA BHULE<br /> | |||
NIRNIMEŚE ÁNKHI TÚLE<br /> | |||
TOMÁY PRIYA PARÁBO BALE<br /> | |||
TANDRÁ BHÁUNGÁ ÁNKHI MELECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TANDRÁ BHÁUNGÁ ÁNKHI MELECHE<br /> | |||
MAN DEULE ÁLO ESECHE<br /> | |||
SUNIILA ÁKÁSHA D́ÁNÁ MELECHE<br /> | |||
DÚR BALÁKÁR PÁKHÁR TALE<br /> | |||
TOMÁY PRIYA PARÁBO BALE<br /> | |||
GÁNER E MÁLÁ GENTHECHI<br /> | |||
TOMÁY PRIYA PARÁBO BALE<br /> | |||
I am threading the garland of songs for placing around Your neck. I have moistened it with<br /> | |||
the essence of nectar, with tears during evening hue. It goes on oscillating on the swing<br /> | |||
at the root of pollen of the mental lotus, forgetting the difference of own and others<br /> | |||
with unblinking raised eyes. The eyes on breaking the drowsiness opened and in the mental<br /> | |||
temple light has come. Below the distant blue sky, the swan spread the wings.<br /> | |||
=== 3691 (23/08/1986) D === | |||
VISHVA JETHÁY LIIN HOYE JÁY<br /> | |||
VISHVAMBHARA TOMÁR SHARAŃE<br /> | |||
SHRAVAŃE MANANE NIDIDHYÁSANE<br /> | |||
SÁMARASYERI AEKYA TÁNE<br /> | |||
VISHVAMBHARA TOMÁR SHARAŃE<br /> | |||
ANEKER MÁJHE RAYE GECHE EK<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANEKER MÁJHE RAYE GECHE EK<br /> | |||
EKAI LIILÁ RASE NÁCE JE ANEK<br /> | |||
EKERI KUINJE PUINJE PUINJE<br /> | |||
ALI GUINJARE GHIRE CARAŃE<br /> | |||
VISHVAMBHAR TOMÁR SHARAŃE<br /> | |||
EK THEKE ESE EKE JÁY MISHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EK THEKE ESE EKE JÁY MISHE<br /> | |||
ANEK BHÁVANÁ EK HOY SHEŚE<br /> | |||
EKI BHÁVE RÁJE ANEKER SÁJE<br /> | |||
SE RÁKHÁL RÁJE SABÁI MÁNE<br /> | |||
VISHVAMBHAR TOMÁR SHARAŃE<br /> | |||
VISHVA JETHÁY LIIN HOYE JÁY<br /> | |||
VISHVAMBHARA TOMÁR SHARAŃE<br /> | |||
O The Sustainer of he world, Vishvambhar, when the universe gets merged within Your<br /> | |||
shelter, with hearing, remembrance, and meditation, in a melodious flow in unison. Within | |||
many multiplicities, You remained as one. Under the flow of spell, liila, of only One<br /> | |||
many revolve. In the arbor of One, groups and groups of honeybees, hum, surrounding Your<br /> | |||
feet. All came from One and merge in same, innumerable feelings become one at the end. One<br /> | |||
ideation is established, in many adornments and all accepts that King of cowherds.<br /> | |||
=== 3692 (23/08/1986) K === | |||
VEDII SÁJÁTE DIIP JVÁLÁTE<br /> | |||
SHALÁKÁ KHUINJE GECHI JIIVAN BHARE<br /> | |||
TOMÁRI TARE ÁNKHIR PARE<br /> | |||
AINJAN ENKE GECHI BÁRE BÁRE<br /> | |||
SHALÁKÁ KHUINJE GECHI JIIVAN BHARE<br /> | |||
BUJHE GECHI SE SHALÁKÁ TOMÁRI HÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BUJHE GECHI SE SHALÁKÁ TOMÁRI HÁTE<br /> | |||
JE MÁLIKÁ KHUINJE JÁI SE TAVA SÁTHE<br /> | |||
TUMI KARUŃÁ KARILE SHALÁKÁ MÁLIKÁ MELE<br /> | |||
MAN BALÁKÁR D́ÁNÁ NEVE ÁSE NIJA NIIŔE<br /> | |||
SHALÁKÁ KHUINJE GECHI JIIVAN BHARE<br /> | |||
KATA YUGA KHUNJE GECHI TÁO JÁNINÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA RÚPE DEKHIYÁCHI TÁO BUJHI NÁ<br /> | |||
SHUDHU ETA T́UKU BUJHI JIIVANE TOMÁRE KHUINJI<br /> | |||
HE ASIIM ANANTA SAMVIT DÁO MORE<br /> | |||
SHALÁKÁ KHUINJE GECHI JIIVAN BHARE<br /> | |||
VEDII SÁJÁTE DIIP JVÁLÁTE<br /> | |||
SHALÁKÁ KHUINJE GECHI JIIVAN BHARE<br /> | |||
For kindling the lamp to decorate the altar, I went on searching match stick whole of my<br /> | |||
life. For You, O Lord, I continued marking the eye decoration again and again. I understood<br /> | |||
that the flame is in Your hands, the garland that I go on searching is with You. You<br /> | |||
mercifully forwarded the flame and the garland. The mental swan spreading the wings came<br /> | |||
down to its own nest. How many eras I continued searching, that I do not know. In how many<br /> | |||
forms, I saw that also I could not understand. I only understood that whole life, I<br /> | |||
searched You, O the unlimited, infinite, grant me Consciousness.<br /> | |||
=== 3693 (23/08/1986) K === | |||
ÁLO ESE CHILO<br /> | |||
CÁNDA HESE CHILO<br /> | |||
KRŚŃA MEGHER PÁSHE UCCHAL ÁVESHE<br /> | |||
MAN BHESE CHILO<br /> | |||
SHIKHI NECE CHILO<br /> | |||
CÁNDA HESE CHILO<br /> | |||
TAMASÁR SHEŚA HOLO BUJHECHI PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TAMASÁR SHEŚA HOLO BUJHECHI PRIYA<br /> | |||
NIRÁSHÁ SARIYE DIYE ÁSHÁ BHARIO<br /> | |||
MANTRÁVIŚT́A MOR PRAŃATI NIO<br /> | |||
MANO VIIŃÁ BÁJILO<br /> | |||
CÁNDA HESE CHILO<br /> | |||
SUPTA HRDAY MOR JEGE UT́HILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SUPTA HRDAY MOR JEGE UT́HILO<br /> | |||
LUPTA CETANÁ BODHE PHIRIYÁ ELO<br /> | |||
PRAMATTA ÁVEGE PRÁŃA MÁTILO<br /> | |||
EKE ANEK MILILO<br /> | |||
CÁNDA HESE CHILO<br /> | |||
ÁLO ESE CHILO<br /> | |||
CÁNDA HESE CHILO<br /> | |||
The light came, and the moon smiled close to dark cloud with overwhelming impulse. The<br /> | |||
mind floated, peacock danced. O Dear, I thought that the end of darkness had come<br /> | |||
removing the disappointments, You fill hope. Accept my salutation, which is impregnated<br /> | |||
with mantra, my mental viin’a’ started playing. My sleeping heart awakened. The lost<br /> | |||
awareness of consciousness, returned. The heart became frenzied, with intense impulse.<br /> | |||
Many merged into One.<br /> | |||
=== 3694 (23/08/1986) D === | |||
CHÁNDER DESHE HAT́HÁT ESE<br /> | |||
KON PARII GÁN GEYE GELO<br /> | |||
SURE MÁTÁLO BHÁVE BHÁSÁLO<br /> | |||
NÁ BOLE MAN KEŔE NILO<br /> | |||
KON PARII GÁN GEYE GELO<br /> | |||
BHÁVER GHARE NÁI SIIMÁ NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVER GHARE NÁI SIIMÁ NÁ<br /> | |||
ÁSÁ JÁOÁY NÁIKO MÁNÁ<br /> | |||
RDDHIR TÁR NÁI TULANÁ<br /> | |||
NARMA DÚKÚL REKHE DILO<br /> | |||
KON PARI GÁN GEYE GELO<br /> | |||
CHADMA VESHE ESE CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHADMA VESHE ESE CHILO<br /> | |||
PRIITI PARÁG REKHE GELO<br /> | |||
NIILÁKÁSHE ASIIMÁBHÁSE<br /> | |||
GÁNER SROTE BHESE GELO<br /> | |||
KON PARII GÁN GEYE GELO<br /> | |||
CHÁNDER DESHE HAT́HÁT ESE<br /> | |||
KON PARII GÁN GEYE GELO<br /> | |||
Coming suddenly from the arena of moon, which nymph has sung the song. Making me frenzied<br /> | |||
with melody, floating me in ideation, without telling She snatched away my mind. There is<br /> | |||
no limitation in the house of ideation, no restriction for coming and going. There is no<br /> | |||
comparison of its affluence, She kept me on the soft shore. She came in delusive dress<br /> | |||
left the fragrance of love, into the blue sky, with unlimited shadow, into the stream of<br /> | |||
songs, She floated away.<br /> | |||
=== 3695 (24/08/1986) === | |||
GÁNER MÁLÁKHÁNI DOBO TOMÁY JE<br /> | |||
ESO KÁCHE, ÁRO KÁCHE<br /> | |||
ÁMÁR DHARÁ CHONYÁRI MÁJHE<br /> | |||
GÁNER MÁLÁKHÁNI DOBO TOMÁY JE<br /> | |||
LUKIYE ÁCHO PHULE, SURABHITA ANTARÁLE<br /> | |||
RAUNGIIN PÁPAŔIR ÁŔÁLE<br /> | |||
AJÁNÁR KON ATALE ALAKÁR KON SE NÁCE<br /> | |||
GÁNER MÁLÁKHÁNI DOBO TOMÁY JE<br /> | |||
LIILÁ BHÁLOBÁSO JÁNI, LIILÁMAYA TÁI TO MÁNI<br /> | |||
O LIILÁR EKT́U KHÁNI, AMARÁR HIIRAK KHANI<br /> | |||
CHANDE ÁNANDE RÁJE<br /> | |||
GÁNER MÁLÁKHÁNI DOBO TOMÁY JE<br /> | |||
O Lord, I shall offer the garlands of songs to you. Come close, closer, within the touch<br /> | |||
of my world. You have hidden Yourself within the recess of the fragrance of flower, behind<br /> | |||
the colourful petals of the flower. Into which unknown depth, which heavenly dance? I know<br /> | |||
that You love liila, the illusory game, hence I accept You as Embodiment of liila. A<br /> | |||
bit of that liila is a heavenly mine of diamonds established in rhythm and bliss.<br /> | |||
=== 3696 (24/08/1986) D === | |||
TUMI NITYA, ÁMI RIKTA<br /> | |||
AMARÁR SUDHÁ D́HÁLIÁ VASUDHÁ<br /> | |||
KARIYÁ DIYÁCHO SIKTA<br /> | |||
TUMI NITYA, ÁMI RIKTA<br /> | |||
NÁI KONO KŚOBHA MOR BHÁVANÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NÁI KONO KŚOBHA MOR BHÁVANÁY<br /> | |||
NÁI KONO KŚOBHA MOR BHÁVANÁY<br /> | |||
NÁI KONO KŚOBHA MOR BHÁVANÁY<br /> | |||
APÚRŃA SHUDHU PÚRŃA KE CÁY<br /> | |||
KŚUDRER TRUT́I VICYUTI KŚAMI<br /> | |||
KARO KRPÁ ABHIŚIKTA<br /> | |||
TUMI NITYA, ÁMI RIKTA<br /> | |||
TOMÁY ÁMÁY HOYE NÁ TULANÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁY ÁMÁY HOYE NÁ TULANÁ<br /> | |||
TOMÁY ÁMÁY HOYE NÁ TULANÁ<br /> | |||
TOMÁY ÁMÁY HOYE NÁ TULANÁ<br /> | |||
ÁMI KHADYOT TUMI JE JYOTSANA<br /> | |||
TUCCHA NÁ MÁNI ÁMÁR EŚAŃÁ<br /> | |||
KARO BHÁVE SAḾPRIKTA<br /> | |||
TUMI NITYA, ÁMI RIKTA<br /> | |||
O Lord, You are Eternal but I am hollow, empty. Pouring heavenly nectar on the earth, You<br /> | |||
made it wet. There is no sorrow or complain in my thought, only the incomplete, wants to<br /> | |||
attain the Whole. Pardoning the lapses and errors of this meagre, make me bathed with Your<br /> | |||
grace. There cannot be comparison between You and me. I am a glowworm and You are the<br /> | |||
moonlight. Without ignoring my will, saturate me with Your ideation.<br /> | |||
=== 3697 (24/08/1986) K === | |||
ÁKÁSHE CÁNDA JE HÁSE PHÁGUN MÁSE<br /> | |||
E VASANTA VÁYA<br /> | |||
KALIRÁ LAJJÁ BHULE ÁNKHI TULE<br /> | |||
KON SUHRDE CÁY<br /> | |||
E VASANTA VÁYA<br /> | |||
BOLE JÁY KÁCHE ESO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BOLE JÁY KÁCHE ESO<br /> | |||
BOLE JÁY KÁCHE ESO<br /> | |||
BOLE JÁY KÁCHE ESO<br /> | |||
BHÁLOBESE PÁSHE BASO<br /> | |||
MALAY HAOÁY JHAUNKRITA PÁYA<br /> | |||
BHULO NÁ MAINJUL HIYÁY<br /> | |||
E VASANTA VÁYA<br /> | |||
KATA YOJAN DÚRE ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA YOJAN DÚRE ÁCHO<br /> | |||
KATA YOJAN DÚRE ÁCHO<br /> | |||
KATA YOJAN DÚRE ÁCHO<br /> | |||
JÁNATE NÁ CÁI MANE RAYECHO<br /> | |||
MAN MUKUREHERI TOMÁRE<br /> | |||
SHAŚPA CHÁYÁY SMITA CETANÁY<br /> | |||
E VASANTA VÁYA<br /> | |||
ÁKÁSHE CÁNDA JE HÁSE PHÁGUN MÁSE<br /> | |||
E VASANTA VÁYA<br /> | |||
During this breeze of the spring month, the moon smiles in the sky. The buds, forgetting<br /> | |||
the shyness, raising the eyes, which friend do they want? They go on saying, “Come<br /> | |||
close, lovingly sit near, with tinkling feet of the sandal breeze, do not forget this<br /> | |||
tender heart. I do not want to know how much far are You, You remain in mind. I search You<br /> | |||
in my mental mirror, in shade of young grass, in smiling consciousness.<br /> | |||
=== 3698 (24/08/1986) K === | |||
LUKIYE PATH CALÁ E KI LIILÁ<br /> | |||
LOKA LOCANE KENO NÁHI ÁSO<br /> | |||
TOMÁRE HERITE MANANE DHARITE<br /> | |||
CÁY JE TÁRÁ JÁDER TUMI BHÁLOBÁSO<br /> | |||
LOKA LOCANE KENO NÁHI ÁSO<br /> | |||
E TAVA VAKRA GATI KISER TARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
E TAVA VAKRA GATI KISER TARE<br /> | |||
SAHAJ SARAL PATHE MAN NÁ DHARE<br /> | |||
SE SATYA AVIKRITA YUGÁNTARE<br /> | |||
TOMÁR MÁJHE TÁKI NEIKO LESHAO<br /> | |||
LOKA LOCANE KENO NÁHI ÁSO<br /> | |||
ATHAVÁ HOYETO MOR E BOJHÁRI BHÚL<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ATHAVÁ HOYETO MOR E BOJHÁRI BHÚL<br /> | |||
SÁDHÁRAŃ MÁNADAND́E TUMI ATÚL<br /> | |||
TOMÁRE BUJHITE GELE BHINNA PRATIITI MELE<br /> | |||
TÁI DHARÁ NÁHI DIYE DÚRE THEKE TUMI HÁSO<br /> | |||
LOKA LOCANE KENO NÁHI ÁSO<br /> | |||
LUKIYE PATH CALÁ E KI LIILÁ<br /> | |||
LOKA LOCANE KENO NÁHI ÁSO<br /> | |||
O Lord, moving hidden on the path, what a liila, illusory game of Yours is this, why do<br /> | |||
not You come under the vision of the people? Only those whom You love, want to search and<br /> | |||
bring you under the fold in the mind. What for is this jagged, curved speed of Yours, why<br /> | |||
on simple straight path the mind is unable to hold You? The eternal truth of clearstraight<br /> | |||
forwardness, which has been established since ages, even a weebit of that You do not<br /> | |||
follow in Your movement. It may be also possible that my understanding is not complete so<br /> | |||
that I do not properly comprehend You. By the ordinary measuring scale You are<br /> | |||
immeasurable. If anyone wants to understand You and get You, then You escape and never get<br /> | |||
held. And remaining at distant, You just smile.<br /> | |||
=== 3699 (24/08/1986) K === | |||
HATÁSHÁY NIRÁSHÁY MAN D́EKE JÁY<br /> | |||
HE PRABHU TOMÁY AVIRÁMA<br /> | |||
SHOŃO KI SHOŃO NÁ JÁNITE PÁRI NÁ<br /> | |||
SHUDHU BÚJHI TUMI ABHIRÁMA<br /> | |||
HE PRABHU TOMÁY AVIRÁMA<br /> | |||
PALE AŃUPALE VIPALE NÁCO PRABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PALE AŃUPALE VIPALE NÁCO PRABHU<br /> | |||
ANÁDI ASHEŚE SHEŚA NÁ HOYO KABHU<br /> | |||
CHILE ÁCHO THÁKIYÁ JÁBE TUMI TABU<br /> | |||
KHUNJE CALI TAVA DHÁMA<br /> | |||
HE PRABHU TOMÁY AVIRÁMA<br /> | |||
SARITÁ PARVATE MÁNÁ MÁNO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SARITÁ PARVATE MÁNÁ MÁNO NÁ<br /> | |||
MAHODADHI ÚRMIGOŃO NÁ<br /> | |||
TOMÁRI JYOTI SHIKHÁY SABE NECE JÁY<br /> | |||
PÁPA KŚARÁ TAVA NÁMA<br /> | |||
HE PRABHU TOMÁY AVIRÁMA<br /> | |||
HATÁSHÁY NIRÁSHÁY MAN D́EKE JÁY<br /> | |||
HE PRABHU TOMÁY AVIRÁ<br /> | |||
O Lord, with disappointments and hopelessness, my mind goes on calling You constantly.<br /> | |||
Whether You hear or not, I am unable to know, I only understand that You are gratifying. O<br /> | |||
Lord, You keep on dancing each moment and second. There is no end of the beginning less<br /> | |||
and endless. You were in past, are present now and will remain in future. I just go on | |||
searching Your abode. Streams or mountains do not restrict You. You do not worry about<br /> | |||
waves in the ocean. Around Your flame of light, all go on dancing. Your name decays the<br /> | |||
sins.<br /> | |||
=== 3700 (24/08/1986) K === | |||
JIIVAN SARITÁ MOR, BAHE JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVAN SARITÁ MOR, BAHE JÁY<br /> | |||
NECE CHUT́E CALE NÁ JÁNE KII JE BOLE<br /> | |||
KON SE AMARÁR PÁNE CÁYA<br /> | |||
BAHE JÁY ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVAN SARITÁ MOR, BAHE JÁY<br /> | |||
AJÁNÁ ATITHI NÁHI MÁNO TITHI<br /> | |||
CALÁY CIR DRUTI KANT́HE PRIITI GIITI<br /> | |||
BOLO SE KON ACENÁTE DHÁY<br /> | |||
BAHE JÁY ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVAN SARITÁ MOR, BAHE JÁY<br /> | |||
E MOR SARITÁR DÚKÚLI BHARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
E MOR SARITÁR DÚKÚLI BHÁUNGÁ<br /> | |||
TOMÁR RÁGETE TABU CIRA RÁ ÚNGÁ<br /> | |||
MAN MUKUR MOR NÁHI JÁBE BHAÚNGÁ<br /> | |||
TÁTE JE TAVA DYUTI JHALAKÁY<br /> | |||
BAHE JÁY ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVAN SARITÁ MOR, BAHE JÁY<br /> | |||
The stream of my life flows on.<br /> | |||
It dances on,<br /> | |||
aiming towards an unknown destination of immortality.<br /> | |||
O unknown guest,<br /> | |||
You have no consideration for a date.<br /> | |||
You keep moving on with continuous speed,<br /> | |||
maintaining a song of love in Your voice.<br /> | |||
Tell me, to which unknown world is my life rushing?<br /> | |||
Both sides of my life's stream are broken,<br /> | |||
and yet, both are coloured in Your colour.<br /> | |||
When the mirror of my mind is not broken,<br /> | |||
then in that mirror Your effulgence glitters.<br /> | |||
=== 3701 (26/08/1986) K === | |||
VASANTE KENO NÁ ELE<br /> | |||
ELE NIDÁGHER DÁVA DÁHE<br /> | |||
MUKUTÁBHARAŃE PHELE<br /> | |||
ELE BHASMA JAT́Á SAMÁROHE<br /> | |||
ELE NIDÁGHER DÁVA DÁHE<br /> | |||
CHILO SIIVANTI CHILO BAKUL<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILO SIIVANTI CHILO BAKUL<br /> | |||
CHILO SIIVANTI CHILO BAKUL<br /> | |||
CHILO SIIVANTI CHILO BAKUL<br /> | |||
CHILO MÁLATI MÁDHAVI MUKUL<br /> | |||
CHILO CAMPAK CÁMELI PÁRUL<br /> | |||
ELE DHASTÚR ARKA PARIGRAHE<br /> | |||
ELE NIDÁGHER DÁVA DÁHE<br /> | |||
CHILO CIINÁNSHUK SVARŃA KUND́AL<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILO CIINÁNSHUK SVARŃA KUND́AL<br /> | |||
CHILO CIINÁNSHUK SVARŃA KUND́AL<br /> | |||
CHILO CIINÁNSHUK SVARŃA KUND́AL<br /> | |||
KANAK KEYUR RATNA MAND́AL<br /> | |||
CHILO MANIHÁR MARAKATOJJVAL<br /> | |||
TABE KENO RUDRÁKŚE DEKHI HE<br /> | |||
ELE NIDÁGHER DÁVA DÁHE<br /> | |||
VASANTE KENO NÁ ELE<br /> | |||
ELE NIDÁGHER DÁVA DÁHE<br /> | |||
Why didn’t You come during spring?<br /> | |||
You came during the intense burn of the summer heat.<br /> | |||
Rejecting the decoration with a crown,<br /> | |||
You came during the congregation of ashes and matted hair.<br /> | |||
There were flowers of siivantii and bakul<br /> | |||
and buds of ma’latii and ma’dhavii.<br /> | |||
Also flowers of campak, ca’meli and pa’rul were there<br /> | |||
but You came to accept the wild flowers of dhastur and arka.<br /> | |||
There were silken bed sheet,<br /> | |||
golden earrings, gem encircled golden armlets.<br /> | |||
There was a garland of brilliant gems,<br /> | |||
but why did You choose instead rudra’ks’a, a wild nut?<br /> | |||
=== 3702 (26/08/1986) D === | |||
BEDARADI BANDHU<br /> | |||
GHUM BHÁUNGÁO PÁSHE ÁSI<br /> | |||
YADI GO TOMÁKE BHEVE<br /> | |||
SUPTITE BHÁSI<br /> | |||
GHUM BHÁUNGÁO PÁSHE ÁSI<br /> | |||
ÁMÁR BOLITE ÁR KEHO NÁI<br /> | |||
ÁPANÁR SABAI TOMÁTEI PÁI<br /> | |||
BEDARADI BALE SÁNTVANÁ CÁI<br /> | |||
YADIO BHÁLOBÁSI<br /> | |||
GHUM BHÁUNGÁO PÁSHE ÁSI<br /> | |||
SHIIRŚA KEURE TUMI ÁCHO MISHE<br /> | |||
KARŃÁBHARAŃE TAVA DYUTI HÁSE<br /> | |||
MANER MUKURE BHÁVA SAḾVESHE<br /> | |||
NIYATA RAYECHO BASI<br /> | |||
GHUM BHÁUNGÁO PÁSHE ÁSI<br /> | |||
BEDARADI BANDHU<br /> | |||
GHUM BHÁUNGÁO PÁSHE ÁSI<br /> | |||
O the merciless companion, coming close You break my slumber, if while thinking about You<br /> | |||
I float into sleep. There is nobody else whom I can call my own, Within You only, I find<br /> | |||
own of all. If I love You, just I want consolation, O the merciless. You are merged in my<br /> | |||
top jewel, into my earring, Your brilliance shines. In the mental mirror, in the adornment<br /> | |||
of ideation, You are ever seated.<br /> | |||
=== 3703 (27/08/1986) D === | |||
TUMI, JYOTSNÁLOKE SMITA PULAKE<br /> | |||
RÚPÁLOKE ESE CHILE<br /> | |||
PALAKE PALAKE JHALAKE JHALAKE<br /> | |||
PRIITIR PASARÁ D́HELE CHILE<br /> | |||
RÚPÁLOKE ESE CHILE<br /> | |||
ÁKUTI CHILO TOMÁKE CEYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁKUTI CHILO TOMÁKE CEYE<br /> | |||
ÁKUTI CHILO TOMÁKE CEYE<br /> | |||
ÁKUTI CHILO TOMÁKE CEYE<br /> | |||
MAN BHARE GELO TOMÁKE PEYE<br /> | |||
MANANER DHÁRÁ TOMÁKE NIYE<br /> | |||
NECE CHUT́E CALE CHAL CHALE<br /> | |||
RÚPÁLOKE ESE CHILE<br /> | |||
MAN SHIKHI NÁCE TOMÁKE BHEVE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAN SHIKHI NÁCE TOMÁKE BHEVE<br /> | |||
MAN SHIKHI NÁCE TOMÁKE BHEVE<br /> | |||
MAN SHIKHI NÁCE TOMÁKE BHEVE<br /> | |||
BHÁVER PÚRTI TAVA ANUBHAVE<br /> | |||
MÁDHURII ÁSAVE PRAKETA GARVE<br /> | |||
SVARŃA JHARŃÁ REKHE GELE<br /> | |||
RÚPÁLOKE ESE CHILE<br /> | |||
TUMI, JYOTSNÁLOKE SMITA PULAKE<br /> | |||
RÚPÁLOKE ESE CHILE<br /> | |||
O Lord, smiling with joy, in the moonlight You came in the arena of forms. Each moment<br /> | |||
with each glimpse, You poured the articles of love. I had earnest will to love You, and my<br /> | |||
desires were fulfilled on attaining You. My mental stream carrying You rushed dancing<br /> | |||
overwhelmingly. My mental peacock dances thinking of You. Feelings were satiated with Your<br /> | |||
experience. With sweetness of elixir, and pride of achievement, You left the golden | |||
fountain.<br /> | |||
=== 3704 (27/08/1986) K === | |||
KUSUM STABAKA MOR CHILO HÁTE<br /> | |||
ÁPLÚTA ÁNKHITE RAINJITA ÁSHÁTE<br /> | |||
ÚŚŃA PRÁŃER ARUŃIMÁTE<br /> | |||
KUSUM STABAKA MOR CHILO HÁTE<br /> | |||
KEMANE D́ÁKITE HOYE JÁNITÁM NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KEMANE D́ÁKITE HOYE JÁNITÁM NÁ<br /> | |||
KII SUR SÁDHITE HOYE BUJHITÁM NÁ<br /> | |||
MOR, CHILO AJÁNÁVAEDHII SÁDHANÁ<br /> | |||
ÁNKHI PÁTÁ CHILO TAVA ÁSÁ PATHE<br /> | |||
KUSUM STABAK MOR CHILO HÁTE<br /> | |||
BHÁLO BESE CHINU KENO JÁNI NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁLO BESE CHINU KENO JÁNI NÁ<br /> | |||
KENO JE CEYE CHINU TÁO BUJHI NÁ<br /> | |||
TUMI, SURE LAYE HE CIRA ACENÁ<br /> | |||
ELE, SAORA KAROJJVAL RÁUNGÁ PRABHÁTE<br /> | |||
KUSUM STABAKA MOR CHILO HÁTE<br /> | |||
The floral offerings in the folded palms were in my hands and along with flooded eyes and<br /> | |||
coloured hopes were warm reddishness of life. I did not know how to call, did not<br /> | |||
understand what melody to practice. I had only ritualistic performance, but eyes were<br /> | |||
turned to Your arrival path. Why did I love, I did not know, why was this liking, that<br /> | |||
also I did not understand. O Ever Unknown, You came with tune and melody, on the colourful<br /> | |||
morning with bright sun rays.<br /> | |||
=== 3705 (28/08/1986) K === | |||
TUMI JABE ESE CHILE<br /> | |||
TUMI JABE ESE CHILE<br /> | |||
TUMI JABE ESE CHILE<br /> | |||
ÁMI GHAN GHUME CHINU ACETAN | |||
SHAYYÁ PÁRSHVE TUMI BASE CHILE<br /> | |||
BUJHINI TOMÁR ÁGAMAN | |||
ÁMI GHAN GHUME CHINU ACETAN | |||
TUMI JABE ESE CHILE<br /> | |||
TOMÁR VIIŃÁR TÁR KEḾPE CHILO BÁR BÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR VIIŃÁR TÁR KEḾPE CHILO BÁR BÁR<br /> | |||
TOMÁR VIIŃÁR TÁR KEḾPE CHILO BÁR BÁR<br /> | |||
TOMÁR VIIŃÁR TÁR KEḾPE CHILO BÁR BÁR<br /> | |||
SUR SAPTAKE JEGE UT́HE CHILO JHAUNKÁR<br /> | |||
NISHIITHÁNILE KHULE GIYECHE RUDDHA DVÁR<br /> | |||
ÁMI TABU MELI NI NAYAN | |||
ÁMI GHAN GHUME CHINU ACETAN | |||
TUMI JABE ESE CHILE<br /> | |||
JEGE DEKHI PAŔE ÁCHE TOMÁR PUŚPA HÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JEGE DEKHI PAŔE ÁCHE TOMÁR PUŚPA HÁR<br /> | |||
JEGE DEKHI PAŔE ÁCHE TOMÁR PUŚPA HÁR<br /> | |||
JEGE DEKHI PAŔE ÁCHE TOMÁR PUŚPA HÁR<br /> | |||
MÁNAS KETANE RAYECHE SURABHI TÁR<br /> | |||
SE JENO D́EKE BOLE MORE HENO GHUMÁYO NÁ ÁR<br /> | |||
DEKHO PUVE PRABHÁT KIRAŃ<br /> | |||
ÁMI GHAN GHUME CHINU ACETAN | |||
TUMI JABE ESE CHILE<br /> | |||
O Lord, when You had come, I was unconscious in deep sleep. You sat besides the bed, but I<br /> | |||
could not know of Your arrival. The strings of Your viin’a’, vibrated again and again.<br /> | |||
Tinkling started playing with octave. With night breeze, the closed doors got opened. Then | |||
also I did not open my eyes. On awakening I saw that Your floral garland was lying. In the<br /> | |||
mental banner, its fragrance still remains. As if it tells me calling, “do not sleep any<br /> | |||
more, look at the morning rays in the east”.<br /> | |||
=== 3706 (28/08/1986) K === | |||
MOR GHARE ELE HE PRIYA KENO GELE<br /> | |||
ÁMÁY KICHU BOLE GELE NÁ<br /> | |||
E ÁSÁ ÁSÁ NAY MAN BHARÁR NAY<br /> | |||
MANER KATHÁ BOLÁ HOLO NÁ<br /> | |||
ÁMÁY KICHU BOLE GELE NÁ<br /> | |||
VIIŃÁ BÁJIYE CHILE MAN MÁTIYE CHILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIIŃÁ BÁJIYE CHILE MAN MÁTIYE CHILE<br /> | |||
VIIŃÁ BÁJIYE CHILE MAN MÁTIYE CHILE<br /> | |||
VIIŃÁ BÁJIYE CHILE MAN MÁTIYE CHILE<br /> | |||
ÁKÁSHE JHARA JHAR PRIITI JHARIYE DILE<br /> | |||
BOLILE BHÁLOBÁSO KEMAN BHÁLOBÁSO<br /> | |||
MANEI YADI RAHILE NÁ<br /> | |||
ÁMÁY KICHU BOLE GELE NÁ<br /> | |||
TOMÁTE ÁMÁTE SHATA YOJAN DÚR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁTE ÁMÁTE SHATA YOJAN DÚR<br /> | |||
TOMÁTE ÁMÁTE SHATA YOJAN DÚR<br /> | |||
TOMÁTE ÁMÁTE SHATA YOJAN DÚR<br /> | |||
TABUO TAVA BHÁVE MAN JE BHARAPÚR<br /> | |||
DIIPAKE MEGH MALLÁRE JE BÁJE SUR<br /> | |||
TÁTE REKHE GELE TAVA DYOTANÁ<br /> | |||
ÁMÁY KICHU BOLE GELE NÁ<br /> | |||
O dear Lord,<br /> | |||
You came to my home<br /> | |||
but went away without telling me anything.<br /> | |||
This arrival is not real coming.<br /> | |||
My mind was not satisfied.<br /> | |||
I could not express my feelings.<br /> | |||
You played the lyre, enchanting my mind<br /> | |||
and flowed the fountain of love from the sky.<br /> | |||
You instructed to love.<br /> | |||
But how could I love,<br /> | |||
if my mind itself<br /> | |||
was in a state of nonexistence?<br /> | |||
Between You and me<br /> | |||
the distance is hundreds of miles<br /> | |||
and yet, my mind is saturated with Your ideation.<br /> | |||
The melodies of diipak and meghmalla'r style are sounding.<br /> | |||
Over them You have spread Your divine effulgence.<br /> | |||
=== 3707 (29/08/1986) D === | |||
SVAPANE ELE ÁLO D́HELE<br /> | |||
BUJHINI CALIYÁ JÁBE<br /> | |||
SUKHER SHEŚE DUHKHA ÁSE<br /> | |||
TÁ, JENEO KE BÁ KABE BHÁVE<br /> | |||
BUJHINI CALIYÁ JÁBE<br /> | |||
ESE CHILE NIIRAVA RÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ESE CHILE NIIRAVA RÁTE<br /> | |||
ESE CHILE NIIRAVA RÁTE<br /> | |||
ESE CHILE NIIRAVA RÁTE<br /> | |||
SHIULI JHARÁ SHÁNTA PATHE<br /> | |||
KANAK KETAN VIJAY RATHE<br /> | |||
JÁNI NIKO KISE CÁHIBE<br /> | |||
BHÁVINI MAN KÁŔIBE<br /> | |||
BUJHINI CALIYÁ JÁBE<br /> | |||
ÁMÁR KÁCHE BHÁVANÁTIITA<br /> | |||
CHILO TOMÁR E ÁGAMAN | |||
ÁMÁR BHÁVE BHÁŚÁTIITA<br /> | |||
CHILO E ÁNANDA SVAPAN | |||
CALE GELE ASHÁNTA MEGHE<br /> | |||
HEMANTERI JHAT́IKÁVEGE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HEMANTERI JHAT́IKÁVEGE<br /> | |||
HEMANTERI JHAT́IKÁVEGE<br /> | |||
HEMANTERI JHAT́IKÁVEGE<br /> | |||
KOTHÁY GELE TÁRE PÁVE<br /> | |||
JÁNI NI KON ANUBHAVE<br /> | |||
LIILÁRI MADHUR BHÁVE<br /> | |||
BUJHINI CALIYÁ JÁBE<br /> | |||
O Lord, You came pouring effulgence, but I did not understand that You would go away.<br /> | |||
Sorrows come at the end of pleasure, this fact who thinks any time? You came on the silent<br /> | |||
night, on the quiet path on which shiuli flowers were dropped, riding on the victory<br /> | |||
chariot of gold, I did not know whom were You searching. I did not imagine that You would<br /> | |||
snatch away my mind. For me, this arrival of Yours was beyond imagination. This blissful<br /> | |||
dream was beyond my language and thought. Like a restless cloud with blow of autumn storm<br /> | |||
You went away. Where did He go, how to get Him, I do not know, what is the feeling in the<br /> | |||
sweet feeling of the liila, illusory play.<br /> | |||
=== 3708 (29/08/1986) K === | |||
ESECHO KÁCHE BESECHO BHÁLO<br /> | |||
DURE SARE JEO NÁ<br /> | |||
NÁ NÁ NÁ NÁ NÁ NÁ<br /> | |||
HÁSITE DYUTI ÁCHE ÁNANE ÁLO<br /> | |||
PRIITIR BÁNDHAN JENO CHINŔO NÁ<br /> | |||
DURE SARE JEO NÁ<br /> | |||
NÁ NÁ NÁ NÁ NÁ NÁ<br /> | |||
NÁNÁ JANE BOLE NÁNÁN KATHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NÁNÁ JANE BOLE NÁNÁN KATHÁ<br /> | |||
NÁNÁ JANE BOLE NÁNÁN KATHÁ<br /> | |||
NÁNÁ JANE BOLE NÁNÁN KATHÁ<br /> | |||
HIIRAKA HIYÁ PARE DEY KI KABHU VYATHÁ<br /> | |||
SVAPAN JÁLE BUNI TOMÁR MADHURATÁ<br /> | |||
TÁHÁTE SHUKÁTE DIO NÁ<br /> | |||
DURE SARE JEO NÁ<br /> | |||
NÁ NÁ NÁ NÁ NÁ NÁ<br /> | |||
MANER GAHANE BHÁSE TOMÁR PRIYA MUKHA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER GAHANE BHÁSE TOMÁR PRIYA MUKHA<br /> | |||
MANER GAHANE BHÁSE TOMÁR PRIYA MUKHA<br /> | |||
MANER GAHANE BHÁSE TOMÁR PRIYA MUKHA<br /> | |||
VIRÁT́A BHÁVE BHARÁ DOLÁ DEOÁ BÚK<br /> | |||
MANSIJA MAŃITE APASRITA DUHKHA<br /> | |||
ANÚPAHATA HRIT CETANÁ<br /> | |||
DURE SARE JEO NÁ<br /> | |||
NÁ NÁ NÁ NÁ NÁ NÁ<br /> | |||
O Lord, You came close and loved, now do not go away. There is glow in smile, and<br /> | |||
effulgence on the face, do not open the bondage of love. Many people tell many stories<br /> | |||
but will the diamond on the bosom cause any pain? I weave a net of Your sweetness in | |||
dream, do not let that dry up. Your dear face shows the glimpses in the mind. That<br /> | |||
oscillates the heart filled with the ideation of the Great. Sorrows are removed with the<br /> | |||
mentally created gem, without affecting the consciousness of the heart.<br /> | |||
=== 3709 (29/08/1986) K === | |||
JUTHIKÁ VIITHIKÁ PERIYE<br /> | |||
TUMI, ESE CHILE PRIYA SEI PRABHÁTE<br /> | |||
CAINCALA PAVANE MAYUKHA AYANE<br /> | |||
AINJANA ÁNKÁ ÁNKHI PÁTE<br /> | |||
TUMI, ESE CHILE PRIYA SEI PRABHÁTE<br /> | |||
SABE CHILO GHUM GHORE VIMÚRTA CARÁCARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABE CHILO GHUM GHORE VIMÚRTA CARÁCARE<br /> | |||
SABE CHILO GHUM GHORE VIMÚRTA CARÁCARE<br /> | |||
SABE CHILO GHUM GHORE VIMÚRTA CARÁCARE<br /> | |||
TAMAH HOTE TAMISRÁ AJASRA UGARE<br /> | |||
PRÁŃA CHILO STABDHA GATI AVARUDDHA<br /> | |||
NAESHABDA CÁRI BHITE<br /> | |||
TUMI, ESE CHILE PRIYA SEI PRABHÁTE<br /> | |||
NIRVÁK UDBHIDE CHILO NÁ PRATIITI HENO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIRVÁK UDBHIDE CHILO NÁ PRATIITI HENO<br /> | |||
NIRVÁK UDBHIDE CHILO NÁ PRATIITI HENO<br /> | |||
NIRVÁK UDBHIDE CHILO NÁ PRATIITI HENO<br /> | |||
CHILO NÁ VIIŃÁR TÁRE JHAUNKRITA VÁŃII KONO<br /> | |||
TUMI ELE BHÁŚÁ ELO ANUBHÚTI KÁMPÁNO<br /> | |||
PRATHAM JIIVER MUKHETE<br /> | |||
TUMI, ESE CHILE PRIYA SEI PRABHÁTE<br /> | |||
Crossing the lane of the juhi flowers, O Dear, You had come that morning, with restless<br /> | |||
breeze and containing glow, with decoration marked eyes. All were in deep slumber in this<br /> | |||
materialized world, in darkness to profound Cimmerian darkness resuming. The vitality was<br /> | |||
stunned, and the movements obstructed within the silence of fur walls. Amongst the<br /> | |||
speechless vegetation, there was no feeling. There was no sound tinkling on the strings of<br /> | |||
viin’a’. You came, the language came, to cause stir of feelings in the mouth of<br /> | |||
initial living being.<br /> | |||
=== 3710 (29/08/1986) D === | |||
KHUNJE GECHI TOMÁY<br /> | |||
GHARE BÁHIRE<br /> | |||
DHARÁ DILE NÁ<br /> | |||
CENÁ ACENÁY GECHI<br /> | |||
GECHI TIIRTHE NÁNÁ<br /> | |||
DHARÁ DILE NÁ<br /> | |||
KHUNJECHI SÁGAR TIIRE<br /> | |||
KHUNJE GECHI TIIRTHA NIIRE<br /> | |||
KHUNJECHI MANDIRE MANDIRE<br /> | |||
ARÚPA RÚPE CHILE NÁ<br /> | |||
DHARÁ DILE NÁ<br /> | |||
PÁINI GIRI KANDARE<br /> | |||
PÁINI ÁMÁR T́HÁKUR GHARE<br /> | |||
SHEŚE DEKHI ANTARE<br /> | |||
HÁSO CIRA AJÁNÁ<br /> | |||
DHARÁ DILE NÁ<br /> | |||
O Lord, I searched You inside and outside, but You did not come into folds. I went to many<br /> | |||
known and unknown places, pilgrim waters, and temples after temples, but I did not find<br /> | |||
Your form, O Formless. I did not find You in mountains and caves, or at the altar of my<br /> | |||
own Deity, at the end I saw You within myself, smiling, O the Ever Unknown.<br /> | |||
=== 3711 (30/08/1986) K === | |||
CÁMPÁR KALI BOLE VASANTA<br /> | |||
E PHULE PHULE KARO GIITI RACANÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁLOBÁSÁ BÁSI SHUDHU KHUSHI HÁSI<br /> | |||
SMRTI PAT́E ÁNKO DYUTI DOLANÁ<br /> | |||
PHULE PHULE KARO GIITI RACANÁ<br /> | |||
AMARÁ ÁSAVE PRÁŃA BHARE DÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AMARÁ ÁSAVE PRÁŃA BHARE DÁO<br /> | |||
AMARÁ ÁSAVE PRÁŃA BHARE DÁO<br /> | |||
AMARÁ ÁSAVE PRÁŃA BHARE DÁO<br /> | |||
BHRAMARÁ GUINJANE KÁCHE T́ENE NÁO<br /> | |||
SHIITER DURGAME JAD́ATÁ SARÁO<br /> | |||
TOMÁR LIILÁR NÁHI TULANÁ<br /> | |||
PHULE PHULE KARO GIITI RACANÁ<br /> | |||
TOMÁKE PEYECHI PARAMÁŃU MÁJHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁKE PEYECHI PARAMÁŃU MÁJHE<br /> | |||
TOMÁKE PEYECHI PARAMÁŃU MÁJHE<br /> | |||
TOMÁKE PEYECHI PARAMÁŃU MÁJHE<br /> | |||
TOMÁR RÚPA CHAT́Á NIIHÁRIKÁTE RÁJE<br /> | |||
TOMÁR PRIITI GIITI VIIŃÁR TÁRE BÁJE<br /> | |||
VISHVA TOMÁR BHÁVA DYOTANÁ<br /> | |||
HE ALAKH DYUTI PARAMÁGATI<br /> | |||
VÁKPATHÁTIITA MADHURÁNUBHÚTI<br /> | |||
PÁVÁ NÁ PÁVÁR SHEŚ PARIŃATI<br /> | |||
ÁMÁR JENO KABHU BHULONÁ<br /> | |||
PHULE PHULE KARO GIITI RACANÁ<br /> | |||
The ca’mpa’ bud told that the spring came and create song within each flower. Love<br /> | |||
with only pleasure and smile, sketch the swing of glow on the plate of memory. With<br /> | |||
heavenly elixir, fulfill the life, with hum of the bees, pull close. Remove the intense<br /> | |||
inertia, there is no end of Your divine game liila. I obtained You within atom, Your<br /> | |||
beauty of form is established in nebula. Your love song is played on the viin’a’. The<br /> | |||
Universe is an expression of Your imagination. O the unseen effulgence, the ultimate<br /> | |||
desideratum, beyond the path and speech, sweet feeling. You are the ultimate goal beyond<br /> | |||
achievement and shortage, do not forget me any time.<br /> | |||
=== 3712 (30/08/1986) K === | |||
EK, ÁLO ÁNDHÁRER KHELÁ<br /> | |||
HE PRBHU TOMÁR E SRIŚT́ITE<br /> | |||
HE PRABHU TOMÁR E SRIŚT́ITE<br /> | |||
ÁLO DEKHE SARE JÁY CHÚT́E<br /> | |||
KUÁSHÁ ÁSE TÁRE D́HÁKITE<br /> | |||
HE PRBHU TOMÁR E SRIŚT́ITE<br /> | |||
HE PRABHU TOMÁR E SRIŚT́ITE<br /> | |||
CÁNDER HÁSI PARE ÁNDHÁR RÁTI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁNDER HÁSI PARE ÁNDHÁR RÁTI<br /> | |||
CÁNDER HÁSI PARE ÁNDHÁR RÁTI<br /> | |||
CÁNDER HÁSI PARE ÁNDHÁR RÁTI<br /> | |||
SHUKLA NISHÁR PARE KRIŚŃÁ TITHI<br /> | |||
SÁJÁNO PRADIIP SAM TÁRÁR BHÁTI<br /> | |||
D́HELE DILE JALA RODE ÁSE CAKITE<br /> | |||
HE PRBHU TOMÁR E SRIŚT́ITE<br /> | |||
HE PRABHU TOMÁR E SRIŚT́ITE<br /> | |||
PHULLA KUSUM SAMA SHISHUR HÁSI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHULLA KUSUM SAMA SHISHUR HÁSI<br /> | |||
ATULYA RÁM DHANU SHÁRAD SHASHI<br /> | |||
THÁKE NÁ BESI KŚAŃ JÁY JE BHÁSI<br /> | |||
KÁLER GAHVARE HÁRIE JETE<br /> | |||
TÁI, TOMÁR SHARAŃ CÁI SUKHE DUHKHETE<br /> | |||
HE PRBHU TOMÁR E SRIŚT́ITE<br /> | |||
HE PRABHU TOMÁR E SRIŚT́ITE<br /> | |||
O Lord,<br /> | |||
in this creation of Yours,<br /> | |||
the game of light and darkness is going on.<br /> | |||
Light rushes around<br /> | |||
but fog approaches to cover it.<br /> | |||
After a moon's smile, a dark night comes.<br /> | |||
After lighted nights, dark times come.<br /> | |||
The stars, decorated like lamps in the sky,<br /> | |||
suddenly vanish in rain and sunlight.<br /> | |||
A baby's smile resembles a blooming flower.<br /> | |||
The incomparably beautiful rainbow and the autumn moon | |||
do not remain for a long time<br /> | |||
but lose themselves in the depth of time.<br /> | |||
I therefore long for Your shelter in pain and pleasure.<br /> | |||
=== 3713 (31/08/1986) K === | |||
JHAT́IKÁ YADI ÁSE<br /> | |||
HE PRABHU JUJHITE DIYO<br /> | |||
VANYÁR JALOCCHVÁSE<br /> | |||
SEVÁ KÁRYE MORE NIO<br /> | |||
HE PRABHU JUJHITE DIYO<br /> | |||
BHU STARA YADI SARE<br /> | |||
JVÁLÁMUKHI YADI NAŔE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHU STARA YADI SARE<br /> | |||
JVÁLÁMUKHI YADI NAŔE<br /> | |||
VIHAGERA BÁSÁ UŔE<br /> | |||
MANE MAMATÁ JÁGIO<br /> | |||
HE PRABHU JUJHITE DIYO<br /> | |||
AŃU ÁMI SARVA RIKTA<br /> | |||
KARO MORE KARUŃÁSIKTA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AŃU ÁMI SARVA RIKTA<br /> | |||
KARO MORE KARUŃÁSIKTA<br /> | |||
BHÚMÁ BHÁVE NIŚIKTA<br /> | |||
ÁRTER TRÁŃE NÁMIO<br /> | |||
HE PRABHU JUJHITE DIYO<br /> | |||
JHAT́IKÁ YADI ÁSE<br /> | |||
HE PRABHU JUJHITE DIYO<br /> | |||
O Lord,<br /> | |||
if a storm comes,<br /> | |||
let me face it.<br /> | |||
At the time of surging floods,<br /> | |||
take service from me.<br /> | |||
If the earth's layers move,<br /> | |||
if a volcano erupts,<br /> | |||
if a birds’ nests is blown away,<br /> | |||
arouse sympathy in my mind.<br /> | |||
I am a mere microcosm,<br /> | |||
devoid of everything.<br /> | |||
Make me compassionate.<br /> | |||
Saturating me with cosmic ideation,<br /> | |||
take me to the service of the afflicted.<br /> | |||
..............................................................................<br /> | |||
Even if a raging storm should come,<br /> | |||
O Lord, please give me the strength to fight.<br /> | |||
In surging floods and thyphoons,<br /> | |||
give me the chance to do relief work.<br /> | |||
Even if the lithosphere shifts,<br /> | |||
even if a volcano erupts,<br /> | |||
even if the nest of birds should be blown away,<br /> | |||
O Lord, please arouse sympathy in my mind.<br /> | |||
I am a mere microcosm devoid of everything,<br /> | |||
please make me saturated with compassion for all.<br /> | |||
Please make me full of cosmic love<br /> | |||
and take me to the realm of service of the distressed.<br /> | |||
=== 3714 (31/08/1986) (SERVICE SONG) === | |||
JIIRŃA VISHIIRŃA<br /> | |||
JIIVER KARIBO SEVÁ<br /> | |||
ÁRTE KŚUDHÁRTE<br /> | |||
BÁINCÁBE NATUVÁ KE BÁ<br /> | |||
JIIVER KARIBO SEVÁ<br /> | |||
JIIRŃA VISHIIRŃA<br /> | |||
JIIVER KARIBO SEVÁ<br /> | |||
ÁDHITE BHOGE JÁRÁ<br /> | |||
VYÁDHI YÁ TANÁTE SÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁDHITE BHOGE JÁRÁ<br /> | |||
VYÁDHI YÁ TANÁTE SÁRÁ<br /> | |||
SE MÁNAVA PASHU VIHAUNGA<br /> | |||
SABÁRI JANNYE MORÁ<br /> | |||
LATÁ GULMERA ÁCHE PRÁŃ<br /> | |||
TÁDERO TARE BHÁVÁ<br /> | |||
JIIVER KARIBO SEVÁ<br /> | |||
DÚR KE KÁCHE T́ENE CHI<br /> | |||
SAUNGE SABE NIYECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DÚR KE KÁCHE T́ENE CHI<br /> | |||
SAUNGE SABE NIYECHI<br /> | |||
PRÁŃE O MANE MENECHI<br /> | |||
SAMPADA SABÁRI MÁPÁ<br /> | |||
JIIVER KARIBO SEVÁ<br /> | |||
JIIRŃA VISHIIRŃA<br /> | |||
JIIVER KARIBO SEVÁ<br /> | |||
ÁRTE KŚUDHÁRTE<br /> | |||
BÁINCÁBE NATUVÁ KE BÁ<br /> | |||
JIIVER KARIBO SEVÁ<br /> | |||
JIIRŃA VISHIIRŃA<br /> | |||
JIIVER KARIBO SEVÁ<br /> | |||
We shall serve all living beings:<br /> | |||
the wornout and emaciated.<br /> | |||
Who else will save those<br /> | |||
sufferings from hunger and distress?<br /> | |||
Those suffering from physical or mental diseases<br /> | |||
humans, animals, and birds are all mine.<br /> | |||
Even shrubs and creepers have life.<br /> | |||
They are also to be considered.<br /> | |||
We pull the distant ones close<br /> | |||
and take them all together.<br /> | |||
We wholeheartedly accept that the wealth of all is limited.<br /> | |||
..............................................................................<br /> | |||
We shall serve the impoverished and emaciated.<br /> | |||
Otherwise, who else will save the distressed and the hungry?<br /> | |||
We are for all human beings<br /> | |||
animals and birds and for all those<br /> | |||
who suffer mentally and physically.<br /> | |||
Even the plants and creepers have life.<br /> | |||
We have to care for them too.<br /> | |||
Let us bring the distant ones close to us.<br /> | |||
Let us respect all and accept everyone wholeheartedly.<br /> | |||
The wealth (of the world) is limited<br /> | |||
and to be shared with all.<br /> | |||
=== 3715 (01/09/1986) K === | |||
BÁUNGLÁ ÁMÁR DESH<br /> | |||
BÁNGLÁ KE BHÁLOBÁSI<br /> | |||
BÁNGLÁR DUHKHE KÁNDI<br /> | |||
BÁNGLÁR SUKHE HÁSI<br /> | |||
BÁNGLÁ KE BHÁLOBÁSI<br /> | |||
BÁNGLÁR BHÁI BONERÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁNGLÁR BHÁI BONERÁ<br /> | |||
MOR KHELÁRI SÁTHI<br /> | |||
BÁNGLÁR HIYÁ ÁMRÁ<br /> | |||
D́HELE JÁY PRIITI NITI<br /> | |||
BÁNGLÁ KE BHÁLOBÁSI<br /> | |||
BÁNGLÁTERA PHÚL PHAL JALA<br /> | |||
PRABHÁTERA SMITA SHATADALA<br /> | |||
YUGÁNTARE NIRÁSHÁR<br /> | |||
KUÁSHÁY DIK NÁSHI<br /> | |||
BÁNGLÁ KE BHÁLOBÁSI<br /> | |||
BÁNGÁLIIR JATA ÁSHÁ<br /> | |||
BÁNGÁLIIR PRIYA BHÁSHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VISHVAEKATÁVÁDE<br /> | |||
PHIRE PÁK PRATYÁSHÁ<br /> | |||
BÁNGÁLII CHELE MEYERÁ<br /> | |||
BÁNGÁLIIR BODHI PASARÁ<br /> | |||
SÁRTHAKA HOK HE PRABHU<br /> | |||
MAHATER BHÁVE MISHI<br /> | |||
BÁNGLÁ KE BHÁLOBÁSI<br /> | |||
Bengal is my country and I love it. I cry in its plight and smile in its joy. The<br /> | |||
brothers and sisters of Benga’l are my playmates. Its heart fills in mine love. Its<br /> | |||
fruits, flowers and water and the smiling lotus of the dawn, will dispel the accumulated<br /> | |||
fog of gloom for eras. All its hopes and aspirations and the lovely language will find<br /> | |||
fruition in Universalism. With the spread of intuition in its boys and girls, O Lord<br /> | |||
should be fruitful by merger in the cosmic idea.<br /> | |||
(in this song, the name of the country can be changed with the name of one’s own country)<br /> | |||
=== 3716 (02/09/1986) K === | |||
GIITI MÁLIKÁ GALE ESE CHILE<br /> | |||
JÁTIKÁ VIITHIKÁTE SE RÁTE<br /> | |||
SE SVAPNAMÁYÁY LIILÁ DOLÁY<br /> | |||
BHESE CALI ÁJO AJÁNÁTE<br /> | |||
JÁTIKÁ VIITHIKÁTE SE RÁTE<br /> | |||
SUR SAPTAKE BHULE TÁN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SUR SAPTAKE BHULE TÁN | |||
GEYE CHILE PRIITI BHARÁ GÁNA<br /> | |||
VIIŃÁR TÁRE SHATA DHÁRE<br /> | |||
JYOTI MANJIIRER MANJARIITE<br /> | |||
JÁTIKÁ VIITHIKÁTE SE RÁTE<br /> | |||
SE GIITA KABHU HÁRÁBE NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE GIITA KABHU HÁRÁBE NÁ<br /> | |||
YUGA YUGÁNTEO THÁMIBE NÁ<br /> | |||
MAHÁKÁSHE JÁBE BHESE<br /> | |||
JYOTIŚKÁTIITA SHRUTI PATHE<br /> | |||
JÁTIKÁ VIITHIKÁTE SE RÁTE<br /> | |||
GIITI MÁLIKÁ GALE ESE CHILE<br /> | |||
JÁTIKÁ VIITHIKÁTE SE RÁTE<br /> | |||
With the garland of songs in the neck, You came that night through the ja’tika’ lane.<br /> | |||
With that oscillation of dreamy game, liila, even today I go on floating into the<br /> | |||
unknown. Ignoring the tune, of the octave, You had sung the song full of love, with the<br /> | |||
strings of viin’a’, in hundreds of ways. That song would never be lost, and will not<br /> | |||
pause even for eras after eras. It would go on floating in the Great Space, beyond the<br /> | |||
glowing stars through the audible path.<br /> | |||
=== 3717 (02/09/1986) D === | |||
RÚPER SÁYARE D́ÚB DIYE ÁMI<br /> | |||
ARÚPA RATAN LABHIÁCHI<br /> | |||
LÁSYE O HÁSYE DIIRGHÁBHILÁŚE<br /> | |||
PRÁRTHITA PRIYA PEYE GECHI<br /> | |||
ARÚPA RATAN LABHIÁCHI<br /> | |||
RATNÁKARERO E RATNA NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RATNÁKARERO E RATNA NÁI<br /> | |||
ÁKÁSHE VÁTÁSE JE DIKE TÁKÁI<br /> | |||
SAB KICHU ÁCHE EKAI SHUDHU NÁI<br /> | |||
SE EKERE ÁJ DHARIÁCHI<br /> | |||
ARÚPA RATAN LABHIÁCHI<br /> | |||
PRAKÁSHYE CENÁ JÁY NÁ E MAŃI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRAKÁSHYE CENÁ JÁY NÁ E MAŃI<br /> | |||
ÁNDHÁRE JHALAKE CITTER KHANI<br /> | |||
BHÁVA BANDHANE BÁNDHÁ ÁCHE JÁNI<br /> | |||
TABU BHAYE MARI NÁHI BUJHI<br /> | |||
ARÚPA RATAN LABHIÁCHI<br /> | |||
RÚPER SÁYARE D́ÚB DIYE ÁMI<br /> | |||
ARÚPA RATAN LABHIÁCHI<br /> | |||
Having submerged in the ocean of forms, I found the most precious formless gem. With smile<br /> | |||
and gesture, the long cherished and requested Dear Entity, I attained. That most precious<br /> | |||
gem is not available even in the quarry of gems, wherever I look into sky and air. There<br /> | |||
are all things except only one, I brought into folds that one today. This gem that cannot<br /> | |||
be recognised in light, this mental treasure glows in the darkness. I know it to be bound<br /> | |||
by bondage of feelings of love, still without understanding I die with fear.<br /> | |||
=== 3718 (03/09/1986) D === | |||
SE JE, ACENÁ AJÁNÁ RAYE GECHE<br /> | |||
TÁR, MANDA MADIR MALAY SAMIIR<br /> | |||
MAHÁKÁSHE BHESE ÁCHE<br /> | |||
ACENÁ AJÁNÁ RAYE GECHE<br /> | |||
SE JE ÁCHE MISHE ARUŃA PRAKÁSHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE JE ÁCHE MISHE ARUŃA PRAKÁSHE<br /> | |||
PÚRVÁKÁSHE TAMASÁ SHEŚE<br /> | |||
ATANDRA NISHÁ HRIT ÁSHÁ BHÁŚÁ<br /> | |||
TÁRAI BHAROSÁR PARE NÁCE<br /> | |||
ACENÁ AJÁNÁ RAYE GECHE<br /> | |||
TÁR GÁN GÁI TÁRI KATHÁ BHÁVI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TÁR GÁN GÁI TÁRI KATHÁ BHÁVI<br /> | |||
TÁRI TARAUNGE UT́HI ÁR NÁVI<br /> | |||
TÁRI PRIITI RASE MADHUR ÁBHÁSE<br /> | |||
VIIŃÁ JHAUNKÁRE GIITI BÁJE<br /> | |||
ACENÁ AJÁNÁ RAYE GECHE<br /> | |||
SE JE, ACENÁ AJÁNÁ RAYE GECHE<br /> | |||
He remained unknown and unrecognised. His soft, intoxicating, sandal breeze, goes on | |||
floating in the Great Space. He remains merged in crimson light of the dawn at the end of<br /> | |||
the night in the eastern sky. The active night, having lost hope and language, dances due<br /> | |||
to His assurance. Under His waves, I rise and drop. In the flow of His love, with sweet<br /> | |||
appearance, with the tinkling of viin’a’, the melody plays.<br /> | |||
=== 3719 (04/09/1986) K === | |||
MÁDHAVII KUINJE ESO SHYÁM<br /> | |||
MAN BHRAMARÁY MADIR KARE<br /> | |||
UJÁŔ KARO KORAK D́HÁKÁ<br /> | |||
MANER MADHU DU HÁT BHARE<br /> | |||
MAN BHRAMARÁY MADIR KARE<br /> | |||
E MÁDHAVI KUINJA ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
E MÁDHAVI KUINJA ÁMÁR<br /> | |||
SE JE ÁCHE ÁSHÁY TOMÁY<br /> | |||
PRATIT́I PAL HOYE VIPHAL<br /> | |||
VIPAL GUŃE TOMÁRE<br /> | |||
ÁSIBE KI NÁJÁNINÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSIBE KI NÁJÁNINÁ<br /> | |||
PUŚPITA KARE SÁDHANÁ<br /> | |||
SINCITA JALA PRIITI KOMAL<br /> | |||
T́ÁNIBE NÁ KI TOMÁRE<br /> | |||
MAN BHRAMARÁY MADIR KARE<br /> | |||
ESO TUMI BARER VESHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ESO TUMI BARER VESHE<br /> | |||
PHÚLER SÁJE GÁNER RESHE<br /> | |||
MADHUR ÁNANA ATANDRA MAN | |||
SMITÁDHARE BHÁVER GHORE<br /> | |||
MAN BHRAMARÁY MADIR KARE<br /> | |||
MÁDHAVII KUINJE ESO SHYÁM<br /> | |||
MAN BHRAMARÁY MADIR KARE<br /> | |||
O Shyam, come into the arbor of madhavii flowers, intoxicating the mental honeybee. Fully<br /> | |||
open the cover of the nucleus filling mental honey in both hands. In this ma’dhavii<br /> | |||
arbor of mine, which waits expecting You, each moment and seconds counting time, becomes<br /> | |||
futile. Whether You would come or not, I do not know, to fulfill and bloom my endeavor of<br /> | |||
sa’dhana’. Whether the soft love wet water would pull You or not. Come in the<br /> | |||
adornment of the respected groom, with decoration of flower and tint of song. Come with<br /> | |||
sweet face and active mind, smiling lips with intense feeling.<br /> | |||
=== 3720 (05/09/1986) K === | |||
EI, TAMASÁY BHARÁ VARAŚÁY<br /> | |||
MAN MOR BHESE JÁY SAGHAN SHYÁMALIMÁY<br /> | |||
VEŃUKÁ VANER SUŚAMÁY<br /> | |||
EI, TAMASÁY BHARÁ VARAŚÁY<br /> | |||
SE PRIYA KI ÁSIBE NÁ BÁNSURI BÁJÁBE NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE PRIYA KI ÁSIBE NÁ BÁNSURI BÁJÁBE NÁ<br /> | |||
NARMA YAMUNÁ JALE MARMA DOLÁBE NÁ<br /> | |||
SUR SAPTAKE VIIŃÁ JHAUNKÁRE MÁTÁBE NÁ<br /> | |||
EKEO KII PRIITI BOLÁ JÁY<br /> | |||
EI, TAMASÁY BHARÁ VARAŚÁY<br /> | |||
BÁHIRE BÁDAL JHARE TANDRÁ BHÁUNGÁR SURE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁHIRE BÁDAL JHARE TANDRÁ BHÁUNGÁR SURE<br /> | |||
SABÁR AGOCARE GHARE MOR ÁNKHI JHARE<br /> | |||
SIKTA JAL DHÁRÁY VIVIKTA CARÁCARE<br /> | |||
MOR PÁNE KE BÁ PHIRE JÁY<br /> | |||
EI, TAMASÁY BHARÁ VARAŚÁY<br /> | |||
In this rainy time<br /> | |||
full of darkness<br /> | |||
my mind floats on | |||
in the beauty of the deep green bamboo grove.<br /> | |||
I wonder whether that beloved one of mine will come or not.<br /> | |||
I wonder whether He will play the flute or not.<br /> | |||
I wonder whether He will stir the depth of the soft Yamuna river water.<br /> | |||
Will He not enchant me<br /> | |||
by tinkling melodious notes on the lyre?<br /> | |||
I wonder whether to consider this real love?<br /> | |||
Outside, clouds outpour in awakening tunes.<br /> | |||
Inside my home, unseen | |||
tears are pouring from my eyes.<br /> | |||
Flooded by the flow of water<br /> | |||
my whole world has become isolated.<br /> | |||
Will He ever again return?<br /> | |||
..............................................................................<br /> | |||
In the staticity of rainfall<br /> | |||
my mind floats to the deep green vegetation | |||
and enjoys the beauty of the cane forest.<br /> | |||
Will my beloved not come and play His flute?<br /> | |||
By the banks of the Yamuna river to my delight?<br /> | |||
The scale of the seven notes<br /> | |||
my mind enjoys the flow like this.<br /> | |||
I wonder if to consider this real love?<br /> | |||
Outside it is raining<br /> | |||
and the sound of that rain | |||
shatters my drowsiness.<br /> | |||
Unknown to all, inside my house<br /> | |||
tears are flowing from my eyes.<br /> | |||
=== 3721 (05/09/1986) K === | |||
TUMI ESE CHILE VIIŃÁ BÁJIYE CHILE<br /> | |||
JHAUNKÁR TÁR ÁJAO BHESE JÁY<br /> | |||
SUR SHIKHIYE CHILE GÁN SHUNIYE CHILE<br /> | |||
SE VIIŃÁR TÁR MANE JHALAKÁY<br /> | |||
JHAUNKÁR TÁR ÁJAO BHESE JÁY<br /> | |||
KARE GIYE CHILE TUMI VASUDHÁ KE VIMOHITA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KARE GIYE CHILE TUMI VASUDHÁ KE VIMOHITA<br /> | |||
KARE GIYE CHILE TUMI VASUDHÁ KE VIMOHITA<br /> | |||
KARE GIYE CHILE TUMI VASUDHÁ KE VIMOHITA<br /> | |||
DIIRGHA NIDRÁ PARE VIMÚRTA NANDITA<br /> | |||
TOMÁRE SE DYOTANÁY MÁRMIK ANUDHÁRÁY<br /> | |||
SVARŃA JHARŃÁ PRÁŃE VARAŚÁY<br /> | |||
JHAUNKÁR TÁR ÁJAO BHESE JÁY<br /> | |||
JÁONIKO TUMI DÚRE ÁCHO SABE GHIRE GHIRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁONIKO TUMI DÚRE ÁCHO SABE GHIRE GHIRE<br /> | |||
JÁONIKO TUMI DÚRE ÁCHO SABE GHIRE GHIRE<br /> | |||
JÁONIKO TUMI DÚRE ÁCHO SABE GHIRE GHIRE<br /> | |||
MANER MAINJÚŚÁY TAVA PRIITI GUINJARE<br /> | |||
SE TOMÁR RÚPE RÁGE SHÁSHVATA ANURÁGE<br /> | |||
VARAŃÁTIITA MURACHÁY<br /> | |||
JHAUNKÁR TÁR ÁJAO BHESE JÁY<br /> | |||
TUMI ESE CHILE VIIŃÁ BÁJIYE CHILE<br /> | |||
JHAUNKÁR TÁR ÁJAO BHESE JÁY<br /> | |||
O Lord, You had come and played viin’a’, the tinkling of which even today goes on | |||
floating. You taught the melody, heard the songs, showing the strings of the viin’a’<br /> | |||
in the mind. You made the world enchanted, after a prolonged sleep with materialization of<br /> | |||
pleasure. That gesture of Yours, subtle flow of undercurrent, rains the golden fountain | |||
into the heart. You do not go far, remain surrounding all. In the mental casket, You love<br /> | |||
resonates. That puts me in trance beyond description by Your beauty, affection and eternal<br /> | |||
love.<br /> | |||
=== 3722 (05/09/1986) K === | |||
ESO TUMI ÁMÁR DESHE<br /> | |||
BHALOBESE MADHUR HESE<br /> | |||
ÁSAN PETE REKHECHI GHARE<br /> | |||
MAN VEDII PUŚPA VÁSE<br /> | |||
BHALOBESE MADHUR HESE<br /> | |||
ÁMÁR DESHER HOYO ATITHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR DESHER HOYO ATITHI<br /> | |||
TITHI NÁ MENE THÁKO NITI<br /> | |||
ÁMÁR E DESHA VISHVA JOŔÁ<br /> | |||
PRIITI BHARÁ PRÁŃOCCHVÁSE<br /> | |||
BHALOBESE MADHUR HESE<br /> | |||
TUMI YADI NÁ ELE PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI YADI NÁ ELE PRIYA<br /> | |||
SAB KICHU MOR VRITHÁ JÁNIO<br /> | |||
BÚKER MADHU JYOTSNÁ VIDHU<br /> | |||
SUKHER NIIŔER VINIRYÁSE<br /> | |||
BHALOBESE MADHUR HESE<br /> | |||
ESO TUMI ÁMÁR DESHE<br /> | |||
BHALOBESE MADHUR HESE<br /> | |||
O Lord, You come to my arena, smiling sweetly with love. I have kept the seat in my home<br /> | |||
with floral fragrance on the mental altar. Become a guest of my mental arena, ignoring the<br /> | |||
date, stay forever. My arena is overwhelmingly harnessed with the universe. O Dear if You<br /> | |||
do not come, then know that everything of mine is useless, all the honey in the heart and<br /> | |||
the illumination of the moon, with essence of the happy nest.<br /> | |||
=== 3723 (06/09/1986) K === | |||
SUMUKHE ÁSITE NÁ CÁO<br /> | |||
ESO ESO ÁNKHITE<br /> | |||
VIMUKHE VIRÚPE TO<br /> | |||
MÁY CÁI NÁ CAI HÁSITE<br /> | |||
ESO ESO ÁNKHITE<br /> | |||
TOMÁRE JÁY NÁ DHARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁRE JÁY NÁ DHARÁ<br /> | |||
BOLE JÁN VIJINA JÁNRÁ<br /> | |||
ÁMI AJINA BODHIHÁRÁ<br /> | |||
KRIPÁTE CÁI DHARITE<br /> | |||
ESO ESO ÁNKHITE<br /> | |||
KI NÁ HOY TAVA KARUŃÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KI NÁ HOY TAVA KARUŃÁY<br /> | |||
PAUNGU GIRI LAUNGHI JÁY<br /> | |||
MÚKAO PULAKE KATHÁ KAY<br /> | |||
AMÁY CÁNDA HÁSE CAKITE<br /> | |||
ESO ESO ÁNKHITE<br /> | |||
O Lord, if You do not want to come before me, then come on my eyes. I do not want to see<br /> | |||
You crossed and apathetic, rather smilingly. It is not possible to get You itno the folds<br /> | |||
this is told by the learned people. I am ignorant, devoid of intuition, want to bring You<br /> | |||
under folds by Your grace. What is impossible by Your grace? The lame can cross the<br /> | |||
mountain, even the dumb speaks out, and even moon smiles in the dark night astonishingly.<br /> | |||
=== 3724 (06/09/1986) K === | |||
ESE CHILE TUMI SE RÁTE<br /> | |||
CHÁPIE DIYE CÁNDER HÁSI<br /> | |||
MANDA MADHUR MALAY VÁTE<br /> | |||
UPACE DIYE ASHEŚA KHÚSHI<br /> | |||
CHÁPIE DIYE CÁNDER HÁSI<br /> | |||
KII RITI TOMÁR JÁNI NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KII RITI TOMÁR JÁNI NÁ<br /> | |||
KI KATHÁ KAO TÁO BUJHI NÁ<br /> | |||
PÚRŃA PÁTRE KII JE YÁCANÁ<br /> | |||
JÁNIYE JÁO AHARNISHI<br /> | |||
CHÁPIE DIYE CÁNDER HÁSI<br /> | |||
DITE GELE NITE CÁO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DITE GELE NITE CÁO NÁ<br /> | |||
BHUMÁ KI BÁ NEVE BOLO NÁ<br /> | |||
JÁ ÁCHE TÁ TÁRI ÁCHE<br /> | |||
ÁDI SHEŚER RIKKHARÁSHI<br /> | |||
CHÁPIE DIYE CÁNDER HÁSI<br /> | |||
ESE CHILE TUMI SE RÁTE<br /> | |||
CHÁPIE DIYE CÁNDER HÁSI<br /> | |||
O Lord, You had come that night, spreading smile of the moon. With soft sweet sandal<br /> | |||
breeze, You overflowed endless joy. I do not know what is Your style, what You want to<br /> | |||
convey that also I do not understand. What is the demand of the fulfilled container, know<br /> | |||
it for all the time, day and night. You have been always giving, and never wanted to take.<br /> | |||
What the Macrocosm would take, tell me. Whatever exists, belong to You, all the wealth<br /> | |||
from beginning to end.<br /> | |||
=== 3725 (06/09/1986) K === | |||
CÁNDER ÁLOR DESHE PHULE PARÁGE MISHE<br /> | |||
TUMI ESECHILE KON SE RÁTE<br /> | |||
MÁDHURII VIVARDHANA PRATIITI NANDANA<br /> | |||
HE MANORAINJANA KISER ÁSHÁTE<br /> | |||
TUMI ESECHILE KON SE RÁTE<br /> | |||
KETAKI KESHAR ÁJAO SEI KATHÁ KAYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KETAKI KESHAR ÁJAO SEI KATHÁ KAYE<br /> | |||
JÚTHIKÁ KÁTAR TABU GÁY TAVA JAY<br /> | |||
T́AGAR CÁMELI JÁTI SPANDITA ANUBHÚTI<br /> | |||
SE APÁR ABHISÁR GIITI RACE NIBHRITE<br /> | |||
TUMI ESECHILE KON SE RÁTE<br /> | |||
VAN HARIŃI ÁJAO SE ÁKÁSHE CÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VAN HARIŃI ÁJAO SE ÁKÁSHE CÁY<br /> | |||
VIMÚRTA KALÁPE SHIKHI NIRAKHÁY<br /> | |||
DÁDUR PULAKE BOLE PRIITI BHARÁ ÁNKHI JALE<br /> | |||
KADAMBA TAMÁLE ÁJO KÁNDE SE SHIKHITE<br /> | |||
TUMI ESECHILE KON SE RÁTE<br /> | |||
CÁNDER ÁLOR DESHE PHULE PARÁGE MISHE<br /> | |||
TUMI ESECHILE KON SE RÁTE<br /> | |||
O Lord, from the bright arena of the moon, mixed with floral fragrance, on which night did<br /> | |||
You come? O The enhancer of sweetness, pleasing in experience, mind charmer, with what<br /> | |||
expectation did You come? The pollen of ketakii flower even today tells that event. Juhi<br /> | |||
flower is afflicted, still it sings Your victory. The t’agar and ca’melii group is<br /> | |||
vibrated with the experience and create unlimited songs of love in isolation. The wild<br /> | |||
deer even today cherishes that environment. With materialization of its call, the peacock<br /> | |||
is noticed. The frogs joyously utter with tears of love. The kadamba and tama’l cry even | |||
today to that peacock.<br /> | |||
=== 3726 (07/09/1986) D === | |||
GÁNER E MÁLÁKHÁNI<br /> | |||
TOMÁRAI TARE RACECHI<br /> | |||
MAŃI MUKTÁ NÁ PEYECHI<br /> | |||
ÁCHE SHUDHU JE GÁNAI<br /> | |||
GÁNER E MÁLÁKHÁNI<br /> | |||
BHORE PHÚL CAYAN KARI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHORE PHÚL CAYAN KARI<br /> | |||
SÁNJHE MÁYÁ D́ORE BHARI<br /> | |||
NIYATA TOMÁRE SMARI<br /> | |||
SURETE GENTHECHI VÁŃII<br /> | |||
GÁNER E MÁLÁKHÁNI<br /> | |||
JIIVANER JATA PÚJÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVANER JATA PÚJÁ<br /> | |||
NIBHRITE SHATA KHONJÁ<br /> | |||
ANITYERA SAUNGE JOJHÁ<br /> | |||
SARÁYE SAKAL GLÁNI<br /> | |||
GÁNER E MÁLÁKHÁNI<br /> | |||
O Lord, these garlands of song I am creating for You. I did not find any pearl or gem for<br /> | |||
threading, I got only songs. I pick up flowers in the morning and thread them into garland<br /> | |||
in the evening with the thread of ma’ya’. Remembering You constantly, I thread the<br /> | |||
words. All the worship in the life, hundreds of searches in isolation. Struggling with the<br /> | |||
phenomenal, discarding all agonies, I do so.<br /> | |||
=== 3727 (08/09/1986) K === | |||
MOHA BHAINJAN MANORAINJAN VISHVÁTIITA SATTÁ<br /> | |||
HE CIRA ÁNANDA GHANA<br /> | |||
NÁMER MAHIMÁY BHÁVER GARIMÁY<br /> | |||
CEYE ÁCHO PRÁŃAVATTÁ<br /> | |||
HE PURUŚA PURÁTANA<br /> | |||
HE CIRA ÁNANDA GHANA<br /> | |||
PARAMA PURUŚA TUMI PARAMÁRTHA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PARAMA PURUŚA TUMI PARAMÁRTHA<br /> | |||
JAD́A CETANE SAMA BHÁVE PARIVYÁPTA<br /> | |||
AŃU PARAMÁŃU TOMÁTEI ABHIVYAKTA<br /> | |||
TUMI JIIVNA MARAŃA<br /> | |||
HE CIRA ÁNANDA GHAN | |||
NRITYE ABHISÁRE NRITYER CHANDE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NRITYE ABHISÁRE NRITYER CHANDE<br /> | |||
TUMI SABÁKÁR SÁTHE ANANTA SUDHÁSÁRE<br /> | |||
CHILE, ÁCHO, THEKE JÁBE<br /> | |||
YUGE YUGÁNTARE ÁPLUTA KARE<br /> | |||
HE CIRA ÁNANDA GHANA<br /> | |||
O destroyer of the illusory attachments, mindcharmer, the entity beyond the world, ever<br /> | |||
intense bliss. With the glory of name and greatness of ideas, You look to liveliness, O<br /> | |||
the ancient Purus’a, O Parama Purus’a, You are the ultimate goal, You pervade the<br /> | |||
living and nonliving in same way. All the atoms and molecules are Your expressions. You<br /> | |||
are the life and death. For the rendezvous of dance with the rhythm of dance, You are<br /> | |||
along with all with infinite essence of nectar. You were present, exist now and will<br /> | |||
remain flooding all eras after eras.<br /> | |||
=== 3728 (08/09/1986) D === | |||
ÁMI, KHUNJECHI TOMÁY NABHE PÁTÁLE DHARÁY<br /> | |||
DHARÁ DILE NÁ, DILE NÁ, DILE NÁ<br /> | |||
HOYETO ÁMÁRAI DOŚA E ÁSHUTOŚA<br /> | |||
ÁMÁR NEIKO JÁNÁ KONO SÁDHANÁ<br /> | |||
DHARÁ DILE NÁ, DILE NÁ, DILE NÁ<br /> | |||
TUMI, DÁO NÁ DHARÁ SHÁSTRE DARSHANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI, DÁO NÁ DHARÁ SHÁSTRE DARSHANE<br /> | |||
TOMÁY JÁY NÁ CHONYÁ MALAY PAVANE<br /> | |||
TUMI MANE ÁCHO PRÁŃE NECE CALECHO<br /> | |||
TÁI KONO MÚLYE TOMÁY JÁY NÁ KENÁ<br /> | |||
DHARÁ DILE NÁ, DILE NÁ, DILE NÁ<br /> | |||
TOMÁY, JÁY NÁ CENÁ SÁHITYA KARME<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁY, JÁY NÁ CENÁ SÁHITYA KARME<br /> | |||
TUMI, MÁNO NÁ MÁNÁ ÚŚÁY SANDHYÁY NARME<br /> | |||
TUMI, GHAR KE KARO BÁHIR, BÁHIR KE GHAR<br /> | |||
ÁCHO, MARMER MÁRMIKTÁY LIILAY NÁNÁ<br /> | |||
DHARÁ DILE NÁ, DILE NÁ, DILE NÁ<br /> | |||
O Lord, I have been searching You in sky, earth and netherworld, but You never came into<br /> | |||
folds. O The Quickly pleased Lord, it could be due to my faults, I had no knowledge of any<br /> | |||
spiritual endeavor, sa’dhana’. You do not come into folds by scriptures or philosophy.<br /> | |||
You cannot be touched by sandal breeze. You are in the mind and go on dancing in feelings<br /> | |||
thus for any price, You cannot be purchased. You cannot be recognised by literature or<br /> | |||
actions. You are not restricted by mornings or soft evenings. You make the insiders out<br /> | |||
and outsiders in, remain playing in numerous ways of Your liila, in the inner most<br /> | |||
feeling of heart with deep insight.<br /> | |||
=== 3729 (08/09/1986) D === | |||
KUHELIR RÁTE TAMSÁTE<br /> | |||
NIIRAVA CARAŃE ESE CHILE<br /> | |||
TÁI, CIRA AJÁNÁ RAYE GELE<br /> | |||
NIIRAVA CARAŃE ESE CHILE<br /> | |||
TIMIRÁVRITTA CHILO NISHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TIMIRÁVRITTA CHILO NISHÁ<br /> | |||
ÁMÁR COKHE CHILO GHUMER NESHÁ<br /> | |||
ANÁDI ASHEŚA SE TAMASÁ<br /> | |||
NIJER MANER RAUNGE RÁUNGIYE DILE<br /> | |||
NIIRAVA CARAŃE ESE CHILE<br /> | |||
CARAŃA PÁTE JYOTI MAINJIIRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CARAŃA PÁTE JYOTI MAINJIIRE<br /> | |||
DHVANI JEGE CHILO DHIIRE DHIIRE<br /> | |||
CETANÁ ELO MARME GABHIIRE<br /> | |||
DEKHE HESE TUMI LUKIYE GELE<br /> | |||
NIIRAVA CARAŃE ESE CHILE<br /> | |||
O Lord, on the foggy night, during darkness, with silent feet You had come but remained<br /> | |||
ever unknown. The night was covered with darkness, and in my eyes was drowsiness of sleep.<br /> | |||
With the fall of feet, slowly the shining musical sound of mainjiira’ arose, and<br /> | |||
awareness came into the depth of the core. But when I saw, smilingly You hid Yourself.<br /> | |||
=== 3730 (08/09/1986) D === | |||
TUMI KABE ESE CHILE<br /> | |||
ITIHÁS TÁR AJÁNÁ<br /> | |||
HÁR MENE JÁY SHÁSTRA SAKAL<br /> | |||
KEU BHÁVITE PÁRE NÁ<br /> | |||
ITIHÁS TÁR AJÁNÁ<br /> | |||
ESE CHILE NIJER LIILÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ESE CHILE NIJER LIILÁY<br /> | |||
AŃU PARAMÁŃUR DOLÁY<br /> | |||
NIIHÁRIKÁY TÁRÁR MÁLÁY<br /> | |||
KII VICITRA EŚAŃÁ<br /> | |||
ITIHÁS TÁR AJÁNÁ<br /> | |||
PRAŃÁM JÁNÁI TOMÁY PRABHU<br /> | |||
KOT́I KOT́I BÁR<br /> | |||
ESE CHILE KENO KE JÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ESE CHILE KENO KE JÁNE<br /> | |||
AVYAKTER STABDHA MANE<br /> | |||
NIRVIKÁRE KŚAŃE KŚAŃE<br /> | |||
URMI ENE NÁNÁ<br /> | |||
ITIHÁS TÁR AJÁNÁ<br /> | |||
TUMI KABE ESE CHILE<br /> | |||
ITIHÁS TÁR AJÁNÁ<br /> | |||
O Lord, when had You come, the history of which is unknown. All the scriptures accept<br /> | |||
defeat no one is able to imagine. You had come by Your own game, liila, oscillating<br /> | |||
atoms and molecules, series of stars and nebula, what an amazing will? I offer my<br /> | |||
salutations to You millions of times. Who knows what for did You come into the stupefied<br /> | |||
mind of the unexpressed, remaining absolutely pure, bringing numerous waves each moment?<br /> | |||
=== 3731 (09/09/1986) D === | |||
TÁMASI NISHÁR? AVASÁNE<br /> | |||
ARUŃA PRABHÁT ELO<br /> | |||
PRÁŃA SARITÁR STARE STARE?<br /> | |||
RAUNGER PRALEPA DILO<br /> | |||
TÁMASI NISHÁR AVASÁNE<br /> | |||
SÚRYA ELO PÚRVÁKÁSHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SÚRYA ELO PÚRVÁKÁSHE<br /> | |||
ÁMÁR ÁSHÁY PASARÁ PÁSHE<br /> | |||
TAMA SUDAN VARŃÁBHÁSE<br /> | |||
GLÁNI SARIYE NILO<br /> | |||
TÁMASI NISHÁR AVASÁNE<br /> | |||
VARŃA DHÁRÁY RÚPA MEKHALÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VARŃA DHÁRÁY RÚPA MEKHALÁY<br /> | |||
VICITRA TÁR MARMA DOLÁY<br /> | |||
VIMÚRTA PRÁŃA TOMÁR LIILÁY<br /> | |||
YÁTRÁRAMBHA HOLO<br /> | |||
TÁMASI NISHÁR AVASÁNE ARUŃ PRABHÁT ELO<br /> | |||
At the end of dark night, crimson morning came. At each level of the stream of vitality<br /> | |||
You applied colourful paints. The sun appeared in the eastern sky, with the articles of my<br /> | |||
hopes. With the appearance of the darkness destroying colour, the agonies were removed.<br /> | |||
With the flow of colours, encircling beauty. Your oscillating of the heart is amazing. The<br /> | |||
materialized vitality with Your liila, the journey began.<br /> | |||
=== 3732 (09/09/1986) K === | |||
CÁNDA HÁRIYE GELO ÁNDHÁR NEVE ELO<br /> | |||
TUMI BOLE GIYE CHILE ÁSIBE ÁBÁR<br /> | |||
CÁNDA PUNAH PHIRE ELO ÁLO JHALAKÁLO<br /> | |||
TUMI ÁSILE NÁ ÁR GHARE ÁMÁR<br /> | |||
TUMI BOLE GIYE CHILE ÁSIBE ÁBÁR<br /> | |||
SABÁR PRÁŃER PRÁŃA HE PRIYA ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABÁR PRÁŃER PRÁŃA HE PRIYA ÁMÁR<br /> | |||
TRILOKA UDBHÁSITA DYUTITE TOMÁR<br /> | |||
ASTI BHÁTI ÁNANDA APÁR<br /> | |||
TOMÁTEI VIDHRITA CETANÁ SABÁKÁR<br /> | |||
TUMI BOLE GIYE CHILE ÁSIBE ÁBÁR<br /> | |||
MANER MADHU MOR TOMÁR TARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER MADHU MOR TOMÁR TARE<br /> | |||
JATANE REKHECHI DHARE KORAK PARE<br /> | |||
TUMI ELE D́HELE DOBO UJÁŔ KARE<br /> | |||
KARUŃÁ KAT́ÁKŚE TÁKÁO EKAT́I BÁR<br /> | |||
TUMI BOLE GIYE CHILE ÁSIBE ÁBÁR<br /> | |||
The moon disappeared, and the darkness came. You had told that You would come again. The<br /> | |||
moon reappeared again showering illumination, but You did not come to my home again. O my<br /> | |||
Dear, the life of all lives, by Your effulgence all the three worlds are illuminated, with<br /> | |||
unlimited bliss of existence and shine. The microcosmic consciousness of all is sheltered<br /> | |||
within You. I have kept my mental honey carefully preserved for You within the nucleus of<br /> | |||
my core. When You come, I shall offer to You overwhelmingly. With look of mercy see me at<br /> | |||
least once.<br /> | |||
=== 3733 (09/09/1986) K === | |||
JE ÁGUN JVELE GELE<br /> | |||
STÚPIKRITA ANDHAKÁRE<br /> | |||
ULKÁ TARAL JVÁLÁR MÁLÁY<br /> | |||
KÁLA HOTE KÁLÁNTARE<br /> | |||
STÚPIKRITA ANDHAKÁRE<br /> | |||
SE ÁGUN CHEYE GELO DIGDIGANTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE ÁGUN CHEYE GELO DIGDIGANTE<br /> | |||
MÁNILO NÁ KONO MÁNÁ SÁNTE ANANTE<br /> | |||
LELIHÁNA SHIKHÁ TÁR PROJJVALA O APÁR<br /> | |||
CHAŔÁLO SARVANTARE<br /> | |||
STÚPIKRITA ANDHAKÁRE<br /> | |||
HUTÁSANA VAKŚA UGÁRI CALE ANAL<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HUTÁSANA VAKŚA UGÁRI CALE ANAL<br /> | |||
BHASMIBHÚTA KARE PÁPER ANTAHSTHALA<br /> | |||
JE PÁPA PARIBHU PARE DÁNAVA NRITYA KARE<br /> | |||
TÁRE SARÁLO ACIRE<br /> | |||
STÚPIKRITA ANDHAKÁRE<br /> | |||
O Lord, the fire that You kindled in the piled darkness, with the series of blowing flame<br /> | |||
of meteorites, from time to time. That fire spread into all directions, unrestricted into<br /> | |||
finite and infinite. The blazing flame of which with unlimited brilliance is spread within | |||
all. The flame of sacrificial fire moves erupting the bosom, and burns to ashes the core<br /> | |||
of the sins, over the boundary of which, the devils dance. That You quickly removed.<br /> | |||
=== 3734 (09/09/1986) D === | |||
TUMI YADI NÁHI ELE<br /> | |||
VRITHÁI KABARII BÁNDHÁ<br /> | |||
VRITHÁI TABE ÁLOKA SAJJÁ<br /> | |||
VRITHÁI SUR SÁDHÁ<br /> | |||
TUMI YADI NÁHI ELE<br /> | |||
VRITHÁI TABE ÁLPANÁ ÁNKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VRITHÁI TABE ÁLPANÁ ÁNKÁ<br /> | |||
VRITHÁI TABE SEJE THÁKÁ<br /> | |||
VRITHÁI ÁNKÁ KÁJALA REKHÁ<br /> | |||
KUSUM BHARÁ GÁNTHÁ<br /> | |||
TUMI YADI NÁHI ELE<br /> | |||
TOMÁR TARE YUGE YUGE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR TARE YUGE YUGE<br /> | |||
HE PRIYA MOR ÁCHI JEGE<br /> | |||
ANTAH VIHIN BHÁVÁVEGE<br /> | |||
LAUNGHI SAKAL BÁDHÁ<br /> | |||
TUMI YADI NÁHI ELE<br /> | |||
O Lord, if You do not come, useless is my chignon decoration binding. Useless is the<br /> | |||
decorated bed of illumination, and useless is practice of the melody. And then waste is<br /> | |||
marking welcome decoration and keeping seat. Useless was my dark eye decoration and so was<br /> | |||
garland threaded from flowers. For You, O Dear, eras after eras has been my awakening with<br /> | |||
endless impulse of feelings, I cross all obstacles.<br /> | |||
=== 3735 (09/09/186) D === | |||
KENO JE BHÁLOBESE CHILUM<br /> | |||
KENOR UTTAR JÁNI NÁ<br /> | |||
KENO JE BHÁLO LEGE CHILO<br /> | |||
KEŔE NILO BHÁVANÁ<br /> | |||
KENOR UTTAR JÁNI NÁ<br /> | |||
KENO JE ÁMI NIJHUM RÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KENO JE ÁMI NIJHUM RÁTE<br /> | |||
TÁR KATHÁ BHÁVITE BHÁVITE<br /> | |||
KLIŚT́Á VRITTI PÁSHARITE<br /> | |||
KARE GECHI TÁR YÁCANÁ<br /> | |||
KENOR UTTAR JÁNI NÁ<br /> | |||
KENO TÁKE DHYÁNE DEKHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KENO TÁKE DHYÁNE DEKHE<br /> | |||
HOI JE ÁMI ÁNAMANÁ<br /> | |||
BÁHIR VISHVA HÁRIYE JÁY<br /> | |||
STABDHA HOYE PALA GUNÁ<br /> | |||
KENOR UTTAR JÁNI NÁ<br /> | |||
KENO JE ÁMI BHÁVER SROTE<br /> | |||
TÁRI SÁTHE MISHE JETE<br /> | |||
DUHKHA SUKHER URDHVE HOTE<br /> | |||
KARE CALI TÁR EŚAŃÁ<br /> | |||
BUJHI BOJHÁTE PÁRI NÁ<br /> | |||
KENOR UTTAR JÁNI NÁ<br /> | |||
KENO JE BHÁLOBESE CHILUM<br /> | |||
KENOR UTTAR JÁNI NÁ<br /> | |||
Why did I love, the answer to this “why” I do not know. Why did I like so much, Who<br /> | |||
has snatched away all feelings? Why during calm nights, thinking constantly about Him<br /> | |||
forgetting the painful feelings, I have been seeking Him. Why, on seeing Him during<br /> | |||
meditation, I become unmindful and losing the feelings of the external world, I become<br /> | |||
stupefied counting moments? Why in the stream of feelings, I go on merging in Him, and<br /> | |||
moving above the pains and pleasures, I long for Him? Even after understanding, I am<br /> | |||
unable to explain that.<br /> | |||
=== 3736 (09/09/1986) D === | |||
SE JE ESECHE KÁCHE<br /> | |||
NAYANER NINDA KEŔECHE<br /> | |||
BHÁLOBESECHE NÁ BESECHE<br /> | |||
MOR ÁMIRE NIYE NIYECHE<br /> | |||
NAYANER NINDA KEŔECHE<br /> | |||
PHULER SUVÁSETE ÁMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHULER SUVÁSETE ÁMI<br /> | |||
PÁI JE TÁR HIYÁR SURABHI<br /> | |||
PÚVÁCALE VARŃA SHOBHÁY<br /> | |||
BHESE ÁSE TÁR PURAVII<br /> | |||
CARÁCARER GÁNE NÁCE<br /> | |||
TÁRI PRIITI CHANDE RÁJE<br /> | |||
SAKAL CÁOÁ PÁOÁR MÁJHE<br /> | |||
SE SABÁRE JINICHE<br /> | |||
NAYANER NINDA KEŔECHE<br /> | |||
ÁMÁR MANE SAḾGOPANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR MANE SAḾGOPANE<br /> | |||
KENO I BÁ ÁSE ÁJ? KE JÁNE<br /> | |||
NÁ CÁHITEO SADÁ BHÁSE<br /> | |||
KONO MÁNÁI NÁHI MÁNE<br /> | |||
PHÁGUN MÁSER RAUNGER DOLÁY<br /> | |||
UTSÁRITA UTALÁ VÁYA<br /> | |||
SE ÁMÁY BHARE TULECHO<br /> | |||
NAYANER NINDA KEŔECHE<br /> | |||
SE JE ESECHE KÁCHE<br /> | |||
NAYANER NINDA KEŔECHE<br /> | |||
He came close and snatched away the sleep from my eyes. Whether He loved or not, but He<br /> | |||
took away my “I” feeling. In the fragrance of flowers, I find the fragrance of His<br /> | |||
heart. From the colourful beauty of the eastern horizon, His particular Puravii tune comes<br /> | |||
floating. In all the songs and dances of the whole world, His love and rhythm is<br /> | |||
established. Within all desires and achievements, He wins over all. Within my mind<br /> | |||
secretly, why did He come today, who knows? Even if unwilling, He always floats without<br /> | |||
getting resistance by any obstruction, swinging by colours of the spring month, emanated<br /> | |||
though frenzied wind.<br /> | |||
=== 3737 (10/09/1986) K (Krsna) === | |||
MADHUR MOHAN BHÁVE SHYÁM<br /> | |||
TUMI, ESO ÁMÁRI BHÁVANÁTE<br /> | |||
MOR CITI YAMUNÁ SHUKHÁYECHE<br /> | |||
TAVA, PRIITI PARASH DÁO TÁTE<br /> | |||
TUMI, ESO ÁMÁRI BHÁVANÁTE<br /> | |||
MOR KUNŔI JHARE GECHE NÁ PHUT́IÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MOR KUNŔI JHARE GECHE NÁ PHUT́IÁ<br /> | |||
TAPAN ÁLOKE NÁ MÁKHIÁ<br /> | |||
MADHU SHUKHÁYECHE NÁ JHARIÁ<br /> | |||
CEPE RÁKHÁ SHATA VEDANÁTE<br /> | |||
TUMI, ESO ÁMÁRI BHÁVANÁTE<br /> | |||
ÁMI, BHEVE CHINU TUMI KÁCHE ELE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMI, BHEVE CHINU TUMI KÁCHE ELE<br /> | |||
KATHÁ KAHIBE BHÁLO BESE<br /> | |||
NANDITA MANE MRIDU HESE<br /> | |||
ÁJ O PATH CEYE ÁCHI JE ÁSHÁTE<br /> | |||
TUMI, ESO ÁMÁRI BHÁVANÁTE<br /> | |||
O Krsna, Shyam, You come with sweet feeling into my ideation. The river Yamuna’ of<br /> | |||
my heart is dried, You provide it a loving touch. My bud has dropped down without<br /> | |||
blooming, without getting smeared by the sunlight. The honey, preserved with much pain, is<br /> | |||
dried without oozing. I expected that You would come close and talk to me lovingly<br /> | |||
smiling softly with pleasing mind. Even today, with hope, I look to the path.<br /> | |||
=== 3738 (10/09/1986) K === | |||
MOR, NIRÁSHÁR ÁNDHÁRE TUMI KE<br /> | |||
KE GO ELE E NIRJANE<br /> | |||
ÁMI SVAPANE BHÁVINI JÁHÁKE<br /> | |||
SE KI TUMI BOLO GOPANE<br /> | |||
KE GO ELE E NIRJANE<br /> | |||
ÁMI, JAD́ÁVESHE CHILUM ÁNAMANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMI, JAD́ÁVESHE CHILUM ÁNAMANE<br /> | |||
SAMVIT ENE DILE KENO KE JÁNE<br /> | |||
TUMI, CETANÁR DHÁRÁ BHARE DILE MANANE<br /> | |||
AHAETUKI KARUŃÁ ARUŃE<br /> | |||
KE GO ELE E NIRJANE<br /> | |||
TOMÁR SAUNGE CHILO NÁ PARICAYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR SAUNGE CHILO NÁ PARICAYA<br /> | |||
KARINI KABHU KONO KUSHAL VINIMAYA<br /> | |||
ÁMI, ÁSITE BOLINIKO KONO SAMAY<br /> | |||
LÁJE DÚRE CHINU VIJANE<br /> | |||
KE GO ELE E NIRJANE<br /> | |||
MOR, NIRÁSHÁR ÁNDHÁRE TUMI KE<br /> | |||
KE GO ELE E NIRJANE<br /> | |||
During the darkness of my night, who is that You, who came in isolation? This I could not<br /> | |||
imagine even in dream, is that You, tell me secretly. I was unmindful engrossed in | |||
materialistic thoughts. Why did You provide consciousness, who knows? You made the current<br /> | |||
of consciousness, flow in the mind, with the rise of causeless mercy. I had no<br /> | |||
acquaintance with You earlier. I had never exchanged the words of how do you do and hello.<br /> | |||
Never I invited You and remained far in isolation.<br /> | |||
=== 3739 (10/09/1986) Df === | |||
TUMI, RÚPE BHUVAN ÁLO KARÁ<br /> | |||
GÁNE NÁCE TUMI CHANDE BHARÁ<br /> | |||
TOMÁR, UPAMÁ NÁI TULANÁ NÁ PÁI<br /> | |||
EKÁ TUMI SÁRÁ JAGAT JOŔÁ<br /> | |||
TUMI, RÚPE BHUVAN ÁLO KARÁ<br /> | |||
GÁNE NÁCE TUMI CHANDE BHARÁ<br /> | |||
TUMI, EGIYE JÁO PICHE NÁ CÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI, EGIYE JÁO PICHE NÁ CÁO<br /> | |||
TOMÁR RATHERA CÁKÁ THÁMATE NÁ DÁO<br /> | |||
ASMARAŃE KOLE TULIÁ NÁO<br /> | |||
TOMÁR GUŃE PRIYA MUGDHA DHARÁ<br /> | |||
TUMI, RÚPE BHUVAN ÁLO KARÁ<br /> | |||
GÁNE NÁCE TUMI CHANDE BHARÁ<br /> | |||
TUMI, BHÁLOBÁSO LIILÁ RACO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI, BHÁLOBÁSO LIILÁ RACO<br /> | |||
KOMAL KAT́HORE MISHE ÁCHO<br /> | |||
JÁR KEHO NÁI TÁR TUMI RAYECHO<br /> | |||
ANÁDI ANANTE TUMI GAŔÁ<br /> | |||
TUMI, RÚPE BHUVAN ÁLO KARÁ<br /> | |||
GÁNE NÁCE TUMI CHANDE BHARÁ<br /> | |||
TOMÁR, UPAMÁ NÁI TULANÁ NÁ PÁI<br /> | |||
EKÁ TUMI SÁRÁ JAGAT JOŔÁ<br /> | |||
TUMI, RÚPE BHUVAN ÁLO KARÁ<br /> | |||
GÁNE NÁCE TUMI CHANDE BHARÁ<br /> | |||
You illuminated the world with beauty<br /> | |||
and provided rhythm to songs and dances.<br /> | |||
You have no comparison.<br /> | |||
All alone You have kept the universe maintained.<br /> | |||
You move only forward not inclined back.<br /> | |||
You do not allow the wheels of Your cart to stop.<br /> | |||
Without reservation, You lift all onto Your lap<br /> | |||
O Dear, by Your attributes the world is enchanted.<br /> | |||
You love and create Your divine game (liila).<br /> | |||
You are a combination of both harsh and soft.<br /> | |||
You are there for those who have none.<br /> | |||
You exist within beginninglessness and endlessness.<br /> | |||
=== 3740 (11/09/1986) D (Krsna) === | |||
BOLE CHILUM ÁMI BÁRE BÁR<br /> | |||
BHULIBO NÁ TOMÁKE ÁR<br /> | |||
HE CIRA NÚTAN TAMAHSÚDAN | |||
KÁCHE ESO EKAT́I BÁR<br /> | |||
BHULIBO NÁ TOMÁKE ÁR<br /> | |||
CHILE ÁMÁR MANE GOKULE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILE ÁMÁR MANE GOKULE<br /> | |||
TAMÁL TARUR ANTARÁLE<br /> | |||
NIIPER TALE YAMUNÁ JALE<br /> | |||
REKHE GELE SMRITIR BHÁR<br /> | |||
BHULIBO NÁ TOMÁKE ÁR<br /> | |||
ESO ÁMÁR MARME ÁBÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ESO ÁMÁR MARME ÁBÁR<br /> | |||
KARME JINÁNE HE SÁRÁTSÁR<br /> | |||
SMITA SUDHÁR SINDHU APÁR<br /> | |||
JIIVANE MARAŃE TUMI ÁDHÁR<br /> | |||
BHULIBO NÁ TOMÁKE ÁR<br /> | |||
BOLE CHILUM ÁMI BÁRE BÁR<br /> | |||
BHULIBO NÁ TOMÁKE ÁR<br /> | |||
O Evernew, destroyer of darkness, I have been telling again and again that I shall never<br /> | |||
forget You any more, come close at least once. You were in my mental Gokul, hidden behind<br /> | |||
the tama’la trees. Below the niip trees, and in the water of Yamuna’ river, You left<br /> | |||
the load of memories. Come again into the core of my heart, into my knowledge and actions<br /> | |||
O the essence of essence. O the unlimited ocean of smiling nectar, You are my base in life<br /> | |||
and death.<br /> | |||
=== 3741 (11/09/1986) D === | |||
ÁMI TOMÁR TUMI ÁMÁR<br /> | |||
JÁNE E KATHÁ VISHVA JANE<br /> | |||
CHANDE SURE BHÁVER GHARE<br /> | |||
ÁCHO BHARE PRATI KŚAŃE<br /> | |||
JÁNE E KATHÁ VISHVA JANE<br /> | |||
PRABALA PRATÁP ATI PURÁTANA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRABALA PRATÁP ATI PURÁTANA<br /> | |||
PURUŚOTTAMA HE CIRA NÚTAN | |||
TOMÁREI CÁI RAUNGE NECE JÁI<br /> | |||
ADVITIIYA TUMI BHUVANE<br /> | |||
JÁNE E KATHÁ VISHVA JANE<br /> | |||
TOMÁR SAUNGE KÁRAO TULANÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR SAUNGE KÁRAO TULANÁ<br /> | |||
HOYENI KABHU HOTE PÁRE NÁ<br /> | |||
BHÁVER DOLÁY ANÚPA LIILÁY<br /> | |||
NÁCIYE JÁO SARVA KŚAŃE<br /> | |||
JÁNE E KATHÁ VISHVA JANE<br /> | |||
ÁMI TOMÁR TUMI ÁMÁR<br /> | |||
JÁNE E KATHÁ VISHVA JANE<br /> | |||
O Lord, You are mine and I am Yours, this fact is known to all in the world. You are<br /> | |||
filled in my home of feelings, with rhythm and melody each moment. O The most ancient in | |||
strong powers, Purus’ottama and evernew, I want You only, go on dancing in colours, You<br /> | |||
are one without a second in the world. With You no body can be compared, in past or in | |||
future. Swinging the feelings with incomparable liila, You go on dancing each moment.<br /> | |||
=== 3742 (11/09/1986) D (Krsna) === | |||
PRÁŃER GOPÁL PRIITIR GULÁL<br /> | |||
BHÁVER DULÁL MANA KÁNANE<br /> | |||
TOMÁR TARE ÁSHÁ BHARE<br /> | |||
ÁCHI CEYE BHEJÁ NAYANE<br /> | |||
BHÁVER DULÁL MANA KÁNANE<br /> | |||
CÁI NÁ TOMÁR KÁCHE KICHUI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁI NÁ TOMÁR KÁCHE KICHUI<br /> | |||
CÁI JE TOMÁR KÁCHE NITÚI<br /> | |||
TOMÁR HÁSI MOHAN BÁNSHII<br /> | |||
BHÁSE NITYA VRINDÁVANE<br /> | |||
BHÁVER DULÁL MANA KÁNANE<br /> | |||
ESO ÁMÁR KÁCHE PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ESO ÁMÁR KÁCHE PRIYA<br /> | |||
DÚRE SARE KABHU NÁ JEO<br /> | |||
TUMI CHÁŔÁ SARVA HÁRÁ<br /> | |||
HOI JE ÁMI KENO KE JÁNE<br /> | |||
BHÁVER DULÁL MANA KÁNANE<br /> | |||
PRÁŃER GOPÁL PRIITIR GULÁL<br /> | |||
BHÁVER DULÁL MANA KÁNANE<br /> | |||
O Gopa’l, the coloured powder of festivity, darling of feelings in the mental garden.<br /> | |||
For You I am full of hope looking with wet eyes. I do not want anything from You, I only<br /> | |||
want You close to me for ever. Your smile and charming flute floats in Vrindavan forever.<br /> | |||
O Dear come close to me, never go away far. Leaving You, I lose everything, why nobody<br /> | |||
knows.<br /> | |||
=== 3743 (11/09/1986) K === | |||
EI, PUŚPITA CAMPAK TALE<br /> | |||
HE PRIYATAMA<br /> | |||
ESE CHILE TUMI ESE CHILE<br /> | |||
KIḾSHUKA RÁGE ANSHUKA ANURÁGE<br /> | |||
MUKTÁ JHARÁ DASHANE HESE CHILE<br /> | |||
ESE CHILE TUMI ESE CHILE<br /> | |||
SE DINER KATHÁ BHULITE PÁRIBO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE DINER KATHÁ BHULITE PÁRIBO NÁ<br /> | |||
SE TITHIR SMRITI GIITI MOCHÁ JÁY NÁ<br /> | |||
JYOTSNÁ RÁTE MÁDHAVII VÁTE<br /> | |||
SE TITHI ÁKUL KARE PALE VIPALE<br /> | |||
ESE CHILE TUMI ESE CHILE<br /> | |||
SE TITHITE MISHE ÁCHO SHATA BHÁVANÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE TITHITE MISHE ÁCHO SHATA BHÁVANÁ<br /> | |||
SE TITHI TE RAYE GECHE MADHU CETANÁ<br /> | |||
SE TITHIR NÁCE GÁNE AMARÁ MÁDHURII ÁNE<br /> | |||
SPANDANE PRÁŃE MANE BHÁVÁNILE<br /> | |||
ESE CHILE TUMI ESE CHILE<br /> | |||
EI, PUŚPITA CAMPAK TALE<br /> | |||
HE PRIYATAMA<br /> | |||
ESE CHILE TUMI ESE CHILE<br /> | |||
O The Dearest, below this bloomed campak tree, You had come. With gentle glow of red<br /> | |||
kinshuk colour, and pearl flowing teeth, You had smiled. I cannot forget the event of that<br /> | |||
day. The memory and song of that day cannot be wiped. In the moonlit ight and breeze<br /> | |||
fragrant with ma’dhavii flower, that date makes me restless each moment. Hundreds of<br /> | |||
feelings are mixed with that date. Sweet awareness of that date remains with that date.<br /> | |||
The dance and song of that date brings heavenly sweetness oscillations in the heart and<br /> | |||
mind with breeze of feelings.<br /> | |||
=== 3744 (11/09/1986) D === | |||
AMBARA MÁJHE D́AMBARU BÁJE<br /> | |||
KON SE RUDRA ESECHE ÁJ<br /> | |||
JAT́ÁR BÁNDHAN KHULIÁ GIYÁCHE<br /> | |||
TÁND́AVERI SEJE CHE SÁJ<br /> | |||
KON SE RUDRA ESECHE ÁJ<br /> | |||
VIŚÁŃŃA BÁJIYE BHIIŚAŃ DHVANI TE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIŚÁŃŃA BÁJIYE BHIIŚAŃA DHVANI TE<br /> | |||
PINÁKII NÁCE KON BHÁVE METE<br /> | |||
JÁGÁIYÁ CALE ASHANI DRUTITE<br /> | |||
MERU DRÁGHIMÁY HÁNITE BÁJ<br /> | |||
KON SE RUDRA ESECHE ÁJ<br /> | |||
HE RUDRA BHAERAVA THEME JÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HE RUDRA BHAERAVA THEME JÁO<br /> | |||
TOMÁRE VIBHÚTI SABÁRE BILÁO<br /> | |||
JÁHÁ CÁHE DOBO KRIPÁ KARE NÁO<br /> | |||
HE SHÁNTA SHIVA TRILOK RÁJ<br /> | |||
HE GAUNGÁDHARA HE NAT́ARÁJ<br /> | |||
KON SE RUDRA ESECHE ÁJ<br /> | |||
From the sky, the sound of the dambaru drum<br /> | |||
(a small hand held drum used by Lord Shiva) resounds.<br /> | |||
Who is that Rudra<br /> | |||
(the deity that makes people cry)<br /> | |||
that has come today?<br /> | |||
His long and matted hair tufts have opened up.<br /> | |||
He has dressed Himself for performing the ta’nd’ava dance.<br /> | |||
Bisa’n’a (the long horn used by Lord Shiva)<br /> | |||
is blowing with frightening sound.<br /> | |||
Engrossed in which thought, is Pina’kii<br /> | |||
(Lord Shiva, holder of the bow shaped instrument) dancing?<br /> | |||
He goes on waking all<br /> | |||
with the speed of lightening<br /> | |||
striking thunders on the peaks (longitude)<br /> | |||
of mountains.<br /> | |||
O Lord Shiva, pause a while<br /> | |||
distribute Your divinity to all.<br /> | |||
Whatever You want, we shall give<br /> | |||
please accept it.<br /> | |||
O tranquil Lord Shiva, king of three worlds<br /> | |||
O holder of Ganga’, O king of dances!<br /> | |||
=== 3745 (11/09/1986) D === | |||
BÁDAL NISHIITHE<br /> | |||
SEI BÁDAL NISHIITHE GHAN TAMASÁTE<br /> | |||
NIIRAVA CARAŃE ELE ÁBÁR<br /> | |||
DVÁRAO KHULINI ÁSITE BOLINI<br /> | |||
KI KARIYÁ GHARE ELE ÁMÁR<br /> | |||
NIIRAVA CARAŃE ELE ÁBÁR<br /> | |||
BÁDAL NISHIITHE<br /> | |||
JHARA JHARA BÁHIRE JHARE JALA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JHARA JHARA BÁHIRE JHARE JALA<br /> | |||
KÁJAL DHOYÁ ÁNKHI CHILO SAJALA<br /> | |||
ÁKÁSHER NIIRE MOR ÁNKHI NIIRE<br /> | |||
VARŚÁ SAMIIRE CHILO EKÁKÁR<br /> | |||
NIIRAVA CARAŃE ELE ÁBÁR<br /> | |||
BÁDAL NISHIITHE<br /> | |||
ÁNKHI MUCHE DEKHI TUMI ÁCHO GHARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁNKHI MUCHE DEKHI TUMI ÁCHO GHARE<br /> | |||
EK KARE DIYE BÁHIRE BHIITARE<br /> | |||
BÁHIRER ÁMI BHIITARER TUMI<br /> | |||
PALAKE BHÁUNGILE SIIMÁ KÁRÁGÁR<br /> | |||
NIIRAVA CARAŃE ELE ÁBÁR<br /> | |||
BÁDAL NISHIITHE<br /> | |||
BÁDAL NISHIITHE<br /> | |||
SEI BÁDAL NISHIITHE GHAN TAMASÁTE<br /> | |||
NIIRAVA CARAŃE ELE ÁBÁR<br /> | |||
On that cloudy night, with dense darkness, with silent feet You came this time. I did not<br /> | |||
even open the door, did not ask on coming, what for You had come to my home? Outside it<br /> | |||
was raining profusely. The eyes were wet washing away the ka’jal. The water from the sky<br /> | |||
and water from my eyes, with rainy wind had become unified. On wiping the eyes, I saw that<br /> | |||
You were present in home, making one the outside and inside. Within moment, You broke the<br /> | |||
prison boundary of me outside and You inside.<br /> | |||
=== 3746 (11/09/1986) D (Bengali dialect) === | |||
KÁJER SAMAY LÁCÁ KI HOY<br /> | |||
TU, KÁJER MÁJHE CÁS LÁCÁTE<br /> | |||
MU, KICHUTE LÁRI TU KE BUJHITE<br /> | |||
TU, KÁJER MÁJHE CÁS LÁCÁTE<br /> | |||
BIHÁN BELÁ LÁGE KÁJER MELÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BIHÁN BELÁ LÁGE KÁJER MELÁ<br /> | |||
LÁCER KHELÁ KENE KARI BOLO<br /> | |||
SÁNJHER BELÁ GHAR KE PHERÁR PÁLÁ<br /> | |||
ÁNDHÁR CHEIYE PHELE DHARÁ TALA<br /> | |||
BOLO GO TU BOLO TU BOLO GO TU BOLO<br /> | |||
LÁCER SAMAY KUTHÁ MUR HÁTE<br /> | |||
TU, KÁJER MÁJHE CÁS LÁCÁTE<br /> | |||
ÁNATE JÁI KÁT́H KHUNJYE PÁHÁŔ MÁT́H<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁNATE JÁI KÁT́H KHUNJYE PÁHÁŔ MÁT́H<br /> | |||
RUITE KÁT́ATE DHÁN JÁI GO DÚRER MÁT́H<br /> | |||
TU, BOLO GO BOLO GO TU BOLO<br /> | |||
TU KE LÁCE KI KARE PÁRI BHULÁITE<br /> | |||
TU, KÁJER MÁJHE CÁS LÁCÁTE<br /> | |||
KÁJER SAMAY LÁCÁ KI HOY, TU<br /> | |||
KÁJER MÁJHE CÁS LÁCÁTE<br /> | |||
O Lord, how dance is possible at the time of work? And You want me dance amidst<br /> | |||
activities. I totally fail to make You understand. In the early morning time, there is<br /> | |||
rush and hustle of jobs, how can I get to play dancing, tell me. At evening time, on | |||
return to home, the surface of earth is engulfed in darkness. You tell me, where is time<br /> | |||
in my hands for dancing? I go to bring wood, searching in hills and meadows. I go for<br /> | |||
planting and harvesting paddy in far fields. You tell me, how can please You by dancing?<br /> | |||
=== 3747 (11/09/1986) D === | |||
TOMÁR TARE JIIVAN BHARE<br /> | |||
SEDHE GECHI JATA GÁN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁNI NÁ HE PRABHU TUMI KII<br /> | |||
SHUŃE ÁMÁR BHARÁBE PRÁŃA<br /> | |||
SEDHE GECHI JATA GÁN | |||
SUR SEDHECHI MADHYA RÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SUR SEDHECHI MADHYA RÁTE<br /> | |||
SEDHE GECHI ARUŃ PRÁTE<br /> | |||
SEDHECHI MÁRTAND́A MÁTHE<br /> | |||
SANDHYÁ RÁGE TULE TÁN | |||
SEDHE GECHI JATA GÁN | |||
TOMÁR NÁME TOMÁR BHÁVE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR NÁME TOMÁR BHÁVE<br /> | |||
MAN JE ÁMÁR KEMAN KARE<br /> | |||
TÁI TO ÁKUL HOECHI GÁN | |||
SHONÁTE TOMÁR TARE<br /> | |||
SUR SEDHECHI PHULER SÁTHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SUR SEDHECHI PHULER SÁTHE<br /> | |||
MANDÁNILE JYOTSNÁ RÁTE<br /> | |||
GEYECHI JHAŔER AMÁNISHÁTE<br /> | |||
BUJHI SABAI TOMÁR DÁN | |||
SEDHE GECHI JATA GÁN | |||
O Lord, for You whole life, I have been practicing Your song, still I do not know O Lord<br /> | |||
listening what You would be satisfactory. I practice in midnight, continued so in the<br /> | |||
morning, in noon and in the evening with melody. With Your name and ideation, my mind gets<br /> | |||
a special feeling, hence I get restless to sing the song to You. I practice along with<br /> | |||
flowers, in the moonlit nights with soft breeze. I sing in the stormy dark nights<br /> | |||
considering everything as Your gift.<br /> | |||
=== 3748 (11/09/1986) K === | |||
MARAMER GAHANE ELE<br /> | |||
MOR ÁMI KE KEŔE NIYE GELE<br /> | |||
CHILUM GHÚM GHORE ACETANA<br /> | |||
SUYOGA BUJHE NIYE NILE<br /> | |||
MOR ÁMI KE KEŔE NIYE GELE<br /> | |||
EMANT́I DEKHINI KAKHANO<br /> | |||
EMANT́I BHÁVI NI SVAPNEO<br /> | |||
EMANAO HOTE PÁRE CIT COR<br /> | |||
JIIVANE ÁJ DEKHIYE DILE<br /> | |||
MOR ÁMI KE KEŔE NIYE GELE<br /> | |||
ÁMIO JÁNI PRIYA PRATIKÁR<br /> | |||
ÁMIO KARIBO ER VICÁR<br /> | |||
JABE TUMI ÁNAMANÁ RABE<br /> | |||
MOR E MAN TOMÁTE DOBO D́HELE<br /> | |||
MOR ÁMI KE KEŔE NIYE GELE<br /> | |||
MARAMER GAHANE ELE<br /> | |||
MOR ÁMI KE KEŔE NIYE GELE<br /> | |||
O Lord, You came into the depth of my mind, and snatched away my “I” feeling. I was<br /> | |||
unconscious in deep sleep. You made me understand the opportunity. I had never seen like<br /> | |||
this, I could never imagine like this even in dream. The stealer of mind can do even such<br /> | |||
in life, today You have shown me. O Dear, I also did not know the repayment, I shall think<br /> | |||
how to do that. When You would be unmindful, I shall pour out this mind of mine to Your<br /> | |||
feet.<br /> | |||
=== 3749 (12/09/1986) D === | |||
PRABHÁTER ÁLO JABE ESE CHILO<br /> | |||
SE PASARÁ NIYE TUMI ELE<br /> | |||
ESE CHILE PRIYA SMITA MUKHE<br /> | |||
SE ÁLOTE CHILO ANANTA PRÁŃA<br /> | |||
NIRYÁS SHATA SUKHE DUHKHE<br /> | |||
ESE CHILE PRIYA SMITA MUKHE<br /> | |||
SE ÁLO CALILO DÚR HOTE DÚRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE ÁLO CALILO DÚR HOTE DÚRE<br /> | |||
NRITYER TÁLE DIGANTA JÚŔE<br /> | |||
ÁKÁSHA VÁTÁS PÁTÁL KE GHIRE<br /> | |||
DIGVIJAYE DIKE DIKE<br /> | |||
ESE CHILE PRIYA SMITA MUKHE<br /> | |||
ÁLOKER ÁLO BHULOKE DYULOKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOKER ÁLO BHULOKE DYULOKE<br /> | |||
CHAŔÁIYÁ DILE PRATIT́I PALAKE<br /> | |||
NIJER RAYE GELE VIJANE ALAKHE<br /> | |||
VAEJAYANTI MÁLÁ BÚKE<br /> | |||
ESE CHILE PRIYA SMITA MUKHE<br /> | |||
PRABHÁTER ÁLO JABE ESE CHILO<br /> | |||
SE PASARÁ NIYE TUMI ELE<br /> | |||
When the morning illumination came, You came bringing the articles of that, with smiling<br /> | |||
face. In that light infinite power was present, essence of hundreds of pain and pleasures.<br /> | |||
That glow went far and farther, involving all directions with dance and rhythm<br /> | |||
surrounding the sky, air and the underworld, winning over the places. That illumination of<br /> | |||
effulgence, You scattered in the earth and heaven each moment. But You remained in | |||
isolation unseen, within the core of vaejayantima’la’ flower.<br /> | |||
=== 3750 (12/09/1986) K === | |||
JIIVANER UTSER ANVEŚAŃE ÁMI GHURI<br /> | |||
ÁMI GHÚRI<br /> | |||
PHULE PHALE PALLAVE EKAI SATTÁY NIYATA NEHÁRI<br /> | |||
ÁMI GHÚRI<br /> | |||
JIIVANER RAYE GECHE JÁ KICHU BHÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVANER RAYE GECHE JÁ KICHU BHÁLO<br /> | |||
JIIVANER RAYE GECHE JÁ KICHU BHÁLO<br /> | |||
JIIVANER RAYE GECHE JÁ KICHU BHÁLO<br /> | |||
JÁHÁ KICHU MANDA JÁ KICHU KÁLO<br /> | |||
SABÁR UTSÁRAŃE EKERI ÁLO<br /> | |||
DEKHI PRIITI EKERI<br /> | |||
ÁMI GHÚRI<br /> | |||
EKETE NIŚIKTA ANEK LIILÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EKETE NIŚIKTA ANEK LIILÁ<br /> | |||
EKAI MARME BHÁSE SHATEKA BOLÁ<br /> | |||
MADHU SE PARÁGERI<br /> | |||
ÁMI GHÚRI<br /> | |||
JIIVANER UTSER ANVEŚAŃE ÁMI GHURI<br /> | |||
ÁMI GHÚRI<br /> | |||
I have been wandering searching the origin of life. I am always finding the same entity in | |||
all expressions like flowers fruits and leaves. Whatever good remains in life, whatever<br /> | |||
inert or dark, I find the same effulgence behind all, attraction of one.<br /> | |||
I find numerous plays taking place in singular entity. Within one cosmic mind, with nectar<br /> | |||
in core, many expressions<br /> | |||
=== 3751 (13/09/1986) TEOR === | |||
DINER SHEŚE, ÁNDHÁR ESE<br /> | |||
BOLE GELO BHAYA PEYO NÁ<br /> | |||
JE PURUŚA BHÁLOBÁSE TOMÁY<br /> | |||
ÁMIO TÁR KARI ÁRÁDHANÁ<br /> | |||
BOLE GELO BHAYA PEYO NÁ<br /> | |||
JE LIILÁ PURUŚA SABÁKÁR<br /> | |||
SE NIŚKALUŚA ANÁDI APÁR<br /> | |||
ÁMÁR KÁLOY TÁRI ÁLOY<br /> | |||
D́HEKE JE JÁY TÁKE JÁNO NÁ<br /> | |||
BOLE GELO BHAYA PEYO NÁ<br /> | |||
BHIITIR URDHVE SE CETANÁ<br /> | |||
GLÁNI STUTI KICHU MÁNE NÁ<br /> | |||
MANER KOŃE GÚŔHA GAHANE<br /> | |||
LUKIYE THEKEDEY PRERAŃÁ<br /> | |||
BOLE GELO BHAYA PEYO NÁ<br /> | |||
PURE SHETE ITI PURUŚA<br /> | |||
DÚRE NÁ RAY SE APURUŚA<br /> | |||
NÁCER CHANDE NITYAÁNANDE<br /> | |||
TÁTEI MENE SAB DYOTANÁ<br /> | |||
BOLE GELO BHAYA PEYO NÁ<br /> | |||
The darkness coming at the end of the day, told, “ Do not to fear, The Supreme, Who<br /> | |||
loves You, I also worship the Same. That liila Creator belongs to all, He is pure<br /> | |||
unlimited and beginning less. Do not You know that my darkness also calls His effulgence?<br /> | |||
That Consciousness is above the fear, does not heed to prayers or repentance. Hiding<br /> | |||
within the deep core of the mind, He provides inspiration”. “ The witnessship that<br /> | |||
lies quiescent in every entity is the Purus’a”, He who does not stay away, is<br /> | |||
a purus’a? All gestures merge in that only with dance and rhythm.<br /> | |||
=== 3752 (14/09/1986) TEOR === | |||
BÁNDHAN JETHÁY CEYE CHILUM<br /> | |||
SE BÁNDHAN KENO NÁ ELO<br /> | |||
DINER ÁLOY RÁTER KÁLOY<br /> | |||
SE JE DÚRE RAYE GELO<br /> | |||
SE BÁNDHAN KENO NÁ ELO<br /> | |||
CEYE CHILUM BHÁVER BÁNDHAN | |||
BHÁVÁTIITE TAMOTSÁRAŃA<br /> | |||
MANTRÁGHÁTE ÁNKHI PÁ TE<br /> | |||
SE DEVE CETANÁR ÁLO<br /> | |||
SE BÁNDHAN KENO NÁ ELO<br /> | |||
CEYECHI BHÁLOBÁSÁR BÁNDHAN | |||
AŃUTE BHÚMÁR UTTARAŃA<br /> | |||
JÁ KARE ASÁDHYA SÁDHAN | |||
SAKAL SATTÁY BÁSABE BHÁLO<br /> | |||
SE BÁNDHAN KENO NÁ ELO<br /> | |||
BÁNDHAN JETHÁY CEYE CHILUM<br /> | |||
SE BÁNDHAN KENO NÁ ELO<br /> | |||
The Divine Bondage, which I was looking for, why has that not come? In the darkness of my<br /> | |||
nights as well as brightness of my days, He remains far. I wanted loving devotional link<br /> | |||
with Him to gradually merge in the absolute by relinquishing the inertial darkness, so<br /> | |||
that<br /> | |||
by calling Him constantly with the repetition of my mantra & heartfelt feeling<br /> | |||
He will provide me His effulgence of consciousness. I wanted bondage of love, so that<br /> | |||
microcosm would rise to Cosmic. He can make the impossible fulfilled making me love the<br /> | |||
entire existence.<br /> | |||
=== 3753 (14/09/1986) K === | |||
ÁMÁR KÁCHE YADI NÁ ELE<br /> | |||
ESO SABÁR MÁJHE<br /> | |||
HE KARUŃÁMAYA<br /> | |||
ÁMÁR KÁCHE ÁSITE YADI BHAYA<br /> | |||
KARO SABE NIRBHAYA<br /> | |||
HE KARUŃÁMAYA<br /> | |||
SHABDE SPARSHE RÚPE GANDHE RASE<br /> | |||
ÁPLUTA KARE DIYE SAB MÁNUŚE<br /> | |||
TANMÁTRER ÚRDHVE ASHEŚE KARO<br /> | |||
CIRA CINMAYA<br /> | |||
HE KARUŃÁMAYA<br /> | |||
LIILÁR PURUŚA LIILÁRASE RAYECHO<br /> | |||
LIILÁBHÁVE MADHUR BHÁVE BUJHE NIYECHO<br /> | |||
ASTI BHÁTI ÁNANDE NÁCO<br /> | |||
HE CIRA CINMAYA<br /> | |||
HE KARUŃÁMAYA<br /> | |||
ÁMÁR KÁCHE YADI NÁ ELE<br /> | |||
ESO SABÁR MÁJHE<br /> | |||
HE KARUŃÁMAYA<br /> | |||
O the Merciful, if You do not come to me, come within all. If You are afraid of coming<br /> | |||
close to me, make all fearless. O Ever Embodiment of Consciousness, You have flooded all<br /> | |||
human beings with fundamental factors of touch, sound, form, smell and taste. Make me<br /> | |||
endless above these tanma’tra’s, the fundamental factors. O The controlling Entity of<br /> | |||
liila, the game of illusion, You remain in the flow of liila and with the sweet<br /> | |||
ideation of the feeling of illusion, make Yourself known. You dance within existence<br /> | |||
shine and bliss.<br /> | |||
=== 3754 (15/09/1986) K === | |||
ÁMÁR SAUNGE CALO BANDHU<br /> | |||
MAN PAVANERA NÁY<br /> | |||
RASULPURER NADIR SHEŚE<br /> | |||
JÚN PUT́ERI GÁY<br /> | |||
MAN PAVANER NÁY<br /> | |||
NADI SÁGARETE MESHE<br /> | |||
NIILÁKÁSHE BHÁLOBESE<br /> | |||
PÁNI KAOŔI BÁLI HÁSE<br /> | |||
SHIITER ÁVÁS CÁY<br /> | |||
MAN PAVANERA NÁY<br /> | |||
MÁNUŚA JETHÁY ATI BHÁLO<br /> | |||
MANE BHARÁ PRIITIR ÁLO<br /> | |||
TÁDER MUKHEDUHKHERA KÁLO<br /> | |||
SAHÁ NÁHI JÁY<br /> | |||
ESO TÁDER TARE TÁDER GHARE<br /> | |||
RACI NAVA DHARÁY<br /> | |||
MAN PAVANERA NÁY<br /> | |||
ÁMÁR SAUNGE CALO BANDHU<br /> | |||
MAN PAVANERA NÁY<br /> | |||
O, companion, come with me sailing on the mental yacht to the end of the river in Rasulpur<br /> | |||
into the village of Ju’nput’. The river merges in the sea, with love in the blue sky.<br /> | |||
The Seagulls and ba’lii ducks smilingly look for shelter in the cold. People there are<br /> | |||
very good minds filled with effulgence of love. It is unbearable to see darkness of misery<br /> | |||
in their face. Come for them to their home, creating new world. Come along with me friend<br /> | |||
in the boat of mental wind.<br /> | |||
=== 3755 (15/09/1986) K === | |||
ESO TUMI ÁMÁR MANE<br /> | |||
SHÁSHVATA ANUDHYÁNE<br /> | |||
SHEFÁLIIR SUVÁSE SUMADHURA SVANANE<br /> | |||
KISHALAYER BHARÁ KÁNANE<br /> | |||
SHÁSHVATA ANUDHYÁNE<br /> | |||
EI JE PRABHÁT EI JE RAVI RÁUNGÁ<br /> | |||
ARUŃER KIRAŃE RAŃANE NÁNÁ<br /> | |||
JIIVANER UTSER PRIITIR UTSAVER<br /> | |||
SE TOMÁRAI HITA RAJANE<br /> | |||
SHÁSHVATA ANUDHYÁNE<br /> | |||
RAINJITA VANDITA CHANDÁYITA PRÁŃE<br /> | |||
ESO TUMI NÁCE GÁNE VARAŃE VARAŃE<br /> | |||
MANER MADHUVANE<br /> | |||
TRIPTIR TAPOVANE<br /> | |||
CIRA PRASHÁNTA ÁNANE<br /> | |||
SHÁSHVATA ANUDHYÁNE<br /> | |||
ESO TUMI ÁMÁR MANE<br /> | |||
SHÁSHVATA ANUDHYÁNE<br /> | |||
O Lord, come into my mind in eternal meditation. Come with fragrance of shefa’lii flower<br /> | |||
and sweet resonance into the garden full of tender leaves. This morning, this crimson | |||
colour of the sun, numerous vibrations of the morning sunrays. The festivity of love of<br /> | |||
the origin of life, all is due to Your wish of welfare of all. With coloured, adored and<br /> | |||
rhythmic heart, You come in varieties of songs and dances, into the sweet garden of the<br /> | |||
mind.<br /> | |||
The hermitage of fulfilment, with evertranquil face.<br /> | |||
=== 3756 (16/09/1986) D === | |||
GÁNER SHEŚ KOTHÁY<br /> | |||
KE JÁNE, KE JÁNE<br /> | |||
KE JÁNE GO KE JÁNE<br /> | |||
ANUBHÚTI GÁNER DOLÁY<br /> | |||
BHESEJÁY<br /> | |||
MÁNÁ NÁ MÁNE<br /> | |||
KE JÁNE GO KE JÁNE<br /> | |||
GÁNER SURE RAVI JÁGE<br /> | |||
GÁNER RAUNGER ARUŃ RÁGE<br /> | |||
GÁNER PRIITI BHÁSE PARÁGE<br /> | |||
CHANDA ÁNE JIIVANE<br /> | |||
KE JÁNE GO KE JÁNE<br /> | |||
GÁNER SUDHÁ BENCE ÁCHE<br /> | |||
GÁNER SUDHÁY PRÁŃ BHARECHE<br /> | |||
SŔŚT́I STHITI PRAŃÁSH NACE<br /> | |||
GÁNERI ABHIJINÁNE<br /> | |||
KE JÁNE GO KE JÁNE<br /> | |||
Where do songs end?<br /> | |||
Would anyone know?<br /> | |||
With experiences and feelings songs are swayed<br /> | |||
and float on and on, unobstructed.<br /> | |||
The sun rises at the tune of songs.<br /> | |||
The crimson colour of the sun | |||
reflects their colours.<br /> | |||
The love in songs appears in the floral pollen | |||
and brings rhythm to life.<br /> | |||
Due to songs, nectar is sustained<br /> | |||
and life finds fulfilment.<br /> | |||
Creation, sustenance and destruction | |||
are dancing to the expressions<br /> | |||
of consciousness in songs.<br /> | |||
=== 3757 (17/09/1986) K === | |||
NEIKO VYATHÁ VEDANÁ ÁJI E PRÁTE<br /> | |||
SHUDHU HÁSI KHUSHI EI DHARAŃIITE<br /> | |||
KLESHER KRŚŃA MEGHE DÚRE SARÁTE<br /> | |||
PRÁŃA BHARE GÁN GÁO ARUŃA ÁLOTE<br /> | |||
SHUDHU HÁSI KHUSHI EI DHARAŃIITE<br /> | |||
NEIKO UPALÁGHÁTE KONO KAḾPANA<br /> | |||
JVÁLÁ MUKHITE AGNI UDGIIRAŃA<br /> | |||
CÁPER VRDDHI HRÁSE JHAT́IKÁ SVANANA<br /> | |||
KHARÁR ANAL JVÁLÁ SHASYA KŚETE<br /> | |||
SHUDHU HÁSI KHUSHI EI DHARAŃIITE<br /> | |||
NEIKO SAMÁJ MÁJHE PRETER NÁCAN | |||
KŚUDHÁR ANNA NIYE NEIKO SHOŚÁŃA<br /> | |||
NEIKO KUNKAŔE SHIITE JIIVER MARAŃA<br /> | |||
EŚAŃÁ ÁCHE SHUDHU KARITE HITE<br /> | |||
SHUDHU HÁSI KHUSHI EI DHARAŃIITE<br /> | |||
NEIKO VYATHÁ VEDANÁ ÁJI E PRÁTE<br /> | |||
SHUDHU HÁSI KHUSHI EI DHARAŃIITE<br /> | |||
Today, this morning, there is no pain and agony, only joy and smile are there on this<br /> | |||
earth. Removing far away the dark clouds of the pains, sing the song wholeheartedly in | |||
this morning illumination. There is no quivering due to hurt from stones, neither<br /> | |||
emanations of fire from any volcano, there is no roar of storm by increase or decrease of<br /> | |||
pressure. There is no severe flame of fire in the green fields. There is no dance of<br /> | |||
devils in the society, for food stuff to quench the hunger, there is no exploitation.<br /> | |||
There is no death of living beings due to intense cold. Only there is will to do good.<br /> | |||
=== 3758 (17/09/1986) K === | |||
NÚPUR RAŃANE MANER GAHANE<br /> | |||
JE DHVANI JÁGIYE DILE<br /> | |||
TÁR, UPAMÁ NÁI TÁR TULANÁ NÁI<br /> | |||
ESECHE SHRAVAŃE CHEYE BRIIŔÁ VANE<br /> | |||
KENO BHEVE NÁHI PÁI<br /> | |||
TÁR, UPAMÁ NÁI TÁR TULANÁ NÁI<br /> | |||
SMRITIR DEULE BHARÁ ÁCHE JÁR<br /> | |||
MARME DRIK JALE DHARÁ ÁCHE TÁR<br /> | |||
JYOTSNÁ RÁTER MÁDHAVII SÁTHE<br /> | |||
TÁRI SAUNGIITE TÁRI BHÁVE BHESE JÁI<br /> | |||
TÁR, UPAMÁ NÁI TÁR TULANÁ NÁI<br /> | |||
KISHALAYER RAUNGE MÁKHÁ TUMI PRIYA<br /> | |||
CITTA NILAYE CIRA ÁDARŃIIYA<br /> | |||
TOMÁR KATHÁ PRIITI ITIKATHÁ<br /> | |||
SÁRTHAKATÁ ÁNE HRIT MANE TÁI<br /> | |||
TÁR, UPAMÁ NÁI TÁR TULANÁ NÁI<br /> | |||
NÚPUR RAŃANE MANER GAHANE<br /> | |||
JE DHVANI JÁGIYE DILE<br /> | |||
TÁR, UPAMÁ NÁI TÁR TULANÁ NÁI<br /> | |||
O Lord, with anklebell sound, in the depth of the mind, the resonance that You raised, has<br /> | |||
no comparison, no example. It came into the ears, spreading as shyness, but why I could<br /> | |||
not think that? The One, fulfilling the temple of the memories, held by the tears in the<br /> | |||
core, in the moonlit night along with ma’dhavii flower, with His song, in His ideation | |||
I go on floating. O Dear, You are smeared with the colour of the tender leaves. In the<br /> | |||
abode of the mind, You are ever adored. Your glory and history of love, brings<br /> | |||
fulfilment, in heart and mind.<br /> | |||
=== 3759 (18/09/1986) D === | |||
AJÁNÁR SURE CALIÁCHI DÚRE<br /> | |||
AJÁNÁR HÁT CHÁNITE<br /> | |||
JE AJÁNÁ MOR CIRA CIT CHOR<br /> | |||
RAHASYA GHERÁ BHÁVETE<br /> | |||
AJÁNÁR HÁT CHÁNITE<br /> | |||
AJÁNÁ ARUŃER CETANÁ ÁLO<br /> | |||
CETANÁY ÁMI BÁSIÁCHI BHÁLO<br /> | |||
JE AJÁNÁ MORE SMITA PHÚL D́ORE<br /> | |||
BENDHECHE AŃUTE AŃUTE<br /> | |||
AJÁNÁR HÁT CHÁNITE<br /> | |||
AJÁNÁ PATHIK CENÁ HOVE KABE<br /> | |||
KŚAŃEK THÁMIBE ÁLOKOTSAVE<br /> | |||
JE ÁLOKE BHÁSE HIYÁ MOR BHÁVE<br /> | |||
ÚŚŃA PRÁŃER SHOŃITE<br /> | |||
AJÁNÁR HÁT CHÁNITE<br /> | |||
AJÁNÁR SURE CALIÁCHI DÚRE<br /> | |||
AJÁNÁR HÁT CHÁNITE<br /> | |||
With some unknown melody I moved far with the call signal of the unknown. That unknown is<br /> | |||
ever stealer of my mind, surrounded by mystery in ideation. In the unknown light of the<br /> | |||
morning sun, into the consciousness, I float nicely. That unknown, has bound each atom of<br /> | |||
my existence, with garland of smiling flowers. O The unknown, when shall I recognise You<br /> | |||
would You stay for a moment in the festivity of light. The light in which my heart floats<br /> | |||
in ideation, within warm blood of my life.<br /> | |||
=== 3760 (16/09/1986) D (Bengali dialect) === | |||
ESE CHILI KENO GELI<br /> | |||
ESE CHILI KENO GELI<br /> | |||
HÁMÁR GAŔÁ GHAR BHEUNGE DIYE GELI GO<br /> | |||
HÁMI BOLBO KÁKE BUJHABEK MU KE<br /> | |||
BHÁLOBESE I KI KARE DILI GO<br /> | |||
HAMÁR GAŔÁ GHAR BHENGE DIYE GELI GO<br /> | |||
SHANGYA CILER MATA HUMAŔE PAŔE<br /> | |||
EISHYE CHILI CALÁR KULIR PARE<br /> | |||
TU CAILYE GELI SAB SHUNÁ KARE<br /> | |||
HÁMÁR GAŔÁ HRIDAY KENO BHÁUNGLI GO<br /> | |||
HAMÁR GAŔÁ GHAR BHEUNGE DIYE GELI GO<br /> | |||
TU HÁIRYEI GELI KENO HÁR MÁNILI<br /> | |||
HÁMÁR PHULER HÁR PÁYE KARYE CHINŔE DILI<br /> | |||
TU E HÁRE HÁMÁR HÁR NÁ BUJHALI GO<br /> | |||
HAMÁR GAŔÁ GHAR BHEUNGE DIYE GELI GO<br /> | |||
ESE CHILI KENO GELI<br /> | |||
ESE CHILI KENO GELI<br /> | |||
HAMÁR GAŔÁ GHAR BHEUNGE DIYE GELI GO<br /> | |||
O Lord, You came, but why did You go breaking my wellbuilt house? To whom shall I tell<br /> | |||
explain me, is it the way to express love? You have demolished my wellbuilt house. You<br /> | |||
were with me overwhelmingly, remaining together all along the path. You went making all<br /> | |||
vacant. Even after getting defeated, why You did not accept the defeat? My floral garland<br /> | |||
You crushed below Your feet. Do not consider this defeat of mine as my defeat<br /> | |||
=== 3761 (20/09/1986) K === | |||
TOMÁR SAUNGE PARICAYER<br /> | |||
DIN TITHI MANE NÁ PAŔE<br /> | |||
SHUDHU TUMI RAYECHO MAN BHARE<br /> | |||
TUMI ÁCHO JIIVAN BHARE<br /> | |||
KICHUI CHILO NÁ MOR SAMPAD JAGATER<br /> | |||
TOMÁY PELUM RATNA SAMÁHÁRE<br /> | |||
TUMI ÁCHO JIIVAN BHARE<br /> | |||
AŃUR VAKŚE HOLO BÁLUR PRATIPHALAN | |||
NIŚPATRA SHÁKHE KISHALAY SPANDAN | |||
MASIKRIŚŃA MEGHE RÁM DHANU VIKIRAŃ<br /> | |||
KARILE KARUŃÁ KARE<br /> | |||
TUMI ÁCHO JIIVAN BHARE<br /> | |||
JE PHUL ANÁDARE PATH PÁSHE PAŔE CHILO<br /> | |||
KE SE MÁLÁKÁR TÁRE KÁNANE TULE NILO<br /> | |||
TÁHÁTE GANDHA MADHU VARŃA D́HELE DILO<br /> | |||
SEI TUMI TAMASÁ PÁRE<br /> | |||
TUMI ÁCHO JIIVAN BHARE<br /> | |||
O Lord, I do not remember the date and day of my acquaintance with You. Only You remain | |||
filling my mind whole of my life. I had no worldly wealth, By getting You, I got grand<br /> | |||
collection of wealth. At the bosom of this microcosm, reflection of the BÁLU? Was made.<br /> | |||
On leafless branch vibration of new tender leaves came. Beauty of rainbow radiated in deep<br /> | |||
dark cloud, all You did by Your mercy. The flower that was lying on the path neglected<br /> | |||
that through the sting of the garland maker hanged in the garden and in that You poured<br /> | |||
out colour and fragrance.<br /> | |||
=== 3762 (20/09/1986) K === | |||
TOMÁR KATHÁ SHUNI BÁRE BÁRE<br /> | |||
ÁMI, TOMÁR KATHÁ BHÁVI NISHI DIN | |||
TOMÁR MADHUR HÁSI KUSUM PARÁGE BHÁSI<br /> | |||
DOLÁ DEY TULANÁ VIHIINA<br /> | |||
TOMÁR KATHÁ BHÁVI NISHI DINA<br /> | |||
CARAŃ CIHNA TAVA ÁNKÁ ÁCHE MOR MANE<br /> | |||
TOMÁR MÁLÁR PÁPAŔI MOR SMRITI KÁNANE<br /> | |||
TOMÁR CALÁR CHANDA DRUTI ÁNE JIIVANE<br /> | |||
HE NIKAT́A HE CIRA ACIN | |||
TOMÁR KATHÁ BHÁVI NISHI DIN | |||
ÁCHO TUMI MOR SÁTHE SAB KÁLA AKÁLE<br /> | |||
SARVA JAYIIR JAY TILAK ENKE KAPÁLE<br /> | |||
VINDU MÁJHE DHARE AGÁDHA SINDHU JALE<br /> | |||
AŃUKE KARO BHUMÁTE LIINA<br /> | |||
TOMÁR KATHÁ BHÁVI NISHI DIN | |||
TOMÁR KATHÁ SHUNI BÁRE BÁRE<br /> | |||
ÁMI, TOMÁR KATHÁ BHÁVI NISHI DIN | |||
O Lord, I listen about You again and again, and think about You day and night. Your sweet<br /> | |||
smile floating through the floral fragrance swings in a unique way. Your footprint is<br /> | |||
imprinted in my mind. The petals of Your floral garland are present in my garden of<br /> | |||
memories. The rhythm of Your movement brings speed in my life, O the nearest but ever<br /> | |||
unknown. You are with me for all the times. O winner of all, You have marked victory sign | |||
on my forehead. By holding immense ocean water in a drop, You merge it Cosmos.<br /> | |||
=== 3763 (21/09/1986) K === | |||
ÁMI JÁNI NÁ KEU JÁNE NÁ<br /> | |||
KABE PRATHAM TUMI ESE CHILE<br /> | |||
CHILO NÁ TITHI KŚAŃA CHILO NÁ GAŃANÁ<br /> | |||
CHILO NÁ KONO KEU DHARÁTALE<br /> | |||
KABE PRATHAM TUMI ESE CHILE<br /> | |||
CHILO NÁ DHULIKAŃÁ CHILO NÁ VARŚAŃA<br /> | |||
VÁŚPE MEGHER JALE VIVARTANA<br /> | |||
CHILO NÁ RAVI KARA E VÁTÁVARAŃA<br /> | |||
ALIR GUINJARAŃA PHÚL DALE<br /> | |||
KABE PRATHAM TUMI ESE CHILE<br /> | |||
CHILO NÁ MARAŃA AMRITA SPARSHA<br /> | |||
CHILO NÁ VIBHÁVARII DINERO HARŚA<br /> | |||
CHILO NÁ ANUPALA ÁLOKA VARŚA<br /> | |||
PRASUPTA CHILO SABE MAHÁKÁLE<br /> | |||
KABE PRATHAM TUMI ESE CHILE<br /> | |||
ÁMI JÁNI NÁ KEU JÁNE NÁ<br /> | |||
KABE PRATHAM TUMI ESE CHILE<br /> | |||
O Lord, I do not know, nobody knows, when in the beginning You had advented. There was no<br /> | |||
date or hours, no sky or space, nothing existed on the earth. There was no dust particle<br /> | |||
no rain, cloud or water. There was no sunlight or atmosphere. There was no humming of bees<br /> | |||
on the flower petals. There was no death or touch of nectar, there was no night or joy of<br /> | |||
the day. There was no scattering of light any time, all were sleeping dormant in the grand<br /> | |||
ocean of time.<br /> | |||
=== 3764 (21/09/1986) K === | |||
TUMI YADI MOR GHARE NÁ ELE<br /> | |||
VRTHÁ BASE PALA GUNE JÁOÁ<br /> | |||
VRITHÁI PHÚL SEJE SÁJIYE TULE<br /> | |||
RAUNGER MÁDHURII BHARE DEOÁ<br /> | |||
VRITHÁ BASE PALA GUNE JÁOÁ<br /> | |||
VRITHÁI KÁNANE BELÁ MÁLATI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VRITHÁI KÁNANE BELÁ MÁLATI<br /> | |||
VRITHÁI KÁNANE BELÁ MÁLATI<br /> | |||
VRTHÁI KÁNANE BELÁ MÁLATI<br /> | |||
SHEFÁLI CAMPAK CÁMELI JÚTHII<br /> | |||
VRITHÁI PAINCA PRADIIP ÁRATI<br /> | |||
PRIITIR NIRYÁSE GIITI GÁOÁ<br /> | |||
VRITHÁ BASE PALA GUNE JÁOÁ<br /> | |||
VRITHÁI PHÚL HÁRE KABARII BÁNDHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VRITHÁI PHÚL HÁRE KABARII BÁNDHÁ<br /> | |||
MANDÁKRÁNTÁ TÁLE GIITIKÁ SÁDHÁ<br /> | |||
LODHRA VALAYE KAT́IKÁ BÁNDHÁ<br /> | |||
RÚPETE RÁGA D́HELE DITE CÁOÁ<br /> | |||
VRTHÁ BASE PALA GUNE JÁOÁ<br /> | |||
TUMI YADI MOR GHARE NÁ ELE<br /> | |||
VRTHÁ BASE PALA GUNE JÁOÁ<br /> | |||
O Lord, if You do not come to my home, useless is my waiting for You, counting time.<br /> | |||
Useless is my floral decoration of altar filled with the sweetness of colours. Waste are<br /> | |||
the flowers of bela’ and malati, shefalii, campak and camelii and juhi. Useless is the<br /> | |||
worship with five lamps and singing of song with essence of love. Waste is the floral<br /> | |||
garland decoration of the chignon and rehearsing of the songs in manda’kra’nta’<br /> | |||
rhythm. Useless is the binding cosmetic belt on the waist. Earnestly wiling for You<br /> | |||
pouring melody in form and counting time sitting wastefully.<br /> | |||
=== 3765 (22/09/1986) K === | |||
HE PRABHU TUMI RAYECHO<br /> | |||
JALE STHALE SAB KICHUTE<br /> | |||
TOMÁR APÁR PRIITI D́HELE DIYECHO<br /> | |||
ANANTA BHÁVERI SROTE<br /> | |||
JALE STHALE SAB KICHUTE<br /> | |||
VASUDHÁR SUDHÁSÁR TUMII BANDHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VASUDHÁR SUDHÁSÁR TUMII BANDHU<br /> | |||
NITYA AKAETAVA MAHÁSINDHU<br /> | |||
DIVYÁNANDE NÁCE KOT́I VINDU<br /> | |||
TAVA TÁMARASERI MÁDHURIITE<br /> | |||
JALE STHALE SAB KICHUTE<br /> | |||
ÁMIO EKT́I VINDU TAVA SROTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMIO EKT́I VINDU TAVA SROTE<br /> | |||
HÁSI KÁNDI NÁVI UT́HI TAVA GIITITE<br /> | |||
JIIVANE CHANDA PÁI TAVA DYUTITE<br /> | |||
TUMI MOR ÁDI ANTE<br /> | |||
JALE STHALE SAB KICHUTE<br /> | |||
O Lord, You reside in land, water, everything. You have poured Your unlimited love into<br /> | |||
the stream of infinite ideation. You are the ever companion as the essence of essence of<br /> | |||
this earth. The great true and eternal ocean, millions of drops and bubbles dance with<br /> | |||
divine bliss within the sweetness of Your lotus. I am also a drop in Your stream, smiling<br /> | |||
crying, alighting and rising with Your song. I get the rhythm of life within Your<br /> | |||
effulgence. You are my beginning and end.<br /> | |||
=== 3766 (22/09/1986) K === | |||
PRABHU, TUMI ÁCHO ÁR ÁMI ÁCHI<br /> | |||
TRITIIYA NEI BHUVANE<br /> | |||
MANER SAKAL MADHU D́HELE DIYECHI<br /> | |||
TOMÁKE CEYECHI VIJANE<br /> | |||
TRITIYA NEI BHUVANE<br /> | |||
EKIIBHÚTA HOLO ÁJ TANTRA O VEDA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EKIIBHÚTA HOLO ÁJ TANTRA O VEDA<br /> | |||
NYÁSA PRÁŃÁYAM DHYÁNA JINÁNE NEI BHEDA<br /> | |||
DÚR HOLO ASUYÁ SARE GELO KLEDA<br /> | |||
EKAI HIMÁNSHU HÁSE HARŚÁSANE<br /> | |||
TRITIIYA NEI BHUVANE<br /> | |||
SAKAL VISRIŚT́IR EAKAI SAMÁHÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAKAL VISRIŚT́IR EAKAI SAMÁHÁR<br /> | |||
SAB ABHISPHURAŃER EKAI ÁDHÁR<br /> | |||
RÁGE ANURÁGE SABE HOE EKÁKÁR<br /> | |||
EKAI TÁI DHYEYA JIIVANE<br /> | |||
TRITIIYA NEI BHUVANE<br /> | |||
PRABHU, TUMI ÁCHO ÁR ÁMI ÁCHI<br /> | |||
TRITIIYA NEI BHUVANE<br /> | |||
O Lord, You are there and I am there, there is no third entity in the world. I have poured<br /> | |||
entire sweetness of my mind and wanted You in isolation. Today, tantra and Vedas have<br /> | |||
become one. There is no distinction amongst worship processes like nya’sa, breathing<br /> | |||
discipline, meditation and knowledge. All the cynicism and dirt are removed. Only one moon | |||
smiles in the posture of joy. There is no third entity in the whole of three worlds.<br /> | |||
There is only one aggregate of the universe, and only one basis of all vibrations. All<br /> | |||
colours and hue become unified. Thus there is only one desideratum in life.<br /> | |||
=== 3767 (23/09/1986) D === | |||
PRÁŃERI PARÁGE BHESE TUMI ESE CHILE<br /> | |||
ÁMÁR GHARE ÁMÁR MANE PRIYA<br /> | |||
PHÁGUNER KISHALAYE SE JE HESECHILE<br /> | |||
RAUNGE D́HELE DIYE CHILE AMIYA<br /> | |||
ÁMÁR GHARE ÁMÁR MANE PRIYA<br /> | |||
ÁR CHILO NÁ KEU SE RÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁR CHILO NÁ KEU SE RÁTE<br /> | |||
KEU JÁGENI JYOTSNÁ RÁTE<br /> | |||
ÁR KÁREO CARAŃ PÁTE<br /> | |||
SHONÁO NI SHINJINAO<br /> | |||
ÁMÁR GHARE ÁMÁR MANE PRIYA<br /> | |||
CHILUM TANDRÁ GHORE, ÁNAMANA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILUM TANDRÁ GHORE<br /> | |||
ÁNAMANA, JÁNÁI NI SÁDAR ÁVÁHANA<br /> | |||
KARI NI ÁLPANÁ ANKAN | |||
PATH CINE ELE TABUO<br /> | |||
ÁMÁR GHARE ÁMÁR MANE PRIYA<br /> | |||
PRÁŃERI PARÁGE BHESE TUMI ESE CHILE<br /> | |||
ÁMÁR GHARE ÁMÁR MANE PRIYA<br /> | |||
O Lord, floating through the fragrance of life, You had come into my home and mind, O<br /> | |||
Dear. Coming through the new leaves of the spring, He had smiled and poured nectar and<br /> | |||
colour. There was no one else in that night. No one was awake in that moonlit night. No<br /> | |||
footstep or ankle bell sound was heard. I was unmindful in deep drowsiness and did not<br /> | |||
know respectful invocation. I did not paint decoration of welcome mark, still You came<br /> | |||
recognizing the path.<br /> | |||
=== 3768 (23/09/1986) K === | |||
ANEK TAPASYÁY PEYECHI TOMÁY<br /> | |||
BHULIBO NÁ KICHUTEI KONO SAMAY<br /> | |||
BÁNDHIÁCHO PRIITI D́ORE HE PRIYA TUMI SABÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁNDHIÁCHO PRIITI D́ORE HE PRIYA TUMI SABÁRE<br /> | |||
BÁNDHIÁCHO PRIITI D́ORE HE PRIYA TUMI SABÁRE<br /> | |||
BÁNDHIÁCHO PRIITI D́ORE HE PRIYA TUMI SABÁRE<br /> | |||
NANDITA SPANDITA KARE DIYE SURE SURE<br /> | |||
VIIŃÁR KOMAL TÁRE SABÁR CETANÁ PURE<br /> | |||
ÁCHO BHARE NÁCERI VASUDHÁY?<br /> | |||
BHULIBO NÁ KICHUTEI KONO SAMAY<br /> | |||
NIT́HUR NIDÁGH DÁHE VARAŚÁR PRAVÁHE<br /> | |||
SHARATER SHEFÁLI CHÁYE HEMANTE HIMA VÁHE<br /> | |||
SHIITER TUŚÁR GHÁYE, VASANTE UHÁVOHE<br /> | |||
DIYE CALO NIJA PARICAYA<br /> | |||
BHULIBO NÁ KICHUTEI KONO SAMAY<br /> | |||
ANEK TAPASYÁY PEYECHI TOMÁY<br /> | |||
BHULIBO NÁ KICHUTEI KONO SAMAY<br /> | |||
After a lot of ardous penance<br /> | |||
I have now attained You.<br /> | |||
I shall never forget You in any way.<br /> | |||
You have bound all the people with the thread of love.<br /> | |||
You vibrated all pleasing them of with melody and tunes.<br /> | |||
You aroused consciousness in all<br /> | |||
by touching the innermost strings of the lyre of hearts.<br /> | |||
You have filled every pore<br /> | |||
of the universe with music and dance.<br /> | |||
In the merciless heat of summer<br /> | |||
in the heavy downpour of rains<br /> | |||
in the shady jasmine (shefa’lii) flowers<br /> | |||
in the dew drops of late autumn | |||
in the frost of winter<br /> | |||
in the breeze of spring<br /> | |||
You have made Your presence felt.<br /> | |||
=== 3769 (24/09/1986) D === | |||
PRABHU, TOMÁY ÁMÁY NAVA PARICAYA<br /> | |||
ANEK DINER PARE<br /> | |||
ESE CHINU BHESE ANÁDI ÁVESHE<br /> | |||
REKHE CHILE MORE DHARE<br /> | |||
ANEK DINER PARE<br /> | |||
PEYECHI SUKH PEYECHI JVÁLÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PEYECHI SUKH PEYECHI JVÁLÁ<br /> | |||
HESECHI KABHU VÁ HOYECHI UTALÁ<br /> | |||
DIN KÁLA TITHI AJÁNÁ ATITHI<br /> | |||
KABHU BHULIÁCHI KABHU MANE PAŔE<br /> | |||
ANEK DINER PARE<br /> | |||
PEYECHI PARASH PELAVA MADHUR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PEYECHI PARASH PELAVA MADHUR<br /> | |||
NECECHI HOYECHI PARŃE VIDHUR<br /> | |||
HE DYOTANÁ DYUTI HE PARAMA PRIITI<br /> | |||
TAVA PRIITI NIYE ÁCHI BHÚDHARE<br /> | |||
ANEK DINER PARE<br /> | |||
O Lord,<br /> | |||
after a long time<br /> | |||
we have been introduced mutually anew.<br /> | |||
I came drifting about<br /> | |||
from the momentum of begininglessness<br /> | |||
and You caught hold of me.<br /> | |||
I felt pleasure and pain | |||
I sometimes smiled<br /> | |||
and I became restless at other times.<br /> | |||
O unknown traveler, O guest<br /> | |||
I sometimes forgot the count of time<br /> | |||
at other times I remembered.<br /> | |||
Having felt Your soft and sweet touch<br /> | |||
I started dancing in utter joy.<br /> | |||
O radiation of effulgence<br /> | |||
O embodiment of extreme love<br /> | |||
with Your love only<br /> | |||
I exist on this earth.<br /> | |||
=== 3770 (24/09/1986) D === | |||
DIN ÁSE JÁY DRIK CETANÁY<br /> | |||
DIN ÁSE JÁY DRIK CETANÁY<br /> | |||
DIN ÁSE JÁY DRIK CETANÁY<br /> | |||
MOR PÁNE PHIRE NÁHI CÁY<br /> | |||
KENO PRABHU ÁMI ASAHÁY<br /> | |||
ÁLOKE ÁNDHÁRE RACECHO DHARÁRE<br /> | |||
ÁLOKE ÁNDHÁRE RACECHO DHARÁRE<br /> | |||
ÁLOKE ÁNDHÁRE RACECHO DHARÁRE<br /> | |||
ÁMÁRE REKHECHO DHÚP CHÁYÁY<br /> | |||
KENO PRABHU ÁMI ASAHÁY<br /> | |||
ARUŃER ÁLO PETE NÁHI PETE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ARUŃER ÁLO PETE NÁHI PETE<br /> | |||
ARUŃER ÁLO PETE NÁHI PETE<br /> | |||
ARUŃER ÁLO PETE NÁHI PETE<br /> | |||
PRAKHAR RAVIR KARO UT́HE TETE<br /> | |||
KOMAL KORAK JVALE ÚŚŃETE<br /> | |||
TRIŃA HUTÁSHANE PUŔE JÁY<br /> | |||
KENO PRABHU ÁMI ASAHÁY<br /> | |||
VISRIŚT́I TAVA KAT́HOR KOMAL<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VISRIŚT́I TAVA KAT́HOR KOMAL<br /> | |||
VISRIŚT́I TAVA KAT́HOR KOMAL<br /> | |||
VISRIŚT́I TAVA KAT́HOR KOMAL<br /> | |||
KAKHANO VAJRA KAKHANO DRUMAL<br /> | |||
MORE DILE KENO KURIISH KEVALA<br /> | |||
ANIIPSITA MARU TRIŚÁY<br /> | |||
KENO PRABHU ÁMI ASAHÁY<br /> | |||
DIN ÁSE JÁY DRIK CETANÁY<br /> | |||
MOR PÁNE PHIRE NÁHI CÁY<br /> | |||
KENO PRABHU ÁMI ASAHÁY<br /> | |||
The days come and go showing consciousness, but does not look towards me. Why I am so<br /> | |||
helpless, O Lord? You have created the world with light and darkness and kept me in sun | |||
and shade. With or without the crimson light of the dawn, You rise the intense sun from<br /> | |||
that. The tender nucleus of the flower, burn with heat and the grass burns in fire. Your<br /> | |||
special creation the universe, is both soft and hard, sometimes very hard and sometimes<br /> | |||
tender.<br /> | |||
=== 3771 (25/09/1986) K === | |||
RUDRA VIIŃÁR JHAUNKÁRE T́AUNKÁR<br /> | |||
ENE DILE DHANUKE<br /> | |||
JAMÁ CHILO JATA PÁPA SHATA SHATA<br /> | |||
PUŔIE CHÁI KARILE PALAKE<br /> | |||
RUDRA VIIŃÁR JHAUNKÁRE T́AUNKÁR<br /> | |||
ENE DILE DHANUKE<br /> | |||
ASÁR SARIYE ENE DILE SÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ASÁR SARIYE ENE DILE SÁR<br /> | |||
BOJHÁLE JAGATE TUMI SÁRÁTSÁR<br /> | |||
JÁHÁ KICHU CÁI JÁ BHÁVI ASÁR<br /> | |||
THÁKE SHUDHU SÁTHE KŚAŃEKE<br /> | |||
RUDRA VIIŃÁR JHAUNKÁRE T́AUNKÁR<br /> | |||
ENE DILE DHANUKE<br /> | |||
TOMÁKE BHULIÁ CEYE GECHI JAŔE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁKE BHULIÁ CEYE GECHI JAŔE<br /> | |||
CÁHINI DHARITE NABHE CHOT́A NIIŔE<br /> | |||
ÁNKHI MUNDE DEKHECHI TAMA SÁGARE<br /> | |||
DEKHINI ÁLO JHALAKE JHALAKE<br /> | |||
RUDRA VIIŃÁR JHAUNKÁRE T́AUNKÁR<br /> | |||
ENE DILE DHANUKE<br /> | |||
O Lord, on Your bow, You have brought twang of the annihilating viin’a’. All the<br /> | |||
hundreds of accumulated sinful energy, You have burnt to ashes in moment. Removing the<br /> | |||
nonessence, You have brought the essence, and made all understand that You are the essence<br /> | |||
of essence in the world. Having forgotten You, I desired the inert, and did not want to<br /> | |||
hold the small nest in the sky. Having closed the eyes, I saw the ocean of darkness and<br /> | |||
never observed the glimpses of light.<br /> | |||
=== 3772 (25/09/1986) D === | |||
PRABHU, TOMÁR ÁMÁR PRATHAM DEKHÁ<br /> | |||
KON SÁYAR TIIRE<br /> | |||
BHULE GECHI TITHI TÁRIIKH<br /> | |||
BHULE GECHI DEKHÁR NIRIKH<br /> | |||
MANE ÁCHE BHÁLOBÁSÁ<br /> | |||
DIYE DILE BHARE<br /> | |||
KON SÁYAR TIIRE<br /> | |||
ÚŚÁR ÁLOY ESE CHILE<br /> | |||
SHISHIR DHOYÁ CARAŃ PHELE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÚŚÁR ÁLOY ESE CHILE<br /> | |||
SHISHIR DHOYÁ CARAŃ PHELE<br /> | |||
RAKTIMÁBHÁY SHUKTI MÁJHE<br /> | |||
MUKTÁ DYUTI PARE<br /> | |||
KON SÁYAR TIIRE<br /> | |||
CÁILE JETE MORE PHELE<br /> | |||
SANDHYÁ RÁGER RAUNGA MASHÁLE<br /> | |||
DIYINI JETE REKHECHI CITTE<br /> | |||
ANANTA KÁLA DHARE<br /> | |||
KON SÁYAR TIIRE<br /> | |||
PRABHU, TOMÁR ÁMÁR PRATHAM DEKHÁ<br /> | |||
KON SÁYAR TIIRE<br /> | |||
O Lord, on the shore of which ocean, our first acquaintance occurred? I have forgotten the<br /> | |||
date and value of meeting. The only thing that remains in the mind is love that You had<br /> | |||
filled. You came with the shine of the dawn, extending the feet washed with dew. Like the<br /> | |||
effulgence of pearl within the reddish tinted shell. You wanted to go away rejecting me<br /> | |||
like the colourful torch of the evening hue. But I did not let You go and kept within the<br /> | |||
mind for endless duration.<br /> | |||
=== 3773 (25/09/1986) K === | |||
DHYÁNERI SUVÁSE CIDÁKÁSHE<br /> | |||
JE URMI JEGE CHILO<br /> | |||
TÁKE RODHIBE KE TÁKE BHÚLIBE KE<br /> | |||
MANERI MAYÚRE MEGHÁMBARE<br /> | |||
KÁKE DEKHE NECECHI<br /> | |||
NIRNIMEŚE NIRNIMEŚE<br /> | |||
TÁKE RODHIBE KE TÁKE BHULIBE KE<br /> | |||
KEU JÁNE NÁ ÁMRÁ JÁNI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KEU JÁNE NÁ ÁMRÁ JÁNI<br /> | |||
KÁKEO BOLINI SEI KÁHINI<br /> | |||
SHUBHRA SHUCI SE BARARUCI<br /> | |||
KEŔE NILO ÁMÁKE KEŔE NILO ÁMÁKE<br /> | |||
TÁKE RODHIBE KE TÁKE BHULIBE KE<br /> | |||
KEU NÁ MÁNÚK, ÁMI JE MÁNI<br /> | |||
Á Á<br /> | |||
KEU NÁ MÁNÚK, ÁMI JE MÁNI<br /> | |||
MOR ANÚBHÚTIR PARASHA KHÁNI<br /> | |||
SAḾGOPANE MOR SUPTA MANE<br /> | |||
JÁGIYE DILO SE JE PRIITI PULAKE<br /> | |||
TÁKE RODHIBE KE TÁKE BHULIBE KE<br /> | |||
DHYÁNERI SUVÁSE CIDÁKÁSHE<br /> | |||
JE URMI JEGE CHILO<br /> | |||
TÁKE RODHIBE KE TÁKE BHÚLIBE KE<br /> | |||
In the firmament of my mind, with the fragrance of meditation, the waves that arose cannot<br /> | |||
be ignored and obstructed. By observing whom in that firmament, the mental peacock is<br /> | |||
dancing unwinkingly? No one knows, but we know. We did not tell that story to anyone. That<br /> | |||
pure attractive effulgence has snatched away my mind. Whether anybody accepts that or<br /> | |||
not, but I am convinced of that, due to experiences. He awakened the thrill of love in my<br /> | |||
sleeping mind secretly.<br /> | |||
=== 3774 (26/09/1986) K === | |||
MÁGHERI SHEŚE VASANTA ESE<br /> | |||
BOLE GELE MORE<br /> | |||
UT́HO BANDHU CALO ÁMÁR SAUNGE ÁJ<br /> | |||
ÚŚŃA HAOÁY KE JE GO BÁJÁY<br /> | |||
DIIPAK PRÁŃOCCHAL<br /> | |||
ESO MORA DHARI<br /> | |||
TÁKE MANA MÁJHA<br /> | |||
UT́HO BANDHU CALO ÁMÁR SAUNGE ÁJ<br /> | |||
KISHALAYE HÁRIYE GECHE<br /> | |||
SHUŚKA PARŃA DALA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KISHALAYE HÁRIYE GECHE SHUŚKA PARŃA DALA<br /> | |||
VANA NILAYE HÁSIÁCHE KINSHUK KOMALA<br /> | |||
E PARIVESHE PRIITI ÁVESHE<br /> | |||
SÁJÁYE TÁKE DIYE PHÚL SÁJ<br /> | |||
UT́HO BANDHU CALO ÁMÁR SAUNGE ÁJ<br /> | |||
BÁHIR VISHVA RÚPE BHARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁHIR VISHVA RÚPE BHARÁ<br /> | |||
RAIBO KENO DUHKHE SÁRÁ<br /> | |||
SAKAL KHUSHII HÁRÁNO HÁSI<br /> | |||
DIYE BARI SE RITURÁJ<br /> | |||
UT́HO BANDHU CALO ÁMÁR SAUNGE ÁJ<br /> | |||
MÁGHERI SHEŚE VASANTA ESE<br /> | |||
BOLE GELE MORE<br /> | |||
UT́HO BANDHU CALO ÁMÁR SAUNGE ÁJ<br /> | |||
At the end of winter, spring came, and told me, “ O brother, arise and come long with me<br /> | |||
today, Who is playing overwhelmingly the kindling melody through the warm wind? Keeping<br /> | |||
that in the mind, come to me. The tender leaves have been converted into the bunch of dry<br /> | |||
matured leaves. The soft kim’shuk flowers smile in their abode in the forest. In this<br /> | |||
environment, with the impulse of love, decorate Him with the floral adornment”. The<br /> | |||
external world is full of beauty, why should I remain exhausted with sorrows? With smile<br /> | |||
accumulating entire joy, I would adore that festive spring.<br /> | |||
=== 3775 (26/09/1986) === | |||
YUGA YUGA DHARE CEYECHI TOMÁRE<br /> | |||
PELUM ANEK PARE<br /> | |||
KII LIILÁ TOMÁR BUJHE UT́HÁ BHÁR<br /> | |||
REKHE CHILE TIMIRE<br /> | |||
PELUM ANEK PARE<br /> | |||
BHEVE CHINU BHORE SÁRÁ DIN DHARE<br /> | |||
KÁJ KARE JÁBO NIJERI JORE<br /> | |||
DUPUR BELÁY JÁNÁLE ÁMÁY<br /> | |||
TRIŃAO KRIPÁTE NAŔE<br /> | |||
PELUM ANEK PARE<br /> | |||
TAVA KARUŃÁY DHARÁ GHURE JÁY<br /> | |||
CHAY RTU ÁSE, MEGHE JALA DEY<br /> | |||
ÁKÁSHA VÁTÁS SUDHÁ SÁRE CHÁYE<br /> | |||
CETANÁ AMRTA BHARE<br /> | |||
PELUM ANEK PARE<br /> | |||
JINÁNA O KARMA DISHÁ HÁRÁY<br /> | |||
TAVA CARAŃER DHÚLITE LUT́ÁY<br /> | |||
BHÁLOBÁSÁ BHÁSE AMIYA DOLÁY<br /> | |||
MADHU PÁY MADHUKARE<br /> | |||
PELUM ANEK PARE<br /> | |||
YUGA YUGA DHARE CEYECHI TOMÁRE<br /> | |||
PELUM ANEK PARE<br /> | |||
O Lord, since ages, I have loved You, but attained after much time. What is Your divine<br /> | |||
play, it is hard to understand, why did You keep me in dark? I was thinking that the whole<br /> | |||
day since morning, I would continue to work at my own strength. By noon, You made me<br /> | |||
realize that even a blade of grass moves with Your grace. By Your mercy, the earth<br /> | |||
revolves, the six seasons come and the clouds rain water. Into the sky and air, essence of<br /> | |||
sweetness scatters, filling the nectar of consciousness. The wisdom and actions losing<br /> | |||
directions, wallow at the dust of Your feet. In the oscillations of the nectar, love<br /> | |||
appears and the honey got the bee.<br /> | |||
=== 3776 (26/09/1986) D === | |||
PRIYATAM ÁMÁR GHARE<br /> | |||
ESO ÁLOY PURŃA KARE<br /> | |||
HÁSO TOMÁR MADHUR HÁSI<br /> | |||
MAN BHULÁLO MADHURÁDHARE<br /> | |||
ESO ÁLOY PURŃA KARE<br /> | |||
CÁI NÁ ÁMI KICHUI PETE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁI NÁ ÁMI KICHUI PETE<br /> | |||
CÁI JE SHUDHU TOMÁY DITE<br /> | |||
TOMÁR CHANDE RÁGE MÁTITE<br /> | |||
TOMÁR BHÁVE SHATA DHÁRE<br /> | |||
ESO ÁLOY PURŃA KARE<br /> | |||
CEYE GECHI ANEK KICHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CEYE GECHI ANEK KICHU<br /> | |||
CHUT́ECHI ÁLEYÁR PICHU<br /> | |||
VICÁR KARE UNCU NICU<br /> | |||
BHÚL KARECHI JIIVAN BHARE<br /> | |||
ESO ÁLOY PURŃA KARE<br /> | |||
PRIYATAM ÁMÁR GHARE<br /> | |||
ESO ÁLOY PURŃA KARE<br /> | |||
O Dearest Lord, come to my home fulfilling my expectation of effulgence. Smile with Your<br /> | |||
sweet lips, the enchanting sweet smile. I do not want to get anything from You, rather<br /> | |||
want only to give You, engrossed in Your rhythm and melody, with Your ideation in hundreds<br /> | |||
of ways. I have been desiring many things in past, that mirage is now left behind.<br /> | |||
Considering high and low, I made mistake whole of my life.<br /> | |||
=== 3777 (27/09/1986) D === | |||
JEO NÁ JEO NÁ PRIYA MOR<br /> | |||
ELE YADI ÁMÁR GHARE<br /> | |||
TOMÁR TARE NISHI BHARE<br /> | |||
ÁLPANÁ DIYECHI DVÁRE<br /> | |||
ELE YADI ÁMÁR GHARE<br /> | |||
JEO NÁ JEO NÁ PRIYA MOR<br /> | |||
TULIÁCHI SAHÁSA PÁRUL<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TULIÁCHI SAHÁSA PÁRUL<br /> | |||
MÁLÁTE DIYECHI BAKÚL<br /> | |||
GHAT́E REKHE ÁMRA MUKUL<br /> | |||
BASE CHILUM PATHER DHÁRE<br /> | |||
ELE YADI ÁMÁR GHARE<br /> | |||
JEO NÁ JEO NÁ PRIYA MOR<br /> | |||
CIT UDADHI ÚRMI MÁLÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CIT UDADHI ÚRMI MÁLÁY<br /> | |||
TOMÁY BHEVE NECE BEŔÁY<br /> | |||
MANER MAYUR ÁKÁSHE TÁKÁY<br /> | |||
KRŚŃA MEGHE DEKHÁR TARE<br /> | |||
ELE YADI ÁMÁR GHARE<br /> | |||
JEO NÁ JEO NÁ PRIYA MOR<br /> | |||
O My Dear, do not go, do not go, if You come to my home. For You whole of night, I had<br /> | |||
marked the door with decoration of welcome. I have picked up in hands pa’rul flowers<br /> | |||
with smile, and provided bakul flower in the garland. Keeping the welcome decoration of<br /> | |||
the mango leaves and buds at the pitcher, I am sitting at the edge of the path. The series<br /> | |||
of waves in the ocean of the mind, dance thinking of You. The mental peacock look towards<br /> | |||
the sky, to see the dark clouds.<br /> | |||
=== 3778 (27/09/1986) D === | |||
BHAERAVA TUMI DURYOGE ELE<br /> | |||
KAPÁLE KRŚŃA TILAKE<br /> | |||
JÁHÁ KICHU PELE KEŔE NIYE GELE<br /> | |||
NÁ THÁMIYE GATI TILAKE<br /> | |||
KAPÁLE KRŚŃA TILAKE<br /> | |||
KATA VIHAUNGA NIIŔA HÁRÁ HOLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA VIHAUNGA NIIŔA HÁRÁ HOLO<br /> | |||
PASHU MÁNUŚERÁ ÁVÁSA KHOYÁLO<br /> | |||
KATA ÁNKHI JALA VÁNE BHESE GELO<br /> | |||
TUMI NÁ TÁKÁLE PALAKE<br /> | |||
KAPÁLE KRŚŃA TILAKE<br /> | |||
BÁHIR JALETE SHUKTI BHIJILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁHIR JALETE SHUKTI BHIJILO<br /> | |||
MUKTÁ ATALE TALÁIÁ GELO<br /> | |||
BHÁLOBÁSÁ BHARÁ MAN CHUT́E ELO<br /> | |||
ÁRTA TRÁŃE E BHULOKE<br /> | |||
KAPÁLE KRŚŃA TILAKE<br /> | |||
BHAERAVA TUMI DURYOGE ELE<br /> | |||
KAPÁLE KRŚŃA TILAKE<br /> | |||
O Bhaerava, You came at an odd time, with dark mark on the forehead. Whatever You got, You<br /> | |||
went snatching that, without pausing Your speed even for a bit. How many birds have become<br /> | |||
nestless, many livestock and human lost their shelter. Much tears flowed away into the<br /> | |||
flood, but You did not see even for a moment. With external water, the shells got wet, and<br /> | |||
the pearls got sunk into the deep bottom. The lovefull mind came rushing, to protect the<br /> | |||
distressed in the world.<br /> | |||
=== 3779 (28/09/1986) D === | |||
BHÁVI TOMÁY BHULE JÁBO<br /> | |||
KEMANE BHULI BOLO NÁ<br /> | |||
BHESE UT́HO DIGVALAYE<br /> | |||
YADI BHÁVI TÁKÁBO NÁ<br /> | |||
KEMANE BHULI BOLO NÁ<br /> | |||
NIDÁGHE CANDANE HÁSO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIDÁGHE CANDANE HÁSO<br /> | |||
VARŚÁR KEYÁ PARÁGE BHÁSO<br /> | |||
SHARATE KUSH KÁSHE NÁCO<br /> | |||
SÁDÁ MEGHE BÁNDHO JHULONÁ<br /> | |||
KEMANE BHULI BOLO NÁ<br /> | |||
HEMANTE DHÁNER SUGHÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HEMANTE DHÁNER SUGHÁNE<br /> | |||
SHIITERI RAJAT? TUHINE<br /> | |||
VASANTE VARŃA SHOBHANE<br /> | |||
RAUNGIIN HAOÁY DÁO DYOTANÁ<br /> | |||
KEMANE BHULI BOLO NÁ<br /> | |||
BHÁVI TOMÁY BHULE JÁBO<br /> | |||
KEMANE BHULI BOLO NÁ<br /> | |||
O Lord, I thought that I would forget You, but how to forget, tell me. If I think not to<br /> | |||
see then You rise at the horizon. You smile like sandal paste during intense sun of the<br /> | |||
noon. You float through the fragrance of ketakii (screwpine) flower. During pre winter You<br /> | |||
dance as the tall grass and make a swing of the white clouds. In the nice smell of winter<br /> | |||
paddy, In the silvery snow of the winter, in the colourful decoration of the spring<br /> | |||
through the colourful wind, You provide indications.<br /> | |||
=== 3780 (29/09/1986) D === | |||
KII DOŚA KARECHI BOLONÁ<br /> | |||
KENO ÁMÁR GHARE ELE NÁ<br /> | |||
BHÁLOBESECHI MANE PRÁŃE<br /> | |||
JENEO KI TÁO JÁNO NÁ<br /> | |||
KENO ÁMÁR GHARE ELE NÁ<br /> | |||
VRITHÁ HOLO MÁLÁ GÁNTHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VRITHÁ HOLO MÁLÁ GÁNTHÁ<br /> | |||
VRITHÁI SÁDHER SUR JE SÁDHÁ<br /> | |||
SMRITI NIYE HÁSÁ KÁNDÁ<br /> | |||
ENKE MÚCHI KI ÁLPANÁ<br /> | |||
KENO ÁMÁR GHARE ELE NÁ<br /> | |||
MAN DEULE DEKHECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAN DEULE DEKHECHI<br /> | |||
TOMÁR RAUNGE RÁUNGÁ HOYECHI<br /> | |||
TOMÁR GÁNE NÁCE METECHI<br /> | |||
TÁI TO DÚRE THÁKÁ SAHE? NÁ<br /> | |||
KENO ÁMÁR GHARE ELE NÁ<br /> | |||
KII DOŚA KARECHI BOLONÁ<br /> | |||
KENO ÁMÁR GHARE ELE NÁ<br /> | |||
O Lord, what mistake have I committed, tell me, why did not You come to my home? I love<br /> | |||
You wholeheartedly, knowingly, do not You know that? My threading of floral garland is<br /> | |||
waste, Useless is rehearsing of the melody. Remembering that I smile and cry, draw and<br /> | |||
wipe the welcome decoration markings.<br /> | |||
=== 3781 (30/09/1986) K === | |||
TOMÁY ÁMI CEYECHI<br /> | |||
GOPANE GAHANE<br /> | |||
AJÁNÁ PATHIK TÁKÁO KHAŃIK<br /> | |||
MOR PÁNE KARUŃÁ NAYANE<br /> | |||
GOPANE GAHANE TOMÁY ÁMI CEYECHI<br /> | |||
TOMÁKE CHÁŔÁ ÁMI KICHU JÁNI NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁKE CHÁŔÁ ÁMI KICHU JÁNI NÁ<br /> | |||
TUMI BINÁ KÁHÁKEO DHYÁNE BHÁVI NÁ<br /> | |||
TOMÁRI PRIITI TOMÁRI GIITI?<br /> | |||
TAVA ANUPAMA DYUTI UDBHÁSITA KARE JIIVANE<br /> | |||
GOPANE GAHANE TOMÁY ÁMI CEYECHI<br /> | |||
E KI PHÚL D́ORE MORE BENDHE CHO<br /> | |||
CHINŔETE CÁHILE AT́UT́A REKHECHO<br /> | |||
TAVA GUŃA KATHÁ SHEŚA NÁHI HOYE<br /> | |||
BHÁVIYÁ DEKHI TÁR NÁHI ÁYU KŚAYA<br /> | |||
TOMÁRI VRATE<br /> | |||
TOMÁRI VRATE TAVA MADHUNISYANDE<br /> | |||
ÁMI BHÁSI KAOMUDI, KIRAŃE<br /> | |||
GOPANE GAHANE TOMÁY ÁMI CEYECHI<br /> | |||
O Lord, I love You, secretly in depth. O the unknown traveler, look for a while towards me<br /> | |||
with mercy. Other than You, I do not know anything. Other than You, I do not think of<br /> | |||
anyone in my meditation. Your love, song and incomparable glow illuminates my life. With<br /> | |||
what floral thread have You tied me, it is unbreakable, even if I want. There is no end of<br /> | |||
the narration of Your glories. I observed on thinking that they do not terminate. In Your<br /> | |||
vow, and Your essence of sweetness, I float in the rays of moonlight.<br /> | |||
=== 3782 (30/09/1986) D === | |||
KENO ÁMI TOMÁR GHARE<br /> | |||
ÁSI NÁ<br /> | |||
TÁ KI TOMÁY BOLBO<br /> | |||
NÁ, NÁ BOLBO NÁ<br /> | |||
KENO ÁMI BHÁLOBESE<br /> | |||
DHARÁ DII NÁ<br /> | |||
SE KATHÁ KI JÁNÁBO<br /> | |||
NÁ NÁ JÁNÁBO NÁ<br /> | |||
NÁ NÁ BOLBO NÁ<br /> | |||
BHÁLOBÁSÁ LATÁY PÁTÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁLOBÁSÁ LATÁY PÁTÁY<br /> | |||
BHÁLOBÁSÁ PHÚLER REŃUKÁY<br /> | |||
BHÁLOBÁSÁY PARÁG BHESE JÁY<br /> | |||
TÁDER SAUNGE KI KATHÁ KAIBO<br /> | |||
NÁ NÁ KAIBO NÁ<br /> | |||
NÁ NÁ BOLBO NÁ<br /> | |||
BHÁLO BÁSÁY MAN BHARE JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁLO BÁSÁY MAN BHARE JÁY<br /> | |||
SE BHÁLOBÁSÁY PRÁŃA UPACÁY<br /> | |||
SE BHÁLO BÁSÁ BHULABO<br /> | |||
NÁ, NÁ BHULBO NÁ<br /> | |||
NÁ NÁ BOLBO NÁ<br /> | |||
KENO ÁMI TOMÁR GHARE<br /> | |||
ÁSI NÁ<br /> | |||
TÁ KI TOMÁY BOLBO<br /> | |||
NÁ, NÁ BOLBO NÁ<br /> | |||
Why I do not come to your home that I will not say. Why I do get caught even if love, that<br /> | |||
I shall speak. I love all including creepers and leaves and the pollen of flowers, by love<br /> | |||
the fragrance goes on floating. What I talk with them, I will not announce. By love, the<br /> | |||
mind gets fulfilment and that love overflows vitality, that love I shall not forget.<br /> | |||
=== 3783 (01/10/1986) D === | |||
CEYE CHILUM TOMÁY ÁMI<br /> | |||
RÚPASII KARER SHIHARAŃE<br /> | |||
ELE MOHAN PHÚLA SÁJE<br /> | |||
JAKHAN CEYECHI TOMÁKE<br /> | |||
SIIVANTIIR ÁKARŚAŃE<br /> | |||
ESECHO RAJAT NIIRAJE<br /> | |||
JÁ KICHU CÁI TÁI TUMI DÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁ KICHU CÁI TÁI TUMI DÁO<br /> | |||
TOMÁR RAUNGA KI TÁTE MESHÁO<br /> | |||
CEYE MADHU MÁSER RÁGE<br /> | |||
PELUM ABJA SAROJE<br /> | |||
ELE MOHAN PHÚLA SÁJE<br /> | |||
CÁOÁR DAENYA BUJHIYE DILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁOÁR DAENYA BUJHIYE DILE<br /> | |||
BHÁVANÁR TRUT́I SHODHARÁLE<br /> | |||
CEYE CHILUM AHAMIKÁY<br /> | |||
NILE CARAŃA RAJA MÁJHE<br /> | |||
ELE MOHAN PHÚLA SÁJE<br /> | |||
CÁOÁ PÁOÁ ÁMÁR KÁCHE?<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁOÁ PÁOÁ ÁMÁR KÁCHE<br /> | |||
TOMÁR SABAI SADÁI RÁJE<br /> | |||
JÁ CHILO NÁ JÁHÁ CHILO<br /> | |||
JÁ KICHU NÁI JÁHÁ ÁCHE<br /> | |||
ELE MOHAN PHÚLA SÁJE<br /> | |||
CEYE CHILUM TOMÁY ÁMI<br /> | |||
RÚPASI KARER SHIHARAŃE<br /> | |||
ELE MOHAN PHÚLA SÁJE<br /> | |||
O Lord, I have looked for You, with the quiver of beautiful hands, You came with adoration | |||
of charming flowers. When I wanted You with the attraction of siivantii (hedge plant), You<br /> | |||
came upon the silver lotus. Whatever I want, You provide me that. You mix Your colour with<br /> | |||
that. On the wish of getting You in colour of spring, I got You on the lotus flower. You<br /> | |||
made me understand the meagreness of material desires and rectified the defects of my<br /> | |||
thinking. I wanted with ego, but You took me within the dust of Your feet. Longing and<br /> | |||
achievement is with me only, for You, everything is present all the time, whatever was<br /> | |||
there or not, whenever was or not.<br /> | |||
=== 3784 (01/10/1986) K === | |||
TUMI, ESECHO MAN NIYECHO<br /> | |||
MAN KENO DILE NÁ MORE<br /> | |||
BHÁLOBESECHO, KATHÁ KAYECHO<br /> | |||
RÁUNGÁ T́HOD́HE MAMATÁ BHARE<br /> | |||
MAN KENO DILE NÁ MORE<br /> | |||
TRILOKE MÁDHURII TOMÁTE BANDHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TRILOKE MÁDHURII TOMÁTE BANDHU<br /> | |||
KARUŃÁ KARAŃA TUMI SUDHÁ SINDHU<br /> | |||
KLESHA ÚŚŃA DÁHE CANDAN VINDU<br /> | |||
BÁNDHITE PÁRINI TOMÁRE<br /> | |||
MAN KENO DILE NÁ MORE<br /> | |||
ÚŚÁR ARUŃA RÁGE SAḾKLIRIPTA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÚŚÁR ARUŃA RÁGE SAḾKLIRIPTA<br /> | |||
PRIITIR MAINJÚŚÁY MADHU SIKTA<br /> | |||
TUMI PÚRŃA ÁR ÁMI RIKTA<br /> | |||
TABU REKHECHO CARAŃ PARE<br /> | |||
MAN KENO DILE NÁ MORE<br /> | |||
TUMI, ESECHO MAN NIYECHO<br /> | |||
MAN KENO DILE NÁ MORE<br /> | |||
O Lord, You came, took my mind, but why did not You give me Your mind. You have loved<br /> | |||
spoke the things, with coloured lips full of affection. The sweetness of all the three<br /> | |||
worlds is within You, O Friend. O merciful, You are ocean of nectar. You are the drop of<br /> | |||
soothing sandal paste, at the hot burn of agonies. I am unable to bind You. Saturated with<br /> | |||
the crimson colour of the dawn, absorbed with sweetness of casket of love, You are full<br /> | |||
and I am empty, still You have kept me at Your feet.<br /> | |||
=== 3785 (02/10/1986) D === | |||
BHEVE CHILUM JINÁNE PÁVO<br /> | |||
DHYÁNE DHARÁ DILE<br /> | |||
CEYE CHILUM AHAMIKÁY<br /> | |||
VINAYE NIKAT́E ELE<br /> | |||
DHYÁNE DHARÁ DILE<br /> | |||
CEYE CHILUM JINÁNÁLOKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CEYE CHILUM JINÁNÁLOKE<br /> | |||
UDBHÁSITA MOR PRIYA KE<br /> | |||
PRIITIR DHÁRÁY ABHIŚEKE<br /> | |||
SNÁNA KARÁLE TRUT́I BHULE<br /> | |||
DHYÁNE DHARÁ DILE<br /> | |||
KHUNJE CHILUM AUNGANYÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KHUNJE CHILUM AUNGANYÁSE<br /> | |||
ÁCAMANE KARANYÁSE<br /> | |||
VAEDHII PUJÁR NÁNÁBHYÁSE<br /> | |||
NIJE ESE BHUL BHÁUNGÁLE<br /> | |||
DHYÁNE DHARÁ DILE<br /> | |||
BHEVE CHILUM JINÁNE PÁVO<br /> | |||
DHYÁNE DHARÁ DILE<br /> | |||
O Lord, I thought that I would attain You with knowledge and wisdom, but You came into<br /> | |||
folds during meditation. I wanted You with ego, but You came close by humbleness. I wanted<br /> | |||
my Dear illuminated with the light of knowledge, but ignoring my mistake, You honored me<br /> | |||
by bathing me in the flow of love. I had searched You in the paraphernalia and many<br /> | |||
ritualistic worship steps, but You came Yourself, breaking my misconception.<br /> | |||
=== 3786 (02/10/1986) D === | |||
TUMI, KENO DÚRE ÁCHO PRIYA MOR<br /> | |||
DEKHECHI ÚŚÁTE ARUŃ ÁLOTE<br /> | |||
PÁRE NI BÁNDHITE PHULA D́OR<br /> | |||
KENO DÚRE ÁCHO PRIYA MOR<br /> | |||
VARŃE VARŃE PHULA PHUT́E ÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VARŃE VARŃE PHUL PHUT́E ÁCHE<br /> | |||
TOMÁR PRAŃAYA MADHURIMÁ JÁCE<br /> | |||
KŚAŃIKER TARE ESE KICHU KÁCHE<br /> | |||
CALE GELE BHULE ÁNKHI LOR<br /> | |||
KENO DÚRE ÁCHO PRIYA MOR<br /> | |||
PASHCIME HELE RAKTIMÁBHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PASHCIME HELE RAKTIMÁBHÁY<br /> | |||
MAN TAKHANAO DHARE RÁKHITE CÁY<br /> | |||
DIGVALAYE TAMAH SANDHYÁY, LUKOLE<br /> | |||
PÁT́HÁLE GHUM GHOR<br /> | |||
KENO DÚRE ÁCHO PRIYA MOR<br /> | |||
TUMI, KENO DÚRE ÁCHO PRIYA MOR<br /> | |||
O My Dear, why do You remain far? I see You in the crimson dawn, but I am unable to tie<br /> | |||
You with the floral thread. The flowers have bloomed in various colours and seek sweetness<br /> | |||
of Your love. Coming a bit close only for a moment, You went away ignoring the tears in my<br /> | |||
eyes. The red tint inclined towards the west in the evening, even then the mind wants to<br /> | |||
keep You held. You hid in the darkness of the evening on horizon, and sent intense<br /> | |||
slumber.<br /> | |||
=== 3787 (03/10/1986) K (Krsna) === | |||
KRŚŃA KAMAL MOR ELO DEKHO RÁUNGÁ BHOR<br /> | |||
GOPI JANA ANTARE ÁJIKE<br /> | |||
O HE MAMATÁ PAYODHI PURŃA KARUŃÁ NIDHI<br /> | |||
TAVA TARE KEKÁ NÁCE DIKE DIKE<br /> | |||
GOPI JANA ANTARE ÁJIKE<br /> | |||
LÁBHA KŚATI JÁNÁ NÁI PRIITIR PARASHA CÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LÁBHA KŚATI JÁNÁ NÁI PRIITIR PARASHA CÁI<br /> | |||
HISÁB NIKÁSH NÁ PÁI HISÁB NIKÁS NÁ PÁI<br /> | |||
BALE GOPI PEYE TOMÁKE<br /> | |||
GOPI JANA ANTARE ÁJIKE<br /> | |||
SHUDHU E JIIVANE KENO JANAME JANAME JENO<br /> | |||
KÁNU PREMA ENO HENO KÁNU PREMA ENO HENO<br /> | |||
PÁY GOPI MÁNASA GOLOKE<br /> | |||
KÁNU BINÁ GATI NÁI KÁNU CHÁŔÁ KÁKEO NÁ CÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁNU BINÁ GATI NÁI KÁNU CHÁŔÁ KÁKEO NÁ CÁI<br /> | |||
NAYANE NIRAKHI JÁI NAYANE NIRAKHI JÁI<br /> | |||
TÁRAKA BRAHME ELO KE<br /> | |||
GOPI JANA ANTARE ÁJIKE<br /> | |||
KRŚŃA KAMAL MOR ELO DEKHO RÁUNGÁ BHOR<br /> | |||
GOPI JANA ANTARE ÁJIKE<br /> | |||
On this colourful morning, my lotus Krsna came within the core of gopiis, the<br /> | |||
devotees, today. O the ocean full of affection and mercy, for You the peacocks dance all<br /> | |||
over. I do not know loss or gain, just want touch of love, I am unable to get explanation | |||
for devotees getting You. Why only in this life, for lives after lives, such love for<br /> | |||
Krsna came, that the devotees find in the heaven of their minds. There is no go<br /> | |||
other than Krsna, and I do not want any entity other than Krsna, I just go on | |||
watching with the eyes, who has come as Taraka Brahma.<br /> | |||
=== 3788 (03/10/1986) D === | |||
TUMI, KENO KARE JÁO E LIILÁ<br /> | |||
KENO KARE JÁO E LIILÁ<br /> | |||
LIILÁMAYA TÁI TAVA PARICAYA<br /> | |||
KI VICITRA MÁDHAVII KHELÁ<br /> | |||
TUMI, KENO KARE JÁO E LIILÁ<br /> | |||
KUSUM STABAKE HÁSE TAVA NÁM<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KUSUM STABAKE HÁSE TAVA NÁM<br /> | |||
KŚIRÁBDI BUKE BHÁSO GUŃA DHÁM<br /> | |||
NA JÁNIYÁ KARI KOT́ISHA PRAŃÁM<br /> | |||
CIRA CITTA RÚPA MEKHALÁ<br /> | |||
TUMI, KENO KARE JÁO E LIILÁ<br /> | |||
DEVA LOKE TUMI VISHÁL VIRÁT́A<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DEVA LOKE TUMI VISHÁL VIRÁT́A<br /> | |||
CETANÁ LOKE TUMI JE SVARÁT́<br /> | |||
KÁLA PARIBHUR DHRUVA SAMRÁT́<br /> | |||
NÁHI MÁNO BELÁ ABELÁ<br /> | |||
TUMI, KENO KARE JÁO E LIILÁ<br /> | |||
O Lord, why do You o on performing this liila, the divine game? Such is Your<br /> | |||
introduction as embodiment of liila, what a sweet game. Within panegyric offering in | |||
folded hands Your name smiles. Within ocean of milk, You appear as aggregate of<br /> | |||
attributes. Even without grasping, I salute You, millions of time, O my beautiful mental<br /> | |||
jewellery forever. You are vast and expansive in the heavenly arena, and grandeur in the<br /> | |||
arena of Consciousness. You are the ever emperor of the boundary of time, having no<br /> | |||
particular consideration of time.<br /> | |||
=== 3789 (04/10/1986) D === | |||
TOMÁKE, D́EKE GECHI KATA JIIVANE<br /> | |||
D́EKE GECHI KATA JIIVANE<br /> | |||
SHUNEO SHONO NI CEYEO DEKHONI<br /> | |||
NIŚT́HURA HOLE KEMANE<br /> | |||
D́EKE GECHI KATA JIIVANE<br /> | |||
NIYATA SHONÁI ANTAR VÁŃII<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIYATA SHONÁI ANTAR VÁŃII<br /> | |||
SHUNIVÁRE PÁO TAHÁO JE JÁNI<br /> | |||
MARAME VYAKTA JE HRDAY KHÁNI<br /> | |||
TÁRE SHONÁ JÁY ANU RAŃANE<br /> | |||
D́EKE GECHI KATA JIIVANE<br /> | |||
D́ÁKÁ MOR KÁJ TÁI D́EKE JÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
D́ÁKÁ MOR KÁJ TÁI D́EKE JÁI<br /> | |||
SHUNITE NÁ CÁO KONO KŚOBHA NÁI<br /> | |||
SHUDHU MAN MÁJHE SÁNTVANÁ CÁI<br /> | |||
BADHIR CHILE KON KÁRAŃE<br /> | |||
D́EKE GECHI KATA JIIVANE<br /> | |||
TOMÁKE, D́EKE GECHI KATA JIIVANE<br /> | |||
D́EKE GECHI KATA JIIVANE<br /> | |||
O Lord, I have been calling You for so many lives. But even after hearing, You ignored and<br /> | |||
overlooked even on seeing. How have You become so merciless? I constantly convey to You<br /> | |||
the words of my core, and I know that You could listen to that. The feelings of the heart<br /> | |||
expressed in the core, is heard in the resonance. My duty is to call, hence I go on | |||
calling. There is no complain, if You do not want to listen to that. I only want<br /> | |||
consolation in the mind, for what reason You turned deaf ears to me.<br /> | |||
=== 3790 (04/10/1986) D === | |||
VARAŚÁ ESECHE<br /> | |||
BHAROSÁ ESE CHE<br /> | |||
NIIP NIKUNJE VEŃUKÁ PUNJE<br /> | |||
SHYÁMALIMÁ CHEYE GECHE<br /> | |||
VARAŚÁ ESECHE<br /> | |||
BHAROSÁ ESE CHE<br /> | |||
DODUL DOLÁY KADAMBA DOLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DODUL DOLÁY KADAMBA DOLE<br /> | |||
SHIKHIR PUNJA PULAKE UCHALE<br /> | |||
DARDUR ÁJI KALAKOLÁHALE<br /> | |||
ÁNANDE METE CHE<br /> | |||
VARAŚÁ ESECHE<br /> | |||
HAROSÁ ESE CHE<br /> | |||
MÁNAS VIIŃÁR TÁRE TÁRE ÁJI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁNAS VIIŃÁR TÁRE TÁRE ÁJI<br /> | |||
SURA SAPTAKE UT́HITECHE BÁJI<br /> | |||
SAKAL BHÁVANÁ BHÁVA RÚPE SÁJI<br /> | |||
ABJA JHARE? NECE CHE<br /> | |||
VARAŚÁ ESECHE<br /> | |||
BHAROSÁ ESE CHE<br /> | |||
The rain has come and consolations came. Within the niip and bamboo groves greenness<br /> | |||
spread. The kadamba tree oscillates like swing, the group of peacocks are overwhelmed with<br /> | |||
joy. The toads are frenzied with joy and make noise. Today on the strings of the mental<br /> | |||
viin’a’, the octave of melody has started resonating. All the feelings adorned with<br /> | |||
beauty of ideation, started dancing.<br /> | |||
=== 3791 (05/10/1986) K === | |||
GÁNERI DESHE ELE AVASHEŚE<br /> | |||
TOMÁR NÁI TULANÁ<br /> | |||
DARSHAN O SHÁSTRE TOMÁRE BÁNDHITE<br /> | |||
KEU PÁRENI KEU PÁRE NÁ<br /> | |||
TOMÁR NÁI TULANÁ<br /> | |||
TABUO MÁNAVA MÁNASÁTIITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TABUO MÁNAVA MÁNASÁTIITE<br /> | |||
VIDHI NIŚEDHE CÁY DHARITE<br /> | |||
MANERI BÁDHÁ MANERI SÁDHÁ<br /> | |||
MANER PRABHU KE BÁNDHÁ JÁBE NÁ<br /> | |||
TOMÁR NÁI TULANÁ<br /> | |||
SABETE ÁCHO SABÁR PRABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABETE ÁCHO SABÁR PRABHU<br /> | |||
DHARÁ CHONYÁY ÁSO NÁ KABHU<br /> | |||
TOMÁRE DHARITE CÁI JE TABU<br /> | |||
KENO MORÁ KEU JÁNI NÁ<br /> | |||
TOMÁR NÁI TULANÁ<br /> | |||
GÁNERI DESHE ELE AVASHEŚE<br /> | |||
TOMÁR NÁI TULANÁ<br /> | |||
O Lord, at the end, You came from the arena of songs, there is no comparison of Yours.<br /> | |||
With philosophy and scriptures, no one could bind You, or would do so. Still the human | |||
beings want to hold You, beyond mind, with the discipline of dos and don’ts. The mental<br /> | |||
Lord cannot be bound by mental restrictions and mental endeavor. O the Lord of all, You<br /> | |||
are within all, and never come touching the earth. Still people want to hold You, why, I<br /> | |||
do not know.<br /> | |||
=== 3792 (05/10/1986) D === | |||
PRIYA KE BOLE TOMÁKE BHÁLO<br /> | |||
KATA NÁ JANAM KATA KLESHA SHRAMA<br /> | |||
D́ÁKIÁ CALIÁ GELO<br /> | |||
KE BOLE TOMÁKE BHÁLO<br /> | |||
DE’KECHI TOMÁY MAYUKHA MÁLÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DE’KECHI TOMÁY MAYUKHA MÁLÁY<br /> | |||
NIDÁGHE PRÁVRIT́E JALADARCI GÁY<br /> | |||
D́EKECHI BHÁDRE SHÁRADA RÁTRE<br /> | |||
SÁDÁ MEGHE JVELE ÁLO<br /> | |||
KE BOLE TOMÁKE BHÁLO<br /> | |||
D́EKECHI HEMANTERI HIMA VÁYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
D́EKECHI HEMANTERI HIMA VÁYA<br /> | |||
SHITER TIIVRA TUŚÁRER GHÁY<br /> | |||
ELE VASANTE JIIVAN PRÁNTE<br /> | |||
NÁSHI SAINCITA KÁLO<br /> | |||
KE BOLE TOMÁKE BHÁLO<br /> | |||
PRIYA KE BOLE TOMÁKE BHÁLO<br /> | |||
O Dear, who tells that You are good. How many lives, with how much struggle and pains<br /> | |||
passed calling You. I call You in the series of effulgence, in summer heat, and flood and<br /> | |||
clouds, singing, I call You during rainy season, winter nights, kindling light and in the<br /> | |||
white clouds. I call You during cold snowy wind of winter, during cold burn injury by snow<br /> | |||
of winter. You came into the arena of life, during spring, destroying the accumulated<br /> | |||
darkness.<br /> | |||
=== 3793 (06/10/1986) D === | |||
GÁNER E MÁLÁ KHÁNI<br /> | |||
ÁNER E MÁLÁ KHÁNI<br /> | |||
TOMÁR TAREI GENTHE REKHE CHI<br /> | |||
TUMI ESE PARABE BALE<br /> | |||
TUMI ESE PARABE BOLE<br /> | |||
PATH PÁNE CEYE RAYECHI<br /> | |||
TOMÁR TAREI GENTHE REKHE CHI<br /> | |||
(GÁNER E MÁLÁ KHÁNI<br /> | |||
GÁNER E MÁLÁ KHÁNI)<br /> | |||
TUMI ÁMÁR SAKAL ÁSHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ÁMÁR SAKAL ÁSHÁ<br /> | |||
TOMÁTE MOR MÚRTA BHÁŚÁ<br /> | |||
TOMÁR RÚPE TOMÁR RÁGE<br /> | |||
NAYANE AINJANA ENKECHI<br /> | |||
TOMÁR TAREI GENTHE REKHE CHI<br /> | |||
(GÁNER E MÁLÁ KHÁNI<br /> | |||
GÁNER E MÁLÁ KHÁNI)<br /> | |||
DHRUVA TÁRÁ TUMII ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DHRUVA TÁRÁ TUMII ÁMÁR<br /> | |||
SAKAL CÁOÁR EK SAMÁHÁR<br /> | |||
TOMÁR PRIITIR SVARŃA BELÁY<br /> | |||
BHÁGYA ÁMÁR SAOMPECHI<br /> | |||
TOMÁR TAREI GENTHE REKHE CHI<br /> | |||
(GÁNER E MÁLÁ KHÁNI<br /> | |||
GÁNER E MÁLÁ KHÁNI)<br /> | |||
ÁNKHI MELE CEO PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁNKHI MELE CEO PRIYA<br /> | |||
VIMUKHA VIRÚPA KABHU NÁ HOYO<br /> | |||
TAVA ADHARE HÁSIR REKHÁY<br /> | |||
NIJE KE DHANYA MEKHECHI<br /> | |||
TOMÁR TAREI GENTHE REKHE CHI<br /> | |||
(GÁNER E MÁLÁ KHÁNI<br /> | |||
GÁNER E MÁLÁ KHÁNI)<br /> | |||
O Lord, these garlands of songs, I have kept threaded for You only, so that You come and<br /> | |||
wear them, thus I am waiting at Your path. You are my total hope. My language gets<br /> | |||
embodiment within You. With Your beauty and colour, I mark decoration in the eyes. You are<br /> | |||
my polestar, only one totality of all desires. At the golden bank of Your love, I am<br /> | |||
offering my destiny. O Dear, look with open eyes and never get cross or displeased with<br /> | |||
me. With the mark of smile at Your lips, I consider myself fortunate.<br /> | |||
=== 3794 (06/10/1986) K === | |||
TOMÁR SAUNGE JABE HOYE CHILO PARICAYA<br /> | |||
SE TITHI DIN SAMAY ÁJAO MANE RAYECHE<br /> | |||
SE ANUBHÚTIR ÁLO NAYANE LEGECHE BHÁLO<br /> | |||
SEI SMRITI PAT́E ÁJAO NAYAN SUMUKHE NÁCE<br /> | |||
SE TITHI DIN SAMAY ÁJAO MANE RAYECHE<br /> | |||
SE DINER SE SÚRYA BÁJÁLO JE TÚRYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE DINER SE SÚRYA BÁJÁLO JE TÚRYA<br /> | |||
MÁNAS ÁNKHI PÁTE D́HELE DILE MÁDHÚRYA<br /> | |||
SE KATHÁ KE BHULIBE VISMRITI KI NÁSHIBE<br /> | |||
SE JE ÁCHE, THEKE JÁBE KÁLÁTIITER MÁJHE<br /> | |||
SE TITHI DIN SAMAY ÁJAO MANE RAYECHE<br /> | |||
SE RÁTER SEI VIDHU ENECHILO PRIITI SHUDHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE RÁTER SEI VIDHU ENECHILO PRIITI SHUDHU<br /> | |||
ADVITIIYA MANE D́HELECHO APÁR MADHU<br /> | |||
SE SMRITI EKHANO BHÁSE MANDRILA ITIHÁSE<br /> | |||
TUCCHA KARIÁ KLESHE ÁJAO SE NÁCITECHE<br /> | |||
SE TITHI DIN SAMAY ÁJAO MANE RAYECHE<br /> | |||
TOMÁR SAUNGE JABE HOYE CHILO PARICAYA<br /> | |||
SE TITHI DIN SAMAY ÁJAO MANE RAYECHE<br /> | |||
O Lord, when I was acquainted with You, that day and date and time, even today persists in | |||
my mind. That light of experience, appear nice to the eyes and even today, on the screen | |||
of memory, in front of eyes, it moves. The sun of that day plays the trumpet, which has<br /> | |||
poured sweetness over the mental eyes. Who can forget that event, would it be destroyed by<br /> | |||
forgetfulness? The One, Who is present and would remain within the arena beyond the time.<br /> | |||
The moon of that night, has brought only love and has poured unlimited honey into the<br /> | |||
nonbifurcated mind. That memory even now appears as quivering history, and still dances<br /> | |||
diminishing the pains.<br /> | |||
=== 3795 (07/10/1986) D === | |||
TOMÁY PRATHAM BHEVE CHILUM<br /> | |||
ÁMÁR JIIVAN DHÁRÁY<br /> | |||
TÁI TO ÁMÁR ÁLOR LÁGI<br /> | |||
BHÁUNGLE PÁŚÁŃA KÁRÁY<br /> | |||
TOMÁY PRATHAM BHEVE CHILUM<br /> | |||
ÁMÁR JIIVAN DHÁRÁY<br /> | |||
YADI BÁ KEU KABHU SHUDHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
YADI BÁ KEU KABHU SHUDHÁY<br /> | |||
KE TAVA PRIYA BOLO ÁMÁY<br /> | |||
BOLABO TÁRE KŚAMA MORE<br /> | |||
SE HÁSE TÁRÁY TÁRÁY<br /> | |||
TOMÁY PRATHAM BHEVE CHILUM<br /> | |||
ÁMÁR JIIVAN DHÁRÁY<br /> | |||
PRAŃÁM NIYO PRIYA ÁMÁR<br /> | |||
KOT́I KOT́I BÁR<br /> | |||
ÁMÁR ÁNDHÁR GHARER MÁŃIK<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR ÁNDHÁR GHARER MÁŃIK<br /> | |||
PÁTHAR CÁPÁ CHILE KŚAŃIK<br /> | |||
ÁJ SE PÁTHAR SARE DUSTAR<br /> | |||
JÁNÁY SE NÁHI HÁRÁY<br /> | |||
TOMÁY PRATHAM BHEVE CHILUM<br /> | |||
ÁMÁR JIIVAN DHÁRÁY<br /> | |||
O Lord, in the flow of my life, I had first thought of You. That is why for my light, You<br /> | |||
broke the stoneprison. If anybody can explain me anytime, who is your dear, tell me. I<br /> | |||
shall tell him, excuse me, He smiles in each and every stars. O My dear, accept my<br /> | |||
salutations, millions of times. The gem of my dark house was covered under stone only<br /> | |||
momentarily. Today, removing that stone, the difficult is known, He is not lost.<br /> | |||
=== 3796 (07/10/1986) D (Shiva) === | |||
HE RUDRA BHAERAVA TAVA RAVE<br /> | |||
KÁḾPIÁ UT́HILO DHARAŃII<br /> | |||
HE PINÁK PÁŃI VIŚÁNNA VÁŃII<br /> | |||
GARJE PHUNKÁRI ASHANI<br /> | |||
KÁḾPIÁ UT́HILO DHARAŃI<br /> | |||
JALE STHALE ÁR NABHO MAND́ALE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JALE STHALE ÁR NABHO MAND́ALE<br /> | |||
BÁJILO TÚRYA SHRUTI KUND́ALE<br /> | |||
KALYÁŃA ARÁTI CEYE CHE JE RÁTI<br /> | |||
SE RÁTI SARILO TAKHANAI<br /> | |||
KÁḾPIÁ UT́HILO DHARAŃII<br /> | |||
KUÁSHÁR KÁLIMÁ JE PECAKA DAL<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KUÁSHÁR KÁLIMÁ JE PECAKA DAL<br /> | |||
EVECHILO HOVE ÁRO PRABAL<br /> | |||
RUDRA VIIŃÁR JVÁLÁ SAMÁHÁR<br /> | |||
MÁJHE TÁ T́IKITE PÁRENI<br /> | |||
KÁḾPIÁ UT́HILO DHARAŃII<br /> | |||
HE RUDRA BHAERAVA TAVA RAVE<br /> | |||
KÁḾPIÁ UT́HILO DHARAŃII<br /> | |||
O Lord Siva, The Rudra Bhaerava, by Your roar, the earth has started shaking. O the holder<br /> | |||
of bow in hand, Your long horn thunders with hissing of lightning. On land and water, and<br /> | |||
the expanse of sky, the trumpet sounds into the ears. The enemies of welfare, expected the<br /> | |||
dark night, which then moved out. The group of owls, who thought that the darkness of fog<br /> | |||
would intensify, within the collection of flame of Rudra Viin’a’, could not even see.<br /> | |||
=== 3797 (08/10/1986) D === | |||
ÁJI BAKUL SUVÁSE<br /> | |||
ÁJI BAKUL SUVÁSE CAETRA VÁTÁSE<br /> | |||
KI JÁNI PARÁŃ KÁRE CÁY<br /> | |||
MADIR MÁYÁY DÚR ALAKÁY<br /> | |||
KÁR PÁNE BÁRE BÁRE CÁY<br /> | |||
KI JÁNI PARÁŃ KÁRE CÁY<br /> | |||
TRILOKE RAYECHE JATA VYATHÁ BHÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TRILOKE RAYECHE JATA VYATHÁ BHÁR<br /> | |||
JATA HATAMÁN KLESHA SAMBHÁR<br /> | |||
PRÁNER JOÁRE UDDEL NIIRE<br /> | |||
BHÁSÁIÁ DÁO SHATA DHÁY<br /> | |||
KI JÁNI PARÁŃ KÁRE CÁY<br /> | |||
DÚR KE NIKAT́E T́ENE ÁNO ÁJI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DÚR KE NIKAT́E T́ENE ÁNO ÁJI<br /> | |||
SHONO DUNDUBHI NABHE BÁJI<br /> | |||
MATTA HAOÁY MERU MEKHALÁY<br /> | |||
EGIYE CALO BINÁ DVIDHÁY<br /> | |||
KI JÁNI PARÁŃ KÁRE CÁY<br /> | |||
ÁJI BAKUL SUVÁSE<br /> | |||
ÁJI BAKUL SUVÁSE CAETRA VÁTÁSE<br /> | |||
Today with fragrance of bakul flowers and breeze of the chaetra season, I do not know Whom<br /> | |||
heart wants. In the intoxicating delusion, towards Whom in heaven, it looks again and<br /> | |||
again. All the load of pain existing in the three arenas, all burden of dishonoring<br /> | |||
agonies, with overwhelming waters of tide of liveliness, You float away in hundreds of<br /> | |||
flows. Today bring the far one close. Listen the drum is sounding in the sky. With<br /> | |||
frenzied wind from the series of mountains, go forward without any hesitation.<br /> | |||
=== 3798 (08/10/1986) K === | |||
ÁCHO, NAVA GHAN NIILÁKÁSHE<br /> | |||
MADIR MALAY VÁTÁSE<br /> | |||
ÁCHO, JYOTSNÁY MADHUR PARASHE<br /> | |||
GIITIR UNMADA ÁKÁSHE<br /> | |||
MADIR MALAY VÁTÁSE<br /> | |||
TAVA PRIITITE PAPIYÁ GEYE JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TAVA PRIITITE PAPIYÁ GEYE JÁY<br /> | |||
DYUTITE BHUVAN MURCHÁY<br /> | |||
TAVA SMRITITE MÁDHURII VARAŚÁY<br /> | |||
ÁCHO MADHUMÁSE HARAŚE<br /> | |||
MADIR MALAY VÁTÁSE<br /> | |||
TUMI, AJÁNÁ ACENÁ CIRA SAKHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI, AJÁNÁ ACENÁ CIRA SAKHÁ<br /> | |||
SVAYAM CETANÁ SUDHÁ MÁKHÁ<br /> | |||
KAKHANO KÁU KE NÁHI RÁKHO EKÁ<br /> | |||
SADÁ ÁCHO SÁTHE CIT PRAKÁSHE<br /> | |||
MADIR MALAY VÁTÁSE<br /> | |||
ÁCHO, NAVA GHAN NIILÁKÁSHE<br /> | |||
MADIR MALAY VÁTÁSE<br /> | |||
O Lord, You are in the new dense blue sky, in the intoxicating sandal breeze, in the touch<br /> | |||
of sweet moonlight, and the sky frenzied with the song. By Your love, the pa’pia’ bird<br /> | |||
goes on singing. The world is under spell by Your glow. By Your memory, sweetness rains.<br /> | |||
You are present in the joy of the spring. O Ever companion, You remain unknown and<br /> | |||
unrecognised. You are Yourself nectarsmeared consciousness. You never leave anyone alone<br /> | |||
and remain ever together as illumination of the mind.<br /> | |||
=== 3799 (09/10/1986) K === | |||
NITYA NIRAINJANA SAUNKAT́A BHAINJANA<br /> | |||
CARAŃRVINDA DÁO HE ÁMÁY<br /> | |||
BANDHAN MOCAN ÁNANDA VARDHANA<br /> | |||
KOT́I KOT́I PRAŃATI JÁNÁI TOMÁY<br /> | |||
CARAŃRVINDA DÁO HE ÁMÁY<br /> | |||
JE PHÚL PHÚT́E CHILO PRABHÁT PARASHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE PHÚL PHÚT́E CHILO PRABHÁT PARASHE<br /> | |||
JE MÁLÁ GÁNTHÁ HOLO SHUDHU BHÁLOBESE<br /> | |||
TÁHÁRE DÚRE KABHU PHELONÁ OGO PRABHU<br /> | |||
TÁHAR HRDAY JENO TOMÁREI PÁY<br /> | |||
CARAŃRVINDA DÁO HE ÁMÁY<br /> | |||
JE GIITI RACIÁ CHILO PRIITIR BHÁVANÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE GIITI RACIÁ CHILO PRIITIR BHÁVANÁY<br /> | |||
JE SUR SÁDHIÁ CHILO SHUDHU EK NIŚT́HÁY<br /> | |||
TÁHAR NAYAN NIIRE SIKTA CARAŃA DHARE<br /> | |||
EI ANURODHA KARI TAVA KARUŃÁY<br /> | |||
CARAŃRVINDA DÁO HE ÁMÁY<br /> | |||
NITYA NIRAINJANA SANKAT́A BHAINJANA<br /> | |||
CARAŃRVINDA DÁO HE ÁMÁY<br /> | |||
O ever without blemish, destroyer of obstacles, give me Your lotus feet. O the breaker of<br /> | |||
bondages, enhancer of bliss, I express millions of salutations to You. The flowers that<br /> | |||
bloomed with the touch of morning, the garland which was threaded only with love, those<br /> | |||
You do not throw away any time, O Lord, so that their hearts may also attain You. The song<br /> | |||
that was created only with love of Your ideation, the melody that was rehearsed only with<br /> | |||
solitary faith, wet with their tears, holding Your feet, I pray for Your mercy.<br /> | |||
=== 3800 (10/10/1986) K === | |||
BHÁVERI GAHANE MÁDHURII SANE<br /> | |||
MÁDHAVI MAINJARI GUINJARI GÁYE<br /> | |||
SHUDHU SE NÁ TÁKÁY CÁPÁ VEDANÁY<br /> | |||
VIIŃÁ TANTRE MOR DHVANI NÁHI PÁY<br /> | |||
MÁDHAVII MAINJARI GUINJARI GÁYE<br /> | |||
SHUNI SE ÁSIÁ CHILO NIDÁGH DÁHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHUNI SE ÁSIÁ CHILO NIDÁGHA DÁHE<br /> | |||
BELÁ BAKULER SÁTHE TÁP VIDÁHE<br /> | |||
KETAKI PARÁGE VARAŚÁR PRAVÁHE<br /> | |||
ESE CALE CHILO TÁRE DEKHINI AVAHELÁY<br /> | |||
MÁDHAVII MAINJARI GUINJARI GÁYE<br /> | |||
SHARATE SHEFÁLI SÁTHE CHILO SÁJIÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHARATE SHEFÁLI SÁTHE CHILO SÁJIÁ<br /> | |||
HEMANTE HIMA VÁHE CHILO MISHIYÁ<br /> | |||
DEKHITE CÁHI NÁI TÁI DEKHÁ HOE NÁI<br /> | |||
SE TRUT́I ÁMÁR TÁRE BHÁVENI UPEKŚÁY<br /> | |||
MÁDHAVII MAINJARI GUINJARI GÁYE<br /> | |||
SHIITER SHAETYA VÁHE CHINU JAŔATÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHIITER SHAETYA VÁHE CHINU JAŔATÁY<br /> | |||
DEKHINI SE ÁCHE TUŚÁRE SHUBHRATÁY<br /> | |||
VASANTE KLESHÁNTE MADHU NISHÁY<br /> | |||
MÁTIÁ CHILUM KHUNJINI SE ÁCHE KOTHÁY<br /> | |||
MÁDHAVII MAINJARI GUINJARI GÁYE<br /> | |||
BHÁVERI GAHANE MÁDHURII SANE<br /> | |||
MÁDHAVI MAINJARI GUINJARI GÁYE<br /> | |||
In the depth of ideation combined with sweetness, the bunch of ma’dhavii flowers sing<br /> | |||
with hum. Only it is not looking at my suppressed pain. It is not getting my call, which<br /> | |||
is combined with tinkling of lyre. I heard that he had came in intense summer sun along<br /> | |||
with flowers of bela’ and bakul for soothing the heat. Along with ketakii fragrance<br /> | |||
through the flow of rain, he was coming, but I did not see him and neglected. He came<br /> | |||
during winter with shefalii flower and then combined with snow. Because I did not want see<br /> | |||
we were not introduced. That mistake of mine he did not consider and overlooked. During<br /> | |||
intense cold, I was inert and did not observe him within the whiteness of snow. During<br /> | |||
spring, at the end of all pains, in the sweet night, I remained intoxicated and did not<br /> | |||
bother to search him.<br /> | |||
=== 3801 (10/10/1986) D === | |||
KALAUNKII CÁNDA TUMI KALAUNKII CÁNDA<br /> | |||
ÁMÁR MANE SABÁR MANE<br /> | |||
BICHÁYE REKHECHO VICITRA PHÁNDA<br /> | |||
KALAUNKII CÁNDA TUMI KALAUNKII CÁNDA<br /> | |||
PHULER MÁJHE MADHUR KHONJE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHULER MÁJHE MADHUR KHONJE<br /> | |||
ALI ÁSE BASE NIJER KÁJE<br /> | |||
TÁRE, ÁSITE DÁO TÁRE BASITE DÁO<br /> | |||
TÁRE KÁCHE T́ENE NIYE NÁO APAVÁDA<br /> | |||
KALAUNKII CÁNDA TUMI KALAUNKII CÁNDA<br /> | |||
JATA, PÁPII TÁPII UTSANNA MÁNASA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JATA, PÁPII TÁPII UTSANNA MÁNASA<br /> | |||
SABÁR KÁLIMÁ NÁO HE RÁJA TÁPASA<br /> | |||
TOMÁR, NÁIKO ÁSHAY TUMI SABAR ÁSHRAYA<br /> | |||
TUMI SABÁRE SHÁNTI? DÁO SARIYE VIŚÁDA<br /> | |||
KALAUNKII CÁNDA TUMI KALAUNKII CÁNDA<br /> | |||
O you the stained moon, what a trap you have spread into my mind and all minds? Looking<br /> | |||
for the honey within the flowers, the bee comes for its own purpose, you allow it to come<br /> | |||
and allow it to sit. You attract them close to yourself, thus inviting blame. All the heat<br /> | |||
producing sinners with utterly depraved minds, You take away the dirt of all, O the top<br /> | |||
ascetic. You do not have any receptacle, as You are shelter of all. You provide peace to<br /> | |||
all, removing the sorrows.<br /> | |||
=== 3802 (11/10/1986) === | |||
AVYAKTA SE KÁLÁTIITE<br /> | |||
KII BHÁVE CHILE BOLO MORE<br /> | |||
DVITIIYA KEU CHILO NÁ<br /> | |||
JABE CHILE TABE NIYE KÁRE<br /> | |||
KII BHÁVE CHILE BOLO MORE<br /> | |||
BHEVE BHEVE HOI VISMRITA<br /> | |||
CHILO NÁ KO PAINCABHÚTA<br /> | |||
CITTA AHAM MAHATTATTVA<br /> | |||
KEU CHILO NÁ TOMÁY GHIRE<br /> | |||
KII BHÁVE CHILE BOLO MORE<br /> | |||
AVYAKTAE SE NIRGUŃE<br /> | |||
VISHRIŚT́I ELO KEMANE<br /> | |||
NÁ JÁNIÁO BUJHI MANE<br /> | |||
LIILÁR KÁCHE YUKTI HÁRE<br /> | |||
KII BHÁVE CHILE BOLO MORE<br /> | |||
AVYAKTA SE KÁLÁTIITE KII<br /> | |||
BHÁVE CHILE BOLO MORE<br /> | |||
O Lord, unexpressed beyond the periphery of time, with what ideation were You existing<br /> | |||
tell me. When no second entity existed, then with whom did You exist? Thinking and<br /> | |||
pondering over that, I lose memory. There were no fundamental factors of matter, no mind<br /> | |||
stuff, ego or mahat, no one surrounded You. Into the unexpressed attributionless entity<br /> | |||
how the grand creation occurred. Even if not knowing I feel in the mind that before Your<br /> | |||
game liila, the logic is defeated.<br /> | |||
=== 3803 (12/10/1986) === | |||
TUMI ESECHO ÁMÁR GHARE<br /> | |||
SE TAPASHAKTI NÁIKO ÁMÁR<br /> | |||
TOMÁKE ÁNIBO DHARE<br /> | |||
TUMI ESECHO ÁMÁR GHARE<br /> | |||
E SÁR SATYA BUJHIYÁ NIYÁCHI<br /> | |||
KRIPÁ TOMÁR PEYECHI<br /> | |||
NIJER NAYANE ÁJI DEKHIYÁCHI<br /> | |||
VISHVA BHUPE E ÁNDHÁRE<br /> | |||
TUMI ESECHO ÁMÁR GHARE<br /> | |||
BHÁLOBESE CHINU KON SE ATIITE<br /> | |||
YUGA YUGA DHARE RÁKHIYÁCHI CITTE<br /> | |||
LUKIYE REKHECHI NIIRAVE NIBHRITE<br /> | |||
PUŚPITA HOLO E BÁRE<br /> | |||
TUMI ESECHO ÁMÁR GHARE<br /> | |||
O Lord<br /> | |||
You came to my home.<br /> | |||
I do not have the power of austerity<br /> | |||
to hold You.<br /> | |||
This essence of truth I understood<br /> | |||
and attained Your grace.<br /> | |||
Though my own eyes<br /> | |||
I have seen the darkness of the world.<br /> | |||
For eras after eras<br /> | |||
I have been keeping in my mind<br /> | |||
the fact that I loved You in the distant past.<br /> | |||
I kept it hidden silently and secretly<br /> | |||
this time it finally bore flowers.<br /> | |||
=== 3804 (16/10/1986) === | |||
PATH CHEŔE BÁDHÁ NÁHI DÁO<br /> | |||
ARUŃA NAYANE CEYO NÁ<br /> | |||
TUMI CEYO NÁ<br /> | |||
KATA KÁJA ÁCHE E DHARÁR MÁJHE<br /> | |||
GHARE BENDHE MORE REKHO NÁ<br /> | |||
TUMI CEYO NÁ<br /> | |||
DHARITRI SAB VYATHÁY VIDHUR<br /> | |||
ROGE SHOKE DUHKHE JVÁLÁTE ÁTUR<br /> | |||
SHEFÁLI SHAŚPA BHEUNGE HOE CÚRA<br /> | |||
SE KATHÁ KI BHEVE DEKHO NÁ<br /> | |||
TUMI CEYO NÁ<br /> | |||
PHUL PHOT́E BHORE HÁSI MÁKHÁ MUKHE<br /> | |||
KIIT́E KÁT́Á HOYE JHARE PAŔE DUHKHE<br /> | |||
CAMPAK KALI BHEUNGE PAŔE JHUNKE<br /> | |||
TÁDER KATHÁ KI BHÁVO NÁ<br /> | |||
TUMI CEYO NÁ<br /> | |||
PATH CHEŔE BÁDHÁ NÁHI DÁ<br /> | |||
ARUŃA NAYANE CEYO NÁ<br /> | |||
TUMI CEYO NÁ<br /> | |||
O Lord, do not obstruct for leaving the path, and do not look at me with red angry eyes.<br /> | |||
So much of work is pending on this earth, do not keep me bound to home. All in the world<br /> | |||
are afflicted with pain, distressed with burns of sorrows, agonies, and diseases. The<br /> | |||
shefa’lii flowers and young grass are broken and crushed, do not You see and think about<br /> | |||
them? The flowers bloom in the morning with sweetnesssmeared smile, but they now lie<br /> | |||
dropped, sorrowful, bitten with insects. The bud of campa’ are plucked down by blow of<br /> | |||
wind, do not You think about them?<br /> | |||
=== 3805 (17/10/1986) === | |||
SHEFÁLI JHARÁ PATHE SEI NISHIITHE<br /> | |||
TUMI ESE CHILE MOR GHARE<br /> | |||
MADHU JYOTSNÁR ÁLO ÁMÁR MAN MÁTÁLO<br /> | |||
TOMÁRE DEKHINU ÁNKHI BHARE<br /> | |||
TUMI ESE CHILE MOR GHARE<br /> | |||
CHILO SÁDÁ MEGHE SÁJÁNO ÁKÁSHA<br /> | |||
CANDRÁLOKE CHILO TÁR PRATIBHÁSA<br /> | |||
SHIHARAŃA ENE CHILO MALAY VÁTÁSA<br /> | |||
MOHITA CHILO MAN MADHUKARE<br /> | |||
TUMI ESE CHILE MOR GHARE<br /> | |||
BHULITE PÁRI NÁI ÁJAO SEI UTSAVE<br /> | |||
PRÁŃA KE UPACÁNO SE PRIYA ÁSAVE<br /> | |||
MANER JATA DHÁRÁ MILE MISHE SABE<br /> | |||
PRAŃATI KARE CHILO EK TOMÁRE<br /> | |||
TUMI ESE CHILE MOR GHARE<br /> | |||
SHEFÁLI JHARÁ PATHE SEI NISHIITHE<br /> | |||
TUMI ESE CHILE MOR GHARE<br /> | |||
O Lord, on the path with dropped shefalii flowers, on that night, You had come to my home.<br /> | |||
In the illumination of sweet moonlight, my mind was frenzied and I saw You fulfilling my<br /> | |||
eyes. The sky was decorated with white clouds, their reflection persisted in the<br /> | |||
moonlight. The sandal breeze brought quiver and the mental bee was charmed. I am unable to<br /> | |||
forget that festival even today. That Dear had overflowed my vigor with the nectar. All<br /> | |||
the flows of the mind merging together expressed salutations in singular You.<br /> | |||
=== 3806 (18/10/1986) K === | |||
NIRGUŃA AMBARE D́AMBARU SAINCARE<br /> | |||
AMBUDARCI SAMA<br /> | |||
JÁGILE JE DIN SHRIT́I STHITI<br /> | |||
PRALAYER DEVATÁ MAMA<br /> | |||
SE DIN CHILO NÁKO KONO VISHEŚAŃA<br /> | |||
CHILO NÁ RÚPER SÁR CHILO NÁ ÁBHUŚAŃA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE DIN CHILO NÁKO KONO VISHEŚAŃA<br /> | |||
CHILO NÁ RÚPER SÁR CHILO NÁ ÁBHUŚAŃA<br /> | |||
PATRER MARMAR VIHAGER KALARAVA<br /> | |||
CHILO NÁKO KONO KICHU HE ANÚPAMA<br /> | |||
JÁGILE JE DIN SHRIT́I STHITI<br /> | |||
PRALAYER DEVATÁ MAMA<br /> | |||
NIRGUŃA AMBARE D́AMBARU SAINCARE<br /> | |||
AMBUDARCI SAMA<br /> | |||
JÁGILE JE DIN SHRIT́I STHITI<br /> | |||
PRALAYER DEVATÁ MAMA<br /> | |||
ELO PHUL PHAL JAL ELO MADHURIMÁ<br /> | |||
ELO MÁNUŚER HIYÁ SUDHÁR TANIMÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ELO PHUL PHAL JAL ELO MADHURIMÁ<br /> | |||
ELO MÁNUŚER HIYÁ SUDHÁR TANIMÁ<br /> | |||
ELO MÁNUŚER HIYÁ SUDHÁR TANIMÁ<br /> | |||
ELO JÁHÁ KICHU BHÁLO SARE GELO SAB KÁLO<br /> | |||
PRÁŃE PRÁŃE DHARÁ DILO HE NIRÚPAM<br /> | |||
JÁGILE JE DIN SHRIT́I STHITI<br /> | |||
PRALAYER DEVATÁ MAMA<br /> | |||
NIRGUŃA AMBARE D́AMBARU SAINCARE<br /> | |||
AMBUDARCI SAMA<br /> | |||
JÁGILE JE DIN SHRIT́I STHITI<br /> | |||
PRALAYER DEVATÁ MAMA<br /> | |||
In the unbarred cosmos<br /> | |||
with the first expression of sound<br /> | |||
creation began to emerge<br /> | |||
like a colourful rainbow in the sky<br /> | |||
when You, O my Lord<br /> | |||
of creation, preservation and destruction | |||
woke up.<br /> | |||
In the first stage of creation | |||
there was no adjective to describe<br /> | |||
there were no beautiful forms<br /> | |||
there were no decorations<br /> | |||
nor were there the murmuring of leaves<br /> | |||
or the warbling of birds.<br /> | |||
There was nothing in fact<br /> | |||
O matchless one!<br /> | |||
Then there came the water<br /> | |||
the flowers, the fruits<br /> | |||
and there came allpervading sweetness.<br /> | |||
There also came human heart, the repository of nectar.<br /> | |||
There came all the goodness.<br /> | |||
The forces of darkness vanished.<br /> | |||
You came into the lives of all<br /> | |||
O unmatched one!<br /> | |||
=== 3807 (21/10/1986) D (song with maximum independent a’la’ps) === | |||
TOMÁR ÁSÁTE HE PRIYA CAKITE<br /> | |||
SARILO TAMASÁ AMÁNISHÁR<br /> | |||
JE JEKHÁNE CHILO ANUBHAVE ELO<br /> | |||
AHAMIKÁ BHÁR GELO E BÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MARAM MÁJHÁRE HERIYÁ TOMÁRE<br /> | |||
MANAN HOLO JE TRIPTA<br /> | |||
BAHIRANTARE SUDHÁ SAROVARE<br /> | |||
TAVA BHÁVE SAMKLRIPTA<br /> | |||
JATA BHEDA BHÁVA JÁ KICHU ABHÁVA<br /> | |||
NATI JÁNÁLO CARAŃE TOMÁRA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHAYA LESHA HIIN KLÁNTI VIHIIN | |||
NIRMALA HOLO CITTA<br /> | |||
LÁJA TYÁJIYÁCHI, GHRIŃÁ<br /> | |||
BHULIÁCHI HOECHI NISHCINTA<br /> | |||
BÁNDHAN MÁNI NÁ ÁSITE JÁNINÁ<br /> | |||
ÁSHIS RAYECHE SHIRE ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR ÁSÁTE HE PRIYA CAKITE<br /> | |||
SARILO TAMASÁ AMÁNISHÁR<br /> | |||
JE JEKHÁNE CHILO ANUBHAVE ELO<br /> | |||
AHAMIKÁ BHÁR GELO E BÁR<br /> | |||
O Beloved<br /> | |||
with Your arrival<br /> | |||
the dark nights suddenly vanished.<br /> | |||
To all the individuals<br /> | |||
wherever they were<br /> | |||
actual experience came about<br /> | |||
and the load of their ego was diminished.<br /> | |||
While searching You within my mind<br /> | |||
I became absorbed<br /> | |||
in the nectar pond of Your ideation | |||
both within and externally.<br /> | |||
All differentiations and shortcomings<br /> | |||
surrendered at Your feet.<br /> | |||
Without trace of fear, untiringly<br /> | |||
my mind was purified.<br /> | |||
I discarded all shame and hatred<br /> | |||
and became free from worries.<br /> | |||
I do not admit any bondage<br /> | |||
nor entertain any expectation | |||
so long as Your blessings remain on my head.<br /> | |||
=== 3808 (22/10/1986) K === | |||
JEO NÁ JEO NÁ<br /> | |||
THÁKO KÁCHE<br /> | |||
ÁMÁR E KŚUDRA MAN MÁJHE<br /> | |||
DHUYE MUCHE SÁJIYE REKHECHI<br /> | |||
LÁGITE TOMÁR SAB KÁJE<br /> | |||
ÁMÁR E KŚUDRA MAN MÁJHE<br /> | |||
ALAKH DEVATÁ TUMI HE PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKH DEVATÁ TUMI HE PRIYA<br /> | |||
TRILOKA VIDHÁTÁ VARAŃIIYA<br /> | |||
BHULONÁ BHULO NÁ<br /> | |||
BHULO NÁ REKHO SMARAŃE<br /> | |||
O JIIVANE MARAŃE KÁCHE KÁCHE<br /> | |||
ÁMÁR E KŚUDRA MAN MÁJHE<br /> | |||
BUDDHI CITTÁHANKÁRE RAYECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BUDDHI CITTÁHANKÁRE RAYECHI<br /> | |||
SABETE TOMÁRE KHUNJE CALECHI<br /> | |||
VIMUKHA HOYO NÁ<br /> | |||
CÁI JE TOMÁRE RÚPE MÁJHE<br /> | |||
ÁMÁR E KŚUDRA MAN MÁJHE<br /> | |||
O Lord do not go, do not go come close into the small mind of mine, that I have kept<br /> | |||
washed, wiped and decorated for You in all my actions. O the unseen divinity, dear<br /> | |||
controller of the three arenas and most revered, do not forget, keep in memory that<br /> | |||
closely during my life and death. I remain within the arena of intuition, intellect and<br /> | |||
mind stuff, and go on searching You within everything. Do not be cross as I love You<br /> | |||
within the periphery of form.<br /> | |||
=== 3809 (22/10/1986) D === | |||
BHÁLOBESE CHILE JÁNI<br /> | |||
KENO MOR GHARE ELE NÁ<br /> | |||
KATHÁ DIYE CHILE BHULINI<br /> | |||
KENO KATHÁ RÁKHILE NÁ<br /> | |||
KENO MOR GHARE ELE NÁ<br /> | |||
ÁLPANÁ ÁJO DUÁRETE ÁCHE<br /> | |||
TAVA TARE GHAR SÁJÁNO RAYECHE<br /> | |||
CIKURE KEUR ÁJAO BÁNDHÁ ÁCHE<br /> | |||
GÁNTHÁ MÁLÁ GALE NILE NÁ<br /> | |||
KENO MOR GHARE ELE NÁ<br /> | |||
MÁNASA PRADIIP ÁJAO JVALITE CHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁNASA PRADIIP ÁJAO JVALITE CHE<br /> | |||
GHRTA O SALITÁ EKHANO RAYECHE<br /> | |||
ÁSHÁR ÁKUTI NAYANE BHÁSICHE<br /> | |||
MOR PÁNE KENO TÁKÁLE NÁ<br /> | |||
KENO MOR GHARE ELE NÁ<br /> | |||
BHÁLOBESE CHILE JÁNI<br /> | |||
KENO MOR GHARE ELE NÁ<br /> | |||
O Lord, I know You loved, but why did not You come into my home? I have not forgotten that<br /> | |||
You gave the word, why did not You keep the word? Even today the welcome mark remains<br /> | |||
painted at the door. The home remains decorated for You. The tress of hair is even today<br /> | |||
decorated with the ornamental griddle, You did not accept and place on Your neck the<br /> | |||
threaded garland. The mental lamp is glowing even today and contains the ghee and the wick<br /> | |||
even now. The earnestness of hope appears into the eyes. Why did not You look towards me?<br /> | |||
=== 3810 (23/10/1986) D === | |||
TUMI, BAHIR VISHVE RAYECHO<br /> | |||
TUMI, ÁCHO ANTAR MÁJHE<br /> | |||
TABE KÁR TARE JÁO LIILÁ KARE<br /> | |||
KENO MARI KHUNJE KHUNJE<br /> | |||
ÁCHO ANTAR MÁJHE<br /> | |||
TUMI, JÁ CÁOÁR NAY TÁI CEYE JÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI, JÁ CÁOÁR NAY TÁI CEYE JÁO<br /> | |||
ÁMÁY NÁ CEYE ÁMÁREI CÁO<br /> | |||
BHÁVER JAGATE ABHÁVER SHROTE<br /> | |||
T́ÁNO MORE TAVA KÁJE<br /> | |||
ÁCHO ANTAR MÁJHE<br /> | |||
JÁ KARÁR NAY TÁI KARE JÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁ KARÁR NAY TÁI KARE JÁO<br /> | |||
KŚUDRA ÁMIRE GURUTVA DÁO<br /> | |||
JINÁNA O KARME MATHIYÁ MARAME<br /> | |||
SÁJÁO SHATEK SÁJE<br /> | |||
ÁCHO ANTAR MÁJHE<br /> | |||
TUMI, BAHIR VISHVE RAYECHO<br /> | |||
TUMI, ÁCHO ANTAR MÁJHE<br /> | |||
O Lord, You remain in external world as well as within. Then what for You continue<br /> | |||
performing the game, liila? Why do I die searching You? What is not desired that You go<br /> | |||
on willing. Even without loving me You like me. Amid the world of feelings, in the stream<br /> | |||
of void ness, pull me for Your work. What is undesirable that only You go on doing. To the<br /> | |||
small “I”, You provide credit and importance. Churning the core of mind with knowledge<br /> | |||
and action, You provide hundreds of panorama.<br /> | |||
=== 3811 (24/10/1986) K === | |||
BHÁLOBESE CHILE TUMI ÁMÁY<br /> | |||
VINIMAYE KICHU CÁO NI<br /> | |||
JÁHÁ DIYECHI ÁMI TOMÁY<br /> | |||
KICHUTEI TÁHÁ NÁONI<br /> | |||
VINIMAYE KICHU CÁO NI<br /> | |||
CÁNDA D́HELE DIYE JÁY KAOMUDI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁNDA D́HELE DIYE JÁY KAOMUDI<br /> | |||
VICÁR KARE NÁ VIDHI AVIDHI<br /> | |||
TUMI D́HELE GELE PRIITI NIRAVADHI<br /> | |||
TUCCHA ATUCCHA BHÁVONI<br /> | |||
VINIMAYE KICHU CÁO NI<br /> | |||
KETAKII KESHAR KARUSARE BHÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KETAKII KESHAR KARUSARE BHÁSE<br /> | |||
NISHCHIDRA KÁLO NISHIITHE HÁSE<br /> | |||
MAMATÁ TOMÁR MAINJULÁKÁSHE<br /> | |||
DHÚMA KETU GHÁTE THÁMENI<br /> | |||
VINIMAYE KICHU CÁO NI<br /> | |||
BHÁLOBESE CHILE TUMI ÁMÁY<br /> | |||
VINIMAYE KICHU CÁO NI<br /> | |||
O Lord, You have been loving me, but never wanted anything in return. Whatever I gave You<br /> | |||
nothing of that You accepted. The moon goes on pouring its soft moonlight, without any<br /> | |||
consideration of proper or improper. You too went on pouring love constantly, without any<br /> | |||
consideration of mean or high. In the night of pouring rain, and in the pitch dark the<br /> | |||
fragrance of the ketakii flower goes on floating without a care as to darkness or light.<br /> | |||
Similarly, resistance of the comet in the beautiful sky does not hinder Your affection.<br /> | |||
=== 3812 (25/10/1986) K === | |||
TUMI, MARMA MÁJHE RAYECHO<br /> | |||
PRABHU DÚRE KATA DÚRE<br /> | |||
CÁO NÁ DHARÁ DITE ÁNKHI PÁTE<br /> | |||
ÁCHO BASE ANTAHPURE<br /> | |||
PRABHU DÚRE KATA DÚRE<br /> | |||
TOMÁRE PÁINI KHUNJE MAT́HE DEULE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁRE PÁINI KHUNJE MAT́HE DEULE<br /> | |||
TOMÁRE PÁINI PAINCAVAT́II MÚLE<br /> | |||
TABU MANE NÁŔÁ ÁLOR DOLÁ LÁGÁO<br /> | |||
E LIILÁ KE BUJHITE PÁRE<br /> | |||
PRABHU DÚRE KATA DÚRE<br /> | |||
TUMI ÁCHO JÁNÁ AJÁNÁR MÁJHÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ÁCHO JÁNÁ AJÁNÁR MÁJHÁRE<br /> | |||
RAYE GECHO “ÁMI” BODHE MATHITA KARE<br /> | |||
TOMÁRE SARÁTE GELE ÁMI NÁ THÁKI<br /> | |||
TÁHOLE RAYECHO JE JIIVAN BHARE<br /> | |||
PRABHU DÚRE KATA DÚRE<br /> | |||
TUMI, MARMA MÁJHE RAYECHO<br /> | |||
PRABHU DÚRE KATA DÚRE<br /> | |||
O Lord, You reside within the core of the heart, still how much away do You remain, and do<br /> | |||
not want to come into the folds of eyes. I am unable to find You within monasteries and<br /> | |||
temples or in the root of five pious trees. Yet, You provide jerk to the mind and<br /> | |||
oscillate the swing, who can understand this game liila? You are within the known and<br /> | |||
the unknown, and continue to remain churning with the feeling of “I”ness. I cannot<br /> | |||
exist without You. Like that You remain filling throughout the life.<br /> | |||
=== 3813 (26/10/1986) D === | |||
JÁBE NÁ<br /> | |||
JÁBE NÁ, JÁBE NÁ<br /> | |||
JÁBE NÁ TUMI BOLE CHILE<br /> | |||
KENO CALE GELE MORE PHELE<br /> | |||
JE TARU ROPAN KARE CHILE<br /> | |||
PHULE PHALE TÁRE BHARE GELE<br /> | |||
KENO CALE GELE MORE PHELE<br /> | |||
VASUDHÁR SUDHÁSÁR TUMI JÁNI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VASUDHÁR SUDHÁSÁR TUMI JÁNI<br /> | |||
ALAKÁR ALAKÁNANDÁ MÁNI<br /> | |||
SAB THÁKITEO KICHUI THÁKE NÁ<br /> | |||
TUMI SMITÁNANE NÁ T́ÁNILE<br /> | |||
KENO CALE GELE MORE PHELE<br /> | |||
VÁK CETANÁR VÁG BHAVA DHÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VÁK CETANÁR VÁG BHAVA DHÁRÁ<br /> | |||
DIK HÁRÁTE DRK DHRUVA TÁRÁ<br /> | |||
TOMÁR RAŃANE MANDRITA ÁNANE<br /> | |||
MÁRAVA VAHNI JVÁLÁ BHOLE<br /> | |||
KENO CALE GELE MORE PHELE<br /> | |||
JÁBE NÁ TUMI BOLE CHILE<br /> | |||
KENO CALE GELE MORE PHELE<br /> | |||
O Lord, when You have said no, then why did You go away leaving me? The tree that You had<br /> | |||
planted, has become full with flowers and fruits. I know You as the essence of the world<br /> | |||
and accept You as the heavenly stream. There is nothing even if everything is present, if<br /> | |||
You do not pull me with smiling face. You are the awareness of speech in the worldly flow<br /> | |||
of language. For the visionlost, You are the visible polestar. Visualizing Your face<br /> | |||
resonating with Your voice, I forget the fireflame of the desert.<br /> | |||
=== 3814 (28/10/1986) K === | |||
SEI VARŚÁ SNÁTA NISHIITHE<br /> | |||
CHILO NÁ ÁLOR REKHÁ DIGVALAYE ÁNKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILO NÁ ÁLOR REKHÁ DIGVALAYE ÁNKÁ<br /> | |||
CHINU JEGE TAVA ÁSHÁTE<br /> | |||
SEI VARŚÁ SNÁTA NISHIITHE<br /> | |||
VARŚAŃA SAGHAN CHILO JHAT́IKÁR SÁTHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VARŚAŃA SAGHAN CHILO JHAT́IKÁR SÁTHE<br /> | |||
MEGH D́AMBARU DURU DURU BEJE CHILO TÁTE<br /> | |||
MANERI IISHÁŃA KOŃE CEYE CHINU ÁNAMANE<br /> | |||
PRALEPA DITE VYATHÁTE<br /> | |||
SEI VARŚÁ SNÁTA NISHIITHE<br /> | |||
KATA MEGH ELO GELO ASHANI TRÁSA JÁGÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA MEGH ELO GELO ASHANI TRÁSA JÁGÁLO<br /> | |||
KATA KETAKIIR KAŃIKÁ KENDE KENDE BHESE GELO<br /> | |||
ÁJAO SE BHAYÁL RÁTI REKHECHE BHARIÁ<br /> | |||
SMRITI VIŚÁDA BICHÁNO VIITHITE<br /> | |||
SEI VARŚÁ SNÁTA NISHITHE<br /> | |||
On that rain wet night, there was no trace of light on the horizon. I was awake in Your<br /> | |||
hope. The rain was heavy along with storm. Within that the roar of clouds also sounded.<br /> | |||
Into the northeastern corner of the mind, I was looking unmindfully, You applied balm over<br /> | |||
the pain. Many clouds came and went and lightning frightened. Many pollen particles of the<br /> | |||
ketakii flowers floated away crying. Even today that frightening night keeps filled the<br /> | |||
memory on the sorrowspread lane.<br /> | |||
=== 3815 (29/10/1986) K (Shiva) === | |||
ÚRMI UTTÁL MAHODADHI<br /> | |||
HE BHAERAVA E KI RÚPA TOMÁR<br /> | |||
NARTANA VARTANE NIRAVADHI<br /> | |||
E KI BHIITI SAMÁHÁR<br /> | |||
HE BHAERAVA E KI RÚPA TOMÁR<br /> | |||
ARUŃER ÁLOKE MLÁNA KARE DÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ARUŃER ÁLOKE MLÁNA KARE DÁO<br /> | |||
VARUŃER DYULOKA DYUTI PALAKE SARÁO<br /> | |||
TUMI, UDDÁMA TAVA PELO DÁN | |||
MRIGÁUNKA KALÁPE JAT́Á SAMBHÁR<br /> | |||
HE BHAERAVA E KI RÚPA TOMÁR<br /> | |||
KÁLER KARÁL HALÁHALA TOMÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁLER KARÁL HALÁHALA TOMÁTE<br /> | |||
NIILA KANT́HA DAND́A PÁSHA SÁTHE<br /> | |||
TUMI, SUNDAR TUMI MANOHARA<br /> | |||
KAPÁLE KRISHÁŃU GALE ÁKANDA HÁR<br /> | |||
HE BHAERAVA E KI RÚPA TOMÁR<br /> | |||
ÚRMI UTTÁL MAHODADHI<br /> | |||
HE BHAERAVA E KI RÚPA TOMÁR<br /> | |||
O Lord, as ocean full of rising waves, what a form is this, O Bhaerava? Continuously<br /> | |||
revolving and dancing, what a totality of threat? You darken the light of the morning<br /> | |||
within moment You remove the heavenly glow of the divinity. You are unrestrained, the<br /> | |||
lockchignon was gifted the moon in the raised peacocktail. The annihilating poison is<br /> | |||
within You, O Niilakant’ha You keep with You the stick and the rope. You are beautiful<br /> | |||
charming, with fire on the forehead and garland of sunplant in the neck.<br /> | |||
=== 3816 (31/10/1986) D === | |||
KATA KÁCHE TABU KATA DÚR<br /> | |||
PEYEO BHÁVI JE PÁINI<br /> | |||
OTAH PROTE MISHE RAYECHO JE PÁSHE<br /> | |||
TABU JENO DHARÁ DÁO NI<br /> | |||
PEYEO BHÁVI JE PÁINI<br /> | |||
PAUNKE KAMAL KOMALAKE MADHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PAUNKE KAMAL KOMALAKE MADHU<br /> | |||
ANÁDI ASIIMA ÁKÁSHER VIDHU<br /> | |||
MARME LUKÁNO MARAMIÁ BANDHU<br /> | |||
BANDHANE BÁNDHÁ PAŔONI<br /> | |||
PEYEO BHÁVI JE PÁINI<br /> | |||
LIILÁ RACE JÁO ASHEŚE ARÚPA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LIILÁ RACE JÁO ASHEŚE ARÚPA<br /> | |||
PRATI NIYATA HE VISHVADHÚPA<br /> | |||
ÚDDVEL MOR MANER MADHUPA<br /> | |||
TABU KENO SÁŔÁ DÁO NI<br /> | |||
PEYEO BHÁVI JE PÁINI<br /> | |||
KATA KÁCHE TABU KATA DÚR<br /> | |||
PEYEO BHÁVI JE PÁINI<br /> | |||
O Lord, how much close, yet how much away that I am unable to think of attaining. In | |||
individual and collective style, You remain close, yet, You do not allow to come into the<br /> | |||
folds. O the sweetness of the soft lotus in the mud. The moon of the sky, unlimited and<br /> | |||
beginning less, hidden within the core O the closed friend, You do not allow to get into<br /> | |||
the folds. You go on creating endless liila, the illusive game, each moment, O the<br /> | |||
Illuminator of the world. My mental bee is restless, then why do not You respond?<br /> | |||
=== 3817 (01/11/1986) D === | |||
PRÁŃER CEYEO PRIYATAMA<br /> | |||
PRIYATAMA TUMI SABÁR<br /> | |||
SE BHÁLOBÁSÁ BOJHÁNO<br /> | |||
SÁMARTHYE NEI KONO BHÁŚÁR<br /> | |||
PRIYATAMA TUMI SABÁR<br /> | |||
BHÁLOBÁSI DINE RÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁLOBÁSI DINE RÁTE<br /> | |||
CÁOÁ PÁOÁR KARMA SHROTE<br /> | |||
BHÁLOBÁSI ASHRU PÁTE<br /> | |||
SANTVANÁ PÁI JAKHAN TOMÁR<br /> | |||
PRIYATAMA TUMI SABÁR<br /> | |||
BHÁLOBÁSI JYOTSNÁ RÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁLOBÁSI JYOTSNÁ RÁTE<br /> | |||
CÁNDER KHELÁY MEGHER SÁTHE<br /> | |||
AMÁNISHÁR TAMASÁTE<br /> | |||
BHALOBÁSI TOMÁR ÁNDHÁR<br /> | |||
PRIYATAMA TUMI SABÁR<br /> | |||
PRÁŃER CEYEO PRIYATAMA<br /> | |||
PRIYATAMA TUMI SABÁR<br /> | |||
O The dearest of the heart, You are Dearest for all. And that love understanding of which<br /> | |||
is beyond the capacity of any language. I love You day and night, in the stream of action | |||
of desires and achievements. I love You in the moonlit night, along with the hide and seek<br /> | |||
game between the moon and the cloud. In the darkness of the new moon night, I love Your<br /> | |||
darkness.<br /> | |||
=== 3818 (02/11/1986) K === | |||
ÁMI TOMÁY BHÁLOBÁSI<br /> | |||
KENO JÁNINÁ<br /> | |||
KEU JÁNE NÁ<br /> | |||
SAB BHÁVANAY TAVA BHÁVANÁ<br /> | |||
CHÁPIE UT́HE<br /> | |||
BUJHI BOJHÁTE PÁRI NÁ<br /> | |||
KEU JÁNE NÁ<br /> | |||
ÁLOR SÁYARE TUMI BHÁSO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOR SÁYARE TUMI BHÁSO<br /> | |||
TRIŃÁNKURE TUMII HÁSO<br /> | |||
DÚREO NÁCO KÁCHEO ÁSO<br /> | |||
DHARÁ JÁY NÁ BÁNDHÁ JÁY NÁ<br /> | |||
KEU JÁNE NÁ<br /> | |||
TABUO JÁNI BHÁLOBÁSO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TABUO JÁNI BHÁLOBÁSO<br /> | |||
SARE GELEO PHIRE ÁSO<br /> | |||
KOSHÁTKIIR TAMASÁ NÁSHO<br /> | |||
DHRUVA TÁRÁ GO TOMÁY BHULI NÁ<br /> | |||
KEU JÁNE NÁ<br /> | |||
ÁMI TOMÁY BHÁLOBÁSI<br /> | |||
KENO JÁNINÁ<br /> | |||
KEU JÁNE NÁ<br /> | |||
O Lord, I love You, why, I do not know, nobody knows. Your ideation rises overflowing<br /> | |||
above all sentiments, I understand but am unable to explain. You appear within the ocean | |||
of effulgence, and smile in the blade of grass. You dance at distance and come close too<br /> | |||
but do not within the reach of holding and bonds. Yet I know You love, come back again | |||
after going, You destroy (?) darkness. O The polestar, I do not forget You.<br /> | |||
=== 3819 (03/11/1986) D === | |||
TOMÁY KE BOLE BHÁLO<br /> | |||
BHÁLOBESE DÚRE THÁKO<br /> | |||
DEKHONÁ ÁNKHIR JALO<br /> | |||
TOMÁY KE BOLE BHÁLO<br /> | |||
PRABHÁTE PÚRVÁKÁSHE CÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRABHÁTE PÚRVÁKÁSHE CÁI<br /> | |||
RÚPER SÁYAR DEKHIÁ JÁI<br /> | |||
DÚREI THÁKO KÁCHE NÁ PÁI<br /> | |||
KÁR TARE E MÁDHURII D́HÁLO<br /> | |||
TOMÁY KE BOLE BHÁLO<br /> | |||
JYOTSNÁY VRITHÁI BHÁVI MANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JYOTSNÁY VRITHÁI BHÁVI MANE<br /> | |||
KRPÁ HOLO ETA KŚAŃE<br /> | |||
ELE BUJHI SMITÁNANE<br /> | |||
JVÁLIÁ PRIITIRI ÁLO<br /> | |||
TOMÁY KE BOLE BHÁLO<br /> | |||
O Lord, who calls You as good? You stay at distance and love, yet do not see the tears in | |||
my eyes. Looking in the eastern sky in the morning, I go on seeing the ocean of beauty<br /> | |||
You stay at distance and I do not get You close. What for do You pour such sweetness.<br /> | |||
During moonlight, I think in the mind uselessly, the grace occurred that moment, I<br /> | |||
understood You came with smiling face, kindling light of love.<br /> | |||
=== 3820 (04/11/1986) D === | |||
JIIVANE JÁRE SATATA DEKHI<br /> | |||
KEMANE BOLO TÁHÁRE D́ÁKI<br /> | |||
KON SURE TÁR GÁN GÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ?<br /> | |||
SE JE MOR MANE ÁCHE PRATI KŚAŃE<br /> | |||
BHULEO BHULITE PÁRI NÁI<br /> | |||
KON SURE TÁR GÁN GÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ?<br /> | |||
SANDHYÁY DIGVALAYE LUKÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SANDHYÁY DIGVALAYE LUKÁY<br /> | |||
CÁNDER HÁSITE BHUVANA BHOLÁY<br /> | |||
TÁRAKÁY EKTÁRÁ BÁJÁY<br /> | |||
VISMAYÁVESHE SHUDHU TÁKÁI<br /> | |||
KON SURE TÁR GÁN GÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ?<br /> | |||
PHULER PARÁGE RÁGE ANURÁGE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHULER PARÁGE RÁGE ANURÁGE<br /> | |||
SAMVIT MOR NIYATA JE JÁGE<br /> | |||
ÁKUTI D́HÁLIÁ TÁHÁRI ÁBHOGE<br /> | |||
HÁRÁNO MÁDHURII PHIRE PÁI<br /> | |||
KON SURE TÁR GÁN GÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVANE JÁRE SATATA DEKHI<br /> | |||
KEMANE BOLO TÁHÁRE D́ÁKI<br /> | |||
KON SURE TÁR GÁN GÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ?<br /> | |||
JIIVANE JÁRE SATATA DEKHI<br /> | |||
KEMANE BOLO TÁHÁRE D́ÁKI<br /> | |||
The One whom I see constantly, how can I call Him, tell me. In what melody, I should sing<br /> | |||
His song? Who is present in my mind each moment, Whom I am unable to forget even by<br /> | |||
mistake. Hiding in the horizon in the evening, with the smile of the moon the world is<br /> | |||
forgotten. The stars play unistring and with the impulse of astonishment, I only watch.<br /> | |||
With fragrance of flowers in colour and love, my consciousness remains awake. Pouring<br /> | |||
earnestness into the pabulum I get back the lost sweetness.<br /> | |||
=== 3821 (04/11/1986) K === | |||
TOMÁKEI BHÁLOBÁSI ÁMRÁ<br /> | |||
TOMÁR PATHE CALI TOMÁR KATHÁ BOLI<br /> | |||
TOMÁRI BHÁVE GAŔÁ<br /> | |||
TOMÁKEI BHÁLOBÁSI ÁMRÁ<br /> | |||
UNCU NICU CHOT́A BAŔA BHEDA NÁ MÁNI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
UNCU NICU CHOT́A BAŔA BHEDA NÁ MÁNI<br /> | |||
EK PRIITI D́ORE SABE BÁNDHÁ TÁ JÁNI<br /> | |||
EKER ÁHVÁN SABÁI SHUNI<br /> | |||
LAKŚYA EKAI TUMI DHRUVA TÁRÁ<br /> | |||
TOMÁKEI BHÁLOBÁSI ÁMRÁ<br /> | |||
VYAŚT́I SVÁTANTRYA SAMAŚT́I BODHA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VYAŚT́I SVÁTANTRYA SAMAŚT́I BODHA<br /> | |||
EKER ANUDHYÁNA PÁPA PRATIRODHA<br /> | |||
EDER SAMANVAYE PRIITI NYAGRODHA<br /> | |||
JÁGÁI ÁNI DHARÁ PARE AMARÁR<br /> | |||
TOMÁKEI BHÁLOBÁSI ÁMRÁ<br /> | |||
We love only You.<br /> | |||
We move along the Your path.<br /> | |||
We talk about You alone.<br /> | |||
We are made up of Your thought waves.<br /> | |||
We do not accept distinctions<br /> | |||
between high and low<br /> | |||
or small and big.<br /> | |||
We believe we are all entwined<br /> | |||
in a singular thread of love.<br /> | |||
We all hear the call from only one.<br /> | |||
Our goal is the same<br /> | |||
with You as our polestar.<br /> | |||
Individual freedom and collective spirit<br /> | |||
contemplation of the supreme one<br /> | |||
relentless fight against the evils<br /> | |||
with all these<br /> | |||
we grow the huge banyan tree of love<br /> | |||
and bring about a paradise on earth.<br /> | |||
=== 3822 (05/11/1986) K === | |||
TOMÁRE D́EKE D́EKE TOMÁRE MANANE REKHE<br /> | |||
DIN MOR SUKHE DUHKHE CALE JÁY<br /> | |||
TUMI AGATIR GATI VISHVER ADHIPATI<br /> | |||
MAN BHRINGA TOMÁY PETE CÁY<br /> | |||
DIN MOR SUKHE DUHKHE CALE JÁY<br /> | |||
AŃUTE AŃUTE HÁSO KRŚŃA KAJJALE BHÁSO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AŃUTE AŃUTE HÁSO KRŚŃA KAJJALE BHÁSO<br /> | |||
AKINCANE BHÁLOBÁSO KÁINCANE NÁHI ÁSO<br /> | |||
TOMÁR LIILÁ BUJHE OT́HÁ DÁY<br /> | |||
DIN MOR SUKHE DUHKHE CALE JÁY<br /> | |||
ÁDI ANÁDITE ÁCHO ASHEŚE ALAKŚE NÁCO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁDI ANÁDITE ÁCHO ASHEŚE ALAKŚE NÁCO<br /> | |||
PULAKE PRÁŃE RAYECHO DYULOKE DYUTI D́HELECHO<br /> | |||
SMITÁLOKE TAVA PRIITI JHALAKÁY<br /> | |||
DIN MOR SUKHE DUHKHE CALE JÁY<br /> | |||
TOMÁRE D́EKE D́EKE TOMÁRE MANANE REKHE<br /> | |||
DIN MOR SUKHE DUHKHE CALE JÁY<br /> | |||
O Lord, calling You all the time and keeping You within the mind, my days are passing with<br /> | |||
joy and sorrows. You are resort of helpless, controller of the world, my mental bee wants<br /> | |||
to attain You. You smile in each atom, and appear in intense darkness. You love the<br /> | |||
poor, and are not attracted by wealth. It is hard to understand Your divine game liila.<br /> | |||
You are in the beginning and the end and dance n the endlessness secretly. Existing in | |||
joyful life, You pour heavenly glow. Your love shines through smiling glow.<br /> | |||
=== 3823 (06/11/1986) K === | |||
NAYANE KENO KE JÁNE<br /> | |||
ENKE CHILO SE, PRIITIRI AINJAN | |||
ÁJI HÁY PHÁLGUNI VÁYA<br /> | |||
SE KATHÁ JÁNÁY SE<br /> | |||
PRIITIRI AINJAN | |||
DUHKHA BOJHE NÁ KE SE LIILÁMAYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DUHKHA BOJHE NÁ KE SE LIILÁMAYA<br /> | |||
ÁNKHI MOCHE NÁ KON SE NIDAYA<br /> | |||
KÁCHE ÁSE NÁ DURE THEKE KAY<br /> | |||
BHÁLOBÁSI TOMÁKE AŃUKŚAŃA<br /> | |||
PRIITIRI AINJAN | |||
JENECHI TÁRE CINECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JENECHI TÁRE CINECHI<br /> | |||
MANER MUKURE HERECHI<br /> | |||
SE BODHIMAYE BUJHECHI<br /> | |||
SE ÁMÁR ÁMI TE PRATIKŚAŃA<br /> | |||
PRIITIRI AINJAN | |||
NAYANE KENO KE JÁNE<br /> | |||
ENKE CHILO SE PRIITIRI AINJAN | |||
He applied the decoration mark of love into the eyes, who knows, why? Alas, during the<br /> | |||
spring breeze, that charmer of the mind reminds me of that. That embodiment of illusive<br /> | |||
game does not understand my agonies. That merciless does not wipe the tears. Does not come<br /> | |||
close and from a distance tells, “ I love You each moment”. I know and understand Him<br /> | |||
search Him in the mental mirror. I understand Him as embodiment of intuition. He is within | |||
my “I” feeling each moment.<br /> | |||
=== 3824 (07/11/1986) K === | |||
TUMI, RÁJÁR RÁJÁ MÁDHURIITE BHEJÁ<br /> | |||
TOMÁR NÁHI TULANÁ<br /> | |||
PHULE PHALE PARIMALE MUKULE SÁJÁ<br /> | |||
CINMAYA CIRA CETANÁ<br /> | |||
TOMÁR NÁHI TULANÁ<br /> | |||
MANANER MAŃIHÁRE PRIITI ÁSPADA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANANER MAŃIHÁRE PRIITI ÁSPADA<br /> | |||
SHRAVAŃER SUDHÁSÁRE STHÁYII SAMPADA<br /> | |||
NIDIDHYÁSANE NITYA AŚT́ÁPADA<br /> | |||
MARMER MÚRCHANÁ<br /> | |||
TOMÁR NÁHI TULANÁ<br /> | |||
VIIŃÁR TANTRIITE TUMI JHAUNKÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIIŃÁR TANTRITE TUMI JHAUNKÁR<br /> | |||
SARVÁDHIVYÁPTITE SÁRÁTSÁR<br /> | |||
BODHITE BODHER DYOTANÁ<br /> | |||
TOMÁR NÁHI TULANÁ<br /> | |||
TUMI, RÁJÁR RÁJÁ MÁDHURIITE BHEJÁ<br /> | |||
TOMÁR NÁHI TULANÁ<br /> | |||
O Lord, You are the Lord of Lords, moist with sweetness, there is no comparison of Yours.<br /> | |||
You are decorated with flowers, fruits, buds and fragrance ever with as the embodiment of<br /> | |||
consciousness. You are love deserving, gemnecklace of the mind, permanent wealth as<br /> | |||
essence of nectar for the hearing, eternal purified gold, for meditation and trance of the<br /> | |||
core. You are the tinkling of the strings of viin’a’, essence of essence of<br /> | |||
allpervasiveness, indication of the realization of intuition.<br /> | |||
=== 3825 (08/11/1986) === | |||
HE PRABHU TOMÁR LIILÁ<br /> | |||
KE BUJHITE PÁRE BOLO<br /> | |||
MAHÁKÁSHE BHÁVE BHÁSE<br /> | |||
MAHÁRŃAVE UCCHALO<br /> | |||
KE BUJHITE PÁRE BOLO<br /> | |||
ANTARIKŚE JALE STHALE<br /> | |||
BHÚDHARE VIT́API TALE<br /> | |||
URMI MÁLÁY ULKÁJVÁLÁY<br /> | |||
CANDRAKALÁY CAINCALO<br /> | |||
KE BUJHITE PÁRE BOLO<br /> | |||
BHÁUNGÁ GAŔÁR MÁYÁR KHELÁ<br /> | |||
DUHKHA RÁSHI SUKHER MELÁ<br /> | |||
AVALIILÁY DEKHIYE JÁY<br /> | |||
KÁNDÁY HÁSÁY PRÁŃOTPALO<br /> | |||
KE BUJHITE PÁRE BOLO<br /> | |||
HE PRABHU TOMÁR LIILÁ<br /> | |||
KE BUJHITE PÁRE BOLO<br /> | |||
O Lord, who can understand Your illusive game, liila, tell me. You appearas ideation of<br /> | |||
the great space and overwhelm in the great ocean. In the cosmic space, in the water and<br /> | |||
land, in the mountain and at the root of the tree, in the series of waves, in the glow of<br /> | |||
meteors, and in the aspects of moon, You are restless. In the game of illusive<br /> | |||
ma’ya’, creation and destruction, in the crowd of joy and accumulation of sorrows<br /> | |||
This game of cries and smile is witnessed by the lotus of life.<br /> | |||
=== 3826 (09/11/1986) D === | |||
O GO PRABHU ÁMÁR GHARE<br /> | |||
ÁSBE NÁ KI PATHER BHULE<br /> | |||
MÁLÁ GÁNTHÁ VRITHÁ<br /> | |||
KI JÁBE ALPANÁ JÁBE VIPHALE<br /> | |||
GÁN RACECHI SUR SEDHECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GÁN RACECHI SUR SEDHECHI<br /> | |||
PRIITIR ARGHYA SÁJÁYECHI<br /> | |||
MANER KONE SAḾGOPANE<br /> | |||
MAŃIKÁ DIIP REKHECHI JVELE<br /> | |||
MANER VIIŃÁ TANTRII ÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER VIIŃÁ TANTRII ÁMÁR<br /> | |||
GEYE CALE MANTRA TOMÁR<br /> | |||
YANTRA ÁMI YANTRII TUMI<br /> | |||
KOMAL KARE NEVE KI TÚLE<br /> | |||
O GO PRABHU ÁMÁR GHARE<br /> | |||
ÁSBE NÁ KI PATHER BHULE<br /> | |||
O Lord, would not You come to my home, even by forgetting the path. Would my threading of<br /> | |||
garland be waste and decorating the door useless? I create song, rehearse the melody, and<br /> | |||
decorate the offering of love. In the recess of the mind, secretly, I have kept the gem<br /> | |||
lamp glowing. The strings of my mental viin’a’, go on singing Your mantra. I am<br /> | |||
instrument, You are operator, would You lift me up with soft hands?<br /> | |||
=== 3827 (10/11/1986) === | |||
MAHÁ NIIRAVADHIR OPÁR HOTE AJÁNÁ<br /> | |||
KON SE SUR BHESE ÁSE<br /> | |||
BÁDHÁ VIPATTIR BHÁUNGIÁ PRÁCIIR<br /> | |||
MARME CHUNTE MOR KARŃE PASHE<br /> | |||
KON SE SUR BHESE ÁSE<br /> | |||
PRABHÁTER ARUŃÁLOTE PÚRVA RÁGE GÁY<br /> | |||
SE DÚRER SURE PHUL PARÁGE<br /> | |||
MANER GAHAN KOŃE NIBHRITE JEGE BOLE JÁY<br /> | |||
SE ÁMÁY BHÁLOBÁSE<br /> | |||
KON SE SUR BHESE ÁSE<br /> | |||
SANDHYÁ RÁGER SHEŚE PRADOŚA BELÁY<br /> | |||
BOLE MORE BÁNDHÁ CHINŔE ÁY CALE ÁY<br /> | |||
BASE ÁCHI ÁNIYÁCHI SHONÁLI BELÁY<br /> | |||
SE CÁNDER HÁSI JÁHÁ TRIDASHE MESHE<br /> | |||
KON SE SUR BHESE ÁSE<br /> | |||
MAHÁ NIIRAVADHIR OPÁR HOTE AJÁNÁ<br /> | |||
KON SE SUR BHESE ÁSE<br /> | |||
Crossing the great ocean from beyond the unknown arena, which unknown melody is coming?<br /> | |||
Breaking the walls of obstructions and adversities, it enters the ears and touches the<br /> | |||
core of the heart. It sings in the purva melody during the crimson effulgence of the<br /> | |||
morning. Coming from distance with the melody of floral fragrance, in isolation, in the<br /> | |||
deep recess of the mind, rising it goes on telling that He loves me. In the evening melody<br /> | |||
at the end of afternoon, He tells me to come breaking the bondages. I am sitting awaiting<br /> | |||
bringing the golden time. That is smile of the moon where the heaven merges.<br /> | |||
=== 3828 (10/11/1986) D === | |||
TUMI KENO ÁSONÁ<br /> | |||
BOLO NÁ TUMI KENO ÁSO NÁ<br /> | |||
BOLO NÁ TUMI KENO ÁSO NÁ, BOLO NÁ<br /> | |||
BOLO NÁ TUMI KENO ÁSO NÁ, BOLO NÁ<br /> | |||
D́EKE D́EKE KATA DIN CALE JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
D́EKE D́EKE KATA DIN CALE JÁY<br /> | |||
ASHRUR SARITÁ BAHE JÁY<br /> | |||
KÁLA KÁLÁNTARE JE HÁRÁY<br /> | |||
TABU KENO KRPÁ KARO NÁ<br /> | |||
BOLO NÁ TUMI KENO ÁSO NÁ, BOLO NÁ<br /> | |||
RAVI D́UBE JÁY SANDHYÁ GHANÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RAVI D́UBE JÁY SANDHYÁ GHANÁY<br /> | |||
NAVA PARIVESHE CÁNDA JE TÁKÁY<br /> | |||
ÁMÁR AMÁNISHÁ NÁHI PHURÁY<br /> | |||
E KEMAN VIDHI BUJHINÁ<br /> | |||
BOLO NÁ TUMI KENO ÁSO NÁ, BOLO NÁ<br /> | |||
KATA SHISHU TARU MAHIRUHA HOE<br /> | |||
ULKÁ TÁRAKÁ KÁLE HOE KŚAY<br /> | |||
JÁHÁ CHILO TÁHÁ HOE JÁY LAYA<br /> | |||
JÁHÁ ÁCHE TÁHÁ THÁKE NÁ<br /> | |||
BOLO NÁ TUMI KENO ÁSO NÁ, BOLO NÁ<br /> | |||
O Lord, why do not You come, tell me. Calling You how many days go on passing. The stream<br /> | |||
of tears goes on flowing. The time gets lost into recess, yet, why do not You grace me?<br /> | |||
The sun goes down, the evening intensifies. In the new environment the moon looks. My dark<br /> | |||
period does not end. What is this system, I do not understand. How many small plants have<br /> | |||
grown into big trees. The meteorites and stars get decayed into time. Whatever was present<br /> | |||
that goes on dissolving, whatever is present now would not stay.<br /> | |||
=== 3829 (11/11/1986) K === | |||
TUMI YADI NÁHI ELE<br /> | |||
KISER TARE JEGE THÁKÁ<br /> | |||
KAHÁR LÁGI GHAR SÁJÁNO<br /> | |||
SVÁGATA GIIT SEDHE RÁKHÁ<br /> | |||
KISER TARE JEGE THÁKÁ<br /> | |||
MANER UPAVANE GHURE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER UPAVANE GHURE<br /> | |||
PUŚPA CAYAN SÁJI BHARE<br /> | |||
MÁLÁ GENTHE PRIITIR D́ORE<br /> | |||
PATH CEYE ABUJHE D́ÁKÁ<br /> | |||
KISER TARE JEGE THÁKÁ<br /> | |||
SAB KE BHÚLE EK KE BHÁVÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAB KE BHÚLE EK KE BHÁVÁ<br /> | |||
EK DHYEYERA BHÁVANÁY D́OBÁ<br /> | |||
EKAT́I RAUNGER MANOJAVÁ<br /> | |||
DIYE SAB ABHÁVE D́HÁKÁ<br /> | |||
KISER TARE JEGE THÁKÁ<br /> | |||
TUMI YADI NÁHI ELE<br /> | |||
KISER TARE JEGE THÁKÁ<br /> | |||
O Lord, if You do not come, for whom have I remained awake? For whom I have decorated the<br /> | |||
home and for whom I have rehearsed the welcome song? Moving into the mental garden, I have<br /> | |||
collected full flowers. Threading the garland with the twine of love, I unknowingly keep<br /> | |||
on calling looking at the path. My thinking of only One forgetting all, immersed in the<br /> | |||
thought of only one object. Engrossing the mind in only one hue, I covered all shortages.<br /> | |||
=== 3830 (12/11/1986) D === | |||
DINÁNTERI SHÁNTIR MÁJHE<br /> | |||
SHÁNTI SHUDHUI TÁTE PÁI<br /> | |||
BHUVANE TÁR TULANÁ NÁI<br /> | |||
MANO BHUME SE JE ÁMÁRI RÁJÁ<br /> | |||
VANA BHUME RÚPE RÁGE PÁI<br /> | |||
BHUVANE TÁR TULANÁ NÁI<br /> | |||
AŃU PARAMÁŃU TÁTE VIDHRITA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AŃU PARAMÁŃU TÁTE VIDHRITA<br /> | |||
MAŃI KÁINCANE SADÁ SAJJITA<br /> | |||
PRIITIR ÁLOKE KARE PRAKÁSHITA<br /> | |||
JENE NÁ JENE TÁRE CÁI<br /> | |||
BHUVANE TÁR TULANÁ NÁI<br /> | |||
NIYANTÁ SE JE MAHÁVISHVERA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIYANTÁ SE JE MAHÁVISHVERA<br /> | |||
BHÁGYA VIDHÁTÁ SHEŚA ASHEŚERA<br /> | |||
VANDITA PRABHU SARVA DESHER<br /> | |||
TÁRI SURE TÁR GÁN GÁI<br /> | |||
BHUVANE TÁR TULANÁ NÁI<br /> | |||
DINÁNTERI SHÁNTIR MÁJHE<br /> | |||
SHÁNTI SHUDHUI TÁTE PÁI<br /> | |||
While tired at the end of the day, I get peace only within Him, Who has no comparison in | |||
the world. He is my King in the mental arena and within the garden, I get Him with form<br /> | |||
and colour. The atoms and molecules are held within Him, ever decorated with gem and gold.<br /> | |||
He illuminates with the light of love, and I love Him knowingly or unknowingly. He is the<br /> | |||
controller of the Great Universe, controller of the destiny for the end and existence. O<br /> | |||
Lord, You are revered in all arenas, in His tune, I sing His song.<br /> | |||
=== 3831 (13/11/1986) K === | |||
ÁMÁR GÁNER CHANDA ÁJI<br /> | |||
SUDURE HÁRIYE GECHE<br /> | |||
MAN MAYURE BOJHE NÁKO<br /> | |||
CÁNDA MEGHER ÁŔÁLE ÁCHE<br /> | |||
SUDURE HÁRIYE GECHE<br /> | |||
HÁRIYECHI JÁHÁI BHÁVI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HÁRIYECHI JÁHÁI BHÁVI<br /> | |||
HÁRÁYENI TÁ ÁCHE SABAI<br /> | |||
ASTÁCALE GELEO RAVI<br /> | |||
DIGANTERA OPÁRE RÁJE<br /> | |||
SUDURE HÁRIYE GECHE<br /> | |||
HÁRÁY NÁKO KICHU KABHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HÁRÁY NÁKO KICHU KABHU<br /> | |||
AJINÁNATÁY KÁNDI PRABHU<br /> | |||
BOJHÁLEO BUJHINÁ TABU<br /> | |||
BHÁVI STOKA VÁKYA SHONÁCCHE<br /> | |||
SUDURE HÁRIYE GECHE<br /> | |||
ÁMÁR GÁNER CHANDA ÁJI<br /> | |||
SUDURE HÁRIYE GECHE<br /> | |||
Today, the rhythm of my song is lost far away. The mental peacock does not understand, the<br /> | |||
moon is hidden behind the cloud. Whatever I imagine, is lost, but it is not totally<br /> | |||
consumed, it remains. The sun sets, but stays on the other side of the horizon. Nothing is<br /> | |||
lost forever, O Lord, I cry due to ignorance. Even after being explained, I do not<br /> | |||
understand, considering that I am only told insincere consoling words.<br /> | |||
=== 3832 (14/11/1986) K === | |||
GÁNE GÁNE BHARE DILE<br /> | |||
ÁKÁSHA VÁTÁS TUMI PRIYA<br /> | |||
DYULOKER ÁLOKA ÁNILE<br /> | |||
CHANDE TÁLE RAMAŃIIYA<br /> | |||
ÁKÁSHA VÁTÁS TUMI PRIYA<br /> | |||
DÚR KE KÁCHE T́ÁNILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DÚR KE KÁCHE T́ÁNILE<br /> | |||
PAR KE ÁPAN KARILE<br /> | |||
BHÁVER SUR SHUNIYE DILE<br /> | |||
JÁ MARME BÁJE ÁJIO<br /> | |||
ÁKÁSHA VÁTÁS TUMI PRIYA<br /> | |||
ÁMÁR MANER RANDHRA PATHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR MANER RANDHRA PATHE<br /> | |||
ACENÁ AJÁNÁ HOTE<br /> | |||
KON SE PLÁVANA ÁCAMBITE<br /> | |||
BAHÁLE HE DHYÁNER DHYEYA<br /> | |||
ÁKÁSHA VÁTÁS TUMI PRIYA<br /> | |||
GÁNE GÁNE BHARE DILE<br /> | |||
ÁKÁSHA VÁTÁS TUMI PRIYA<br /> | |||
O Dear Lord, you filled the air and the sky with songs after songs. You brought effulgence<br /> | |||
from the heaven, beautified it with beats and rhythms. You pulled the distant ones near<br /> | |||
and made others your own. You made all others listen to your melodies of deep ideation | |||
which ring even today in the core our heart. O the object of my meditation, through the<br /> | |||
narrow path of my mind, from unrecognised and unknown path, suddenly You flowed the<br /> | |||
flood.<br /> | |||
=== 3833 (15/11/1986) D === | |||
VISHVER PRÁŃA TUMI SUMAHÁN | |||
MOR THEKE KENO DÚRE ÁCHO<br /> | |||
BHÁVE ABHÁVE TOMÁRI BHEVE<br /> | |||
NIYATA ÁCHI DEKHE CALECHO<br /> | |||
MOR THEKE KENO DÚRE ÁCHO<br /> | |||
JHAŔA JHAINJHÁY ULKÁ NIPÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JHAŔA JHAINJHÁY ULKÁ NIPÁTE<br /> | |||
CHATRA CHÁYÁ REKHE CHO MOR MÁTHE<br /> | |||
VAJRA NIRGHOŚE ASHANI NIPÁTE<br /> | |||
DÚRE THEKE BHAYA SARIYECHO<br /> | |||
MOR THEKE KENO DÚRE ÁCHO<br /> | |||
ANANTÁŃU SAMA TOMÁRI MAHIMÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANANTÁŃU SAMA TOMÁRI MAHIMÁ<br /> | |||
ÁKÁSHE VÁTÁSE TAVA MADHURIMÁ<br /> | |||
PUŚPA STABAKE TOMÁR SUŚAMÁ<br /> | |||
D́HÁLIA KII LIILÁ RACECHO<br /> | |||
MOR THEKE KENO DÚRE ÁCHO<br /> | |||
VISHVER PRÁŃA TUMI SUMAHÁN | |||
MOR THEKE KENO DÚRE ÁCHO<br /> | |||
O Lord, the life of the universe, the Great, leaving me why are You staying far? During my<br /> | |||
affluence or adversity, I constantly think of You, You go on watching. During storm<br /> | |||
cyclones or fall of meteors, You keep protective umbrella over my head. During thunder of<br /> | |||
lightning, fall of lightning, even by staying away, You remove the fear. Your glory is<br /> | |||
like endless atoms. Your sweetness is present in sky and air. By pouring Your beauty in | |||
the floral offering, what a game, liila, You create?<br /> | |||
=== 3834 (16/11/1986) K+D === | |||
DINER SHEŚE CÁNDERI DESHE<br /> | |||
JYOTSNÁ DHÁRÁY BHESE<br /> | |||
ELUM ÁMI TAVA SAKÁSHE<br /> | |||
DINER SHEŚE<br /> | |||
NEIKO KONO TAPAN DAHAN | |||
TRPTA MANAN DRIPTA NAYANA<br /> | |||
TOMÁY PEYE HESHUBHÁNAN | |||
CITTA ÁKÁSHE<br /> | |||
DINER SHEŚE<br /> | |||
MALAY PAVAN PUŚPA PARÁG<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MALAY PAVAN PUŚPA PARÁG<br /> | |||
D́HELE DILO SAB ANURÁG<br /> | |||
BÁNDHAN HÁRÁ E PÚRVA RÁGA<br /> | |||
VIBHÁSE BHÁŚE<br /> | |||
DINER SHEŚE<br /> | |||
UNCU NICU KŚUDRA BRIHAT<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
UNCU NICU KŚUDRA BRIHAT<br /> | |||
KALPA LOKA ÁR MÁT́IR JAGAT<br /> | |||
PRÁPTI HRTI AŃU BRIHAT<br /> | |||
BHÁSE CÁR PÁSHE<br /> | |||
DINER SHEŚE<br /> | |||
At the end of the day, into the arena of moon, floating through the flow of moonlight, I<br /> | |||
have come close to You. There is no heat of the sun, the mind is satiated, eyes are bright<br /> | |||
on attaining You, O auspicious face in my mental sky. In the sandal breeze, fragrance of<br /> | |||
flowers, You have poured all love. Unrestrained, this musical mode of purvamelody, utters.<br /> | |||
High and low, small and big, arenas of imagination or the material world, gain or<br /> | |||
deprivation, small or big, float on all the sides.<br /> | |||
=== 3835 (17/11/1986) D === | |||
CIRA SÁTHII TUMI LUKIE<br /> | |||
KENO, SUMUKHE ESO<br /> | |||
PHÚL PHÚT́IYECHO<br /> | |||
RAUNGA DHARIYECHO SUVÁSE HÁSO<br /> | |||
SUMUKHE ESO<br /> | |||
SARIYE AMÁR KÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SARIYE AMÁR KÁLO<br /> | |||
D́ELECHO JÁ KICHU BHÁLO<br /> | |||
JIIVANE ENECHO ÁLO<br /> | |||
BUJHI MORE BHÁLOBÁSO<br /> | |||
SUMUKHE ESO<br /> | |||
KÁLA KÁLÁNTARE DHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁLA KÁLÁNTARE DHÁY<br /> | |||
MRG TRIŚŃIKÁ PRÁYA<br /> | |||
TUMI PRIITI GIITITE BHÁSO<br /> | |||
SUMUKHE ESO<br /> | |||
CIRA SÁTHII TUMI LUKIE<br /> | |||
KENO, SUMUKHE ESO<br /> | |||
O Ever Companion, why are You hiding, come in front. You have bloomed flowers, painted<br /> | |||
colours, and smile in fragrance. You remove my darkness and pour whatever is good. You<br /> | |||
bring illumination into the life. I understand that You love me. The time rushes into its<br /> | |||
intervals, like a mirage, the known is lost into unknown, You float in the songs and<br /> | |||
love.<br /> | |||
=== 3836 (18/11/1986) D === | |||
DHYEYA TUMI SHREYA TUMI<br /> | |||
TOMÁY NAMI BÁRE BÁR<br /> | |||
APÁR E BHAVA SÁGARE<br /> | |||
TUMII EKAI KARŃADHÁR<br /> | |||
TOMÁY NAMI BÁRE BÁR<br /> | |||
ATIITE JÁ KICHU CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ATIITE JÁ KICHU CHILO<br /> | |||
ÁJO JÁHÁ PRÁŃOCCHALO<br /> | |||
ASHRUTE JÁ CHALA CHALA<br /> | |||
JÁNI SABAI LIILÁ TOMÁR<br /> | |||
TOMÁY NAMI BÁRE BÁR<br /> | |||
SHRIŚT́I STHITI LAYE ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHRIŚT́I STHITI LAYE ÁCHO<br /> | |||
MARME MÁJHE NECE CALECHO<br /> | |||
NIJER LIILÁY BÁNDHÁ PAŔECHO<br /> | |||
TÁI TO TUMI PRIYA SABÁR<br /> | |||
TOMÁY NAMI BÁRE BÁR<br /> | |||
DHYEYA TUMI SHREYA TUMI<br /> | |||
TOMÁY NAMI BÁRE BÁR<br /> | |||
O Lord, You are the object of meditation, benevolent, I salute You, again and again. In | |||
this limitless ocean of the world, You are the singular helmsman. Whatever was present in | |||
the past, today whatever is enliven, whosoever is tearful, I know that all is Your game<br /> | |||
liila. You exist in creation, sustenance and dissolution. You go on dancing in the core<br /> | |||
of the heart. You remain bound in Your own game, liila, that is why You are dear to<br /> | |||
all.<br /> | |||
=== 3837 (18/11/1986) D === | |||
ÁMI TOMÁY BHÁLOBÁSI JÁNÁI KII KARE<br /> | |||
MARME ÁMÁR TARE TOMÁR ÁNKHI JHARE<br /> | |||
ÁMI TOMÁY BHÁLOBÁSI JÁNÁI KII KARE<br /> | |||
PRABHÁT ELE NAYAN MELE DEKHI TOMÁR ÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRABHÁT ELE NAYAN MELE DEKHI TOMÁR ÁLO<br /> | |||
PHULER RÚPE GANDHA NIIPE MÁDHURII D́HÁLO<br /> | |||
PÚRVÁCALE SNIGDHÁNILE D́ÁKO ÁMÁRE<br /> | |||
ÁMI TOMÁY BHÁLOBÁSI JÁNÁI KII KARE<br /> | |||
SANDHYÁ RÁGE ANURÁGE MIŚT́I HÁSI HESE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SANDHYÁ RÁGE ANURÁGE MIŚT́I HÁSI HESE<br /> | |||
BOLE JE JÁO E BÁR GHUMÁO D́ÁKBO KÁL ESE<br /> | |||
TOMÁR KATHÁ PRIITI GÁTHÁ BHÁSE AMBARE<br /> | |||
ÁMI TOMÁY BHÁLOBÁSI JÁNÁI KII KARE<br /> | |||
O Lord, I love You, explain me what for. In the core of my heart, tears fall for You. When | |||
morning comes, opening the eyes, I see Your effulgence. You pour sweetness fragrance and<br /> | |||
beauty in the niip flower. You call me in the eastern horizon in the soft breeze. During<br /> | |||
red evening hue smiling sweetly, You go on telling revolve this time, I shall call You<br /> | |||
when the time would come. Your glory and tale of love floats in the sky.<br /> | |||
=== 3838 (19/11/1986) D === | |||
D́EKE D́EKE JANAM GELO<br /> | |||
D́EKE D́EKE JANAM GELO<br /> | |||
D́EKE D́EKE JANAM GELO<br /> | |||
TABU KRPÁ HOLO NÁ<br /> | |||
KEMAN PRIITI BOJHÁ GELO<br /> | |||
SHUNEO SÁŔÁ DILE NÁ<br /> | |||
TABU KRPÁ HOLO NÁ<br /> | |||
AHARNISHI TOMÁR DHYÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AHARNISHI TOMÁR DHYÁNE<br /> | |||
AHARNISHI TOMÁR DHYÁNE<br /> | |||
AHARNISHI TOMÁR DHYÁNE<br /> | |||
KÁLA KET́ECHE BHÁVE SMARAŃE<br /> | |||
LIILÁR CHALE, LIILÁR CHALE, LIILÁR CHALE<br /> | |||
KENO KE JÁNE, DEKHEO DEKHATE PELE NÁ<br /> | |||
TABU KRPÁ HOLO NÁ<br /> | |||
ÁDI ANÁDIR TUMI PRÁŃA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁDI ANÁDIR TUMI PRÁŃA<br /> | |||
ÁDI ANÁDIR TUMI PRÁŃA<br /> | |||
ÁDI ANÁDIR TUMI PRÁŃA<br /> | |||
ASHEŚE TOMÁRO ADHIŚT́HÁN | |||
HE PRIYA MOR, HE PRIYA MOR, HE PRIYA MOR<br /> | |||
MARME STHÁN, NIYE KARO KARUŃÁ<br /> | |||
TABU KRIPÁ HOLO NÁ<br /> | |||
D́EKE D́EKE JANAM GELO<br /> | |||
TABU KRPÁ HOLO NÁ<br /> | |||
O Lord, calling and calling You my life has passed, still Your grace did not take place.<br /> | |||
How do You explain Your love, that even after listening You did not respond. Day and<br /> | |||
night, meditating upon You, time passes in thinking and remembering You. Who knows by what<br /> | |||
delusive game, liila, even after seeing You could not look. You are the life of the<br /> | |||
initial and subsequent entities. Even in the endless You are present. O Dear, make Your<br /> | |||
seat in the core of my heart mercifully.<br /> | |||
=== 3839 (19/11/1986) D === | |||
GÁNER E TARII KHÁNI<br /> | |||
BHÁSIE CHILUM NABHONIILE<br /> | |||
TUMI KE ELE MOR SURER SÁTHI<br /> | |||
E TARAŃII VÁHIBE BALE<br /> | |||
BHÁSIE CHILUM NABHONIILE<br /> | |||
SAHASÁ KE JENO KAY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAHASÁ KE JENO KAY<br /> | |||
SE ÁSE E DUHKHER SAMAY<br /> | |||
E KARŃADHÁR LUKIYE RAY<br /> | |||
MANER KOŃE KICHU NÁ BOLE<br /> | |||
BHÁSIE CHILUM NABHONIILE<br /> | |||
PARICAYA D́HÁKE REKHE?<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PARICAYA D́HÁKE REKHE?<br /> | |||
KICHUTE NÁ BOLE SE KE<br /> | |||
BOLE SHUDHU THEKE THEKE<br /> | |||
PRIITIR T́ÁNE MORE ÁNILE<br /> | |||
BHÁSIE CHILUM NABHONIILE<br /> | |||
GÁNER E TARII KHÁNI<br /> | |||
BHÁSIE CHILUM NABHONIILE<br /> | |||
This boat of song I have floated in the blue sky. Who is that You, the companion of my<br /> | |||
melody, who would steer this boat of mine. Suddenly as if someone tells, He would come at<br /> | |||
the time of sorrows. This helmsman remains hidden silently, without speaking anything, in | |||
the recess of the mind. He keeps the introduction covered, does not tell anything, Who is<br /> | |||
that? He only says sitting there that bring me with the pull of love.<br /> | |||
=== 3840 (20/11/1986) K === | |||
TOMÁY BHÁLOBESE PRIYA<br /> | |||
TOMÁR RAUNGA MOR MAN RÁUNGÁLO<br /> | |||
JE MAN ÁMÁR CHAŔIYE CHILO<br /> | |||
TOMÁY KENDRIBHÚTA HOLO<br /> | |||
TOMÁR RAUNGA MOR MAN RÁUNGÁLO<br /> | |||
BENDHE REKHE CHILO MORE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BENDHE REKHE CHILO MORE<br /> | |||
JAD́A BHÁVANÁ MOHER D́ORE<br /> | |||
SAHASÁ SE GIYE SARE<br /> | |||
MUKTIR ÁSVÁDA ENE CHILO<br /> | |||
TOMÁR RAUNGA MOR MAN RÁUNGÁLO<br /> | |||
MANER GOPÁL MANEI ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER GOPÁL MANEI ÁCHO<br /> | |||
RAUNGE BHARIYE CALECHO<br /> | |||
MAN YAMUNÁY MÁTIYE CHO<br /> | |||
UJÁNE KARE UCCHALO<br /> | |||
TOMÁR RAUNGA MOR MAN RÁUNGÁLO<br /> | |||
TOMÁY BHÁLOBESE PRIYA<br /> | |||
TOMÁR RAUNGA MOR MAN RÁUNGÁLO<br /> | |||
O Dear, by loving You, my mind has been coloured with Your colour. The mind that has left<br /> | |||
me, has become centralized to You. The materialistic thoughts had kept me bound, with the<br /> | |||
rope of infatuation, suddenly that is removed and taste of liberation is brought. Te<br /> | |||
Gopa’l of mind, stays in the mind only, and goes on filling with colours. He intoxicates<br /> | |||
the mental river Yamuna’, by overwhelmingly overflowing that.<br /> | |||
=== 3841 (20/11/1986) K === | |||
ESO MANER MADHU VRNDÁVANE<br /> | |||
ESO CIT KAMALE<br /> | |||
TOMÁRE KHUNJECHI KATA VANE VIJANE<br /> | |||
KHUNJECHI TIIRTHA JALE<br /> | |||
ESO MANER MADHU VRINDÁVANE<br /> | |||
ESO CIT KAMALE<br /> | |||
JIIVANE ÁSE PATAN ABHYUDAYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIIVANE ÁSE PATAN ABHYUDAYA<br /> | |||
KATA JYOTSNÁR MÁYÁ SÚRYODAYA<br /> | |||
KATA AMÁNISHÁ TÁRAKÁ NICAYA<br /> | |||
SABETE KHUNJE GECHI PALE VIPALE<br /> | |||
ESO MANER MADHU VRINDÁVANE<br /> | |||
ESO CIT KAMALE<br /> | |||
KE JENO KAYE GELO KÁŃE KÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KE JENO KAYE GELO KÁŃE KÁNE<br /> | |||
JÁRE KHONJO SE RAYECHE MANE PRÁŃE<br /> | |||
AŃU PARAMÁŃUTE SAKAL STHÁNE<br /> | |||
DEKHO CEYE ÁNKHI PRIITI KÁJALE<br /> | |||
ESO MANER MADHU VRNDÁVANE<br /> | |||
ESO CIT KAMALE<br /> | |||
O Lord, come into sweet vrnda’van of my mind, come upon the lotus of my heart. I have<br /> | |||
searched You in many forests and isolations and in pious waters. In life rise and fall<br /> | |||
come, many illusions of moonlight and sunrise, many dark nights and assemblage of stars<br /> | |||
in all I went on searching each moment. As if someone came and went away whispering into<br /> | |||
my ears, “ the One Whom you are searching remains in the mind and life, in each atom and<br /> | |||
molecule, at all the places. See Him on opening the eyes and after applying the ka’jal<br /> | |||
ointment of love into them.<br /> | |||
=== 3842 (21/11/1986) D === | |||
TUMI JAKHAN ESE CHILE<br /> | |||
ÁMI CHILUM GHUM GHORE<br /> | |||
AHAM GHERÁ BADDHA GHARE<br /> | |||
KII BHÁVE ARGALA KHULILE BHITARE ELE KII KARE<br /> | |||
ÁMI CHILUM GHUM GHORE<br /> | |||
JIYAN KÁT́HI MARAŃ KÁT́HI<br /> | |||
MÁTHÁR KÁCHE RÁKHÁ CHILO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JIYAN KÁT́HI MARAŃ KÁT́HI<br /> | |||
MÁTHÁR KÁCHE RÁKHÁ CHILO<br /> | |||
JIIYAN KÁT́HI TULE NILE<br /> | |||
MARAŃ KÁT́HI HÁRIYE GELO<br /> | |||
ANANTA “ÁMI”R MÁJHE MOR<br /> | |||
ÁMI ABHIŚIKTA HOLO<br /> | |||
TOMÁR HOYE JAOÁ SE “ÁMI”<br /> | |||
HE PRIYA PELO TOMÁRE<br /> | |||
ÁMI CHILUM GHUM GHORE<br /> | |||
CIDÁKÁSHE JYOTSNÁ ESE<br /> | |||
PRATHAM ÁMÁR MAN BHULÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CIDÁKÁSHE JYOTSNÁ ESE<br /> | |||
PRATHAM ÁMÁR MAN BHULÁLO<br /> | |||
CÁOÁ PÁOÁR BHIŔERA SHEŚE<br /> | |||
EKER BHÁVEI BHARE DILO<br /> | |||
SE PRATHAM SE SHEŚE MISHE<br /> | |||
DIGVALAYE CHAŔIYE GELO<br /> | |||
NITYA KÁLER “ÁMI”R JAKHAN | |||
GHUM BHÁUNGILO CIRA TARE<br /> | |||
ÁMI CHILUM GHUM GHORE<br /> | |||
TUMI JAKHAN ESE CHILE<br /> | |||
ÁMI CHILUM GHUM GHORE<br /> | |||
O Lord, when You had come, I was in deep slumber, surrounded by ego, in closed house. With<br /> | |||
what intentions, You opened the doorbolts, and why did You enter inside? Both, burning<br /> | |||
wood for pyre and wood for life was kept close to my head. You lifted up the wood of life<br /> | |||
and pyrewood was lost. Within the Infinite “I”, my small “I” was bathed. That<br /> | |||
small “I”, after becoming Yours, attained You, O Dear. In the mental sky, moonlight<br /> | |||
coming initially distracted my mind. At the finish of the crowd of desires and<br /> | |||
achievements, only one ideation You filled in. He was the first who merged in the end<br /> | |||
leaving the horizon. Then the Eternal “I”, broke the slumber forever.<br /> | |||
=== 3843 (21/11/1986) K === | |||
JIIVANE ESE CHILO BHOR<br /> | |||
JIIVANE ESE CHILO BHOR<br /> | |||
JIIVANE ESE CHILO BHOR<br /> | |||
SE BHORE NÚTAN ÁLO ELO<br /> | |||
SAB KE BHULE NILUM TÚLE<br /> | |||
JE MORE BHÁLOBESE CHILO<br /> | |||
SE BHORE NÚTAN ÁLO ELO<br /> | |||
KÁŃ PETE RAI RÁTRI JEGE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁŃ PETE RAI RÁTRI JEGE<br /> | |||
SHUNATE KE CÁY ANURÁGE<br /> | |||
MÁKHIYE MANER PARÁGE<br /> | |||
KE ÁMÁKE D́EKE GELO<br /> | |||
SE BHORE NÚTAN ÁLO ELO<br /> | |||
AHARNISHI TÁRI ÁSHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AHARNISHI TÁRI ÁSHÁY<br /> | |||
KÁLA KÁLÁNTARE HÁRÁY<br /> | |||
VYATHÁE SÁGAR AKÚLE DHÁY<br /> | |||
SHEŚE TÁR KARUŃÁ HOLO<br /> | |||
SE BHORE NÚTAN ÁLO ELO<br /> | |||
JIIVANE ESE CHILO BHOR<br /> | |||
SE BHORE NÚTAN ÁLO ELO<br /> | |||
In life, morning came and in that morning, new light came. The One, Who loved me, lifted<br /> | |||
me up, ignoring all others. With rapt attention, keeping awake whole night, who wants to<br /> | |||
listen with love. Churning the fragrance of my mind who wet calling me. Hoping for Him day<br /> | |||
and night, the time gets lost into the periods, the ocean of pains, rushed shoreless, and<br /> | |||
at the end His mercy occurred.<br /> | |||
=== 3844 (22/11/1986) D === | |||
ÁMI TOMÁY BHÁLOBÁSI<br /> | |||
KENO TÁHÁ JÁNI NÁ<br /> | |||
DÚREI THÁKO KÁCHEI THÁKO<br /> | |||
ÁMI DÚRE BHÁVINÁ<br /> | |||
ÁMI TOMÁY BHÁLOBÁSI<br /> | |||
KENO TÁHÁ JÁNI NÁ<br /> | |||
RAVI RÁUNGÁ TOMÁR RÁGE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RAVI RÁUNGÁ TOMÁR RÁGE<br /> | |||
PHUL RAUNGIIN TAVA ANURÁGE<br /> | |||
ÁKÁSHA VÁTÁS CHANDE JÁGE<br /> | |||
TOMÁR TÁKI BOLO NÁ<br /> | |||
ÁMI TOMÁY BHÁLOBÁSI<br /> | |||
KENO TÁHÁ JÁNI NÁ<br /> | |||
ÁMÁR MANER KŚUDRA KOŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR MANER KŚUDRA KOŃE<br /> | |||
LUKIYE THÁKO KEMANE<br /> | |||
SEI KOŃE TOMÁY GOPANE<br /> | |||
KHUINJI TÁ KI BOJHO NÁ<br /> | |||
ÁMI TOMÁY BHÁLOBÁSI<br /> | |||
KENO TÁHÁ JÁNI NÁ<br /> | |||
O Lord, why do I love You that I do not know? Whether You are far or near, I do not<br /> | |||
consider You distant. The sun is coloured with Your colour, flowers are colourful with<br /> | |||
Your love. Into the sky and air, rhythm arises, is that not Yours, tell me. In a small<br /> | |||
recess of my mind, how are You hidden, in that very recess, I search You do not You<br /> | |||
understand that?<br /> | |||
=== 3845 (23/11/1986) === | |||
NIRMALA NIILÁKÁSHE MAINJULA JYOTI BHÁSE<br /> | |||
PRÁŃER ÁVESHE KE SE GÁY<br /> | |||
ÁDI ANTA HIIN ASHEŚE HOYE LIIN | |||
MANER MÁDHURII D́HELE JÁY<br /> | |||
PRÁŃER ÁVESHE KE SE GÁY<br /> | |||
SPANDITA MANDRITA KARE DEY CARÁCAR<br /> | |||
NANDITA VANDITA SE JE PRIYA SABÁKÁR<br /> | |||
MÚRTA AMRT RTA TRIDASHER SUDHÁSÁR<br /> | |||
MANER KŚUDRATÁ BHOLÁY<br /> | |||
PRÁŃER ÁVESHE KE SE GÁY<br /> | |||
UNCU NIICU CHOT́A BAŔ NEI TÁR ABHIMÁN | |||
KÁLA THALA? VIDDVAN MÚRKHER ABHIJINÁNA<br /> | |||
SABÁKÁR SAMÁHÁR SE JE PRABHU SUMAHÁN | |||
BHÁLOBESE RABHASE NÁCÁY<br /> | |||
PRÁŃER ÁVESHE KE SE GÁY<br /> | |||
NIRMALA NIILÁKÁSHE MAINJULA JYOTI BHÁSE<br /> | |||
PRÁŃER ÁVESHE KE SE GÁY<br /> | |||
In the clear blue sky, beautiful moonlight appears, with heartfelt impulse, who is that<br /> | |||
singing? The One without beginning and end, gets dissolved into infinity, and goes on | |||
pouring mental sweetness. He, Who goes on oscillating and vibrating the whole of world, is<br /> | |||
pleasing and revered of all. The real materialized essence of heavenly nectar makes me<br /> | |||
forget the meanness of the mind. He has no feeling for high and low, small or big, no<br /> | |||
consideration for time and place, wise or fool. As collection of all, that Lord is Great.<br /> | |||
With the upsurge of love He makes everyone dance and with impulse of heart He sings.<br /> | |||
=== 3846 (23/11/1986) D === | |||
NAVIIN MUKULE HÁSI MÁKHÁ PHULE<br /> | |||
PHÁGUN ESECHE ÁJIKE, ÁJIKE<br /> | |||
RAUNGER MELÁY PRIITI MEKHALÁY<br /> | |||
ÁPAN KARITE SABÁKE, ÁJIKE<br /> | |||
VEDANÁR BHÁR HOK APANIITA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VEDANÁR BHÁR HOK APANIITA<br /> | |||
KISHALAYE MAN CHANDÁYIITA<br /> | |||
PRIITI BHÁVANÁY UDBHÁSITA<br /> | |||
ALAKE ÁLOKE PULAKE, ÁJI KE<br /> | |||
ATIITER GLÁNI ÁJ BHULE JÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ATIITER GLÁNI ÁJ BHULE JÁO<br /> | |||
ÁPAN KARITE SABE T́ENE NÁO<br /> | |||
GHAN NABHONIILE CHAŔAIÁ DÁO<br /> | |||
VARŃA SHOBHÁR STABAKE, ÁJIKE<br /> | |||
NAVIIN MUKULE HÁSI MÁKHÁ PHULE<br /> | |||
PHÁGUN ESECHE ÁJIKE, ÁJIKE<br /> | |||
Today the spring season has come, with new buds and smile smeared flowers. With the<br /> | |||
festivity of colours and jewel of the love, He made all His own. Let the load of pain be<br /> | |||
dropped. The minds of tender leaves be resonated with rhythms and illuminated with the<br /> | |||
feeling of love, with quiver of heavenly joy and light. Forget all agonies of the past.<br /> | |||
Pull all making them your own. Into the dense blue sky, scatter the offerings of beauty of<br /> | |||
colours.<br /> | |||
=== 3847 (24/11/1986) K === | |||
TOMÁY ÁMI CEYE CHILUM<br /> | |||
CEYE CHILUM JIIVANERI PRATI CARAŃE<br /> | |||
MANANERI ABHISMARAŃE<br /> | |||
BHÁLOBESE CHILUM<br /> | |||
CEYE CHILUM JIIVANERI PRATI CARAŃE<br /> | |||
JE NISHÁ CALE GECHE JE PHÚL SHUKIYECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE NISHÁ CALE GECHE JE PHÚL SHUKIYECHE<br /> | |||
JE CÁNDA SARECHE MÁDHURI JHARE GECHE<br /> | |||
TÁDER MÁJHEO KHUNJE CHILUM<br /> | |||
CEYE CHILUM JIIVANERI PRATI CARAŃE<br /> | |||
JE ÁMI DISHÁHÁRÁ HÁRIYE DHRUVA TÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE ÁMI DISHÁHÁRÁ HÁRIYE DHRUVA TÁRÁ<br /> | |||
TAMASÁVARTE CHILUM HATÁSHÁ GHERÁ<br /> | |||
TAVA BHÁVANÁY TAVA PREŚAŃÁY<br /> | |||
NAVA BHÁVE PRÁŃ PEYE CHILUM<br /> | |||
CEYE CHILUM JIIVANERI PRATI CARAŃE<br /> | |||
TOMÁY ÁMI CEYE CHILUM<br /> | |||
CEYE CHILUM JIIVANERI PRATI CARAŃE<br /> | |||
O Lord, I have loved You in each step of my life. With remembrance, I loved. The night<br /> | |||
that passed, the flower that dried, the moon that went, the sweetness that withered, even | |||
within that, I searched. I was direction lost, losing the polestar, I was covered with<br /> | |||
darkness, surrounded by disappointments. With Your ideation, by Your push, in new<br /> | |||
feelings, I got life.<br /> | |||
=== 3848 (25/11/1986) K === | |||
TOMÁY, BHÁLOBÁSIYÁCHI GOPANE<br /> | |||
SHAYANE SVAPANE NINDE JÁGARAŃE<br /> | |||
DHARIÁ REKHECHI JIIVANE<br /> | |||
TOMÁY, BHÁLOBÁSIYÁCHI GOPANE<br /> | |||
TOMÁR ÁLOKE ÁMI ÁLOKITA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR ÁLOKE ÁMI ÁLOKITA<br /> | |||
TOMÁR JHALAKE HOI PULAKITA<br /> | |||
PRATIT́I PALAKE CHANDÁYIITA<br /> | |||
HOE THÁKI TAVA MANANE<br /> | |||
TOMÁY, BHÁLOBÁSIYÁCHI GOPANE<br /> | |||
SAPTA LOKER TUMI SAMÁHÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAPTA LOKER TUMI SAMÁHÁR<br /> | |||
MARMÁLOKER MÁDHURII ÁDHÁR<br /> | |||
JÁNÁ NÁ JÁNÁR YOJANÁR HÁR<br /> | |||
TOMÁRE BHULIBO KE MANE<br /> | |||
TOMÁY, BHÁLOBÁSIYÁCHI GOPANE<br /> | |||
O Lord, I love You secretly. And hold You during sleep, dream or awake. Your light I am<br /> | |||
illuminated, by Your glimpse shivers me. I am vibrated by Your thought each moment. You<br /> | |||
are the collection of all the seven strata of world. Basis of sweetness for the<br /> | |||
illumination of the core. You are the garland of combination of known and unknown, how can | |||
I forget You?<br /> | |||
=== 3849 (26/11/1986) D === | |||
SHREYA TUMI DHYEYA TUMI<br /> | |||
TOMÁKEI BHÁLOBESECHI<br /> | |||
PAUNKERI AMBUJA SAMA<br /> | |||
ÚRDHVA PÁNE CEYE RAYECHI<br /> | |||
TOMÁKEI BHÁLOBESECHI<br /> | |||
DIN ÁSE DIN JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIN ÁSE DIN JÁY<br /> | |||
ÁLOKE ÁNDHÁRE HÁY<br /> | |||
MOR PÁNE NÁHI CÁY<br /> | |||
KŚAŃEK NÁHI SHUDHÁY<br /> | |||
KENO ÁMI KENDE CALECHI<br /> | |||
TOMÁKEI BHÁLOBESECHI<br /> | |||
VARAŚÁ SNIGDHA YUTHIKÁ<br /> | |||
VASANTE MADHU MALLIKÁ<br /> | |||
MORE PHELE JÁY EKÁ<br /> | |||
TUMI SHUDHU SÁTHII JENECHI<br /> | |||
TOMÁKEI BHÁLOBESECHI<br /> | |||
SHREYA TUMI DHYEYA TUMI<br /> | |||
TOMÁKEI BHÁLOBESECHI<br /> | |||
O Lord, You are benevolent, object of meditation, I love You only. Like a lotus of mud, I<br /> | |||
go on looking upwards. The days come and go. Alas, with light and darkness, but do not<br /> | |||
look upon me, does not enquire even for a moment, why do I go on crying. The rain wet<br /> | |||
juhii flower, the madhu mallika’ flowers of spring, all go away leaving me alone. I<br /> | |||
consider only You as my ever companion.<br /> | |||
=== 3850 (27/11/1986) === | |||
PRIYA HE, ESO MOR MADHU VRNDÁVANE<br /> | |||
MANER GOPÁL TUMI RÁUNGÁO E MANOBHUMI<br /> | |||
VIRATI VIHIIN PRATI KŚAŃE<br /> | |||
PRIYA HE, ESO MOR MADHU VRNDÁVANE<br /> | |||
SHŔŚT́I STHITI LAYE DULICHO BHÁVA NILAYE<br /> | |||
DHARÁ DÁO TABU JÁNI GOPI JANA HRDAYE<br /> | |||
TÁI D́ÁKI MANERI GAHANE<br /> | |||
PRIYA HE, ESO MOR MADHU VRINDÁVANE<br /> | |||
CARÁCARER PRABHU AKÁLE VASATI TABU<br /> | |||
AŃU PARAMÁŃU VIBHU BHOLO NÁ KÁREO KABHU<br /> | |||
TÁI T́HÁIN CÁI O CARAŃE<br /> | |||
PRIYA HE, ESO MOR MADHU VRNDÁVANE<br /> | |||
O Dear, come into my sweet vrnda’van, O the Gopa’l of my mind, You colour this mental<br /> | |||
arena of my mind pauselessly each moment. You swing amid creation, sustenance and<br /> | |||
destruction within the psychic arena, yet You come into the fold of the hearts of<br /> | |||
devotees, the Gopiis. Hence I call You within the depth of the mind. O the Lord of the<br /> | |||
universe, yet You reside beyond the periphery of time. O the controller of the atoms and<br /> | |||
molecules, You, never forget anyone. Hence I seek shelter in those feet.<br /> | |||
=== 3851 (29/11/1986) K === | |||
NAYANE KENO KE JÁNE<br /> | |||
ESE CHILE SEI SUPRABHÁTE<br /> | |||
TAKHANO ÁNKHITE JALA<br /> | |||
CHILO CHALA CHALA<br /> | |||
MANERI AJINÁTE<br /> | |||
BOLILE ÁMÁRE HESE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BOLILE ÁMÁRE HESE<br /> | |||
AKRITRIM BHÁLOBESE<br /> | |||
TUMI NAO KAKHANO EKÁ<br /> | |||
ÁMI JE CIRA SAKHÁ DUHKHE SUKHETE<br /> | |||
JHAŔA ÁSUK JHAINJHÁ ÁSUK<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JHAŔA ÁSUK JHAINJHÁ ÁSUK<br /> | |||
PISHÁCE AT́T́AHÁSUK<br /> | |||
ÁCHI ÁMI THEKE JÁBO<br /> | |||
KLESHA SARÁBO<br /> | |||
YADI TUMI, KÁNDO VYATHÁTE<br /> | |||
NAYANE KENO KE JÁNE<br /> | |||
ESE CHILE SEI SUPRABHÁTE<br /> | |||
Into the eyes, You had come that morning, who knows what for. Then the eyes were submerged<br /> | |||
in tears, due to ignorance of the mind. You told me smilingly, with nonartificial love<br /> | |||
“you are never alone, I am ever companion during pain and pleasure. Let stroms, cyclone<br /> | |||
come, let the laughter of monster come, I am there, would remain and would remove the<br /> | |||
sorrow if you cry due to pain.<br /> | |||
=== 3852 (29/11/1986) === | |||
DÚRER MÁYÁY SUR BHESE JÁY<br /> | |||
TUMI, GÁNER DOLÁY DULE CALECHO<br /> | |||
ÁKÁSHE PÁTÁLE ANALE ANILE<br /> | |||
MÁDAKATÁ DHELE DIYECHO<br /> | |||
KEU TOMÁR PAR NAY KEU NAY DÚRER<br /> | |||
SABÁI ÁPANÁR SABÁI NIKAT́ER<br /> | |||
SABÁR MANE TUMI SABÁI TOMÁR MANER<br /> | |||
LIILÁR VASUDHÁ RACE CALECHO<br /> | |||
JE SURER NEI ÁDI NEIKO ANTA<br /> | |||
SEI TUMI ANÁDI CIDÁNANDA<br /> | |||
ASHÁNTA ÚRMITE CIRA SHÁNTA<br /> | |||
ANURÁGE DHRÁ DIYECHO<br /> | |||
DÚRER MÁYÁY SUR BHESE JÁY<br /> | |||
TUMI, GÁNER DOLÁY DULE CALECHO<br /> | |||
The melody goes on floating in the distant illusion of ma’ya’. You go on oscillating<br /> | |||
in the swing of song. You have poured charm in the sky, nether world, fire and air. Nobody<br /> | |||
is alien for You. None is away, all are own and near. You are in all minds and all are<br /> | |||
within Your mind. Through Your charming illusive game, liila, You go on creating the<br /> | |||
world. The melody, which has no beginning or end, that is You beginning less, bliss and<br /> | |||
consciousness. Within restless waves, You are ever tranquil, and get into folds by love.<br /> | |||
=== 3853 (30/11/1986) K === | |||
TUMI ÁMÁR SAB KICHU KEŔE NIYECHO<br /> | |||
TUMI ÁMÁR<br /> | |||
MARAME CHILO JÁHÁ BHÁVANÁTE TÁHÁ<br /> | |||
BÁHIR JAGATE T́ENE ENECHO<br /> | |||
TUMI ÁMÁR SAB KICHU KEŔE NIYECHO<br /> | |||
TUMI ÁMÁR<br /> | |||
JÁHÁ CHILO GOPANE RÁKHÁ SAYATANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁHÁ CHILO GOPANE RÁKHÁ SAYATANE<br /> | |||
PÁPAŔITE D́HÁKÁ CITTE GAHANE<br /> | |||
TRYASAREŃU MÁJHE SONÁLI SVAPANE<br /> | |||
SABAI TOMÁR RAUNGE D́HEKECHO<br /> | |||
TUMI ÁMÁR SAB KICHU KEŔE NIYECHO<br /> | |||
TUMI ÁMÁR<br /> | |||
AJÁNÁ PATHIK BHÁVERI MÁŃIK<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AJÁNÁ PATHIK BHÁVERI MÁŃIK<br /> | |||
MANE DOLÁ DIYE TÁKÁLE KŚAŃIK<br /> | |||
TAVA MADHUR HÁSI JÁ DEY JÁ NÁ DIK<br /> | |||
SABETE TUMI BHARE RAYECHO<br /> | |||
TUMI ÁMÁR SAB KICHU KEŔE NIYECHO<br /> | |||
TUMI ÁMÁR<br /> | |||
O Lord, You have snatched away everything belonging to me. Whatever was within the core of<br /> | |||
the mind as feeling that You pulled out in the external world. Whatever was kept secretly<br /> | |||
with care, covered within the petals in the depths of mind. Within the particles as golden | |||
dream, that You have covered with Your colour. The Unknown traveler, gem of the feeling<br /> | |||
by momentary look, You vibrated the mind. Your sweet smile whether given or not, in all<br /> | |||
You have kept filled.<br /> | |||
=== 3854 (30/11/1986) K === | |||
TUMI NAYANER MAŃI SHREŚT́A TOMÁRE MÁNI<br /> | |||
BENCE THÁKÁ MOR TOMÁRAI TARE<br /> | |||
SÁGARER LÁVAŃII ADRIR HIMÁNI<br /> | |||
SHÁSHVATA VÁŃII SHUNI TAVA BHÁVANÁ GHIRE<br /> | |||
BENCE THÁKÁ MOR TOMÁRI TARE<br /> | |||
KAMALE KOMALAKE JIIVANE KRISHÁŃU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KAMALE KOMALAKE JIIVANE KRISHÁŃU<br /> | |||
NARTANÁVARTANE JÁGÁO PARAMÁŃU<br /> | |||
CHANDE TÁLE LAYE SAḾGIITE VIBHÁNU<br /> | |||
TUMI ÁCHO PRIYA ANTARE BÁHIRE<br /> | |||
BENCE THÁKÁ MOR TOMÁRI TARE<br /> | |||
SHÚNYA JÁHÁ BHÁVI SHÚNYA TÁHÁ NAY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHÚNYA JÁHÁ BHÁVI SHÚNYA TÁHÁ NAY<br /> | |||
TOMÁRI BHÁVE BHARE HOE ÁCHE TUMI MAY<br /> | |||
GUŃÁTIITA TUMI SAMÁHÁRE ADVAYA<br /> | |||
EKÁ TUMI SÁRÁ CETANÁ BHARE<br /> | |||
BENCE THÁKÁ MOR TOMÁRI TARE<br /> | |||
TUMI NAYANER MAŃI SHREŚT́A TOMÁRE MÁNI<br /> | |||
BENCE THÁKÁ MOR TOMÁRI TARE<br /> | |||
O Lord, the gem of my eyes, I consider You the best. I am surviving for You only. Like<br /> | |||
salinity of ocean, snow over the mountain peaks, I listen to the eternal words, around<br /> | |||
Your feelings. Like fire for the soft life of lotus, with dance and revolution, You awaken | |||
the atom. Within the rhythm, tune, melody and music You are glow. O Dear, You reside both<br /> | |||
inside and outside. Where I consider total vacuum, there also void ness is not there.<br /> | |||
Filled with Your ideation, it becomes embodiment of Yours. Beyond the attributes, You are<br /> | |||
collection as singular aggregate. Alone You are full of entire Consciousness.<br /> | |||
=== 3855 (01/12/1986) K === | |||
EI PRADOŚE JALADÁKÁSHE<br /> | |||
GÁN GEYE GEYE KE SE BHESE JÁY<br /> | |||
AMITA NILAYE DIGVALAYE<br /> | |||
SNIGDHA PARASHE MALAY VÁY<br /> | |||
GÁN GEYE GEYE KE SE BHESE JÁY<br /> | |||
KETAKI KESHARE KE SE KRTA KABARII<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KETAKI KESHARE KE SE KRTA KABARII<br /> | |||
HOE BHÁVI JEGE SÁRÁ VIBHÁVARII<br /> | |||
SHRUTI PATHE D́HELE DIYE SMITA SURABHI<br /> | |||
E PRÁVRIT́E KI VÁŃII SHONÁY<br /> | |||
GÁN GEYE GEYE KE SE BHESE JÁY<br /> | |||
DIN TITHI VÁR MITI BHULÁIÁ DEY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIN TITHI VÁR MITI BHULÁIÁ DEY<br /> | |||
SE AJÁNÁ ATITHI MÁDHURII MÁYÁY<br /> | |||
MOHAN SUHÁSE TÁR DYUTI JHALAKÁY<br /> | |||
NITI NITI TÁR SMRTI RABHASE MÁTÁY<br /> | |||
GÁN GEYE GEYE KE SE BHESE JÁY<br /> | |||
At this evening, with cloudy sky, constantly singing the song, who goes on gliding though<br /> | |||
the unlimited home of the horizon with soft touch of the sandal breeze? With ketakii<br /> | |||
fragrance applied on the chignon, whole night I have been wondering Who was that, Who<br /> | |||
through the ears, had poured smiling fragrance by unknown message during this rain. Day<br /> | |||
date and time period, That unknown traveler makes me forget, with sweet charm. With<br /> | |||
charming smile His glow is seen. Constantly His memory makes me frenzied with upsurge.<br /> | |||
=== 3856 (01/11/1986) D === | |||
ÁMI TOMÁY CINI NI PRIYA<br /> | |||
TUMI ÁMÁY SAB DIYECHO<br /> | |||
TUMI ÁMÁY SAB DIYECHO<br /> | |||
ÁJ ÁMÁR PRAŃATI NIO<br /> | |||
ÁJ BUJHECHI BHÁLOBESECHO<br /> | |||
ÁJ BUJHECHI BHÁLOBESECHO<br /> | |||
TUMI ÁMÁY SAB DIYECHO<br /> | |||
PHÚLETE DIYECHO MADHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHÚLETE DIYECHO MADHU<br /> | |||
NABHETE RAJATA VIDHU<br /> | |||
PRIITI BHARÁ SUDHÁ SINDHU<br /> | |||
MANETE MAN MISHIYECHO<br /> | |||
MANETE MAN MISHIYECHO<br /> | |||
TUMI ÁMÁY SAB DIYECHO<br /> | |||
SAPTA LOKER TUMII SERÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAPTA LOKER TUMII SERÁ<br /> | |||
STHÁVAR JAUNGAM TOMÁY BHARÁ<br /> | |||
CÁNDA TÁRÁ JE NÚPURE GHERÁ<br /> | |||
JE NÚPURE NECE CALECHO<br /> | |||
TUMI ÁMÁY SAB DIYECHO<br /> | |||
ÁMI TOMÁY CINI NI PRIYA<br /> | |||
TUMI ÁMÁY SAB DIYECHO<br /> | |||
TUMI ÁMÁY SAB DIYECHO<br /> | |||
O Beloved,<br /> | |||
You gave me everything<br /> | |||
but I failed to recognise You.<br /> | |||
Now, I realise how much You loved me.<br /> | |||
Please accept my obeisance today.<br /> | |||
Today, I realised that You love me.<br /> | |||
You gave honey to flowers<br /> | |||
and the silver moon to the sky.<br /> | |||
You are the ocean of the nectar of love.<br /> | |||
You merged my mind into Yours.<br /> | |||
You are the supreme entity of the seven worlds.<br /> | |||
You pervade all living and nonliving entities.<br /> | |||
You continue dancing with ankle bells<br /> | |||
surrounding the moon and the stars.<br /> | |||
=== 3857 (02/12/1986) K === | |||
BÁHIR VISHVE DHARÁ DÁO NÁKO<br /> | |||
MARME LUKIYE THÁKO<br /> | |||
TUMI MARME THÁKO<br /> | |||
TUMI MARME THÁKO<br /> | |||
KE CÁY KE NÁ CÁY KABHU BHÁVO NÁKO<br /> | |||
SABÁRE NIKAT́E D́ÁKO<br /> | |||
TUMI MARME THÁKO<br /> | |||
TUMI MARME THÁKO<br /> | |||
GRAHA TÁRÁ RAVI BHÚDHAR AT́AVII<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GRAHA TÁRÁ RAVI BHÚDHAR AT́AVII<br /> | |||
KRIŚŃA KÁJALE NAYANERO CHAVI<br /> | |||
VISHTUŚKA MARU GHANA SHYÁMA TARU<br /> | |||
MÁDHURII TE SABE D́HÁKO<br /> | |||
TUMI MARME THÁKO<br /> | |||
TUMI MARME THÁKO<br /> | |||
TOMÁR ÁMÁR EI JÁNÁ JÁNI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR ÁMÁR EI JÁNÁ JÁNI<br /> | |||
AMEYA UPALE SHÁSHVATA MÁNI<br /> | |||
DHARAŃIIRA DHÚLI PÁKHIRA KÁKALII<br /> | |||
PRIITI CETANÁY MÁKHO<br /> | |||
TUMI MARME THÁKO<br /> | |||
TUMI MARME THÁKO<br /> | |||
BÁHIR VISHVE DHARÁ DÁO NÁKO<br /> | |||
MARME LUKIYE THÁKO<br /> | |||
TUMI MARME THÁKO<br /> | |||
TUMI MARME THÁKO<br /> | |||
In the external world, You keep eluded our grasp.<br /> | |||
You hide Yourself in a corner of my heart.<br /> | |||
You do not discriminate<br /> | |||
between who loves You and who loves You not.<br /> | |||
You keep calling all near You.<br /> | |||
The stars, the planets, the sun | |||
the mountains, the forest<br /> | |||
the dark and decorated pupils of eyes<br /> | |||
the dry desert, the deep green trees<br /> | |||
are all filled with Your sweetness.<br /> | |||
This mutual awareness of ours<br /> | |||
I consider eternal.<br /> | |||
The immeasurable mountain | |||
the dust of the earth<br /> | |||
and the chirping of birds<br /> | |||
are all smeared with Your loving consciousness.<br /> | |||
=== 3858 (03/12/1986) D === | |||
EI, SNIGDHA SHARATE JHARÁ SHEFÁLI TE<br /> | |||
SHISHIRE SIKTA HOYECHI<br /> | |||
SNIGDHA SHARATE<br /> | |||
SONÁLI DHÁNER MAINJARI MÁJHE<br /> | |||
NÚTAN RAUNGA PEYECHI<br /> | |||
SNIGDHA SHARATE<br /> | |||
KUSH KÁSHER DOLE MALAY ANILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KUSH KÁSHER DOLE MALAY ANILE<br /> | |||
SÁDÁ MEGHE DEKHE GHAN NABHO NIILE<br /> | |||
MANER GAHANE CIRA NIRJANE<br /> | |||
ÁVESHE BHESE CALECHI<br /> | |||
SNIGDHA SHARATE<br /> | |||
KÁLA ÁSE JÁY BALÁKÁ PÁKHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁLA ÁSE JÁY BALÁKÁ PÁKHÁY<br /> | |||
DÚR HOTE ESE DÚRE BHESE JÁY<br /> | |||
BÁLUKÁ BELÁY BASE NIRÁLÁYA<br /> | |||
CEYE CEYE SHUDHU DEKHECHI<br /> | |||
SNIGDHA SHARATE<br /> | |||
EI, SNIGDHA SHARATE JHARÁ SHEFÁLI TE<br /> | |||
SHISHIRE SIKTA HOYECHI<br /> | |||
SNIGDHA SHARATE<br /> | |||
With this soft winterdropped shefa’lii flowers, I get wet with the dew. Within the<br /> | |||
golden new buds of paddy, I get colour of the new. The tall grass swings with the sandal<br /> | |||
breeze, white clouds watch through the dense blue sky. Within the depth of mind, in long<br /> | |||
silence, with impulse, I keep on gliding. The time comes and goes like the wings of swan | |||
coming from far goes it on floating far. Sitting on the sandy beach, in isolation, eagerly<br /> | |||
I just go on watching.<br /> | |||
=== 3859 (04/12/1986) K === | |||
TUMI ÁMÁR BHÁLOBÁSÁ<br /> | |||
TUMI ÁMÁR BHÁLOBÁSÁ<br /> | |||
AKÚLA SAMUDRE KÚLA PEYE<br /> | |||
PÁOÁR ÁNANDE KÁNDÁ HÁSÁ<br /> | |||
TUMI ÁMÁR BHÁLOBÁSÁ<br /> | |||
HÁRIYE GECHE SÁNJHE BHÁVI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HÁRIYE GECHE SÁNJHE BHÁVI<br /> | |||
BHORE PHIRE PÁI SE RAVI<br /> | |||
AMÁNISHÁY PATH HÁRIYE<br /> | |||
DHRUVA TÁRÁY PÁOÁ DISHÁ<br /> | |||
TUMI ÁMÁR BHÁLOBÁSÁ<br /> | |||
KÁCHEO ÁCHO DÚREO ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁCHEO ÁCHO DÚREO ÁCHO<br /> | |||
AHAMIKÁY LÚKIE ÁCHO<br /> | |||
SAMARPAŃE PHIRE ÁSÁ<br /> | |||
JYOTSNÁ CÁNDER MELÁ MESHÁ<br /> | |||
TUMI ÁMÁR BHÁLOBÁSÁ<br /> | |||
O Lord, You are my love. On finding a shore in the limitless ocean, with bliss of<br /> | |||
attainment, I cry and smile. I had thought the sun vanished in the evening, but I find it<br /> | |||
again in the morning. Losing path in the darkness, with pole star, I found the direction.<br /> | |||
You are close as well as far, hidden within the ego. By surrender I come back again like<br /> | |||
merger of moon and the moonlight.<br /> | |||
=== 3860 (05/12/986) K === | |||
PÚRVA DIGANTE TAMASÁR ANTE<br /> | |||
UNKI DEY RAKTIM ÁBHÁ<br /> | |||
YUGE YUGÁNTE EI PRATYÁNTE<br /> | |||
KE SE ÁSE PURURAVÁ<br /> | |||
UNKI DEY RAKTIM ÁBHÁ<br /> | |||
KŚUDRA JÁ KICHU MOR NILO JE KEŔE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KŚUDRA JÁ KICHU MOR NILO JE KEŔE<br /> | |||
BRHATER BHÁVANÁY DIYECHE BHARE<br /> | |||
ÁLOKER UDBHÁSE PRÁŃER BHÁVOCCHÁSE<br /> | |||
BHÁVÁLOKE MANO LOBHÁ<br /> | |||
UNKI DEY RAKTIM ÁBHÁ<br /> | |||
ÁMÁR JÁ KICHU SABAI DIYECHI TÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR JÁ KICHU SABAI DIYECHI TÁRE<br /> | |||
EGIYE CALI PATHE TÁHÁRI TARE<br /> | |||
UTSAVE ÁSAVE NITYA SE VÁSAVE<br /> | |||
SMARE CALI RAJANII DIVÁ<br /> | |||
UNKI DEY RAKTIM ÁBHÁ<br /> | |||
The red glow in the morning at the end of the night peeps in the eastern horizon of sky.<br /> | |||
At the end of eras after eras, Who, Purarava’ has come? He snatched away all the<br /> | |||
meanness in me and filled me with the ideation of the Great. Illuminating with light with<br /> | |||
overwhelming heart, He has charmed with effulgence of feelings. Whatever is mine, all that<br /> | |||
I have given to Him, and for Him with His ideation, I go on moving forward. With the<br /> | |||
nectar of festivity, ever remembering the Controller of all, I move day and night.<br /> | |||
=== 3861 (06/12/1986) D === | |||
ÁJI, NÚTANE JATANE MANER BHUVANE<br /> | |||
SAHÁS ÁNANE BARIÁ NÁO<br /> | |||
PÚRÁŃO JÁ CHILO DURE SARE GELO<br /> | |||
NÚTANER RAUNGE MAN RÁNGÁO<br /> | |||
SAHÁS ÁNANE BARIÁ NÁO<br /> | |||
JE DIN ÁJIKE HOYECHE ATIITA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE DIN ÁJIKE HOYECHE ATIITA<br /> | |||
JE PHUL SHUKHIYE DHULI KAŃÁGATA<br /> | |||
TÁHÁRI SHOKE HATÁSHÁY DUHKHE<br /> | |||
MLÁNA MUKHE KENO KÁLA KÁTÁO<br /> | |||
SAHÁS ÁNANE BARIÁ NÁO<br /> | |||
JE TITHI ÁJI KE ITIHÁSA GATA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE TITHI ÁJI KE ITIHÁSA GATA<br /> | |||
DHVANSA STÚPER LIPITE LIKHITA<br /> | |||
TÁRI CINTÁY BHÁVA JAD́ATÁY<br /> | |||
KÁLA PRAVÁHE KI RODHITE CÁO<br /> | |||
SAHÁS ÁNANE BARIÁ NÁO<br /> | |||
ÁJI, NÚTANE JATANE MANER BHUVANE<br /> | |||
SAHÁS ÁNANE BARIÁ NÁO<br /> | |||
Today with new enthusiasm adore in the mental world with smiling face. Whatever was old<br /> | |||
have gone away far, now colour your mind with colour of the new. The day that have become<br /> | |||
past, the flower that dried up and have merged with the dust particles, worrying about<br /> | |||
that with disappointment and sorrow why do you pass time with sad face? The date that has<br /> | |||
become part of history today, written in the script of destroyed pile, worrying about that<br /> | |||
with dogmatic feelings do you want to obstruct the flow of time?<br /> | |||
=== 3862 (06/12/1986) D === | |||
TUMI, LIILÁ KARE JÁO KII KÁRAŃE<br /> | |||
VISHVA BHUVAN TOMÁRI MANAN | |||
NÁCE GHIRE TAVA SHRII CARAŃE<br /> | |||
TUMI, LIILÁ KARE JÁO KII KÁRAŃE<br /> | |||
AŃU PARAMÁŃU KIIT́A PATAUNGA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AŃU PARAMÁŃU KIIT́A PATAUNGA<br /> | |||
VÁTYÁ VIKŚUBDHA TARAUNGA<br /> | |||
TÚHINÁVRITA ADRI SHRINGA<br /> | |||
PRAŃATI JÁNÁI PRATI KŚAŃE<br /> | |||
TUMI, LIILÁ KARE JÁO KII KÁRAŃE<br /> | |||
ÚŚŃA UTTAPTA KAT́ÁH MARU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÚŚŃA UTTAPTA KAT́ÁH MARU<br /> | |||
HIMA NILAYA HRTA PRÁŃA MERU<br /> | |||
PHUL PALLAVE D́HÁKÁ CHÁYÁ TARU<br /> | |||
SADÁ RÁKHE TOMÁRE SMARAŃE<br /> | |||
TUMI, LIILÁ KARE JÁO KII KÁRAŃE<br /> | |||
O Lord, for what reason do You go on performing the divine play, liila? The whole<br /> | |||
universe as Your thought projection goes on dancing revolving around Your pious feet. All<br /> | |||
atoms, molecules, insects and fleas, are restless within the stormy waves. The snowclad<br /> | |||
mountain peaks express their salutations to You each moment. The hot burning cauldron of<br /> | |||
desert, the lifeless dust in the house of ice, the shading tree covered with flowers and<br /> | |||
leaves, always remember You.<br /> | |||
=== 3863 (07/12/1986) D === | |||
PUŚPE PUŚPE TOMÁRI VÁRTÁ<br /> | |||
REŃUTE REŃUTE TUMI ÁCHO<br /> | |||
RANDHRE RANDHRE TAVA ITIKATHÁ<br /> | |||
AŃUTE AŃUTE HÁSITE CHO<br /> | |||
REŃUTE REŃUTE TUMI ÁCHO<br /> | |||
SHRIRT́I STHITI PRALAYER MÁJHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHRIRT́I STHITI PRALAYER MÁJHE<br /> | |||
TAVA MADHURIMÁ SINJINE BÁJE<br /> | |||
VANA VIITHIKÁY VIJANE KUJANE<br /> | |||
SÁM RÁGE GEYE CALITECHO<br /> | |||
REŃUTE REŃUTE TUMI ÁCHO<br /> | |||
ADVAYA TUMI GUŃERI ÁKAR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ADVAYA TUMI GUŃERI ÁKAR<br /> | |||
TOMÁTE NIHITA SÁRÁ CARÁCAR<br /> | |||
SHRAVAŃE MANANE NIDIDHYÁSANE<br /> | |||
KÁLA DRÁGHIMÁY NÁCITE CHO<br /> | |||
TUMI, LIILÁNANDE MÁTIÁCHO<br /> | |||
REŃUTE REŃUTE TUMI ÁCHO<br /> | |||
O Lord, in each flower Your glory is present, You are present in each particle. Your<br /> | |||
history is included in each pore, You smile in each atom. Within the creation, sustenance<br /> | |||
and destruction, Your sweet sound resonates. Within forest lanes, in solitude or noise<br /> | |||
You go on singing in melodious tune. You are the Unique origin of all attributes, the<br /> | |||
whole world is located within You. Within listening, meditation and concentration, and<br /> | |||
within the longitudes of time, You go on dancing.<br /> | |||
=== 3864 (08/12/1986) K === | |||
ASÁR E SAḾSÁRE BÁRE BÁRE GHURE<br /> | |||
STHÁYII KONO KICHUI PÁINI<br /> | |||
CHUT́E GECHI MICHE ÁLEYÁR PICHE<br /> | |||
BUJHEO TÁ BUJHITE PÁRINI<br /> | |||
ASÁR E SANSÁRE BÁRE BÁRE GHURE<br /> | |||
STHÁYII KONO KICHUI PÁINI<br /> | |||
NIDÁGH JVÁLÁY ASHÁNTA HIYÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIDÁGH JVÁLÁY ASHÁNTA HIYÁY<br /> | |||
BHEVECHI E BÁR DHARIBO TOMÁY<br /> | |||
AHAMIKÁ ESE DÚRE SARIYE CHE<br /> | |||
TOMÁR PÁSHE ÁSÁ HOYE NI<br /> | |||
ASÁR E SANSÁRE BÁRE BÁRE GHURE<br /> | |||
STHÁYII KONO KICHUI PÁINI<br /> | |||
KÁLA SARPA YOGE KÁLA NISHÁ ÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁLA SARPA YOGE KÁLA NISHÁ ÁSE<br /> | |||
BHRUKIT́I DASHANE JIIVE GRÁSE<br /> | |||
EI SATYA JINÁNE JE REKHECHE DHYÁNE<br /> | |||
GLÁNI TÁRE KABHU GRÁSENI<br /> | |||
ASÁR E SANSÁRE BÁRE BÁRE GHURE<br /> | |||
STHÁYII KONO KICHUI PÁINI<br /> | |||
Wandering through this worthless world again and again, I could never find anything<br /> | |||
permanent. The false mirage is left behind, even after knowing this reality, I hardly<br /> | |||
understand that. With restless heart of intense heat, I think that this time I shall bring<br /> | |||
You within folds. But the ego comes and removes that object and Your coming close never<br /> | |||
takes place. With the inauspicious coincidence dark night comes to devour the living<br /> | |||
beings with frightening teeth. But whosoever remembers this true knowledge, they are never<br /> | |||
devoured by agonies.<br /> | |||
=== 3865 (08/12/1986) D === | |||
ÁMI TOMÁY KAKHANO D́ÁKINI<br /> | |||
TUMI, MOR SAB BHÁR NIYECHO, NIYECHO<br /> | |||
ÁMI AVAHELÁY DHULÁY THEKECHI<br /> | |||
TUMI, ÚRDHVE MOR TULECHO, TULECHO<br /> | |||
MOR SAB BHÁR NIYECHO<br /> | |||
ÁMI, BÁHIRE BHITARE MALIN THEKECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BÁHIRE BHITARE MALIN THEKECHI<br /> | |||
JAD́A BHÁVANÁY KÁLIMÁ MEKHECHI<br /> | |||
TUMI, MÁLINYA JHEŔE SAḾSKÁRA KARE<br /> | |||
PRIITI PÁSHE MORE BENDHECHO<br /> | |||
BENDHECHO<br /> | |||
MOR SAB BHÁR NIYECHO<br /> | |||
ÁMI, NIJERE NÁ CINE BÁHIRE CEYECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIJERE NÁ CINE BÁHIRE CEYECHI<br /> | |||
BHITARE NÁ DEKHE JINÁNI HOTE GECHI<br /> | |||
TUMI, AHAMIKÁ MULE KHAD́GA HÁNILE<br /> | |||
SAMVIT SHIKHÁ JVELECHO<br /> | |||
MOR SAB BHÁR NIYECHO<br /> | |||
O Lord, I have never called You, but You have taken my entire burden. I was lying<br /> | |||
neglected within dust, You have lifted me up. I was dirty inside and outside, absorbed in | |||
dark materialistic thoughts. You removed the dirt, purified me and tied me with the twine<br /> | |||
of love. Having not recognised my real self, I was looking outside. Not seeing inside, I<br /> | |||
was trying to be externally wise. You cut the root of the ego with blow of sword, and<br /> | |||
kindled the flame of Consciousness.<br /> | |||
=== 3866 (08/12/1986) K === | |||
ÁJ PAŔE MANE<br /> | |||
ÁJ PAŔE MANE GODHULI LAGANE<br /> | |||
TUMI ESECHILE MOR GHARE<br /> | |||
SÁDÁ MEGHER BHELÁ<br /> | |||
SÁDÁ MEGHER BHELÁ BALÁKÁRI MELÁ<br /> | |||
BHESE CALE CHILO AMBARE<br /> | |||
TUMI ESECHILE MOR GHARE<br /> | |||
BHOLÁ KABHU KI JÁY<br /> | |||
BHOLÁ KABHU KI JÁY<br /> | |||
BHOLÁ KABHU KI JÁY SE MALAY VÁYA<br /> | |||
SE ESE CHUNYE CHILO SONÁLII HIYÁYA<br /> | |||
TÁRI BHÁVANÁY<br /> | |||
TÁRI BHÁVANÁY SMITA DYOTANÁYA<br /> | |||
MÁYÁ KÁNANE CHILUM BHÁVA GHORE<br /> | |||
TUMI ESECHILE MOR GHARE<br /> | |||
SHEFÁLI PHUT́E CHILO<br /> | |||
SHEFÁLI PHUT́E CHILO<br /> | |||
SHEFÁLI PHUT́E CHILO JHARIVÁRI TARE<br /> | |||
RÁTER SHEŚA YÁME BHULITE YÁMINIIRE<br /> | |||
JÁBE JABE JHARE<br /> | |||
JÁBE JABE JHARE TÁKÁBE NÁ PHIRE<br /> | |||
KE KÁNDE TÁR TARE AGOCARE<br /> | |||
TUMI ESECHILE MOR GHARE<br /> | |||
ÁJ PAŔE MANE GODHULI LAGANE<br /> | |||
TUMI ESECHILE MOR GHARE<br /> | |||
O Lord, today on this evening twilight time, I remembered that You had come to my home. In | |||
the sky, sails of white clouds and festive groups of swans, were floating, gliding. Can it<br /> | |||
be forgotten anytime, that sandal breeze that having come, touched the golden heart. In | |||
Your ideation, and smiling gesture, I was intensely engrossed in the deep thought.<br /> | |||
Shefalii flower bloomed to drop later, towards the end of the night, forgetting the night.<br /> | |||
Whenever they drop, they never look back again, who cries for them unseen.<br /> | |||
=== 3867 (08/12/1986) K === | |||
TOMÁRI JAGATE, TOMÁRI JAGATE<br /> | |||
TOMÁRI JAGATE, TOMÁRE PETE<br /> | |||
ÁCHI TOMÁR PATH CEYE<br /> | |||
TOMÁKE BHEVE TOMÁTE D́ÚBE<br /> | |||
TOMÁR SURE GIITI GEYE<br /> | |||
ÁCHI TOMÁR PATH CEYE<br /> | |||
THEKO NÁ THEKO NÁ ÁR DÚRE PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
THEKO NÁ THEKO NÁ ÁR DÚRE PRIYA<br /> | |||
MOR JÁ TRUT́I ÁCHE TÁ SARIYE DIYO<br /> | |||
ÁMÁRE TOMÁR ÁPAN KARE NIO<br /> | |||
KRPÁ KAT́ÁKŚE TÁKIYE<br /> | |||
ÁCHI TOMÁR PATH CEYE<br /> | |||
JEONÁ JEONÁ LIILÁ CHALE SARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JEONÁ JEONÁ LIILÁ CHALE SARE<br /> | |||
BHUMÁ CHÁŔÁ AŃU KI BÁNCITE PÁRE<br /> | |||
AŃU BINÁ SINDHUO THÁKITE NÁRE<br /> | |||
TUMIO ÁMÁRE NIYE<br /> | |||
ÁCHI TOMÁR PATH CEYE<br /> | |||
TOMÁRI JAGATE, TOMÁRE PETE<br /> | |||
ÁCHI TOMÁR PATH CEYE<br /> | |||
O Lord, in Your world, for attaining You, I am looking at Your path, thinking of You<br /> | |||
immersed within You, singing songs in Your tune. O Dear, do not stay far. Whatever are my<br /> | |||
defects that You remove. Looking at me with graceful eyes make me Your own. Do not go away<br /> | |||
with delusive game of liila, can the microcosm survive without Macrocosm? Even ocean | |||
cannot exist without drops, like You with me.<br /> | |||
=== 3868 (08/12/1986) K === | |||
ÁMI, BHÁLOBÁSIÁCHI TOMÁRE<br /> | |||
ÁMI, BHÁLOBÁSIÁCHI TOMÁRE<br /> | |||
ÁMI, BHÁLOBÁSIÁCHI TOMÁRE<br /> | |||
MANER MÁJHÁRE JÁ CHILO GABHIRE<br /> | |||
KII KARE DEKHÁBO TÁHÁRE<br /> | |||
ÁMI, BHÁLOBÁSIÁCHI TOMÁRE<br /> | |||
JE PHUL RAYECHE KALIR ÁNDHÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE PHUL RAYECHE KALIR ÁNDHÁRE<br /> | |||
JHARÁTE KI PÁRI TÁHÁR MADHURE<br /> | |||
JE REŃU RAYECHE BHARE ANTARE<br /> | |||
ÁNIBO KE MANE BÁHIRE<br /> | |||
ÁMI, BHÁLOBÁSIÁCHI TOMÁRE<br /> | |||
JE UDAK DHÁRÁ MRITTALE BHARÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE UDAK DHÁRÁ MRITTALE BHARÁ<br /> | |||
TAPAN TÁPANE HOENIKO HÁRÁ<br /> | |||
PRASRAVANETE SE AMRTA DHÁRÁ<br /> | |||
ÁLOKE ÁSIBE KI KARE<br /> | |||
ÁMI, BHÁLOBÁSIÁCHI TOMÁRE<br /> | |||
O Lord, I love You. Whatever was within the depth of my mind, how can I show that to You?<br /> | |||
The flower that remained in darkness of the bud can it ooze out its sweetness? The pollen | |||
that filled the core, how can I bring it out? The water current that is full of mud at the<br /> | |||
bottom, and does not get dried up with sun and heat, how can that flow of nectar be<br /> | |||
trickled out into light?<br /> | |||
=== 3869 (08/12/1986) K === | |||
GÁN GEYE JÁI TOMÁKE SHONÁI<br /> | |||
TUMI SHOŃO KI NÁ JÁNI NÁ<br /> | |||
BHÁLOBÁSI JÁRE<br /> | |||
BHÁLOBÁSI JÁRE KHUNJE BEŔÁI TÁRE<br /> | |||
SE MORE KHONJE KI NÁ BUJHI NÁ<br /> | |||
TUMI SHOŃO KI NÁ JÁNI NÁ<br /> | |||
GÁN SEDHE JÁI<br /> | |||
GÁN SEDHE JÁI NÁNÁ SURE LAYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
GÁN SEDHE JÁI NÁNÁ SURE LAYE<br /> | |||
CHANDA VIITHIKÁY TÁLE ANUNAYE<br /> | |||
KICHUI VRITHÁ NAY E DIGVALAYE<br /> | |||
E BHAROSÁTE RÁGA SÁDHANÁ<br /> | |||
TUMI SHOŃO KI NÁ JÁNI NÁ<br /> | |||
O GO KRPÁNIDHI<br /> | |||
O GO KRPÁ NIDHI SHONO ÁMÁR KATHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
O GO KRPÁ NIDHI SHONO ÁMÁR KATHÁ<br /> | |||
RACITE PÁRO ÁJI NAVA ITIKATHÁ<br /> | |||
DHIIRE KÁCHE ESO BOJHO ÁMÁR VYATHÁ<br /> | |||
JAY GÁTHÁ KARIBO GHOŚAŃÁ<br /> | |||
TUMI SHOŃO KI NÁ JÁNI NÁ<br /> | |||
O Lord, I go on singing the song to You, but I do not know whether You hear that or not.<br /> | |||
The One Whom I love and search, does He look for me or not, I do not understand. I go on | |||
practicing the song in diverse melodies and tunes, along the rhythmic path in accordance<br /> | |||
with the beats. There is nothing wasteful in this world with this confidence is my<br /> | |||
practice of melody. O the treasure of grace, listen to my affairs, today You can create a<br /> | |||
new history. Coming close slowly, understand my agony, I shall announce the glory of<br /> | |||
victory.<br /> | |||
=== 3870 (09/12/1986) D === | |||
JYOTSNÁ RÁTE MALAYA VÁTE<br /> | |||
(ÁMI), ÁMI TOMÁY KATA KHUNJECHI<br /> | |||
PÁI NI DEKHÁ THEKECHI EKÁ<br /> | |||
(EKEI), EKEI VIDHIR LIPI BHEVECHI<br /> | |||
ÁMI TOMÁY KATA KHUNJECHI<br /> | |||
PHULER VANE SAḾGOPANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHULER VANE SAḾGOPANE<br /> | |||
HOE NI DEKHÁ TOMÁR SANE<br /> | |||
DEKHINU RÁJA SIḾGHÁSANE<br /> | |||
(HATÁ), HATÁSHÁTE KATA KENDECHI<br /> | |||
ÁMI TOMÁY KATA KHUNJECHI<br /> | |||
ÁLOY TOMÁY KHUNJE GECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOY TOMÁR KHUNJE GECHI<br /> | |||
KÁLOY EŔIYE CALECHI<br /> | |||
TUMI SHUDHU ÁLO BHEVECHI<br /> | |||
(ÁJ), ÁJ KÁLOTE MAN BHARECHI<br /> | |||
ÁMI TOMÁY KATA KHUNJECHI<br /> | |||
JYOTSNÁ RÁTE MALAYA VÁTE<br /> | |||
(ÁMI), ÁMI TOMÁY KATA KHUNJECHI<br /> | |||
O Lord, in the moonlit night, with sandal breeze, how much have I searched You. I could<br /> | |||
not see You, remained alone, thinking that it is writing of the destiny. In the floral<br /> | |||
garden, I could not meet You, could not see You on the Royal Throne and how much did I cry<br /> | |||
with disappointment. I went to search You in light, moving avoiding the darkness. I<br /> | |||
considered You alone as light, today my mind is full of darkness.<br /> | |||
=== 3871 (09/12/1986) K (Krsna) === | |||
JE MÁLÁT́I KANT́HE CHILO<br /> | |||
SE MÁLÁT́I KÁKE DIYECHO<br /> | |||
SE MÁLÁT́I KÁKE DIYECHO<br /> | |||
RAUNGIIN MEGHER UTTARAŃE<br /> | |||
KÁR PARÁŃE BÁSÁ BENDHECHO<br /> | |||
KÁR PARÁŃE BÁSÁ BENDHECHO<br /> | |||
JE MÁLÁT́I KANT́HE CHILO<br /> | |||
SE MÁLÁT́I KÁKE DIYECHO<br /> | |||
UJÁNE NÁ BAY YAMUNÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
UJÁNE NÁ BAY YAMUNÁ<br /> | |||
VRAJER DHENU ANYAMANÁ<br /> | |||
GOPIKÁ JE MRG NAYANÁ<br /> | |||
TÁR VYATHÁ KI BHULE RAYECHO<br /> | |||
TÁR VYATHÁ KI BHULE RAYECHO<br /> | |||
JE MÁLÁT́I KANT́HE CHILO<br /> | |||
SE MÁLÁT́I KÁKE DIYECHO<br /> | |||
MADHUVANE KUINJA VANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MADHUVANE KUINJA VANE<br /> | |||
KE KÁNDE TAMÁL SVANANE<br /> | |||
CEYE ÁCHE PATHERI PÁNE<br /> | |||
TÁR HIYÁ KI DALE CALECHO<br /> | |||
TÁR HIYÁ KI DALE CALECHO<br /> | |||
JE MÁLÁT́I KANT́HE CHILO<br /> | |||
SE MÁLÁT́I KÁKE DIYECHO<br /> | |||
O Lord Krsna, the garland that You wore on the neck, whom have You given that? With<br /> | |||
the descend of coloured clouds, in whose life do You build a home? The river Yamuna’<br /> | |||
does not overflow. The cows of Vraja are unmindful. The devotees cow maids are like<br /> | |||
deareyed, do You remain oblivious of their pains? Within the sweet garden of flowers and<br /> | |||
shrubs, who is crying with the noise of palm tree and look towards the arrival path? Do<br /> | |||
You go on stamping their heart?<br /> | |||
=== 3872 (09/12/1986) D === | |||
HE PRABHU TOMÁR TARE<br /> | |||
GÁNTHIÁCHI KATA MÁLÁ<br /> | |||
KATA VEDII SÁJIECHI<br /> | |||
DINEO RÁTE SÁNJHER BELÁ<br /> | |||
HE PRABHU TOMÁR TARE<br /> | |||
GÁNTHIÁCHI KATA MÁLÁ<br /> | |||
SHUNECHI TOMÁR KATHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHUNECHI TOMÁR KATHÁ<br /> | |||
PAŔIÁCHI ?ITI KATHÁ<br /> | |||
GÁIÁCHI STUTI GÁTHÁ<br /> | |||
GÁIÁCHI STUTI GÁTHÁ<br /> | |||
KATA NÁ HOYE UTALÁ<br /> | |||
HE PRABHU TOMÁR TARE<br /> | |||
GÁNTHIÁCHI KATA MÁLÁ<br /> | |||
VIDYÁ BUDDHI JÁHÁ DILE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIDYÁ BUDDHI JÁHÁ DILE<br /> | |||
D́HELECHI CARAŃ KAMALE<br /> | |||
TABU DÚRE RAHE GELE<br /> | |||
TABU DURE RAHE GELE<br /> | |||
SAHE NÁ E DÚRER JVÁLÁ<br /> | |||
HE PRABHU TOMÁR TARE<br /> | |||
GÁNTHIÁCHI KATA MÁLÁ<br /> | |||
HOETO CHILO AHAMIKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HOETO CHILO AHAMIKÁ<br /> | |||
HOYETO MOR CHÁHIE D́HÁKÁ<br /> | |||
TÁI THÁMENI RATHER CÁKÁ<br /> | |||
TÁI THÁMENI RATHER CÁKÁ<br /> | |||
NITE ÁMÁR PRIITIR D́ÁLÁ<br /> | |||
HE PRABHU TOMÁR TARE<br /> | |||
GÁNTHIÁCHI KATA MÁLÁ<br /> | |||
O Lord, for You, several garlands I have threaded. Many altars I have decorated day and<br /> | |||
night and in evenings. I have been listening to Your glory, reading Your history and<br /> | |||
singing much of Your prayers with frenzy. Whatever wisdom and intellect You had granted<br /> | |||
me, all I have poured at Your lotus feet. Yet You have remained far away, and I cannot<br /> | |||
tolerate the agony of distance. Probably I had ego and was covered with infatuation. That<br /> | |||
is why the wheels of the cart did not stop to accept the bouquet of my love.<br /> | |||
=== 3873 (10/12/1986) K === | |||
CINI JABE MANE KARI<br /> | |||
AHAMIKÁY DÚRE SARI<br /> | |||
CENÁ HOLO NÁ CENÁ HOLO NÁ<br /> | |||
KAMAL DHARITE KARE<br /> | |||
PÁPAŔI JHARIÁ PAŔE<br /> | |||
MADHU THÁKE NÁ<br /> | |||
KENO KARO EI LIILÁ<br /> | |||
KENO KARO EI LIILÁ<br /> | |||
KENO KARO EI LIILÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KENO KARO EI LIILÁ<br /> | |||
DHARÁ NÁ DEOÁR KHELÁ<br /> | |||
BHÁUNGÁ GAŔHÁ NIYE MELÁ<br /> | |||
BOJHÁ GELO NÁ BOJHÁ GELO NÁ<br /> | |||
CENÁ HOLO NÁ CENÁ HOLO NÁ<br /> | |||
KON AJÁNÁR SROTE<br /> | |||
KON AJÁNÁR SROTE<br /> | |||
KON AJÁNÁR SROTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KON AJÁNÁR SROTE<br /> | |||
BÁRE BÁRE E DHARÁTE<br /> | |||
ÁSI KISERI ÁSHÁTE<br /> | |||
KENO BOLO NÁ KENO BOLO NÁ<br /> | |||
CENÁ HOLO NÁ CENÁ HOLO NÁ<br /> | |||
CINI JABE MANE KARI<br /> | |||
AHAMIKÁY DÚRE SARI<br /> | |||
CENÁ HOLO NÁ CENÁ HOLO NÁ<br /> | |||
O Lord, when I think that I recognised You removing my ego, then too I could not<br /> | |||
understood You well. Holding the lotus in hand, its petals whither down and no honey is<br /> | |||
found. Why do You perform this liila, the delusive play, the game of coming into folds<br /> | |||
and escaping, the congregation of creation and destruction, You never explained. From some<br /> | |||
unknown origin, I come into this earth again and again, with what expectation, why do not<br /> | |||
You tell me?<br /> | |||
=== 3874 (10/12/1986) K === | |||
TOMÁR TARE ÁMI<br /> | |||
KATA KENDECHI, TUMI SHONONI<br /> | |||
KAT́HIN HRIDAY BUJHI<br /> | |||
Á NIYECHI VYATHÁ BHULINI<br /> | |||
TUMI SHONONI<br /> | |||
BOLECHI KÁTARE REKHO NÁKO DÚRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BOLECHI KÁTARE REKHO NÁKO DÚRE<br /> | |||
O GO PRIYA MOR KÁCHE T́ÁNO MORE<br /> | |||
PALAKE PALAKE PULAKE JHALAKE<br /> | |||
HALAKIÁ ESO MÁNONI<br /> | |||
TUMI SHONONI<br /> | |||
JABE ABELÁY BASE ÁNAMANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JABE ABELÁY BASE ÁNAMANE<br /> | |||
BHÁVITE CHILÁM VIJANE GAHANE<br /> | |||
KEHO KI ÁMÁR NÁI KON KHÁNE<br /> | |||
TUMI KÁCHE ELE TAKHANI<br /> | |||
TUMI SHONONI<br /> | |||
O Lord, how much have I cried for You, but You did not listen to that. I considered You as<br /> | |||
stonehearted and did not forget the agony. O my Dear, I requested You not to keep this<br /> | |||
distressed one away and pull me close. I also prayed You to come and blissfully show Your<br /> | |||
glimpses each moment, but You did not accept. While sitting unmindfully, untimely, I<br /> | |||
thought in intense solitude, that no one is my own anywhere, then You came close.<br /> | |||
=== 3875 (11/12/1986) K === | |||
ALOKE AMIYA HÁSO, DYULOKE DYUTITE BHÁSO<br /> | |||
TRILOKE TOMÁR PRABHU NÁHI KONO TULANÁ<br /> | |||
BHULOKER HÁR TUMI, PULAKE SÁJÁYE BHÚMI<br /> | |||
SATYA LOKER TUMI SHÁSHVATII CETANÁ<br /> | |||
TRILOKE TOMÁR PRABHU NÁHI KONO TULANÁ<br /> | |||
JÁ KICHU BHUVANE ÁCHE, PRAPAINCE JÁHÁ NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁ KICHU BHUVANE ÁCHE, PRAPAINCE JÁHÁ NÁI<br /> | |||
JÁ KICHU MANANE BHÁSE, MANANE JÁHÁ NÁHI PÁI<br /> | |||
SABÁR MADHYE TUMI SABÁR URDDHVE BHRAMI<br /> | |||
SABÁRE BENDHECHO NITI DIYE PRIITI DYOTANÁ<br /> | |||
TRILOKE TOMÁR PRABHU NÁHI KONO TULANÁ<br /> | |||
JÁ KICHU ÁMÁR BHÁLO, TOMÁTE SAOḾPITE CÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁ KICHU ÁMÁR BHÁLO, TOMÁTE SAOḾPITE CÁI<br /> | |||
JÁ KICHU MANDA MAMA, MENE NITE BÁDHÁ NÁI<br /> | |||
NIŚKALUŚA KARO TAVA BHÁVANÁTE BHARO/BHAVA?<br /> | |||
ÁMÁR ÁMI R TAVA DÁO SHUBHA PREŚAŃÁ<br /> | |||
TRILOKE TOMÁR PRABHU NÁHI KONO TULANÁ<br /> | |||
O Lord, You smile with heavenly nectar and appear as heavenly effulgence. In all the three<br /> | |||
worlds, there is no comparison of Yours. You are the garland of the physical world<br /> | |||
decorating the earth with joy, You are the Eternal Consciousness of the Absolute arena.<br /> | |||
Whatever is present in the world, whatever is not present in the world, whatever appears<br /> | |||
in the mind, whatever I do not find in the mind, You are at the centre of all, moving<br /> | |||
above all. You have tied all by ever providing gesture of love. Whatever is my good, I<br /> | |||
want to offer to You, whatever is bad of mine, I have no hesitation in accepting that.<br /> | |||
Make me clean filling with Your ideation. To my own “I” provide auspicious jerk.<br /> | |||
=== 3876 (12/12/1986) === | |||
PRAJINÁLOKER TUMI PRABHU MOHE<br /> | |||
BÁNDHO KENO, ÁMI BUJHINÁ<br /> | |||
MAYÁR ADHIISHVARA DEVATÁ<br /> | |||
KENO MÁKHO/SÁTHE? MÁYIKATÁ<br /> | |||
KEU JÁNE NÁ, ÁMI BUJHINÁ<br /> | |||
JHALAKE TRILOKE TAVA<br /> | |||
LIILÁR RÚPA NAVA NAVA<br /> | |||
BHÁUNGE GARHE PRATI PALE<br /> | |||
E KII MÁYÁ ABHINAVA<br /> | |||
ANANTA BHÁVA TARAUNGE<br /> | |||
PALÁNUPALA JE BHÁUNGE<br /> | |||
KEU THÁKE NÁ<br /> | |||
KEU JÁNE NÁ, ÁMI BUJHINÁ<br /> | |||
KÁLÁKÁLA BAHE JÁY<br /> | |||
ASIIME ASHEŚE DHÁY<br /> | |||
KRIYÁ MANE JHALAKÁY<br /> | |||
BUDDHI BHEVE NÁHI PÁY<br /> | |||
SURE TÁLE LAYE CHANDE<br /> | |||
CALE SABE BHUMÁNANDE<br /> | |||
KEU THÁKE NÁ, KEU JÁNE NÁ<br /> | |||
ÁMI BUJHINÁ<br /> | |||
PRAJINÁLOKER TUMI PRABHU<br /> | |||
MOHE BÁNDHO KENO<br /> | |||
KEU JÁNE NÁ, ÁMI BUJHINÁ<br /> | |||
O Lord, why have You tied me in the bond of infatuation, even in the light of intuition, I<br /> | |||
cannot understand. O The Divine Controller of illusion, why do You immerse me delusion | |||
nobody knows. In the three worlds, Your illusive form is ever new. Creating and destroying<br /> | |||
each moment what a new illusion? Within infinite thought waves, each moment destruction | |||
takes place, nothing stays. The time and pause go on flowing rushing into endless<br /> | |||
infinite, showing glimpses of activities in the mind. The mind is unable to grasp that.<br /> | |||
With rhythm, melody and tune all move within Cosmic Bliss, no one stops.<br /> | |||
=== 3877 (13/12/1986) === | |||
TUMI E KI LIILÁ KARO<br /> | |||
GAŔÁ PUTUL BHEUNGE PHELO<br /> | |||
BHÁUNGÁ JINIS GAŔE TOLO<br /> | |||
MANE NEIKO VIKÁRO<br /> | |||
GAŔÁ PUTUL BHEUNGE PHELO<br /> | |||
NEIKO TOMÁR JÁOÁ ÁSÁ<br /> | |||
NEIKO SHAYAN UT́HÁ BASÁ<br /> | |||
NEIKO KONO KÁNNÁ HÁSÁ<br /> | |||
PRATYÁSHÁ KÁRAO<br /> | |||
GAŔÁ PUTUL BHEUNGE PHELO<br /> | |||
KÁKE KAKHAN KII BHÁVE T́ÁNO<br /> | |||
VIDHI TÁHÁR TUMI JÁNO<br /> | |||
SINDHU MÁJHE CHANDA ÁNO<br /> | |||
TARAUNGE BHARAO<br /> | |||
GAŔÁ PUTUL BHEUNGE PHELO<br /> | |||
TUMI E KI LIILÁ KARO<br /> | |||
GAŔÁ PUTUL BHEUNGE PHELO<br /> | |||
O Lord, what an illusive game do You perform, You break a beautifully made doll and make<br /> | |||
one out of broken pieces, without any perversion in the mind. For You there is nothing<br /> | |||
like coming and going or awakening or sleeping. No crying or joy nor any counter<br /> | |||
expectation. Whom You pull close to You with what feeling and when, those rule You only<br /> | |||
know. You bring rhythms within the ocean filling with waves.<br /> | |||
=== 3878 (13/12/1986) === | |||
TUMI YADI NÁ CÁO ÁMÁRE<br /> | |||
ÁMÁR HIYÁ TOMÁY CÁHIBEI<br /> | |||
MAN CÁHIBEI<br /> | |||
YADI NÁ BÁNDHO PRIITI D́ORE<br /> | |||
MOR CETANÁ TOMÁRE BÁNDHABEI<br /> | |||
ÁMÁR HIYÁ TOMÁY CÁHIBEI<br /> | |||
MAN CÁHIBEI<br /> | |||
TARU YADI NÁ CÁY LATÁY<br /> | |||
LATÁ TABU TARURE CÁY<br /> | |||
CÁNDA YADI NÁ CÁY SÁGARE<br /> | |||
JOÁR ÁSABEI<br /> | |||
ÁMÁR HIYÁ TOMÁY CÁHIBEI<br /> | |||
MAN CÁHIBEI<br /> | |||
ASTÁCALER RAVI KABHU<br /> | |||
ASATE NÁ CÁY BHORE TABU<br /> | |||
BHORE DHARÁ BHORER SURE BENDHE ÁNBEI<br /> | |||
ÁMÁR HIYÁ TOMÁY CÁHIBEI<br /> | |||
MAN CÁHIBEI<br /> | |||
TUMI YADI NÁ CÁO ÁMÁRE<br /> | |||
ÁMÁR HIYÁ TOMÁY CÁHIBEI<br /> | |||
MAN CÁHIBEI<br /> | |||
O Lord, even if You do not love me, my heart and mind will certainly continue to love You.<br /> | |||
If You do not tie me with rope of love, my consciousness will tie You. Even if the tree<br /> | |||
does not like the creeper, still the creeper likes the tree. Even if the moon does not<br /> | |||
like the ocean, the tide would definitely come. If the sun after setting does not want to<br /> | |||
come in the morning, the earth, binding that with the morning melody will positively bring<br /> | |||
it.<br /> | |||
=== 3879 (14/12/1986) === | |||
RÁJÁ TUMI MANER RÁJÁ<br /> | |||
VISHVA TOMÁR ADHIINE<br /> | |||
NIIHÁRIKÁ THEKE AŃU<br /> | |||
PARAMÁŃU SHÁSANE<br /> | |||
VISHVA TOMÁR ADHIINE<br /> | |||
TOMÁR ÁDESHE PHÚL PHOT́E<br /> | |||
INGITA ELEI ULKÁ CHOT́E<br /> | |||
TUNGÁDRI CARAŃE LOT́E<br /> | |||
PAVAN BAHE SVANANE<br /> | |||
VISHVA TOMÁR ADHIINE<br /> | |||
SABÁR PRABHU VARAŃIIYA<br /> | |||
SABÁI JE TOMÁREO PRIYA<br /> | |||
MOR E ANURODHA MÁNIO<br /> | |||
SHARAŃA DIO CARAŃE<br /> | |||
VISHVA TOMÁR ADHIINE<br /> | |||
RÁJÁ TUMI MANER RÁJÁ<br /> | |||
VISHVA TOMÁR ADHIINE<br /> | |||
King of the mind<br /> | |||
the entire universe is under Your control.<br /> | |||
From nebulae to smallest particles<br /> | |||
all are governed by You.<br /> | |||
At Your order, flowers bloom<br /> | |||
at Your command, meteors and comets rush<br /> | |||
the high peaks of mountains<br /> | |||
bend unto Your feet<br /> | |||
and the wind blows with sound.<br /> | |||
You are the most venerable of all beings. All are dear to You.<br /> | |||
Soplease accept my request<br /> | |||
and give me shelter at Your feet.<br /> | |||
=== 3880 (14/12/1986) === | |||
RÚPE RASE MISHE ÁCHO TUMI SAKHÁ<br /> | |||
DEKHÁ DÁO NÁ<br /> | |||
BHÁVIÁ UTALÁ HOI, KENO PÁSE ÁSO NÁ<br /> | |||
DEKHÁ DÁO NÁ<br /> | |||
JÁHÁ BHÁVI JÁHÁ NÁ BHÁVI<br /> | |||
STHÁVARA JAUNGAM TUMII SABAI<br /> | |||
BHÁVÁLOKE BOJHE LOKE KENO<br /> | |||
ÁSHÁ PURÁO NÁ, DEKHÁ DÁO NÁ<br /> | |||
TUMI BHULOKA, TUMI DYULOKA<br /> | |||
MATHITA KARO SAPTA LOKA<br /> | |||
CETANÁTE BHÁVA SROTE MISHE<br /> | |||
THEKEO ÁSO NÁ DEKHÁ DÁO NÁ<br /> | |||
RÚPE RASE MISHE ÁCHO TUMI SAKHÁ<br /> | |||
DEKHÁ DÁO NÁ<br /> | |||
O Friend, You are mixed with inferences, tanma’tra’s of beauty, form and flow etc. and<br /> | |||
do not allow to be seen. Why do not You come close, thinking that I become frenzied.<br /> | |||
Whatever I imagine, whatever is beyond my imagination, stationary or mobile, You are all.<br /> | |||
With illumination of ideation, showing the world, why do not You fulfill my hope? You are<br /> | |||
the world and heaven, churning all the seven arenas. You remain as consciousness in the<br /> | |||
stream of feelings, and do not come.<br /> | |||
=== 3881 (15/12/1986) === | |||
CEONÁ, CEONÁ, CEONÁ ÁMÁR PÁNE<br /> | |||
AMAN VINATI KARE<br /> | |||
DHARÁYE ESECHI KÁJE<br /> | |||
REKHO NÁ ÁMÁRE DHARE<br /> | |||
CEONÁ, CEONÁ, CEONÁ ÁMÁR PÁNE<br /> | |||
AMAN VINATI KARE<br /> | |||
ANÁDIKÁLER SROTE BHESE CALI ASHEŚETE<br /> | |||
UPEKŚÁ KARE JÁI ULKÁ VAJRAPÁTE<br /> | |||
TUMI ESE MOR PATHE RODHITE, RODHITE<br /> | |||
RODHITE CEONÁ MORE AMAN VINATI KARE<br /> | |||
CEONÁ, CEONÁ, CEONÁ ÁMÁR PÁNE<br /> | |||
AMAN VINATI KARE<br /> | |||
RACE JÁBO EI DHARÁ PHULE PHALE PALLAVE<br /> | |||
SAKAL MANER KOŃE ÁSHÁR ÁLO JVÁLIBE<br /> | |||
ATANDRA ANIDRA RAJANI KABE SARIBE<br /> | |||
ÁSIBE, ÁSIBE, ÁSIBE<br /> | |||
JIIVAN DHÁRÁ BHARIÁ SUDHÁSÁRE<br /> | |||
CEONÁ, CEONÁ, CEONÁ ÁMÁR PÁNE<br /> | |||
AMAN VINATI KARE<br /> | |||
Please do not look at me with such entreating eyes.<br /> | |||
I have come to this earth to perform duties.<br /> | |||
Please do not hold me back.<br /> | |||
In the flow of eternity<br /> | |||
I have been drifting endlessly towards the infinite<br /> | |||
ignoring crashes of meteors and thunderclaps.<br /> | |||
Please do not stand in my way<br /> | |||
and obstruct my movement<br /> | |||
by imploring me in such a manner.<br /> | |||
I shall decorate this earth with flowers<br /> | |||
fruits and foliage.<br /> | |||
I shall kindle the light of hope<br /> | |||
in the recess of every mind.<br /> | |||
When will the tireless and sleepless night<br /> | |||
come to an end?<br /> | |||
All life will one day flow<br /> | |||
in the essence of nectar.<br /> | |||
=== 3882 (16/12/1986) === | |||
BAKULA VIITHITE SE SHEŚA YÁMINITE<br /> | |||
KEU CHILO NÁKO TUMI CHÁŔÁ<br /> | |||
LUKIE GAHANE, SONÁLI SVAPANE<br /> | |||
TOMÁY DEKHINU HE ÁLO JHARÁ<br /> | |||
KEU CHILO NÁKO TUMI CHÁŔÁ<br /> | |||
MAN DEULA MOR SHÚŃYATÁY GHERÁ<br /> | |||
VIJANE PAŔE CHILO NIHSHVATAMA TAMAH KÁRÁ<br /> | |||
TOMÁRE DEKHINU, PALAKE BUJHINU<br /> | |||
E YÁME TAMASÁ HOBE HÁRÁ<br /> | |||
KEU CHILO NÁKO TUMI CHÁŔÁ<br /> | |||
BÁHIR PRAKRTITE, ARUŃODAYA HOLO<br /> | |||
MANER KEKÁ MOR NECE CHUT́E ELO<br /> | |||
BÁHIRE BHIITARE HE PRIYA TAVA TARE<br /> | |||
PRAMÁ DEKHÁ DILO PRIITI BHARÁ<br /> | |||
KEU CHILO NÁKO TUMI CHÁŔÁ<br /> | |||
BAKULA VIITHITE SE SHEŚA YÁMINITE<br /> | |||
KEU CHILO NÁKO TUMI CHÁŔÁ<br /> | |||
O Lord, on the path within bakul flower trees, towards the end of the night, there was no<br /> | |||
one other than You. O the effulgent, You were hidden in depth of the golden dream, I could<br /> | |||
not see You. My mental temple was surrounded by vacuity. The dark prison was calm lying in | |||
solitude. I could see and recognise You in a moment, and the darkness of the night was<br /> | |||
lost. Outside in the nature, sunrise occurred, and my mental peacock’s call came<br /> | |||
rushing, dancing. O Dear, for You, inside and outside true knowledge, full of love was<br /> | |||
shown.<br /> | |||
=== 3883 (16/12/1986) === | |||
TOMÁR ÁMÁR E NIIVIŔATÁ<br /> | |||
KATA DINER KEU JÁNE NÁ<br /> | |||
RAVI JÁNE NÁ TÁRÁ JÁNE NÁ<br /> | |||
JÁNE NÁ SHASHI JYOTSANÁ<br /> | |||
KATA DINER KEU JÁNE NÁ<br /> | |||
JAKHAN CHILO AVYAKTA<br /> | |||
SRIŚT́I GHUME SAMÁHITA<br /> | |||
ÁMIO CHILUM GHUM GHORE<br /> | |||
PÁSE CHILO TAVA CETANÁ<br /> | |||
KATA DINER KEU JÁNE NÁ<br /> | |||
TOMÁR ÁLOY GHUM BHÁUNGÁLO<br /> | |||
RAUNGER NESHÁ COKHE ELO<br /> | |||
SHURU HOLO PATH PARIKRAMÁ<br /> | |||
TÁRAO KÁLE TAVA DYOTANÁ<br /> | |||
KATA DINER KEU JÁNE NÁ<br /> | |||
TOMÁR ÁMÁR E NIIVIŔATÁ<br /> | |||
KATA DINER KEU JÁNE NÁ<br /> | |||
O Lord, this proximity between You and me, is of so many days, no one knows. The sun does<br /> | |||
not know, the stars do not know, nor the moon or its light. When the unexpressed universe<br /> | |||
was latent in deep slumber, I was also in dense sleep, but together with Your<br /> | |||
Consciousness. Your light broke the slumber, the frenzy of colours came into eyes. Then | |||
started the revolution on the path, even at that time Your gesture was there.<br /> | |||
=== 3884 (16/12/1986) === | |||
ARUPA TOMÁR RÚPA SÁYARE<br /> | |||
D́ÚB DIYE HÁRIE GECHI<br /> | |||
SAḾGIITERI BHÁVÁSPADE<br /> | |||
EK KE MISHIE DIYECHI<br /> | |||
ARUPA TOMÁR RÚPA SÁYARE<br /> | |||
D́ÚB DIYE HÁRIE GECHI<br /> | |||
DINER ÁLO RÁTER KÁLO<br /> | |||
JÁ KICHU MOR MANDABHÁLO<br /> | |||
MÁT́IR MÁYÁ TARUR CHÁYÁ<br /> | |||
SAB CÁOÁ EKE CHUT́IECHI<br /> | |||
ARUPA TOMÁR RÚPA SÁYARE<br /> | |||
D́ÚB DIYE HÁRIE GECHI<br /> | |||
DHARÁR DHÚLI KALA KÁKALII<br /> | |||
RATNÁKARER RATNÁVALII<br /> | |||
ÁNDHÁR MANER DIIPÁVALII<br /> | |||
SAB DIE PRAŃATI KARECHI<br /> | |||
ARUPA TOMÁR RÚPA SÁYARE<br /> | |||
D́ÚB DIYE HÁRIE GECHI<br /> | |||
O Formless, within the ocean of Your beautiful form, I am submerged and lost. Within the<br /> | |||
abode of music and songs, I have merged that One. The light of the day and darkness of the<br /> | |||
night, the earthen delusion and shade of the tree, all expectations and desires, I have<br /> | |||
dissolved into that one. The dust of the earth, the chirping of the birds, the range of<br /> | |||
gems of the ocean, the festivity of lights of the dark mind, offering all, I pray and<br /> | |||
salute.<br /> | |||
=== 3885 (16/12/1986) === | |||
ÁNDHÁR SÁGAR PERIE ELE<br /> | |||
NIYE ÁLOK VARTIKÁY<br /> | |||
DHANYA TUMI PÚŃYA TUMI<br /> | |||
MÁNYA TUMI E DHARÁY<br /> | |||
ÁNDHÁR SÁGAR PERIE ELE<br /> | |||
NIYE ÁLOK VARTIKÁY<br /> | |||
ANDHAKÁRE CHILO JÁRÁ<br /> | |||
UPEKŚITA SARVAHÁRÁ<br /> | |||
ÁSHÁR ÁLO PELO TÁRÁ<br /> | |||
BÁNDHATE NÚTAN EŚAŃÁY<br /> | |||
ÁNDHÁR SÁGAR PERIE ELE<br /> | |||
NIYE ÁLOK VARTIKÁY<br /> | |||
JIIVAN CHILO VYARTHA JÁDER<br /> | |||
KÁNNÁ BHARÁ ANÁDARER<br /> | |||
SONÁLII CÁNDA ELO TÁDER<br /> | |||
JIIVANE MADHU JYOTSANÁY<br /> | |||
ÁNDHÁR SÁGAR PERIE ELE<br /> | |||
NIYE ÁLOK VARTIKÁY<br /> | |||
O Lord, crossing the dark ocean You came, carrying the wick of light. You are pious<br /> | |||
adorable and praiseworthy on this earth. Those who were in dark, neglected, alllost, they<br /> | |||
got ray of hope, expecting new fulfilment of their wills. Those, whose life was waste<br /> | |||
full of disrespect and cries<br /> | |||
=== 3886 (16/12/1986) === | |||
TOMÁKE CÁOÁ, PÁOÁ NÁ PÁOÁ<br /> | |||
HE PRIYA ÁMÁR SÁDHANÁ<br /> | |||
JE BHÁVE JE NIK, JATAI BÁDHÁ DIK<br /> | |||
KONO BÁDHÁ MAN MÁNE NÁ<br /> | |||
HE PRIYA ÁMÁR SÁDHANÁ<br /> | |||
KŚITITE PÁI ÁMI TAVA SUGANDHA<br /> | |||
JALETE UCCHALA TOMÁRI CHANDA<br /> | |||
PRÁŃER PRÁŃIINATÁY TAVA ÁNANDA<br /> | |||
PALAKER PULAKER DYOTANÁ<br /> | |||
HE PRIYA ÁMÁR SÁDHANÁ<br /> | |||
MARUTE BHESE CALE KETAKI SUVÁSA<br /> | |||
BHÁLOBÁSÁR SE JE MANDRILA NIRYÁSA<br /> | |||
MAHÁKÁSHE BHÁSE KÁR JENO UDBHÁSA<br /> | |||
E CIT CORER NÁI TULANÁ<br /> | |||
HE PRIYA ÁMÁR SÁDHANÁ<br /> | |||
TOMÁKE CÁOÁ, PÁOÁ NÁ PÁOÁ<br /> | |||
HE PRIYA ÁMÁR SÁDHANÁ<br /> | |||
O Dear Lord, loving You is my spiritual endeavor, whether attaining or not. Whatever is<br /> | |||
feeling, whatever is taken, whatsoever obstruction is provided, my mind would not heed to<br /> | |||
that. I find Your fragrance in the solid factor, ks’iti, earth. Your rhythm is vibrant<br /> | |||
in liquid factor, jala, water. The liveliness of life is Your bliss, providing gesture of<br /> | |||
joy each moment. Within the desert, fragrance of ketakii goes on floating, the vibrant<br /> | |||
essence of which full of love. As if His expression goes on floating in the Grand Space.<br /> | |||
Of that stealer of mind, there is no comparison.<br /> | |||
=== 3887 (17/12/1986) === | |||
KEU TOMÁR KÁCHE SHUDHU PETE CÁY<br /> | |||
KEU TOMÁRE CÁY PRABHU<br /> | |||
KEU ÁLOR SÁGARA TIIRE SHUKTI KHUINJE MARE<br /> | |||
SÁGARE NÁ HERE KABHU<br /> | |||
DIYECHO JIIVERE PRAPAINCA UPÁDÁNA<br /> | |||
DIYECHO SABÁRE VASAN ANNA PÁNA<br /> | |||
DIYECHO BHÁLOBÁSÁ<br /> | |||
KAOSHIK AVADÁNA, ÁSHÁ NÁ MET́E TABU<br /> | |||
KEU TOMÁRE CÁY PRABHU<br /> | |||
SABÁI ÁSE JÁY CALAMAN E JAGATE<br /> | |||
THÁKITE ÁSITE NÁ KEU<br /> | |||
SADÁ RATA CALE JETE<br /> | |||
MANER MAYÚR JÁR NÁCE<br /> | |||
MÁTE TOMÁTE<br /> | |||
SE BHÁSE UDBHÁSE VIBHU<br /> | |||
KEU TOMÁRE CÁY PRABHU<br /> | |||
KEU TOMÁR KÁCHE SHUDHU PETE CÁY<br /> | |||
KEU TOMÁRE CÁY PRABHU<br /> | |||
O Lord, some people want only to attain proximity with You, and some want only You. Some<br /> | |||
people die searching shells on the shore of the ocean of effulgence, without searching the<br /> | |||
ocean itself at all any time. You have provided living beings articles of utilities in the<br /> | |||
world. You have given all food, water and clothing. You gifted love and beautiful<br /> | |||
coverings, still the expectations are not satiated. All come and go within this moving<br /> | |||
universe. No one can stay stationary, ever engaged in movement. He, whose mental peacock<br /> | |||
dance frenzied for You, floats like illuminated moon.<br /> | |||
=== 3888 (17/12/1986) === | |||
ÁNDHÁR KÁRÁR DUÁR BHEUNGE<br /> | |||
KE ELO ÁJ KE ELO<br /> | |||
YUGÁNTAREI KALMAŚERI<br /> | |||
YAVANIKÁ T́ENE DILO<br /> | |||
KE ELO ÁJ KE ELO<br /> | |||
SUVARŃA DIIP PÁYANI JÁRÁ<br /> | |||
ARTHA VITTA KÁNTIHÁRÁ<br /> | |||
KÁNNÁ BHULE ÁJKE TÁRÁ<br /> | |||
MÁT́IR PRADIIP JVÁLÁLO<br /> | |||
KE ELO ÁJ KE ELO<br /> | |||
AJÁNÁ PATHIK KE ELO<br /> | |||
PRIITIR D́ORE BENDHE NILO<br /> | |||
KÁLA GHUM ÁNKHIR SARIE DILO<br /> | |||
BÁNCÁR VÁNII SHONÁLO<br /> | |||
KE ELO ÁJ KE ELO<br /> | |||
ÁNDHÁR KÁRÁR DUÁR BHEUNGE<br /> | |||
KE ELO ÁJ KE ELO<br /> | |||
Breaking the doors of the dark prison, Who has come today? He pulled open the curtain of<br /> | |||
dirt coverings accumulated since ages. Those who could not get golden lamp, lost their<br /> | |||
wealth, means and charm, they, forgetting their cries, today kindled the earthen lamp.<br /> | |||
Which Unknown traveler has come, and tied with the thread of love. Removing the Cimmerian | |||
slumber from the eyes, announced the message of living.<br /> | |||
=== 3889 (17/12/1986) === | |||
ÁLOKE ÁNDHÁRE LIILÁ VIBHAVA<br /> | |||
MAN CHUT́E JÁY DHARITE NÁ PÁY<br /> | |||
SMARAŃE MANANE KII ANUBHAVA<br /> | |||
BUJHITE PÁRÁ JÁY BOJHÁNO NÁ JÁY<br /> | |||
MAN CHUT́E JÁY DHARITE NÁ PÁY<br /> | |||
EKÁNTE BASE BHÁVI JAKHAN | |||
E PRIYA ÁMÁR KENO EMAN | |||
SAKAL BHÁVANÁ ESE JÁNÁY JAKHAN | |||
SIIMÁY E PRIYATAM DHARÁ NÁHI DEY<br /> | |||
MAN CHUT́E JÁY DHARITE NÁ PÁY<br /> | |||
MANER GAHAN PÁNE, JAKHANI DEKHI<br /> | |||
E PRIYA ÁY DEY UNKI JHUNKI<br /> | |||
DHARÁ NÁHI DILEO DEY NÁ PHÁNKI<br /> | |||
ÁMI DHARÁ DILEI TÁRE PÁOÁ JÁY<br /> | |||
MAN CHUT́E JÁY DHARITE NÁ PÁY<br /> | |||
ÁLOKE ÁNDHÁRE LIILÁ VIBHAVA<br /> | |||
MAN CHUT́E JÁY DHARITE NÁ PÁY<br /> | |||
With the illusive magnanimity of light and shade, the mind goes on rushing, without<br /> | |||
holding. What an experience in remembering and meditation, it is not possible to<br /> | |||
understand and explain. Sitting in solitude when I think, how is that Dear my own, then | |||
all thoughts come together to explain that the Dearest cannot be held within the periphery<br /> | |||
limitation. When I saw towards the depth of the mind, I found that Dear peeping there. It<br /> | |||
is not deception that He does not come into the fold, rather by my own coming into His<br /> | |||
folds, He can be attained.<br /> | |||
=== 3890 (17/12/1986) === | |||
KÁJAL COKHE, AINJAN ENKE<br /> | |||
KE GO TUMI MEGHA PÁNE CÁO<br /> | |||
KE SE BANDHU KÁNDÁY SHUDHU<br /> | |||
TÁHÁR KATHÁ MORE BOLE DÁO<br /> | |||
KE GO TUMI MEGHA PÁNE CÁO<br /> | |||
RÁTRI DINE KHUNJABO TÁNRE<br /> | |||
ÁNBO DHARE TOMÁR TARE<br /> | |||
BOLBO TÁRE CUPI SÁRE<br /> | |||
E HIYÁ ALAKÁY KENO KÁNDÁO<br /> | |||
KE GO TUMI MEGHA PÁNE CÁO<br /> | |||
BOLO MORE TÁR T́HIKÁNÁ<br /> | |||
BOLO TOMÁR KI YÁCANÁ<br /> | |||
KII CÁO DITE KII BÁ PETE<br /> | |||
KATA DINER PARICAYA JÁNÁO<br /> | |||
KE GO TUMI MEGHA PÁNE CÁO<br /> | |||
KÁJAL COKHE, AINJAN ENKE<br /> | |||
KE GO TUMI MEGHA PÁNE CÁO<br /> | |||
With eyes decorated with dark collyrium, who is that You, looking towards the clouds? Who<br /> | |||
is that friend, who makes you cry only, tell me about Him to me. I shall search Him day<br /> | |||
and night, and bring Him holding for you. I shall ask Him secretly, why are You making<br /> | |||
this heavenly heart cry? Tell me His address, tell me also what you want from Him. What<br /> | |||
you want to give and what do you want to take, also to explain how old was the intimacy?<br /> | |||
=== 3891 (17/12/1986) === | |||
TOMÁR ÁMÁR EI PARICAY<br /> | |||
DU CÁR YUGER KATHÁ NAI<br /> | |||
CHILO NÁ TAKHAN TÁRAKÁ NICAY<br /> | |||
HOENI SRIŚT́IR ABHYUDAYA<br /> | |||
TOMÁR ÁMÁR EI PARICAY<br /> | |||
DU CÁR YUGER KATHÁ NAI<br /> | |||
JÁGENI KŚITI, THÁKENI TRIŃA<br /> | |||
CHILO NÁ SABUJ ÁBHARAŃAO<br /> | |||
CHILO NÁ ÁVEGA, CHILO NÁ MANAO<br /> | |||
DHARÁ JANMA MRITYUMAYA<br /> | |||
TOMÁR ÁMÁR EI PARICAY<br /> | |||
DU CÁR YUGER KATHÁ NAI<br /> | |||
HÁSALE TUMI, SARJANA ELO<br /> | |||
BÁSALE BHÁLO PRÁŃA CHUT́ILO<br /> | |||
NANDANERI SPANDAN HOLO<br /> | |||
JÁGLO JIIVAN CHANDAMAYA<br /> | |||
TOMÁR ÁMÁR EI PARICAY<br /> | |||
DU CÁR YUGER KATHÁ NAI<br /> | |||
O Lord, this acquaintance of Your and mine, is not a matter of a few eras. Then there was<br /> | |||
no development of stars, the creation was not expressed. The earth was not made, there<br /> | |||
were no grass, no coverage of greenery. There was no impulse, no mind, on this mortal<br /> | |||
earth with birth and death. You smiled, creation occurred, the vitality of love rushed.<br /> | |||
The pleasing vibration took place and rhythmic life awakened.<br /> | |||
=== 3892 (17/12/1986) === | |||
TUMI ÁMÁR PRÁŃER PRADIIP<br /> | |||
TUMI ÁSHÁR ÁLO<br /> | |||
APALAKE TÁKIE ÁCHO<br /> | |||
DEKHECHO ÁMÁR MANDA BHÁLO<br /> | |||
TUMI ÁSHÁR ÁLO<br /> | |||
MOR JIIVANE JÁ KICHU SUKHA<br /> | |||
ATRIPTI NÁPÁOÁRI DUHKHA<br /> | |||
ÁNKHIR KÁJAL, ASHRU BÁDAL<br /> | |||
TOMÁY UCCHALO<br /> | |||
TUMI ÁSHÁR ÁLO<br /> | |||
EKALÁ BASE BHÁVI JAKHAN | |||
KE ÁCHE MOR BOLATE ÁPANA<br /> | |||
JIIVAN BELÁY SHUKTI<br /> | |||
MÁLÁY MUKTÁ D́HÁLO<br /> | |||
TUMI ÁSHÁR ÁLO<br /> | |||
TUMI ÁMÁR PRÁŃER PRADIIP<br /> | |||
TUMI ÁSHÁR ÁLO<br /> | |||
O Lord, You are the lamp of my life, ray of hope. Unblinkingly You see, watching my good<br /> | |||
and bad. All the pleasure of my life, the sorrow of nonachievement, and dissatisfaction | |||
the dark decoration of the eyes, clouds of tears, all are restless for You. Sitting alone<br /> | |||
when I think, who is to be called as my own. At the shore of life, in the series of<br /> | |||
shells, pour pearl.<br /> | |||
=== 3893 (18/12/1986) === | |||
MÁDHAVII RÁTE, KAOMUDI SÁTHE<br /> | |||
MAINJIŚT́HÁ MAINJARI GUINJARE HÁY<br /> | |||
CENÁ ACENÁY, BHEDA HÁRÁIYÁ JÁY<br /> | |||
MAN NILAYE SABE T́ÁNITE CÁY<br /> | |||
MAINJIŚT́HÁ MAINJARI GUINJARE HÁY<br /> | |||
KE KOTHÁY CHILO, ÁCHE, KOTHÁ THÁKIBE<br /> | |||
KÁR LÁGI TÁR HIYÁ UTALÁ HOVE<br /> | |||
KII ÁLEKHYA CITRA PAT́E ÁNKIBE<br /> | |||
TÁRAI IIUNGITA SAḾGIITE SHONÁ JÁY<br /> | |||
MAINJIŚT́HÁ MAINJARI GUINJARE HÁY<br /> | |||
CALÁR KLÁNTITE KE PATHE THÁMIBE<br /> | |||
RATHER CÁKÁR PICHE KE CHUT́E JÁBE<br /> | |||
LAKŚYE VAKŚE DHARITE KE DHÁIBE<br /> | |||
SABÁR MARMA VÁŃII GIITE MURCHÁY<br /> | |||
MAINJIŚT́HÁ MAINJARI GUINJARE HÁY<br /> | |||
MÁDHAVII RÁTE, KAOMUDI SÁTHE<br /> | |||
MAINJIŚT́HÁ MAINJARI GUINJARE HÁY<br /> | |||
In the sweet night, along with white lily, the buds of madder hum, alas. The distinction | |||
between known and unknown gets lost, and want to pull all into the mental home. Who was<br /> | |||
where, present where and would remain where, for Whom their hearts would be restless. What<br /> | |||
script is to be drawn on the screen, their indication is heard in sam’giita. Who would<br /> | |||
pause on the path of movement due to tiredness, who would be left behind the wheels of the<br /> | |||
cart, who rush to hold on to the bosom of the target, the voice of the core of all of them<br /> | |||
get stupefaction into the song.<br /> | |||
=== 3894 (18/12/1986) === | |||
KHUNJE KHUNJE KLÁNTA<br /> | |||
HOYE EKALÁ BASE TARUR CHÁYE<br /> | |||
URDDHVA PÁNE BHÁVACHI<br /> | |||
CEYE SHUDHU EKT́I KATHÁ<br /> | |||
ARUPA TUMI VIRÚPA KENO<br /> | |||
LUKIE ÁCHO KOTHÁ<br /> | |||
SHUDHU EKT́I KATHÁ<br /> | |||
NEIKO ÁMÁR KONO SIDDHI<br /> | |||
NEIKO VIDYÁ SAMRIDDHI<br /> | |||
NEIKO AGÁDHA PRAJINÁ<br /> | |||
BUDDHI KÚLER ITIKATHÁ<br /> | |||
ABUJHA HOLEO BUJHITE CÁI<br /> | |||
TOMÁR GUŃA GÁTHÁ<br /> | |||
SHUDHU EKT́I KATHÁ<br /> | |||
CÁI NÁ ÁMI YOGASIDDHI<br /> | |||
CÁI NÁ ARTHA SAMRIDDHI<br /> | |||
CÁI NÁ VIDYÁDIIPTA<br /> | |||
BUDDHI NIŚIKTA NIICATÁ<br /> | |||
ACIN HOLEO CINITE CÁI<br /> | |||
TOMÁR HE DEVATÁ<br /> | |||
SHUDHU EKT́I KATHÁ<br /> | |||
URDDHVA PÁNE BHÁVACHI<br /> | |||
CEYE SHUDHU EKT́I KATHÁ<br /> | |||
Searching and searching, having been tired, sitting alone in the shade of the tree<br /> | |||
looking upwards only one subject I think. O The Formless, why are You adverse to me, where<br /> | |||
are You hidden? I have no attainment, no wealth of wisdom, no deep intuition or intellect<br /> | |||
or glorifying history of lineage. Remaining unwise, I want to understand Your attributes.<br /> | |||
I do not want attainment of yoga, I do not wish plenty of riches, I do not want meagreness<br /> | |||
devoid of real knowledge, though shining with skill. O The Divinity, being unknown, I want<br /> | |||
to recognise You.<br /> | |||
=== 3895 (18/12/1986) === | |||
TOMÁRI TARE KATA KENDECHI<br /> | |||
TUMI KENO ELE NÁ KÁCHE<br /> | |||
DIVÁ NISHI D́EKE GECHI<br /> | |||
SE D́ÁK KÁŃE KI NÁ PAONCECHE<br /> | |||
TUMI KENO ELE NÁ KÁCHE<br /> | |||
PRAHARE PRAHARE TÁRÁ GECHE JHARE<br /> | |||
VIHAGA VIHARE KÁCHE DÚRE SARE<br /> | |||
MAMATÁ HÁRIYE RAYECHE KI KARE<br /> | |||
TUMI CHÁŔÁ MOR KE ÁCHE<br /> | |||
TUMI KENO ELE NÁ KÁCHE<br /> | |||
AJÁNÁ PATHIK TAVA PARICAY<br /> | |||
NÁ ÁSÁ DIN TITHI GÁY JE JAY<br /> | |||
ÁSHÁ NIRÁSHÁY EKAI KATHÁ KAY<br /> | |||
TUMI ÁCHO TÁI DHARÁ NÁCE<br /> | |||
TUMI KENO ELE NÁ KÁCHE<br /> | |||
TOMÁRI TARE KATA KENDECHI<br /> | |||
TUMI KENO ELE NÁ KÁCHE<br /> | |||
O Lord, how much have I cried for You, why did not You come close to me. I continued<br /> | |||
calling You day and night, did not that call reach Your ears? At time intervals, stars<br /> | |||
whither off, the frolicking birds come and go away. What for the affection remains lost<br /> | |||
who is mine other than You? O the Unknown traveler, Your acquaintance, even by not<br /> | |||
arrival, sing Your victory. The hope and despair, speak only one thing, that the world<br /> | |||
revolves because You exist.<br /> | |||
=== 3896 (18/12/1986) === | |||
JE TOMÁKE BHÁLOBÁSE<br /> | |||
TÁR KENO KÁNDIYÁ DIN JÁY<br /> | |||
SE NAY KI TÁR DUHKHER KÁNNÁ<br /> | |||
KEU KE SUKHE ASHRU JHARÁY<br /> | |||
TÁR KENO KÁNDIYÁ DIN JÁY<br /> | |||
JE MAŃI BHÚGARBHE CHILO<br /> | |||
ÁLOY SE DIIPTI PELO<br /> | |||
JE MAN ÁNDHÁRE CHILO<br /> | |||
TOMÁY PEYE JVALE JHALAKÁY<br /> | |||
TÁR KENO KÁNDIYÁ DIN JÁY<br /> | |||
CIRA NÚTAN CIRA SÁTHI<br /> | |||
SABÁR TUMI VYATHÁR VYATHII<br /> | |||
E PRAJINÁY JE UT́HE MÁTI<br /> | |||
ÁNANDE SE ASHRU BAHÁYA<br /> | |||
TÁR KENO KÁNDIYÁ DIN JÁY<br /> | |||
JE TOMÁKE BHÁLOBÁSE<br /> | |||
TÁR KENO KÁNDIYÁ DIN JÁY<br /> | |||
O Lord, those who love You, why their days pass crying? Is it not that they are crying<br /> | |||
with sorrow, does anyone flow tears in joy? The gem that was within the depth of the<br /> | |||
earth, that obtained lustre in light. The mind that was in darkness, started showing shine<br /> | |||
on attaining You. O Ever New, Ever Companion, You feel pained by the pain of all. With<br /> | |||
this intuition, he who is frenzied, flow tears with bliss.<br /> | |||
=== 3897 (18/12/1986) === | |||
BHÁLOBÁSO SABÁY TUMI<br /> | |||
ÁMI JÁNI, ÁMI JÁNI<br /> | |||
BHALOBÁSO SAHÁSA PRABHÁTA<br /> | |||
BHÁLOBÁSO TÁMASI RÁTA<br /> | |||
JYOTSNÁ MADHUR YÁMINII<br /> | |||
ÁMI JÁNI, ÁMI JÁNI<br /> | |||
BHÁLOBÁSO SUSMITA PHÚLA<br /> | |||
CHANDA DODUL RÁUNGÁ MUKUL<br /> | |||
BHÁLOBÁSO CHÁPIYE DUKUL<br /> | |||
TÁREO JE BHÁLOBÁSENI<br /> | |||
ÁMI JÁNI, ÁMI JÁNI<br /> | |||
BHÁLOBÁSO MARUR MÁYÁ<br /> | |||
ADRI SÁGAR TARUR CHÁYÁ<br /> | |||
BHÁLOBÁSO ASÁ JÁOÁ<br /> | |||
HÁSÁ KÁNDÁR KÁHINII<br /> | |||
ÁMI JÁNI, ÁMI JÁNI<br /> | |||
BHÁLOBÁSO SABÁY TUMI<br /> | |||
ÁMI JÁNI, ÁMI JÁNI<br /> | |||
O Lord, You love all, I know that well. You love smiling morning, and You love, dark night<br /> | |||
as well as sweet moonlit night. You love bloomed flower, and the coloured buds swinging<br /> | |||
rhythmically. Even those who do not love You, You over flowingly love them. You love<br /> | |||
desert mirage, mountains, oceans, and tree shades. You love coming and going, and events of<br /> | |||
cries and smile.<br /> | |||
=== 3898 (19/12/1986) === | |||
BHÁLOBESE CHILE MAN | |||
BHARILE VYATHÁ BUJHILE<br /> | |||
PALAKE PALAKE NUTAN | |||
ÁLOKE PHUL PHOT́ÁLE<br /> | |||
VYATHÁ BUJHILE<br /> | |||
JÁHÁ KEHO KABHU BHÁVITE PÁRENI<br /> | |||
BHÁVIBÁR KEU TRILOKE ÁSENI<br /> | |||
ÁKÁSHA VÁTÁS TRIDASHAO RACENI<br /> | |||
TUMI SAB KICHU KARILE<br /> | |||
VYATHÁ BUJHILE<br /> | |||
JÁGÁLE VISHVE, PRÁŃERI ÁVEGA<br /> | |||
DILE BHÁLOBÁSÁ CITI SAMVEGA<br /> | |||
PARAMÁŃU MÁJHE DILE GATI VEGA<br /> | |||
NIJA RACANÁY LUKÁLE<br /> | |||
VYATHÁ BUJHILE<br /> | |||
BHÁLOBESE CHILE MAN | |||
BHARILE VYATHÁ BUJHILE<br /> | |||
O Lord, You loved me, satiated my mind understanding my agony. Each moment, in new light<br /> | |||
You bloomed flowers. That which no one could imagine any time, no one capable of<br /> | |||
understanding ever came into the three worlds. The sky, air and heaven was not created<br /> | |||
You did all. You awakened in the world the impulse of life, provided love and momentum of<br /> | |||
Consciousness. You provided acceleration within atom and hid Yourself within the creation.<br /> | |||
=== 3899 (16/12/1986) === | |||
BÁRE BÁRE JIIVER TARE<br /> | |||
ÁSO TUMI E DHARÁTE<br /> | |||
DEVÁDIDEVA SAMBHÚTITE<br /> | |||
SRIŚT́I STHITI PRALAYERI<br /> | |||
HE ADHIISHVAR PRIITIR SROTE<br /> | |||
ÁSO TUMI E DHARÁTE<br /> | |||
KEU JÁNENÁ KOTHÁO THÁKO<br /> | |||
KENO TUMI THÁMO NÁKO<br /> | |||
HOETO ÁSÁ JÁOÁ NEIKO<br /> | |||
LIILÁY NÁCÁO NIJER MATE<br /> | |||
ÁSO TUMI E DHARÁTE<br /> | |||
TÁRAK BRAHMA PARAM<br /> | |||
PRIYA SAKAL GUŃEI VARAŃIIYA<br /> | |||
SAB LOKER TUMII DHYEYA<br /> | |||
THÁKO SÁTHE OTAH PROTE<br /> | |||
ÁSO TUMI E DHARÁTE<br /> | |||
BÁRE BÁRE JIIVER TARE<br /> | |||
ÁSO TUMI E DHARÁTE<br /> | |||
O Lord, You come to this earth again and again for the living beings. O The Supreme<br /> | |||
Divinity, You come as medium of Great creation, within creation, sustenance and<br /> | |||
destruction, O The Controller, through the stream of love. No one knows where is Your<br /> | |||
abode, and why do not You pause. Without coming and going, You make everything revolve<br /> | |||
with illusion, as per Your wish. O The Ta’raka Brahma, Dear Most, adorable with all<br /> | |||
attributes, You are the object of meditation of the whole universe, staying together<br /> | |||
individually and collectively.<br /> | |||
=== 3900 (19/12/1986) === | |||
BHALOBÁSI TOMÁY ÁMI<br /> | |||
TABU KENO DÚRE ÁCHO<br /> | |||
CALÁ BASÁ KÁNDÁ HÁSÁ<br /> | |||
SABAI JAKHAN DEKHE CALECHO<br /> | |||
TABU KENO DÚRE ÁCHO<br /> | |||
THÁKI JAKHAN NIBHRITE<br /> | |||
BHÁVI MANE ÁCAMBHITE<br /> | |||
JE PRIYA KE RÁKHI CITE SE<br /> | |||
TUMI BHULE RAYECHO<br /> | |||
TABU KENO DÚRE ÁCHO<br /> | |||
MOR JIIVANER SAKÁLE SÁNJHE<br /> | |||
PRAVRTTI NIVRTTIR MÁJHE<br /> | |||
SHUBHÁSHUBHA SAKAL KÁJE<br /> | |||
THEKEO DÚRE RAYE GECHO<br /> | |||
TABU KENO DÚRE ÁCHO<br /> | |||
BHALOBÁSI TOMÁY ÁMI<br /> | |||
TABU KENO DÚRE ÁCHO<br /> | |||
O Lord, I love You, then why do You remain away? While You go on seeing the movements<br /> | |||
rests, crying and smile of all. When seated in isolation, I think in the mind with<br /> | |||
astonishment, those who hold that Dear in the mind, them You have kept forgotten. During<br /> | |||
mornings and evenings of my life, within thoughts and calmness, in all actions good or<br /> | |||
bad, even if present, You stay away.<br /> | |||
=== 3901 (20/12/1986) D === | |||
TOMÁY, CENÁ HOLO DÁY<br /> | |||
JAKHANI BHÁVI CINE GECHI?<br /> | |||
BHULE JÁI MÁYÁY<br /> | |||
TOMÁY, CENÁ HOLO DÁY<br /> | |||
ARUPA RATAN TUMI JÁNI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ARUPA RATAN TUMI JÁNI<br /> | |||
RÚPERI HIRAKA KHANI<br /> | |||
SAB DYOTANÁY MADHYA MAŃI<br /> | |||
BHÁVE JHALAKÁY<br /> | |||
TOMÁY, CENÁ HOLO DÁY<br /> | |||
AJÁNÁ PATHIK HE PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AJÁNÁ PATHIK HE PRIYA<br /> | |||
MOR KOT́I PRAŃATI NIO<br /> | |||
SÁMARASYE BHARE DIO<br /> | |||
MADHUR LIILÁY<br /> | |||
TOMÁY, CENÁ HOLO DÁY<br /> | |||
O Lord, it is difficult to understand You. Whenever I think, I have recognised You, I<br /> | |||
forget again due to illusion. I know You as most precious formless gem, the mine of<br /> | |||
beautiful diamonds. As the central gem of all glittering gestures, You show the glimpses.<br /> | |||
O Dear, Unknown traveler, accept millions of my salutations. Fill Your sweet illusive<br /> | |||
game, liila with flow of melody.<br /> | |||
=== 3902 (21/12/1986) K === | |||
TOMÁY ÁMI CEYE CHILUM<br /> | |||
JYOTSANÁ RÁTER SVAPANE<br /> | |||
SVAPANE GO SVAPANE<br /> | |||
ELE KÁCHE ÁNDHÁR MÁJHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ELE KÁCHE ÁNDHÁR MÁJHE<br /> | |||
LAOHA KÁRÁR EK KOŃE<br /> | |||
SVAPANE GO SVAPANE<br /> | |||
BUKER KÁCHE TOMÁR SITÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BUKER KÁCHE TOMÁR SITÁR<br /> | |||
BÁJÁLO TÁR UCCHALATÁR<br /> | |||
MANTRA MUGDHA HOLUM TÁHÁR<br /> | |||
VIRATIHIINA GUINJANE<br /> | |||
SVAPANE GO SVAPANE<br /> | |||
KAILO SE KÁNE KÁNE ÁMÁR<br /> | |||
NAOKO EKÁ ÁMI JE TOMÁR<br /> | |||
NAYKO STHÁII E ANDHAKÁR<br /> | |||
ÁSCHE ÁLO ARUŃE<br /> | |||
SVAPANE GO SVAPANE<br /> | |||
TOMÁY ÁMI CEYE CHILUM<br /> | |||
JYOTSANÁ RÁTER SVAPANE<br /> | |||
O Lord, I have loved You, in the dreams of moonlit nights. You came close during darkness<br /> | |||
in one corner of iron prison. In my bosom, Your string instrument, sita’r, played with<br /> | |||
restless strings. With the pause less resonance of that, I became enchanted. That<br /> | |||
whispered into my ears, “ you are not alone, when I am yours, this darkness is not<br /> | |||
permanent, the morning light will come”.<br /> | |||
=== 3903 (22/12/1986) K === | |||
MANDRITA ÁKÁSHE, BALÁKÁRÁ BHÁSE<br /> | |||
SAḾGIITA CHÚT́E JÁY<br /> | |||
MAN MOR TÁRE CHUNTE DHÁY<br /> | |||
ALAKŚITA KARE VIIŃÁR JHAUNKÁRE<br /> | |||
PALE PALE MIIŔA JÁGÁY<br /> | |||
MAN MOR TÁRE CHUNTE DHÁY<br /> | |||
EKELÁ CALE ESO? KE KOTHÁY ÁCHO BHAVE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EKELÁ CALE ESO? KE KOTHÁY ÁCHO BHAVE<br /> | |||
NANDITA BHUVANER MILITA ANUBHAVE<br /> | |||
JÁHÁ CHILO JÁHÁ NÁHI SAKALI HETHÁY PÁVE<br /> | |||
SHUNILE BHOLÁ NÁHI JÁY<br /> | |||
MAN MOR TÁRE CHUNTE DHÁY<br /> | |||
ACENÁ AJÁNÁ LOKA HOTE ÁSIÁCHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ACENÁ AJÁNÁ LOKA HOTE ÁSIÁCHI<br /> | |||
PUNAH AJÁNÁR PÁNE BHÁSIYÁ CALIYÁCHI<br /> | |||
EKAI LAKŚYA CHILO, EKERE NIYEI ÁCHI<br /> | |||
SE EKE JAGAT JHALAKÁY<br /> | |||
MAN MOR TÁRE CHUNTE DHÁY<br /> | |||
MANDRITA ÁKÁSHE, BALÁKÁRÁ BHÁSE<br /> | |||
SAḾGIITA CHÚT́E JÁY<br /> | |||
MAN MOR TÁRE CHUNTE DHÁY<br /> | |||
In the resonant sky, the swans glide, and the music goes on rushing. My mind runs towards<br /> | |||
touching them. In the unseen hands, the tinkling of viin’a’, each moment awakes a<br /> | |||
chord. Come all alone, who else is there in the world? This is a mixed experience of the<br /> | |||
happy world. Whatever existed, whatever did not exist, in all that is found, and cannot be<br /> | |||
forgotten on hearing. Through the unknown, unrecognised arena I have come. And go on | |||
floating towards unknown again. There was only one desideratum, I am holding that alone<br /> | |||
that singular is shown as glimpses in the world.<br /> | |||
=== 3904 (22/12/1986) K === | |||
ALAKHA NIRAINJANA TUMI PRIYA<br /> | |||
TOMÁR LIILÁR KABHU NÁHI SHEŚA<br /> | |||
TOMÁR LIILÁR KABHU NÁHI SHEŚA<br /> | |||
TOMÁR LIILÁR KABHU NÁHI SHEŚA<br /> | |||
VISHVA MANORAINJANA ADVITIIYA<br /> | |||
NIRVIKÁR NIRVISHEŚA<br /> | |||
TOMÁR LIILÁR KABHU NÁHI SHEŚA<br /> | |||
BHORER ÁLOY ÁCHO KUSUME PHUT́E<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHORER ÁLOY ÁCHO KUSUME PHUT́E<br /> | |||
RÁTER KÁLOY GHUME AKŚI PUT́E<br /> | |||
SANDHYÁY SINDHUR SONÁLII TAT́E<br /> | |||
SONÁO SAMÁPTIR SANDESHA<br /> | |||
TOMÁR LIILÁR KABHU NÁHI SHEŚA<br /> | |||
TUMI ÁCHO TÁI EI JAGAT ÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ÁCHO TÁI EI JAGAT ÁCHE<br /> | |||
TOMÁR CARAŃA GHIRE SAKALE NÁCE<br /> | |||
TAVA NÚPURER SHINJINE BÁJE<br /> | |||
MAHÁ SAḾGIITER MADHUR E RESHA<br /> | |||
TOMÁR LIILÁR KABHU NÁHI SHEŚA<br /> | |||
ALAKHA NIRAINJANA TUMI PRIYA<br /> | |||
TOMÁR LIILÁR KABHU NÁHI SHEŚA<br /> | |||
O Unseen Spotless Dear You, there is no end of Your illusive game, liila. O Charmer of<br /> | |||
the world, without a second, immutable, and without attributes. You are present in the<br /> | |||
bloomed flower of the morning and as sleep on the eyelids in the darkness of the night.<br /> | |||
During evening on the golden beach of the ocean, You announce the message of the<br /> | |||
finishing. You are there hence this world is there. All revolve around Your feet. The<br /> | |||
tinkling of Your ankle bell sounds leaving sweet effect of Grand music.<br /> | |||
=== 3905 (22/12/1986) D === | |||
ÁMI, CINITE PÁRINI TOMÁRE<br /> | |||
TUMI YADIO ÁCHO SÁTHE<br /> | |||
BUJHINI BHÁLOBÁSO ÁMÁRE<br /> | |||
YADIO ÁSHIIS VAHI MÁTHE<br /> | |||
TUMI YADIO ÁCHO SÁTHE<br /> | |||
SÁGAR JÁNE NÁ CÁNDA TÁRE T́ÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SÁGAR JÁNE NÁ CÁNDA TÁRE T́ÁNE<br /> | |||
TÁI SE JOÁRE DHÁY TÁR PÁNE<br /> | |||
AYASKÁNTA NÁ BOJHE NÁ JÁNE<br /> | |||
SUMERU CÁY TÁKE BÁNDHITE<br /> | |||
TUMI YADIO ÁCHO SÁTHE<br /> | |||
JE PARÁG RAYE GECHE KORAKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE PARÁG RAYE GECHE KORAKE<br /> | |||
JÁNENÁ KESHAR DHARE ÁCHE TÁKE<br /> | |||
JE MADHU RAYECHE MADHUPARKE<br /> | |||
BHULE GECHE TÁR SAḾVIITE<br /> | |||
TUMI YADIO ÁCHO SÁTHE<br /> | |||
ÁMI, CINITE PÁRINI TOMÁRE<br /> | |||
TUMI YADIO ÁCHO SÁTHE<br /> | |||
O Lord, even though You are ever together with me, I am unable to recognise You. Even if I<br /> | |||
am carrying Your blessings on the head, I could not understand that You loved me. The<br /> | |||
ocean does not know that the moon pulls that, hence it gushes through tides towards You.<br /> | |||
The loadstone does not know and understand that the mountain wants to tie that. The<br /> | |||
fragrance remaining in the nucleus of the flower does not know that the pollen had held<br /> | |||
that. The honey remaining in the syrup has forgotten its essential value.<br /> | |||
=== 3906 (23/12/1986) D === | |||
TUMI RUDRA ÁMI KŚUDRA<br /> | |||
TUMI MOR PÁNE CÁO KRPÁ KARE<br /> | |||
TUMI SINDHU ÁMI VINDU<br /> | |||
TAVA ÁSHRAYE RÁKHO ÁMÁRE<br /> | |||
TUMI MOR PÁNE CÁO KRPÁ KARE<br /> | |||
NABHAH NILAYE JATA TÁRÁ ÁCHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NABHAH NILAYE JATA TÁRÁ ÁCHE<br /> | |||
KEU STHIRA NAY SABE CHUT́ITECHE<br /> | |||
VICITRA GATI AJINEYA PRAKRTI<br /> | |||
SABE BÁNDHÁ TAVA PRIITI D́ORE<br /> | |||
TUMI MOR PÁNE CÁO KRPÁ KARE<br /> | |||
NAI NIIHÁRIKÁ NAIKO SÚRYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NAI NIIHÁRIKÁ NAIKO SÚRYA<br /> | |||
BÁJE NÁKO MOR VIJAYA TÚRYA<br /> | |||
ÁMI TAVA AŃU HE BHUMÁ KRSHÁŃU<br /> | |||
NECE CALI TAVA CÁRI DHÁRE<br /> | |||
TUMI MOR PÁNE CÁO KRPÁ KARE<br /> | |||
TUMI RUDRA ÁMI KŚUDRA<br /> | |||
TUMI MOR PÁNE CÁO KRPÁ KARE<br /> | |||
O Lord, You are Great and I am meagre, You graciously pay attention to me. You are ocean | |||
and I am a drop, keep me under Your shelter. All the stars that are present in the Great<br /> | |||
Blue sky, no one is stationary, all go on rushing. The unknowable nature has amazing<br /> | |||
movement, all are tied with the rope of love. There is no nebula or sun where my victory<br /> | |||
horn does not sound. I am Your atom, O the Great Cosmic Fire, and go on revolving around<br /> | |||
You.<br /> | |||
=== 3907 (23/12/1986) D === | |||
TUMI, KUSUM KORAK SAMA KOMALA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TABE KURIISH KAT́HOR KENO HOLE<br /> | |||
KUSUM KORAK SAMA KOMALA<br /> | |||
NIIP NIKUNJE JE VEŃU BÁJÁTE<br /> | |||
SVARÁGHÁTA? TÁTE KENO DILE<br /> | |||
KUSUM KORAK SAMA KOMALA<br /> | |||
JE MALAY VÁYA BHARE SANDHYÁY<br /> | |||
CANDAN SPARSHA DITO GÁY<br /> | |||
MADHYÁHNE MÁRTAND́A JVÁLÁY<br /> | |||
HUTÁSH TÁKE KENO KARILE<br /> | |||
KURIISH KAT́HOR KENO HOLE<br /> | |||
KUSUM KORAK SAMA KOMALA<br /> | |||
TABU TAVA SÁTHE NITYA KÁLE MISHE<br /> | |||
THÁKI CHANDE O TÁLE<br /> | |||
TAVA NÚPURE NIKKAN D́ORE<br /> | |||
MOR MAN JENO DULE CALE<br /> | |||
KURIISH KAT́HOR KENO HOLE<br /> | |||
KUSUM KORAK SAMA KOMAL<br /> | |||
O Lord, You are soft like the pollen of flower, then why did You become hard like a stone?<br /> | |||
Those who played flute in the niip arbor, why did You forbid, stop them? The air filled<br /> | |||
with sandal fragrance during morning and evening, applied sandal paste touch on the body<br /> | |||
during noon with burning heat of the sun, why did You burn? Still merged along with You<br /> | |||
all the time, I stay with rhythm and beats. With the twine of the ankle bell sound of<br /> | |||
Yours, my mind goes on swinging.<br /> | |||
=== 3908 (23/12/1986) D === | |||
AŃUTE AŃUTE BHARIÁ RAYECHO<br /> | |||
AŃUTE AŃUTE BHARIÁ RAYECHO<br /> | |||
AŃUTE AŃUTE BHARIÁ RAYECHO<br /> | |||
RAYECHO MANER GAHANE<br /> | |||
BHÁVE BHÁVÁTIITE NÁCIÁ CALECHO<br /> | |||
MÁTIÁ REKHECHO BHUVANE<br /> | |||
TUMI, RAYECHO MANER GAHANE<br /> | |||
ANALE DÁHIKÁ HIME SHIITALATÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANALE DÁHIKÁ HIME SHIITALATÁ<br /> | |||
PHULE KOMALATÁ PAYE SHUBHRATÁ<br /> | |||
ULKÁY DIYE GATI TIIVRATÁ<br /> | |||
NIJERE REKHECHO GOPANE<br /> | |||
TUMI, RAYECHO MANER GAHANE<br /> | |||
JÁHÁ CHILO ÁCHE JÁHÁ THEKE JÁBE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁHÁ CHILO ÁCHE JÁHÁ THEKE JÁBE<br /> | |||
ANANTE JÁHÁ KABHU NÁ ÁSIBE<br /> | |||
JANAME MARAŃE UTSAVÁSAVE<br /> | |||
VIMURTA TAVA MANANE<br /> | |||
TUMI, RAYECHO MANER GAHANE<br /> | |||
AŃUTE AŃUTE BHARIÁ RAYECHO<br /> | |||
RAYECHO MANER GAHANE<br /> | |||
O Lord, You pervade all filling each atom and the depth of the mind. You go on dancing<br /> | |||
within and beyond feelings, keeping the world under frenzy. As the burning capability in | |||
fire and cooling capacity in snow, softness in flower, whiteness in milk, providing<br /> | |||
momentum in the meteorites, You keep Yourself secretly hidden. Whatever existed, what is<br /> | |||
present now and whatever would remain, and whatever would never come in the infinity, in | |||
life and death, spirit of festivity, they are all materialized within Your mind.<br /> | |||
=== 3909 (24/12/1986) D === | |||
NIIL SAROVARE DINAKAR KARE<br /> | |||
PHUT́E CHILO EK SARORUHA<br /> | |||
CÁY NI SE KONO VITTA VIBHAVA<br /> | |||
PRATIŚT́HÁ YASHA SAMÁROHA<br /> | |||
PHUT́E CHILO EK SARORUHA<br /> | |||
DULITO DODUL DOLE SE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DULITO DODUL DOLE SE<br /> | |||
UŚÁR URMI ÁVESHE<br /> | |||
NÁCITO CHANDE MOHANÁNANDE<br /> | |||
EKÁNTE RASA RABHASE<br /> | |||
KEU, CENE NI TÁHÁRE JÁNENI TÁHÁRE<br /> | |||
DEKHE NI TÁHÁR UHAVOHA<br /> | |||
PHUT́E CHILO EK SARORUHA<br /> | |||
CHUT́E ELO JHAŔA ULKÁ PRALAY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHUT́E ELO JHAŔA ULKÁ PRALAY<br /> | |||
KŚUDRA JIIVANE TÁKI TÁR SAY<br /> | |||
ELO KÁLO CHÁYÁ KUHELIKÁ MÁYÁ<br /> | |||
NÁMILO AKÁLE DUHSAMAY<br /> | |||
MÁNUŚER HÁTE JIGHÁNSÁ SÁTHE<br /> | |||
DILO TÁRE DUHKHA DUHSAHA<br /> | |||
CHENŔÁ MRIŃÁLER JVÁLÁ DÁHA<br /> | |||
PHUT́E CHILO EK SARORUHA<br /> | |||
NIIL SAROVARE DINAKAR KARE<br /> | |||
PHUT́E CHILO EK SARORUHA<br /> | |||
One lotus bloomed in the blue pond with the ray of sun. It does not want any riches or<br /> | |||
wealth, or even grand assemblage of prestige and fame. Those who oscillate on the swings<br /> | |||
with the impulse of morning waves, they dance with charming bliss rhythmically, in | |||
isolation with the upsurge of flow. No one knows them or recognise them or see their<br /> | |||
thought waves. The annihilating meteorite come rushing, can the meagre living beings<br /> | |||
tolerate that? The dark shadow of illusive fog comes untimely bring bad period. The<br /> | |||
killing fury in hands of human beings, provide them unbearable sorrow, like burning of<br /> | |||
lotus stalk.<br /> | |||
=== 3910 (24/12/1986) D (Bengali dialect) === | |||
TU JAKHAN ÁS CHILI MUR<br /> | |||
TU JAKHAN ÁS CHILI MUR<br /> | |||
GHAR KE RE NIT́HUR<br /> | |||
MU TAKHAN BHÁL CHILI TU KE<br /> | |||
MAUL RUKHER ÁŔÁLE BAISYE<br /> | |||
TUR CIKAN SHYÁMAL<br /> | |||
TUR CIKAN SHYÁMAL<br /> | |||
CIKAN SHYÁMAL ÁNANA<br /> | |||
KOMAL HÁSITE MADHUR<br /> | |||
CHILO JE MUR NAYANE MISHYE<br /> | |||
MAUL RUKHER ÁŔÁLE BAISYE<br /> | |||
MUR ÁNKHIR KÁJAL<br /> | |||
MUR ÁNKHIR KÁJAL<br /> | |||
ÁNKHIR KÁJAL BHÁVERI JAL<br /> | |||
EK HOE BAITE CHILO DHÁRÁ<br /> | |||
MANER MAYUR MANER MAYUR MÁTHÁR KEYUR<br /> | |||
NÁC CHILO HOYE ÁTMA HÁRÁ<br /> | |||
TU HAT́HÁT ESE, HAT́HÁT ESE, KÁR ÁVESHE<br /> | |||
GELI CALE KUN VIDESHE<br /> | |||
MAUL RUKHER ÁŔÁLE BAISYE<br /> | |||
SEI THEKYE MAN SEI THEKYE MAN KATHÁ SHUNE NÁ<br /> | |||
KONO MÁNÁI MUR MÁNE NÁ<br /> | |||
BELÁ ABELÁ JÁNE NÁ<br /> | |||
TUKE CHÁŔÁ KICHU CÁHE NÁ<br /> | |||
RÁTE DINE, RÁTE DINE SÁNJHE VIHÁNE<br /> | |||
TUKEI KHUNJE PÁTÁL ÁKÁSHE<br /> | |||
MAUL RUKHER ÁŔÁLE BAISYE<br /> | |||
TU JAKHAN ÁS CHILI MUR<br /> | |||
TU JAKHAN ÁS CHILI MUR, GHAR KE RE NIT́HUR<br /> | |||
MU TAKHAN BHÁL CHILI TU KE<br /> | |||
MAUL RUKHER ÁŔÁLE BAISYE<br /> | |||
O Merciless, when you had come to my home, I had loved you. You were sitting under the<br /> | |||
shade of mahua tree. Your soft dark complexion face wore sweet smile. That mingled in my<br /> | |||
eyes. The dark decoration mark and the tears of emotion, mixed together flowed to the<br /> | |||
ground. My mental peacock and the hackle of the head danced with full engrossment. You<br /> | |||
came suddenly, with some unknown impulse went away far off. Since then my mind does not<br /> | |||
listen to me. It has lost the consideration of time and does not want anything other than | |||
you. It goes on searching for you day and night, morning and evening in all worlds.<br /> | |||
=== 3911 (25/12/1986) K === | |||
BHUMÁ KUVALAYE DIGVALAYE<br /> | |||
JE ÁLO D́HÁLILE PRIYA<br /> | |||
TÁ BHESE CALE TÁ NECE CALE<br /> | |||
ANÁDI SARITE BHÁVERI SHROTE<br /> | |||
ALAUNGHYA AVARŃANIIYA<br /> | |||
KÁLE AKÁLE<br /> | |||
TÁ BHESE CALE TÁ NECE CALE<br /> | |||
EKAK ADVITIIYA HE MAHÁ KÁLA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EKAK ADVITIIYA HE MAHÁKÁLA<br /> | |||
CHANDE TÁLE LAYE NÁCE UTTÁLA<br /> | |||
SUSMITA ÁNANDE? MANERI GOPÁL<br /> | |||
HÁSO LIILÁRI CHALE<br /> | |||
TÁ BHESE CALE TÁ NECE CALE<br /> | |||
TUMI CHÁŔÁ KEU NEI VISHRIT́ITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI CHÁŔÁ KEU NEI VISHRIT́ITE<br /> | |||
SABÁR MÁJHÁRE THEKE SABÁR ÚRDHVE<br /> | |||
AŃUTE AŃUTE ÁCHO OTAH PROTE<br /> | |||
PRATI PALE VIPALE<br /> | |||
TÁ BHESE CALE TÁ NECE CALE<br /> | |||
BHUMÁ KUVALAYE DIGVALAYE<br /> | |||
JE ÁLO D́HÁLILE PRIYA<br /> | |||
TÁ BHESE CALE TÁ NECE CALE<br /> | |||
O Dear, the effulgence that You have poured all over the Cosmic blue lotus, that goes on | |||
floating, goes on dancing, originating from the will, like a beginning less stream, that<br /> | |||
is beyond description and insurmountable at any time. The Singular, without a second, O<br /> | |||
the Great Devourer, it goes on dancing agitated, with rhythm beats and melody. O the<br /> | |||
mental Gopa’l with blissful smile, and illusive game liila, You smile. In this Great<br /> | |||
Creation, there is nothing other than You. You exist within all and above all.<br /> | |||
Individually and collectively, You are present in each atom, each moment.<br /> | |||
=== 3912 (26/12/1986) D === | |||
SONÁLI SVAPAN ÁSHÁR SVANAN | |||
NÚTAN KARIÁ ELO E BÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHINŔE CHILO JE SETÁRERA TÁRA<br /> | |||
NAVA RÁGE BHULILO JHAUNKÁRA<br /> | |||
NÚTAN KARIÁ ELO E BÁR<br /> | |||
ÁSIÁCHO TUMI OGO PRIYATAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSIÁCHO TUMI OGO PRIYATAMA<br /> | |||
RAJAN PARIBHURAINJAN MAMA<br /> | |||
ÁLÁPE ÁVESHE BHÁVE ANUPAMA<br /> | |||
SAKAL SHUBHER SUSAMÁHÁRA<br /> | |||
NÚTAN KARIÁ ELO E BÁR<br /> | |||
ANDHA TAMASÁ JANA MÁNASERA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANDHA TAMASÁ JANA MÁNASERA<br /> | |||
SARÁIÁ CHILE YUGÁNTARERA<br /> | |||
JE PRAMÁ CHILO NÁ JIIVANE TÁDER<br /> | |||
ÁNILE RDDHI SIDDHI TÁRA<br /> | |||
NÚTAN KARIÁ ELO E BÁR<br /> | |||
SONÁLI SVAPAN ÁSHÁR SVANAN | |||
NÚTAN KARIÁ ELO E BÁR<br /> | |||
The golden dream with resonance of hope, came this time in a new way. It plucked the<br /> | |||
strings of the seta’r, in a new tune forgetting the tinkling. O the Dearest, You came<br /> | |||
colouring my whole surrounding. With incomparable feelings, impulse and tune, as aggregate<br /> | |||
of all auspicious. You removed the intense darkness accumulated in public mind for ages.<br /> | |||
Those, who did not have balanced life, You brought success and accomplishments in their<br /> | |||
life.<br /> | |||
=== 3913 (26/12/1986) K === | |||
SE PRIYA YADI NÁ ELO<br /> | |||
KENO MICHE VEŃII BÁNDHÁ<br /> | |||
KÁHÁR TARE GHAR SÁJIYE<br /> | |||
SVÁGATERI GIITI SÁDHÁ<br /> | |||
KENO MICHE VEŃII BÁNDHÁ<br /> | |||
KAPOLE TIL CIHNA ENKE<br /> | |||
KAPÁLE T́IP VRITHÁI RÁKHÁ<br /> | |||
SVARŃA DIIPER SARPI SIKTA<br /> | |||
SALITÁY KRISHÁŃU SHIKHÁ<br /> | |||
D́EKE YÁDI NÁ DEY SÁŔÁ<br /> | |||
KENOI TABE TÁKE D́ÁKÁ<br /> | |||
DARSHAN O VIJINÁN NÁHI PÁY<br /> | |||
YUKTI VITARKA ASMITÁ<br /> | |||
KENO MICHE VEŃII BÁNDHÁ<br /> | |||
AJÁNÁ PATHIK PÁSHE PÁSHEO<br /> | |||
THEKE SE DEY NÁ DHARÁ<br /> | |||
MANER MÁJHE LUKIYE THÁKE<br /> | |||
MANER DIIPER ÁLO JHARÁ<br /> | |||
MANANE SE KÁCHE ÁSE<br /> | |||
MANEI TÁKE PÁI JE MORÁ<br /> | |||
ÁMÁR “ÁMI”R VINIMAYE<br /> | |||
SARÁYE SE SAKALAI BÁNDHÁ<br /> | |||
KENO MICHE VEŃII BÁNDHÁ<br /> | |||
If that Dear does not come why did I uselessly tie my chignon, what for I decorated the<br /> | |||
house and rehearse welcome song? I uselessly marked my cheeks with dark mole, and the<br /> | |||
forehead. The flame of fire with butter moist wick in the golden lamp, ever after calling<br /> | |||
if I do not get response, what is the use of my calling? The philosophy and science cannot<br /> | |||
find with ego of logic and reason. The unknown traveler staying even very close does not<br /> | |||
come into folds. He stays hidden within the mind, scattering light from the mental lamp.<br /> | |||
By meditation, He comes close mentally, and by looking within the mind, I find Him, in | |||
exchange of my own “I” feeling, He who has bound all.<br /> | |||
=== 3914 (27/12/1986) D (Bengali dialect) === | |||
TU RÚPE LAYAN BHULÁI DILI<br /> | |||
TU RÚPE LAYAN BHULÁI DILI<br /> | |||
GUŃE VIBHOR KARAEYÁ DILI<br /> | |||
TU KUTHÁ CHILI KUTHÁKE GELI<br /> | |||
HAT́HÁT KENE EISYE CHILI<br /> | |||
GUŃE VIBHOR KARAEYÁ DILI<br /> | |||
DEKHYE LAYAN BHARE LÁI HÁMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DEKHYE LAYAN BHARE LÁI HÁMÁR<br /> | |||
ÁRO DEKHYÁR ÁSHÁ JE APÁR<br /> | |||
TU KE BHÁLATE GELE BHULATE GELE<br /> | |||
TUR MADHU MÚR MANE MÁKHÁLI<br /> | |||
GUŃE VIBHOR KARAEYÁ DILI<br /> | |||
BHÁVER GHARE TU JE ÁCHIS<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVER GHARE TU JE ÁCHIS<br /> | |||
NUKÁIN NUKÁIN LIILÁ KARIS<br /> | |||
TUKE JÁNATE GELE BUJHATE GELE<br /> | |||
TÚR BHÁVE MUR BHÁVE MISHÁLI<br /> | |||
GUŃE VIBHOR KARAEYÁ DILI<br /> | |||
TU RÚPE LAYAN BHULÁI DILI<br /> | |||
GUŃE VIBHOR KARAEYÁ DILI<br /> | |||
O Lord, by Your beauty, You made my eyes forget and enchanted me by Your attributes. Where<br /> | |||
were You, and where did You go, why came suddenly? My eyes are not satiated on looking at<br /> | |||
You. There is unlimited desire to see You more and more. You smeared honey in my mind. You<br /> | |||
came into the dwelling of ideas, and continue illusive game, liila, hiding Yourself.<br /> | |||
When I try to know and understand You, You merge my ideation in Your ideation.<br /> | |||
=== 3915 (27/12/1986) D ( Bengali dialect) === | |||
LUBIN SÁNJHE LUTUN CÁNDE<br /> | |||
D́ÁK DIYE JÁY KENE GO<br /> | |||
TU BOLO BOLO BOLO<br /> | |||
TU BOLO BOLO BOLO<br /> | |||
HAMÁR MANE SABÁR MANE<br /> | |||
HAŔKÁ LÁMÁY KENE GO<br /> | |||
UŚÁR ÁNKHI CHALA CHALA<br /> | |||
TU BOLO BOLO BOLO<br /> | |||
TU BOLO BOLO BOLO<br /> | |||
BHULATE LÁRI UYÁKE BHÁVI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHULATE LÁRI UYÁKE BHÁVI<br /> | |||
UYÁR BHÁVEI HÁSI D́UBI<br /> | |||
UYÁR LÁGI SAKAL TYÁGI<br /> | |||
MAN HOLO VIKALO<br /> | |||
TU BOLO BOLO BOLO<br /> | |||
TU BOLO BOLO BOLO<br /> | |||
RÁTE DINE SÁNJHA VIHÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÁTE DINE SÁNJHA VIHÁNE<br /> | |||
UYÁKE CÁI MAUL VANE<br /> | |||
Ú RÁJÁ MUR MOHAN MADHUR<br /> | |||
JIIVANE SAMBALO<br /> | |||
TU BOLO BOLO BOLO<br /> | |||
TU BOLO BOLO BOLO<br /> | |||
LUBIN SÁNJHE LUTUN CÁNDE<br /> | |||
D́ÁK DIYE JÁY KENE GO<br /> | |||
TU BOLO BOLO BOLO<br /> | |||
TU BOLO BOLO BOLO<br /> | |||
O Lord, in setting dusk with new moon, why do You go on calling me? You tell me. Why do<br /> | |||
You bring flood into my mind and all minds, overflowing dry eyes? I cannot forget Him, in | |||
spite of willing, smiling in that ideation, I sink. For The One for Whom I renounced all<br /> | |||
my mind is restless. Day and night, morning evening, I want Him in the mahul grove. He is<br /> | |||
my sweet charming King strength and treasure of my life.<br /> | |||
=== 3916 (28/12/1986) D === | |||
TUMI YADI NÁHI ELE<br /> | |||
TUMI YADI NÁHI ELE<br /> | |||
KÁHÁR TARE MOR ÁBHARAŃA<br /> | |||
KISER LÁGI SHRAVAŃA MANANA<br /> | |||
KISER TARE NIDIDHYÁSANA<br /> | |||
KÁHÁR TARE MOR ÁBHARAŃA<br /> | |||
MIIN THÁKE UDAK MÁJHE<br /> | |||
UDAK PELE TAVE SE BÁNCE<br /> | |||
MOR HIYÁ TOMÁTE NÁCE<br /> | |||
MOR HIYÁ TOMÁTE NÁCE<br /> | |||
TOMÁY NIYEI JIIVAN MARAŃA<br /> | |||
KÁHÁR TARE MOR ÁBHARAŃA<br /> | |||
CALÁR PATHE CIRA SÁTHI<br /> | |||
ÁNDHÁR RÁTE ÁLOR DYUTI<br /> | |||
LIILÁ KARO NITI NITI<br /> | |||
LIILÁ KARO NITI NITI<br /> | |||
BHARÁTE MOR E SHÚŃYA MAN | |||
KÁHÁR TARE MOR ÁBHARAŃA<br /> | |||
TUMI YADI NÁHI ELE<br /> | |||
KÁHÁR TARE MOR ÁBHARAŃA<br /> | |||
O Lord, if You do not come, what for is my dressing up? What for is listening, meditation | |||
and concentration? The fish lives in water and survives only on finding water. My heart<br /> | |||
dances for You and my life and death is for You only. O ever companion of the movement on | |||
the path, illumination of light during dark night, You ever go on performing divine<br /> | |||
illusive game, liila, filling my void mind.<br /> | |||
=== 3917 (28/12/1986) K === | |||
AJÁNÁ PATHIK MAN BHULÁLO<br /> | |||
KOTHÁ HOTE ESE KOTHÁY HÁRÁLO<br /> | |||
MANER PASARÁ D́HELE DILO<br /> | |||
AJÁNÁ PATHIK MAN BHULÁLO<br /> | |||
ALOKA ÁVESHE KATHÁ SE HÁRÁLO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALOKA ÁVESHE KATHÁ SE HÁRÁLO<br /> | |||
BHÁVER VIBHÁSE MATHIÁ HÁSILO<br /> | |||
BOLILO SABÁRE CALO ÁMÁR GHARE<br /> | |||
CITI SAMVITE PRIITITE BÁNDHILO<br /> | |||
AJÁNÁ PATHIK MAN BHULÁLO<br /> | |||
ARUŃÁLOTE SE ÁSIÁ CHILO<br /> | |||
ÁA<br /> | |||
ARUŃÁLOTE SE ÁSIÁ CHILO<br /> | |||
HEM RATHER PRAGRAH HÁTE CHILO<br /> | |||
CAKRA GHARGHARE ASIIMA AMBARE<br /> | |||
ÁLOKER EKT́I REKHÁ REKHE LUKÁLO<br /> | |||
AJÁNÁ PATHIK MAN BHULÁLO<br /> | |||
O Unknown traveler, You have deluded my mind. Coming from unknown place You are lost to<br /> | |||
unknown, pouring articles for the mind. With heavenly impulse, You spoke the facts<br /> | |||
churning with luster of feelings, You smiled. You told all, “ Come to my abode”, and<br /> | |||
tied with love and consciousness. He came with the morning light, with reign of chariot in | |||
hands. With whirling sound of the wheels, in the infinite space, marking a single line of<br /> | |||
effulgence, You hid.<br /> | |||
=== 3918 (29/12/1986) K === | |||
ÁNDHÁR SÁGAR PERIYE ELE<br /> | |||
ÁLO NIYE E DHARÁY<br /> | |||
KEU JÁNENI KEU BOJHENI<br /> | |||
AHAETUKII KARUŃÁY<br /> | |||
ÁLO NIYE E DHARÁY<br /> | |||
SABÁR MANEI EKERI ÁSHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABÁR MANEI EKERI ÁSHÁ<br /> | |||
EK KE GHIREI KÁNDÁ HÁSÁ<br /> | |||
EKERI SÁMARASYE BHÁSÁ<br /> | |||
PRIITIRI MADHUR ATÁYA<br /> | |||
ÁLO NIYE E DHARÁY<br /> | |||
KEU BOLENI ÁSCHE PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KEU BOLENI ÁSCHE PRIYA<br /> | |||
KEU BÁJÁY NI DUNDUBHIO<br /> | |||
KEU JÁNÁYNI E MADHURÁDHEYA<br /> | |||
D́HÁLBE PRÁŃER PASARÁY<br /> | |||
ÁLO NIYE E DHARÁY<br /> | |||
ÁNDHÁR SÁGAR PERIYE ELE<br /> | |||
ÁLO NIYE E DHARÁY<br /> | |||
O Lord, crossing the dark ocean You came, carrying light, You came on this earth. No one<br /> | |||
could know or understand, this causeless mercy. In all minds, there is hope for one, all<br /> | |||
crying and smiling is around that One, floating in singular soothing flow, with sweetness<br /> | |||
of love. No one declared that the Dear had come, no one played victory trumpet too. No one<br /> | |||
knew that this sweet adorable One would pour article of life.<br /> | |||
=== 3919 (29/12/1986) D === | |||
TOMÁR KARUŃÁRI ÁSHÁY<br /> | |||
SÁRÁ JIIVAN CEYE ÁCHI<br /> | |||
SÁRÁ JIIVAN CEYE ÁCHI<br /> | |||
GÁICHI TOMÁR GUŃA GÁTHÁ<br /> | |||
RÚPÁLOKE SNÁNA KARECHI<br /> | |||
SÁRÁ JIIVAN CEYE ÁCHI<br /> | |||
BOLO ÁMÁY KOTHÁY ÁCHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BOLO ÁMÁY KOTHÁY ÁCHO<br /> | |||
KÁR ANURAKTI BHÁLOBESECHO<br /> | |||
KON SE TÁLE NECE CALECHO<br /> | |||
CHANDA TÁR BHEVE CALECHI<br /> | |||
SÁRÁ JIIVAN CEYE ÁCHI<br /> | |||
ÁMÁR TUMI TOMÁR ÁMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR TUMI TOMÁR ÁMI<br /> | |||
E SÁR JENEO NÁIKO THÁMI<br /> | |||
D́ÁKCHI TOMÁY ESO NÁMI<br /> | |||
ÁMÁR ÁRO KÁCHÁ KÁCHI<br /> | |||
SÁRÁ JIIVAN CEYE ÁCHI<br /> | |||
TOMÁR KARUŃÁRI ÁSHÁY<br /> | |||
SÁRÁ JIIVAN CEYE ÁCHI<br /> | |||
O Lord, expecting Your grace, whole life I have been waiting. I sing Your glories and<br /> | |||
bathe in effulgence of Your beauty. Tell me where are You, with what affection do You<br /> | |||
love. In what rhythm do You go on dancing, about the meter of which I go on thinking. You<br /> | |||
are mine and I am Yours. Knowing this fact, I do not pause. I call You, You come down | |||
closer to me.<br /> | |||
=== 3920 (30/12/1986) === | |||
TOMÁY SHUDHU CEYECHI KÁCHE ÁMI<br /> | |||
TOMÁY SHUDHU BHÁLOBÁSI<br /> | |||
TOMÁR TARE MOR JANAM MARAŃA PRIYA<br /> | |||
TOMÁR NÁMEI KÁNDI HÁSI<br /> | |||
TOMÁY SHUDHU BHÁLOBÁSI<br /> | |||
JÁHÁ CHILO MOR MANE GAHANE SAYATANE<br /> | |||
BHÁŚÁR ATIITA TIIRE NIIRAVE SAḾGOPANE<br /> | |||
KEHO NÁ JÁNITE JÁHÁ SAB PRIITI SAB ANIIHÁ<br /> | |||
TOMÁTEI GECHE BHÁSI<br /> | |||
TOMÁY SHUDHU BHÁLOBÁSI<br /> | |||
TUMI CHÁŔÁ ÁMI NÁI, ÁMÁR VASUDHÁ NÁI<br /> | |||
PRAPANCE SHREYA PREYA DVITIIYA KICHU NÁ PÁI<br /> | |||
MARTYE CHILO JÁHÁ MARME JÁ CHILO VAHÁ<br /> | |||
TAVA BHÁVE GECHE MISHI<br /> | |||
TOMÁY SHUDHU BHÁLOBÁSI<br /> | |||
TOMÁY SHUDHU CEYECHI KÁCHE ÁMI<br /> | |||
TOMÁY SHUDHU BHÁLOBÁSI<br /> | |||
O Lord, I want You only close to me, and love You only. O Dear my berth and death is for<br /> | |||
You only and by Your name I smile and cry. Whatever was carefully preserved within my<br /> | |||
mind, silently and secretly, on side beyond language, no one knows and all love, O the<br /> | |||
Supreme, goes on floating towards You. Without You, I do not exist and have no world.<br /> | |||
Nothing else as benevolent or dearest, I find in the world. Whatever was in the mortal<br /> | |||
world, or within the core of the mind, all that flow and merge in Your ideation.<br /> | |||
=== 3921 (30/12/1986) D === | |||
ÁMI TOMÁRE KÁCHE PETE CÁI<br /> | |||
O GO PRIYA<br /> | |||
TUMI JÁNO KI NÁ JÁNO, BOLO<br /> | |||
SAHAJA BHÁVEI EGIE JÁI<br /> | |||
DVIDHÁ DVIMATA TILAKAO NÁI<br /> | |||
TABU KENO ÁMÁRE CHALO<br /> | |||
TUMI JÁNO KI NÁ JÁNO, BOLO<br /> | |||
RÁTRI DINE EKAT́I KATHÁI<br /> | |||
TOMÁR KÁŃE SHONÁTE CÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RÁTRI DINE EKAT́I KATHÁI<br /> | |||
TOMÁR KÁŃE SHONÁTE CÁI<br /> | |||
KONO ANUYOGA MOR NÁI<br /> | |||
PRIITIR GIITI SÁDHIYÁ JÁI<br /> | |||
TOMÁR BHÁVEI HOYE UCHALO<br /> | |||
TUMI JÁNO KI NÁ JÁNO, BOLO<br /> | |||
EKAT́I BHÁŚÁI ÁCHE ÁMÁR<br /> | |||
EKAT́I SUREI E EKTÁRÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EKAT́I BHÁŚÁI ÁCHE ÁMÁR<br /> | |||
EKAT́I SUREI E EKTÁRÁR<br /> | |||
SAKAL BHÁVER EK SAMÁHÁR<br /> | |||
ÁRO KÁCHE ESO ÁMÁR<br /> | |||
DÚRATVA SAHE NÁ EK PALAO<br /> | |||
TUMI JÁNO KI NÁ JÁNO, BOLO<br /> | |||
ÁMI TOMÁRE KÁCHE PETE CÁI<br /> | |||
O GO PRIYA<br /> | |||
TUMI JÁNO KI NÁ JÁNO, BOLO<br /> | |||
I cherish you to have you very close. O my dear Lord. Tell me if you understand this or<br /> | |||
not. I move ahead with a free mind. Without having a moment’s hesitation or second<br /> | |||
thought. Why do you then keep deceiving me? Day and night I strive To put this prayer of<br /> | |||
mine into your ears. I have no grievances. I only keep practicing you song s of love<br /> | |||
sincerely. I can articulate in one language only. My lute can play only one melody. You<br /> | |||
are the unique point at which all ideations converge. Pray come closer to me. I can not<br /> | |||
bear a separation from you even for a moment.<br /> | |||
=== 3922 (31/12/1986) D === | |||
CÁNDER DESHER APSARÁ SE<br /> | |||
CÁNDER DESHER APSARÁ SE<br /> | |||
CÁNDER DESHER APSARÁ SE<br /> | |||
CÁNDER DESHER APSARÁ SE<br /> | |||
BOLALE ESE PRADOŚE<br /> | |||
HESE HESE HESE HESE<br /> | |||
KISER TARE EMAN KARE<br /> | |||
BHÁVER GHORE ÁCHO KI ÁSHE<br /> | |||
BOLALE ESE PRADOŚE, HESE HESE<br /> | |||
JÁNI NÁKO ÁMI BOLI<br /> | |||
KÁR TARE DINE RÁTE CALI<br /> | |||
CALÁR SHEŚE KE SE ESE<br /> | |||
KAIBE KATHÁ BHÁLOBESE<br /> | |||
BOLALE ESE PRADOŚE, HESE HESE<br /> | |||
HE APSARÁ BOLO ÁMÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HE APSARÁ BOLO ÁMÁY<br /> | |||
SE MOR PRIYA THÁKE KOTHÁY<br /> | |||
KAR NÚPURE MOHAN PURE<br /> | |||
AJÁNÁJÁNÁY MESHE<br /> | |||
BOLALE ESE PRADOŚE, HESE HESE<br /> | |||
CÁNDER DESHER APSARÁ SE<br /> | |||
BOLALE ESE PRADOŚE, HESE HESE<br /> | |||
That Nymph from the arena of moon came and told in the pre evening smilingly, “For Whom<br /> | |||
with what hope, you are thinking so intensely like this”? I told, “ I do not know<br /> | |||
for Whom I am moving day and night, Who is there at the end of the journey, tell me about<br /> | |||
Him lovingly. O Nymph, tell me where is that Dear of mine dwelling, Whose charming ankle<br /> | |||
bell joins the known and unknown arenas.<br /> | |||
=== 3923 (01/01/1987) D === | |||
SHÁSTRA DARSHAN JÁNINÁ<br /> | |||
SHUDHU JÁNI TUMI JE ÁMÁR<br /> | |||
KRITRIM BHEDÁBHEDA MÁNI NÁ<br /> | |||
SABÁY JAKHAN EK SHILÁDHÁR<br /> | |||
SHUDHU JÁNI TUMI JE ÁMÁR<br /> | |||
EKAI MAHÁKÁSHER MÁJHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EKAI MAHÁKÁSHER MÁJHE<br /> | |||
RAVI SHASHI ULKÁ NÁCE<br /> | |||
CHÁYÁ PATH NIIHÁRIKÁ RÁJE<br /> | |||
PRTHAK GOTRA ÁCHE KII TÁHÁR?<br /> | |||
SHUDHU JÁNI TUMI JE ÁMÁR<br /> | |||
BRIHAT MANER EKT́I KOŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BRIHAT MANER EKT́I KOŃE<br /> | |||
SINDHU BELÁY SHUKTI SANE<br /> | |||
KHUNJE BEŔÁI SAḾGOPANE<br /> | |||
SE KOTHÁY JE SABÁR SAMÁHÁR<br /> | |||
SHUDHU JÁNI TUMI JE ÁMÁR<br /> | |||
SHÁSTRA DARSHAN JÁNINÁ<br /> | |||
SHUDHU JÁNI TUMI JE ÁMÁR<br /> | |||
O Lord, I do not know any scripture or philosophy, I only know that You are mine.<br /> | |||
I do not accept any artificial difference and distinction, when there is only One<br /> | |||
foundation. Within only one great sky in space the sun, moon and meteorites revolve, the<br /> | |||
galaxies and nebula exist. Do they have different caste or race? In one corner of the vast<br /> | |||
Cosmic mind, at the shore of the ocean along with shells, I secretly search, where is the<br /> | |||
He who is aggregate of all.<br /> | |||
=== 3924 (01/01/1987) K === | |||
LIILÁY ADVITIIYA SE JE ÁMÁR PRIYA<br /> | |||
SE DIN ESE CHILO MOR GHARE<br /> | |||
HOETO PATH BHULE HOETO LIILÁCHALE<br /> | |||
KENO ELE JÁNIBO KI KARE<br /> | |||
SE DIN ESE CHILO MOR GHARE<br /> | |||
ÁNANE CHILO HÁSA<br /> | |||
ÁNANE CHILO HÁSA NAYANE UDBHÁSA<br /> | |||
ÁNANE CHILO HÁSA NAYANE UDBHÁSA<br /> | |||
ÁNANE CHILO HÁSA NAYANE UDBHÁSA<br /> | |||
OŚT́HE ÁNKÁ CHILO MÁDHURII NIRYÁSA<br /> | |||
KARE CHILO VEŃU SE CINMAY TANU<br /> | |||
ÁSIBE BOLE GELO ELO NÁ PHIRE<br /> | |||
SE DIN ESE CHILO MOR GHARE<br /> | |||
KHUNJE KHUNJE PHIRI<br /> | |||
KHUNJE KHUNJE PHIRI SHUDHU TÁRI TARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KHUNJE KHUNJE PHIRI SHUDHU TÁRI TARE<br /> | |||
KOTHÁO NÁ PELUM BÁHIR SAḾSÁRE<br /> | |||
CEYE MAN MÁJHE DEKHI SE PRIYA RÁJE<br /> | |||
ALAKH ALAKE ÁLO JHARE<br /> | |||
SE DIN ESE CHILO MOR GHARE<br /> | |||
LIILÁY ADVITIIYA SE JE ÁMÁR PRIYA<br /> | |||
SE DIN ESE CHILO MOR GHARE<br /> | |||
The One without a second in performing the illusive game, liila is dear to me and that<br /> | |||
day He had come to my home. Did He come perchance forgetting the path or possibly by<br /> | |||
delusive game, liila, what for did He come, how can I know that? On His face was smile<br /> | |||
shine in the eyes, upon the lips was marked sweet essence. In His hand was flute, that<br /> | |||
embodiment of consciousness, told to return but never came back. I wander only looking for<br /> | |||
Him, but never found Him anywhere in the external world. When I looked within the mind, I<br /> | |||
found Him dwelling scattering unseen heavenly effulgence.<br /> | |||
=== 3925 (02/01/1987) K === | |||
KATA KÁCHE TABU KATA DÚR<br /> | |||
KATA KÁCHE TABU KATA DÚR<br /> | |||
BHÁŚÁY BÁNDHITE NÁ RE HE PRIYA TOMÁRE<br /> | |||
MÚKA HOYE JÁY SÁDHÁ SUR<br /> | |||
KATA KÁCHE TABU KATA DÚR<br /> | |||
KATA KÁCHE TABU KATA DÚR<br /> | |||
MANER TAT́INI DHÁY NAT́INII SAMA NECE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER TAT́INI DHÁY NAT́INI SAMA NECE<br /> | |||
UCCHÁSE ULLÁSE PÁOÁRI ABHILÁŚE<br /> | |||
SINDHUTE VINDU SAMA SE ESE MESHE<br /> | |||
RÚPE BHÁSE ARUPA CIKUR<br /> | |||
KATA KÁCHE TABU KATA DÚR<br /> | |||
KATA KÁCHE TABU KATA DÚR<br /> | |||
NANDITA STAMBHITA KARE DEY EKÁDHÁRE<br /> | |||
RÚPER DIIPA SHIKHÁ ARÚPA DIIPÁDHÁRE<br /> | |||
ASTI BHÁTI ÁNANDAERI UTSÁRE<br /> | |||
NECE CALE MANERI MAYUR<br /> | |||
KATA KÁCHE TABU KATA DÚR<br /> | |||
KATA KÁCHE TABU KATA DÚR<br /> | |||
O Lord, though so close, yet much far, with language You are impossible to get bound, O<br /> | |||
Dear. The wellrehearsed melody becomes dumb. The mental stream rushes dancing like a<br /> | |||
dancer, with enthusiasm and exhalation with strong will of attainment. Like a drop it<br /> | |||
comes to merge into the ocean, rash, floating as form into the formless. Together it<br /> | |||
pleases and stupefies, like beautiful flame of lamp on the formless lamp base. With the<br /> | |||
emanation of existence, brilliance and bliss, the mental peacock goes on dancing.<br /> | |||
=== 3926 (03/01/1987) K === | |||
JE TOMÁRE BHÁLOBÁSE<br /> | |||
KENO TÁRE BHULE THÁKO<br /> | |||
TÁRE DURE PHELE REKHE<br /> | |||
APARERA RAUNGA MANER MÁKHO<br /> | |||
KENO TÁRE BHULE THÁKO<br /> | |||
JE TOMÁRE DIYECHE SAB<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE TOMÁRE DIYECHE SAB<br /> | |||
DIYECHE MAN PRIITIR ÁSAVA<br /> | |||
HIYÁR SUDHÁ TÁR VASUDHÁ<br /> | |||
TÁR PÁNE ÁR TÁKÁO NÁKO<br /> | |||
KENO TÁRE BHULE THÁKO<br /> | |||
TUMI CHÁŔÁ ÁR JÁNE NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI CHÁŔÁ ÁR JÁNE NÁ<br /> | |||
DVITIIYA KÁREO MÁNE NÁ<br /> | |||
TOMÁR PÁNE ABHIDHYÁNE<br /> | |||
SAB DIYEO KICHUI CÁY NÁKO<br /> | |||
KENO TÁRE BHULE THÁKO<br /> | |||
JE TOMÁRE BHÁLOBÁSE<br /> | |||
KENO TÁRE BHULE THÁKO<br /> | |||
O Lord, those who love You, why do You remain oblivious of them? Ignoring them<br /> | |||
another’s colour You smear in the mind. He Who has offered his all to You, given mind<br /> | |||
and essence of love, nectar of heart, their whole world, towards them, why do not You look<br /> | |||
at them any more. Those who do not know anyone else other than You, do not accept any<br /> | |||
second entity, and towards You in meditation, offered all without desiring anything.<br /> | |||
=== 3927 (03/01/1987) D === | |||
SEI KAOMUDII SNÁTA NISHIITHE<br /> | |||
TUMI ÁSIÁ CHILE PRIYATAMA<br /> | |||
TAVA RÚPER APÁR DYUTITE<br /> | |||
SEI JYOTSNÁ HOLO MADHUR TAMA<br /> | |||
TUMI ÁSIÁ CHILE PRIYATAMA<br /> | |||
KÁCHEO DÚRER BHEDA SARE GELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁCHEO DÚRER BHEDA SARE GELO<br /> | |||
ABHRA MEKHALÁ KŚITI JE NÁSHILO<br /> | |||
MANER MAYUR KALAPE MÁTILO<br /> | |||
UTKRANTA MAYUKH SAMA<br /> | |||
TUMI ÁSIÁ CHILE PRIYATAMA<br /> | |||
MÁNUŚE MÁNUŚE JATA HÁNÁ HÁNI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁNUŚE MÁNUŚE JATA HÁNÁ HÁNI<br /> | |||
SVÁRTHERA VASHE VRTHÁ T́ÁNÁ T́ÁNI<br /> | |||
JÁHÁ KICHU JÁNI JÁHÁ NÁHI JÁNI<br /> | |||
SÁMARASYE MISHE GELO MAMA<br /> | |||
TUMI ÁSIÁ CHILE PRIYATAMA<br /> | |||
SEI KAOMUDII SNÁTA NISHIITHE<br /> | |||
TUMI ÁSIÁ CHILE PRIYATAMA<br /> | |||
O The Dearest, on that moonlight bathed night, You had come. By unlimited brilliance of<br /> | |||
Your beauty, that moonlight became sweetest. The distinction of near and far moved out.<br /> | |||
The series of high skies immersed into the earth. The mental peacock danced with raised<br /> | |||
tail, like highascended glow. All the killings between human beings, tussle due to<br /> | |||
selfishness, whatever I know and whatever I do not know, merged in my flow of composure.<br /> | |||
=== 3928 (04/01/1987) K === | |||
ÁMI PATH HÁRÁ PATHIK ESECHI ÁSHRAY TARE<br /> | |||
HATÁSHÁ NIMAJJITA ÁNDHÁRE ÁCCHÁDITA<br /> | |||
KRPÁ KARO PRABHU MORE<br /> | |||
ESECHI ÁSHRAY TARE<br /> | |||
ÁMÁR BOLITE ÁR KEHO NÁI ÁPANÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁMÁR BOLITE ÁR KEHO NÁI ÁPANÁR<br /> | |||
HUTÁSHE VIDAGDHITA CAETIKA UPÁCÁR<br /> | |||
TUMI VISHVER PRÁŃA MAHÁ BODHI MAHÁPRÁŃA<br /> | |||
T́HÁIN DÁO KARUŃÁ KARE<br /> | |||
ESECHI ÁSHRAY TARE<br /> | |||
JÁHÁR KEHO NÁI TUMII RAYECHO TÁHÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁHÁR KEHO NÁI TUMII RAYECHO TÁHÁR<br /> | |||
ANÁTHER NÁTHA TUMI ANURÁGE SAMÁHÁR<br /> | |||
PRASANNÁNANA TAVA ANINDYA ANUBHAVA<br /> | |||
SARÁYE KALUŚA NIKARE<br /> | |||
ESECHI ÁSHRAY TARE<br /> | |||
ÁMI PATH HÁRÁ PATHIK ESECHI ÁSHRAY TARE<br /> | |||
I am a traveler who has lost the proper path, coming for shelter, immersed n despair and<br /> | |||
covered with darkness. O Lord, shower grace on me. I have no one else amongst close by<br /> | |||
whom I can call my own and who can treat mentally, consoling a burn of fire. You are the<br /> | |||
life of the universe, the Great Intuition and Great vitality. Provide me shelter<br /> | |||
mercifully. Those who have none, for them You are there. You are the owner of destitute<br /> | |||
orphans with collected love. O the pleasing faced one, with flawless feelings, You remove<br /> | |||
the multitude of flaw and dirt.<br /> | |||
=== 3929 (04/01/1986) K === | |||
ÁMI, TOMÁY CEYE GECHI BÁRE BÁRE<br /> | |||
TUMI DEKHO KI NÁ BUJHINÁ<br /> | |||
ÁSHÁR PARE ÁSHÁ PÁVO TOMÁRE<br /> | |||
TUMI MOR HOVE KI NÁ JÁNINÁ<br /> | |||
TUMI DEKHO KI NÁ BUJHINÁ<br /> | |||
NIDÁGHER DHARÁ CÁY KAJJALE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIDÁGHER DHARÁ CÁY KAJJALE<br /> | |||
KAJVAL TÁR BUKE D́HÁLE JVALE<br /> | |||
CÁTAK JECE JÁY PHAT́IK JALE<br /> | |||
PÚRŃA HOYE TÁR JÁCANÁ<br /> | |||
TUMI DEKHO KI NÁ BUJHINÁ<br /> | |||
ALI CEYE JÁY PHUL MÁJHE MADHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALI CEYE JÁY PHUL MÁJHE MADHU<br /> | |||
CAKOR JÁCIÁ JÁY SHEFÁLII VIDHU<br /> | |||
MADHU VIDHU DUI ÁSE NÁ SHUDHU<br /> | |||
SE VIDHU JE MOR KATHÁ MÁNE NÁ<br /> | |||
TUMI DEKHO KI NÁ BUJHINÁ<br /> | |||
ÁMI, TOMÁR CEYE GECHI BÁRE BÁRE<br /> | |||
TUMI DEKHO KI NÁ BUJHINÁ<br /> | |||
O Lord, I continued loving You again and again, do not You see and understand that? I have<br /> | |||
hope after hope to attain You, but I do not know whether You would be my own. The earth<br /> | |||
heated by intense sunlight, wants dark clouds, the clouds pour cooling water into its<br /> | |||
bosom. The cha’taka bird keeps on demanding pure water, let their demands be fulfilled.<br /> | |||
The bee looks for honey within flowers, the cakor bird goes on demanding white moon like<br /> | |||
shefa’lii flower. The sweetness and moon both only do not come, the moon that does not<br /> | |||
heed to my talk.<br /> | |||
=== 3930 (05/01/1987) K === | |||
TAMASÁY D́HÁKÁ GHARETE<br /> | |||
GHUMIYE CHILUM NIBHRITE<br /> | |||
KEU KARENI KARÁGHÁTA<br /> | |||
BADDHA DVÁRE SE RÁTE<br /> | |||
GHUMIYE CHILUM NIBHRITE<br /> | |||
SAHASÁ KE ELE GO<br /> | |||
BOLILE ÁMÁRE JÁGO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAHASÁ KE ELE GO<br /> | |||
BOLILE ÁMÁRE JÁGO<br /> | |||
GHUMIE ÁCHO KATA KÁLA<br /> | |||
DEKHO CEYE CÁRI BHITE<br /> | |||
GHUMIYE CHILUM NIBHRITE<br /> | |||
DVÁR KHULI NIKO ÁMI<br /> | |||
TABU BHITARE JE TUMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DVÁR KHULI NIKO ÁMI<br /> | |||
TABU BHITARE JE TUMI<br /> | |||
E ÁMÁR BHÁVANÁTIITA<br /> | |||
BUJHI TUMI TARKÁTIITA<br /> | |||
GHUMIYE CHILUM NIBHRITE<br /> | |||
TAMASÁY D́HÁKÁ GHARETE<br /> | |||
GHUMIYE CHILUM NIBHRITE<br /> | |||
Within the darknesscovered room, I was in sleep alone. No one knocked the closed door that<br /> | |||
night. Suddenly someone came and told me “ Get up, how much time have you slept, look<br /> | |||
all around you”. I still did not open the door, as You were inside, That Who were beyond<br /> | |||
my imagination, I understood that You were beyond logic.<br /> | |||
=== 3931 (05/01/1987) D === | |||
JE TOMÁRE DIYECHE MAN | |||
DIYECHE MADHU JIIVAN | |||
TÁRE TUMI KENO ÁJI BHULILE<br /> | |||
DEKHATE TOMÁY CUPI SÁRE<br /> | |||
JE CHILO PATH DHÁRE<br /> | |||
ASHRUTE TÁR KÁJAL KENO DHOYÁLE/BAHÁLE?<br /> | |||
TÁRE TUMI KENO ÁJI BHULILE<br /> | |||
YUGE YUGE E LIILÁ TOMÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
YUGE YUGE E LIILÁ TOMÁR<br /> | |||
KARIÁ CALO BÁRE BÁR<br /> | |||
KÁNDIYE JÁO TÁRE ANIVÁR<br /> | |||
BHÁLOBÁSÁR MUKUL JÁHÁR JÁGÁLE<br /> | |||
TÁRE TUMI KENO ÁJI BHULILE<br /> | |||
TOMÁR PRIITI ALOKA DYUTI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR PRIITI ALOKA DYUTI<br /> | |||
MAHÁKÁSHER MÚRTA GIITI<br /> | |||
KAOMUDITE KÁRŚA GATI<br /> | |||
AJÁNÁ PATHIK DIYE KHÁNIK SARÁLE<br /> | |||
TÁRE TUMI KENO ÁJI BHULILE<br /> | |||
JE TOMÁRE DIYECHE MAN | |||
DIYECHE MADHU JIIVAN | |||
TÁRE TUMI KENO ÁJI BHULILE<br /> | |||
He Who has given you the mind, and given sweet life, why have You forgotten Him today? He<br /> | |||
Who has been watching you secretly, and remained along the path, why do you wash His<br /> | |||
eyedecoration with tears? O Lord, eras after eras, You go on performing Your illusive play<br /> | |||
again and again. Amidst those, in whom You should have bloomed the bud, You make them<br /> | |||
certainly cry. The unseen glow of Your love, the materialized song of the Great Devourer.<br /> | |||
Providing momentary dark shade within the moonlit night, the Unknown Traveler went away.<br /> | |||
=== 3932 (05/01/1987) K === | |||
ÁNDHÁR DHARÁY ESE CHILE<br /> | |||
ÁLO JVELE DILE<br /> | |||
KE CÁY KE NÁ CÁY BHÁVILE<br /> | |||
SABÁR TARE KÁJ KARE GELE<br /> | |||
ÁLO JVELE DILE<br /> | |||
E DHARÁ BHARÁ CHILO TAMASÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
E DHARÁ BHARÁ CHILO TAMASÁY<br /> | |||
MANER VAKŚAO DEKHÁ NÁ JÁY<br /> | |||
ÁNDHÁR SARÁLE ÁLO JHALAKÁY<br /> | |||
NAVÁRUŃE MAN BHARÁLE<br /> | |||
ÁLO JVELE DILE<br /> | |||
KII CÁO KII NÁ CÁO KE JÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KII CÁO KII NÁ CÁO KE JÁNE<br /> | |||
ÁBRAHMASTAMBHA SADÁ MANE<br /> | |||
SAMVIT BHARE DIYE MANE PRÁŃE<br /> | |||
NOTUN JOÁRE BHÁVE BHÁSÁLE<br /> | |||
ÁLO JVELE DILE<br /> | |||
ÁNDHÁR DHARÁY ESE CHILE<br /> | |||
ÁLO JVELE DILE<br /> | |||
O Lord, You came into the dark world, and kindled light. Without considering who wants You<br /> | |||
and who does not, You continued to do work for all. This world was full of darkness, the<br /> | |||
bosom of the mind could not be seen. You removed the darkness, scattered light, and with<br /> | |||
new dawn satiated the mind. Nobody knows, what You want and what You do not want, as from<br /> | |||
a blade of grass to the Grand Cosmos, everything is ever within Your mind. You have filled<br /> | |||
consciousness in mind and life and with tide of new feelings, floated.<br /> | |||
=== 3933 (06/01/1987) D === | |||
ÁSHÁ KARE CHILUM KATA<br /> | |||
TOMÁY GHIRE GHIRE<br /> | |||
HE PRIYA MOR KOMAL KAT́HOR<br /> | |||
TUCCHA BHÁVILE TÁRE<br /> | |||
TOMÁY GHIRE GHIRE<br /> | |||
BHEVE CHILUM ÁSABE KHULI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHEVE CHILUM ÁSABE KHULI<br /> | |||
BADDHA GHARER ÁGALA GULI<br /> | |||
PÁVO TOMÁR CARAŃA DHULI<br /> | |||
ANDHAKÁRER MANDIRE<br /> | |||
TOMÁY GHIRE GHIRE<br /> | |||
CEYE CHILUM DIIRGHA NISHÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CEYE CHILUM DIIRGHA NISHÁR<br /> | |||
ÁSABE PARE MARICI SÁR<br /> | |||
PUNJIBHUTA SAḾSKÁR ÁMÁR<br /> | |||
SARE JÁBE ACIRE<br /> | |||
TOMÁY GHIRE GHIRE<br /> | |||
ÁSHÁ KARE CHILUM KATA<br /> | |||
TOMÁY GHIRE GHIRE<br /> | |||
How much have I aspired around You, O my Dear, Soft and Hard, You neglected them. I<br /> | |||
thought that You would come opening the door bolts of the closed house. And I would get<br /> | |||
You feetdust in the temple of darkness. I had thought after the long night, the sun would<br /> | |||
come and my accumulated reactive momentas, sam’ska’ras, would be removed immediately.<br /> | |||
=== 3934 (06/01/1987) D === | |||
BUJHI, ESECHE MADHUNISHÁ<br /> | |||
ABÁR, JALE STHALE DIGVALAYE<br /> | |||
PARAVÁSI SEI PRIYA ÁMÁR<br /> | |||
PHIRECHE MÁNASA NILAYE<br /> | |||
ABÁR, JALE STHALE DIGVALAYE<br /> | |||
SHAMITÁNANE SHAUNKITA PRÁŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHAMITÁNANE SHAUNKITA PRÁŃE<br /> | |||
CÁHIYÁ CHILÁM JÁR PATH PÁNE<br /> | |||
PAL GUŃIÁ VASANTE PHÁGUNE<br /> | |||
UDBHINNA KALI MALAYE<br /> | |||
ABÁR, JALE STHALE DIGVALAYE<br /> | |||
KE GO ELE CIRA PATHIK AJÁNÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KE GO ELE CIRA PATHIK AJÁNÁ<br /> | |||
BOLO TUMI MOR SEI PRIYA KI NÁ<br /> | |||
MADHYA NISHIITHE SHUNI JÁR VIIŃÁ<br /> | |||
ÁPLÚTA BODHI ÁSAVE<br /> | |||
ABÁR, JALE STHALE DIGVALAYE<br /> | |||
BUJHI, ESECHE MADHUNISHÁ<br /> | |||
ABÁR, JALE STHALE DIGVALAYE<br /> | |||
I understood that again, this time, my sweet night has come, in land, water, all over.<br /> | |||
That far dwelling Dear of mine, returned back into the mental abode. With smiling face and<br /> | |||
doubtful feeling, I was looking at His path counting moments during festivity of spring<br /> | |||
with sprouted bud of sandal. Who is ever that unknown traveler, You tell me is He not that<br /> | |||
Dear? Whose viin’a’ I listen in the mid night, flooded with intuition.<br /> | |||
=== 3935 (07/01/1987) D (Krsna) === | |||
O SE PRIYATAMA D́EKE JÁY ÁMÁY<br /> | |||
PRIYATAMA, D́EKE JÁY ÁMÁY<br /> | |||
MADHUR TAMA, MADHUR TAMA MOHAN MAMA<br /> | |||
MAN MÁJHE MURALII BÁJÁY<br /> | |||
D́EKE JÁY ÁMÁY<br /> | |||
JATA BHÁVI NÁHI SÁŔÁ DOBO TÁRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JATA BHÁVI NÁHI SÁŔÁ DOBO TÁRE<br /> | |||
D́ÁKIÁ CALUK JATAI SE PÁRE<br /> | |||
DHAERYA NÁ MÁNE HIYÁ VIDARE<br /> | |||
ÁNKHI NIIR DHÁRE D́HEKE JÁY<br /> | |||
D́EKE JÁY ÁMÁY<br /> | |||
VRINDÁVANE KUINJE KUINJE<br /> | |||
KHUINJI TÁRE VEŃUKÁ NIKUINJE<br /> | |||
VANA VIHAUNGI PUNJE PUNJE<br /> | |||
MARMER T́ÁNE MURCHÁY<br /> | |||
D́EKE JÁY ÁMÁY<br /> | |||
O SE PRIYATAMA D́EKE JÁY ÁMÁY<br /> | |||
That Dearest goes on calling me playing charming and sweetest flute within my mind. How<br /> | |||
much I thought that I would not respond to His call, the more He goes on calling me. The<br /> | |||
patience does not heed, the heart tears apart, the eyes get covered with flow of tears.<br /> | |||
Within the various shrubs of Vrindavan I search Him even in bamboo groves. The herds of<br /> | |||
wild birds pull the core of heart stupefying it.<br /> | |||
=== 3936 (08/01/1987) D (Krsna) === | |||
MAN VRINDÁVANE RAYECHO<br /> | |||
RUNU JHUNU JHUNU JHUNU JHUNU JHUNU<br /> | |||
MADHURATÁ MÁKHÁ KRŚŃA MOR<br /> | |||
NÁCE GÁNE BHARE REKHECHO<br /> | |||
SURE TÁLE LAYE KARE VIBHOR<br /> | |||
MADHURATÁ MÁKHÁ KRIŚŃA MOR<br /> | |||
KATA DÚRE ÁCHO TÁHÁO JÁNINÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA DÚRE ÁCHO TÁHÁO JÁNINÁ<br /> | |||
KATA KÁCHE TÁO MÁPITE PÁRI NÁ<br /> | |||
PRIYA TUMI MOR SÁDHYA SÁDHANÁ<br /> | |||
ÁMI TAVA CARAŃER CAKORA<br /> | |||
MADHURATÁ MÁKHÁ KRŚŃA MOR<br /> | |||
MAN NIKUINJE TAVA VEŃU BÁJE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAN NIKUINJE TAVA VEŃU BÁJE<br /> | |||
SHAYANE SVAPANE JÁGARAŃA MÁJHE<br /> | |||
TAMÁLE NIIPE KII MOHAN SÁJE<br /> | |||
BENDHECHO MORE DIYE PRIITI D́OR<br /> | |||
MADHURATÁ MÁKHÁ KRŚŃA MOR<br /> | |||
O my Lord Krsna You live in the Vrinda’van of my heart with sweetness smeared<br /> | |||
tinkling. You have kept my mind filled with dance, song, engrossing with melody, rhythm<br /> | |||
and tunes. I do not know how far are You, how close are You that too I cannot measure. O<br /> | |||
the Dear, You are my goal and the means, I am at Your feet like a cakor bird looking<br /> | |||
forward for the grace. In my mental arbor, Your flute plays in dream, sleep or awaken | |||
state. With charming decoration of tama’la and niip flowers and plants, You have tied me<br /> | |||
with the rope of love.<br /> | |||
=== 3937 (09/01/1987) K === | |||
TOMÁR NÁMER TARII BEYE<br /> | |||
BHESE CALECHI SUDURE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ?<br /> | |||
HÁRÁBO NÁ JENE GECHI<br /> | |||
HÁL DHARECHI TAVA SURE<br /> | |||
BHESE CALECHI SUDURE<br /> | |||
NEIKO KONO KAPAT́ATÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NEIKO KONO KAPAT́ATÁ<br /> | |||
ASMITÁ KUMBHIIRER KÁNT́Á<br /> | |||
ÁNKÁ BÁNKÁ JOÁR BHÁNT́Á<br /> | |||
RAŃITA HOI TAVA NÚPURE<br /> | |||
BHESE CALECHI SUDURE<br /> | |||
CÁI NÁ TÁKÁTE PICHONE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CÁI NÁ TÁKÁTE PICHONE<br /> | |||
EGIYE CALI MANE PRÁŃE<br /> | |||
HÁRÁNO SMRITI T́ENE ENE<br /> | |||
PATH BHULI NÁ VRITHÁ GHURE<br /> | |||
BHESE CALECHI SUDURE<br /> | |||
Rowing the boat of Your name, I go on floating far. I know that I will not be lost, as I<br /> | |||
am holding the rudder of Your tune. I have no crookedness, like crocodile thorns of<br /> | |||
egotism or conceit, or curved tide and flow, as I am resonant with Your ankle bell. I do<br /> | |||
not want to look back, and I move forward wholeheartedly. Even if memories of past come to<br /> | |||
pull me, I shall not forget the path wandering uselessly.<br /> | |||
=== 3938 (10/01/1987) K === | |||
SE SHÁRAD NISHÁ ÁMÁR<br /> | |||
JYOTSNÁY CHILO UTALÁ<br /> | |||
ÁKÁSHE BHESE CHILO BALÁKÁR KÁTÁRA<br /> | |||
KUMUDER HÁSI PRÁŃA DHÁLÁ<br /> | |||
JYOTSNÁY CHILO UTALÁ<br /> | |||
KUSHE KÁSHE SÁDÁ MEGHER SVAPNA MELÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KUSHE KÁSHE SÁDÁ MEGHER SVAPNA MELÁ<br /> | |||
SHEFÁLI PHULE GÁNTHÁ CHILO MÁLÁ<br /> | |||
UPACE PAŔE CHILO PRIITIR D́ÁLÁ<br /> | |||
GIITI SÁRE PRADOŚA BELÁ<br /> | |||
JYOTSNÁY CHILO UTALÁ<br /> | |||
TUMI CHILE BHUVAN VYÁPIYÁ PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI CHILE BHUVAN VYÁPIYÁ PRIYA<br /> | |||
URDHVE ADHARE DIGVALAYE<br /> | |||
ÁMI HÁRIYE GIYEO BHULINI TABUO<br /> | |||
MORE NIYE KARICHO LIILÁ<br /> | |||
JYOTSNÁY CHILO UTALÁ<br /> | |||
SE SHÁRAD NISHÁ ÁMÁR<br /> | |||
JYOTSNÁY CHILO UTALÁ<br /> | |||
That winter evening of mine was frenzied with moonlight. The rows of swans were gliding in | |||
the sky, and lily flowers were smiling overwhelmingly. There was dreamy togetherness of<br /> | |||
white clouds with tall flowering grass. And there was garland made of shefa’lii flowers.<br /> | |||
The tray of loving offering was overflowing with essence of songs during pre evening time.<br /> | |||
O Dear, You had pervaded whole world, above, below and around. Though I lost, still I did<br /> | |||
not forget that You perform Your divine play, liila with me.<br /> | |||
=== 3939 (10/01/1987) K === | |||
DÚR ÁKÁSHER SHASHÁUNKA TUMI PRIYA<br /> | |||
TUMI ÁMÁR PRIYA<br /> | |||
DHARÁ CHONYÁ DÁO NÁKO<br /> | |||
SHUDHU HÁSO ATULANIIYA<br /> | |||
TUMI ÁMÁR PRIYA<br /> | |||
ALAKÁTE BHESE CALO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKÁTE BHESE CALO<br /> | |||
BALÁKÁ KE D́EKE BOLO<br /> | |||
EGIE CALO EGIE CALO<br /> | |||
EGIE CALO SHUDHU EGIE CALO<br /> | |||
BHÁLOBÁSÁ NIO<br /> | |||
MANER KOŃE ÚNKI DIYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MANER KOŃE ÚNKI DIYE<br /> | |||
GOPAN PARÁG CHINIYE NIYE<br /> | |||
SMITA SURABHI CHAŔIYE<br /> | |||
ÁLO JHARIYE DIO<br /> | |||
TUMI ÁMÁR PRIYA<br /> | |||
DÚR ÁKÁSHER SHASHÁUNKA TUMI PRIYA<br /> | |||
O Dear, You are moon of the far sky, You are dear to me. You do not allow to be touched by<br /> | |||
the earth and only smile in a unique style. You go on gliding in heaven call and tell the<br /> | |||
swans, “ Move ahead, only move forward, and take love”. Peeping in the recess of the<br /> | |||
mind, snatching the secret essence, scattering smiling fragrance, You emanate effulgence.<br /> | |||
=== 3940 (10/01/1987) D === | |||
KARÁR KATA CHILO ÁMI KARI NI TÁY<br /> | |||
BELÁ JE JÁY, ÁMÁR BELÁ JE JÁY<br /> | |||
RATHER CÁKÁ TOMÁR<br /> | |||
THÁME NÁ HÁY, PHIRE NÁ TÁKÁY<br /> | |||
BELÁ JE JÁY, ÁMÁR BELÁ JE JÁY<br /> | |||
KÁJ KARE JÁI ATHAVÁ NÁ KARI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁJ KARE JÁI ATHAVÁ NÁ KARI<br /> | |||
RATHERI CAKRA CALE GHARGHARI<br /> | |||
THÁMITE NÁ CÁY SUMUKHEI CÁY<br /> | |||
HERE JÁOÁ RAVI SÁNJHE HÁRÁY<br /> | |||
BELÁ JE JÁY, ÁMÁR BELÁ JE JÁY<br /> | |||
MAHÁ RAVI TOMÁR UDAYÁSTA NÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAHÁ RAVI TOMÁR UDAYÁSTA NÁI<br /> | |||
E BHÁVE PRADOŚE SAMA BHÁVE PÁI<br /> | |||
YÁMINI GAHANE SHUKA TÁRÁ SANE<br /> | |||
TAVA MADHURIMÁ ÁLO JHARÁY<br /> | |||
BELÁ JE JÁY, ÁMÁR BELÁ JE JÁY<br /> | |||
KARÁR KATA CHILO ÁMI KARI NI TÁY<br /> | |||
BELÁ JE JÁY, ÁMÁR BELÁ JE JÁY<br /> | |||
How many promises I had to fulfil, that I did not do, my time simply passes off. Alas<br /> | |||
the wheels of Your cart does not does not stop, does not look back. Whether I work or not<br /> | |||
the wheels of cart goes on moving continuously. Does not want to pause, only looks ahead.<br /> | |||
Goes on watching the sun setting in the evening. O The Great Sun, for You there is no rise<br /> | |||
or setting. I find You in mornings and evenings with equality. In dense nights, with Venus<br /> | |||
star, Your sweetness scatters light.<br /> | |||
=== 3941 (11/01/1987) K === | |||
JE ÁLO JVELE GELE TUMI PRIYA<br /> | |||
DYUTI TÁR DHARÁ PARE ÁJAO AMLÁNA<br /> | |||
BÁDHÁ KONO NÁHI MÁNO HE VARAŃIIYA<br /> | |||
KÁCHE DURE NÁCO BHULE JATA VYAVADHÁNA<br /> | |||
DYUTI TÁR DHARÁ PARE ÁJAO AMLÁNA<br /> | |||
TOMÁR KATHÁ BHÁVITE BHÁLO LÁGE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR KATHÁ BHÁVITE BHÁLO LÁGE<br /> | |||
TOMÁR GIITI GÁTHÁ MARME JÁGE<br /> | |||
TOMÁR ITIKATHÁ PHUL PARÁGE<br /> | |||
BHÁSE ANURÁGE SAḾVITE MAHÁNA<br /> | |||
DYUTI TÁR DHARÁ PARE ÁJAO AMLÁNA<br /> | |||
AŃU PARAMÁŃU MÁJHE TOMÁR GATI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AŃU PARAMÁŃU MÁJHE TOMÁR GATI<br /> | |||
OTO PROTE NÁNÁ SÁJE RAYECHO NITI<br /> | |||
CHANDÁYIITA RÁGE CETANÁ STHITI<br /> | |||
KÁLÁKALE PALÁPALE DHYEYA DHRITI DHÁMA<br /> | |||
DYUTI TÁR DHARÁ PARE ÁJAO AMLÁNA<br /> | |||
JE ÁLO JVELE GELE TUMI PRIYA<br /> | |||
DYUTI TÁR DHARÁ PARE ÁJAO AMLÁNA<br /> | |||
O Dear, the light that You kindled, the brilliance of that is still untarnished. O the<br /> | |||
Adorable, You do not heed to any obstacle, go on dancing near and far ignoring all<br /> | |||
obstructions. I like thinking about You, Your glory appears in the core of heart. Your<br /> | |||
history floats in the pollen of flowers, with great love and consciousness. Your movement<br /> | |||
exists in atoms and molecules. You ever exist in diverse adornments both individually and<br /> | |||
collectively. With rhythmic melody You stay as consciousness, within and beyond time each<br /> | |||
moment as meditation and its object.<br /> | |||
=== 3942 (11/01/1987) K === | |||
MARUR JVÁLÁY TARULATÁ SHUKHÁY<br /> | |||
PÁPAŔI JHARE JÁY AKÁLE<br /> | |||
NADIR DHÁRÁ HÁRÁY UDAK UŔE JÁY<br /> | |||
BALÁKÁ BHESE JÁY UCALE<br /> | |||
PÁPAŔI JHARE JÁY AKÁLE<br /> | |||
AJÁNÁ HE PATHIK ÁSO GO KŚAŃIK<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AJÁNÁ HE PATHIK ÁSO GO KŚAŃIK<br /> | |||
BÁREK BOLE JÁO SABAI KI ALIIK<br /> | |||
SHYÁMALIMÁR CHÁYÁ MARUR ASHEŚA MÁYÁ<br /> | |||
HOBE KI GRASTA ATALE<br /> | |||
PÁPAŔI JHARE JÁY AKÁLE<br /> | |||
ÁCHI KI NEI ÁMI ÁCHE KI NÁ E TUMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁCHI KI NEI ÁMI ÁCHE KI NÁ E TUMI<br /> | |||
SÁRÁTSÁR JÁNO HE PRABHU SHUDHU TUMI<br /> | |||
BHÁVER DEULE HÁY ABHÁVA T́HÁIN NÁ PÁY<br /> | |||
NIKKANE NÁHI NÁCE BETÁLE<br /> | |||
PÁPAŔI JHARE JÁY AKÁLE<br /> | |||
MARUR JVÁLÁY TARULATÁ SHUKHÁY<br /> | |||
PÁPAŔI JHARE JÁY AKÁLE<br /> | |||
With the heat of desert, the trees and creepers go on drying, petals whither untimely. The<br /> | |||
current in the river gets lost, water goes on evaporating. The swans go on gliding high. O<br /> | |||
The Unknown traveler, come for a while, tell me at least once if everything is false. Will<br /> | |||
the shade of greenness be totally devoured by infinite mirage of the desert? Whether<br /> | |||
“I” am there or not, whether the world exists or not, You only know the essence of<br /> | |||
essence, O Lord. Alas in the temple of ideation, dearth cannot exist, the ankle bell does<br /> | |||
not sound out of rhythm.<br /> | |||
=== 3943 (12/01/1987) K === | |||
KOTHÁ HOTE ESE CHILO BENDHE CHILO PRIITI D́OR<br /> | |||
BHÁLOBESE CALE GELO BUJHILO NÁ VYATHÁ MOR<br /> | |||
HUTÁSHE DÁHIKÁ SAMA PASHE CHILO MANE MAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HUTÁSHE DÁHIKÁ SAMA PASHE CHILO MANE MAMA<br /> | |||
MANANE AMIYA GHANA, NÚPURERETE NIKKANA<br /> | |||
PARASHE SE ANUPAMA, HARAŚE SE RÁUNGÁLO BHOR<br /> | |||
BHÁLOBESE CALE GELO BUJHILO NÁ VYATHÁ MOR<br /> | |||
VIIŃÁR TANTRII MOR NIIRAVA KARIÁ GELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VIIŃÁR TANTRII MOR NIIRAVA KARIÁ GELO<br /> | |||
PRIITIR YANTRI MOR PARAG KÁŔIYÁ NILO<br /> | |||
ÁNKHI JALE REKHE GELO MATHIYÁ CIT CAKOR<br /> | |||
BHÁLOBESE CALE GELO BUJHILO NÁ VYATHÁ MOR<br /> | |||
KOTHÁ HOTE ESE CHILO BENDHE CHILO PRIITI D́OR<br /> | |||
BHÁLOBESE CALE GELO BUJHILO NÁ VYATHÁ MOR<br /> | |||
O Lord, coming from which origin, You tied the twine of love, and went away on loving, did<br /> | |||
not understand my agony. Like burning fire, You entered my mind, O the dense nectar of<br /> | |||
mind, tinkling of ankle bell. That touch was unparalleled and like pleasant colourful<br /> | |||
morning. You went silencing the strings of my viin’a’. The machine man of love, You<br /> | |||
snatched away my essence. You left tears in my eyes churning the mind.<br /> | |||
=== 3944 (12/01/1987) K === | |||
KÁCHE ÁCHO SÁTHE ÁCHO<br /> | |||
DEKHITE NÁ PÁI PRIYA<br /> | |||
BHÁVI BUJHI BHULE GECHO<br /> | |||
OGO MOR ÁDARŃIIYA,<br /> | |||
BAESHÁKHE NIDÁGHA JVÁLÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BAESHÁKHE NIDÁGHA JVÁLÁY<br /> | |||
PRÁVRT́E JALAMEKHALÁY<br /> | |||
SHARATER KÁSH SHEFÁLIKÁYA<br /> | |||
SÁDÁ MEGHE BHELÁ BHÁSIO<br /> | |||
BHÁVI BUJHI BHULE GECHO<br /> | |||
OGO MOR ÁDARŃIIYA<br /> | |||
HEMANTE HIMÁNIIPÁTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
HEMANTE HIMÁNIIPÁTE<br /> | |||
SHIITERI TUŚÁRÁGHÁTE<br /> | |||
VASANTE MALAYVÁTE<br /> | |||
SHINJITA CARAŃA PHELIO<br /> | |||
BHÁVI BUJHI BHULE GECHO<br /> | |||
OGO MOR ÁDARŃIIYA<br /> | |||
KÁCHE ÁCHO SÁTHE ÁCHO<br /> | |||
DEKHITE NÁ PÁI PRIYA<br /> | |||
BHÁVI BUJHI BHULE GECHO<br /> | |||
OGO MOR ÁDARŃIIYA<br /> | |||
O dear Lord, You are close, together with me, but I am unable to see You. In the intense<br /> | |||
burning heat of summer, in series of heavy rains, in the tall grass and shefalii flowers<br /> | |||
of the winter, You float me on the boat of white clouds. I think that You have forgotten | |||
me, O my most revered One. During the snowfall of the cold, fall of hails in cold, in | |||
sandal breeze of the spring, You place Your feet forward with melody of ankle bells.<br /> | |||
=== 3945 (12/01/1987) D === | |||
TOMÁR TARE ÁMI<br /> | |||
KATA KENDECHI<br /> | |||
TUMI JÁNO NÁ<br /> | |||
D́EKE D́EKE KATA<br /> | |||
KÁLA KÁT́IYECHI<br /> | |||
TUMI SHONO NÁ<br /> | |||
TUMI JÁNO NÁ<br /> | |||
DIVAS ENECHE ABHIMÁNA BHÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIVAS ENECHE ABHIMÁNA BHÁR<br /> | |||
RÁTRI BAHECHE ASHRU DHÁR<br /> | |||
YUGA CALE GECHE BHEVE ANIVÁR<br /> | |||
TUMI KI KICHUI DEKHO NÁ<br /> | |||
TUMI JÁNO NÁ<br /> | |||
JHAINJHÁ ESECHE JHAT́IKÁ ESECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JHAINJHÁ ESECHE JHAT́IKÁ ESECHE<br /> | |||
PHULER BAGÁNE KÁNT́Á JAMIÁCHE<br /> | |||
KOMAL KORAK KIIT́E KÁT́IÁCHE<br /> | |||
RUDRA ÁLOKE ELE NÁ<br /> | |||
ÁMI TABUO ÁSHÁ CHÁŔI NÁ<br /> | |||
TUMI JÁNO NÁ<br /> | |||
TOMÁR TARE ÁMI<br /> | |||
KATA KENDECHI<br /> | |||
TUMI JÁNO NÁ<br /> | |||
O Lord, how much did I cry for You, You do not know. Calling and calling You how much time<br /> | |||
have I passed, You did not listen. The day brings the burden of ego, the night flows<br /> | |||
tears. The eras pass essentially thinking, did not You see that at all? The storms come<br /> | |||
the typhoons come, in the floral garden thorns have accumulated. The insects bite the soft<br /> | |||
core, the tremendous light did not come. Still I have not lost hope.<br /> | |||
=== 3946 (13/01/1987) D === | |||
ÁJI, VASANTA VANE MUKULITA MANE<br /> | |||
KÁR SHINJINA SHOŃÁ JÁY, VASANTA VANE<br /> | |||
MAN MÁTIYÁCHE ALOKE ÁLOKE<br /> | |||
PALAKE PULAKE KOTHÁ DHÁY<br /> | |||
KÁR SHINJIN SHOŃÁ JÁY, VASANTA VANE<br /> | |||
OGO PRIYATAMA SURER ATITHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
OGO PRIYATAMA SURER ATITHI<br /> | |||
KISHALAYE HESE NECE CALO NITI<br /> | |||
BAKULE PÁRULE PALÁSHE SAHÁSE<br /> | |||
PRIITIR UCCHÁSE GIITI GÁY<br /> | |||
KÁR SHINJIN SHOŃÁ JÁY, VASANTA VANE<br /> | |||
VEŃUKA VITÁNE VANA VIBHÁ ELO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VEŃUKA VITÁNE VANA VIBHÁ ELO<br /> | |||
HRIT PALLAVA VALLABHE PELO<br /> | |||
BHÁVER VIBHAVE BHUVAN BHARILO<br /> | |||
RÚPÁTIITA RÚPE UPACÁY<br /> | |||
KÁR SHINJIN SHOŃÁ JÁY, VASANTA VANE<br /> | |||
ÁJI, VASANTA VANE MUKULITA MANE<br /> | |||
KÁR SHINJINA SHOŃÁ JÁY, VASANTA VANE<br /> | |||
Today, in the spring garden, with budded mind, whose tinkling is heard? The mind is<br /> | |||
frenzied with heavenly illumination, and rushes each moment with joy somewhere. O the<br /> | |||
Dearest, guest from distance, smiling in tender leaves, You ever go on dancing. He goes on | |||
singing song with love and exhalation of love in bakul, pa’rul and pala’sh trees with<br /> | |||
smile. In the arbor of bamboos, the forest moonlight came. The leaves got back the lost<br /> | |||
dear. The world got filled with wealth of ideation, with the overflowing beauty of the<br /> | |||
formless.<br /> | |||
=== 3947 (13/01/1987) K (Krsna) === | |||
NÁ PELE TOMÁRE HARI<br /> | |||
VRTHÁ VRNDÁVANE GHURI<br /> | |||
DEKHÁ NÁHI DILE YADI<br /> | |||
VRITHÁI BÁNDHÁ KABARII<br /> | |||
VRTHÁ VRNDÁVANE GHURI<br /> | |||
KHUNJECHI YAMUNÁ TAT́E<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KHUNJECHI YAMUNÁ TAT́E<br /> | |||
ADHUVANE VANSHII VAT́E<br /> | |||
KUNJA VANE SAUNGOPANE<br /> | |||
VRAJA PARIKRAMÁ KARI<br /> | |||
VRITHÁ VRINDÁVANE GHURI<br /> | |||
TAMÁL SHÁLMALII MULE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TAMÁL SHÁLMALII MULE<br /> | |||
NIIP NIKUNJE GOKULE<br /> | |||
SHEŚE DEKHI MAN DEULE<br /> | |||
HÁSO PRIITI UTSÁRI<br /> | |||
VRITHÁ VRINDÁVANE GHURI<br /> | |||
NÁ PELE TOMÁRE HARI<br /> | |||
VRTHÁ VRNDÁVANE GHURI<br /> | |||
O Lord, Hari, on not finding You, I uselessly wandered in Vrndavan. You were not seen and<br /> | |||
I uselessly decorated my chignon. I searched on the banks of Yamuna’, in sweet garden | |||
in bamboo and banyan groves. Secretly through the shrubs and garden, I revolved around the<br /> | |||
land of Vraja. I searched in the roots of tama’l and sha’lmalii trees, in niip groves<br /> | |||
and in Gokula. At the end I saw that You were smiling within the temple of mind<br /> | |||
scattering love.<br /> | |||
=== 3948 (13/01/1987) K === | |||
PRIYA SE JE PRIYATAMA<br /> | |||
ÁMÁR MANER MAINJÚŚÁY<br /> | |||
LUKIYE RÁKHI JATANE D́HÁKI<br /> | |||
TÁI SE PRIITIR ALAKÁY<br /> | |||
ÁMÁR MANER MANJÚŚÁY<br /> | |||
JHAINJHÁ JHAŔE HÁRIYE NÁ JÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JHAINJHÁ JHAŔE HÁRIYE NÁ JÁY<br /> | |||
KÁLA VAESHÁKHIR CHONYÁ NÁ PÁY<br /> | |||
IISHÁN MEGHE SHILÁVEGE<br /> | |||
KEU TÁRE SARÁTE NÁ PÁY<br /> | |||
ÁMÁR MANER MANJÚŚÁY<br /> | |||
PHULER KORAKETE RÁKHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PHULER KORAKETE RÁKHI<br /> | |||
MANANE TÁR MADHU JE MÁKHI<br /> | |||
IŚT́A NIŚT́ÁY SHUBHA PRACEŚT́ÁY<br /> | |||
PRERAŃÁ PÁI TÁR KRIPÁY<br /> | |||
ÁMÁR MANER MANJÚŚÁY<br /> | |||
PRIYA SE JE PRIYATAMA<br /> | |||
ÁMÁR MANER MAINJÚŚÁY<br /> | |||
He is dear most amongst dears within the gemcasket of my mind. I have kept Him hidden | |||
carefully covered as he is heavenly love. Storms do not lose it and the annihilating<br /> | |||
typhoon cannot touch that. The northwestern clouds or speedy hails no one can move that. I<br /> | |||
have kept Him within the nucleus of the flower as I am absorbed in the sweet bliss. With<br /> | |||
firm devotion and by benevolent effort, I get inspiration by His grace.<br /> | |||
=== 3949 (13/01/1987) K === | |||
TOMÁR TARE ÁMI MÁLÁ GÁNTHI NITI<br /> | |||
TOMÁY NIYEI MOR ABHIMÁN | |||
TOMÁR KATHÁ BOLI TOMÁR PATHE CALI<br /> | |||
UTTUNGA ADRI AMLÁN | |||
TOMÁY NIYEI MOR ABHIMÁN | |||
TUMI CHÁŔÁ ÁMI NÁI E KATHÁ BUJHI SADÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI CHÁŔÁ ÁMI NÁI E KATHÁ BUJHI SADÁI<br /> | |||
HE PRIYA/PRABHU? TOMÁR TARE DUHKHA JVÁLÁ BHULE JÁI<br /> | |||
JÁHÁ ÁCHE JÁHÁ NÁI SABETE TOMÁRE PÁI<br /> | |||
SHÁSHVATA SINDHU SAMÁN | |||
TOMÁY NIYEI MOR ABHIMÁN | |||
DIVASE PRADOŚE RÁTE PRABHÁTE ARUŃÁLOTE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIVASE PRADOŚE RÁTE PRABHÁTE ARUŃÁLOTE<br /> | |||
JÁGARAŃE SVAPANE NIDRITA ÁNKHI PÁTE<br /> | |||
HE PRIYA RAYECHO SÁTHE SHINJITA MEKHALÁTE<br /> | |||
SARVÁVINÁBHÁVI MAHÁN | |||
TOMÁY NIYEI MOR ABHIMÁN | |||
TOMÁR TARE ÁMI MÁLÁ GÁNTHI NITI<br /> | |||
TOMÁY NIYEI MOR ABHIMÁN | |||
O Lord, for You how many garlands I have threaded, my entire ego surrounds You only. I<br /> | |||
talk about You, move on Your path, even on high white mountains. I do not survive without<br /> | |||
You, this fact I always understand. O Dear, for You I ignore all burns of sorrows.<br /> | |||
Whatever exists, whatever does not, in all I find You, like an eternal ocean. Days and<br /> | |||
nights, evenings and in morning lights, during awaken dream or sleep state, O Dear You<br /> | |||
remain together with me on my eyes, like tinkling ornament belt, O omni telepathic Great.<br /> | |||
=== 3950 (14/01/1987) === | |||
SEI SAJAL SANDHYÁ SAMIIRE ÁMÁR GHARE<br /> | |||
TUMI ESE CHILE PRIYA LIILÁ CHALE<br /> | |||
CHILO NÁ KÁCHE ÁMÁR KICHUI DEOÁR<br /> | |||
CARAŃA DHUYE CHILUM ASHRU JALE<br /> | |||
TUMI ESE CHILE PRIYA LIILÁ CHALE<br /> | |||
GUŃER GARIMÁ MANANER MAHIMÁ NÁI<br /> | |||
ÁMÁR KICHU JÁR NÁIKO SIIMÁ<br /> | |||
VINDU ÁMI SINDHU MADHURIMÁ KHUNJE JÁI<br /> | |||
PETE CÁI PRATI PALE<br /> | |||
TUMI ESE CHILE PRIYA LIILÁ CHALE<br /> | |||
OHA AVOHER MELÁ TAVA SPANDANA<br /> | |||
AŃU PARAMÁŃU BUKE TAVA NARTANA<br /> | |||
CHANDE TÁLE LAYE KII ÁVARTANA<br /> | |||
GOPI JANA VALLABHA RACO VIRALE<br /> | |||
TUMI ESE CHILE PRIYA LIILÁ CHALE<br /> | |||
SEI SAJAL SANDHYÁ SAMIIRE ÁMÁR GHARE<br /> | |||
TUMI ESE CHILE PRIYA LIILÁ CHALE<br /> | |||
O Dear Lord, on that evening with moist breeze, You had come to my house by illusive<br /> | |||
delusion. I had nothing to offer You, and washed Your feet with my tears. I had no gravity<br /> | |||
of good qualities or mental glories that was unlimited. As a drop, I went on searching<br /> | |||
ocean of sweetness, and wanted to attain each moment. The crowd of feelings is Your<br /> | |||
vibration. Within each atom and molecule is Your dance. What a refraction within rhythm<br /> | |||
melody and beats, You go on creating in seclusion, O the Dear of the devotees.<br /> | |||
=== 3951 (14/01/1987) K SAḾSKRTA === | |||
TVAM MAMA PRIYA TVAMASI AMEYA<br /> | |||
VASATI MANASI VRAJA RÁJA<br /> | |||
CANDAN CARCITA KAOSTUBH NANDITA<br /> | |||
KINSHUKÁDHÁRAH MATHURÁJA<br /> | |||
VASATI MANASI VRAJA RÁJA<br /> | |||
TAMÁL NIIP VANE VEŃUKÁ SVANANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TAMÁL NIIP VANE VEŃUKÁ SVANANE<br /> | |||
HASADASI PRIYAH MAMA SHAYANE JÁGARAŃE<br /> | |||
CINTÁYÁMASI KRIPÁYÁM SNÁPAYASI<br /> | |||
VAHASI ANTARE DHIRÁJA<br /> | |||
VASATI MANASI VRAJA RÁJA<br /> | |||
ÁGACCHATU PRIYA MARME GABHIRE MAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁGACCHATU PRIYA MARME GABHIRE MAMA<br /> | |||
TUŚÁRE DHAVALATÁ HUTÁSHE DÁHIKÁ SAMA<br /> | |||
RITAMBHARÁ DYUTI SVAYAMBHARÁ PRIITI<br /> | |||
VISHVÁTIITA ADHIRÁJA<br /> | |||
VASATI MANASI VRAJA RÁJA<br /> | |||
O Lord, You are immeasurable.<br /> | |||
You have taken Your seat in the mental Vraja.<br /> | |||
O noble child of Mathura<br /> | |||
Your body is anointed with sandal paste<br /> | |||
and decorated with kaostubha gems.<br /> | |||
It emanates the beauty of a red kinshuka flower.<br /> | |||
In the tamala, kadamba and bamboo groves of Gokula<br /> | |||
You appear before me.<br /> | |||
In my wakeful and sleeping states<br /> | |||
with a charming smile<br /> | |||
as if standing under the trees<br /> | |||
You appear.<br /> | |||
You are in my thought.<br /> | |||
You always shower Your grace upon all.<br /> | |||
You are the effulgent light in the core of every heart.<br /> | |||
Come, O dear Lord, into the depths of my heart.<br /> | |||
Be with me like the inherent quality of whiteness in snow<br /> | |||
or the burning faculty in fire.<br /> | |||
Your effulgence engulfs every particle of the creation.<br /> | |||
Your overflowing love fills every microcosm.<br /> | |||
You are above and beyond the universe.<br /> | |||
You are the Supreme Lord of the intellect<br /> | |||
of every unit being.<br /> | |||
=== 3952 (15/01/1987) K (Shiva) === | |||
HE RUDRA ESECHO E KI SÁJE ÁJ<br /> | |||
KAPÁLE KRISHÁŃU JVÁLE HASTE VIŚÁN TAVA<br /> | |||
D́AMBARU SÁTHE ÁCHE VARÁBHAY ABHINAVA<br /> | |||
UTTÁLE TÁND́AVA NÁCO<br /> | |||
HE RUDRA ESECHO E KI SÁJE ÁJ<br /> | |||
SABÁKÁR PARÁGATI ÁNDHÁR SÁGARE BHÁTI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SABÁKÁR PARÁGATI ÁNDHÁR SÁGARE BHÁTI<br /> | |||
AVYAKTA VISHVE KOT́I TÁRAKÁR DYUTI<br /> | |||
CAINCALA CALÁCALA UCCHALA DHARÁTALA<br /> | |||
SARVÁSHRAYA SABÁR ADHIRÁJ<br /> | |||
HE RUDRA ESECHO E KI SÁJE ÁJ<br /> | |||
TAVA SPANDANE PRABHU VIMURTA KÁLÁKÁL<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TAVA SPANDANE PRABHU VIMURTA KÁLÁKÁL<br /> | |||
NARTANÁVARTANE CHINŔE JÁY MÁYÁJÁL<br /> | |||
KRIPÁ KAT́ÁKŚE TAVA KALMAŚÁDRI SAB<br /> | |||
CÚRŃA HOYECHE NAT́ARÁJA<br /> | |||
HE RUDRA ESECHO E KI SÁJE ÁJ<br /> | |||
O Lord, Rudra, The one making others cry, with what adornment have you come? Carrying the<br /> | |||
brilliant black point on the forehead and your long horn vis’a’n’a in hand. Along<br /> | |||
with that the hand held percussion instrument dambaru and a new form of Varabhaya. You<br /> | |||
dance intense ta’nd’ava. The ultimate desideratum of all appears in the dark ocean in | |||
the form of effulgence of millions of stars pertaining to the unexpressed universe. O<br /> | |||
shelter and supreme controller of all, the world is restless with vibrant movements. By<br /> | |||
your vibration, O Lord, the embodiment of entities within and without time is observed. By<br /> | |||
your dance and revolution, the web of ma’ya’ is broken. By wee bit of your grace, all<br /> | |||
sins are powdered and wiped away O the Greatest dancer.<br /> | |||
=== 3953 (15/01/1987) K === | |||
AJÁNÁ PATHIK ELO<br /> | |||
ASHOK VIITHIKÁY<br /> | |||
SAHASÁ KENO SE HÁSILO<br /> | |||
MOR MAN MAŃIKÁY<br /> | |||
ASHOK VIITHIKÁY<br /> | |||
LAUNGHI ARAŃYÁNI PARVATA RÁJI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LAUNGHI ARAŃYÁNI PARVATA RÁJI<br /> | |||
BOLE DEKHO EI ÁMI ESE GECHI ÁJI<br /> | |||
BHOR HOLO DVÁR KHOLO CEYE DEKHO ÁNKHI MELO<br /> | |||
SARIE DIYECHI TAMASÁY<br /> | |||
ASHOK VIITHIKÁY<br /> | |||
BADDHA GHARE CHINU GHUM GHORE ACETANA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BADDHA GHARE CHINU GHUM GHORE ACETANA<br /> | |||
D́ÁK SHUNE BUJHILÁM CHILUM JAD́E MAGAN | |||
ÁNKHI MELE CÁHILÁM SHUBHÁSHUBHA BUJHILÁM<br /> | |||
ARUŃ ÁLOY ÁRAKTIMA ÚŚÁY<br /> | |||
ASHOK VIITHIKÁY<br /> | |||
AJÁNÁ PATHIK ELO<br /> | |||
ASHOK VIITHIKÁY<br /> | |||
The unknown traveler came into the ashok grove. Suddenly why did He smile in my mental<br /> | |||
casket? Crossing the forests and high mountains, He told, “ See, I have come today. It<br /> | |||
is morning now, open Your door, look opening the eyes. I have removed the darkness”. But<br /> | |||
I was unconscious in deep sleep within the closed room. After hearing the call I<br /> | |||
understood that I was immersed in matter. On opening the eyes, I could understand good and<br /> | |||
bad in the illumination of crimson dawn.<br /> | |||
=== 3954 (15/01/1987) K (Krsna) === | |||
VENUKÁR BÁNSHII BEJE JÁY<br /> | |||
GOPIKÁRÁ KÁRÁ JÁBI CALE ÁY<br /> | |||
BÁNSHI BÁJE PAINCAME SABÁKÁR MANE MANE<br /> | |||
UJÁNE BAHÁY YAMUNÁY<br /> | |||
ANANTE DULE CALE LIILÁR DODUL DOLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANANTE DULE CALE LIILÁR DODUL DOLE<br /> | |||
ÁMRA MUKULE PÁRULE BAKULE SHIMULE<br /> | |||
VRNDÁ VANE GOKULE KADAMBA TAMÁLE<br /> | |||
DYOTANÁY PRIITI UPACÁY<br /> | |||
SE DHVANI ÁCAMBITE SAMVITE CAKITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SE DHVANI ÁCAMBITE SAMVITE CAKITE<br /> | |||
JÁGÁLO VIMBA PÁTE MANO MÁJHE NIBHRITE<br /> | |||
BHÁLOBÁSÁR BHÁŚÁ RÁGE ANURÁGE MESHÁ<br /> | |||
CINMAYE CITI CETANÁY<br /> | |||
VENUKÁR BÁNSHII BEJE JÁY<br /> | |||
GOPIKÁRÁ KÁRÁ JÁBI CALE ÁY<br /> | |||
The bamboo flute goes on sounding, the devotees, Gopika’s, come for going to the prison.<br /> | |||
The flute blows in high pitch within all minds creating tides in the river Yamuna’. It<br /> | |||
goes on swinging infinitely oscillating on swing of liila, the illusion, through the<br /> | |||
mango buds, flower trees of pa’rul, bakul and shimul, in Vrnda’van, Gokul, and trees<br /> | |||
of kadamba and tama’l, overflowing love by gesture. That sound, surprising with<br /> | |||
astonishment awakens consciousness in seclusion within all minds of the world. With<br /> | |||
language of love, and tint of affection, mixed with consciousness as its embodiment.<br /> | |||
=== 3955 (16/01/1987) K === | |||
BHUVAN BHARIÁ KE GO ELE<br /> | |||
ELE EI SHÁRAD PRÁTE<br /> | |||
SHUBHRA JYOTSNÁLOKE MAN MÁTÁLE<br /> | |||
MÁTÁLE SHEFÁLI GANDHE<br /> | |||
ELE EI SHÁRAD PRÁTE<br /> | |||
DHARAŃI D́HÁKIYÁ DILE KUSHE KÁSHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DHARAŃI D́HÁKIYÁ DILE KUSHE KÁSHE<br /> | |||
SHYÁMAL DHÁNER KŚETE SHIIŚE SHIIŚE<br /> | |||
CETANÁ JÁGÁLE SAMVITE ÁSHIŚE<br /> | |||
ÁNITE SONÁLII PRABHÁTE<br /> | |||
ELE EI SHÁRAD PRÁTE<br /> | |||
NEI KONO T́ÁNÁ T́ÁNI HÁNÁ HÁNI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NEI KONO T́ÁNÁ T́ÁNI HÁNÁ HÁNI<br /> | |||
SÁDÁ MEGH DEY ÁŔÁLE HÁTACHÁNI<br /> | |||
KE PAR KE ÁPANÁR NÁHI MÁNI<br /> | |||
BHESE JÁY ASHEŚA SHROTE<br /> | |||
ELE EI SHÁRAD PRÁTE<br /> | |||
BHUVAN BHARIÁ KE GO ELE<br /> | |||
ELE EI SHÁRAD PRÁTE<br /> | |||
Who has come satiating the world on this winter morning, intoxicating the mind, with<br /> | |||
bright moonlight and fragrance of shefa’lii flower. He has covered the earth with tall<br /> | |||
flowering grass and with corns of rice in green paddy fields. He awakened awareness with<br /> | |||
consciousness and blessings and brought golden morning. There is struggle or killing, the<br /> | |||
white clouds call with gesture from behind. Who is own and who are others, without that<br /> | |||
consideration, I go on floating into the infinite stream.<br /> | |||
=== 3956 (16/01/1987) K === | |||
ÁLOKER UTSAVE MADHUR E ÁSAVE<br /> | |||
BHARE DILE SABÁKÁR PRÁŃA<br /> | |||
ÁNO SUSMITA DYUTI JÁGÁO AMRITA PRIITI<br /> | |||
KARO ANRTERA AVASÁN | |||
BHARE DILE SABÁKÁR PRÁŃA<br /> | |||
ESO TUMI MOR ÁLAYE DRUTA KABHU MRIDU LAYE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ESO TUMI MOR ÁLAYE DRUTA KABHU MRIDU LAYE<br /> | |||
MANDÁKRÁNTÁ TÁLE PRATI PALE ANUPALE<br /> | |||
SARIYE SAKAL ABHIMÁNA<br /> | |||
BHARE DILE SABÁKÁR PRÁŃA<br /> | |||
TUMI ÁCHO TÁI ÁCHI TOMÁRI MÁJHE RAYECHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ÁCHO TÁI ÁCHI TOMÁRI MÁJHE RAYECHI<br /> | |||
TAVA BHÁVE BHÁVITECHI TOMÁRI NÁME METECHI<br /> | |||
TUMII NITYA NIDHÁNA<br /> | |||
BHARE DILE SABÁKÁR PRÁŃA<br /> | |||
O Lord, during the festivity of light with this sweet nectar, You have satiated all. Bring<br /> | |||
smiling glow and awaken immortal love, ending the falsehood. Come into my home quickly<br /> | |||
sometimes with soft melody, each moment with the rhythm of manda’kra’nta’ meter<br /> | |||
removing entire egoistic feeling. You exist, hence I exist, and stay within You. I ideate<br /> | |||
in Your ideas, I am engrossed only in Your name, You alone are eternal repository.<br /> | |||
=== 3957 (16/01/1987) K === | |||
TOMÁRE CEYECHI MANANE METECHI<br /> | |||
TUMI, ESO MANERI PHOT́Á NIIPE<br /> | |||
ESO PRABHU DHÚPE ESO TUMI DIIPE<br /> | |||
ESO MANER MADHUPE<br /> | |||
TUMI, ESO MANERI PHOT́Á NIIPE<br /> | |||
TUMI JÁR SE ÁBÁR CÁHIBE PÁNE KÁR<br /> | |||
SABÁI JE TÁHÁR SABÁI ÁPANÁR<br /> | |||
PAYASE HUTÁSHE TUŚÁRE NIIHÁRE<br /> | |||
DEKHE JE SE VISHVA BHÚPE<br /> | |||
TUMI, ESO MANERI PHOT́Á NIIPE<br /> | |||
TOMÁR ÁMÁR MÁJHE REKHO NÁKO VYAVADHÁNA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR ÁMÁR MÁJHE REKHO NÁKO VYAVADHÁNA<br /> | |||
TOMÁR CARAŃE MOR KARE DÁO STHÁYII STHÁNA<br /> | |||
TUMI PRATIIK ÁSHÁR PRATIBHU BHÁLOBÁSÁR<br /> | |||
JVÁLIYE BHASMA KARO MOR KÁLIMÁ STUPE<br /> | |||
TUMI, ESO MANERI PHOT́Á NIIPE<br /> | |||
TOMÁRE CEYECHI MANANE METECHI<br /> | |||
TUMI, ESO MANERI PHOT́Á NIIPE<br /> | |||
O Lord, I love You, and I am engrossed in Your thought, You come into the full bloomed niip<br /> | |||
flower of my mind. Come into sunlight, come into lamp, come into mental honeybee. Those to<br /> | |||
whom You belong, why they should seek anyone else? Since all belong to You and are own.<br /> | |||
They see same You, King of the world, in water, fire, ice and snow. Do not keep any<br /> | |||
obstruction between You and me. Make my abode permanent at Your feet. You are the symbol<br /> | |||
of hope, icon of love. Burn to ashes the heap of my dirt.<br /> | |||
=== 3958 (17/01/1987) K === | |||
TOMÁRI TARE DIVÁ NISHI MOR ÁNKHI JHARE<br /> | |||
KÁCHE KÁCHEO GHURE DHARÁ NÁHI DÁO MORE<br /> | |||
PRIITI EKE BOLI KII KARE<br /> | |||
DIVÁ NISHI MOR ÁNKHI JHARE<br /> | |||
ALAKHA NIRAINJANA BHAVA BHITI BHAINJANA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAKHA NIRAINJANA BHAVA BHITI BHAINJANA<br /> | |||
LOKE BOLE TUMI PRIYA MÁNASÁDHIRAINJANA<br /> | |||
SARVA LOKÁSHRAY CIDÁKÁSHA NANDANA<br /> | |||
KAT́HOR KENO MOR PARE<br /> | |||
DIVÁ NISHI MOR ÁNKHI JHARE<br /> | |||
TUMI CHÁŔÁ ÁMI NÁI, TÁI TO TOMÁRE CÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI CHÁŔÁ ÁMI NÁI, TÁI TO TOMÁRE CÁI<br /> | |||
BHÁVANÁ ANSHUK D́ORE BÁNDHITE CÁI SADÁI<br /> | |||
ESO ÁRO KÁCHÁ KÁCHI PATH PÁNE CEYE ÁCHI<br /> | |||
DHARÁ DÁO DHYANA MANDIRE<br /> | |||
DIVÁ NISHI MOR ÁNKHI JHARE<br /> | |||
TOMÁRI TARE DIVÁ NISHI MOR ÁNKHI JHARE<br /> | |||
O Lord, for You, day and night my eyes flow. You move close to me but do not allow letting<br /> | |||
Yourself within folds. How can I call this love? O the Unseen, Spotless, destroyer of<br /> | |||
worldly fears, people call You as charmer of the mind. O the shelter of the whole<br /> | |||
universe, charmer of the mental arena, why are You harsh towards me? I do not exist<br /> | |||
without You, that is why I love You and always want to tie You with silken thread of<br /> | |||
feelings. Come further close, I am looking at the path, come into folds within my mental<br /> | |||
temple for meditation.<br /> | |||
=== 3959 (17/01/1987) K === | |||
JE PATHE SE ESE CHILO<br /> | |||
SE PATHER DHULI VRAJARÁJA<br /> | |||
SE VIITHITE JE JUTHII CHILO<br /> | |||
TÁR SURABHI BHÁSE JE ÁJO<br /> | |||
JE PATHE SE ESE CHILO<br /> | |||
SE PATHER DHULI VRAJARÁJA<br /> | |||
ESE CHILO EKALÁ PATHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ESE CHILO EKALÁ PATHE<br /> | |||
PRIITIR ÁLO DILO SÁTHE<br /> | |||
JE ÁLO SE REKHE GELO<br /> | |||
RÚPER DHARÁY RAUNGER SÁJAO<br /> | |||
JE PATHE SE ESE CHILO<br /> | |||
SE PATHER DHULI VRAJARÁJA<br /> | |||
CALE GELO KICHU NÁ BOLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CALE GELO KICHU NÁ BOLE<br /> | |||
YÁTÁYÁTA TÁR LIILÁR CHALE<br /> | |||
THÁKATE KÁCHE CINI NI TÁRE<br /> | |||
PARE BUJHI ÁMI TÁR MANOJA<br /> | |||
JE PATHE SE ESE CHILO<br /> | |||
SE PATHER DHULI VRAJRÁJ<br /> | |||
The path through which He came, the dust of that path is as holy as dust of Vraja. The joy<br /> | |||
that was present in that lane, the fragrance of that floats even today. He came alone on | |||
the path, carrying light of love. That light He left off leaving colourful decoration on | |||
the beautiful earth. He went without telling, His coming and going was a delusive game.<br /> | |||
When He was nearby, I could not recognise Him, when He is away, I understood Him as Deity<br /> | |||
of love.<br /> | |||
=== 3960 (17/01/1987) D === | |||
ÁMI TOMÁY KHUNJE CALECHI<br /> | |||
TUMI PRABHU LUKIE ÁCHO<br /> | |||
ÁKÁSHA PÁTÁLA ATIPÁTÁLE<br /> | |||
JÁNI NÁ KOTHÁY RAYECHO<br /> | |||
TUMI PRABHU LUKIE ÁCHO<br /> | |||
LUKIE KORAKER ANTARE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
LUKIE KORAKER ANTARE<br /> | |||
ABHRAḾLEHII ADRI SHIRE<br /> | |||
MANO VIIŃÁR TÁRE TÁRE<br /> | |||
CUPI SÁRETE DEKHE CALECHO<br /> | |||
TUMI PRABHU LUKIE ÁCHO<br /> | |||
ABODHA ÁMI BUJHINÁ KICHU<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ABODHA ÁMI BUJHINÁ KICHU<br /> | |||
CHUT́I JAD́ER PICHU PICHU<br /> | |||
MANA MAYURII CITCAKORI<br /> | |||
PRAMATTATÁY BHULIECHO<br /> | |||
TUMI PRABHU LUKIE ÁCHO<br /> | |||
SARÁO TÁDER KALMAŚA BHÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SARÁO TÁDER KALMAŚA BHÁR<br /> | |||
JAD́A BHÁVANÁR SAB SAMÁHÁR<br /> | |||
PRIITI YAMUNÁR ASHRU DHÁR<br /> | |||
DEKHEO KENO NÁHI DEKHICHO<br /> | |||
TUMI PRABHU LUKIE ÁCHO<br /> | |||
ÁMI TOMÁY KHUNJE CALECHI<br /> | |||
TUMI PRABHU LUKIE ÁCHO<br /> | |||
O Lord, I go on searching You, but You are hidden. The sky, netherworld, extreme dungeon | |||
I do not know where You reside. You are hidden within the core, upon skykissing mountain | |||
peak, through each string of the mental viin’a’, You go on observing secretly. I am<br /> | |||
ignorant, do not understand anything, and rush behind material pursuits. Due to frenzy of<br /> | |||
pride and ego, the mental peahen and the cakorii bird of the mind is forgotten. Remove<br /> | |||
their load of dirt, entire accumulation of materialistic thoughts. The flow of tears of<br /> | |||
the love of the Yamuna’ river, even after watching, why do You ignore.<br /> | |||
=== 3961 (17/01/1987) K === | |||
DÁNŔIYE CHILUM ÁMI PATHA PÁSHE<br /> | |||
TUMI JABE ESECHILE PRIYATAMA<br /> | |||
KAMPITA CARAŃE KAḾPRITA KARAŃE<br /> | |||
MÁLÁ KHÁNI CHILO VARNE ANUPAMA<br /> | |||
TUMI JABE ESECHILE PRIYATAMA<br /> | |||
BHÁVITE CHILÁM TUMI KAHIBE KI KONO KATHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁVITE CHILÁM TUMI KAHIBE KI KONO KATHÁ<br /> | |||
SHUNIBE KI MOR VYATHÁ BHÁLOBÁSÁ GIITI GÁTHÁ<br /> | |||
NEVE KI ÁMÁR HÁR KŚUDRA E UPAHÁR<br /> | |||
GENTHECHI BAKULE DIYE PRIITI MAMA<br /> | |||
TUMI JABE ESECHILE PRIYATAMA<br /> | |||
TUMI ELE SMITÁNANE TÁKÁLE ÁMÁR PÁNE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI ELE SMITÁNANE TÁKÁLE ÁMÁR PÁNE<br /> | |||
SHUDHÁLE TOMÁR TARE KENO DÁNŔIE EKHÁNE<br /> | |||
ÁMI JE MARME TAVA AMÚRTA ANUBHAVA<br /> | |||
ANTAR KORAKE ANTAR TAMA<br /> | |||
TUMI JABE ESECHILE PRIYATAMA<br /> | |||
DÁNŔIYE CHILUM ÁMI PATHA PÁSHE<br /> | |||
TUMI JABE ESECHILE PRIYATAMA<br /> | |||
O Dearest, I was standing beside the path, when You had come. With quivering feet and<br /> | |||
shaking body, I was carrying unique coloured garland. I was thinking that You would speak<br /> | |||
something, listen to my agonies and loving songs. I was wondering whether You would accept<br /> | |||
my garland, a meagre gift, threaded out of bakul flowers offering my love. You came with<br /> | |||
smiling face and looked towards me and asked, “ Why are you standing here, I am within | |||
core of your mind, as unexpressed feeling, seated deep in the depth of the core”.<br /> | |||
=== 3962 (18/01/1987) D === | |||
ÁSIBE BOLE JE GELE<br /> | |||
ELE NÁ ÁR ÁMÁR GHARE<br /> | |||
ÁLO NIYE ESECHILE PHELE<br /> | |||
GELE MORE ÁNDHÁRE<br /> | |||
ELE NÁ ÁR ÁMÁR GHARE<br /> | |||
ÁLOKE ÁNDHÁRE KHELÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁLOKE ÁNDHÁRE KHELÁ<br /> | |||
KARE CALE E KI LIILÁ<br /> | |||
KIḾSHUKE KÁNAN MÁJHE<br /> | |||
HUTÁSHANE HATÁSHA KARE<br /> | |||
ELE NÁ ÁR ÁMÁR GHARE<br /> | |||
JE RAYECHE D́UBE NIRÁSHÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JE RAYECHE D́UBE NIRÁSHÁY<br /> | |||
JÁ PÁNE CEYECHE TAMASÁY<br /> | |||
PRIITIR DYUTI DUHKHA<br /> | |||
RÁTE/(HESER SÁTHI)?<br /> | |||
ÁSHÁY ÁLO BHARÁO TÁRE<br /> | |||
ELE NÁ ÁR ÁMÁR GHARE<br /> | |||
ÁSIBE BOLE JE GELE E<br /> | |||
LE NÁ ÁR ÁMÁR GHARE<br /> | |||
O Lord, You went telling to return back, but never returned to my home. You came carrying<br /> | |||
the light, but left me in darkness. With light and shade what game, liila, You go on | |||
performing? The delusion of fire in the forest of red flowering kim’shuk disappoints.<br /> | |||
Those who remain submerged in pessimism, in whose life darkness blankets, with the glow of<br /> | |||
love in nights of sorrow, You fulfill ray of hope in them.<br /> | |||
=== 3963 (18/01/1987) K === | |||
GÁNE GÁNE BHARIE DILE<br /> | |||
PRÁŃE PRÁŃE CHAŔIE DILE<br /> | |||
ANÁGATA DINERI KATHÁ<br /> | |||
AJÁNÁ PATHIK APARICITA<br /> | |||
SABÁKÁR ÁKÁUNKŚITA<br /> | |||
BOLENI TAVA ITIKATHÁ<br /> | |||
ANÁGATA DINERI KATHÁ<br /> | |||
KON SE SUDÚR HOTE TUMI ESECHO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KON SE SUDÚR HOTE TUMI ESECHO<br /> | |||
KON AJÁNÁR SHROTE BHESE CALECHO<br /> | |||
KON SE HIYÁR AMARÁTE METECHO<br /> | |||
SHOŃLE NÁ TÁR VÁRTÁ<br /> | |||
ANÁGATA DINERI KATHÁ<br /> | |||
TUMI PRIITI TUMI PRIYA TUMI PRERAŃÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI PRIITI TUMI PRIYA TUMI PRERAŃÁ<br /> | |||
SAMVRIDDHI RDDHI SÁDHANÁ<br /> | |||
SIDDHI TOMÁR CARAŃER EŚAŃÁ<br /> | |||
SÁMRASYE MADHURATÁ<br /> | |||
ANÁGATA DINERI KATHÁ<br /> | |||
GÁNE GÁNE BHARIE DILE<br /> | |||
PRÁŃE PRÁŃE CHAŔIE DILE<br /> | |||
ANÁGATA DINERI KATHÁ<br /> | |||
O the Unknown traveler, Unrecognised and cherished by all, You have fulfilled with song<br /> | |||
after songs, and scattered vitality in all lives, with events of coming days, did not tell<br /> | |||
about Your history. From what distant origin have You come, in which unknown stream You go<br /> | |||
on floating, remain engrossed in what heart, You did not tell about that. You are Dear<br /> | |||
You are love, You are inspiration and endeavor of fulfilment and success. The attainment<br /> | |||
is the will of Your feet as sweetness of the soothing flow.<br /> | |||
=== 3964 (17/02/1987) K === | |||
NECE NECE BHESE ÁSE ANÁHATER SUR<br /> | |||
ÁSHÁTE BHARAPÚR<br /> | |||
CÁI NÁ JÁRE BÁRE BÁRE SHUNI TÁR NUPÚR –<br /> | |||
ÁSHÁTE BHARAPÚR<br /> | |||
AJÁNÁ PATHIK SE ÁMÁR<br /> | |||
KHULE DIYE ARGALA DVÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
AJÁNÁ PATHIK SE ÁMÁR<br /> | |||
KHULE DIYE ARGALA DVÁR<br /> | |||
BOLE, “BÁHIRE ESO E BÁR NEI TO ÁMI DÚR“<br /> | |||
ÁSHÁTE BHARAPÚR<br /> | |||
NÁ JENE CÁY SABÁI MORE<br /> | |||
JENEO KI KEU THÁKE DÚRE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NÁ JENE CÁY SABÁI MORE<br /> | |||
JENEO KI KEU THÁKE DÚRE<br /> | |||
GHUMIYE ÁMÁR ANTAH PURE<br /> | |||
VYATHÁR HOE VIDHÚR<br /> | |||
ÁSHÁTE BHARAPÚR<br /> | |||
The internal melody of deep meditation | |||
comes floating and dancing, full of hopes.<br /> | |||
Many time had I heard<br /> | |||
His jingling sound of ankle bells<br /> | |||
and yet, I had never really loved Him.<br /> | |||
That unknown traveler<br /> | |||
opened the latches of my door and told me:<br /> | |||
“Come out this time, I am not far away.<br /> | |||
Even unknowingly, all love me<br /> | |||
so who should stay away after knowing me?<br /> | |||
Do not sleep anymore in my internal arena<br /> | |||
afflicted by pain”.<br /> | |||
=== 3965 (18/01/1987) K === | |||
KATA PHÚL JHARE JÁY AVAHELÁY<br /> | |||
KATA BUKE CÁPÁ THÁKE KATA KANNÁY<br /> | |||
TUMI KI JÁNO NÁ TUMI KI SHONO NÁ<br /> | |||
KATA SARITÁ HÁRÁY MARUBHUMITE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA SARITÁ HÁRÁY MARUBHUMITE<br /> | |||
KATA KUT́IR PUŔE VAJRA PÁTE<br /> | |||
KATA PRIITI VÁŃII HÁRÁ THÁKE AJÁNÁ<br /> | |||
TUMI KI JÁNO NÁ TUMI KI SHONO NÁ<br /> | |||
KUÁSHÁY GOLÁPER PÁPAŔI SHUKÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KUÁSHÁY GOLÁPER PÁPAŔI SHUKÁY<br /> | |||
NIRÁSHÁY TARUŃER PRÁŃA JHARE JÁY<br /> | |||
TAVA RÁGE ANURÁGE KE KÁNDE EKT́ÁNÁ<br /> | |||
TUMI KI JÁNO NÁ TUMI KI SHONO NÁ<br /> | |||
O Lord, how many flowers whither away by negligence, how many keep much agonies suppressed<br /> | |||
in their bosom, do not You know that, do not You hear that? How many rivers get lost in | |||
the desert, how many huts burn by lightning, how much speechless love remain unknown? By<br /> | |||
fog the rose petals dry, due to disappointment how many youths lose vitality, who<br /> | |||
constantly cry due to love for You?<br /> | |||
=== 3966 (18/01/1987) K === | |||
TOMÁR TARE GHURE GHURE ÁMI<br /> | |||
ÁMI JE ÁJ DISHÁHÁRÁ<br /> | |||
MUKTA PATHER BÁNDHAN CHÁŔÁ<br /> | |||
BÁNDHAN CHÁŔÁ<br /> | |||
BÁNDHAN CHÁŔÁ<br /> | |||
ÁSBE ÁMÁR NIIP VANE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSBE ÁMÁR NIIP VANE<br /> | |||
HÁSBE KEYÁR KESHAR SANE<br /> | |||
KHULABE MANER BADDHA KÁRÁ<br /> | |||
MUKTA PATHER BÁNDHAN CHÁŔÁ<br /> | |||
BÁNDHAN CHÁŔÁ<br /> | |||
ÁSABE KHULE ARGAL DVÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ÁSABE KHULE ARGAL DVÁR<br /> | |||
KAIBE KATHÁ KÁŃE ÁMÁR<br /> | |||
BOLABE EI TO DILUM SÁŔÁ<br /> | |||
MUKTA PATHER BÁNDHAN CHÁŔÁ<br /> | |||
BÁNDHAN CHÁŔÁ<br /> | |||
Wandering and roaming for You, I have lost the direction today, unbound on an open path.<br /> | |||
You would come into my niip grove, smile with the pollen of keya’ (screw pine) flower<br /> | |||
and open the closed prison of the mind. You would come opening the door bolts, and speak<br /> | |||
into my ears telling that You responded to my call thus.<br /> | |||
=== 3967 (18/01/1987) D === | |||
TUMI ÁCHO TÁI ÁMI ÁCHI PRABHU<br /> | |||
TOMÁR KRPÁY DHARÁ ÁCHE<br /> | |||
DHARÁ ÁCHE<br /> | |||
TOMÁR CHANDE TÁLE SABÁI DHEYE CALE<br /> | |||
TOMÁR RAUNGE MÁTIÁCHE<br /> | |||
TOMÁR KRPÁY DHARÁ ÁCHE<br /> | |||
DHARÁ ÁCHE<br /> | |||
SHINJINE NIKKANE NECE CALO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SHINJINE NIKKANE NECE CALO<br /> | |||
AINJITA NAYANE HÁSI D́HÁLO<br /> | |||
RAINJITA ADHARE D́EKE BOLO<br /> | |||
ÁCHI SABÁR KÁCHE KÁCHE<br /> | |||
TOMÁR KRPÁY DHARÁ ÁCHE<br /> | |||
DHARÁ ÁCHE<br /> | |||
MAN VRNDÁVANE SABÁR ÁCHI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MAN VRNDÁVANE SABÁR ÁCHI<br /> | |||
MANER DEUL RÁUNGIE CALECHI<br /> | |||
HÁRÁTE DII NÁ HÁRIECHI<br /> | |||
MOR T́ÁNE CETANÁ NÁCE<br /> | |||
TOMÁR KRPÁY DHARÁ ÁCHE<br /> | |||
DHARÁ ÁCHE<br /> | |||
TUMI ÁCHO TÁI ÁMI ÁCHI PRABHU<br /> | |||
TOMÁR KRPÁY DHARÁ ÁCHE<br /> | |||
DHARÁ ÁCHE<br /> | |||
O Lord, You are there, hence I exist and the world exists by Your grace. All move running<br /> | |||
at Your rhythm and beats frenzied in Your colour. You go on dancing with the tinkling of<br /> | |||
ankle bell, pour smile into the decorated eyes, You speak announcing with red lips, “ I<br /> | |||
am close to all. In the mental Vrndavan of all I am present, move on colouring the mental<br /> | |||
temple, I do not let anyone lose neither I lose, the consciousness dances at my pull”.<br /> | |||
=== 3968 (18/01/1987) K === | |||
MANER MÁŃIK TUMI KŚAŃEK D́ANŔÁO, THÁMI<br /> | |||
ÁMI? MÁLÁ PARÁBO TOMÁKE<br /> | |||
AJÁNÁ PATHIK NÁMI ESECHO E DHARÁ BHÚMI<br /> | |||
PRAŃATI JÁNÁBO ÁJIKE<br /> | |||
MÁLÁ PARÁBO TOMÁKE<br /> | |||
PHULE PHALE GANDHE ÁKÁSHE VATÁSE AMALA<br /> | |||
MANER KOŃE RAYECHO SUSMITA PARIMALA<br /> | |||
ANTARIKŚE JALE STHALE NÁCO AVIRALA<br /> | |||
BHOLO NÁKO SUKHE VIPÁKE<br /> | |||
MÁLÁ PARÁBO TOMÁKE<br /> | |||
MALAY PAVANE KÁLA VAESHÁKHIIR SVANANE<br /> | |||
NIDÁGHA DÁHAN SHARATER SHEFÁLII SANE<br /> | |||
PARÁGE GEYECHEO GIITI ANURÁGE SUKHA SMRITI<br /> | |||
MATHIYÁ MANER MADHUKE<br /> | |||
MÁLÁ PARÁBO TOMÁKE<br /> | |||
TOMÁY ÁMÁR MÁJHE REKHO NÁKO VYAVADHÁNA<br /> | |||
ALAKHA DYUTI TUMI SABÁKÁR SUMAHÁN | |||
NITYA DHÁME THEKE RACO LIILÁRI VITÁN | |||
VIRÁT́A VISHÁLA STABAKE<br /> | |||
MÁLÁ PARÁBO TOMÁKE<br /> | |||
O the Gem of my mind, You pause for a while and stand, I shall put a garland around Your<br /> | |||
neck. O the Unknown Traveler, You come down to this earth, today I shall express my<br /> | |||
salutation to You. Within fragrance of flowers and fruits, in clear sky and air, in the<br /> | |||
recess of mind, You dwell as smiling pollen. You constantly dance in space, water and<br /> | |||
land, and never forget pleasure and trouble. Within sandal breeze, and the roar of<br /> | |||
annihilating storm, along with burning heat and shefalii flower of the winter, within the<br /> | |||
pollen You sing song, with affection and memories of joy, You go on churning the honey of<br /> | |||
the mind. Within Yourself and me, do not keep any obstruction. You are unseen effulgence<br /> | |||
great moon. Staying in the eternal abode, You go on creating canopy with immensely large<br /> | |||
palms.<br /> | |||
=== 3969 (18/01/1987) K === | |||
EI NIRÁLÁY RAUNGER MELÁY<br /> | |||
ELE ÁJI PATH BHULE<br /> | |||
PATH BHULE GO PATH BHULE<br /> | |||
CÁO NI KICHU NÁO NI KICHI<br /> | |||
DIYE GELE NIJEKE D́HELE<br /> | |||
PATH BHULE GO PATH BHULE<br /> | |||
ÁNALE SAUNGE ARUŃA ÁLOKA<br /> | |||
DYUTI TE BHARE DILE TRILOKA<br /> | |||
D́HÁLALE AD́HELA PRÁŃER PULAK<br /> | |||
PRATI PALAKER PÁKHÁ MELE<br /> | |||
PATH BHULE GO PATH BHULE<br /> | |||
BHULATE PÁRÁ JÁY NÁ TOMÁY<br /> | |||
TOMÁR BHÁVE PRÁŃA MURACHÁY<br /> | |||
ASMITÁR ABHÁVA SARE JÁY<br /> | |||
PRIITIR DOLAKE DULE<br /> | |||
PATH BHULE GO PATH BHULE<br /> | |||
EI NIRÁLÁY RAUNGER MELÁY<br /> | |||
ELE ÁJI PATH BHULE<br /> | |||
PATH BHULE GO PATH BHULE<br /> | |||
O Lord, within the festival of colours, You came today alone, mistakenly forgetting the<br /> | |||
path. You do not want anything, do not bring anything, just went on giving Yourself<br /> | |||
pouring. You brought with You morning light, and by illumination filled the entire three<br /> | |||
worlds. You go on pouring plentiful joy of life, each moment spreading the wings. It is<br /> | |||
not possible to forget You, the vitality stupefies with Your ideation. The scarcity of<br /> | |||
egotism goes on vanishing oscillating on the swing of love.<br /> | |||
=== 3970 (19/01/1987) D === | |||
OGO NIT́HUR HARI<br /> | |||
KATA JANAM PARE ELE ÁMÁR GHARE<br /> | |||
ÁMI KHUNJE MARI YUGE YUGÁNTARE<br /> | |||
ELE ÁMÁR GHARE<br /> | |||
KATA KISHALAYA HOLO JE LAYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA KISHALAYA HOLO JE LAYA<br /> | |||
KATA TÁRÁ KHASE ÁNDHÁRE KŚAY<br /> | |||
JHAINJHÁ HÁRIE GELO KATA MALAY<br /> | |||
KATA GOLÁP BHUME JHARE PAŔE<br /> | |||
ELE ÁMÁR GHARE<br /> | |||
ADVITIIYA TUMI SARVA GUŃE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ADVITIIYA TUMI SARVA GUŃE<br /> | |||
ÁMÁR KATHÁ BHULE JÁO KEMANE<br /> | |||
D́EKE GECHI TOMÁY PRATI KŚAŃE<br /> | |||
ÁJ ELE PRABHÁTE RÁUNGÁ RAVIR KARE<br /> | |||
ELE ÁMÁR GHARE<br /> | |||
OGO NIT́HUR HARI<br /> | |||
KATA JANAM PARE ELE ÁMÁR GHARE<br /> | |||
O the merciless Lord, after how many lives You came to my home. I searched to extreme from<br /> | |||
eras after eras. How many tender leaves vanished, how many stars decayed in darkness. How<br /> | |||
many sandal breeze were lost in storms, how many rose flowers dropped down on earth? In | |||
all attributes, You are one without a second. How do You continue to forget about me? Each<br /> | |||
moment I continued to call You, You came today with colourful sun rays in the morning.<br /> | |||
=== 3971 (19/01/1987) D === | |||
ÁLOR DESHER PARII ESE<br /> | |||
BOLALE EKHAN GHUMIYO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁJ RAYECHE ÁLO ÁCHE<br /> | |||
DÁMI SAMAY HÁRIO NÁ<br /> | |||
BOLALE EKHAN GHUMIO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁJ KARE JÁY MADHU MAKŚI<br /> | |||
PIPILIKÁ SÁRIKÁ PAKŚI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KÁJ KARE JÁY MADHU MAKŚI<br /> | |||
PIPILIKÁ SÁRIKÁ PAKŚI<br /> | |||
MAHÁKÁSHER KÁRÁR RAKŚI<br /> | |||
KÁJE BÁDHÁ DIO NÁ<br /> | |||
BOLALE EKHAN GHUMIYO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
UDAYÁSTA KÁJ KARE JÁO<br /> | |||
SHVÁSA PRASHVÁSE KÁJ BHARE NÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
UDAYÁSTA KÁJ KARE JÁO<br /> | |||
SHVÁSA PRASHVÁSE KÁJ BHARE NÁO<br /> | |||
KÁJ KE PURASKÁR MENE NÁO<br /> | |||
NINDÁ STUTITE THÁMIO NÁ<br /> | |||
BOLALE EKHAN GHUMIYO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BOLALE EKHAN GHUMIYO NÁ<br /> | |||
ÁLOR DESHER PARII ESE<br /> | |||
BOLALE EKHAN GHUMIYO NÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
The Nymph of the arena of light came and told, “ Do not sleep now, there are pending<br /> | |||
tasks, light is there, do not lose valuable time. All continue to perform actions, the<br /> | |||
bee, the ant, the sa’rika’ bird, even guards of prison of the great devourer<br /> | |||
Mahaka’la, do not obstruct their functions. From morning to evening continue performing<br /> | |||
action, fill action into each inhalation and exhalation. Accept the action as reward and<br /> | |||
do not pause by praise or condemnation.<br /> | |||
=== 3972 (19/01/1987) D === | |||
DAYÁL NIDHÁN TUMI BHAGAVÁN | |||
ALAKE ÁLOKE SHÁSHVATA<br /> | |||
VISHVA VIDHÁN SHREYA SUMAHÁN | |||
APARIŃÁMI SHRUTI SHRUTA<br /> | |||
ALAKE ÁLOKE SHÁSHVATA<br /> | |||
JÁHÁ KARE JÁO JÁHÁ NÁHI KARO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
JÁHÁ KARE JÁO JÁHÁ NÁHI KARO<br /> | |||
JÁRE CHUNŔE PHELO JÁRE TULE DHARO<br /> | |||
SABÁI BHITARE RÁJE ANTARE? SABE TOMÁTEI SPANDITA<br /> | |||
ALAKE ÁLOKE SHÁSHVATA<br /> | |||
ANÁDI PURUŚA PURUŚOTTAMA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁDI PURUŚA PURUŚOTTAMA<br /> | |||
SAMÁHÁR SATTVA RAJAH TAMAH<br /> | |||
MAHATER MÁJHE HE MAHATTAMA<br /> | |||
APARÁMRIŚT́A BHÁVÁTIITA<br /> | |||
ALAKE ÁLOKE SHÁSHVATA<br /> | |||
DAYAL NIDHÁN TUMI BHAGAVÁN | |||
ALAKE ÁLOKE SHÁSHVATA<br /> | |||
O Lord, Repository of Kindness, You are eternal heavenly effulgence. O The Controller of<br /> | |||
the universe, Great benevolent, You are incomparable as heard to ears. Whatever You go on | |||
doing, what You do not do, whom You leave and whom You lift up, all dwell within inside<br /> | |||
and all are oscillated by You. O the beginning less Purus’a, the Supreme Hub<br /> | |||
Purus’ottama, aggregate of all the three Principles, sentient, mutative and static, You<br /> | |||
are Greatest amongst Great, untouched and beyond imagination.<br /> | |||
=== 3973 (19/01/1987) D === | |||
DARSHANE VIJINÁNE O SHÁSTRE<br /> | |||
TAVA PARICAYA KE BÁ PEYECHE<br /> | |||
JÁRE DAYÁ KARO TÁRE TULE DHARO<br /> | |||
SATYA SATTÁ SEI JENECHE<br /> | |||
TAVA PARICAYA KE BÁ PEYECHE<br /> | |||
KATA T́UKU BALA DHARE E MÁNAVA<br /> | |||
KATA BALA DHARE VIDHÁTÁ TÁHÁR<br /> | |||
MÁNAVER JINÁNA VRITHÁ ABHIMÁNA<br /> | |||
SAB JINÁNA TÁR KRPÁ VIDHÁTÁR<br /> | |||
JE KRPÁ PEYECHE DHANYA HOECHE<br /> | |||
SEI TOMÁREI KICHU BUJHECHE<br /> | |||
TAVA PARICAYA KE BÁ PEYECHE<br /> | |||
ATIITA VARTAMÁN O BHAVIŚYAT<br /> | |||
NIJERAO JYOTIŚII BOLITE NÁ RE<br /> | |||
CANDRA SÚRYA TÁRÁ NIIHÁRIKÁ<br /> | |||
KEHO KI KICHUI BUJHITE PÁRE<br /> | |||
SABÁSHRAYA JE ANÁSHRAYA SAB<br /> | |||
JINÁNA TABU TOMÁTE ÁCHE<br /> | |||
TAVA PARICAYA KE BÁ PEYECHE<br /> | |||
DARSHANE VIJINÁNE O SHÁSTRE<br /> | |||
TAVA PARICAYA KE BÁ PEYECHE<br /> | |||
O Lord, who can get acquaintance of Yours by philosophy, science and scriptures? On whom<br /> | |||
You shower mercy, and whom You lift up, they only can know the absolute truth. How meagre<br /> | |||
is this human strength, how much unlimited strength is Yours, O the Controller? Human | |||
knowledge and false vanity, all wisdom is Your grace O God. Those who get Your grace are<br /> | |||
really blessed and they only understand You a little bit. Past, present and future of own | |||
self, the astrologer himself never tells. Something about sun, moon, stars and nebula<br /> | |||
some understand a bit. O the shelter of all, without any shelter, all knowledge exist<br /> | |||
within You only.<br /> | |||
=== 3974 (19/01/1987) D === | |||
CAMPAK KALI JHARIÁ GIYÁCHE<br /> | |||
MANER KUINJA VANE ÁMÁR<br /> | |||
SE PRIYA ÁSENI STABAK NEYANI<br /> | |||
PHUL SAHE NI SE VEDANÁ BHÁR<br /> | |||
MANER KUINJA VANE ÁMÁR<br /> | |||
PRABHÁTE UT́HIÁGENTHE CHINU MÁLÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PRABHÁTE UT́HIÁGENTHE CHINU MÁLÁ<br /> | |||
RÁGÁTMIKÁR MADHU TÁTE D́HÁLÁ<br /> | |||
SÁJIYE SONÁLII VARAŃA D́ÁLÁ<br /> | |||
PATH PÁNE CEYE CHINU TÁHÁR<br /> | |||
MANER KUINJA VANE ÁMÁR<br /> | |||
SAMVIT BOLE SAMAY ESECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
SAMVIT BOLE SAMAY ESECHE<br /> | |||
EKHANAO TÁHÁR ÁSÁR ÁSHÁ ÁCHE<br /> | |||
PRIITIR DEULE SÁJÁIÁ PHULE<br /> | |||
DIIPJVELE D́ÁKO? TÁRE EBÁR<br /> | |||
MANER KUINJA VANE ÁMÁR<br /> | |||
CAMPAK KALI JHARIÁ GIYÁCHE<br /> | |||
MANER KUINJA VANE ÁMÁR<br /> | |||
In my mental garden, the bud of campa’ withered down. The Dear did not come, did not<br /> | |||
accept the offering in the hands, the flowers could not bear the load of this agony.<br /> | |||
Getting up in the morning, I threaded the garland, poured the honey of total devotion into<br /> | |||
that, decorating the golden tray of colours, I stood beside the path of His arrival. The<br /> | |||
consciousness tells that there was still time, even now there is hope of His arrival.<br /> | |||
Decorating the temple of love with flowers, kindle lamp and call Him again this time.<br /> | |||
=== 3975 (19/01/1987) === | |||
KÁR TARE MOR PRADIIP JVÁLÁ<br /> | |||
KÁR TARE MOR MÁLÁ GÁNTHÁ<br /> | |||
JÁR LÁGI MAN HOYE UTALÁ<br /> | |||
SE SHUNALE NÁ GIITI GÁTHÁ<br /> | |||
KÁR TARE MOR MÁLÁ GÁNTHÁ<br /> | |||
BHEVE CHILUM JÁ MOR BHÁLO<br /> | |||
MANER RAUNGIIN RAUNGA MASHÁLO<br /> | |||
SANDHYA RÁGE JHALAMALA<br /> | |||
DOBO MANER MADHURATÁ<br /> | |||
KÁR TARE MOR MÁLÁ GÁNTHÁ<br /> | |||
JE SUR SEDHECHI ÁJIIVANA<br /> | |||
BHÁVE BHÁŚÁY CIRA NÚTAN | |||
PRÁŃER VIINÁ PRIYASPANDANA<br /> | |||
DOBO PRIITIR ÁKULATÁ<br /> | |||
KÁR TARE MOR MÁLÁ GÁNTHÁ<br /> | |||
KÁR TARE MOR PRADIIP JVÁLÁ<br /> | |||
KÁR TARE MOR MÁLÁ GÁNTHÁ<br /> | |||
What is the use of my kindling the lamp and threading the garland? The One for whom, the<br /> | |||
mind is restless, He does not listen to the song. I thought that all my best possessions<br /> | |||
the charming glowing colours of my mind, shining with the evening melody, and all<br /> | |||
sweetness of my mind, I shall offer. I had thought that all the melodies that I practiced<br /> | |||
throughout my whole life, which are ever new in ideas and language, the charming tinkling<br /> | |||
of the viin’a’ of my heart, I shall offer to Him, with earnest love.<br /> | |||
=== 3976 (19/01/1987) D === | |||
ESECHILE PRABHU ÁMÁRI GHARE<br /> | |||
TITHI JÁNI NÁ<br /> | |||
BHULE GECHOTABUSMRTI KAŃÁ<br /> | |||
MORE CHEŔE JÁY NÁ<br /> | |||
TITHI JÁNI NÁ<br /> | |||
PARÁ MÁLÁ TAVA SHUKÁIÁ GECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PARÁ MÁLÁ TAVA SHUKÁIÁ GECHE<br /> | |||
PHUL JHARE GECHE D́OR PAŔE ÁCHE<br /> | |||
SÁJÁNO BÁGÁN KÁNT́ÁY BHARECHE<br /> | |||
ALI PATH BHÚLE ÁSE NÁ<br /> | |||
TITHI JÁNI NÁ<br /> | |||
PHELE REKHE GELE JE CARAŃA REKHÁ<br /> | |||
SE REKHÁ EKHANO MOR MANE ÁNKÁ<br /> | |||
TÁRI SANE ÁNKÁ TAVA RATH CÁKÁ<br /> | |||
SE CÁKÁ KAKHANO THÁME NÁ<br /> | |||
TITHI JÁNI NÁ<br /> | |||
ESECHILE PRABHU ÁMÁRI GHARE<br /> | |||
TITHI JÁNI NÁ<br /> | |||
O Lord, You visited my home the date I do know. You have forgotten but the bit of memory<br /> | |||
does not leave me. Your garland worn by You then is dried up, the flowers withered away<br /> | |||
only the thread is left lying. The decorated garden is full of thorns, the bees do not<br /> | |||
come even by mistake. The foot mark that You had left, that even now is impressed on my<br /> | |||
mind. Along with that is marked the impression of the wheels of Your cart, which never<br /> | |||
stops.<br /> | |||
=== 3977 (19/01/1987) K === | |||
MANER MAYUR MOR MEGH DEKHE METECHE<br /> | |||
ÁŔÁLE CÁNDER KHELÁ CALE<br /> | |||
HÁRÁNO DIN GULI JENO KHUINJE PEYECHE<br /> | |||
VIRALE MANE MANE BOLE<br /> | |||
ÁŔÁLE CÁNDER KHELÁ CALE<br /> | |||
EKAT́I DUT́I KARE KATA VATSAR GECHE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EKAT́I DUT́I KARE KATA VATSAR GECHE<br /> | |||
KATA NIDÁGHER JVÁLÁ VARAŚAY BHESECHE<br /> | |||
SHARAT ÁKÁSHER PÁSHE HEMANTE SHIITA ESECHE<br /> | |||
VASANTA D́EKE GECHE PHULE<br /> | |||
ÁŔÁLE CÁNDER KHELÁ CALE<br /> | |||
NIDÁGHE BELÁ MÁLATI VARAŚÁY JUTHIKÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIDÁGHE BELÁ MÁLATI VARAŚÁY JUTHIKÁ<br /> | |||
SHARATE SHEFÁLII HIME CANDRA MALLIKÁ<br /> | |||
SHIITE SHOBHAINJANE PHÁGUNER RAUNGA ÁNKÁ<br /> | |||
VASANTA KISHALAYE DULE<br /> | |||
ÁŔÁLE CÁNDER KHELÁ CALE<br /> | |||
MANER MAYUR MOR MEGH DEKHE METECHE<br /> | |||
ÁŔÁLE CÁNDER KHELÁ CALE<br /> | |||
My mental peacock is frenzied looking towards the clouds. Behind the game of moon was<br /> | |||
going on. In seclusion, as if it was telling that it found the lost days on searching. How<br /> | |||
many years passed, one after another, how many summer heats floated away in rainy seasons.<br /> | |||
Soon after autumn grasses, winter came, and spring went called with flowers. During<br /> | |||
summer, the bela’, during rains, malatii, during autumn, shefa’lii, during winter<br /> | |||
candramallika’, during cold, shobha’injana, during spring, colourful new leaves, all<br /> | |||
oscillate.<br /> | |||
=== 3978 (19/01/1987) D === | |||
DHARE RÁKHÁ JÁY NI SAKHÁ<br /> | |||
SHONÁLII MOR DIN GULI<br /> | |||
RAUNGA BERAUNGER DIN GULI<br /> | |||
KATAK KÁINCÁ KATAK TÁJÁ<br /> | |||
KATAK BHÁŚÁ VARŃÁLII<br /> | |||
SHONÁLI MOR DIN GULI<br /> | |||
RAUNGA CHILO ARUŃODAYER<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RAUNGA CHILO ARUŃODAYER<br /> | |||
SUPRABHÁTER SÚRYÁLOKER<br /> | |||
RAUNGA CHILO TAPANÁSTER<br /> | |||
CÁNDER HÁSI PRADOŚERA<br /> | |||
GELO UŔE KHÁNCÁ CHEŔE<br /> | |||
POŚÁ PÁKHIR KÁKALI<br /> | |||
SHONÁLII MOR DIN GULI<br /> | |||
RAUNGA CHILO MOR RÁG RÁGINIIR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
RAUNGA CHILO MOR RÁG RÁGINIIR<br /> | |||
RAUNGA CHILO ANÁHATER DHVANIR<br /> | |||
MUKTÁKÁSHER MUKTA VÁŃIIR<br /> | |||
DRPTA PRÁŃE JÁ DIIPÁVALII<br /> | |||
SHONÁLII MOR DIN GULI<br /> | |||
DHARE RÁKHÁ JÁY NI SAKHÁ<br /> | |||
SHONÁLI MOR DIN GULI<br /> | |||
O Friend, it is not possible to keep holding my golden days. Those colourful days<br /> | |||
somewhat tender, somewhat fresh, somewhat spectrum of language. Crimson colour of sunlight<br /> | |||
was there, with morning illumination. There was colour of evening after sunset with smile<br /> | |||
of the moon. And chirping of those pet birds that flew leaving the cage. There were<br /> | |||
colours in my tunes and melodies, also of the internal sound heard in meditation, also of<br /> | |||
materialized message of free sky, illuminated life or festivity of light.<br /> | |||
=== 3979 (19/01/1987) D === | |||
HE PRIYA TOMÁR TARE<br /> | |||
GENTHE GECHI JATA MÁLÁ<br /> | |||
TUMI KICHUI PARILE NÁ<br /> | |||
SHUKHÁLO ÁTAPA JVÁLÁY<br /> | |||
BÁRE BÁRE TOMÁRE SMARE<br /> | |||
PHULE PARÁYECHI D́ORE<br /> | |||
SE HÁRE KENO NILE NÁ<br /> | |||
TÁI BHÁVI BASE ABELÁY<br /> | |||
GENTHE GECHI JATA MÁLÁ<br /> | |||
BHÁLOBÁSI TOMÁY PRIYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHÁLOBÁSI TOMÁY PRIYA<br /> | |||
BHEVE CHILUM JÁ MOR BHÁLO<br /> | |||
SABAI TUMI HESE NIYO<br /> | |||
KRPÁR KAŃÁ MORE D́HELO<br /> | |||
CAOÁR KICHUI NÁHI ÁCHE<br /> | |||
THEKO SHUDHU KÁCHE KÁCHE<br /> | |||
EI ANURODHA JÁNÁI TOMÁY<br /> | |||
DIN CALE JÁY SANDHYÁ GHANÁY<br /> | |||
GENTHE GECHI JATA MÁLÁ<br /> | |||
KICHUI ÁMÁR NEI APANÁR<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KICHUI ÁMÁR NEI APANÁR<br /> | |||
ÁMÁR “ÁMI”O JE TOMÁR<br /> | |||
BUDBUD ÁMI, TUMI APÁR<br /> | |||
ÁMI HÁSI BHÁSI LIILÁY<br /> | |||
GENTHE GECHI JATA MÁLÁ<br /> | |||
HE PRIYA TOMÁR TARE<br /> | |||
GENTHE GECHI JATA MÁLÁ<br /> | |||
O Dear, all the garlands that I threaded for You, You did not wear a single, and they<br /> | |||
dried up due to burning heat. Remembering You again and again, I threaded the flowers into<br /> | |||
the twine, that garland why did not You accept, that I think sitting untimely. O Dear I<br /> | |||
love You, thinking of that I liked. All You accept smilingly, pouring wee bit of love upon | |||
me. I have no expectation, just stay close to me. This request I express before You, the<br /> | |||
day passes and evening deepens. I have nothing of my own. My own “self” is also Yours.<br /> | |||
I am a bubble, You are infinite, I smile floating in illusive game, liila.<br /> | |||
=== 3980 (20/01/1987) D === | |||
ÁMI TOMÁRI KATHÁ SHUNIGO<br /> | |||
ÁR TOMÁRI GÁN GÁI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ,?<br /> | |||
ÁMI TOMÁRI PÁNE CEYE RAI<br /> | |||
MOR DVITIIYA KEHO NÁI<br /> | |||
ÁR TOMÁRI GÁN GÁI<br /> | |||
BHORER ARUŃODAYE NISHCINTA HRIDAYE<br /> | |||
ÁMI TOMÁREI D́ÁKI MOR ÁLAYE<br /> | |||
ÁR TOMÁRE DEKHE JÁI<br /> | |||
ÁR TOMÁRI GÁN GÁI<br /> | |||
TUMI ÁMÁR SHUDHU, ÁMÁR<br /> | |||
TUMI NÁSHO MANERI ÁNDHÁR<br /> | |||
SABÁR ÁDHÁR NIJE NIRÁDHÁR<br /> | |||
BHEVE ÁNANDA PÁI<br /> | |||
ÁR TOMÁRI GÁN GÁI<br /> | |||
ÁMI TOMÁRI KATHÁ SHUNIGO<br /> | |||
ÁR TOMÁRI GÁN GÁI<br /> | |||
O Lord, I shall ever listen about You and sing Your song. I long and move towards You, and<br /> | |||
I have no one else. During sunrise in the morning, with clean tranquil heart, I call You<br /> | |||
at my home, and keep on looking at You. You are mine and only mine, You destroy the<br /> | |||
darkness of mind. You are shelter and base for all, remaining Yourself without any base.<br /> | |||
While meditating on You, I find bliss.<br /> | |||
=== 3981 (20/01/1987) D === | |||
DINE TOMÁY CEYE CHILUM PRIYA<br /> | |||
TUMI ELE SÁNJHER BELÁY<br /> | |||
ÁLO TAKHAN CHILO NÁ MOR GHARE<br /> | |||
DINER ÁLO CALE GELO<br /> | |||
SÁNJHER KÁLO NEVE ELO<br /> | |||
DEKHÁ DILE NIVIŔA ANDHAKÁRE<br /> | |||
ÁLO TAKHAN CHILO NÁ MOR GHARE<br /> | |||
DIIP TAKHANO HOYENI JVÁLÁ<br /> | |||
JHARE GIYE CHILO MÁLÁ<br /> | |||
CHILO NÁ SÁJÁNO D́ÁLÁ<br /> | |||
BHARÁ PÚJÁR UPÁCÁRE<br /> | |||
ÁLO TAKHAN CHILO NÁ MOR GHARE<br /> | |||
HOYENI VRTHÁ ÁMÁR D́ÁKÁ<br /> | |||
DERI HOLEO DILE DEKHÁ<br /> | |||
CÁOÁR MATAI ELE EKÁ<br /> | |||
BHAYA SARÁLE GLÁNI MUKTA KARE<br /> | |||
ÁLO TAKHAN CHILO NÁ MOR GHARE<br /> | |||
DINE TOMÁY CEYE CHILUM PRIYA<br /> | |||
TUMI ELE SÁNJHER BELÁY<br /> | |||
ÁLO TAKHAN CHILO NÁ MOR GHARE<br /> | |||
O Dear, during daytime, I wanted You, but You came during evening time, when there was no<br /> | |||
illumination in home. The daytime passed, the darkness of evening came down, and were seen | |||
in deep darkness. Lamp could not be lit at that time, the garland got withered. The<br /> | |||
offering tray, full of articles of worship could not be arranged. But my call was not<br /> | |||
waste. You were seen, though late. As per wish, You came alone, to remove fear and provide<br /> | |||
freedom from agonies.<br /> | |||
=== 3982 (20/01/1987) D === | |||
TOMÁY KHUNJE KHUNJE PRIYA<br /> | |||
DIN JE KET́E JÁY<br /> | |||
ÁMÁR JANAM CALE JÁY<br /> | |||
SÁT SÁGARE ADRI SHIRE<br /> | |||
GHURE GHURE HÁY<br /> | |||
ÁMÁR JANAM CALE JÁY<br /> | |||
PHULER VANE SAḾGOPANE<br /> | |||
KHUNJECHI RÁTRI DINE<br /> | |||
TIIRTHE JANAPADE KÁNANE<br /> | |||
KHUNJECHI ÁSHÁY<br /> | |||
ÁMÁR JANAM CALE JÁY<br /> | |||
NIIHÁRIKÁY TÁRÁY TÁRÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NIIHÁRIKÁY TÁRÁY TÁRÁY<br /> | |||
KÁJAL KÁLO MEGHER MÁYÁY<br /> | |||
NIDÁGH DÁHE TARU CHÁYÁY<br /> | |||
CEYECHI TOMÁY<br /> | |||
ÁMÁR JANAM CALE JÁY<br /> | |||
ELE TUMI AVASHEŚE<br /> | |||
DIIRGHA NISHÁR ÁNDHÁR SHEŚE<br /> | |||
PHUL PHOT́ÁNO ÁLOKÁBHÁSE<br /> | |||
RAUNGA LÁGÁ ÚŚÁY<br /> | |||
ÁMÁR JANAM CALE JÁY<br /> | |||
TOMÁY KHUNJE KHUNJE PRIYA<br /> | |||
DIN JE KET́E JÁY<br /> | |||
ÁMÁR JANAM CALE JÁY<br /> | |||
O Dear, in search after search for You, my days pass, my life and birth passes in vain.<br /> | |||
Alas, roaming and wandering over the seven oceans and the mountain peaks. Day and night<br /> | |||
secretly, I have been searching You in floral gardens, holy places, forests and towns with<br /> | |||
hopes. I searched You amidst stars, nebula, and scenes of dark clouds. I longed for You in | |||
intense heat of the sun, and under the shade of the trees. At the end You came at the end<br /> | |||
of the long night, blooming the flowers with appearance of light, during colourful<br /> | |||
morning.<br /> | |||
=== 3983 (20/01/1987) K === | |||
TUMI, ÁLO JHALAMALA ÚŚÁY ELE<br /> | |||
ÁNDHÁRER JÁLA CHINŔILE<br /> | |||
YUGÁNTARER JAMÁ CHILO JE ÁNDHÁR<br /> | |||
NIMEŚE TÁRE SARÁLE<br /> | |||
ÁNDHÁRER JÁLA CHINŔILE<br /> | |||
OGO PRIYA MOR KII JÁDU JÁNO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
OGO PRIYA MOR KII JÁDU JÁNO<br /> | |||
RAUNGER KHELÁY ALAKÁ ÁNO<br /> | |||
DÚR KE KÁCHE PALAKE T́ÁNO<br /> | |||
BHEDÁBHEDA NÁHI RÁKHILE<br /> | |||
ÁNDHÁRER JÁLA CHINŔILE<br /> | |||
TOMÁRE JÁNÁI ÁMI KOT́ISHAH PRAŃÁM<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁRE JÁNÁI ÁMI KOT́ISHAH PRAŃÁM<br /> | |||
TUMI MOR ÁDI TUMI SHEŚA PARIŃÁMA<br /> | |||
MOR PARICAYA MOR NÁM MOR DHÁM<br /> | |||
TOMÁTEI MISHIYE DILE<br /> | |||
ÁNDHÁRER JÁLA CHINŔILE<br /> | |||
TUMI, ÁLO JHALAMALA ÚŚÁY ELE<br /> | |||
ÁNDHÁRER JÁLA CHINŔILE<br /> | |||
O Lord, You came during morning shining with light and tore away the net of darkness. The<br /> | |||
darkness was accumulated since eras, You removed that in a moment. O my Dear, what a magic<br /> | |||
You know, that You bring heaven by the game of colours. Within blink of eye, You pull the<br /> | |||
distant ones close, without keeping any distinction. I express my innumerable salutations<br /> | |||
to You. You are my beginning and end. My acquaintance, address, name, all You have merged<br /> | |||
in Yourself.<br /> | |||
=== 3984 (20/01/1987) K === | |||
MÁNAVATÁR MUKTA DHÁRÁ<br /> | |||
BAHÁYE DILE DHARÁTE<br /> | |||
NEI KONO T́ÁNÁ T́ÁNI HÁNÁ HÁNI<br /> | |||
BAHÁYE DILE DHARÁTE<br /> | |||
SHOŚAŃA DÁNAVER HÁTHE<br /> | |||
KATA YUGA YUGA DHARE KENDECHE JAGAT<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KATA YUGA YUGA DHARE KENDECHE JAGAT<br /> | |||
KATA ASTRÁGHÁTA HENECHE ASAT<br /> | |||
ÁLO JVELE ÁJI ELE TUMI MAHAT<br /> | |||
SARÁLE SAKAL KŚATE<br /> | |||
BAHÁYE DILE DHARÁTE<br /> | |||
MÁNUŚA BHULE CHILO NIJA PARICAYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁNUŚA BHULE CHILO NIJA PARICAYA<br /> | |||
BHEVE CHILO PASHU CHÁŔÁ SEO KICHU NAY<br /> | |||
PRAVRITTI TEI TÁR HOBE BUJHI JAY<br /> | |||
TUMI ELE BHÚL BHÁUNGÁTE<br /> | |||
BAHÁYE DILE DHARÁTE<br /> | |||
MÁNAVATÁR MUKTA DHÁRÁ<br /> | |||
BAHÁYE DILE DHARÁTE<br /> | |||
You came and brought the fountain of human liberation on this earth.<br /> | |||
Demons will no longer be able to continue their ugly dance of disaster, exploitation and<br /> | |||
murder. Since ages, this whole world was crying in agony and pain. Immoralists<br /> | |||
were torturing one and all with their weapons. Today You have come and<br /> | |||
created strong vibration. Ignited the light. And removed the pain and<br /> | |||
suffering for one and all. All this happened because of Your grace<br /> | |||
=== 3985 (20/01/1987) === | |||
TOMÁR PATH PÁNE CEYE<br /> | |||
JANAM MOR JE CALE JÁY<br /> | |||
KAO NI KATHÁ SHONO NI VYATHÁ<br /> | |||
DÁO NI DEKHÁ ÁMÁY<br /> | |||
JANAM MOR JE CALE JÁY<br /> | |||
EKLÁ BASE KŚUDRA GHARE<br /> | |||
BHÁLOBESECHI TOMÁRE<br /> | |||
DÚR ÁKÁSHER BALÁKÁRE<br /> | |||
SHUDHÁY CENE KI TOMÁY<br /> | |||
JANAM MOR JE CALE JÁY<br /> | |||
ANDHAKÁRER ANTARÁLE<br /> | |||
ÁSAN PÁTI CIT KAMALE<br /> | |||
BHÁVI PRIYA KAKHAN BALE<br /> | |||
DHARÁ DILUM EŚAŃÁY<br /> | |||
JANAM MOR JE CALE JÁY<br /> | |||
TOMÁR PATH PÁNE CEYE<br /> | |||
JANAM MOR JE CALE JÁY<br /> | |||
O Lord, looking towards Your arrival path this life of mine goes on passing. You do not<br /> | |||
speak anything, do not listen to my agony, nor You have shown Yourself to me. Sitting<br /> | |||
alone in the small room, I love You, enquiring from the swans of the distant sky whether<br /> | |||
they recognise You. With the interval of darkness, making You seated on the lotus of my<br /> | |||
mind, I think, when shall I get held, O Dear.<br /> | |||
=== 3986 (20/01/1987) === | |||
RAJANI GANDHÁ BOLE NISHIITHE<br /> | |||
SABE ESO MOR KÁNANE<br /> | |||
MITÁLI KARIÁ REKHECHI GOPANE<br /> | |||
SHARAD SHEFÁLI SANE<br /> | |||
SABE ESO MOR KÁNANE<br /> | |||
SARÁITE CÁI BHÁR DHARAŃIIR<br /> | |||
SHOKÁHOTER MUCHÁBO ÁNKHI NIIR<br /> | |||
BHÁVA JAD́ATÁY BAHÁBO SAMIIR<br /> | |||
MANUJER MANE MANE<br /> | |||
SABE ESO MOR KÁNANE<br /> | |||
SÁMARTHYA MOR BESHI KICHU NÁI<br /> | |||
JATA T́UKU ÁCHE KÁJETE LÁGÁI<br /> | |||
PARAMA PURUŚA SMARI JE SADÁI<br /> | |||
PRIITI NIŚIKTA DHYÁNE<br /> | |||
SABE ESO MOR KÁNANE<br /> | |||
RAJANI GANDHÁ BOLE NISHIITHE<br /> | |||
SABE ESO MOR KÁNANE<br /> | |||
The creeper of the night queen flower tells in the night, “All come into my mental<br /> | |||
garden. I have made friendship secretly, with winter shefa’lii. I want to remove the<br /> | |||
load of the earth. I shall wipe the tears of the distressed. Within each human mind, I<br /> | |||
shall blow off the dogma. I do not have much strength, whatever is there, I shall put to<br /> | |||
use. I ever remember the Supreme, Parama Purus’a, with love absorbed meditation”.<br /> | |||
=== 3987 (20/01/1987) D === | |||
KATHÁ DIYE GECHE SE<br /> | |||
ÁSIBE, KATHÁ KABHU SE BHULIBE NÁ<br /> | |||
JE PRADIIP SE JVELE GECHE<br /> | |||
TÁHÁ KAKHANO NIVIBE NÁ<br /> | |||
KATHÁ DIYE GECHE SE<br /> | |||
ÁSIBE KATHÁ KABHU SE BHULIBE NÁ<br /> | |||
BANDHU ÁMÁR ÁSBE JÁNI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BANDHU ÁMÁR ÁSBE JÁNI<br /> | |||
KANAK KIRIIT́ MÁTHE<br /> | |||
CANDRA KETUR SHIIRŚE ÁNKÁ<br /> | |||
SONÁR ARUŃA RATHE<br /> | |||
VARAŃ TARE CANDANERI<br /> | |||
ÁLPANÁ DII PATHE<br /> | |||
ÁMÁR, NEI KONO BHÁVANÁ<br /> | |||
KATHÁ DIYE GECHE SE<br /> | |||
ÁSIBE KATHÁ KABHU SE BHULIBE NÁ<br /> | |||
PATH BHULE SE YADI NÁ ÁSE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
PATH BHULE SE YADI NÁ ÁSE<br /> | |||
ÁNABO TÁRE CIT SAKÁSHE<br /> | |||
NAY KO CÁOÁ PÁOÁR ÁSHE<br /> | |||
KALPA TARU SE KICHU CÁY NÁ<br /> | |||
KATHÁ DIYE GECHE SE<br /> | |||
ÁSIBE, KATHÁ KABHU SE BHULIBE NÁ<br /> | |||
He, Who has gone away, giving assurance, will come, He would never forget the promise. The<br /> | |||
lamp that He kindled and went, that will never extinguish. I know that my Friend will come<br /> | |||
with golden crown on the head, with moon mark on the top, on the golden solar chariot. For<br /> | |||
decorating welcome colouration on the path, I provided sandal paste, I have no other<br /> | |||
thought. If He would not come on the path even by mistake, I shall bring Him close to my<br /> | |||
mind. He has no expectation to get, as He is wishgranting tree, does not desire anything.<br /> | |||
=== 3988 (20/01/1987) D === | |||
SE PATHIK ESECHE<br /> | |||
KATA YUGA PARE<br /> | |||
SÁNJHER BALÁKÁ JE MAN | |||
PATH CINE PHERE NIIŔE<br /> | |||
DHARÁR MALINATÁY CHILO<br /> | |||
DHULI DHUSARATÁY<br /> | |||
ÁJ SE HOYECHE UNMAN | |||
DYULOKER ABHISARE<br /> | |||
PATH CINI PHERE NIIŔE<br /> | |||
CHILO TÁR JATA KATHÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILO TÁR JATA KATHÁ<br /> | |||
MARMER VYÁKULATÁ<br /> | |||
SHÁŃITA SÁYAK VYATHÁ<br /> | |||
SAKALI GELO JE SARE<br /> | |||
PATH CINI PHERE NIIŔE<br /> | |||
KHUNJE CHILO SE KÁHÁKE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KHUNJE CHILO SE KÁHÁKE<br /> | |||
CHUT́E CHILO KÁR D́ÁKE<br /> | |||
KE RODA MEGHER PHÁNKE<br /> | |||
BENDHE CHILO MOHE TÁRE<br /> | |||
PATH CINI PHERE NIIŔE<br /> | |||
SE PATHIK ESECHE<br /> | |||
KATA YUGA PARE<br /> | |||
That Unknown traveler came after so many eras, like the bird returning to its nest in the<br /> | |||
evening having recognised the path. The world was dirty with dust and mud, it has become<br /> | |||
frenzied with the love of the spiritual arena. All the pains of piercing arrow removed<br /> | |||
out. Whom did He search? At whose call He rushed out? Who tied Him with attachment through<br /> | |||
the gaps of clods and sun?<br /> | |||
=== 3989 (20/01/1987) K === | |||
ARÚPA RATAN TUMI RÚPE ENECHO<br /> | |||
TRILOKERA SUDHÁSÁRE<br /> | |||
TÁI MAN ÁMÁR DHARITE CÁY TOMÁRE<br /> | |||
PUŚPE PUŚPE DILE MADHURATÁ SURABHI<br /> | |||
INDRA DHANUTE ENKE DILE RAUNGE RÁUNGÁ CHAVI<br /> | |||
PRABHÁTE RÁUNGIYE DILE NÚTAN ÚŚAR RAVI<br /> | |||
KAOSTUBHA BASÁLE MANIHÁRE<br /> | |||
TÁI MAN ÁMÁR DHARITE CÁY TOMÁRE<br /> | |||
DIN TITHI CALE JÁY KEHO THÁMITE NÁ PÁY<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
DIN TITHI CALE JÁY KEHO THÁMITE NÁ PÁY<br /> | |||
SABÁR CALÁR PATHE TAVA DYUTI JHALAKÁY<br /> | |||
GOKULE GOLOKE RAYECHO NITYALOKE<br /> | |||
PRIITI BHARÁ ÁNKHI DÚRE NEHÁRE<br /> | |||
TÁI MAN ÁMÁR DHARITE CÁY TOMÁRE<br /> | |||
ARÚPA RATAN TUMI RÚPE ENECHO<br /> | |||
TRILOKERA SUDHÁSÁRE<br /> | |||
TÁI MAN ÁMÁR DHARITE CÁY TOMÁRE<br /> | |||
O the Formless Gem, You came into form as essence of nectar for the three worlds. Thus my<br /> | |||
mind wants to bring You within folds. In each flower You have provided sweetness and<br /> | |||
fragrance, within the rainbow, You have sketched colourful picture. In mornings, You have<br /> | |||
painted sun of the new dawn, and fixed the pendant of kaustubha diamond within the garland<br /> | |||
of gem. The days and dates pass, no one can pause, and on the movement path of all Your<br /> | |||
effulgence shines. You dwell within heaven and Gokul and in the eternal world. The eyes<br /> | |||
full of love, look far.<br /> | |||
=== 3990 (20/01/1987) K === | |||
TUMI ÁMÁR E SÁR JIIVANER JENECHI<br /> | |||
TOMÁRI JINÁNE TOMÁRI DHYÁNE<br /> | |||
TOMÁRI KATHÁ SHUNE<br /> | |||
TOMÁREI SHUDHU MENECHI<br /> | |||
TUMI ÁMÁR E SÁR JIIVANER JENECHI<br /> | |||
UPAL PATHE CHOT́E TAT́INI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
UPAL PATHE CHOT́E TAT́INI<br /> | |||
CHANDA SÁTHE NÁCE NAT́INI<br /> | |||
AŃURAKTIR ÁNÁN KHÁNI<br /> | |||
SABETE TOMÁY DEKHECHI<br /> | |||
TUMI ÁMÁR E SÁR JIIVANER JENECHI<br /> | |||
KAKHANO KICHUI HOYE NÁ HÁRÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
KAKHANO KICHUI HOYE NÁ HÁRÁ<br /> | |||
SABE SATATAI TOMÁTE BHARÁ<br /> | |||
TOMÁTE METE SAḾSÁR ÁCHE SÁRÁ<br /> | |||
AVASHEŚE BUJHE NIYECHI<br /> | |||
TUMI ÁMÁR E SÁR JIIVANER JENECHI<br /> | |||
O Lord, You are mine, this essence of life, I have known. Knowing You, meditating upon | |||
You, listening about You, I accept You only. Within the small river of the hilly path, in | |||
the rhythmic dance of the dancer, on the face, full of love, within all I see You. Nothing<br /> | |||
is lost any time, all are full of You forever, entire world is frenzied for You, and this<br /> | |||
fact I have understood at the end.<br /> | |||
=== 3991 (21/01/1987) K === | |||
BHESE JÁY BHESE JÁY<br /> | |||
BALÁKÁ BHESE JÁY<br /> | |||
KON AJÁNÁR GÁNE CALE ANANTA PÁNE<br /> | |||
SURE SURE SHUDHU GÁY<br /> | |||
BALÁKÁ BHESE JÁY<br /> | |||
NEI PECHANER T́ÁN, RAYECHE PATHER GÁN | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NEI PECHANER T́ÁN, RAYECHE PATHER GÁN | |||
SUMUKHER PÁNE CEYE BHÁVE TÁRE KE MAHÁN | |||
JHAINJHÁ VÁRTYÁ KEHO ULKÁ AVAROHA<br /> | |||
RODHITE TÁHÁRE NÁHI PÁY<br /> | |||
BALÁKÁ BHESE JÁY<br /> | |||
VAJRA ASHANI ÁR UTTUNGA PAHÁŔ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VAJRA ASHANI ÁR UTTUNGA PAHÁŔ<br /> | |||
RODHE NÁ TÁHÁR GATI ITIR SAMÁHÁR<br /> | |||
UCCHVÁSE DHÁVAMÁN ULLÁSE PRIYAMÁN | |||
SHONÁLII VARTAMÁN EKE MURCHÁY<br /> | |||
BALÁKÁ BHESE JÁY<br /> | |||
BHESE JÁY BHESE JÁY<br /> | |||
BALÁKÁ BHESE JÁY<br /> | |||
The swan goes on gliding, goes on gliding. With what unknown melody, it goes towards<br /> | |||
infinite, only singing with tunes after tunes. There is no backward pull, only song of the<br /> | |||
path remains, it just wants to move forward You the Great. The cyclone, storm or the fall<br /> | |||
of meteors, none can stop that. The lightning, the thunder, and very high mountain, none<br /> | |||
can stop its movement towards the culminating point of all. Rushing through exhalations<br /> | |||
attracted with joy, the golden present, all get stupefied into One.<br /> | |||
=== 3992 (21/01/1987) D === | |||
HE VIRÁT́A PURUŚA TOMÁKE<br /> | |||
VIDYÁY NÁHI PÁOÁ JÁY<br /> | |||
BUDDHIO HÁR MÁNIÁ JÁY<br /> | |||
ANURAKTI SHEŚA SAHÁY<br /> | |||
HE VIRÁT́A PURUŚA TOMÁKE<br /> | |||
VIDYÁY NÁHI PÁVÁ JÁY<br /> | |||
CALO TUMI NIJER BHÁVE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CALO TUMI NIJER BHÁVE<br /> | |||
CALO NÁ KÁRO PRABHÁVE<br /> | |||
MIŚT́I MADHUR TIKTA VIDHUR<br /> | |||
SAMÁN BHÁVE KRPÁ PÁY<br /> | |||
HE VIRÁT́A PURUŚA TOMÁKE<br /> | |||
VIDYÁY NÁHI PÁVÁ JÁY<br /> | |||
TOMÁR RÁGE ANURÁGE<br /> | |||
SIKTA HOYE E DHARÁ<br /> | |||
JÁRÁI EKE TIKTA KARE<br /> | |||
TOMÁY BOJHE NÁ TÁRÁ<br /> | |||
VAJRA HASTE ESO TUMI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
VAJRA HASTE ESO TUMI<br /> | |||
TOMÁR GOLOK HOTE NÁMI<br /> | |||
DUHSHÁSANER SAB SHOŚAŃER<br /> | |||
ANTERA TUMI EK UPÁY<br /> | |||
HE VIRÁT́A PURUŚA TOMÁKE<br /> | |||
VIDYÁY NÁHI PÁOÁ JÁY<br /> | |||
O The Vira’t’a Purus’a, You cannot be attained by skill. Even the intellect accepts<br /> | |||
defeat and at the end only love is helpful. You move as per Your own will, and do not<br /> | |||
deviate by any influence. The sweetness of the sweets, and bitterness of the afflicted<br /> | |||
all seek Your grace equally. This earth is moistened by Your colour and love. Those who<br /> | |||
make it bitter, do not understand You. You come down from Your abode, Goloka, with firm<br /> | |||
hands. To end the bad governance and exploitation, You are the only way out.<br /> | |||
=== 3993 (21/01/1987) D === | |||
ÁLOR SÁGAR PERIYE DEKHI<br /> | |||
ÁRO ÁCHE? ÁLO<br /> | |||
DEKHI ÁLOR PAREO ÁLO<br /> | |||
MANDA SE DESHE NAY KEHOI<br /> | |||
BHÁLOR PÁSHE BHÁLO<br /> | |||
DEKHI ÁLOR PAREO ÁLO<br /> | |||
TARU LATÁ PHULE PHALE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TARU LATÁ PHULE PHALE<br /> | |||
MALAY VÁTE DODUL DOLE<br /> | |||
MIŚT́I MÁNUŚA MIŚT́I BALE<br /> | |||
SHUDHÁY KI CÁY BOLO<br /> | |||
DEKHI ÁLOR PAREO ÁLO<br /> | |||
NEIKO SETHÁY JALA VIDUŚAŃA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NEIKO SETHÁY JALA VIDUŚAŃA<br /> | |||
HOYENI HAOÁ VIŚE BHIIŚAŃA<br /> | |||
KALER DHOYÁY GÁCHA PÁLÁRÁ<br /> | |||
HOENI SETHÁY KÁLO<br /> | |||
DEKHI ÁLOR PAREO ÁLO<br /> | |||
MÁNAVA MANER NEIKO KALUŚA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁNAVA MANER NEIKO KALUŚA<br /> | |||
GLÁNITE NAY NATA PURUŚA<br /> | |||
NÁRIIR KATHÁO BHÁVE SAMÁJA<br /> | |||
BOLE SÁMANE CALO (DEKHI)?<br /> | |||
DEKHI ÁLOR PAREO ÁLO<br /> | |||
ÁLOR SÁGAR PERIYE DEKHI<br /> | |||
ÁRO ÁCHE ÁLO<br /> | |||
DEKHI ÁLOR PAREO ÁLO<br /> | |||
Crossing the ocean of effulgence, I observed there was more effulgence, I saw light beyond<br /> | |||
light. In that world, no one is dull, rather good and better. The trees and creepers with<br /> | |||
fruits and flowers, oscillate on the swings with sandal breeze. The sweet human speak<br /> | |||
sweet, what to ask, tell me. There is no contamination of water there. The air is not<br /> | |||
polluted with deadly poison. The machine washed vegetation does not become dirty there.<br /> | |||
There is no sin in human minds, No body is bowed down with agony or repentance. The<br /> | |||
society also has considerations for females and tells to move forward.<br /> | |||
=== 3994 (21/01/1987) K === | |||
CETANÁR AVAGÁHANE<br /> | |||
TANDRÁ ÁMÁR BHÁUNGIO<br /> | |||
BHÁVA JAD́ATÁR ÁNDHÁRE<br /> | |||
JE GHUMÁY TÁRE JÁGIO<br /> | |||
TANDRÁ ÁMÁR BHÁUNGIO<br /> | |||
ALAS PRAHARE YADI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ALAS PRAHARE YADI<br /> | |||
JAD́ATÁY GHERE JALADHI<br /> | |||
KÁŃE KÁŃE NIRAVADHI<br /> | |||
KÁJER KATHÁ SHUNIO<br /> | |||
TANDRÁ ÁMÁR BHÁUNGIO<br /> | |||
NINDÁ STUTITE DÚLE<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
NINDÁ STUTITE DÚLE<br /> | |||
AHAMIKÁR KAVALE<br /> | |||
YADI JÁI TOMÁKE BHULE<br /> | |||
SAMVIT ÁMÁTE DIO<br /> | |||
TANDRÁ ÁMÁR BHÁNGIO<br /> | |||
CETANÁR AVAGÁHANE<br /> | |||
TANDRÁ ÁMÁR BHÁUNGIO<br /> | |||
O Lord, with the covering of illumination, break my drowsiness. Those who are in darkness<br /> | |||
of dogmas, awaken them. If the ocean is immersed in inertia during idle periods, You<br /> | |||
whisper into their ears constantly the value of action. Gulped by ego, swinging due to<br /> | |||
praise and condemnation, if I forget You, then provide me consciousness.<br /> | |||
=== 3995 (21/01/1987) D === | |||
JAY GÁI JAY GÁI<br /> | |||
MÁNAVER JAY GÁI<br /> | |||
ÁMÁR CAKŚE MÁNUŚE MÁNUŚE<br /> | |||
DESHE DESHE BHEDA NÁI<br /> | |||
MÁNAVER JAY GÁI<br /> | |||
EKAI SURYÁLOKE TRPTA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
EKAI SURYÁLOKE TRPTA<br /> | |||
EKAI PRÁŃA RASE SAKAL DRPTA<br /> | |||
EKAI NIRÁSHÁY SABE ATRPTA<br /> | |||
ÁSHÁR ÁLO KHUNJE JÁI<br /> | |||
MÁNAVER JAY GÁI<br /> | |||
CHOTA SHISHU KE SABE GAŔE TULI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHOTA SHISHU KE SABE GAŔE TULI<br /> | |||
MÁTÁ PITÁ GURUR ÁDESHE CALI<br /> | |||
KONO BHEDÁBHEDE KABHU NÁHI T́ALI<br /> | |||
MÁNUŚA MÁNUŚA BHÁI<br /> | |||
UNCU NIICU KICHU NÁI<br /> | |||
MÁNAVER JAY GÁI<br /> | |||
JAY GÁI JAY GÁI<br /> | |||
MÁNAVER JAY GÁI<br /> | |||
We are singing the victory of human beings. In our outlook and heart, there is no<br /> | |||
difference between one human being and another, between one country and another. Everyone<br /> | |||
is getting energy from the same singular sun. From the Onesource all get their vital<br /> | |||
energy, pra'nah. Everyone has the same type of longing, All lift a Young infant in lap.<br /> | |||
All follow he instructions of parents and teachers. Without getting disturbed by any<br /> | |||
distinction any time, all human beings are just brothers. There is nothing like high and<br /> | |||
low.<br /> | |||
=== 3996 (21/01/1987) K === | |||
DHARÁY JANAM NIYE ÁSÁ<br /> | |||
DHARÁY JANAM NIYE ÁSÁ<br /> | |||
TOMÁRI TARE SHUDHU TOMÁRI TARE<br /> | |||
JATA HÁSI JATA GÁNA BHÁLOBÁSÁ<br /> | |||
TOMÁRE GHIRE, TOMÁRE GHIRE<br /> | |||
TOMÁRI TARE SHUDHU TOMÁRI TARE<br /> | |||
BHORER ÁLOR MIŚT́I HÁSI<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
BHORER ÁLOR MIŚT́I HÁSI<br /> | |||
RÁTER ÁKÁSHER TÁRKÁ RÁSHI<br /> | |||
SABAI THEKE JÁY MARAME PASHI<br /> | |||
TAVA ANTARE HIMÁNSHU KARE<br /> | |||
TOMÁRI TARE SHUDHU TOMÁRI TARE<br /> | |||
MÁNUŚER BHÁLOBÁSÁ MÁT́IR MÁYÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
MÁNUŚER BHÁLOBÁSÁ MÁT́IR MÁYÁ<br /> | |||
NIDÁGH DÁHANE MAHIIRUHER MÁYÁ<br /> | |||
HÁRIYE JÁOÁ ÁR CÁOÁ PÁOÁ<br /> | |||
TAVA KANDARE ANSHUMÁLII KARE<br /> | |||
TOMÁRI TARE SHUDHU TOMÁRI TARE<br /> | |||
DHARÁY JANAM NIYE ÁSÁ<br /> | |||
TOMÁRI TARE SHUDHU TOMÁRI TARE<br /> | |||
O Lord, my coming onto this earth & taking new life is only for You, oh my<br /> | |||
Lord. All my sweetness and smiles, all my song and dance, and all my love, everything of<br /> | |||
mine is revolving and dancing around You. All these things are for You. The sweet<br /> | |||
smile and effulgence of the dawn, and the twinkling of the clusters of the stars in the<br /> | |||
night, all stay entered within moonlight of Your core. Whatever love and affection are<br /> | |||
present in the hearts of human beings, and also whatever pain like burning heat, and<br /> | |||
pleasure like attachment and shade of tree, All the losses and desires and gains, they are<br /> | |||
all within Your cave, like sun rays.<br /> | |||
=== 3997 (21/01/1987) === | |||
TUMI ÁMÁY BHULE GECHO<br /> | |||
OGO NIT́HUR PRIYA<br /> | |||
ÁMI KABHU BHULINI TOMÁRE<br /> | |||
DIIP JVELE GHAR SÁJIYE REKHECHI<br /> | |||
YADI TUMI ÁSO TÁRI TARE<br /> | |||
BHORER ÁLOY BHARE NIYE PRÁŃA<br /> | |||
SÁRÁT́I DIN KARI TAVA DHYÁN | |||
YADI TUMI BHULA KARE DEKHÁ DÁO ÁMÁRE<br /> | |||
ÁMI KABHU BHULINI TOMÁRE<br /> | |||
JYOTSNÁLOKE ÁKÁSHA PÁNE CÁI<br /> | |||
YADI PUŚPA RATHE ESE GELE TÁI<br /> | |||
UTTARE CÁI DHRUVA TÁRÁY YADI DEKHATE PÁI<br /> | |||
SEO KI D́ÁKE TOMÁRE PRIITI BHARE<br /> | |||
ÁMI KABHU BHULINI TOMÁRE<br /> | |||
TUMI ÁMÁY BHULE GECHO<br /> | |||
OGO NIT́HUR PRIYA<br /> | |||
ÁMI KABHU BHULINI TOMÁRE<br /> | |||
O the merciless Dear, You have forgotten me. But I have never forgotten You. I have kept<br /> | |||
the house decorated, kindling the lamp, expecting that You would arrive by that. Filled<br /> | |||
with vitality in the morning light, whole day I meditate upon You, expecting that even by<br /> | |||
mistake You would show Yourself to me.<br /> | |||
=== 3998 (22/01/1987) K === | |||
TUMI ÁCHO TÁI PRABHU RAYECHE JAGAT<br /> | |||
ÁCHE JATA NÁM DHÁMA KŚUDRA BRIHAT<br /> | |||
ÁCHE JATA NÁM DHÁMA KŚUDRA BRIHAT<br /> | |||
TOMÁR KRPÁY HOYE ARUŃODAYA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TOMÁR KRPÁY HOYE ARUŃODAYA<br /> | |||
PALAKE JYOTIR KAŃÁ SHATA DHÁRE BAY<br /> | |||
MODER E DHARÁ PRABHU TAVA MANOMAY<br /> | |||
ER JATA GUŃÁGUŃA JATA SADASADA<br /> | |||
ÁCHE JATA NÁM DHÁM KŚUDRA BRIHAT<br /> | |||
JOÁRER TOŔE NADI OJÁNE BAHÁO<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
ANÁDI NATH HOYEO ÁDI NÁTH HOYO<br /> | |||
ULKÁ VAJRA PÁTE BHITI BHARE DÁO<br /> | |||
BHITI BHAINJANA TUMI BRHATE MAHAT<br /> | |||
O Lord, because of Your presence the universe exists and all small or big names and<br /> | |||
places. By Your grace sunrise takes place and within moments sparks of effulgence flow in | |||
hundreds of ways. This world of mine is made out of Your mind containing all good and bad<br /> | |||
qualities. With the impact of current in tides, You flow the river upwards. Though<br /> | |||
remaining controller of endless ness, become controller of beginning less ness. Within | |||
fall of meteorite and lightning You fill fear, You are the destroyer of all small anf big<br /> | |||
fears.<br /> | |||
=== 3999 (22/01/1987) K === | |||
RÚPER DEUL MÁJHE ARÚPA RATAN KHUNJI<br /> | |||
BHÁVI YADI KRPÁ KAŃÁ PÁI<br /> | |||
BHÁVI YADI KRPÁ KAŃÁ PÁI<br /> | |||
MOR, GUŃA NÁI JINÁNA NÁI KONO YOGYATÁ NÁI<br /> | |||
KRPÁ BHAROSÁY KÁJ KARI TÁI<br /> | |||
BHÁVI YADI KRPÁ KAŃÁ PÁI<br /> | |||
CHILO NÁKO KONO PATH CHINU NIHSAMBALA<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
CHILO NÁKO KONO PATH CHINU NIHSAMBALA<br /> | |||
TUMI KARE DILE PATH DILE CALÁR BALA<br /> | |||
KRIPÁY CALECHI PATHE RAYECHI CÁLÁY METE<br /> | |||
ER PARE ÁR KII JÁNÁI<br /> | |||
BHÁVI YADI KRIPÁ KAŃÁ PÁI<br /> | |||
TUMI MOR SIDHI TUMI SÁDHYA SÁDHANÁ<br /> | |||
ÁÁÁÁÁÁÁÁÁÁ<br /> | |||
TUMI MOR SIDHI TUMI SÁDHYA SÁDHANÁ<br /> | |||
TUMI PRAMÁ RDDHI TUMII SHUBHA PRERAŃÁ<br /> | |||
TOMÁR MÁJHÁRE TÁI ABHIIŚT́A PETE CÁI<br /> | |||
MOR KONO VIKALPA NÁI<br /> | |||
BHÁVI YADI KRIPÁ KAŃÁ PÁI<br /> | |||
RÚPER DEUL MÁJHE ARÚPA RATAN KHUNJI<br /> | |||
BHÁVI YADI KRPÁ KAŃÁ PÁI<br /> | |||
BHÁVI YADI KRPÁ KAŃÁ PÁI<br /> | |||
I search for the formless gem, in the temple of forms hoping for a wee bit of your grace.<br /> | |||
I have neither any qualities nor knowledge or competence. Hence I act relying on solely on | |||
your grace. I was pathless, a pauper. You showed me the way and gave me strength to move.<br /> | |||
Deeply intoxicated with my journey, I move on by your grace. What else may I say O Lord?<br /> | |||
You are my attainment, my sa’dhana’. You are the equilibrium, the prosperity and the<br /> | |||
very inspiration behind everything good. In you only, therefore I cherish to have my<br /> | |||
fulfilment. I have no other way out.<br /> | |||
== References == | |||
{{reflist}} | |||
== See also == | |||
* [[Songs 1-999]] | |||
* [[Songs 1000-1999]] | |||
* [[Songs 2000-2999]] | |||
* [[Songs 4000-5018]] | |||
Latest revision as of 07:09, 9 May 2024
| Songs 3000-3999 | |
|---|---|
 | |
| Music and lyrics by Prabhat Ranjan Sarkar | |
| Song number | 3000-3999 (as found on Prabhatasamgiita.net) |
| Date | 1984-10-18 – 1987-01-22 |
| License |
 Note |
| Location in Sarkarverse |
 |
On Sarkarverse, each song of Prabhat Samgiita is treated to a separate article. The lyrics are presented in both Roman script and Bengali script (Bangla). And each song is retranslated on a line by line basis. However, that project may take quite a while to complete. On Prabhatasamgiita.net, the lyrics (Roman script only) and some early translations (mostly by Shrii P.D. Narayan[1] and perhaps additionally by Acarya Vijayananada Avadhuta or Acarya Priyashivananda Avadhuta) are all given on a single HTML page. Here on Sarkarverse, that same page (as of 2016 September 25) has been converted into five Wiki articles (see Songs 1-5018). Except for some very limited formatting and the inclusion of links to the audio file lists, nothing has been changed in respect to the Prabhatasamgiita.net HTML page.[2]
Audio
For the audio to the following songs, go to Songs 3000-3999.
Dates and abbreviations
In this document, the date when the song was given appears in parentheses after the song number. That date may vary with other, possibly more reliable sources, for example, the books by Acarya Abhidevananda Avadhuta or Acarya Vijayananda Avadhuta.[3][4][5][6][7][8][9][10][11][12][13][14][15][16][17][18][19][20][21][22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37][38][39]
After the date, there may be one or more abbreviations. These abbreviations typically refer to the style of melody or rhythm. For example, D stands for Dadra, and K stands for Kaharva. Once again, this information may vary with other, possibly more reliable sources.
Lyrics and translations
3000 (08/08/1985) K
TOMÁY ÁMI CEYECHI
SHATA RÚPE, MANE MANE
PRÁŃER DEVATÁ KENO NÁHI ELE
DÚRE RAYE GELE ABHIMÁNE
SHATA RÚPE, MANE MANE
ALAKHE PULAKE TUMI GEYE JÁO
ÁÁÁÁÁÁÁÁÁÁ
ALAKHE PULAKE TUMI GEYE JÁO
PARÁŃ BHARE SUR SARITÁ BAHÁO
TOMÁRI VIIŃÁR, TOMÁRI
VIIŃÁR TÁR SMITA JHAUNKÁRE
MORE NIYE BHÁSE DÚR VIMÁNE
SHATA RÚPE, MANE MANE
E TAVA ÁKARŚAŃ EŔÁNO NÁ JÁY
MANER MÁDHURII MOR TOMÁ PÁNE DHÁY
E KII SUDHÁ TUMI CHAŔÁLE
TÁR SURABHI TÁR SURABHI JE PRÁŃE JAŔÁLE
TÁRI RÁGE, TÁRI RÁGE PARÁGE ANURÁGE
MORE T́ENE NEY MÁNÁ NÁ MÁNE
SHATA RÚPE, MANE MANE
TOMÁY ÁMI CEYECHI
SHATA RÚPE, MANE MANE
I’ve loved You in my mind in hundreds of ways.
God of my heart, why didn’t You come?
Instead You stayed far away because of some hurt feelings.
With an unseen quiver,
You go on singing,
flowing wholeheartedly in the stream of melody.
The sound of Your viina strings
lifts me far off as in an airplane.
I cannot get rid of this attraction,
its fragrance is embedded in my heart,
its affection pulls me along without any obstacles.
3001 (08/08/1985) K
GÁNER MÁLÁ JENO SHUKHÁIÁ NÁ JÁY
VISHTUŚKA MÁRAVA VÁTE
SHÁNTI SECAN VÁRI TAVA KARUŃÁY
SADÁ JENO THÁKE MOR SÁTHE
VISHTUŚKA MÁRAVA VÁTE
MANER MÁDHURII DIYE KUSUM PHOT́ÁYECHI
ÁÁÁÁÁÁÁÁÁÁ
MANER MÁDHURII DIYE KUSUM PHOT́ÁYECHI
MANER MÁDHURII DIYE KUSUM PHOT́ÁYECHI
MANER MÁDHURII DIYE KUSUM PHOT́ÁYECHI
PRIITI D́ORE MÁLÁ KHÁNI JATANE GÁNTHIYÁCHI
TOMÁRE PARÁBO GALE UDDVEL HOYE ÁCHI
PATH CEYE DIVAS RÁTE
VISHTUŚKA MÁRAVA VÁTE
TOMÁR PRERAŃÁY MANE MÁDHURII ESECHE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR PRERAŃÁY MANE MÁDHURII ESECHE
TOMÁR PRERAŃÁY MANE MÁDHURII ESECHE
TOMÁR PRERAŃÁY MANE MÁDHURII ESECHE
TAVA KRIPÁ KAŃÁY BUK MOR BHARE GECHE
TOMÁRE ARGHYA DITE CITTA MÁTIYÁCHE
PRIITIR PRATIITI NIYE HÁTE
VISHTUŚKA MÁRAVA VÁTE
GÁNER MÁLÁ JENO SHUKHÁIÁ NÁ JÁY
VISHTUŚKA MÁRAVA VÁTE
Let not this garland of songs dry out in the hot desert wind. To sprinkle on it, let, by your grace, the water of heavenly peace always remain with me. With the sweetness of my heart, I have made the flowers bloom. With meticulous care, I have threaded the garland with the thread of love. To put it around your neck, I am restless and look to your path of arrival day and night. Your inspiration has brought sweetness into my mind. With an iota of your grace my heart is filled. To make offering of love with conviction to You, my mind is impatient.
3002 (08/08/1985) D
CIR KÁLER BANDHU
NIKAT́E ESE GHUM BHÁUNGIO
GHUM BHÁUNGIO
JAD́ERI BHÁVANÁY YADI METE
THÁKI, JÁGIE DIO
NIKAT́E ESE GHUM BHÁUNGIO
GHUM BHÁUNGIO
KICHUI TOMÁR AJÁNÁ NÁI
ÁÁÁÁÁÁÁÁÁÁ
KICHUI TOMÁR AJÁNÁ NÁI
RANDHRE RANDHRE ÁCHO SADÁI
TOMÁY BHÚLE JAD́E HÁRÁI
T́ENE PATHE ÁNIO
NIKAT́E ESE GHUM BHÁUNGIO
GHUM BHÁUNGIO
ANÁDI ASHEŚA E LIILÁY
ÁÁÁÁÁÁÁÁÁÁ
ANÁDI ASHEŚA E LIILÁY
TOMÁY KHONJÁ HOYE UT́HE DÁY
BHRÁNTI KICHU DEKHATE NÁ DEY
TUMI DIIPAK JVÁLIO
NIKAT́E ESE GHUM BHÁUNGIO
GHUM BHÁUNGIO
CIR KÁLER BANDHU
NIKAT́E ESE GHUM BHÁUNGIO
GHUM BHÁUNGIO
O eternal Companion, coming close, break my sleep. If I am engrossed in the materialistic thoughts, wake me up. Nothing is unknown to You, as You always pervade each pore. Forgetting You I am lost in matter, hence pulling me bring to the proper path. This divine play, liila, is without beginning and end. Searching You is most difficult. The delusion does permit me to see anything, You kindle the lamp.
3003 (09/08/1985) K
ÁMRA VANER MADHU JHARE JÁY
VASANTERI HAOÁ DIGANTE HÁRÁY
VASANTERI HAOÁ DIGANTE HÁRÁY
VASANTERI HAOÁ DIGANTE HÁRÁY
NIDÁGHER TÁPE ÁJ KOKIL BHULECHE GÁN
ÁÁÁÁÁÁÁÁÁÁ
NIDÁGHER TÁPE ÁJ KOKIL BHULECHE GÁN
NIDÁGHER TÁPE ÁJ KOKIL BHULECHE GÁN
NIDÁGHER TÁPE ÁJ KOKIL BHULECHE GÁN
SHYÁMALIMÁ HÁRÁNO VEŃU VANE NEI TÁN
BÁDAL MEGHE NÁ DEKHE MAYURO NIŚPRÁŃ
NÁ PHOT́Á MUKUL ÁTAPE SHUKÁY
ÁMRA VANER MADHU JHARE JÁY
HARIT TRIŃE LEGECHE HARIDRÁ CHÁP
ÁÁÁÁÁÁÁÁÁÁ
HARIT TRIŃE LEGECHE HARIDRÁ CHÁP
HARIT TRIŃE LEGECHE HARIDRÁ CHÁP
HARIT TRIŃE LEGECHE HARIDRÁ CHÁP
JENO SE BAYE JÁY DUSTAR ANUTÁP
CEPE RÁKHÁ MARMER JATA CHILO SANTÁP
UŚŃA MÁRAVA ÁNKHITE MILÁY
ÁMRA VANER MADHU JHARE JÁY
The honey in the mango grove gets withered. The spring wind is getting lost in the horizon. Due to intense heat of the sun, the cuckoo forgets the song. In the greenness lost bamboo grove there is no melody. By not seeing any cloud in the sky, the peacock is devoid of vitality. The unbloomed buds get dried in the sun. The green grass is marked with yellowish colour, due to blow of hot air over them. All the burns kept suppressed in the core and warm sand get mixed into the eyes.
3004 (09/08/1985) D
TÁL TAMÁLIR VANER MÁJHE
TÁL TAMÁLIR VANER MÁJHE
TÁL TAMÁLIR VANER MÁJHE
KE GO ELE NAVA SÁJE
MANER DUÁR KHULE DIYE
ÁNLE ÁMÁY TAVA KÁJE
KE GO ELE NAVA SÁJE
VARAŚAŃE PLÁVITA DHARÁ
ÁÁÁÁÁÁÁÁÁÁ
VARAŚAŃE PLÁVITA DHARÁ
VARAŚAŃE PLÁVITA DHARÁ
VARAŚAŃE PLÁVITA DHARÁ
HRID GOŚPAD EKEI HÁRÁ
JHAUNKRITA MAN TOMÁY BHARÁ
NANDAN SURABHI MÁJHE
KE GO ELE NAVA SÁJE
ÁKÁSH PÁTÁL BHÁVE EKÁKÁR
ÁÁÁÁÁÁÁÁÁÁ
ÁKÁSH PÁTÁL BHÁVE EKÁKÁR
ÁKÁSH PÁTÁL BHÁVE EKÁKÁR
ÁKÁSH PÁTÁL BHÁVE EKÁKÁR
EKI CHANDE NRITYA SABÁR
EK DYOTANÁR SPANDITA HÁR
TOMÁR KRIPÁ KAŃÁ JÁCE
KE GO ELE NAVA SÁJE
TÁL TAMÁLIR VANER MÁJHE
KE GO ELE NAVA SÁJE
Into the forest of palm and palmyra, who has come in new adornment? Opening the doors of the mind, He brought me for Your work. The earth was flooded with rain. The pits and the heart are lost in one. Amidst the heavenly fragrance, the vibrated mind is full of You. The sky and the underworld have merged together and with only one rhythm, all dance. Vibrated and vanquished with one significance, all seek wee bit of Your grace, O Lord.
3005 (10/08/1985) K
ASIIMER MÁJHE SIIMÁ NIHITA ÁCHE
DUYETEI TUMI PRIYA PRABHU
SABÁRE GHIRE ÁCHO MAN KE BHARE
DHARÁ CHONYÁ DÁO NÁ TABU
DUYETEI TUMI PRIYA PRABHU
LIILÁR DOLÁY TUMI DÚLE CALE JÁO
ÁÁÁÁÁÁÁÁÁÁ
LIILÁR DOLÁY TUMI DÚLE CALE JÁO
TOMÁKE BUJHITE GELE BODHA NIYE NÁO
JE VAHNI SHIKHÁ PRÁŃA BHARIYE RÁKHE
NIVITE DÁO NÁ KABHU
DUYETEI TUMI PRIYA PRABHU
ÁCHO, ANALE ANILE NABHAH NIILE
ÁÁÁÁÁÁÁÁÁÁ
ANALE ANILE NABHAH NIILE
TÁRÁR HÁSITE ÁCHO BHÁVER MILE
JE PRIITIR KAŃÁ MANE MÁDHURII MÁKHE
TÁRO DHYEYA TUMI VIBHU
DUYETEI TUMI PRIYA PRABHU
O Dear Lord, within the limitedness, limit is located, but both are You only. You surround everything and fill the mind; still You do not get touched by the earth. You go on swinging, oscillating the swing of divine play, liila. You bring the intuition for understanding You. The flame of fire that has kept the mind full, that You do not allow to be extinguished. You are in air, fire, and blue sky, and mixed with the feelings of smiling stars. The particle of love that smears sweetness in mind. Their object of meditation is You, O Lord.
3006 (10/08/1985) K
TOMÁRI KATHÁ BHEVE MÁRMIK ANUBHAVE
BÁNDHA BHÁUNGÁMAN MOR ASIIME BHÁSIYÁ JÁY
DYULOK BHÚLOK PATI TUMI AGATIR GATI
TOMÁR PRIITIR KAŃÁ HIYÁ PULAKE BHARÁY
BÁNDHA BHÁUNGÁMAN MOR ASIIME BHÁSIYÁ JÁY
CHANDE ANÚPAMA GANDHE MANORAMA
ÁÁÁÁÁÁÁÁÁÁ
CHANDE ANÚPAMA GANDHE MANORAMA
BHÁVÁRÚŔHA SPANDANE SABÁKÁR PRIYATAMA
KUSUME TUMI MÁLIKÁ, MÁLÁY TUMI MAŃIKÁ
VIITARÁGA HOYE HÁSO ANURÁGE SUŚAMÁY
BÁNDHA BHÁUNGÁMAN MOR ASIIME BHÁSIYÁ JÁY
DÁRUŃA NIDÁGH TÁPE PRATHAM VÁRI DHÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
DÁRUŃA NIDÁGH TÁPE PRATHAM VÁRI DHÁRÁ
VARAŚÁ MEGHER PHÁNKE UJJVAL DHRUVA TÁRÁ
TIMIRE VIDHUR MÁYÁ MIHIRE TARUR CHÁYÁ
DÚRE THÁKIÁO THÁKO MAN MADHU ALAKÁY
BÁNDHA BHÁUNGÁMAN MOR ASIIME BHÁSIYÁ JÁY
TOMÁRI KATHÁ BHEVE MÁRMIK ANUBHAVE
BÁNDHA BHÁUNGÁMAN MOR ASIIME BHÁSIYÁ JÁY
Thinking about You and getting inmost feelings, my mind breaks the bondages and goes on floating to infinity. You are the controller of heaven and earth, and resort of helpless. By wee bit of Your love, the heart gets filled with bliss. You are the Dearest of all with incomparable rhythm, charming fragrance, and vibrations infused with feelings. You are flower in the garland, beads in the rosary, remaining unattached, You smile with loving beauty. You are the first quenching flow of cool water over the heat of the sun. You are the pole star peeping through the gaps of the rainy clouds. You are moonlight in the darkness and shade of tree during sun of the noon. Even if staying far, You reside in the sweet mental heaven.
3007 (10/08/1985) D
KE JENO ÁSIÁ MARME PASHIYÁ
BOLILO MADHU MÁSE ÁSIBE
MOR JATA DOŚA MANE CÁPÁ KOŚA
ŚAMIYÁ KARUŃÁ KARIBE
BOLILO MADHU MÁSE ÁSIBE
PATH DEKHÁYECHO PATH BUJHIYÁCHI
ÁÁÁÁÁÁÁÁÁÁ
PATH DEKHÁYECHO PATH BUJHIYÁCHI
ÁLASYE UPEKŚÁ KARECHI
JENE SHUNE BHÚL PATHE CALIYÁCHI
BHAROSÁ HOLO SMITA HÁSIBE
BOLILO MADHU MÁSE ÁSIBE
JÁNI MOR BOLITE KICHU NÁI
ÁÁÁÁÁÁÁÁÁÁ
JÁNI MOR BOLITE KICHU NÁI
TOMÁR JINISE MOR BOLE JÁI
E MOHA CHALANÁ SHRÁNTI YÁTANÁ
BOLO NIRASAN KARIBE KABE
BOLILO MADHU MÁSE ÁSIBE
KE JENO ÁSIÁ MARME PASHIYÁ
BOLILO MADHU MÁSE ÁSIBE
As if someone came and entered my core and told that the sweet springtime would come. Pardoning all my faults and anger suppressed in the mind, He would shower mercy. You have shown the path and I understood the way. But due to lethargy I ignored that and knowingly moved on the wrong way. Still I hoped that You would laugh smilingly. I know that there is nothing really belonging to me. Your articles I declare as mine. This delusion of infatuation, and torture of fatigue, who would redress and when, tell me.
3008 (11/08/1985) K
MÁYÁLOKE ESO AJÁNÁ PATHIK
JENE SHUNE BHÚL KARE MOR GHARE
ÁÁÁÁÁÁÁÁÁÁ
TANDRÁ VIJAŔITA MOR ÁNKHITE
KUÁSHÁR ÁVARAŃ BHED KARE
JENE SHUNE BHÚL KARE MOR GHARE
TUMI CHÁŔÁ ÁR KICHU CÁOÁR JE NÁI
ÁÁÁÁÁÁÁÁÁÁ
TUMI CHÁŔÁ ÁR KICHU CÁOÁR JE NÁI
DVITIIYA KONO KICHUTE TRIPTI NÁ PÁI
ÚŚÁR UDAY HOTE PRATI PALE TÁI
LIILÁY BHOLÁO SHATA RÚPA DHARE
JENE SHUNE BHÚL KARE MOR GHARE
KICHUTEI BHÚLIBO NÁ ÁMIO LIILÁY
ÁÁÁÁÁÁÁÁÁÁ
KICHUTEI BHÚLIBO NÁ ÁMIO LIILÁY
MOR MAN TAVA BHÁVE SAḾSTHITI CÁY
ÁLOKE ÁNDHÁRE EKI SURE GEYE JÁY
MÁNE ABHIMÁNE ESO PRÁŃA BHARE
JENE SHUNE BHÚL KARE MOR GHARE
MÁYÁLOKE ESO AJÁNÁ PATHIK
JENE SHUNE BHÚL KARE MOR GHARE
O the unknown traveler, come into this world of delusion. Knowingly make the mistake and come to my home. Come into my drowsiness fastened eyes, piercing the blanket of fog. There is nothing worth desiring other than You. I do not get satisfaction with anything else. Thus right from the sunrise each moment adopting hundreds of forms, You delude with Your divine game, liila. I shall not forget this liila, Your game by any means. My mind wants to be established in Your ideation and in only one tune goes on singing in light or darkness. Come full of dignity and respect wholeheartedly.
3009 (11/08/1985) K
VEŃU VANE NÚPUR PÁY
KE GO ELE BOLO NÁ ÁMÁY
ÁÁÁÁÁÁÁÁÁÁ,
BOLO NÁ ÁMÁY
ADHARERI RAINJAN NAYANERI AINJAN
ADHARERI RAINJAN NAYANERI AINJAN
ADHARERI RAINJAN NAYANERI AINJAN
DYULOKER DYUTI VARAŚÁY
KE GO ELE BOLO NÁ ÁMÁY
BÁNSHI BÁJE SAEKATE VAN HOTE VAN PATHE
ÁÁÁÁÁÁÁÁÁÁ
BÁNSHI BÁJE SAEKATE VAN HOTE VAN PATHE
BÁNSHI BÁJE SAEKATE VAN HOTE VAN PATHE
BÁNSHI BÁJE SAEKATE VAN HOTE VAN PATHE
ÁNDHÁR JYOTITE JHALAKÁY
KE GO ELE BOLO NÁ ÁMÁY
TOMÁR SURE HÁRÁ ÁSAMUDRA DHARÁ
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR SURE HÁRÁ ÁSAMUDRA DHARÁ
TOMÁR SURE HÁRÁ ÁSAMUDRA DHARÁ
TOMÁR SURE HÁRÁ ÁSAMUDRA DHARÁ
PULAKE PLÁVANE MURACHÁY
KE GO ELE BOLO NÁ ÁMÁY
TUMI SAB KICHU PÁRO JÁHÁRE KARUŃÁ KARO
ÁÁÁÁÁÁÁÁÁÁ
TUMI SAB KICHU PÁRO JÁHÁRE KARUŃÁ KARO
TUMI SAB KICHU PÁRO JÁHÁRE KARUŃÁ KARO
TUMI SAB KICHU PÁRO JÁHÁRE KARUŃÁ KARO
PRIITITE DOLÁO CINMAYA DOLÁY
KE GO ELE BOLO NÁ ÁMÁY
VEŃU VANE NÚPUR PÁY
KE GO ELE BOLO NÁ ÁMÁY
Into the bamboo grove, with the tinkling of ankle bell, who has come, tell me. With colour on the lips and dark decoration on the eyes, He rained heavenly effulgence. Playing the flute in the forest on the path, He shines brilliance in darkness. From ocean to land, all are lost in Your melody and faint due to flood of joy. You can do anything to him on which You shower Your mercy. By the swing of love, You oscillate, O the embodiment of consciousness.
3010 (11/08/1985) D
GÁN GEYE GECHI
SUR SEDHE GECHI
TOMÁKE SHONÁTE CEYECHI
TOMÁKE JE BHÁLOBESECHI
SUR SEDHE GECHI
ÁLOKER LOKE TUMI ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
ÁLOKER LOKE TUMI ÁCHO
ÁNDHÁRE LUKIYE RAYECHO
SAUNGE SAUNGE THEKE GECHO
E KATHÁ BUJHE NIYECHI
SUR SEDHE GECHI
KŚUDHÁR ANNA JUGIYECHO
ÁÁÁÁÁÁÁÁÁÁ
KŚUDHÁR ANNA JUGIYECHO
MAMATÁY KLESH BHULIYECHO
SHOKE SÁNTVANÁ DIYECHO
TOMÁKE BHULE KII KARE BÁNCI
SUR SEDHE GECHI
GÁN GEYE GECHI
, SUR SEDHE GECHI
TOMÁKE SHONÁTE CEYECHI
TOMÁKE JE BHÁLOBESECHI
O Lord, I continued to sing the song and rehearse the melody, and wanted to sing to You since I love You. You are in the arena of effulgence and also keep hidden in the darkness. You also kept remaining together with me, this fact I have understood. You provide for food to the hungry, by Your affection make others forget their pain, give consolation during sorrows. By forgetting You how can I survive?
3011 (11/08/1985) D
CHILO NÁ CHILO NÁ KICHUI JAKHAN
TUMI EKÁKI CHILE PRIYA EKÁKI CHILE
ÁÁÁÁÁÁÁÁÁÁ
STAMBHIT CHILO SABAI
SE AMÁNISHÁRI GHORE
PRIYA EKÁKI CHILE
ÁÁÁÁÁÁÁÁÁÁ
TAMASÁY, TAMASÁY CHILE EKELÁ
CHILO NÁ BELÁ ABELÁ
CHILO NÁ PHÚLERI MÁLÁ
NÁ KEU PARÁTE GALE
PRIYA EKÁKI CHILE
ÁÁÁÁÁÁÁÁÁÁ
CÁILE, CÁILE RAUNGERI MELÁ
THÁKIBO NÁ ÁR EKELÁ
JÁGÁBO BHUVANE DOLÁ
PRIITI UDADHI KÚLE
VISRIŚTIR PRATHAM PALE
PRIYA EKÁKI CHILE
ÁÁÁÁÁÁÁÁÁÁ
CHILO NÁ CHILO NÁ KICHUI JAKHAN
TUMI EKÁKI CHILE PRIYA EKÁKI CHILE
ÁÁÁÁÁÁÁÁÁÁ
O Dear Lord, when there was nothing, You were all alone. All were astonished, in that intense darkness. You were alone in the darkness; there was question of good or bad time. There was no floral garland, neither there was anybody to place that around Your neck. You wanted colourful festivity, did not want to stay alone any more, wanted to raise stir in the world, on the shore of the ocean of love during initial moment of rain.
3012 (12/08/1985) K
NANDAN MADHU SÁTHE KE GO ELE
PÁRIJÁT PARÁG CHAŔIYE DILE
ÁÁÁÁÁÁÁÁÁÁ
SVARŃIM REKHÁ MANE ENKE DIYE
VARŃE VARAŃE AMRTA JHARÁLE
PÁRIJÁT PARÁG CHAŔIYE DILE
JÁR JATA BHÁVANÁ TOMÁTEI MISHE GELO
ÁÁÁÁÁÁÁÁÁÁ
JÁR JATA BHÁVANÁ TOMÁTEI MISHE GELO
ASIIMER UTSA HOTE ASHEŚE ELO
ANEKER KLESHA EKE ESE MILILO
EKER ÁNANDE SABE BHARILE
PÁRIJÁT PARÁG CHAŔIYE DILE
ANEKER RAUNGA ÁJ EK RAUNGA HOYE GELO
ÁÁÁÁÁÁÁÁÁÁ
ANEKER RAUNGA ÁJ EK RAUNGA HOYE GELO
ANEK PRÁŃER KŚUDHÁ SUDHÁ RÚPE DEKHÁ DILO
ANEKER CHANDA EKI TÁLE NÁCILO
SAKAL SIIMÁ REKHÁ DÚRE SARÁLE
PÁRIJÁT PARÁG CHAŔIYE DILE
NANDAN MADHU SÁTHE KE GO ELE
PÁRIJÁT PARÁG CHAŔIYE DILE
Who has come today bringing heavenly sweetness, scattering fragrance of heavenly flower pa’rijata, marking golden line in the mind and raining nectar in diverse colours? All the feelings of everyone got merged in You, O Lord, from the origin of infinity, it came to endlessness. The sorrows of many came and merged in One, filling one bliss in all. Color of many has become one today. The inner hunger of all is seen as form of nectar. The rhythms of many today are dancing in unison beats. All the line of limitations is moved out.
3013 (12/08/1985) K
ÁNKHIR BÁDAL MUCHECHE KÁJAL
KÁR KATHÁ MANE PAŔE BOLO NÁ
KENO JE NINDA NÁI TOMÁKE SUDHÁI
MANERI KATHÁT́I KENO KAO NÁ
KÁR KATHÁ MANE PAŔE BOLO NÁ
ÁLOY ÁLO DISHÁ EMAN MADHUNISHÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁLOY ÁLO DISHÁ EMAN MADHUNISHÁ
MANERI SURABHI KLIŚT́A BHÁRA NÁSHÁ
KÁRE CEYE JEGECHE NIRÁSHÁ
LÁJ BHIITI BHÚLE TÁRE CENÁO NÁ
KÁR KATHÁ MANE PAŔE BOLO NÁ
MANER KÁLO MEGHA THÁKE NÁ CIRA DIN
ÁÁÁÁÁÁÁÁÁÁ
MANER KÁLO MEGHA THÁKE NÁ CIRA DIN
DHYÁN DHÁRAŃÁY KRAMASHAH HOYE KŚIIŃA
KUDINERI PARE ÁSIBE SUDIN
TÁI JENE BOLI KICHU BHEVO NÁ
KÁR KATHÁ MANE PAŔE BOLO NÁ
ÁNKHIR BÁDAL MUCHECHE KÁJAL
KÁR KATHÁ MANE PAŔE BOLO NÁ
The clouds in the eyes wipe the dark decorative mark. Whose events have occurred into your eyes, tell? Why is sleep not coming in your eyes? Whose affairs have entered in your mind, tell? In such a charming sweet night, when all sides are illuminated, and mental fragrance destroys the load of pains, in whose longing are you awake with disappointment? Why cannot you recognise Him forgetting fear and shyness? The dark clouds of the mind would not stay for long. They will gradually decay with concentration and meditation. The good days will come after the bad days, knowing this fact, I tell you not to worry.
3014 (13/08/1985) D
ÁSO NI SUKHER DINE
ELE SAMÁDHITE DITE PHÚL
BASO NI SIḾHÁSANE
MOCHONI CARAŃ RÁTÚL
ELE SAMÁDHITE DITE PHÚL
DEKHECHI ANEK LIILÁY
ÁÁÁÁÁÁÁÁÁÁ
DEKHECHI ANEK LIILÁY
SHATA RÚPE ÁLOY CHÁYÁY
BÁNSHITE BELÁ ABELÁY
D́EKE GECHO MARME ATÚL
ELE SAMÁDHITE DITE PHÚL
DYUTIMAYA PARIVESHE
ÁÁÁÁÁÁÁÁÁÁ
DYUTIMAYA PARIVESHE
CINMAYA SE ÁVESHE
MAN JETE CÁY JE MISHE
TOMÁTE ÁVEGE ÁKUL
ELE SAMÁDHITE DITE PHÚL
ÁSO NI SUKHER DINE
ELE SAMÁDHITE DITE PHÚL
O Lord, You do not come in happy days, and came in engrossment, offering flower. You do not sit on the throne and do not wipe Your red feet. I see many divine plays, liila, in hundreds of forms of light and shade. With the sound of Your flute, You go on calling in the core of the heart in excellent styles from time to time. In the illuminated environment, with the impulse of consciousness, the mind wants to go merge in You restlessly with speed.
3015 (13/08/1985) D
ÁMÁR, DIN CALE JÁY
DIN CALE JÁYA
CÁNDER ÁLOY NISHÁR KÁLOY
BHÚLIYE DIYE, KOTHÁY JE HÁRÁY
DIN CALE JÁY
DIN CALE JÁYA
BHEVE CHILUM LÁGBO KÁJE
ÁÁÁÁÁÁÁÁÁÁ
BHEVE CHILUM LÁGBO KÁJE
THÁKABO METE SABÁR MÁJHE
RAIBO SEJE NÁNÁN SÁJE
TOMÁR MAN JÁ CÁY
DIN CALE JÁY
DIN CALE JÁYA
BHEVE CHILUM KAIBE KATHÁ
ÁÁÁÁÁÁÁÁÁÁ
BHEVE CHILUM KAIBE KATHÁ
SHONÁBE SÁR ITIKATHÁ
BAYE JÁBO SEI VÁRTÁ, SÁRÁ VASUDHÁY
DIN CALE JÁY
DIN CALE JÁYA
ÁMÁR, DIN CALE JÁY
DIN CALE JÁYA
My days are passing, my days are passing. Where are they lost forgetting the moonlight and darkness of the nights? I was thinking that I should remain indulged in action, stay engrossed amidst all and remain adorned in various decorations as per Your wishes, O Lord. I was thinking that I should tell the realities, speaking the essence of history and go on floating in that affairs whole of the world.
3016 (13/08/1985) K
JIIVANER UTSA HOTE
JE SHROTE BHÁSIÁ CHILÁM
TUMI RAYECHO SE SHROTE
TOMÁY NÁ DEKHIÁ CHILÁM
JE SHROTE BHÁSIÁ CHILÁM
CHILE MOR SÁTHE SÁTHE
ÁÁÁÁÁÁÁÁÁÁ
CHILE MOR SÁTHE SÁTHE
ATANDRA DINE NISHIITHE
ÁNDHÁRE ÁLO HÁTE
TOMÁY NÁ CINIÁCHILÁM
JE SHROTE BHÁSIÁ CHILÁM
SAUNGE RAYECHO ÁJO
ÁÁÁÁÁÁÁÁÁÁ
SAUNGE RAYECHO ÁJO
SHATA RÚPE PALAKE SÁJO
SPANDANE SADÁ NÁCO
DEKHINI COKH D́HÁKIÁ CHILÁM
JE SHROTE BHÁSIÁ CHILÁM
JIIVANER UTSA HOTE
JE SHROTE BHÁSIÁ CHILÁM
O Lord, right from the origin of life, I have been floating in that stream in which You were also present, but I could not see You. You were with me day and night, ever awake, holding the lamp of effulgence in Your hand. But that time I could not recognise You. Even today You are together with me satiating my eyes with hundreds of forms, ever dancing in vibrations, but I could not observe that with my eyes.
3017 (14/08/1985) K
ÁSO NÁ KATHÁ BOLO NÁ
E BHÁLOBÁSÁ HOLO NÁ
SHOŃO NÁ VYATHÁ BOJHO NÁ
KEMAN BUDDHI BUJHINÁ
E BHÁLOBÁSÁ HOLO NÁ
MANE MANE ÁCHO SÁTHE
ÁÁÁÁÁÁÁÁÁÁ
MANE MANE ÁCHO SÁTHE
PÁINÁ KABHU DEKHITE
SHUNIYÁCHOOTAH PROTE
LUKIYE KII LÁBH BOLO NÁ
E BHÁLOBÁSÁ HOLO NÁ
ÁNKHITE REKHE ÁNKHI
ÁÁÁÁÁÁÁÁÁÁ
ÁNKHITE REKHE ÁNKHI
BOLITE PÁRO NÁ KI
ÁR DIN NÁHI BÁKI
PÚRIBE TOMÁR SÁDHANÁ
E BHÁLOBÁSÁ HOLO NÁ
ÁSO NÁ KATHÁ BOLO NÁ
E BHÁLOBÁSÁ HOLO NÁ
O Lord, You do not come and speak out, this is not love. You do not listen, do not understand the pain, how, my intellect cannot understand. You are mentally together, yet I cannot see You anytime. I have heard that You are individually and collectively together, what is the use of Your hiding? Keeping eye to eye, cannot You speak out? There is not much time left, fulfill my sa’dhana’, the spiritual effort.
3018 (14/08/1985) D
JIIVANER PRATHAM DINE
JE SUDHÁ JHARIYE CHILE
TÁRI ÁVESHE MÁTIYE
CALIVÁR PRERAŃÁ DILE
JE SUDHÁ JHARIYE CHILE
ÁVEGE ELUM PATHE
ÁÁÁÁÁÁÁÁÁÁ
ÁVEGE ELUM PATHE
NISHÁNÁ JÁNÁ CHILO NÁ
TOMÁKE DEKHALUM NÁ
BHULINI ÁJO JE KATHÁ
ANUTÁP JÁGIYE CHILE
JE SUDHÁ JHARIYE CHILE
KATA YUGA CALE GECHE
ÁÁÁÁÁÁÁÁÁÁ
KATA YUGA CALE GECHE
KATA KI ATIITA HOYECHE
KATA PHÚL JHARE PAŔECHE
JÁ MANE PHÚT́IYE CHILE
JE SUDHÁ JHARIYE CHILE
JIIVANER PRATHAM DINE
JE SUDHÁ JHARIYE CHILE
O Lord, on the first day of life, You flowed the nectar and propelled and frenzied by that, provided inspiration for movement. In that momentum, I came to the path, but the beacon or desideratum was not known, I did not see You. Even today I did not forget that reality and repentance rose up. Many eras have passed and became event of past. Many flowers that bloomed in the mind, withered down.
3019 (14/08/1985) K
AUNGANE MOR NÁHI ELE YADI
MANER MUKURE BHÁSIO
KONO KATHÁ KAITE NÁ CÁHILE
MIŚT́I MADHUR HÁSIO
MANER MUKURE BHÁSIO
KATA NÁ YUGA DHARE GECHE TAPASYÁ
ÁÁÁÁÁÁÁÁÁÁ
KATA NÁ YUGA DHARE GECHE TAPASYÁ
KET́ECHE DIIRGHA AMÁVASYÁ
ÁJIKE EI PRÁTE ARUŃA ÁLOTE
SEI TAMISRÁ NÁSHIO
MANER MUKURE BHÁSIO
BHÁVER JAGATE VYARTHATÁ NÁI
ÁÁÁÁÁÁÁÁÁÁ
BHÁVER JAGATE VYARTHATÁ NÁI
DRIŔHA BHÁVE TÁI TOMÁKEI CÁI
KARUŃÁ DHÁRÁY MUCHÁYE ÁMÁY
AHAETUKI BHÁLOBÁSIO
MANER MUKURE BHÁSIO
AUNGANE MOR NÁHI ELE YADI
MANER MUKURE BHÁSIO
O Lord, if You did not come into my courtyard, appear in my mental mirror. I do not want a talk, simply smile sweetly. How many eras have passed in penances, and long dark nights have passed. Today on this morning, with crimson light, destroy that darkness. There is no wastage in the psychic world, that is why with firm conviction I want You. With the flow of causeless mercy, wiping my ego, You love.
3020 (14/08/1985) K
MÁRAVA PATHE SMITA JHARAŃÁ
KLIŚT́A DINER JVÁLÁR SHEŚE
DAHANÁNALE SHIITALATÁ DILE
SAKAL MÁDHURII TOMÁY MESHE
KLIŚT́A DINER JVÁLÁR SHEŚE
SAKAL CÁOÁR TUMI NIVRITTI
ÁÁÁÁÁÁÁÁÁÁ
SAKAL CÁOÁR TUMI NIVRITTI
SAKAL PÁOÁR MUKHYÁ VRITTI
YUGE YUGÁNTARE CEYECHI TOMÁRE
ÁJ ELEMOHAN VESHE
KLIŚT́A DINER JOÁLÁR SHEŚE
KII JE KARI BHÁVÁ NÁHI JÁY
ÁÁÁÁÁÁÁÁÁÁ
KII JE KARI BHÁVÁ NÁHI JÁY
ÁNANDA MOR BÁNDHA BHEUNGE DEY
RÚPÁTIITA CHILE RÚPE DHARÁ DILE
DHULIR DHARAŃIITE ESE
KLIŚT́A DINER JVÁLÁR SHEŚE
O Lord, as smiling fountain on the desert path, at the end of heat of painful day, You provided coolness on the burns of fire, mixing all sweetness in You. You are the cessation of all desires, and topmost desire of attainment. For eras after eras, I have longed for You, and today You came with charming adornment. I am unable to think what to do, my bliss breaks all barriers. You were formless and came into fold in form, by coming on this muddy earth.
3021 (15/08/1985) D
ÁKÁSHE VÁTÁSE MAHIMA
CHAŔIYE RAYECHE TOMÁR
CINTÁ KARE VISHVA GHÚRE
TOMÁR SAMÁN DEKHINÁ ÁR
CHAŔIYE RAYECHE TOMÁR
ANÁDIRAI UTSA HOTE
ÁÁÁÁÁÁÁÁÁÁ
ANÁDIRAI UTSA HOTE
KATA DINE KATA RÁTE
ÁCHO ÁMÁR ÁCHO ÁMÁR
ÁCHO ÁMÁR SÁTHE SÁTHE
SAB GUŃER TUMI SAMÁHÁR
CHAŔIYE RAYECHE TOMÁR?
TOMÁR KATHÁ NÁHI PHURÁY
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR KATHÁ NÁHI PHURÁY
AŃU BOLITE KI PÁRE TÁY
KATA JANAM, KATA JANAM
KATA JANAM, CALIYA JÁY
ÁSHE TAVA KRIPÁ KAŃÁR
CHAŔIYE RAYECHE TOMÁR?
ÁKÁSHE VÁTÁSE MAHIMA
CHAŔIYE RAYECHE TOMÁR
O Lord, Your glory is scattered into the sky and air. Thinking about that, roaming all over the world, I do not see any one like You. From the origin of beginninglessness, how many days and how many nights, You have remained along with me. You are the aggregate of all qualities. Your events never conclude, what a small unit mind can say. Life after life goes in the hope of wee bit of Your grace.
3022 (15/08/1985) K
KICHU NÁ JÁNIYE SE ESE CHILO
BADDHA ARGAL KHÚLE DIYE
MANER GABHIIRE DHIIRE BASE CHILO
SE ESE CHILO
VARŚAŃA SNÁTA RÁTE CUPISÁRE
ÁÁÁÁÁÁÁÁÁÁ
VARŚAŃA SNÁTA RÁTE CUPISÁRE
NIIRAVA CARAŃE ESE EI ÁŚÁŔHE
NÁ KARIYÁ KARÁGHÁT KONO DHVANI SAUNGHÁT
MADHUR OŚT́ÁDHARE HESE CHILO
SE ESE CHILO
ALAKH DEVATÁ ALAKHE ÁSE
ÁÁÁÁÁÁÁÁÁÁ
ALAKH DEVATÁ ALAKHE ÁSE
MANER GAHAN KOŃE GOPANE HÁSE
TÁHÁRI KATHÁ BHEVE TÁHÁRI MADHUR BHÁVE
MAN MOR TADÁTMA HOYECHILO
SE ESE CHILO
KICHU NÁ JÁNIYE SE ESE CHILO
Without declaring, He came. Opening the closed doorbolt, He sat slowly into the depth of the mind. Secretly, in the rain bathed night, coming with silent feet, in this rainy season, without knocking with hand, or any sound blow, He just smiled with sweet lips. The unseen Lord comes unseen, and smiles secretly in deep recess of the mind. Thinking about Him with His sweet ideation, my mind becomes one with Him.
3023 (15/08/1985) D
ESO ESO PRIYA MAMA
NIIRAVA CARAŃ PHELE
JÁNIBE NÁ BUJHIBE NÁ
KEU EI AVANII TALE
NIIRAVA CARAŃ PHELE
KUSUM SUVÁSE ESO
ÁÁÁÁÁÁÁÁÁÁ
KUSUM SUVÁSE ESO
MANERI MADHUTE MESHO
PARÁGE BHÁLOBÁSO
BHÁVER GABHIIRE ATALE
NIIRAVA CARAŃ PHELE
KATA VINIDRA RÁTI
ÁÁÁÁÁÁÁÁÁÁ
KATA VINIDRA RÁTI
HE AJÁNÁ ATITHI
JÁGIYE DIYE PRATIITI
BOLE ÁSIBE CALE
NIIRAVA CARAŃ PHELE
ESO ESO PRIYA MAMA
NIIRAVA CARAŃ PHELE
O My Dear, come propelling silent feet. No one on this land will know or understand. Come with floral fragrance, and merge with the sweetness of the mind. Love with the floral pollen in the bottom depth of feelings. O the unknown traveler how many sleepless nights came and went awakening realization.
3024 (16/08/1985) D
ÁSIBE ÁSIBE BOLE GELE
KENO ELE NÁ
GÁNTHÁ PHÚLER MÁLÁ
JHARE GELOPARILE NÁ
KENO ELE NÁ
VÁTÁYANE ÁNAMANE
ÁÁÁÁÁÁÁÁÁÁ
VÁTÁYANE ÁNAMANE
BASE THÁKI NIRJANE
MALAY SHONÁY KÁŃE
KATHÁ RÁKHILE NÁ
KENO ELE NÁ
RAVI ÁSE JÁY D́UBE
ÁÁÁÁÁÁÁÁÁÁ
RAVI ÁSE JÁY D́UBE
KAYE JÁY CUPE CUPE
ÁBÁR JÁGIBO PÚBE
TUMI KENDO NÁ
KENO ELE NÁ
ÁSIBE BOLE GELE
KENO ELE NÁ
O Lord, You went telling that You would return, but why did not You come? The threaded garland of flower withered away, You, You did not put on. In the balcony, unmindfully, I remained seated in isolation. The sandal breeze whispered in the ears that You did not keep the words. The sun rises and sets, speaking secretly, “This time I would appear in the east, you do not cry”.
3025 (16/08/1985) K
EI, GHAN MEGH DALE ELE
BHUVAN BHARIYÁ
PUINJE PUINJE KÁLO ÁRO KÁLO
RAUNGE ÁKÁSHA D́HÁKIYÁ
BHUVAN BHARIYÁ
ALAKÁR UPAHÁR TUMI DHARÁTE
ÁÁÁÁÁÁÁÁÁÁ
ALAKÁR UPAHÁR TUMI DHARÁTE
SHYÁMALIMÁ D́HELE DÁO PRÁŃA DHÁRÁTE
NIDÁGHER NIŚT́HUR ULKÁGHÁTE
ELE KOMALATÁ MÁKHIYÁ
BHUVAN BHARIYÁ
MANER MAÚR NÁCE KALÁPETE
ÁÁÁÁÁÁÁÁÁÁ
MANER MAÚR NÁCE KALÁPETE
TOMÁKE DEKHIYÁ CHANDE SAḾGIITE
CÁY NÁ KONO KICHU CÁY JE DITE
SAB SAINCAY TAVA BHÁVE MÁTIYA
BHUVAN BHARIYÁ
EI, GHAN MEGH DALE ELE
BHUVAN BHARIYÁ
O Lord, You came as the clusters of dense clouds, filling the whole world, with bunches and bunches of dark and darker clouds, covering the sky. You are the heavenly gift on the earth and go on pouring the greenness with the flow of life. Over the injuries of hot cruel meteor falls, You brought smearing softness. The mental peacock dances with raised tail with rhythmic melody, looking at You. It does not to get anything, only wants to give, all its collections, intoxicated in Your ideation.
3026 (17/08/1985) D
EI, SHARAT ÁKÁSHE
SHARAT ÁKÁSHE SHEFÁLII RABHASE
SÁDÁ MEGHA KOTHÁ BHESE JÁY
RÚPÁLI BHELÁY SANDHYÁ BELÁY
SVAPNÁVESHA BHARIYE DEY
SÁDÁ MEGHA KOTHÁ BHESE JÁY
DHARÁY ENECHE AMARÁR RÚPA
ÁÁÁÁÁÁÁÁÁÁ
DHARÁY ENECHE AMARÁR RÚPA
SHYÁMALE KOMALE MÁYÁ APARÚPA
SNIGDHA SAMIIRE SURABHITA DHÚPA
NÁ JÁNIYE KÁR PÁNE DHÁY
SÁDÁMEGHA KOTHÁ BHESE JÁY
SAB CHÚT́E JÁY EKERI PÁNE
ÁÁÁÁÁÁÁÁÁÁ
SAB CHÚT́E JÁY EKERI PÁNE
NÁCE GÁNE VIHAGER KALA TÁNE
CHANDA MÁDHURII BHARIYÁ PARÁŃE
SUR JHAUNKÁRE MURACHÁY
SÁDÁ MEGHA KOTHÁ BHESE JÁY
EI, SHARAT ÁKÁSHE
SHARAT ÁKÁSHE SHEFÁLII RABHASE
SÁDÁ MEGHA KOTHÁ BHESE JÁY
On this autumn sky, with the upsurge of shefa’lii fragrance, where the white cloud goes on floating? On the silvery boat, at this evening time, it fills with dreamy impulse. On this earth heavenly beauty has come, tender and green incomparable, illusive beauty. With soft breeze, as fragrant incense, unknowingly towards which desideratum does it rush? All rush towards only One, dancing and singing as the chirping of birds, and filling the sweetness of rhythm in life, fainting by the tinkling of melody.
3027 (17/08/1985) D
TUMI YADI NÁ ELE
TUMI YADI NÁ ELE
VRITHÁI MAN MUKULE
SEJE BASE THÁKÁ
VÁTÁYANE ÁNKHI REKHE
PRIITIRI MÁDHURII MEKHE
ÁSHÁY BHARE RÁKHÁ
SEJE BASE THÁKÁ
NAYANERI AINJANA
O HE KLESHA BHAINJANA
SHUDHUI SMRITITE D́HÁKÁ
SEJE BASE THÁKÁ
KENO NÁHI ÁLO BOLO
KENO BÁ EŔIYE CALO
KENO DÚRÁKÁSHE JVALO
ETA SUDHÁ MÁKHÁ
SEJE BASE THÁKÁ
TUMI YADI NÁ ELE
VRITHÁI MAN MUKULE
SEJE BASE THÁKÁ
O Lord, if You do not come, it is useless to keep the mind decorated with floral buds and looking at the balcony, with eyes smeared with the sweetness of love and full of hope. O the decoration of my eyes and destroyer of pains, joy of my mind, only covered with memories. Tell me why do not You come. Why do You go on avoiding me? Why do You shine in the distant sky with so much absorbed in nectar?
3028 (17/08/1985) K
PRIYA ÁMÁR BANDHU ÁMÁR
DÚRE KENO THÁKO
TÁL TAMÁLIIRA JHÚLANA KHELÁY
MEGHER KÁJAL MÁKHO
DÚRE KENO THÁKO
VAN GAHANER URDDHVE CEYE
ÁÁÁÁÁÁÁÁÁÁ
VAN GAHANER URDDHVE CEYE
THÁKI ÁMITOMÁY NIYE
BHÁVERA GHORE SEI ÁNDHÁRE
ÁMÁY KENO D́ÁKO
DÚRE KENO THÁKO
KATA TAŔIT ÁSE O JÁY
ÁÁÁÁÁÁÁÁÁÁ
KATA TAŔIT ÁSE O JÁY
KŚAŃA PRABHÁ KŚAŃE MILÁY
TOMÁR ÁMÁR BÁNDHAN HIYÁY
ANANTA KÁL THÁKO
DÚRE KENO THÁKO
O my ever companion, my dearest, why did you stay away? You are absorbed in the swinging game of palm and tama’l trees and darkness of clouds. Looking above the dense forest, I am only staying for you. Amidst the dense darkness of thoughts, why are you calling me? How many lightning come and go appearing for a moment and disappearing again. The bondage of your and my heart, keep forever.
3029 (31/08/1985) K
KON SE AJÁNÁ PATHIK ELO
SABÁRE ÁPAN KARE NILO
KONO KATHÁ KÁRO SÁTHE NÁHI KAHILO
VÁŃII HÁRÁ MUKHE HÁSILO
SABÁRE ÁPAN KARE NILO
ÁNKHITE CHILO TÁR PRIITI AINJAN
ÁÁÁÁÁÁÁÁÁÁ
ÁNKHITE CHILO TÁR PRIITI AINJAN
KANT́HE BHARÁ CHILO GIITI VIMOHANA
KAR KAMALE VARŃA SUSHOBHAN
DHARÁTE AMRTA D́HELE CHILO
SABÁRE ÁPAN KARE NILO
JE DYUTI CHAŔÁLO SE E PRITHIVITE
ÁÁÁÁÁÁÁÁÁÁ
JE DYUTI CHAŔÁLO SE E PRITHIVITE
ÁJO TÁ BAHE JÁY ANANTA SHROTE
ÁNDHÁRE ÁLOTE AMÁ JYOTSNÁ RÁTE
NIJERE VILÁYE CALE GELO
SABÁRE ÁPAN KARE NILO
KON SE AJÁNÁ PATHIK ELO
SABÁRE ÁPAN KARE NILO
Which unknown traveler came and made everyone His own. He did not talk to anyone anything, with speechless face He just smiled. There was decoration mark of love in His eyes and throat was full of enchanting songs. With lotus palms full of colours, He poured nectar on the earth. The effulgence He scattered on this earth, that flows even today through the infinite stream. All the darkness and illumination, dark or moonlit night, He dissolved in Himself and went.
3030 (18/08/10985) K
KON SE SUDURE THÁKO TUMI
CUPI CUPI BOLO
PRÁŃER VAHNI SHIKHÁ ÁSHÁR UJJVAL T́IIKÁ
TAVA DYOTANÁY JHALAMALO
CUPI CUPI BOLO
TRITIIYA KEHO NÁI SHUNITE GOPAN KATHÁ
ÁÁÁÁÁÁÁÁÁÁ
TRITIIYA KEHO NÁI SHUNITE GOPAN KATHÁ
TUMI BOLIBE ÁMI SHUNI BASE VÁRTÁ
MÁLIKÁ SAMA HIYÁY THÁKIBE GÁNTHÁ
DERII SAHENÁ EK PALAO
CUPI CUPI BOLO
TOMÁRE BHÁLOBESE DÚRE THÁKÁ HOLO DÁY
ÁÁÁÁÁÁÁÁÁÁ
TOMÁRE BHÁLOBESE DÚRE THÁKÁ HOLO DÁY
BÁHIR ANTARA TAVA DYUTI JHALAKÁY
MANER MADHUVAN TOMÁRE PETE CÁY
TAVA BHÁVANÁY UCCHALO
CUPI CUPI BOLO
KON SE SUDURE THÁKO TUMI
CUPI CUPI BOLO
O Lord, at what distant place You stay, tell me secretly. The flame tip of my life, shining mark of hope, glitters with Your gesture. There is no third person to listen to our secret conversation. You shall speak and I sit and listen to Your talk. I shall thread my heart with Yours like a garland. I cannot bear the delay even for a moment. It is difficult for me to love You from a distance. Both outside and inside Your effulgence shines. My mental garden wants to get You and is restless with Your ideation.
3031 (18/08/1985) D
MEGHER PARE ROD UT́HECHE
ÁLOR HÁSI JHALAMALA
ÁLOR HÁSI JHALAMALA
EMAN SAMAY TUMI ELE
KARE DILE PRÁŃOCCHALA
ÁLOR HÁSI JHALAMALA
ÁLOR HÁSI JHALAMALA
ÁNANDA ÁJ BÁNDHA NÁ MÁNE
ÁÁÁÁÁÁÁÁÁÁ
ÁNANDA ÁJ BÁNDHA NÁ MÁNE
ÁKÁSHA VÁTÁS MUKHAR GÁNE
DÚR NIRADHI CHANDA ÁNE
URMI MÁLÁY SAMUJJVALA
ÁLOR HÁSI JHALAMALA
ÁLOR HÁSI JHALAMALA
PHÚRÁLO ÁJ SAKAL KATHÁ
ÁÁÁÁÁÁÁÁÁÁ
PHÚRÁLO ÁJ SAKAL KATHÁ
NÁBOLÁ SAB ITIKATHÁ
SUKHER SMRITI DUHKHER VYATHÁ
BHOLÁY BHÁVE SHATADALA
ÁLOR HÁSI JHALAMALA
ÁLOR HÁSI JHALAMALA
MEGHER PARE ROD UT́HECHE
ÁLOR HÁSI JHALAMALA
ÁLOR HÁSI JHALAMALA
The sunshine appears beyond the clouds, and the smile of shine glitters. At such a time You came, and made me overwhelmed. The joy today does not heed to any hindrance. The sky and air is resonant with songs. The distant ocean brings rhythm and the series of waves shines. All talks concluded today, all untold history. The memories of pleasure and sorrows of pain, is forgotten in the ideation of the hundredpetal lotus.
3032 (18/08/1985) D
KATA BHÁVE MORE BHÁLOBÁSIYÁCHO
MUKHE SHONÁONI KAKHANO
BOLITE CÁO NI EKHANO
MIT́ÁYECHO KŚUDHÁ D́HÁLIYÁCHO SUDHÁ
MAMATÁR MADHU MÁKHÁNO
BOLITE CÁO NI EKHANO
ANDHA TÁMASII VIBHÁVARI MÁJHE
ÁÁÁÁÁÁÁÁÁÁ
ANDHA TÁMASII VIBHÁVARI MÁJHE
TAVA PRIITI KAŃÁ ALAKHE VIRÁJE
ÁLOKERI SÁJE TYAJI BHAYA LÁJE
DEKHI TUMI MAN MÁTÁNO
BOLITE CÁO NI EKHANO
KATA BÁR KÁLO MEGH D́HÁKIYÁCHE
ÁÁÁÁÁÁÁÁÁÁ
KATA BÁR KÁLO MEGH D́HÁKIYÁCHE
TAVA RAVIKARA TÁRE SARÁYECHE
ÁNDHÁRER PAR ÁLOK NECECHE
PATH HÁRÁINI KAKHANO
BOLITE CÁO NI EKHANO
O Lord, in numerous ways You have loved me, but never told me anytime, even now You do not want to speak. You have satiated my hunger, pored nectar, and smeared sweetness of affection. During deep dark nights, Your wee bit of love appears unseen. With illumination of light, leaving fear and shyness, I see You intoxicating my mind. Several times the dark clouds have covered, but Your solar rays have removed them. Beyond darkness, the light dances, thus I shall never lose the path.
3033 (19/08/1985) D
AMÁNISHÁR AVASÁNE
ELE PRIYA MANE MANE
JATA KÁLO SARE GELO
ÁLO ELO PÚRVA GAGANE
ELE PRIYA MANE MANE
MRIŃÁLE KAMALE E KII
ÁÁÁÁÁÁÁÁÁÁ
MRIŃÁLE KAMALE E KII
LIILÁ RACIÁCHO DEKHI
NATA ÁNKHI NATA ÁNKHI
NATA ÁNKHI LÁJE D́HÁKI
BOLE TOMÁY CÁI GAHANE
ELE PRIYA MANE MANE
KÁLO RÁTRI ESE CHILO
ÁÁÁÁÁÁÁÁÁÁ
KÁLO RÁTRI ESE CHILO
JAD́ATÁTE D́HEKE CHILO
BHULIYE SAKAL BHULIYE SAKAL
BHULIYE SAKAL, MANDA BHÁLO
BENDHE MÁYÁRI BÁNDHANE
ELE PRIYA MANE MANE
AMÁNISHÁR AVASÁNE
ELE PRIYA MANE MANE
O Dear, You came mentally, at the end of the dark night. All the darkness was removed and light came in the eastern sky. What divine game, liila, You have created through the lotus and its stem, that I saw. The eyes, bowed down and covered with shyness, tell that they want You in the deep recess. Dark nights came, and covered with inertia. Forgetting all good and bad, it bound with the bondage of illusion, ma’ya’.
3034 (19/08/1985) D
BHULOKE DYULOKE TOMÁR PULAKE
KARUŃÁR KAŃÁ BHESE JÁY
BHESE JÁY PRIYA/ÁR? BHESE JÁY
AMÁ JYOTSNÁY
AMÁ JYOTSNÁY MRIG TRIŚŃÁY
HIME HIMÁNII TE JHALAKÁY?
BHESE JÁY PRIYA/ÁR? BHESE JÁY
KABHU UDYAME KAKHANO LÁSYE
ÁÁÁÁÁÁÁÁÁÁ
KABHU UDYAME KAKHANO LÁSYE
ASHRU DHÁRÁY KAKHANO HÁSYE
BAHÁIYÁ DIYE NRITYE MÁTIYE
ASIIM VALAYE MURACHÁY
BHESE JÁY PRIYA/ÁR? BHESE JÁY
ÁNDHÁRETE DYUTI AGATIR GATI
ÁÁÁÁÁÁÁÁÁÁ
ÁNDHÁRETE DYUTI AGATIR GATI
VYATHÁ HATA PRÁŃE PRIITIR PRATIITI
SUKHE MADHU SMRITI DUHKHE VISMRITI
ENE BHARE SUDHÁ VASUDHÁY
BHESE JÁY PRIYA/ÁR? BHESE JÁY
BHULOKE DYULOKE TOMÁR PULAKE
KARUŃÁR KAŃÁ BHESE JÁY
O Dear Lord, on earth and heaven, by Your pleasure, the particles of Your mercy go on floating. In the dark nights and moonlit nights, through snow and ice, like a mirage, it goes on floating. Sometimes in actions and sometimes through gestures, sometimes in flow of tears and sometimes through smiles, You have flowed it, intoxicating by dance, making the infinite universal ring stunned with astonishment. You are illumination in the darkness, resort of helpless, symbol of love for the afflicted lives. You bring and fill nectar in the world with sweet memories of joy and obliviousness of pain
3035 (19/08/1985)
DÚRER PARI SURER TARI
BHÁSÁO KÁRE NIYE
KON AJÁNÁY BHESE SE JÁY
KICHU NÁ JÁNIYE
BHÁSÁO KÁRE NIYE
TOMÁR SÁTHE MOR PARICAYA
DU CÁR DINER KATHÁ TO NAY
TUMI CHILE ÁMI CHILUM
KÁLER SIIMÁ CHÁPIYE
BHÁSÁO KÁRE NIYE
TUMI JEMAN CHILE ÁCHO
NOTUN RÁGE SÁDHIYÁCHO
ÁMÁY DÚRE SARIYECHO
ASHRU DHÁRÁ DIYE
BHÁSÁO KÁRE NIYE
DÚRER PARI SURER TARI
BHÁSÁO KÁRE NIYE
O the distant angel, what for You have floated the boat of melody? It goes on floating to some unknown destination, without knowing anything. My acquaintance with You is not a matter of two or four days. You were there and I was also there enveloping the boundary of time. You remain in the same condition as in the past, rehearsing new melodies. But You have moved me out giving flow of tears.
3036 (19/08/1985) K
ESO PRABHU ESO MOR MANE GOPANE
JÁNIBE NÁ DEKHIBE NÁ KEHO EI ÁNÁGONÁ
SHUNIBE NÁ KABHU SHRAVAŃE
ESO PRABHU ESO MOR MANE GOPANE
VEDII SÁJIYECHI MANE DHAOTA ASHRU JALE
ÁÁÁÁÁÁÁÁÁÁ
VEDII SÁJIYECHI MANE DHAOTA ASHRU JALE
CANDAN SUVÁSE SURABHITA KARE TULE
CITTA KALÁPE VICITRA NÁNÁ PHÚLE
MÁDHURI D́HÁLIÁ JATANE
ESO PRABHU ESO MOR MANE GOPANE
VARAŚA BHULIÁ GECHI BHULE GECHI SÁL KÁLA
ÁÁÁÁÁÁÁÁÁÁ
VARAŚA BHULIÁ GECHI BHULE GECHI SÁL KÁLA
TOMÁRE BHEVECHI DINE RÁTE SANDHYÁ SAKÁL
KÁCHE T́ENE NÁO MORE CHINŔE JATA MÁYÁJÁL
SHODHAN KARIYÁ MANANE
ESO PRABHU ESO MOR MANE GOPANE
O Lord, come into my mind secretly. Nobody would know, see or hear with ears about this coming and going. I have decorated the mental altar after washing with the tears. I have made it fragrant with the fragrance of sandal. I have decorated the mental peacock’s tail with various colourful flowers, after pouring sweetness in that carefully. I have forgotten the rains and also forgotten the years and time. As I go on thinking about You, day and night, morning and evening. You pull me close to You tearing the entire net of illusion, ma’ya’ and purify my mind.
3037 (20/08/1985) K
GÁNER MÁLIKÁ GENTHE JÁI
ÁR KICHU NÁI PRABHU
ÁR KICHU NÁI
SUKHE DUHKHE TOMÁKE SHOŃÁI
TÁTE TRIPTI JE PÁI
ÁR KICHU NÁI PRABHU
ÁR KICHU NÁI
NIŚPRÁŃA ASRIŚT́ITE TUMI JEGE CHILE
ÁÁÁÁÁÁÁÁÁÁ
NIŚPRÁŃA ASRIŚT́ITE TUMI JEGE CHILE
MANER MÁDHURII NAVA SRIŚT́ITE D́HELE CHILE
KICHU NÁ THÁKÁR MÁJHE SAB KICHU ENE DILE
TÁI TO TOMÁR GUŃA GÁI
ÁR KICHU NÁI PRABHU
ÁR KICHU NÁI
PATANE ABHYUDAYE TAVA PATHE CALIYÁCHI
ÁÁÁÁÁÁÁÁÁÁ
PATANE ABHYUDAYE TAVA PATHE CALIYÁCHI
KAKHANO PAŔE GECHI KABHU UT́HE DÁNŔIYECHI
TOMÁR RACITA CHANDE NÁCE MÁTIYECHI
TAVA BHÁVE ABHÁVE SABÁI
ÁR KICHU NÁI PRABHU
ÁR KICHU NÁI
GÁNER MÁLIKÁ GENTHE JÁI
ÁR KICHU NÁI PRABHU
ÁR KICHU NÁI
O Lord, I just go on threading the garland of songs, nothing else. I tell You my pain and pleasure, by that I get satisfaction. You were alert in the lifeless noncreation. You poured out sweetness of the mind in new creation. Within nothingness, You brought everything. That is why I go on singing Your glory. I move on Your path with rise and fall. Sometimes I lie down and sometimes rise and stand. With Your rhythm and dance, I am intoxicated with or without all Your ideation.
3038 (20/08/1985) D
THEKO SAUNGE PRATI KŚAŃE
THEKO PRABHU ÁMÁR DHYÁNE
JHAŔ BAYE JÁY YADI E DHARÁY
PRASHÁNTI REKHO MOR MANE
THEKO PRABHU ÁMÁR DHYÁNE
CÁI NÁ KONO KICHU TOMÁR KÁCHE
ÁÁÁÁÁÁÁÁÁÁ
CÁI NÁ KONO KICHU TOMÁR KÁCHE
TUMI JÁR TÁR KII ABHÁVA ÁCHE
E PARASH MAŃI SAUNGE RAYECHE
MOR PRAYOJAN SEI JÁNE
THEKO PRABHU ÁMÁR DHYÁNE
OHA AVOHETE PATH CALE JÁI
ÁÁÁÁÁÁÁÁÁÁ
OHA AVOHETE PATH CALE JÁI
THÁMIVÁR KONO AVAKÁSHA NÁI
JE KÁCHE RAYECHE TÁRE KAYE JÁI
SE JENO NÁ SARE ABHIMÁNE, T
HEKO PRABHU ÁMÁR DHYÁNE
THEKO SAUNGE PRATI KŚAŃE
THEKO PRABHU ÁMÁR DHYÁNE
O Lord, stay with me each moment, stay in my meditation. If storm blows on this earth, keep my mind tranquil. I do not want anything from You, if You belong to someone, what want is there for him? This touchstone remains together, and knows my purpose. With thinking I go on moving on the path. There is no chance for pause. Those who are nearby, to them I go on telling, so that they do not move away due to ego.
3039 (20/08/1985) D
TUMI YADI BHÁLOBÁSO
KENO NÁHI ÁSO KÁCHE
DÚRE THEKE KENO HÁSO
MAN MÁTÁNO SÁJE
KENO NÁHI ÁSO KÁCHE
KABARIR VEŃI ÁMÁR
KHULIÁ GIÁCHE NIRÁSHÁY
JATANE GÁNTHÁ MÁLÁ
SHUKHÁYECHE TUMI SAJJÁY
KÁJALE ÁNKHIR JALE
SAB KICHU BHÁSIÁ JÁY
RÚPMAYA RÚPERI MÁJHE
KENO NÁHI ÁSO KÁCHE
SHUNI TUMI SABI MANE RÁKHO
SABÁRE MANETE RÁKHO
ÁÁÁÁÁÁÁÁÁÁ
SHUNI TUMI SABI MANE RÁKHO
SABÁRE MANETE RÁKHO
MAN MÁJHE MADHU MÁKHO
MÁDHAVI NIKUINJA MÁJHE
KENO NÁHI ÁSO KÁCHE
O Lord, if you love me, why do not you come close? With charming adornment, why do you stand away smiling? Due to hopelessness, my chignon braiding has opened out. The carefully threaded floral garland for your welcome is dried up. Due to tears from the eyes, all its black makeup is washed off. O Beautiful, why do not you come in the arena of forms? I have heard that you keep everything and each one in your mind. Within the mind itself You smear sweetness, under the ma’dhavii floral arbor.
3040 (21/08/1985) D
ÁLOKE ÁSONIKO
ELE TUMI TAMASÁTE
ÁSONI MÁLÁ PARITE
ESE CHILE ÁNKHI MUCHÁTE
ELE TUMI TAMASÁTE
ÁSONI SUKHER DINE
ÁÁÁÁÁÁÁÁÁÁ
ÁSONI SUKHER DINE
UTSAVE NIMANTRAŃE
SAHAKÁR PATRE GHAT́E
ÁLPANÁ ÁLÁPANE
ESECHILE DUHKHER RÁTE
SNEHER SÁNTVANÁ DITE
ELE TUMI TAMASÁTE
ÁLOKE KHUINJECHI TOMÁY
ÁÁÁÁÁÁÁÁÁÁ
ÁLOKE KHUINJECHI TOMÁY
EŔÁTE ÁNDHÁR KUÁSHÁY
BHÁVINIKO ÁNDHÁR MÁJHEO
TAVA JYOTI JVALE NIBHRITE
ELE TUMI TAMASÁTE
O Lord, during light, You do not come. And came during darkness. You do not come to wear the garland, and came for wiping the eyes. You do not come during happy days with the invitation for festivity, and mango leaves on the pot or colourful paintings. You came during night of sorrows to provide affectionate consolation. I search You in light, avoiding the fog of darkness. I could not imagine that even in darkness, Your effulgence shines in isolation.
3041 (21/08/1985) D
TOMÁY PELUM MANER MÁJHE
ÁKÁSHE VÁTÁSE ÁJ
SÁRÁ SAḾSÁR HE PRABHU TOMÁR
KARIYÁ CALECHE KÁJ
ÁKÁSHE VÁTÁSE ÁJ
SABE ÁSHÁ NIYE ÁCHE CEYE
ÁÁÁÁÁÁÁÁÁÁ
SABE ÁSHÁ NIYE ÁCHE CEYE
KABE ÁLO ENE SAB HRDAYE
O HE NITYA SHUDDHA APÁPA VIDDHA
HÁSIBE RÁJÁDHIRÁJ
ÁKÁSHE VÁTÁSE ÁJ
TOMÁR TRILOKE NÁHI TULANÁ
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR TRILOKE NÁHI TULANÁ
TUMI SHREŚT́HA SHREYA SÁDHANÁ
GHRŃÁ NÁHI KARE CÁHO PRIITI BHARE
SAMVITE NÁSHO LÁJ
ÁKÁSHE VÁTÁSE ÁJ
TOMÁY PELUM MANER MÁJHE
ÁKÁSHE VÁTÁSE ÁJ
O Lord, today I attained You in the mind, sky and air. Entire universe of Yours goes on performing the action. All carrying hope are looking forward, when the light would be brought into all hearts. O the Eternal, Pure, unaffected with sins, King of Kings, when shall You smile? You have no comparison in the three worlds. You are the supreme benevolent sa’dhana’, the endeavor. Without hating You want all with love. With consciousness, destroy the shyness.
3042 (21/08/1985) K
ANDHAKÁR GHARE MOR
KE GO ELE TUMI KE GO ELE
DEKHITE PÁINI JÁNITE PÁRINI
KEMANE ELE KAKHAN ESE CHILE
KE GO ELE TUMI KE GO ELE
KARÁGHÁTA NÁHI KARE NIIRAVA CARAŃ PHELE
ÁÁÁÁÁÁÁÁÁÁ
KARÁGHÁTA NÁHI KARE NIIRAVA CARAŃ PHELE
AJÁNTE ÁMÁR HRIDAYE PRAVESHILE
RÚPER CHAT́ÁY ÁLOKITA KARE DILE
ABHÁJANE KRIPÁ KARILE
KE GO ELE TUMI KE GO ELE
MANTRA MUGDHA ÁMI VISMAYE CEYE CHINU
ÁÁÁÁÁÁÁÁÁÁ
MANTRA MUGDHA ÁMI VISMAYE CEYE CHINU
TOMÁR LIILÁR RASE BHÁSIYÁ GIYE CHINU
KARUŃÁ EKEI BOLE
KE GO ELE TUMI KE GO ELE
ANDHAKÁR GHARE MOR
KE GO ELE TUMI KE GO ELE
Who is that You, who came to my dark home? I could not see, could not know, how and when You came? Without knocking, extending silent feet, without my awareness, You entered my heart. By the splendor of beauty, You illuminated, showering grace on this nondeserving me. I was enchanted, looked with astonishment, and floated in the flow of Your divine game, liila. Is it called mercy?
3043 (22/08/1985) K
KISERI PULAKE SABÁRI ALAKHE
JEGE CHILE TUMI KON ATIITE
JEGE CHILE
CHILO NÁKO KÁLA TITHI SAMAYER PARIMITI
AKÁLE GHUMIYE CHILE
JEGE CHILE
SEI GHUM BHEUNGE GELO VARŃE VISHVA ELO
ÁÁÁÁÁÁÁÁÁÁ
SEI GHUM BHEUNGE GELO VARŃE VISHVA ELO
MANER ANSHUMÁLI PURVÁKÁSHE RÁUNGÁILO
MADHU ELO MÁNASA SHATADALE
JEGE CHILE
ÁLOKE ÁTMA HÁRÁ BHÁVETE PURŃA DHÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁLOKE ÁTMA HÁRÁ BHÁVETE PURŃA DHÁRÁ
NOTUN PRATIITI NIYE TOMÁTEI HOLO BHARÁ
DHVANI ELO RÁGA RÁGINIIRI MÚLE
JEGE CHILE
KISERI PULAKE SABÁRI ALAKHE
JEGE CHILE TUMI KON ATIITE
JEGE CHILE
O Lord, by whose thrill, unseen by all, You have remained awakened, since distant past? There date and time, no limitation of time, You were asleep beyond time. That sleep was broken and colourful world came. The mental sun coloured the eastern sky and honey came into the hundredpetal mental lotus. Losing the identity into the effulgence, in the full current of the ideation, bringing new realization, it became full by You. At the foundation of melodies and tunes, sound came.
3044 (22/08/1985) K
TOMÁKE DEKHINI BUJHITE PÁRINI
TABU TOMÁY BHÁLOBÁSI
BHÁŚÁO SHUNINI KHUINJIÁ PÁINI
PÁOÁR ÁSHÁY SURE BHÁSI
TABU TOMÁY BHÁLOBÁSI
ESO GO ESO GO MOR PRIYATAMA
ÁÁÁÁÁÁÁÁÁÁ
ESO GO ESO GO MOR PRIYATAMA
ANTAR MÁJHE ANTAR TAMA
PULAKE NÁCIYÁ MAN KE BHARIÁ
HÁSO VIMOHAN HÁSI
TABU TOMÁY BHÁLOBÁSI
SHONO ÁMÁR KATHÁ CALIÁ JÁO KOTHÁ
ÁÁÁÁÁÁÁÁÁÁ
SHONO ÁMÁR KATHÁ CALIÁ JÁO KOTHÁ
MARMERI MÁJHE GÁO ITIKATHÁ
BHÁVERI DOLÁY TRILOK DOLÁY
TOMÁRI MADHUR BÁNSHI
TABU TOMÁY BHÁLOBÁSI
TOMÁKE DEKHINI BUJHITE PÁRINI
TABU TOMÁY BHÁLOBÁSI
O Lord, I did not see You, could not understand You, still I love You. I did not hear Your speech, could not search, and floated in melody with hope of finding You. O my most beloved, come within my inner most core. Dancing with thrill, satiating the mind, laugh with charming smile. Listen to my talk, where are You going? Sing the history within my core. Your sweet charming flute swings the feelings and oscillates the world.
3045 (22/08/1985) K
ÁMÁKE PHELE REKHE
EKALÁ PATHE KOTHÁY CALECHO
SÁDÁ MEGHERI BHELÁY
MALAY VÁY KENO BHESECHO
KOTHÁY CALECHO
BÁGICÁY BULBULI GÁY
ÁÁÁÁÁÁÁÁÁÁ
BÁGICÁY BULBULI GÁY
SUR BHARIÁ KÁNAY KÁNÁY
BHÁVI KI BHÁVE METE
KÁCHE PETE ADHIIR HOYECHO
KOTHÁY CALECHO
ÁMÁKE NÁO NÁ SÁTHE
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁKE NÁO NÁ SÁTHE
JEO NÁ EKALÁ PATHE
TÁRÁRÁ DRIŚT́I HENE
KAY JE KÁŃE KENO JETE DICCHO
KOTHÁY CALECHO
ÁMÁKE PHELE REKHE
EKALÁ PATHE KOTHÁY CALECHO
O Lord, leaving me alone, where do You go? On the boat of white cloud, through the sandal breeze, why do You float away? The nightingale in the garden sings crying with full throat. I am wondering, intoxicated with what ideation, You get restless. Take me also with You; do not go alone on the path. The stars casting the eyes say, why do You heed to that call.
3046 (22/08/1985) K
TOMÁY ÁMI BHÁLOBÁSINI
TUMI BHÁLOBESECHO
ÁMÁY YUGE YUGE
TOMÁR ÁLOY ÁMI KÁLO KARECHI
DAYÁ KARE TABU SHIARE ÁCHO JEGE
ÁMÁY JUGE JUGE
TOMÁR BHUVANE ÁMI TUCCHA AŃU
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR BHUVANE ÁMI TUCCHA AŃU
TOMÁR KRIPÁY MOR MÁNAS TANU
TOMÁRE GHIRE CALI TOMÁRI ÁLO JVÁLI
BENCE ÁCHI PRABHU TOMÁRI SAḾVEGE
ÁMÁY JUGE JUGE
AMARÁR RABHASE TUMI BHESE JÁO
ÁÁÁÁÁÁÁÁÁÁ
AMARÁR RABHASE TUMI BHESE JÁO
AŃUR AHAMIKÁ KŚAMÁ KARE DÁO
TAVA KARUŃÁR SROTE VASUDHÁ NRTYE MÁTE
ÁCHO SUKHE DUHKHE OTAH PROTA YOGE
ÁMÁY JUGE JUGE
TOMÁY ÁMI BHÁLOBÁSINI
TUMI BHÁLOBESECHO
ÁMÁY YUGE YUGE
O Lord, I have never loved You, but You have loved me since ages after ages. Your
effulgence I have darkened, but mercifully, You have remained awake within my head. I am a
meagre atom in Your universe. My mind and body is due to Your grace. I move around You
kindling Your light, surviving by Your impulse. With heavenly upsurge, You go on floating
pardoning the ego of this meagre atom. In the stream of Your mercy, the earth is
intoxicated in dance. You remain individually and collectively associated.
3047 (22/08/1985) K
TOMÁY CEYECHI ÁMI GOPANE
NIIRAVE MANERI GAHANE
TUMI CHÁŔÁ ÁMÁR ÁR KEHO NÁI
LÁINCHANÁ KLESHA KATA SAYECHI
PARÁŃA BHARIYÁ SHUDHU KENDECHI
ÁNKHI MUCHE DITE KÁREO NÁHI PÁI
TUMI CHÁŔÁ ÁMÁR ÁR KEHO NÁI
TRILOKE TUMI SHUDHU SHÁSHVATA
ÁÁÁÁÁÁÁÁÁÁ
TRILOKE TUMI SHUDHU SHÁSHVATA
BÁKI CAKRA GHORE AGAŃITA
TÁI TOMÁKEI PETE CÁI
TUMI CHÁŔÁ ÁMÁR ÁR KEHO NÁI
ANÁDI ASHEŚE TUMI ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
ANÁDI ASHEŚE TUMI ÁCHO
AŃUR MÁJHE BHÁLOBÁSÁ D́HELECHO
TÁI SUKHE DUHKHE TOMÁR GUŃA GÁI
TUMI CHÁŔÁ ÁMÁR ÁR KEHO NÁI
TOMÁY CEYECHI ÁMI GOPANE
NIIRAVE MANERI GAHANE
TUMI CHÁŔÁ ÁMÁR ÁR KEHO NÁI
O Lord, I wanted You secretly, silently in the depth of the mind. Nobody belongs to me
other than You. You alone are eternal in the three worlds; all innumerable others revolve
in circle around You. That is why I want to attain You. You exist in begininglessness and
endlessness and pour love onto the meagre atom. Hence in pain and pleasure I sing Your
glory.
3048 (23/08/1985) D
PHÚT́ECHE ÁJIKE KATANÁ PHÚL
UPAVANE NAY MANOVANE
DULICHE TÁY PRIITIR SHISHIR DODUL
ÁNAMANE NAY JENE SHUNE
UPAVANE NAY MANOVANE
JÁHÁKE KAKHANO HOYENI PÁOÁ
ÁÁÁÁÁÁÁÁÁÁ
JÁHÁKE KAKHANO HOYENI PÁOÁ
LÁJE JÁHÁR PÁNE HOYENI CÁOÁ
JIIVANE JE GÁN HOYENI GÁOÁ
TÁRÁI JENO ELO SANTARPAŃE
UPAVANE NAY MANOVANE
CÁPÁ CHILO JÁ MUKULER MÁJHE
ÁÁÁÁÁÁÁÁÁÁ
CÁPÁ CHILO JÁ MUKULER MÁJHE
PHÚT́ILO TÁHÁ KUSUMER SÁJE
CUPI SÁRE SARÁYE LÁJE
MADHU D́HELE DILO GÁNE GÁNE
UPAVANE NAY MANOVANE
PHÚT́ECHE ÁJIKE KATANÁ PHÚL
UPAVANE NAY MANOVANE
Today innumerable flowers have bloomed, not in the floral garden but in mental arena. Over
then dewdrops oscillate swinging, not unmindfully but deliberately. The One who could
never be attained, towards whom there has never been will. The songs that could never be
sung in life, they came as if very carefully. That which was hidden amidst bud, that
bloomed as beautiful flower. Coming secretly removing the shyness, He poured honey in song
after song.
3049 (23/08/1985) D
PHÚLER VANE ÁNAMANE
BHRAMAR ELO KENO BOLO
MANER KOŃE SAḾGOPANE
HOLO SAORABHE UDDVELO
BHRAMAR ELO KENO BOLO
ÁKÁSHA PÁTÁL SABAI CENÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁKÁSHA PÁTÁL SABAI CENÁ
SAB KHÁNE TÁR ÁNÁ GONÁ
NIIRAVA RÁTE VIINÁ HÁTE
JHAUNKÁRE HOYE CAINCALO
BHRAMAR ELO KENO BOLO
CIRA KÁLER ACENÁ SE
ÁÁÁÁÁÁÁÁÁÁ
CIRA KÁLER ACENÁ SE
PRIITI MADHU ÁSHE ÁSE
CHANDE SURE MÁNAS PURE
SAḾGIITE HOYE UCCHALO
BHRAMAR ELO KENO BOLO
PHÚLER VANE ÁNAMANE
BHRAMAR ELO KENO BOLO
The bee came into the garden unmindfully, why, tell me. The recess of the mind secretly
became restless with fragrance. The sky, the netherworld, all are known, everywhere His
movement persists. In the silent night with viin’a’ in hand, He makes restless with
the tinkling. He was unknown for a very long time, but came with the hope of honey of
love. The mental arena, with rhythm and melody, became restless with music and songs.
3050 (23/08/1985) D
PHÁGUN ESECHILO
MANE DOLÁ DIYE GELO
SHUKANO D́ÁLE KISHALAY DALE
NÚTAN SUŚAMÁ D́HELE DILO
MANE DOLÁ DIE GELO
SAHAKÁR SHÁKHÁ MUKALITA HOLO
ÁÁÁÁÁÁÁÁÁÁ
SAHAKÁR SHÁKHÁ MUKALITA HOLO
BAKUL PUŚPA SHOBHÁTE BHARILO
SHÁLMALI GÁCHE RÁNGÁ PHÚL PHOT́E
KIḾSHUK VAHNI D́HÁLILO
MANE DOLÁ DIE GELO
BÁHIRE PRAKRITI NAVA RAUNGE SÁJE
ÁÁÁÁÁÁÁÁÁÁ
BÁHIRE PRAKRITI NAVA RAUNGE SÁJE
VAN KURAUNGA NÁCE MANO MÁJHE
MADHU MÁSE EI MADHUR ÁVESHE
SAB KICHU MOR NIYE NILO
MANE DOLÁ DIE GELO
PHÁGUN ESECHILO
MANE DOLÁ DIYE GELO
The spring season came and started swinging the mind. Into the dry branches, with the
bunches of new leaves, it poured new beauty. The mango branch became full of buds, the
bakul tree became full of floral decoration. On sha’lmalii tree colourful flowers
bloomed and kim’shuk tree with red flowers poured fire. Outside the nature is decorated
with new colour, the wild stag started dancing in the mind. In this sweet impulse of the
sweet season, He has taken all that belonged to me.
3051 (23/08/1985) K
GÁNE TUMI ESECHO
BHUVAN BHARIYÁ
NRTYA RATÁ DHARÁ
HOYECHE SAYAMBARÁ
TOMÁRE NIKAT́E HERIYÁ
BHUVAN BHARIYÁ
TOMÁR ÁGAMANE PHÚL PHÚT́ECHE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR ÁGAMANE PHÚL PHÚT́ECHE
MUKULE JATA LÁJA SARIYA GECHE
TÁRI MADHU, TÁRI MADHU
BUKE RÁKHIYACHE SHUDHU
TOMÁRII ITIKATHÁ SMARIYÁ
BHUVAN BHARIYÁ
TOMÁR ÁGAMANE RAUNGA HESECHE
BHAYÁL AMÁNISHÁ DÚRE SARECHE
RÁTERI ÁLO, RÁTERI ÁLO
NÁSHIYÁ JATA KÁLO
TOMÁRE ENECHE KÁCHE DHARIYÁ
BHUVAN BHARIYÁ
GÁNE TUMI ESECHO
BHUVAN BHARIYÁ
O Lord, You came with songs filling the whole world. The dance engrossed earth became
selfselecting of the groom, on finding You close. By Your arrival, flowers bloom, all the
shyness of the buds was removed. Keeping only His honey in the bosom, remembering Your
glory. By Your arrival the colours smile, the frightening dark night moved away. The
light, destroying all the darkness, brought You, close under the folds.
3052 (23/08/1985) D
TUMI ESECHO ÁLO ENECHO
ÁNDHÁR SARE GECHE
MAN MÁTÁNO VYATHÁ BHOLÁNO
MADHURIMÁ ESECHE
ÁNDHÁR SARE GECHE
ALAKE ÁLOKE TUMI BHESE JÁO
ÁÁÁÁÁÁÁÁÁÁ
ALAKE ÁLOKE TUMI BHESE JÁO
OŚT́HE ADHARE HESE HESE CÁO
PRIITIR AINJANA KALUŚA BHAINJANA
CIDÁKÁSHE BHESECHE
ÁNDHÁR SARE GECHE
JEO NÁ JEO NÁ BOJHO VYÁKULATÁ
ÁÁÁÁÁÁÁÁÁÁ
JEO NÁ, JEO NÁ, BOJHO VYÁKULATÁ
KÁN PETE DHIIRE SHONO ÁMÁR KATHÁ
ESECHO JAKHAN THÁKO AŃUKŚAŃA
ÁMÁR KÁCHE KÁCHE
ÁNDHÁR SARE GECHE
TUMI ESECHO ÁLO ENECHO
ÁNDHÁR SARE GECHE
O Lord You have come, and brought light, the darkness is removed. The mind is enchanted
the pain is forgotten, the sweetness has come. With heavenly effulgence, You go on
floating and look with smiling lips. The mark of as ointment to eyes and the destroyer of
dirt floats in the firmament of the mind. Do not go, do not go, understand my
restlessness. Directing the ears, slowly listen to my talk. Once that You have come, stay
for a while close to me.
3053 (23/08/1985) D
PHÚLER MÁLIKÁ SHUKHÁIÁ GECHE
PÁPAŔI JHARIYÁ GECHE TÁR
TÁR E ITIKATHÁ KEU KI SHOŃE NI
KARENIKO KONO PRATIKÁR
PÁPAŔI JHARIYÁ GECHE TÁR
SAYATANE TOLÁ PHÚL GULI CHILO
ÁÁÁÁÁÁÁÁÁÁ
SAYATANE TOLÁ PHÚL GULI CHILO
SUŚAMÁ SUVÁSE CHILO UCCHALA
BHÁVE O MADHUTE CHILO UDDVEL
KEU KI DEKHENI E DHARÁR
PÁPAŔI JHARIYÁ GECHE TÁR
SABÁR ALAKHE JHARIYÁ PAŔECHE
ÁÁÁÁÁÁÁÁÁÁ
SABÁR ALAKHE JHARIÁ PAŔECHE
SABÁR CARAŃE VINATI KARECHE
SHOŃO MOR KATHÁ BOJHO MOR VYATHÁ
BHÚLIO NÁ BHEVE BOJHÁ BHÁR
PÁPAŔI JHARIYÁ GECHE TÁR
PHÚLER MÁLIKÁ SHUKHÁIÁ GECHE
PÁPAŔI JHARIYÁ GECHE TÁR
The floral garland has dried up; its petals have withered down. Their history no one
heard, neither any remedy was made. The flowers were carefully lifted. The beauty and the
fragrance were overwhelming with the feelings and sweetness, but nobody observed that on
the earth. It fell down unseen by all, praying before all feet. Listen to my talk
understand my agony, do not ignore thinking that it is difficult to understand.
3054 (24/08/1985) K
SABÁR TUMI VARAŃIIYA
SABÁR MÁJHE ANUPAMA
TOMÁY ÁMI BHÁLOBÁSI
NIRDVIDHÁY PRIYA MAMA
SABÁR MÁJHE ANUPAMA
TOMÁRI ÁLOKE PRÁŃA BHARÁI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁRI ÁLOKE PRÁŃA BHARÁI
TOMÁRE ÁNDHÁRE KHUNJIYÁ JÁI
MANER MÁJHE RÚPER SÁJE
ARÚP TUMI MANORAMA
SABÁR MÁJHE ANUPAMA
SHREŚT́HA BOLITE DEKHI SHUNI JÁHÁI
ÁÁÁÁÁÁÁÁÁÁ
SHREŚT́HA BOLITE DEKHI SHUNI JÁHÁI
SABÁRI URDDHVE TAVA DYUTI PÁI
TÁI TO JENE NÁ JENE SABÁI
TOMÁY BOLI NAMAH NAMAH
SABÁR MÁJHE ANUPAMA
SABÁR TUMI VARAŃIIYA
SABÁR MÁJHE ANUPAMA
O Lord
You are adorable to all.
You are excellence amongst all.
O dear one
I fill my life with Your effulgence.
Yet, I keep searching You in darkness.
O charming one
although adorned with internal beauty
You are beyond beauty.
In whatever I have heard or seen as best
Your brilliance shines above it all.
That is why
knowingly or unknowingly
all express their salutation to You.
........................................................
You are embraced by all
and of all, You are the finest.
I loved You without reservation.
Your effulgence fills my life.
Searching You in darkness
I find beauty inside my mind.
Yet, O Lord
You are beyond beauty.
In whatever I see
I see You as greatest.
Your effulgence transcends everything.
Knowingly or unknowingly
all offer their pranam (salutation) to You..
3055 (24/08/1985) K
AJÁNÁ PATHIK EK ESE CHILO
MANE DOLÁ DIYE
ÁÁÁÁÁÁÁÁÁÁ
ADHARE HESE CHILO MADHUR HÁSI
KENO NÁ JÁNIYE
MANE DOLÁ DIYE
ÁÁÁÁÁÁÁÁÁÁ
PATH CEYE BASE CHINU YUGA DHARE
ÁÁÁÁÁÁÁÁÁÁ
PATH CEYE BASE CHINU YUGA DHARE
ÁSHÁY PURÁLE MOR ANEK PARE
KATA JYOTSNÁ KENDE GECHE JE SARE
VYATHITA HRIDAYE
MANE DOLÁ DIYE
ÁÁÁÁÁÁÁÁÁÁ
PHÚL JHARE GECHE MADHU GANDHE BHARÁ
ÁÁÁÁÁÁÁÁÁÁ
PHÚL JHARE GECHE MADHU GANDHE BHARÁ
PRIITIR ÁVESHE KATA NECECHE DHARÁ
HÁRIYE GECHE ÁJ KOTHÁY TÁRÁ
MORE GÁN SHUNIYE
MANE DOLÁ DIYE
ÁÁÁÁÁÁÁÁÁÁ
AJÁNÁ PATHIK EK ESE CHILO
MANE DOLÁ DIYE
ÁÁÁÁÁÁÁÁÁÁ
One unknown traveler came and oscillated the mind. He was smiling with sweetness on the
lips, what for I do not know. I have been sitting waiting for Him since ages. After such a
long time He fulfilled my desire. How many moonlit nights had passed crying with heartfelt
pain. The flowers full of sweet fragrance had withered away. How much the earth had
revolved with impulse of love. Where they all are lost today, listening to my song.
3056 (14/08/1985) K
MANER MAYUR, MANER MAYUR
MANER MAYUR
UŔE JÁY, JÁY, JÁY, JÁY
KONO BÁDHÁ NÁ SE JÁNE
KONO MÁNÁ NÁ SE MÁNE
KALÁP MELE NECE CALE
KON SE AJÁNÁY
JÁY, JÁY, JÁY
SARIT GIRI BÁT́ PERIYE
ÁÁÁÁÁÁÁÁÁÁ
SARIT GIRI BÁT́ PERIYE
TEPÁNTARER MÁT́H D́INGIYE
KÁSHER VANE DOLÁ DIYE
DHÁY, DHÁY, DHÁY
JÁY, JÁY, JÁY
PRIYA ÁMÁR DHYEYA ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
PRIYA ÁMÁR DHYEYA ÁMÁR
SAKAL GUŃER EK SAMÁHÁR
COKHER MAŃI TUMI SABÁR
TOMÁY SABÁI CÁY, CÁY, CÁ
Y, JÁY, JÁY, JÁY
MANER MAYUR, MANER MAYUR
MANER MAYUR
UŔE JÁY, JÁY, JÁY, JÁY
The mental peacock goes on flying. It does not know any obstruction, does not heed to any
prohibition, spreading its wings it goes on dancing to some unknown arena. Crossing
streams, mountains and roads, passing through fields in wilderness, shaking the forests of
tall grass, it goes on rushing. O My Dear and Object of meditation, You are aggregate of
all attributes and pupil of the eyes of all, everyone loves You.
3057 (24/08/1985) K
ÁNDHÁRE TUMI ELE
ÁLOY BHARIYÁ DILE
GLÁNI DÚRE GELO
TAMASÁ NIMEŚE SARÁLE
ÁLOY BHARIYÁ DILE
JE PÚNJIIBHÚTA MEGH
JIIVANE D́HÁKIYÁ CHILO
TAVA MÁDHURI SAMVEG
TÁHÁKE BHÁSÁYE DILO
BHÁR MUKTA KARE MORE
NIKAT́E T́ÁNIÁ NILE
ÁLOY BHARIYÁ DILE
SAUNGE RAYECHO PRABHU
EKÁKI NAHI JE KABHU
JENEO KENDECHI TABU
SE KÁNDÁ ÁJI KE BHOLÁLE
ÁLOY BHARIYÁ DILE
ÁNDHÁRE TUMI ELE
ÁLOY BHARIYÁ DILE
O Lord, You came during darkness, and filled illumination. All weariness was removed, and
darkness moved out in moments. The accumulated clouds that had covered the life, with Your
sweet impact You floated them away. Making me free from the burden, You pulled me close. O
Lord, You remain together. I am never alone. Still knowingly I cry, and that crying You
made me forget today.
3058 (24/08/1985) K
JE GÁN TUMI GEYE GELE
TÁRI RESHE
BHESE JÁI ÁMI SUDÚRE
ÁÁÁÁÁÁÁÁÁÁ
JE DIIP JVELE GIYE CHILE
TÁR SHIKHÁ JVALE KATA YUGA DHARE
BHESE JÁI ÁMI SUDÚRE
KARUŃÁR PRATIBHU TUMI DEVATÁ
ÁÁÁÁÁÁÁÁÁÁ
KARUŃÁR PRATIBHU TUMI DEVATÁ
TUMI CHÁŔÁ NÁHI MOR KEHO TRÁTÁ
ÁSÁ JÁOÁ TAVA ICCHÁY VIDHÁTÁ
TUMI JÁNO BHÁLO KARE
BHESE JÁI ÁMI SUDÚRE
SŔŚT́IR PRATHAM ARUŃODAY HOTE
ÁÁÁÁÁÁÁÁÁÁ
SŔŚT́IR PRATHAM ARUŃODAY HOTE
TUMI ÁCHO SÁTHE SÁTHE OTAH PROTE
BHÁSIYÁ CALECHI ÁMI TOMÁR SHROTE
TUMI JENO BHÚLO NÁ MORE
BHESE JÁI ÁMI SUDÚRE
JE GÁN TUMI GEYE GELETÁRI RESHE
BHESE JÁI ÁMI SUDÚRE
O Lord, the song that You had sung, by the left trace of that, I go on floating far. The
lamp that had kindled, the flame of which glows since many ages. O Lord, You are the icon
of mercy. Other than You, I have no protector. O Lord, coming and going is Your wish and
that You know very well. Since the first sunrise of creation, You are together
individually and collectively. I go on floating in Your stream, so that You never forget
me.
3059 (24/08/1985) K
TOMÁRE CEYECHI MOR KÁCHE KÁCHE
ÁLOKER E UTSAVE
CHANDE SURE RÁGA RÁGINII BHARE
JIIVANER E ÁSAVE
ÁLOKER E UTSAVE
TOMÁR SAMÁN GUŃII TRIBHUVANE NÁI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR SAMÁN GUŃII TRIBHUVANE NÁI
GUŃÁTIITA NIRGUŃA BOLE THÁKI TÁI
SAKAL GUŃER MORÁ SAMÁHÁR PÁI
TOMÁRI ANUBHAVE
ÁLOKER E UTSAVE
TOMÁR SAMÁN KARUŃÁ NÁHI PÁI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR SAMÁN KARUŃÁ NÁHI PÁI
KARUŃÁR VIIŃÁ BÁJIYE CALO SADÁI
MUKTI MOKŚA CIDÁKÁSHE MORÁ PÁI
MOHANER ÁVIRBHÁVE
ÁLOKER E UTSAVE
TOMÁRE CEYECHI MOR KÁCHE KÁCHE
ÁLOKER E UTSAVE
O Lord, I want You close to me during this festivity of light, filled with rhythms
melodies, and tunes as essence of life. There is no one with attributions like You in the
three worlds. That is why I call You beyond attributes and without attributes. During
ideation on You, I find totality of all attributes. I do not find mercy like You anywhere
else. You always go on playing viin’a’ of mercy. I find liberation and salvation in
the firmament of mind with the advent of the Charming One.
3060 (24/08/1985) D
TOMÁY ÁMI CEYE GECHI
ÁPAN MANE ÁPAN MANE
BÁHIRE T́HÁIN PÁINIKO TÁI
RÁKHITE CÁI SAḾGOPANE
ÁPAN MANE ÁPAN MANE
DHARÁR DHÚLÁY NÁMAVE TUMI
ÁÁÁÁÁÁÁÁÁÁ
DHARÁR DHÚLÁY NÁMAVE TUMI
E KEMANE SAIBO ÁMI
RÁTUL PÁYE KOMAL PÁYE
DOBO VYATHÁ KON PARÁŃE
ÁPAN MANE ÁPAN MANE
MANEI ÁCHE SVARŃA ÁSAN
ÁÁÁÁÁÁÁÁÁÁ
MANEI ÁCHE SVARŃA ÁSAN
TOMÁR TARE MAŃIR BHÚŚAŃ
ÁSABE HESE BASABE SEJE
TRIPTA KARE MOR NAYANE
ÁPAN MANE ÁPAN MANE
TOMÁY ÁMI CEYE GECHI
ÁPAN MANE ÁPAN MANE
O Lord, I have remained desirous of You in my own mind. I do not find proper place
outside, hence I want to keep You hidden inside. You would come down to the dusty earth
how can I tolerate that. In Your soft red feet how my heart would allow to cause pain. The
golden throne is there in the mind itself for You decorated with gems. You would come, sit
there and satiate my eyes.
3061 (25/08/1985) D
JEGE BASE CHILÚM
TOMÁR TARE PRABHU TOMÁR TARE
PRADIIP JVELE CHILUM
MANERI GABHIIRE ANDHAKÁRE
TOMÁR TARE PRABHU TOMÁR TARE
KATA YUGA ELO GELO
ÁÁÁÁÁÁÁÁÁÁ
KATA YUGA ELO GELO
KATA JANAM PHURÁLO
TAVA KARUŃÁ NÁ HOLO
ELE NÁKO PRABHU ÁMÁR GHARE
TOMÁR TARE PRABHU TOMÁR TARE
KATA CAMELI JHARILO
ÁÁÁÁÁÁÁÁÁÁ
KATA CAMELI JHARILO
KATA SHEFÁLI SHUKÁLO
KATA JYOTSNÁ KENDE GELO
SHARATE VASANTE HÁHÁKÁRE
TOMÁR TARE PRABHU TOMÁR TARE
JEGE BASE CHILÚM
TOMÁR TARE PRABHU TOMÁR TARE
O Lord, I am sitting awake for You. I kindle lamp in the dark depth of my mind. Several
ages have come and gone. Many lives concluded. But Your mercy did not materialize and You
did not come to my home. Many camelii flowers have withered down. Many shefa’lii flowers
dried up. Many moonlit nights of autumn and spring passed crying lamenting.
3062 (25/08/1985) D
KÁL KATA RÁTE, KÁL KATA RÁTE
KÁL KATA RÁTE KUVALAY HÁTE
KAOMUDI DHOYÁ KÁNANE
TUMI ESE CHILE
CHINU GHUM GHORE MANER MUKURE
CHINU GHUM GHORE MANER MUKURE
CHINU GHUM GHORE MANER MUKURE
DEKHÁ HOYE NÁI BASE CHILE
TUMI ESE CHILE
BUJHIBÁR JÁHÁ BOJHÁN JÁY NÁ
ÁÁÁÁÁÁÁÁÁÁ
BUJHIBÁR JÁHÁ BOJHÁN JÁY NÁ
JATA SHONÁ HOYE SHONÁN HOY NÁ
SONÁLII MÁDHURII KHÁNCÁY THÁKE NÁ
SABAI BHESE JÁY SMRITI JALE
TUMI ESE CHILE
ÁMÁR E VYATHÁ TUMI KI BOJHO NI
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR E VYATHÁ TUMI KI BOJHO NI
MOR ITIKATHÁ TUMI KI SHONO NI
NIJER AŃURE CINITE PÁRO NI
TÁI KI SHUDHUI HESE CHILE
TUMI ESE CHILE
KÁL KATA RÁTE, KÁL KATA RÁTE
KÁL KATA RÁTE KUVALAY HÁTE
KAOMUDI DHOYÁ KÁNANE
TUMI ESE CHILE
Yesterday, in deep night, with blue lotus in hand, in the moonlight washed garden, You had
come. I was in deep slumber, I could not see in the mental mirror and You sat. Whatever
was understood cannot be explained, whatever was heard, cannot be told. The golden
sweetness cannot stay in a cage; all float away in the water of memory. This agony of
mine, cannot You understand? Cannot You listen to my history? Cannot You recognise Your
own particle? Is it due to that You simply smiled?
3063 (25/08/1985) D
TUMI ESECHILE ESECHILE ESE CHILE
BHULE ABHIMÁN BHULE ABHIMÁN
E DHARAŃII CHILO KLED PICCHIL
TUMI ENE DILE SONÁLI VÁN
BHULE ABHIMÁN BHULE ABHIMÁN
MADHURIMÁ MÁJHE D́HÁLILE SURABHI
ÁÁÁÁÁÁÁÁÁÁ
MADHURIMÁ MÁJHE D́HÁLILE SURABHI
VIBHIISHIKÁ KE SARÁLO PRIITI CHAVI
NISHCHIDRA ÁNDHÁRE ELO RAVI
HOLO ÁLOKER ABHIYÁN, BHULE
ABHIMÁN BHULE ABHIMÁN
AVYAKTE BHESE ELO PRÁŃA
ÁÁÁÁÁÁÁÁÁÁ
AVYAKTE BHESE ELO PRÁŃA
SARITÁR DHVANI VANE KALATÁN
VIIŃÁ JHAUNKÁRE MANER VITÁN
GÁILO TOMÁR JAY GÁN
BHULE ABHIMÁN BHULE ABHIMÁN
O Lord, You came ignoring the suppressed sorrow. This earth was slippery with mud, You
brought golden flood. Into sweetness, You poured out fragrance. The loving image has
removed the frightening figure. In pitch darkness, sun arose. The journey of light
started. In the unexpressed entity, life came, also came murmuring in the stream and
chirping in the woods. In the mental canopy, tinkling of viin’a’ came singing Your
victory song.
3064 (25/08/1985) K
JE VAHNI SHALÁKÁ JVÁLÁLE
ÁÁÁÁÁÁÁÁÁÁ
NIVIBE NÁ TÁ KAKHANO
TAVA RÁGE, TAVA RÁGE ANURÁGE
SE SHIKHÁ JVALIBE JENO
NIVIBE NÁ TÁ KAKHANO
PRIITI RASE TUMI ÁCHO
PRIITI RASE TUMI ÁCHO
PRIITI RASE TUMI ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
PRIITI RASE TUMI ÁCHO
RABHASE METE RAYECHO
MANO MÁJHE, MANO
MÁJHE, NÁCITE CHO
MADHUTE MÁDHURII GHANO
NIVIBE NÁ TÁ KAKHANO
JÁHÁ ÁCHE JÁHÁ GECHE
JÁHÁ ÁCHE JÁHÁ GECHE
JÁHÁ ÁCHE JÁHÁ GECHE
ÁÁÁÁÁÁÁÁÁÁ
JÁHÁ ÁCHE JÁHÁ GECHE
JÁHÁ ÁJO ÁSITECHE
SABAI TAVA, SABAI TAVA, MANE ÁCHE
SHÁSHVATA TUMI PURÁNO
NIVIBE NÁ TÁ KAKHANO
JE VAHNI SHALÁKÁ JVÁLÁLE
NIVIBE NÁ TÁ KAKHANO
O Lord, the flame of fire that You have kindled, will never be extinguished. By Your love
and affectionate colour that flame will continue glowing. You exist in the flow of love
remaining engrossed in upsurge of emotions, You continue dancing in the mind with intense
sweetness of honey. Whatever exists, what has gone, whatever is coming today, all are
present in Your Cosmic mind eternally, O The Ancient One.
3065 (26/08/1985) K
GÁNERI SUR BHESE ELO
ELO ÁMÁRI MANE
MAN KE DOLÁ SE DILO
KENO JÁNINE
ELO ÁMÁRI MANE
JE MAN CHILO MOR DHULOY D́HÁKÁ
ÁÁÁÁÁÁÁÁÁÁ
JE MAN CHILO MOR DHULOY D́HÁKÁ
DÚRE UŔITE PÁRITO NÁ PÁKHÁ
CHOT́O CHOT́O BHÁVANÁY CHILO MÁKHÁ
SE UŔE DÚR GAGANE
ELO ÁMÁRI MANE
JE BHÁVANÁ SIIMITA CHILO GHARE
ÁÁÁÁÁÁÁÁÁÁ
JE BHÁVANÁ SIIMITA CHILO GHARE
SIIMÁR BÁNDHAN BHENGE BHÁSE SUDÚRE
KHÁNCÁR VIHAG NECE CHANDE SURE
UŔE JÁY EKERI PÁNE
ELO ÁMÁRI MANE
The melody of Your song came floating into my mind.
It shook my mind.
Why it did, I am unable to understand.
My mind was covered under dust
and could not fly due to lacking wings.
It was engrossed in mean thoughts.
Now, it started flying into the distant sky.
The mind that was confined to home
now breaks all bondages and floats afar.
The bird of the cage now flies off
dancing with rhythm towards its one desideratum.
3066 (26/08/1985) K
ÁKÁSH SHONÁY GÁN CHANDE SURE
VÁTÁSE MAHIMÁ TAVA SADÁ JHARE
ÁÁÁÁÁÁÁÁÁÁ
SUVÁS BHARIÁ DEY PHÚL NIKARE
NATA MADHU BHÁRE
VÁTÁSE MAHIMÁ TAVA SADÁ JHARE
AMARÁR PARIVESHA TUMI ENECHO
ÁÁÁÁÁÁÁÁÁÁ
AMARÁR PARIVESHA TUMI ENECHO
DHARÁR DHÚLIR PARE PRIITI D́HELECHO
MÚK MUKHE SUMADHUR BHÁŚÁ DIYECHO
JHANKÁRITA SMITA OŚT́ÁDHARE
VÁTÁSE MAHIMÁ TAVA SADÁ JHARE
SUNDARTÁR PRATIBHU TUMI PRABHU
ÁÁÁÁÁÁÁÁÁÁ
SUNDARTÁR PRATIBHU TUMI PRABHU
JE RATNADIIP JVÁLAO NEVE NÁ KABHU
ABODHA AJINA MORÁ KÁNDIYE TABU
NAYANE BASAN BENDHE BADDHA GHARE
VÁTÁSE MAHIMÁ TAVA SADÁ JHARE
ÁKÁSH SHONÁY GÁN CHANDE SURE
VÁTÁSE MAHIMÁ TAVA SADÁ JHARE
The sky is singing the song with melody. In the air, Your glory ever blows. The collection
of flowers is filled with fragrance and bowed due to load of honey. You brought this
immortal environment. You poured love on the dust of earth. You provided sweet language in
the dumb mouth. O Lord, You are the symbol of beauty, The gem studded lamp that You
kindled, would never be extinguished. Still as ignorant and simpleton, I continue crying
tying the eyes with cloth inside the closed room.
3067 (26/08/1985) K
CEYECHI ÁMI, CEYECHI ÁMI
CEYECHI ÁMI TOMÁRE SHUDHU
PHÚLER RÁGER PARÁG TUMI
PHÚLER RÁGER PARÁG TUMI
MAHÁKÁSHE SAHÁS VIDHU
CEYECHI ÁMI TOMÁRE SHUDHU
KATA YUG DHARE
KATA YUG DHARE CEYECHI TOMÁY
ÁÁÁÁÁÁÁÁÁÁ
KATA YUG DHARE CEYECHI TOMÁY
KATA YUG DHARE CEYECHI TOMÁY
NEI TÁ LEKHÁ ITIKATHÁY
KATA ÁNKHI JALA VRITHÁ JHARE JÁY
TOMÁRI TARE DÚRERI BANDHU
CEYECHI ÁMI TOMÁRE SHUDHU
GAHAN VANE GAHAN VANE MANERI KOŃE
GAHAN VANE GAHAN VANE MANERI KOŃE
TOMÁY D́EKE GECHI SAḾGOPANE
ÁJO ÁSHÁ BHARÁ MANE
JAMIYE RÁKHI BHÁVERI MADHU
CEYECHI ÁMI TOMÁRE SHUDHU
CEYECHI ÁMI, CEYECHI ÁMI
CEYECHI ÁMI TOMÁRE SHUDHU
O Lord, I want You alone. You are the fragrance in the pollen of flower and smiling moon
in the great sky. Since how many ages, I have remained desirous of You, there is no record
or history. O the distant friend, how much tears flow for You in vain. In the dense forest
and recess of mind, I have been calling You secretly, even today with overwhelming heart
in which honey of ideation I have collected.
3068 (26/08/1985) K
EI, GHAN NABH NIILE ELE
PRIITI BHARÁ HRDAYE
ÁÁÁÁÁÁÁÁÁÁ
MÁSA RITU SÁL SAB DÚRE PHELE
AKÁLER NILAYE
PRIITI BHARÁ HRIDAYE
ÁÁÁÁÁÁÁÁÁÁ
PHÁGUNE MÁDHAVI MANE TUMI SURABHI
ÁÁÁÁÁÁÁÁÁÁ
PHÁGUNE MÁDHAVI MANE TUMI SURABHI
ÁGUNE PALÁSH VANE RAUNGIIN CHAVI
JÁHÁ JÁNI JÁHÁ NÁ JÁNI TUMII SABAI
ÁJ DILE JÁNIYE
PRIITI BHARÁ HRIDAYE
ÁÁÁÁÁÁÁÁÁÁ
NIDÁGHER UTTÁPE TUMII ULKÁ
ÁÁÁÁÁÁÁÁÁÁ
NIDÁGHER UTTÁPE TUMII ULKÁ
SHARATE RÚPÁLI MEGHE BHÁSÁ BALÁKÁ
VASANTE NAVA KISHALAYE D́HÁKÁ
PATHE CALO EGIYE
PRIITI BHARÁ HRIDAYE
ÁÁÁÁÁÁÁÁÁÁ
EI, GHAN NABH NIILE ELE
PRIITI BHARÁ HRDAYE
ÁÁÁÁÁÁÁÁÁÁ
O Lord, You came to my home with heart full of love during this dense deep blue sky
untimely ignoring all periods of month, season and years. During spring, in the mind of
the ma’dhavii flowers, You are the fragrance. You are the colourful panorama like red
fire in the pala’sh forest. Whatever I know and what I do not know, You are everything.
You made it known that today. You are also the hot meteorite during heat of sun. You are
floating, gliding swan like silver cloud in autumn. Covering with the new leaves during
spring, You move forward.
3069 (25/08/1985) K
JYOTSNÁ DILE PHÚL PHOT́ÁLE
KENO NIJE ELE NÁ
MAN BHEJÁLE DÚRE RAHILE
KENO DHARÁ DILE NÁ
KENO NIJE ELE NÁ
ÚŚÁR UDAY SAMA TUMI SPAŚT́A
ÁÁÁÁÁÁÁÁÁÁ
ÚŚÁR UDAY SAMA TUMI SPAŚT́A
ARUŃER RÁGA TOMÁTEI SRIŚT́A
SAKAL GUŃE TUMI VISHŚT́A
TOMÁR NÁI TULANÁ
KENO NIJE ELE NÁ
ALAKŚYE KENO THÁKO SUMUKHE ESO
ÁÁÁÁÁÁÁÁÁÁ
ALAKŚYE KENO THÁKO SUMUKHE ESO
MANER MÁDHURI NIYE NIKAT́E BASO
MOHAN MURALI HÁTHE MADHUR HÁSO
ÁR DÚRE THEKO NÁ
KENO NIJE ELE NÁ
You provided moonlight
and made flowers bloom
but why did You not come Yourself?
You drenched my mind with devotion but remained far.
Why did You not come within my reach?
You are as clear as the morning sun.
You create the colour of the crimson dawn.
You surpass all qualities.
You have no comparison.
Why do You remain unseen?
Come closer and sit near me
with the sweetness of Your mind.
Smile sweetly with Your charming flute in hand.
Do not stay away from me any longer.
3070 (27/08/1985) D
TUMI, KII SURE GÁN SHONÁLE
KII SURE GÁN SHONÁLE
ÁMÁR MANER ANTARÁLE
KÁCHE ELE DHARÁ NÁ DILE
KÁCHE ELE DHARÁ NÁ DILE
JEMAN CHILE RAYE GELE
KII SURE GÁN SHONÁLE
ÁMÁR MANER ANTARÁLE
HIMVÁHO TUMII GIRIR
ÁÁÁÁÁÁÁÁÁÁ
HIMVÁHO TUMII GIRIR
MAHODADHIR ATAL GABHIIR
JÁ KICHU HOYE JÁ NÁHI HOYE
SABAI TOMÁR MANE DOLE
KII SURE GÁN SHONÁLE
ÁMÁR MANER ANTARÁLE
TUMI CHÁŔÁ ÁR KEHO NÁI
ÁÁÁÁÁÁÁÁÁÁ
TUMI CHÁŔÁ ÁR KEHO NÁI
MARMA KATHÁ JÁKE SHONÁI
SAB BHAYA LÁJ BHÚLIÁ ÁJ
SHARAŃ NITE ELUM CALE
TUMI, KII SURE GÁN SHONÁLE
KII SURE GÁN SHONÁLE
ÁMÁR MANER ANTARÁLE
O Lord, in what melody, have You sung the song, in the recess of my mind? Coming close
You did not come into the fold. You remained same. Among the mountains, You are the
Himalayas and still deep unfathomable ocean. Whatever is happening and what not, all swing
in Your mind. There is no one other than You whom I can tell the events of the core of my
mind. Forgetting all fear and shyness today, I have come to take Your shelter.
3071 (27/08/1985) D
KATA KÁCHE CHILO SE JE
ÁJ KE KATA DÚR
SE KII PHIRABE NÁ KÁCHE ÁSABE NÁ
ÁJO ÁCHE MANER MÁJHE
SMRITITE BHARAPÚR
KATHÁ SE KI KAIBE NÁ
SE KII PHIRABE NÁ KÁCHE ÁSABE NÁ
KATA SHARAT VASANTA RÁT
ÁÁÁÁÁÁÁÁÁÁ
KATA SHARAT VASANTA RÁT
KATA PRADOŚA KATA PRABHÁT
CHILO SÁTHE CHANDE METE
ÁR KI SE GÁN GÁIBE NÁ
SE KII PHIRABE NÁ KÁCHE ÁSABE NÁ
RODER BELÁ CHÁYÁR BELÁ
ÁÁÁÁÁÁÁÁÁÁ
RODER BELÁ CHÁYÁR BELÁ
KARECHE SUKH DUHKHER KHELÁ
JHAINJHÁVÁTE VAJRA PÁTE
TÁR KI GHUM ÁR BHÁUNGABE NÁ
SE KII PHIRABE NÁ KÁCHE ÁSABE NÁ
KATA KÁCHE CHILO SE JE
ÁJ KE KATA DÚR
SE KII PHIRABE NÁ KÁCHE ÁSABE NÁ
How much close He was, but today how far is He? Will He not return back close to you? Even
today He is filling the whole memory in the mind. Will He not talk? How many winter and
spring nights and mornings and evenings have passed. He was together, frenzied with
rhythms, would He not sing song any more? During sun and shade, He performs the game of
pain and pleasure, storm and lightning; will not His sleep be broken?
3072 (27/08/1985) D
PATH BECHECHI TOMÁR ÁMI
ÁR KICHUTEI BHULABO NÁ
KUT́IL PATHE CALABO NÁ
NÁ, NÁ, NÁ
JE KÁL ÁMÁR CALE GECHE
TÁR TARE ÁR KÁNDABO NÁ
KUT́IL PATHE CALABO NÁ, NÁ, NÁ, NÁ
TOMÁR PATHEI SUMUKH PÁNE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR PATHEI SUMUKH PÁNE
CALABO TOMÁR GÁNE GÁNE
TOMÁY BHEVE MANE PRÁŃE
KONO BÁDHÁY T́ALABO NÁ
KUT́IL PATHE CALABO NÁ
NÁ, NÁ, NÁ
TUMI ÁMÁR DHRUVA TÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
TUMI ÁMÁR DHRUVA TÁRÁ
JIIVANERI ASHEŚA DHÁRÁ
TOMÁR BHÁVE HOLEM HÁRÁ
CHANDA PATAN GHAT́ABE NÁ
KUT́IL PATHE CALABO NÁ
NÁ, NÁ, NÁ
PATH BECHECHI TOMÁR ÁMI
ÁR KICHUTEI BHULABO NÁ
KUT́IL PATHE CALABO NÁ
NÁ, NÁ, NÁ
O Lord, I am constantly waiting for You, looking at Your path and will not deviate by
anything. I shall not move on the crooked path. The past time that has gone away, for that
I will not cry any more. I shall move forward only on Your path with Your song after song.
Thinking and ideating ever on You wholeheartedly, I shall not budge by any obstacle. You
are my polestar, an endless flow of life. I am lost in Your ideation, and will not allow
any break in rhythm.
3073 (27/08/1985) K
TAVA KARUŃÁY PÁOÁ JÁY
PRABHU TOMÁY
VIDYÁ BUDDHI BAL ÁRTHIK SAMBAL
KICHU DHARITE NÁ PÁRE HÁY
PRABHU TOMÁY
KICHUI NÁHIK JÁR JÁGATIK UPÁCÁR
ÁÁÁÁÁÁÁÁÁÁ
KICHUI NÁHIK JÁR JÁGATIK UPÁCÁR
MÁN SAMMÁN YASHA PRATIBHÁR SAMÁHÁR
SEO TOMÁRE PEYE JÁY
PRABHU TOMÁY
SHATA TIIRTHA YÁTRÁ DÁNA DAKŚIŃÁTE
ÁÁÁÁÁÁÁÁÁÁ
SHATA TIIRTHA YÁTRÁ DÁNA DAKŚIŃÁTE
MANER KÁLIMÁ NÁHI PÁRE SARÁITE
NIJERI ÁNDHÁRE SE HÁRÁY
PRABHU TOMÁY
TAVA KARUŃÁY PÁOÁ JÁY
PRABHU TOMÁY
O Lord, by Your mercy only You can be attained. The skill, knowledge, intellect or wealth
nothing can bring You in folds. Those who have no worldly position, collection of honor
prestige, name and fame, brilliance, even they attain You. By hundreds of pilgrimage and
charities, the mental darkness is not possible to be removed. They get lost in own
darkness.
3074 (27/08/1985) K
TUMI YADI NÁHI ELE, KENO ÁLO JHARÁLE
KENO PHÚL PHOT́ÁLE
KENO BHÁLOBÁSILE KENO MAN MÁTÁLE
KENO ÁLO JHARÁLE, KENO PHÚL PHOT́ÁLE
BELÁ JÚTHIKÁR GANDHE BHESE ÁSO
ÁÁÁÁÁÁÁÁÁÁ
BELÁ JÚTHIKÁR GANDHE BHESE ÁSO
MANER MADHUPE DEKHE PULAKE HÁSO
TANDRÁHATA ANDHAKÁRO NÁSHO
MANE MÁDHURI MÁKHÁLE
KENO ÁLO JHARÁLE, KENO PHÚL PHOT́ÁLE
JIIVANER PRATI PADAKŚEPE ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
JIIVANER PRATI PADAKŚEPE ÁCHO
PRÁŃER SPHAT́IKE UJJVAL KARECHO
CHANDE GÁNE NÁCE METE RAYECHO
UCCHAL SMRITI JVALE
KENO ÁLO JHARÁLE, KENO PHÚL PHOT́ÁLE
TUMI YADI NÁHI ELE, KENO ÁLO JHARÁLE
KENO PHÚL PHOT́ÁLE
O Lord, if You do not have to come, why have You scattered illumination and bloomed the
flowers? Why did You love and intoxicated the mind? Floating through the fragrance of
bela’ and juhi flower You come and looking at the mental bee You smile with joy.
Destroying the inertia affected darkness; You smear sweetness in the mind. At each
footstep of life You are present shining the crystal of life. You ever remain engrossed in
rhythm, song and dance, vibrantly glowing the memoirs.
3075 (27/08/1985) D
TUMI, JE BHÁLOBÁSÁ D́HÁLIÁ DIYÁCHO
JE BHÁLOBÁSÁ D́HÁLIÁ DIYÁCHO
JE BHÁLOBÁSÁ D́HÁLIÁ DIYÁCHO
BHUVANE TÁHÁR TULANÁ NÁI
KE MÁNE, KE NÁ MÁNE, NÁ BHEVE
MÚRTA KARUŃÁ DEKHITE PÁI
BHUVANE TÁHÁR TULANÁ NÁI
MAMATÁ MÁDHURI BHÁVE D́HAL D́HALO
ÁÁÁÁÁÁÁÁÁÁ
MAMATÁ MÁDHURI BHÁVE D́HAL D́HALO
PRIITIR PAYODHI PRÁŃE UCCHALO
URMI MÁLÁY JAD́ATÁ BHOLÁY
RÚPA SÁYARE NIJERE HÁRÁI
BHUVANE TÁHÁR TULANÁ NÁI
AŃU PARAMÁŃUTE MISHE RAYECHO
ÁÁÁÁÁÁÁÁÁÁ
AŃU PARAMÁŃUTE MISHE RAYECHO
KOTHÁO SHÚNYATÁ NÁHI REKHECHO
TÁI TAVA NÁME NINDE JÁGARAŃE
SVAPNA SAMIDHE SHIKHÁ JVÁLÁI
BHUVANE TÁHÁR TULANÁ NÁI
TUMI, JE BHÁLOBÁSÁ D́HÁLIÁ DIYÁCHO
BHUVANE TÁHÁR TULANÁ NÁI
O Lord, the love that You have poured, it has no comparison in the world. Whether anybody
accepts or not, without any consideration, I could see the embodiment of mercy. You flow
the feeling of sweet affection like rapid flood along slope. The ocean of love is
overwhelmingly vibrant. The series of waves makes one forget the inertia. In the lake of
beauty, I lose myself. You are mixed with each atom and molecule. You have not left void
anywhere. Hence in Your name in sleep or awake, I kindle the flame with the wood of dream.
3076 (28/08/1985) D
KÁL SANDHYÁY PRATHAM TOMÁY
JYOTSNÁY ÁMI DEKHECHI
JYOTSNÁY ÁMI DEKHECHI
SHATA JANAMER ÁSHÁ PURŃER
ÁNANDETE METECHI
JYOTSNÁY ÁMI DEKHECHI
CEYECHILE TUMI SHUDHU
ÁÁÁÁÁÁÁÁÁÁ
CEYECHILE TUMI SHUDHU
ADHARETE CHILO MADHU
CÁNDANI SÁNJHER SNIGDHA VIDHU
TOMÁY KÁCHE PEYECHI
JYOTSNÁY ÁMI DEKHECHI
KAO NI KATHÁ TUMI KONO
ÁÁÁÁÁÁÁÁÁÁ
KAO NI KATHÁ TUMI KONO
NEI KO TÁTE DUHKHA JENO
MANER MÁJHE RÁJÁDHIRÁJE
ÁPAN KARE NIYECHI
JYOTSNÁY ÁMI DEKHECHI
KÁL SANDHYÁY PRATHAM TOMÁY
JYOTSNÁY ÁMI DEKHECHI
JYOTSNÁY ÁMI DEKHECHI
O Lord, yesterday evening in moonlight, I saw You for the first time. With the fulfilment
of desire, which was carried through several lives, I was intoxicated with bliss. You were
simply looking, with sweetness on the lips. O the soft moon of the moonlit evening, I
found You close. You did not say anything, as if there would be no pain. O the King of
Kings, within Your own mind, You have made me Your own.
3077 (28/08/1985) K
TOMÁRE BHÁVIÁ CALI RÁTI DIN
KENO DÚRE RAYE GELE
MOR ÁSHÁ BHÁLOBÁSÁ
AVAHELE DILE PHELE
KENO DÚRE RAYE GELE
ÁNDHÁR HRIDAYE VIDHU
ÁÁÁÁÁÁÁÁÁÁ
ÁNDHÁR HRIDAYE VIDHU
MARUTE MÁDHAVII MADHU
ÁMÁRE KÁNDÁLE SHUDHU
KI KARILE LIILÁ CHALE
KENO DÚRE RAYE GELE
TOMÁRE BUJHE OT́HÁ BHÁR
ÁÁÁÁÁÁÁÁÁÁ
TOMÁRE BUJHE OT́HÁ BHÁR
KÁNT́Á KUSUM DUI UPAHÁR
EKE BÁDE THÁKE NÁ ÁR
LIILÁ RASE KII RACILE
KENO DÚRE RAYE GELE
KENO DÚRE RAYE GELE
O Lord, I go on thinking of You day and night, why have You remained away far? My hopes
and love, You have totally neglected away. O the moon of my dark heart, sweet ma’dhavii
flower in the desert, You have only made me cry. What have You done by Your delusive game
liila? It is difficult to understand You. Your presentation consists of both flowers
and thorns. There is no exception to this. What creation have You made through flow of
Your divine play, liila?
3078 (28/08/1985) K
JE PATH DHARIYÁ CALIYÁ CHILO PRABHU
JATA TÁPAS MORE SE PATHE CÁLÁO ÁJ
ÁLOKE UDBHÁSITA SATYE UNMOCITA
SE PATH DHARIYÁ CALE JÁBO TYAJI LÁJ
JATA TÁPAS MORE SE PATHE CÁLÁO ÁJ
THÁKUK SHATA UPAL THÁKUK JATA KÁNT́Á
ÁÁÁÁÁÁÁÁÁÁ
THÁKUK SHATA UPAL THÁKUK JATA KÁNT́Á
JOÁRE BAHIYÁ JÁBO MÁNIBO NÁ BHÁNT́Á
TOMÁRI RASHMI PÁTE TOMÁRI BHÁVER SHROTE
BHESE JÁBO SE JE JEMAN PARÁBE SÁJ
JATA TÁPAS MORE SE PATHE CÁLÁO ÁJ
TOMÁR PATHE PRABHU NÁHIKO KONO BHAYA
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR PATHE PRABHU NÁHIKO KONO BHAYA
KARUŃÁ KAŃÁ DIO EI SHUDHU ANUNAYA
KET́E JÁBE JATA MOHA KET́E JÁBE SAḾSHAY
DRIŔHA PADE JÁBO KARIYÁ TOMÁR KÁJ
JATA TÁPAS MORE SE PATHE CÁLÁO ÁJ
JE PATH DHARIYÁ CALIYÁ CHILO PRABHU
JATA TÁPAS MORE SE PATHE CÁLÁO ÁJ
O Lord, the path holding on to which, You have made all the ascetics to move, make me also
move on that path today. Illuminated with effulgence, uncovered with truth, I shall go on
moving on that path, leaving shyness. Let there be hundreds of stones, let there be many
thorns, I shall go on flowing into the rising tides without accepting the reverse flow.
With fall of Your rays, into the stream of Your ideation, I shall go on floating for
putting on the adornment. O Lord, on Your path there is no fear. Give me a wee bit of Your
mercy, this is my only prayer. All infatuation and doubts would tear away. With firm foot
I shall go on doing Your work.
3079 (29/08/1985) K
SHÁRAD PRÁTE JHARÁ SHEFÁLITE
MAN MOR GEYE JÁY
TUMI KOTHÁY, TUMI KOTHÁY
NOTUN ÚŚÁR ÁLO SARIYE KÁLO
BOLE HETHÁY TUMI HETHÁY
TUMI KOTHÁY, TUMI KOTHÁY
RÁTER ÁNDHÁRE JÁHÁ JÁY NI DEKHÁ
ÁÁÁÁÁÁÁÁÁÁ
RÁTER ÁNDHÁRE JÁHÁ JÁY NI DEKHÁ
BHORER ÁLOY TÁHÁ THÁKENI D́HÁKÁ
SAB KHÁNE TUMI ÁCHO MARME DIIP JVELECHO
TOMÁRI DEKHE ÁNKHI SEI DIKE CÁY
TUMI KOTHÁY, TUMI KOTHÁY
MANER GAHAN KOŃE CHILE LUKIYE
ÁÁÁÁÁÁÁÁÁÁ
MANER GAHAN KOŃE CHILE LUKIYE
JAD́ATÁR ÁVARAŃE DEKHÁ NÁ DIYE
TAVA SPANDAN ELO JAD́ATÁ DÚRE GELO
MAN TOMÁRE DEKHILO NAVA BHÚMIKÁY
TUMI KOTHÁY, TUMI KOTHÁY
SHÁRAD PRÁTE JHARÁ SHEFÁLITE
MAN MOR GEYE JÁY
TUMI KOTHÁY, TUMI KOTHÁY
On this winter morning with dropped shefa’lii flower, my mind goes on singing, “where
are You, where are You”. The effulgence of new dawn, removing the darkness, says that
You are here. That which is not observable in the darkness of the night, that is uncovered
in the morning light. You are everywhere, and kindle lamp in the core of the heart, by
looking at You, the eyes want to see there only. You were hidden in the deep recess of the
mind, but were not observable due to blanket of inertia. Your vibration came and the
inertia was moved away. The mind saw You in new role.
3080 (29/08/1985) K
HEMANTE JHARÁ SHISHIR VINDUTE
MAN KII JE CÁY KENO JÁNINÁ
DÚRE SARE JETE CÁI JATA BÁR
EŔÁTE KICHUTE PÁRI NÁ
MAN KII JE CÁY KENO JÁNINÁ
HALUD GÁNDHÁR PHÚL PHÚT́ECHE GO
ÁÁÁÁÁÁÁÁÁÁ
HALUD GÁNDHÁR PHÚL PHÚT́ECHE GO
CANDRA MALLIKÁ HESE UT́HECHE GO
SÁDÁ KUNDA PHÚLE HÁOÁ LEGECHO GO
GHARE THÁKITE MAN CÁY NÁ
MAN KII JE CÁY KENO JÁNINÁ
MANER MÁNUŚ TUMI ÁCHO KUTHÁ
ÁÁÁÁÁÁÁÁÁÁ
MANER MÁNUŚ TUMI ÁCHO KUTHÁ
TOMÁR TARE KENDE MARI VRITHÁ
BUJHITE PÁRO NÁ KI ÁMÁR VYATHÁ
KÁRTIK SHEŚEO KENO ELE NÁ
MAN KII JE CÁY KENO JÁNINÁ
HEMANTE JHARÁ SHISHIR VINDUTE
MAN KII JE CÁY KENO JÁNINÁ
On this post winter with dropped dew droplets, what the mind wants and why, I do not know.
The yellow marigold flowers bloom. The candramallika’ flower also blossom smilingly.
Breeze strikes the white kunda flowers; the mind does not want to stay in home. O my
favorite of the heart, where are You? I keep on crying uselessly for You. Are You unable
to understand my pain? At the end of this autumnal ka’rtik month, why did not You come?
3081 (29/08/1985) K
EI, SURABHITA CANDAN VANE
KE PÁT́HÁLE TOMÁYA
NIJER THEKEI YADI ESE THÁKO
BOLO MAN KÁRE CÁY
KE PÁT́HÁLE TOMÁYA
VYÁGHRA SHÁSITA SARPA SANKULA
ÁÁÁÁÁÁÁÁÁÁ
VYÁGHRA SHÁSITA SARPA SANKULA
CANDAN VAN CHILO BHIITI SAMÁKULA
BHIITI SARE GIYE HOLO PRIITITE ÁKULA
KON JÁDÚR MÁYÁYA
KE PÁT́HÁLE TOMÁYA
CANDAN TARU KABHU DEY NIKO PHAL
ÁÁÁÁÁÁÁÁÁÁ
CANDAN TARU KABHU DEY NIKO PHAL
KŚUDHITE TRIŚITE PHIRE GECHE NIŚKALA
TAVA ÁGAMANE DILO SABAI SAMBALA
RÁUNGÁ CARAŃ DHULÁY
KE PÁT́HÁLE TOMÁYA
EI, SURABHITA CANDAN VANE
KE PÁT́HÁLE TOMÁYA
On this sandalwood grove, who has sent you? If You wish to confine within yourself, tell
me whom the mind should seek? Controlled by wild animals and infested with serpents, the
sandal forest was full of fearfulness. With removal of fear, it became earnest with love
by which magic charm? The sandal tree never bears any fruit. Going there with hunger and
thirst becomes useless. By Your arrival, with the dust of Your colourful feet, it provided
consolation to all.
3082 (29/08/1985) K
MANANER KOŃE ELO
KÁR SE ÁLO, KENO ÁJI BOLO
MARAME BHARIYE DILO
SARIYE KÁLO, KE SE UCCHALO
KENO ÁJI BOLO
ETA DIN LUKIYE CHILO
ÁÁÁÁÁÁÁÁÁÁ
ETA DIN LUKIYE CHILO
HAT́HÁT KENO SÁMANE ELO
SURE SURE MAN KE BHARE
CHANDE MÁTILO
KENO ÁJI BOLO
SABAI SE KARATE PÁRE
ÁÁÁÁÁÁÁÁÁÁ
SABAI SE KARATE PÁRE
VISHVA RACE BHÁVER GHORE
LIILÁR DHÁRÁY HÁSÁY KÁNDÁY
TÁI KI JECE ELO
KENO ÁJI BOLO
MANANER KOŃE ELO
KÁR SE ÁLO, KENO ÁJI BOLO
Into the recess of the mind, today what effulgence has come and why, tell me. All these
days it was hidden, suddenly why did it come in front? Filling the mind with melody after
melody, it intoxicated the mind. He can do everything, creating the universe with intense
revolution of the thoughts, with flow of the divine play liila, He males one cry and
smile, seeking that it came.
3083 (29/08/1985) K
SVARŃA SHATADAL PULAKE JHALAMALA
ARUŃA ÁLOY TUMI DHARÁY ESECHILE
MALAY PAVANE PHÚLE SURABHI BHÁSIYE DILE
SABÁKÁR MAN PRÁŃA PALAKE JINIYÁ NILE
ARUŃA ÁLOY TUMI DHARÁY ESECHILE
THEKE JÁO YUGE YUGE SABÁR SHIYARE JEGE
ÁÁÁÁÁÁÁÁÁÁ
THEKE JÁO YUGE YUGE SABÁR SHIYARE JEGE
MAMATÁ MÁDHURII MEKHE SUKHE DUHKHE SAB ÁVEGE
TUMI CIRA ANUBHAVA NITYA NAVA NAVA
MANETE DOLÁ DIYE MANANE BHULIYE DILE
ARUŃA ÁLOY TUMI DHARÁY ESECHILE
BHOLÁ NÁHI JÁY TAVA AHAETUKI KARUŃÁY
ÁÁÁÁÁÁÁÁÁÁ
BHOLÁ NÁHI JÁY TAVA AHAETUKI KARUŃÁY
JIIVAN CHANDE BHESE JÁO SHYÁM SUŚAMÁY
TUMI ÁCHO TÁI ÁCHI CARAŃ GHIRIYÁ NÁCI
MÁDHURII D́HÁLIÁ DIYE KALÁPE PRATI PALE
ARUŃA ÁLOY TUMI DHARÁY ESECHILE
SVARŃA SHATADAL PULAKE JHALAMALA
ARUŃA ÁLOY TUMI DHARÁY ESECHILE
O Lord, with gleeful effulgence on the golden lotus, with crimson light You arrived on the
earth. Floating floral fragrance and sandal breeze, in a moment You were aware of
everyone’s mind and life. You continue awakened from ages to ages in everyone’s
topmost psychic centre, smearing impulse of affection during pains, pleasures and all
feelings. You provide evernew experience eternally, vibrating the mind and engrossing it.
Your causeless mercy cannot be forgotten. Go on floating in the rhythm of life with green
fresh beauty. You are there that is I am there dancing around Your feet. You go on pouring
sweetness on the beautiful peacock tail each moment.
3084 (29/08/1985) K
KATA YUGA PARE ELE
KATA D́EKECHI TOMÁY
KATA SAORA KARE
KATA GHOR TIMIRE
KATA DIVASE NISHÁY
KATA D́EKECHI TOMÁY
NIDÁGHER UTTAPTA DUPURE
ÁÁÁÁÁÁÁÁÁÁ
NIDÁGHER UTTAPTA DUPURE
VARŚÁY JALA SIKTA NÚPÚRE
SHARATE SHEFÁLITE BHEJÁ SHISHIRE
KATA KÁJE BHÁVANÁY
KATA D́EKECHI TOMÁY
HEMANTE D́EKE GECHI HIMEL HAOÁY
ÁÁÁÁÁÁÁÁÁÁ
HEMANTE D́EKE GECHI HIMEL HAOÁY
SHIITE KEMPE D́EKECHI DÁRUŃA JAD́ATÁY
VASANTA KISHALAYE PHÚL SUŚAMÁY
APSARÁ RÁJYER RAUNGIIN HAOÁY
KATA D́EKECHI TOMÁY
KATA YUGA PARE ELE
KATA D́EKECHI TOMÁY
O Lord, after so many ages You came, how much have I called You? In how many sunlight and
how many intense darkness, how many days and nights I went on calling You? In the hot
sunny noon, in wet tinkling of rains, in due moist shefa’lii flowers of autumns, with
ideation in many jobs I continued calling You. I went on calling You in frosty winds of
prewinter. During intense inertial cold of winter with shiver. During the spring with the
beauty of new tender leaves and flowers. In colourful airs of the heavenly kingdom of
angels.
3085 (29/08/1985) D
TUMI, SARVA VIPAD BHAINJANA
SARVA KÁLER TUMI HARI
ALAKE ÁLOKE RAINJANA
NIKHIL CITTA VIHÁRI
SARVA KÁLER TUMI HARI
TOMÁR MÁDHURI BHÁVÁ NÁHI JÁY
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR MÁDHURI BHÁVÁ NÁHI JÁY
TOMÁR SUŚAMÁ TRILOKE CHÁPÁY
TOMÁR DOLÁY SABE DOLÁ PÁY
TUMI ANTAR CÁRII
SARVA KÁLER TUMI HARI
TOMÁR VIBHÚTI MANANE MÁTÁY
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR VIBHÚTI MANANE MÁTÁY
TOMÁR MAHIMÁ ASHIVE SARÁY
TOMÁR ÁKUTI CHANDE NÁCÁY
TUMI CIR SANTÁP HÁRI
SARVA KÁLER TUMI HARI
TUMI, SARVA VIPAD BHAINJANA
SARVA KÁLER TUMI HARI
O Lord, You are destroyer of all calamities and stealer of sins all the time. Coloring
them with heavenly effulgence, You reside in all minds. Your sweetness is beyond
imagination. Your beauty is spread in all the three worlds. Your swing oscillates all. You
move within the internal mind. Your powers are enchanting to the mind. Your glory removes
all nonbenevolence. Your earnestness makes all dance with rhythm. You ever take away the
afflictions.
3086 (29/08/1985) K
MANER MAYÚR MELECHE KALÁP
TUMI ESO PRABHU KÁCHE ESO
TOMÁRI SURE TÁLE NÁCIÁ SE CALE
HE CIR NOTUN CEYE HÁSO
TUMI ESO PRABHU KÁCHE ESO
ÁMÁR BOLITE KONO KICHU NÁI
TOMÁRI VASTU KE MOR BOLE JÁI
E MOR CHALANÁ ÁTMA PRATÁRAŃÁ
DRIŔHA BHÁVE PRABHU TUMI NÁSHO
TUMI ESO PRABHU KÁCHE ESO
NIVIŔA TIMIRE PAŔE CHINU D́HÁKÁ
KÁNE BHESE ELO GHORE RATHA CÁKÁ
HE CIR SÁRATHI MARMER SÁTHI
CIDÁKÁSHE ÁJ TUMI BHÁSO
TUMI ESO PRABHU KÁCHE ESO
MANER MAYÚR MELECHE KALÁP
TUMI ESO PRABHU KÁCHE ESO
O Lord, the mental peacock has spread the tail, You come, come close. With Your melody and
rhythm it goes on dancing. O ever new look and smile. There is nothing that I can call as
mine. Your belongings, I simply call as mine. This delusion of mine, and self deception
with firm determination, You destroy O Lord. I was lying covered by the dense dark night
when the revolving wheel of the cart came floating into the ears. O the ever charioteer
companion of core of my mind, into the firmament of my mind, You shine today.
3087 (29/08/1985) K
ÁKÁSHA D́ÁKIYÁ JÁY
NIILIMÁR KOŃE KOŃE
VÁTÁS MADHUKŚARAY
MANANER PRATI KŚAŃE
NIILIMÁR KOŃE KOŃE
PRABHÁT ÁLOKE JE RÚPA DEKHE JÁI
ÁÁÁÁÁÁÁÁÁÁ
PRABHÁT ÁLOKE JE RÚPA DEKHE JÁI
SANDHYÁR RAKTA RÁGE TÁRE NÁHI PÁI
PALE PALE NAVA NAVA VICITRA ANUBHAVA
BHUVANER MANE MANE
NIILIMÁR KOŃE KOŃE
SHUŚKA NIDÁGHE PRAKRITIRE JÁ DEKHI
ÁÁÁÁÁÁÁÁÁÁ
SHUŚKA NIDÁGHE PRAKRITIRE JÁ DEKHI
SHARATER SÁDÁ MEGHE SE THÁKE NÁKI
SHIITER JAD́ATÁY JE TARU SHOBHÁ HÁRÁY
SEO PHIRE PÁY PHÁGUNER ÁGAMANE
NIILIMÁR KOŃE KOŃE
ÁKÁSHA D́ÁKIYÁ JÁY
NIILIMÁR KOŃE KOŃE
The sky goes on calling, from all its corners. The air oozes out honey each moment into
the mind. The beauty that I see in the morning light, that I do not find in the red colour
of the evening. Each moment evernew feelings come into every mind of the world. In the dry
hot sun what I see in nature, that does not stay in the white clouds of the autumn. During
inertia of winter, the tree that loses its beauty, that again gets it back with the
arrival of the spring.
3088 (29/08/1985) K
JIIVAN BELÁY, ÁLOR MELÁY
AJÁNÁ PATHIK TUMI KE GO ELE
CENÁ NÁHI JÁY, KABHU BHÁVANÁY
MANE HOE JENO MOR CENÁ CHILE
AJÁNÁ PATHIK TUMI KE GO ELE
ÁLOKER UTSAVE TUMI GÁN SHONÁO
ÁÁÁÁÁÁÁÁÁÁ
ÁLOKER UTSAVE TUMI GÁN SHONÁO
PRÁŃER SAKAL SUDHÁ AKÁTARE D́HELE DÁO
TOMÁR SAMÁN DÁTÁ NÁHI NIKHILE
AJÁNÁ PATHIK TUMI KE GO ELE
KONO BÁDHÁTE THÁMO NÁ KONO MÁNÁ MÁNO NÁ
ÁÁÁÁÁÁÁÁÁÁ
KONO BÁDHÁTE THÁMO NÁ KONO MÁNÁ MÁNO NÁ
PATH CALÁ KÁLE KARO SATYER SÁDHANÁ
KII NÁ HOITE PÁRE TUMI CÁHILE
AJÁNÁ PATHIK TUMI KE GO ELE
JIIVAN BELÁY, ÁLOR MELÁY
AJÁNÁ PATHIK TUMI KE GO ELE
At the shore of life, with the festivity of light, O the unknown traveler, who is that
You, who came? Unable to recognise, sometimes the feeling comes in the mind, that You are
known to me. You sing the song during the festivity of light, and pour out entire nectar
of Your heart onto this afflicted one. There is no body as generous as You in the entire
world. You do not pause by any obstacle and do not accept any inhibition. At the time of
movement on the path, You go on ideating on the eternal truth. If You wish, nothing is
impossible.
3089 (29/08/1985) D
MEGHER PARE MEGH JAMECHE
ÁŚÁŔHER ÁKÁSHA
ÁÁÁÁÁÁÁÁÁÁ
VRIŚT́I PAŔE JHAINJHÁ JHAŔE
UNMATTA VÁTÁS
ÁŚÁŔHER ÁKÁSH
PÁKHIR BÁSÁ BHÁSIYÁ JÁY
ÁÁÁÁÁÁÁÁÁÁ
PÁKHIR BÁSÁ BHÁSIYÁ JÁY
SIKTA PATHIK ÁSHRAY CÁY
DHÁNER KŚETE JALA SHROTE
SÁGARER ÁBHÁS
ÁŚÁŔHER ÁKÁSHA
TARII BEYE NÁVIK CALE
ÁÁÁÁÁÁÁÁÁÁ
TARII BEYE NÁVIK CALE
KÚLA KINÁRÁ JÁY SE BHÚLE
THAI NÁ PEYE AGÁDH JALE
VRIŚT́I TÁR UDÁS
ÁŚÁŔHER ÁKÁSHA
MEGHER PARE MEGH JAMECHE
ÁŚÁŔHER ÁKÁSHA
Clods after clouds are accumulated in the sky of rainy season. With storm, heavy downpour
is there and the wind is frenzied. The nest of the birds fly off and the wet traveler
seeks shelter. In the paddy fields and the water streams, appearance of ocean comes. The
boatman sails the boat, but forgets the shore and sides. He is unable to estimate the
depth of deep water, for him the rain is sorrow.
3090 (29/08/1985) K
E MADHU JYOTSNÁY ÁLOY BHESE JÁY
ÁKÁSHA VASUDHÁ EK SÁTHE
TUMI KI DHARÁ DEVE NIKAT́E ÁSIBE
MALAY VÁTE E SURABHITA RÁTE
ÁKÁSHA VASUDHÁ EK SÁTHE
PATH CEYE BASE ÁCHI YUGE YUGE
ÁÁÁÁÁÁÁÁÁÁ
PATH CEYE BASE ÁCHI YUGE YUGE
ÁSHÁ NIYE BUKE DIVÁ RÁTI JEGE
TUMI NÁHI ELE ÁSHÁ NÁ PÚRÁLE
KII PHAL E MÁLATI MÁLÁ GENTHE
ÁKÁSHA VASUDHÁ EK SÁTHE
MANER KATHÁ JÁNO ABUJHA HOYO NÁKO
ÁÁÁÁÁÁÁÁÁÁ
MANER KATHÁ JÁNO ABUJHA HOYO NÁKO
VYATHIIR VYATHÁ JENE LIILÁ KARO NÁKO
MARMA MÁJHE BASE ÁNKHI MELE HÁSO
KONO KŚATI KÁRO NEI TÁTE
ÁKÁSHA VASUDHÁ EK SÁTHE
On this sweet moonlight, the light goes on floating together on earth and sky. O Lord
would You come close and come into fold this night fragrant with sandal breeze? I am
sitting day and night since ages after ages, looking at the path, with hope. You did not
come and did not fulfill the expectation. What is the result of my threading the garland
of malatii flowers? You know about my mind, do not pretend to be ignorant. Knowing the
pain of this afflicted, do not play liila, the illusive game. Sitting in the core of the
mind, smile opening the eyes. There is no harm in doing that.
3091 (30/08/1985)
SUKHE ELE NÁKO
SHOKE SÁNTVANÁ DITE ELE
ÁMÁR BOLINI KABHU
TABU ÁMÁR HOYE GELE
SHOKE SÁNTVANÁ DITE ELE
VIHVALA CHINU DUHKHE
ÁÁÁÁÁÁÁÁÁÁ
VIHVALA CHINU DUHKHE
BOLINI KICHU MUKHE
MANER CITRA DEKHE
MAMATÁ MÁDHURII D́HELE DILE
SHOKE SÁNTVANÁ DITE ELE
SUKHE CINITE PÁRINI
ÁÁÁÁÁÁÁÁÁÁ
SUKHE CINITE PÁRINI
DUHKHE CINECHI TOMÁY
VEDANÁY BHÁLOBÁSÁ DILE
SARÁLE SAB TAMASÁY
ÁMÁR ÁMIRE BHARE REKHE
GHIRE RAYE GELE PRATIPALE
SHOKE SÁNTVANÁ DITE ELE
SUKHE ELE NÁKO
SHOKE SÁNTVANÁ DITE ELE
O Lord, You did not come during my happiness, and came during my sorrows to provide
consolation. I was restless with pains, but did not speak anything with mouth. Looking at
the condition of my mind, You pored the sweetness of affection. I could not recognise You
during happiness, but recognised during sorrows. By providing love during pains, You
removed all darkness. Filling my “I” feeling entirely, You kept me surrounded each
moment.
3092 (30/08/1985) D
ÁMÁR GHARE TOMÁR
ÁLOR NIMANTRAŃ
ESO AVASHYAI
RAYILO NIVEDAN
ÁMÁR GHARE TOMÁR
ÁLOR NIMANTRAŃ
SÁRÁ JIIVAN DHARE
TOMÁR SUR SEDHECHI
PRÁŃER SHIKHÁ JVELE
GHAR ÁLO KARECHI
SAKAL KÁJER MÁJHE
TOMÁY BHEVE GECHI
JENE ÁMÁR PRÁŃE
CEYO KICHU KŚAŃ
ÁMÁR GHARE TOMÁR
ÁLOR NIMANTRAŃ
MOR PRADIIPE PRABHU
TUMII JE SHALÁKÁ
GHRITA TUMII TUMI
SALITÁ JE EKÁ
TOMÁR PATHEI CALI
SE PATH NAHE BÁNKÁ
TOMÁR CARAŃA DHÚLI
ÁMÁR AŃU MAN
ÁMÁR GHARE TOMÁR
ÁLOR NIMANTRAŃ
O Lord, into my home, I invite Your effulgence. You must come, this is my prayer.
Throughout my life, I have rehearsed Your tune. Kindling the flame of my vitality, I have
illuminated the home. Amidst all my actions, I have ideated on You. All these so that, You
look towards me for a few moments. O Lord, in my lamp You are Yourself singularly the
lighting stick, the fuel ghee, and the wick. I move on to Your path, which is not curved.
My unit mind is just the dust of Your feet.
3093 (30/08/1985) K
TOMÁR MANER ÁNGINÁTE
SABÁR KHELÁ DHULÁ
SABÁR KHELÁ DHÚLÁ
SABÁR SÁTHE ÁCHO METE
SAKÁL SANDHYÁ BELÁ
SABÁR KHELÁ DHÚLÁ
SÚRYA UT́HE PÚRVÁKÁSHE
ÁÁÁÁÁÁÁÁÁÁ
SÚRYA UT́HE PÚRVÁKÁSHE
TOMÁR MANER EKAT́I PÁSHE
ÁLOY KARO LIILÁ
SABÁR KHELÁ DHÚLÁ
RAVI D́OBE SANDHYÁ RÁGE
ÁÁÁÁÁÁÁÁÁÁ
RAVI D́OBE SANDHYÁ RÁGE
TOMÁR KALIR ANURÁGE
PARÁG BHÁSE DÚR ASHEŚE
TANDRÁ MÁYÁR BHELÁ
SABÁR KHELÁ DHÚLÁ
TOMÁR MANER ÁNGINÁTE
SABÁR KHELÁ DHULÁ
SABÁR KHELÁ DHÚLÁ
O Lord, in the courtyard of Your mind, in the activity of games, You are engrossed with
all the times, mornings and evenings. The sun rises in the eastern sky, close beside Your
mind. And You play with light. The sun sets in the evening with red colour. Due to Your
love for the buds, the fragrance floats far off on the boat of Your ma’ya’, delusive
drowsiness.
3094 (30/08/1985) K
VISHVA MÁNASE DOLÁ DILE
NIJEKE CHAŔÁYE GELE
KEU TAVA PAR NAY SABÁI ÁPAN
SABÁRE NIKAT́E T́ENE NILE
NIJEKE CHAŔÁYE GELE
MÁDHAVII SVANANE TUMI MADHUPE THÁKO
ÁÁÁÁÁÁÁÁÁÁ
MÁDHAVII SVANANE TUMI MADHUPE THÁKO
MANER MAYÚRE NITI NIKAT́E D́ÁKO
MAMATÁR MÁDHURII MANE MÁKHO
SABÁRE ÁLOKE BHARÁLE
NIJEKE CHAŔÁYE GELE
EKÁ TUMI THEKE GECHO SABÁR MANE
ÁÁÁÁÁÁÁÁÁÁ
EKÁ TUMI THEKE GECHO SABÁR MANE
SAB DESHE SAB KÁLE PRATI KŚAŃE
SABÁKÁR SAMÁHÁR EKE TUMI EKÁKÁR
PRIITI DIYE SABÁKÁR PRIITI PELE
NIJEKE CHAŔÁYE GELE
VISHVA MÁNASE DOLÁ DILE
NIJEKE CHAŔÁYE GELE
O Lord, swinging the minds in the universe, You have spread Yourself. Nobody is distant
for You, all are Your own. You pulled everyone close to You. In ma’dhavii flower, You
are resonating honeybee. You ever call the mental peacock close to You. You smear the
sweetness of affection in the in the mind. You fill everyone with light. Being alone, You
have stayed in all minds, all the time and at all places, each moment. As aggregate of
all, You are alone unified entity. You offer love to all on getting love.
3095 (30/08/1985) K
NISTABDHA CHILO MAHÁKÁSH
TUMI ELE GÁNE GÁNE
JIIVANER SPANDANE KÁMPILO VÁTÁS
CETANÁR SHUBHÁGAMANE
TUMI ELE GÁNE GÁNE
DIIRGHA KÁLER GHUM BHEUNGE GELO
ÁÁÁÁÁÁÁÁÁÁ
DIIRGHA KÁLER GHUM BHEUNGE GELO
KALAKÁKALITE DHARÁ MUKHAR HOLO
ÁLOKER UDBHÁSE MUKTI ELO
PRÁŃA ELO MAHÁPRÁŃE
TUMI ELE GÁNE GÁNE
VARŃE VARŃE NÁNÁ PHÚL PHUT́ILO
ÁÁÁÁÁÁÁÁÁÁ
VARŃE VARŃE NÁNÁ PHÚL PHUT́ILO
BUKER MADHUTE DHARÁ PÚRŃA HOLO
SABÁKÁR SUKH DUHKHA SABE BUJHILO
BRIHATER ÁVÁHANE
TUMI ELE GÁNE GÁNE
NISTABDHA CHILO MAHÁKÁSH
TUMI ELE GÁNE GÁNE
The great sky was calm, when You came through song after song. The air was vibrant with
life with the auspicious arrival of consciousness. The sleep of a very long duration
broke, and the earth became noisy with chirping of the birds. With the shining of light
liberation came and life came into the cosmic vitality. Diverse flowers bloomed in various
colours. The earth became full with the honey in the bosom. All realized the pain and
pleasure of all at the call of the great.
3096 (30/08/1985) K
ANDHAKÁRER MÁJHE ÁLO ELO
PRATHAM PRABHÁT ELO
KICHU NÁ THÁKÁR BUKE SABI ELO
PRÁŃE DHARÁ BHARE GELO
PRATHAM PRABHÁT ELO
JE BHUVAN PAŔE CHILO RIKTATÁTE
ÁÁÁÁÁÁÁÁÁÁ
JE BHUVAN PAŔE CHILO RIKTATÁTE
DRUTA SE EGIYE GELO PÚRŃA HOTE
ÁSHÁR MADIRÁ ELO AŃU MANETE
VISHVA JÁGIYÁ UT́HILO
PRATHAM PRABHÁT ELO
NÁNÁ RÁGE NÁNÁ RÚPE E DIIPÁVALII
ÁÁÁÁÁÁÁÁÁÁ
NÁNÁ RÁGE NÁNÁ RÚPE E DIIPÁVALII
JVALIÁ UT́HILO NABHE DRIŚT́I MELI
PRÁŃA SPANDANE ELO KALAKÁKALI
VIIŃÁ JHAUNKRITA HOLO
PRATHAM PRABHÁT ELO
ANDHAKÁRER MÁJHE ÁLO ELO
PRATHAM PRABHÁT ELO
Light came amid darkness, the first morning appeared. At the bosom of nothingness
everything came and the earth became filled with vital energy. The universe that was lying
in void ness, it started moving fast on becoming complete. Into the unit minds, the
intoxicant of aspiration came and the world awakened up. It was a festival of lights with
innumerable forms and colours that started glowing in the cosmos with open eyes. With the
vibration of life, noise came and the viin’a’ started tinkling.
3097 (30/08/1985) K
ÁJIKE PRÁTE ÁSHÁ BHARÁ ÁLOTE
PRABHÁT SAMIIRE MAN TOMÁRE CÁY
NIKAT́E DÚRE NÁNÁN SURE
TOMÁR GIITIKÁ MAN PRÁŃA BHARE GÁY
PRABHÁT SAMIIRE MAN TOMÁRE CÁY
E ÁLOR DRUTI KABHU MÁPÁ JÁY NÁ
ÁÁÁÁÁÁÁÁÁÁ
E ÁLOR DRUTI KABHU MÁPÁ JÁY NÁ
E GIITIR GATI KONO MÁNE NÁ MÁNÁ
ÁLO ÁR GIITI CALE BHUVANER VEDII MÚLE
SÁTHE NIYE PATHE JABE JÁHÁRE PÁY
PRABHÁT SAMIIRE MAN TOMÁRE CÁY
E GIITIKÁ DIYE JÁY BHUVANE DOLÁ
ÁÁÁÁÁÁÁÁÁÁ
E GIITIKÁ DIYE JÁY BHUVANE DOLÁ
E GIITIKÁ KARE DEY ÁPAN BHOLÁ
NOTUN EGIYE CALE PURÁTANE PICHE PHELE
SHATA BHÁVE SHATA DHÁRE SUMUKHE DHÁY
PRABHÁT SAMIIRE MAN TOMÁRE CÁY
ÁJIKE PRÁTE ÁSHÁ BHARÁ ÁLOTE
PRABHÁT SAMIIRE MAN TOMÁRE CÁY
O Lord, this dawn, in the light full of hope, with morning breeze, the mind wants You.
From far and near with several melodies, the mind sings Your song wholeheartedly. The
speed of this brilliance cannot be measured any time. The speed of this song does not heed
to any hindrance. The light and the song move at the root of the universe, taking with
them all whom they find on the way. This song goes on giving swings to the world. This
song makes one oblivious of own existence. The new moves forward leaving the old behind.
With hundreds of feelings and flows it rushes forward.
3098 (31/08/1985) K
EI, CAINCALA PAVANE LIILÁYIITA
TUMI KE GO ELE TUMI KE GO ELE
MANER JAD́ATÁ MOR SARIYE DIYE
JYOTIR DHÁRÁY UJJVAL KARILE
TUMI KE GO ELE TUMI KE GO ELE
TOMÁKE CINITE PÁRI NÁI JE KABHU
ÁÁÁÁÁÁÁÁÁÁ
TOMÁKE CINITE PÁRI NÁI JE KABHU
SHUNIYÁ CHILÁM TUMI SABÁR PRABHU
SAMARPAŃA MOR HOYENI TABU
ÁJ TÁHÁ KARIYÁ DILE
TUMI KE GO ELE TUMI KE GO ELE
SABÁR PRIYA TUMI ÁNKHIR TÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
SABÁR PRIYA TUMI ÁNKHIR TÁRÁ
TOMÁR TARE DHARÁ ÁTMA HÁRÁ
VISHVER JATA SUDHÁ TOMÁTE BHARÁ
ELE PRÁŃA SARITÁR UPAKÚLE
TUMI KE GO ELE TUMI KE GO ELE
EI, CAINCAL PAVANE LIILÁYIITA
TUMI KE GO ELE TUMI KE GO ELE
O Lord, enchanting this restless wind, who is that You, who came? You removed the inertia
of my mind and made it shine with flow of effulgence. I am unable to recognise You any
time. I have only heard that You are the controlling Lord of all. Still my surrender never
takes place. That You made possible today. You are beloved of all, their pupil of the
eyes. For You the earth has lost itself. All the nectar of the universe is filled in You
and came at the bank of the stream of life.
3099 (31/08/1985) D (Krsna)
MANER GOPÁL MANETE RAYECHO
MAN MÁJHE LIILÁ KARE CALECHO
MANER GAHANE NIBHRITA BHUVANE
TAVA BÁNSHURIR DHVANI TÚLECHO
MAN MÁJHE LIILÁ KARE CALECHO
MOHAN MURALI DEKHITE NÁ PÁI
ÁÁÁÁÁÁÁÁÁÁ
MOHAN MURALI DEKHITE NÁ PÁI
RAŃANE UDDVEL HOYE JÁI
LIILÁYIITA KARE RAINJITÁDHARE
ÁMÁR BHUVAN JINE NIYECHO
MAN MÁJHE LIILÁ KARE CALECHO
TOMÁR LIILÁR ANTA JE NÁI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR LIILÁR ANTA JE NÁI
HRIDI VRAJA BHUME CHED NÁHI PÁI
PRÁŃER GOKULE KÚLA LÁJA BHÚLE
ÁMÁRE TOMÁR KÁCHE T́ENECHO
MAN MÁJHE LIILÁ KARE CALECHO
MANER GOPÁL MANETE RAYECHO
MAN MÁJHE LIILÁ KARE CALECHO
The Gopa’l of my mind remains in the mind itself and goes on performing illusive game
liila within the mind. In the depth of the mind, isolated from the world, the sound of
Your flute arises. The charming flute I am unable to see, but get restless with the
resonance. Enchanting with the coloured You win over my world. There is no end of Your
illusive game liila, I do not find any loop hole in the Vrajabhu’mi of my heart. For
getting the dynasty and shyness in the Gokul of my heart, You pull me close to Yourself.
3100 (31/08/1985) K
TOMÁRI TARE PRABHU
KATA YUGA CALE GECHE
KATA VINIDRA RÁTI KATA
ÁNKHI VÁRI BAYECHE
KATA YUGA CALE GECHE
SHRÁVAŃER DHÁRÁ SAMA
ÁÁÁÁÁÁÁÁÁÁ
SHRÁVAŃER DHÁRÁ SAMA
ÁNKHI JAL JHARECHE MAMA
KETAKII PARÁG SAMA
VARAŚÁY DÚRE BHESECHE
KATA YUGA CALE GECHE
ÁSONI TUMI TABU
ÁÁÁÁÁÁÁÁÁÁ
ÁSONI TUMI TABU
BÁJENI MARME KABHU
ÁMÁR E VIIŃÁR TÁRE
SE GIITI BHESE CALECHE
KATA YUGA CALE GECHE
TOMÁRI TARE PRABHU
KATA YUGA CALE GECHE
O Lord, for You innumerable ages have passed. Many sleepless nights have passed flowing
tears profusely. Like flow of rains, my tears have flowed. Like the fragrance of ketakii
flower, they float away far in the rain. Still You do not come, Never in the core of my
mind, the strings of viin’a’ have sounded and floated with the song.
3101 (01/09/1985) D (Krsna)
BÁNSHII
BÁJIYÁ UT́HILO YAMUNÁY
BÁJIYÁ UT́HILO YAMUNÁY
AHARAHA BÁJE BHULI GRIHA KÁJE
MAN CH’OT́E NADII KINÁRÁY
BÁJIYÁ UT́HILO YAMUNÁY
BÁJIYÁ UT́HILO YAMUNÁY
MAYUR CALECHE MELIYÁ KALÁP
ÁÁÁÁÁÁÁÁÁÁ
MAYUR CALECHE MELIYÁ KALÁP
VAN HARIŃIIRÁ KARITE ÁLÁP
ALI GUINJARE MADHU SAḾLÁP
KARE CALE KENO PÁPIYÁY
BÁJIYÁ UT́HILO YAMUNÁY
BÁJIYÁ UT́HILO YAMUNÁY
KÁR TARE ETA PHÚT́E JÁY PHÚL
ÁÁÁÁÁÁÁÁÁÁ
KÁR TARE ETA PHÚT́E JÁY PHÚL
MANER PARÁGE DULIYE DODUL
BHÁVER GOKUL CHANDE ÁKUL
NECE CALE KÁR DYOTANÁY
BÁJIYÁ UT́HILO YAMUNÁY
BÁJIYÁ UT́HILO YAMUNÁY
BÁNSHII
BÁJIYÁ UT́HILO YAMUNÁY
BÁJIYÁ UT́HILO YAMUNÁY
The flute started playing at the Yamuna’ river. It goes on playing continuously, and
forgetting the household works; the mind goes on rushing at the shore of the river. The
peacock goes spreading the wings, the wild deer cry. The honeybee hums, why the papiya’
bird goes on speaking? What for so many flowers bloom with mental fragrance swinging? The
Gokul of feelings is restless with rhythm, at whose signal it goes on dancing?
3102 (01/09/1985) D
KENO, AMAN KARIYÁ D́EKE CALO
KÚPODAK DIYE DILE TARAUNGA D́HELE
BHÁVÁVEGE KARE UCCHVALO
AMAN KARIYÁ D́EKE CALO
SÁGARER TIIRE CHILUM EKELÁ
ÁÁÁÁÁÁÁÁÁÁ
SÁGARER TIIRE CHILUM EKELÁ
JHINUK KÚŔIYE KET́E GECHE BELÁ
DHÚLOBÁLI NIYE KARE GECHI KHELÁ
DEKHINI SINDHU UDDVELO
AMAN KARIYÁ D́EKE CALO
GURU GARJANE SINDHU SARAVA
ÁÁÁÁÁÁÁÁÁÁ
GURU GARJANE SINDHU SARAVA
TÁHÁTE MISHIÁ JÁY DHVANI SABA
KŚUDRA PRÁŃER ANIMÁ ÁSAVA
SE MAHÁDHVANITE CANCALO
AMAN KARIYÁ D́EKE CALO
KENO, AMAN KARIYÁ D́EKE CALO
O Lord, why like this You continue calling? Giving well water, but pouring waves, You make
me restless with the impulse of ideation. I was alone at the shore of the ocean, passing
time picking up shells. I continued play with shore sands, and did not see the restless
ocean. With loud roar the ocean sounded. In that all sounds were merged. The meagre heart
with the nectar of pointed ness, became restless with that great roar.
3103 (01/09/1985) K (Krsna)
ÁMÁR KÁNU, ÁMÁR KÁNU
ÁMÁR KÁNU, JÁY, JÁY, JÁY, JÁY
VRINDÁVANER VANE VANE
BHÁSIE DIYE ÁNKHIR VÁNE
SHÚRASENER RÁJÁ HOTE
MATHURÁTE DHÁY
JÁY, JÁY, JÁY
TOMÁY KÁNU BHULABO NÁKO
ÁÁÁÁÁÁÁÁÁÁ
TOMÁY KÁNU BHULABO NÁKO
JATA DÚREI TUMI THÁKO
ÁMÁR MANER VEDI THEKE
KE TOMÁKE SARÁY
JÁY, JÁY, JÁY
ÁBÁR TUMI VRAJE ESO
ÁÁÁÁÁÁÁÁÁÁ
ÁBÁR TUMI VRAJE ESO
BÁNSHIR TÁNE MADHUR HESO
VAN HARIŃI MAN MAYÚRII
TOMÁR CARAŃ CÁY, JÁY, JÁY, JÁY
ÁMÁR KÁNU, ÁMÁR KÁNU
ÁMÁR KÁNU, JÁY, JÁY, JÁY, JÁY
My Young Krsna is going. Into the forests of Vrindavan, floating eyes into the
tears. Even after being the King of Shu’rasen, from there He is running towards
Mathura’. I shall never forget You O Krsna, to whatever distance You stay. From my
mental altar, who can remove You? This time You come to the land of Vraja, with the melody
of flute, You smile sweetly. The wild deer and the mental peacock want Your holy feet.
3104 (01/09/1985) K (Krsna)
ALAKER ÁNANDA TUMI
DHARÁTE NEVE ESECHO
MAMATÁ MÁDHURII D́HELE
KURISHE KOMAL KARECHO
DHARÁTE NEVE ESECHO
BHUVAN BHOLÁNO HÁSI
ÁÁÁÁÁÁÁÁÁÁ
BHUVAN BHOLÁNO HÁSI
ADHARER MOHAN BÁNSHI
BOLE SABE BHÁLOBÁSI
MORE KENO DÚRE REKHECHO
DHARÁTE NEVE ESECHO
ÁMÁRE CÁO VÁ NÁ CÁO
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁRE CÁO VÁ NÁ CÁO
MORE JENO BHULIÁ NÁ JÁO
SHUDHU MORE E KATHÁ JÁNÁO
MANE LIILÁ KARE CALECHO
DHARÁTE NEVE ESECHO
ALAKER ÁNANDA TUMI
DHARÁTE NEVE ESECHO
MAMATÁ MÁDHURI D́HELE
O Lord, You have brought down heavenly bliss on this earth. By pouring sweet affection
You have made soft hard dried dung. Your world enchanting smile, and charming flute on the
lips, expresses love to all, but why have You kept me away? Whether You like me or not, do
not forget me. Tell me only about this as You go on performing Your divine play, liila
in the mind.
3105 (02/09/1985) K
MOR MADHUMÁS
MOR MADHUMÁS
MOR MADHUMÁS CALE JÁY
ÁÁÁÁÁÁÁÁÁÁ
KISHALAY PATRA HOLO
PATRA PARŃA HOYE
DHULÁY NIHSHEŚE MISHÁY
MOR MADHUMÁS CALE JÁY
KOYEL ESE CHILO
ÁÁÁÁÁÁÁÁÁÁ
KOYEL ESE CHILO
GÁNE VÁN D́EKE CHILO
NIDÁGHER ÁGAMANE
SE DHÁRÁ KOTHÁ HÁRÁY
MOR MADHUMÁS CALE JÁY
VÁTÁSE SUDHÁ CHILO
ÁÁÁÁÁÁÁÁÁÁ
VÁTÁSE SUDHÁ CHILO
ÁKÁSHE SUDHÁNSHU CHILO
PRÁVIT́ER GHAN MEGHE
TÁDER D́HÁKIYÁ DEY
MOR MADHUMÁS CALE JÁY
My sweet spring season is going away. The tender leaves became matured; the green leaves
became yellow and withered down merging totally with the dust. The cuckoo came and with
flood of songs it called. With the arrival of summer sun where that flow is lost? There
was sweetness in the air, and moon in the sky, but dense rainbearing clouds cover them.
3106 (02/09/1985) D
TUMI, DÚR NABHAH NIILE DHRUVA TÁRÁ
ÁMI, DHULOR DHARÁR EKATÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
TUMI MAHÁ OMKÁRE D́EKE CALO
BHÁVÁVEGE ÁMI HOI HÁRÁ
ÁMI, DHULOR DHARÁR EKATÁRÁ
TOMÁY ÁMÁY HOYE NÁ TULANÁ
ÁÁÁÁÁÁÁÁÁÁ
TOMÁY ÁMÁY HOYE NÁ TULANÁ
MOR JIIVANER TUMII SÁDHANÁ
SAB PRÁPTIR EKAI EŚAŃÁ
TOMÁR ÁLOTE MAN BHARÁ
ÁMI, DHULOR DHARÁR EKATÁRÁ
TUMI CHÁŔÁ ÁMI KICHUI JÁNI NÁ
ÁÁÁÁÁÁÁÁÁÁ
TUMI CHÁŔÁ ÁMI KICHUI JÁNI NÁ ÁR
KONO KICHU MÁNITE CÁHINÁ
KONO ÁGHÁTEI VIKAL HOI NÁ, EKÁ
TUMI PRIYA SUDHÁ KŚARÁ
ÁMI, DHULOR DHARÁR EKATÁRÁ
TUMI, DÚR NABHAH NIILE DHRUVA TÁRÁ
ÁMI, DHULOR DHARÁR EKATÁRÁ
O Lord, You are the polestar in the distant blue sky and I am monochord on the dusty
earth. You go on calling through the Great Cosmic sound “OM”, and with the impulse of
ideation I lose myself. There cannot be any comparison between You and me. You are
sa’dhana’, the ultimate endeavor of my life. There is only one earnestness of all
achievements that is to fill the mind with Your effulgence. I do not know anything other
than You, neither I want anything else to accept. I do not get dispirited by any blow, as
You are only dear oozing nectar.
3107 (02/09/1985) K
TOMÁRE DEKHECHI ÁMI
PRAPAINCETE MANE MANE
JEMAN CHILE RAYE GELE
JAD́E PARIVARTAN ENE
PRAPAINCETE MANE MANE
ÁLOKE ÁNDHÁRE HÁSO
ÁÁÁÁÁÁÁÁÁÁ
ÁLOKE ÁNDHÁRE HÁSO
AŃUR PRIITI BHÁLOBÁSO
MAHÁKÁSHE RAUNGE BHÁSO
RÚPE RÚPE PRATI KŚAŃE
PRAPAINCETE MANE MANE
ANALE ANILE ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
ANALE ANILE ÁCHO
TRIŃA MAINJARITE NÁCO
CIDÁKÁSHE THEKE GECHO
BHÁVAMAYER ANUDHYÁNE
PRAPAINCETE MANE MANE
TOMÁRE DEKHECHI ÁMI
PRAPAINCETE MANE MANE
O Lord, I see You in the quinquenmental world mentally. You remained as You were and
brought mutation in the inert. You smile in light and darkness. You love the microcosm
intensely. You float as colour in the great space, in diverse forms each moment. You are
present in fire and air. You dance in the grass and buds. You stayed in the firmament of
the mind as ideational in the meditation.
3108 (02/09/1985) K
ÁMÁR E MANO VIIŃÁYA
TAVA RÁGA NÁHI ELE
BHUVAN BHÁSÁYE DIO
ANÚBHÚTIR UPAKÚLE
TAVA RÁGA NÁHI ELE
RAŃANE TUMI ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
RAŃANE TUMI ÁCHO
SURE RÁGE BHARE RAYECHO
MANANER MAŃIKÁ MÁLÁY
KARUŃÁR DHÁRÁ D́HÁLILE
TAVA RÁGA NÁHI ELE
CHANDE TUMI RAYECHO
ÁÁÁÁÁÁÁÁÁÁ
CHANDE TUMI RAYECHO
SVACCHANDE NÁCITECHO
JIIVANER SHUKTI BELÁY
EKÁ CHILE ANEK HOLE
TAVA RÁGA NÁHI ELE
ÁMÁR E MANO VIIŃÁYA
TAVA RÁGA NÁHI ELE
O Lord, on the mental viin’a’ of mine, Your melody did not come. You made the world
float on the shore of feelings. You are present in the resonance, filled with melodies and
tunes. Into the garland of gems as counting beads, You pour the flow of mercy. You stayed
in the rhythm, and dances freely as per own wish. At the shore of life, You became many
from One.
3109 (03/09/1985) K
D́EKECHI YUGE YUGE
TUMI SHONONI ÁMÁR KATHÁ
DÚRE CHILE SARE
BOJHONI ÁMÁR VYÁKULATÁ
TUMI SHONONI ÁMÁR KATHÁ
VAJRER HUTÁSHE D́EKECHI
ÁÁÁÁÁÁÁÁÁÁ
VAJRER HUTÁSHE D́EKECHI
MALAY VÁTÁSE GEYE GECHI
SÁGARER GARJANE MANE PRÁŃE
ÁHVÁN KARE GECHI VRITHÁ
TUMI SHONONI ÁMÁR KAOTHÁ
JVÁLÁMUKHIR UDGIIRAŃE
ÁÁÁÁÁÁÁÁÁÁ
JVÁLÁMUKHIR UDGIIRAŃE
MADHUPER MADHU GUINJARAŃE
JHAINJHÁR SAGHAN SVANANE
BOJHÁTE CEYECHI MOR VYATHÁ
TUMI SHONONI ÁMÁR KATHÁ
CIDÁKÁSHER PÁNE CEYE
ÁÁÁÁÁÁÁÁÁÁ
CIDÁKÁSHER PÁNE CEYE
MANER MÁLATI MÁLÁ NIYE
BHÁVETE CÁOÁKE CHÁPIYE
D́EKECHI BHEUNGECHO NIIRAVATÁ
TUMI SHONONI ÁMÁR KATHÁ
D́EKECHI YUGE YUGE
TUMI SHONONI ÁMÁR KATHÁ
O Lord, I have been calling You since ages after ages. But You never heard my talk. You
stayed far away and did not understand my restlessness. Shouting with expression of
dismay, I continued moving with the sandal breeze. Roaring like ocean with heart and soul
I have invoked You uselessly. I have been trying to express to You my pain like eruptions
of volcano, sweet humming of the bees, and intense noise of the storm. Looking towards the
firmament of the mind with garland of ma’lati flowers, suppressing the feelings, I had
been calling You breaking the silence.
3110 (03/09/1985) K
VASANTERI MAINJARI
NÚTANER ÁBHÁS ÁNE
CIR NÚTANER LUKOCURI
SHONÁY SE GÁNE GÁNE
NÚTANER ÁBHÁS ÁNE
KÁNAN KUSUME HESE CÁY
ÁÁÁÁÁÁÁÁÁÁ
KÁNAN KUSUME HESE CÁY
VÁTÁSE SURABHI BHESE JÁY
ÁKÁSHE PÁPIYÁ GÁN GÁY
NÚTANER SPANDANE
NÚTANER ÁBHÁS ÁNE
NÚTAN SUDHÁ JHARE VASUDHÁR GÁY
ÁÁÁÁÁÁÁÁÁÁ
NÚTAN SUDHÁ JHARE VASUDHÁR GÁY
NÚTANER ÁLO BHARÁ COKHE SE TÁKÁY
MARME CIRA NÚTAN MURACHÁY
BRIHATER PRIITIR T́ÁNE
NÚTANER ÁBHÁS ÁNE
VASANTERI MAINJARI
NÚTANER ÁBHÁS ÁNE
The bunches of new leaves and buds
appear in spring
and bring about an indistinct presence of the new.
Song after song
the hide and seek play
of the ever new is praised.
The flowers in the garden want to smile
and fragrance floats adrift in the air.
In the sky the nightingale sings along
to the vibration of the new.
Nectar flows afresh on the body of the earth
whose eyes are filled with a new shine.
On the innermost core of my heart
the attractive pull of the Great reflects itself.
3111 (03/09/1985) K
EI, TANDRÁ JAŔIMÁ MÁKHÁ JYOTSNÁY
TANDRÁ JAŔIMÁ MÁKHÁ JYOTSNÁY
MAN BHESE JÁY, BHESE JÁY
KICHUI BUJHITE NÁHI PÁRÁ JÁY
KOTHÁ HOTE ÁSIÁCHE JÁY SE KOTHÁY
MAN BHESE JÁY, BHESE JÁY
SPANDITA SURABHITE KE SE D́EKE JÁY
ÁÁÁÁÁÁÁÁÁÁ
SPANDITA SURABHITE KE SE D́EKE JÁY
NANDITA MÁDHURIITE KE GIIT SHONÁY
ÁLOKE SHISHIRE GÁNE CHANDE MÁTÁY
PRÁŃA JHALAKÁY
MAN BHESE JÁY, BHESE JÁY
AJÁNÁ PATHIK TUMI ATITHI ÁJI
ÁÁÁÁÁÁÁÁÁÁ
AJÁNÁ PATHIK TUMI ATITHI ÁJI
MARME ELE MOHAN SÁJE SÁJI
TOMÁR CARAŃE EI KARUŃÁ JÁCI
THEKE JÁO MOR MÁJHE NIRÁLÁY
MAN BHESE JÁY, BHESE JÁY
EI, TANDRÁ JAŔIMÁ MÁKHÁ JYOTSNÁY
TANDRÁ JAŔIMÁ MÁKHÁ JYOTSNÁY
MAN BHESE JÁY, BHESE JÁY
In this moonlight smeared with inertial drowsiness, the mind goes on floating. It is
impossible to understand anything from where has it come and where it is going. Who is
calling with the vibrant fragrance, with pleasing sweetness who is singing the song? The
dewdrops in light are frenzied with rhythm and song showing glimpses if life. O the
unknown traveler, You are the guest today, coming into the core of mind with charming
adornment. At Your feet this much mercy I am seeking, remain within me secluded.
3112 (03/09/1985) K
MOR, UDDVEL HRDAYE ELE
KENO BOLO NÁ KENO BOLO NÁ
SAB BHÁVA BHÁVANÁ NIYE NILE
KICHU BOLITE DILE NÁ
KENO BOLO NÁ KENO BOLO NÁ
TOMÁR GATI VIDHI JÁNITE NÁ PÁI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR GATI VIDHI JÁNITE NÁ PÁI
MOR KONO KICHU TAVA AJÁNÁ NÁI
PRATI KŚAŃE PRATI RÚPE DEKHIYÁ JÁI
KONO BÁNDHANEI BÁNDHÁ PAŔO NÁ
KENO BOLO NÁ KENO BOLO NÁ
JÁNITE GELE KENDE PHIRIYÁ ÁSI
ÁÁÁÁÁÁÁÁÁÁ
JÁNITE GELE KENDE PHIRIYÁ ÁSI
KHUNJITE GELE ASIIME BHÁSI
DHARITE NÁ PÁRILEO BHÁLOBÁSI
TÁ KII CEYE DEKHO NÁ
KENO BOLO NÁ KENO BOLO NÁ
MOR, UDDVEL HRDAYE ELE
KENO BOLO NÁ KENO BOLO NÁ
O Lord, You came into my restless heart, tell me, why? You took away all feelings and
sentiments and did not allow to speak anything. I am unable to know Your activities;
nothing of mine is unknown to You. Each moment in each form, I go on seeing that with any
bondage You do not get bound. In attempt to know I just return back crying, while trying
to search, I get floated in the infinite. Even with love You do not come into folds, that
is why You do not see.
3113 (03/09/1985) D
GÁNER SURE ANEK DÚRE
BHESE CHILUM EKÁ EKÁ
VÁR TITHI TÁR MANE NEI ÁR
TUMII BOLATE PÁRO SAKHÁ
BHESE CHILUM EKÁ EKÁ
TÁRÁRÁ BOLE CHILO ÁMÁY
ÁÁÁÁÁÁÁÁÁÁ
TÁRÁRÁ BOLE CHILO ÁMÁY
JÁCCHO TUMI JE AJÁNÁY
SEI AJÁNÁY HÁRIYE JÁY
MAN BALÁKÁR SMITA PÁKHÁ
BHESE CHILUM EKÁ EKÁ
PHÚLER HÁSI JHARE CHILO
ÁÁÁÁÁÁÁÁÁÁ
PHÚLER HÁSI JHARE CHILO
MADHU MEKHE BOLE CHILO
SE CITACOR CEYE CHILO
TÁI PELE TÁR PRIITI SHIKHÁ
BHESE CHILUM EKÁ EKÁ
GÁNER SURE ANEK DÚRE
BHESE CHILUM EKÁ EKÁ
With the tune of the melody, I was floating all alone. I do not remember the day and date
of that, O ever companion, You only tell. The stars told me that You are going to unknown
arena. Into that unknown the swan of the mind with smiling wings get lost. Te smile was
scattering from the flower and spoke smeared with sweetness, that stealer of the heart
wanted that is why you got the flame of His lamp.
3114 (04/09/1985) K
TOMÁY D́ÁKI DINE RÁTE
TUMI KI PÁO NÁ SHUNITE
D́ÁKI ÁLOY ÁNDHÁRETE
JÁGARAŃE SVAPNE NIDE
TUMI KI PÁO NÁ SHUNITE
DIN ÁSE DIN CALE JÁY
ÁÁÁÁÁÁÁÁÁÁ
DIN ÁSE DIN CALE JÁY
CIR TARE KATA RÁT HÁRÁY
ÁSHÁ MARIICIKÁ MÁYÁY
BASE THÁKI CEYE PATHE
TUMI KI PÁO NÁ SHUNITE
GRIIŚME VARAŚÁY SHARATE
ÁÁÁÁÁÁÁÁÁÁ
GRIIŚME VARAŚÁY SHARATE
HEMANTE SHIITER RITUTE
VYARTHA HOYEO THÁKI METE
BHÁVI ÁSIBE VASANTE
TUMI KI PÁO NÁ SHUNITE
TOMÁY D́ÁKI DINE RÁTE
TUMI KI PÁO NÁ SHUNITE
O Lord, I call You day and night, are You not able to listen? I call You in light and
dark, sleep awake or dream. The day comes and passes. Many long nights are lost. In the
illusive mirage of hope I am sitting looking towards the path. In the seasons of summer
rain, autumn, prewinter and winter I have remained engrossed in the thought that the
spring would come.
3115 (04/09/1985) D
D́ÁK DIYE JÁI, D́ÁK DIYE JÁI
TRIBHUVANE MOR PAR KEHO NÁI
ÁHVÁN SABÁRE JÁNÁI
D́ÁK DIYE JÁI, D́ÁK DIYE JÁI
ÁKÁSHE VÁTÁSE SABÁKÁR HÁSI
ÁÁÁÁÁÁÁÁÁÁ
ÁKÁSHE VÁTÁSE SABÁKÁR HÁSI
PRÁŃOCCHVÁSE UT́HE UDBHÁSI
KRANDAN ROLE DAHANE ANALE
SABE EKAI BHÁVE DEKHITE PÁI
D́ÁK DIYE JÁI, D́ÁK DIYE JÁI
CALITE HOIBE SABE MILE MISHE
ÁÁÁÁÁÁÁÁÁÁ
CALITE HOIBE SABE MILE MISHE
GHRŃÁ BHAYA BHÚLE SHUDHU BHÁLOBESE
SABÁR PARASHE MANER HARAŚE
SAMÁJ GAŔIYÁ NITE CÁI
D́ÁK DIYE JÁI, D́ÁK DIYE JÁI
I go on calling, in all the three worlds nobody is distant for me, hence I announce to
all. In the sky and air everyone’s smile arises wholeheartedly springing up. In the
outcry of weeping with the burn of fire, I see all with the same feeling. Let all move
together forgetting hatred and fear only with love. Touching all, pleasing all I wish to
create a better society.
3116 (04/09/1985) D
ÁKÁSHE VÁTÁSE MÁDHURII D́HELE
ESECHILO SE ESECHILO
ÁÁÁÁÁÁÁÁÁÁ
TÁRAKÁ MÁLÁY NIIHÁRIKÁY
CEYE PRIITI BHARE HESE CHILO
ESECHILO SE ESECHILO
SAHAKÁR VANE SUVÁS BHARIYÁ
ÁÁÁÁÁÁÁÁÁÁ
SAHAKÁR VANE SUVÁS BHARIYÁ
KISHALAYE TARU LATÁ D́HÁKIÁ
ASHOKE PÁLÁSHE RAḾGE MÁTÁIÁ
AMARÁ RACANÁ KARE CHILO
ESECHILO SE ESECHILO
ÁBÁR ÁSIBE JALADER GÁY
ÁÁÁÁÁÁÁÁÁÁ
ÁBÁR ÁSIBE JALADER GÁY
SHYÁMAL SUŚAMÁ D́HÁLIBE DHARÁY
PÚRŃA KARIYÁ SABÁR ÁSHÁY
E JÁDU KOTHÁ SE SHIKHE CHILO
ESECHILO SE ESECHILO
ÁKÁSHE VÁTÁSE MÁDHURII
D́HELE, ESECHILO SE ESECHILO
Pouring sweetness in sky and air, He had come. Into the series of stars and nebula
filling love, He had smiled. Filling fragrance in the mango grove, covering the trees and
creepers with new leaves, Intoxicating the ashok and pala’sh trees with colours, He made
an immortal creation. The clods sing that He would come again and pour green beauty on the
earth and fulfilling everyone’s hopes. How He has learnt this magic?
3117 (04/09/1985) D
ÁKÁSHER NIILE
ÁKÁSHER NIILE MALAYÁNILE
KII SAḾGIIT BHESE ÁSE
SATATA SE DHÁY
SATATA SE DHÁY TABU NÁ PHURÁY
PLÁVAN ÁNIYÁ DESHE DESHE
KII SAḾGIIT BHESE ÁSE
AŃU MÁNASE DOLÁ DIYE JÁY
ÁÁÁÁÁÁÁÁÁÁ
AŃU MÁNASE DOLÁ DIYE JÁY
BRIHATER SPANDANE NÁŔÁ DEYA
KŚUDRA MANER SIIMÁNÁ HÁRÁY
KÁR ÁGAMANER ULLÁSE
KII SAḾGIIT BHESE ÁSE
SALÁJ KALIRÁ ÁVESHE TÁKÁY
ÁÁÁÁÁÁÁÁÁÁ
SALÁJ KALIRÁ ÁVESHE TÁKÁY
GHOMT́Á SARIYE MADHU D́HELE DEY
CIRA TARE TÁRÁ MISHE JETE CÁY
SE CIT CORER ABHILÁŚE
KII SAḾGIIT BHESE ÁSE
ÁKÁSHER NIILE
ÁKÁSHER NIILE MALAYÁNILE
KII SAḾGIIT BHESE ÁSE
In the blue sky, through the sandal breeze, what music comes floating? It rushes
constantly still does not terminate, and brings flood in places after places. It gives
swing to the unit minds, and gives a jerk in the Cosmic oscillation of the great. By whose
arrival with joy, the meagre unit mind loses its limitation? The shy buds look with
impulse and removing the veils, go on pouring honey. For a long time they wanted to merge
with that stealer of the mind with earnestness.
3118 (05/09/1985) K
TUMI JAKHAN PRATHAM ELE
CÁNDA CHILO ÁKÁSHE
ÁÁÁÁÁÁÁÁÁÁ
JYOTSNÁTE DHARÁ BHÁSE
MANER DUÁR DILE KHULE
NILÁJ VÁTÁSE
ÁÁÁÁÁÁÁÁÁÁ
JYOTSNÁTE DHARÁ BHÁSE
PUINJIBHÚTA JATA GLÁNI
ÁÁÁÁÁÁÁÁÁÁ
PUINJIBHÚTA JATA GLÁNI
MAN THEKE SE NILO T́ÁNI
SAB HÁRÁNO CITTA KHÁNI
TÁKÁLO ÁVESHE
JYOTSNÁTE DHARÁ BHÁSE
MANE PRAVESH KARE CHILE
ÁÁÁÁÁÁÁÁÁÁ
MANE PRAVESH KARE CHILE
BHÁVER DOLÁ DIYE GELE
MAŃIR DYUTI HE ATITHI
BHARÁLE SUVÁSE
JYOTSNÁTE DHARÁ BHÁSE
TUMI JAKHAN PRATHAM ELE
CÁNDA CHILO ÁKÁSHE
TUMI JAKHAN PRATHAM ELE
CÁNDA CHILO ÁKÁSHE
O Lord, when You first came, there was moon in the sky. The earth was shining with
moonlight. You opened the doors of the mind for entry of the breeze without hesitation.
All the accumulated agonies, He pulled out from the mind. The mind stuff, losing all its
existence, looked with excitement. You entered into the mind, and oscillated the feelings.
O the Guest, You filled that with effulgence of the gems and fragrance.
3119 (05/09/1985) K
NIHSHABDA CHILO TRIBHUVANA
GÁNE GÁNE TUMI ELE
ÁÁÁÁÁÁÁÁÁÁ
KUHELIR ÁVARAŃA SARIYE DILE
ÁLOY BHUVAN BHARÁLE
GÁNE GÁNE TUMI ELE
PRATHAM ÚŚÁR ABHYUDAYA HOLO
ÁÁÁÁÁÁÁÁÁÁ
PRATHAM ÚŚÁR ABHYUDAYA HOLO
PÚRVÁKÁSHA RAINJITA HOYE GELO
TARU LATÁY SHYÁMALIMÁ ELO
RAḾGE RAḾGE SABE SÁJÁLE
GÁNE GÁNE TUMI ELE
KON SE ATIITE HOYE CHILO SRIŚT́I
ÁÁÁÁÁÁÁÁÁÁ
KON SE ATIITE HOYE CHILO SRIŚT́I
NAVA DHARÁ PELO TAVA NAVA DRIŚT́I
BHÁLOBESE VARAŚILE KRPÁ VRIŚT́I
MAMATÁ MATHITA KARILE
GÁNE GÁNE TUMI ELE
NIHSHABDA CHILO TRIBHUVANA
GÁNE GÁNE TUMI ELE
The threelayered world was silent when You came with song after song. You removed the
cover of the fog and filled the world with light. The first dawn arose and the eastern sky
became coloured. Over the trees and creepers, greenness came and all became colourfully
decorated. In which past the creation was made. The new earth found new vision of Yours.
With love You rained grace and stirred the affection.
3120 (05/09/1985) K (Krsna)
KE GO GÁN SHONÁLE ÁMÁY
KII BOLO TAVA PARICAYA
MOHAN BÁNSHI ÁR MADHUR HÁSI
VÁN ÁNE MAN YAMUNÁY
KII BOLO TAVA PARICAYA
BÁNSHI BÁJE YUGE YUGE NITYA VRAJE ÁVEGE
ÁÁÁÁÁÁÁÁÁÁ
BÁNSHI BÁJE YUGE YUGE NITYA VRAJE ÁVEGE
MAN KE MÁTIYE DIYE PHÁGUNER RÁUNGÁ PHÁGE
PRIITI MAINJARI KATHÁ KAYA
KII BOLO TAVA PARICAYA
NITYA BHÁVE TUMI SHÁSHVATA ANUBHAVA
ÁÁÁÁÁÁÁÁÁÁ
NITYA BHÁVE TUMI SHÁSHVATA ANUBHAVA
ASHEŚA LIILÁ RASE BHÁVA DHÁRÁ ABHINAVA
PALAKETE NECE CALO PULAKETE UCCHALA
TOMÁY BOJHÁ SOJÁ NAYA
KII BOLO TAVA PARICAYA
KE GO GÁN SHONÁLE ÁMÁY
KII BOLO TAVA PARICAYA
Who sings song to me, what is Your identity? Your charming flute and sweet smile brings
flood in the mental river Yamuna’. The flute sounds in ages after ages with impulse in
the ever arena of Vraja. It intoxicates the mind with the play of colours in this spring
season. The buds of love speak out. You are ever new feeling in the eternal ideation, with
endless flow of divine game, liila, with new flow of ideation. In a moment You start
dancing vibrant with joy. It is not simple to understand You.
3121 (05/09/1985) K
NANDITA TUMI SAB MANE PRÁŃE PRABHU
VANDITA TUMI SÁRÁ BHUVANE
MANER SONÁLI KOŃE SIIVANTI UPAVANE
GIRI MEKHALÁY DRUMA SVANANE
VANDITA TUMI SÁRÁ BHUVANE
JÁ CÁO TÁ KARE JÁO ICCHÁ TOMÁR VASHE
ÁÁÁÁÁÁÁÁÁÁ
JÁ CÁO TÁ KARE JÁO ICCHÁ TOMÁR VASHE
EŚÁŃÁY RÚPA DÁO NIMEŚE HESE HESE
UHA AVOHE NÚTANER SAMÁROHA
MÁDAKATÁY BHARÁ MANANE
VANDITA TUMI SÁRÁ BHUVANE
TOMÁKE PÁOÁ JÁY SHUDHU BHÁLOBESE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁKE PÁOÁ JÁY SHUDHU BHÁLOBESE
LOKA DEKHÁNO SAB KICHU KENDE PHIRE ÁSE
MANER GABHIRE THÁKO OTAH PROTE MADHU MÁKHO
SUKHE DUHKHE SABÁKÁR SMARAŃE
VANDITA TUMI SÁRÁ BHUVANE
NANDITA TUMI SAB MANE PRÁŃE PRABHU
VANDITA TUMI SÁRÁ BHUVANE
O Lord, You are felicitated in all minds and lives, and revered in the whole world. You
are established in the golden recess of the mind, in the shrub of milkhedge plants, series
of mountains and the murmurs of the trees. Whatever You wish You do, the desire is under
control. Within moment You materialize Your will smilingly. You do so with the new
assemblage of thought waves, with mind filled with frenzy. You can be attained only with
love, those who want to exhibit publicly every thing, return back. You dwell in the depth
of the mind individually and collectively smeared with sweetness, in the memories of all
during pain and pleasure.
3122 (06/09/1985) D
GÁNE GÁNE ESE CHILE
PRÁŃE TUMI DHARÁ DILE
ÁÁÁÁÁÁÁÁÁÁ
MANTRA MUGDHA KARE DIYE MORE
NIJER KARIYÁ T́ENE NILE
PRÁŃE TUMI DHARÁ DILE
ALAKÁR SUKH CÁI NÁ ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
ALAKÁR SUKH CÁI NÁ ÁMÁR
AMARÁ RDDHI TÁO BHÁVI BHÁR
DHARÁR DHÚLIR ÁSTARAŃE
TÁI KI ÁMÁY ENE CHILE
PRÁŃE TUMI DHARÁ DILE
KARMA HIINER SVARGA VILÁSA
ÁÁÁÁÁÁÁÁÁÁ
KARMA HIINER SVARGA VILÁSA
DIO NÁKO PRABHU MORE TÁR ÁBHÁS
SABÁR SEVÁY TAVA ICCHÁY
KÁJ KARE JENO JÁI CALE
PRÁŃE TUMI DHARÁ DILE
GÁNE GÁNE ESE CHILE
PRÁŃE TUMI DHARÁ DILE
O Lord, You came with song after song and came into the fold of the life. You charmed me
and pulled me Yourself towards You. I do not want any heavenly pleasure, the achievements
of heaven, I consider as burden. The blanket of dust is on the earth, is it due to that
You brought me here. The pleasure of heaven to some one who has no accumulation of
virtues, You do not provide me, O Lord, even indication of that. Your wish is to serve
all, so that I go on doing Your work.
3123 (07/09/1985) K
TOMÁR PATHE TOMÁR PATHE
KABE HOTE DINE RÁTE
CALE JÁI, NÁI JÁNÁ NÁI
CALE GECHI BHEVE GECHI
SHUDHU TOMÁR BHÁVANÁI
NÁI JÁNÁ NÁI
KHUNJE GECHI PATHER KOŃE
ÁÁÁÁÁÁÁÁÁÁ
KHUNJE GECHI PATHER KOŃE
TÁKIYE GECHI DÚRER VANE
CÁINI SHUDHU NIJER MANE
MAN KE KARE UPEKŚÁI
NÁI JÁNÁ NÁI
HAT́HÁT SHUNI BHÁSE DHVANI
ÁÁÁÁÁÁÁÁÁÁ
HAT́HÁT SHUNI BHÁSE DHVANI
TUMI MANER PARASHA MAŃI
ÁNDHÁR GUHÁRA RATNA KHANI
DEKHATE DEYANI ASMITÁI
NÁI JÁNÁ NÁI
TOMÁR PATHE TOMÁR PATHE
KABE HOTE DINE RÁTE
CALE JÁI, NÁI JÁNÁ NÁI
O Lord, on Your path day and night, I go on moving, since when, I do not know. I go on
moving and thinking only of Your ideation. I searched on the corners of the path, went on
seeing in distant forests, only I did not see in my own mind, as I have been ignoring the
mind. Suddenly I heard the floating voice; You are the touchstone of the mind. You are the
quarry of gems in the dark depth, but did not show due to my ego.
3124 (07/09/1985) K
GÁNER RÁJÁ
GÁNER RÁJÁ TUMI PRÁŃE ELE
MARMA MÁJHE DHVANI JÁGÁLE
ÁÁÁÁÁÁÁÁÁÁ
CHANDE SURE BHUVAN PURE
E KII JHAUNKÁRE MAN MÁTIYE DILE
MARMA MÁJHE DHVANI JÁGÁLE
ANÁDI KÁLA THEKE GÁN TUMI GÁO
ÁÁÁÁÁÁÁÁÁÁ
ANÁDI KÁLA THEKE GÁN TUMI GÁO
KONO STHITITE VIRATI NÁ DÁO
ASHEŚA ANANTE BHÁSIÁ CALE JÁO
BOLO NÁ TRIPTA HOYO KI JE PELE
MARMA MÁJHE DHVANI JÁGÁLE
TOMÁY PÁVO ÁMI GÁN SHUNIYE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁY PÁVO ÁMI GÁN SHUNIYE
MANER DOLÁY TOMÁY DULIYE DIYE
SAB KICHU BHULE GIYE TOMÁY NIYE
THÁKIBO DINE RÁTE KÁLÁKÁLE
MARMA MÁJHE DHVANI JÁGÁLE
GÁNER RÁJÁ
GÁNER RÁJÁ TUMI PRÁŃE ELE
MARMA MÁJHE DHVANI JÁGÁLE
O The King of songs, You came into my heart and raised voice in my core. Filling the world
with rhythm and melody, with what tinkling have You intoxicated the mind? You sing the
song from time immemorial, without pausing under any situation. Towards endless infinity
You go on floating. Tell me by getting what You would be satiated. You arouse sound in the
core of the heart, I shall attain You on hearing the song. Swinging the mind oscillated by
You, I have forgotten everything getting You and would stay so day and night at all the
time.
3125 (07/09/1985) K
TANDRÁ ÁNKÁ CHILO ÁNKHI PÁTE
MANE EŚAŃÁ BHARÁ CHILO
ÁÁÁÁÁÁÁÁÁÁ
KEHOI CHILO NÁ DVITIIYA SÁTHE
E KATHÁ JE BUJHE CHILO
MANE EŚAŃÁ BHARÁ CHILO
MANER KATHÁ SHUDHU TUMI BOJHO
ÁÁÁÁÁÁÁÁÁÁ
MANER KATHÁ SHUDHU TUMI BOJHO
JENE SHUNE ABUJH KENO JE SÁJO
ANTARE BÁHIRE VRITHÁI RÁJO
YADI MAMATÁ NÁ RAHILO
MANE EŚAŃÁ BHARÁ CHILO
SHRAVAŃE MANANE NIDIDHYÁSANE
ÁÁÁÁÁÁÁÁÁÁ
SHRAVAŃE MANANE NIDIDHYÁSANE
TUMI MOR DHRUVA TÁRÁ DHYÁNE JINÁNE
SHAYANE SVAPANE NINDE JÁGARAŃE
E KATHÁ KE BHULIYE DILO
MANE EŚAŃÁ BHARÁ CHILO
TANDRÁ ÁNKÁ CHILO ÁNKHI PÁTE
MANE EŚAŃÁ BHARÁ CHILO
Drowsiness was marked in the eyes, and the eyes were full of earnest will. There was no
second body accompanying who could understand this fact. You alone knew the affairs of
the mind. Knowingly why to pretend as ignorant, why dwell inside and outside uselessly, if
there was no affection? You are my polestar in my listening, feeling and ideation with
concentration and meditation, in sleep, dream or awaken state, how can that be forgotten?
3126 (06/09/1985) D
TUMI DÚRE THEKO NÁ
TUMI DÚRE THEKO NÁ
ÁÁÁÁÁÁÁÁÁÁ
MÁLÁ GÁNTHI VEDII SÁJÁI
TOMÁR TARE GÁN SEDHE JÁI
BHÚLE JEO NÁ
TUMI DÚRE THEKO NÁ
TUMI DÚRE THEKO NÁ
ÁÁÁÁÁÁÁÁÁÁ
GHÚRE GHÚRE TOMÁR KHONJE
PÁHÁŔ SÁGAR VANER MÁJHE
CHOT́ BAŔ SAKAL KÁJE
KLÁNTITE SHUI NÁ
TUMI DÚRE THEKO NÁ
TUMI DÚRE THEKO NÁ
ÁÁÁÁÁÁÁÁÁÁ
NÁNÁN JANE NÁNÁN BOLE
SAHIYÁ JÁI HÁSIR CHALE
TOMÁR NÁME TOMÁR BALE
TÁKI JÁNO NÁ
TUMI DÚRE THEKO NÁ
TUMI DÚRE THEKO NÁ
ÁÁÁÁÁÁÁÁÁÁ
O Lord, You do not stay away. I have threaded the garland and decorated the altar
rehearsed the song for You, please do not forget that. For searching You, wandering here
and there, into the mountains, oceans, and forests, in all small and big actions, did not
sleep due to fatigue. Many people spoke differently ridiculing, I continued tolerating
them with irony of smile, with Your strength and name, do not You know that?
3127 (06/09/1985)
ÁKÁSHE DIIPAKE E KÁRTTIKE
JE ÁLO JVÁLÁLE
TÁR NÁI TULANÁ TÁR NÁI TULANÁ
ÁNDHÁR NISHÁTE DISHÁ JÁNÁTE
E TAVA KARÚŃÁ KAŃÁ
TÁR NÁI TULANÁ TÁR NÁI TULANÁ
TOMÁRE BHULIÁ JÁI YADI KABHU
ÁÁÁÁÁÁÁÁÁÁ
TOMÁRE BHULIÁ JÁI YADI KABHU
CALITE CALITE ÁNAMANE PRABHU
E TAVA DIIPIKÁ PRIITIR KAŃIKÁ
BOLE LAKŚYE BHULO NÁ
TÁR NÁI TULANÁ TÁR NÁI TULANÁ
VYAŚT́I JIIVAN YADI BHULE JÁY
TAVA AYÁCITA PRIITIR KAŃÁY
RUDRÁBHIGHOŚE BOLE NIRGHOŚE
NIJERE KORO NÁ CHALANÁ
TÁR NÁI TULANÁ TÁR NÁI TULANÁ
ÁKÁSHE DIIPAKE E KÁRTTIKE
JE ÁLO JVÁLÁLE
On this month of autumn, into the lamp at the sky, the light that You have kindled, that
has no comparison. If I forget You anytime, O Lord, unmindfully while moving, then this
lamp of Yours, the spark of love, says that I should not forget the desideratum. If I
forget the personal life then by Your unsought spark of love, You announce loudly, that I
should not deceive myself.
3128 (07/1985) D
MANER E MADHUVANE
BHARILE GÁNE GÁNE
TÁHÁRI ANURAŃANE
ÁMI JE GECHI BHESE
ÁMI JE GECHI BHESE
BHUVANE TULANÁ NÁI
MANANE KHUNJIÁ NÁ PÁI
MARME RAYECHO SADÁI
SMRITITE ÁSO HESE
VISHVER VARAŃIIYA
ÁÁÁÁÁÁÁÁÁÁ
VISHVER VARAŃIIYA
CITTERA CAYANIIYA
TAVA ÁVEGE DIO
ÁMÁRE BHARE ÁVESHE
ÁMI JE GECHI BHESE
PRIITITE REKHECHO D́HÁKI
ÁÁÁÁÁÁÁÁÁÁ
PRIITITE REKHECHO D́HÁKI
RAYECHO MADHUTE MÁKHI
KONO SHREYA NÁIKO BÁKI
HE PRABHU TAVA SAKÁSHE
ÁMI JE GECHI BHESE
MANER E MADHUVANE
BHARILE GÁNE GÁNE
TÁHÁRI ANURAŃANE
ÁMI JE GECHI BHESE
ÁMI JE GECHI BHESE
O Lord, my mental sweet garden, You have filled with song after song, along with the
resonance of that, I go on floating. You have no comparison in the world, I am unable to
search You in the mind, as You always reside in the core, coming with smile in the
memories. O Most adorable in the world, most cherished in the mind, You have filled me
with impulse from Your momentum. O Lord, in front of You no other benevolence is left.
3129 (07/09/1985) K
ÁMI, TÁI BHEVECHI TÁI BHEVECHI
MAN JÁ BHÁVITE PÁRE NÁ
ÁNDHÁR GUHÁY CÁNDE PETE CEYECHI
MARU MÁJHE NIRJHARAŃÁ
MAN JÁ BHÁVITE PÁRE NÁ
JÁ BHEVECHI TATODHIKA PEYE GECHI
ÁÁÁÁÁÁÁÁÁÁ
JÁ BHEVECHI TATODHIKA PEYE GECHI
SHATA VIDHU SAMÁHÁR ÁNDHÁRE DEKHECHI
JVÁLÁMUKHITE SVADU JHARAŃÁ DEKHECHI
JÁ AHAETUKII KARÚŃÁ
MAN JÁ BHÁVITE PÁRE NÁ
PÁOÁR ÁNANDE HÁRIYE GECHI
ÁÁÁÁÁÁÁÁÁÁ
PÁOÁR ÁNANDE HÁRIYE GECHI
BHÁVANÁ DHÁRÁY UDDVEL HOYECHI
MANANEO ANUDHYÁNE TÁKE JENECHI
SHÁSTRE JE JÁNÁ JÁY NÁ
MAN JÁ BHÁVITE PÁRE NÁ
ÁMI, TÁI BHEVECHI TÁI BHEVECHI
MAN JÁ BHÁVITE PÁRE NÁ
I think of that only, which my mind is unable to think of. I wanted to find moon in the
dark cave and a water fountain in the desert. Whatever I could imagine, I continued to get
more than that. In the darkness, I could see collection of hundreds of moon. In the
volcano I saw fountain of sweet water, which is nothing but causeless mercy. I have lost
the pleasure of achievement and become restless with the flow of feelings. During
meditation in the mind I could know Him, which cannot be known through scriptures.
3130 (07/09/1985) K
TUMI, ÁNDHÁR NISHÁY DHRUVATÁRÁ
DÁO NÁ HOTE PATH HÁRÁ
ÁMI VEŃUKÁR KÁNANE DISHÁ HÁRÁ
VAN HARIŃIR ÁNKHI TÁRÁ
DÁO NÁ HOTE PATH HÁRÁ
VAN MARMARE TRASTA CAKITA
ÁÁÁÁÁÁÁÁÁÁ
VAN MARMARE TRASTA CAKITA
SADÁ SHAUNKITA BHÁVANÁY JAŔITA
TABU TUMI MORE CEYE MANER MAMATÁ DIYE
DÁO DEKHIYE CALIVÁR ISHÁRÁ
DÁO NÁ HOTE PATH HÁRÁ
KASTÚRI KURAUNGA SAMA CHÚT́I
ÁÁÁÁÁÁÁÁÁÁ
KASTÚRI KURAUNGA SAMA CHÚT́I
NIJERI ÁNDHÁRE BHIITA HOYE UT́HI
DEKHINÁ ÁLOK REKHÁ UT́HECHE PHÚT́I
MANER GAHANE BHÁSE SHATA DHÁRÁ
DÁO NÁ HOTE PATH HÁRÁ
TUMI, ÁNDHÁR NISHÁY DHRUVATÁRÁ
DÁO NÁ HOTE PATH HÁRÁ
O Lord, You are pole star of the dark night, You would not let anyone lose his path. I
have lost the proper direction trapped in the forest of bamboos. You are the pupil of eyes
of the wild deer. She is always afraid and surprised, scared and engrossed in doubtful
thoughts. Still, You looked at me and offered mental affection. You provided direction for
movement. Rushing like the musk deer, raising fear in own darkness, I did not see that the
ray of light has arisen and appears in the depth of the mind in hundreds of flows.
3131 (08/09/1985) K
GÁNERI MÁJHÁRE PEYECHI TOMÁRE
SURERI DOLÁY TUMI DOLO
SAB CETANÁR TUMI SAMÁHÁR
AYUTA DHÁRÁY NECE CALO
SURERI DOLÁY TUMI DOLO
ATANDRA ÁNKHI DIVÁ GHANÁY ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
ATANDRA ÁNKHI DIVÁ GHANÁY ÁCHO
MAMATÁ MADHU KE NIJEKE CHAŔIYECHO
CHANDE RÚPE RÁGE SATTÁ SAḾVEGE
BHÁVE BHÁVÁTIITE UDDVELO
SURERI DOLÁY TUMI DOLO
TOMÁR BÁHIRE KICHU NÁHI ÁCHE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR BÁHIRE KICHU NÁHI ÁCHE
TOMÁRI MANANE BHUVAN NÁCITECHE
TAVA CARAŃ GHIRE KOMAL MADHURE
ÁPÁTAH KAT́HORE DHVANI TOLO
SURERI DOLÁY TUMI DOLO
GÁNERI MÁJHÁRE PEYECHI TOMÁRE
SURERI DOLÁY TUMI DOLO
O Lord, within songs, I found You. You oscillate on the swing of melody. You are the
aggregate of all consciousness, and go on dancing with innumerable flows. You have
intensely alert eyes like daytime and scattered Yourself as sweet affection. With rhythm
melody, beauty and impulse of existence, You are restless within and beyond feelings.
There is nothing outside You. The whole world dances within Your mind, revolving around
Your feet and You raise the sounds soft and sweet, though apparently harsh.
3132 (08/09/1985) D
ÁMÁR ÁMI BHESE GECHE
SHROTER JALE PHÚLER MATO
JÁY NI RÁKHÁ TÁKE KÁCHE
JAD́A BÁNDHANE AVIRATO
SHROTER JALE PHÚLER MATO
DINE RÁTE NÁNÁN BHÁVE
ÁÁÁÁÁÁÁÁÁÁ
DINE RÁTE NÁNÁN BHÁVE
CEYE CHILUM ANUBHAVE
BHÁVA SARITÁR SAB ABHÁVE
RAUNGA LÁGÁTE SHATA SHATA
SHROTER JALE PHÚLER MATO
SONÁR KHÁINCÁR SEI JE ÁMI
ÁÁÁÁÁÁÁÁÁÁ
SONÁR KHÁNCÁR SEI JE ÁMI
D́ÁKLE KAKHAN TÁKE TUMI
NILE T́ENE SHIIRŚA CÚMI
BOLALE RAUNGE HÁRÁONITO
SHROTER JALE PHÚLER MATO
ÁMÁR ÁMI BHESE GECHE
SHROTER JALE PHÚLER MATO
My “I” feeling went floating in the water of stream like flower. It is impossible to
keep it held close continuously in the bondage of inert substances. Day and night in
various thoughts, I have been feeling so. In the stream of thoughts devoid of anything
hundreds and hundreds of colours were put. I was placed in a golden cage, when You called
and took to the top telling that I should not get lost in the colours.
3133 (08/09/1985) D
ÁMÁKE TUMI BHOLONIKO
TOMÁKE ÁMI BHÚLECHI
TOMÁR ÁSHRAYE THEKE
TOMÁR PÁNE NÁHI CEYECHI
TOMÁKE ÁMI BHÚLECHI
GHANA VANE ÁPAN MANE
ÁÁÁÁÁÁÁÁÁÁ
GHANA VANE ÁPAN MANE
GECHI MADHUR ANVEŚAŃE
UPAL GHÁYE ÁGHÁT PEYE
KENDE TOMÁY D́EKECHI
TOMÁKE ÁMI BHÚLECHI
NIDÁGH TÁPE MARMÁGHÁTE
ÁÁÁÁÁÁÁÁÁÁ
NIDÁGH TÁPE MARMÁGHÁTE
LÁINCHANÁTE VYATHITA CITE
DÁRUŃ SHOKE SANTVANÁTE
TOMÁY KÁCHE PEYECHI
TOMÁKE ÁMI BHÚLECHI
ÁMÁKE TUMI BHOLONIKO
TOMÁKE ÁMI BHÚLECHI
O Lord, You do not forget me though I have forgotten You. I did not look towards You
though remaining under Your shelter. In the dense forest of my mind, I went in the search
of sweetness. Injured by stone, getting hurt, I cry calling You. During intense heat, by
blow at the core, afflicted heart due to humiliation, and during intense sorrows, I found
You close.
3134 (08/09/1985) K
MRIG NAYANÁ MORE BOLO NÁ
KÁR TARE TUMI ETA KÁNDO NISHI DIN
ÁSIBE BOLE JE GECHE CALE
TÁR PAR BHULE GECHE KE SE MAMATÁHIIN
KÁR TARE TUMI ETA KÁNDO NISHI DIN
ALAK GUCCHA TAVA ÁKÁSHE UŔE
ÁÁÁÁÁÁÁÁÁÁ
ALAK GUCCHA TAVA ÁKÁSHE UŔE
MANER IISHÁN KOŃE MEGHER JHAŔE
TABU SE TÁKÁLO NÁ VEDANÁ BUJHILO NÁ
DÚRE RAHIYÁ GELO KEMANE SE KAT́HIN
KÁR TARE TUMI ETA KÁNDO NISHI DIN
ÁNAMANE CEYE ÁCHO DÚRÁKÁSHE
ÁÁÁÁÁÁÁÁÁÁ
ÁNAMANE CEYE ÁCHO DÚRÁKÁSHE
MAN TAVA BHESE JÁY DIIRGHA SHVÁSE
SE KI TABU ÁSIBE NÁ KE SE CIR ACIN
KÁR TARE TUMI ETA KÁNDO NISHI DIN
MRIG NAYANÁ MORE BOLO NÁ
KÁR TARE TUMI ETA KÁNDO NISHI DIN
O deereyed, tell me, for whom you cry so much day and night? Who is that affection less
that went away announcing return back and then forgot? Your tuft of hair blows into the
sky, and in the northeastern corner of your mind, clouds rain. Still He did not see and
understand your pain, how harshly did He remain away? Unmindfully you look at the distant
sky, and you mind goes on floating with long breath. Will He not come, Who is that ever
unknown?
3135 (08/09/1985) D
JAKHAN KEU TO CÁHE NÁI
TUMI MORE DEKHIÁ CILE
KÁCHE KEU ÁSE NÁI
TUMI BHÁLOBÁSIÁ CHILE
TUMI MORE DEKHIÁ CILE
TOMÁRI ÁNKHI TÁRÁY
ÁÁÁÁÁÁÁÁÁÁ
TOMÁRI ÁNKHI TÁRÁY
VASUDHÁRÁ SUDHÁ JHARÁY
ALAKÁR AMARÁ DYUTI
AKÁTARE D́HÁLIÁ CHILE
TUMI MORE DEKHIÁ CILE
ÁLOKE TUMI HÁSO
ÁÁÁÁÁÁÁÁÁÁ
ÁLOKE TUMI HÁSO
ÁNDHÁRE TUMII BHÁSO
ÁLO TAMASÁRI PÁRE
SURE RÁGE PRÁŃA BHARILE
TUMI MORE DEKHIÁ CILE
JAKHAN KEU TO CÁHE NÁI
TUMI MORE DEKHIÁ CILE
O Lord, when nobody wanted, You looked at me. When none came close, You loved me. In the
pupil of Your eyes, nectar of the world flows. The heavenly immortal effulgence, You
poured on the afflicted. You smile during light, and shine in the darkness. Beyond the
light and darkness, You filled life with melodies and tunes.
3136 (09/09/1985) D
TOMÁRI ÁSÁRI ÁSHE
KATA RÁTI GECHE JEGE
KATA TITHI GECHE BHESE
TOMÁRI ÁSÁRI ÁSHE
PALE PALE PHÚL PARÁGE
KATA TITHI GECHE BHESE
SARVA GUŃER TUMII ÁDHÁR
ÁÁÁÁÁÁÁÁÁÁ
SARVA GUŃER TUMII ÁDHÁR
ANÁDI ANATA APÁR
ÁDI ANTA DUI ÁCHE ÁMÁR
MÁTI RÁGE ANURÁGE
KATA TITHI GECHE BHESE
TOMÁRI ÁSÁRI ÁSHE
NAVA RÚPE NAVÁLOKE
ÁÁÁÁÁÁÁÁÁÁ
NAVA RÚPE NAVÁLOKE
PHÚT́E OT́HO PRATI PALAKE
TAVA DHÁRÁY TOMÁRI MÁYÁY
NÁCI ÁMI SURE RÁGE
KATA TITHI GECHE BHESE
TOMÁRI ÁSÁRI ÁSHE
KATA RÁTI GECHE JEGE
KATA TITHI GECHE BHESE
TOMÁRI ÁSÁRI ÁSHE
O Lord. In the hope of Your arrival, how many nights have passed without sleep. How many
days have flown away counting each moment with floral fragrance. You are the base of all
attributes, without beginning, endless and unlimited. I have a beginning and an end both
frenzied with attachments and love. In new form, with new light, keep rising each moment.
In Your flow by Your ma’ya’, the illusion, I dance with tune and melody.
3137 (09/09/1985) D
SARITÁR DHÁRÁ BAHE JÁY
KOTHÁ JÁY KOTHÁ JÁY
URMIMÁLÁY JHAUNKÁR TULE
KON SÁGARE BUKE HÁRÁY
KOTHÁ JÁY KOTHÁ JÁY
KON HIMAVÁH THEKE NEVE CHILO
ÁÁÁÁÁÁÁÁÁÁ
KON HIMAVÁH THEKE NEVE CHILO
KON GIRI GÁTRE UTSÁRILO
KATA UPADHÁRÁ SÁTHE MISHE CHILO
SABAI RAYE GECHE AJÁNÁY
KOTHÁ JÁY KOTHÁ JÁY
KATA JANAPADA PATH KARE DILO
ÁÁÁÁÁÁÁÁÁÁ
KATA JANAPADA PATH KARE DILO
ÁNANDA KOLÁHALA PATHE CHILO
KATA SMASHÁNER CITÁ JVALE CHILO
BHAŚMA D́HÁLIÁ E DHARÁY
KOTHÁ JÁY KOTHÁ JÁY
SARITÁR DHÁRÁ BAHE JÁY
KOTHÁ JÁY KOTHÁ JÁY
The current of stream goes on flowing, where does it go? Raising the murmur of the series
of waves, into which ocean does it get lost? From which glacier it came down, through
which body of hills it emanated? How many sub currents it merged together? All remains
unknown. Through how many towns it has made the way on which much noise and pleasures were
present? How many cremation places it has burnt the funeral pyres pouring the ashes on the
earth?
3138 (09/09/1985) D (Krsna)
NÁ JÁNIYÁ BHÁLOBESECHI
BESE DEKHI JÁNÁ NÁHI JÁY
ÁÁÁÁÁÁÁÁÁÁ
MADHUR HÁSIR MOHAN BÁNSHII
ÁŔÁLE THÁKE SE SHYÁM RÁY
BESE DEKHI JÁNÁ NÁHI JÁY
BHÁVE JE YAMUNÁ UJÁNETE DHÁY
ÁÁÁÁÁÁÁÁÁÁ
BHÁVE JE YAMUNÁ UJÁNETE DHÁY
TÁRE BHÚLE SHYÁM JÁY DVÁRAKÁY
NANDA YASHODÁ DILO SNEHA SUDHÁ
TÁDER PÁNEO NÁHI TÁKÁY
BESE DEKHI JÁNÁ NÁHI JÁY
JE GOPIKÁ DILO PARÁŃERA MADHU
ÁÁÁÁÁÁÁÁÁÁ
JE GOPIKÁ DILO PARÁŃERA MADHU
TÁDERO TYÁJILO SE JYOTSNÁ VIDHU
CAKITA HARIŃII PREKŚAŃÁ SHUDHU
KÁNDIÁ KÁNDIÁ KÁLA KÁT́ÁY
BESE DEKHI JÁNÁ NÁHI JÁY
Unknowingly I have loved, even on observation, it is not possible to know. That Shya’m
Ra’y remines hidden with sweet smile and charming flute. The Yamuna’ river that
overflows with impulse, forgetting that Shyam is going to Dvaraka’. Nanda and Yashoda’
had given nectar of affection. He is not looking even at them. The cow maids who offered
the sweetness of their lives to Him, He left that too that illuminating moon. Only like
observation of the astonished frightened deer, the time passes crying.
3139 (09/09/1985) K
YADI, NÁ ÁSIBE TABE KENO
BHÁLOBESE CHILE
YADI NIKAT́E ESE NÁHI HÁSIBE
KENO TÁKIE CHILE
BHÁLOBESE CHILE
KENO
KÁLÁKÁLE TAVA BÁNSHURII D́ÁKE
ÁÁÁÁÁÁÁÁÁÁ
KÁLÁKÁLE TAVA BÁNSHURII D́ÁKE
MANTRA MUGDHA KARE DEY ÁMÁKE
KHUSHIR ÁLO DEKHI MEGHERI PHÁNKE
E LIILÁ KOTHÁ SHIKHILE
BHÁLOBESE CHILE
GHARETE MAN T́EKE NÁ BÁHIRE CHÚT́I
ÁÁÁÁÁÁÁÁÁÁ
GHARETE MAN T́EKE NÁ BÁHIRE CHÚT́I
BÁHIRE THEKEO MAN KORAKE PHÚT́I
PARÁGER MADHU MEKHE ABHÁVE LÚT́I
BOLONI KI JE CÁHILE
BHÁLOBESE CHILE
SHITHILA KABARII MOR UŔE VÁTÁSE
ÁÁÁÁÁÁÁÁÁÁ
SHITHILA KABARII MOR UŔE VÁTÁSE
DEKHI NÁKO KÁRÁ ÁSE ÁSHE PÁSHE
BHÁVI NÁKO KE KII KAY KE KÁNDE HÁSE
SAB BHÚLIYE DILE
BHÁLOBESE CHILE
YADI, NÁ ÁSIBE TABE KENO
BHÁLOBESE CHILE
O Lord, if You would not come then why did you love? If You do not smile on coming close
why did You see? Why does Your flute calls me from time to time? That makes me charmed.
Through the gaps of clouds, I see the light of joy. Where did You learn this illusive game
liila? The mind does not stay in home and rushes out. Staying outside the core of mind
blooms. Smearing with honey from the pollen, the shortage is looted; tell me what is that
You want? The loose chignon of mine blows in the wind, I do not see who is coming nearby.
I do not think who is telling what and who is crying, I have forgotten all.
3140 (10/09/1985) K
ATANU RÁGE ANURÁGE
PHÚL PARÁGE KE ELO BHESE
KATHÁ NÁHI KAY SHUDHU CEYE RAY
GUL BÁGICÁR KORAKE ESE
PHÚL PARÁGE KE ELO BHESE
ÁJIKE MAN ÁVESHE BHARÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁJIKE MAN ÁVESHE BHARÁ
BHÁVER SARITÁ UJÁNE BHARÁ
KÁHÁRI T́ÁNE SE SHUDHU JÁNE
E PARIVESHE ELO HARAŚE
PHÚL PARÁGE KE ELO BHESE
ÁJIKE TÁI BUJHITE NÁRI
ÁÁÁÁÁÁÁÁÁÁ
ÁJIKE TÁI BUJHITE NÁRI
SHATA RÚPE KENO EKERI HERI
EKERI KATHÁ HOYE SHATADHÁ
SHATA BHÁVE KENO HÁSE ÁKÁSHE
PHÚL PARÁGE KE ELO BHESE
ATANU RÁGE ANURÁGE
PHÚL PARÁGE KE ELO BHESE
With bodiless hue and love, and floral fragrance, Who came floating? He does not speak
only observes and came into the cores of the floral garden. Today the mind is full of
impulse, the stream of feelings overflows. Under Whose pull, He only knows, in this
environment He came joyfully. Today I am unable to understand Him. In hundreds of forms
why should I search the One? The affairs of One became flowing in hundreds of ways, why
does He smile in the sky in hundreds of ways?
3141 (10/09/1985) D
GÁNER MÁLÁ TOMÁR GALE
PARIYE DILUM PRIYATAMA
THÁKUK KÁCHE SUVÁS ÁCHE
NITYA NÚTAN PRÁŃER MAMA
PARIYE DILUM PRIYATAMA
MOR BAGÁNE JÁ CHILO PHÚL
ÁÁÁÁÁÁÁÁÁÁ
MOR BAGÁNE JÁ CHILO PHÚL
MADHU GANDHE VARŃE ATUL
SABÁI TÁRÁ CHILO ÁKUL
TOMÁY PETE HE ANUPAMA
PARIYE DILUM PRIYATAMA
LIILÁR RASE SABÁI ÁSE
ÁÁÁÁÁÁÁÁÁÁ
LIILÁR RASE SABÁI ÁSE
ESEI PUNAH DÚRE BHÁSE
CALÁR CHANDE KÁNDE HÁSE
INDRA DHANU SAMA
TUMI E KÁ KÁLÁTIITA
TOMÁY NAMAH NAMAH
PARIYE DILUM PRIYATAMA
GÁNER MÁLÁ TOMÁR GALE
PARIYE DILUM PRIYATAMA
O the Dearest, the garland of songs, I have placed around Your neck. O the ever new life
of mine, stay close with fragrance. In my garden whatever flowers were present, with
incomparable colour and sweet fragrance, all of them are restless to get You O the
Matchless. All come in the flow of Your divine game, liila, and after coming again they
float away far. With the rhythm of movement, they cry and smile, like a rainbow. You are
only beyond time factor, thus I salute You.
3142 (10/09/1985) D
CHALA CHALA COKHE ÁMI
CHALA CHALA COKHE ÁMI
BOLIYÁ CHILÁM TOMÁY
JE PATH DEKHÁLE TUMI
BOLO TÁR SHEŚA KOTHÁY
BOLO TÁR SHEŚA KOTHÁY
PATH CALECHE SUMUKHE
ÁÁÁÁÁÁÁÁÁÁ
PATH CALECHE SUMUKHE
ÁNDHÁRE PICHANE REKHE
USHÁR KIRAŃ MEKHE
JIIVANE BHARIYÁ SUDHÁY
BOLO TÁR SHEŚA KOTHÁY
TUMI MORE BOLE CHILE
ÁÁÁÁÁÁÁÁÁÁ
TUMI MORE BOLE CHILE
SHEŚA ÁDI KATHÁ BHÚLE
NITYA DHÁME JE DOLE
DHARO TÁRE BHÁVANÁY
BOLO TÁR SHEŚA KOTHÁY
CHALA CHALA COKHE ÁMI
CHALA CHALA COKHE ÁMI
BOLIYÁ CHILÁM TOMÁY
O Lord, with tearful eyes, I had asked You, “ The path that You have shown, tell me
where is the end of that? The path moves ahead leaving the darkness behind, smeared with
rising sun’s rays, filling nectar in life”. You had told, “ Forgetting the details
of beginning and end, the One who ever vibrates in the eternal arena, hold Him in
ideation.
3143 (10/09/1985) K
CHÁPIYE KÁJAL ÁNKHITE CHILO JALA
KENO BUJHI NÁ BOLITE PÁRI NÁ
NÁMIYE BÁDAL KARIYÁ UCCHALA
SE JE CALE GELO KOTHÁ JÁNI NÁ
KENO BUJHI NÁ BOLITE PÁRI NÁ
BHEVE CHILUM JHARÁBO NÁ ÁNKHI DHÁR
ÁÁÁÁÁÁÁÁÁÁ
BHEVE CHILUM JHARÁBO NÁ ÁNKHI DHÁR
JE DÚRE SARE JÁY SE KI GO ÁMÁR
MANERI NIBHRITE BHÁVERI SAḾGIITE
DEKHI SE RAYE GECHE UPACE EŚÁŃÁ
KENO BUJHI NÁ BOLITE PÁRI NÁ
MÁN ABHIMÁN KARIYÁ LÁBH NÁI
ÁÁÁÁÁÁÁÁÁÁ
MÁN ABHIMÁN KARIYÁ LÁBH NÁI
SADÁ GHURE CALI TÁHÁRE GHERIYÁI
PRATI PALAKE ÁLOKE PULAKE
MANANE SE HÁSE JÁ BHOLÁ JÁY NÁ
KENO BUJHI NÁ BOLITE PÁRI NÁ
CHÁPIYE KÁJAL ÁNKHITE CHILO JALA
KENO BUJHI NÁ BOLITE PÁRI NÁ
Covering the decoration mark, the eyes were full of tears, why that so, I am unable to
understand and say. Bringing clouds, and making restless, He went away, where, I do not
know. I had thought, I shall not weep flowing tears, if He goes away, how can He be my
own. In the isolation of the mind, with the song of ideation, I saw that He remained and
the will arose. There is no use of ego or obtrusion, and I ever revolved around Him each
moment with bright joy. He smiles in the mind and that cannot be forgotten.
3144 (10/09/1985) K
KAKHANO TUMI HÁRÁO NÁ PRABHU
ÁMI, NIJER DOŚE DEKHI NÁ TOMÁY
ÁMI KRŚŃA VASANE D́HEKE ÁNKHI
ÁHVÁN KARI JAD́ATÁR TAMASÁY
ÁMI, NIJER DOŚE DEKHI NÁ TOMÁY
TUMI, ÁLO JVÁLO ÁMI MEGHE D́HÁKI
ÁÁÁÁÁÁÁÁÁÁ
TUMI, ÁLO JVÁLO ÁMI MEGHE D́HÁKI
TUMI, SE MEGHER PHÁNKE PHÁNKE CALO D́ÁKI
SEI ÁLOR MÁJHE ÁMI KÁJAL RÁKHI
TUMI SE KÁJAL ALAKŚYE PARÁO ÁMÁY
ÁMI, NIJER DOŚE DEKHI NÁ TOMÁY
TUMI, PHÚLE SÁJÁO ÁMI KIIT́E KÁT́I
ÁÁÁÁÁÁÁÁÁÁ
TUMI, PHÚLE SÁJÁO ÁMI KIIT́E KÁT́I
TUMI, SONÁLI REKHÁ ÁMI MARAŃ KÁT́HI
TAVA SVARŃA BELÁY ÁMI BÁLUKÁ MÁT́I
TUMI SE MÁT́ITE RACE JÁO SHYÁMAL DHARÁY
ÁMI, NIJER DOŚE DEKHI NÁ TOMÁY
KAKHANO TUMI HÁRÁO NÁ PRABHU
ÁMI, NIJER DOŚE DEKHI NÁ TOMÁY
O Lord, You never get lost, it is due to my own fault that I do not see You. Covering my
eyes with black cloth, I invoke the darkness of inertia. You kindle light and I cover that
with clouds. Still through the gaps of those clouds, You go on calling. Even in that
shine, I put charcoal. The same charcoal, unseen, You put over me. You decorate flowers
and I as a worm bite that. You are the golden ray of light and I am firewood for funeral
pyre. You are golden beach and I am muddy sand. But even with that mud, You go on creating
the green earth.
3145 (10/09/1985) D
GÁNER TARII BHESE JÁY
BHESE JÁY, BHESE JÁY
KON SARITÁR TIIR HOTE ÁSE
KON SÁGARER PÁNE DHÁY
BHESE JÁY, BHESE JÁY
SUDHÁR PASARÁ MARTYE ENECHE
ÁÁÁÁÁÁÁÁÁÁ
SUDHÁR PASARÁ MARTYE ENECHE
AMARÁR MADHU DHARÁY D́HELECHE
CHANDE O TÁLE BHUVAN BHARECHE
NÁM NÁ JÁNÁ DYOTANÁY
BHESE JÁY, BHESE JÁY
KATA ATIITER KÁHINI KAYECHE
ÁÁÁÁÁÁÁÁÁÁ
KATA ATIITER KÁHINI KAYECHE
SURER RABHASE MÁTIYE DIYECHE
UPALÁGHÁTE VYATHITA CITTE
VIIŃÁ JHAUNKÁRE MURACHÁY
BHESE JÁY, BHESE JÁY
GÁNER TARII BHESE JÁY
BHESE JÁY, BHESE JÁY
The boat of song goes on sailing. From the bank of which stream has it come and towards
which ocean it rushes. On the mortal world, nectar is brought, and heavenly sweet flow is
pored on this earth. The world is filled with rhythm and beats, by some unknown gesture.
It says many stories of the past, and intoxicates with the upsurge of melodies. The mind
afflicted with injury from stonehit, gets engrossed in the tinkling of viin’a’.
3146 (11/09/1985) K
JE AGNI SPHURLINGA DHRÁY CHAŔÁLE
TÁHÁR DHÁRÁY EGIYE CALE
JE VAHNI SHIKHÁ RÚPE ARÚPE
BHUVAN BHARIYÁ SATATA DOLE
TÁHÁR DHÁRÁY EGIYE CALE
SE PRÁŃA SHAKTI KEO NEVÁTE PÁRE NÁ
ÁÁÁÁÁÁÁÁÁÁ
SE PRÁŃA SHAKTI KEO NEVÁTE PÁRE NÁ
SE PRAYUKTI KEU BUJHIÁ UT́HE NÁ
SE SAḾSTHITI MÁJHE ÁCHE TAVA KARUŃÁ
SARVA BHÁVE ÁR SARVA KÁLE
TÁHÁR DHÁRÁY EGIYE CALE
ETO LIILÁ EKÁ TUMI KI RÚPE KARIYÁ JÁO
ÁÁÁÁÁÁÁÁÁÁ
ETO LIILÁ EKÁ TUMI KI RÚPE KARIYÁ JÁO
KONO BÁDHÁ VIPATTITE NÁHI THEME JÁO
HALÁHALA NIJE NIYE AMRTA VILÁYE DÁO
TÁI TAVA NÁME NATA SABE NIKHILE
TÁHÁR DHÁRÁY EGIYE CALE
JE AGNI SPHURLINGA DHRÁY CHAŔÁLE
TÁHÁR DHÁRÁY EGIYE CALE
O Lord, the sparks of fire that You have scattered on the earth, its flow goes on moving
forward. The flame of fire, You have kindled in the darkness, which, filling the whole
world constantly glows. That vital energy, no one is capable of extinguish. That
actuation, no one can understand. Within that orderly situation is Your mercy, from any
point of view and at all the time. So much divine activities in what way do You go on
performing, without pausing by any obstruction or affliction. You accept poison for
Yourself and distribute nectar. That is why at Your name whole world bows before You.
3147 (12/09/1985) K
JE KAMAL PHÚT́E CHILO SAROVARE UCCHALA
PRABHÁT SAMIIRE TÁR BHESE ÁSE PARIMALA
BÁHIRE JÁY NÁ DEKHÁ MANANEI THÁKE ÁNKÁ
MANA MÁJHE PHÚT́E THÁKE TRIBHUVANE SE VIRALA
PRABHÁT SAMIIRE TÁR BHESE ÁSE PARIMALA
SATATA UDBHÁSITA SÚRYER PÁNE ÁNKHI
ÁÁÁÁÁÁÁÁÁÁ
SATATA UDBHÁSITA SÚRYER PÁNE ÁNKHI
NIYATA JÁGIÁ THÁKE SAORA KIRAŃ MÁKHI
MRIŃÁLE YUKTA HOYE KARDAME NÁHI CHÚNYE
PULAKE HÁSITE THÁKE LIILÁ RASE SE CAPALA
PRABHÁT SAMIIRE TÁR BHESE ÁSE PARIMALA
E MÁN SAROVARA ÁMÁR NÁHI SHUKÁY
ÁÁÁÁÁÁÁÁÁÁ
E MÁN SAROVARA ÁMÁR NÁHI SHUKÁY
TÚHINE PUŚT́A HOYE NIDÁGHEO THEKE JÁY
TARAUNGE CHAL CHALA PRIITITE SMUJJVALA
YUGE YUGÁNTARE PAREO SUVIMALA
PRABHÁT SAMIIRE TÁR BHESE ÁSE PARIMALA
JE KAMAL PHÚT́E CHILO SAROVARE UCCHALA
PRABHÁT SAMIIRE TÁR BHESE ÁSE PARIMALA
The lotus that bloomed in the lake overwhelmingly, in this morning breeze, its fragrance
comes floating. It is not possible to see outside, but can be estimated only in the mind.
That lotus, rare in the three world, bloomed in the mind. The eyes are constantly opened
and directed towards the sun. It ever remains awake smeared with the solar rays. Even
after remaining attached with the stem, it does not touch the slime. It smiles with joy of
the restless flow of Your liila, the divine game. Let this Ma’nsarovar lake of mine
be never dried. Let it flourish with the snow and stay in the sun. Vibrant with the waves
brightened with the love, let it stay from ages to ages beautifully.
3148 (13/09/1985) K
SHABDA SPARSHA RÚPA RASE BHARE ÁCHO
MANER MUKULE TUMI MADHU ÁMÁRA
JÁNÁ VÁ AJÁNÁ JE PARICAYE RAYECHO
SARVA RIDDHIRI TUMI SAMÁHÁRA
MANER MUKULE TUMI MADHU ÁMÁRA
NIDÁGHER ASAHYA ÚŚŃA VÁYUR SHROTE
ÁÁÁÁÁÁÁÁÁÁ
NIDÁGHER ASAHYA ÚŚŃA VÁYUR SHROTE
SNIGDHA JHARAŃÁ SAMA THÁKO TUMI SÁTHE SÁTHE
VARAŚÁY VIŚIKTA KARDAMÁKTA PATHE
ŚAŚT́I SAMA TUMI LAKŚYE CALÁRA
MANER MUKULE TUMI MADHU ÁMÁRA
TOMÁR CÁOÁTE TOMÁKE JÁNÁ NÁ JÁNÁ
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR CÁOÁTE TOMÁKE JÁNÁ NÁ JÁNÁ
CÁHILEI JÁNIBO NAHILE RABE AJÁNÁ
TOMÁKE TUŚT́A KARÁ ÁMÁR SÁR SÁDHANÁ
SE VRATE PRÁRTHII ÁMI TAVA KARUŃÁR
MANER MUKULE TUMI MADHU ÁMÁRA
SHABDA SPARSHA RÚP RASE BHARE ÁCHO
MANER MUKULE TUMI MADHU ÁMÁRA
O Lord, You are full of the fundamental factors or inferences like that of sound, touch
light (form), flow and smell as sweetness in the flower buds of my mind. Whatever known or
unknown acquaintances are there, You are collection of all wealth. During unbearable
intensely hot winds, You stay with me together like soft, cool fountain. During turbid
path with rotten rainwater, You guide and goad towards the goal like the engel
s’as’t’i. Knowing or not knowing You depends upon Your sweet will, if You want, we
know You otherwise we remain ignorant. The essence of my spiritual endeavor is only to
satisfy You. Having that vow, I pray You for Your mercy.
3149 (14/09/1985) K
ÁKÁSHE SHÚNYE BHESE
PSARÁRÁ, KON SE DESHE JÁY
MANERI MAŃIKOT́HÁY SUR JHARIYE
KENO DOLÁ DEYA
KON SE DESHE JÁY
BHÁSE SE KISER ÁSHÁY
ÁÁÁÁÁÁÁÁÁÁ
BHÁSE SE KISER ÁSHÁY
KE JÁNE KÁR IISHÁRÁY
KON ÁLO LÁGALO BHÁLO
JÁRE SE PARÁŃ BHARE CÁY
KON SE DESHE JÁY
KE GO SE DÚRER PRIYA
ÁÁÁÁÁÁÁÁÁÁ
KE GO SE DÚRER PRIYA
SUDÚREO ÁKARŚAŃIIYA
SE SUDHÁ EI VASUDHÁ
NITE GIYE NIJEKE HÁRÁYA
KON SE DESHE JÁY
D́ÁKE NÁ KENO KÁCHE
ÁÁÁÁÁÁÁÁÁÁ
D́ÁKE NÁ KENO KÁCHE
KENO SE DÚRE RAYECHE
DÚRER PRIYA HIYÁY NIO
MANERI MAŃI MAINJÚŚÁYA
KON SE DESHE JÁY
ÁKÁSHE SHÚNYE BHESE
APSARÁRÁ, KON SE DESHE JÁY
In the void of the sky, the engels are soaring, to what place are they going? Flowing
fountain of melody in the mental casket, why oscillations come? With what expectations are
they floating, who knows under whose inspiration and indication? Which brilliance they
liked towards which they are going overwhelmingly. Who is their dear at the distance, who
attracts them from a distance? Losing oneself, they have gone to fetch that nectar to the
earth. Why does not He call close? Why does He stay far? That distant Dear has taken the
heart.
3150 (14/09/1985) K
TUMI, CARÁCARER PRIYA
CARÁCARER PRIYA
HE PRABHU ÁMÁRA
ANAL ANILE ÁCHO SABÁRE
GHIRE RAYECHO
SABÁR TUMI ÁDHÁRA
HE PRABHU ÁMÁRA
EKÁ TUMI GÚŔHA BHÁVE
ANEKER MÁJHE ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
EKÁ TUMI GÚŔHA BHÁVE
ANEKER MÁJHE ÁCHO
ÁKÁSHE PÁTÁLE GUŃE
SATTÁY BHARE ÁCHO
ANTARÁTMÁ SABÁKÁRA
HE PRABHU ÁMÁRA
LOKE BHÁVE ÁMI KARI
ÁMI NIYE GHAR KARI
ÁÁÁÁÁÁÁÁÁÁ
LOKE BHÁVE ÁMI KARI
ÁMI NIYE GHAR KARI
KINTU ÁMI TAVA CARAŃ RAJAH, HARI
BUDBUD E ÁMI TAVA KARUŃÁRA
HE PRABHU ÁMÁRA
O My Lord, You are dear of all living and nonliving entities of the world. You are in air
and fire and engulf everything. You are the base of all. As a singular entity with
intricate idea You pervade all. In sky and nether land, as existence of attributes, You
fill all. You are the inner soul of souls of all. O the stealer of sins, Hari, I live in
the world acting and making my own world, but I am the dust of Your feet. I am a bubble of
Your mercy.
3151 (16/09/1985) K
SHUKANO PÁTÁRÁ DRUME
JHARE JÁY
NAVA KISHALAYA HÁSI JHARÁY
SHUKANO PÁTÁRÁ DRUME
JHARE JÁY
ANÁHÚTA NÚTAN ESE DÁNŔÁY
PURONORÁ DÚRE HÁRÁY
NAVA KISHALAYA HÁSI JHARÁY
RÁUNGÁ KISHALAY HOYE SHYÁM VARŃA
ÁÁÁÁÁÁÁÁÁÁ
RÁUNGÁ KISHALAY HOYE SHYÁM VARŃA
SHYÁMAL SHAŚPA HOYE PIITA VARŃA
RAUNGER KHELÁ CALIÁCHE BHUVANE
KENDE ÁSE KŚAŃE HÁSE KOTHÁ BHESE JÁY
NAVA KISHALAYA HÁSI JHARÁY
KONO RAUNGII JÁY NÁKO RÁKHÁ DHARE
ÁÁÁÁÁÁÁÁÁÁ
KONO RAUNGII JÁY NÁKO RÁKHÁ DHARE
ARUŃA RAKTIMÁBHÁ JÁBEI SARE
SHUDHU TUMI CHILE ÁCHO THÁKIÁ JÁBE
SMARAŃA NILUM TÁI TAVA PÁY
NAVA KISHALAYA HÁSI JHARÁY
SHUKANO PÁTÁRÁ DRUME
JHARE JÁY
NAVA KISHALAYA HÁSI JHARÁY
The dry leaves from the tree fall off and new tender leaves smile. Uncalled new come and
stand, and old ones move away far. New red tender leaves become green, the green young
grass becomes yellow. The play of colours goes on in the world, coming with cries and
smiling in a moment, where are they float away. No colourful object can be held. The
crimson hue of the dawn also moves away. Only You existed, are present and will stay
hence I take shelter at Your feet.
3152 (18/09/1985) D
KOTHÁ HOTE ÁSI KOTHÁ JÁI BHÁSI
E KATHÁR KATHÁ BOLO MORE
ÁÁÁÁÁÁÁÁÁÁ
UTSA JÁNINÁ ANTA DEKHINÁ
CALIÁCHI KON SÁGARE
E KATHÁR KATHÁ BOLO MORE
NIJER ATIITA KICHUI JÁNINÁ
ÁÁÁÁÁÁÁÁÁÁ
NIJER ATIITA KICHUI JÁNINÁ
BHAVIŚYATO BUJHITE PÁRI NÁ
ATIITA BHAVIŚYATA MÁJHE
KE CÁLIYE CALE ÁMÁRE
E KATHÁR KATHÁ BOLO MORE
AKÁRAŃA NAY KICHUI BHUVANE
ÁÁÁÁÁÁÁÁÁÁ
AKÁRAŃA NAY KICHUI BHUVANE
KÁRAŃA NIHITA PRABHU TAVA MANE
KII ÁMI, KARUŃÁ KARE BOLO MORE
KÁLODADHIR UPAL TIIRE
E KATHÁR KATHÁ BOLO MORE
KOTHÁ HOTE ÁSI KOTHÁ JÁI BHÁSI
E KATHÁR KATHÁ BOLO MORE
O Lord, from where have I come and whereto I am floating away, the details of this affair
You tell me. I do not know the origin; do not see the end, to which ocean I go on moving.
I do not know my own past, cannot understand the future. Between the past and the future
Who is moving me? Nothing in the world is without a cause. But the cause is located within
Your mind, O Lord. Who am “I”, at the rocky beach of the ocean of time, tell me
mercifully.
3153 (19/09/1985) D
ACIN DESHE BHÁVE BHESE
SE APSARÁ ESE CHILO
NANDITA SE CIDÁKÁSHE
MADHUR MOHAN HESE CHILO
SE APSARÁ ESE CHILO
SAKAL ANDHAKÁR SARÁLO
ÁÁÁÁÁÁÁÁÁÁ
SAKAL ANDHAKÁR SARÁLO
ÁLOR TARAUNGA BAHÁLO
MANDÁNILE SHIKHÁNALE
SABÁRE PATH DEKHÁLO
SE APSARÁ ESE CHILO
BOLALE ÁMI SABÁR TARE
ÁÁÁÁÁÁÁÁÁÁ
BOLALE ÁMI SABÁR TARE
KEU THEKO NÁ ANDHAKÁRE
JE ÁLO ÁJI JVALILO
TOMÁR SAUNGE RAYE GELO
SE APSARÁ ESE CHILO
ACIN DESHE BHÁVE BHESE
SE APSARÁ ESE CHILO
From the unknown arena, floating through the feelings, that angel came joyfully into the
firmament of the mind and smiled with sweet charm. All darkness vanished, waves of light
flowed. With the torch flame in the gentle breeze, He has shown the path. He told,” I
am for all, nobody stay in darkness. The light that I have kindled today would remain with
you.
3154 (19/09/1985) K
MAN KE NIYE E KII LIILÁ
KARE CALECHO PRATIKŚAŃE
MAN JE ÁMÁR EI BHÁVANÁY
ÁÁÁÁÁÁÁÁÁÁ
MAN JE ÁMÁR EI BHÁVANÁY
BHAVA VEDANÁY RÁTE DINE
KARE CALECHO PRATIKŚAŃE
TOMÁR DEOÁ E MAN ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR DEOÁ E MAN ÁMÁR
TOMÁR GUŃAI ERA BHÁVÁDHÁR
TOMÁKE BHÚLE THÁKATE GELE
JAD́E MISHE JAD́A HOI PRÁŃE
KARE CALECHO PRATIKŚAŃE
TOMÁY BHÁVÁ TOMÁTE BHÁSÁ
ÁÁÁÁÁÁÁÁÁÁ
TOMÁY BHÁVÁ TOMÁTE BHÁSÁ
TOMÁR TAREI KÁNDÁ HÁ
MADHU JHARÁK SAḾGOPANE
KARE CALECHO PRATIKŚAŃE
MAN KE NIYE E KII LIILÁ
KARE CALECHO PRATIKŚAŃE
O Lord, taking the mind what a divine play, liila, You go on playing each moment. My
mind is ever engrossed in the thought of worldly pains and pleasures, day and night. This
mind of mine is given by You. Your attribute is its base. By forgetting You, my life
becomes inert mixed with inanimate. By Your thought I think, the language also comes from
You. My crying and smiling is for You. Your song is immortal song, and emanates sweetness
secretly.
3155 (19/09/1985) D
ÁMI TOMÁY NÁHI JÁNI
TUMI JÁNO PRABHU ÁMÁRE
BRIHAT TOMÁY KÁCHE NÁ T́ÁNI
BAŔA KARE JÁI NIJERE
TUMI JÁNO PRABHU ÁMÁRE
ÁMÁR JIIVAN SIIMÁ DIYE GHERÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR JIIVAN SIIMÁ DIYE GHERÁ
ÁTMA PARER VIBHEDE BHARÁ
TAVA SAḾSÁR AVÁRITA DVÁR
ARGAL THÁKITE NÁ PÁRE
TUMI JÁNO PRABHU ÁMÁRE
BÁRE BÁRE ÁMI ÁSIÁI HETHÁ
ÁÁÁÁÁÁÁÁÁÁ
BÁRE BÁRE ÁMI ÁSIÁI HETHÁ
VYAKTA KARITE NIJERI KATHÁ
ANANTA KÁJE NIRATA THEKE
BOLO NÁ SABI JE JÁO KARE
TUMI JÁNO PRABHU ÁMÁRE
ÁMI TOMÁY NÁHI JÁNI
TUMI JÁNO PRABHU ÁMÁRE
O Lord, I do not know You, but You know me. O Great, I never pulled You close, rather I
went on making myself big. My life is bounded by limitations, full of the distinction of
own and others. In the unbarred door of Your arena, no closing bolt can be used. I come
here again and again, expressing my own affairs. Busy in endless jobs; tell me all that
You do.
3156 (22/09/1985) D
TUMI MAHESHA, TUMI MAHESHA
TUMI HARI TOMÁY ÁMI PRAŃÁM KARI
MANE PRÁŃE TOMÁY VARI
ÁCHI TOMÁR CARAŃ DHARI
TOMÁY ÁMI PRAŃÁM KARI
DINER ÁLOY TUMII SAKHÁ
ÁÁÁÁÁÁÁÁÁÁ
DINER ÁLOY TUMII SAKHÁ
RÁTER KÁLOY PRADIIP SHIKHÁ
HIYÁR MÁJHE MOHAN SÁJE
HÁSO NÁCO ÁMÁY BHARI
TOMÁY ÁMI PRAŃÁM KARI
ÁSÁ JÁOÁ NÁI KO TOMÁR
ÁÁÁÁÁÁÁÁÁÁ
ÁSÁ JÁOÁ NÁI KO TOMÁR
KÁLÁVADHI MÁNE JE HÁR
SURE SURE BÁNSHI PÚRE
KÁLÁNTARE BHÁSÁO TARII
TOMÁY ÁMI PRAŃÁM KARI
TUMI MAHESHA, TUMI MAHESHA
TUMI HARI TOMÁY ÁMI PRAŃÁM KARI
O The Greatest God, You are Hari, stealer of sins. I salute You. I adore You
wholeheartedly and keep Your feet held. You are the companion during daylight, and flame
of lamp during the darkness of the night. Within the heart, with charming adornment, You
dance and sing, fulfilling me. There is no coming and going for You. Even the limit of
time accepts defeat. With each melody of the flute, You float the boat beyond time.
3157 (23/09/1985) D
NIILÁKÁSHER ACIN DESHER
KE GO ELE MARME HESE
RIITI TOMÁR LIILÁ APÁR
SVAPNA GHERÁ MÁYÁY MESHE
KE GO ELE MARME HESE
NIILÁKÁSHER ACIN DESHER
TUMI ÁDI ANTA ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
TUMI ÁDI ANTA ÁMÁR
SAB JIIVANER SÁRÁTSÁR
JANMA JANMÁNTARERI BHÁR
NIYE JÁO ASIIME BHESE
KE GO ELE MARME HESE
NIILÁKÁSHER ACIN DESHER
KON KICHUI CÁO NÁKO
ÁÁÁÁÁÁÁÁÁÁ
KON KICHUI CÁO NÁKO
CÁOÁR PÁOÁR ÚRDDHVE THÁKO
MANER MADHU MANER MADHU
MANER MADHU HIYÁR MÁKHO
JYOTSNÁLOKE SMITÁBHÁSE
KE GO ELE MARME HESE
NIILÁKÁSHER ACIN DESHER
NIILÁKÁSHER ACIN DESHER
KE GO ELE MARME HESE
From the unknown arena of the blue sky, who came smilingly into my core? Your method of
divine play, liila, is unlimited. It is mixed with the illusory ma’ya’ and is
surrounded by dream. You are my beginning and end, essence of essence of all lives. All
the loads of sam’ska’rs, carried through life after life, You take away into infinity
floating. You never want anything, and stay above all desires and achievements. You smear
the honey of mind into the heart in moonlight with smile.
3158 (24/09/1985) K
ÁKÁSHE KÁLO MEGH BHESE JÁY
ÁKÁSHE KÁLO MEGH BHESE JÁY
NIIP SHÁKHÁTE SHIKHI KÁKE CÁY
ÁKÁSHE KÁLO MEGH BHESE JÁY
JALA SIKTA KŚITI PRIITITE SURABHI D́HÁLE
ÁÁÁÁÁÁÁÁÁÁ
JALA SIKTA KŚITI PRIITITE SURABHI D́HÁLE
MEGH GARJANE VÁYU SVANANE TARU DOLE
AJÁNÁ PATHIK E KII LIILÁ KARE CALE
KÁCHE ÁSE DÚRE HÁRÁY
ÁKÁSHE KÁLO MEGH BHESE JÁY
ARGAL RUDDHA ÁJI BHAVANE BHAVANE
ÁÁÁÁÁÁÁÁÁÁ
ARGAL RUDDHA ÁJI BHAVANE BHAVANE
ÁRO MEGH JAME CALE MANERI IISHÁN KOŃE
ARGAL KHULE ESO MISHE JÁI TÁRII SANE
ÁNDHÁRE JE JYOTI VARAŚÁY
ÁKÁSHE KÁLO MEGH BHESE JÁY
The dark clouds go on floating in the sky. Sitting on the branch of niip tree, whom does
the peacock seek? The land, wet with water lovingly emanates fragrance, Due to thunder of
clouds, and sound of wind, the trees shake. What a divine game, liila, the unknown
traveler goes on performing? He comes close and then gets lost away. Today each house is
closed with bolts. And the clouds go on accumulating in the northeast corner of the mind.
Come opening the bolts, I want to merge with You, so that illuminations rain in darkness.
3159 (25/09/1985) K
TUMI, MUKULER LUKONO MADHU
VASUDHÁR SUDHÁ DHÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
MANANER MÁJHE PRATYABHIGYÁ
HÁRÁNO HIYÁR SMRITI BHARÁ
VASUDHÁR SUDHÁ DHÁRÁ
ÚŚÁR ARUŃODAYE TUMI RIDDHI
ÁÁÁÁÁÁÁÁÁÁ
ÚŚÁR ARUŃODAYE TUMI RIDDHI
SURE TÁLE LAYE BHÁVA SAḾVRIDDHI
KÁCHE ÁSÁ DÚRE JÁOÁ HÁRIYE ÁBÁR PÁOÁ
E LIILÁLNANDE PRIITI JHARÁ
VASUDHÁR SUDHÁ DHÁRÁ
KÁLER SÁGAR BELÁ TOMÁ PÁNE CÁY
ÁÁÁÁÁÁÁÁÁÁ
KÁLER SÁGAR BELÁ TOMÁ PÁNE CÁY
SONÁLI BÁLIR SÁTHE ÚRMI MÁLÁYA
KEU THEME THÁKE NÁKO SABE TUMI SADÁ D́ÁKO
SE D́ÁK HOYE NÁ KÁLE HÁRÁ
VASUDHÁR SUDHÁ DHÁRÁ
TUMI, MUKULER LUKONO MADHU
VASUDHÁR SUDHÁ DHÁRÁ
O Lord, You are honey hidden within the buds, flow of nectar on the earth. You are perfect
profound knowledge within the mind, full of the memories of lost hearts. You are the
wealth of the rising sun and development of feelings in the tune, melody or rhythm. Your
coming close, going away, losing and getting back again, in this blissful game Your love
emanates. The seashore wants You along with series of waves and golden beach. In order
that nobody stops behind, You ever call everybody. That call is never lost in time.
3160 (26/09/1985) D
ÁJ, KENO ELO SE JE KENO GELO
PHÚL PHÚT́IYE ÁLO JHARIYE
MAN KE MÁTIYE KENO DILO
KENO ELO SE JE KENO GELO
KATA KENO MANE ÁSE ÁR JÁY
ÁÁÁÁÁÁÁÁÁÁ
KATA KENO MANE ÁSE ÁR JÁY
KONO KICHURI KINÁRÁ NÁ PÁY
BHÁVETE GELE MAN JE HÁRÁY
E KII LIILÁ RASE BHÁSÁLO
KENO ELO SE JE KENO GELO
TÁHÁKE BHÁVIYÁ ÁNANDA PÁI
ÁÁÁÁÁÁÁÁÁÁ
TÁHÁKE BHÁVIYÁ ÁNANDA PÁI
JATA KLESHA VYATHÁ TÁHÁ BHULE JÁI
TÁKE CHÁŔÁ ÁR KICHU NÁHI CÁI
E KII PRIITI RÁGE SE RÁUNGÁLO
KENO ELO SE JE KENO GELO, ÁJ
KENO ELO SE JE KENO GELO
Today, why did He come and why did He go away? Blooming the flowers, scattering light why
did He intoxicate the mind? How many “whys” come and go in the mind, no shore is found
to that anyway. Thinking constantly of that, the mind gets lost. In what flow of divine
game, liila, He floated me away? By thinking of Him, I get bliss, and thus and all
pains and agonies I forget. Other than Him I do not want anything, in what sort of love
He coloured me?
3161 (27/09/1985) K
BHÚLO NÁ PRABHÚ
E TAVA KAŃÁRE BHÚLO NÁ
TOMÁ HOTE ÁSIÁCHI
TOMÁRI MÁJHE ÁCHI
TOMÁR BÁHIRE PHELO NÁ
E TAVA KAŃÁRE BHÚLO NÁ
BHÚLO NÁ PRABHÚ
E TAVA KAŃÁRE BHÚLO NÁ
SRIŚT́IR ÁDI HOTE
ÁCHO SÁTHE BHÁVA SHROTE
ÁÁÁÁÁÁÁÁÁÁ
SRIŚT́IR ÁDI HOTE
ÁCHO SÁTHE BHÁVA SHROTE
DAKHINA MALAYÁNILE
PRÁŃE PRÁŃE ÁCHO MILE
NIJERE DÚRE SARIYONÁ
E TAVA KAŃÁRE BHÚLO NÁ
BHÚLO NÁ PRABHÚ
E TAVA KAŃÁRE BHÚLO NÁ
JIIVA THÁKE DOŚE GUŃE
MOR DOŚE D́HÁKE GUŃE
ÁÁÁÁÁÁÁÁÁÁ
JIIVA THÁKE DOŚE GUŃE
MOR DOŚE D́HÁKE GUŃE
TAMASÁVRITA LOKE
KENDE MARI DUHKHE SHOKE
MOR PRATI NIDAYA HOYO NÁ
E TAVA KAŃÁRE BHÚLO NÁ
BHÚLO NÁ PRABHÚ
E TAVA KAŃÁRE BHÚLO NÁ
O Lord
please do not forget this tiny little entity of Yours.
I have come from You
and remain within You.
Please do not expel me.
Since the beginning of creation
You are together with me
in the stream of thought waves.
My life is mixed with Yours like sandal breeze.
Do not move me away from You.
In living beings
both good and bad qualities are inherent
but my defects surpass and engulf my merits.
In this darkness enveloped arena
I die, crying with pain and sorrows.
Please do not be unkind towards me.
................................................
Lord, don't forget this tiny little entity.
I have come from You
I remain within You.
So, please don't make me distant.
In a sweet ideational flow You are within me
from the beginning of creation.
As spring always brings the sweet sandle breeze
so my life is caught in Your life.
Please do not remain far from me.
Everybody has good and bad qualities
but my bad qualities far outshine my good ones.
So, caught in the sorrow of a dark night
please Lord don't be unkind to me.
3162 (27/09/1985) K
PATHA PÁNE CEYE THÁKI
ÁSHÁ BHARÁ ÁNKHI NIYE
YUGE YUGE ÁCHI JEGE
DEKHO NÁ TUMI TÁKIYE
ÁSHÁ BHARÁ ÁNKHI NIYE
GRIIŚME?
GRIIŚME? SHUKÁYE DEYA
ÁÁÁÁÁÁÁÁÁÁ
GRIIŚME? SHUKÁYE DEYA
VARAŚÁ? ÁNKHITE BHEJÁY
KUSHE KÁSHE NIILÁKÁSHE
SHARAT SHOBHÁY DEY BHÁSIYE
ÁSHÁ BHARÁ ÁNKHI NIYE
SÁDÁ MEGHER
SÁDÁ MEGHER BHELÁ BHOLÁY
ÁÁÁÁÁÁÁÁÁÁ
SÁDÁ MEGHER BHELÁ BHOLÁY
HEMANTERI HIMEL HAOÁY
SHISHIRE NÁ ELE PARE
VASANTE BOJHÁI KI DIYE
ÁSHÁ BHARÁ ÁNKHI NIYE
PATHA PÁNE CEYE THÁKI
ÁSHÁ BHARÁ ÁNKHI NIYE
O Lord, I am staying at the path, with eyes filled with hopes. I am awake since ages, but
You do not see me. Summer makes me dry, and rain wets the eyes. In the tall grasses and
blue sky, the autumn floats decoration. The yacht of white clouds with the cold wind
engrosses me. Even in winter You did not come, by offering what, You can make me
understand the spring?
3163 (28/09/1985) K (Krsna)
VARAŚÁ RÁTE. EI VARAŚÁ RÁTE
ÁNDHÁR DHARÁTE
TUMI KI PHELILE CARAŃ
MANETE ÁCHO JÁNI MANERI RÁJÁ MÁNI
BÁHIRE ELE KI KÁRAŃ
TUMI KI PHELILE CARAŃ
BÁHIRER JALADHÁRÁ ÁNKHI NIIRE HOLO HÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
BÁHIRER JALADHÁRÁ ÁNKHI NIIRE HOLO HÁRÁ
BÁHIRE MEGHER GHAT́Á MANETE BIJALI CHAT́Á
ERÁ KEU NÁ MÁNE BÁRAŃ
TUMI KI PHELILE CARAŃ
MAN YAMUNÁR NIIR UPACIÁ DUI TIIR
ÁÁÁÁÁÁÁÁÁÁ
MAN YAMUNÁR NIIR UPACIÁ DUI TIIR
UDDVEL ASTHIR ÁNANDE ADHIIR
GOKULER PHÚL KHONJE ANUKŚAŃ
TUMI KI PHELILE CARAŃ
VARAŚÁ RÁTE. EI VARAŚÁ RÁTE
ÁNDHÁR DHARÁTE
TUMI KI PHELILE CARAŃ
O Lord, during this rainy night, on the dark earth, You put forward Your step. I know You
are in the mind, and I accept You as King of my mind. For what reason did You come out?
Outside there is flow of water and eyes are also submerged in tears. Outside is
accumulation of clouds and inside shine of lightning. They do not accept any barrier. The
water in the mental Yamuna’ river overflows on both banks. It is restless overwhelmed
and impatient with bliss, looking for the flower of Gokul each moment.
3164 (30/09/1985) D
TUMI KATA LIILÁ KARE JÁO
KE BUJHIBE KII BHÁVANÁY
LIILÁ RASE NECE CALO
SE RASA SABÁRE NÁCÁY
TUMI KATA LIILÁ KARE JÁO
ANÁDI ATIITA HOTE
ÁÁÁÁÁÁÁÁÁÁ
ANÁDI ATIITA HOTE
UTSÁRITA BHÁVA SHROTE
PULAKETE OTAH PROTE
RAYECHO E KII DYOTANÁY
TUMI KATA LIILÁ KARE JÁO
AŃU KI BUJHIBE KABHU
ÁÁÁÁÁÁÁÁÁÁ
AŃU KI BUJHIBE KABHU
NIJA BALE TOMÁY PRABHU
KÁJE LÁGIYE JÁI TABU
JE BAL DIYECHO ÁMÁY
TUMI KATA LIILÁ KARE JÁO
O Lord, how many divine game, liila, You go on playing? Who can understand the mystery
behind all these? You are dancing in the flow of Your liila and that same flow makes
everyone else dance also. Right since beginingless past, You emanate in the stream of
ideation. With quiver, individually and collectively, You remain as effulgent figurative
expression. O Lord, will this unit mind ever be able to understand Your glory with its
own strength? Still I shall ever remain engaged in Your work with whatever strength You have
granted me.
3165 (08/09/1985) K
TOMÁR TARE MÁLÁ GÁNTHÁ
TOMÁR PÁNE CEYE THÁKÁ
KABARI PHÚLE SÁJÁNO
MANE MADHU BHARE RÁKHÁ
TOMÁR PÁNE CEYE THÁKÁ
DINER ÁLO TOMÁY D́ÁKE
ÁÁÁÁÁÁÁÁÁÁ
DINER ÁLO TOMÁY D́ÁKE
NISHÁR KÁLOR PHÁNKE PHÁNKE
KEMAN E BHÁVANÁ KE
BHÚLI JÁHÁ MARME MÁKHÁ
TOMÁR PÁNE CEYE THÁKÁ
VEŃII BÁNDHI KRIŚŃA D́ORE
ÁÁÁÁÁÁÁÁÁÁ
VEŃII BÁNDHI KRIŚŃA D́ORE
MADHUVANE BHÁVER GHORE
VIIŃÁR TÁRE CUPI SÁRE
KENO JVÁLÁO PRIITIR SHIKHÁ
TOMÁR TARE MÁLÁ GÁNTHÁ
TOMÁR PÁNE CEYE THÁKÁ
O Lord, for You I have threaded the garland, decorated chignon with flowers, filled
sweetness in the mind and seated looking for You. The daylight calls You, through the gaps
of darkness of the nights. How can I forget this feeling, which is absorbed in the core of
the mind? I have dressed my hairs with black thread, with intense ideation in the sweet
garden. Secretly on the strings of the viin’a’, why did You kindle the flame of love?
3166 (30/09/1985) K
TOMÁKE CEYECHI KENO NÁHI JÁNI
CEYECHI SHUDHU EI JÁNI
TUMI JÁNO KII
DHARÁTE ESECHI KENO BUJHI NÁ
ESECHI BUJHIO MÁNI
TUMI ENECHO KI
TUMI JÁNO KII
JIIVAN DULE JÁY BHUVAN DOLÁY
ÁÁÁÁÁÁÁÁÁÁ
JIIVAN DULE JÁY BHUVAN DOLÁY
BHÁVER DOLANÁY MADHUL MÁYÁY
THÁMÁ NÁHI JÁY PIICHE NÁ CÁOÁ JÁY
E LIILÁY YUKTI ÁCHE KI
TUMI JÁNO KII
ANSHUMÁLIR HE CIRA ANSHU
ÁÁÁÁÁÁÁÁÁÁ
ANSHUMÁLIR HE CIRA ANSHU
TÁMAS MANANE TUMI SITÁNSHU
TOMÁKE BHÚLE THÁKÁ VASANE ÁNKHI D́HÁKÁ
E VAEDUŚYA NAY KI PHÁNKI
TUMI JÁNO KII
TOMÁKE CEYECHI KENO NÁHI JÁNI
CEYECHI SHUDHU EI JÁNI
TUMI JÁNO KII
O Lord, I have loved You, why I do not know. I only know that I love, do not You know
that? With the oscillations of the world, the life also swings on the swing of the
feelings with sweet enchantment. It is impossible to pause and look back. What is the
reason behind this divine play, liila? O The evershining sun creating the rays, You are
also moon for the dark minds. Forgetting You with eyes covered with cloth, is not this
intellect only cheating?
3167 (02/10/1985) K
TOMÁKE GHIRIYÁ NÁCICHE VISHVA
MÁJHE TUMI ANUPAMA
SABÁRI MANANE EKAI DRISHYA
TUMI PRÁŃE PRAETI MAMA
MÁJHE TUMI ANUPAMA
SHUDHU MANANE NAO DHÁRAŃÁTEO TUMI
ÁÁÁÁÁÁÁÁÁÁ
SHUDHU MANANE NAO DHÁRAŃÁTEO TUMI
E BHAVA CAKRERA HE CAKRANEMI
BHÚMÁ BHÁVE PURUŚOTTAMA
MÁJHE TUMI ANUPAMA
SHAYANE SVAPANE JÁGARAŃE TUMI
ÁÁÁÁÁÁÁÁÁÁ
SHAYANE SVAPANE JÁGARAŃE TUMI
OTAH PROTA YOGE ÁCHO CITA CÚMI
NIRÁSHA HRIDAYE ÁSHÁ MAMA
MÁJHE TUMI ANUPAMA
TOMÁKE GHIRIYÁ NÁCICHE VISHVA
MÁJHE TUMI ANUPAMA
O Lord, whole world revolves around You, in which You are incomparable. In all minds there
only one scene, You are my heartfelt contentment. Only with constant ideation, You come
down into the meditative fold. O the periphery of the cycle of creation, You are also the
nucleus and axis, Purus’ottama of the Cosmic ideation. In sleep, dream or awaken state
You are present individually and collectively close to the mind. You are the hope of my
destitute mind.
3168 (03/10/1985) K
NIIRAVATÁTE ÁSONIKO
GÁNE GÁNE TUMI ELE
CHAL CÁTURITE BHÚLO NÁKO
BHÁLOBÁSÁY DHARÁ DILE
GÁNE GÁNE TUMI ELE
HE MOR PRIYATAMA SMITA PARÁG SAMA
ÁÁÁÁÁÁÁÁÁÁ
HE MOR PRIYATAMA SMITA PARÁG SAMA
SMRITITE UJJVALA BHUVANE ANUPAMA
NISHÁVASÁNE ÁSHÁ PÚRÁLE
GÁNE GÁNE TUMI ELE
MÁYÁ JÁLE GHERÁ KÁCHE KE DÚRE KARÁ
ÁÁÁÁÁÁÁÁÁÁ
MÁYÁ JÁLE GHERÁ KÁCHE KE DÚRE KARÁ
ÁVILATÁ TE BHARÁ MALINATÁY HÁRÁ
MANETE MÁDHURII MÁKHÁLE
GÁNE GÁNE TUMI ELE
NIIRAVATÁTE ÁSONIKO
GÁNE GÁNE TUMI ELE
O Lord, You do not come in silence, but though song after song You came. Without ignoring
deceit and cunningness, You came into fold by love. O my Dearest, You are like smiling
fragrance from pollen, bright in memory and unique in the world. You fulfill the hope at
the end of the night. Surrounding with the web of illusion, ma’ya’, You move away the
close ones far who are full of impurities and lost in dirt. You smear sweetness of the
mind.
3169 (04/10/1985) K
JE ÁLO TUMI JHARÁLE
NECE DIGANTE SE DHÁY
SIIMÁR PARIDHI MÁJHE SURABHI D́HELE
ASIIMER GIITIKÁ LEKHÁY
ÁSÁ ÁR JÁOÁ NIYE CALAMÁNATÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁSÁ ÁR JÁOÁ NIYE CALAMÁNATÁ
TÁTEI NIHITA TAVA PRIITIR KATHÁ
CHANDE SURE BHÁVÁNUBHÚTI BHARE
AŃU CITTER JHALAKÁY
NECE DIGANTE SE DHÁY
PÁINI TOMÁY BOLÁ JÁY NÁ KABHU
ÁÁÁÁÁÁÁÁÁÁ
PÁINI TOMÁY BOLÁ JÁY NÁ KABHU
NIJE ESE DHARÁ DIYE RAYECHO PRABHU
JAD́ATÁR KUÁSHÁY DEKHINÁ TABU
HESE CALO HIYÁ ALAKÁY
NECE DIGANTE SE DHÁY
JE ÁLO TUMI JHARÁLE
NECE DIGANTE SE DHÁY
O Lord, the effulgence that You have emanated, by that the horizon rushes dancing. Pouring
fragrance within the periphery of limitation, the song of infinity You write. The activity
of movement consists of coming and going. Within that is located the event of Your love.
Filled with rhythm, melody and experiences of feelings, its glimpses are shown in the
microcosmic unit minds. It cannot be said that I could not attain You, as You Yourself
arrive and come into folds. Still I do not see the fog of inertia; You go on smiling in
the heaven of the heart.
3170 (05/10/1985) K
TUMI ESECHO PRÁŃA D́HELECHO
ÁNDHÁR SARIYE DIYECHO
BHÁLO CEYECHO BHÁLOBESECHO
ÁPAN KARE T́ENE NIYECHO
ÁNDHÁR SARIYE DIYECHO
THÁKO GO THÁKO KÁCHE JEO NÁ DÚRE
ÁÁÁÁÁÁÁÁÁÁ
THÁKO GO THÁKO KÁCHE JEO NÁ DÚRE
MANANERA SHIKHI NÁCE TOMÁRE GHIRE
TUMI KI TÁKIYE DEKHECHO
ÁNDHÁR SARIYE DIYECHO
MANER HOMÁNALE TOMÁRI ÁLO JVALE
ÁÁÁÁÁÁÁÁÁÁ
MANER HOMÁNALE TOMÁRI ÁLO JVALE
PRÁŃER SHATADALE TAVA SURABHI DOLE
TUMI KII BHÚLITE PERECHO
ÁNDHÁR SARIYE DIYECHO
TUMI ESECHO PRÁŃA D́HELECHO
ÁNDHÁR SARIYE DIYECHO
O Lord, You came, poured out Your heart, and removed the darkness. You wanted benevolence
and You loved, making Your own You pulled the people. You stay, stay close, and never go
away. My mental peacock dances around You, are You not seeing that? In the oblation fire
of my mind, Your flame is kindled. In the hundredpetal lotus of my heart, Your fragrance
vibrates. Can You forget that?
3171 (18/09/1985) D
TANDRÁ JAKHAN COKHE NEVE ELO
TAKHAN MANE ÁNDHÁR CHILO
SHATA DHÁRE BAYÁ JIIVAN SARITÁ
KOTHÁ JÁBE NÁHI BUJHE CHILO
TAKHAN MANE ÁNDHÁR CHILO
JOÁRER JALA BHÁVE UCCHALA
ÁÁÁÁÁÁÁÁÁÁ
JOÁRER JALA BHÁVE UCCHALA
JAD́ÁKARŚAŃE CHILO CAINCALA
CÁNDER MÁDHURII ÁKÁSHE NÁ HERI
CÁNDERI VISHVE METE CHILO
TAKHAN MANE ÁNDHÁR CHILO
BHÁNT́Á ELO PARE JIIVAN JOÁRE
ÁÁÁÁÁÁÁÁÁÁ
BHÁNT́Á ELO PARE JIIVAN JOÁRE
UJÁNER JALA GELO DÚRE SARE
SÁMARTHYA NÁI SE DIKE TÁKÁI
JE VIDHU NIKAT́E T́ENE CHILO
TAKHAN MANE ÁNDHÁR CHILO
TANDRÁ JAKHAN COKHE NEVE ELO
TAKHAN MANE ÁNDHÁR CHILO
When drowsiness came down over the eyes, then the mind was in darkness. Flowing into
hundreds of currents, where the stream of life was going, I could not understand. The
water during the tide was overflowing with feelings, restless with the attraction of
materials. I did not seek the sweetness of moonlight in the sky, the moon that intoxicated
the world. Then flow of low tide came into tide of life, The over flown water receded back
far. I have no capacity to look towards that side, the moon that attracted close.
3172 (07/10/1985) D
ÁMÁR BHUVAN HÁRIYE GECHE
ÁNDHÁR MANER GAHAN KOŃE
KHUNJE BEŔÁI KÁNDI KÁNDÁI
SABÁR MANER SAḾGOPANE
ÁNDHÁR MANER GAHAN KOŃE
KÁNDÁBONÁ KAKHANO ÁR
ÁÁÁÁÁÁÁÁÁÁ
KÁNDÁBONÁ KAKHANO ÁR
NEIKO SAMA SHEFÁLII HÁR
SHISHIR SIKTA SARVARIKTA
BHÁVER GHARE NIRJANE
ÁNDHÁR MANER GAHAN KOŃE
ÁMÁR DHARÁ ÁMÁR GAŔÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR DHARÁ ÁMÁR GAŔÁ
DUHKHER DINE ÁKUL KARÁ
UCCHALATÁY UPACE PAŔÁ
URMI MÁLÁY SUKHER KŚAŃE
ÁNDHÁR MANER GAHAN KOŃE
ÁMÁR BHUVAN HÁRIYE GECHE
ÁNDHÁR MANER GAHAN KOŃE
My home is lost in the deep recess of the dark mind. With cries, I searched for that
secretly in everyone’s mind. I shall not cry any more. There is nothing like garland of
shefa’lii flowers, moist with dewdrops, in the totally empty house of feelings, in this
isolation. My world is my own creation, making me restless in the sorrowful days. It over
flows with restlessness, with series of waves during moments of pleasure.
3173 (07/10/1985) K
AJÁNÁ PATHIK ÁJIKE ELO
BHÁVITE PÁRINI EO HOTE PÁRE
ÁMÁR KUT́IIRE E KI GO HOLO
AJÁNÁ PATHIK ÁJIKE ELO
BHUVANE ESO PRIYA JIIVANE ESO
ÁÁÁÁÁÁÁÁÁÁ
BHUVANE ESO PRIYA JIIVANE ESO
HÁSIR MADHURIMÁ CHAŔIYE KÁCHE BASO
TOMÁR PRIITI BHÁSE ÁKÁSHE VÁTÁSE
PRÁŃER DYOTANÁ JÁGIYE TOLO
AJÁNÁ PATHIK ÁJIKE ELO
JIIVAN YAMUMÁ UJÁNE BAYE GELO
ÁÁÁÁÁÁÁÁÁÁ
JIIVAN YAMUMÁ UJÁNE BAYE GELO
SAB ÁVILATÁ ÁLOKE HÁRÁLO
DÚR KE KÁCHE PAR KE GHARE D́EKE NILO
MANER MÁDHURII UPACE DILO
AJÁNÁ PATHIK ÁJIKE ELO
The unknown traveler came today, I could not imagine how it was possible, what has
happened in my hut. O Dear, come into my home, my life and scattering the sweetness of
smile, sit close. Your love floats in sky and air. Awaken up the indication of vigor. The
flow of river Yamuna’ of my life has turned upwards. All impurities got lost into
effulgence. It called the distant ones close and others into the home, overflowing the
sweetness of the mind.
3174 (08/10/1985) K
E KII, MÁYÁ CHAŔIYE DILE ÁKÁSHE
HRIDAY BHARIYE DILE KII ÁSHE
ÁMÁR DHARÁY TÁI TUMI CHÁŔÁ KEHO NÁI
ÁTMA PARER SAB BHEDA HÁRÁLO
ÁÁÁÁÁÁÁÁÁÁ
ÁTMA PARER SAB BHEDA HÁRÁLO
DÚR KE NIKAT́E T́ENE NILO
BADDHA ARGAL KHULE GELO
TOMÁR PRIITIR SIIMÁ NÁHI PÁI
ÁMÁR DHARÁY TÁI TUMI CHÁŔÁ KEHO NÁI
ÁGUN LÁGIYE DILE PHÁGUNE
ÁÁÁÁÁÁÁÁÁÁ
ÁGUN LÁGIYE DILE PHÁGUNE
VISHIIRŃA PARŃE MOR KI GUŃE
LÚKIYE CHILE TUMI KON KHÁNE
KÁCHE PEYE E KATHÁI BHEVE JÁI
ÁMÁR DHARÁY TÁI TUMI CHÁŔÁ KEHO NÁI
E KII, MÁYÁ CHAŔIYE DILE ÁKÁSHE
HRIDAY BHARIYE DILE KII ÁSHE
ÁMÁR DHARÁY TÁI TUMI CHÁŔÁ KEHO NÁI
O Lord, what an enchanting ma’ya’ You have scattered in the sky. With what hope have
You filled the heart? Thus in my world, there is no one other than You. All distinction
between own and others is lost. You have pulled the distant ones close. The closed
doorbolts got opened; I cannot find the limit of Your love. In the spring season, You have
created fire of red flowers into the torn leaves of mine, what deserving quality did You
see in me? Where were You hidden, on finding You close, I go on pondering over that?
3175 (09/10/1985) K
TOMÁKE KÁCHE T́ÁNI
MANER SAKAL DVIDHÁ SARIYE DIYE
ÁR KEU NEIKO JÁNI
JE ÁMÁKE BOJHE MARMA CHUNYE
MANER SAKAL DVIDHÁ SARIYE DIYE
KATA DIN ÁSE JÁY
KATA NISHÁ ÁNKHI JHARÁY
ÁÁÁÁÁÁÁÁÁÁ
KATA DIN ÁSE JÁY
KATA NISHÁ ÁNKHI JHARÁY
KATA YUGA ÁNDHÁRE HÁRÁY
BHÁVER MADHURIMÁ KEŔE NIYE
MANER SAKAL DVIDHÁ SARIYE DIYE
PEYECHI SUKHE DUHKHE
HATÁSHÁY MARUR BUKE
ÁÁÁÁÁÁÁÁÁÁ
PEYECHI SUKHE DUHKHE
HATÁSHÁY MARUR BUKE
MÁNASER MÁYÁ MADHUKE
CÁOÁR, BÁHIRE JAKHAN JÁI HÁRIYE
MANER SAKAL DVIDHÁ SARIYE DIYE
TOMÁKE KÁCHE T́ÁNI
MANER SAKAL DVIDHÁ SARIYE DIYE
O Lord, I pull You close, leaving all dilemma of the mind. I do not know anyone else who
can understand me touching the core of the heart. Many days come and go. Many nights came
flowing tears in the eyes. Many ages are lost in darkness, snatching away the sweetness of
feelings. I found You in pain and pleasures, amid desert of disappointments, and
enchanting sweetness of the mind, when it loses itself going outside the arena of desires.
3176 (09/10/1985) D
ÁMI, GOLÁPER BÚKE SURABHI BHARIÁ JÁI
MOR JÁOÁR VIRATI NÁI
ÁMI ÁLOKER MUKHE JHALAK D́HÁLITE CÁI
MOR CÁOÁR SHEŚA NÁ PÁI
MOR JÁOÁR VIRATI NÁI
BHÁŚÁ PHOT́ÁI MAONA JIIVANE
ÁÁÁÁÁÁÁÁÁÁ
BHÁŚÁ PHOT́ÁI MAONA JIIVANE
KAL KÁKALITE HARIŃII NAYANE
SABÁKÁR MANE VIRALE VIJANE
MADHURIMÁ DHIIRE DHIIRE MÁKHÁI
MOR JÁOÁR VIRATI NÁI
SABÁKÁR KATHÁ SATATA BHÁVI
ÁÁÁÁÁÁÁÁÁÁ
SABÁKÁR KATHÁ SATATA BHÁVI
OHA AVOHER NÁCE UT́HI NÁVI
MATTA PAVANE UTTÁLE SABAI
KŚAŃE SARIYE MANE LUKÁI
MOR JÁOÁR VIRATI NÁI
ÁMI, GOLÁPER BÚKE SURABHI BHARIÁ JÁI
MOR JÁOÁR VIRATI NÁI
I go on filling fragrance into the rose flower; I have no abstinence for movement. I want
to pour shine into the light; I find no end of will. I arouse language in silent mouths
into the chirpings and eyes of the deer. Into everybody’s minds, in isolation and in
seclusion. I gently smear sweetness. I always think about all and with feelings, I rise to
dance, making all overwhelmed with frenzied wind and hiding into the minds moving in a
moment.
3177 (11/10/1985) K
DOLÁ DIYE KE GO CALE JÁY, ÁMÁY
DOLÁ DIYE KE GO CALE JÁY
MANO MOHAN SÁJE VANE MADHUR MÁJHE
RÚPE RÚPÁTIITE MELÁY, ÁMÁY
DOLÁ DIYE KE GO CALE JÁY
CINITE PÁRI NÁ TÁRE GHORE GHARE BÁHIRE
ÁÁÁÁÁÁÁÁÁÁ
CINITE PÁRI NÁ TÁRE GHORE GHARE BÁHIRE
CITTER AGOCARE MANE ÁSE KI KARE
HRDAYE ALAKH DYUTI PARÁŃE APÁR PRIITI
BHÁLOBESE BHOLÁ HOLO DÁY
ÁMÁY, DOLÁ DIYE KE GO CALE JÁY
JATA BHÁVI BHÁVIBO NÁ TÁR PÁNE CÁHIBO NÁ
ÁÁÁÁÁÁÁÁÁÁ
JATA BHÁVI BHÁVIBO NÁ TÁR PÁNE CÁHIBO NÁ
NIKAT́E ELEO KABHU KONO KATHÁ KAHIBO NÁ
NIJEKE BÁNDHITE NÁRI TÁRI BHÁVE BHEUNGE PAŔI
E KATHÁ KE KÁHÁ KE BOJHÁY
ÁMÁY, DOLÁ DIYE KE GO CALE JÁY
DOLÁ DIYE KE GO CALE JÁY, ÁMÁY
DOLÁ DIYE KE GO CALE JÁY
Swinging me Who is that going away, into the forest with sweet charming adornment, merging
the form with formless? I am unable to recognise Him even after roaming inside and
outside. Unseen by the mind stuff, what for He is coming into the mind? With unseen
brilliance in the heart and limitless love in the mind, it is difficult to forget Him due
to love. Whatsoever I think that I shall no longer think about Him, would not look towards
Him, and even after His coming near, I would not talk to Him anything, I am unable to bind
myself, and break out with His ideation, who can explain this state of affairs to anybody?
3178 (12/10/1985) D
BHÁLOBÁSÁR ÁLOY RATHE
KE GO TUMI BHESE ELE
BHÁVITE PÁRINI JÁHÁ
TÁI ÁJIKE KARE DILE
BHÁLOBÁSÁR ÁLOY RATHE
ÁSÁR ÁSHÁY BASE CHILUM
ÁÁÁÁÁÁÁÁÁÁ
ÁSÁR ÁSHÁY BASE CHILUM
YUGE YUGE D́EKE CHILUM
KENDE KENDE BOLE CHILUM
VRITHÁ THÁKÁ JAD́E BHULE
BHÁLOBÁSÁR ÁLOY RATHE
BHEVE CHILUM SHOŃO NÁKO
ÁÁÁÁÁÁÁÁÁÁ
BHEVE CHILUM SHOŃO NÁKO
BUJHI ANEK DÚRE THÁKO
PRIITIR PARÁG PRÁŃE MÁKHO
SHUDHUI TOMÁR KÁCHE GELE
BHÁLOBÁSÁR ÁLOY RATHE
BHÁLOBÁSÁR ÁLOY RATHE
KE GO TUMI BHESE ELE
O Lord, who is that You who came riding the chariot of light of love? Whatever I could not
imagine, that You have done today. I was sitting in the hope of arrival, and calling since
ages after ages. Crying and weeping I said, “ I was immersed in materialism
uselessly”. I was thinking that You would not hear, thinking that You are far away.
Smearing the fragrance of love in heart, I have gone only close to You.
3179 (13/09/1985) D
VIRÁT́ TUMI AŃU ÁMI
ÁMÁR PARE KENO ABHIMÁN
D́EKE GECHI KENDE GECHI
KARE GECHI TAVA ANUDHYÁN
ÁMÁR PARE KENO ABHIMÁN
TOMÁR RABHASE METECHI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR RABHASE METECHI
SUDHÁ RASE BHÁSIÁCHI
TOMÁR BHÁVE BHÚLIYÁCHI
JATA GLÁNI JATA APAMÁN
ÁMÁR PARE KENO ABHIMÁN
PATHE VÁ VIPATHE GECHI
ÁÁÁÁÁÁÁÁÁÁ
PATHE VÁ VIPATHE GECHI
TOMÁY SUMUKHE REKHECHI
SHUDHU TOMÁRE DEKHECHI
GEYE GECHI SHUDHUI TAVA GÁN
ÁMÁR PARE KENO ABHIMÁN
VIRÁT́ TUMI AŃU ÁMI
ÁMÁR PARE KENO ABHIMÁN
O Lord, You are Vast and I am a particle, why are You unhappy with me? I have continued to
call You, to cry and to meditate on You. I am frenzied with Your deep devotion, floating
in the flow of nectar. In Your ideation, I have forgotten all agonies and humiliations.
Whether I moved on right or wrong path, I have always kept You before me, seeing only You
and singing only Your song.
3180 (13/10/1985) K
TUMI ESECHILE ÁLO D́HELE CHILE
ÁNKHI MELE CEYE CHILE
DHÚLIR DHARAŃIITE MANER MÁDHURIITE
PHÚL PHÚT́IYE DIYECHILE
ÁNKHI MELE CEYE CHILE
PARÁGERI SUDHÁ PEYECHE VASUDHÁ
ÁÁÁÁÁÁÁÁÁÁ
PARÁGERI SUDHÁ PEYECHE VASUDHÁ
TOMÁR ÁGAMANE MIT́ECHE SAB KŚUDHÁ
MARMERI KOŃE NIIRAVE VIJANE
ÁSAN PÁTIYÁ BASE CHILE
ÁNKHI MELE CEYE CHILE
SARE GELO SAB DVAETA BHÁVANÁ
ÁÁÁÁÁÁÁÁÁÁ
SARE GELO SAB DVAETA BHÁVANÁ
KŚUDRA BRIHATER BHEDERI DHÁRAŃÁ
EKE ANEK HOYE ANEK EKE NIYE
NIJEKE PRAKÁSH KARE CHILE
ÁNKHI MELE CEYE CHILE
TUMI ESECHILE ÁLO D́HELE CHILE
ÁNKHI MELE CEYE CHILE
O Lord, You came, poured light, and looked at me with open eyes. On this dusty earth, with
sweetness of mind, You have bloomed flowers. The earth got nectar of pollen, and by Your
arrival all hunger was satiated. In silence and seclusion, in the core of the heart, You
seated on the seat. All the feeling of duality was removed and all concept of distinction
between small and big. Becoming many from One and taking many into One, You have expressed
Yourself.
3181 (14/10/1985) D
GÁNER MÁLÁ GÁNTHIYÁCHI
TOMÁR TARE PRIYATAMA
ÁSABE TUMI HÁSABE TUMI
BÁSABE BHÁLO AŃUPAMA
TOMÁR TARE PRIYATAMA
ÁLO CHÁYÁY TOMÁR KHELÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁLO CHÁYÁY TOMÁR KHELÁ
VAJRA VIIŃÁY TOMÁR LIILÁ
BHÁSÁO ÁMÁR VISHVA BHELÁ
CHANDE TOMÁR STAMBA SAMA
TOMÁR TARE PRIYATAMA
LIILÁR SHROTE SABÁY BHÁSÁO
ÁÁÁÁÁÁÁÁÁÁ
LIILÁR SHROTE SABÁY BHÁSÁO
LIILÁ RASER RÚPA DHARE JÁO
ARÚPA TUMI KAKHAN KI CÁO
BUJHIYE DÁO MARME MAMA
TOMÁR TARE PRIYATAMA
GÁNER MÁLÁ GÁNTHIÁCHI
TOMÁR TARE PRIYATAMA
O The Dearest, I have threaded garland of songs for You. So that O, incomparable, You
would come. Smile and love. Your game is through light and shade, Your divine game
liila, is through thunder and viin’a’. Float me on the boat of the world, providing
forms in the flow of liila, Your divine game. O The Formless, what do You expect
explain me in the core of my heart.
3182 (15/10/1985) D
PATH PÁNE CEYE BASIÁ ÁCHI
ESO PRIYA MOR GHARETE
TANDRÁ TYAJIÁ JÁGIÁ RAYECHI
CANDRÁLOKER MÁYÁTE
ESO PRIYA MOR GHARETE
VASUDHÁR SUDHÁSÁR PRIYATAMA
ÁÁÁÁÁÁÁÁÁÁ
VASUDHÁR SUDHÁSÁR PRIYATAMA
ANTAR MÁJHE ANTAR TAMA
SAB KŚUDRATÁ SARIYE MAMA
ESO TARU SAMA MARUTE
ESO PRIYA MOR GHARETE
VISHVER PRÁŃA KORAKER MADHU
ÁÁÁÁÁÁÁÁÁÁ
VISHVER PRÁŃA KORAKER MADHU
SHARAT NIILÁKÁSHE PÚRŃA VIDHU
MANER MADHUP TOMÁKEI SHUDHU
CHEYE JÁY EI DHARÁTE
ESO PRIYA MOR GHARETE
PATH PÁNE CEYE BASIÁ ÁCHI
ESO PRIYA MOR GHARETE
O Lord, I am sitting and waiting for You looking toward the path of Your arrival. O my
dearest One, please come to my home. Leaving all my drowsiness, I am sitting alert in the
beautiful enchanting moonlight, waiting for You. O the Dearest, the essence of nectar of
this earth, You are my innermost within my core. Removing all my meanness, come like the
soothing cool shade of a tree in hot desert. O The life force of the world, and honey of
the floral nucleus, O the Full moon of the blue sky of the autumn, You are the bee of the
mind, loving this world.
3183 (16/10/1985) D
E DHÚLIR DHARAŃIITE
SHUDHU BHÁLO LÁGÁ ÁR BHÁLOBÁSÁ
ÁNANDA PRATIBHU TUMI
TAVA PARIBHÚTE JATA KÁNDÁ HÁSÁ
SHUDHU BHÁLO LÁGÁ ÁR BHÁLOBÁSÁ
ÁLOK D́HÁLIÁ SABÁKÁR MANE
ÁÁÁÁÁÁÁÁÁÁ
ÁLOK D́HÁLIÁ SABÁKÁR MANE
ÁBHUŚAŃE KUSUMER VANE VANE
BHESE CALE JÁO SUMUKHER PÁNE
MARMA MÁJHÁRE BHARE ÁSHÁ
SHUDHU BHÁLO LÁGÁ ÁR BHÁLOBÁSÁ
SVARŃA DYUTIR DRUTAGA RATHE
ÁÁÁÁÁÁÁÁÁÁ
SVARŃA DYUTIR DRUTAGA RATHE
AJÁNÁ PATHIK AJÁNÁR PATHE
BHESE CALE JÁO MADHURIMÁ SÁTHE
MLÁNA MÚKÁNANE DIYE BHÁŚÁ
SHUDHU BHÁLO LÁGÁ ÁR BHÁLOBÁSÁ
E DHÚLIR DHARAŃIITE
SHUDHU BHÁLO LÁGÁ ÁR BHÁLOBÁSÁ
On this dusty earth
everything appears endearing and loving.
You are the symbol of bliss
within which all cries and smiles lie.
You pour light into everyone's mind.
Flowers decorate each garden.
You keep floating forward
filling the core of our hearts with hope.
On the speedy chariot of golden light
as an unknown traveler on an unknown path
You glide ahead with sweetness
and bestow language on gloomy and dumb faces.
3184 (17/10/1985) D
D́EKE JÁI SÁŔÁ NÁHI PÁI
E KII KAT́HIN HRDAY, KAT́HIN HRDAY
D́EKE JÁI SÁŔÁ NÁHI PÁI
KABHU KÁCHE ÁSO KABHU DÚRE HÁSO
E KII LIILÁ E KII ABHINAY
E KII KAT́HIN HRIDAY, KAT́HIN HRIDAY
D́EKE JÁI SÁŔÁ NÁHI PÁI
NRITYER TÁLE BHÁSO UTTÁLE
ÁÁÁÁÁÁÁÁÁÁ
NRITYER TÁLE BHÁSO UTTÁLE
ÚRMI MÁLÁY JALADHIRI JALE
JIIVAN DOLÁR KÚLE UPAKÚLE
TOMÁR MÁDHURI KATHÁ KAY
E KII KAT́HIN HRIDAY, KAT́HIN HRIDAY
D́EKE JÁI SÁŔÁ NÁHI PÁI
SAB YUGE ÁCHO, ÁCHO SAB KÁLE
ÁÁÁÁÁÁÁÁÁÁ
SAB YUGE ÁCHO, ÁCHO SAB KÁLE
HÁRÁNO SMRITITE AKÁLER BHÁLE
BHÁVEO ABHÁVE SABÁKÁR MÚLE
TAVA PRIITI DHÁRÁ MISHE RAYA
E KII KAT́HIN HRIDAY, KAT́HIN HRIDAY
D́EKE JÁI SÁŔÁ NÁHI PÁI
O Lord, I go on calling You, but I never get any response. Your heart is tough. Sometimes
You come close and sometimes You go on smiling, keeping Yourself distant. What type of
drama or divine play is this? With the melody and rhythm of the dance, You go on floating
like a tidal wave in the water of ocean. In all the ups and downs of Your various
vibrations I always feel narration of Your sweetness. You are present in all ages, all the
time. You are also present in those memories which have untimely already faded away. You
are everpresent at the root of everything, manifested or not manifested, submerging in the
flow of love.
3185 (18/10/1985) K
BHÁLOBÁSIYÁCHI TOMÁRE CEYECHI
ÁMÁR MANER MAINJÚŚÁY
KÁCHE ÁSO NÁKO
KÁCHE ÁSO NÁKO KENO DÚRE THÁKO
BUJHEO BOJHO NÁKO MOR ÁSHÁY
ÁMÁR MANER MAINJÚŚÁY
SUDÚRE THEKEO
SUDÚRE THEKEO KENO HESE JÁO
ÁÁÁÁÁÁÁÁÁÁ
SUDÚRE THEKEO KENO HESE JÁO
MADHURIMÁKEO MADHUTE D́HEKE DÁO
ÁLO ÁNDHÁRE LIILÁTE LÚKÁO
TOMÁY BUJHE OT́HÁ HOLO DÁY
ÁMÁR MANER MANJÚŚÁY
YUGE YUGE JATA
YUGE YUGE JATA ESECHE YOGIIRÁ
TOMÁR BHÁVE GHIRE THEKECHE TÁRÁ
AŃU PARAMÁŃU NIIHÁRIKÁ TÁRÁ
PRIITI DHÁRE TAVA STUTI GÁY
ÁMÁR MANER MANJÚŚÁY
O Lord, I love You deeply inside my mental casket. Why do not You come and remain away?
Knowingly You do not understand my aspirations. Staying away, why do You go on smiling?
Why do You cover the sweetness of the honey? You are hiding Yourself within Your divine
liila of darkness and light. To understand You, and realize You is very difficult. Since
ages after ages, all the yogis, aspirants, who came, they also remained surrounded by Your
ideation. All the atoms, molecules, stars and nebula, sing Your praise in flow of Your
love.
3186 (19/10/1985) K
NRITYER TÁLE TÁLE MARMER UPAKÚLE
KE GO TUMI ÁJI ELE HIYÁ MOR UPACÁY
ANUBHÚTIR GABHIRE BHÁVANÁR STARE STARE
MAN KE ÁPLUTA KARE UDDVEL KARE DEY
KE GO TUMI ÁJI ELE HIYÁ MOR UPACÁY
JÁNÁ BOJHÁ NÁHI JÁY VYAKTIR SIIMÁ NÁY
ÁÁÁÁÁÁÁÁÁÁ
JÁNÁ BOJHÁ NÁHI JÁY VYAKTIR SIIMÁ NÁY
ANTAR MÁJHE THEKE ANTARE DOLÁ DEY
ÁMÁR ÁMIRE BHÚLI VÁSANÁ SAMIDHA JVÁLI
CITTE ÁHUTI D́HÁLI BHÁVÁTIITA DYOTANÁY
KE GO TUMI ÁJI ELE HIYÁ MOR UPACÁY
BHÁVER GABHIRTÁY BHÁŚÁ NÁHI STHÁNA PÁY
ÁÁÁÁÁÁÁÁÁÁ
BHÁVER GABHIRTÁY BHÁŚÁ NÁHI STHÁNA PÁY
ANUBHÚTIR MÁJHE BHÁVAO DEKHI HÁRÁY
VYAKTÁVYAKTA TUMI SAPTALOKE CUMI
ÁSO CETANÁY NÁMI EI SHUDHU BOLÁ JÁY
KE GO TUMI ÁJI ELE HIYÁ MOR UPACÁY
NRITYER TÁLE TÁLE MARMER UPAKÚLE
KE GO TUMI ÁJI ELE HIYÁ MOR UPACÁY
O Lord, with each rhythm of the dance, Who is that You, who came over flowing my heart? In
the depth of feelings, through each layer of thoughts, You have flooded the mind and made
it restless. It is not possible to know and understand, there is no limit of expressions.
Sitting inside the heart, You have swung it. I have forgotten my own “I” feeling, and
burnt the wood of desires. I have poured oblation of the objecivated mind stuff, offering
for the One beyond thoughts. Language cannot find place in the depth of feelings. You are
expressed as well as unexpressed touching all the seven layers of existence. Come
bringing consciousness, only this much can be told.
3187 (20/10/1985) K
TIIRTHA PATI TUMI BHARE ÁCHO MANOBHÚMI
TOMÁR SAMÁN GUŃII BHÁVÁ JÁY NÁ
SAPTA LOKER SVÁMI RAYECHO CETANÁ CÚMI
TOMÁR MATAN GYÁNI ÁR KEU HOYE NÁ
TOMÁR SAMÁN GUŃII BHÁVÁ JÁY NÁ
BHÁŚÁR ATIITA LOKE BHÁVANÁR SMITÁLOKE
ÁÁÁÁÁÁÁÁÁÁ
BHÁŚÁR ATIITA LOKE BHÁVANÁR SMITÁLOKE
SAB KICHU DEKHE JÁO PRIITI AINJAN MEKHE
TOMÁR UPAMÁ NÁI TOMÁRE SABÁI CÁI
UDDVEL MAN KONO MÁNÁ MÁNE NÁ
TOMÁR SAMÁN GUŃII BHÁVÁ JÁY NÁ
MARMER GABHIRE BHÁVER MADHUPURE
ÁÁÁÁÁÁÁÁÁÁ
MARMER GABHIRE BHÁVER MADHUPURE
UNMADA DYOTANÁY CITTA CETANÁDHÁRE
ALAKHE PULAKE HÁSO SABETE PRIITITE BHÁSO
NIKHIL VISHVE TAVA TULANÁ HOYE NÁ
TOMÁR SAMÁN GUŃII BHÁVÁ JÁY NÁ
TIIRTHA PATI TUMI BHARE ÁCHO MANOBHÚMI
TOMÁR SAMÁN GUŃII BHÁVÁ JÁY NÁ
O The Lord of the pilgrim place, You are filled throughout my mental arena. It is not
possible to think of any greater possessor of attributes. The controller of seven strata
of the world, You remain touching the consciousness, no one is as wise as You. In the
arena beyond language, in the smiling light of thoughts, You go on seeing everything
smearing the ointment of love in the eyes. You have no comparison, all want You. The
restless mind does not heed to any bidding. In the depth of mind, in the sweet dwellings
of the thoughts, with frenzied indications, making consciousness as base of mind, unseen
You smile with joy, float in all with love, in whole of the world, Your comparison cannot
be made.
3188 (21/10/1985) K
TUMI, BHESE CALOPRIYA KON SE DESHE
PHÚLER VANE SABÁR MANE MANE
ABHRAUNLEHI GIRIR TUŚÁR STÚPE
RÚPE RÚPE PRATI KŚAŃE KŚAŃE
PHÚLER VANE SABÁR MANE MANE
TOMÁKE BHEVE NIJE KE HÁRÁI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁKE BHEVE NIJE KE HÁRÁI
TOMÁR SHIKHÁY PRÁŃER PRADIIP JVÁLÁI
TOMÁR PRIITIR SMRITITE GIITI GÁI
PRÁŃER T́ÁNE BHÚLE ABHIMÁNE
PHÚLER VANE SABÁR MANE MANE
ÁMÁR CIDÁKÁSHE TUMII VIDHU
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR CIDÁKÁSHE TUMII VIDHU
TOMÁR JYOTSNÁLOKA D́HÁLE MADHU
PRATYABHIGYÁY SAKAL ABHIDHYÁNE
PHÚLER VANE SABÁR MANE MANE
TUMI, BHESE CALOPRIYA KON SE DESHE
PHÚLER VANE SABÁR MANE MANE
O Dear, in which arena You go on floating, into floral garden, into each mind of everyone
the icy peak of skytouching mountains, into each form all the moments. By thinking of You
I lose myself. By Your flame, I kindle lamp of my own heart. With memory of Your love, I
sing song, with the pull of heart, forgetting all ego. You are the moon in my mental sky.
Your moonlight pours honey. You are the perfect profound knowledge in everyone’s
meditation.
3189 (22/10/1985) D
JE GÁN CHILO MANE GÁOÁ
GÁINI TÁHÁ SABHÁR MÁJHE
CEPE RÁKHÁ ÁSHÁ ÁKÁNKŚÁ
VYAKTA KARI NIKO LÁJE
GÁINI TÁHÁ SABHÁR MÁJHE
MANER KATHÁ TUMI JÁNO
ÁÁÁÁÁÁÁÁÁÁ
MANER KATHÁ TUMI JÁNO
MARMETE KÁN PETE SHONO
MANER RÁJÁ NEIKO KONO
DVIDHÁ TOMÁR KÁCHE
GÁINI TÁHÁ SABHÁR MÁJHE
SABHÁR PARE BÁIRE ESE
ÁÁÁÁÁÁÁÁÁÁ
SABHÁR PARE BÁIRE ESE
SAKAL GÁNER RESHER SHEŚE
NÁ GÁOÁ GÁN SHUNI BHÁSE
MAŃI DYUTIR SÁJE
LAJJÁ BHÚLE ÁSHÁY DÚLE
TOMÁR KRPÁI JÁCE
GÁINI TÁHÁ SABHÁR MÁJHE
JE GÁN CHILO MANE GÁOÁ
GÁINI TÁHÁ SABHÁR MÁJHE
O Lord, the song that was sung in my mind, that I did not sing during the public
gathering. The hopes and desires that I had kept suppressed in the mind, I did not express
due to shyness. You know the events of my mind, as You listen attentively to the voice of
my core. O the King of my mind, I have no dilemma in front of You. After coming out from
the gathering, at the end of traces of all songs, the unsung song come into my ears
floating adorned with glittering gems. Ignoring shyness, swinging with hopes, I seek Your
grace.
3190 (22/10/1985) D
TUMI ESO, ÁMÁR GHARE
ÁSHÁR DIIPAK JVALE APALAK
TOMÁR TARE ÁMÁR GHARE
SVAPANE PÁI TOMÁR DEKHÁ
ÁÁÁÁÁÁÁÁÁÁ
SVAPANE PÁI TOMÁR DEKHÁ
JEGEO BHÁVI TOMÁR KATHÁ
ÁNKÁ TOMÁR PRIITIR REKHÁ
SABÁR PAREÁMÁR GHARE
BHULEO BHULATE PÁRI NÁKO
ÁÁÁÁÁÁÁÁÁÁ
BHULEO BHULATE PÁRI NÁKO
NIVIŔA BHÁVE MARME THÁKO
MADHURATÁY MÁKHIYE RÁKHO
BHUVAN BHARE
ÁMÁR GHARE TUMI ESO
ÁMÁR GHARE
O Lord, You come to my home. The lamp of hope is glowing without blinking for You. I get
You in my dreams. On awakening, I think about You. The mark of Your love is sketched on
all. I am unable to forget You even if I try to do so. With most intimate feeling, You
stay in the core of my heart. Keeping absorbed in sweetness, You have overwhelmed the
whole world.
3191 (23/10/1985) K
KAMAL KALI NIIRAVA KENO
KAO NÁ ÁMÁY MANER KATHÁ
PÁPAŔITE KENO JHARE ASHRU
KE DIYECHE MARME VYATHÁ
KAO NÁ ÁMÁY MANER KATHÁ
KATAI JHÁPAT́Á ESE PAŔE
ÁÁÁÁÁÁÁÁÁÁ
KATAI JHÁPAT́Á ESE PAŔE
TOMÁR PARE URMI JHAŔE
KOMAL PRÁŃE SAB KII KARE
KAO ÁMÁRE SE VÁRTÁ
KAO NÁ ÁMÁY MANER KATHÁ
PRABHÁT RAVI ÁLO D́HÁLE
ÁÁÁÁÁÁÁÁÁÁ
PRABHÁT RAVI ÁLO D́HÁLE
RÁY RÁKÁ JHALAMALE
BHOMRÁ ESE KII JÁY BOLE
BHÁLOBESE MADHURATÁ
KAO NÁ ÁMÁY MANER KATHÁ
KAMAL KALI NIIRAVA KENO
KAO NÁ ÁMÁY MANER KATHÁ
O the lotus bud, why are you silent, tell me about your mental affairs. At your petals
why tears are dropped, who has inflicted injury to core of your heart? How many storms
came and waves have fallen on you, at soft heart, what for? Tell me all details. The
morning sun pours light, and moon shines the earth. The honeybee coming what goes on
saying with sweetness and love.
3192 (24/10/1985)
TOMÁRI DEOÁ SURE TOMÁRI BHÁŚÁ BHARE
HE PRABHU TAVA TARE GEYE GECHI GÁN
ÁMÁR BOLITE NEI KICHU ETE
TOMÁRI SHAKTITE TAVA AVADÁN
HE PRABHU TAVA TARE GEYE GECHI GÁN
JABE KUHAKE BHULE BHESECHI MOHA JAD́E
ÁÁÁÁÁÁÁÁÁÁ
JABE KUHAKE BHULE BHESECHI MOHA JAD́E
AHAMIKÁR GHORE ÁMÁR MANE KARE
TUMII SE KÁLE TUMI BUJHIYE DILE
NEI ÁMÁR KICHU KARITE AVADHÁN
HE PRABHU TAVA TARE GEYE GECHI GÁN
DIYECHO PHÚL HÁR PRIITIRI SAMBHÁR
ÁÁÁÁÁÁÁÁÁÁ
DIYECHO PHÚL HÁR PRIITIRI SAMBHÁR
ŚOD́ASH UPÁCÁR VIIŃÁR JHAUNKÁR
BOLILE DEKHE JÁO BHITARE TÁKÁO
CÁO VÁ NÁHI CÁO E KARUŃÁR DÁN
HE PRABHU TAVA TARE GEYE GECHI GÁN
O Lord, through the melody given by you, using your language, for you I am singing song. I
have nothing to call my own here, this is your energy and gift.
I was totally lost in delusion, attached blindly under intense ego. At that time you made
me understand that I have in reality nothing to offer you. You gave me floral garland
items for love and worship methodology of worship, the tinkling of lyre. You told me to
continue observing inside, whether you relish or not, this is the graceful gift due to
compassion.
3193 (26/10/1985) K
CARAŃ DHARIYÁ VINATI KARI
BHÚLO NÁ ÁMÁY PRABHU
ÁMI TOMÁR KAŃÁ ÁMI PARÁG KAŃÁ
JIIVAN BHARIYÁ TOMÁRE SMARI
BHÚLITE PÁRI NÁ KABHU
MOR NÁI DOT́ÁNÁ NÁI KONO DOT́ÁNÁ
ÁMI TOMÁR KAŃÁ ÁMI PARÁG KAŃÁ
ANALE ANILE TOMÁR MAHIMÁ
ÁÁÁÁÁÁÁÁÁÁ
ANALE ANILE TOMÁR MAHIMÁ
ÁKÁSHE PÁTÁLE TOMÁR TANIMÁ
KONO KICHUTEI NÁI TAVA SIIMÁ
SABETE TAVA DYOTANÁ
ÁMI TOMÁR KAŃÁ ÁMI PARÁG KAŃÁ
KŚUDRA ÁMI TUMI JE VIRÁT́A
ÁÁÁÁÁÁÁÁÁÁ
KŚUDRA ÁMI TUMI JE VIRÁT́A
ARÚPER MÁJHE KI RÚPER HÁT́
ENKE CALO EKAT́ÁNÁ
ÁMI TOMÁR KAŃÁ ÁMI PARÁG KAŃÁ
CARAŃ DHARIYÁ VINATI KARI
BHÚLO NÁ ÁMÁY PRABHU
ÁMI TOMÁR KAŃÁ ÁMI PARÁG KAŃÁ
O Lord, holding Your feet, I pray You, that You should never forget me. I am Your spark
Your particle of fragrance. I have remembered You throughout the life and could never
forget You. I have no doubt, no dilemma. In air and fire, You glory is present. In sky and
netherworld, Your graceful subtlety is present. Nowhere Your limit exists, You are
indicated everywhere. I am meagre, You are greatly vast, within formless, a beautiful
shopping place. Go on sketching without break.
3194 (27/10/1985) D
MADHUR TOMÁR LÁGI
ÁSHÁR PRADIIP ÁCHI JVÁLI
NIRVÁTA E DIIP SHIKHÁ JATA
BÁDHÁR BHRIKUT́I JÁY DALI
ÁSHÁR PRADIIP ÁCHI JVÁLI
CAL CAINCAL SAKALII JAGATE
ÁÁÁÁÁÁÁÁÁÁ
CAL CAINCAL SAKALII JAGATE
MADHUMAY TUMI CIRA STHÁYII
ÁSE JÁY SABE TOMÁRI SHROTE
AŃU MAYA TUMI KÁL JAYII
ÁSHÁR PRADIIP ÁCHI JVÁLI
CHILE ÁCHO TUMI THÁKIYÁ JÁIBE
ÁÁÁÁÁÁÁÁÁÁ
CHILE ÁCHO TUMI THÁKIYÁ JÁIBE
KÁLE KÁLÁTIITE UCCHALI
ÁSHÁR PRADIIP ÁCHI JVÁLI
RÚPA RASA ÁR DHVANI SAMAŚT́I
ÁÁÁÁÁÁÁÁÁÁ
RÚPA RASA ÁR DHVANI SAMAŚT́I
VARŃA GANDHA TAVA VISRIŚT́I
EI PÁNCA DIYE LIILÁY BHÚLIYE
LIILÁR GOPÁL ÁCHO BHÚLI
ÁSHÁR PRADIIP ÁCHI JVÁLI
MADHUR TOMÁR LÁGI
ÁSHÁR PRADIIP ÁCHI JVÁLI
O sweet Lord, for You, I have kept the lamp of hope glowing. This non flickering flame
goes on suppressing all threatening of obstructions. The whole world is restlessly moving.
You are the only One sweetness filled and permanent. All come and go within Your stream
You comprise of microcosms and victorious over the time factor. You were in the past, are
present now, and will stay forever, vibrant within and beyond time. You are congregate of
the fundamental factors, ethereal, aerial, luminous, liquid and solid as well as their
creator. Taking these five together, make one engrossed in the divine game, and people
forget the creator, the Gopa’l or the nucleus.
3195 (28/10/1985) D
MANER GOPÁL MANETE RAYECHO
MANO BHUMI KARE ÁLOKITA
ÁÁÁÁÁÁÁÁÁÁ
MADHUR PARASHE MADHUR HARAŚE
MAN MADHUPER IISPITA
MANO BHUMI KARE ÁLOKITA
CARAŃE TOMÁR SAPTA VYAHRITI
ÁÁÁÁÁÁÁÁÁÁ
CARAŃE TOMÁR SAPTA VYAHRITI
MANANE TOMÁR MATTA PRAKRITI
NAYANE TOMÁR AHAETUKI PRIITI
ÁKÁSHE PÁTÁLE PRASÁRITA
MANO BHUMI KARE ÁLOKITA
TUMI NÁI HENO STHÁN NÁHI PÁI
ÁÁÁÁÁÁÁÁÁÁ
TUMI NÁI HENO STHÁN NÁHI PÁI
TOMÁR AKÁLE KONO KÁLA NÁI
TOMÁR CHANDE NÁCICHE SABÁI
TAVA BHÁVÁDHÁRE ÁSHRITA
MANO BHUMI KARE ÁLOKITA
MANER GOPÁL MANETE RAYECHO
MANO BHUMI KARE ÁLOKITA
O The Gopa’l of the mind, You stay in the mind itself illuminating the mental arena. You
are longed by the mental honeybee for the sweet touch and sweet joy. At Your feet are
seven expressions; within Your mind is frenzied prakrti, the omni active entity. Within
Your eyes is causeless love, pervading all over, the sky and the netherworld. I do not
find a place where You are not present. Within Your arena beyond time, there is no death
or time. All dance to Your rhythm restlessly, as the base of all thoughts.
3196 (19/10/1985) D (Krsna)
VRAJER GOPÁL HÁRIYE GECHE
MAN VRAJABHÚME TÁRE KHUNJI
ÁLOKE UCCHVALATÁ PHURIYE GECHE
BHÁVER DIIPAKE TÁRE KHUNJI
MAN VRAJABHÚME TÁRE KHUNJI
DIN ÁSE JÁY MORE NÁHI CÁY
ÁÁÁÁÁÁÁÁÁÁ
DIN ÁSE JÁY MORE NÁHI CÁY
SABAI DEKHE JÁY KICHU NÁ JÁNÁY
NIRUDDHA TITHI MUKTA ATITHI
VIMUKTA HOTE TÁRE JÁCI
MAN VRAJABHÚME TÁRE KHUNJI
AJÁNÁ PATHIK AJÁNÁI THÁKE
ÁÁÁÁÁÁÁÁÁÁ
AJÁNÁ PATHIK AJÁNÁI THÁKE
NIKAT́E ELEO CENÁ DÁY TÁKE
SATTÁR MÁJHE BHÁVANÁR PHÁNKE
UNKI DIYE JÁY EO BUJHI
MAN VRAJABHÚME TÁRE KHUNJI
VRAJER GOPÁL HÁRIYE GECHE
MAN VRAJABHÚME TÁRE KHUNJI
My Gopa’l of the arena of Vraja is lost, I am searching Him in the mental arena. The
vibrancy of light is extinguished, in the lamp of feelings, I am searching Him. The days
come and go but do not pay attention to me, they see all without announcing. With halted
date, and free guest, for liberation I seek Him. The unknown traveler remains unknown
even after coming close; it is difficult to recognise Him. Within the existence, through
the gaps of feelings, He goes on peeping, this much I understand.
3197 (29/10/1985) D
CIT NANDAN MANORAINJAN
TOMÁRE CEYECHI KÁCHE
ANTARERI ANTAH STHALE
SAKAL VEDANÁ MÁJHE
TOMÁRE CEYECHI KÁCHE
ARUŃODAYE PRABHÁT KUSUME
ÁÁÁÁÁÁÁÁÁÁ
ARUŃODAYE PRABHÁT KUSUME
SMITA PÁPAŔIR PRAKÁSHODGAME
HÁSÁ BHÁLOBÁSÁ CÁOÁ PIPÁSÁ
ÁMÁR SAKAL KÁJE
TOMÁRE CEYECHI KÁCHE
CÁINI TOMÁRE ÁMÁR KARITE
ÁÁÁÁÁÁÁÁÁÁ
CÁINI TOMÁRE ÁMÁR KARITE
CEYECHI ÁMÁR SAB KICHU DITE
BOLE GECHI SHUDHU ESO MOR VIDHU
NITYA NÚTAN SÁJE
TOMÁRE CEYECHI KÁCHE
CIT NANDAN MANORAINJAN
TOMÁRE CEYECHI KÁCHE
O the blissful charming Entity, I want You close, in my inner arena of inside, within all
agonies. During sunrise, in the morning flower, in the origin of light from the smiling
petals, in smile, love, desires, thirst, in all my actions. I do not want You to make my
own. I just want to give all belonging to me. I only go on saying, “O my Moon, come
always with ever new adornment”.
3198 (30/10/1985) D
MADHUR TOMÁR PARASH LÁGI
CEYE ÁCHI ÁSHÁ PATH PÁNE
ÁÁÁÁÁÁÁÁÁÁ
VIDHUR ÁMI TANDRÁ TYÁGI
KÁLA JE KÁT́ÁI PALA GUŃE
CEYE ÁCHI ÁSHÁ PATH PÁNE
JE HÁR GALÁY PARIYE GELE
ÁÁÁÁÁÁÁÁÁÁ
JE HÁR GALÁY PARIYE GELE
JE PHÚL DHÚLÁY JHARIYE DILE
JE BHÁLOBÁSÁY MAN BHARÁLE
TÁO KI ÁBÁR NEVE T́ENE
CEYE ÁCHI ÁSHÁ PATH PÁNE
TOMÁR RIITI BUJHE UT́HÁ BHÁR
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR RIITI BUJHE UT́HÁ BHÁR
KŚAŃE KLESH BHÁR KŚAŃE MAŃIHÁR
KABE KII KARIBE KE JÁNE
CEYE ÁCHI ÁSHÁ PATH PÁNE
MADHUR TOMÁR PARASH LÁGI
CEYE ÁCHI ÁSHÁ PATH PÁNE
O The sweet One, for Your touch, I am looking at path of Your arrival with Hope. I am
bewildered, leaving drowsiness; I am passing time counting moments. The garland that You
put on Your neck, the flowers that dropped down on the ground, the love that fulfilled the
heart, all that would You pull again? It is hard to understand Your procedure. In one
moment there is load of sorrows and in the other garland of gems. When will You do what
nobody knows.
3199 (31/10/1985) D
JHAŔER RÁTE ÁNDHÁRETE
KENDE CHILUM VAN? MÁJHE
KAITE KATHÁ BUJHATE VYATHÁ
KEU CHILO NÁ MOR KÁCHE
KENDE CHILUM VAN MÁJHE
KATA SHÁKHÁ BHEUNGE PAŔECHE
ÁÁÁÁÁÁÁÁÁÁ
KATA SHÁKHÁ BHEUNGE PAŔECHE
KACI KALI JHAŔE GECHE
KUSUM PHALERÁ KHASECHE
ÁRTA NÁDE GÁCHE GÁCHE
KENDE CHILUM VAN MÁJHE
ÁMÁR MANER MADHUVANE
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR MANER MADHUVANE
JHAŔER SHEŚE LAGHU PAVANE
KÁL RÁTRIR AVASÁNE
ÁSABE KI MOHAN SÁJE
KENDE CHILUM VAN MÁJHE
JHAŔER RÁTE ÁNDHÁRETE
KENDE CHILUM VAN MÁJHE
On that stormy night in darkness, I was crying in the forest. Nobody was close there to
talk and understand my suffering. Many branches were broken and tender buds were laid
down. The flowers and fruits were detached from the trees crying with lamentation. In my
mental garden, at the end of frightful night after the storm, mild breeze blew. Would You
come with charming adornment?
3200 (31/10/1985) K+D
MANER GABHIRE CUPISÁRE
KE GO ELE TUMI
BOLE DÁO MORE BOLO MORE
BHÁVER GAHANESMITÁNANE
SAPTA LOKE CÚMI
GÁN GEYE GELE KON SURE
KII SE SURE
BOLE DÁO MORE BOLO MORE
ALAKÁR ÁLO BHÚLOKE NÁVÁLE
ÁÁÁÁÁÁÁÁÁÁ
ALAKÁR ÁLO BHÚLOKE NÁVÁLE
MADHU JYOTSNÁY MAN BHARE DILE
AŃU PARAMÁŃU SABÁRE NÁCÁLE
BHEDÁBHEDA TUCCHA KARE
BOLE DÁO MORE BOLO MORE
TUMI ÁCHO TÁI JAGAT RAYECHE
ÁÁÁÁÁÁÁÁÁÁ
TUMI ÁCHO TÁI JAGAT RAYECHE
KALA KÁKALITE BHUVAN BHARECHE
PHÚLER HÁSITE MÁDHURII JHARECHE
KÁLER KÁLIMÁ GECHE SARE
BOLE DÁO MORE BOLO MORE
MANER GABHIRE CUPISÁRE
KE GO ELE TUMI
BOLE DÁO MORE BOLO MORE
O Lord, in the depth of mind, secretly, who is that You who came. Tell me. In the depth of
the mind, with smiling face, touching all the seven arenas, You went on singing song, in
what melody? You brought down the heavenly brilliance on the ground and fulfilled mind
with sweet moonlight. You made all atoms and molecules dance, ignoring distinction of any
kind. You are there that is why the world exists and the universe is filled with time and
beyond. Due to that only sweetness emanates from the smile of the flowers and the
importance of time gets removed.
3201 (01/11/1985) K
TOMÁRE CEYECHI ÁMI EKÁNTE VIJANE
PHÚLERI PARIMALE KEKÁ KÚJANE
CEYECHI DINE RÁTE CEYE CHINU SANDHYÁY
ÁÁÁÁÁÁÁÁÁÁ
CEYECHI DINE RÁTE CEYE CHINU SANDHYÁY
MARAKATA DYUTITE VYATHÁ BHARÁ HIYÁY
CÁINI BÁŔHÁTE DUHKHA CEYECHI DITE SUKH
LUKANO MAINJÚŚÁTE MANERI KOŃE
TOMÁRE CEYECHI ÁMI EKÁNTE VIJANE
TUMI MOR JATA SUKH TUMII ÁNANDA
ÁÁÁÁÁÁÁÁÁÁ
TUMI MOR JATA SUKH TUMII ÁNANDA
CITTA KORAKA MÁJHE SUDHÁ NIŚYANDA
SABAI PATHE PAŔE RAY TUMI BHARÁ HRDAY
SABERI VINIMAYE MARME MANANE
TOMÁRE CEYECHI ÁMI EKÁNTE VIJANE
O Lord, I love You in seclusion and isolation in nectar of flowers, in peacock’s calls.
I have loved You in day, in nights, and during evenings, in brilliance of gems with heart
full of sorrows. I do not want to increase my sorrows rather wanted to provide happiness
in the hidden casket within the recess of mind. You are my total happiness and bliss;
essence of nectar within the nucleus of the mind. All remain lying on the path, while You
are full of compassionate heart. In exchange of everything I love You from the core of the
heart.
3202 (02/11/1985) K
GHOR TIMIR GHAN NIVIŔA NISHIITHE
TUMI ESE CHILE PRIYA KHULE MOR DVÁR
BADDHA GHARE CHINU RUDDHA VÁTÁYANE
PADA DHVANI TÁI ÁMI SHUNINI TOMÁR
TUMI ESE CHILE PRIYA KHULE MOR DVÁR
ÁKÁSHE MEGHER GHAT́Á HRDAYE ÁLOR CHAT́Á
ÁÁÁÁÁÁÁÁÁÁ
ÁKÁSHE MEGHER GHAT́Á HRDAYE ÁLOR CHAT́Á
BÁHIRE BHAERAVA NÁCICHE CHAŔÁYE JAT́Á
EI PARIVESHE TUMI MOR KÁCHE ELE NÁMI
NIMEŚE SARIYE DILE JATA KLESH BHÁR
TUMI ESE CHILE PRIYA KHULE MOR DVÁR
CIDÁKÁSHE MOR JATA KÁLO MEGH JAME CHILO
ÁÁÁÁÁÁÁÁÁÁ
CIDÁKÁSHE MOR JATA KÁLO MEGH JAME CHILO
KAOMUDI KIRAŃE KOTHÁY HÁRIYE GELO
DÚRE GELO UPÁHÁSA JATA DIIRGHASHVÁSA
AŃU PELO ÁSHVÁSA TAVA KARUŃÁR
TUMI ESE CHILE PRIYA KHULE MOR DVÁR
GHOR TIMIR GHAN NIVIŔA NISHIITHE
TUMI ESE CHILE PRIYA KHULE MOR DVÁR
O Dear Lord, in the intensely dark night, in seclusion, You entered opening my doors. I
was in closed doors with shut windows, thus I could not hear Your footsteps. In the sky
there were dense clouds and within heart luster of light. Outside the god of death was
dancing with spread tuft of hair. Under such an environment, You came down close to me and
within moment removed all burden of my pains. All the dark clouds that were accumulated
within the firmament of my mind vanished with the moonlight. All taunts and sighs went
away and the microcosm got the consolation of Your mercy.
3203 (04/11/1985) K
YUGE YUGE ÁMI CÁHIYÁ GECHI
RÁKHITE TOMÁY MANERI MÁJHE
MOR MANERI MÁJHE
BHÁVER GHORE MOR ÁNKHIR PARE
DEKHITE TOMÁY MOHAN SÁJE
RÁKHITE TOMÁY MANERI MÁJHE
MOR MANERI MÁJHE
SHUBHRÁNSHU GIRI TUMI PRIYA
ÁÁÁÁÁÁÁÁÁÁ
SHUBHRÁNSHU GIRI TUMI PRIYA
NANDITA VANDITA VARAŃIIYA
ÁMÁRE MANER MATO KARE NIO
MOR, SAKAL KÁJE
RÁKHITE TOMÁY MANERI MÁJHE
MOR MANERI MÁJHE
SHARAŃÁGATA ÁMI KRPÁ PRÁRTHII
ÁÁÁÁÁÁÁÁÁÁ
SHARAŃÁGATA ÁMI KRPÁ PRÁRTHII
KARUŃÁ NIDHI TUMI CIRA SHUBHÁRTHII
SARÁO MANER JATA JAD́A ÁSAKTI
SATTÁ JENO TAVA NÚPUR BÁJE
RÁKHITE TOMÁY MANERI MÁJHE
MOR MANERI MÁJHE
YUGE YUGE ÁMI CÁHIYÁ GECHI
RÁKHITE TOMÁY MANERI MÁJHE
MOR MANERI MÁJHE
O Lord, for ages I have desired to keep You in my mind, intensely ideating on You within
my eyes and seeing You in charming adornment. O Dear, the brilliantly shining mountain
adorable, respected and pleasing entity, put me in all my actions according to the will. I
am at Your shelter, praying for Your grace, as You are source of mercy, ever willing of
benevolence. Remove from my mind, all materialistic attachments, so that Your existence
plays in Your anklebell.
3204 (05/11/1985) K
KÁLO JALADHIR BELÁTE BASE
PAL GUŃE JÁI PRABHU
TOMÁRE SMARE SHUDHU TOMÁRE SMARE
BELÁ ABELÁ AKÁLE MESHE
MADHU BHARI BÚKE TABÚ
TOMÁRI TARE SHUDHU TOMÁRI TARE
TOMÁRE SMARE SHUDHU TOMÁRE SMARE
PRÁŃER PARÁG DÚRE UŔE JÁY
ÁÁÁÁÁÁÁÁÁÁ
PRÁŃER PARÁG DÚRE UŔE JÁY
KON AJÁNÁY NABHONIILIMÁY
BÁDHÁ NÁHI JÁNE KLÁNTI NÁ MÁNE
UTKRAMI DUSTARE
TOMÁRE SMARE SHUDHU TOMÁRE SMARE
KENO PÁT́HIYECHO KABE EI BHAVE
ÁÁÁÁÁÁÁÁÁÁ
KENO PÁT́HIYECHO KABE EI BHAVE
KICHU NÁHI JÁNI KISER ÁSAVE
MORE BOLE DÁO KI BÁ TUMI CÁO
KÁŃE KÁŃE DHIIRE DHIIRE
TOMÁRE SMARE SHUDHU TOMÁRE SMARE
KÁLO JALADHIR BELÁTE BASE
PAL GUŃE JÁI PRABHU
TOMÁRE SMARE SHUDHU TOMÁRE SMARE
O Lord, sitting along the shore of the dark ocean, remembering only You, engrossing from
time to time, and beyond time, still filling the heart with honey. The fragrance of my
élanvital blows out far into the blue sky towards some unknown destination, without
considering any obstruction, without accepting any tiredness and crossing the
difficulties. Why have You sent me to this world and when, I do not know with what spirit?
Tell me whispering into my ears slowly what do You want.
3205 (06/11/1985) D
ÁSÁ ÁR JÁOÁ CÁOÁ ÁR PÁOÁ
EDER NIYEI KÁNDÁ HÁSÁ
ÁÁÁÁÁÁÁÁÁÁ
SHUDHU BHÚLE THÁKÁ SMARAŃE RÁKHÁ
MAŃIR UDBHÁSE BHÁLOBÁSÁ
EDER NIYEI KÁNDÁ HÁSÁ
RAVIR KETANE JE KIRAŃ ÁSE
ÁÁÁÁÁÁÁÁÁÁ
RAVIR KETANE JE KIRAŃ ÁSE
SANDHYÁ MALAYE JE PRIITI BHÁSE
CÁNDER ÁLOY JE MÁDHURII HÁSE
TÁRÁI MANANE ÁNE ÁSHÁ
EDER NIYEI KÁNDÁ HÁSÁ
TUMI BRIHAT KŚUDRA ÁMI
ÁÁÁÁÁÁÁÁÁÁ
TUMI BRIHAT KŚUDRA ÁMI
TAVA PATH DHARE TOMÁKEI NAMI
CALIÁCHI ÁMI KABHU NÁHI THÁMI
MIT́ÁTE MANER MARU TRIŚÁ
EDER NIYEI KÁNDÁ HÁSÁ
ÁSÁ ÁR JÁOÁ CÁOÁ ÁR PÁOÁ
EDER NIYEI KÁNDÁ HÁSÁ
Coming and going, desiring and obtaining, taking these is all cries and smiles. Sometimes
forgetting or keeping in memory and loving the shine of the gem. The rays present on the
banner of the sun, the love appearing with the evening sandal breeze, the sweetness
smiling in the moonlight, they bring hope in the mind. You are Great and I am meagre.
Holding on Your path, I salute You. I go on moving never pausing, to quench the desert
thirst of my mind.
3206 (07/11/1985) D
TOMÁY ÁMI BUJHI PRIYA
AKHAŃD́A JIIVANE
ÁLOR UTTARAŃE
ÁKÁSHA CHONYÁ PÁTÁL DHOYÁ
MANERI RAŃANE
ÁLOR UTTARAŃE
BHÁVATE NÁHI PÁRI JÁHÁ
ÁÁÁÁÁÁÁÁÁÁ
BHÁVATE NÁHI PÁRI JÁHÁ
TOMÁTE NIHITA TÁHÁ
SAKAL CÁOÁ NÁHI CÁOÁR
UDDVEL ÁSTARAŃE
NIDIDHYÁSAN KIIRTI SHRAVAŃ
DIIPTIR AŃUDHYÁNE
ÁLOR UTTARAŃE
ÁCHO ÁMÁR KÁCHE KÁCHE
ÁÁÁÁÁÁÁÁÁÁ
ÁCHO ÁMÁR KÁCHE KÁCHE
RANDHRE RANDHRE MANER MÁJHE
SAB BHÁVANÁR SAKAL KÁJE
EKÁNTE SMARAŃE
SHÁNTA NIIŔE SNIGDHA NIIRE
ASHÁNTA PAVANE
ÁLOR UTTARAŃE
TOMÁY ÁMI BUJHI PRIYA
AKHAŃD́A JIIVANE
ÁLOR UTTARAŃE
O Lord, I have understood You in my life with the descend of effulgence, touching the sky
and the netherworld, with the resonance in the mind. Whatever I could not imagine, that is
located within You, under restless cover of the whole desired and undesired objects and
within listening to the glory and meditation on the effulgence. You are with me close by
within each pores of the mind. You are close by in all thoughts and entire actions, in
memories during isolation, within calm nest, quiet water and restless wind.
3207 (08/11/1985) K
TOMÁY ÁMI NÁHI JÁNI
TABU TOMÁY BHÁLOBÁSI
TOMÁR NÁME TOMÁR GÁNE
CHANDA SURE ÁMI BHÁSI
TABU TOMÁY BHÁLOBÁSI
ANÁDI ASHEŚA TOMÁR LIILÁ
ÁÁÁÁÁÁÁÁÁÁ
ANÁDI ASHEŚA TOMÁR LIILÁ
SABÁR MARMA CHUNYE TOMÁR CALÁ
ÁNDHÁR PATHE JHAŔER RÁTE
BHAROSÁ DÁO BHAYA NÁSHI
TABU TOMÁY BHÁLOBÁSI
TUMI BINÁ BÁNCATE NÁ PÁRI
ÁÁÁÁÁÁÁÁÁÁ
TUMI BINÁ BÁNCATE NÁ PÁRI
TOMÁR VIIŃÁR DHVANITE PRÁŃA BHARI
MANER MÁJHE MOHAN SÁJE
NECE CALO DIVÁ NISHI
TABU TOMÁY BHÁLOBÁSI
TOMÁY ÁMI NÁHI JÁNI
TABU TOMÁY BHÁLOBÁSI
I do not know You
and yet, I love You.
In Your name and song
I float ahead in rhythm and melody.
Your divine play (liila)
is beginning less and endless.
Your movement touches the core of every heart.
On dark paths during stormy nights
You provide confidence, O dispeller of fear!
I cannot survive without You.
I fill my heart with the sound of Your viin’a’.
In my mind
You keep on dancing day and night
with charming adornments.
3208 (09/12/1985) K
YADIO NÁHI ELE KATHÁ NÁHI RÁKHILE
TABUO BHÁLOBÁSI
SUKHE KÁCHE PÁINI KABHU
DUHKHE DÚRE THÁKONI PRABHU
DIYECHO MADHUR ÁSHVÁS
DIYECHO MRIDU HÁSI
TABUO BHÁLOBÁSI
BOLILE TUMI SABÁKÁR
ÁÁÁÁÁÁÁÁÁÁ
BOLILE TUMI SABÁKÁR
EKÁ NAY KEU E DHARÁR
KAKHANO BHÚLE NÁHI JÁO
PRIITI GIITI KÁŃE SHOŃÁO
MARMER MÁJHÁRE BASI
TABUO BHÁLOBÁSI
MANERAI MÁDHAVII VANE
ÁÁÁÁÁÁÁÁÁÁ
MANERAI MÁDHAVII VANE
RAYECHO SAḾGOPANE
ÁNKHITE DILE NÁ DHARÁ
HOYECHO ÁNKHIR TÁRÁ
CIDÁKÁSHE UDBHÁSI
TABUO BHÁLOBÁSI
O Lord, even if You do not come, not keeping Your words, still I shall love You. I never
find You close in my happy days, but do not stay far during sorrows. You have given me
sweet assurance, and soft smile. You had told me that You belong to all; nobody on this
earth is alone. You never forget and whisper the loving song in the ears, sitting in the
core of the heart. In my mental garden of ma’dhavii flowers, You dwell secretly. By not
coming externally into the folds of the eyes, You stay as pupil of the eyes, shining in
the firmament of the mind.
3209 (06/11/1985) K
TUMI JE ÁMÁR PRÁŃERI PRIYATAMA
VYATHÁ VEDANÁY BHÁVE BHÁVANÁY
MANER MAINJÚŚÁY MARAKATA MAŃI SAMA
TUMI JE ÁMÁR PRÁŃERI PRIYATAMA
GOLÁPETE TUMI KÁNT́ÁY TOMÁY PÁI
ÁÁÁÁÁÁÁÁÁÁ
GOLÁPETE TUMI KÁNT́ÁY TOMÁY PÁI
GULA BÁGE TUMI NITYA DEKHIYÁ JÁI
KORAKERI MÁJHE MADHUR MOHAN SÁJE
SHVÁSE PRASHVÁSE GANDHA VAHA SAMA
TUMI JE ÁMÁR PRÁŃERI PRIYATAMA
TUMI BINÁ PRIYA ÁMÁR KICHUI NÁI
ÁÁÁÁÁÁÁÁÁÁ
TUMI BINÁ PRIYA ÁMÁR KICHUI NÁI
TOMÁRI CETANÁY TOMÁY KHUNJE PÁI
ALOKE PULAKE PRATIT́I PALAKE
SAKAL DHÁRAŃÁY TUMII ANUPAMA
TUMI JE ÁMÁR PRÁŃERI PRIYATAMA
O Lord, You are Dear most in my life, within the pains of agonies and feelings of the
thoughts, in the casket of the mind like the shining of the gem. I find You as the thorn
in the roses and I always go on seeing You in the garden. You are the sweetness in the
nucleus as the fragrance carrying breathes as charming adornment. I have nothing without
You O Dear, by Your consciousness; I am able to search You. You are without example within
all holding of the mind each moment as blissfulness of light.
3210 (10/11/1985) K
ÁSHÁR ÁKÁSHE TUMI ÁSO
KENO NEVE ÁSO NÁ
MALAY VÁTÁSE TUMI BHÁSO
KENO KATHÁ BOLO NÁ
KENO NEVE ÁSO NÁ
JIIVANER JOÁRE TUMI UTTÁLA
ÁÁÁÁÁÁÁÁÁÁ
JIIVANER JOÁRE TUMI UTTÁLA
TOMÁR KÁCHE NEI KONO KÁLÁKÁLA
TAVA BHÁVANÁY CHINŔE JÁY MOHA JÁLA
TUMI SHREYA SÁDHANÁ
KENO NEVE ÁSO NÁ
PRIITIR YAMUNÁ TOMÁ PÁNE DHÁY
ÁÁÁÁÁÁÁÁÁÁ
PRIITIR YAMUNÁ TOMÁ PÁNE DHÁY
GOKULER KÚLA UPACIÁ SHIHARÁY
PREŚAŃÁY PRAJINÁY SHUBHA CETANÁY
TUMI MÁNÁ MÁNO NÁ
KENO NEVE ÁSO NÁ
ÁSHÁR ÁKÁSHE TUMI ÁSO
KENO NEVE ÁSO NÁ
O Lord, You exist in the sky of hope, why do not You come down? You float in the sandal
breeze, why do not You speak out? You are restless in the tide of life, there is nothing
like any particular time for You, by Your ideation, the net of infatuation breaks away and
You are the benevolent object of meditation. The river Yamuna’ of love, rush towards You
and the banks in the land of Gokul, overflows with quiver. You do not get restricted with
transmission, intuition and benevolent consciousness.
3211 (11/11/1985) K
JHAINJHÁ VÁTESHRÁVAŃA RÁTE
ESE CHILO NIBHRITE
ÁÁÁÁÁÁÁÁÁÁ
KAY NI KATHÁ CHILO NIIRAVATÁ
CEYE CHILO PRIITITE
ESE CHILO NIBHRITE
OŚT́ÁDHARE CHILO HÁSI
ÁÁÁÁÁÁÁÁÁÁ
OŚT́ÁDHARE CHILO HÁSI
BÁDAL NISHÁR ÁNDHÁR NÁSHI
BOLALE JENO BHÁLOBÁSI
TÁI ESECHI KÁLA RÁTE
ESE CHILO NIBHRITE
SAGHAN KÁLO MEGHER MÁJHE
ÁÁÁÁÁÁÁÁÁÁ
SAGHAN KÁLO MEGHER MÁJHE
ANUKTA SE DHVANI JE BÁJE
TAMASÁY JYOTI DHÁRÁ SE JE
BHÁSÁLO ÁMÁY TÁR SHROTE
ESE CHILO NIBHRITE
JHAINJHÁ VÁTESHRÁVAŃA RÁTE
ESE CHILO NIBHRITE
O Lord, with stormy wind in the rainy night, You had come in isolation. You did not speak
out and a loving silence was spread all over. On Your lips was smile destroying the
darkness of the cloudy night. You told that You loved and that is why You came in this
cimmerian night. Within the dense dark clouds, The unpronounced sound was resonating that
made me float in that stream of the flow of effulgence in the darkness.
3212 (13/11/1985) K
SVAPANE PEYECHI BHEVE DEKHECHI
MANER MAINJÚŚÁY
TUMI COKHER MAŃI, TUMI COKHER MAŃI
MANANE BÚJHECHI KAŃE SHUŃECHI
KÁLER BÁLUKÁ BELÁY
TÁI ASHEŚA JÁNI
TUMI COKHER MAŃI, TUMI COKHER MAŃI
NABHO NIILIMÁY TOMÁR MAHIMÁ
ÁÁÁÁÁÁÁÁÁÁ
NABHO NIILIMÁY TOMÁR MAHIMÁ
TÁRÁY TÁRÁY TOMÁR SUŚAMÁ
BHÁŚÁY TOMÁRE DITE NÁRE SIIMÁ
TÁI MARMAE T́ÁNI
TUMI COKHER MAŃI, TUMI COKHER MAŃI
NIIRAVE NIBHRITE PHÚLER PARÁGE
ÁÁÁÁÁÁÁÁÁÁ
NIIRAVE NIBHRITE PHÚLER PARÁGE
RAYE GECHO TUMI RÁGE ANURÁGE
ATANDRA PRIITI DIVÁ RÁTI JÁGE
BHÁSE BHÁVE ÁPANI
TUMI COKHER MAŃI, TUMI COKHER MAŃI
O Lord, I attained You in dream and saw You in the thoughts within the casket of my mind.
You are the pupil of my eyes. I understood You in the mind and heard in ears, thus at the
shore of time, knew You to be endless. Your glory is in the blue sky; Your beauty is in
each star. The language cannot provide any limitation hence I pull You in the core of my
heart. You have remained silently hidden in the fragrance of the flowers as colourful
love. Day and night, Your love rouses floating through Your ideation.
3213 (14/11/1985) K
MANER MÁJHÁRE TUMI KE
NECE CHÚT́E JÁO
MOHAN SÁJE ÁJI KE
ÁMÁRE BHÚLÁO
NECE CHÚT́E JÁO
PATH CEYE BASE ÁCHI
BHAYA LÁJA BHÚLE GECHI
ÁÁÁÁÁÁÁÁÁÁ
PATH CEYE BASE ÁCHI
BHAYA LÁJA BHÚLE GECHI
PULAKE PRITIT́I PALAKE
DYOTANÁ JÁGÁO
NECE CHÚT́E JÁO
KÁLO DADHI SAEKATE
JIIVANERI OTAH PROTE
ÁÁÁÁÁÁÁÁÁÁ
KÁLO DADHI SAEKATE
JIIVANERI OTAH PROTE
D́EKE D́EKE CETANÁ ÁNÁO
NECE CHÚT́E JÁO
MANER MÁJHÁRE TUMI KE
NECE CHÚT́E JÁO
Who is that You who rushes dancing within the mind, today, enchanting me with charming
adornment? I am sitting looking on the path and have forgotten all shyness and fears.
Awaken expression of significance, each moment with joy. On the sandy beach of the ocean
of time, individually and collectively, in the life, with call after call bring
consciousness.
3214 (15/11/1985) D
ÁJI PRABHÁTE CHANDE GIITE
RÚPER SHROTE PELUM TOMÁY
ÁJI PRABHÁTE CHANDE GIITE
PÚRVÁCALE MANTRA BALE
ÁLOR DHÁRÁ ÁNALE DHARÁY
RÚPER SHROTE PELUM TOMÁY
ÁJI PRABHÁTE CHANDE GIITE
ÁNDHÁRER BHRIKUT́I GECHE
ÁÁÁÁÁÁÁÁÁÁ
ÁNDHÁRER BHRIKUT́I GECHE
AŃUR BÚKE PRÁŃA JEGECHE
ÁTMA HÁRÁ CHANDE BHARÁ
MANER MAYÚR NECE CHÚT́E JÁY
RÚPER SHROTE PELUM TOMÁY
ÁJI PRABHÁTE CHANDE GIITE
VIBHIIŚIKÁ SARE GELO
ÁÁÁÁÁÁÁÁÁÁ
VIBHIIŚIKÁ SARE GELO
ABHIŚEKER LAGNA ELO
RAKTIMÁBHÁY PUŚPA SHOBHÁY
D́HELE DILE PRÁŃA CETANÁY
RÚPER SHROTE PELUM TOMÁY
ÁJI PRABHÁTE CHANDE GIITE
O Lord, with rhythm and song today morning, I attained You at the stream of beauty. With
the power of mantra You have brought on the earth the stream of effulgence. The raised
eyebrow of darkness has gone, and within the molecule life has arisen. Losing itself, full
of rhythm, the mental peacock goes rushing dancing. The threat has gone away, and the
auspicious time of crowning has come. With the crimson glow and the decoration of flowers
You have poured life and consciousness.
3215 (15/11/1985) D
TOMÁRE CEYECHI
MANERI NIIPE MAŃI DIIPE
TUMI ELE NÁ
VARŚÁ KÁJAL RÁTE
BHAYÁL BÁDAL VÁTE
DHARÁ DILE NÁ
TUMI ELE NÁ
PRÁVRIT́A PRAKRTI KATANÁ LIILÁY
ÁÁÁÁÁÁÁÁÁÁ
PRÁVRIT́A PRAKRTI KATANÁ LIILÁY
GHIRE CHILO MORE AYUTA MÁYÁY
SARVOTTARA TAVA MAHIMÁY
D́HÁKÁR CHILO KI CHALANÁ
TUMI ELE NÁ
MANDÁKRÁNTÁ TÁLE CALE DHARÁ
ÁÁÁÁÁÁÁÁÁÁ
MANDÁKRÁNTÁ TÁLE CALE DHARÁ
PATH KLÁNTÁ VIVASHE VIDHURÁ
TOMÁRAI ÁSHE TÁI GHURE SÁRÁ
ÁNKHI MELE KENO DEKHAO NÁ
TUMI ELE NÁ
TOMÁRE CEYECHI
MANERI NIIPE MAŃI DIIPE
TUMI ELE NÁ
O Lord, I wanted You in the mental garden of niip with lamp of gem, but You did not come.
I wanted You in the dark rainy night, with frightening clouds and winds, but You did not
come into the fold. The over flooding rainy nature with many illusionary game, surrounded
me with innumerable delusions. They had covered Your highest glory, what is this
enchantment? The earth moves with a special manda’kranta’ rhythm, she is tired of
movement, compelled and afflicted. She makes all the revolutions hoping for You, why do
not You look at her opening the eyes?
3216 (16/11/1985) K
KAKHAN SAHASÁ TUMI ELE
MANE DOLÁ DIYE GELE
MUKHER PÁNE SHUDHU CÁHILE
KONO KATHÁ NÁHI KAHILE
MANE DOLÁ DIYE GELE
JIIVANER SPANDAN TUMI DHARAŃIIR
ÁÁÁÁÁÁÁÁÁÁ
JIIVANER SPANDAN TUMI DHARAŃIIR
MANANER SPANDAN SAPTA BHÚMIR
UCCHVAL URMI MÁLÁ JALADHIR
PRIITI DHÁRÁ D́HELE DILE
MANE DOLÁ DIYE GELE
SHARAŃÁGATA ÁMI TAVA KARUŃÁR
ÁÁÁÁÁÁÁÁÁÁ
SHARAŃÁGATA ÁMI TAVA KARUŃÁR
SASIIMER BUDBUD ASIIM BHÚMÁR
ACENÁ AJÁNÁ MÁJHE CALÁ JE ÁMÁR
THEKO MOR MARMA MÚLE
MANE DOLÁ DIYE GELE
KAKHAN SAHASÁ TUMI ELE
MANE DOLÁ DIYE GELE
O Lord, when did You come suddenly and went oscillating the mind? You only looked towards
the face and did not speak anything. You are the vibration of life of this earth and
mental vibration of the seven arenas. You are the restless series of waves, pouring flow
of love. I am at the shelter of Your mercy, a limited bubble in the unlimited Cosmos. My
movement is within unknown and unrecognised, You dwell at the root of my core.
3217 (17/11/1985) K
PATH CEYE ÁCHI
MÁLÁ GENTHE REKHECHI
TUMI ELE NÁ
DIN CALE GECHE
RÁTAO SHEŚA HOYECHE
MANER VYATHÁ KI BOJHO NÁ
TUMI ELE NÁ
JHARÁ SHEFÁLI RÁSHI HIME GECHE BHÁSI
ÁÁÁÁÁÁÁÁÁÁ
JHARÁ SHEFÁLI RÁSHI HIME GECHE BHÁSI
HÁRIYE GECHE KUSHA KÁSHERO HÁSI
MALAY SAMIIR ÁR NIKAT́E ÁSI
KATHÁ BOLE NÁ
TUMI ELE NÁ
HIMÁNI PUNJE D́HÁKÁ PAŔECHE DHARÁ
ÁÁÁÁÁÁÁÁÁÁ
HIMÁNI PUNJE D́HÁKÁ PAŔECHE DHARÁ
RIKTA SHOBHÁ ÁJ SARVA HÁRÁ
NAEHSHABDE LIIN KUHU KEKÁRÁ
DHVANI TOLE NÁ
TUMI ELE NÁ
O Lord, I have been waiting on the path, kept the garland threaded, but You did not come.
The day passed, the night ended, do not You understand the agony of my mind? The
accumulated dropped shefa’lii flowers floated away with the snow. The smile of tall
grasses is lost. But the sandal breeze coming closer did not speak out. The earth is
covered with the much of snow, losing all its beauty today. The peacock is engrossed in
silence and does not raise the sound.
3218 (18/11/1985) K
BHÁLOBÁSO KI NÁ JÁNI NÁ
JÁNI SHUDHU SAUNGE THÁKO
VYATHÁ BOJHO KI NÁ BUJHI NÁ
JÁNI MORE MARME D́ÁKO
JÁNI SHUDHU SAUNGE THÁKO
JABE GHANA GHOR ÁNDHÁRE
ÁÁÁÁÁÁÁÁÁÁ
JABE GHANA GHOR ÁNDHÁRE
DEKHITE NÁ PÁI NIJERE
DEKHI MANERI MÁJHÁRE
ÁLO CHÁŔÁ THÁKO NÁKO
JÁNI SHUDHU SAUNGE THÁKO
BÁHIRE TOMÁRE KHUNJI
ÁÁÁÁÁÁÁÁÁÁ
BÁHIRE TOMÁRE KHUNJI
BÁHIREI SATATA PÚJI
CEYE DEKHI ÁNKHI BUJI
AŃU PARAMÁŃUTE JÁGO
JÁNI SHUDHU SANGE THÁKO
BHÁLOBÁSO KI NÁ JÁNI NÁ
JÁNI SHUDHU SAUNGE THÁKO
I do not know if You love me or not.
I only know that You forever accompany me.
I do not know whether or not You understand my pain
but I know You call me from within the core of my heart.
When in cimmerian darkness
I am unable to see myself
I see that in my heart nothing but effulgence pervades.
I search You in the external world
and continuously worship You outside.
But when I close my eyes and look within
I find You living in each atom and molecule.
3219 (19/11/1985)
NAYANE KENO KE JÁNE ÁJI
NEVECHE SHRÁVAŃERI JAL
ÁMÁKE DÚRE THEKE KE
KÁNDÁCCHE, VYATHÁTE AVIRAL
NEVECHE SHRÁVAŃERI JAL
KE GO TUMI KAT́HIN HIYÁ
ÁÁÁÁÁÁÁÁÁÁ
KE GO TUMI KAT́HIN HIYÁ
BUJHATE NÁHI CÁO BUJHIYÁ
ÁNKHIR DHÁRE SHATA DHÁRE TÁI KI
NÁVÁO BÁDALERI D́HAL
NEVECHE SHRÁVAŃERI JAL
TOMÁKE AYUTA NAMI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁKE AYUTA NAMI
BUDDHIR AGAMYA JE TUMI
KABHU HÁSI KAKHANO KÁNDI
TOMÁR LIILÁ RASE UCCHAL
NEVECHE SHRÁVAŃERI JAL
NAYANE KENO KE JÁNE ÁJI
NEVECHE SHRÁVAŃERI JAL
Today, in the eyes, who knows why tears are overflowing? Who is making me cry with
continuous pain by keeping me away? Who is that You with hard heart, who knowing do not
want to understand that? How is it that You with hundreds of flow bring rain? I salute You
countless times as You are unknowable with intellect, restless with Your divine game
liila, I sometimes smile and sometimes cry.
3220 (20/11/1985) D
TUMI, MADHU PRABHÁTE ESECHO
KISHALAY SÁTHE MUKULE PHÚLETE
BHUVAN BHARIÁ HESECHO, ESECHO
BÁHIR BHIITAR EK KARE DILE
ÁÁÁÁÁÁÁÁÁÁ
BÁHIR BHIITAR EK KARE DILE
KANAK KIRAŃE ÁNDHÁR SARÁLE
MANUR MANANE AŃUR NAYANE
PRIITI BANDHANE BENDHECHO, ESECHO
KICHUI TAVA NÁI PARISIIMÁ
ÁÁÁÁÁÁÁÁÁÁ
KICHUI TAVA NÁI PARISIIMÁ
TRILOK VYÁPTA TOMÁR MAHIMÁ
AŃU PARAMÁŃUTE ENKE DRÁGHIMÁ
APÚRVA SÁJE SEJECHO, ESECHO
TUMI, MADHU PRABHÁTE ESECHO
O Lord, You came in the sweet morning along with new tender leaves, buds and flowers. You
smiled filling the whole world. You made the inside and outside one and with golden rays
removed the darkness. You get bounded with the bondage of love by human mind through the
aspiring look of the microcosm. You have no boundary and Your glory pervades the entire
three strata of the world. By marking the longitudes on atoms and molecules, You remain
adorned in unique decoration.
3221 (21/11/1985) D
TUMI, KÁR T́ÁNE ELE KENO ELE
KON SE HÁRÁNO VIRAHI HIYÁR
AŃUTE AŃUTE MISHE GELE
KÁR T́ÁNE ELE KENO ELE
KI BÁ TUMI CÁO PÁRI NÁ BUJHITE
ÁÁÁÁÁÁÁÁÁÁ
KI BÁ TUMI CÁO PÁRI NÁ BUJHITE
KON RÁGE GÁO PÁRI NÁ DHARITE
MARMER MÁJHE KENO JE LUKÁO
ÁLO CHÁYÁY NECE CALE
KÁR T́ÁNE ELE KENO ELE
YUGA YUGA DHARE NÁNÁ NÁME GÁNE
ÁÁÁÁÁÁÁÁÁÁ
YUGA YUGA DHARE NÁNÁ NÁME GÁNE
ADHIIR E DHARÁ MANER VITÁNE
D́ÁKE KI TOMÁY PRIITI SPANDANE
PRÁŃA SARITÁR KÚLE KULE
KÁR T́ÁNE ELE KENO ELE
O Lord, by whose pull and why did You come? Which is that separationafflicted heart? You
merged into each atom. I am unable to understand what You want. I am unable to hold the
melody sung by You. Why have You hidden within the core of the heart, dancing through
light and shade. From ages after ages through the chants of various names, the earth is
impatient through the mental arbor, does it call You with the vibration of love along
banks of the stream of life.
3222 (22/11/1985) D
CEYE DEKHO OGO PRABHU
TAVA TARE CHÚT́E ESECHI
ÁMI, DEKHINI TOMÁKE KABHU
DÚRE THEKE BHÁLOBESECHI
TAVA TARE CHÚT́E ESECHI
MALAY SÁDHENI MORE
ÁÁÁÁÁÁÁÁÁÁ
MALAY SÁDHENI MORE
PRALAY RODHENI D́ARE
MOHA BÁNDHENI PHÚL D́ORE
BHÁLOBÁSÁR T́ÁNE METECHI
TAVA TARE CHÚT́E ESECHI
SHIRE KARE KARÁGHÁTA
ÁÁÁÁÁÁÁÁÁÁ
SHIRE KARE KARÁGHÁTA
KET́E GECHE KATA RÁTA
ESECHE RÁUNGÁ PRABHÁTA
DVÁR KHULE PATHE NEVECHI
TAVA TARE CHÚT́E ESECHI
CEYE DEKHO OGO PRABHU
TAVA TARE CHÚT́E ESECHI
O Lord, see, for You I have come rushing. I have never seen You, but from a distance I
love You. The sandal breeze did not charm me, the devastation did not obstruct me with
fear, the infatuation did not bind me with flowerrope, I am only intoxicated with the pull
of love. Hitting the head with hand several nights have passed. Today the colourful
morning has come, opening the door, I have come on the path.
3223 (23/11/1985) K+D
TOMÁRI GUŃETE MUGDHA DHARÁ
TUMI KARO SABE TRÁŃA
TUMI SABÁR GATI, TUMI SABÁR GATI
SABÁKÁR MAN PRÁŃA
DÁO SABE SUMATI DÁO SABE SUMATI
TUMI SABÁR GATI, TUMI SABÁR GATI
JAKHAN CHILO NÁ E VISRIT́I
ÁÁÁÁÁÁÁÁÁÁ
JAKHAN CHILO NÁ E VISRIT́I
MARAKATA SHYÁM PRÁŃIIN DRIŚT́I
TAKHANO SABÁR SAMBHÁVANÁR
CHILO AYUTA DYUTI CHILO AYUTA DYUTI
TUMI SABÁR GATI, TUMI SABÁR GATI
TAVA EŚAŃÁY SAB KICHU ELO
ÁÁÁÁÁÁÁÁÁÁ
TAVA EŚAŃÁY SAB KICHU ELO
AJASHRA GUŃE VISHIŚT́A HOLO
CIT CETANÁR AMIT MAMATÁR
DOLÁ JÁGÁLO PRIITI DOLÁ JÁGÁLO PRIITI
TUMI SABÁR GATI, TUMI SABÁR GATI
TOMÁRI GUŃETE MUGDHA DHARÁ
TUMI KARO SABE TRÁŃA
TUMI SABÁR GATI, TUMI SABÁR GATI
O Lord, by Your attributes, the world is enchanted, You protect all, You are the ultimate
desideratum of all. By Your beauty and dance, everyone’s mind and heart is filled.
Provide good sense to all. When the universe was not created, there was no lively green
shine like emerald, then also the infinite brilliance of potentiality and possibility was
there. By Your will, everything came and the creation was made with innumerable specific
qualities. By providing consciousness and the mind, due to immeasurable affection, You
awakened oscillations of love.
3224 (23/11/1985) D
JEONÁ, RÁKHO MOR KATHÁ
ÁR EKAT́I PRAHAR THEKE JÁO
THEKE JÁO PRIYA THEKE JÁO
JE MÁLÁ GENTHECHI TÁHÁRI VÁRTÁ
KÁN PETE SHUDHU SHUŃE NÁO
THEKE JÁO PRIYA THEKE JÁO
CARAŃ JAŔIYE PHÚL HÁR DIYE
ÁÁÁÁÁÁÁÁÁÁ
CARAŃ JAŔIYE PHÚL HÁR DIYE
RÁKHITE CÁHI NÁ ÁMÁR NILAYE
SHÁNTA CARAŃE JEO SVASTHÁNE
KAHIBO NÁ EKAT́I KATHÁO
THEKE JÁO PRIYA THEKE JÁO
MANER MUKURE DHUYE ÁNKHI NIIRE
ÁÁÁÁÁÁÁÁÁÁ
MANER MUKURE DHUYE ÁNKHI NIIRE
GÁNTHIÁCHI MÁLÁ TOMÁRI TARE
E HÁR ÁMÁR VAHE PRIITI BHÁR
VEDANÁ NÁI TÁTE KOTHÁO
THEKE JÁO PRIYA THEKE JÁO
JEONÁ, RÁKHO MOR KATHÁ
ÁR EKAT́I PRAHAR THEKE JÁO
THEKE JÁO PRIYA THEKE JÁO
O Lord, do not go away, listen to and keep my words, and stop here just for sometimes, O
Dear. The garland that I have threaded about that only listen attentively. By tying You
feet with the floral garland, I do not want to keep You bound to my home. With silent
feet, You go to Your abode; I shall not stop You by uttering a word. Washing the mental
mirror with tears, I have threaded the garland for You. This garland of mine carries the
load of love, and there is no fatigue or affliction at all in that.
3225 (24/11/1985) D
JAKHANI BHÁVI KICHU CINI BUJHI
DEKHI ÁMI KICHU JÁNINÁ, ÁMI JÁNI NÁ
JABE PATHE NÁVI PÁTHEYA KHUNJI
KII KHUNJI BUJHITE PÁRI NÁ
DEKHI ÁMI KICHU JÁNINÁ, ÁMI JÁNI NÁ
KON SE ATIITE AJÁNÁR SROTE
ÁÁÁÁÁÁÁÁÁÁ
KON SE ATIITE AJÁNÁR SROTE
BHÁSIÁ CALECHI DURE DÚR HOTE
AJÁNÁR KHONJE GHURE DINE RÁTE
KENO JE GHUMÁI BUJHINÁ
DEKHI ÁMI KICHU JÁNINÁ, ÁMI JÁNI NÁ
HE KARUŃÁMAYA E KII LIILÁ TAVA
ÁÁÁÁÁÁÁÁÁÁ
HE KARUŃÁMAYA E KII LIILÁ TAVA
KŚUDRA KE NIYE LIILÁ ABHINAVA
AŃUR SAUNGE BHÚMÁR E LIILÁ
CALITE PÁRE KI BOLO NÁ
DEKHI ÁMI KICHU JÁNINÁ, ÁMI JÁNI NÁ
JAKHANI BHÁVI KICHU CINI BUJHI
DEKHI ÁMI KICHU JÁNINÁ, ÁMI JÁNI NÁ
Whenever I think that I know and understand something, I observe that I no nothing. When I
come to the path and look for the means of the journey, I do not understand what to seek.
Since unknown past, in the unknown stream, I go on floating far and further. Even after
searching the unknown, wandering day and night, I do not understand why do I wander. O the
merciful, what is Your divine play, liila, You play with this meagre in new ways. How
this game of the Cosmic with microcosm would continue?
3226 (25/11/1985) D
PATH CEYE BASE CHINU YUGA DHARE
ELE ÁJI GHAN VARAŚÁY
ELE ÁJI GHAN VARAŚÁY
UDAK SIKTA SURABHI ÁMÁR
KETAKI PARÁGE BHESE JÁY
ELE ÁJI GHAN VARAŚÁY
ELE ÁJI GHAN VARAŚÁY
DINER ÁLOKE KHUNJECHI TOMÁY
ÁÁÁÁÁÁÁÁÁÁ
DINER ÁLOKE KHUNJECHI TOMÁY
ÁNDHÁR NISHÁY TÁRÁY TÁRÁY
KHUNJECHI TOMÁY NABHONIILIMÁY
LUKÁIÁ CHILE AJÁNÁY
ELE ÁJI GHAN VARAŚÁY
ELE ÁJI GHAN VARAŚÁY
TAPTA DIVAS CALE GECHE MOR
ÁÁÁÁÁÁÁÁÁÁ
TAPTA DIVAS CALE GECHE MOR
KLÁNTÁ YÁMINI HOYE GECHE BHOR
MÁLÁ CHILO TÁR ÁCHE SHUDHU D́OR
KII DIYE SÁJÁBE PRIYA TOMÁY
ELE ÁJI GHAN VARAŚÁY
ELE ÁJI GHAN VARAŚÁY
O Lord, since ages I was sitting on the path of Your arrival waiting for You. Today You
came in the intense rain. My moist fragrance goes on floating, with the pollen of ketakii
flower. I have searched for You during daylight and in stars after stars during dark
nights. I have searched for You in deep blue sky, but You were hidden in unknown arena. My
hot days and tiring nights have passed. Now morning has come when the garland is present
but without with only thread without flowers. O Dear by offering what can I decorate You
for the welcome?
3227 (27/11/1985) D
TUMI ESECHILE TUMI ESECHILE
TUMI ESECHILE KENO ESECHILE
BHÁLOBESE CHILE SE KI LIILÁ CHALE
TUMI ESECHILE KENO ESECHILE
KENOR UTTAR SABERI ÁCHE
ÁÁÁÁÁÁÁÁÁÁ
KENOR UTTAR SABERI ÁCHE
NEI SHUDHU TÁHÁ TAVA LIILÁ MÁJHE
JÁHÁ KARO TUMI SHUBHA MÁNI ÁMI
UTKRAMI BÁDHÁ TÁRI BALE
TUMI ESECHILE KENO ESECHILE
KENOR UTTAR PÁITE NÁCÁI
ÁÁÁÁÁÁÁÁÁÁ
KENOR UTTAR PÁITE NÁCÁI
TUMI CHÁŔÁMOR KONO DHYEYA NÁI
MANER MUKURE THÁKO CIRA TARE
SAB STHÁNE ÁR SAB KÁLE
TUMI ESECHILE KENO ESECHILE
TUMI ESECHILE TUMI ESECHILE
TUMI ESECHILE KENO ESECHILE
BHÁLOBESE CHILE SE KI LIILÁ CHALE
TUMI ESECHILE KENO ESECHILE
O Lord, You came but what for, You loved was it for delusive game, liila? The reply to
all “whys” are there, except only within Your illusive game liila. Whatever You do
I consider as auspicious, and I cross the obstacles by that strength. I do not want answer
to the “why” as no one is my object of meditation except You. You stay in my mental
mirror at all times and places.
3228 (27/11/1985) K
CHEYE, NABHAH GHANA NIIL GAGANE
NABHAH GHANA NIIL GAGANE
TUMI, ELE ÁJI TUMI ELE ÁJI
CHEYE, NABHAH GHANA NIIL GAGANE
MEGHE KETAKI PARÁG PARÁŃE
SHIKHI UT́HILO NÁCI SHIKHI UT́HILO NÁCI
CHEYE, NABHAH GHANA NIIL GAGANE
SAORABHE JUTHIKÁR VÁTÁS BHARIYÁ GECHE
ÁÁÁÁÁÁÁÁÁÁ
SAORABHE JUTHIKÁR VÁTÁS BHARIYÁ GECHE
VANA VIITHIKAR MRIG ÁKÁSHE CÁHIYÁ ÁCHE
BHEVE TÁDER KATHÁ MANANE
VIIŃÁ UT́HILO BÁJI VIIŃÁ UT́HILO BÁJI
CHEYE, NABHAH GHAN NIILGAGANE
KADAMBA KESHARE PULAK CHAŔIYE GECHE
ÁÁÁÁÁÁÁÁÁÁ
KADAMBA KESHARE PULAK CHAŔIYE GECHE
VINDU VINDU UDAK TÁTE ÁNKÁ ÁCHE
DEKHE NIIPER SHOBHÁ NAYANE
DHARÁ UT́HILO SÁJI DHARÁ UT́HILO SÁJI
CHEYE, NABHAH GHANA NIIL GAGANE
TUMI, ELE ÁJI TUMI ELE ÁJI
CHEYE, NABHAH GHANA NIIL GAGANE
Filling the deep blue sky with all Your being
You have come today.
The clouds bear the pollen
of ketakii (screwpine) flowers on their bosom
and the peacocks of my heart started dancing with joy.
The fragrance of jasmine flowers fills in the air.
The deer in the forest glades
are looking up into the sky.
Thinking about Him
the viin’a’ of my mind started playing anew.
The pollen of kadamba flowers
are scattered about in delight
and drops of water lie traced on them.
My eyes look at the decorations of the niipa trees
and see the world dressed up in celebration.
3229 (27/11/1985) D (Krsna)
BÁNSHARI DHVANI TOMÁRI
T́ÁNE ÁMÁRE
T́ÁNE ÁMÁRE, T́ÁNE ÁMÁRE
SHUNIBO NÁ JATAI BHÁVI
MAN THÁKITE NÁRE
T́ÁNE ÁMÁRE, T́ÁNE ÁMÁRE
MAN VRINDÁVANER VANE
ÁÁÁÁÁÁÁÁÁÁ
MAN VRINDÁVANER VANE
ÁLOKER ÁNDHÁRER KOŃE
JETHÁY LUKÁI SHUNITE PÁI
PRIITIR DYUTIR MÁJHÁRE
T́ÁNE ÁMÁRE, T́ÁNE ÁMÁRE
SVARGA MARTYA RASÁTALE
ÁÁÁÁÁÁÁÁÁÁ
SVARGA MARTYA RASÁTALE
JAKHAN JETHÁY JÁI GO CALE
SÁTHE SÁTHE DINE RÁTE
BÁNDHE PRIITIRI D́ORE
T́ÁNE ÁMÁRE, T́ÁNE ÁMÁRE
BÁNSHARI DHVANI TOMÁRI
T́ÁNE ÁMÁRE
T́ÁNE ÁMÁRE, T́ÁNE ÁMÁRE
O Lord, the sound of Your flute attracts me. Whatsoever I I decide not to listen to that
the mind does not heed to that. In the garden of mental Vrnda’van, in the recess of
light and shade, wherever I hide, I hear that in the effulgence of love. In the heaven
mortal world or hell, wherever I go, it remains with me day and night, binding me with the
twine of love.
3230 (28/11/1985) D
SÁGAR JETHÁY DÚR NIILIMÁY
ÁKÁSER MÁJHE HOYECHE LIIN
BÁLUKÁ BELÁY RAKTIM ÚŚÁY
BASE PÁI TÁR ÁBHÁS KŚIIŃA
ÁKÁSER MÁJHE HOYECHE LIIN
BHÁLOBÁSI TOMÁY HE RÚPAKÁR
ÁÁÁÁÁÁÁÁÁÁ
BHÁLOBÁSI TOMÁY HE RÚPAKÁR
MANE PRÁŃE NÁCI CHANDE TOMÁR
SPANDANE TAVA JÁGE ABHINAVA
PRIITIR ÁKUTI VIRATI HIIN
ÁKÁSER MÁJHE HOYECHE LIIN
CALE GECHE KATA NIMEŚA ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
CALE GECHE KATA NIMEŚA ÁMÁR
KATA JE RÁTRI HOYE GECHE PÁR
HE SINDHU TUMI ASHEŚA APÁR
CETANÁ DYUTITE CIRA ACIN
ÁKÁSER MÁJHE HOYECHE LIIN
SÁGAR JETHÁY DÚR NIILIMÁY
ÁKÁSER MÁJHE HOYECHE LIIN
Where the ocean gets dissolved into the distant blue sky, sitting on the sandy beach
thereat the crimson dawn, I find His faint indistinct presence. O the creator of the
beauty, I love You, and dance to Your rhythm wholeheartedly. Your vibration awakens
evernew pauseless earnest love. Innumerable moments of mine have passed, several nights
have passed. O the Ocean, You are endless and infinite, ever unknown with the effulgence
of consciousness.
3231 (29/11/1985) D
TUMI PRABHU ÁMÁR JÁNI
TABE KENO PÁI NÁ KÁCHE
OTAH PROTAH YOGE SHUNI
ÁCHO SABÁR HIYÁR MÁJHE
TABE KENO PÁI NÁ KÁCHE
TUMI ÚŚÁR RAKTA BHÁNU
ÁÁÁÁÁÁÁÁÁÁ
TUMI ÚŚÁR RAKTA BHÁNU
MÁRTAND́ERI TAPTA TANU
MÁTÁO AŃU PRAMÁŃU
TOMÁY GHIRE CHANDE NÁCE
TABE KENO PÁI NÁ KÁCHE
PHÚLER MANER GOPAN KATHÁ
ÁÁÁÁÁÁÁÁÁÁ
PHÚLER MANER GOPAN KATHÁ
PRIITIR MADHU VIRAH VYATHÁ
NÁ LEKHÁ JATA ITIKATHÁ
SHUŃIYE JÁO PÁPŔI SÁJE
TABE KENO PÁI NÁ KÁCHE
TUMI PRABHU ÁMÁR JÁNI
TABE KENO PÁI NÁ KÁCHE
O Lord, You are mine that I know, yet why do not I get You close? I have heard that You
are within all hearts individually and collectively. You are the red sun of the morning
and hotbodied sun of the day. You intoxicate the atoms and molecules that dance
rhythmically around You. You are the secret event of the mind of the flowers, and sweet
pang of separation of love. You go on listening to all the unwritten history with the
adornment of petals.
3232 (29/11/1985) D
TOMÁKE CENÁ HOLO DÁY
CENÁ HOLO DÁY TOMÁKE
CENÁ HOLO DÁY
TOMÁKE CENÁ HOLO DÁY
MADHUR CEYE MADHUR TAVA
ÁÁÁÁÁÁÁÁÁÁ
MADHUR CEYE MADHUR TAVA
BHÁVALE PRÁŃER PRIYATARA
VAJRA SHILÁY DHVANSA LIILÁY
BHARE BHUVAN CHÁY
TOMÁKE CENÁ HOLO DÁY
JAKHAN BHÁVI DÚR TAMA
ÁÁÁÁÁÁÁÁÁÁ
JAKHAN BHÁVI DÚR TAMA
KAT́HOR MÁJHE KAT́HIN TAMA
PHÚLER HÁSI JYOTSNÁ RÁSHIO
PRIITIR GIITI GÁY
TOMÁKE CENÁ HOLO DÁY
CENÁ HOLO DÁY TOMÁKE
CENÁ HOLO DÁY
TOMÁKE CENÁ HOLO DÁY
O Lord, it is difficult to recognise You. You are situated in sweet and sweeter feelings
as the entity dearer than life, as well as in hard stone and destructive game liila
spreading throughout the universe. When I think You as distant most and hardest amongst
the hard, then the intense moonlight sings the song of love through smile of the flowers.
3233 (01/12/1985) K
ESECHO ÁMÁR GHARE
KRIPÁR PASARÁ HÁTE KARE
YOGYATÁ NEI KONO
TABU D́EKE GECHI PRÁŃA BHARE
KRIPÁR PASARÁ HÁTE KARE
ÁKÁSHER TÁRÁRÁ JÁNÁY
ÁÁÁÁÁÁÁÁÁÁ
ÁKÁSHER TÁRÁRÁ JÁNÁY
SABÁKÁR TUMI SAHÁY
ULKÁY NABHAH NIILIMÁY
ÁLO JHARE PRABHU TAVA TARE
KRIPÁR PASARÁ HÁTE KARE
DIYECHO ANEK MORE
ÁÁÁÁÁÁÁÁÁÁ
DIYECHO ANEK MORE
DIYINI KICHU TOMÁRE
KALI PHÚLE BHARÁ NIJERE
DILUM ÁJI KE CARAŃ PARE
KRIPÁR PASARÁ HÁTE KARE
ESECHO ÁMÁR GHARE
KRIPÁR PASARÁ HÁTE KARE
O Lord, You came to my home with articles of grace in the hands. I have no merit at all
yet I continued calling You wholeheartedly. The stars in the sky make me know that that
You are helpful to all. O Lord, the meteorites in the blue sky radiate light for You. You
have given me much, but I have not given You anything. Through the bud of flower, I am
offering myself at Your feet today.
3234 (02/12/1985) D
KÁR TARE TUMI MÁLÁ GÁNTHIÁCHO
KÁR PATH PÁNE CEYE ÁCHO
KE SE DÚRATAMA TABU PRIYATAMA
MANE DHARE JÁRE RÁKHIYÁCHO
KÁR PATH PÁNE CEYE ÁCHO
AMARÁR SUDHÁ BUKE BHARIÁCHO
ÁÁÁÁÁÁÁÁÁÁ
AMARÁR SUDHÁ BUKE BHARIÁCHO
SUSMITA PHULE SEJ SÁJÁYECHO
NÁ BOLÁ VEDANÁ DÚRE SARÁYECHO
CIT CAMELITE MÁTIÁCHO
KÁR PATH PÁNE CEYE ÁCHO
ÁJI KE TOMÁR KEU PAR NÁI
ÁÁÁÁÁÁÁÁÁÁ
ÁJI KE TOMÁR KEU PAR NÁI
ÁTMÁR ÁTMIIYA JE SABÁI
MANER GAHANE CITI VÁTÁYANE
ÁRGAL KHÚLE PHELIÁCO
KÁR PATH PÁNE CEYE ÁCHO
KÁR TARE TUMI MÁLÁ GÁNTHIÁCHO
KÁR PATH PÁNE CEYE ÁCHO
The Lord is asking the devotee sa’dhaka; For whom You have prepared this garland. For
whom are you looking toward the path? Who is farthest, still your Dearest, whom you have
kept in your heart? For whom have you filled the heavenly nectar in the bosom and
decorated the bed with smiling flowers? For whom, ignoring away the untold sorrows you are
frenzied with camelii fragrance in the mind? Today for You, nobody is distant; everyone is
closest and most intimate. For whom have you kept the doors and windows of the deep depths
of your mind?
3235 (03/12/1985) K
NIHSAUNGA PHÚL KAY
BOLO NÁ ÁMÁY
TUMI BOLO NÁ ÁMÁY
BHRAMARÁ ÁJI KENO ELENÁ
TUMI E MALAY VÁY
TUMI BOLO NÁ ÁMÁY
KON SE AJÁNÁ PARII D́EKE CHILO TOMÁKE
ÁÁÁÁÁÁÁÁÁÁ
KON SE AJÁNÁ PARII D́EKE CHILO TOMÁKE
ÁLOKER ÁBHÁSE JINE CHILO MAN KE
UCCHAL CETANÁR UNMADA BHÁVANÁR
MÁYÁY BHOLÁLO TOMÁY
TUMI BOLO NÁ ÁMÁY
KON SE KUMUDINI BUK BHARÁ MADHUTE
ÁÁÁÁÁÁÁÁÁÁ
KON SE KUMUDINI BUK BHARÁ MADHUTE
MANER KESHARE CHONYÁ JYOTSNÁR VIDHUTE
SAHÁSE TÁKIYE CHILO RABHASE D́EKE CHILO
TUMI CALE GELE NIRÚPÁY
TUMI BOLO NÁ ÁMÁY
NIHSAUNGA PHÚL KAY
BOLO NÁ ÁMÁY
TUMI BOLO NÁ ÁMÁY
The isolated flower tells today, “You tell me, O the sandal breeze, why the honeybee did
not come today”. Which unknown angel had called You, with the faint appearance of light
he won over the mind. With frenzied illusive feeling of restless consciousness, who made
me oblivious of You? Which lily flowers with heart full of honey, touched with mental
saffron, and light of the moon, smilingly looked with feelings, called You that You went
away without option.
3236 (04/12/1985) K
JE BHÁLOBESECHO TUMI
AŃU AŃUTE PARAMÁŃUTE
PRÁŃER SARITÁ CÚMI
RAYE GECHO KÁLÁTIITE
AŃU AŃUTE PARAMÁŃUTE
PHÚLER PARÁGE ÁCHO PRÁŃER ÁKÚTITE
ÁÁÁÁÁÁÁÁÁÁ
PHÚLER PARÁGE ÁCHO PRÁŃER ÁKÚTITE
VISHVAEK RÁGE MANTRÁNUBHÚTITE
KUSH KÁSH MÚLE ÁCHO SARAS MRITTIKÁTE
BHARE ÁCHO NIIHÁRIKÁTE
AŃU AŃUTE PARAMÁŃUTE
VIDYUTÁŃU GHORE TOMÁRI PREŚAŃÁTE
ÁÁÁÁÁÁÁÁÁÁ
VIDYUTÁŃU GHORE TOMÁRI PREŚAŃÁTE
MAN NECE CALE DÚRE TAVA TRYASAREŃUTE
JALE STHALE VYOME ÁCHO ANALE ANILE ÁCHO
CHEYE ÁCHO SARVA BHÚTE
AŃU AŃUTE PARAMÁŃUTE
JE BHÁLOBESECHO TUMI
AŃU AŃUTE PARAMÁŃUTE
O Lord, the way You loved each atom and molecule that remained kissing the stream of life
from beyond the periphery of time. You remain in the pollen of flower with earnestness of
heart and in the enchantment of the worldly colours. You are at the root of tall grasses
filling the wet mud and in the galaxies. The electrons revolve by your will, and the mind
goes on dancing far due to Your particles. You are in the land, water and sky, in the air
and fire and pervade all fundamental factors.
3237 (04/12/1985)
ÁMÁR MANER UDDVELATÁY
TUMI BUJHECHO KÁCHE ESECHO
ÚRMI CAINCAL EI SARITÁY
TUMI CINECHO KÁCHE T́ENECHO
TUMI BUJHECHO KÁCHE ESECHO
DÚRATVA RÁKHONI KONO
ÁÁÁÁÁÁÁÁÁÁ
MAMATÁTE BENDHECHE AŃURE JENO
HE MAHÁSINDHU E NIIR VINDU KE
BHÁLOBESE PHELECHO
TUMI BUJHECHO KÁCHE ESECHO
HÁRÁVÁR BHAY NEIKO ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
TRILOKE TRIGUŃE TUMI SABÁKÁR
ASHEŚ APÁR TUMI SÁRÁTSÁR
E VÁŃII JÁNIYE DIYECHO
TUMI BUJHECHO KÁCHE ESECHO
Only you O Lord could understand the restless of my mind and so you came close to me. Only
you could recognise this stream, throbbing with ripples and drew close it close to you.
You did not like us to be separated by distance. It seemed you had bound this microcosm
inseparably with the ties of your love. O the great ocean, you had fallen in love with
this tiny drop of yours. I have no fear of losing anything. You are endless and boundless.
You are quintenesence of everything. You have conveyed this message to all.
3238 (05/12/1985) K
TOMÁKE CÁI ÁMI JIIVANE
ÁLOKE ÁNDHÁRE SAB KHÁNE
TOMÁY SAUNGE NIYE THÁKATE CÁI
TUMI ÁMÁR, TUMI ÁMÁR
E MOR MARÚBHÚMIR EK KOŃE
THÁKABO TUMI ÁMI DÚJANE
TUMI CHÁŔÁ ÁR KICHU NÁHI CÁI
TUMI ÁSHRAY, TUMI ÁDHÁR
TUMI ÁMÁR, TUMI ÁMÁR
CALE GECHE JÁRÁ ATIITE
ÁÁÁÁÁÁÁÁÁÁ
CALE GECHE JÁRÁ ATIITE
ÁSCHE JÁRÁ BHAVIŚYATE
TÁDER MANER KATHÁ BOLE JÁI
KEU NIIC NAY SABÁI TOMÁR
TUMI ÁMÁR, TUMI ÁMÁR
PATHE VÁ VIPATHE JÁI KARI
ÁÁÁÁÁÁÁÁÁÁ
PATHE VÁ VIPATHE JÁI KARI
TOMÁKE JENO SHIRE DHARI
SHRAVAŃE MANANE GIITE GÁI
RÚPE TUMI ANANTA GUŃE APÁR
TUMI ÁMÁR, TUMI ÁMÁR
TOMÁKE CÁI ÁMI JIIVANE
ÁLOKE ÁNDHÁRE SAB KHÁNE
TOMÁY SAUNGE NIYE THÁKATE CÁI
TUMI ÁMÁR, TUMI ÁMÁR
I want You everywhere in my life
I want You in both light and darkness.
I want to live with You.
You are mine
You are mine only.
In the corner of my deserted heart
both You and I will live together.
I want nothing but You.
You are my shelter and You are my base.
Those who have left in the past
and those who are to come in the future
will continue to be spoken of in our minds.
None is inferior, all are Yours.
Whatever I am to do in a right or a wrong way
I shall do with Your ideation and in total surrender.
I shall sing Your song with concentration and attentiveness.
You are endless in beauty
and unlimited in qualities.
3239 (05/12/1985) D
ÁMI TOMÁY BHÁLOBÁSI
TOMÁR TAREI BENCE ÁCHI
PRIYA TOMÁR TAREI BENCE ÁCHI
TOMÁR PRIITIR CANDANETE
MANDÁNILE BHÁSI NÁCI
TOMÁR TAREI BENCE ÁCHI
KÁLA RÁTRIR ANDHAKÁRE
ÁÁÁÁÁÁÁÁÁÁ
KÁLA RÁTRIR ANDHAKÁRE
TOMÁRE PÁI AGOCARE
TOMÁR HÁSIR JYOTSNÁ RÁSHI
VÁTÁYANE BHÁSE ÁSI
TOMÁR TAREI BENCE ÁCHI
VIŚAM JIIVAN JANTRAŃÁTE
ÁÁÁÁÁÁÁÁÁÁ
VIŚAM JIIVAN JANTRAŃÁTE
SURABHITE PARÁG SÁTHE
ESO MANER PUŚPA PÁTE
ÁSHÁR PASARÁ ENECHI
TOMÁR TAREI BENCE ÁCHI
ÁMI TOMÁY BHÁLOBÁSI
TOMÁR TAREI BENCE ÁCHI
O Lord, I love You and I am surviving for You only, O Dear. Due to the sandal of your
love, I go on dancing floating in the gentle breeze. In the darkness of cimmerian night, I
find You unseen. The moonlight effulgence of Your smile comes calling through the balcony
window. During this torture hard life, with fragrance of pollen come into the mental drop
of flowers, I have brought the article of hope.
3240 (06/12/1985) D
ÁMÁR E GÁNER TARII
BHÁSIYE DILUM TOMÁR PÁNE
PÁL UŔIYE D́HEU GUNŔIYE
PÁL UŔIYE D́HEU GUŃIYE
CALABE SE JEDÚR UJÁNE
BHÁSIYE DILUM TOMÁR PÁNE
KONO MÁNÁ MÁNI NÁ ÁR
ÁÁÁÁÁÁÁÁÁÁ
KONO MÁNÁ MÁNI NÁ ÁR
TUMI JÁHÁR KI BHAYA TÁHÁR
SAB BÁDHÁYBHULE ÁSHÁY DULE
BÁDHÁYBHULE ÁSHÁY DULE
EGIYE JÁBO MUKTA PRÁŃE
BHÁSIYE DILUM TOMÁR PÁNE
ALAKH PURUŚA ÁLOKE THÁKO
ÁÁÁÁÁÁÁÁÁÁ
ALAKH PURUŚA ÁLOKE THÁKO
DÚRE THEKE ÁBHÁSE D́ÁKO
PRIITIR PARÁG PRÁŃE MÁKHO
PRIITIR PARÁG PRÁŃE MÁKHO
KÁCHE ÁNO ALAKH T́ÁNE
BHÁSIYE DILUM TOMÁR PÁNE
ÁMÁR E GÁNER TARII
BHÁSIYE DILUM TOMÁR PÁNE
O Lord, I have floated the boat of this song of mine towards You. With hoisted sail
crushing the waves, it would go on far against the flow. I will no more heed to any
forbidding, Why should one fear when You are his? Forgetting all obstructions, oscillating
with hope, I shall move forward with open and free vitality. O the unseen Lord, You stay
in effulgence, and call from the distance with indicative signal. You smear the fragrance
of love in the life, and bring close with unseen pull.
3241 (06/12/1985) D
ÁMI TOMÁY CEYECHI
ELE NÁ DEKHÁ DILE NÁ
KII DOŚA KARECHI
BHÁVI TOMÁY DINE RÁTE
ÁÁÁÁÁÁÁÁÁÁ
BHÁVI TOMÁY DINE RÁTE
BHÁVI TOMÁY DINE RÁTE
SANDHYÁ RÁGE RAUNGIIN PRÁTE
ÁSHÁ BHARÁ ÁSHÁ BHARÁ
ÁSHÁ BHARÁ ÁNKHI PÁTE
ENKE REKHECHI
ÁMI TOMÁY CEYECHI
MÁNAS YAMUNÁ TIIRE
ÁÁÁÁÁÁÁÁÁÁ
MÁNAS YAMUNÁ TIIRE
MÁNAS YAMUNÁ TIIRE
KHUNJE BEŔÁI PRATI PRAHARE
VYATHÁ HATA, VYATHAHATA
VYATHÁ HATA ÁNKHI NIIRE
KENO PHIRE ESECHI
ÁMI TOMÁY CEYECHI
ELE NÁ DEKHÁ DILE NÁ
KII DOŚA KARECHI
O Lord, I love You. You did not come, did not show Yourself, what mistake have I
committed? I think of You day and night, during colourful evenings and mornings. The hope
filled eyes I have kept marked. At the bank of the mental river Yamuna’, I have been
searching You each hour, with agony afflicted tears, I come again, why?
3242 (06/12/1985) D
KIḾSHUKA VANE ÁJI NIRJANE
KE TUMI VIIŃÁ BÁJÁO
DEKHÁ DÁO MORE DEKHÁ DÁO
ANSHUK SAM UJJVAL MANE
MÁDHURII CHAŔIYE JÁO
DEKHÁ DÁO MORE DEKHÁ DÁO
CÁO NÁ TUMI KICHU KAKHANO
ÁÁÁÁÁÁÁÁÁÁ
CÁO NÁ TUMI KICHU KAKHANO
HOYETO NEIKO PRAYOJANA KONO
BHÁVER ATIITE VIJANE NIBHRITE
E KII VÁŃII SHONÁO
DEKHÁ DÁO MORE DEKHÁ DÁO
ÁMÁR MANER RIKTA NILAYE
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR MANER RIKTA NILAYE
DHARÁ DEVE KI NÁ BOLE NÁ KAYE
JYOTSNÁ SNÁTA PRAYÁT PRADOŚE
ASIIMER GÁN GÁO
DEKHÁ DÁO MORE DEKHÁ DÁO
KIḾSHUKA VANE ÁJI NIRJANE
KE TUMI VIIŃÁ BÁJÁO
DEKHÁ DÁO MORE DEKHÁ DÁO
Today, in is isolation, in the grove of kim’shuk flowers, who is that You playing
viin’a’, show me off. You scatter sweetness in the mind as dazzling white cloth. You
never want anything anytime, since there is no purpose of that. From the arena beyond the
thoughts, in isolation, and seclusion, what a message do You announce? In the empty house
of my mind, would You come into the fold, tell be with speech. At the departed moonlit
bathed evening, You sing the song of the infinity.
3243 (07/12/1985) D
TOMÁR ÁLOKE BHUVAN BHARECHE
KENO TUMI RAYE GECHO DÚRE
RASÁLE PALÁSHE MUKUL DHARECHE
TUMI KI JÁNO NÁ TAVA TARE
KENO TUMI RAYE GECHO DÚRE
AVANIIR SÁRÁTSÁRA TUMI
ÁÁÁÁÁÁÁÁÁÁ
AVANIIR SÁRÁTSÁRA TUMI
PADMA VEDIITE BASE ÁCHO
KON SUDÚRER NIILÁMBU THEKE
SMITÁNANE SHUDHU DEKHITECHO
KENO TUMI RAYE GECHO DÚRE
ÁRO KÁCHE ESO YADI BHÁLOBÁSO
ÁÁÁÁÁÁÁÁÁÁ
ÁRO KÁCHE ESO YADI BHÁLOBÁSO
TRUT́I KŚAMI PRABHU KRIPÁ KARE
ÁLOKER EI MAHOTSAVE
ÁÁÁÁÁÁÁÁÁÁ
ÁLOKER EI MAHOTSAVE
TUMI NÁ ÁSIBE ÁR KE ÁSIBE
JIIVANER JAY GÁN GEYE JÁBE
NIJA MUKHE NAVA RÁGE SURE
KENO TUMI RAYE GECHO DÚRE
TOMÁR ÁLOKE BHUVAN BHARECHE
KENO TUMI RAYE GECHO DÚRE
O Lord, with Your effulgence the world is filled, but why did You stay away? Buds have
appeared on the mango and pala’sh trees for You, do not You know that? As the essence of
essence of the world, You are seated on the lotus altar, Staying at the distant blue
water, with smiling face, only You go on observing. If You love me come still closer, by
forgiving my mistakes, showering Your grace, O Lord. At the time of this great festivity
of light, if You do not come, who else will come? Come singing the victory song of the
life, in new tune and melody through Your own mouth.
3244 (07/12/1985) K
TOMÁR MANER CHOT́T́A KOŃE
T́HÁIN DIO PRABHU ÁMÁRE
CÁI NÁ ÁMI BESHI KICHU
CÁI NÁ AMRTA NIRJHARE
T́HÁIN DIO PRABHU ÁMÁRE
THÁKABO TOMÁR KÁCHÁ KÁCHI
ÁÁÁÁÁÁÁÁÁÁ
BUJHABO ÁMI TOMÁTE ÁCHI
TOMÁY NIYEI HÁSI NACI
TOMÁR MANER SAḾSÁRE
T́HÁIN DIO PRABHU ÁMÁRE
ÁSHÁ ÁKÁNKŚÁR JOÁRE
ÁÁÁÁÁÁÁÁÁÁ
ÁSHÁ ÁKÁNKŚÁR JOÁRE
SARE CHILUM ANEK DÚRE
EKHAN DEKHI ARÚPA SÁYARE
MISHEI PÁVO TOMÁRE
T́HÁIN DIO PRABHU ÁMÁRE
TOMÁR MANER CHOT́T́A KOŃE
T́HÁIN DIO PRABHU ÁMÁRE
O Lord, in a small corner of Your mind, grant me shelter. I do not want anything more, I
do not want fountain of nectar. I shall stay close to You, and feel always that I am
within You. Taking You with me I shall smile or cry within Your mental world. With the
tides of hopes and desires, I had gone much far, now I have seen the formless ocean, so
that I get merged into You.
3245 (07/12/1985) D
CINITE GIYE TOMÁRE
CINITE GIYE TOMÁRE
BÁRE BÁRE ÁSI PHIRE
DIVÁ NISHI PRAYÁSA KARI
MAN KE GHORÁI TOMÁY GHIRE
CINITE GIYE TOMÁRE
BÁRE BÁRE ÁSI PHIRE
UTSA TUMI JE SARITÁR
ÁÁÁÁÁÁÁÁÁÁ
UTSA TUMI JE SARITÁR
LAKŚYA PRABHÚ TUMI TÁHÁR
UBHAYATA PRAVÁHINII
CITTA NADI GHARE BÁHIRE
CINITE GIYE TOMÁRE
BÁRE BÁRE ÁSI PHIRE
UPALÁGHÁTE TAT́INI
ÁÁÁÁÁÁÁÁÁÁ
UPALÁGHÁTE TAT́INI
BHOLE NÁKO TOMÁY JÁNI
BADDHA KÁRÁY RUDDHA SHVÁSE
BHENGE SE PHELE PRÁCIIRE
CINITE GIYE TOMÁRE
BÁRE BÁRE ÁSI PHIRE
O Lord, O infinite consciousness, I have now recognised and understood you, by frequently
coming and going.
The stream of the universe has origin in you and you are its sole desideratum. The river
of mind flows in both directions, internally and externally. That river, after knowing
you, never forgets you in spite of being hindered by stones. It has the potential of
breaking the walls by concentrating all its energy.
3246 (07/12/1985) D SAḾSKRTA
SHAUNKARA HARA HARA MAHÁDEVA
SHIVA SHAMBHO NAMÁMYAHAḾ
ANÁDI ANANTATVAM
TAVA GUŃÁNINA JÁNÁMYAHAM
SHIVA SHAMBHO NAMÁMYAHAM
KÁLÁNI NÁDHIGACCHANTI TE
ÁÁÁÁÁÁÁÁÁÁ
KÁLÁNI NÁDHIGACCHANTI TE
RÚPÁNI NÁTI CALANTITE
ATA TVAḾ KÁLOTTARAḾ
RÚPOTTARAḾ SMARÁMYAHAḾ
SHIVA SHAMBHO NAMÁMYAHAḾ
KANT́AKAE TVAḾ MADHVASI PRABHU
ÁÁÁÁÁÁÁÁÁÁ
KANT́AKAE TVAḾ MADHVASI PRABHU
SANKAT́AE TVAḾ SAHÁYASI VIBHU
KARUŃÁRUŃE BHÁSAYASI
SVAYAMBHÚ STAVḾ SARVA KÁLAM
SHIVA SHAMBHO NAMÁMYAHAḾ
SHAUNKARA HARA HARA MAHÁDEVA
SHIVA SHAMBHO NAMÁMYAHAḾ
O Shaunkara, Hara, Mahadeva, Shiva, Shambhu
I salute You.
You are without beginning nor end.
I do not know all Your attributes.
Time does not overpower You
beautiful forms do not reflect You fully.
Therefore, I remember You as one
beyond the scope of time and form.
You are like honey in a thorny bush
in difficulty You provide help.
You radiate soft rays of compassion.
You are the selfcreated Lord of all time.
3247 (08/12/1985) D
JYOTSNÁ MADHUR CAKOR VIDHUR
TOMÁR ÁSHÁY NABHE GHORE
ÁÁÁÁÁÁÁÁÁÁ
ÁSÁ JÁOÁ TÁR HOYE SHUDHU SÁR
VIPHAL MÁNASE ÁSE NIIŔE
TOMÁR ÁSHÁY NABHE GHORE
AMRITER SVÁD SÁDHYA TÁHÁR
ÁÁÁÁÁÁÁÁÁÁ
AMRITER SVÁD SÁDHYA TÁHÁR
SÁDHANÁ SÁDHAKE HOYE EKÁKÁR
BOJHE NÁKO KICHU CHOT́E PICHU PICHU
DÚRER VIDHURE MANE DHARE
TOMÁR ÁSHÁY NABHE GHORE
ÁMI BUJHIYÁCHI BOJHÁR ATIITA
ÁÁÁÁÁÁÁÁÁÁ
ÁMI BUJHIYÁCHI BOJHÁR ATIITA
E SHASHÁUNKA BHARE THÁKE CITA
CITTA UPACI ÁLEKHYYA RACI
MANER MUKURE DEKHI TÁRE
TOMÁR ÁSHÁY NABHE GHORE
O Lord, the sweet moonlight influenced cakor bird goes round the sky with Your
expectation. But essentially only its coming and going takes place, and comes back failing
into the mental nest. The taste of nectar is its objective; the endeavor and the aspirant
become unified one. Keeping in the mind the distant moon, it does not understand that some
are left behind. I grasp the past understanding that the moon is filled in the mind. With
over flooding heart, creating the portrait, I see Him in the mental mirror.
3248 (09/12/1985) D
ÁKÁSHE VÁTÁSE TOMÁR MÁDHURII
TUMI CHÁŔÁ KEU KOTHÁO NÁI
KALA KÁKALITE TOMÁR MAHIMÁ
VAN BHUME PÁKHI GHOŚICHE OI
ÁKÁSHE VÁTÁSE TOMÁR MÁDHURII
TUMI CHÁŔÁ KEU KOTHÁO NÁI
PURÁTANA JÁY NAVATAMA ÁSE
ÁÁÁÁÁÁÁÁÁÁ
PURÁTANA JÁY NAVATAMA ÁSE
TOMÁR DYUTIR RÁGE UDBHÁSE
PURÁTANA SEO TOMÁTEI MESHE
TOMÁKEI BENCE THÁKE SADÁI
ÁKÁSHE VÁTÁSE TOMÁR MÁDHURI
TUMI CHÁŔÁ KEU KOTHÁO NÁI
OGO PURÁTANA HE CIR NÚTAN
ÁÁÁÁÁÁÁÁÁÁ
OGO PURÁTANA HE CIR NÚTAN
TOMÁTE NIHITA VISHVA JIIVAN
AŃUTE AŃUTE TANUTE TANUTE
MISHIÁ RAYECHO SABETE TÁI
ÁKÁSHE VÁTÁSE TOMÁR MÁDHURI
TUMI CHÁŔÁ KEU KOTHÁO NÁI
O Lord, Your sweetness is there in sky and air, other than You there is none anywhere.
Your glory is within and beyond the periphery of time. The bird in the forest also
declares that. The old goes and the newest come, shining and illuminated with Your
colourful light. The old ones also merge in You, and survive within You always. O the Old
O the Ever new, within You is located the whole universal life. With each atom and body
thus, You remain pervaded into all.
3249 (09/12/1985) D
CÁNDER DESHER PARII ESE
ÁLOR KHABAR DIYE GELO
MIŚT́I HESE BHÁLOBESE
BOLALE SABÁR SABAI BHÁLO
ÁLOR KHABAR DIYE GELO
KEU KÁNDE NÁ ANÁHÁRE
ÁÁÁÁÁÁÁÁÁÁ
KEU KÁNDE NÁ ANÁHÁRE
KEU DHONKE NÁ ROGER GHORE
MANER VYATHÁR HÁHÁKÁRE
KEU DEKHE NÁ DHARÁY KÁLO
ÁLOR KHABAR DIYE GELO
SMITAOJJVALYA SABÁR MUKHE
ÁÁÁÁÁÁÁÁÁÁ
SMITAOJJVALYA SABÁR MUKHE
PRAPHULLATÁY GHUMÁY SUKHE
PARÁG MADHU PHULER BÚKE
KALPA LOKE JEMAN CHILO
ÁLOR KHABAR DIYE GELO
CÁNDER DESHER PARII ESE
ÁLOR KHABAR DIYE GELO
The angel coming from the arena of effulgence gave the news of light. With sweet smile and
love, He told all to love all. So that no one cries with the pangs of hunger, or panting
for breathe due to intense suffering from disease. Due to lamentation caused by mental
agony, no one should see the darkness of the world.
Let all faces be smilingly bright, let all relax pleasingly with happiness, the way in the
dream world, honey is there in the pollen of flower.
3250 (10/12/1985) K
TOMÁKE PEYECHI MANERI NIIPE ÁMI
PRASPHUT́ITA NIIPE MANERI MADHUPE
GHÚRIYÁ BEŔÁY SMITA PARÁG CUMI
TOMÁKE PEYECHI MANERI NIIPE ÁMI
JÁHÁ CHILO MOR ÁSHÁR ATIITA
ÁÁÁÁÁÁÁÁÁÁ
JÁHÁ CHILO MOR ÁSHÁR ATIITA
ANUBHÚTIR LOKE BHÁŚÁY ANÁHATA
SE NANDANA MADHU SHÁRAD SAHÁS VIDHU
REKHE GELE MOR MANA KORAKE TUMI
TOMÁKE PEYECHI MANERI NIIPE ÁMI
NÁM RÚPA GUŃOPÁDHI KICHU TAVA JÁNÁ NÁI
ÁÁÁÁÁÁÁÁÁÁ
NÁM RÚPA GUŃOPÁDHI KICHU TAVA JÁNÁ NÁI
JÁNI TUMI TÁI ÁMI JÁHÁKE CÁI
TOMÁR KARUŃÁY AHAETUKI KRPÁY
ÁLOR YÁTRÁ PATHE CALIBO NÁHI THÁMI
TOMÁKE PEYECHI MANERI NIIPE ÁMI
O Lord, I have attained You in the mental niip flower. On the bloomed niip flower of the
mind, the honeybee hovers around smilingly to kiss the pollen. Whatever was beyond my
expectations, in the world of feelings, unaffected by language, that pleasing honey, as
the smiling moon of the autumn You kept in the core of my mind. The name, form and
attributes of Yours, nothing is known. I only know that You are that Entity whom I wanted.
By Your mercy and causeless grace, I shall move on the path of effulgence without pause.
3251 (10/12/1985) D
NISHÁ HOLO BHOR SVAPNER GHOR
NISHÁ HOLO BHOR SVAPNER GHOR
NISHÁ HOLO BHOR SVAPNER GHOR
KÁT́IÁ GIYÁCHE ÁJI ÁMÁR
CHILO VIBHÁVARII MOHETE ÁVARII
CHILO VIBHÁVARIIIMOHETE ÁVARII
CHILO VIBHÁVARII MOHETE ÁVARII
KÚL HÁRÁ CHILO TAMAH APÁR
KÁT́IÁ GIYÁCHE ÁJI ÁMÁR
DHRUVA TÁRÁ SEO D́HÁKÁ CHILO MEGHE
ÁÁÁÁÁÁÁÁÁÁ
DHRUVA TÁRÁ SEO D́HÁKÁ CHILO MEGHE
DHRUVA TÁRÁ SEO D́HÁKÁ CHILO MEGHE
DHRUVA TÁRÁ SEO D́HÁKÁ CHILO MEGHE
JHAŔ BAYE CHILO PRACAŃD́A VEGE
ÁMI D́EKE CHINU TOMÁKE ÁVEGE
UTKRAMITE ANDHAKÁR
KÁT́IÁ GIYÁCHE ÁJI ÁMÁR
CANDAN VANE BHARÁ CHILO KÁNT́Á
ÁÁÁÁÁÁÁÁÁÁ
CANDAN VANE BHARÁ CHILO KÁNT́Á
CANDAN VANE BHARÁ CHILO KÁNT́Á
CANDAN VANE BHARÁ CHILO KÁNT́Á
NÁNDANIKEO NEVE CHILO BHÁŃT́Á
SÁR HOYE CHILO PRAVAINCE LOT́Á
PELUM AHAETUKI KRIPÁ TOMÁR
KÁT́IÁ GIYÁCHE ÁJI ÁMÁR
NISHÁ HOLO BHOR SVAPNER GHOR
KÁT́IÁ GIYÁCHE ÁJI ÁMÁR
The night turned into morning and my intense dream has passed off today. The night was
covered with infatuation, and the unlimited darkness was unbound. Even the polestar was
covered with cloud and storm was blowing with intense speed. I was calling You
impulsively, crossing the darkness. The sandal grove was filled with thorns. Even
recession has come on the delightful state or bliss. The deceptive rolling also turned
into abstracted. I got Your causeless grace.
3252 (11/12/1985) D
TANDRÁ JAKHAN BHARÁ CHILO COKHE
TANDRÁ JAKHAN BHARÁ CHILO COKHE
TANDRÁ JAKHAN BHARÁ CHILO COKHE
TUMI CHILE PRABHU KÁCHE KÁCHE
ÁNKHI MELE DEKHI SARE GELE E KII
ÁNKHI MELE DEKHI SARE GELE E KII
ÁNKHI MELE DEKHI SARE GELE E KII
SHUDHUI NÚPUR DHVANI BÁJE
TUMI CHILE PRABHU KÁCHE KÁCHE
DÚR AMARÁR NIIHÁRIKÁ THEKE
ÁÁÁÁÁÁÁÁÁÁ
DÚR AMARÁR NIIHÁRIKÁ THEKE
DÚR AMARÁR NIIHÁRIKÁ THEKE
SUR JHAUNKÁR NIRNIMEŚE
BHESE ÁSE SHUNI APALAK COKHE
SHRUTIR PRAETI MANE NÁCE
TUMI CHILE PRABHU KÁCHE KÁCHE
E KII TAVA LIILÁ HIYÁ NIYE KHELÁ
ÁÁÁÁÁÁÁÁÁÁ
E KII TAVA LIILÁ HIYÁ NIYE KHELÁ
E KII TAVA LIILÁ HIYÁ NIYE KHELÁ
AŃU CETANÁR E KII AVAHELÁ
PARÁITE CÁI MÁLAINCA MÁLÁ
MANER MOHAN MADHU MÁSE
TUMI CHILE PRABHU KÁCHE KÁCHE
TANDRÁ JAKHAN BHARÁ CHILO COKHE
TUMI CHILE PRABHU KÁCHE KÁCHE
O Lord, when the drowsiness had filled the eyes, You were close by. Opening the eyes, I
saw whether You moved away, as only the ankle bell was sounding. From the distant heavenly
nebula, continuously the tinkling of melody comes floating that I hear without winking the
eyes. The melody and satisfaction to the ears dances in the mind. What an illusive game
liila of Yours, is this with my heart? What a neglect of unit microcosmic
consciousness? I wanted to place the garland of the garden in the charming spring of the
mind.
3253 (12/12/1985) D
INDRA DHANUTE RÚPER D́ÁLITE
PRATHAM ÁSIÁ CHILE KABE
JIIVA TARU LATÁ, JIIVA TARU LATÁ
JIIVA TARU LATÁ GULMA CHILO NÁ
CHILO NÁKO PRÁŃA ANUBHAVE
PRATHAM ÁSIÁ CHILE KABE
RAVI JEGE CHILO TAMASÁ NÁSHI
ÁÁÁÁÁÁÁÁÁÁ
RAVI JEGE CHILO TAMASÁ NÁSHI
RAVI JEGE CHILO TAMASÁ NÁSHI
CHILO SAMUDRA TARAUNGA RÁSHI
KRŚŃA MEGHETE BIJALIR HÁSI
CHILO SE DINER ÁDI NABHE
PRATHAM ÁSIÁ CHILE KABE
PRÁGAETIHÁSIK SARE GECHE
ÁÁÁÁÁÁÁÁÁÁ
PRÁGAETIHÁSIK SARE GECHE
PRÁGAETIHÁSIK SARE GECHE
NAVA ITIHÁS RACITA HOYECHE
SUR TARAUNGE BHUVAN BHARECHE
MÁNUŚE VIHAGE TAVA STAVE
PRATHAM ÁSIÁ CHILE KABE
INDRA DHANUTE RÚPER D́ÁLITE
PRATHAM ÁSIÁ CHILE KABE
O Lord, putting colour in the rainbow, when did You come for the first time? There were no
living beings, trees, creepers or shrubs; there was no feeling of vitality. The sun arose
destroying the darkness; there were series of waves in the ocean. Lighting smiled through
the dark clouds. The initial sky was there on that day. The prehistoric passed away, new
history was created. With the waves of melodies the world was filled. The mankind and
creatures like bird prayed You.
3254 (13/12/1985) K
BHÁLOBESE JE ESE CHILO
SE KENO DÚRE SARE GELO
ÚŚÁR ÁLOYA
ÚŚÁR ÁLOYA JE HESE CHILO
SÁNJHER KÁLOTE MISHÁLO
SE KENO DÚRE SARE GELO
OGO BEDARDII
OGO BEDARADII MORE BOLE DÁO
ÁÁÁÁÁÁÁÁÁÁ
OGO BEDARADII MORE BOLE DÁO
KUSUME KENO KÁNT́ÁTE SÁJÁO
ARUŃODAYE JE PHÚL PHUT́E CHILO
KHAR TÁPE KENO SHUKÁLO
SE KENO DÚRE SARE GELO
MAN NIYE TAVA
MAN NIYE TAVA E KII LIILÁ KHELÁ
ÁÁÁÁÁÁÁÁÁÁ
MAN NIYE TAVA E KII LIILÁ KHELÁ
MAN NIYE TAVA E KII LIILÁ KHELÁ
NÁ MÁNO KÁLÁKÁLA BELÁ ABELÁ
TOMÁR JÁ KHUSHI
TOMÁR JÁ KHUSHI ÁMI KÁNDI HÁSI
ÁMÁR KHUSHITE NÁHI CALO
SE KENO DÚRE SARE GELO
BHÁLOBESE JE ESE CHILO
SE KENO DÚRE SARE GELO
He who came by love, why did He go away far? He who smiled in the morning light, got
dissolved in the darkness of the evening. O the compassionless, tell me, why did You adorn
the flowers with thorns? The flowers that bloomed in the dawn, why they dried up due to
intense heat of the sun? Thi illusive game, liila, of Yours, taking the mind, and You
do not heed to any particular time. Whatever be Your wish, I smile and cry, You do not
move as per my desires.
3255 (13/12/1985) K
TUMI YADI NÁHI ELE
KISER TARE E MÁLÁ RÁKHÁ
JYOTSNÁ YADI NÁHI ELO
VRITHÁI KUMUDIR MADHUMÁKHÁ
KISER TARE E MÁLÁ RÁKHÁ
AMÁNISHÁY CAKORII HÁY
ÁÁÁÁÁÁÁÁÁÁ
AMÁNISHÁY CAKORII HÁY
KISER ÁSHÁY NABHAH PÁNE CÁY
SARVA KÁLER HE MOR PRIYA
KENO KRIŚŃA MEGHE D́HÁKÁ
KISER TARE E MÁLÁ RÁKHÁ
MANER KATHÁ TUMI JÁNO
ÁÁÁÁÁÁÁÁÁÁ
MANER KATHÁ TUMI JÁNO
NÁ PÁOÁR VYATHÁ JAMÁNO
MAN KE YADI NÁ NITE CÁO
KISER BHAYE LUKIYE THÁKÁ
KISER TARE E MÁLÁ RÁKHÁ
TUMI YADI NÁHI ELE
KISER TARE E MÁLÁ RÁKHÁ
O Lord, if You do not come, what for have I preserved this garland? If the moonlight does
not come, wasteful is the use of smearing honey by the lily. Alas, the cakorii bird, in
the dark night, expecting whom does she look towards the sky? You know the affairs of my
mind, the accumulated pain of nonachievement. If You do not want to take the mind, for
whose fear You remain hidden?
3256 (13/12/1985) K
NÚTAN ÚŚÁY
NÚTAN ÚŚÁY SE ESE CHILO
DÚR ÁLOKE BHESE GELO
MANER KAOSTUBHE JEGE CHILO
ÁNDHÁR KARE KOTHÁ LÚKÁLO
ESE CHILO, DÚR ÁLOKE BHESE GELO
KENO SE ÁSE KENO SE JÁY
ÁÁÁÁÁÁÁÁÁÁ
KENO SE ÁSE KENO SE JÁY
KENO SE ÁSE KENO SE JÁY
KENO SE ÁSE KENO SE JÁY
CHANDE HÁSÁY CHANDE KÁNDÁY
HÁSI KÁNNÁR CUNI PÁNNÁR
ÁŔALE SMRITI ENKE DILO
ESE CHILO, DÚR ÁLOKE BHESE GELO
VASANTERAI PUŚPA SHOBHÁY
ÁÁÁÁÁÁÁÁÁÁ
VASANTERAI PUŚPA SHOBHÁY
VASANTERAI PUŚPA SHOBHÁY
VASANTERAI PUŚPA SHOBHÁY
DHARÁ DIYEO DHARÁ NÁHI DEYA
PHÁGUNE KIḾSHUKER ÁGUNE
RAḾGER NESHÁTE MÁTÁLO
ESE CHILO, DÚRÁLOKE BHESE GELO
NÚTAN ÚŚÁY, NÚTAN ÚŚÁY SE ESE CHILO
DÚR ÁLOKE BHESE GELO
He came at the new morning and floated away in distant effulgence. The gem of the mind
started shining and the darkness has hidden. Why does He come and why does He go away?
With rhythm He makes me smile and with rhythm He makes me cry. Picking up the emeralds
with cries and smile, He made mark behind the memories. With the decoration and beauty of
the spring season, even after coming into folds, He does not stay. But with the fire of
the red kim’shuk flowers, in the spring, He makes me frenzied with intoxication of
colours.
3257 (14/12/1985) D
TOMÁRI TARE KATA NÁ KENDECHI
TABU ELE NÁKO MOR GHARE
MÁLÁ GÁNTHIYÁCHI VEDII SÁJÁYECHI
MÁLÁ GÁNTHIYÁCHI
MÁLÁ GÁNTHIYÁCHI VEDII SÁJÁYECHI
DIIP JVÁLIYÁCHI PRIITI BHARE
TABU ELE NÁKO MOR GHARE
PRÁŃER DEVATÁ KOTHÁ GELE TUMI
PRÁŃER DEVATÁ KOTHÁ GELE TUMI
PRÁŃER DEVATÁ KOTHÁ GELE TUMI
RIKTA REKHE ÁMÁR CITI BHÚMI
SMARAŃE TOMÁY, SMARAŃE TOMÁY
SHATA SHATA NAMI, PRAŃÁM LAITE CÁHO PHIRE
TABU ELE NÁKO MOR GHARE
KARITE PÁRO JÁ ICCHÁ TAVA
ÁÁÁÁÁÁÁÁÁÁ
KARITE PÁRO JÁ ICCHÁ TAVA
TUCCHA KARE JIIVAN ÁSAVA
E ÁSAVE JVÁLÁ E ÁSAVE JVÁLÁ
E ÁSAVE JVÁLÁ ÁLOKOTSAVA
DITE DIIPÁVALI TOMÁRE
TABU ELE NÁKO MOR GHARE
TOMÁRI TARE KATA NÁ KENDECHI
TABU ELE NÁKO MOR GHARE
O Lord, for You, how much I cried, still You did not come to my home. I thread garland
decorate the altar, kindle lamp with love. O the God of my life, where did You go, leaving
my mind vacant? Remembering You I bow hundreds of times, accept my salutations at least.
Whatever You wish You do, ignoring the essence of my life. By burning this essence in the
lamps, I offer You the celebration of lights.
3258 (15/12/1985) K
OI, NAVA GHANA NIIL GAGANE
ESE CHILE TUMI HESE CHILE
TUMI, ESE CHILE TUMI HESE CHILE
TÁRÁY TÁRÁY ÁR NIIHÁRIKÁY
ÁLOR DHÁRÁY NÁCÁLE
ESE CHILE TUMI HESE CHILE
KAOSTUBHA KÁNTITE MARAKAT DYUTITE
ÁÁÁÁÁÁÁÁÁÁ
KAOSTUBH KÁNTITE MARAKAT DYUTITE
KAOSTUBH KÁNTITE MARAKAT DYUTITE
ASIIMER UTSA HOTE ELE BHÁVA SHROTE
NECE CALO ASHEŚE MANER PARIDHI SHEŚE
BHÁVE BHÁVÁTIITE MESHÁLE
ESE CHILE TUMI HESE CHILE
KŚUDRA BUDDHITE TOMÁR GUŃÁLOCANÁ
ÁÁÁÁÁÁÁÁÁÁ
KŚUDRA BUDDHITE TOMÁR GUŃÁLOCANÁ
KŚUDRA BUDDHITE TOMÁR GUŃÁLOCANÁ
KŚUDRA BUDDHITE TOMÁR GUŃÁLOCANÁ
SAMUDRA SAEKATE BÁLUKÁR KAŃÁ GONÁ
BHÁLOBÁSÁ SHUDHU JÁY PÁOÁR NÁHI UPÁY
ANUBHÚTI KARUŃÁ PELE
ESE CHILE TUMI HESE CHILE
OI, NAVA GHANA NIIL GAGANE
ESE CHILE TUMI HESE CHILE
O Lord, into that new intensely blue sky, You appeared and smiled. Into the stars and
nebula, You made the effulgence dance. With the glow of the kaostubha diamond, and shine
of emerald, originating from the infinite, You came through the stream of ideation. You go
on dancing endlessly, to the limit of the mind, merging the thoughts with that beyond
thoughts. Analyzing Your attributes with meagre intellect is like counting the particles
of sand on the shore of the ocean. There is no alternative but only to love for attaining
You, by realizing with Your mercy.
3259 (15/12/1985) K
JYOTSNÁ NISHITE SMITA JÚTHIKÁTE
ÁLOKERI RATHE KE TUMI ELE
ÁMÁR SÁTHE NIRÁLÁTE
E LUKOCURITE KENO MÁTILE
KE TUMI ELE
NEIKO KONO SAMPAD ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
NEIKO KONO SAMPAD ÁMÁR
NEIKO KONO SAMPAD ÁMÁR
NEIKO KONO SAMPAD ÁMÁR
PÁITE VINIMAYE PRIITI TOMÁR
JÁ DIYECHO NÁO MOR PÁNE CÁO
JEO NÁ EKALÁ CHEŔE CALE
KE TUMI ELE
YUGE YUGE TAVA VICITRA LIILÁ
ÁÁÁÁÁÁÁÁÁÁ
YUGE YUGE TAVA VICITRA LIILÁ
YUGE YUGE TAVA VICITRA LIILÁ
YUGE YUGE TAVA VICITRA LIILÁ
KAKHANO ÁNDHÁRE KABHU ÁLOKE KHELÁ
BHÁLOBÁSO BALE ÁSO NÁNÁ CHALE
RÁKHO NÁ KAKHANO DÚRE PHELE
KE TUMI ELE
JYOTSNÁ NISHITE SMITA JÚTHIKÁTE
ÁLOKERI RATHE KE TUMI ELE
Who is that You who came in the moonlit night with smiling juhi flowers, riding on the
chariot of light, accompanying me during my isolation? Why have You intoxicated me with
this hide and seek? I have no wealth, enabling me to obtain Your love in exchange.
Whatever You have given me see that. But do not go leaving me alone. Your amazing illusive
game, liila, coming from ages, is sometimes dark and sometimes light. Even with force
of love You do not come making many delusions, and sometimes You do not keep the
distance.
3260 (15/12/1985) D
ÁMÁRE, DÁO NÁ KENO DHARÁ
D́ÁKI NIRAVADHI SHUNE THÁKO YADI’
KEMAN PRIITIR DHÁRÁ
ÁMÁRE, DÁO NÁ KENO DHARÁ
SANDHYÁ MÁLATIITE KHARO NIDÁGHE
ÁÁÁÁÁÁÁÁÁÁ
SANDHYÁ MÁLATIITE KHARO NIDÁGHE
GHANA VARAŚÁY KETAKI PARÁGE
SHARATE SHEFÁLIR PRIITI ANURÁGE
KUSHE KÁSHE ÁLO JHARÁ
ÁMÁRE, DÁO NÁ KENO DHARÁ
HEMANTERI LAGHU HIMÁNIITE
ÁÁÁÁÁÁÁÁÁÁ
HEMANTERI LAGHU HIMÁNIITE
SHISHIRE TIIVRA TUHIIN SHAETE
MADHU MÁSE MADHUKAR GHRÁŃETE
PHÁGER RÁGETE BHARÁ
ÁMÁRE, DÁO NÁ KENO DHARÁ
D́ÁKI NIRAVADHI SHUNE THÁKO YADI’
KEMAN PRIITIR DHÁRÁ
ÁMÁRE, DÁO NÁ KENO DHARÁ
O Lord, why do not You come into my folds? You may be listening that I call constantly
how is the flow of love? The evening flower of malatii, during intense sun, fragrance of
ketakii during rains, the loving affection of the shefa’lii flower during autumn, and on
tall grasses, light is emanated. The small flakes of snow during winter, the intense drop
of snow in prowinter cold, the smell of bee in the spring, all are filled with colour of
springfestivity.
3261 (15/12/1985) K
PRIYA ÁMÁR, PRIYATAMA TUMI MOR
GHAN TAMASÁY JHAINJHÁ JHAT́IKÁY
SÁTHE ÁCHO CITA CHOR
PRIYA ÁMÁR, PRIYATAMA TUMI MOR
ALAKH NIRAINJANA VIPAD BHAINJANA
ÁÁÁÁÁÁÁÁÁÁ
ALAKH NIRAINJANA VIPAD BHAINJANA
PRÁŃER SPANDANA CITI BODHÁINJANA
RÚPE GUŃE HRIDI BHOR
PRIYA ÁMÁR, PRIYATAMA TUMI MOR
SE KÁRE BHAYA KARE JE PÁY TOMÁRE
ÁÁÁÁÁÁÁÁÁÁ
SE KÁRE BHAYA KARE JE PÁY TOMÁRE
ANURÁGER D́ORE BÁNDHE SE TOMÁRE
KÁT́E BÁDHÁ GHANA GHOR
PRIYA ÁMÁR, PRIYATAMA TUMI MOR
You are my dear Lord.
You are my dearest.
O stealer of unit minds
during intense darkness
in storms and typhoons
You are with me.
You are ever invisible
untarnished
destroyer of calamities
pulsation of life
and ointment for attaining cognition.
Your beauty and qualities engross my heart.
One who attains You fears none.
Such a person binds You with bonds of love and devotion.
3262 (16/12/1985) D+K
ÁMÁRI VYATHÁTE GALE
ÁMÁRE DEKHIBE BOLE
ESECHO KI EI DHARÁTALE
HRIDAYE MÁDHURII BHARÁ
HÁSITE MUKUTÁ JHARÁ
ÁNKHITE PRIITIR KAJJALE
THÁKONI TRIDASHE TUMI
ESECHORABHASE NÁMI
MANERA KORAKE LIILÁ CHALE
ESECHO KI EI DHARÁTALE
NÁMA RÚPA TAVA NÁI
SHATA NÁME RÚPE PÁI
ÁÁÁÁÁÁÁÁÁÁ
NÁMA RÚPA TAVA NÁI
SHATA NÁME RÚPE PÁI
BUDDHI KE TALIYE DILE
THEKO MOR SÁTHE SÁTHE
SAB KÁLE KÁLÁTIITE
ÁÁÁÁÁÁÁÁÁÁ
THEKO MOR SÁTHE SÁTHE
SAB KÁLE KÁLÁTIITE
MADHURA BHÁVE CITI KAMALE
ESECHO KI EI DHARÁTALE
ÁMÁRI VYATHÁTE GALE
ÁMÁRE DEKHIBE BOLE
ESECHO KI EI DHARÁTALE
Is it that observing my pain
You melted
and descended onto this earth
to attend to me?
You came with a heart full of sweetness
with a pearl scattering smile
and with eyes marked with the collyrium of love.
You refused to remain in heaven
You have descended in divine sport.
You do not have any particular name or form.
I find You in hundreds of names and forms.
In the tender blossom of my mind
in Your mysterious play
You drowned my intellect.
Remain with me always
within and beyond the periphery of time
in sweet ideation
in the lotus of my heart.
3263 (17/12/1985) K
NÁ BOLE ELE NÁ BOLE GELE
NÁ BOLE ELE NÁ BOLE GELE
NÁ BOLE ELE NÁ BOLE GELE
CARAŃ CIHNA REKHE GELE
VYATHÁY PRALEP DIYE GELE
ÁSHÁR PRADIIP JVELE DILE
NÁ BOLE ELE NÁ BOLE GELE
SAPTA LOKERA TUMII ADHIISHA
ÁÁÁÁÁÁÁÁÁÁ
SAPTA LOKERA TUMII ADHIISHA
SARVA DYOTANÁR TUMII ATIISHA
BHÁVÁTIITA HOYEO TABU
LIILÁY DHARÁ CHONYÁY ELE
NÁ BOLE ELE NÁ BOLE GELE
KŚUDRA MANANE KII I BÁ BUJHI
ÁÁÁÁÁÁÁÁÁÁ
KŚUDRA MANANE KII I BÁ BUJHI
KARUŃÁ KAŃÁY ÁDHÁR KHUNJI
VARAŃE VARAŃE BHÁVOTTARAŃE
KÁRÁR ARGAL SARÁLE
NÁ BOLE ELE NÁ BOLE GELE
O Lord, You came without announcing and went away without telling. But You left Your
footprints, applied balm on the pain, and kindled light of hope. You are the controller of
the seven arenas, You surpass all indications, and still You remain beyond the
imagination. By Your illusive game, You came to touch this earth. With a limited meagre
mind how can I understand that and search the basis of the particles of mercy. With
diverse colours and descend of ideation, You have opened the closing bolt of the prison.
3264 (18/12/1985) D
TOMÁR ÁMÁR
TOMÁR ÁMÁR PRIITIR E HÁR
KE GENTHE CHILO TUMI NÁ ÁMI
BOLO, ÁMI CHILUM DHÚLIR DHARÁY
MÁT́IR PARE MÁT́IR PRADIIP DHARE
SAKÁL SÁNJHE PRIYA TOMÁY NAMI
KE GENTHE CHILO TUMI NÁ ÁMI
MOR HÁTE CHILO MÁLATI MÁLÁ
ÁÁÁÁÁÁÁÁÁÁ
MOR HÁTE CHILO MÁLATI MÁLÁ
PRÁŃER PARÁG MÁKHÁ MADHU D́HÁLÁ
TOMÁR KANT́HE VAEJAYANTI MÁLÁ
KAOSTUBHER DYUTITE ELE NÁMI
KE GENTHE CHILO TUMI NÁ ÁMI
ÁMÁR ÁMI KE DILUM MÁLÁY TULE
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR ÁMI KE DILUM MÁLÁY TULE
KŚUDRATÁR SAKAL SIIMÁNÁ BHÚLE
SARVA SATTÁ MOR UT́HALO DÚLE
BHÁVA KE NILE BHÁVÁTIITE TUMI
KE GENTHE CHILO TUMI NÁ ÁMI
O Lord, this garland of love between You and me, tell me, who has threaded, You or me? I
was on the dusty earth, lying in mud holding earthen lamp, saluting You mornings and
evenings. In my hands was the garland of malatii flowers, smeared with the lively
fragrance and honey. In Your neck was garland of vaejayantii flowers, and emanating the
brilliance of kaostubha diamond, You came down. I am offering my own self, “I”
lifting the garland, forgetting all limitations of smallness, my whole existence started
shaking, when You took the feeling, O the entity beyond thoughts.
3265 (18/12/1985) D
RÁKHÁL RÁJÁ RE
RÁKHÁL RÁJÁRE
KÁKE TUMI SÁJÁO PHÚLE
BÁJÁO BÁNSHII KÁR TARE
RÁKHÁL RÁJÁ RE
RÁKHÁL RÁJÁRE
AHARNISHI TOMÁR HÁSI
ÁÁÁÁÁÁÁÁÁÁ
AHARNISHI TOMÁR HÁSI
VYATHÁY PRALEP DEY JE ÁSI
AHARNISHI TOMÁR HÁSI
VYATHÁY PRALEP DEY JE ÁSI
NÁ DEKHIÁO BHÁLOBÁSI
TOMÁY MANER MUKURE
RÁKHÁL RÁJÁ RE
RÁKHÁL RÁJÁRE
ANANTA KÁLA TUMI ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
ANANTA KÁLA TUMI ÁCHO
MAN YAMUNÁY MÁTIYECHO
ANANTA KÁLA TUMI ÁCHO
MAN YAMUNÁY MÁTIYECHO
SRŚT́I STHITI LAYE ÁCHO
KÁLÁKÁLER BÁHIRE
RÁKHÁL RÁJÁ RE
RÁKHÁL RÁJÁRE
O cowherd prince!
Who do You decorate with flowers
and what for do You play Your flute?
Day and night
Your smile bestows healing balms on sorrows.
Even without physically seeing You
I love You
in the mirror of mind.
You exist for all time
intoxicating the stream of my mental Yamuna’ river.
You dance on
in creation, preservation and destruction
both within and beyond the scope of time.
3266 (18/12/1985) D
ÁMI TOMÁY BHÁLOBÁSI, TÁI
MAN KE DILUM JENE SHUNE
TOMÁR MADHUR MIŚT́I HÁSI
SARÁY SAKAL ABHIMÁNE
TÁI, MAN KE DILUM JENE SHUNE
TUMI, ÁCHO TÁI TO ÁCHI
ÁÁÁÁÁÁÁÁÁÁ
TUMI, ÁCHO TÁI TO ÁCHI
TOMÁR MANEI GHAR BENDHECHI
DUHKHA SUKHER GIIT RACECHI
TOMÁR MANER PHÚL VANE
TÁI, MAN KE DILUM JENE SHUNE
TOMÁY ÁMI CÁI JIIVANE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁY ÁMI CÁI JIIVANE
ÁCHI SATRIŚŃA NAYANE
MAN YAMUNÁ DHÁY UJÁNE
TOMÁR PRIITI SPANDANE
TÁI, MAN KE DILUM JENE SHUNE
ÁMI TOMÁY BHÁLOBÁSI, TÁI
MAN KE DILUM JENE SHUNE
O Lord, I love You, that is why I have given You my mind knowingly. Your sweet smile
removes the entire ego in me. You are there hence I exist and build home within Your mind.
I create songs during pain and pleasure within Your floral garden. I want You in my life
with earnest thirst in my eyes. My mental river Yamuna’ rushes overflowing, due the
vibration of Your love.
3267 (19/12/1985) D
GÁN GEYE GEYE MÁDHURII CHAŔÁYE
KE GO ELE MOR MANOVANE
DEKHINI KAKHANO NAYANE
ÚŚÁR ÁLOY MANDA BHÁLOY
EK KARE NILE SURE TÁNE
DEKHINI KAKHANO NAYANE
ÁTMA PAR BÁHIR BHIITAR
ÁÁÁÁÁÁÁÁÁÁ
ÁTMA PAR BÁHIR BHIITAR
NEIKO TOMÁR GHRŃÁ ANÁDAR
SABÁI KE NIYE NIKHIL NILAYE
NÁCO SUSMITA SPANDANE
DEKHINI KAKHANO NAYANE
ALAKHA PURUŚA E KII LIILÁ TAVA
ÁÁÁÁÁÁÁÁÁÁ
ALAKHA PURUŚA E KII LIILÁ TAVA
ANUBHÚTI DÁO NITI NAVA NAVA
BHÁVA HOTE BHÁVÁTIITE ABHINAVA
BHESE CALE JÁO MANANE
DEKHINI KAKHANO NAYANE
GÁN GEYE GEYE MÁDHURII CHAŔÁYE
KE GO ELE MOR MANOVANE
DEKHINI KAKHANO NAYANE
Singing songs and scattering sweetness, who has come into my mental garden? I have never
seen Him with eyes. With the morning light, by tunes and melodies, He unified all good and
bad. Own and others, outside and inside, for You there is no hatred or disrespect. Taking
all in the whole home, You dance with smiling vibration. O the unseen Lord, what an
illusive game, liila, is Yours, You provide ever new feelings. From thought to beyond
that in new way, You go on floating in the mind.
3268 (19/12/1985) K
ÁLOKERI SÁTHE ESECHILE
JYOTI DHÁRÁ CHAŔÁLE
NÁ D́ÁKITEI ESE GELE
NÁ BOLE MÁDHURII MÁKHÁLE
JYOTI DHÁRÁ CHAŔÁLE
PUINJIBHÚTA GLÁNI JATA
ÁÁÁÁÁÁÁÁÁÁ
PUINJIBHÚTA GLÁNI JATA
NIMEŚE DÚRE SARE GELO
PAUNKILATÁR GHÚRŃÁVARTE
BHÁLOBÁSÁ JÁGILO
CENÁ NÁ CENÁ MAN MÁNE NÁ
ÁÁÁÁÁÁÁÁÁÁ
CENÁ NÁ CENÁ MAN MÁNE NÁ
BHÁSE MAMATÁR PÁ MELE
JYOTI DHÁRÁ CHAŔÁLE
ASHRU BHARÁ MANERI KATHÁ
PALAKE HOLO PULAKE GÁNTHÁ
RANDHRE RANDHRE PRIITI VÁRATÁ
SHRUTI SMRITITE BHARÁLE
JYOTI DHÁRÁ CHAŔÁLE
ÁLOKERI SÁTHE ESECHILE
JYOTI DHÁRÁ CHAŔÁLE
O Lord, You came along with the light, scattering the flow of effulgence. You came without
announcing and smeared sweetness without telling. All the accumulated agonies, was removed
within moment. Amid the muddy cyclone, love awakened. The mind does not accept the known
and unknown and floats into affection comfortably spreading the feet. The tearful mental
story became studded with joy within moment. With the message of love, You pervaded and
filled each pore of the memories and ears.
3269 (19/12/1985) D
DIIP JVELE JÁI, KHUSHITE BHARAI
ÁMI TOMÁDER, ÁMI TOMÁDER
KEU PAR NÁI, ÁPAN JE SABÁI
ANÁDI KÁLER
ÁMI TOMÁDER, ÁMI TOMÁDER
DIIP JVELE JÁI
KHUSHITE BHARAI
ÁMI TOMÁDER, ÁMI TOMÁDER
ASHRU SIKTA ÁNKHI ÁMI
DEKHITE NÁ CÁI
ÁÁÁÁÁÁÁÁÁÁ
ASHRU SIKTA ÁNKHI ÁMI
DEKHITE NÁ CÁI
BHÁVA NIŚIKTA PRIITI SADÁI
CEYE CEYE JÁI
KEU DÚRE THEKO NÁ
ÁMÁKE BHÚL BUJHO NÁ
E LIILÁ ÁNANDER
ÁMI TOMÁDER, ÁMI TOMÁDER
GÁNER SURE RÁGÁNURÁGETE RAYECHI
HRDAY BHARE PHÚL PARÁGE
BHESE CALECHI
DÚLI PRIITIIR MÁLÁY GIITI MEKHALÁY
BELÁY JIIVANERA
ÁMI TOMÁDER, ÁMI TOMÁDER
DIIP JVELE JÁI, KHUSHITE BHARAI
ÁMI TOMÁDER, ÁMI TOMÁDER
“I keep kindling lamps
I ever remain full of joy.
I am Yours and Yours alone.
None is distant from me.
All have been my own since time immemorial.
I don't want to see your tearful eyes.
I wish to always see the moist love of your feelings.
Let no one remain far.
Let no one misunderstand me
in this blissful game.
I exist in the tunes and melodies of songs.
I keep floating in the pollen of flowers.
I swing the garland of love
and adorn songs on life's shore.”
3270 (20/12/1985) K+D
PHÚLER MÁLÁY EI ABELÁY
DHULÁY JHARITE DIO NÁ
MANER SUŚAMÁ PRIITI ANUPAMÁ
E BHÁVE BHULIÁ JEO NÁ
DHULÁY JHARITE DIO NÁ
TILE TILE PHÚL KARECHI CAYAN
ÁÁÁÁÁÁÁÁÁÁ
TILE TILE PHÚL KARECHI CAYAN
KHUNJIÁ ÁMÁR CITTA UPAVAN
MÁLÁ GÁNTHIÁCHI, MÁLÁ GÁNTHIÁCHI
MÁLÁ GÁNTHIÁCHI KARIÁ JATAN
UPEKŚÁ TÁRE KARO NÁ
DHULÁY JHARITE DIO NÁ
JÁNI IHÁ TUCCHA TOMÁR KÁCHE
ÁÁÁÁÁÁÁÁÁÁ
JÁNI IHÁ TUCCHA TOMÁR KÁCHE
AYUTA RATAN ÁRO TAVA ÁCHE
MOR NIRYÁS, MOR NIRYÁS
MOR NIRYÁS, ETE MILIYÁCHE
E KATHÁ BHÁVIÁ DEKHI NÁ
DHULÁY JHARITE DIO NÁ
PHÚLER MÁLÁY EI ABELÁY
DHULÁY JHARITE DIO NÁ
O Lord, the floral garland at this immature time, do not allow to fall and get withered
into dust, without garlanding You. The beauty of my heart with incomparable love, do not
ignore like this. I have collected the flowers, after minute selection, searching in my
mental garden. Carefully I have threaded the garland, please do not neglect it. I know
this is just meagre before You, as You possess much more immense wealth of gems. But my
essence of existence is merged in this, let this fact be observed.
3271 (21/12/1985)
D́EKE CHILUM ASHRU NIIRE
TABU PRIYA CÁONIKO PHIRE
BHÁVA JAGATER MADHYAMAŃI
RAYE GELE BAHU DÚRE
TABU PRIYA CÁONIKO PHIRE
TOMÁR ÁMÁR E PRIITIR HÁR
KEU JÁNENÁ ITIKATHÁR
HÁSI KÁNNÁR CÚNII PÁNNÁR
ÁSHÁ NIRÁSHÁR GÁNTHÁ D́ORE
TABU PRIYA CÁONIKO PHIRE
CEYE DEKHI HAT́HÁT E KII
NAIKO ÁMI KABHU EKÁKII
BHÁVA JAGATE NEIKO PHÁNKI
RANDHRE RANDHRE ÁCHO BHARE
TABU PRIYA CÁONIKO PHIRE
D́EKE CHILUM ASHRU NIIRE
TABU PRIYA CÁONIKO PHIRE
O Dear, I have been calling You with tearful eyes, yet You did not look at me. You
remained far away as the central gem in the nucleus of the arena of ideation. This garland
of love between You and me, nobody knows its history. This is threaded in the twine of
hope and despair, picking up the emeralds of smile and cries. Suddenly what I observed is
that I am not alone anytime. In the arena of ideation there is no deception, as You
pervade each pore.
3272 (21/12/1985) D
ÁMI CHILUM DHULOY PAŔE
TUMI T́ENE NILE KOLE
DHULO JHEŔE BOLALE MORE
THÁKO DHARÁ PARE MÁTHÁ TÚLE
TUMI T́ENE NILE KOLE
KATA TITHI PRAHAR GECHE
ÁÁÁÁÁÁÁÁÁÁ
KATA TITHI PRAHAR GECHE
ÁSHÁR ÁLO KATA NIVECHE
TAVA CINMAYA PRIITIR MÁJHE
DHRUVA JYOTI JVÁLÁLE
TUMI T́ENE NILE KOLE
JÁR KEHO NÁI TUMII ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
JÁR KEHO NÁI TUMII ÁCHO
JÁR KEHO NÁI TUMII ÁCHO
DIIN HIIN KEO BHÁLOBESECHO
CHÁYÁR MATA CHUNYE RAYECHO
KÁLA SÁGARER UPAKÚLE
TUMI T́ENE NILE KOLE
ÁMI CHILUM DHULOY PAŔE
TUMI T́ENE NILE KOLE
O Lord, I was lying in the dust and You pulled me up in Your lap. Removing the dust, You
told me, stay on the earth with raised head. How many days and hours have passed, how many
lights of hope got extinguished, within You love full of conscience, You kindled the fixed
constant light. You are for him who has none, loving the distressed and downtrodden. You
ever keep touching and accompanying like a shadow, at the bank of the ocean of time.
3273 (21/12/1985) D
ÁMI, CÁI NÁ KICHU TOMÁR KÁCHE
CÁI JE SHUDHU TOMÁKE
JÁ ÁSE JÁY KI HOBE TÁY
KÁNDÁY BHOLÁY ÁMÁKE
CÁI JE SHUDHU TOMÁKE
MAŃI MUKTÁY RAJAT HIRAŃ
ÁÁÁÁÁÁÁÁÁÁ
MAŃI MUKTÁY RAJAT HIRAŃ
MAŃI MUKTÁY RAJAT HIRAŃ
SÁT SÁGARER SAINCITA DHAN
THÁKE NÁ ANANTA JIIVAN
HÁSHI KHUSHIR JHALAKE
CÁI JE SHUDHU TOMÁKE
THÁKO ÁMÁR ÁPAN HOYE
ÁÁÁÁÁÁÁÁÁÁ
THÁKO ÁMÁR ÁPAN HOYE
THÁKO ÁMÁR ÁPAN HOYE
KŚUDRA MANER DRIGVALAYE
MADHUR MOHAN BHÁVAT́I LAYE
ARÚPERI RÚPÁLOKE
CÁI JE SHUDHU TOMÁKE
ÁMI, CÁI NÁ KICHU TOMÁR KÁCHE
CÁI JE SHUDHU TOMÁKE
O Lord, I do not want anything from You, I want only You. What would happen with the
things that come and go, they simply delude and make one cry. The gems, pearls, silver and
gold, the collected wealth of the seven oceans, never stay in the infinite life and show
only the glimpses of temporary joy. You remain becoming my own, within the periphery of my
meagre mental vision, absorbed in sweet charming ideation, in the excellent light of
visible arena.
3274 (22/12/1985) D
TUMI KOTHÁY ÁMI KOTHÁY
MÁJHE KENO BÁDHÁR SÁGAR
D́ÁKI TOMÁY ÁNKHIR DHÁRÁY
ÚRMIMÁLÁY D́HÁKE SE SVAR
MÁJHE KENO BÁDHÁR SÁGAR
TUMI ÁMÁR ATI ÁPANÁR
ÁÁÁÁÁÁÁÁÁÁ
TUMI ÁMÁR ATI ÁPANÁR
TOMÁR CHANDE JIIVAN ÁMÁR
VISHVA TANTRIITE SUR TOMÁR
BHOLÁY VIBHEDA ÁPAN O PAR
MÁJHE KENO BÁDHÁR SÁGAR
CÁINÁ KICHUI TOMÁR KÁCHE
ÁÁÁÁÁÁÁÁÁÁ
CÁINÁ KICHUI TOMÁR KÁCHE
MAN SHUDHU E KRPÁ JÁCE
THEKO ÁMÁR BHÁVER MÁJHE
MOHAN SÁJE PRATI PRAHAR
MÁJHE KENO BÁDHÁR SÁGAR
TUMI KOTHÁY ÁMI KOTHÁY
MÁJHE KENO BÁDHÁR SÁGAR
O Lord, where are You and where am I, in between why there is ocean of obstruction? I call
You with flow of tears, but the voice is covered by the series of waves. You are my
closest own, my life is with Your rhythm. Your voice is on the lyre of the universe
making forget the feelings of own and others. I do not want anything from You; the mind
only wants this much grace. Stay within my feelings, with charming adornments each
moment.
3275 (22/12/1985) D+K
TOMÁR PHÁGER RÁG LEGECHE
TOMÁR PHÁGER RÁG LEGECHE
E PHÁGUNE ÁJ ÁMÁR MANOVANE
SHUKNO SHÁKHÁ RAUNGE ÁNKÁ
PELO PHÚLER SÁJ
TOMÁR ÁGAMANE
E PHÁGUNE ÁJ ÁMÁR MANOVANE
GÁN DHARECHE PIK O KEKÁ
VIJAN VANEO KEU NAY EKÁ
TOMÁR PRIITI PARÁG MÁKHÁ
NÚPÚR SINJANE
E PHÁGUNE ÁJ ÁMÁR MANOVANE
JÁNI TUMI DEKHO CEYE
ÁÁÁÁÁÁÁÁÁÁ
JÁNI TUMI DEKHO CEYE
SABÁI MATTA TOMÁY NIYE
UDVELITA TOMÁY PEYE
UDVELITA TOMÁY PEYE
SMITA MUKTI SNÁNE
JÁNI TUMI DEKHO CEYE
E PHÁGUNE ÁJ ÁMÁR MANOVANE
TOMÁR PHÁGER RÁG LEGECHE
TOMÁR PHÁGER RÁG LEGECHE
E PHÁGUNE ÁJ ÁMÁR MANOVANE
O Lord, during this spring festivity of colours, Your spring colour is smeared in my
mental garden today. The dry branches are marked with colour on finding the adornment of
flowers, with Your arrival. The peacock and the cuckoo have started singing in the
isolated forest when nobody is alone, with fragrance smeared love, and the sound of
anklebell. I know that You see all that everyone is intoxicated for You. They are restless
to get You, for smiling bath of liberation.
3276 (22/12/1985) D (Krsna)
MANER GOPÁL MANETE HESECHO
MAN PRÁŃA KEŔE NIYECHO
DHYÁNERI DHYEYA GÚŃE AMEYA
JIIVA KE BHÁLOBESECHO
MAN PRÁŃA KEŔE NIYECHO
RAINJITÁDHARE BÁNSHURI BÁJÁYE
ÁÁÁÁÁÁÁÁÁÁ
RAINJITÁDHARE BÁNSHURI BÁJÁYE
PRÁŃA JAMUNÁY UJÁNE BAHÁYE
SHRIŚT́I STHITI LAYE NÁCÁYE
MADHUR LIILÁY METECHO
MAN PRÁŃA KEŔE NIYECHO
MARU MÁJHE TUMI PHALGU DHÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
MARU MÁJHE TUMI PHALGU DHÁRÁ
BÁHIR VISHVE ÁPANHÁRÁ
VRINDÁVANER VANE VANE BHARÁ
MÁDHURII VILÁYE DIYECHO
MAN PRÁŃA KEŔE NIYECHO
MANER GOPÁL MANETE HESECHO
MAN PRÁŃA KEŔE NIYECHO
O Krsna, Gopa’l of my mind, You smile within the mind itself, and have snatched
away my mind with the whole being. O the object of meditation with immeasurable
attributes, You love the living beings. Playing flute with colourful lips, over flooding
the Jamuna’ river of my life, making all dance with creation, sustenance and
dissolution, in the sweet illusive game You are absorbed. You are the under current
flowing beneath the sand, losing Self in the external world, filling all garden of
Vrinda’van, You submerge all in sweetness.
3277 (23/12/1985) D
ANDHAKÁRER JAD́ER BHIIŔE
GHUMIYE CHILUM MOHA JÁLE, ÁMI
GHUMIYE CHILUM MOHA JÁLE
TUMI ELE GHUM BHÁUNGÁLE
ÁLOY ÁLOY BHARE DILE
GHUMIYE CHILUM MOHA JÁLE, ÁMI
GHUMIYE CHILUM MOHA JÁLE
KICHUI TOMÁR AJÁNÁ NEI
ÁÁÁÁÁÁÁÁÁÁ
KICHUI TOMÁR AJÁNÁ NEI
CARÁCARER JÁNO SABÁKEI
VISHVA GATA VISHVÁTIITA
RÁKHO NÁ KÁUKE DÚRE PHELE
GHUMIYE CHILUM MOHA JÁLE, ÁMI
GHUMIYE CHILUM MOHA JÁLE
SABÁR PÁNE SATATA CÁO
ÁÁÁÁÁÁÁÁÁÁ
SABÁR PÁNE SATATA CÁO
PRIITIR DRIŚT́I NÁHI SARÁO
BHÁGYA SMITA BHÁGYA HATA
SABÁI TOMÁR ÁCHE KOLE
GHUMIYE CHILUM MOHA JÁLE, ÁMI
GHUMIYE CHILUM MOHA JÁLE
ANDHAKÁRER JAD́ER BHIIŔE
GHUMIYE CHILUM MOHA JÁLE, ÁMI
GHUMIYE CHILUM MOHA JÁLE
O Lord, within inert crowd of darkness, I was asleep in the net of infatuations. You came
and broke the slumber and filled with light. Nothing is unknown to You. You know all
living and inanimate bodies. Within and beyond the Universe, You do not keep anyone away.
You look to all, ever, and do not remove the sight of love. Those who are fortunate and
even unfortunate, all are within Your lap.
3278 (23/12/1985) K
EI, TIMIRÁVRITA NISHIITE
TUMI ELE ÁLO HÁTETUMI ELE
UPALÁHATA KANT́AKITA PATHE
ÁSHÁR VÁŃIII SHONÁLE
TUMI ELE
GHAN VARŚÁR SÁTHE CHILO JHAT́IKÁ
ÁÁÁÁÁÁÁÁÁÁ
GHAN VARŚÁR SÁTHE CHILO JHAT́IKÁ
GHAN VARŚÁR SÁTHE CHILO JHAT́IKÁ
KHAR ASHANI BÁJIYE CHILO D́AUNKÁ
DHVASTA BHRÁNTA CHILO MAN BALÁKÁ
PATHER NISHÁNÁ DEKHÁLE
TUMI ELE ÁLO HÁTETUMI ELE
BASE THÁKIVÁR ÁR NÁI JE SAMAY
ÁÁÁÁÁÁÁÁÁÁ
BASE THÁKIVÁR ÁR NÁI JE SAMAY
BASE THÁKIVÁR ÁR NÁI JE SAMAY
KUSUM SHAEYYÁ NAY SÁJJÁO NAY
D́ÁK DEY KOŃE KOŃE MANE CINMAYA
SE DHVANI KI TUMI DILE
TUMI ELE ÁLO HÁTETUMI ELE
EI, TIMIRÁVRITA NISHIITE
TUMI ELE ÁLO HÁTETUMI ELE
O Lord, on this darkness covered night, carrying light in hands, You came. On the rocky
thorny path, You spoke the words of hope. Storm was accompanying the intense rains, severe
thunder was sounding roar of drums, the mental swan was impaired and deluded, and then You
showed the beacon for the path. There is no time for sitting and resting; the floral bed
is not spread. The consciousness calls the mind in all its corners. Those voices You only
provided.
3279 (23/12/1985) D
TUMI, BHÁLOBESE CHILE
TÁI KI ELE
PHÚLER PARÁG RÁG ANURÁG MISHIYE DILE
TÁI KI ELE
CHILO MÁNUŚA ANDHAKÁRE
JAD́A BHÁVANÁR BADDHA GHARE
ÁÁÁÁÁÁÁÁÁÁ
CHILO MÁNUŚA ANDHAKÁRE
JAD́A BHÁVANÁR BADDHA GHARE
DUÁR KHULE ÁLO D́HELE
MAN KE MÁTÁLE
TÁI KI ELE
TUMI, BHÁLOBESE CHILE
TÁI KI ELE
TOMÁR PRIITIR RAUNGA MASHÁLE
MÁNAVA JIIVAN UT́HALO DULE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR PRIITIR RAUNGA MASHÁLE
MÁNAVA JIIVAN UT́HALO DULE
ÁSHÁR DHVAJÁ ÚRDHVE TULE
SÁMANE DÁNŔÁLE
TÁI KI ELE
TUMI, BHÁLOBESE CHILE
TÁI KI ELE
O Lord, You have loved me, is it due to which You came, mixing affection and love with the
fragrance of flowers? The human beings were in darkness in the closed home of inert
thoughts. By opening the doors, pouring light, You intoxicated the mind. By the colourful
torch of Your love, the human life started swinging. Raising the flag of hope high up, You
stood in the front.
3280 (23/12/1985) D
PRADIIP JVELE D́EKE CHILUM
BÁRE BÁRE ÁNKHI JALE
TUMI DÁO NI SÁŔÁ SARE GELE
LOKE BOLE KOMAL HRIDAY
ÁÁÁÁÁÁÁÁÁÁ
LOKE BOLE KOMAL HRIDAY
KUSUM KORAK MADHUR NILAY
ÁMÁR KÁCHE SATYA SE NAY
EKE KI KOMAL BOLÁ CALE
TUMI DÁONI SÁŔÁSARE GELE
PRADIIP SARIYE DIYE DEKHI
ÁÁÁÁÁÁÁÁÁÁ
PRADIIP SARIYE DIYE DEKHI
LUKIYE CHILE TUMI EKII
TOMÁR KÁCHE NEIKO PHÁNKI
DINE RÁTE SÁTHE CHILE
TUMI DÁO NI SÁŔÁ SARE GELE
PRADIIP JVELE D́EKE CHILUM
BÁRE BÁRE ÁNKHI JALE
TUMI DÁO NI SÁŔÁ SARE GELE
Kindling the lamp, I have been calling You, again and again with tearful eyes, but You did
not respond O Lord. People say that You are soft hearted, like pollen of flower with
sweetness, but for me that is not true, how can it be called softness? Removing the lamp I
observed, whether You were hidden somewhere. There is no deception before You as You are
ever together accompanying day and night.
3281 (24/12/1985) D
TUMI, KON SE SURE PRÁŃER VIIŃÁ
BÁJIYE
D́ÁK DIYE JÁO, D́ÁK DIYE JÁO
ÁKÁSHA VÁTÁS BHARIYE TOLE
CHANDE TÁLE
KENO BOLE DÁO
D́ÁK DIYE JÁO, D́ÁK DIYE JÁO
KABE THEKE SHURU D́ÁKÁR
ÁÁÁÁÁÁÁÁÁÁ
KABE THEKE SHURU D́ÁKÁR
KEU JÁNE NÁ ITIKATHÁR
MUKUTÁ HÁR PHÚLER BÁHÁR
KEU CHILO NÁ JÁR PÁNE TÁKÁO
D́ÁK DIYE JÁO, D́ÁK DIYE JÁO
EMNI BHÁVE KENO D́ÁKO
ÁÁÁÁÁÁÁÁÁÁ
EMNI BHÁVE KENO D́ÁKO
KICHUI BUJHATE PÁRI NÁKO
ASTHIRATÁY EKALÁ THÁKO
TÁI KI TUMI KHELÁR SÁTHI CÁO
D́ÁK DIYE JÁO, D́ÁK DIYE JÁO
TUMI, KON SE SURE PRÁŃER VIIŃÁ
BÁJIYE
D́ÁK DIYE JÁO, D́ÁK DIYE JÁO
Playing on the viina of my heart
in which tune do You give Your calls?
Why do You fill the sky and air
with rhythm and tempo?
Please tell me.
No one knows the history
about the origins of Your calls.
There were neither pearl necklaces
nor beautiful flowers for You to look at.
Why You keep calling me in this way
I am unable to understand.
Amidst restlessness
You were alone.
That is why You wanted a playmate.
3282 (24/12/1985) D (Shiva giiti)
TÁND́AVA NÁCE METECHO
HE BHAERAVA KÁL BHAERAV
KÁL BHAERAV
DHÚRJAT́I JAT́Á KHULECHO
VILÁLE VAEBHAV
KÁL BHAERAV KÁLA BHAERAV
CHANDE TÁLE UTTÁLETE
SHÁNTA DHARÁ UT́HALO METE
ÁÁÁÁÁÁÁÁÁÁ
CHANDE TÁLE UTTÁLETE
SHÁNTA DHARÁ UT́HALO METE
JVÁLÁMUKHIR UTTÁPETE
NÁCALO AŃU SAB
KÁL BHAERAV KÁL BHAERAV
NÁGA PÁSHERI BANDHANETE
BADDHA JÁRÁ CHILO CITE
ÁÁÁÁÁÁÁÁÁÁ
NÁGA PÁSHERI BANDHANETE
BADDHA JÁRÁ CHILO CITE
TÁDER BÁNDHAN KHULE DITE
JÁGALO VIŚÁŃA RAV
KÁL BHAERAV KÁL BHAERAV
TÁND́AVA NÁCE METECHO
HE BHAERAV KÁL BHAERAV, KÁL BHAERAV
O Lord Bhaerava
Lord of time
You remain ever engrossed
in Your rhythmic Ta’nd’ava dance.
You have untied the knot of Your matted hair
and scattered Your spiritual wealth unto all.
By Your dance in cadence & rhythm
with vigorous jumps
the tranquil earth surges.
And, as if caught in the burning heat of fiery volcanos
all the atoms of the universe begin to dance.
To shatter the bondages
of all those whose minds were bound
by a serpentine noose
You blew Your long horn.
3283 (24/12/1985) D
KEU TORÁ YADI BHAYA PÁS
ÁMRÁ JÁBOI, ÁMRÁ JÁBOI
GHERE YADI BHAYÁL AT́T́AHÁS
EGOBOI, EGOBOI
KÁTAR COKHE TÁKÁSO KENO
ÁÁÁÁÁÁÁÁÁÁ
KÁTAR COKHE TÁKÁSO KENO
MAN KE DAMÁSO NÁ JENO
ÚŚÁR MARU TUŚÁR MERU
PEROBOI, PEROBOI
ÁMRÁ JÁBOI, ÁMRÁ JÁBOI
BHÁGYA DEVI VIMUKHA HOLEO
ÁÁÁÁÁÁÁÁÁÁ
BHÁGYA DEVI VIMUKHA HOLEO
ÁKÁSHA BHEUNGE BÁJ PAŔALEO
ÁDARSHA KE SÁMANE REKHE
PÁ PHELO BOI, PÁ PHELO BOI
ÁMRÁ JÁBOI, ÁMRÁ JÁBOI
If ever someone be filled with fear
we shall bring that person close to us.
Even if raucous laughter may surround us
we shall surely march ahead.
Why do you keep staring with sorrowful eyes?
Do not be disheartened.
We shall cross the arid deserts
and the snowcapped mountain peaks.
If the goddess of fortune turns away her face
if the roaring of thunder crashes from the sky
keeping our ideology fixed before our eyes
we shall surely march ahead.
3284 (24/12/1985) D
NÁM NÁ JÁNÁ JAGAT THEKE
AJÁNÁ PATHIK ELO
ELO, ELO
ÁSHÁY BHÁŚÁY BHARE DIYE
PRÁŃER CHONYÁ DILO
CÁI NI KICHU KÁRO KÁCHE
ÁÁÁÁÁÁÁÁÁÁ
CÁI NI KICHU KÁRO KÁCHE
NÁ CÁHILEO SAB NIYECHE?
BHÚMÁR VINIMAYE AŃU NILO
ELO, ELO
JAD́A BHÁVANÁY BHRÁNTA MÁNUŚA
ÁÁÁÁÁÁÁÁÁÁ
JAD́A BHÁVANÁY BHRÁNTA MÁNUŚA
MÁNUŚA BOLE CHILO NÁ HONSH
JHAINJHÁKÁSHE BHÁSÁ PHÁNUS
MÁT́IR PARASH PELO
NÁM NÁ JÁNÁ JAGAT THEKE
AJÁNÁ PATHIK ELO
ELO, ELO
From the world of which the name is unknown, the unknown traveler came. He filled with the
language of hope and touched the essence of life. Without expecting anyone or anything, He
takes all. He takes microcosm in exchange of Cosmic. The human beings were deluded in
thoughts of inert; they have lost the awareness that they are human beings. The balloon
floating in the stormy sky got the touch of earth.
3285 (24/12/1985) D
ÁMI, CÁI NÁ HOTE GYÁNER (JINÁNER) PÁHÁŔ
GUŃER SÁGAR, GUŃER SÁGAR
CÁI TOMÁRE ÁPAN KARE
SANDHYÁ SAKÁL SAKAL PRAHAR
GUŃER SÁGAR, GUŃER SÁGAR
ARÚP RATAN PARASH MAŃI
ÁÁÁÁÁÁÁÁÁÁ
ARÚP RATAN PARASH MAŃI
SABAI TUMI BUJHI JÁNI
TUMI THÁKALEI SABÁI ÁCHE
TABEI ÁCHE GUŃER KADAR
GUŃER SÁGAR, GUŃER SÁGAR
THEKO ÁMÁR MANER KOŃE
ÁMÁR HOYE SAUNGOPANE
SÁTHE SÁTHE RÁTRI DINE
NAILE VRITHÁI TOMÁR ÁDAR
GUŃER SÁGAR, GUŃER SÁGAR
ÁMI, CÁI NÁ HOTE GYÁNER PÁHÁŔ
GUŃER SÁGAR, GUŃER SÁGAR
I do not want to become a mountain of knowledge
nor an ocean of qualities.
I just want to make You mine
for all time to come
mornings, evenings etc.
O formless gem!
O touchstone!
I know and understand
that You are everything.
Due to Your existence
everything else exists.
Due to Your existence
qualities attain value.
Secretly become my own
and stay in the recess of my mind day and night.
My respect and adoration shall not prove futile.
3286 (24/12/1985) D
KEU KÁCHE PEYEO CINATE NÁRE
DÚRE THEKE KEU CENE
KEU DÚRE THEKEO CENE
KEU PRÁŃER PARASH PEYEO THÁKE
JAD́ERI GHORE, KEU NÁ JÁNIÁO MÁNE
KEU KÁCHE PEYEO CINATE NÁRE
DÚRE THEKE KEU CENE
KEU DÚRE THEKEO CENE
UŚÁR ÁLOY RÁTER KÁLOY
ÁÁÁÁÁÁÁÁÁÁ
UŚÁR ÁLOY RÁTER KÁLOY
RÚPER CHÁT́ÁY NABHONIILEO
DEKHEO KEU NÁ SHONE GÁN
NÁ DEKHE KEU SHOŃE
KEU KÁCHE PEYEO CINATE NÁRE
DÚRE THEKE KEU CENE
KEU DÚRE THEKEO CENE
ÁMÁR TARE ETO KARO
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR TARE ETO KARO
ÁMÁR HRIDAY SUDHÁY BHARO
TABU O TOMÁY CININI CHILUM ANYA MANE
KEU KÁCHE PEYEO CINATE NÁRE
DÚRE THEKE KEU CENE
KEU DÚRE THEKEO CENE
Even after remaining in close vicinity, some people do not recognise the Supreme Entity
but some people, staying away are in position to realize Him. Some people even after
getting the vital touch, remain immersed in intense inertia, but some people even without
knowing Him, accept Him. The morning light and the darkness of the night, the scattered
beauty in the blue sky, even after observing, do not listen to the song, but some people
even without seeing, listen to that. O Lord, do this much only for me, fill my heart with
sweetness. So that I may attain You without remaining oblivious.
3287 (25/12/1985) K
ÁKÁSHE ÁLOKE BHESE JÁY
TAVA MAHIMÁRI KATHÁ
TAVA MAHIMÁRI KATHÁ
BHULOKE DYULOKE JHALAKÁY
CIR PURÁTANERI GÁTHÁ
HE PURÁTANA TUMI NAVIIN TAMA
SABÁR SAUNGE ÁCHO PRÁŃA SAMA
BHÁVE BHÁVANÁY THÁKO PRAGYÁ GHANA
TÁI TOTOMÁR TARE E ÁKULATÁ
TAVA MAHIMÁRI KATHÁ
TAVA MAHIMÁRI KATHÁ
ÁLOKER UDBHÁSE MAN KE RÁUNGÁO
BHÁVER GAHANE BASE BÁNSHURI BÁJÁO
PHELE NÁHI DÁO NISHÁNÁ DEKHÁO
JE PATHE RAYECHE CIR SÁRTHAKATÁ
TAVA MAHIMÁRI KATHÁ
TAVA MAHIMÁRI KATHÁ
ÁKÁSHE ÁLOKE BHESE JÁY
TAVA MAHIMÁRI KATHÁ
TAVA MAHIMÁRI KATHÁ
O Lord, through the light in the sky goes on floating the story of Your glory. It shows
the glimpses of the ancient events in the earth and heaven. O the Ancient, You are the
newest, You are with all like the life. You are present in feelings and ideations as
intense intuition. That is why there is this earnestness. With the emanation of
illuminations, colour the mind. Staying amidst depth of feelings, play Your flute. Do not
ignore, show the guiding beacon, so that remaining on that path is ever fruitful.
3288 (25/12/1985) K
ÁLOK UTSAVE ESE CHILE
ÁNDHÁR KARE CALE JEONÁ
NÁ NÁ NÁ
VYATHITER D́ÁK SHUŃE CHILE
YADIO CHILO NÁ SHREYA SÁDHANÁ
BHULOKE DYULOKE BHARE RAYECHO
ÁÁÁÁÁÁÁÁÁÁ
BHULOKE DYULOKE BHARE RAYECHO
MANER MUKURE DHARÁ DIYECHO
BÁHIR VISHVE RÚPA ENECHO
SE RÚPA SARIYE NIO NÁ
KI JE BHÁVO KI NÁ BHÁVO KICHU NÁ JÁNI
ÁÁÁÁÁÁÁÁÁÁ
KI JE BHÁVO KI NÁ BHÁVO KICHU NÁ JÁNI
KALYÁŃA BHEVE THÁKO E SHUDHU MÁNI
ÁSHÁ BHÁŚÁ BHARE DÁO MAMATÁ T́ÁNI
SE PRIITIR D́OR KABHU CHINŔONÁ
ÁLOK UTSAVE ESE CHILE
ÁNDHÁR KARE CALE JEONÁ
O Lord, You came in the festivity of light, do not go away creating darkness. You have
heard the call of the afflicted, even if there is no benevolent spiritual endeavor. You
have filled the earth and heaven; still You come into the fold of the mental mirror. You
have brought form in the external world, do not remove that beauty. What You think and
what You do not think, I do not know at all. I only accept that You think of benevolence.
With the pull of affection, You fill the language of hope. That thread of love, You never
break.
3289 (25/12/1985) K
ESECHO TUMI ESECHO
BHUVAN BHARIYÁ ESECHO
YUGÁNTARER GLÁNI SARIYE DIYE
ÁLOKER DHÁRÁ ENECHO
ANDHAKÁRE KEU THÁKIBE NÁ ÁR
ÁÁÁÁÁÁÁÁÁÁ
ANDHAKÁRE KEU THÁKIBE NÁ ÁR
KARME JINÁNE DHYÁNE TUMI SAMÁHÁR
PRIITIR PAYODHI TUMI AMEYA APÁR
MAMATÁR SHROTE METECHO
BHUVAN BHARIYÁ ESECHO
SHRIŚT́I STHITI LAYA TOMÁTE DHRITA
ÁÁÁÁÁÁÁÁÁÁ
SHRIŚT́I STHITI LAYA TOMÁTE DHRITA
TRIGUŃA TOMÁY MÁJHE HE GUŃÁTIITA
KÁLA NIYE KHELÁ KARO HE KÁLÁTIITA
LIILÁR CHANDE NECECHO
BHUVAN BHARIYÁ ESECHO
ESECHO TUMI ESECHO
BHUVAN BHARIYÁ ESECHO
O Lord, You came and filled the entire world. Having removed the agonies of eras, You
brought flow of effulgence. Nobody should stay in darkness any more. You are the totality
of action, knowledge and meditation of devotion. You are the immeasurable unlimited ocean
of love and remain engrossed in the stream of affection. The creation, sustenance and
dissolution is held within You. Even the three attributes are within You, O the Entity
beyond attributes. O the Entity beyond time factor, You go on performing Your game with
time and remain engrossed with the rhythm of liila, Your divine game.
3290 (25/12/1985) D
DUHKHE KLESHE KÁTAR HOYE
D́EKE CHILUM BÁRE BÁRE
SÁŔÁ TUMI DÁONI PRABHU
BADHIR HOYE CHILE KI KARE
ATYÁCÁRE AVICÁRE
ÁÁÁÁÁÁÁÁÁÁ
ATYÁCÁRE AVICÁRE
SONÁR SVAPAN PAŔALO JHARE
MÁNAVATÁ KENDE MARE
DÁRUŃA HÁHÁKÁRE
BADHIR HOYE CHILE KI KARE
RUDRA RÚPE TUMI ELE
ÁÁÁÁÁÁÁÁÁÁ
RUDRA RÚPE TUMI ELE
SHUBHRA DYUTI CHAŔIYE DILE
DÁNAVATÁY PUŔIYE DILE
JVALANTA ANALE
VIŚÁŃER HUNKÁRE
BADHIR HOYE CHILE KI KARE
DUHKHE KLESHE KÁTAR HOYE
D́EKE CHILUM BÁRE BÁRE
SÁŔÁ TUMI DÁONI PRABHU
BADHIR HOYE CHILE KI KARE
O Lord, having been afflicted by sorrows and agonies, I have been calling You again and
again, but You did not respond, why have You made Yourself deaf to my calls? Due to
victimization, and injustice, the golden dream withered away. The humanity cries out with
severe lamentations. You came in the form of Rudra (Shiva), the God who makes us cry, and
scattered brilliant light. You burnt the devilish, with intense fire and roar of Your long
horn.
3291 (25/12/1985) D
TOMÁKE CINE OT́HÁ DÁY
OTAH PROTA BHÁVE THÁKILEO
DHARÁ NÁHI JÁY
TOMÁKE CINE OT́HÁ DÁY
ÁLOKE ÁNDHÁRE THÁKO
ÁÁÁÁÁÁÁÁÁÁ
ÁLOKE ÁNDHÁRE THÁKO
MANOVANER GANDHE SNÁTO
SURE TÁLE, SURE TÁLE
CHANDE MÁTO
JIIVAN BELÁY, TOMÁKE
CINE OT́HÁ DÁY
ICCHÁMATA KÁNDÁO HÁSÁO
ÁÁÁÁÁÁÁÁÁÁ
ICCHÁMATA KÁNDÁO HÁSÁO
NABHAH NIILER BHÁVE BHÁSÁO
JE MANAT́I CÁO TEMANI NÁCÁO
ABODHYA LIILÁY
TOMÁKE CINE OT́HÁ DÁY
O Lord, it is difficult to understand you. You are all pervasive. Yet you are beyond the
comprehension. You exist in light and darkness. You are bathed in the fragrance of flowers
of your mind. You are engrossed in melodies and rhythms, all the time. According to your
sweet will you make others laugh and cry. You float the ideas into the vast blue sky. In
your incomprehensible divine play, you make everyone dance to your wish.
3292 (26/12/1985) K
TUMI, KON SE RÁGE ANURÁGER
GÁN GEYECHO
KEU JÁNE NÁ
SARVA SATTÁY SPANDITA KA
RE DIYECHO
KE BOJHE NÁ
CHILO JÁHÁ ÁNDHAR D́HÁKÁ
HOLO SE ÁJ RAUNGE ÁNKÁ
ÁÁÁÁÁÁÁÁÁÁ
CHILO JÁHÁ ÁNDHAR D́HÁKÁ
HOLO SE ÁJ RAUNGE ÁNKÁ
RÁTER TAPASYÁTE LEKHÁ
PRATHAM ÚŚÁR VYAINJANÁ
GÁN GEYECHO
KEU JÁNE NÁ
SEI DHVANITE MAHÁKÁSHE
ÁÁÁÁÁÁÁÁÁÁ
SEI DHVANITE MAHÁKÁSHE
PRÁŃER DHÁRÁR CALALO BHESE
SUPTI SHEŚE TÁR ÁVESHE
ELO KÁLER KALPANÁ
GÁN GEYECHO
KEU JÁNE NÁ
TUMI, KON SE RÁGE ANURÁGER
GÁN GEYECHO
KEU JÁNE NÁ
O Lord, in what tune of affection, You sing the songs, nobody knows. You have vibrated the
whole existence, but none understands that. That which was covered with darkness, that
became marked with colours today. Written with the penance of the night, that is
characteristic sign and indication of the first morning. From that sound in the Cosmos
the flow of life started floating. At the end of the slumber, under its impulse, concept
of time factor came.
3293 (26/12/1985) D (Krsna)
ÁGUN JVELE DIYE GELE
ÁÁÁÁÁÁÁÁÁÁ
ÁGUN JVELE DIYE GELE
PHÁGUNE EI PALÁSH VANE
MANER KOŃE MANER KOŃE
SAUNGOPANE
PHÁGE RÁUNGÁLE KENO KE JÁNE
PHÁGUNE EI PALÁSH VANE
RAUNGE RÁUNGÁ MANAT́I TOMÁR
ÁÁÁÁÁÁÁÁÁÁ
RAUNGE RÁUNGÁ MANAT́I TOMÁR
RAUNGE RÁUNGÁ MANAT́I TOMÁR
UJÁŔA KARE DILE E BÁR
VRINDÁVANER VRINDÁVANER
VRINDÁVANER VANE KÁHÁR
SURE MÁTE SHUK SÁRI GÁNE
PHÁGUNE EI PALÁSH VANE
SUR SHUNE MAN GHARE NÁ RAY
ÁÁÁÁÁÁÁÁÁÁ
SUR SHUNE MAN GHARE NÁ RAY
UDVELITA HOLO HRIDAY
VRAJER KÁNU VRAJER KÁNU
VRAJER KÁNU ELO E SAMAY
MADHU MÁSE MAN VITÁNE
PHÁGUNE EI PALÁSH VANE
ÁGUN JVELE DIYE GELE
PHÁGUNE EI PALÁSH VANE
O Lord, You kindled fire during the spring in this grave of palash with red flowers. In
the recess of mind, secretly, what for have You colouring of festivity, who knows? Your
mind is colourful, that You have totally poured out this time. In the garden of Vrindavan
by whose melody, the series of parrots are engrossed in singing. Having heard the tune
the mind does not stay in itself, the heart is restless. O the Krsna of Vraja, the
time has come, at the arbor of the mind during the spring.
3294 (26/12/1985) K
ESO, MANERI MUKURE GOPANE
RÁTUL CARAŃ DÚT́I NIIRAVE UT́HIBE PHUT́I
RÁTUL CARAŃ DÚT́I NIIRAVE UT́HIBE PHUT́I
RÁTUL CARAŃ DÚT́I NIIRAVE UT́HIBE PHUT́I
MOR KAMALE VIJANE
ASHRU SAJAL ÁNKHI PATH PÁNE THÁKE TÁKI
ÁÁÁÁÁÁÁÁÁÁ
ASHRU SAJAL ÁNKHI PATH PÁNE THÁKE TÁKI
BHAVAN SHIKHI MOR BÁRE BÁRE UT́HE D́ÁKI
VÁSTAVE JÁGARAŃE NÁ ÁSILE JIIVANE
ESO SVAPANE
ESO, MANERI MUKURE GOPANE
GHAR PAR NÁHI MOR SABAI TOMÁTE VIBHOR
ÁÁÁÁÁÁÁÁÁÁ
GHAR PAR NÁHI MOR SABAI TOMÁTE VIBHOR
TOMÁRI BHÁVANÁTE KATA NISHI HOYE BHOR
CÁHO KARUŃÁ NAYANE EK BÁR MOR PÁNE
NÚPÚR SHIINJANE
ESO, MANERI MUKURE GOPANE
O Lord, come into the mental mirror secretly. Both red feet of Yours would appear in
silence at the lotus of my mind in isolation. With tearful eyes, I am sitting, looking at
the path. The peacock of my home starts calling again and again. If You do not come in
reality of awakening in my life, come in the dream. My home is not alien for You, all are
engrossed in You. In Your ideation numerous nights have passed on into mornings. Look at
me with merciful eyes at least once, with the sound of the anklebell.
3295 (26/12/1985) K
AJÁNÁ PATHIK ESE CHILO
MANER GAHANE KENO KE JÁNE
CHANDE CHANDE MÁTIYE DILO
MADHUR GANDHE MANO VANE
MANER GAHANE KENO KE JÁNE
BHÁLOBESE CHILUM TÁKE
ÁÁÁÁÁÁÁÁÁÁ
BHÁLOBESE CHILUM TÁKE
NÁ JENE YUKTI NÁ MENE TARKE
JÁI NI KÁRO KONO VITARKE
EKÁKI CHILUM DHYÁNÁSANE
MANER GAHANE KENO KE JÁNE
SE PATHIK MOR ÁJO RAYECHE
ÁÁÁÁÁÁÁÁÁÁ
SE PATHIK MOR ÁJO RAYECHE
PRATI PALAKE PRIITI D́HELECHE
MANER MAYUR NECE CALECHE
PEYE TÁHÁKE NIRJANE
MANER GAHANE KENO KE JÁNE
AJÁNÁ PATHIK ESE CHILO
MANER GAHANE KENO KE JÁNE
The unknown traveler came into the depth of the mind, what for who knows? He intoxicated
with rhythm after rhythm and sweet fragrance in the mental garden. I have love Him
without any consideration of logic and reasoning. I do not move by any argumentativeness
any time and remain sitting alone in the posture of meditation. That Traveler of mine
stays even today, pouring love each moment. The mental peacock goes on dancing finding Him
in isolation.
3296 (26/12/1985) K
EI, JIIVAN SAEKATE ÁMI
ÁÁÁÁÁÁÁÁÁÁ
EI, JIIVAN SAEKATE ÁMI
SHUKTI KUŔÁI EKÁ EKÁ
SHUKTI KUŔÁI EKÁ EKÁ
ÁKÁSHE TÁRÁ JVALE JHALA MALE
CEYE DEKHE NIIHÁRIKÁ
SHUKTI KUŔÁI EKÁ EKÁ
SHUKTI KUŔÁI EKÁ EKÁ
MAN MÁJHE ÁSE KATA BHÁVANÁ
ÁÁÁÁÁÁÁÁÁÁ
MAN MÁJHE ÁSE KATA BHÁVANÁ
ATIITER KATA KATHÁ KATA CHALANÁ
HÁRIYECHE TÁRÁ KOTHÁ KEU JÁNE NÁ
HOYETO BÁ NABHE ÁCHE ÁNKÁ
SHUKTI KUŔÁI EKÁ EKÁ
SHUKTI KUŔÁI EKÁ EKÁ
BHÁVANÁR MOR KONO SHEŚA NÁI
ÁÁÁÁÁÁÁÁÁÁ
BHÁVANÁR MOR KONO SHEŚA NÁI
ÁSE JÁY PHELE MORE EKALÁI
TÁI TO TOMÁY KÁCHE PETE CÁI
KÁLÁKÁL BHULE KENDE D́ÁKÁ
SHUKTI KUŔÁI EKÁ EKÁ
SHUKTI KUŔÁI EKÁ EKÁ
EI, JIIVAN SAEKATE ÁMI
SHUKTI KUŔÁI EKÁ EKÁ
SHUKTI KUŔÁI EKÁ EKÁ
On this sandy beach of my life, I am picking shells all alone. The stars in the sky shine
with glow, and nebula also want to see. Numerous thoughts appear in the mind, many events
of past and several illusions. Where are they lost, no body knows, perhaps they are marked
in the sky. There is no end to my thoughts and feelings, they come and go leaving me
alone. That is why I want to get You close, forgetting appropriate time, I call You
crying.
3297 (26/12/1985) K
DOŚA GUŃA KARINI VICÁR
TOMÁKEI BHÁLOBESECHI
PRIITIR PAYODHI TUMI AMEYA APÁR
TOMÁKEI PÁSHE PEYECHI
SUKHE ÁCHO DUHKHE ÁCHO SATATA ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
SUKHE ÁCHO DUHKHE ÁCHO SATATA ÁMÁR
ALAKŚYA HOILEO LAKSYA SABÁR
JINÁNE DHYÁNE NIŚT́HÁY TUMI SAMÁHÁR
RANDHRE RANDHRE JIIVANER BUJHECHI
TOMÁKEI BHÁLOBESECHI
BHÁLOR PRATIBHU TUMI ÁLOR PRATIIK
ÁÁÁÁÁÁÁÁÁÁ
BHÁLOR PRATIBHU TUMI ÁLOR PRATIIK
RÁGE ANURÁGE TUMI PRIYA PRÁŃÁDHIK
TOMÁKE JÁNÁTE JÁOÁ NAY KI ALIIK
ANUBHAVE BUJHE NIYECHI
TOMÁKEI BHÁLOBESECHI
DOŚA GUŃA KARINI VICÁR
TOMÁKEI BHÁLOBESECHI
O Lord, without any consideration of good or bad qualities, I just love You. You are the
limitless immeasurable ocean of love, thus I want to get You close. You are constantly
present in my pain and pleasure. Even though unseen, You are the desideratum of all. You
are the totality of meditation, knowledge and devotion. I realize You in each pore of
life. O the symbol of benevolence and icon of effulgence, You are dearer than my own life
in attachment and affection. I have understood by experience, that trying to know You is
not vain.
3298 (27/12/1985) D (Krsna)
VRAJER KÁNU BÁJIYE VEŃU
ÁJ KE TUMI KENO ELE
MAN YAMUNÁ ÁR NÁCE NÁ
JAD́ER BHIIŔE SURE TÁLE
VRINDÁVANE VAN KONO NÁI
ÁÁÁÁÁÁÁÁÁÁ
VRINDÁVANE VAN KONO NÁI
MAN KE GHERE AT́T́ÁLIKÁI
SE MÁDHURII ÁR NÁHI PÁI
KADAMBERI TALE
TUMI JEMAN DEKHE CHILE
ÁJ KE TUMI KENO ELE
YAMUNÁ ÁJ SHIIRŃA KÁYÁ
ÁÁÁÁÁÁÁÁÁÁ
YAMUNÁ ÁJ SHIIRŃA KÁYÁ
NEIKO VAT́ER CHATRA CHÁYÁ
NEI TAMÁLER KRŚŃA MÁYÁ
KRŚŃA MEGHER KOLE
KRŚŃA CANDRA LUKOLO KII
KÁLER ANTARÁLE
ÁJ KE TUMI KENO ELE
VRAJER KÁNU BÁJIYE VEŃU
ÁJ KE TUMI KENO ELE
O Krsna of Vraja, playing the flute, what for have You come today? The mental river
Yamuna does not dance any more with melody and rhythm under the crowd of inert matters.
There is no grave of Vrindavan, the High Buildings surround the mind. That sweetness I do
not find any more the way You were looking below the kadamba tree. The river Yamuna is
shrunk today; there is no shade of banyan tree. There is dark charm of tama’l tree
under the lap of dark clouds. Whether the moon like Krsna is hidden due to lapse of
time.
3299 (27/12/1985) D
TOMÁRE CEYECHI MANE PRÁŃE, ÁMI
SÁŔÁ DILE NÁKO MOR D́ÁKE
KHUNJECHI TIIRTHE KHUNJECHI TIIRTHE
KHUNJI VANA BHUMI
KHUNJECHI MEGHER PHÁNKE PHÁNKE
SÁŔÁ DILE NÁKO MOR D́ÁKE
VICITRA TAVA LIILÁ PRIYATAMA
ÁÁÁÁÁÁÁÁÁÁ
VICITRA TAVA LIILÁ PRIYATAMA
VICITRA TAVA LIILÁ PRIYATAMA
TIIRTHA PATI HE MANDIRE MAMA
ANTARERI ANTARERI ANTAR TAMA
BUJHECHI? E KATHÁ DÚRE THEKE
SÁŔÁ DILE NÁKO MOR D́ÁKE
LIILÁ KARE JÁO KONO KŚATI NÁI
ÁÁÁÁÁÁÁÁÁÁ
LIILÁ KARE JÁO KONO KŚATI NÁI
AMARÁ MÁDHURI JENO DEKHE JÁI
CINMAYA TAVA CINMAYA TAVA, KRIPÁ KAŃÁ CÁI
PRATI PALAKERI PULAKE
SÁŔÁ DILE NÁKO MOR D́ÁKE
TOMÁRE CEYECHI MANE PRÁŃE, ÁMI
SÁŔÁ DILE NÁKO MOR D́ÁKE
O Lord, I love You wholeheartedly, but You have not responded to my call. I searched in
the pilgrim places and forests and within the gaps of the clouds. O The dearest, Your
divine game is mysterious, O the presiding deity of my mental temple. O the inner most of
my inside, I have understood this fact, staying away far. You may continue the Divine
play, liila, there is no harm, so that I can see the heavenly sweetness. O the
embodiment of consciousness, I seek a wee bit of Your grace, each moment with bliss.
3300 (28/12/1985) K
ÁLOKE ÁNDHÁRE E KII LIILÁ TAVA
MAN MÁNE NÁ DÚRE THÁKÁ JÁY NÁ
KAMAL UPAVANE CINMAYA PAVANE
KAMAL UPAVANE
KAMAL UPAVANE CINMAYA PAVANE
DOLÁ DILE STHAERYA KÁRO THÁKE NÁ
MAN MÁNE NÁ DÚRE THÁKÁ JÁY NÁ
ESECHI DHARÁTE TAVA KÁJ KARITE
ÁÁÁÁÁÁÁÁÁÁ
ESECHI DHARÁTE TAVA KÁJ KARITE
BHÁLOBÁSÁR D́ORE TOMÁRE BÁNDHITE
HE ANUPAMA NIKAT́A TAMA
MANERI KATHÁ BUJHE KENO BOJHO NÁ
MAN MÁNE NÁ DÚRE THÁKÁ JÁY NÁ
SAḾSKÁR BANDHAN TUMI BHIITI BHAINJANA
ÁÁÁÁÁÁÁÁÁÁ
SAḾSKÁR BANDHAN TUMI BHIITI BHAINJANA
SARVA DHII RAINJAN ALAKH NIRAINJANA
DHIIRE KÁCHE ESO MADHUR MOHAN HÁSO
TOMÁRI KATHÁ BHÚLITE PÁRI NÁ
MAN MÁNE NÁ DÚRE THÁKÁ JÁY NÁ
ÁLOKE ÁNDHÁRE E KII LIILÁ TAVA
MAN MÁNE NÁ DÚRE THÁKÁ JÁY NÁ
O Lord, with light and shade, what is Your divine game, the mind does not heed and cannot
stay away. You have created oscillations in the lotus garden and consciousness absorbed
breeze, no body remains stationary. I have come to this earth to do Your work, to tie You
with the twine of love. O the nearest and incomparable, knowing the affairs of my mind
why do not You understand? You break fear of the bondage of reactive momenta. You
illuminate all the minds, as unseen and without any blemish. Come close slowly and smile
with sweet charm. I cannot forget about You.
3301 (28/12/1985) D
ANDHAKÁRE GHUMIYE CHILÚM
ANDHAKÁRE GHUMIYE CHILÚM
ANDHAKÁRE GHUMIYE CHILÚM
TAMASÁ BHEDIYÁ TUMI ELE
JAD́ER KŚUDHÁY KÁTAR CHILUM
AMRITER SVÁDA ENE DILE
TAMASÁ BHEDIYÁ TUMI ELE
KATA DIN GECHE KATA RÁT GECHE
KATA DIN GECHE KATA RÁT GECHE
ÁÁÁÁÁÁÁÁÁÁ
KATA DIN GECHE KATA RÁT GECHE
KATA DIN GECHE KATA RÁT GECHE
AMÁR ÁNDHÁR SHEŚA NÁ HOYECHE
VAJRA ÁGHOŚE SMITA ÁSHVÁSE
KAVOŚŃÁVESHE JÁGÁLE
TAMASÁ BHEDIYÁ TUMI ELE
CEYE DEKHI MOR GECHE TAMA GHOR
ÁÁÁÁÁÁÁÁÁÁ
CEYE DEKHI MOR GECHE TAMA GHOR
CEYE DEKHI MOR GECHE TAMA GHOR
JIIVANE ESECHE RAUNGE RÁUNGÁ BHOR
MOR KŚUDRATÁ HE VIBHU DEVATÁ
SARIYE ÁMÁRE T́ENE NILE
TAMASÁ BHEDIYÁ TUMI ELE
ANDHAKÁRE GHUMIYE CHILÚM
TAMASÁ BHEDIYÁ TUMI ELE
O Lord, I was sleeping in dark, when piercing the darkness, You came. I was afflicted with
the hunger of matter; You brought the taste of nectar. Countless days and nights have
passed. There was no end of my darkness. With thunderous declaration and smiling
consolation, You woke me up with lukewarm impulse. Then I saw, that my intense darkness
was removed, and in life, colourful morning had come. O my God, removing my meanness, You
pulled me.
3302 (28/12/1985) K (Shiva)
SABÁR TAPASYÁY ESECHILE
KON AJÁNÁY CALE GELE
HE SHIVA SHAḾKAR HE KARUŃÁKAR
PRAJINÁ D́HELE PATHA DEKHÁILE
TOMÁKE BUJHIVÁR BUDDHI KÁRO NÁI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁKE BUJHIVÁR BUDDHI KÁRO NÁI
TOMÁKE BUJHIVÁR BUDDHI KÁRO NÁI
TOMÁKE MÁPIVÁR RIDDHI PÁSA NÁI
CARAŃE TOMÁRA KARUŃÁ JÁCI TÁI
HE ÁSHUTOŚA SABE SAB KÁLE
KON AJÁNÁY CALE GELE
HE KÁL BHAERAVA BANDHAN MOCANA
ÁÁÁÁÁÁÁÁÁÁ
HE KÁL BHAERAVA BANDHAN MOCANA
PÚINJIBHÚTA PÁPE DAHAN HUTÁSHANA
TRISHÚLE VIŚÁŃE CIR SUSHOBHANA
RAJATA GIRI SAMA JHALAMALE
KON AJÁNÁY CALE GELE
SABÁR TAPASYÁY ESECHILE
KON AJÁNÁY CALE GELE
O Lord, You came by virtue of the penance of all and went away to some unknown arena. O
Lord Shiva, Sham’kar, the merciful, by pouring out intuition, You have shown the path.
No one has the intellect to understand You; no one possesses the power to estimate You.
Hence at Your feet, I seek Your mercy. O the entity quickly pleased by all at all the
time. O the God of annihilation, destroyer of the bondages, burning expression of fright
for the accumulated sins, ever adorned with trident and long horn, You shine like silvery
mountain.
3303 (31/12/1985) K
EI BHÁLOLÁGÁ PHÚLA VANE
TUMI MADHU CAMPAKA
BHÁLOBÁSI ÁMI RÁTE DINE
CEYE THÁKI APALAKA
TOMÁR PARÁG BHÁSE VÁTÁSE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR PARÁG BHÁSE VÁTÁSE
SUDÚR NILIIMÁY MAHÁKÁSHE
ÁVESHE BHARÁ CITE ÁSO PRAKÁSHE
HE MÁLAINCA KANAKA
DÁO NÁI HENO KICHU NÁI E DHARÁY
ÁÁÁÁÁÁÁÁÁÁ
DÁO NÁI HENO KICHU NÁI E DHARÁY
PITÁR SNEHA MÁTÁR MAMATÁY
GRAHE ULKÁY NIIHÁRIKÁ TÁRÁY
PÁI TOMÁR JHALAK
TUMI MADHU CAMPAKA
EI BHÁLOLÁGÁ PHÚLA VANE
TUMI MADHU CAMPAKA
O Lord, on this lovely floral garden, You are the sweet campak flower. I love You day and
night, looking unblinkingly. Your fragrance floats in the air, in the distant great blue
sky. Come into the broad light full of impulse, O the golden flower garden. There is
nothing in the world that You cannot give, like fatherly love and motherly affection.
Within the stars, planets and nebula, I find Your glimpses.
3304 (02/01/1986) K+D
TUMI, GÁNE ESECHO
TUMI, GÁNE ESECHO TUMI
PRÁŃE CHONYÁ DÁO
MANANE UDBHÁSITA, ÁNANE SMITA
DHYÁNE KÁCHE ESE JÁO
PRÁŃE CHONYÁ DÁO
PRÁŃE CHONYÁ DÁO
DIVAS KET́ECHE TAVA BHÁVANÁY
ÁÁÁÁÁÁÁÁÁÁ
DIVAS KET́ECHE TAVA BHÁVANÁY
SANDHYÁ ÁKÁSHE ÁLO JHALAKÁY
ESECHO JAKHAN THÁKO AŃUKŚAŃA
MORE TAVA KARE NÁO
PRÁŃE CHONYÁ DÁO
PRÁŃE CHONYÁ DÁO
E SANDHYÁ JENO SÁRÁ KŚAŃA THÁKE
ÁÁÁÁÁÁÁÁÁÁ
E SANDHYÁ JENO SÁRÁ KŚAŃA THÁKE
JYOTSNÁR SÁTHE MATHITA PULAKE
SAKAL ÁKUTI MADHUMAYA SMRITI
TOMÁRI SURE BHÁSÁO
PRÁŃE CHONYÁ DÁO
PRÁŃE CHONYÁ DÁO
O Lord, You came through the song, give a touch to my heart. Manifested in the mind, with
smiling face, come close in my meditation. The day passes in Your ideation, shining light
in the evening sky. When You have come, stay for some moments, make me Your own. On this
evening, as if all the moments are collected. With moonlight, and churned joy, all
earnestness and sweetness impregnated memories, float into Your melody.
3305 (03/01/1986) K
TUMI, BHÁLOBESE ESECHILE
BHÁLOBESE ESECHILE
BHÁLOBESE ESECHILE
CALECHO KOTHÁY, BOLO NÁ ÁMÁY
TUMI, BOLO NÁ ÁMÁY
ÁNDHÁRE ÁLOK SHIKHÁ JVELE CHILE
SE DIIP JENO NÁ NIVE JÁY
BOLO NÁ ÁMÁY, TUMI, BOLO NÁ ÁMÁY
AŃU PARAMÁŃUTE E KII LIILÁ TOMÁR
ÁÁÁÁÁÁÁÁÁÁ
AŃU PARAMÁŃUTE E KII LIILÁ TOMÁR
AŃU PARAMÁŃUTE E KII LIILÁ TOMÁR
SAKAL SATTÁ MÁJHE TUMI EKAI SAMÁHÁR
NIDRÁ TANDRÁ GHORE KÁLA KET́ECHE ÁMÁR
JÁGIYE DIYE CALE JÁO KOTHÁY
BOLO NÁ ÁMÁY, TUMI, BOLO NÁ ÁMÁY
JAGATE ÁCHI ÁMI TOMÁRI ICCHÁY
ÁÁÁÁÁÁÁÁÁÁ
JAGATE ÁCHI ÁMI TOMÁRI ICCHÁY
JAGATE ÁCHI ÁMI TOMÁRI ICCHÁY
ÁSÁ JÁOÁ SABI MOR TAVA ANUKAMPÁY
DIN RÁT KENO ÁSE KENOI BÁ CALE JÁY
KENO ÁSI SHUDHU TUMI JÁNO E DHARÁY
BOLO NÁ ÁMÁY, TUMI, BOLO NÁ ÁMÁY
TUMI, BHÁLOBESE ESECHILE
CALECHO KOTHÁY
BOLO NÁ ÁMÁY, TUMI, BOLO NÁ ÁMÁY
O Lord, You came with love, but where do You go, tell me. You kindled flame of light in
darkness; let not that flame get extinguished. What a divine game, liila, is Yours, in
the entire existence, You are the sole aggregate. My time passes in intense slumber and
drowsiness, awakening me where do You go? I exist in the world by Your wish. All my coming
and going is due to Your mercy. Why the days and nights come and why do they go, why have
I come, only You know in the world.
3306 (03/01/1986) K
BHÁLOBÁSÁ ELO JIIVANE
KENO KE JÁNE KENO KE JÁNE
TANMAY HOYECHI DHYÁNE
BÁNDHÁ PAŔECHI PRÁŃE
KENO KE JÁNE KENO KE JÁNE
JAMÁT́ BÁNDHÁ HIM PALAKE GALIYÁ GELO
ÁÁÁÁÁÁÁÁÁÁ
JAMÁT́ BÁNDHÁ HIM PALAKE GALIYÁ GELO
JAMÁT́ BÁNDHÁ HIM PALAKE GALIYÁ GELO
VARŃOJJVAL HEM PULAKE PHUT́E UT́HILO
SABÁR TARE MANE MAMATÁ DEKHÁ DILO
SABI TAVA CHANDE GÁNE
KENO KE JÁNE KENO KE JÁNE
ÁKÁSHA BHARÁ MEGH NIMEŚE BHÁSIYÁ GELO
ÁÁÁÁÁÁÁÁÁÁ
ÁKÁSHA BHARÁ MEGH NIMEŚE BHÁSIYÁ GELO
ÁKÁSHA BHARÁ MEGH NIMEŚE BHÁSIYÁ GELO
CIDÁKÁSH JYOTSANÁY UDBHÁSITA HOLO
JÁHÁ BHÁVI NÁI TÁHÁ RÚPÁYIT HOYE ELO
TAVA MÁDHURIRI T́ÁNE
KENO KE JÁNE KENO KE JÁNE
BHÁLOBÁSÁ ELO JIIVANE
KENO KE JÁNE KENO KE JÁNE
Love has come into my life, why? Who knows? I get totally engrossed in meditation, bound
by vivacity. The binding frozen ice melted away in moments. Bright shining gold appeared
with joy. You showed affection for all in the mind, as all are within Your rhythm and
song. The clouds filling the sky floated away in a moment. Within the firmament of the
mind, moonlight started shining. What I could not imagine that materialized in form. And
came due to pull of Your sweetness.
3307 (03/01/1986) D
KAMAL KALI KÁNDACHO KENO
KÁHÁR KATHÁ MANE PAŔECHE
HIMÁNIITE SANDHYÁ VÁTE
KE VYATHÁTE BHARE DIYECHE
KÁHÁR KATHÁ MANE PAŔECHE
MANER KATHÁ KAO NÁ MORE
ÁÁÁÁÁÁÁÁÁÁ
MANER KATHÁ KAO NÁ MORE
ESECHI LOKE TOMÁR TARE
PRIITIIR KAŃÁY SPARSHA KARE
SAKAL MADHU NIYE NIYECHE
KÁHÁR KATHÁ MANE PAŔECHE
KAMAL KALI KÁNDACHO KENO
KÁHÁR KATHÁ MANE PAŔECHE
KAMAL VANE TUMI THÁKO
ÁÁÁÁÁÁÁÁÁÁ
KAMAL VANE TUMI THÁKO
AMAL MANE GANDHE D́HÁKO
ÁVILATÁ SARIYE RÁKHO
KE TOMÁKE BHÚL BUJHECHE
KÁHÁR KATHÁ MANE PAŔECHE
KAMAL KALI KÁNDACHO KENO
KÁHÁR KATHÁ MANE PAŔECHE
O The lotus bud, why are you crying? Whose events have entered your mind? With snowy
evening wind, Who has filled you with agonies? Tell me the internal matters of your mind.
I have come to this world for You. Touching with the particles of love, who has taken away
your entire sweetness? You stay in the garden of lotus, covering the pure mind with the
fragrance. Keep the impurities away, who considers you as wrongdoer?
3308 (03/01/1986) K
TOMÁR PRIITITE PHÚL PHOT́E KÁNANE
TOMÁY CHEŔE ÁMI KOTHÁY JÁBO
ÁMÁR PRAŃATI NÁO TAVA CARAŃE
ÁSHIRVÁD SATATA CÁHIBO
TOMÁY CHEŔE ÁMI KOTHÁY JÁBO
KAMAL HOYE NÁ KABHU MRIŃÁL CHÁŔÁ
ÁÁÁÁÁÁÁÁÁÁ
KAMAL HOYE NÁ KABHU MRIŃÁL CHÁŔÁ
KLINNA HOLEO SE PHÚL PASHARÁ
ÁMÁR JAGAT PRIYA TOMÁTE BHARÁ
TOMÁR KATHÁ KI KARE BHULIBO
TOMÁY CHEŔE ÁMI KOTHÁY JÁBO
MANER KAMAL TUMI MANETE THÁKO
ÁÁÁÁÁÁÁÁÁÁ
MANER KAMAL TUMI MANETE THÁKO
ASIIM HOLEO SIIMÁ CHÚNYE RÁKHO
SMITA HESE BHÁLOBESE MADHU MÁKHO
EMAN RATAN ÁMI KOTHÁY PÁVO
TOMÁY CHEŔE ÁMI KOTHÁY JÁBO
TOMÁR PRIITITE PHÚL PHOT́E KÁNANE
TOMÁY CHEŔE ÁMI KOTHÁY JÁBO
O Lord, by Your love, flowers bloom in the forest, leaving You, where shall I go, tell me.
Take my salutations at Your feet; I ever want Your blessings. The lotus flower cannot
survive leaving its stem. The petals of the flowers just whither away. O Dear, my world is
full of You only, how can I forget You? O my mental lotus, You continue to stay in the
mind only. Even though infinite, keep touching the limitation. With loving smile, smear
sweetness, where can I find such a priceless gem?
3309 (04/01/1986) D
ÁSO NIKO LOKER BHIIŔE
ÁSO NIKO LOKER BHIIŔE
ÁSO NIKO LOKER BHIIŔE
MAN VITHIIKÁY ELE, TUMI
MAN VITHIIKÁY ELE
ESE CHILE ÁNKHIR NIIRE
ESE CHILE ÁNKHIR NIIRE
ÁNKHI MUCHÁIYÁ DILE
MAN VITHIIKÁY ELE, TUMI
MAN VITHIIKÁY ELE
ÁSÁ ÁR JÁOÁ JIIVER ANIVÁR
ÁÁÁÁÁÁÁÁÁÁ
ÁSÁ ÁR JÁOÁ JIIVER ANIVÁR
TÁI TÁRÁ BHÁVE TÁHÁO TOMÁR
ÁSÁ JÁOÁ TAVA EI ANUBHAVA
ÁSÁ JÁOÁ TAVA EI ANUBHAVA
ÁSÁ JÁOÁ TAVA EI ANUBHAVA
JIIVA PÁY NIJE CALE BALE
TAVA BHÁSVAR DYUTITE ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
TAVA BHÁSVAR DYUTITE ÁMÁR
SARÁIYÁ DÁO JATA GLÁNI BHÁR
TUMI JE MAMA O HE PRIYATAMA
BUJHIBO KARUŃÁ HOLE
MAN VITHIIKÁY ELE, TUMI
MAN VITHIIKÁY ELE
ÁSO NIKO LOKER BHIIŔE
MAN VITHIIKÁY ELE, TUMI
MAN VITHIIKÁY ELE
O Lord, You do not appear amidst the crowd of people, but appeared in the mental lane.
Having come through the tears from the eyes, You wiped it out. Coming and going for the
living beings is essential, that is why, they have to keep Your ideation. With this
experience of coming and going within You, the living beings find strength to move on
themselves. With Your luminous effulgence, please remove all my load of agony. You are
mine, O Dear most; let me understand that Your mercy occurred.
3310 (04/01/1986) D+K
TUMI ESE CHILE DIIPIKÁ JVELE
PRIITIR PARASH DILE
ÁMI, CININI TOMÁY ÁMI BUJHINI TOMÁY
MALAYÁNILE NABHAH NIILE
SE PRIITIR DHÁRÁ BAYE JÁY
ÁMI, CININI TOMÁY ÁMI BUJHINI TOMÁY
ÁLOKER UTSAVE TUMI ESECHO
ÁÁÁÁÁÁÁÁÁÁ
ÁLOKER UTSAVE TUMI ESECHO
MANER GAHANE VITÁNE HESECHO
RIKTA MANER MÁJHE BHÁVA BHARECHO
JÁ KÁKE KE BOJHÁY, JÁ KÁKE KE BOJHÁY
ÁMI, CININI TOMÁY ÁMI BUJHINI TOMÁY
ANDHAKÁRE BHAYÁRTA JIIVE
ÁÁÁÁÁÁÁÁÁÁ
ANDHAKÁRE BHAYÁRTA JIIVE
NIRBHAYA DILE T́ENE NILE SABE
BOLALE ÁMI ÁCHI PRÁŃOTSAVE
RAUNGE RACÁ E DHARÁY
RAUNGE RACÁ E DHARÁY
ÁMI, CININI TOMÁY ÁMI BUJHINI TOMÁY
TUMI ESE CHILE DIIPIKÁ JVELE
PRIITIR PARASH DILE
ÁMI, CININI TOMÁY ÁMI BUJHINI TOMÁY
O Lord, You came, kindled lamp and provided touch of love. Still I could not recognise You
and understood You. Through the sandal breeze in the blue sky, that current of love goes
on flowing. You came as the festivity of light, and smiled in the canopy of the depth of
mind. You filled feelings in the empty mind. Who would explain all that to whom? To the
scared living beings in the darkness, You provided fearlessness and pulled all. You told
“ I am present along with the festivity of life, in the world formed with colours.
3311 (06/01/1986) D
TOMÁR GÁNER MÁLÁY
ÁMI EKAT́I PHÚL
TOMÁR SURE RÁGE TÁLE
DULI DODUL DÚL
CÁI NÁ KICHUI TOMÁR KÁCHE
ÁÁÁÁÁÁÁÁÁÁ
CÁI NÁ KICHUI TOMÁR KÁCHE
TOMÁR DOLÁY SABAI ÁCHE
PRÁŃER PARÁG SMITA ANURÁG
PRIITI RÁTUL
ÁMI EKAT́I PHÚL
REKHO ÁMÁY KÁCHE KÁCHE
ÁÁÁÁÁÁÁÁÁÁ
REKHO ÁMÁY KÁCHE KÁCHE
EI KARUŃÁ MARME JÁCE
JHAINJHÁ VÁTE KARAKÁPÁTE
DIO SPANDAN ATÚL
ÁMI EKAT́I PHÚL
TOMÁR GÁNER MÁLÁY
ÁMI EKAT́I PHÚL
O Lord, in the garland of Your songs, I am a single flower. I go on oscillating on the
swing at Your tunes and melodies. I do not want anything from You; everything is present
in Your oscillations, as fragrance of life, smiling affection and red love. Keep me close
to Yourself; this is the only mercy that my heart begs. During stormy winds, and
hailstorm, provide special feelings.
3312 (07/01/1986) D
MAN, TOMÁKEI KÁCHE PETE CÁY
TOMÁKEI KÁCHE PETE CÁY
SHAYANE SVAPANE NINDE JÁGARAŃE
ÁÁÁÁÁÁÁÁÁÁ
SHAYANE SVAPANE NINDE JÁGARAŃE
NÁHI MÁNE BELÁ ABELÁY
MAN, TOMÁKEI KÁCHE PETE CÁY
TOMÁKEI KÁCHE PETE CÁY
ÚŚÁR UDAYE RAKTIM PRÁTE
ÁÁÁÁÁÁÁÁÁÁ
ÚŚÁR UDAYE RAKTIM PRÁTE
PHÚL MÁLIKÁY VIHAGERI GIITE
ULKÁ NIPÁTE KHUNJI JHAINJHÁTE
SAGHAN KRIŚŃA KUÁSHÁY
MAN, TOMÁKEI KÁCHE PETE CÁY
TOMÁKEI KÁCHE PETE CÁY
SHONO MOR KATHÁ BOJHO MOR VYATHÁ
ÁÁÁÁÁÁÁÁÁÁ
SHONO MOR KATHÁ BOJHO MOR VYATHÁ
AŃU MÁNASER BHÚMÁ VYÁKULATÁ
KÁJALER JALE LEKHÁ ITIKATHÁ
D́HÁKÁ SUSMITA SUŚAMÁY
HÁRIYE GECHI DEKHI ÁMI ÁJ
KOTHÁ SARE GELO JATA BHAYA LÁJ
MADHURIMÁ MEKHE ESECHO NILÁJ
ÁLO KARE KÁLO VARASÁY
MAN, TOMÁKEI KÁCHE PETE CÁY
TOMÁKEI KÁCHE PETE CÁY
O Lord, the mind wants You to get close. During sleep, dream, relaxing or awaken state, it
does not heed to any time consideration. During crimson mornings with the rise of the sun
within floral garland and songs of the birds; I search during the fall of meteorites, and
storms, in dark, dense fog. Please listen to my story and feel my agony, the earnest
restlessness of the microcosm for the Cosmic. The eventful history is written with tears
covering the smiling beauty. Today I find myself defeated, all the fears and shyness is
moved out. You came smearing sweetness illuminating the rain of darkness.
3313 (08/01/1986) D
NANDAN SHUBH PRABHÁTE, ÁJ
NANDAN SHUBH PRABHÁTE
TUMI ESECHILE PRABHU ÁLO SÁTHE
TITHI LEKHENIKO KEU E DHARÁTE
ÁNDHÁR SARIYE SEI ÁLO
NECE CHUT́E GELO BHÁVA SHROTE
TUMI ESECHILE PRABHU ÁLO SÁTHE
ANÁDI ASIIM MAHÁKÁSH THEKE
ÁÁÁÁÁÁÁÁÁÁ
ANÁDI ASIIM MAHÁKÁSH THEKE
VIDYUT KAŃÁ GELO CÁRI DIKE
STABDHATÁ SHEŚE PRÁŃER
ÁLOKE MUKHARITA HOLO AŃU TÁTE
TUMI ESECHILE PRABHU ÁLO SÁTHE
TÁR PAR KATA KÁLA CALE GECHE
ÁÁÁÁÁÁÁÁÁÁ
TÁR PAR KATA KÁLA CALE GECHE
KATA VICITRA CHANDA ESECHE
NAVA ANURÁGE RÁGE METE
TUMI ESECHILE PRABHU ÁLO SÁTHE
NANDAN SHUBH PRABHÁTE, ÁJ
NANDAN SHUBH PRABHÁTE
TUMI ESECHILE PRABHU ÁLO SÁTHE
O Lord, on this blissful auspicious morning today, You arrived with effulgence. Nobody on
the earth had forecasted that and that light rushed dancing as abstract stream removing
the darkness. From the beginning less, unlimited Cosmic space, the sparks of lightning
scattered in all the directions. Terminating the inertial stupor with the illumination of
vitality, by that all atoms became vibrant. After that how much time has passed, many
strange rhythms came, intoxicated with new colourful love.
3314 (08/01/1986) K
ÁNKHITE BÁDAL BHINJECHE KÁJAL
KENO BOLO NÁ OGO SUNAYANÁ
KAPOLERI TIL PEYE RAUNGE MIL
BHULECHE NIKHILER JÁTANÁ
KENO BOLO NÁ OGO SUNAYANÁ
KÁLOTE D́HÁKÁ PAŔE NIVECHE ÁLO
ÁÁÁÁÁÁÁÁÁÁ
KÁLOTE D́HÁKÁ PAŔE NIVECHE ÁLO
ÁNDHÁR HÁRÁYECHE MANDA BHÁLO
MANER MÁDHURII ÁRO BESHII D́HÁLO
E TIMIRE DÚRE RÁKHÁ KI CÁO NÁ
KENO BOLO NÁ OGO SUNAYANÁ
KRIŚŃA VEŃI TAVA KÁLO D́ORE BÁNDHÁ
ÁÁÁÁÁÁÁÁÁÁ
KRIŚŃA VEŃI TAVA KÁLO D́ORE BÁNDHÁ
ÁJ SHUDHU GÁO TÁRI ITIKATHÁ
TÁRE CHÁŔÁ ÁR KICHU BHEVO NÁ
KENO BOLO NÁ OGO SUNAYANÁ
ÁNKHITE BÁDAL BHINJECHE KÁJAL
KENO BOLO NÁ OGO SUNAYANÁ
O the beautifuleyed, tell me why the clouds in the eyes, have wetted them. The dark mark
on the cheek getting mixed with that colour, have forgotten the entire agonies of the
world. The light has covered the darkness; the darkness is lost with all good and bad.
Pour more and more mental sweetness. Do not You want to keep this darkness away? Your dark
chignon is tied with dark thread; today only sing His history and attributes. Do not think
of anything other than Him.
3315 (09/01/1986) D
ÁGUNER PARASH DIYE HIM
SHIITALATÁ SARIYE DILE
NIRJIIVA JAD́A KE NIYE BHÁVE
NIŚIKTA LIILÁ RACILE
HIM SHIITALATÁ SARIYE DILE
KENO EI LIILÁ KICHUI BUJHINÁ
ÁÁÁÁÁÁÁÁÁÁ
KENO EI LIILÁ KICHUI BUJHINÁ
LIILÁ CHÁŔÁ KICHU NÁI TÁ BHULI NÁ
LIILÁMAYE KHONJÁ SÁDHYA SÁDHANÁ
E BHÁVANÁ MANE JÁGÁLE
HIM SHIITALATÁ SARIYE DILE
LIILÁ ÁCHE TÁI JIIVA BENCE ÁCHE
ÁÁÁÁÁÁÁÁÁÁ
LIILÁ ÁCHE TÁI JIIVA BENCE ÁCHE
SAB CÁOÁ PÁOÁ LIILÁRI MÁJHE
LIILÁR BHUVANE LIILÁR MANANE
PRIITI DHÁRÁ LIILÁTE BAHÁLE
HIM SHIITALATÁ SARIYE DILE
ÁGUNER PARASH DIYE HIM
SHIITALATÁ SARIYE DILE
O Lord, with the touch of fire, You removed the icy coldness. By providing feelings in the
inert beings, You created a coloursoaked game. I do not understand at all, what for is
this divine game. I do not forget that there is nothing other than this play. Searching
the creator of this game is the ultimate desideratum and spiritual practice
sa’dhana’. This thought You awaken in the mind. It is due to this divine play that the
living beings survive. All the desires and attainments are within this game only. In this
world of liila, with the thoughts of liila, You have flowed the current of
liila.
3316 (10/01/1986) D
TOMÁR CARAŃ TALE PRABHU
DIYINI KABHU KICHUI TÚLE
JÁ DIYECHI TOMÁR DEOÁ
TOMÁR JINIS ÁMÁR BOLE
DIYINI KABHU KICHUI TÚLE
AHAMIKÁY MATTA HOYE
ÁÁÁÁÁÁÁÁÁÁ
AHAMIKÁY MATTA HOYE
MÁNAVATÁY SARIYE DIYE
MANER DÁNAVE REKHECHI
KARMA BHÁVANÁRI MÚLE
DIYINI KABHU KICHUI TÚLE
SAMVIT ELO ANEK PARE
ÁÁÁÁÁÁÁÁÁÁ
SAMVIT ELO ANEK PARE
CEYE DEKHI ÁMÁY GHIRE
JAMÁ ÁCHE JAMÁT́ ÁNDHÁR
TÁMASIKTÁR DHUMRA JÁLE
ÁJ, BHÚLER SHEŚE DIIRGHA SHVÁSE
TOMÁY D́ÁKI ASHRU JALE
DIYINI KABHU KICHUI TÚLE
TOMÁR CARAŃ TALE PRABHU
DIYINI KABHU KICHUI TÚLE
O Lord, at Your feet I have never offered anything, lifting in hand. Whatever I gave was
given by You to me and I considered Your that thing as mine. Remaining intoxicated with
ego, removing the humanity, retaining the devil of the mind, at the root of motive for
action. After long, consciousness arose. And I observed that accumulated darkness
surrounded me as blinding web of inertia. Today after the mistake with long breath, I call
You with tears in the eyes.
3317 (11/01/1986) D
TOMÁR RÚPE JAGAT ÁLO
TÁI KI LÁGE SAB BHÁLO
MANDA MADHUR MALAYÁNILE
MANER MÁJHE MADHU D́HÁLO
TÁI KI LÁGE SAB BHÁLO
ÁKÁSHA VÁTÁS ÁNDOLITA
ÁÁÁÁÁÁÁÁÁÁ
ÁKÁSHA VÁTÁS ÁNDOLITA
AŃU MÁNAS UDVELITA
AJÁNÁ KON SURER LIILÁY
AMBU MÁLÁY DOLÁ DILO
TÁI KI LÁGE SAB BHÁLO
MASII KRIŚŃA NIKAŚA NISHÁ
ÁÁÁÁÁÁÁÁÁÁ
MASII KRIŚŃA NIKAŚA NISHÁ
SARE GELO KÁLO KUÁSHÁ
RIKTA RÁGE RAKTIMÁSHÁ
PÚRVA KAKUBHE ÚŚÁ ELO
TÁI KI LÁGE SAB BHÁLO
TOMÁR RÚPE JAGAT ÁLO
TÁI KI LÁGE SAB BHÁLO
O Lord, by your effulgence the world is illuminated, that is why everything appears
lovely. You pour nectar in the mind through soft sweet sandal breeze. The sky and air is
stirred and the microcosmic mind is restless. With what charm of unknown melody, You have
raised a series of waves? The intensely black dark night and dark fog is moved out. The
crimson ray of hope in the eastern direction appeared within emptiness.
3318 (11/01/1986) D
TUMI JE ÁMÁR PRÁŃERI DIIPAK
ÁLO D́HÁLO APALAKA
ÁMÁR MANANE BHÁVA SPANDANE
SUSMITA CAMPAKA
ÁLO D́HÁLO APALAKA
DÚR THEKE ESE DÚRE CALE JÁI
ÁÁÁÁÁÁÁÁÁÁ
DÚR THEKE ESE DÚRE CALE JÁI
TUMI CHÁŔÁ MOR KEHO SÁTHI NÁI
BÁHIRE GHARE TOMÁKE KÁCHE CÁI
HE CIRA VEŃU VÁDAKA
ÁLO D́HÁLO APALAKA
CUMBAK SAMA T́ÁNITE JÁNO
ÁÁÁÁÁÁÁÁÁÁ
CUMBAK SAMA T́ÁNITE JÁNO
HÁRÁNO HIYÁKE NIKAT́E ÁNO
MANER GOPAN SAB KATHÁ JÁNO
AINJANE RAINJAKA
ÁLO D́HÁLO APALAKA
TUMI JE ÁMÁR PRÁŃERI DIIPAK
ÁLO D́HÁLO APALAKA
O Lord, You are the lamp of my life. You pour light constantly. You are the smiling campak
flower within the abstract vibrations of my mind. Coming from far, I go on moving towards
far. There is no companion of mine other than You. O ever player of the flute, I want You
close outside and inside. You know how to attract like a magnet. You bring close the lost
heart. You know all secret events of the mind, and You apply decoration marks on the
eyes.
3319 (12/01/1986) D
TOMÁY ÁMI BHÁLOBÁSI
KENO THÁKO SARE DÚRE
MUKTÁJHARÁ TOMÁR HÁSI
BÁJÁYE BÁNSHII KATA NÁ SURE
KENO THÁKO SARE DÚRE
CÁOÁ PÁOÁ HE PRIYA MOR
ÁÁÁÁÁÁÁÁÁÁ
CÁOÁ PÁOÁ HE PRIYA MOR
TOMÁR NÁME THÁKE VIBHOR
UŔE BEŔÁY CITTA CAKOR
TOMÁR PÁNE GHURE GHURE
KENO THÁKO SARE DÚRE
JE ASHEŚE VYAKTA TUMI
ÁÁÁÁÁÁÁÁÁÁ
JE ASHEŚE VYAKTA TUMI
AVYAKTA JÁR ÁDHÁR BHUMI
DUHKHA SUKHER PARA PÁRE
KENO THÁKO SARE DÚRE
LIILÁ BHÁVE ÁCHO LIILÁMAYA
DÁO NÁ DHARÁ MAN MUKURE
TOMÁY ÁMI BHÁLOBÁSI
KENO THÁKO SARE DÚRE
O Lord, I love You, why do You stay away? Your pearl flowing smile plays flute in many
melodies. O my beloved, all my desires and achievements are charmed with Your name. The
cakor bird of my mind flies away towards You encircling. The endless expressions of Yours
has unexpressed pabulum, beyond pain and pleasure. O the embodiment of the cosmic game
You remain as abstract game and do not come into the folds of mental mirror.
3320 (12/01/1986) K
TOMÁY ÁMI ETO D́ÁKI
TOMÁY ÁMI ETO D́ÁKI
TOMÁY ÁMI ETO D́ÁKI
TUMI SHONO NÁ KENO
KLESHE JALE BHARÁ ÁNKHI
TUMI KI NÁ CENO
TUMI SHONO NÁ KENO
(TOMÁY ÁMI ETO D́ÁKI)
DHARÁ ÁMÁY DEY JE PHÁNKI
ÁÁÁÁÁÁÁÁÁÁ
DHARÁ ÁMÁY DEY JE PHÁNKI
TUMIO TÁ DEVE NÁKI
BHAYE, BHAYE, BHAYE, BHAYE
BHAYE, BHAYE LUKIYE RÁKHI
PRIITI JHARE NÁ JÁY JENO
TUMI SHONO NÁ KENO
(TOMÁY ÁMI ETO D́ÁKI)
ASHANE VIRÁG MAMA
ÁÁÁÁÁÁÁÁÁÁ
ASHANE VIRÁG MAMA
BASAN BHUJAGA SAMA
SHAYAN ARÁTITAMA, SHAYAN ARÁTITAMA
SHAYAN ARÁTITAMA
KI SE BOLO HOLO HENO
TUMI SHONO NÁ KENO
(TOMÁY ÁMI ETO D́ÁKI)
O Lord
I call You so ardently.
Why do You not respond?
My eyes are filled with tears of sorrow.
Do You not know why?
The world deliberately deceives me.
Will You do the same?
I always keep my love hidden
lest it should wither away.
I have lost all interest in food and drink.
Clothes are as repulsive to me as are serpents.
Rest and sleep are like the worst enemies.
Tell me why it all happened.
3321 (13/01/1986) D
SASIIME ASIIME TUMI
SASIIME ASIIME TUMI
SASIIME ASIIME TUMI
DÁO NÁ DHARÁ CÁOÁ PÁOÁTE
SUR SAPTALOKE BHRAMI
AŃUTE PARAMÁŃUTE
DÁO NÁ DHARÁ CÁOÁ PÁOÁTE
BHÚLEO TOMÁY BHÚLÁ NÁ JÁY
BHÚLEO TOMÁY BHÚLÁ NÁ JÁY
BHÚLEO TOMÁY BHÚLÁ NÁ JÁY
MAN SHUDHU TOMÁ PÁNE DHÁY
BHÁVÁTIITE BHÁVÁTIITE
BHÁVETE CÁY
RÚPE BHARÁ E DHARÁTE
RÚPE BHARÁ E DHARÁTE
RÚPE BHARÁ E DHARÁTE
DÁO NÁ DHARÁ CÁOÁ PÁOÁTE
TUMI ARUŃ ÁLOR REKHÁ
JYOTSNÁKÁSHE BHÁSÁ BALÁKÁ
CALE TOMÁR CALE TOMÁR
CALE TOMÁR RATHER CÁKÁ
ANÁDI HOTE ANANTE
DÁO NÁ DHARÁ CÁOÁ PÁOÁTE
SASIIME ASIIME TUMI
DÁO NÁ DHARÁ CÁOÁ PÁOÁTE
O unlimited and still within boundary, You do not come into the folds of desires and
achievements. With the notes of octave, You move into each atom and molecule. It is not
possible to forget You, even after trying to do so. The mind ever rushes only towards You.
It wants the Entity beyond thought into the realm of thought, within this world full of
forms. You are the ray of crimson light, like a gliding swan in the moonlit sky. The
wheels of Your cart go on moving beginning less ness
3322 (15/01/1986) D
TUMI YADI NÁHI ELE, VRITHÁ
VRITHÁI ÁMÁR JEGE THÁKÁ
SMRITI BUKE DHARE RÁKHÁ
NIIR DHÁRÁ NÁ JHARILE KENO
KENO NÁCE MÁTE KEKÁ
VRITHÁI ÁMÁR JEGE THÁKÁ
ÁLOKERI UTTARAŃE
ÁÁÁÁÁÁÁÁÁÁ
ÁLOKERI UTTARAŃE
SPANDAN ELO SABÁR PRÁŃE
ÁMÁR MANER GAHAN VANE
HOLO NÁ TÁR REKHÁ ÁNKÁ
VRITHÁI ÁMÁR JEGE THÁKÁ
SHUŃI TUMI BHÁLOBÁSO
ÁÁÁÁÁÁÁÁÁÁ
SHUŃI TUMI BHÁLOBÁSO
CIDÁKÁSHE SABÁR BHÁSO
MADIR MADHUR MOHAN HÁSO
OTAH PROTA BHÁVE MÁKHÁ
VRITHÁI ÁMÁR JEGE THÁKÁ
TUMI YADI NÁHI ELE, VRITHÁ
VRITHÁI ÁMÁR JEGE THÁKÁ
If You do not come,
my keeping awake,
my waiting for You,
my holding You in my memory,
will have been wasted.
Why does the flow of water not rain down?
Why does the peacock restlessly dance on?
As descending light,
You filled everyone’s life with Your vibration.
But in the dense forest of my mind,
there was no trace of Yours.
I heard that You love,
that You shine in the firmament of all minds,
and charmingly smile,
associating Yourself both with the individual and the collective.
3323 (16/01/1986) D
GÁNER MÁLÁ GÁNER MÁLÁ
GÁNER MÁLÁ
GÁNER MÁLÁ TOMÁR TARE
GENTHE REKHECHI ÁJ BHORE
ESO TUMI KARUŃÁ KARE
PARÁBO PARÁŃ BHARE
GENTHE REKHECHI ÁJ BHORE
SNÁNÁNTE ANSHÚK PARI
ÁÁÁÁÁÁÁÁÁÁ
SNÁNÁNTE ANSHÚK PARI
SNÁNÁNTE ANSHÚK PARI
SNÁNÁNTE ANSHÚK PARI
SANYATANE CAYAN KARI
SAJÁYECHI SVARŃA SÁJI
CHANDE RÁGE SURE
GENTHE REKHECHI ÁJ BHORE
E PHÚL ÁMÁR NEIKO VANE
ÁÁÁÁÁÁÁÁÁÁ
E PHÚL ÁMÁR NEIKO VANE
E PHÚL ÁMÁR NEIKO VANE
E PHÚL ÁMÁR NEIKO VANE
E PHOT́E MANER GAHANE
PRIITIR DHÁRÁY MADHUR MÁYÁY
VIIŃÁR TÁRE TÁRE
AJÁNÁR ABHISÁRE
GENTHE REKHECHI ÁJ BHORE
GÁNER MÁLÁ TOMÁR TARE
GENTHE REKHECHI ÁJ BHORE
O Lord, I have kept the garland of songs for You since morning today. You come showing
mercy, so that I shall place over Your neck, wholeheartedly. Putting on fresh clothes
after the bath, selecting carefully them, I decorated the golden tray with rhythms, tunes
and melodies. These flowers are not from garden, but bloomed in the depth of my mind, with
the flow of love, sweet charm, through the strings of viin’a’.
3324 (16/01/1986) D
TUMI JE ÁMÁR
TUMI JE ÁMÁR KATA ÁPANÁR
ÁGE JÁNINI ÁJ JENECHI
KÁCHE KÁCHE CHILE DÚRE SARE GELE
MARMA MÁJHÁRE DHARE REKHECHI
ÁGE JÁNINI ÁJ JENECHI
HIM SHIITALATÁ CHILO MOR PRÁŃE
ÁÁÁÁÁÁÁÁÁÁ
HIM SHIITALATÁ CHILO MOR PRÁŃE
HIM SHIITALATÁ CHILO MOR PRÁŃE
HIM SHIITALATÁ CHILO MOR PRÁŃE
JIIVANI AGNI TUMI DILE ENE
PRÁŃER PRADIIPE SHIITE UTTÁPE
UŚŃA ÁTAPE SMRITI BHARECHI
ÁGE JÁNINI ÁJ JENECHI
ÁJO DÚRE NAO OGO MOR PRABHU
ÁÁÁÁÁÁÁÁÁÁ
ÁJO DÚRE NAO OGO MOR PRABHU
ÁJO DÚRE NAO OGO MOR PRABHU
ÁJO DÚRE NAO OGO MOR PRABHU
ÁMI BHULILEO BHOLO NÁKO KABHU
ASIIMER MÁJHE JE AŃUT́I RÁJE
SEI ÁMI TAVA KRIPÁ BUJHECHI
ÁGE JÁNINI ÁJ JENECHI
TUMI JE ÁMÁR KATA ÁPANÁR
ÁGE JÁNINI ÁJ JENECHI
O Lord, how much my You have remained for me, this fact I did not know earlier, only now I
could understand that. You were very close to me, but went away far, thus I had kept You
in my folds within the core of my heart. My vitality had icy coldness, You brought
enlivening fire to kindle lamp of life. With that warm sun, I have filled my memory. O my
Lord, even today You are not far. Even if I forget, You never forget me. The presence of
this microcosmic soul within the infinite, which I consider only as Your grace.
3325 (17/01/1986) D
TUMI JAKHAN ELE
TUMI JAKHAN ELE
TUMI JAKHAN ELE
ÁNDHÁR SARE GELO
GHARE ÁLO ELO
YUGÁNTARER GLÁNI
MAN BHULE GELO
GHARE ÁLO ELO
JE PHÚL KABHU NÁ PHÚT́ITO
ÁÁÁÁÁÁÁÁÁÁ
JE PHÚL KABHU NÁ PHÚT́ITO
JE PHÚL KABHU NÁ PHÚT́ITO
JE PHÚL KABHU NÁ PHÚT́ITO
KALITE JHARIYÁ JETO
TOMÁR CARAŃ SPARSHA PEYE
SE CÁHILO NAYAN MELILO
GHARE ÁLO ELO
HÁSATO NÁ JE DHARÁY ESE
ÁÁÁÁÁÁÁÁÁÁ
HÁSATO NÁ JE DHARÁY ESE
HÁSATO NÁ JE DHARÁY ESE
HÁSATO NÁ JE DHARÁY ESE
BÁSATO NÁ BHÁLO ÁVESHE
TOMÁR KATHÁ BHEVE ÁJI SE
BÁSALO BHÁLO PRIITI JHARILO
GHARE ÁLO ELO
TUMI JAKHAN ELE
ÁNDHÁR SARE GELO
GHARE ÁLO ELO
O Lord, when You arrived, the darkness was removed and light came into home. The mind
forgot the agonies of eons. The flower that could never bloom, would have withered as bud
itself, by getting the touch of Your feet, it wished and opened the eyes. Those coming
into the world without any smile, without any impulse of love, today, by thinking of You
started loving pouring affection.
3326 (17/01/1986) D
TOMÁR HÁSI HE PRIYA MOR
MAN VIIŃÁY BÁJÁYE JE SUR
TABE KENO BHULE THÁKO
MORE RÁKHO DÚR HOTE DUR
TOMÁR HÁSI HE PRIYA MOR
MAN VIIŃÁY BÁJÁYE JE SUR
DESHÁNTARE JEO NÁ ÁR
ÁÁÁÁÁÁÁÁÁÁ
DESHÁNTARE JEO NÁ ÁR
DESHÁNTARE JEO NÁ ÁR
DESHÁNTARE JEO NÁ ÁR
BHOLÁO YUGÁNTARERI BHÁR
KÁCHE ESE KÁCHE ESE
KÁCHE ESE BHÁLOBESE
RÁTUL PÁYE BÁJAO NÚPUR
TOMÁR HÁSI HE PRIYA MOR
MAN VIIŃÁY BÁJÁYE JE SUR
SHRÁNTA ÁMI KLÁNTA ÁNKHI
SHRÁNTA ÁMI KLÁNTA ÁNKHI
SHRÁNTA ÁMI KLÁNTA ÁNKHI
TÁI KI TOMÁY NÁHI DEKHI
HOYETO PÁSHE, HOYETO PÁSHE
HOYETO PÁSHE, ÁCHO BASE
DEKHI NÁ TÁI HOI JE VIDHUR
TOMÁR HÁSI HE PRIYA MOR
MAN VIIŃÁY BÁJÁYE JE SUR
TUMI ÁCHO ÁMI ÁCHI
ÁÁÁÁÁÁÁÁÁÁ
TUMI ÁCHO ÁMI ÁCHI
TUMI ÁCHO ÁMI ÁCHI
TUMI ÁCHO ÁMI ÁCHI
TOMÁY ÁMI BHÁLOBESECHI
TOMÁR TARE, TOMÁR TARE
TOMÁR TARE RÁKHI DHARE
RAUNGE RÁUNGÁ ÁSHÁ MADHUR
TOMÁR HÁSI HE PRIYA MOR
MAN VIIŃÁY BÁJÁYE JE SUR
O my beloved, Your smile, plays tune on my mental viin’a’. Then why have You forgotten
me and kept me far and far away? Do not go away into other arenas any more, ignore my load
carried though eons. Coming close, with love, play the anklebell on Your red feet. I am
tired and fatigued, that Is why I am unable to see You. Even though You are sitting
nearby, I am unable to see that and feel unhappy. You are there and I am there, and I love
You. For You I have kept colourful sweet expectation.
3327 (17/01/1986) K
TUMI ESE CHILE
SHEFÁLIR SNIGDHA SUVÁSE
REKHE GELE MANE MADHUR RAŃANE
JÁ BOLE CHILE BHÁLOBESE
TUMI ESE CHILE
SHEFÁLIR SNIGDHA SUVÁSE
HE ÁMÁR PRIYA SÁTHE REKHE DIO
ÁMÁR NÁBOLÁ ABHILÁŚE
YUGE YUGÁNTARE KÁLE KÁLÁNTARE
THEKO TUMI ÁMÁRI PÁSHE
TUMI ESE CHILE
SHEFÁLIR SNIGDHA SUVÁSE
NÁ JÁI VIPATHE KABHU PATH DEKHÁIO PRABHU
PRIITIRI MOHAN PRAKÁSHE
EI ANURODH ÁMÁR KICHUI CÁHI NÁ ÁR
THEKO SÁTHE KLESHE/DUHKHA? HARAŚE
TUMI ESE CHILE
SHEFÁLIR SNIGDHA SUVÁSE
O Lord, You had come with the soft fragrance of shefa’lii flower, and kept sweet
vibration in the mind of Your loving words. O my Dear, You left with me the unspoken
desire. Eons after eons, time after time, You stay near me. So that I never deviate from
the path shown by You, O Lord, in the charming illumination of love. This is my only
request to You, I do not want anything more, stay with me, in my pain and pleasure.
3328 (17/01/1986) D
SÁTHI ÁMÁR PRIYA ÁMÁR
SHOŃO ÁMÁR KATHÁ
SHOŃO ÁMÁR KATHÁ
TOMÁR TARE JIIVAN BHARE
VAHI VIRAHER VYATHÁ
SHOŃO ÁMÁR KATHÁ
SHOŃO ÁMÁR KATHÁ
RÁTER SHEŚE PÚRVÁKÁSHE
ÁÁÁÁÁÁÁÁÁÁ
RÁTER SHEŚE PÚRVÁKÁSHE
ÚŚÁR ARUŃ JAKHAN HÁSE
TOMÁY BHEVE TOMÁR BHÁVE
RACI TOMÁR GÁTHÁ
SHOŃO ÁMÁR KATHÁ
SHOŃO ÁMÁR KATHÁ
SANDHYÁKÁSHE ASTA RAVI
ÁÁÁÁÁÁÁÁÁÁ
SANDHYÁKÁSHE ASTA RAVI
JAKHAN ÁNKE RAUNGIIN CHAVI
MAN PAVANE PRADOŚA VANE
GÁI TAVA ITIKATHÁ
SHOŃO ÁMÁR KATHÁ
SHOŃO ÁMÁR KATHÁ
O my companion, my beloved, listen to my events, for You, whole of my life, I have been
carrying the pangs of separation. At the end of night, in the eastern sky, when the rising
sun smiles, thinking about You, with Your ideation, I create Your glorifying history. When
the sun setting in the evening, draws a colourful, beautiful panorama, with the mental
wind in the evening forest, I sing Your history.
3329 (18/01/1986) K
TOMÁR PRIITIR ÁLOY
ELO DHARÁY PRÁŃA SPANDAN
SE ÁLOKE LÁGLO BHÁLO
DULALO DOLÁY SABÁR MANA
ELO DHARÁY PRÁŃA SPANDAN
BÁNDHAN DILE MUKTI DILE
ÁÁÁÁÁÁÁÁÁÁ
BÁNDHAN DILE MUKTI DILE
AŃUKE BHÁLOBÁSILE
ARÚP TUMI RÚPE ELE
HOLO BHÁVER UTTARAŃA
ELO DHARÁY PRÁŃA SPANDAN
KI ÁCHE NÁI NÁHI JÁNI
ÁÁÁÁÁÁÁÁÁÁ
KI ÁCHE NÁI NÁHI JÁNI
ÁCHO TUMI SHUDHUI MÁNI
MANER KOŃE SANGOPANE
BUJHI ÁKARŚAŃA
ELO DHARÁY PRÁŃA SPANDAN
TOMÁR PRIITIR ÁLOY
ELO DHARÁY PRÁŃA SPANDAN
O Lord, the effulgence of Your love, brought on the earth, vibration of life. With that
loving light, everyone’s mind is oscillated. You provided bondage and liberation, and
loved the microcosm. O the formless, You came into form, the ideation descended. What
exists or not, I do not know, I only know and accept that You exist. In the recess of my
mind, secretly, I understand Your attraction.
3330 (18/01/1986) K
TUMI SABÁR ÁSHÁR ÁLO
TUMI SABÁR PRÁŃERA PRADIIP
NIKAŚA KÁLOY SHUBHRA ÁLOY
MADHU MÁKHÁ TUMI JE NIIP
TUMI SABÁR PRÁŃERA PRADIIP
ÁLO ÁNDHÁRERI KHELÁY
ÁÁÁÁÁÁÁÁÁÁ
ÁLO ÁNDHÁRERI KHELÁY
VYAKTA TUMI VISHVA LIILÁY
ARUP MÁJHE RÚPER MELÁY
KABHU RIJU KABHU PRATIIP
TUMI SABÁR PRÁŃERA PRADIIP
TOMÁY ÁMI BHÁLOBÁSI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁY ÁMI BHÁLOBÁSI
TOMÁR TAREI KÁNDI HÁSI
MOR SAKAL TAMASÁ NÁSHI
MANER SUDHÁY ESO ADHIIP
TUMI SABÁR PRÁŃERA PRADIIP
TUMI SABÁR ÁSHÁR ÁLO
TUMI SABÁR PRÁŃERA PRADIIP
O Lord, To all you are the only ray of hope. To every heart. You are the lamp within. In
cimmerian darkness, you are the dazzling white effulgence. You are the kadamba flower
sweetened with honey.
In the eternal play of light and shade, you manifest yourself in your universal divine
sport. In the midst of formlessness, and myriads, of form, you are sometimes straight and
sometimes angular. I love you For you only I laugh and weep Dispelling the darkness of my
ignorance pray reveal yourself. O Lord, in the sweet flow of your cognition.
3331 (18/01/1986) K
RÚPER MELÁY BASE TUMI
ÁÁÁÁÁÁÁÁÁÁ
RÚPER MELÁY BASE TUMI
ARÚP GÁN SHUNIYE JÁO
RÚPA SÁYARE GÁHAN KARE
MARME DHVANI JÁGÁO
ARÚP GÁN SHUNIYE JÁO
CETAN ACETANER MÁJHE
ÁÁÁÁÁÁÁÁÁÁ
CETAN ACETANER MÁJHE
TOMÁR DHVANI NITYA BÁJE
SAB BHÁVANÁR SAKAL KÁJE
MAMATÁ MÁKHÁO
ARÚP GÁN SHUNIYE JÁO
PARAMÁŃUR TRYASAREŃU
ÁÁÁÁÁÁÁÁÁÁ
PARAMÁŃUR TRYASAREŃU
SABÁR MÁJHE BÁJÁO VEŃU
KÁLÁNTARER NÁDA TANU
KALA KE JINE NÁO
ARÚP GÁN SHUNIYE JÁO
RÚPER MELÁY BASE TUMI
ARÚP GÁN SHUNIYE JÁO
O Lord, sitting within the crowd of forms, You go on listening to the song of formless.
Immersing in the ocean of form and beauty, You awaken the sound in the core of the heart.
Within the animated and unanimated bodies, Your sound resonates all the time. In all
actions of all thoughts, you smear affection. In each particle of atoms, and molecules, in
all You play Your flute. O the embodiment of all eras, You go on winning over the
limitation of time.
3332 (16/01/1986) K
BHÁLO JE BÁSE TOMÁY
TÁR KATHÁ HÁY KENO BHÁVO NÁ
DILO JE PRÁŃER SUDHÁ
BHULE VASUDHÁ KENO TÁRE CÁO NÁ
TÁR KATHÁ HÁY KENO BHÁVO NÁ
ALAS PRAHARETE
ÁÁÁÁÁÁÁÁÁÁ
ALAS PRAHARETE
KAKHNO DINE VÁ RÁTE
MANERI EK KOŃETE
KENO JE D́EKE TÁKÁO NÁ
TÁR KATHÁ HÁY KENO BHÁVO NÁ
KENO TÁRE CÁO NÁ
TOMÁY JE SAB DIYECHE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁY JE SAB DIYECHE
TOMÁKEI BHEVE CALECHE
MANANE DIIP JVELECHE
SE DIIPE ÁNKHI RÁKHO NÁ
TÁR KATHÁ HÁY KENO BHÁVO NÁ
KENO TÁRE CÁO NÁ
TÁR KATHÁ HÁY KENO BHÁVO NÁ
BHÁLO JE BÁSE TOMÁY
TÁR KATHÁ HÁY KENO BHÁVO NÁ
O Lord, those who love You, alas, why do not You think about them? Those who have offered
the nectar of their lives, ignoring the world, why do not You pay attention to them?
During Your leisure period of time, whether in day or night, those who call You, why do
not You see them in one corner of Your mind? Those who have offered You all their
belongings, and go on thinking about You only, those who keep their mental lamp glowing
why do You ignore that lamp?
3333 (19/01/1986) K
TUMI JÁKE BHÁLOBÁSO
SE KENO ÁRÁLE THÁKE
PRASHANSÁKE HÁSIMUKHE
KENOI BÁ SE DÚRE RÁKHE
SE KENO ÁRÁLE THÁKE
VITTA SÁMARTHYA ANNYE DÁO
ÁÁÁÁÁÁÁÁÁÁ
VITTA SÁMARTHYA ANNYE DÁO
AESHVARYE SHIKHARE BASÁO
BHAKTA JANER SAB NIYE NÁO
BHAKTI SE SARAME MÁKHE
SE KENO ÁRÁLE THÁKE
AŚT́A AESHVARYA TUMI CHÁŔÁ
ÁÁÁÁÁÁÁÁÁÁ
AŚT́A AESHVARYA TUMI CHÁŔÁ
ANNYE KARE VIVEKA HÁRÁ
BHAKTA MANE PRATI KŚAŃE
TOMÁY PEYE ÁSE SUKHE
PÚRŃATÁRA ÁNANDA LOKE
SE KENO ÁRÁLE THÁKE
Why do those who You love
remain hidden?
Why do You keep them away
from the smiling face of praise?
You grant wealth and capability to others
raising them to the top of attributes
but You take away everything from the devotees
who are absorbed in modesty.
The eight occult powers
make others devoid of discrimination.
Those who possess them eventually leave You.
The devotees, however
find You in their mind each moment
and enjoy the bliss of fulfilment.
3334 (16/01/1986) K
TOMÁR KATHÁ BHEVE
DIN CALE JÁY
ÁMÁR PRABHU SUKHE DUHKHE
TOMÁR KATHÁ BHEVE
ESO TUMI NIICE NEVE
DHULIR E DHARÁY
TOMÁR RACÁ MARTYA LOKE
TOMÁR KATHÁ BHEVE
ÁMI PRABHU MÁT́IR MÁNUŚA
TOMÁR GAŔÁ RAUNGIIN PHÁNÚSA
ÁKÁSHERI PARASH PETE
CHÚT́I URDHVA MÚKHE
TOMÁR KATHÁ BHEVE
KÁLÁKÁLER BHEDA NÁ BUJHI
TOMÁR MÁJHE SHÁNTI KHUNJI
ESO KÁCHE MARMA MÁJHE
NIRVÁTA ÁLOKE
TOMÁR KATHÁ BHEVE
TOMÁR KATHÁ BHEVE
DIN CALE JÁY
ÁMÁR PRABHU SUKHE DUHKHE
TOMÁR KATHÁ BHEVE
O Lord, thinking about You, my days are passing in pain and pleasure. You descend down to
this muddy earth, upon the mortal world created by You. O Lord, I am a human being made up
of earthen material, a colourful paper balloon, created by You, for getting the touch of
the sky, I rush upwards. I do not understand the distinction of appropriate time, and look
for peace within You. You come close within the core of my heart, in nonflickering light.
3335 (20/01/1986) K
TOMÁR KATHÁ SHUNI
SABÁI KÁR MUKHE
DEKHINIKO KAKHANO
TUMI PRÁŃER PRATHAM DHVANI
KENO THÁKO MAONO
DEKHINIKO KAKHANO
PRÁŃER TOMÁR ARUŃ ÁBHÁ
ÁÁÁÁÁÁÁÁÁÁ
PRÁŃER TOMÁR ARUŃ ÁBHÁ
AMEYA TOMÁR PRATIBHÁ
TULANÁ NÁI KONO
DEKHINIKO KAKHANO
ÁDI VINDUTE RAYECHO
ÁÁÁÁÁÁÁÁÁÁ
ÁDI VINDUTE RAYECHO
ANANTE BHESE CALECHO
CALÁR PATHE CHANDE ÁCHO
DÁO NÁ DHARÁ KENO
DEKHINIKO KAKHANO
TOMÁR KATHÁ SHUNI
SABÁI KÁR MUKHE
DEKHINIKO KAKHANO
O Lord, I have heard about You, from the mouth of all, but I have never seen You. You are
the primordial sound of life, why do You remain silent? There is no comparison of Your
crimson glow of life, Your intellect is immeasurable. You stay in the initial point, and
go on floating towards the infinity. You are present in the rhythm of movement on the
path, still why do not You come into the folds?
3336 (21/01/1986) K
TUMI KI BHULIYÁ GELE
D́EKECHI KATA TOMÁRE
MOR MANER GABHIRE
KENO NÁHI SHUNILE
TUMI KI BHULIYÁ GELE
ÁKÁSHER TÁRÁ BOLE
ÁÁÁÁÁÁÁÁÁÁ
ÁKÁSHER TÁRÁ BOLE
TUMI KII NABHE LUKÁLE
MEGHER THEKE ÁŔÁLE
E KII LIILÁ RCILE
TUMI KI BHULIYÁ GELE
ÁLOKER SIḾHÁSANE
ÁÁÁÁÁÁÁÁÁÁ
ÁLOKER SIḾHÁSANE
CALECHE E KII SVANANE
VAJRA ULKÁSANE
TRIBHVAN KÁMPIYE DILE
TUMI KI BHULIYÁ GELE
Have you forgotten me? How much I yearned for you deep in my heart. What did not you
listen to me?
The stars in the sky wonder if you had hidden in the heaven. From behind the cover of
clouds, what a unique divine play you play? Riding on the throne of effulgence what a
wonderful sonorous journey you are playing on. With thunders and meteors at your command.
You have shaken the entire creation.
3337 (22/01/1986) K
KATA VITANDRA VIBHÁVARII
TOMÁRI TARE
KET́ECHE ÁMÁR PRABHU KET́ECHE ÁMÁR
KATA TAMASÁMAYII NISHÁ
D́HEKECHE ÁMÁR ÁNDHÁRE DURNIVÁR
PRABHU KET́ECHE ÁMÁR
ÁNKHI PALLAVA MOR SIKTA ASHRU NIIRE
ÁÁÁÁÁÁÁÁÁÁ
ÁNKHI PALLAVA MOR SIKTA ASHRU NIIRE
PATHA HÁRÁ PATHIKER ÁKUL HÁHÁKÁRE
EK BÁRO PRIITI BHARE ELO NÁ ÁMÁR TARE
SHUNE THÁKI TUMI ÁPANÁR
PRABHU KET́ECHE ÁMÁR
NÁ ELEO KŚATI NÁI MAN MÁJHE JENO PÁI
ÁÁÁÁÁÁÁÁÁÁ
NÁ ELEO KŚATI NÁI MAN MÁJHE JENO PÁI
ÁMÁR BHUVANE TUMI CHÁŔÁ ÁR KEHO NÁI
PÁRO TO MANANE ESE MADHUR MOHAN HESE
BOLE JÁO ÁMI TOMÁR
PRABHU KET́ECHE ÁMÁR
KATA VITANDRA VIBHÁVARII
TOMÁRI TARE
KET́ECHE ÁMÁR PRABHU KET́ECHE ÁMÁR
O Lord, how many sleepless nights of mine have passed for You? How many dark nights have
covered me with irresistible darkness? My eyelids are wet with tears. The earnest
screaming of the traveler losing the path. Not even once, You came for me filled with
love, though I have heard that You are most own. Even if You do not come, there is no
harm, since I find You in my mind. In my home, there is no one other than You. Come into
the mind, with charming smile and go on telling that I am Yours.
3338 (22/01/1986) K
ÁNKHITE CHILO JE JALA
JAKHAN CALIYÁ GELE
BHARÁ KUSUMERI D́ÁLÁ
DHULÁY PHELIYÁ DILE
JAKHAN CALIYÁ GELE
TOMÁTE ÁMÁTE PRABHU
ÁÁÁÁÁÁÁÁÁÁ
TOMÁTE ÁMÁTE PRABHU
TULANÁ HOYE NÁ KABHU
TUMI ÁKÁSHERI TÁRÁ
ÁMI I JONÁKI BHÚTALE
JAKHAN CALIYÁ GELE
CHILO JALA KÁR ÁNKHITE
ÁÁÁÁÁÁÁÁÁÁ
CHILO JALA KÁR ÁNKHITE
JÁNE TÁ SABE DHARÁTE
ANÁDI ASIIM HOLEO
BHÁLOBESE ESE CHILE
JAKHAN CALIYÁ GELE
ÁNKHITE CHILO JE JALA
JAKHAN CALIYÁ GELE
O Lord, when You went away, my eyes were full of tears. You threw away the tray full of
flowers into the dust. O Lord, between You and me, there can never be any comparison. You
are the star of the sky and I am a firefly on the earth. In whose eyes, tears were
present, that was known to all in the world. Even though being beginning less and
unlimited, due to love, You had come.
3339 (23/01/1986) D
TUMI, NÁ JÁNIYE NIIRAVA PÁYE ELE
KÁR TARE GO KÁR TARE
KON SE KOŃE SAḾGOPANE KÁR KÁŃE
KAILE KATHÁ PRÁŃA BHARE
KÁR TARE GO KÁR TARE
EKALÁ TUMI NAOKO KABHU
ÁÁÁÁÁÁÁÁÁÁ
EKALÁ TUMI NAOKO KABHU
SAUNGE SABÁR ÁCHO PRABHU
PRÁŃER VIIŃÁY SVAMAHIMÁYA
SABÁY D́ÁKO JHAUNKÁRE
KÁR TARE GO KÁR TARE
SABÁR KÁŃEI KAO JE KATHÁ
ÁÁÁÁÁÁÁÁÁÁ
SABÁR KÁŃEI KAO JE KATHÁ
BOJHO SABÁR VYÁKULATÁ
ÁMRÁ BADHIR HOI JE ADHIIR
NÁ SHUŃIYÁ TOMÁRE
KÁR TARE GO KÁR TARE
TUMI, NÁ JÁNIYE NIIRAVA PÁYE ELE
KÁR TARE GO KÁR TARE
O Lord, You came with silent feet without telling, what for? In which corner secretly, in
whose ears, You spoke all the facts wholeheartedly. O Lord, You are not alone, You are
present accompanying all.
With the flute of vitality and by virtue of greatness or glory of the self, You call all
with resonance. You whisper the facts in everyone’s ears, and understand restlessness of
everyone. We only remain deaf due to impatience, and do not listen to You.
3340 (24/01/1986) K
E SHÁRAD SANDHYÁ NÁCE MADHU CHANDÁ
CEYE ÁCHE TOMÁRI PÁNE
SHEFÁLII SUVÁSE SHUKLA MEGHERI VÁSE
KII SE CÁY KE I BÁ JÁNE
CEYE ÁCHE TOMÁRI PÁNE
PRATHAM SÚRYODAYA KABE HOLO KE JÁNE
ÁÁÁÁÁÁÁÁÁÁ
PRATHAM SÚRYODAYA KABE HOLO KE JÁNE
SHEŚA SÚRYÁSTA NEI KÁRO ANUMÁNE
TUMI SAB KICHU JÁNO SABÁRE SATATA T́ÁNO
E SANDHYÁ SE KATHÁ MÁNE
CEYE ÁCHE TOMÁRI PÁNE
DÁO PARÁBHAKTI SEI ANURAKTI
ÁÁÁÁÁÁÁÁÁÁ
DÁO PARÁBHAKTI SEI ANURAKTI
JÁR BALE PETE PÁRI HE PRABHU VIMUKTI
SANDHYÁ RATNA RÁGE SHEFÁLIIR ANURÁGE
E KARUŃÁ JÁCI CARAŃE
CEYE ÁCHE TOMÁRI PÁNE
E SHÁRAD SANDHYÁ NÁCE MADHU CHANDÁ
CEYE ÁCHE TOMÁRI PÁNE
O Lord, this beautiful evening of prewinter is dancing in ecstasy and looking towards You.
In the atmosphere of the sweet fragrance of the shepha'lii flower, who knows what these
beautiful white clouds in the sky want to express, what loving feeling of their heart they
want to communicate and to whom. Who can say when the first sunrise happened; nor
can anybody guess when the last sunset will happen. But this beautiful evening of
prewinter season understands the fact that You know everything and You are always
attracting everyone. I have only one longing in my heart: That You grant me absolute
devotion, Para’bhakti. With that strength, O' Lord, I can get You, salvation. In the
atmosphere of this melodious and colourful evening, saturated with the love and fragrance
of the shepha'lii flower, I ask, bowing down to Your feet, to have mercy on me.
3341 (24/01/1986) D
TUMI, SABÁR MÁJHE LUKIYE RAYECHO
SABÁR SHREYA SABÁR DHYEYA
SABETE BHARE ÁCHO
TUMI, SABÁR MÁJHE LUKIYE RAYECHO
KÁCHE PEYEO TOMÁY DHARÁ NÁHI JÁY
ÁÁÁÁÁÁÁÁÁÁ
KÁCHE PEYEO TOMÁY DHARÁ NÁHI JÁY
VARŃANÁTE BHÁŚÁ JE PHURÁY
MAN MÁTÁNO PRÁŃA BHOLÁNO
LIILÁTE METECHO
TUMI, SABÁR MÁJHE LUKIYE RAYECHO
BUDDHITE TOMÁY PÁOÁ JÁY NÁ
ÁÁÁÁÁÁÁÁÁÁ
BUDDHITE TOMÁY PÁOÁ JÁY NÁ
VIDYÁTE TUMI DHARÁ DÁO NÁ
SAKAL GARVA KHARVA KARE
BHÁLOBESE CHO
TUMI, SABÁR MÁJHE LUKIYE RAYECHO
O Lord, You remain hidden within all. O the most benevolent and object of meditation of
all, You are filled in everyone. Even after finding You close, it is possible to get You
into folds. While describing You, language gets exhausted. Intoxicating the mind, charming
the heart, You remain frenzied in Your enchanting game, liila. It is not possible to
get You by intellect. You cannot be brought into folds by skill. You love after
diminishing all pride and vanity.
3342 (25/01/1986) K
GÁNER MÁLÁKHÁNI
TOMÁRAI TARE
GENTHE RÁKHÁ CHILO
DIVAS GELO SANDHYÁ GELO
ÁNKHIR NIIRE
RÁTAO JE PHURÁLO
GENTHE RÁKHÁ CHILO
YUGA YUGÁNTE HE PRIYA MOR
ÁÁÁÁÁÁÁÁÁÁ
YUGA YUGÁNTE HE PRIYA MOR
CHILO SÁTHE PRIITIRI D́OR
GÁNER PHÚLE BHÁVA GOKULE
MÁLÁRI RÚPA NILO
GENTHE RÁKHÁ CHILO
DÚR DURÁNTE JETHÁY THÁKO
ÁÁÁÁÁÁÁÁÁÁ
DÚR DURÁNTE JETHÁY THÁKO
TOMÁY KABHU BHULABO NÁKO
BHARÁ RÁGE ANURÁGE
MAN JE TOMÁR HOLO
GENTHE RÁKHÁ CHILO
GÁNER MÁLÁKHÁNI
TOMÁRAI TARE
GENTHE RÁKHÁ CHILO
O Lord, I have kept the garland of songs threaded for You. The day has passed, the evening
passed; now the night is also ending with tears in the eyes. O my Dear, since eons after
eons, You have remained accompanying me tied with the thread of love. With the flowers of
songs, in the abode of abstract, the form of garland has appeared. Whatever far You remain
away, I shall never forget You. With full of love and affection, the mind has become
Yours.
3343 (25/01/1986) K
KATA NÁ YUGA PARE
TUMI ESECHO
MANER MADHUR VRINDÁVANE
CIDÁKÁSHE BHARE DIYECHO
CETANÁRI CHANDE GÁNE
MANER MADHUR VRINDÁVANE
VISHVA CEYE CHILO TOMÁY
ÁÁÁÁÁÁÁÁÁÁ
VISHVA CEYE CHILO TOMÁY
BHÁVANÁRI ÁDHÁR SHILÁY
SE ÁSHÁRE PÚRŃA KARE
ELE ABHIDHYÁNE
MANER MADHUR VRINDÁVANE
DÚR KAKÚBHE DEKHI TOMÁR
ÁÁÁÁÁÁÁÁÁÁ
DÚR KAKÚBHE DEKHI TOMÁR
MANDRA MUKHAR VARŃÁBHISÁR
TÁRI RAUNGE RAUNGA MILIYE
BHÁSI TOMÁR SANE
MANER MADHUR VRINDÁVANE
KATA NÁ YUGA PARE
TUMI ESECHO
MANER MADHUR VRINDÁVANE
O Lord, after how many eons, You have come into the sweet garden, Vrinda’van of my mind
and filled its firmament with the songs and rhythm of consciousness? The world wanted You
with the foundation of ideation. Fulfilling that aspiration, You came into my meditation.
In the far eastern direction, I saw Your soft, beautiful expression. Merging my hue in
that colour, I float towards You.
3344 (25/01/1986) K
TOMÁKE JÁNITE BUJHITE GIYÁCHI
JATA BÁR ÁMI PRIYATAMA
MANER MÁJHÁRE TAKHAN DEKHECHI
BHÁSVAR TUMI ANUPAMA
JATA BÁR ÁMI PRIYATAMA
DEKHECHI TOMÁY PRABHÁT KUSUME
ÁÁÁÁÁÁÁÁÁÁ
DEKHECHI TOMÁY PRABHÁT KUSUME
DHAMANII SHIRÁY MOR MANOBHUME
MRIDU SAMIIRAŃE VIHAG KÚJANE
BALÁKÁR DHVANITE RÁGE MAMA
JATA BÁR ÁMI PRIYATAMA
MOR BUDDHITE DHARÁ NÁHI DÁO
ÁÁÁÁÁÁÁÁÁÁ
MOR BUDDHITE DHARÁ NÁHI DÁO
MOR BUDDHIKE TUMI NIYE NÁO
MOR ASMITÁ JAD́ÁTMIKATÁ
DHULITE MISHÁKO DHULI SAMA
GHAN VIBHÁVARI TOMÁRE ÁVARI
KARECHE TOMÁY DÚR TAMA
JATA BÁR ÁMI PRIYATAMA
TOMÁKE JÁNITE BUJHITE GIYÁCHI
JATA BÁR ÁMI PRIYATAMA
O Dearest Lord, whenever I could know and understand You, I saw You shining uniquely
within my own mind. I saw you within the morning flowers, within my arteries and within
the arena of my own mind. I saw You also in soft breeze, chirping of birds, sound of the
swan and my own tunes. You do not come into folds by my own intellect, as You take away my
intellect. My own ego and inertness, You merge into dust of the mud. The intense darkness
covering You makes You away from me.
3345 (25/01/1986) D
CAINCALA CETANÁTE ELE
CAINCAL CETANÁTE ELE MANE
STHÁYII REKHÁ REKHE DIYE GELE
MAMATÁ MÁDHURII D́HÁLILE
CIRA BHAROSÁR BHÁŚÁ SHONÁLE
STHÁYII REKHÁ REKHE DIYE GELE
ACINTANIIYA JÁ CHILO ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
ACINTANIIYA JÁ CHILO ÁMÁR
SHRIŚT́I STHITI LAYE SAMÁHÁR
MAHÁ SAMUDRA AGÁDH APÁR
SEI TUMI MOR KÁCHE ELE
STHÁYII REKHÁ REKHE DIYE GELE
TOMÁRE PEYECHI MANANE ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
TOMÁRE PEYECHI MANANE ÁMÁR
TOMÁRE BHARECHI BHÁVE SHATADHÁR
BUJHECHI HE PRABHU ÁMI JE TOMÁR
ENECHO ÁMÁRE LIILÁ CHALE
STHÁYII REKHÁ REKHE DIYE GELE
CAINCALA CETANÁTE ELE
CAINCAL CETANÁTE ELE MANE
STHÁYII REKHÁ REKHE DIYE GELE
O Lord, You came through restless consciousness, and sketched a permanent marking line.
Pouring sweetness of affection, You announced the language of ever consolation. Whatever
was unthinkable for me, the aggregate of creation, sustenance and dissolution, within the
unlimited and incomprehensible, that You came close. I found You in my own mind. O Lord
having filled myself with You in hundreds of forms, I understood that You are mine. You
have brought me with liila, illusory deception.
3346 (26/01/1986) K
TUMI, PHÚLERI BÚKE MADHU D́HÁLILE
KÁNT́ÁTE GOLÁP PHOT́ÁLE
SHIITE ÁRÁM ÁGUNE DILE
NIDÁGHE CANDAN CHONYÁLE
KÁNT́ÁTE GOLÁP PHOT́ÁLE
ICCHÁMATA KÁJ KARE JÁO
ÁÁÁÁÁÁÁÁÁÁ
ICCHÁMATA KÁJ KARE JÁO
KAKHANO KÁNDÁO KAKHANO HÁSÁO
KAKHANO PRIITITE KÁCHE T́ENE NÁO
KAKHANO CEYEO NÁ TÁKÁLE
KÁNT́ÁTE GOLÁP PHOT́ÁLE
ÁGUNERI TÁPE LUKIYE RAYECHO
ÁÁÁÁÁÁÁÁÁÁ
ÁGUNERI TÁPE LUKIYE RAYECHO
UDAKERI BHÁPE ÁKÁSHE UŔECHO
MANER MAYURE NÁCIYE CALECHO
ÁLO CÁYÁR KHELÁ KHELE
KÁNT́ÁTE GOLÁP PHOT́ÁLE
TUMI, PHÚLERI BÚKE MADHU D́HÁLILE
KÁNT́ÁTE GOLÁP PHOT́ÁLE
O Lord, You have poured nectar into the hearts of the flowers. Amidst the thorns, You made
the roses blossom. In the cold winter season You provide the soothing warmth of a fire. In
the burning heat of summer Your touch is like the refreshing, coolness of sandalwood
paste. As per Your desire, You go on doing all the work. Sometimes You make one cry;
sometimes You make one laugh. Often with the attraction of Your love You pull one close.
At times even after looking towards You, You do not give any response. Just You overlook.
And other times without awareness, You attract one with Your divine attraction and love.
You are everywhere. You are hiding in the heat of the fire. And at the same time You
are in the water vapor that floats in the sky. O the peacock of mind, You go on making the
play of light and shade.
3347 (26/01/1986) K
GOLÁPERAI VANE
GOLÁPERAI VANE KE TUMI VIJANE
KÁNT́ÁR MÁJHE BASE ÁNAMANE
CEYEO DEKHILENÁ
CEYEO DEKHILENÁ KÁCHEO ELE NÁ
KATHÁO KAHILE NÁ MOR SANE
KÁNT́ÁR MÁJHE BASE ÁNAMANE
OGO AKARÚŃA
OGO AKARÚŃA, E KII KHELÁ TAVA
ÁÁÁÁÁÁÁÁÁÁ
OGO AKARÚŃA, E KII KHELÁ TAVA
LIILÁ RACE JÁO NITI NAVA NAVA
RÁGE ANURÁGE CIR ABHINAVA
MARMA MÁJHE ÁSO SMITÁNANE
KÁNT́ÁR MÁJHE BASE ÁNAMANE
ÁLÁPE KALÁPE
ÁLÁPE KALÁPE MANER MAYÚRE
ÁÁÁÁÁÁÁÁÁÁ
ÁLÁPE KALÁPE MANER MAYÚRE
SATATA NÁCÁO CHANDE O SURE
KAKHANO NIKAT́E KABHU BAHU DÚRE
HESE BHESE JÁO KII KÁRAŃE
KÁNT́ÁR MÁJHE BASE ÁNAMANE
GOLÁPERAI VANE
GOLÁPERAI VANE KE TUMI VIJANE
KÁNT́ÁR MÁJHE BASE ÁNAMANE
In the garden of roses, who is that You who came, sitting unmindfully within the thorns?
In spite of attempt, I could not see You; You did not also come close and talked with me.
O the merciless, what is the game of Yours, You create ever new game, liila, with love
and affection, and lasting experience. Come into my mind with smiling face. With melodious
sound, You make the mental peacock dance constantly, on Your tune and rhythm. Sometimes
nearby sometimes far off, You go on gliding what reason?
3348 (28/01/1986) K
ÁNDHÁR E BHUVANE CHANDE GÁNE
MÁTIYE TUMI ESE CHILE
JÁHÁ CHILO NÁ, JÁ BHÁVÁ JETO NÁ
TÁHÁO SAUNGE ENE CHILE
MÁTIYE TUMI ESE CHILE
ENE CHILE PRATHAM ÁLOR/ÁSHÁR? DIIP
ÁÁÁÁÁÁÁÁÁÁ
ENE CHILE PRATHAM ÁLOR/ÁSHÁR? DIIP
ÚŚŃA CETANÁR PRADIIPTA NIIP
PHULER HÁSITE MOHAN BÁNSHITE
PRÁŃER PRIITITE BHESE CHILE
MÁTIYE TUMI ESE CHILE
CÁI NÁ KONO KICHU PRABHU TOMÁR KÁCHE
ÁÁÁÁÁÁÁÁÁÁ
CÁI NÁ KONO KICHU PRABHU TOMÁR KÁCHE
NEOÁR BÁKI BOLO ÁRO KI BÁ ÁCHE
RANDHRE RANDHRE AŃUTE RAYECHE
HE DEVATÁ JÁHÁ DIYE CHILE
MÁTIYE TUMI ESE CHILE
O Lord, in this dark house, enchanting with rhythm and song, You had come. What did not
exist, where the thoughts could never reach, that also You brought with You. You brought
first the lamp of hope. Bloomed niip flower warm with consciousness, Enchanting with smile
of flowers, and charming flute, You had come. O Lord, I do not want anything from You
what is left to be taken by You, that You tell me. Whatever You have given me stays in
each pore and atom of mine.
3349 (28/01/1986) D
MARÁ JAMUNÁY VÁN ELE DILE
ÁMÁR MANER GOKULE
DESH VIDESHER BHEDA BHULIYE
MÁNAVER VYATHÁ BOJHÁLE
ÁMÁR MANER GOKULE
MÁNAVÁTMÁ DHULOY KENDECHE
ÁÁÁÁÁÁÁÁÁÁ
MÁNAVÁTMÁ DHULOY KENDECHE
ANÁDARE DÚRE SARIYÁ THEKECHE
ASHRU SIKTA SE ITIVRITTA
SABÁKÁR KÁNE SHONÁLE
ÁMÁR MANER GOKULE
RÚPER E DHARÁ SAKALER TARE
ÁÁÁÁÁÁÁÁÁÁ
RÚPER E DHARÁ SAKALER TARE
PRABHÁTER ÁLO SABE ÁSHÁ KARE
KAMBU KANT́HE E MAHÁMANTRE
SMITA PRATYAYE JÁNÁLE
ÁMÁR MANER GOKULE
MARÁ JAMUNÁY VÁN ELE DILE
ÁMÁR MANER GOKULE
O Lord, in my mental abode of Yours, Gokul, You brought flood in the dried river
Yamuna’, having ignored the distinction of places, realizing the agonies of human
beings. The human existence was crying in dust, the bliss had stayed away far with
humiliation. That tearful event, You announced to all. This beautiful world is for all
all expect the morning light, with loud voice like conch, with this great mantra
smilingly, You declared this conviction.
3350 (29/01/1986) K
JYOTSNÁLOKE TOMÁR HÁSI
ÁKÁSHA VÁTÁS BHARIE DIYE
KON SUDURE JÁY
JAY GO JÁY
MANER KOŃER BHÁVAT́I BHEVE
RAUNGE RÁUNGIYE DEY
JAY GO JÁY
ANIRUDDHA ARÚPA MÁYÁY
ÁÁÁÁÁÁÁÁÁÁ
ANIRUDDHA ARÚPA MÁYÁY
ABÁDH GATIR ANÚPA CHÁYÁY
GANDHA PHULER MANDA HÁOÁY
D́ÁNÁ MELE CÁY
JAY GO JÁY
KABE PRATHAM HESE CHILE
ÁÁÁÁÁÁÁÁÁÁ
KABE PRATHAM HESE CHILE
ÁLOR MÁLÁ JVELE CHILE
PRÁŃER CHONYÁ DIYE CHILE
BHÁVER DYOTANÁY
PRIITIR ALOKÁY
JAY GO JÁY
JYOTSNÁLOKE TOMÁR HÁSI
ÁKÁSHA VÁTÁS BHARIE DIYE
KON SUDURE JÁY
JAY GO JÁY
O Lord, with the shine of moonlight, filling the sky and air, where far Your smile is
going? Thinking of ideation in the recess of the mind, it colours that with hue. With
unbound formless ma’ya’, the illusory attribute, and unique panorama with unhindered
speed, with floral fragrance, through gentle breeze, it wants to move spreading the wings.
When initially did You smile, and kindled the series of lights, touching the vitality
with indication of heavenly feelings of love.
3351 (26/01/1986) D
PÚRVÁKÁSHE RAUNGA DHARECHE
ÁLO E BÁR ELO BALE
ÁLOR ÁSHÁY JIIVA JEGECHO
HÁSI PHUT́ECHE KAMALE
ÁLO E BÁR ELO BALE
KÁLOY D́HÁKÁ SABUJ PÁTÁ
ÁÁÁÁÁÁÁÁÁÁ
KÁLOY D́HÁKÁ SABUJ PÁTÁ
CAKCAKIYE TÚLCHE MÁTHÁ
CAKOR BHULE MANER VYATHÁ
D́ÁK DIYE JÁY TARU D́ÁLE
ÁLO E BÁR ELO BALE
SABÁI ÁPAN ÁSHÁ NIYE
ÁÁÁÁÁÁÁÁÁÁ
SABÁI ÁPAN ÁSHÁ NIYE
BHÁVER BHÁŚÁY PRALEP DIYE
ÁKÁSHA PÁNE ÁCHE CEYE
ÁNDHO JÁGÁ SAKÁLE
NÚTAN SÁJE TOMÁR KÁJE
NÁ BÁRI PRÁK KÁLE
ÁLO E BÁR ELO BALE
PÚRVÁKÁSHE RAUNGA DHARECHE
ÁLO E BÁR ELO BALE
The eastern sky has become colourful, saying that light is coming this time. With the hope
of light, the living beings are awake, and the smile appeared on the lotus flowers. The
green leaves that were covered with darkness are now shining, waving their heads. The
cakor bird, forgetting its mental agonies, goes on calling perching on the tree branch.
Everyone carrying their expectations, smearing language on their thoughts, look towards
the sky, waking up in early morning, decorated in dress for Your work, without staying in
home.
3352 (30/01/1986) D
KÁLO SÁYARER BÁLUKÁ BELÁY
BASE BASE PALA GUNI
MANE BHÁVI YADI CETANÁ VIIŃÁY
TAVA KATHÁ KICHU SHUŃI
BASE BASE PALA GUNI
DÚR THEKE ESE DÚRE BHESE JÁY
ÁÁÁÁÁÁÁÁÁÁ
DÚR THEKE ESE DÚRE BHESE JÁY
SE VIIŃÁR TÁR AŃUKE NÁCÁY
SE MAHÁCHANDE PARAMÁNANDE
KALPANÁ JÁL BUNI
BASE BASE PALA GUNI
KI BÁ ÁSE JÁY JADI EK BÁR
ÁÁÁÁÁÁÁÁÁÁ
KI BÁ ÁSE JÁY JADI EK BÁR
PALAKE DÁNŔÁO SUMUKHE ÁMÁR
MÁNI NÁHI KONO SÁDHANÁ ÁMÁR
D́ÁKI BHÁVE AŃURAŃI
BASE BASE PALA GUNI
Sitting on the sandy shore of the ocean of time, I count moments. I have been thinking in
the mind, if I could listen something about You on the viin’a’ of consciousness.
Coming from distance, it goes on floating away far, the strings of that viin’a’ make
the microcosms dance. With that Cosmic rhythm and highest bliss, I go on weaving the web
of imaginations. What comes and goes, once, You stand before me, for a moment. I admit
that I have no spiritual effort, so I call following the feelings.
3353 (31/01/1986) K
ÁLOR SHATADAL PHUT́ECHE
KÁJALÁ DIIGHITE
KÁJALÁ DIIGHITE
ÁNDHÁR RÁTER ADHIIR CÁOÁR
YAVANIKÁTE
KÁJALÁ DIIGHITE
AŃU MANER BHUMÁ ÁSHÁ
ÁÁÁÁÁÁÁÁÁÁ
AŃU MANER BHUMÁ ÁSHÁ
TOMÁR MANERI BÁNDHABE BÁSÁ
D́HELE DEVE BHÁLOBÁSÁ
TOMÁRI CHANDETE
KÁJALÁ DIIGHITE
ANANTA LOKERI ÁLO
ÁÁÁÁÁÁÁÁÁÁ
ANANTA LOKERI ÁLO
DIIGHI BUKE RAUNGA DHARÁLO
SARE GELO SAKAL KÁLO
EK LAHAMÁTE
KÁJALÁ DIIGHITE
ÁLOR SHATADAL PHUT́ECHE
KÁJALÁ DIIGHITE
KÁJALÁ DIIGHITE
The hundredpetalled lotus of effulgence blooms in the dark lake, in the curtain of restless
will of the dark night. The cosmic will of the microcosm, would create home in your mind.
It would pour love into Your rhythm. The effulgence of the infinite arena would put colour
in the pond. By this within a moment all darkness vanished.
3354 (31/1/1986) K
EI, MADHU NISHÁ JENO NÁ PHURÁY
JENO NÁHI HÁRÁY
RÚPÁLI CÁNDE JYOTSNÁ KAKUDE
MAN UCCHALIÁ JÁY
JENO NÁHI HÁRÁY
BHÁLOBÁSÁ BHARÁ CHILO MANERI KOŃE
ÁÁÁÁÁÁÁÁÁÁ
BHÁLOBÁSÁ BHARÁ CHILO MANERI KOŃE
JIIVAN TÁ PÁY NIKO KONO PHÁGUNE
MADHU NISHÁ ELO ÁJ TOMÁKE PELO
PRIITI BHÁVE MURACHÁY
JENO NÁHI HÁRÁY
TOMÁR HÁSITE MUKUTÁ JHARILO
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR HÁSITE MUKUTÁ JHARILO
TOMÁR BÁNSHIITE NABHAH PLÁVITA HOLO
TUMI CHANDE GÁNE ELE SABÁR PRÁŃE
DHARÁ MESHE ALAKÁY
JENO NÁHI HÁRÁY
EI, MADHU NISHÁ JENO NÁ PHURÁY
JENO NÁHI HÁRÁY
Let not this sweet night cease, be lost. With silvery moonlight in the eastern sky, the
mind goes on jumping. In the recess of the mind, the life full of love was not getting any
joy of spring. The sweet night came, today and found You, getting enchanted with the
feeling of love. By Your smile, pearls flow, by Your flute, the sky is flooded. You came
with rhythm and song, into everyone’s life, merging the earth with the heaven.
3355 (01/02/1986) D (Krsna)
KÁNU BINU, THÁKÁ NÁHI JÁY
SE JE MARMER MÁJHE JHALAKÁY
THÁKÁ NÁHI JÁY
DIVÁ NISHI TÁNR BÁNSHI
ÁÁÁÁÁÁÁÁÁÁ
DIVÁ NISHI TÁNR BÁNSHI
PRATI PALE PRÁŃE PASHI
BOLE MORE BHÁLOBÁSI
TÁI TO D́ÁKI TOMÁY
THÁKÁ NÁHI JÁY
JIIVAN JAMUNÁ MOR
ÁÁÁÁÁÁÁÁÁÁ
JIIVAN JAMUNÁ MOR
TÁRI BHÁVETE VIBHOR
JUJHIÁ KUHELII GHOR
UJÁNETE DHÁY SHATADHÁY
THÁKÁ NÁHI JÁY, KÁNU BINU
THÁKÁ NÁHI JÁY
Without Lord Krsna, surviving itself is very difficult. He is that glittering Entity of my
heart. Day and night His flute enters my heart every moment. He tells me, 'I love you
that is why I am calling you'. The flow (river Jamuna’) of my life is ensconced in His
ideation and it goes on struggling strongly against the deep fog and it is rushing with
the high tide in a hundred directions.
3356 (01/02/1986) D
BHÁVO BHULE GIYE JATA VYATHÁ BHÁR
SHUDHU, HÁSI KHUSHI EI DHARAŃIITE
ÁNKHI AINJANE ENKE PRIITI TÁR, DEKHO
NAVA CETANÁR ÁLOTE
SHUDHU, HÁSI KHUSHI EI DHARAŃIITE
MAYUR NÁCICHE KADAMBA VANE
ÁÁÁÁÁÁÁÁÁÁ
MAYUR NÁCICHE KADAMBA VANE
DIGVALAYER SONÁLI SVAPANE
VIVASHA NIKHIL PEYE GECHE MIL
MANANE O BHÁVE CAKITE
SHUDHU, HÁSI KHUSHI EI DHARAŃIITE
MANER ARGAL KHULIÁ GIÁCHE
ÁÁÁÁÁÁÁÁÁÁ
MANER ARGAL KHULIÁ GIÁCHE
BHÁVA BHÁŚÁ SUR EKETE MISHECHE
EKER ICCHÁY EKAI PREŚAŃÁY
SABE BHESE CALE EK SHROTE
SHUDHU, HÁSI KHUSHI EI DHARAŃIITE
BHÁVO BHULE GIYE JATA VYATHÁ BHÁR
SHUDHU, HÁSI KHUSHI EI DHARAŃIITE
The mind forgot all the burden of pain, only joy and pleasure is present on the earth.
Applying the ointment of love on that, look in the illumination of consciousness. The
peacock dances in the grove of kadamba. All around the horizon is golden dream. The
helpless world got the cherished object, with sudden surprise, in the mind. The door bolts
of the mind opened up. The thoughts, language and the tune got merged together into one.
By the will and projection of the singular entity, all started floating in one direction.
3357 (01/02/1986) K
PRÁŃERI UJÁNE CHANDE GÁNE
ESO PRABHU MANOVITÁNE
ESO PRABHU MANOVITÁNE
AMÁR ÁNDHÁR MORE
REKHECHE KUHELII BHARE
SARÁO TÁHÁRE SVANANE
ESO PRABHU MANOVITÁNE
KAMAL PARIMALA GANDHA VAHA BAHE
ÁÁÁÁÁÁÁÁÁÁ
KAMAL PARIMALA GANDHA VAHA BAHE
DÚRE REKHECHI TÁRE THEKECHI BADDHA MOHE
MOR ÁNKHI KHULE DILE BÁNDHAN SARIYE DILE
ÁJIKÁR E NAVÁRUŃE
ESO PRABHU MANOVITÁNE
PHÁGUNER HINDOLE ASHOK PALÁSH DOLE
ÁÁÁÁÁÁÁÁÁÁ
PHÁGUNER HINDOLE ASHOK PALÁSH DOLE
RAUNGA BERAUNGER MELÁ VASANTA GULÁLE
RAUNGER DHARAŃII ÁJ SÁJIÁCHE NAVA SÁJ
TUMI ESE SÁJÁO MANE
ESO PRABHU MANOVITÁNE
PRÁŃERI UJÁNE CHANDE GÁNE
ESO PRABHU MANOVITÁNE
ESO PRABHU MANOVITÁNE
With the tide in the heart, through songs and rhythms, O Lord, come into the arbor of the
mind. The pitch darkness has kept me covered with dark fog. O Lord, You remove that with
sound. The fragrance of lotus is being carried with the pollen, but I have kept that away
remaining engrossed in closed chamber of infatuation. You opened my eyes and removed the
bondage, today with the new crimson dawn. Oscillated by the spring season, the ashok and
palash trees are swinging. There is a festivity of colours. The earth is decorated with
new adornment of colours. You come and decorate the mind.
3358 (01/2/1986) D
TUMI ÁMÁY BHÁLOBÁSO
BUJHEO ÁMI TÁ BUJHI NÁ
ARUŃ ÁLOY MIŚT́I HÁSO
DEKHEO KABHU TÁ DEKHI NÁ
BUJHEO ÁMI TÁ BUJHI NÁ
ÁLOKA STAMBHA ÁNDHÁR RÁTE
ÁÁÁÁÁÁÁÁÁÁ
ÁLOKA STAMBHA ÁNDHÁR RÁTE
ÁCHO MORE PATH JÁNÁTE
PRABHÁTE DYUTI SAḾPÁTE
GÁN GEYE JÁO TÁO SHUŃI NÁ
BUJHEO ÁMI TÁ BUJHI NÁ
NÚTANERI VÁRTÁ VAH
ÁÁÁÁÁÁÁÁÁÁ
NÚTANERI VÁRTÁ VAH
KAKHANO PURÁTAN NAHO
BHÁVÁLOKE JHALAMALA
CINEO TOMÁY KENO CININÁ
BUJHEO ÁMI TÁ BUJHI NÁ
TUMI ÁMÁY BHÁLOBÁSO
BUJHEO ÁMI TÁ BUJHI NÁ
O Lord, You love me, even after knowing that I do not understand that. Even after seeing
You smile in the crimson light, I do not visualize that. Like a beacon of light, during
dark night, You show me the path. With the fall of morning illumination, You go on singing
the song, but I do not listen to that. Carrying the message of the new, never the old, You
shine in the abstract realm, but even after knowing that why do not I recognise You?
3359 (01/02/1986) K
EI, SHUBHA ARUŃODAYE ELE
ÁLO JHARÁLE
ÁNDHÁR SARIYE AMÁGIRI GALIYE
MANER MUKURE HÁSILE
ÁLO JHARÁLE
VASUDHÁR VYATHÁ BHÁR BHULIYE DILE
ÁÁÁÁÁÁÁÁÁÁ
VASUDHÁR VYATHÁ BHÁR BHULIYE DILE
CETANÁR AVIKÁRE MAN JINILE
BIIJ THEKE MAHIRUHE
BHÁVER ADHIROHE MORE T́ÁNILE
ÁLO JHARÁLE
KATA BÁR KATA RÚPE ESECHO PRABHU
ÁÁÁÁÁÁÁÁÁÁ
KATA BÁR KATA RÚPE ESECHO PRABHU
SHATA DHÁR ABHIDHYÁN THÁMENI KABHU
ANINDYA EŚÁŃÁY ACINTYA PREŚAŃÁYA
KATHÁ KAHILE
ÁLO JHARÁLE
EI, SHUBHA ARUŃODAYE ELE
ÁLO JHARÁLE
O Lord, at the time of this very beautiful new dawn You came close to me. You
showered me in the effulgence of Your presence and vibration. You removed
all the darkness from my mind. The darkness was like a towering mountain of
deep, dark, blackness of the dark, nomoon night. And that huge pile of
darkness You removed, so that only Your divine presence was remaining in my
mind and You were smiling in a very soft and sweet way. Today in
this glorious new dawn You graced me by coming close.
3360 (02/02/1986) K
TOMÁKE CEYECHI ÁMI
JIIVANER PRATI PALAKE
ÁSHÁR ÁLOK REKHÁ ÁKÁSHA CÚMI
CHÁRIYE GECHE DYULOKE
JIIVANER PRATI PALAKE
AŃUR BHÁVANÁ PÚRŃA KARITE
ÁÁÁÁÁÁÁÁÁÁ
AŃUR BHÁVANÁ PÚRŃA KARITE
MARMER PRATI RANDHRA BHARITE
IISHÁNER KÁLO MEGH SARIYE DITE
MANANER MADHU KORAKE
JIIVANER PRATI PALAKE
JE ÁMI PAŔIÁ CHILO PATHERI PÁSHE
ÁÁÁÁÁÁÁÁÁÁ
JE ÁMI PAŔIÁ CHILO PATHERI PÁSHE
TYAKTA RIKTA JALA SIKTA VÁSE
TÁHÁKE T́ÁNIÁ NILE NIJA SAKÁSHE
MAMATÁR MÁDHURII MEKHE
JIIVANER PRATI PALAKE
O Lord, I want You each moment of my life. You have marked the skykissing ray of light
scattering up to heaven. Fulfilling the feelings of the microcosms, filling each of the
pore in the core in the nucleus of the mind, You remove the dark cloud of the northeastern
sky. I was lying beside the path, rejected, hollow, with wet clothes, that You pulled
close to Yourself, smearing the sweetness of affection.
3361 (02/02/1986) K
PRABHU HE, TOMÁR
LIILÁ BOJHÁ BHÁR
ÁSÁ JÁOÁY SHRIŚT́I ÁCHE
BUJHE GECHI SÁR
TOMÁR, LIILÁ BOJHÁ BHÁR
PRABHÁT RAVIR PRATHAM ÁSÁ
ÁÁÁÁÁÁÁÁÁÁ
PRABHÁT RAVIR PRATHAM ÁSÁ
SANDHYÁ RÁGER BHÁLOBÁSÁ
TÁRI MÁJHE BÁNDHE BÁSÁ
ÁMÁR E SAḾSÁRA
TOMÁR, LIILÁ BOJHÁ BHÁR
MANDÁNILE PHÚLER SUVÁSA
ÁÁÁÁÁÁÁÁÁÁ
MANDÁNILE PHÚLER SUVÁSA
BHARIYÁ DEY SUNIIL ÁKÁSHA
SHARATE SHEPHÁLII KUSH KÁSHA
SHEŚEI SHURU JÁR
TOMÁR, LIILÁ BOJHÁ BHÁR
PRABHU HE
TOMÁR, LIILÁ BOJHÁ BHÁR
O Lord, it is difficult to understand Your illusive divine game. I have understood the
essence that the creation consists of coming and going. Coming first with the morning sun
and colourful love of the evening, staying bound within that is my world. The floral
fragrance in the mild breeze fills the deep blue sky. The shefa’lii flower and tall
grass of the pre winter, start showing the end.
3362 (02/02/1986) K
KUSUM SHOBHÁR E VITÁNE
ÁJ KÁR MANE PAŔE BIHÁN BELÁ
KUSUM SHOBHÁR E VITÁNE
DYUTIR VIKIRAŃE AŃUMANANE
ANANTA LIILÁ
ÁJ KÁR MANE PAŔE BIHÁN BELÁ
KUSUM SHOBHÁR E VITÁNE
CANDAN SURABHITE KE SE ESECHE
ÁÁÁÁÁÁÁÁÁÁ
CANDAN SURABHITE KE SE ESECHE
NANDAN MÁDHURIITE DHARÁ DIYECHE
RAUNGER SÁTHE RÁGE MÁTÁTE
SE ELO EKELÁ
ÁJ KÁR MANE PAŔE BIHÁN BELÁ
KUSUM SHOBHÁR E VITÁNE
MANER MADIRÁ UPACIÁ PAŔECHE
ÁÁÁÁÁÁÁÁÁÁ
MANER MADIRÁ UPACIÁ PAŔECHE
BHÁVER MAHODADHI NECE CALECHE
TÁR KEU PAR NAY NÁI SAMAY ASAMAY
KARE SABE UTALÁ
ÁJ KÁR MANE PAŔE BIHÁN BELÁ
KUSUM SHOBHÁR E VITÁNE
In the arbor of floral beauty, today, in whose mind, morning time appears? With the
effulgence of light in the microcosmic mind, infinite divine illusive game appeared. Who
has come with the sandal fragrance and came into the folds with pleasing sweetness? Along
with colours, charming with the affection, He has come alone. The wine of the mind
overflows, the ocean of the feelings goes on dancing. For Him, no one is distant, there is
no good or bad time, and He makes all frenzied.
3363 (03/02/1986) K
BHÁLOBÁSÁ ELO JIIVANE
KENO KE JÁNE
TAVA SANDHÁNE GIYE
MANANER ADHIROHAŃE
KENO KE JÁNE
ÁMÁR BHUVANE CHILO PHAL PHULERI MELÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR BHUVANE CHILO PHAL PHULERI MELÁ
TÁHÁRÁ T́ENECHE MORE ÁMI CHILUM EKELÁ
BUJHITE PÁRI NÁI HÁRIÁ KENDE JÁCHI TÁI
HATÁSHÁY ÁPAN MANE
KENO KE JÁNE
ÁMÁR BHUVAN ÁJ TAVA BHÁVETE BHARÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR BHUVAN ÁJ TAVA BHÁVETE BHARÁ
SE BHÁVER MADHYE MAŃI KE KHUNJE ÁMI SÁRÁ
KHONJÁ CHÁŔÁ PATH NÁI KHUNJIÁ CALECHI TÁI
BHÁLOBESE JÁI GOPANE
KENO KE JÁNE
BHÁLOBÁSÁ ELO JIIVANE
KENO KE JÁNE
Love appeared in the life, why, who knows that? Going looking for You with upward rise of
the mind, why? In my home, there was festivity of flowers and fruits. Those You have
pulled, and I was left alone. I could not understand and went on begging that, desperately
in my own mind. Today my home is filled with Your ideation; within that searching for
gems, I am frenzied. There is no go but to search, hence, I continue searching, loving
secretly.
3364 (03/021986) K
VASANTE DOLE MANE DOLÁ DILE
RAUNGER SHOBHÁ NABHE BHESE JÁYA
SNIGDHA MANE NÁ JÁNÁ KÁRAŃE
AJÁNTE KE JENO GIIT MORE SHONÁY
RAUNGER SHOBHÁ NABHE BHESE JÁYA
VARŃER DHARÁ PRATIPHALITA MANE
ÁÁÁÁÁÁÁÁÁÁ
VARŃER DHARÁ PRATIPHALITA MANE
BÁHIR CHÚT́E ÁSE MANE GAHANE
BÁHIR BHIITAR ELO BHIITAR BÁHIRE GELO
E DÚYER MÁJHE PAŔE ASMITÁ HÁRÁY
RAUNGER SHOBHÁ NABHE BHESE JÁYA
MADHUVANE MADHUMÁSE MÁDHAVII MÁYÁY
ÁÁÁÁÁÁÁÁÁÁ
MADHUVANE MADHUMÁSE MÁDHAVII MÁYÁY
MOHAN MÚRTA HOLO MOR MÁLIKÁY
NIKAT́ GELO DÚRE DÚR ELO ANTAH PURE
SE JE NEI KÁCHE DÚRE SE HESE JÁNÁY
RAUNGER SHOBHÁ NABHE BHESE JÁYA
VASANTE DOLE MANE DOLÁ DILE
RAUNGER SHOBHÁ NABHE BHESE JÁYA
With the swing of the spring, the mind is oscillated; the beauty of colours goes on
floating in the sky. For unknown reason, with soft mind, from unknown arena, some one is
singing song to me. The colourful world is reflected in the mind, from outside, it comes
rushing into the depth of the mind. The outside came inside and the inside went outside.
Remaining within these two, the ego gets lost. With the charm of ma’dhavii flower in the
sweet arbor, during the spring, the charmer gets embodied in my garland. The near went
away and the distant came into the core. He informs smilingly, that He is not far or
near.
3365 (04/02/1986) K
TUMI ÁMÁY BHÁLOBÁSO
ÁMI JÁNIGO, KEU JÁNE NÁ
CALÁR PATHE PÁTHEYA ÁMÁR
TUMI DIYE JÁO CÁITE HOY NÁ
ÁMI JÁNIGO, KEU JÁNE NÁ
ANDHAKÁRE JVÁLO ÁLO
ÁÁÁÁÁÁÁÁÁÁ
ANDHAKÁRE JVÁLO ÁLO
VIDHUR HIYÁY SUDHÁ D́HÁLO
SAB PRERAŃÁR SURABHI SABÁR
DÚRE KAKHANO SARO NÁ
ÁMI JÁNIGO, KEU JÁNE NÁ
BHÚL KARE JÁI SHÁSAN KARO
ÁÁÁÁÁÁÁÁÁÁ
BHÚL KARE JÁI SHÁSAN KARO
KALYÁŃERI CHANDA BHARO
TUMII ÁMÁR KIRIIT́ MÁTHÁR
JHARE KAKHANO PAŔO NÁ
ÁMI JÁNIGO, KEU JÁNE NÁ
TUMI ÁMÁY BHÁLOBÁSO
ÁMI JÁNIGO, KEU JÁNE NÁ
O, Lord, You love me. I know that but nobody else knows. Without my even asking, You go on
providing energy for my forward movement on the path. You kindle light in the darkness and
pour nectar into the afflicted hearts. You are the aroma of all inspirations for all
never moving away. Always You are along with me, by my side. I go on making mistakes still
You care for me and guide me with control filling with the rhythm of welfare. You are the
crown on my head that never falls.
3366 (05/02/1986) K
ÁMI CEYECHINU
RÁTE DINE TOMÁR PATH PÁNE
TUMI BÁJIYE VEŃU
SMITÁNANE ELE MOR KÁNANE
RÁTE DINE TOMÁR PATH PÁNE
ALAKE KABARI KHÁNI
ÁÁÁÁÁÁÁÁÁÁ
ALAKE KABARI KHÁNI
BELÁ MÁLÁTE BÁNDHINI
SÁDHINI KONO RÁGINII
SHUDHU D́EKE GECHI MANE MANE
RÁTE DINE TOMÁR PATH PÁNE
PRATIITI SUVÁSE ÁKÚL
ÁÁÁÁÁÁÁÁÁÁ
PRATIITI SUVÁSE ÁKÚL
DÚLECHE ÁSHÁ DODUL DÚL
D́HELECHE PRIITI MÁKHÁ PHÚL
SÁJÁTEO RÁTUL CARAŃ DHYÁNE
RÁTE DINE TOMÁR PATH PÁNE
ÁMI CEYECHINU
RÁTE DINE TOMÁR PATH PÁNE
O Lord, I have been looking for You, day and night, towards Your arrival path. You came
into my garden with smiling face, playing the flute. I had not tied the tuft into chignon
with the garland of bela’ flower. I had not rehearsed any tune, only I continued calling
within the mind. The impression, restless with the fragrance, oscillates on the swing of
hope. It pours out lovesmeared flowers for decorating the red feet in the meditation.
3367 (06/02/1986) K
ESO, HATÁSHÁY BHARÁ JIIVANE
MANDA MADHUR PAVANE
NRITYE CHANDE RÁGE
PHÁGUNER RÁUNGÁ PHÁGE
CETANÁR ADHIROHAŃE
MANDA MADHUR PAVANE
JATA KICHU PHELE ÁSÁ
JATA KICHU PHELE ÁSÁ
JATA KICHU KÁNDÁ HÁSÁ
CÁOÁ PÁVÁRI GAHANE
MANDA MADHUR PAVANE
ANURÁGE JVÁLÁ DIIPE
ANURÁGE JVÁLÁ DIIPE
SURABHITA MÁLÁ DHÚPE
ANTARLOKE VIJANE
MANDA MADHUR PAVANE
O Lord, come into my life, which is full of disappointments, with gentle sweet breeze.
Come dancing with rhythm and melody during this colourful spring season with the upward
rise of consciousness. Whatever comes and goes, whatever cries and smiles are located deep
in desires and achievements. Come into the isolated inner arena, kindling lamp with love
fragrant garland and incense.
3368 (06/02/1986) K
KAKHANO ÁMI PRABHU D́ÁKINI TOMÁYA
TUMI BHÁLO BESECHO MORE
BHÚLEO TOMÁR KÁJE DIINI SAMAYA
TUMI DEKHIYÁCHO ÁMÁRE
TUMI BHÁLO BESECHO MORE
DHÚLIR DHARÁY DHÚLI SAMA PAŔE
ÁÁÁÁÁÁÁÁÁÁ
DHÚLIR DHARÁY DHÚLI SAMA PAŔE
JAŔER BHÁVANÁYA CEYECHI JAŔE
BUJHI NIKO STAMBAO NÁHI NAŔE
TUMI NÁHI CÁHILE PARE
TUMI BHÁLO BESECHO MORE
DIVASERA ÁLO ÁSE TOMÁRI KRPÁYA
ÁÁÁÁÁÁÁÁÁÁ
DIVASERA ÁLO ÁSE TOMÁRI KRPÁYA
NISHIITHE CÁNDER HÁSI TAVA KARUŃÁYA
SAKALERA SNEHA ÁR PRIITI MAMATÁYA
TUMI ÁCHO BHUVAN BHARE
TUMI BHÁLO BESECHO MORE
I never called You
and yet, You always loved me.
When even in mistake
I did not spare time for Your work
You looked after me.
I was lying on the ground like mere dust.
Engrossed in worldly thoughts
I constantly longed for matter.
I did not understand
that even a blade of grass
could not move without Your will.
The light of the sun during daytime
comes by Your grace
and in the night
the moon smiles by Your kindness.
In love, affection and compassion
You pervade the whole world.
3369 (06/02/1986) K
ÁLOKE ÁNDHÁRE E KII LIILÁ
RACIÁ CALECHO HE DAYÁMAYA
KAKHANO KÁNDÁO KAKHANO HÁSÁO
KAKHANO JÁNÁO TUMI SARVAMAYA
RACIÁ CALECHO HE DAYÁMAYA
KAKHANO MERUTE DYUTI ÁNÁO
ÁÁÁÁÁÁÁÁÁÁ
KAKHANO MERUTE DYUTI ÁNÁO
KAKHANO MERUTE PUŚPA PHOT́ÁO
KAKHANO IISHÁN KOŃE MEGHER GHAT́Á ENE
KÁLA BAESHÁKHITE HOYO JHAINJHÁMAYA
RACIÁ CALECHO HE DAYÁMAYA
SHATA RÚPE TOMÁRE BESECHI BHÁLO
ÁÁÁÁÁÁÁÁÁÁ
SHATA RÚPE TOMÁRE BESECHI BHÁLO
YUGE YUGE TUMI MOR ÁSHÁR ÁLO
KÁCHE VÁ DÚRE THÁKO ÁŔÁLE JEO NÁKO
MANER VITÁNE TUMI GIITI MAYA
RACIÁ CALECHO HE DAYÁMAYA
ÁLOKE ÁNDHÁRE E KII LIILÁ
RACIÁ CALECHO HE DAYÁMAYA
O Kind Lord, what a divine illusory game You go on creating? Sometimes You make one smile
and sometime You make one cry, and sometimes You make one know that You are everything.
Sometimes You bring shine on the mountain peaks, and sometimes You bloom flowers on them.
Sometimes, bringing intense clouds in the northeastern sky, You become annihilating storm.
I live You in hundreds of forms. You are the ray of hope for me, from ages after ages. You
stay close or far within the arbor of the mind, but do not go hiding.
3370 (07/02/1986) K
MAMATÁ MÁKHÁ NAYANE
ÁSHÁ KÁNANE
CEYE CHILE TUMI ÁPANA MANE
ÁSHÁ KÁNANE
BUJHI NÁI KI JE CÁI
BUJHITE CÁHI NÁI
ÁÁÁÁÁÁÁÁÁÁ
BUJHI NÁI KI JE CÁI
BUJHITE CÁHI NÁI
TAVA KARUŃÁR KATHÁ KAKHANO BHÁVI NÁI
TÁKÁI NÁI TAVA ÁNKHIR PÁNE
ÁSHÁ KÁNANE
HE BANDHU PRIYATAMA
SUKHE DUHKHE SÁTHI MAMA
ÁÁÁÁÁÁÁÁÁÁ
HE BANDHU PRIYATAMA
SUKHE DUHKHE SÁTHI MAMA
ÁTMÁR ÁTMIIYA SARVA DHII SUGAM
BHÁLOBESE KÁCHE ESE
MARME HÁSO VIJANE
ÁSHÁ KÁNANE
MAMATÁ MÁKHÁ NAYANE
ÁSHÁ KÁNANE
In the garden of hope
with eyes absorbed in compassion
You looked into Your own mind.
I knew not what to ask
nor did I endeavour to find out.
I never thought of Your grace
and not even did I look into Your eyes.
O my friend, my dearest!
You are my eternal companion in weal and woe.
You are the soul of my soul.
You penetrate all intellect.
Please come near
bestowing Your love and smile
and fill the loneliness
of my innermost heart.
3371 (07/02/1986) K
ÁNKHIR TÁRÁY MAMATÁ BHARÁ
TÁR ÁHVÁNE ESE CHILE
KE SE PUJÁRI HIYÁ NINGÁŔI
MANER MÁDHURI D́HELE DILE
TÁR ÁHVÁNE ESE CHILE
VISHVE JÁ KICHU CHILO BHÁLO
ÁÁÁÁÁÁÁÁÁÁ
VISHVE JÁ KICHU CHILO BHÁLO
TOMÁRI MÁJHE MÚRTA HOLO
ACETAN SABE CETANÁ ÁSAVE
AŃUKE VEŃU KE JÁGÁLE
TÁR ÁHVÁNE ESE CHILE
PHÚLER BÚKE D́HELE DILE MADHU
ÁÁÁÁÁÁÁÁÁÁ
PHÚLER BÚKE D́HELE DILE MADHU
PRIITITE SE SABE DEKHE NILE SHUDHU
ÁNDHÁR NISHIITHE ENE DILE VIDHU
BHÁLOBÁSÁY KII NÁ KARILE
TÁR ÁHVÁNE ESE CHILE
ÁNKHIR TÁRÁY MAMATÁ BHARÁ
TÁR ÁHVÁNE ESE CHILE
O Lord, with affection filled pupil of the eyes, You had come at their call. Who is that
worshipper, who has poured sweetness of the mind, squeezing the heart? Whatever good has
been in the world that materialized within You. With the nectar of consciousness, You
awakened all inert microcosms, with the flute of consciousness. You poured honey within
the centre of the flower, only with love You saw everyone. You brought moon in the dark
night. By love You have done all.
3372 (07/02/1986) D
SHUŃI TUMI BHÁLOBÁSO
KENO TABE DÚRE THÁKO
KENO MORE KENO MORE
KENO MORE EMAN KARE
ÁNKHI NIIRE PHELE RÁKHO
KENO TABE DÚRE THÁKO
TOMÁR SAUNGE MOR PARICAYA
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR SAUNGE MOR PARICAYA
DÚ CÁR YUGER KATHÁ TO NAY
CHILO ÁGE, CHILO ÁGE
CHILO ÁGE ANURÁGE
SE ANURÁG BHÚLO NÁKO
KENO TABE DÚRE THÁKO
DINE RÁTE SANDHYÁ SAKÁL
ÁÁÁÁÁÁÁÁÁÁ
DINE RÁTE SANDHYÁ SAKÁL
ÁCHO TUMI ANANTA KÁL
KSAŃEK BHULE SAB KÁLÁKÁLA
ÁMÁR PÁNE CEYE DEKHO
KENO TABE DÚRE THÁKO
SHUŃI TUMI BHÁLOBÁSO
KENO TABE DÚRE THÁKO
O Lord, I have heard that You love, but then why do You stay away? Why have You kept me
with tearful eyes like this? My acquaintance with You is not just a matter of a few eras.
You were present with love earlier too, that love, You do not forget. Day and night
morning till evening, You are present for time immemorial. Forgetting the consideration of
appropriate time, for a moment, look towards me.
3373 (07/02/1986) K
TUMI KEMAN RÁJÁ KEI BÁ JÁNE
SENÁO NEI SACIVAO NEI
SATATA KÁJER RATA RAYECHO MANE
TUMI KEMAN RÁJÁ KEI BÁ JÁNE
NINDE JÁGARAŃE
ÁÁÁÁÁÁÁÁÁÁ
NINDE JÁGARAŃE, SVAPANE MANANE
NIYATA ÁCHO JEGE SVANANE RAŃANE
JINÁNERAO SIIMÁ NÁI BHÁVERO PRAMÁ NÁI
ÁLOKERI SURE METECHO GÁNE
TUMI KEMAN RÁJÁ KEI BÁ JÁNE
SABÁR SÁTHE THÁKO DIVASE NISHIITHE
ÁÁÁÁÁÁÁÁÁÁ
SABÁR SÁTHE THÁKO DIVASE NISHIITHE
OTAH PROTA YOGE CHANDE RÁGETE
KINÁRÁ NÁHI PÁI JABE BHÁVITE JÁI
HE PRIYATAMA TUMI NÁCO VIJANE
TUMI KEMAN RÁJÁ KEI BÁ JÁNE
O Lord, who knows what type of king You are? You do not have army, nor any secretary, and
still remain busy in action in the mind. During sleep, awake, dream or thought, You ever
remain alert with sound and resonance. There is no limit of the knowledge, no balance
prama’ of thought, with the melody of light, You are ever engrossed in the song. You are
with all day and night, with individual and collective association, through rhythm and
tunes. I do not find any edge, whenever I go on thinking, O the Dearest, You dance in
isolation.
3374 (07/02/1986) K
PHÚLER MÁLÁ VARAŃ D́ÁLÁ
BRITHÁI SÁJÁNO TOMÁR TARE
PRAHAR CALE GECHE DIN CALE JÁY
ÁSIBE NÁ MANE HOYE ÁMÁR GHARE
BRITHÁI SÁJÁNO TOMÁR TARE
VIHÁNE ARUŃ RÁGE TUMI HESECHO
ÁÁÁÁÁÁÁÁÁÁ
VIHÁNE ARUŃ RÁGE TUMI HESECHO
SÁNJHER SHEFÁLII PHÚLE BHÁVE BHESECHO
RÁTER JYOTSNÁ RÁSHITE MISHECHO
NANDAN CANDAN HRIDAY BHARE
BRITHÁI SÁJÁNO TOMÁR TARE
ÁMÁR KATHÁ TABE KENO SHONO NÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR KATHÁ TABE KENO SHONO NÁ
ÁMÁR MANER VYATHÁ KENO BOJHO NÁ
ÁMÁR ÁSHÁR DIIPE KENO ÁSO NÁ
MARICI MÁLIIR VESHE BHÁSVARA KARE
BRITHÁI SÁJÁNO TOMÁR TARE
PHÚLER MÁLÁ VARAŃ D́ÁLÁ
BRITHÁI SÁJÁNO TOMÁR TARE
O Lord, the floral garland and tray of colours for You, I had decorated uselessly. The
period of hours passed, the day is passing. Would You not come to my mind and into my
home? You smile in the crimson colour in the dawn. In the evening, You express Yourself in
the shefa’lii flower. You are merged in the abundance of moonlight, fulfilling the heart
with pleasing sandalwood fragrance. Then why do not You listen to my affairs? Why do not
You understand the agony of my mind? Why do not You come to the lamp of my hope
illuminating my existence like the sun?
3375 (07/02/1986) D
E KE AJÁNÁ PATHIK ELO
KENO DÚRE CHILO JÁNINÁ
KENO SARE JÁY KENO SARE JÁY
KENO SARE JÁY THÁMITE NÁ CÁY
DHARÁ NÁHI DEY BUJHI NÁ
KENO DÚRE CHILO JÁNINÁ
SHEŚA RÁTE CHILUM KRANDAN RATA
ÁÁÁÁÁÁÁÁÁÁ
SHEŚA RÁTE CHILUM KRANDAN RATA
TAMASÁR MÁJHE CHILUM BHAYE BHIITA
ARUŃODAYE DEKHECHI TÁKIYE
BHÁVINI E KÁR KARUŃÁ
KENO DÚRE CHILO JÁNINÁ
MADHYÁHNE MÁRTAND́ERI TÁPE
ÁÁÁÁÁÁÁÁÁÁ
MADHYÁHNE MÁRTAND́ERI TÁPE
DAHAN JVÁLÁY HUTÁSHER KOPE
TRÁŃA CEYE CEYE CEYECHI TÁKIYE
CINITE KARI NI SÁDHANÁ
KENO DÚRE CHILO JÁNINÁ
SANDHYÁ RAVIR RAKTIMÁKÁSHE
ÁÁÁÁÁÁÁÁÁÁ
SANDHYÁ RAVIR RAKTIMÁKÁSHE
JUJHIYÁ CALECHI HATÁSHE O ÁSHE
PRAŃATI JÁNÁI DÁBI KICHU NÁI
KRPÁ CHÁŔÁ KICHU CÁHINÁ
KENO DÚRE CHILO JÁNINÁ
Who is this unknown traveler has come? Why was He away, I do not know? Why does He move
away without willing to pause, without coming into fold, I do not know? I was continuously
crying till the end of night, afraid of fearfulness, in the inertness. I observed on
looking at the sunrise, but did not think whose mercy was that. During midnoon, with the
heat of the sun, with the angry expression of frightful burning flame, looking for
protection, I observed, and knew but did not perform any sa’dhana’, the endeavor to
attain Him. During red sky of the evening sun, I go on struggling with hopes and despairs.
I express salutations, without any inhibition, and do not expect anything other than the
grace.
3376 (07/02/1986) D
SONÁR KAMAL PHÚT́ECHE
MÁNAS SARE ÁJ BHORE
MANERI SHUDHU DEKHÁ TÁ JÁY
MANETEI MADHU JHARE
MÁNAS SARE ÁJ BHORE
KATA KAŚT́A KARE ÁSÁ
ÁÁÁÁÁÁÁÁÁÁ
KATA KAŚT́A KARE ÁSÁ
PÚRALO TABE DIIRGHA ÁSHÁ
UDDVELITA BHÁLOBÁSÁ
JÁGALO TÁRE GHIRE
MÁNAS SARE ÁJ BHORE
RATNA DIIPER ÁLOY DEKHI
ÁÁÁÁÁÁÁÁÁÁ
RATNA DIIPER ÁLOY DEKHI
LUKIYE ÁCHO TUMI E KII
SNIGDHA KARE ÁMÁR ÁNKHI
MANER GAHAN PÚRE
MÁNAS SARE ÁJ BHORE
SONÁR KAMAL PHÚT́ECHE
MÁNAS SARE ÁJ BHORE
Today morning, the golden lotus bloomed in the mental pond. That can be seen only within
the mind, and oozes honey in the mind only. Coming with so much pain, still fulfilling the
long held hope. Restless love awakened around Him. I saw the light from the gem lamp, to
observe whether You are hidden there. With soft touch of hands over my eyes, within the
deep arena of the mind.
3377 (08/02/1986) D (Krsna)
RÚPER ÁLOKE ARÚPA ESECHO
SE KI KEU JÁNITO NÁ
PRIITI BHÁVANÁY BHUVAN BHARECHO
LOKE KII TÁ BUJHITO NÁ
SE KI KEU JÁNITO NÁ
VRAJER KRIŚŃA VRAJE RAYE GECHO
MANO BHUME TAVA VRAJA RACIÁCHO
BHARÁ JAMUNÁY UCCHALATÁY
E KII KEU DEKHITO NÁ
SE KI KEU JÁNITO NÁ
SE JAMUNÁ ÁJ SHUKHÁIÁ GECHE
TAVA KATHÁ LOKE BHÚLITE CALECHE
VIDAGDHA HIYÁ TOMÁRE SMARIYÁ
VIJANE BÁJÁY VIIŃÁ
SE KI KEU JÁNITO NÁ
RÚPER ÁLOKE ARÚP ESECHO
SE KI KEU JÁNITO NÁ
In the effulgence of beauty, the formless came, does not anyone know of that? You have
filled the world with the feeling of love. Do not the people understand that? The Krsna
of Vraja remained in Vraja only and in Your mental arena, You created Vraja. Due to the
overflowing of the flooding Yamuna’ river, that no one could see. That Yamuna’ river
is dried today, people go on forgetting about You. But my burnt heart, remembering You
plays viin’a’ in isolation.
3378 (08/02/1986) D
ÁMÁR E KAT́HIN HIYÁY
ÁSABE TUMI KI NÁ JÁNI NÁ
YADI BHÚL KAREI ÁSO
YADI BHÚL KAREI ÁSO
TÁTEO KICHU JÁY ÁSE NÁ
ÁSABE TUMI KI NÁ JÁNI NÁ
RÚPÁLOKE SÁJIYE VEDII
GÁN GEYE JÁI NIRAVADHI
TOMÁR BHÁVE TOMÁR SURE
TOMÁR BHÁŚÁY KARI RACANÁ
ÁSABE TUMI KI NÁ JÁNI NÁ
MANE MOR ANEK ÁSHÁ
ANEK CÁOÁ BHÁLOBÁSÁ
ANEKER MÁJHE KICHU
DEVE KI NÁ TÁO BUJHINÁ
ÁSABE TUMI KI NÁ JÁNI NÁ
ÁMÁR E KAT́HIN HIYÁY
ÁSABE TUMI KI NÁ JÁNI NÁ
O Lord, into my hard heart, whether You would come or not, I do not know. If by mistake
You come, then nothing would be lost or gained. Decorating the altar with the beauty of
light, I go on singing song continuously. With Your ideation, with Your melody, with Your
language, I create them. In my mind, there are numerous hopes, desires and love, amidst
all these, whether You would grant me something or not, I do not know.
3379 (08/02/1986) D+K
JEO NÁ JEO NÁ
ÁŔÁLE JEO NÁ
ÁMI YADI VÁ BHULI
ÁMÁRE BHÚLO NÁ
ÁŔÁLE JEO NÁ
TARUŃA TRIŃA PARE SABUJ GÁLICÁTE
MANER MUKURE PHÚLER HÁSITE
KABHU KÁCHE ÁSO KAKHANO DÚRE BHÁSO
MANER VYATHÁ KENO BOJHO NÁ
ÁŔÁLE JEO NÁ
ÁLOKE ÁNDHÁRE E KII TAVA LIILÁ
MANER MÁJHE THEKE MAN NIYE KHELÁ
BHÁVER MÁJHÁRE BHÁVA NIYE LIILÁ
BHÁVER TRUT́I KENO SARÁO NÁ
ÁŔÁLE JEO NÁ
O Lord, please do not go hiding. Even if I forget You please do not forget me. Over the
young grass like green carpet, on the mental mirror as floral smile, sometimes You come
and sometimes You stay away.
Why don't You understand my mental agony? Staying within the mind, taking mind as the
playing tool, staying within the feelings taking feelings as tool, why do not You remove
the defects of the psychic realm?
3380 (08/02/1986) TEOŔÁ
TOMÁY PÁOÁR ÁSHÁ NIYE
JEGE RAYECHI
SÁGARERI MAŃI TOMÁR TARE
ÁMI PAL JE GUŃECHI
JEGE RAYECHI
KATA NISHÁ BHOR HOECHE
KATA TÁRÁ KHASE GECHE
KATA KAOMUDI HÁRIYECHE
HISÁB BHULECHI
JEGE RAYECHI
NÁ JÁNIYEI SHÁRAD SÁNJHE
ELE NIJEI MANER MÁJHE
ACIN NAVIIN MOHAN SÁJE
TABU CINECHI
JEGE RAYECHI
With the hope of attaining You
I have remained awake.
I continue counting time
as if counting gems in an ocean.
How many nights have turned into mornings?
How many stars have set?
How many moonlit nights have passed by?
There is no count to it.
On that winter evening
without announcement,You came into my mind.
You came in a new and enchanting outfit
but I recognised You.
3381 (08/02/1986) D
ÁMÁR PATHER SHEŚE ESECHI
ANYA KONO PATH JE NÁI
TOMÁR PATHEI CÁLÁO MORE
O PATH DHAREI CALATE CÁI
ANYA KONO PATH JE NÁI
KÁNT́ÁY BHARÁ PATHE ÁMÁR
JARJARITA CHILUM APÁR
UPALÁGHÁTE PRATI PALETE
SHÁNTI KHUNJECHI VRITHÁI
ANYA KONO PATH JE NÁI
ÁDI ANTA HIIN O PATHE
CALABO ÁMI CHANDE GIITE
THÁKABE TUMI ÁLO HÁTE
TÁI TO PRIITIR GIIT SHOŃÁI
ANYA KONO PATH JE NÁI
ÁMÁR PATHER SHEŚE ESECHI
ANYA KONO PATH JE NÁI
O Lord, I have come to the proper path of mine, since there is no other path. You move me
upon Your path, that path I want to tread. On my path, full of thorns, I have been much
torn. With the hurt by stones each moment, uselessly I was searching peace. Upon the
beginning less and endless path, I shall move on with rhythm and melody. You would remain
with light in the hand, that is why I sing the song of love to You.
3382 (08/02/1986) K
SE? DIN SANDHYÁY SMITA VASUDHÁY
TUMI ESE CHILE MOR GHARE
CHANDA CHILO MANE ÁNANDA DHYÁNE
AINJAN ENKE DILE ÁNKHI PARE
TUMI ESE CHILE MOR GHARE
SHIARE REKHE HÁT KATHÁ KAHILE
NIMEŚE SAB VYATHÁ SARÁIYÁ DILE
BOLILE NÁHI BHAYA JHAINJHÁ JHAŔ ELE
ÁMI ÁCHI TOMÁRE GHIRE
TUMI ESE CHILE MOR GHARE
OT́HÁNÁMÁ ÁR PATAN ABHYUDAY
CALÁR PATHE ÁSE O KICHU NAY
LAKŚYA SÁTHE REKHE CALIO NISHCAYA
MÁNAVTÁR JAY ÁNIVÁRE
TUMI ESE CHILE MOR GHARE
SE? DIN SANDHYÁY SMITA VASUDHÁY
TUMI ESE CHILE MOR GHARE
O Lord, that evening, with smiling earth, You had come into my home. There was rhythm in
mind and bliss in meditation; You applied ointment into my eyes. Placing hand on my head
You spoke, and removed all my agonies in a moment. You told, “ Nothing to fear, even if
storms and typhoons come. Rise and fall and awakening come on the path of movement, they
are negligible. Keeping the goal in front, move on firmly, victory to humanity is
definite.
3383 (08/02/1986) K
DHÚLIR DHARAŃIITE MÁDHURII D́HÁLITE
TUMI ESECHO ÁJIKE
ÁÁÁÁÁÁÁÁÁÁ
TUMI ESECHO ÁJIKE
KRANDAN ÁVARTE SÁNTVANÁ SUDHÁ DITE
MUKHAR KARITE MÚKE
ÁÁÁÁÁÁÁÁÁÁ
TUMI ESECHO ÁJIKE
PIICHE PAŔE CHILO JÁRÁ ANÁDRITA SABA HÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
PIICHE PAŔE CHILO JÁRÁ ANÁDRITA SABA HÁRÁ
TÁDER JIIVANER BHÁUNGILE ANDHAKÁRÁ
SABÁRE T́ÁNIÁ NILE VIBHED BHULÁYE DILE
EK KARE NILE ANEKE
TUMI ESECHO ÁJIKE
ÁÁÁÁÁÁÁÁÁÁ
TUMI ESECHO ÁJIKE
HATÁSHÁY JÁRÁ CHILO ÁNDHÁRE D́UBIÁ CHILO
ÁÁÁÁÁÁÁÁÁÁ
HATÁSHÁY JÁRÁ CHILO ÁNDHÁRE D́UBIÁ CHILO
HARŚA LÁJE TÁRÁ TOMÁRE BARIÁ NILO
PRAJANMA ÁLO PELO SABÁI EGIE GELO
PRATI PALKER PULAKE
TUMI ESECHO ÁJIKE
ÁÁÁÁÁÁÁÁÁÁ
TUMI ESECHO ÁJIKE
DHÚLIR DHARAŃIITE MÁDHURII D́HÁLITE
TUMI ESECHO ÁJIKE
ÁÁÁÁÁÁÁÁÁÁ
TUMI ESECHO ÁJIKE
You came today
to pour sweetness into this dusty earth.
You came to provide nectar like consolation
to those who had been crying continuously,
and to give speech to the dumb.
You broke the dark imprisonment
of those who were lagging behind
and, disrespected, had lost everything in their life.
You pulled everyone towards You
and made us forget all differences.
Those who had been frustrated
and had sunken into darkness
accepted You with smiles of happiness.
A whole generation attained light
in the joyful forward movement of the moment.
3384 (08/02/1986)
ÁLOKER OI JHARŃÁDHÁRÁY
SNÁNA KARÁTE TUMI ELE
MÁTHÁR MUKUT́ SARIYE DIYE
TIIRTHODAKE ÁSHIIS DILE
SNÁNA KARÁTE TUMI ELE
ÁTMA PARER BHEDA GHOCÁLE
NOTUN JIIVAN DEKHIYE DILE
PASHU UDBHIDA PÁKHI CENÁLE
SABÁR ÁPAN BOLE SHIKHÁLE
SNÁNA KARÁTE TUMI ELE
KEU DURE NAY SABÁI SVAJAN
SABÁR TARE VISHVA BHUVAN
VRITHÁ MÁPÁ PAR O ÁPAN
SABÁY NIYE JAGAT CALE
SNÁNA KARÁTE TUMI ELE
ÁLOKER OI JHARŃÁDHÁRÁY
SNÁNA KARÁTE TUMI ELE
O Lord, making me bathe into the fountain of effulgence, You came. Removing the crown from
the head, with pious water, You blessed me. Eliminating the distinction between own and
others, You have shown a new life. You acquainted me with plants, animals and birds, and
taught me to consider all as own. Nobody is distant, all are own, the whole world is for
all. It is useless to measure own and others, the world moves carrying all.
3385 (08/02/1986) D
NIIL SÁYARER SVARŃA KAMAL
PHUT́ATO KENO KEI BÁ JÁNE
NÁ NÁ NÁ SE JE ÁMÁR MANE
DOLÁ DITO BHÁVA JÁGÁTO
VYATHÁ JÁNÁTO SAḾGOPANE
NÁ NÁ NÁ SE JE ÁMÁR MANE
MADHUR ÁSHE GUNJARIYÁ
ÁSATO BHRAMAR SANTRAPIÁ
PHULER PARÁG JATA ANURÁG
D́HELE DITO TÁR PARÁŃE
NÁ NÁ NÁ SE JE ÁMÁR MANE
KAITO KATHÁ ÁPAN MANE
SE BHÁŚÁ TÁR SEI JÁNE
MAN MAYURE THEKE DÚRE
DEKHE TÁRE NÁCATO VIJANE
PRÁŃOCCHVASE DURE RABHASE
UT́HATO HESE AKÁRAŃE
NÁ NÁ NÁ SE JE ÁMÁR MANE
NIIL SÁYARER SVARŃA KAMAL
PHUT́ATO KENO KEI BÁ JÁNE
NÁ NÁ NÁ SE JE ÁMÁR MANE
In the blue sea, golden lotus blooms, why so nobody knows. No, it blooms in my own mind.
It starts swinging, raising the feelings, and making understand the agony secretly. The
honeybee comes buzzing, thirsty, with the hope of honey. All the affection stored in the
pollen You have poured out in their heart. Speaking of the things in the own mind, the
language of which is known to him only, the mental peacock staying away, observes them
dancing in the isolation. With deep exhalation, the upsurge of emotion arises from
distance.
3386 (09/02/1986) D
TOMÁKE, SAKALEI JE CÁY, TOMÁKE
TOMÁR GUŃE TOMÁR GÁNE
TOMÁR HÁSI KHUSHIR T́ÁNE
BHUVAN BHESE JÁY
ÁÁÁÁÁÁÁÁÁÁ
SAKALEI JE CÁY
TUMI ÁMÁR ÁMI TOMÁR
ÁÁÁÁÁÁÁÁÁÁ
TUMI ÁMÁR ÁMI TOMÁR
ÁR JÁ KICHU SABAI ASÁR
MANE RÁKHI E SÁRÁTSÁR
PRATI LAHAMÁY
ÁÁÁÁÁÁÁÁÁÁ
SAKALEI JE CÁY
TOMÁKE, SAKALEI JE CÁY
JAGAT GHORE NIJER GHORE
ÁÁÁÁÁÁÁÁÁÁ
JAGAT GHORE NIJER GHORE
TOMÁR CARAŃ GHIRE GHIRE
ÁMI JÁCI ASHRU NIIRE
TAVA KARUŃÁY
SAKALEI JE CÁY
TOMÁKE, SAKALEI JE CÁY
Everyone cherishes You.
The world floats on
by the pull of Your attributes
of Your song
and of Your smile.
You are mine and I am Yours
everything else is of no value.
In my mind
this essence of essence
is preserved each moment.
The earth moves
around Your feet.
And for Your grace
I pray with tearfilled eyes.
3387 (09/02/1986) D
ÁMI, CHILUM BASE
TOMÁRI ÁSHE
ELE NÁKO TUMI
KAILE NÁ KATHÁ
VYARTHA HOLO ÁMÁR GHAT́ER SAHAKÁR
VYARTHA HOLO JATA/KATA?
SÁDHER MÁLÁ GÁNTHÁ
KAILE NÁ KATHÁ
SANDHYÁLOKE PÁKHI
NIIŔER PÁNE CHOT́E
SANDHYÁ RÁGE KUMUD
CÁNDA KE DEKHE PHOT́E
ÁMÁR E SANDHYÁY
BOJHO MANER VYATHÁ
KAILE NÁ KATHÁ
ÁNDHÁR D́HÁKÁ RAVI
NEI SE PÚRVÁCALE
UŚÁR ARUŃ REKHÁ
JÁY NI KICHUI BHULE?
SHUŃCHO TUMI JAKHAN
BOJHO VYÁKULATÁ
KAILE NÁ KATHÁ
ÁMI, CHILUM BASE
TOMÁRI ÁSHE
ELE NÁKO TUMI
KAILE NÁ KATHÁ
O Lord, I was sitting expecting You, but You did not come, and did not speak a word. The
decorating of mango leaves on the water pot altar was useless and useless was my threading
of all floral garland meant for offering. The birds rush towards home in the evening
light. The night lily looking at the moon in the evening twilight starts blooming. During
this evening of mine, understand my mental agony. The sun covered with the darkness is not
present in the eastern horizon. The crimson ray of the dawn never forgets any thing.
Whenever You hear, understand my restlessness.
3388 (10/02/1986) K
TÚMI ESECHO MÁDHURI JHARIYECHO
NANDAN LOKER ÁNANDA ENECHO
TIMIRÁVRITTA MANE CETANÁ PAVANE
JÁ KICHU BHÁLO BHARE DIYECHO
NANDAN LOKER ÁNANDA ENECHO
TOMÁR GUŃER KATHÁ KE KAHITE PÁRE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR GUŃER KATHÁ KE KAHITE PÁRE
TOMÁR RÚPERA RÁGE MAN SABÁRAI BHARE
TOMÁR BHÁLOBÁSÁ SARVA KALUŚA NÁSHÁ
TÁHÁTE GIITI BHARECHO
NANDAN LOKER ÁNANDA ENECHO
HE MAHODADHI TAVA KICHURI KINÁRÁ NEI
ÁÁÁÁÁÁÁÁÁÁ
HE MAHODADHI TAVA KICHURI KINÁRÁ NEI
TAVA BHÁVANÁY BUDBUD MORÁ SAKALEI
PRIITIR CHANDE GÁNE AMRITERA SPANDANE
SABÁRE NÁCIYE CALECHO
NANDAN LOKER ÁNANDA ENECHO
TÚMI ESECHO MÁDHURI JHARIYECHO
NANDAN LOKER ÁNANDA ENECHO
You came showering sweetness
and bringing about heavenly bliss.
You filled my darknessenveloped mind
with whatever good there is
by blowing into it a breeze of consciousness.
Who could ever explain Your qualities?
With Your beauty and colour all minds are filled.
Your love cures all ailments
and carries sweetest music.
O great ocean
no banks (limitations) contain You
we are all merely bubbles in Your thought waves.
In a loving song
with rhythm and sweet vibrations
You make all dance.
3389 (10/02/1986) K
TOMÁY ÁMI BHÁLOBÁSI
TÁKI JÁNO NÁ JÁNO NÁ
DHÁRAŃÁ DHYÁNE CÁI VIJANE
TÁ KI BOJHO NÁ BOJHO NÁ
JÁNO NÁ
SABÁR TUMI MUKUT́A MAŃI
ÁÁÁÁÁÁÁÁÁÁ
SABÁR TUMI MUKUT́A MAŃI
ÁNDHÁR DHARÁR HIIRAK KHANI
TAVA KÁHINI SATATA SHUŃI
TÁ KI SHOŃO NÁ SHOŃO NÁ
JÁNO NÁ
JHAINJHÁ VÁTE KARAKÁ PÁTE
ÁÁÁÁÁÁÁÁÁÁ
JHAINJHÁ VÁTE KARAKÁ PÁTE
NIYATA THÁKO SÁTHE SÁTHE
VAJRA TOMÁR BANDHU ÁMÁR
TÁ KI MÁNO NÁ MÁNO NÁ
JÁNO NÁ
TOMÁY ÁMI BHÁLOBÁSI
TÁKI JÁNO NÁ JÁNO NÁ
I love You
do not You know that?
I meditate and concentrate on You in solitude.
Do not You understand that?
You are the crowning jewel of everyone's life.
In this dark world, You are the dazzling diamond.
All the time I hear the story of Your glory.
Do not You hear it too?
During storms and lightning
You are with me.
Your thunderbolt is my friend.
Do not You agree with that?
3390 (10/02/1986) K
TUMI, BHUMÁ JYOTI ÁMI KHADYOT DYUTI
ÁMÁR SÁDHYI KI KAI KATHÁ TOMÁR SAUNGE
ÁMÁR SÁDHYI KI KAI KATHÁ TOMÁR SAUNGE
TUMI, BRAHMA KAMAL ÁMI TRIŃA SAMAL
ÁMI, RÁUNGI KI KARE BOLO TOMÁR RAUNGE
ÁMÁR SÁDHYI KI KATHÁ TOMÁR SAUNGE, JABE
MANE ÁSO MORE BHÁLOBÁSO
ÁÁÁÁÁÁÁÁÁÁ
MANE ÁSO MORE BHÁLOBÁSO
KADAMBA NIKUNJE MRIDU HÁSO
ÁMI DIINATÁ BHÚLE BHÁSI BHÁVER JALE
JIIVANER UPAKÚLE NÁNÁ RAUNGE
ÁMÁR SÁDHYI KI KATHÁ TOMÁR SAUNGE, JABE
LUKIYE THÁKO ÁNKHI MELO NÁKO
ÁÁÁÁÁÁÁÁÁÁ
LUKIYE THÁKO ÁNKHI MELO NÁKO
SHATA D́EKE GELEO SÁŔÁ DÁO NÁKO
ÁMI ÁNKHIR JALE BHÁSI AKULE
CEYE DEKHI HÁSO TUMI GIRI TUNGE
ÁMÁR SÁDHYI KI KATHÁ TOMÁR SAUNGE
TUMI, BHUMÁ JYOTI ÁMI KHADYOT DYUTI
ÁMÁR SÁDHYI KI KAI KATHÁ TOMÁR SAUNGE
O Lord, You are the Cosmic Effulgence, and I am glow of a firefly. What can I tell about
my meagre endeavor before You? You are the Brahma Kamal, the divine lotus, and I am just a
dirty grass. How can I get coloured by Your colour, tell me? You come into my mind and
love. Smile softly in the garden of kadamba. Forgetting my shortcomings, I float in the
water of thoughts, in diverse colours, at the shore of life. You remain hidden, without
opening the eyes. Despite hundreds of calls, You do not respond. With tears in eyes, I
float without any shore. On keen observation, I see You sitting on the top of the
mountain.
3391 (10/02/1986) D
TUMI, KII CÁO JÁNI NÁ
KENO TUMI, KENOTUMI LIILÁKHELÁY
SUMUKHE ÁSO NÁ
KII CÁO JÁNI NÁ
MANE PRÁŃE BHÁLOBÁSI
ÁÁÁÁÁÁÁÁÁÁ
MANE PRÁŃE BHÁLOBÁSI
MANE PRÁŃE BHÁLOBÁSI
MANE PRÁŃE BHÁLOBÁSI
KENO DHARÁ DÁO NÁ ÁSI
MANER KOŃE MANER KOŃE
SANGOPANE KI PÁO BOLO NÁ
KII CÁO JÁNI NÁ
AMÁNISHÁR GHOR TAMASÁY
ÁÁÁÁÁÁÁÁÁÁ
AMÁNISHÁR GHOR TAMASÁY
AMÁNISHÁR GHOR TAMASÁY
AMÁNISHÁR GHOR TAMASÁY
TOMÁR DYUTI CHÁPIYE JÁY
AŃU MANER AŃU MANER
SAB BHÁVANÁY KENO BHÁSÁO NÁ
O Lord, I do not know what you want. Why do not you come before me by way of your divine
play? I love you from the depth of my heart. Why do not you come within my reach? Please
tell me what you get by hiding in secret crevices of my unit mind? Your effulgence
overflows the cimmerian darkness of new moon night. Why do not you overflood all the
thoughts of unit minds away?
3392 (10/02/1986) K
TUMI, BHÁLOR BHÁLO SABÁR MUKH CEYE
BHÁLOR BHÁLO SABÁR MUKH CEYE
TUMI ÁLO ÁNIYÁCHO ÁNDHÁR BEYE
TUMI, CHANDE GÁNE SMITÁNANE
BÁDHÁY JUJHIYÁCHO PRIITI DIYE
TUMI ÁLO ÁNIYÁCHO ÁNDHÁR BEYE
TOMÁR, KEU PAR NÁI SABÁI PARAM ÁTMIIYA
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR, KEU PAR NÁI SABÁI PARAM ÁTMIIYA
SABÁI COKHER MAŃI SABÁI PRIYA
SABÁR KATHÁ BHEVE NIJE PATHE NEVE
SABÁY SAUNGE NIYE JÁO EGIYE
TUMI ÁLO ÁNIYÁCHO ÁNDHÁR BEYE
KATA, RÁTER TAPASYÁ AMÁNISHÁY
ÁÁÁÁÁÁÁÁÁÁ
KATA, RÁTER TAPASYÁ AMÁNISHÁY
KATA CÁPÁ VYATHÁ NÁBOLÁ BHÁŚÁY
TUMI SABE CHILE BHÁVE BHARIYE DILE
KOLE NILE JE CHILO DHULOY LUT́IYE
TUMI ÁLO ÁNIYÁCHO ÁNDHÁR BEYE
TUMI, BHÁLOR BHÁLO SABÁR MUKH CEYE
TUMI ÁLO ÁNIYÁCHO ÁNDHÁR BEYE
O Lord, looking at everyone with love, You have brought illumination crossing the
darkness. With smiling face through rhythms and songs, You struggle with the obstructions
providing love. Everyone is Your very close and intimate relation; no one is alien
for You. Everyone is most dear to You; everyone is the gem of Your eyes. You go on
thinking and caring about one and all, keeping everyone along, You go on moving forward on
Your divine path. By numerous penances of dark nights, with much suppressed untold
agonies, in all You have filled ideation, and lifted in the lap those who were submerged
in dust and mud.
3393 (10/02/1986) K
JHAINJHÁ VÁTE GHÚRŃI VÁYE
TUMI ESE CHILE, ÁMI GHUMIYE CHILUM
MANER MUKURE CHANDE SURE
ÁMÁRE JÁGIYE DILE, ÁMI TÁKIYE CHILUM
ÁMI GHUMIYE CHILUM
ATIITER SAB KICHU BHÚLE GECHI
ÁÁÁÁÁÁÁÁÁÁ
ATIITER SAB KICHU BHÚLE GECHI
NÚTAN UŚÁR PÁNE CEYE DEKHECHI
PURONO DINER KATHÁ HÁRÁNO SMRITIR VYATHÁ
SAB KICHU BHÁSIYE DILUM
ÁMI GHUMIYE CHILUM
DHIIRE DHIIRE KÁCHE ESE KATHÁ KAHILE
ÁÁÁÁÁÁÁÁÁÁ
DHIIRE DHIIRE KÁCHE ESE KATHÁ KAHILE
MANER GAHAN KOŃE PRAVESH KARILE
MADHUMAY SE BHÁVANÁ DYUTI MAY SE CETANÁ
TÁTE NIJE BHESE GELUM
ÁMI GHUMIYE CHILUM
You came amidst stormy and cyclonic winds.
I was asleep.
With rhythm and melody
You flashed on the mirror of my mind.
I woke up and opened my eyes.
I forgot everything of my past
and looked into the new dawn.
All past events, all painful memories
everything, I set afloat.
In slow steps You came near me and talked.
You entered deep into the dense corner of my mind.
In sweet contemplation
and to the flow of Your effulgent consciousness
I set myself adrift.
3394 (11/02/1986) K
DUHKHE SUKHE ÁSHÁ NIRÁSHÁ PHÁNKE
ÁNDHÁRE ÁLOKE MOR DIN CALE JÁY
KABHU, BUJHI NIKAT́E UŚASII NÁT́E
SONÁLI TAT́E TAVA ÁLO JHALAKÁY
ÁNDHÁRE ÁLOKE MOR DIN CALE JÁY
CÁI ÁRO KÁCHE ESO HE PRABHU ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
CÁI ÁRO KÁCHE ESO HE PRABHU ÁMÁR
SAB ABHIPRAKÁSHE TUMI SAMÁHÁR
SAKAL AVASTHÁY SÁRÁTSÁR
SMITA UTPAL TUMI CITI AMARÁY
ÁNDHÁRE ÁLOKE MOR DIN CALE JÁY
MÁNI ÁMI TRUT́I BHARÁ NÁHI SÁDHANÁ
ÁÁÁÁÁÁÁÁÁÁ
MÁNI ÁMI TRUT́I BHARÁ NÁHI SÁDHANÁ
NEIKO RTAMBHARÁ DRŔHA EŚAŃÁ
TABU KÁCHE ÁSITE NÁI KO MÁNÁ
ARUŃ DYUTI TUMI JIIVAN BELÁY
ÁNDHÁRE ÁLOKE MOR DIN CALE JÁY
DUHKHE SUKHE ÁSHÁ NIRÁSHÁ PHÁNKE
ÁNDHÁRE ÁLOKE MOR DIN CALE JÁY
O Lord, with pain and pleasure, with gaps of hope and despair, in light and shade, my days
are passing. Sometimes I consider You close, like dance of the dawn. On the golden beach
Your light shines. O my Lord, I want You still closer, come. You are the aggregate of all
expressions. You are the essence of essence under all situations, a smiling lotus in the
heaven of mind. I admit that I am full of mistakes, without any sa’dhana’, spiritual
endeavor. There is no firm will full of truth. Still there is no restriction in Your
coming close. You are the crimson glow at the shore of my life.
3395 (11/02/1986) K
ELO NÁ ELO NÁ SE ÁJAO
SE KII ÁMÁY BHULE GELO TABE
ÁNKHIR DHÁRÁ BAHE SHATA DHÁRE
BUJHILO NÁ SE KI MOR ANUBHAVE
SE KII ÁMÁY BHULE GELO TABE
JHARA JHARA JHARE PAŔE VARAŚÁ VÁRI
ÁÁÁÁÁÁÁÁÁÁ
JHARA JHARA JHARE PAŔE VARAŚÁ VÁRI
MANER MAYUR NÁCE NÁ TÁRE HERI
MEGHER SIIMÁY ÁNKÁ NÁ ÁCHE TÁRI
AINJAN REKHÁ PRIITI MÁKHÁ ÁSAVE
SE KII ÁMÁY BHULE GELO TABE
MEGH KAJJVAL MÁJHE NEI KO ÁSHÁ
ÁÁÁÁÁÁÁÁÁÁ
MEGH KAJJVAL MÁJHE NEI KO ÁSHÁ
NEIKO HÁSIR ÁLO NEI KO BHÁŚÁ
JÁCI TÁRI ANURÁG CHANDA GIITIKÁ RÁG
MANER GAHAN KOŃE PRÁŃOSAVE
SE KII ÁMÁY BHULE GELO TABE
ELO NÁ ELO NÁ SE ÁJAO
SE KII ÁMÁY BHULE GELO TABE
He did not come even today, then, has He forgotten me? The tears flow from my eyes in
hundredfold. Has He not understood my feelings? The rain water pours down. The mental
peacock does not dance looking for You. For You there is no covering limit of the cloud
Who is decorating line of the love smeared nectar. There is no hope within the darkness of
the cloud, no shine of smile, no language. I beg for Your affection, rhythm, and tune for
the song, within the deep recess of the mind, with festivity of vitality.
3396 (11/02/1986) D
ÁLOKER EI YÁTRÁ PATHE
PRABHU TUMI SAUNGE THEKO
CALATE GIYE, CALATE GIYE
CALATE GIYE THÁMI YADI
EKALÁ ÁMÁY CHEŔO NÁKO
PRABHU TUMI SAUNGE THEKO
ANÁDI KÁLA SAUNGE CHILE
ÁÁÁÁÁÁÁÁÁÁ
ANÁDI KÁLA SAUNGE CHILE
TOMÁR RAUNGE RÁUNGIYE DILE
EI ABELÁY KÁLA MEKHALÁY
EI KATHÁT́I I BHULO NÁKO
PRABHU TUMI SAUNGE THEKO
PATHER SHEŚEO TUMI ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
PATHER SHEŚEO TUMI ÁCHO
ICCHÁMATA BHÁVE T́ENECHO
ÁMÁ ÁMIR SHEŚA PARIDHIR
SIIMÁ REKHÁR MADHU MEKHO
PRABHU TUMI SAUNGE THEKO
ÁLOKER EI YÁTRÁ PATHE
PRABHU TUMI SAUNGE THEKO
O Lord, at this voyage on the path of effulgence, You stay with me. While moving on, if I
pause, do not leave me alone. You have remained together from time immemorial, colouring
me with Your colour. At this adverse surrounding zone of time, do not forget this reality.
You are also present at the end of the path. As per Your own wish and thinking, You
attract. At the end of the boundary of my own “I” feeling, at the edge, You smear
honey.
3397 (11/02/1986) D
GÁNER DESHER BHOMORÁ ESE
KII JE KATHÁ KAYE GELO
KÁŃE KÁŃE
MANER MADHU NIYE NILO
VASANTERI GÁNE GÁNE
KÁŃE KÁŃE
BÁDHÁ TÁKE DIINI KONO
ÁÁÁÁÁÁÁÁÁÁ
BÁDHÁ TÁKE DIINI KONO
LAJJÁ SE PÁYENI KAKHANO
ÁMÁR MANER UPAVANE
ESECHILO GOPANE
KÁŃE KÁŃE
BHOMRÁ JAKHAN CALE GELO
ÁÁÁÁÁÁÁÁÁÁ
BHOMRÁ JAKHAN CALE GELO
ABHÁVER PRATIITI HOLO
RIKTA VANE SIKTÁNANE
KENDE CHILUM TÁR DHYÁNE
KÁŃE KÁŃE
GÁNER DESHER BHOMORÁ ESE
KII JE KATHÁ KAYE GELO
KÁŃE KÁŃE
The honeybee coming from the arena of songs, whispered into my ears, what was that matter?
It brought the mental honey with each song of the spring. Nobody obstructed Him, neither
He got any feeling of shyness anytime. Into the mental garden of mine, He arrived
secretly. When the bee went away, then the feeling of absence came. In the empty forest
with wet face, I continued crying in His meditation.
3398 (11/02/1986) K
TOMÁR TARE JIIVAN BHARE
GEYE GECHI KATA GÁN PRIYA
HOYETO TÁRÁ MELENI RÁGE SURE
HOETO CHILO NÁ SHRAVAŃIIYA
GEYE GECHI KATA GÁN PRIYA
GEYECHI KATA GÁN KATANÁ SAKÁLE
ÁÁÁÁÁÁÁÁÁÁ
GEYECHI KATA GÁN KATANÁ SAKÁLE
SARÁTE NISHÁR TAMASÁ BHARÁ JÁLE
PRABHÁT KUSUMESÁJÁTE MANOBHUME
BASÁTE TOMÁY VARAŃIIYA
GEYE GECHI KATA GÁN PRIYA
GEYE GECHI GÁN KATANÁ PRADOŚE
ÁÁÁÁÁÁÁÁÁÁ
GEYE GECHI GÁN KATANÁ PRADOŚE
TAVA KRPÁ DHÁRÁR KARUŃÁRI RESHE
PRÁŃER ÁKUTI JETHÁ GIYE MESHE
SETHÁ MORE SAMVIT DIO
GEYE GECHI KATA GÁN PRIYA
TOMÁR TARE JIIVAN BHARE
GEYE GECHI KATA GÁN PRIYA
O Dear Lord, for You, whole of my life, how many songs, I continued to sing? If I get
lyrics, I do not find the melody and tune. If I get them then it is not audible. How many
songs I have continued to sing in the mornings, removing the darkness filled web of
inertia, decorating the mental arena with morning flowers, and establishing You, the most
revered. By wee bit of the flow of Your mercy, I continued singing many songs, mixing with
them the earnestness of vitality, for that You only have provided the consciousness.
3399 (11/02/1986) K
TUMI, GÁN GEYE GEYE CALE JÁO
SUDURE HÁRÁO
MANER MAŃIKOT́HÁY RATNA MANJÚŚÁY
STHÁYII REKHÁ ENKE DÁO
SUDURE HÁRÁO
PARICAYA JÁNINÁ JÁNITE PÁRI NÁ
ÁÁÁÁÁÁÁÁÁÁ
PARICAYA JÁNINÁ JÁNITE PÁRI NÁ
TUMI CHÁŔÁ TAVA KÁCHE KONO KICHU CÁHI NÁ
ALAKHA PURUŚA DHARÁ DÁO
AŃUKE MÁTÁO, SUDURE HÁRÁO
TOMÁR CALÁR PATH KALUŚITA KARIBO NÁ
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR CALÁR PATH KALUŚITA KARIBO NÁ
TOMÁR ÁLOR RATHE KONO BÁDHÁ DOBO NÁ
MANER MÁJHE BHESE JÁO
KHUSHITE TÁKÁO
ÁMÁR MAN KE TAVA SÁTHE NIYE JÁO
SUDURE HÁRÁO
TUMI, GÁN GEYE GEYE CALE JÁO
SUDURE HÁRÁO
You go on singing the song and get oblivion in far. But in the mental casket, draw a
permanent mark. I do not know Your acquaintance; I am unable to do so. Before You, except
You, I do not aspire for anything. O the unseen Purus’a, come into the fold and make the
microcosm engrossed. I shall not contaminate the path of Your movement. I shall not place
any obstruction to Your chariot of light. You go on floating within the mind and look
happily. Take my mind along with You.
3400 (11/02/1986) K
TUMI, ÁLOKOTSAVE ESECHO
SHOŚITA MÁNAVE KOLE TÚLE NIYECHO
BUDDHIR AGOCARE BODHIR SHUBHA VICÁRE
BHÁLOBÁSÁ D́HELECHO
SHOŚITA MÁNAVE KOLE TÚLE NIYECHO
HE VIBHU E KI TAVA ABODHYA KARÚŃÁ
ÁÁÁÁÁÁÁÁÁÁ
HE VIBHU E KI TAVA ABODHYA KARÚŃÁ
ANEKE EK KARILE ASÁDHYA SÁDHANÁ
KARE DILE ÁSHÁ BHARE CHO
SHOŚITA MÁNAVE KOLE TÚLE NIYECHO
TOMÁR PÁNE SABE ANIMIKHE CEYE ÁCHE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR PÁNE SABE ANIMIKHE CEYE ÁCHE
MÁNAVA VIHAG PASHU PRATI PALA GUŃITECHE
NIRVÁK PRIITI NIYE TUMI CALECHO EGIYE
MAŃI DIIP THEKE DYUTI D́HELE DIYECHO
SHOŚITA MÁNAVE KOLE TÚLE NIYECHO
TUMI, ÁLOKOTSAVE ESECHO
SHOŚITA MÁNAVE KOLE TÚLE NIYECHO
O Lord, You came with the festivity of light, and taken into Your lap the exploited human
beings. Unseen by the intellect, with the auspicious consideration of the intuition, You
have poured love. O Lord, what an unintelligible is Your mercy, the extremely difficult
endeavor of unification of many, You performed and filled hope. All expectantly look
towards You with nonblinking eyes, all human beings, birds and animals, counting every
moment. You go on forward silently carrying love. Staying in the gem lamp, You go on
pouring effulgence.
3401 (12/02/1986) K
CETANÁ KEUR MOR MANERO MAYUR
NECE CHUT́E JÁY PRIYA TOMÁRI PÁNE
ACENÁ HOLEO AJÁNÁ JENEO
GOPAN KATHÁ KAY GÁNE GÁNE
NECE CHUT́E JÁY PRIYA TOMÁRI PÁNE
SAB HRIDI ALAKÁR TUMII MAŃI
ÁÁÁÁÁÁÁÁÁÁ
SAB HRIDI ALAKÁR TUMII MAŃI
SAB RATNER SERÁ TOMÁRE GAŃI
BHÁVAOJJVALYE TÁI TOMÁR TULANÁ NÁI
SABE BHEDI CALO TUMI BHEUNGE ABHIMÁNE
NECE CHUT́E JÁY PRIYA TOMÁRI PÁNE
TAVA KARUŃÁR KATHÁ SABÁI MÁNE
ÁÁÁÁÁÁÁÁÁÁ
TAVA KARUŃÁR KATHÁ SABÁI MÁNE
TAVA UDÁRATÁ GÁTHÁ VISHVA JÁNE
SABÁR SHREŚT́HA TÁI TOMÁR TULANÁ NÁI
SARVÁNUSYÚTA TUMI SABÁKÁR PRÁŃE
NECE CHUT́E JÁY PRIYA TOMÁRI PÁNE
CETANÁ KEUR MOR MANERO MAYUR
NECE CHUT́E JÁY PRIYA TOMÁRI PÁNE
O Dear Lord, the ornament of consciousness, the peacock of my mind goes on rushing towards
You, Remaining unrecognised and being known as unknown, it tells the secret events through
song after song. You are the gem of all hearts; I count You as best of all gems. Owing to
the brightness of ideation, there is no comparison, You go on penetrating through
everything, tearing the pride. All accept the greatness of Your mercy. Whole world knows
about the glory of Your liberal attitude. You are the greatest; hence there is no
comparison of Yours. You are all pervading into all lives.
3402 (14/02/1986) K
TOMÁRE DEKHECHI JABE
TOMÁRE DEKHECHI JABE
JIIVANER UTSAVE
ÁLOR DHÁRÁY TUMI HÁSITE CHILE
KUSUMITA UPAVANE
KUSUMITA UPAVANE MÁLATIIR VITÁNE
SUŚAMÁY DHIIRE DHIIRE BHÁSITE CHILE
ÁLOR DHÁRÁY TUMI HÁSITE CHILE
CARA CAINCALA EI
CARA CAINCALA EI DHARÁ MÁJHE ESE CHILE
SHINJITA NÚPURE KRANDAN SHUŃE CHILE
TÁHÁRI RAŃANE
TÁHÁRI RAŃANE
TÁHÁRI RAŃANE
TÁHÁRI RAŃANE MÁDHURII VIKIIRAŃE
ACETAN JAD́E PRÁŃA ÁNIYÁ DILE
ÁLOR DHÁRÁY TUMI HÁSITE CHILE
DINER HISÁB NÁI
DINER HISÁB NÁI KÁLER PARIDHI NÁI
TAVA ABHIVYAKTIR ANUMÁN NÁHI PÁI
SMITA SUDHÁ SANE
SMITA SUDHÁ SANE
KALYÁŃA BHEVE MANE
VICITRA E KII LIILÁ RACIYÁ CHILE
ÁLOR DHÁRÁY TUMI HÁSITE CHILE
TOMÁRE DEKHECHI JABE, JIIVANER UTSAVE
ÁLOR DHÁRÁY TUMI HÁSITE CHILE
O Lord, when I saw You during the festivity of life, You were smiling in the flow of
effulgence. In the bloomed floral garden, within the arbor of ma’latii, in its beauty
You were floating slowly. You came on this moving and restless earth with the sound of
ankle bell and heard the cries. Into that resonance, radiating sweetness, You brought life
into the inert beings. There is no counting of days, no limitation of time; I cannot
estimate Your expressions. Along with sweet smile, considering the welfare and benevolence
in the mind. What an astonishing divine game, You have created?
3403 (16/02/1986) K
DÚR VIDESHER KANAK CÁMPÁ
UPACE DIYE CHILO PRÁŃA
SMITA DYUTITE MADHUR VÁTE
BHESE ESE CHILO TÁR GÁN
DÚR VIDESHER KANAK CÁMPÁ
UPACE DIYE CHILO PRÁŃA
KHUSHIR ÁLO TÁR KAPOLETE
ÁÁÁÁÁÁÁÁÁÁ
KHUSHIR ÁLO TÁR KAPOLETE
SHUDHUI BHÁLONEI MANDA TÁTE
BINÁ D́ÁKE ESE CHILO SUPRABHÁTE
BHULE GIYE TÁR JATA ABHIMÁN
DÚR VIDESHER KANAK CÁMPÁ
UPACE DIYE CHILO PRÁŃA
ABELÁY JHARE GELO NÁ BOLE MORE
ÁÁÁÁÁÁÁÁÁÁ
ABELÁY JHARE GELO NÁ BOLE MORE
AJÁNÁY SARE GELO AGOCARE
REKHE GELO GÁN TÁR CHANDE SURE
SHURU HOLO TÁR NAVA ABHIYÁN
DÚR VIDESHER KANAK CÁMPÁ
UPACE DIYE CHILO PRÁŃA
The far, distant kanak campa flower has overwhelmed my mind. With smiling glow, and sweet
breeze, His song came floating. There was a glow of joy on His cheeks, in which only good
and no dullness was present. He arrived on this fine morning without call. He forgot all
His hurt feelings. It untimely withered down without telling me and went away to unknown
arena unseen. But left behind its song with rhythm and melody and His new voyage started.
3404 (17/02/1986) K
EI, JALA JHARÁ VARAŚÁ RÁTE
TAMASÁ SÁTHE KARAKÁ PÁTE
E KII RÚPE ELE NÁHI PÁRI BUJHITE
E KII MORE CHALITE
TAMASÁ SÁTHE KARAKÁ PÁTE
KAKHAN KI KARE JÁO LIILÁ RACITE
ÁÁÁÁÁÁÁÁÁÁ
KAKHAN KI KARE JÁO LIILÁ RACITE
YUKTI TARKE KHUNJI MAN BHOLÁTE
SHEŚE KICHU NÁI PEYE CÁI BHÁSITE
TAVA KARUŃÁ SHROTE
TAMASÁ SÁTHE KARAKÁ PÁTE
ÁDI ANTA MADHYA NÁI TOMÁR
ÁÁÁÁÁÁÁÁÁÁ
ÁDI ANTA MADHYA NÁI TOMÁR
NÁHI KONO PÁRÁPÁR ASHEŚA APÁR
BUDDHI BODHIR SHEŚE SÁRÁTSÁR
JATA ITI NETI EK HOYE JÁY TOMÁTE
TAMASÁ SÁTHE KARAKÁ PÁTE
EI, JALA JHARÁ VARAŚÁ RÁTE
TAMASÁ SÁTHE KARAKÁ PÁTE
On this rainy night, along with darkness and fall of hailstone, in what form You came, I
am unable to understand, is it for deluding me? When and what You go on doing, by creating
illusive game, liila, with total engrossment I search with logic and reasoning, but at
the end by not finding anything, I just want to go on floating in the stream of Your
mercy. For You, there is no beginning, middle or end. There is no shore, limit or end. As
the essence of essence, at the end of intellect and intuition, all the beginnings and ends
terminate in You.
3405 (16/02/1986) K
PRABHU TOMÁR MANER KATHÁ
JÁNÁ JÁY NÁ BOJHÁ JÁY NÁ
ATAL TUMI PÁTÁL CHONYÁ
TÁI KI DHARÁ DITE CÁO NÁ
JÁNÁ JÁY NÁ BOJHÁ JÁY NÁ
VIDYÁ BUDDHIR JE T́UKU PÚNJI
ÁÁÁÁÁÁÁÁÁÁ
VIDYÁ BUDDHIR JE T́UKU PÚNJI
TÁHÁRI BALE TÁHÁRE KHÚNJI
ALPA JINÁNE JE T́UKU BUJHI
TÁHÁTE KONO THÁI PÁI NÁ
JÁNÁ JÁY NÁ BOJHÁ JÁY NÁ
ÁDIR KHONJE NIJERE HÁRÁI
ÁÁÁÁÁÁÁÁÁÁ
ÁDIR KHONJE NIJERE HÁRÁI
ANTA KHUNJE MANANE KHOÁI
CALÁR PATHE JÁHÁ DEKHITE PÁI
KÁLA VÁHITO TÁHÁO THÁKE NÁ
JÁNÁ JÁY NÁ BOJHÁ JÁY NÁ
PRABHU TOMÁR MANER KATHÁ
JÁNÁ JÁY NÁ BOJHÁ JÁY NÁ
O Lord, the events in your mind, is impossible to be known or understood. Your depth is
extreme, that is why you do not allow being caught. Whatever little knowledge or intellect
I have, on that strength I try to get you. With meagre knowledge whatever I understand
through that I cannot estimate you. I lose myself when I search your beginning and my mind
gets lost when I search the end point. Whatever I see on this path of movement, due to
flow of time that also does not stay.
3406 (19/02/1986) K
JÁR, ÁR KEU NÁI
TÁR TUMI ÁCHO
SE JE NIRÁLÁY GÁN GÁY EKELÁI
TUMI SHUNE CALECHO
TÁR TUMI ÁCHO
BÁKIRÁ SAUNGE ÁSE CALÁR PATHE
ÁÁÁÁÁÁÁÁÁÁ
BÁKIRÁ SAUNGE ÁSE CALÁR PATHE
NIJA NIJA BHÁVA NIYE NIJA GATITE
SE CALE TAVA PATHE SHUDHU TOMÁRE PETE
TÁRE SAB GATI SAB DYUTI DIYE CALECHO
TÁR TUMI ÁCHO
ANÁTHER NÁTH TUMI JAGATER PRÁŃA
ÁÁÁÁÁÁÁÁÁÁ
ANÁTHER NÁTH TUMI JAGATER PRÁŃA
KŚUDRA BRIHAT MÁJHE TUMI SUMAHÁN
SABÁR TARE TAVA AHAETUKI T́ÁN
SE T́ÁNE DHARÁRE TUMI DHARE REKHECHO
TÁR TUMI ÁCHO
JÁR, ÁR KEU NÁI
TÁR TUMI ÁCHO
You belong to those who have none.
You listen to one
who sings his/her songs in solitude.
On the path of movement, others join in
with their own ideas and their own pace.
You provide speed and light to one
who moves on Your path to attain You.
You are the master caretaker of the destitute.
You are the very life of the world.
Amongst all, be they small or big
You are the greatest .
Your causeless attraction binds all.
With it, You uphold the earth.
3407 (20/02/1986) K
AJÁNÁ PATHIK AJÁNÁ PATHIK
ÁR KI AJÁNÁ ÁCHO
BHÁVE ABHÁVE ANUBHAVE
MANER MUKURE BHESECHO
ÁR KI AJÁNÁ ÁCHO
MÁNI TUMI ÁSITECHO ANÁDI HOTE
ÁÁÁÁÁÁÁÁÁÁ
MÁNI TUMI ÁSITECHO ANÁDI HOTE
JÁNI TUMI CALIYÁCHO DÚRÁNTE
TABU VARTAMÁNE SMITA PHULE NAVÁRUŃE
CITI ALAKÁY NECECHO
ÁR KI AJÁNÁ ÁCHO
MAN MAŃI DYUTI TUMI MANETE BHÁSO
ÁÁÁÁÁÁÁÁÁÁ
MAN MAŃI DYUTI TUMI MANETE BHÁSO
MANER ATIITA LOKE PULAKE HÁSO
TABU KARE CHINU ÁSHÁ BRIHATER BHÁLOBÁSÁ
TÁI CETANÁY ESECHO
ÁR KI AJÁNÁ ÁCHO
AJÁNÁ PATHIK AJÁNÁ PATHIK
ÁR KI AJÁNÁ ÁCHO
O the unknown traveler, are You still remaining unknown? In ideation, blankness and
feelings, You float in the mental mirror. I accept that You came from no beginning. I also
know that You go far off. Still in the present, during morning sun, You dance in the
mental heaven of the smiling flowers. O the glowing gem of the mind, You float into the
mind. You smile pleasingly in the arena above the mind. Still I hope with the love for the
great, so You come into consciousness.
3408 (20/02/1986) D
CALE ÁMÁR GÁNER TARII
RÚPA SÁYARER SUR DHARE
KONO MÁNÁI MÁNE NÁ SE
THÁME NÁKO KÁRO D́ARE
RÚPA SÁYARER SUR DHARE
EGIYE CALE RÁTRI DINE
ÁÁÁÁÁÁÁÁÁÁ
EGIYE CALE RÁTRI DINE
DÚR VIMÁNE MAN PAVANE
SAB ANÁCÁR BÁDHÁR PÁTHÁR
PERIYE JÁY AKÁTARE
RÚPA SÁYARER SUR DHARE
JÁCCHE JÁBE SUMUKH PÁNE
ÁÁÁÁÁÁÁÁÁÁ
JÁCCHE JÁBE SUMUKH PÁNE
MÁNUŚA PASHU PÁKHIR GÁNE
AJÁNÁ PATHIKER T́ÁNE
ÁSHÁR BHÁŚÁ SÁTHE KARE
RÚPA SÁYARER SUR DHARE
CALE ÁMÁR GÁNER TARII
RÚPA SÁYARER SUR DHARE
The boat carrying my songs sails along the streams of melodies in the vast ocean of
appearances. It does not heed to any forbidding. It does not stop for fear of anyone.
Propelled By the wind within my inner self, it moves forward day and night onto the
distant void sailing past the vast ocean of vices and obstructions. Pulled by the divine
love and attraction of the unknown traveler, it moves and continues to move carrying the
songs of the humans, birds and animals and the eternal message of hope.
3409 (21/02/1986) K
E SUPRABHÁTE ARUŃ ÁLOTE
TOMÁR MAHIMÁ MOR MANE JHALAKÁY
KATA KI JE ÁSE JÁY PRATI LAHAMÁY
SABÁRE CHÁPIYE TAVA D́ÁK SHOŃÁ JÁY
TOMÁR MAHIMÁ MOR MANE JHALAKÁY
HE VIRÁT́A ÁCHO TUMI AŃU AŃUTE
ÁÁÁÁÁÁÁÁÁÁ
HE VIRÁT́A ÁCHO TUMI AŃU AŃUTE
HE SVARÁT́A RÁJO TUMI PRATI REŃUTE
TOMÁR CALÁR PATHE ACENÁ ANÁDI HOTE
HESE CALE JÁO TUMI KON SE AJÁNÁY
TOMÁR MAHIMÁ MOR MANE JHALAKÁY
CHILE ÁCHO THEKE JÁBE TUMI TÁ JÁNI
ÁÁÁÁÁÁÁÁÁÁ
SHÁSHVATA SATTÁ TUMII MÁNI
AŃU REŃU ÁSE JÁY TOMÁTE MURACHÁY
MANER GAHANE TAVA NITYA NIRÁLÁY
TOMÁR MAHIMÁ MOR MANE JHALAKÁY
On this fine morning, in the illumination of the sun, Your glories shine into my mind.
Many come and go each moment, but covering all You call is heard. O the Vira’t’a, the
Great, You are present in each atom; O the selfpervading, You exist in each particle. On
the path of Your movement, from the unknown without beginning, You go on moving towards
some unknown arena. I know that You existed in the past, are present now and would remain
in future. I accept You as Eternal Entity. The atoms and molecules come and go and get
dissolved within You, within the depth of Your mind, O the Eternal Singular Entity.
3410 (21/02/1986) K
SPARSHA MAŃI TUMI PRIYA
ÁMÁR ÁVILATÁ SARIYE DIYE
MANER MATAN MORE KARE NIO
SPARSHA MAŃI TUMI PRIYA
PATHE CALITE DHULE LÁGE GÁYE
ÁÁÁÁÁÁÁÁÁÁ
PATHE CALITE DHULE LÁGE GÁYE
KARDAME KATA PICHANE PHELE DEY
TUMI KÁCHE ESE EKT́U BHÁLOBESE
TIIRTHODAKE SNÁNA KARIYE DIO
SPARSHA MAŃI TUMI PRIYA
TUMI NÁ THÁKILE MOR KICHU NÁI
ÁÁÁÁÁÁÁÁÁÁ
TUMI NÁ THÁKILE MOR KICHU NÁI
TUMI THÁKILEI SAB KICHU PÁI
MOR CALÁR SHEŚE ÁMÁRE NIHSHEŚE
TOMÁR RÚPE RASE RÁGE RÁUNGIO
SPARSHA MAŃI TUMI PRIYA
O the Dear Touchstone of mine, removing my impurities make my mind pure. While moving on
the path, dust is applied on my body, the mud pushes me back. You coming close, with a bit
of love, make me bathe in the pious water. I have nothing if You are not present; I attain
everything with Your presence. At the end of my movement on the path, You colour me
completely with Your form, flow and colour.
3411 (22/02/1986) D
KON SE AJÁNÁ SHROTE
ESE CHILE ÁLO HÁTE
GHUM BHÁUNGÁTE EI RÁTE
ÁNDHÁRE ÁVRITA CHILO
VIKÁSHERA SHATADALA
SE NISHIITHE
GHUM BHÁUNGÁTE EI RÁTE
ASHRU NIHITA VYATHÁ
ÁÁÁÁÁÁÁÁÁÁ
ASHRU NIHITA VYATHÁ
RACE CHILO ITIKATHÁ
NÁ PÁOÁR VYÁKULATÁ
KENDE CHE MALAY VÁTE
GHUM BHÁUNGÁTE EI RÁTE
KATA SUŚAMÁR RÁSHI
ÁÁÁÁÁÁÁÁÁÁ
KATA SUŚAMÁR RÁSHI
ANÁDARE GECHE BHÁSI
KATA JYOTSNÁR HÁSI
MISHECHE TAMASÁTE
GHUM BHÁUNGÁTE EI RÁTE
KON SE AJÁNÁ SHROTE
ESE CHILE ÁLO HÁTE
GHUM BHÁUNGÁTE EI RÁTE
O Lord, through which unknown origin You came with light in Your hand this night, breaking
my slumber? On that night, the hundredpetal lotus of development was covered with
darkness. The history was created with tearful agony. The sandal breeze was crying with
restlessness of nonattainment. Many heaps of beauty went away floating in the darkness.
Many smiles of moonlight faded into darkness.
3412 (22/02/1986) K
TUMI, JE GÁN SHONÁLE VISHVE PRABHU
TUMI ÁCHO TÁTE MISHE
HRDAY HOTE UTSÁRITA HOYE
BHESE JÁY SE NIILÁKÁSHE
TUMI ÁCHO TÁTE MISHE
AŃU PARAMÁŃU NÁCE NÁCE TÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
AŃU PARAMÁŃU NÁCE NÁCE TÁRÁ
KOT́I NIIHÁRIKÁ NÁCE ÁTMA HÁRÁ
TOMÁR GÁNER TÁLE SABÁR ANTARÁLE
PRÁŃIIN PRAETI BHÁVÁVEGE BHÁSE
TUMI ÁCHO TÁTE MISHE
SARVA CARÁCARA GIITI MÁLIKÁ
ÁÁÁÁÁÁÁÁÁÁ
SARVA CARÁCARA GIITI MÁLIKÁ
SPANDITA MANDRITA CITI ALAKÁ
NANDITA ÁSAVE ÁLOR MAHOTSAVE
JÁNE NÁ KII CÁY ÁJI SE
TUMI ÁCHO TÁTE MISHE
TUMI, JE GÁN SHONÁLE VISHVE PRABHU
TUMI ÁCHO TÁTE MISHE
O Lord, the songs that You sung to the world, in them You were merged. Emerging from the
heart, they go on floating in the blue sky. The atoms, molecules and the stars dance
millions of nebula dance with total engrossment. With the rhythm of Your song, within the
core of everyone, feeling of love shines overwhelmingly. The garland of songs, consisting
of all animate and inanimate beings, vibrates and oscillates the heaven of the mind. In
the festivity of light, with joyful essence, I do not know what does it say.
3413 (22/02/1986) D
ÁMÁR, ÁNDHÁR GHARE JVÁLALE ÁLO
BOLALE ÁMÁY BHÁLOBÁSO
MANER KALI PHUT́E GELO
SMITÁLOKE CIDÁKÁSHAO
BOLALE ÁMÁY BHÁLOBÁSO
SÁGAR PÁHÁŔ ÁKÁSHA PÁTHÁR
ÁÁÁÁÁÁÁÁÁÁ
SÁGAR PÁHÁŔ ÁKÁSHA PÁTHÁR
VANDANÁ KARE JE TOMÁR
ÚRDHVA MUKHE SÚRYA MUKHI
BOLE MOR KORAKE BHÁSO
BOLALE ÁMÁY BHÁLOBÁSO
PHÁGUNER EI RAUNGER DINE
ÁÁÁÁÁÁÁÁÁÁ
PHÁGUNER EI RAUNGER DINE
ELE PHELE PÁ SAḾGOPANE
AMBU DHÁRÁY VARŃA CHAT́ÁY
TANMAYATÁY TAMO NÁSHO
BOLALE ÁMÁY BHÁLOBÁSO
ÁMÁR, ÁNDHÁR GHARE JVÁLALE ÁLO
BOLALE ÁMÁY BHÁLOBÁSO
O Lord, kindling light in my dark home, You told me to love You. My mental bud bloomed in
the firmament of my mind with that smiling light. The ocean, mountains, sky and sea
worship You. The sunflower, with upward face tells,” shine within my core”. On this
colourful day of the spring, You came spreading Your feet secretly. With flow of water
and beauty of colours, engrossingly You destroy the inertia.
3414 (23/02/1986) D
TOMÁR GOPAN KATHÁ
BHÁVANÁR VYÁKULATÁ
ÁJIKE SHUŃIYEO
VARAŚÁRGÁNE GÁNE
VARAŚÁR GÁNE GÁNE
JÁHÁ CHILO CÁPÁ MANE
BOLO NI JÁ ABHIMÁNE
VYAKTA KARIYÁ DIO
NIKHILER SURE TÁNE
VARAŚÁR GÁNE GÁNE
JÁHÁ KARE CHILO VIDHUR
ÁÁÁÁÁÁÁÁÁÁ
JÁHÁ KARE CHILO VIDHUR
MANANE JÁ CHILO MADHUR
TÁHÁKE SHRAVAŃE ENE
DÁO CIRA UTSÁRAŃE
VARAŚÁR GÁNE GÁNE
ÁRO THEKO NÁKO DÚRE
ÁÁÁÁÁÁÁÁÁÁ
ÁRO THEKO NÁKO DÚRE
TRIDASHA ANTAPURE
NEVE ESO BHÁVE BHÁVE
MAMATÁR T́ÁNE T́ÁNE
VARAŚÁR GÁNE GÁNE
TOMÁR GOPAN KATHÁ
BHÁVANÁR VYÁKULATÁ
ÁJIKE SHUŃIYEO
VARAŚÁR GÁNE GÁNE
O Lord, Your secret reality, the restlessness of feelings, today convey to me through the
songs of the rain. Whatever was suppressed in mind, that You did not speak out due to ego
express them to the world with tune and melody. Whatever has made bewildered, whatever was
sweet in the mind, by bringing that to audible level, erupt forever. Do not stay away far
inside within the heaven, come down with each ideation, by the pull of affection.
3415 (23/02/1986) D
TUMI, KENO MORE DHARÁ DÁO NÁ
KÁCHE ÁSO MRIDU HÁSO
HIYÁTE THÁKITE CÁO NÁ
TUMI, KENO MORE DHARÁ DÁO NÁ
ÁNKHI JALE SADÁ BHÁSI
ÁÁÁÁÁÁÁÁÁÁ
ÁNKHI JALE SADÁ BHÁSI
BHULATE GIYEO BHÁLO BÁSI
MAN AJÁNÁY JÁY JE MISHI
E KATHÁ KI BOJHO NÁ
TUMI, KENO MORE DHARÁ DÁO NÁ
AJÁNÁ PATHIK EKLÁ PATHER
ÁÁÁÁÁÁÁÁÁÁ
AJÁNÁ PATHIK EKLÁ PATHER
NISHÁNÁ DÁO SVARŃA RATHER
DYUTI CHAŔÁO JYOTSNÁ RÁTER
KOTHÁO THEME THÁKO NÁ
TUMI, KENO MORE DHARÁ DÁO NÁ
O Lord, why do not You allow Yourself to get into my fold? Come close and smile softly
why do not You want to stay in my heart? My eyes are always tearful, I have forgotten
love, and the mind goes on merging in the unknown, why do not You understand this fact. O
the unknown traveler, on the solitary path, provide me guiding beacon on the golden
chariot. Scatter moonlight illumination in the night, so that no one stops.
3416 (24/02/1986) D
TOMÁR TARE KATA VYATHÁ
TUMI JÁNO NÁ KI
MADHU MÁSE BASE KÁNDI
TAMASÁTE THÁKI
TUMI JÁNO NÁ KI
SHÁNTI KHUNJI KÁLA SAYARE
ÁÁÁÁÁÁÁÁÁÁ
SHÁNTI KHUNJI KÁLA SAYARE
DIIPTI KHUNJI ANDHAKÁRE
PRIITI JÁCI PRIITI
JÁCI PRIITI JÁCI MARU PÁTHÁRE
JÁ CÁI TÁ NÁ DEKHI
TUMI JÁNO NÁ KI
ÁDI ANTAHIIN E LIILÁY
ÁÁÁÁÁÁÁÁÁÁ
ÁDI ANTAHIIN E LIILÁY
ÁMI KENO AVAHELÁY
BHÁVER GHARE BHÁVER GHARE
BHÁVER GHARE DVAETA KHELÁY
LUKONO JÁBE KII
TUMI JÁNO NÁ KI
TOMÁR TARE KATA VYATHÁ
TUMI JÁNO NÁ KI
O Lord, how much agony I have for You, do not You know that? Staying in darkness during
the spring, I continue crying. I search peace in the ocean of time, I search illumination
in darkness. I beg for love in the desert and sea, but I do not see what I want. In this
divine game, without beginning or end, liila, of Yours, why am I ignored? In the game
of duality, within the house of thoughts, it is hard to hide.
3417 (25/02/1986) D
TOMÁY, BHULEO JÁY NÁ BHOLÁ
MANER MÁJHE LUKIYE ÁCHO
KARECHO UTALÁ
TOMÁY, BHULEO JÁY NÁ BHOLÁ
TAVA PRÁŃA D́HÁLÁBÁNSHI
ÁÁÁÁÁÁÁÁÁÁ
TAVA PRÁŃA D́HÁLÁBÁNSHI
ÁMÁRE KARE JE UDÁSI
NÁ DEKHIYAO BHÁLOBÁSI
MANE PRÁŃE PÁI DOLÁ
TOMÁY, BHULEO JÁY NÁ BHOLÁ
KATA BÁR BHÁVI BHULE JÁBO
ÁÁÁÁÁÁÁÁÁÁ
KATA BÁR BHÁVI BHULE JÁBO
TAVA KATHÁ ÁR NÁ SMARIBO
MAN THEKE TOMÁY MUCHE DOBO
PÁRI NÁ KI TAVA LIILÁ
PRÁŃER GOPAN E KII KARE DILE
THÁKITE DILE NÁ EKELÁ
TOMÁY, BHULEO JÁY NÁ BHOLÁ
MANER MÁJHE LUKIYE ÁCHO
KARECHO UTALÁ
TOMÁY, BHULEO JÁY NÁ BHOLÁ
O Lord, it is not possible to forget You even by mistake. You are hidden within the mind
itself and make me frenzied. Your overwhelming flute, make me sad. Even without seeing, I
get vibrated overwhelmingly. Many times I thought that I would forget You, would not
remember about You any more, would wipe You out from my mind, but I was unable to do so
what an enchanting game of Yours? Secretly what have You done, You have not left me
alone.
3418 (25/02/1986) K
JYOTSNÁ RÁTE MAN VIITHITE
GÁN GEYE JÁI KÁŃE KÁŃE
E GÁN ÁMÁR NAY VYATHÁ BHÁR
ÁCHE SE BHARÁ SURE TÁNE
GÁN GEYE JÁI KÁŃE KÁŃE
E GÁN ÁMÁR TOMÁR TARE
ÁÁÁÁÁÁÁÁÁÁ
E GÁN ÁMÁR TOMÁR TARE
HÁRÁY NÁKO ANDHAKÁRE
THÁKE SE MANER ANTAH PURE
RAUNGA BERAUNGER PHUL VITÁNE
GÁN GEYE JÁI KÁŃE KÁŃE
E GAN ÁMÁR PAŔE JHARE
ÁÁÁÁÁÁÁÁÁÁ
E GAN ÁMÁR PAŔE JHARE
SVARŃA BELÁR BÁLUKÁ PARE
BHÚLE GIYE JATA ÁTMA PARE
BHESE SE JÁY DÚR UJÁNE
GÁN GEYE JÁI KÁŃE KÁŃE
JYOTSNÁ RÁTE MAN VIITHITE
GÁN GEYE JÁI KÁŃE KÁŃE
On the moonlit night, in mental street, I go on whispering the songs. This song is not the
load of my pain, but is filled with tune and melody. This song of mine is for You, and
does not get lost in darkness. It remains in the depth of the mind, within colourful
floral arbor. This song of mine flows out on the sands of the golden beach. Forgetting the
difference of own and others, it goes on floating far along the tides.
3419 (25/02/1986) D
TUMI, AVAHELÁ KARE ESECHO
NAYANER JALE DÚRE REKHE PHELE
EKHAN NIKAT́E T́ENECHO
TUMI AVAHALÁ KARE ESECHO
KATA SMITA ÁLO KÁLO HOYE GECHE
ÁÁÁÁÁÁÁÁÁÁ
KATA SMITA ÁLO KÁLO HOYE GECHE
KATA MADHUMÁS AKÁLE SARECHE
KATA NÁ SHEFÁLI KALITE JHARECHE
TUMI KI TÁKIYE DEKHECHO
TUMI AVAHALÁ KARE ESECHO
KATANÁ SVAPNA VAJRE BHENGECHE
ÁÁÁÁÁÁÁÁÁÁ
KATANÁ SVAPNA VAJRE BHENGECHE
SHLEŚA VIDRÚP ÁGHÁT HENECHE
SANDHYÁ MÁLATI SHUKÁIYÁ GECHE
DÚRE THEKE TUMI HESECHO
TUMI AVAHALÁ KARE ESECHO
O Lord, You had come after ignoring me for long. Only now You pulled me close removing
away the tears from my eyes. How many smiling brilliance have faded. How many springs
passed untimely. How many shefa’lii flowers dropped as bud only. You had continued
observing. How many dreams broke by thunder. Injury was inflicted by taunt, sarcasm and
irony. The evening malatii flower dried up.
3420 (26/02/1986)
MANER MÁLI JE TUMI
MAN KE BHARE RAYECHO
KÁCHE DÚRE NÁHI BOJHE
SABÁRE ÁLO KARECHO
MAN KE BHARE RAYECHO
JÁ CHILO NÁ KAKHANO
TÁHÁKE MANANE ÁNO
JÁHÁ ÁSENI SHRAVAŃE
TÁKE AUNKE NIYECHO
MAN KE BHARE RAYECHO
SHRIŚT́I STHITI LAYE
TUMI ÁCHO MAN NILAYE
SABÁKÁR ÁDHÁR HOYE
ÁLOKE PULAKE NÁCO
MAN KE BHARE RAYECHO
MANER MÁLI JE TUMI
MAN KE BHARE RAYECHO
O Lord, the gardener of the mind, You have kept my mind full of Yourself. Without any
consideration of near and far, You have enlightened and illuminated everyone. What was
never present, that You bring into the mind. You remain with mind as home, during
creation, sustenance and dissolution. Remaining as base for all, You dance joyfully as
light.
3421 (26/02/1986) K
E KII VAHNI SHIKHÁ JVÁLIYÁ ELE
PHÁGUNE ÁGUNE MANE PHÁG KHELILE
VASUDHÁR SAB SUDHÁ MANE D́HÁILE
PRAETI PRIITITE PRÁŃA BHARIYÁ DILE
PHÁGUNE ÁGUNE MANE PHÁG KHELILE
NÁ PÁOÁR JATA DUHKHA JIIVANE CHILO
ÁÁÁÁÁÁÁÁÁÁ
NÁ PÁOÁR JATA DUHKHA JIIVANE CHILO
TAVA BHÁVANÁR SUKHE SARIYÁGELO
TUMI, NIJE ELE MORE KÁCHE T́ÁNILE
ÁSHÁR KUSUM PÁPAŔITE PHOT́ÁLE
PHÁGUNE ÁGUNE MANE PHÁG KHELILE
MADHUMÁSE MÁDHAVITE MAN MÁTÁLE
ÁÁÁÁÁÁÁÁÁÁ
MADHUMÁSE MÁDHAVITE MAN MÁTÁLE
GUŃITAKE GAHANE GÁN GÁHILE
SAB JINIYÁ NILE TAVA RAUNGE RÁUNGÁLE
SHÁSHVATA SHÁNTIR SAOMYÁNILE
PHÁGUNE ÁGUNE MANE PHÁG KHELILE
E KII VAHNI SHIKHÁ JVÁLIYÁ ELE
PHÁGUNE ÁGUNE MANE PHÁG KHELILE
O Lord, with kindling what a torch of flame did You come. In the spring, You played
colours with fire in the mind. Pouring all the sweetness of the world into the mind, You
filled the life with affectionate love. All the pain of nonattainment that was there in
life, was removed by pleasure of Your ideation. You came Yourself and pulled me close, and
bloomed the flower of hope into petals. During spring, You charmed the mind with
ma’dhavii flower fragrance. Multiple times, You immersed me in depth of songs. You made
me know all and coloured me in Your colour with calm breeze of eternal peace.
3422 (26/02/1986) TEORA
KATHÁ YADI NÁ KAHILE, KENO
KENO TABE DEKHÁ DILE
KENO NÁ AŔÁLE RAHILE
ÁSHÁY ÁSHÁY BASE CHILUM
ESE NIRÁSHÁ BÁŔÁLE
KENO TABE DEKHÁ DILE
KATA ÁSHÁ JAMÁ CHILO
ÁÁÁÁÁÁÁÁÁÁ
KATA ÁSHÁ JAMÁ CHILO
KATA SVÁRTHA APÚRŃA CHILO
ÁMÁR MANER MAŃI KOT́HÁY
JHALAK DIYE SARE GELE
KENO TABE DEKHÁ DILE
GÁNTHÁ MÁLÁJHARE GELO
ÁÁÁÁÁÁÁÁÁÁ
GÁNTHÁ MÁLÁJHARE GELO
SÁDHÁ GÁN SHÚNYE MILÁLO
MANER KATHÁ NÁHI SHÚŃE
MÁN SÁTIITE LUKÁLE
KENO TABE DEKHÁ DILE
KATHÁ YADI NÁ KAHILE, KENO
KENO TABE DEKHÁ DILE
KENO NÁ AŔÁLE RAHILE
O Lord, why did You show Yourself, if You do not speak to me? Why did not You remain
behind? I had remained seated expecting and hoping for You, by Your arrival You only
increased my disappointment. How much expectations were accumulated, how many selfish
desires remained unfulfilled in the casket of my mind? But You just showed the glimpses
and went away. The threaded floral garland withered away. The well practiced song to
for You is lost into oblivion. Without listening to the feeling of my heart, You went
hiding beyond the scope of my mind.
3423 (27/02/1986) D
MÁNAVATÁ KE KHAŃD́A KARE
KII LÁBH HOVE MÁNÚŚERA
JÁ ÁCHE TÁO THÁKIBE NÁ
VIŚÁBE VÁYU VISHVERA
KII LÁBH HOVE MÁNÚŚERA
KHAŃD́A KABHU HOE NÁ RAVI
ÁÁÁÁÁÁÁÁÁÁ
KHAŃD́A KABHU HOE NÁ RAVI
KHAŃD́A NÁ HOY ÚŚÁR CHAVI
KHAŃD́A MÁNAVA KHAŃD́A ÁŃAVA
BHARABE BIIJE VINÁSHER
KII LÁBH HOVE MÁNÚŚERA
KÁLA PRACAND́A VEGE JÁBE
ÁÁÁÁÁÁÁÁÁÁ
KÁLA PRACAND́A VEGE JÁBE
VAHNI SÁGAR UTHALIBE
PHÚLER MÁLÁ PRIITI D́ÁLÁ
HOVE JE STÚPA BHASMER
KII LÁBH HOVE MÁNÚŚRA
MÁNAVATÁ KE KHAŃD́A KARE
KII LÁBH HOVE MÁNÚŚERA
What will human beings gain by dividing humanity, into different groups? Whatever exists
today would never remain forever to pollute the pure air of the earth. The sun is never
divided; the beauty of dawn is same. The divided human and the atom would sow the seed of
destruction. When the ocean of fire would rush with annihilating speed, with the garland
of flowers and bouquet of love, that high rising structure would become heap of ashes.
3424 (27/02/1986)
TUMI, NÁBOLE ELE NÁ BOLE GELE
SAKALAI LIILÁR CHALE
ÁTAPE TÁTE TUHINE SHIITE
KÁLER ANTARALE
SAKALAI LIILÁR CHLE
MÁDHURI TOMÁR PULAKE UCHALE
ÁÁÁÁÁÁÁÁÁÁ
MÁDHURI TOMÁR PULAKE UCHALE
JYOTSNÁ NISHIITHE SÁGAR SALILE
EŚAŃÁ TÁHÁR ÁNE ANIVÁR
PRIITI DHÁRÁ DHARÁTALE
SAKALAI LIILÁR CHLE
KATA LIILÁ JÁNO OGO LIILÁMAYA
ÁÁÁÁÁÁÁÁÁÁ
KATA LIILÁ JÁNO OGO LIILÁMAYA
SABÁR ÁŔÁLE TUMI CINMAYA
KARUŃÁ GHAN SABÁR ÁPAN
PRIYATAMA E NIKHILE
SAKALAI LIILÁR CHLE
TUMI, NÁBOLE ELE NÁ BOLE GELE
SAKALAI LIILÁR CHALE
O Lord, You came without informing and went without telling, all with the delusion of Your
illusive game, liila. This was at the gap of time with heat from the sun and snow of
winter. Your sweetness overflows with joy in moonlit night and water of the sea. Your will
would certainly bring the flow of love on the earth. O the Embodiment of liila, the
illusion, how much delusion and sleight You know, as the consciousness remaining hidden.
You are own for all as compact mercy, the dearest of the world.
3425 (27/02/1986) D
ÁJ SAKÁLE ÁLOR SÁJE
MANER MÁJHE TUMI ELE
NÁ GÁOÁ GÁN GEYE GELE
BÁDHÁR PÁHÁŔ BHEUNGE DILE
MANER MÁJHE TUMI ELE
CEYE CHILUM MANE MANE
ÁÁÁÁÁÁÁÁÁÁ
CEYE CHILUM MANE MANE
PÁVO TOMÁY SAḾGOPANE
THÁKBO TUMI ÁMI DUJANE
VIJAN TARUR TALE
MANER MÁJHE TUMI ELE
TÁI HOLO JÁ BHEVE CHILUM
ÁÁÁÁÁÁÁÁÁÁ
TÁI HOLO JÁ BHEVE CHILUM
MADHU VANE TOMÁY PELUM
KUINJA VANER SUDHÁINJANE
PRIITI D́HELE DILE
BOLE GELE ÁSBE TUMI
PRÁŃA BHARE D́ÁKILE
MANER MÁJHE TUMI ELE
ÁJ SAKÁLE ÁLOR SÁJE
MANER MÁJHE TUMI ELE
This morning, with the adornment of effulgence, within the mind, You came, O Lord, singing
the unsung song. You broke the mountain of obstruction. I desired in the mind, that I
would attain You secretly, so that only You and me remain below the tree in isolation. The
same happened what I thought, and I attained You in the sweet garden. In the arbor of the
garden, with sweet look, You poured love. You went telling that You would come when called
wholeheartedly.
3426 (28/02/1986) D
PRABHÚ TUMI KATA DÚRE
JÁNITE PÁRI NÁ
KÁCHE ESE JÁO JE SARE
E LIILÁ BUJHI NÁ
JÁNITE PÁRI NÁ
PRAYÁS KARI TOMÁY DHARI
ÁÁÁÁÁÁÁÁÁÁ
PRAYÁS KARI TOMÁY DHARI
SHÁSTRA DARSHAN CARCÁ KARI
DHYÁNÁVESHE ANUNYÁSE
TOMÁR KARI SÁDHANÁ
JÁNITE PÁRI NÁ
D́ÁKIÁ JÁI JIIVAN BHARE
ÁÁÁÁÁÁÁÁÁÁ
D́ÁKIÁ JÁI JIIVAN BHARE
ÁSHÁR PARE ÁSHÁY DHARE
HE LIILÁ MAYA CIR CINMAYA
TOMÁR JÁCI KARUŃÁ
JÁNITE PÁRI NÁ
O Lord, how far are You, I am unable to estimate. Coming close, You move away. This
liila, illusive game of Yours, I am unable to understand. I try to hold You, discuss
philosophies and scriptures, with earnest meditation and concentration, I perform
sa’dhana’, the spiritual endeavor. Whole life I continued to call You, with hope after
hope. O the embodiment of divine game, and everconsciousness, I simply seek Your mercy.
3427 (28/02/1986) D
ÁMI, BHÁLOBESECHI TOMÁKE
MOR KEHO NÁHIKO JE ÁR
ÁMÁR MANER KORAK TUMI
HIYÁ SUDHÁ SÁR
MOR KEHO NÁHIKO JE ÁR
ÚŚÁR UDAY LAGNE THÁKO
ÁÁÁÁÁÁÁÁÁÁ
ÚŚÁR UDAY LAGNE THÁKO
SÁNJHE TÁRÁY LUKIYE DEKHO
PRIITIR PARÁG PRÁŃE MÁKHO
SARÁO VYATHÁ BHÁR
MOR KEHO NÁHIKO JE ÁR
CHILE PRATHAM PADAKŚEPE
ÁÁÁÁÁÁÁÁÁÁ
CHILE PRATHAM PADAKŚEPE
ÁCHO NIKHIL VISHVA VYEPE
SHEŚER DINE HÁTH T́I CEPE
DHARE THEKO ÁMÁR
MOR KEHO NÁHIKO JE ÁR
ÁMI, BHÁLOBESECHI TOMÁKE
MOR KEHO NÁHIKO JE ÁR
O Lord, I love You, as there is no one else for me. You are the nucleus of my mental
flower, essence of essence of my heart. You are present in the time of rising sun; peep
hiding in the evening star. You smear the fragrance of love in the life, and remove the
load of pain. You were present in the initial stride; now present the pervading whole
world. At the ending days, catching my hand, continue holding me.
3428 (01/02/1986) D
TUMI, KABHU KÁNDÁO KABHU HÁSÁO
KI CÁO BUJHITE PÁRI NÁI
KABHU TÁKÁO KABHU BHULE JÁO
LIILÁ BHEVE MÚKA HOE JÁI
KI CÁO BUJHITE PÁRI NÁI
NIDÁGHER SNIGDHA BELÁ MÁLIKÁ
ÁÁÁÁÁÁÁÁÁÁ
NIDÁGHER SNIGDHA BELÁ MÁLIKÁ
VARASÁRI RASE SIKTA JUTHIKÁ
SHARAT SÁNJHE SMITA SHEFÁLIKÁ
KENO ÁNO UTTAR NÁHI PÁI
KI CÁO BUJHITE PÁRI NÁI
HEMANTERI MLÁNA SUŚAMÁY
ÁÁÁÁÁÁÁÁÁÁ
HEMANTERI MLÁNA SUŚAMÁY
SHIITER SHÁŃITA KAMPRA JAŔATÁY
VASANTERI PUŚPA SHOBHÁY
KI JE BOLE JÁO? SHUDHU BHÁVI TÁI?
KI CÁO BUJHITE PÁRI NÁI
TUMI, KABHU KÁNDÁO KABHU HÁSÁO
KI CÁO BUJHITE PÁRI NÁI
O Lord, sometimes You make me cry and sometimes You make me smile, what do You want, I am
unable to understand. Sometimes You look at me and sometimes, You ignore, thinking of Your
illusive game I become dumb. You bring soft bela’ flower during sun, yuthika’ flower
wet with rain, smiling shefalii flower during prewinter evening, what for, I do not get
the answer. The dull beauty during post winter, piercing shivering cold during winter
floral beauty during spring, through all these, what You continue to express, I only go on
thinking that.
3429 (01/02/1986) K
ÁLOK TIIRTHE LÁSYE NRITYE
TUMI ELESVAPANE
SVAPANE GO SVAPANE
LOKOTTARATÁY CHÁNDASIKATÁY
NÚPURERI SHINJINE
SVAPANE GO SVAPANE
JÁHÁ KICHU KÁLO CHILO
ÁÁÁÁÁÁÁÁÁÁ
JÁHÁ KICHU KÁLO CHILO
ÁNDHÁRE T́HELE JÁ DITE CHILO
SABÁRE SARIYE MAN KE BHARIYE
DILE MADHUR SVNANE
SVAPANE GO SVAPANE
EMANI BHÁVE ESO CIRA DIN
ÁÁÁÁÁÁÁÁÁÁ
EMANI BHÁVE ESO CIRA DIN
ÁMÁR KALMAŚE KARE DITE KŚIIŃA
DIGVALAYE SMITA KUVALAYE
RÁUNGIYE AŃU JIIVANE
SVAPANE GO SVAPANE
ÁLOK TIIRTHE LÁSYE NRITYE
TUMI ELESVAPANE
SVAPANE GO SVAPANE
O Lord, as the holy stream of effulgence, through gestures and dance, You came into dream.
With supra mundane rhythmic sound of the ankle bell, You came. Whatever was dirty, pushed
by darkness, removing all, You filled the mind with sweet resonance. Like that You come
always, diminishing my dirt, all over the horizon with blue lotus, colour the microcosmic
life.
3430 (01/02/1986) D
ÁMI TOMÁY BHÁLOBÁSI
TUMI JÁNO NÁ KENO
TOMÁR TARE KÁNDI HÁSI
SHOŃO NÁKO JENO
TUMI JÁNO NÁ KENO
DINER PARE DIN CALE JÁY
ÁÁÁÁÁÁÁÁÁÁ
DINER PARE DIN CALE JÁY
KATA VIBHÁVARII HÁRÁY
KATA TÁRÁ DÚRE JHARE JÁY
TUMI KI NÁ JÁNO
TUMI JÁNO NÁ KENO
ESECHI ANÁDI HOTE
ÁÁÁÁÁÁÁÁÁÁ
ESECHI ANÁDI HOTE
BHÁSI ASIIMERI SHROTE
REŃU TOMÁR CARAŃETE
ÁMÁY KI NÁ CENO
TUMI JÁNO NÁ KENO
ÁMI TOMÁY BHÁLOBÁSI
TUMI JÁNO NÁ KENO
O Lord, I love You, why do not You understand that. For You, I cry and smile, is if You do
not hear that. Days after days pass, many nights are over. Many stars wither away at
distance, do not You know that? I have come from beginning less ness, and float in endless
stream, I am dust of Your feet, do not You recognise that?
3431 (01/02/1986) D
TOMÁR TARE ANEK GHÚRE
BHÁVLUM KOTHÁO JÁBO NÁ ÁR
CITI JAMÚNÁR TIIRE
DHARÁ DITE HOBE E BÁR
BHÁVLUM KOTHÁO JÁBO NÁ ÁR
CALÁR PATHE BHÁVER SHROTE
ÁÁÁÁÁÁÁÁÁÁ
CALÁR PATHE BHÁVER SHROTE
TOMÁR TARE THÁKABO METE
TOMÁR RÁTUL CARAŃETE
RAYE JÁBO NIRVIKÁR
BHÁVLUM KOTHÁO JÁBO NÁ ÁR
VRATA PARVA MENE GECHI
ÁÁÁÁÁÁÁÁÁÁ
VRATA PARVA MENE GECHI
TIIRTHA DARSHAN D́HER KARECHI
MÁNAVATÁY BHEDA ENECHI
SÁR BHEVE KHUNJECHI ASÁR
BHÁVLUM KOTHÁO JÁBO NÁ ÁR
TOMÁR TARE ANEK GHÚRE
BHÁVLUM KOTHÁO JÁBO NÁ ÁR
O Lord, having wandered a lot for You, finally I decided not to move any more. I expected
that at the shore of the mental river Yamuna, You would come into fold this time. Moving
on the path in the stream of ideation, I shall continue to remain intoxicated for You. I
shall stay at Your red feet, unmoved. I had been following vows and holy days, performed
much the pilgrimage and holy vision, brought distinction amidst humanity, expecting
essence, I continued to search the nonessence.
3432 (02/02/1986) D
SE JE CHILO MOR NAYANER TÁRÁ
PRABHÁTER DYUTI PRIITIR PRATIITI
AMEYA SMRITI SONÁ JHARÁ
SE JE CHILO MOR NAYANER TÁRÁ
YADI KÁRO TÁR SÁTHE JÁNÁ THÁKE
ÁÁÁÁÁÁÁÁÁÁ
YADI KÁRO TÁR SÁTHE JÁNÁ THÁKE
BOLO TÁRE ÁMÁR KATHÁ
SHARATE SÁDÁ MEGHERI PHÁNKE PHÁNKE
NIYATA JHARICHE MOR VYATHÁ
TÁRE BHÚLI NÁI BHOLÁ JÁY NÁI
ÁJO SE ÁMÁR HIYÁ BHARÁ
SE JE CHILO MOR NAYANER TÁRÁ
SATATA DOLÁ DIYE JÁY SE JE
ÁÁÁÁÁÁÁÁÁÁ
SATATA DOLÁ DIYE JÁY SE JE
ÁMÁR MANER GABHIIRE
NANDAN MADHU JHARE PAŔE SHUDHU
KHUNJITE GIYÁ TÁHÁRE
ÁSHÁ CHÁŔINI BHÁUNGIYÁ PAŔINI
JÁNI DHYÁNÁLOKE DEVE DHARÁ
SE JE CHILO MOR NAYANER TÁRÁ
He was the gem of my eyes, gold flowing like morning illumination, feeling of love and
immeasurable love. If somebody is approaching Him, tell him about me. Through the gaps of
pre winter white clouds, my pain ever oozes out. I have not forgotten Him, it is not
possible to forget Him, and even today He is filled in my heart. He has always vibrated me
within the depth of my mind. If one goes to search Him, only heavenly nectar flows. But I
have not lost hope, would not break, as I know that in the illumination of meditation, He
would come into folds.
3433 (03/02/1986) D
TUMI, NAYANER JALE HIYÁR ATALE
ÁKÁSHER NIILE RAYECHO
MANER AGOCARE SÁRÁ CARÁCARE
SNIGDHA SAMIIRE BHESECHO
BHESE CALECHO
SNIGDHA SAMIIRE BHESE CALECHO
NAYANER JALE HIYÁR ATALE
ÁKÁSHER NIILE RAYECHO
ÁMI, KÚLA NÁHI PÁI JATA BHEVE JÁI
AKÚLA SÁYARE BHÁSI GO
VISHVA BHUVANE EI EK JANE
NÁ JÁNÁR SHEŚA NÁHIGO
TÁR SHEŚA NÁHIGO
EI BHÁVANÁR SHEŚA NÁHI GO
ÁMI, KÚLA NÁHI PÁI JATA BHEVE JÁI
AKÚLA SÁYARE BHÁSI GO
NAYANER JALE HIYÁR ATALE
ÁKÁSHER NIILE RAYECHO
ÁBRAHMASTABHE BHARE RAYECHO
BÁKI NÁHI KONO T́HÁIN
BHAYE LUKÁITE PALÁIÁ JETE
STHÁNA KONO NÁHI PÁI
ÁMI, KÚLA NÁHI PÁI JATA BHEVE JÁI
AKÚLA SÁYARE BHÁSI GO
SARVATRA TUMI RAYECHO
ÁNKHIR TÁRÁY BHESE CALECHO
NAYANER JALE HIYÁR ATALE
ÁKÁSHER NIILE RAYECHO
CHILE ÁCHO RAHIYÁ GECHO
PRABHU TUMI RAHIYÁ GECHO
NAYANER JALE HIYÁR ATALE
ÁKÁSHER NIILE RAYECHO
O Lord, You reside within the depth of heart, in the tears from eyes, in the blueness of
the sky. Unobserved by the mind, in whole of the world, You go on floating through soft
breeze. I do not get the shore, howsoever I continue to float, as I continue to float in
the shore less ocean. In the whole world, there is only singular entity, there is no end
to notknowing. There is no end of Him, there is no end to this ideation. You pervade
throughout from the blade of grass to the Greatest, there is no place left out. If due to
fear I escape for hiding, running away, then I do not find any place. You remain
everywhere, float in the pupil of eyes, You were in past, present now and would remain, O
Lord.
3434 (03/03/1986) D
ALAKE ÁLOKE BHULOKE DYULOKE
RÚPÁLOKE KHUNJI TÁRE
ÁMI, KHUNJI GO TÁRE
RÚPÁLOKE ÁMI KHUNJI GO TÁRE
CITTA VITÁNE TÁRAKÁR GÁNE
ÁKÁSHE PÁTÁLE SÁGARE
ÁMI, KHUNJI GO TÁRE
ÁMÁR GOPÁL HÁRIYE GECHE
ANDHAKÁRE AGOCARE
ÁMÁR GOPÁL HÁRIYE GECHE
ANÁDARE ABHIMÁN KARE
CALE GECHE KON SUDURE
ÁMI, KHUNJI GO TÁRE
ÁR KI GOPÁL ÁSABE NÁKO
JATAI KÁNDI JATAI SÁDHI
ÁR KI GOPÁL ÁSABE NÁKO
EK BÁR GECHE SMRITI KI MUCHECHE
ÁSHÁ KARI ÁSIBE PHIRE
ÁMI, KHUNJI GO TÁRE
In the fringes and in illumination
on earth and in heaven
and in the world of forms
I search You.
In the canopy of my mind
in the songs of stars
in sky, in hell and in the ocean
I search You.
My lost one
my beloved
my Gopal in darkness
my unseen one!
With disrespect and hurting agony
He left far away.
Will He not come back?
However much I cry and console
will He not return?
Has he forgotten me once and for all
by going away?
I hope He will again return.
3435 (04/03/1986) D
TAKHAN, GHAN NIILÁKÁSHE
SHASHÁUNKA HÁSE
JYOTSNÁY DHARÁ BHÁSE
CHINU GRIHA KOŃE EKÁ ÁNAMANE
TUMI ESE CHILE PÁSHE
D́ÁK SHUNIÁ ESECHILE
DIIRGHA PRATIKŚÁRIPARE
D́ÁK SHUNIÁ ESECHILE
CHINU GRIHA KOŃE EKÁ ÁNAMANE
TUMI ESE CHILE PÁSHE
ÁMI, BHÁVITE PÁRINI SVAPNE DEKHINI
E GHAT́ÁNÁ HOYE BUJHINI
SHÁSTRE DARSHANE KÁŃE KÁŃE
E KATHÁ KAKHANO KAYENI
JÁ BHÁVINI TÁI JE HOLO
SVAPNÁTIITA HOYE GELO
SHÁSTRE DARSHANE KÁŃE KÁŃE
E KATHÁ KAKHANO KAYENI
TUMI, SABÁR ATIITE KÁLE KÁLÁTIITE
BHUVAN BHARIÁ RAYECHO
SNIGDHA SAJAL PRIITI KAJJAL
HIYÁY CÁHIÁ DEKHECHO
SAB KICHUI CEYE DEKHECHO
LUKANO KÁRO RAYE NÁ KICHU
SABAI TUMI CEYE DEKHECHO
SNIGDHA SAJAL PRIITI KAJJAL
HIYÁY CÁHIÁ DEKHECHO
TAKHAN, GHAN NIILÁKÁSHE SHASHÁUNKA HÁSE
JYOTSNÁY DHARÁ BHÁSE
CHINU GRIHA KOŃE EKÁ ÁNAMANE
TUMI ESE CHILE PÁSHE
D́ÁK SHUNIÁ TUMI ELE
DIIRGHA PRATIKŚÁRI PARE
D́ÁK SHUNIÁ ÁJI ELE
O Lord, at that time, in the deep blue sky, with smile of the moon, when moonlight was
shining on the earth, I was sitting in a corner of the house, alone, and unmindful, when
You had come close. You had come listening to my call, after long wait. I could not
imagine, did not anticipate even in dream that this would happen. I never told this fact
even by whispering referring to philosophies and scriptures. You have remained pervading
the world, in the past of all, within and beyond time. You have ever observed everyone
with soft, moist love with overwhelming heart, towards all. Nothing belonging to any one
remains hidden from You, as You ever observe all.
3436 (04/03/1986) D
AJÁNÁ PATHIK KÁCHE ESO
KŚAŃA TARE GHARE BASO
GHARE BASO
TOMÁREI CÁI ÁMI JE SADÁI
BHEVE MORE BHÁLOBESO
GHARE BASO, GHARE BASO
DIN ÁSE JÁY TAVA BHÁVANÁY
ÁÁÁÁÁÁÁÁÁÁ
DIN ÁSE JÁY TAVA BHÁVANÁY
NISHÁ SHIHARÁY PRIITI CETANÁY
ASHEŚA VINDU KARUŃÁ SINDHU
SMITA COKHE MRIDU HESO
GHARE BASO, GHARE BASO
ALAKH NIRAINJAN TUMI PRABHU
ÁÁÁÁÁÁÁÁÁÁ
ALAKH NIRAINJAN TUMI PRABHU
NIRÁSH KÁREO KARO NÁ KABHU
PRÁRTHANÁ NÁI TOMÁREI CÁI
ESE MOR MANE MESHO
GHARE BASO, GHARE BASO
AJÁNÁ PATHIK KÁCHE ESO
KŚAŃA TARE GHARE BASO
GHARE BASO
O the unknown traveler, come close, sit in my home for a moment. I always love You
thinking that You love me. The days come and go in Your ideation, the nights quiver me
with awareness of Your love. The endless point of the ocean of mercy, with smiling eyes
laugh softly. O Lord, You are unseen without a mark. You never disappoint. I have no
prayer, I just want You, coming close, mix into my mind.
3437 (04/03/1986) D
TUMI, ÁMÁR ÁPAN SABÁR SVAJAN
SABÁKÁRA PRIYA BHUVANE
MANER GAHANE HIRAŃÁSANE
REKHECHI TOMÁRE JATANE
SABÁKÁRA PRIYA BHUVANE
CÁHIBÁR MOR KICHU NÁHI ÁR
ÁÁÁÁÁÁÁÁÁÁ
CÁHIBÁR MOR KICHU NÁHI ÁR
TUMI ÁCHO JÁR KII ABHÁVA TÁR
KAOMUDII RÁSHI SUSNIGDHA HÁSI
D́HÁLIÁ DITECHO MANANE
SABÁKÁRA PRIYA BHUVANE
DÁO PARÁBHAKTI PRABHU ÁMÁY
ÁÁÁÁÁÁÁÁÁÁ
DÁO PARÁBHAKTI PRABHU ÁMÁY
SAMARPITE SAKALEI TOMÁY
ARUŃA NIILAYE NAVA BODHA HOYE
JÁGITE NÚTAN JIIVANE
SABÁKÁRA PRIYA BHUVANE
TUMI, ÁMÁR ÁPAN SABÁR SVAJAN
SABÁKÁRA PRIYA BHUVANE
O Lord, You are my own, own for all, dear for all in the world. I have kept You
established carefully on the golden throne in the depth of my mind. I have nothing more to
aspire for. If You are for one, what want would he have? Soft smile like bunches of lily
flowers You pour into the mind. O Lord, grant the Supreme Devotion so that I offer
everything to You. With crimson light entering the home, enlightening the intuition
awaken a new life.
3438 (05/03/1986) D
TOMÁR SAUNGE PRATHAM DEKHÁ
KON SE ATIITE
NEI TÁ LEKHÁ ITIHÁSE
NEI TÁ SMRITITE
KON SE ATIITE
CHILO NÁKO TAKHAN DHARÁ
ÁÁÁÁÁÁÁÁÁÁ
CHILO NÁKO TAKHAN DHARÁ
TAERI HOENI GRAHA TÁRÁ
CHILO NÁ PHUL PARÁG BHARÁ
PRIITI D́HÁLITE
KON SE ATIITE
CHILO NÁKO PRÁŃER ÁVEG
ÁÁÁÁÁÁÁÁÁÁ
CHILO NÁKO PRÁŃER ÁVEG
CHILO NÁ CITI SAḾVEG
CHILO NÁ SARITÁRI VEG
CALÁR SAUNGIITE
KON SE ATIITE
CHILE TUMI BHÁVA GATA
ÁÁÁÁÁÁÁÁÁÁ
CHILE TUMI BHÁVA GATA
CHILUM ÁMI TÁTE NIHITA
CHILO NÁ DVAETÁDVAETA
JAT́ILA TARKETE
KON SE ATIITE
TOMÁR SAUNGE PRATHAM DEKHÁ
KON SE ATIITE
O Lord, when first I saw You, in the distant past, there is no history of that, neither
any memory. The earth did not exist, even the planets and stars were not formed. There was
no flower full of fragrance to pour love. There was no impulse of life, or momentum of
consciousness. There was no flow of stream to accompany. You were located in abstract, and
I was located within that. There was no duality or singular ness of the knotty logic.
3439 (05/03/1986) D
SONÁLI BHORE KUSUM NIKARE
KE TUMI RAUNGA BULIYE GELE GELE
MANE BHÁVI CINI CINIGO TOMÁRE
PRATYABHIGYÁ TÁI BALE
KE TUMI RAUNGA BULIYE GELE GELE
TÚLIR LIKHAN JENO CENÁ CENÁ
ÁÁÁÁÁÁÁÁÁÁ
TÚLIR LIKHAN JENO CENÁ CENÁ
LIPIR DHARAN JENO JÁNÁ JÁNÁ
KHUNJE PETE MAN NÁHI MÁNE MÁNÁ
PRIITIR PRATIITI D́HELECHILE
KE TUMI RAUNGA BULIYE GELE GELE
AŃU PARAMÁŃUTE E KII LIILÁ
ÁÁÁÁÁÁÁÁÁÁ
AŃU PARAMÁŃUTE E KII LIILÁ
VICITRA GATI SACITRA KHELÁ
KÁREO KABHU KARO NÁ HELÁ PHELÁ
SABÁR AUNKE T́ENE NILE
KE TUMI RAUNGA BULIYE GELE GELE
SONÁLI BHORE KUSUM NIKARE
KE TUMI RAUNGA BULIYE GELE GELE
O Lord, over the collection of flowers on this golden morning, what a colour have You
spread? It occurs to the mind that I recognise You, is it called perfect profound
knowledge? The markings by painting brush appears recognised, the style of script appears
known. The mind does not heed looking for You. You have continued pouring the feelings of
love. What an illusive game, liila, of Yours in atoms and molecules, a colourful game
with variegated movement. You never neglect anybody, and pull all into Your lap.
3440 (05/03/1986) K
VASANTA MANJARII ESO ESO
KHAINJARI D́EKE CALE TOMÁRE
KISHALAY VÁTE ESO KAVOŚŃA SAINCARI
MAN MANJILE JHAUNKÁRE
KHAINJARI D́EKE CALE TOMÁRE
SHIITA JÁI JÁI KARE PARŃA PAŔECHE JHARE
ÁÁÁÁÁÁÁÁÁÁ
SHIITA JÁI JÁI KARE PARŃA PAŔECHE JHARE
ATITHI VIHANGERÁ NIJA DESHE JÁY UŔE
ÁR KENO ÁCHO DÚRE ESO KÁCHE TVARÁ KARE
SABÁR BHIITARE BÁHIRE
KHAINJARI D́EKE CALE TOMÁRE
PIK DHARIÁCHE GÁN ANYERÁ KALATÁN
ÁÁÁÁÁÁÁÁÁÁ
PIK DHARIÁCHE GÁN ANYERÁ KALATÁN
MANER MAYUR NÁCE BHÚLE JATA? ABHIMÁN
SÁJÁYE REKHECHI D́ÁLÁ MANER MOHAN MÁLÁ
OGO PRIYA TOMÁRI TARE
KHAINJARI D́EKE CALE TOMÁRE
VASANTA MANJARII ESO ESO
KHAINJARI D́EKE CALE TOMÁRE
O the buds of spring, come, the little bird khanjarii, goes on calling You. Come with the
breeze from tender leaves, creating warmth, into the mind with tinkling. The winter is
tending to pass over, and the liveliness emerges out. The emigrated guest birds go on
flying into their own countries. Why are You away any more, come close quickly into inside
and outside of everyone? The cuckoo has started singing, along with chirping of others.
The mental peacock dances forgetting all feelings. I have kept the tray and the garland of
flowers ready for You, O the beloved.
3441 (05/03/1986) K
AJÁNÁ JAGAT HOTE ÁLO JHALAMALA RÁTE
APSARÁ ESE CHILO EKHÁNE
MANER MAŃIKOT́HÁTE TÁHÁRE DHARE RÁKHITE
CEYE CHILO ANEKEI? JATANE
APSARÁ ESE CHILO EKHÁNE
GAORA CANDRA MOR ENECHILE RÁUNGÁ BHOR
ÁÁÁÁÁÁÁÁÁÁ
GAORA CANDRA MOR ENECHILE RÁUNGÁ BHOR
SABÁRE BÁNDHIÁ CHILE DIYE CITI PRIITI D́OR
TOMÁR GUŃA KATHÁ MADHUR MÁNAVATÁ
ÁJO RAYE GECHE SMARAŃE
APSARÁ ESE CHILO EKHÁNE
VINATI KARI CARAŃE BÁR BÁR HETHÁ ESO
ÁÁÁÁÁÁÁÁÁÁ
VINATI KARI CARAŃE BÁR BÁR HETHÁ ESO
MÁNAVATÁR UDÁRATÁ DIYE JATA TAMAH NÁSHO
TOMÁKE BHÁVIYÁ JÁI BHÁVÁR SHEŚA NÁ PÁI
TUMI HÁSO CID GAGANE
APSARÁ ESE CHILO EKHÁNE
AJÁNÁ JAGAT HOTE ÁLO JHALAMALA RÁTE
APSARÁ ESE CHILO EKHÁNE
From the unknown world, in the illuminated sky, the angel came here now. Many wanted to
keep Him held carefully within the casket of their minds. The brilliant moon brought a
colourful morning. You tied all providing loving thread of consciousness. The glory of
Your attributes, and sweet humanity, remains in the memory even today. I pray You again
and again to come here. Granting liberty to humanism, destroy all darkness. I go on
thinking about You, I do not find the end of ideation. You smile in my mental sky.
3442 (06/03/1986) K
NAYANE KENO ÁSO NÁ
VYATHÁ BOJHO NÁ KII LIILÁ TAVA
TABUO PHÁLGUNII VÁYE
PÁPIÁ GÁY RÁGE NAVA NAVA
KII LIILÁ TAVA
SATATA D́ÁKIYA JÁI
SÁŔÁ NÁ PELEO ÁSHÁ NÁ HÁRÁI
MANERI MADHUVANE SAḾGOPANE
TOMÁRE KII ARGHYA DOBO
KII LIILÁ TAVA
ÁLOKE ÁNDHÁRE KHELÁ
KII TAVA RÚPERI MELÁ
BUJHI NÁ BUJHITE PÁRI NÁ
E KHELÁ GHARE KII GÁN SHOŃÁBO
KII LIILÁ TAVA
NAYANE KENO ÁSO NÁ
VYATHÁ BOJHO NÁ KII LIILÁ TAVA
O Lord, why do not You come into my eyes and understand my pain, what an illusive game
liila, is Yours? The papia bird sings evernew lyrics. Without losing any hope, even
after not getting any response, I continue to call nonstop in the mental garden secretly.
What offering can I make to You? The game of light and shade, what a festivity of beauty
of Yours? In this auditorium, what song shall I sing for You?
3443 (06/03/1986) K
BHÁLOBESE CALE GELE GELE
ÁMÁY PHELE EKALÁ PATHE GELE
ÁNKHI TÁRÁYA MADIRATÁR
ÁLO D́HELE ÁNDHÁR RÁTE
ÁMÁY PHELE EKALÁ PATHE GELE
EKÁI TUMI ESECHILE
ÁÁÁÁÁÁÁÁÁÁ
EKÁI TUMI ESECHILE
MAN KE ÁMÁRA SAUNGE NILE
KICHU NÁ CEYE SABAI NIYE
LÚKÁLE KON AJÁNÁTE
ÁMÁY PHELE EKALÁ PATHE GELE
SARVA RIKTA ÁJ KE ÁMI
ÁÁÁÁÁÁÁÁÁÁ
SARVA RIKTA ÁJ KE ÁMI
SAB NIYECHO RÁJÁ TUMI
CALÁR PATHE EI NIBHRITE
CARAŃ PÁTE THÁKO SÁTHE
ÁMÁY PHELE EKALÁ PATHE GELE
O Lord, You loved and went away leaving me alone on solitary path. In the dark night
pouring the intoxication into pupil of my eyes. You came alone and took away my mind with
You. Without desiring for anything, but taking all, You hid in some unknown arena. Today I
am devoid of everything. O the King, You have taken all. On the movement path, in this
isolation, providing feet, stay together with me.
3444 (06/03/1986) K (Krsna)
MALAY ESE CHILO KÁŃE KÁŃE KAYE GELO
TUMI ÁSITE PÁRO ÁJ
ÁÁÁÁÁÁÁÁÁÁ
ÁKÁSHA THÁKIBE NIIL ÁLO BHARÁ E NIKHIL
PRAKRTI PARIBE PHÚL SÁJ
TUMI ÁSITE PÁRO ÁJ
KÁRO THÁKIBE NÁ DUHKHA NANDITA HOVE MUKHA
ÁÁÁÁÁÁÁÁÁÁ
KÁRO THÁKIBE NÁ DUHKHA NANDITA HOVE MUKHA
ÁSHÁR ÁLOY BHARE UT́HABE SABÁR BÚK
SABÁR MÁJHÁRE ESE MADHUR MOHAN HESE
BÁNSHII BÁJÁBE RÁKHÁL RÁJ
TUMI ÁSITE PÁRO ÁJ
SVÁGAT JÁNÁTE TÁI TAERI ÁCHI SABÁI
ÁÁÁÁÁÁÁÁÁÁ
SVÁGAT JÁNÁTE TÁI TAERI ÁCHI SABÁI
MANER TORAŃA DVÁRE TÚRYA BÁJE SADÁI
ESO TUMI KRPÁ KARE BHÁLOBESO HRIDI BHARE
MORÁ KARE CALI TAVA KÁJ
TUMI ÁSITE PÁRO ÁJ
MALAY ESE CHILO KÁŃE KÁŃE KAYE GELO
TUMI ÁSITE PÁRO ÁJ
The sandal breeze came and told whispering into my ears, that You would arrive today, O
Lord. The sky would remain blue, whole world would be illuminated; the nature would put on
floral adornment. Nobody should have pain, and the face should be joyful. With the light
of hope, everyone’s heart would be filled. Coming amidst all, smiling with sweet charm
the King of cowherd would play flute. To express welcome to Him, all are ready, there is
decoration of fresh mango leaves on the door of the mind, and the beguile is blown
continuously. You come expressing mercy, with heart filled with love. We shall continue to
perform Your work.
3445 (12/03/186) D
ÁLOKER EI YÁTRÁ PATHE
SÁTHE THEKO TUMI PRIYA
SÁTHE CALO KATHÁ BOLO
TOMÁR RAUNGE RÁUNGIYE NIO
ÁLOKER EI YÁTRÁ PATHE
SÁTHE THEKO TUMI PRIYA
KOTHÁ THEKE KOTHÁY ELUM
ÁÁÁÁÁÁÁÁÁÁ
KOTHÁ THEKE KOTHÁY ELUM
KABE PATHE NEVE GELUM
KE ÁMÁRE HÁTAT́I DHARE
NIYE ELO BOLE DIO
ÁLOKER EI YÁTRÁ PATHE
SÁTHE THEKO TUMI PRIYA
EKALÁ ÁMI NAIKO KABHU
ÁÁÁÁÁÁÁÁÁÁ
EKALÁ ÁMI NAIKO KABHU
SAUNGE THÁKO SABÁR PRABHU
ÁNDHÁR RÁTE ÁNDHÁR RÁTE
ÁNDHÁR RÁTE JHAINJHÁ VÁTEO
VIJAY GIITI GEYE JEO
ÁLOKER EI YÁTRÁ PATHE
SÁTHE THEKO TUMI PRIYA
O Dear Lord, on this path of effulgence, You stay with me. Move together with me
communicating with me and colouring me in Your colour. Where I was, where did I come, when
did I come to the path? Who has brought me holding my hand, tell me all. O Lord, I am
never alone. You are always with all. In dark nights and also during stormy winds
continue singing the victory song.
3446 (31/03/1986) K
PHÁGUNE ESECHILE
BHÚLE GELE KII TRUT́I ÁMÁR
ÁJIO KISHALYE PHÚL NICAYE
VASANTA BÁHÁR
KII TRUT́I ÁMÁR
PHULERÁ KHUSHITE CHILO
ÁÁÁÁÁÁÁÁÁÁ
PHULERÁ KHUSHITE CHILO
NIILÁKÁSHA HESE CHILO
TÁRÁRÁ JÁNIYE CHILO
CETANÁR PRIITI SAMÁHÁRA
KII TRUT́I ÁMÁR
ÁJO PHÚLERÁ SEJECHE
ÁÁÁÁÁÁÁÁÁÁ
ÁJO PHÚLERÁ SEJECHE
NIILÁKÁSHA CEYE RAYECHE
TÁRÁRÁ KENDE KAHICHE
SE PRIYA ÁSIBE NÁKI ÁR
KII TRUT́I ÁMÁR
PHÁGUNE ESECHILE
BHÚLE GELE KII TRUT́I ÁMÁR
O Lord, You had come during spring, but forgot, what was my mistake? Even today, there is
spring beauty with developed assemblage of tender leaves and flowers. The flowers were
joyful, and smiled in the blue sky. They knew the aggregate of love and consciousness.
Even today the flowers are decorated in the blue sky. They speak crying, “ would not
that Dear come again”
3447 (13/03/1986)
PHÚL PHUT́E CHILO ÁLO JHARE CHILO
TOMÁR CARAŃ SPARSHE PEYE
DHARÁ ÁNANDE NECE CHILO
PHÚL PHUT́E CHILO ÁLO JHARE CHILO
PATH PÁNE CEYE TÁRÁ JEGECHILO
ADHIIR HIYÁY PALA GUŃECHILO
TUMI ELE ÁNKHI MELIYÁ CÁHILE
SABÁR MARMA DULECHILO
PHÚL PHUT́E CHILO ÁLO JHARE CHILO
MÁNASÁTIITE CALÁ PHERÁ TAVA
SAḾVEG ÁVEGE KIIRŃA ANUBHAVA
RAUNGA DHELE JÁO NITI NAVA NAVA
PRIITIR ÁYUDH BOLE CHILO
PHÚL PHUT́E CHILO ÁLO JHARE CHILO
TOMÁR CARAŃ SPARSHE PEYE
DHARÁ ÁNANDE NECE CHILO
The flowers have bloomed, light is glowing, and the earth is dancing with joy finding the
touch of Your feet. They are awaken looking towards the path, with eager heart, counting
moments. Having come, You opened the eyes, and everyone’s core of the heart vibrated.
Your movement is beyond the mental arena, with spread feelings of momentum and impulse, Go
always on pouring the evernew colours, announcing the instrument of love.
3448 (14/03/1986) K (Krsna)
NECE NECE ÁY MAN MURACHÁY
ÁMÁR GOPÁL KOLE ÁY RE
MÁKHANO ENECHI KŚIIRO REKHECHI
EKHANI KHÁOÁTE TORE
ÁMÁR GOPÁL KOLE ÁY RE
DHULO LEGECHE GÁY ÁY DII MUCHIYE
ÁÁÁÁÁÁÁÁÁÁ
DHULO LEGECHE GÁY ÁY DII MUCHIYE
JHUNT́I KHULE JÁY DOBO RE GUCHIYE
NÁ REKHE BÁHIRE RÁKHABO BHIITARE
TORE MOR MANERI GABHIIRE
ÁMÁR GOPÁL KOLE ÁY RE
MANATE ÁCHO MOR MOHANÁBHÚŚAŃA
ÁÁÁÁÁÁÁÁÁÁ
MANATE ÁCHO MOR MOHANÁBHÚŚAŃA
JATANE KHACITA RATAN ÁSAN
DEKHÁTE NÁRI TÁY TAMETE D́HÁKÁ HÁY
TUI ESE SARÁ SE ÁNDHÁRE
ÁMÁR GOPÁL KOLE ÁY RE
BHEVE BHEVE JÁRE MAN MOR UDDVELO
ÁÁÁÁÁÁÁÁÁÁ
BHEVE BHEVE JÁRE MAN MOR UDDVELO
ÁNKHI NÁ HERE TÁRE E KII DÁRUŃA SHAELO
MAMATÁ YAMUNÁY UJÁNE BAHE JÁY
ÁSIBE SE KON SE PRAHARE
ÁMÁR GOPÁL KOLE ÁY RE
NECE NECE ÁY MAN MURACHÁY
ÁMÁR GOPÁL KOLE ÁY RE
O my Krsna, Gopa’l, come into my lap, dancing and charming my mind. I have brought
butter, the rice cooked in milk too, that I would feed You. The dust smeared on Your body
I shall wipe, the hair on the head is loosened, I shall tie that. I would not keep You
outside, but inside within the depth of the mind. Remain in the mind with charming
adornment, on the welldecorated gemstudded seat. But You are not shown, alas, due to
covering by the darkness. By coming You remove that darkness. By thinking Whom all the
time, the mind has become restless the eyes are unable to find Him, what a hard stone? The
river Yamuna of affection goes on flowing in tide, what time shall He come?
3449 (14/03/1986) D
EKALÁ GHARE CHILUM ÁMI
TOMÁR CHAVI MANE LUKIYE
CALALO DHARÁ NIJER DHÁRÁY
ÁMI TOMÁR BHÁVAT́I NIYE
TOMÁR CHAVI MANE LUKIYE
KEU CHILO NÁ DVITIIYA ÁR
ÁÁÁÁÁÁÁÁÁÁ
KEU CHILO NÁ DVITIIYA ÁR
KAITE KATHÁ SAUNGE ÁMÁR
MANER TUMI MANER ÁMI
MAN CHILO NÁ KON VIŚAYE
TOMÁR CHAVI MANE LUKIYE
VIINÁ ÁMI VÁDAKA TUMI
ÁÁÁÁÁÁÁÁÁÁ
VIINÁ ÁMI VÁDAKA TUMI
BÚJHE NILUM SE DIN ÁMI
TOMÁR CHONYÁ ÁMÁR TÁRE
JHAUNKRITA HOYE TÁLE LAYE
TOMÁR CHAVI MANE LUKIYE
EKALÁ GHARE CHILUM ÁMI
TOMÁR CHAVI MANE LUKIYE
O Lord, I was alone in home, hiding Your figure in the mind. The earth was moving in its
own flow and I was carrying Your ideation. There was no other second entity, to talk with
me. Both You and I were in the mental arena, and the mid was not having any object. I am
viin’a’, and You are the player. This fact I understood that day. By Your touch, my
strings would resonate in Your rhythm and melody.
3450 (14/03/1986) K
SHRÁVAŃ NISHIITHE JHAINJHÁ VÁTE
SAḾGIITA BHESE ÁSE KÁR E ASAMAY
KE SE ASHARIIRI ÁMÁRE SMARI
KÁCHE KÁCHE RAYE GECHE NÁ DIYE PARICAYA
SAḾGIITA BHESE ÁSE KÁR E ASAMAY
D́ÁKILEO SE JE KABHU SÁŔÁ NÁHI DEY
ÁÁÁÁÁÁÁÁÁÁ
D́ÁKILEO SE JE KABHU SÁŔÁ NÁHI DEY
NÁ D́ÁKILEO DHARÁ DEY JE HIYÁY
TÁHÁR MADHUR LIILÁ RÚPE RASE BHARÁ MELÁ
SAB KICHU KARE DEY AMRITAMAY
SAḾGIIT BHESE ÁSE KÁR E ASAMAY
OGO AKARUŃA ÁMI TOMÁRE CINI
ÁÁÁÁÁÁÁÁÁÁ
OGO AKARUŃA ÁMI TOMÁRE CINI
SAKAL JINÁNER JINÁNI GUŃER GUŃII
TUMI CHÁŔÁ KICHU NÁI SABÁRE TOMÁTE PÁI
TOMÁR SAUNGE KARI SATTÁ VINIMAY
SAMGIITA BHESE ÁSE KÁR E ASAMAY
SHRÁVAŃ NISHIITHE JHAINJHÁ VÁTE
SAḾGIITA BHESE ÁSE KÁR E ASAMAY
On this rainy night, with stormy wind, Whose song comes floating this untimely? Who is
that without physical body, who remembering me remained close, without giving
introduction? When called, He never responds, but without call, He comes into the folds of
the heart. Your sweet enchanting game, liila, and the fair, full of beauty and taste
makes everything full of nectar. O The merciless, I recognise You. You are knower of all
wisdom, and possessor of all attributes. There is nothing other than You. All can take You
together with them, in exchange of the offer of their whole existence.
3451 (15/03/1986) K
VASANTA VIITHIKÁY PHÚL MÁLIKÁY
KE ELO NÚPUR PÁY
ÁMI, CINI NÁ TÁRE KABHU DEKHINI TÁRE
ARÚPA ÁNGINÁY RÚPER MÁYÁY
NIJERE CHAŔIYE JÁY
AKAPAT́E GO AKÁTARE
ÁMI, CINI NÁ TÁRE KABHU DEKHINI TÁRE
SARITÁR JALE SHISHIRER DODULE
ÁÁÁÁÁÁÁÁÁÁ
SARITÁR JALE SHISHIRER DODULE
BHÁVER DEULE RAUNGER KISHALE
SABETEI ÁCHE BHARIYÁ RAYECHE
MAN JÁHÁ NEHÁRE ÁNKHI
JÁHÁRE HERE
ÁMI, CINI NÁ TÁRE KABHU DEKHINI TÁRE
THAI KONO NÁI JATA BHEVE JÁI
ÁÁÁÁÁÁÁÁÁÁ
THAI KONO NÁI JATA BHEVE JÁI
PRADISHA ANUDISHE SE MOHANE PÁI
ADRI SHIKHARE UDADHI GABHIRE
TÁR MAHIMÁ JHARE SABE TÁHÁRE SMARE
ÁMI, CINI NÁ TÁRE KABHU DEKHINI TÁRE
VASANTA VIITHIKÁY PHÚL MÁLIKÁY
KE ELO NÚPUR PÁY
Through the lane decorated with the floral garlands of the spring, Who has come with
tinkling of ankle bells? I do not recognise Him. I have never seen Him. In the courtyard
of formless, He goes on scattering Himself as the charming illusive panorama without
deceit unperturbedly. In the water of the stream, swinging of drops, in the temple of
ideation, and colour of the tender leaves. You are present pervading all wherever the mind
observes and searches. How much I continued thinking, there is no estimate. In all
directions and subdirections, I find the same charming Entity. Over the mountaintops and
within the depth of the ocean, His glory emanates and all remember Him.
3452 (15/03/1986) K
SVAPANE DEKHECHI BHÁLOBESECHI
DEKHÁ HOYE NÁI NAYANE
CHINU GHÚM GHORE CHINU GHÚM GHORE
GHRÁTA CANDANE ANÁHATA MANANE
BUJHECHI ESECHILE ÁMÁR GHARE
CHINU GHÚM GHORE CHINU GHÚM GHORE
SAB CEYE ÁMÁR TUMI ÁPANÁR
ÁÁÁÁÁÁÁÁÁÁ
SAB CEYE ÁMÁR TUMI ÁPANÁR
AŃUTE SÁKŚII TUMI GUŃE SAMÁHÁR
DUHKHE SUKHE ÁCHO SAUNGE ÁMÁR
PRIITI D́HÁLO DYUTI NIKARE
CHINU GHÚM GHORE CHINU GHÚM GHORE
TOMÁR KÁCHE CÁOÁ NÁ CÁOÁ SAMÁN
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR KÁCHE CÁOÁ NÁ CÁOÁ SAMÁN
PRAYOJAN ÁYOJAN BOJHO SAḾSTHÁN
DÁO, ABHISHÁPE ABHIŚEKA, HATAMÁNE MÁN
JÁ KARO BHÁVÁR BÁHIRE
CHINU GHÚM GHORE CHINU GHÚM GHORE
SVAPANE DEKHECHI BHÁLOBESECHI
DEKHÁ HOYE NÁI NAYANE
I have seen Him in dream and loved, but there was facetoface meeting. I was in deep
slumber. Through the smelled fragrance of sandalwood, undisturbed mind, I could
understand, that You had visited my home. You are my nearest own, witness of microcosm and
aggregate of attributes. You are together with me in pain and pleasure, poring love as
collected effulgence. Before You, there is sameness between desire and dislike. The
purpose, and preparation, You consider laid in same orderly manner. You grant crowning
glory to the cursed ones and prestige to the dishonored. Whatever You do is beyond
thought.
3453 (16/03/1986) D
DUHKHER DINE BANDHU ÁMÁR
NIRÁSHA PRÁŃER ÁSHÁ
TOMÁR BHÁVANÁKE GHIRE
BHARE JE MOR BHÁLOBÁSÁ
NIRÁSHA PRÁŃER ÁSHÁ
PATH CALITE TOMÁY SMARI
ÁÁÁÁÁÁÁÁÁÁ
PATH CALITE TOMÁY SMARI
ÁNKHIR NIIRE TOMÁY HERI
TOMÁR VITTE CITTA BHARI
SARÁO MANER KUÁSHÁ
NIRÁSHA PRÁŃER ÁSHÁ
PÚRAK RECAK TAVA ICCHÁY
ÁÁÁÁÁÁÁÁÁÁ
PÚRAK RECAK TAVA ICCHÁY
BHÁVER MADHU TOMÁR DAYÁY
SMITA VIDHU ÁCHO HIYÁY
NÁSHO BHRÁNTI DEKHÁO DISHÁ
NIRÁSHA PRÁŃER ÁSHÁ
DUHKHER DINE BANDHU ÁMÁR
NIRÁSHA PRÁŃER ÁSHÁ
O my companion of painful days, hope for the disappointed hearts, my love is fully
surrounded with Your ideation. While moving on the path, I remember You, with tearful
eyes, I search You, with Your wealth, I fill my mind, please remove the fog of my mind.
The inhalation and exhalation is by Your wish, the sweetness of feelings is by Your grace.
You are present as smiling moon in the heart, destroy the delusion and show the proper
direction.
3454 (16/03/1986) K
NAYANE CHILO KÁJAL
YÁTANÁRI JALA, DHÚYE TÁ DILO
KE DILO MANE VYATHÁ
KAO SE KATHÁ
KENO SE KÁNDÁLO
DHÚYE TÁ DILO
THÁKE SE KOTHÁY BOLO
ÁÁÁÁÁÁÁÁÁÁ
THÁKE SE KOTHÁY BOLO
TOMÁRE KARE VIKALA
ÁNKHI TÁI CHALA CHALA
SE MANER KATHÁ NÁ SHUŃILO
DHÚYE TÁ DILO
SE PRIYA ETO KI NIT́HUR
TOMÁRE KARECHE VIDHUR
TABE KENO HÁSE MADHUR
YADI NÁ ?MARMA BUJHILO
DHÚYE TÁ DILO
NAYANE CHILO KÁJAL
YÁTANÁRI JALA, DHÚYE TÁ DILO
The eyes were decorated with dark markings, but it was washed due to the tears of
tortures. Who gave you such agony, tell me about that. Why has He made You cry? Tell me
where is He, Who has made you destitute by not listening to your mental agony and making
your eyes tearful? That Dear is so merciless who has made you afflicted. Then why does not
He smile sweetly, if He does not understand the reality of the heart.
3455 (19/03/1986) K
GÁNETE ESECHO DOLÁ DIYECHO
MANE RAUNGA LÁGIYECHO
TUMI ATULNIIYA TUMI ATULNIIYA
BHÁLOBESECHO ÁLO D́HELECHO
SABÁR PRIYA
SABÁR PRIYA TUMI SABÁR PRIYA
TUMI ATULNIIYA TUMI ATULNIIYA
SHRIŚT́IR ÁDITEO TUMI CHILE
ÁÁÁÁÁÁÁÁÁÁ
SHRIŚT́IR ÁDITEO TUMI CHILE
SARJAN MÁJHE LUKÁYE RAHILE
AINJITA COKHE MANJULÁNANE
SABÁKÁR VARAŃIIYA
TUMI ATULNIIYA TUMI ATULNIIYA
ÁSHRAY JÁCE SAKALE TOMÁR
ÁÁÁÁÁÁÁÁÁÁ
ÁSHRAY JÁCE SAKALE TOMÁR
SHRAVAŃE MANANE BHÁVE BHÁVANÁR
BODHE BODHÁTIITE CITI SUDHÁ SHROTE
SHÁSHVATA PÚJANIIYA
TUMI ATULNIIYA TUMI ATULNIIYA
GÁNETE ESECHO DOLÁ DIYECHO
MANE RAUNGA LÁGIYECHO
TUMI ATULNIIYA TUMI ATULNIIYA
O Lord, You came into songs and oscillated, smeared colour in the mind. You are
incomparable. You loved, poured light, You are Dear of all. You existed in the beginning
of creation, remained hidden during creation, with decorated eyes and beautiful face; You
are most revered of all. All seek Your shelter. With listening, meditation and ideation
within and beyond intuition, in the stream of nectar of the mind, You are eternally worth
worshipping.
3456 (21/03/1986) D
SHÁRAD SÁNJHE SMITA SHEFÁLII
SURABHITE KÁKE PETE CÁY
SÁDÁ MEGH SANE SNIGDHA SVANANE
SAKAL SIIMÁNÁ BHEUNGE JÁY
SURABHITE KÁKE PETE CÁY
BÁDHÁ DITE TÁKE KEHO NÁHI ÁR
ÁÁÁÁÁÁÁÁÁÁ
BÁDHÁ DITE TÁKE KEHO NÁHI ÁR
PRATI PALAKE PULAKE SAMÁHÁR
BHULOKER SHEŚE DYULOKA SIIMÁY
DOLA DEY DIVYA DOLÁY
SURABHITE KÁKE PETE CÁY
ANEKER KATHÁ BHÚLE JÁY MAN
ÁÁÁÁÁÁÁÁÁÁ
ANEKER KATHÁ BHÚLE JÁY MAN
EKER ÁKUTI BHARE JE JIIVAN
ANEKE NIHITA JE EK AMITA
TÁTE SPANDITA DYOTANÁY
SURABHITE KÁKE PETE CÁY
SHÁRAD SÁNJHE SMITA SHEFÁLII
SURABHITE KÁKE PETE CÁY
On this winter evening, the smiling shefa’lii flower, by its fragrance, whom does it
want to find? Along with white clouds and soft breeze, it wants to break all limitations.
There is no one else to obstruct it. Each moment is collection of joy. At the end of
world, at the boundary of heaven, it swings into heavenly oscillations. The mind wants to
forget multiplicities and with one earnestness the life is filled. Located within many is
One immeasurable, by His vibration is illumination.
3457 (21/03/1986) (Krsna)
ÁMÁR GOPÁL HÁRIYE GECHE
MANER VRINDÁVANE KÁNDI
D́EKE D́EKE PÁINÁ TÁKE
TABU ÁSHÁY HIYÁY BÁNDHI
MANER VRINDÁVANE KÁNDI
SHUNINIKO TÁHÁR KATHÁ
DIYE GECHI SHUDHU VYATHÁ
PRIITIR RAUNGER MÁLÁ
KABHU PARÁINIKO GÁNTHI
MANER VRINDÁVANE KÁNDI
SE CEYECHE SARALATÁ
ÁMÁR CHILO KUT́ILATÁ
VAKRA PATHE TÁKE PETE
CEYECHI NIRAVADHI
BHÁVI AVASHEŚE KŚAMI
DOSHE ÁJ SE ÁSE YADI
MANER VRINDÁVANE KÁNDI
ÁMÁR GOPÁL HÁRIYE GECHE
MANER VRINDÁVANE KÁNDI
My Gopa’l, Krsna, is lost, and I am crying in the mental Vrinda’van. Even on
call after call, I do not get Him, still I hold the hope in the heart. I did not listen to
Him, and thus created only mental agony, I never threaded the garland coloured with love
to place around Him. He likes simplicity, while I had crookedness. I always wanted to find
Him through the crooked means. I only think that if I attain Him, I would be excused at
the end.
3458 (22/03/1986) K
VIJANA MANANE MOR BHUVANE
KE GO TUMI ELE
PRADIIP JVALENI MÁLÁ MELENI
NIJER RÚPE DISHÁ BHARÁLE
ELE
TRIDASHER UPÁSYA TUMI DEVATÁ
ÁÁÁÁÁÁÁÁÁÁ
TRIDASHER UPÁSYA TUMI DEVATÁ
NIVEDANA KARI TÁI MOR DIINATÁ
MOR PARE D́HÁLO TAVA PRIITI MAMATÁ
NIRJANE PRABHU VIRALE
ELE
MAHÁKÁSHE CHÚT́E CALE TAVA VÁRTÁ
ÁÁÁÁÁÁÁÁÁÁ
MAHÁKÁSHE CHÚT́E CALE TAVA VÁRTÁ
SABÁR SHRAVAŃA TARE SHRUTI KATHÁ
ANANTA TAVA RÚPA AYUTA GÁTHÁ
PRÁŃIIN PRAKÁSHE BHÁSE BHUMÁ SALILE
ELE
VIJANA MANANE MOR BHUVANE
KE GO TUMI ELE
In the isolated mind, into my world, who is that You who came? I had not kindled the lamp
spread the garland, with Your own effulgence, You filled all directions. You are the Deity
worth worshipping by heaven, thus I solicit before You my destitution.
3459 (23/03/1986) K
ASAHÁY ÁMI SHARAŃE TOMÁR
KRPÁ NAYANE CÁO HE MOR DEVATÁ
VIRÁT́A TUMI KŚUDRA ÁMI
KE ÁR BHUJHIBE BOLO MOR ÁKULATÁ
KRPÁ NAYANE CÁO HE MOR DEVATÁ
DIYECHO ASHAN DIYECHO ÁVÁS
ÁÁÁÁÁÁÁÁÁÁ
DIECHO ASHAN DIECHO ÁVÁS
SHIITE ÁVARAŃA NITYA SAKÁSH
PITÁ MÁTÁR SNEHA MAMATÁ MÁKHÁ GEHA
DIYECHO SAB KICHU BHARÁ MADHURATÁ
KRPÁ NAYANE CÁO HE MOR DEVATÁ
CÁOÁR KICHU NÁI BÁKI E JAGATE
ÁÁÁÁÁÁÁÁÁÁ
CÁOÁR KICHU NÁI BÁKI E JAGATE
SABAI DIE JÁO SAKAL RTUTE
ÁCHO SÁTHE SÁTHE DUHKHE SUKHETE
TABU KARUŃÁ JÁCI HE BHÁGYA VIDHÁTÁ
KRPÁ NAYANE CÁO HE MOR DEVATÁ
ASAHÁY ÁMI SHARAŃE TOMÁR
KRPÁ NAYANE CÁO HE MOR DEVATÁ
I am helpless at Your shelter, O My Deity, have grace on me. You are Great and I am
meagre. Who else would understand my earnestness? You have provided me with food
residence, cover for cold and ever company. Parents’ fondness, affectionsmeared home
everything You have given me full of sweetness. There is nothing in the world that I want.
You go on providing everything in all seasons. You are together in all pains and
pleasures. Still I beg Your mercy, O the Controller of destiny.
3460 (24/03/1986) K
SEI PHÁLGUNI PURŃIMÁ ESECHE PRIYA
MANO VANE ÁSIO BHÁLOBÁSÁ NIO
MUKULE MUKULE BAKULERI D́ÁLE
SNIGDHA SURABHI D́HÁLIYÁ DIO
MANO VANE ÁSIO BHÁLOBÁSÁ NIO
TARUTE TARUTE KISHALAY JEGECHE
ÁÁÁÁÁÁÁÁÁÁ
TARUTE TARUTE KISHALAY JEGECHE
MALAY PAVANE NAVA KALI ESECHE
MANER KÁNAN PHULE BHARIÁ GECHE
GÁNER SÁJI TAVA TÁTE BHARIO
MANO VANE ÁSIO BHÁLOBÁSÁ NIO
CHANDE TÁLE RÁGE KUHU KEKÁ GÁY
ÁÁÁÁÁÁÁÁÁÁ
CHANDE TÁLE RÁGE KUHU KEKÁ GÁY
MANER MÁDHURII TÁR SURE MURACHÁYA
VISTÁRE VIIŃÁ TÁRE GIITI BHESE JÁYA
TUMI TÁRE TAVA KÁCHE T́ÁNIO
MANO VANE ÁSIO BHÁLOBÁSÁ NIO
SEI PHÁLGUNI PURŃIMÁ ESECHE PRIYA
MANO VANE ÁSIO BHÁLOBÁSÁ NIO
O Dear, You came on that spring full moon, now come into my mental garden and accept my
love. On each bud of the branch of bakul tree, pour soft fragrance. On each tree new
tender leaves have appeared. With sandal breeze, new buds have come. With the adornment of
Your song, fill them. With rhythm tune and melody the cuckoos and peacocks sing. The
sweetness of mind gets merged in their tunes. With the extension of the strings of
viin’a’, the song goes on floating. You pull them close to You.
3461 (24/03/1986) K
JHARA JHARA VARAŚÁY E NISHÁY
MAN TOMÁREI CÁY
MAN TOMÁREI CÁYA
KETAKII KESHARE KETANE KARAKÁY
MAN TOMÁREI CÁY
MAN TOMÁREI CÁYA
UDDIPTA ÁJ DARDURERÁ
ÁÁÁÁÁÁÁÁÁÁ
UDDIPTA ÁJ DARDURERÁ
ULKÁR GATI DHÁRÁ ÁNDHÁRE HÁRÁ
KÁSÁRER DHÁR VEŃUKÁ RAVE BHARÁ
NIIP NIKUNJA IRÁ SVANE SHIHARÁY
MAN TOMÁREI CÁY
MAN TOMÁREI CÁYA
KALYÁŃA MAINJARI NIYE HÁTE
ÁÁÁÁÁÁÁÁÁÁ
KALYÁŃA MAINJARI NIYE HÁTE
ELE TUMI NRITYER SÁTHE SÁTHE
KALMAŚA KÁLIMÁ KLEDA SARÁTE
PRIITIR SUDHÁ SÁRE GIITI ALAKÁY
MAN TOMÁREI CÁY
MAN TOMÁREI CÁYA
JHARA JHARA VARAŚÁY E NISHÁY
MAN TOMÁREI CÁY
MAN TOMÁREI CÁYA
On this continuously raining night, the mind wants You. The fragrant pollen of ketakii
screwpine flower, scatters from the petals. The toadsounds are vibrant, the trailing mark
of the meteorite is lost in darkness. The bamboo grove is filled with the sharp noise of
tall grass in the vicinity. The arbor of niip quivers with the resonance of cosmic sound.
Carrying the bunch of buds of benevolence and welfare, in the hand, You came along with
dance to remove the darkness of mud and sin from the heavenly song of sweet nectar of
love.
3462 (25/03/1986) D
TUMI, ÁMÁR PABHU JIIVANE MARAŃE
ÁCHO SÁTHE SÁTHE RÁTE DINE
PRABAL JHAINJHÁGHÁTE TUMI ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
PRABAL JHAINJHÁGHÁTE TUMI ÁCHO
MALAY MADHUR VÁTE TUMI NÁCO
KÁLA VAESHÁKHIR SURE CHANDA RACO
ANALE ANILE PRATI KŚAŃE
ÁCHO SÁTHE SÁTHE RÁTE DINE
ANÁDI ANANTA TOMÁR LIILÁ
ÁÁÁÁÁÁÁÁÁÁ
ANÁDI ANANTA TOMÁR LIILÁ
BHÁUNGÁ GAŔÁ NIYE TOMÁR KHELÁ
HIME SHIITALATÁ NIDÁGH JVÁLÁ
VAEPARITYE HÁSO MANE MANE
ÁCHO SÁTHE SÁTHE RÁTE DINE
TUMI, ÁMÁR PABHU JIIVANE MARAŃE
ÁCHO SÁTHE SÁTHE RÁTE DINE
You are my Lord in life and death, remaining together with me day and night. You are
present in intense blow of storm. You also dance in the sweet sandal breeze. You create
the rhythms in the tune of annihilating storm, in fire and wind, every moment. Your divine
illusory game is without a beginning and end. You game consists of creation and
destruction. With chill cold of the winter and burning sun of the summer, taking the
opposites, You smile in the mind.
3463 (25/03/1986) K
MOR BHÁVER DEULE TUMI ÁCHO PRIYA
TUMI ÁCHO PRIYA
MAN MÁJHE AYUTA SÁJE
HE VARAŃIIYA
TUMI ÁCHO PRIYA
ARÚPA HOYEO ÁCHO RÚPE RÚPE
ÁÁÁÁÁÁÁÁÁÁ
ARÚPA HOYEO ÁCHO RÚPE RÚPE
AMÚRTA CETANÁY GANDHE DHÚPE
SHIITER KUHELITE VARAŚÁ NIIPE
HE ÁDARAŃIIYA
TUMI ÁCHO PRIYA
SHRAVAŃE MANANE NIDIDHYÁSANE
ÁÁÁÁÁÁÁÁÁÁ
SHRAVAŃE MANANE NIDIDHYÁSANE
PRÁŃÁYÁME DHÁRAŃÁY DHYÁNÁSANE
MANER MAŃIKOT́HÁY ADHIKARAŃE
SARVÁVASTHÁTE ATULNIYA
TUMI ÁCHO PRIYA
MOR BHÁVER DEULE TUMI ÁCHO PRIYA
TUMI ÁCHO PRIYA
O Dear You reside in the temple of my ideation, within the mind with innumerable
adornments. Even though remaining formless, You are present in each form, in unexpressed
consciousness, in fragrance and incense, in the fog of winter and niipflower of rains, O
the most revered. You are present in listening, meditation, concentration, breathcontrol
withholding the mind and meditative posture. You exist in the vessel of mental casket
everywhere, O the incomparable.
3464 (23/03/1986) D
NAYANE YADI NÁ ELE
MANANE MOR ESO NIRÁLÁY
JIIVANE PATH PÁNE CEYE CEYE
BENCE ÁCHI ÁSHÁY
MANANE MOR ESO NIRÁLÁY
ÁMÁR E GUL BÁGICÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR E GUL BÁGICÁ
PHÚL HÁRÁ PAŔE ÁCHE KÁNT́Á
SE KÁNT́Á DICCHE KHONCÁ
JOÁRERA PARE JENO BHÁNT́Á
UTALÁ HOI DHAERYA HÁRÁI
BHEVE BHEVE E NIT́HÚRATÁYA
MANANE MOR ESO NIRÁLÁY
EKHANO ÁCHE SAMAY
ÁÁÁÁÁÁÁÁÁÁ
EKHANO ÁCHE SAMAY
MALAY VÁY E PHÁLGUNII RÁTE
KŚAŃEK THÁKO SÁTHE
E PURŃIMÁTE SUSNIGDHA JYOTSNÁYA
MANANE MOR ESO NIRÁLÁY
NAYANE YADI NÁ ELE
MANANE MOR ESO NIRÁLÁY
O Lord, if You could not come into the eyes, come into my mind in seclusion. Moving on the
path of life, I survive with hope. In my floral garden, flowers are lost, only thorns are
left. Those thorns hurt and prickle like flow after ebb. Thinking of this mercilessness, I
lose patience and become frenzied. Even now there is time, on this spring night with
sandal breeze. Stay with me for a moment, during this soft moonlight of full moon.
3465 (27/03/1986) D
KENO TUMI ESE CHILE KENO
GELE CALE KICHUI NÁHI BOLE
ÁSÁR ASHE PAL GUŃE JÁI
VYATHÁR ÁNKHI JALE
KICHUI NÁHI BOLE
ANSHU MÁLI ÁSE VIHÁNE
ÁÁÁÁÁÁÁÁÁÁ
ANSHU MÁLI ÁSE VIHÁNE
ÁLOR DHÁRÁ D́HÁLE PRÁŃE
MANER ÁNDHÁR RAY GAHANE
NÁ BOLÁR ATALE
KICHUI NÁHI BOLE
RAVI CALE ASTÁCALE
ÁÁÁÁÁÁÁÁÁÁ
RAVI CALE ASTÁCALE
SANDHYÁ RÁGE JHALAMALE
CÁNDANII RÁTER MÁYÁ GHERE
SMITA PRÁŃOCCHALE
ÁMÁR TIMIR HOYE JE GABHIIR
ATANDRA KAJJVALE
KICHUI NÁHI BOLE
KENO TUMI ESE CHILE
KENO GELE CALE
KICHUI NÁHI BOLE
O Lord, why did You come and why did You go without telling anything? I go on counting
time with the hope of Your arrival, with tearful eyes due to agony. The sun rises in the
morning, and pours flow of light into the life. The darkness of mind remains in deep
recess silently. The sun sets down, the evening colour glows. The mirage like moonlit
night, surrounds overwhelmingly. My night deepens with intense darkness.
3466 (27/03/1986) D
MARME JABE BHÁSILE
ACENÁ AJÁNÁ CHILE
KÁCHERI HOLE
MARME JABE BHÁSILE
BHÁVANÁY TUMI RAYECHO
ÁÁÁÁÁÁÁÁÁÁ
BHÁVANÁY TUMI RAYECHO
DHÁRAŃÁY RAUNGA LÁGIYECHO
TABU CHALANÁY METECHO
MÁYÁRI JÁLE
MARME JABE BHÁSILE
NAYANE NAYANE ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
NAYANE NAYANE ÁCHO
MANANE RÚPA NIYE CALECHO
SHRAVAŃE NIDIDHYÁSANE
LIILÁ RACILE
MARME JABE BHÁSILE
O Lord, when You appeared in the core of my mind, You were unknown and unrecognised, but
You became close. You remain in ideation, apply colour in the concentration of the mind.
Still You are frenzied working with the web of illusive, ma’ya’. You are present in
each eye and move into the mind with form. With listening, and concentration You have
created the illusive game, liila.
3467 (27/03/1986) K
GÁN GEYE JÁI TOMÁKE SHONÁI
SHOŃO KI NÁ ÁMI JÁNI NÁ
SEDHE CALI SUR BHÁVE BHARAPÚR
BHÁŚÁR VICÁR MÁNI NÁ
SHOŃO KI NÁ ÁMI JÁNI NÁ
DHARÁ GHÚRE CALE PRIITIRI NIGAŔE
ÁÁÁÁÁÁÁÁÁÁ
DHARÁ GHÚRE CALE PRIITIRI NIGAŔE
RÁGE TÁLE LAYE ABODHYA SVARE
SE DHVANI DHVANITA TAVA VIIŃÁ TÁRE
TUMI CHÁŔÁ KEU BOJHE NÁ
SHOŃO KI NÁ ÁMI JÁNI NÁ
SUR SAPTAKE MANDRITA ÁBHOGE
ÁÁÁÁÁÁÁÁÁÁ
SUR SAPTAKE MANDRITA ÁBHOGE
NRTYE CHANDE MATHITA JE RÁGE
MOR MANOVIIŃÁ SE RAŃANE JÁGE
TÁKI TUMI PRIYA DEKHONÁ
SHOŃO KI NÁ ÁMI JÁNI NÁ
GÁN GEYE JÁI TOMÁKE SHONÁI
SHOŃO KI NÁ ÁMI JÁNI NÁ
O Lord, I go on singing the song to You, but I do not know whether You hear that or not. I
go on perfecting the tune, full of feelings, without any consideration of the language.
The earth goes round with knot of love, with tune, melody and rhythm in a sound that is
hard to understand. That sound emanates from the strings of Your viin’a’, which, other
than You, no one understands. In the resonating base of the octave, the melody that was
churned with dance and rhythm, arises in my mental viin’a’ as resonance, that O Dear
You do not see.
3468 (28/03/1986) K
NAYANE ESO PRIYA
PRIITI NIO E MADHU SANDHYÁY
ÁJIKE DAKŚINÁ HAOÁY PÁPIÁ GÁY
VIHVAL HIYÁY
E MADHU SANDHYÁY
JEGECHI YUGE YUGE
ÁÁÁÁÁÁÁÁÁÁ
JEGECHI YUGE YUGE
SUMADA ANURÁGE
KUSUMER MADHU PARÁGE
E CITTA SVÁGATA JÁNÁY
E MADHU SANDHYÁY
LUKOCURI SAHE NÁR
ÁÁÁÁÁÁÁÁÁÁ
LUKOCURI SAHE NÁR
O LIILÁ HOLO ANEK BÁR
JENECHI TUMI SÁRÁTSÁR
JENEO KI DÚRE THÁKÁ JÁY
E MADHU SANDHYÁY
NAYANE ESO PRIYA
PRIITI NIO E MADHU SANDHYÁY
O Dear, on this sweet evening, come into eyes and take the sweetness. Today with southern
breeze, the papia’ bird sings with restless heart. I have remained awakened from ages
after ages with intoxicating love. This mind expresses welcome with the fragrance of
flower. It cannot bear the pangs of hide and seek any more, that game has taken place
several times. I know that You are essence of essence, You know that it is not possible to
remain away.
3469 (28/03/1986) D
TOMÁR RATHER CÁKÁ PRABHU
EGIYE CALE AHARAHAH
JÚJHE CALE ÁNDHÁR T́HELE
VICITRA TÁR SAMÁROHA
TOMÁR RATHER CÁKÁ PRABHU
KEU THÁKE NÁ PICHE PAŔE
ÁÁÁÁÁÁÁÁÁÁ
KEU THÁKE NÁ PICHE PAŔE
ANÁTHA ÁTUR SABÁI CARE
UT́HATE JE JAN NÁHI PÁRE
TUMI TÁKE TÚLE LAHO
TOMÁR RATHER CÁKÁ PRABHU
ÁLOR PATHER YÁTRII JÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁLOR PATHER YÁTRII JÁRÁ
EKER ÁPAN SABÁI TÁRÁ
BHEUNGE MANER LAOHA KÁRÁ
TOMÁTE PÁI STHÁYII GEHA
TOMÁR RATHER CÁKÁ PRABHU
TOMÁR RATHER CÁKÁ PRABHU
EGIYE CALE AHARAHAH
Day and night
the wheels of Your chariot rhythmically advance
discarding darkness
as the chariot finds its way ahead
in splendid arrangements.
No one lags behind
even the helpless and distressed ones are moving on.
You lift up all those
who are unable to rise by themselves.
The pilgrims on the path of light
are all related to one another.
Breaking the iron prison of mind
they find their permanent shelter in You.
3470 (28/03/1986) D
BOLO EK BÁR ÁMI TOMÁR
TOMÁRE KHUNJECHI BHÁVIÁ CALECHI
UTALÁ HOYECHI KATA BÁR
BOLO EK BÁR ÁMI TOMÁR
SAḾSÁRER D́ÁKE HOYE UDDVELITA
ÁÁÁÁÁÁÁÁÁÁ
SAḾSÁRER D́ÁKE HOYE UDDVELITA
HÁRÁYECHI DISHÁ HÁRÁYECHI CITTA
DHRUVATÁRÁ HOYE HATTA UPANIITA
SUMUKHE ÁMÁR BÁRE BÁR
BOLO EK BÁR ÁMI TOMÁR
PASHCIME RAVI CALE JÁY BELÁ
ÁÁÁÁÁÁÁÁÁÁ
PASHCIME RAVI CALE JÁY BELÁ
REKHO NÁ BHULÁYE DIYE DHULÁKHELÁ
THÁMÁO KŚAŃEK TOMÁR E LIILÁ
ÁMÁKE NIYE PRIYA E BÁR
BOLO EK BÁR ÁMI TOMÁR
O Lord, tell me once that I belong to You. I searched You, went on thinking and became
frenzied many times. With the attractive call of the world, I become restless and lose the
direction and lose the mind. Becoming the polestar, You come down before me again and
again. The sun is in the west, the time passes. Do not keep me in delusion creating a game
of dust. Stop this illusive game of Yours with me for a moment this time, O Dear.
3471 (29/02/1986) K
ÁLO JVÁLO KENO ÁJI
JYOTSANÁTE DHARÁ BHARÁ
CÁNDER HÁSI PULAKE BHÁSI
BÁJÁYE BÁNSHII SUDHÁ JHARÁ
JYOTSANÁTE DHARÁ BHARÁ
PHÚL JÁBE NÁ KÁRO KÁCHE
ÁÁÁÁÁÁÁÁÁÁ
PHÚL JÁBE NÁ KÁRO KÁCHE
SABÁI TÁRE GHIRE NÁCE
TÁKÁY YADI KÁRO PÁNE
SEI BOLE MORE DÁO DHARÁ
JYOTSANÁTE DHARÁ BHARÁ
E MADHU MÁSER NEI TULANÁ
ÁÁÁÁÁÁÁÁÁÁ
E MADHU MÁSER NEI TULANÁ
ÁKÁSHA PÁTÁL SVAPNE BONÁ
EKER LÁGI ANEK JÁGI
ÁCHE UJÁŔI PRIITI DHÁRÁ
JYOTSANÁTE DHARÁ BHARÁ
ÁLO JVÁLO KENO ÁJI
JYOTSANÁTE DHARÁ BHARÁ
O Lord, why have You kindled light today, when the world is full of moonlight? The smile
of moon appearing with joy, plays flute emanating nectar. The flower does not go to
anybody, all dance surrounding that. If You look towards someone, he only says come into
my folds. There is no comparison of this spring, The sky and hell are woven with dream.
For One many are awaken with overwhelming flow of love.
3472 (29/03/1986) D
NIIP NIKUNJE VEŃUKÁ PUNJE
KEKÁ D́ÁKE KÁR ÁVÁHANE
KÁR BHÁLOBÁSÁ BHARE DILO ÁSHÁ
PALAKE PULAK ÁBHUŚAŃE
KEKÁ D́ÁKE KÁR ÁVÁHANE
IISHÁN KOŃETE KAJJAL BHÁSE
ÁÁÁÁÁÁÁÁÁÁ
IISHÁN KOŃETE KAJJAL BHÁSE
NAERITE CÁNDA UJJVAL HÁSE
DÚR KE NIKAT́E DHARIVÁR ÁSHE
SHIKHI NÁCE TÁR SHIHARAŃE
KEKÁ D́ÁKE KÁR ÁVÁHANE
KE SE SUSMITA ACENÁ ATITHI
ÁÁÁÁÁÁÁÁÁÁ
KE SE SUSMITA ACENÁ ATITHI
PALE ÁSE JÁY NÁHI MÁNE TITHI
SATATA SHOŃÁY SUDHÁ SÁRE GIITI
CIRA AJÁNÁR ABHIMÁNE
KEKÁ D́ÁKE KÁR ÁVÁHANE
NIIP NIKUNJE VEŃUKÁ PUNJE
KEKÁ D́ÁKE KÁR ÁVÁHANE
In the arbor of niip, and in the bamboo grove, at Whose invocation the peacock calls.
Whose love has filled hope in a moment with ornaments of joy. Darkness appears in the
northeast direction, the bright moon smiles in the southwestern direction. With the hope
of holding close, the peacock dances at His quivers. Who is that smiling unrecognised
guest, coming and going in moments without consideration of time. He ever sings the song
full of nectar with ever unknown feelings.
3473 (30/03/1986) K
EI, PUŚPITA KADAMBA TALE
EI, PUŚPITA KADAMBA TALE
CHILUM ÁNKHI JALE
CHILUM ÁNKHI JALE
EI, PUŚPITA KADAMBA TALE
EI, PUŚPITA KADAMBA TALE
DARDUR SANE VIJANÁSANE
BASE CHILUM VIRALE
EI, PUŚPITA KADAMBA TALE
EI, PUŚPITA KADAMBA TALE
MEGH D́EKE JÁY MAYURE NÁCÁY
ÁÁÁÁÁÁÁÁÁÁ
MEGH D́EKE JÁY MAYURE NÁCÁY
SVAPNA VIJAŔITA MAN JHALAKÁY
KÁR PRIITIRI RÁGE AJÁNÁ ANURÁGE
HATÁSHA CITTA MOR UCCHALE
EI, PUŚPITA KADAMBA TALE
EI, PUŚPITA KADAMBA TALE
KETAKI PARÁG BHÁSE ANILE
ÁÁÁÁÁÁÁÁÁÁ
KETAKI PARÁG BHÁSE ANILE
JUTHI PARIMAL HÁSE NAVA SALILE
JATA, RUDDHA DVÁR CHILO ÁMÁR
PALAKE KHULILO KÁR MANTRA BALE
EI, PUŚPITA KADAMBA TALE
EI, PUŚPITA KADAMBA TALE
At the base of this bloomed kadamba tree, I was with tearful eyes. I was sitting in
isolation alone with toads. The clouds call and make the peacocks dance. It shows the
glimpses in the mind engrossed in dream. Due to whose affection and unknown love, my
pessimistic heart bounces up. The pollen of ketakii flower floats in the air. The
fragrance of juhi flower smiles in fresh water. Whatever closed doors of mine were there
they got opened out at Whose power of mantra?
3474 (30/03/1986) K
KENO, ÁNANDERI YÁTRÁ PATHE ÁMI
EKÁ ÁMI EKÁ
ÁCHE ETA LOKA ETA ÁLO
BHULOKA DYULOKE ÁLEKHYA ÁNKÁ
ÁMI EKÁ ÁMI EKÁ
KUSUMER SÁTHE ÁCHE PUŚPA REŃU
ÁÁÁÁÁÁÁÁÁÁ
KUSUMER SÁTHE ÁCHE PUŚPA REŃU
NIRJAN VAN PATHE VEŃUKÁ VEŃU
CHÚT́E CALE RATHA CÁKÁ DHVANI D́ÁKÁ
ÁMI EKÁ ÁMI EKÁ
KEU KI ÁMÁR KOTHÁ NÁI
ÁÁÁÁÁÁÁÁÁÁ
KEU KI ÁMÁR KOTHÁ NÁI
MANER GAHANE BHÁVI TÁI
TUMI ÁCHO OTAH PROTE ANÁVILA PRIITI SÁTHE
MADHUR MOHAN BHÁVE MÁKHÁ
ÁMI EKÁ ÁMI EKÁ
KENO, ÁNANDERI YÁTRÁ PATHE ÁMI
EKÁ ÁMI EKÁ
Why during the voyage on the path of bliss, I am alone? There are so many spheres, so much
light, heavens and earths marked as portraits. Along with flowers are its pollens. On the
solitary forest path are bamboo groves. The wheels of chariot rushes creating sound.
Nobody is mine anywhere, which is what I have been thinking in the depth of my mind. You
are present individually and collectively with pure love, smeared with sweet, charming
feeling.
3475 (30/03/1986) D
TAKHAN KENO ELE NÁKO PRIYA
JAKHAN BELÁ CHILO
SURE CHILO SÁDHÁ MANERI KATHÁ
HÁRIYE GELO
JAKHAN BELÁ CHILO
HÁTE CHILO BÁLÁ MÁTHE CHILO MÁLÁ
ÁÁÁÁÁÁÁÁÁÁ
HÁTE CHILO BÁLÁ MÁTHE CHILO MÁLÁ
SAINCITA JATA ANAL JVÁLÁ
DIIP JVELE DILO
JAKHAN BELÁ CHILO
CALE JÁY BELÁ KAME ÁSE ÁLO
ÁÁÁÁÁÁÁÁÁÁ
CALE JÁY BELÁ KAME ÁSE ÁLO
BUJHITE PERECHI KII MANDA BHÁLO
ÁMÁR E PRADIIP Á TUMI JVÁLO
KŚUDHITA PARÁŃE PRIITI D́HÁLO
JAKHAN BELÁ CHILO
O Dear why did not You come then, when I had appropriate time. My mental feelings were
perfected in melody that was lost now. I had bangles in my hands, and garland on head.
With all collected fire, You kindled lamp. The time goes, the light diminishes, I now
understand what is good or bad. You kindle my lamp and pour love into this hungry life.
3476 (30/03/1986) K
ÁMÁR E PHÚLVANE SAḾGOPANE
KE GO ELE ÁJ
KISHALAY PEYE NILAY
MAN RÁUNGÁLO BHULE SAKAL LÁJ
KE GO ELE ÁJ
BULBULI GÁY SHÁKHÁY BASE
ÁMRA MUKUL GANDHE HÁSE
ÁMRA MUKUL GANDHE HÁSE
ÁMRA MUKUL GANDHE HÁSE
ÁÁÁÁÁÁÁÁÁÁ
ÁMRA MUKUL GANDHE HÁSE
KINSHUKER RÚP NABHE BHÁSE
SÁJIYE NOTUN SÁJ
KE GO ELE ÁJ
ÁKUL BAKUL DHULÁY JHARE
SHÁLMALI CÁY SPARDHÁ BHARE
SHÁLMALI CÁY SPARDHÁ BHARE
SHÁLMALI CÁY SPARDHÁ BHARE
ÁÁÁÁÁÁÁÁÁÁ
SHÁLMALI CÁY SPARDHÁ BHARE
PÁRUL TÁKÁY URDHVA SHIRE
KÁMPIYE KANAK TÁJ
KE GO ELE ÁJ
Who has secretly come today
into my floral garden?
The tender leaf found an abode.
My mind is coloured and forgets all its works.
The bulbul bird sings, perched on the branch of a tree.
The mango buds smile in the fragrance that they diffuse.
In a new decoration
the red beauty of kinshuk flowers shines in the sky.
The distressed bakul flowers
have dropped onto the ground.
The silk cotton tree is defiant.
The trumpet flower, parul
looks overhead, shaking its golden crown.
3477 (30/03/1986) K
KENO JE ÁSE MADHUMÁS
MALAY VÁTÁS
BUJHEO BOJHE NÁ
ÁJI, HÁY PHÁLGUNI VÁY
MAN KÁRE CÁY
MANAI JÁNE NÁ
BUJHEO BOJHE NÁ
KOKILERI KUHU DHVANI
ÁÁÁÁÁÁÁÁÁÁ
KOKILERI KUHU DHVANI
SABÁRE DEY HÁT CHÁNI
BOLE ESO KÁCHE BASO
E TITHI ROJI ÁSE NÁ
BUJHEO BOJHE NÁ
JAGATE RAUNGER KHELÁ
ÁÁÁÁÁÁÁÁÁÁ
JAGATE RAUNGER KHELÁ
ARÚPE RÚPERI LIILÁ
DIYE JÁY KICHU NÁHI CÁY
PHÁGUNER NÁI KONO PÁO NÁ
BUJHEO BOJHE NÁ
KENO JE ÁSE MADHUMÁS
MALAY VÁTÁS
BUJHEO BOJHE NÁ
Why the spring comes and sandal breeze, even after knowing I do not understand that. Today
alas, during the spring breeze, Whom the mind wants, the mind does not know. The cooing
sound of the cuckoo gives inviting signal to all. It tells, “come and sit close, this
day does not come often”. The world is a panorama of colours, the liila, illusory game
of forms by the formless. It only provides, does not want anything, there is no obligation
by the spring.
3478 (30/03/1986)
TUMI ESECHO DIIP JVELECHO
ÁNDHÁR DHARÁTE ANDHÁR DHARÁTE
JÁRÁ GHUMOCCHILO
JÁRÁ KÁNDOCHILO
TÁDER JÁGÁTE HÁSI PHOT́ÁTE
ÁNDHÁR DHARÁTE ANDHÁR DHARÁTE
SABÁI ÁPAN TOMÁR SABÁI JE PRIYA
TUMI SABÁKÁR PARAMÁTMIIYA
SABÁRE NIYE MAN KE MÁTIYE
LIILÁ RACITE
ÁNDHÁR DHARÁTE ANDHÁR DHARÁTE
KÁJ KARE JÁO TUMI ANALAS
EGIYE CALÁR DUSTAR SÁHAS
NIYE RATH CÁLÁO PATH KET́E NÁO
ASHEŚA GATITE
ÁNDHÁR DHARÁTE ANDHÁR DHARÁTE
TUMI ESECHO DIIP JVELECHO
ÁNDHÁR DHARÁTE ANDHÁR DHARÁTE
O Lord, You came and kindled light in the dark world for awaking those who were sleeping
and to make those smile who were crying. For You, all are dear, You are closest own for
all. Taking all together, You create the illusive game, liila, enchanting all minds.
You go on performing Your function without rest, with extreme courage to move forward.
Taking the chariot, You pass the path with endless speed.
3479 (31/03/1986) K
ESECHO PÁSHE ESECHO
MADHUMÁSE PÁSHE ESECHO
TUMI, MADHUMÁSE PÁSHE ESECHO
MOR MALINATÁ JATA ÁVILATÁ
ASHEŚE SARIYE DIYECHO
ESECHO PÁSHE ESECHO
DHULIR SEJE GHUME CHILUM ÁMI
ÁMÁRE TULITE NEVE ELE TUMI
SUMUKHE CÁLÁO DIVAS YÁMI
SATATA SAUNGE RAYECHO
ESECHO PÁSHE ESECHO
ACENÁ ATITHI AJÁNÁ PATHIK
PRÁŃER CEYEO TUMI JE ADHIK
ÁNKHI PALLAVE JÁNÁO KŚAŃIK
MOR KÁCHE KI BÁ PEYECHO
ESECHO PÁSHE ESECHO
You came close, during the spring. My dirt, all impurities, You removed completely. I was
sleeping on the bed of dust, You came to lift me up. Remaining always together, You move
me ahead, O the mover of the day. O the unrecognised guest, the Unknown traveler, You are
dear to me more than my own life. Tell me for a moment, with eyelids, what have You found
in me.
3480 (31/03/1986) D
SVAPNAMAYA E JYOTSNÁY
ÁVESHE DHARÁ BHESE JÁY
BHESE JÁY DHARÁ BHESE JÁY
SVAPNAMAYA E JYOTSNÁY
MANER MUKURE PRÁŃIINATÁ BHARE
KON SE MÁYÁY NÁCE GÁY
BHESE JÁY DHARÁ BHESE JÁY
SVAPNAMAYA E JYOTSNÁY
AGÁDHA ATAL MOR PRIYATAM
ÁÁÁÁÁÁÁÁÁÁ
AGÁDHA ATAL MOR PRIYATAM
ATHACA SE JE ANTARTAM
MADHURIMÁ MÁJHE MADHURTAM
SUR JHANKÁRE MURACHÁY
BHESE JÁY DHARÁ BHESE JÁY
SVAPNAMAYA E JYOTSNÁY
ESO NÁ BALEO RODHITE NÁ PÁRI
ÁÁÁÁÁÁÁÁÁÁ
ESO NÁ BALEO RODHITE NÁ PÁRI
ESO BALIÁO ÁNÁTE JE NÁRI
ÁNKHIR SUMUKHE BHÁVE TÁRE HERI
MANDRITA MAN MAŃIKÁY
BHESE JÁY DHARÁ BHESE JÁY
SVAPNAMAYA E JYOTSNÁY
SVAPNAMAYA E JYOTSNÁY
ÁVESHE DHARÁ BHESE JÁY
BHESE JÁY DHARÁ BHESE JÁY
SVAPNAMAYA E JYOTSNÁY
On this dreamy moonlight, the earth goes on floating with impulse. Filling vitality in the
mental mirror, it goes on dancing with some unknown delusion. O my dearest, You are deep
beyond estimate, rather the inner most. Sweetest amidst sweetness, charmed with the
tinkling of octave. Come without telling, I am unable to obstruct, come with announcement
when not possible to bring. I look for You before my eyes, with swiveling mental rosary.
3481 (31/03/1986) K
MANANE ESO PRIYA MOR
YADI, NAYANE NÁ CÁO
SAYATANE GÁNTHÁ MOR
MÁLÁ JHARE ÁCHE D́OR
ÁSHÁ DIYE KENO BHULÁO
YADI, NAYANE NÁ CÁO
MANANE ESO PRIYA MOR
JÁ KARITÁ KÁJ TAVA
ÁÁÁÁÁÁÁÁÁÁ
JÁ KARITÁ KÁJ TAVA
JÁ KARITÁ KÁJ TAVA
NITI NITI NAVA NAVA
BUJHECHI HE ABHINAVA MOR
DIYE LIILÁ RACÁO
YADI, NAYANE NÁ CÁO
MANANE ESO PRIYA MOR
JÁNI ÁCHO SÁTHE SÁTHE
ÁÁÁÁÁÁÁÁÁÁ
JÁNI ÁCHO SÁTHE SÁTHE
JÁNI ÁCHO SÁTHE SÁTHE
ASHANI KAROKÁGHÁTE
ULKÁ VAJRA PÁTE
VYATHÁ DIYE CETANÁ ÁNÁO
YADI, NAYANE NÁ CÁO
MANANE ESO PRIYA MOR
If You do not cast Your eyes on me
O Lord
at least please come in my contemplation.
I threaded the garland with so much care.
Now, all its flowers have fallen off.
Only the thread remains.
Why do You divert my mind by entertaining false hopes?
Whatever I do each and every day in new and newer styles
are all Your actions.
I have realised
O ever new one
You want to make me play Your divine sport.
I know that during thunderbolts and hailstorms
You are always with me.
In crashes of meteors and thunderclaps
by subjecting me to pain and affliction
You bring me back to my senses.
3482 (31/03/1986) K
KII KALPA LOKA ÁJI RAYECHO
E PHÁLGUNI PÚRŃIMÁY
AMARÁR VÁŃI NIYE ESECHO
SHUBHRA UJJVAL E JYOTSNÁY
E PHÁLGUNI PÚRŃIMÁY
EK HOYE GECHE ÁJ BÁHIR BHIITAR
ÁÁÁÁÁÁÁÁÁÁ
EK HOYE GECHE ÁJ BÁHIR BHIITAR
SVAPNAO VÁSTAVE NEI ANTAR
MANER BALÁKÁ UŔE DESHÁNTAR
PAR KE KARECHE GHAR DÚR NIILIMÁY
E PHÁLGUNI PÚRŃIMÁY
NÁ BHÁVÁR MÁJHE BHÁVÁ ÁSE JHÁNKE JHÁNK
ÁÁÁÁÁÁÁÁÁÁ
NÁ BHÁVÁR MÁJHE BHÁVÁ ÁSE JHÁNKE JHÁNK
NÁ BOLÁ BOLÁR MÁJHE NEI KONO PHÁNK
KÁN PETE SHUNE JÁY SABE SEI D́ÁK
JE D́ÁK SIIMÁY ASIIMER GÁN GÁY
E PHÁLGUNI PÚRŃIMÁY
KII KALPA LOKA ÁJI RAYECHO
E PHÁLGUNI PÚRŃIMÁY
O Lord, in what imaginary arena You stay today, on full moon of this spring? Carrying the
heavenly message You came in this bright white moonlight. Today outside and inside have
become one. There is no difference between dream and reality. The mental swan flies from
country to country. It makes its home at other place in the distant sky. Within
thoughtlessness, the feelings come peeping. Within silent speech there is no gap. Attuning
the ears, all listen to that call. The call that sings the song of unlimited ness within
limits.
3483 (31/03/1986) K
DIYE GELO SAB KICHU JE SE
HESE HESE MAN KE NIYE JÁY
CÁYNI KONO KICHUI SE
SABÁI TÁRE SAB KICHU JE DEY
HESE HESE MAN KE NIYE JÁY
CÁOÁ NÁ CÁOÁRI PÁRE
ÁÁÁÁÁÁÁÁÁÁ
CÁOÁ NÁ CÁOÁRI PÁRE
TÁHÁR ÁSAN ÚRDHVA STARE
PRIITITE TÁR DYUTI JHARE
TÁRE CHEŔE BENCE THÁKÁ DÁY
HESE HESE MAN KE NIYE JÁY
ÁLO ÁNDHÁRERI PÁRE
ÁÁÁÁÁÁÁÁÁÁ
ÁLO ÁNDHÁRERI PÁRE
VARŃÁTIITE EKÁDHÁRE
SHAKTI CITI BALE TÁRE
CARÁCARE TÁR STUTI GÁY
HESE HESE MAN KE NIYE JÁY
DIYE GELO SAB KICHU JE SE
HESE HESE MAN KE NIYE JÁY
He who has given all smilingly, is taking the mind away. He does not want anything
everything belongs to Him, and He provides everything. Beyond desire and nonexpectance
His seat is located at high level. His effulgence scatters with love, it is hard to stay
without Him. Beyond light and shade, beyond colour and having singular base, He is known
as Citi Shakti, the Consciousness, and the whole world ings His praise.
3484 (01/04/1986) D
ÁLOKER SÁJE ESECHE SE SEJE
ÁNDHÁR SARIYE DIYECHE
KÚHELIKÁ KÁLO YAVANIKÁ
NIMEŚE HÁRIYE DURE ?GIYECHE
ÁNDHÁR SARIYE DIYECHE
SE ÁNDHÁR CHILO TAMISHRÁ TAMA
ÁÁÁÁÁÁÁÁÁÁ
SE ÁNDHÁR CHILO TAMISHRÁ TAMA
MÁNAS BHUMITE JAD́ATÁ TAMAH
JAKHANI ELO MOR PRIYATAMA
PALAKE ÁLOK NECECHE
ÁNDHÁR SARIYE DIYECHE
KATA RTU TITHI MÁS CALE GECHE
ÁÁÁÁÁÁÁÁÁÁ
KATA RTU TITHI MÁS CALE GECHE
KATANÁ VARAŚÁ AJHORE JHARECHE
KATA PHÚL MÁLÁ MÁT́ITE MISHECHE
TÁR AMLÁNA DYUTI RAYECHE
ÁNDHÁR SARIYE DIYECHE
ÁLOKER SÁJE ESECHE SE SEJE
ÁNDHÁR SARIYE DIYECHE
He came decorated with the adornment of light, and removed the darkness. Removing the fog
and the dark curtain in a moment, He went away far. That darkness was intense. It was
darkness of inertia in the mental arena. When my dearest came, within moment, effulgence
danced. How many seasons, days and months passed. How much rains fallen profusely. How
many floral garlands dropped into mud. Yet, His bright effulgence remains.
3485 (01/04/1986) D
TOMÁY ÁMI CEYE CHILUM
DUHKHE SUKHE MANO MÁJHE
DEKHÁ DILE NAVA SÁJE
PHÚL SÁJEGO RÚPA SÁJE
DUHKHE SUKHE MANO MÁJHE
GUŃER TOMÁR NÁI TULANÁ
ÁÁÁÁÁÁÁÁÁÁ
GUŃER TOMÁR NÁI TULANÁ
VYAKTA NRITYE CHANDE NÁNÁ
AVYAKTAO ÁCHE AJÁNÁ
MUGDHA CITTA KRPÁ JÁCE
DUHKHE SUKHE MANO MÁJHE
ÁCHO TUMI SARVA LOKE
ÁÁÁÁÁÁÁÁÁÁ
ÁCHO TUMI SARVA LOKE
VYAKTÁVYAKTA TAMASÁ? ÁLOKE
ÁNÁO ASHRU HÁSI PALAKE
KABHU DÚR KAKHANO KÁCHE
DUHKHE SUKHE MANO MÁJHE
TOMÁY ÁMI CEYE CHILUM
DUHKHE SUKHE MANO MÁJHE
O Lord, I have wanted You within my mind during pain and pleasure. You have shown Yourself
in new adornments of beautiful flowers. There is no comparison of Your attributes. You are
expressed in various dances and rhythms. The unexpressed is also unknown and there is
begging of mercy with engrossed mind. You exist in all arenas. In expressed, unexpressed
in light and shade. You bring tears and smiles in moments, sometimes far and sometimes
close.
3486 (01/04/1986) D
SHUK TÁRÁ KÁL SHUNIYE GECHE
BHORE TUMI ÁSCHO PRIYA
DEKHÁR ÁGEI SVÁGAT JÁNÁI
ÁSÁR ÁGEI PRAŃÁM NIO
BHORE TUMI ÁSCHO PRIYA
PHULERÁ SAB CEYE ÁCHE
ÁÁÁÁÁÁÁÁÁÁ
PHULERÁ SAB CEYE ÁCHE
MADHU NIYE PÁPAŔI NÁCE
DUHKHE SUKHE BHULE GECHE
TOMÁY BHEVEI HE ÁDARŃIIYA
BHORE TUMI ÁSCHO PRIYA
BHORER PÁKHI UT́HACHE D́ÁKI
ÁÁÁÁÁÁÁÁÁÁ
BHORER PÁKHI UT́HACHE D́ÁKI
SUR SEDHECHE RÁTRI JÁGI
PRIITIR GIITI NEIKO BÁKI
ARUŃ RÁGE MAN RÁUNGIO
BHORE TUMI ÁSCHO PRIYA
SHUK TÁRÁ KÁL SHUNIYE GECHE
BHORE TUMI ÁSCHO PRIYA
O Lord, the Venus planet went telling yesterday that You would come. Before seeing You, I
express welcome, accept my salutations before coming. All the flowers want You with
sweetness and dance of petals. They have forgotten all pains and pleasures thinking of
You, O The Revered. The morning bird started calling, that had rehearsed the tune
awakening whole night. No more love song is left, with the crimson colour, colour the
mind.
3487 (01/04/1986) D
TOMÁY DHARE RÁKHITE CÁI
MANER MAŃI MAINJÚŚÁY
MANER MAŃI MAINJÚŚÁY
ÁMÁR KARE? ÁMÁR PRÁŃE
RÁTE DINE SAB SAMAY
MANER MAŃI MANJÚŚÁY
MANER MAŃI MANJÚŚÁY
NEIKO ÁMÁR VIDYÁ DYUTI
ÁÁÁÁÁÁÁÁÁÁ
NEIKO ÁMÁR VIDYÁ DYUTI
NEIKO ÁMÁR YASHER JYOTIH
ÁCHE SHUDHU PRIITIR GIITI
JÁ SHONÁTE CÁI TOMÁY
MANER MAŃI MANJÚŚÁY
MANER MAŃI MANJÚŚÁY
ÁCHE SABAI TOMÁR PÁYE
ÁÁÁÁÁÁÁÁÁÁ
ÁCHE SABAI TOMÁR PÁYE
NÁI BÁ THÁKUK MOR HRDAYE
TOMÁR CARAŃ REŃU MÁKHIYE
KARABO SHUCI ÁMI ÁMÁY
MANER MAŃI MANJÚŚÁY
MANER MAŃI MANJÚŚÁY
TOMÁY DHARE RÁKHITE CÁI
MANER MAŃI MAINJÚŚÁY
MANER MAŃI MAINJÚŚÁY
O Lord, I want to keep You under fold within my mental casket of gems, making You my own
wholeheartedly, day and night, all the time. I have no illumination of wisdom, neither
light of fame. Only song of love is there, that I want to sing for You. By smearing the
dust of Your Holy feet; I shall purify myself.
3488 (01/04/1986) D
ÁMI, GENTHECHI MÁLATI MÁLÁ
SAJÁYE VARAŃ D́ÁLÁ
ÁSHÁR ÁSAVE PRÁŃOTSAVE
BHULECHI DAHAN JVÁLÁ
SAJÁYE VARAŃ D́ÁLÁ
JE DIKEI CÁI TUMI CHÁŔÁ NÁI
ÁÁÁÁÁÁÁÁÁÁ
JE DIKEI CÁI TUMI CHÁŔÁ NÁI
VEDANÁY HÁY DHARITE NÁ PÁI
ÁMÁR NIKHILE ÁKÁSHER NIILE
BUJHI TAVA PRIITI D́HÁLÁ
SAJÁYE VARAŃ D́ÁLÁ
TUMI ÁCHO PRIYA SVARŃA CÚŔÁY
ÁÁÁÁÁÁÁÁÁÁ
TUMI ÁCHO PRIYA SVARŃA CÚŔÁY
ÁMI PAŔE ÁCHI ATAL GUHÁY
TOMÁR ÁLOY HOYE ÁLOMAYA
TAVA TARE HOYE UTALÁ
SAJÁYE VARAŃ D́ÁLÁ
ÁMI, GENTHECHI MÁLATI MÁLÁ
SAJÁYE VARAŃ D́ÁLÁ
I am threading the garland of malatii flowers, decorating the tray of colours. With the
essence of hope, I forget the burning heat. In whatever direction I see, I do not find
anything other than You. But due to agony, I am unable to hold You. In whole of my blue
sky, I feel the flow of Your love. O Dear, You are seated at the golden peak, and I am
lying in deep recess. By getting illuminated with Your effulgence, I become frenzied for
You.
3489 (01/04/1986) D
TOMÁR BÁNDHAN PRIITI SPANDAN
ÁMÁR GIITIR ABHIŚEKE
NÁM NÁ JÁNÁ KÁL NÁ MÁNÁ
GAHAN DYUTI NIRNIMEŚE
EGIE CALI TOMÁR NÁME
ÁÁÁÁÁÁÁÁÁÁ
EGIE CALI TOMÁR NÁME
JAKHANAI PATHE ELUM NEME
ÁLGÁ SURE CHANDA BHARE
JUJHE DÁRUŃA DURVIPÁKE
ÁMÁR GIITI ABHIŚEKE
ACENÁ AJÁNÁ ATITHI
ÁÁÁÁÁÁÁÁÁÁ
ACENÁ AJÁNÁ ATITHI
BOJHÁ JE DÁY TOMÁR RIITI
TÁI TO ÁMÁR JÁNÁI NATI
BODHÁTIITE SARVA DHII KE
ÁMÁR GIITI ABHIŚEKE
TOMÁR BÁNDHAN PRIITI SPANDAN
ÁMÁR GIITI ABHIŚEKE
O Lord, Your bondage and vibration of love, is crowning for my song. Without knowing the
name and recognizing the time, with unblinking eyes, I move to intense illumination. I
move forward with Your name. When I came down on the path. Filling rhythm in the unfixed
melody, I am struggling with intense disaster. O the unrecognised, unknown guest, it is
hard to understand Your method. That is why I offer salutation to You, Who is beyond
comprehension of all intellects.
3490 (02/04/1986) D
ACENÁ AJÁNÁ PATHIK
ESE CHILE MANER MÁJHE
BHÁLOBESE MIŚT́I HESE
CINILE MÁNO MOHAN SÁJE
ESE CHILE MANER MÁJHE
LIILÁY TOMÁR NEIKO JUŔI
ÁÁÁÁÁÁÁÁÁÁ
LIILÁY TOMÁR NEIKO JUŔI
SARVA DESHE BEŔÁO GHÚRI
KÁLÁNTARER ANTARÁLE
TAVA VEŃUKÁ MARME BÁJE
ESE CHILE MANER MÁJHE
NITYA VRINDÁVANER SAKHÁ
ÁÁÁÁÁÁÁÁÁÁ
NITYA VRINDÁVANER SAKHÁ
KEHOI KABHU NAYKO EKÁ
OTAH PROTE SABÁR SÁTHE
TOMÁR PRIITI CHANDE NÁCE
ESE CHILE MANER MÁJHE
ACENÁ AJÁNÁ PATHIK
ESE CHILE MANER MÁJHE
The unrecognised unknown guest came into my mind. He offered acquaintance smiling sweetly
with love with charming adornment. There is no match of Your divine play, liila, You
move around all arenas. Within the gaps of periods also, Your flute plays within the core.
O The Ever companion of the Eternal Vrinda’van, nobody is alone anytime. With all
individually and collectively, Your love dances with rhythm.
3491 (02/04/1986) D
ALAKÁR ÁLO BHULOKE D́HÁLO
DYULOKER DYUTI BHARE TOLO
VISHVA BHUVANE AGAŃITA JANE
E KARUŃÁ TARE VIHVALO
DYULOKER DYUTI BHARE TOLO
KATA KÁLA DHARE AMÁNISHÁ GECHE
KRIŚŃA KÁKARI KUT́IL HESE CHE
TUMI ESE PRIYA ÁLO JVELE DIO
PRAGYÁDHII PATHE NIYE CALO
DYULOKER DYUTI BHARE TOLO
E PÚRŃIMÁTE TUMI EK VIDHU
BÁKIRÁ TÁRAKÁ DIIPÁLOK SHUDHU
CÁNDE KHADYOTE VINIMAY SHUDHU
KARE CALE PRIITI UCCHALO
DYULOKER DYUTI BHARE TOLO
ALAKÁR ÁLO BHULOKE D́HÁLO
DYULOKER DYUTI BHARE TOLO
O Lord, pour the heavenly illumination on the world, taking all the heavenly effulgence.
Innumerable persons in the world are restless for this mercy of Yours. After a long time
the dark night has passed. The black owl had smiled sarcastically. O Dear, You come
kindle the light, and take me along the path of intuitive knowledge. You are the one full
moon on this moonlight, all others are only twinkling of stars. There is exchange of light
between moon and firefly with sweet hands of bright love.
3492 (02/04/1986) D
ÁLOR DESHE AVASHEŚE
CALCHI PRIYA TOMÁR KRIPÁY
AVAHELÁY PRAHAR GECHE
VACHAR GECHE BHULINI TÁY
CALCHI PRIYA TOMÁR KRIPÁY
ANÁDI ASHEŚER LIILAY
NÁCÁO SABE VISHVA DOLÁY
TOMÁR DAYÁY TAVA MAMATÁY
SABÁI SHEŚE KÚL PETE CÁY
CALCHI PRIYA TOMÁR KRIPÁY
NITYA KÁLE TUMI PURÁTAN
ALAKH VIDHU ARÚPA RATAN
SÁGAR TALE KÁLO JALE
LUKIYE CHILE RÚPER MELÁY
CALCHI PRIYA TOMÁR KRIPÁY
ÁLOR DESHE AVASHEŚE
CALCHI PRIYA TOMÁR KRIPÁY
O Dear, at the end, towards to arena of effulgence I am moving with Your grace. Due to
negligence, the time and years have passed, but I did not forget Him. With Your divine
game liila, You make all dance, and swing the world. By Your mercy and affection, all
want to get the shore at the end. You are ancient all the time, the unseen moon, a
formless gem. At the bottom of the ocean, below the dark water, You are hidden with
festivity of beauty.
3493 (02/04/1986) K
MANER BHRAMAR KOTHÁY UŔE CALE
UŔE JÁY KÁR TARE SE DÚR ACALE
MANER BHRAMAR KOTHÁY UŔE CALE
PHÚLER MADHU SE JE SHUDHU
KŚAŃIKER SUKH DITE PÁRE
VANER PÁNE MAN KE T́ÁNE
MADHUR ÁSHE BÁRE BÁRE
BHRAMAR JÁNÁY SE STHÁYII SUKH CÁY
TÁI SE CHOT́E NABHAH NIILE
MANER BHRAMAR KOTHÁY UŔE CALE
STHÁYII MADHU ÁCHE SHUDHU
SE PURUŚOTTAMERI KÁCHE
VISHVA BHUVAN HOYE EK MAN
TÁI TÁRE GHIRE NÁCE
E KATHÁ BUJHE TÁRI KHONJE
BHRAMARÁ UŔE PÁKHANÁ MELE
MANER BHRAMAR KOTHÁY UŔE CALE
Where the mental bee goes on flying? For Whom it goes on flying in distant direction? For
him, the honey of the flower provides only momentary pleasure, thus pulling the mind, it
goes towards the garden again and again with the hope of honey. The bee knows that it
longs for permanent happiness, hence it rushes towards the blue sky. The permanent honey
is only with the Purus’ottama. Hence, the whole world, becoming of same mind dances
around Him. Understanding this fact, in search of Him, the bee flies spreading the wings.
3494 (02/04/1986) K
MOR, MANER MÁYÁVANE KE TUMI ELE
DEKHE JENO MANE HOYE CINI TOMÁRE
PARICAYA NÁHI DILE, MOR
MANER MÁYÁVANE KE TUMI ELE
MANER MÁYÁVANE KE TUMI ELE
VANE MOR JAME CHILO ÁGÁCHÁR BHIIŔ
CHILO KÁNT́ÁR PÁHÁŔ, CHILO NÁ KONO SAMIIR
CHILO BADDHA HÁOÁ JAD́A KE CÁVÁ
TÁDER SARIYE DIYE SHOBHÁ ÁNILE
MANER MÁYÁVANE KE TUMI ELE
JE MAN PÁRITA NANDAN VAN HOTE
PÁRITA SVARŃA CÚŔÁ GAŔIÁ DITE
CHILO ÁNDHÁRE D́HÁKÁ KÁLIMÁ MÁKHÁ
TÁHÁTE DYUTIR RATHA TUMI CÁLÁLE
MANER MÁYÁVANE KE TUMI ELE
Into the illusive garden of my mind, who is that You who came? On seeing, it appears into
the mind that I recognise You, though You did not introduce Yourself. Into my mental
garden, lots of weeds were accumulated. There were mountains of thorns, and there was no
breeze. There was only closed air with desire of matter. You removed them and brought
decoration. The mind that was capable of passing through heavenly garden, and creating
golden bracelet, was covered by darkness, smeared with dirt that You moved on the chariot
of effulgence.
3495 (02/04/1986) K
TUMI KARUŃÁMAYA
ÁNDHÁRE CHILUM ÁLOTE ELUM
KARILE AKUTOBHAYA
TUMI KARUŃÁMAYA
KET́E GECHE KATA KÁLA GHAN TIMIRE
KATA VIBHÁVARII GECHE ASHRU NIIRE
BRISHCIK JVÁLÁ HATAMÁNERI MÁLÁ
SARÁLE HE MADHUMAY
TUMI KARUŃÁMAYA
BHEVECHI ÁR NÁ PÁRI SAHIYÁ JETE
BHITARE BÁHIRE ARIRE JUJHITE
DILE MANOBALA PÁTHEY SAMBAL
ELE HOYE MANOMAY
TUMI KARUŃÁMAYA
TUMI KARUŃÁMAYA
ÁNDHÁRE CHILUM ÁLOTE ELUM
KARILE AKUTOBHAYA
O The Merciful, I was in darkness and came into light, You made me fearless. How much time
has passed in dense darkness. How many nights have passed with tears. The burning sting of
scorpion, series of insults, You removed O the embodiment of sweetness. What I thought
that I could never tolerate, struggling with internal and external enemies. You provided
mental strength, and provisions for the path, having come, O the embodiment of the mind.
3496 (02/04/1986) K
MOR MAN NIKUNJE ÁJI KE TUMI ELE
ELE
SHUŚKA MARU KE SHYÁMAL KARILE
KUINJA RACILE
ELE
SUŚAMÁR SAMÁHÁR TUMI BANDHU
PRIITI MAMATÁY BHARÁ SUDHÁ SINDHU
AHAETUKI KRPÁY SNIGDHA KARUŃÁY
JÁHÁ BHÁVI NÁI TÁHÁ KARIYÁ CHILE
ELE
TRILOKE TOMÁR KONO NÁI TULANÁ
TRIDASHE DVIITIYA HENO KEU MELE NÁ
TUMI SARVÁSHRAY SHÁNTI NILAY
GIITIR ABHISÁRE DYUTI ÁNILE
ELE
MOR MAN NIKUNJE ÁJI KE TUMI ELE
ELE
Into my mental arbor, Who is that You, who came? You made the dry sand greenish, and
created a garden. O Companion, You are the collection of beauty, full of affectionate love
and ocean of sweetness. With Your causeless grace, and soft mercy, whatever I could not
imagine, that You provided. There is no comparison of Yours in the three spheres
physical, psychic and spiritual. No second Entity is found in heaven. With rendezvous of
song, You brought shine.
3497 (02/04/1986) D
TOMÁY ÁRO KÁCHE CEYE
LAJJÁ DILUM NIJEKE
CHILE KÁCHE MANER MÁJHE
DEKHINIKO PALAKE
LAJJÁ DILUM NIJEKE
NITYA KÁLER SAUNGII ÁMÁR
ÁSÁ JÁOÁ THÁKÁR SAMÁHÁR
TOMÁY BHÚLE BHÁSI AKÚLE
SVASHRIŚT́A DURVIPÁKE
LAJJÁ DILUM NIJEKE
SARÁO ÁMÁR MOHA GHANAGHOR
ÁNÁO JIIVANE RÁUNGÁ BHOR
TOMÁR LIILÁY AVALIILÁY
JUJHITE CÁI BÁDHÁKE
LAJJÁ DILUM NIJEKE
TOMÁY ÁRO KÁCHE CEYE
LAJJÁ DILUM NIJEKE
O Lord, asking You to be still closer, I ashamed myself. You were very close in the mind
itself, but I did not see with eyes. O my EverCompanion, collection of coming, going and
stay, by forgetting You, I float shoreless, creating danger myself. Remove my intense
infatuation, bring in the life, colourful morning. Within Your divine play and sport, I
want to struggle with the obstructions.
3498 (02/04/1986) D
ÁNANDERI MAHOTSAVE
TUMI PRIYA THEKO KÁCHE KÁCHE
GIIT RACECHI SUR SEDHECHI
ÁSHÁR ÁLOY MANO MÁJHE
TUMI PRIYA THEKO KÁCHE KÁCHE
RÁTRI DINER NEIKO VICÁR
SARVA KÁLEI TUMI AVIKÁR
MAN BHRAMARÁY ÁSE VIKÁR
HERE GELE KON KÁJE
TUMI PRIYA THEKO KÁCHE KÁCHE
HE UTSAVER TIIRTHA PATI
KARI ANUNAY JÁNIYE NATI
THEKO MANE SMITÁNANE
SEJE RAUNGIIN PHÚL SÁJE
TUMI PRIYA THEKO KÁCHE KÁCHE
ÁNANDERI MAHOTSAVE
TUMI PRIYA THEKO KÁCHE KÁCHE
O Dear, during this festivity of bliss, You stay with me close by. I create songs and
rehearse the melody within the mind with Your illumination. Without any consideration of
day and night, You remain undeformed all the time. O The Presiding Deity of the pilgrim
place, expressing my submission, I pray You, stay in my mind with smiling face, decorated
with colourful adornment.
3499 (02/04/1986) K+D
TUMI, ÁMÁR ARÚPA RATAN
ÁCHO SMITA SÁJE ÁCHO SMITA SÁJE
DEKHI NIKO TOMÁY
KABHU BHAYE LÁJE KABHU BHAYE LÁJE
JE BHAYA CHILO ÁMÁR MANE
D́HÁKÁ RÁKHÁ SAḾGOPANE
D́HÁKNÁ KHULE TUMI DILE
JÁNINÁ KI KÁJE
ÁCHO SMITA SÁJE ÁCHO SMITA SÁJE
PÁPŔI MÁJHE THÁKÁ JE LÁJ
SARÁLE TÁR MADHUKHYA TÁJ
MAN BHRAMARÁ LAJJÁ HÁRÁ
UŔE NILÁJ NÁCE
ÁCHO SMITA SÁJE ÁCHO SMITA SÁJE
TUMI, ÁMÁR ARÚPA RATAN
ÁCHO SMITA SÁJE ÁCHO SMITA SÁJE
O formless gem of mine, You are well decorated with smiling adornments. I am unable to
see You anytime due to fear and shyness. The fear that I had in the mind, kept covered
secretly, You uncovered that, I do not know why. The shyness that was covered within
petals, You removed its bee wax crown. Now the mental bee losing its shyness flies dancing
shamelessly.
3500 (02/04/1986) D
NÚTAN TOMÁRE VARAŃ KARECHI
MILANER MADHUPARKATE
ESO MOR PÁSHE MOR CIDÁKÁSHE
SUSNIGDHA SMITA JYOTSNÁTE
MILANER MADHUPARKATE
PURÁTAN JÁHÁ HOK APANIITA
HÁRÁNO RÁTER ÁNDHÁRER MATA
NÚTAN ESECHE JIIVAN HESECHE
ÁLOK MÁLÁR ÚRMITE
MILANER MADHUPARKATE
HÁR JIIT LÁBH BHULE JETE CÁI
NÚTAN BHELÁTE JIIVAN BHÁSÁI
SUMUKHER PATHE DRIŔHATÁR SÁTHE
JUJHIÁ CALITE DINE RÁTE
MILANER MADHUPARKATE
NÚTAN TOMÁRE VARAŃ KARECHI
MILANER MADHUPARKATE
O New Entity, I worship You with oblation of honey of meeting. Come close to me into the
firmament of my mind during this soft, smiling moonlight. So that the old is eliminated
like the darkness of the passed night. The new comes and the life smiles, with the series
of waves of effulgence. I want to forget, defeat, victory and gain. On new boat, I want to
float my life, which moves ahead on the path, with firmness, struggling day and night.
3501 (13/04/1986) K
TUMI ESE CHILE DIIPAK ENE CHILE
MANER MUKURE HESE CHILE
GHAN GHUM GHORE CHILUM? ACETAN
TUMI ÁMÁRE TULE CHILE
MANER MUKURE HESE CHILE
KII MANDA KII BHÁLO CHILO NÁ VICÁR
ÁÁÁÁÁÁÁÁÁÁ
KII MANDA KII BHÁLO CHILO NÁ VICÁR
MOR, MANER KÁLO CHILO CÁRI DHÁR
BUJHI NI KII SÁR KII BÁ ASÁR
ÁLO DIYE DEKHIYE CHILE
MANER MUKURE HESE CHILE
MANER MANJÚŚAR HE HIIRAK DYUTI
ÁÁÁÁÁÁÁÁÁÁ
MANER MANJÚŚAR HE HIIRAK DYUTI
OTAH PROTA BHÁVE TOMÁR ABÁDHA GATI
RANDHRE RANDHRE GÁO CITI GIITI
SE RÁGE ÁMÁRE RÁNGIYE DILE
MANER MUKURE HESECHILE
TUMI ESE CHILE DIIPAK ENE CHILE
MANER MUKURE HESE CHILE
O Lord, You came, brought lamp and smiled in the mental mirror. I was in dense deep sleep
unconscious, You lifted me up. I had no discrimination of what was good or bad. All over
into my mind was black dirt. I did not understand what is real essence and what was waste.
By providing illumination, You have shown that. O The diamond glow in the casket of mind
Your movements in individual and collective style is unobstructed. Into each pour You sing
the song of consciousness, and in that colour, You have coloured me.
3502 (13/04/1986) D
E PRABHÁT ÁMÁRI TARE
E PRABHÁT ÁMÁRI TARE
GÁN SHONÁBO RAUNGA LÁGÁBO
PHÚL PHOT́ÁBO THARE THARE
E PRABHÁT ÁMÁRI TARE
E PRABHÁT ÁMÁRI TARE
ÁMÁR MANER MAŃI KOT́HÁY
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR MANER MAŃI KOT́HÁY
SAB KICHU JE HÁRIYE JÁY
EKE ANEKE MISHE JÁY
EK VIIŃÁR TÁRE
E PRABHÁT ÁMÁRI TARE
E PRABHÁT ÁMÁRI TARE
SHONO O HE AJÁNÁ PATHIK
ÁÁÁÁÁÁÁÁÁÁ
SHONO O HE AJÁNÁ PATHIK
ÁMÁR ÁNDHÁR GEHE MÁŃIK
CHANDE SURE MÁDHURI BHARE
NÁCI TOMÁY GHIRE
E PRABHÁT ÁMÁRI TARE
E PRABHÁT ÁMÁRI TARE
This morning belongs to me.
I shall sing, paint
and make flowers bloom layer by layer.
Everything gets lost in the cascade of my mind.
On the tinkling string of a single viina
all merge into one.
O unknown traveller,
please listen to me!
You are the gem in my dark abode.
Pouring sweetness in rhythms and melodies
I keep dancing around You.
3503 (14/04/1986) K
JÚTHIKÁ MÁLÁY KABARI SÁJÁY
KON SE RÚPASII ÁJI E SANDHYÁY
RÚPER ALAKÁY KUSUM SAJJÁY
NIJE KE BHOLÁY BASE NIRÁLÁY
KON SE RÚPASII ÁJI E SANDHYÁY
KÁR TARE E RÚPA ESE CHILO
ÁÁÁÁÁÁÁÁÁÁ
KÁR TARE E RÚPA ESE CHILO
KÁR CHONYÁ PEYE COKHE BHESE CHILO
KON MÁDAKATÁY SE NABHAH PÁNE CÁY
NECE CHÚT́E JÁY KÁR PREŚAŃÁY
KON SE RÚPASII ÁJI E SANDHYÁY
TILOTTAMÁ TILE TILE HOYE
ÁÁÁÁÁÁÁÁÁÁ
TILOTTAMÁ TILE TILE HOYE
BASE THÁKÁR NEI TILEK SAMAY
HE PRIYA TOMÁY PÁT́HÁLO DHARÁY
NÁO JENE KI CÁY SE PRATI LAHAMÁY
KON SE RÚPASI ÁJI E SANDHYÁY
JÚTHIKÁ MÁLÁY KABARI SÁJÁY
KON SE RÚPASI ÁJI E SANDHYÁY
Decorating the chignon with juhii garland, who is that beauty coming today evening? She is
sitting in isolation, engrossed, with beautiful hairstyle and floral bed. For whom this
beauty came, expectation of whose touch whose is floating in the eyes. For what
enchantment, she looks at the sky, under whose push, she rushes dancing. She is becoming a
paragon of beauty gradually, there is no time at all to sit. O Dear, sent by You on the
earth, what does she want each moment, let me know.
3504 (15/04/1986) D
MANER MADHUVANE SE ESE CHILO
KENO JÁNI NÁ CEYE CEYE HESE CHILO
MANER MADHUVANE SE ESE CHILO
KÚNŔI TAKHAN PHOT́E NIKO
ÁÁÁÁÁÁÁÁÁÁ
KÚNŔI TAKHAN PHOT́E NIKO
MALAY HAOÁ BAHE NIKO
NANDANERI SPANDANETE
ÁKUL ÁNKHI MELE CHILO
MANER MADHUVANE SE ESE CHILO
CARAŃ DHVANI PHÚL PHOT́ÁLO
ÁÁÁÁÁÁÁÁÁÁ
CARAŃ DHVANI PHÚL PHOT́ÁLO
MALAYÁNIL PARE ELO
MANER KOŃE SAḾGOPANE
SE MADHUMÁS ENE DILO
MANER MADHUVANE SE ESE CHILO
JIIRŃA GELO NOTUN ELO
ÁÁÁÁÁÁÁÁÁÁ
JIIRŃA GELO NOTUN ELO
VYATHÁR GÁTHÁ RAUNGE HÁRÁLO
ÁLOK MÁLÁR MANJULÁTE
NAVA VARŚA TAMAH SARÁLO
MANER MADHUVANE SE ESE CHILO
Into my sweet mental garden, He came, what for, I do not know, He smiled lovingly. The bud
had not bloomed then, sandal breeze did not blow, with heavenly vibration, He opened the
eager eyes. By the footstep sound, He bloomed the flower and made the sandal breeze blow.
The torn old had gone and new has come. The history of pain was lost in colours. With the
series of beautiful glow, He removed the darkness in the new year.
3505 (16/04/1986) K
PRIYA, TOMÁR TARE
TAVA PRIITIR T́ÁNE
TAVA PRIITIR T́ÁNE
ÁMI ESECHI NIYE SÁJI NAVA PHÁGUNE
TAVA PRIITIR T́ÁNE
MANER SVANANE MOR JATA PHÚL PHUT́E CHILO
ÁÁÁÁÁÁÁÁÁÁ
MANER SVANANE MOR JATA PHÚL PHUT́E CHILO
SABÁR GANDHA MADHU E SÁJITE BHARÁ CHILO
D́HÁLIÁ DIYECHI TÁI MOR ÁRO KICHU NÁI
NÁO TUMI SMITÁNANE
TAVA PRIITIR T́ÁNE
ASPHUT́ KALI KÁR BHÁVANÁ SURABHI PELO
ÁÁÁÁÁÁÁÁÁÁ
ASPHUT́ KALI KÁR BHÁVANÁ SURABHI PELO
PARÁGER MADHU KÁR ÁSHE NIYE BASE CHILO
TOMÁR CARAŃ PÁTE DRIK MÁDHURI NIPÁTE
CHÚT́E ELO KENO KE JÁNE
TAVA PRIITIR T́ÁNE
For You, O Beloved,
by the attraction of Your love,
I have come with the decoration of the new spring.
In the sound of my mind,
this decoration was filled
with the sweetness and fragrance
of the flowers that I found blooming.
I have poured out my all.
Nothing else have I got left.
O Lord, accept it with a smiling face.
Whose ideative fragrance do unbloomed buds carry?
With what expectation are they waiting,
keeping honey inside their pollen?
Who knows when Your footsteps shall become audible?
Who knows when Your image shall become visible?
3506 (17/04/1986) D
SE PRIYA YADI NÁ ELO
E PRIYA YADI NÁ ELO
SE PRIYA YADI NÁ ELO
KENO VRITHÁ MANE RÁKHÁ
KENO KUSUM SEJ RACANÁ
PATH PÁNE CEYE THÁKÁ
KENO VRITHÁ MANE RÁKHÁ
SHISHIRE GÁHAN KARI
SHISHIRE GÁHAN KARI
SHISHIRE GÁHAN KARI
ÁÁÁÁÁÁÁÁÁÁ
SHISHIRE GÁHAN KARI
SHEFÁLI SUVÁSE BHARI
SÁDÁ MEGHER BHELÁY CAŔI
KENOI BÁ SHARATE D́ÁKÁ
KENO VRITHÁ MANE RÁKHÁ
KENO BHÁVÁ MADHUR SMRITI
KENO BHÁVÁ MADHUR SMRITI
KENO BHÁVÁ MADHUR SMRITI
ÁÁÁÁÁÁÁÁÁÁ
KENO BHÁVÁ MADHUR SMRITI
KENO SÁDHÁ PRIITI GIITI
KENOI BÁ KARÁ VINATI
TÁR TARE JE RÁKHE EKÁ
KENO VRITHÁ MANE RÁKHÁ
SE PRIYA YADI NÁ ELO
KENO VRITHÁ MANE RÁKHÁ
KENO KUSUM SEJ RACANÁ
If that dear One des not come, why did I keep Him in my mind? Why creating a floral seat for
Him, I continued waiting, looking at His arrival path? With dew dipped shefalii flowers
full of fragrance, mounting on the boat of white cloud, what is use of calling during the
winter. Why did I nourish His sweet memory? Why did I rehearse His love song? Why did I
pray for Him, who has kept me alone?
3507 (18/04/1986) K+D
MOR, DIN CALE JÁ Y ÁSHÁ NIRÁSHÁY
TOMÁR TAREI PRIYA
TOMÁR TAREI PRIYA
KABHU KÁNDI VEDANÁY HÁSI DURÁSHÁY
HE MOR SAOMYA PREYA
TOMÁR TAREI PRIYA
TOMÁR TAREI PRIYA
ÚRDHVA LOKE DRIŚT́I RÁKHI
ÁÁÁÁÁÁÁÁÁÁ
ÚRDHVA LOKE DRIŚT́I RÁKHI
NABHONIILE TÁKIYE THÁKI
ASHRU NIIRE TOMÁY D́ÁKI
EKT́U SÁŔÁ DIO
TOMÁR TAREI PRIYA
TOMÁR TAREI PRIYA
KRŚŃA KUHELI RAYECHE
ÁÁÁÁÁÁÁÁÁÁ
KRŚŃA KUHELI RAYECHE
ÁMÁR MANER RANDHRA MÁJHE
TUMI ELE MOHAN SÁJE
SE TAMASÁ SARIO
TOMÁR TAREI PRIYA
TOMÁR TAREI PRIYA
O Dear Lord, my days and nights are passing for You in the hope and despair. I sometimes
cry in the agony of not getting You and sometimes I smile over my high unrealizable
ambition, O my dignified benevolent. Fixing my eyes on the upward arena, I look towards
the blue sky. With tearful eyes I call You, just once respond to my call. Black fog
permeates within pores of my mind, You come with charming adornment and remove that
darkness.
3508 (19/04/1986) D
KENO TUMI MORE D́EKE JÁO
KŚAŃEK D́ÁKÁ NÁHI THÁMÁO
TUCCHA ÁMI KŚUDRA ÁMI
MOR KÁCHE KI BÁ PETE CÁO
KŚAŃEK D́ÁKÁ NÁHI THÁMÁO
ESECHI HETHÁY ÁLOK DHÁRÁTE
ÁÁÁÁÁÁÁÁÁÁ
ESECHI HETHÁY ÁLOK DHÁRÁTE
TAVA EŚAŃÁR KALPANÁ SHROTE
AJÁNÁR SURE BHESE JETE JETE
CALÁR GATITE DRUTI JOGÁO
KŚAŃEK D́ÁKÁ NÁHI THÁMÁO
AJÁNÁ PATHIK ACENÁ TUMIO
ÁÁÁÁÁÁÁÁÁÁ
AJÁNÁ PATHIK ACENÁ TUMIO
MOR SÁTHE SÁTHE TUMIO CALIO
PATH CALIVÁR BALA
BHARE DIO/ GÁN KARE CHILE?
TAVA ISPITA RÁGE CÁLÁO/ CALÁR
CHANDE MADHU MÁKHÁY ?
KŚAŃEK D́ÁKÁ NÁHI THÁMÁO
KENO TUMI MORE D́EKE JÁO
KŚAŃEK D́ÁKÁ NÁHI THÁMÁO
O Lord, why do You calling me, without pausing the call even for a moment? I am meagre
negligible, what do You expect from me? I have come here with the flow of effulgence, in
the stream of imagination of Your will. While moving floating on the unknown melody, raise
the speed of the movement. O the unknown traveler, You are also unrecognised, but You also
move along with me. Fill me with the strength for moving on the path, and make me move to
Your desired tune. (by creating songs and smearing sweetness in the rhythm of movement)
3509 (19/04/1986) K
CHANDA HÁRÁ MOR EK TÁRÁ
TOMÁR PÁNE CHÚT́E JÁY
CHINNA ÁSHE AVYAKTA BHÁŚE
TOMÁY SHUDHU PETE CÁ
YTOMÁR PÁNE CHÚT́E JÁY
PÁOÁ NÁ PÁOÁ R URDHVA LOKE
ÁÁÁÁÁÁÁÁÁÁ
PÁVÁ NÁ PÁVÁ R URDHVA LOKE
BHÁVER PRADIIP UDBHÁSE PULAKE
MAN MAŃIKÁRA PRADIIPTI SÁR
SE SHÁSHVATA DHRUVA LOKE MURACHÁYA
TOMÁR PÁNE CHÚT́E JÁY
KII CEYECHI KII PEYECHI BHULIÁ GECHI
ÁÁÁÁÁÁÁÁÁÁ
KII CEYECHI KII PEYECHI BHULIÁ GECHI
CÁVÁR ANTA NEI EI JENECHI
KAPÁLER KURUVINDA JÁTE NIHITA ÁCHE
ASTI BHÁTI JÁCE SE ÁNANDA SUDHÁ
TOMÁR PÁNE CHÚT́E JÁY
CHANDA HÁRÁ MOR EK TÁRÁ
TOMÁR PÁNE CHÚT́E JÁY
My tunelost monochord goes rushing towards You. With broken hope and unexpressed language
it only wants to attain You. Into the arena above desire and achievements, kindling the
lamp of ideation with joy, with essence of illumination of mental gem rosary, it is
eternally engrossed in the absolute arena. What I want and what I obtained, I have
forgotten. This much I know that there is no end of desires. Within Which the central
decoration mark on forehead is located, that nectar of bliss it seeks through its
existential glow.
3510 (20/04/1986) K
TUMI, HÁSÁTE JÁNO TUMI KÁNDÁTE JÁNO
PALAKE LUKOTE JÁNO LIILÁCHALE
DAKHIN MALAY VÁY SHYÁMASHRI VAN CHÁY
VEŃUKÁ BÁJIYE JÁO MARMA MULE
PALAKE LUKOTE JÁNO LIILÁCHALE
ATAL APÁR TUMI SARVA LOKÁSHRAYA
ÁÁÁÁÁÁÁÁÁÁ
ATAL APÁR TUMI SARVA LOKÁSHRAYA
KONO KICHURI SAUNGE TAVA TULANÁ NÁ HOY
ANANTA ANÁDI HE PARAMA MAHODADHI
SARVADHII TUMI DEVA KÁLE AKALE
PALAKE LUKOTE JÁNO LIILÁCHALE
JATA THÁKE BHAYA LÁJ JATA THÁKE KALMAŚA
ÁÁÁÁÁÁÁÁÁÁ
JATA THÁKE BHAYA LÁJ JATA THÁKE KALMAŚA
CAKITE SARE JÁY PEYE TOMÁRI PARASH
IŚT́ER JE SÁDHANÁ DURLABHA JE PREŚAŃÁ
NIMEŚE D́HÁLIÁ JÁO MANTRA BALE
PALAKE LUKOTE JÁNO LIILÁCHALE
TUMI, HÁSÁTE JÁNO TUMI KÁNDÁTE JÁNO
PALAKE LUKOTE JÁNO LIILÁCHALE
O Lord, You know how o make one cry and smile and to hide in a moment by the delusion of
Your illusive game, liila. With the southern sandal breeze and greenness spread in the
forest, go on playing the flute at the root of the core of the heart. You are the shelter
of all arenas, unlimited and unfathomable. You are the Deity for all minds for all the
times. All the fears, shyness and dirt, are astonishingly removed getting Your touch.
The sa’dhana’, spiritual endeavor for the supreme goal, the most difficult projection
You pour within a moment by virtue of the mantra.
3511 (20/04/1986) K
NÚTANERI SAMÁROHE
HE PURÁTANA
KATA NÚTAN ELO GELO
TOMÁR MÁJHE HE CIRA NÚTANA
HE PURÁTANA
KATA NÚTAN TÁRÁ ELO
ÁÁÁÁÁÁÁÁÁÁ
KATA NÚTAN TÁRÁ ELO
NABHO NIILE JHILIK DILO
ULKÁ SAMA KHASE GELO
LEKHÁ NEI ELO GELO KAKHANA
HE PURÁTANA
KATA SÁGAR ÚRMI MÁLÁY
ÁÁÁÁÁÁÁÁÁÁ
KATA SÁGAR ÚRMI MÁLÁY
SAB KICHU KEI GRÁSITE CÁY
TOMÁR MÁJHE TÁRÁO HÁRÁY
NITYA CAPAL HE MANOMOHANA
HE PURÁTANA
NÚTANERI SAMÁROHE
HE PURÁTANA
O The Ancient in the festivity of the new, several new came and went within You, O The
ever new. Many new stars came into the space and shown the glimpses. But like meteorites
they are also lost and for whose coming and going there is no record any time. Many series
of waves and the oceans, that wanted to devour everything, they are also dissolved into
You, O the eternally restless, the enchanting One.
3512 (21/04/1986) K
MANERI E MANI KÁ HÁR
TOMÁR TAREI RÁ KHÁ ÁCHE
KÁCHE ESE MRIDU HESE
PARE SÁJO MOHANA SÁJE
TOMÁR TAREI RÁKHÁ ÁCHE
JE D́ORE GENTHECHI TÁRE
ÁÁÁÁÁÁÁÁÁÁ
JE D́ORE GENTHECHI TÁRE
JÁY NÁ DEOÁ UPA HÁRE
JABE DEOÁ HOYE NIJERE
TAKHANI NAJARE PAŔE
TOMÁR TAREI RÁKHÁ ÁCHE
JÁY NÁ CHENŔÁ E PRIITI D́OR
ÁÁÁÁÁÁÁÁÁÁ
JÁY NÁ CHENŔÁ E PRIITI D́OR
SHUKÁY NÁ HOYE GELO BHOR
NIJER BHÁVEI THÁKE VIBHOR
SHOŃE NÁ KE KII BOLECHE
TOMÁR TAREI RÁKHÁ ÁCHE
MANERI E MANI KÁ HÁR
TOMÁR TAREI RÁKHÁ ÁCHE
O Lord, this mental garland of gems is reserved for You only. Coming close, smiling
softly, show wearing it with charming adornment. That which I threaded in the morning, but
I could not offer as present. Only when offering of “self” is made then the dancing is
observed. It is not possible to leave this thread of love, it did not dry even till
morning. I was engrossed in thinking of myself, did not listen to w3hat as being told.
3513 (21/04/1986) D
BHÁLOBÁSI KI NÁ JÁNINÁ
BHÁVATE TOMÁY BHÁLO LÁGE
ÁSHÁ HOYE UDBODHITA
PÁKHANÁ MELE ÚRDHVALOKE
BHÁVATE TOMÁY BHÁLO LÁGE
SALÁJ KORAK ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
SALÁJ KORAK ÁMÁR
TOMÁR RAUNGE HOYE EKÁKÁR
KAMAL KALI NAYAN MELI
JENO TÁKÁY SÚRYÁLOKE
BHÁVATE TOMÁY BHÁLO LÁGE
KAOMUDI KALÁPE JAKHAN
ÁÁÁÁÁÁÁÁÁÁ
KAOMUDI KALÁPE JAKHAN
SVAPNA MOHE BHARE BHUVAN
MAN ALAKÁR KUNDE TAKHAN
TOMÁR RAŃAN PHELE D́HOKE
BHÁVATE TOMÁY BHÁLO LÁGE
BHÁLOBÁSI KI NÁ JÁNINÁ
BHÁVATE TOMÁY BHÁLO LÁGE
O Lord, I do not know whether I love You or not, but I like thinking about You. The hope
gets enlightened, and flies towards higher arenas spreading the wings. My shy inner bud
becomes unified with Your colour, as if the lotus bud, opening the eyes, looks towards the
sunlight. When collected moonlight fills the world with charming dream, then into the
jasmine in the mental heaven, Your resonance enters.
3514 (22/04/1986) K
E PRABHÁT PRABHU TOMÁRI KRIPÁY
ARUŃ ÁLOTE JHALAKE
TAMASÁY ÁVARI JE VIBHÁVARII
REKHE CHILO SARE GELO PALAKE
ARUŃ ÁLOTE JHALAKE
AJÁNÁR SUDHÁSÁRE PRIITI NISYANDA
ÁÁÁÁÁÁÁÁÁÁ
AJÁNÁR SUDHÁSÁRE PRIITI NISYANDA
MALAY PAVANE BHÁSÁ MAKARANDA
SUSMITA CETANÁR CIDÁNANDA
ENKE DILE KAPÁLER TILAKE
ARUŃ ÁLOTE JHALAKE
DIN ÁSE CALE JÁY BALÁKÁ PÁKHÁY
ÁÁÁÁÁÁÁÁÁÁ
DIN ÁSE CALE JÁY BALÁKÁ PÁKHÁY
HÁRIE JÁVÁ SMRITI NÁŔÁ DIYE JÁY
PÁOÁ NÁ PÁOÁR KATHÁ KE TÁRE SHUDHÁY
SPANDITA JIIVANER JAMAKE
ARUŃ ÁLOTE JHALAKE
E PRABHÁT PRABHU TOMÁRI KRIPÁY
ARUŃ ÁLOTE JHALAKE
O Lord, this morning shines with crimson light by Your grace. The night that had covered
with darkness is removed out in a moment. The exudation of love of the unknown essence of
nectar, the fragrance floating in the sandal breeze, the pleasing bliss of consciousness
has put a beauty mark on the forehead. The day comes and goes like the wings of the swan
the memories of the passed keep on calling. Who would explain them the reality of
achievement and non attainment, the vibrating grandeur of life?
3515 (23/04/1986) D
TOMÁR PRIITIR PARASH JE PELO
SE KII ÁR TÁRE BHULITE PÁRE
PÁRE NÁ PÁRE NÁ
JYOTSNÁY NABHONILE MILE THEKE
BALÁKÁR MAN BHARE KI NIIŔE
PÁRE NÁ PÁRE NÁ
RANDHRE RANDHRE TUMI JE RAYECHO
ÁÁÁÁÁÁÁÁÁÁ
RANDHRE RANDHRE TUMI JE RAYECHO
NIIRANDHRA BOLE KICHU NÁ REKHECHO
ÁLOK KAŃÁY BHARIÁ DIYECHO
DYULOKER DYUTI PARÁG BHARE
PÁRE NÁ PÁRE NÁ
MANANER AGOCARE LUKIYECHO
ÁÁÁÁÁÁÁÁÁÁ
MANANER AGOCARE LUKIYECHO
JÁHÁ BHÁVI NÁI TÁHÁO BHEVECHO
KÁLÁKÁLER URDDHVE REKHECHO
CINMAY RÚPE AMITA KARE
PÁRE NÁ PÁRE NÁ
TOMÁR PRIITIR PARASH JE PELO
SE KII ÁR TÁRE BHULITE PÁRE
PÁRE NÁ PÁRE NÁ
O Lord, he who gets the touch of Your love, can he forget You any more, never, never. You
pervade each pore, leaving nothing without pore. With particles of effulgence, You have
filled the heavenly shine full of fragrance. You have hidden unseen by the mind, what I
cannot think that also You think. You have kept Yourself above the time and beyond, as
embodiment of consciousness, with immense hands.
3516 (24/04/1986) D
KALI BOLE CHILO ALI KENO
MOR KÁCHE KABHU ÁSE NÁ
GUL BÁGICÁY UŔE CALE JÁY
MOR PÁNE KENO CÁY NÁ
MOR KÁCHE KABHU ÁSE NÁ
PRASTUTA ÁMI HOTECHI SATATA
ÁÁÁÁÁÁÁÁÁÁ
PRASTUTA ÁMI HOTECHI SATATA
MANANETE MADHU KARI SAINCITA
BHÁVER ABHÁVE THÁKI MÁTHÁ NATA
SE? PRIYA KE TABU BHÚLI NÁ
MOR KÁCHE KABHU ÁSE NÁ
KOMAL PÁPAŔI LÁJE MURCHÁY
ÁÁÁÁÁÁÁÁÁÁ
KOMAL PÁPAŔI LÁJE MURCHÁY
PARÁGER RÁGE TANIMÁ PHOT́ÁY
ANURÁGE SURE RÁGE GÁN GÁY
CETANÁ KETANE D́HÁKE NÁ
MOR KÁCHE KABHU ÁSE NÁ
KALI BOLE CHILO ALI KENO
MOR KÁCHE KABHU ÁSE NÁ
The bud told, “ why does not the honeybee come to me any time? It goes on flying through
the floral garden, but does not look at me. I ever remain prepared collecting the mental
honey. I ever keep my head low for want of feelings, yet never forgetting the Dearest. The
soft petals faint with shyness, The tenderness blooms with the love of pollen. It sings
the song in the tune of love without covering the flag of consciousness.
3517 (25/04/1986) D
GÁNERAI MÁYÁLOKE
KE TUMI D́ÁKO ÁMÁKE D́ÁKO
DINE RÁTE PRATI PALAKE
KABHU THÁMO NÁKO
ÁMÁKE D́ÁKO
SAKÁL VIKÁL NEIKO TOMÁR
ÁÁÁÁÁÁÁÁÁÁ
SAKÁL VIKÁL NEIKO TOMÁR
NEIKO SANDHYÁ ÚŚÁR VICÁR
RÁGÁNURÁG ASHEŚAPÁR
HRDAYE RÁKHO
ÁMÁKE D́ÁKO
NITYA KÁLER TUMI PRIYA
ÁÁÁÁÁÁÁÁÁÁ
NITYA KÁLER TUMI PRIYA
SAKAL KALUŚA SARIYE DIO
ÁMÁY TOMÁR KARE NIO
MARME THÁKO
ÁMÁKE D́ÁKO
GÁNERAI MÁYÁLOKE
KE TUMI D́ÁKO ÁMÁKE D́ÁKO
In the illusive arena of songs, Who is that You, calling me day and night, each moment
never pausing? There is no morning or evening for You, no consideration of dawn or
evening. You keep endless, unlimited love and affection in the heart. O The Dear forever
remove all my dirt. Make me Your own and stay in the core of the heart.
3518 (26/04/1986) D
NAVA KISHALAYE KUSUM VALAYE
SÁJÁYE TANIMÁ KHÁNI
MADHUMÁS ELO JÁNI
VIIŃÁ JHAUNKÁRE TRIŃER SHISHIRE
JIIVANER VÁŃII ÁNI
MADHUMÁS ELO JÁNI
CALE GECHE ÁJ SHIITER JAŔÁTÁ
ÁÁÁÁÁÁÁÁÁÁ
CALE GECHE ÁJ SHIITER JAŔÁTÁ
BHULIÁCHE MAN DIIRŃA DIINATÁ
JÁGIÁ UT́HECHE PRIITI PRÁŃIINATÁ
SABÁRE MARME T́ÁNI
MADHUMÁS ELO JÁNI
HÁRÁIÁ RAUNGA HIMÁNI STÚPE
ÁÁÁÁÁÁÁÁÁÁ
HÁRÁIÁ RAUNGA HIMÁNI STÚPE
VASUDHÁ KENDECHE APATRA RÚPE
SAḾGIITE ÁJ D́ÁKICHE MADHUPE
NITYA NIPUŃ PÁŃI
MADHUMÁS ELO JÁNI
NAVA KISHALAYE KUSUM VALAYE
SÁJÁYE TANIMÁ KHÁNI
MADHUMÁS ELO JÁNI
Decorated with much tenderness with new tender leaves and ring of flowers, the spring has
come, this I have known. It has brought the message of life through the tinkling of
viin’a’ and dewdrops on grass. Today the inertia of winter has gone. And the mind has
forgotten tearing shortages. Liveliness of love has arisen pulling mental core of all. The
earth losing its colour into the snow hill, cries in the form of leafless ness. Today it
calls the honeybee with everskilled hands, through song.
3519 (27/04/1986) K
TUMI ATANDRA KRŚŃA VIBHÁVARITE
ÁLO JHARÁLE
NIIRANDHRA KULISH SHILÁTANUTE
SUDHÁ JHARILE
ÁLO JHARÁLE
KÁY VÁK CITTA MANASÁTE
ÁÁÁÁÁÁÁÁÁÁ
KÁY VÁK CITTA MANASÁTE
BHÁVÁDHIROHAŃE JÁ PÁRINI DITE
TÁI NIYE NILE TUMI NIMEŚETE
E KII MANTRA BALE
ÁLO JHARÁLE
TOMÁR ANADHIKÁRE KICHUI JE NÁI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR ANADHIKÁRE KICHUI JE NÁI
SARVA SATTÁ SÁRE TOMÁKEI PÁI
PÚJYA PÚJAK TUMI TUMI PÚJÁY
NÁCO LIILÁCHALE
ÁLO JHARÁLE
TUMI ATANDRA KRŚŃA VIBHÁVARITE
ÁLO JHARÁLE
O Lord, into the intense dark night, You have spread illumination. Into solid rock, You
poured nectar. With body, speech, thought and mind, what I could not provide with the
upward movement of ideation, that You accepted and took in a moment, what a power of
mantra is that? There is nothing, which is beyond Your capability, in the essence of all
existence, I find You only. You are the worshipped, worshipper and dance within the
worship by virtue of illusion, liila.
3520 (28/04/1986) K
JE TOMÁRE CEYECHE SEI KENDECHE
BUJHI NÁ E KII RIITI
ASHRU PLÁVANE PÁI MANE MANE
EO KII PRIITI
BUJHI NÁ E KII RIITI
JIIVAN BAHIYÁ JÁY SHATADRU? SHATA DHÁR
ÁÁÁÁÁÁÁÁÁÁ
JIIVAN BAHIYÁ JÁY SHATADRU? SHATA DHÁR
ULKÁ VAJRA GIRI RODHE NÁ GATI TÁHÁR
TUMI CHÁŔÁ KEU ÁR THÁKE NÁ SUMUKHE TÁR
TUMI TÁRE JOGÁO DRUTI
BUJHI NÁ E KII RIITI
VIŚÁD HARŚA TÁR HOYE JÁY EKÁKÁR
ÁÁÁÁÁÁÁÁÁÁ
VIŚÁD HARŚA TÁR HOYE JÁY EKÁKÁR
MANO MANJÚŚÁ MÁJHE THÁKE NÁ KONO VIKÁR
NIIHÁRIKÁ ÁR NIIHÁRÁŃU THÁKE NÁ VICÁR
EKE MELE ANEK GIITI
BUJHI NÁ E KII RIITI
O Lord, those who love You, they only cry, I do not understand what is the system. With
flood of tears, I find You within the mind, is it love? The life goes on flowing through
hundreds of hills in hundreds of streams. The meteorites, thunders, and mountains do not
obstruct its motion. Except You, none else can stay before it, as You only provide it the
speed. Its pain and pleasure go on unified. In its mental casket, there is no distortion.
There is no consideration of nebula or a dust particle, as several songs merge into one.
3521 (28/04/1986) K
MOR MAN MUKURE
AJÁNÁ PATHIK KENO DÁO NÁ DHARÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁSHÁR KALIRE KENO MADHUPE BHARE
PHOT́ÁO NÁ TVARÁ
DÁO NÁ DHARÁ
PHULE PHALE ÁCHE D́HÁKÁ
TOMÁR E TRIBHUVAN,
ÁÁÁÁÁÁÁÁÁÁ
PHULE PHALE ÁCHE D́HÁKÁ TOMÁR E TRIBHUVAN
GANDHA PARÁG MÁKHÁ PRIITI KORAKER MAN
NIHSVA RIKTA KENO E KALI AKIINCANA
KENO ÁMI SARVA HÁRÁ
DÁO NÁ DHARÁ
LAVAŃÁKTA JALE SIKTA NAYAN MOR
ÁÁÁÁÁÁÁÁÁÁ
LAVAŃÁKTA JALE SIKTA NAYAN MOR
VIŚÁDER KÁL RÁTRI KI NÁI HOVE BHOR
KATA MÁLÁ SHUKÁYECHE PAŔE ÁCHE SHUDHU D́OR
ÁNO ÁSHÁ BHARÁ PASARÁ
DÁO NÁ DHARÁ
MOR MAN MUKURE
AJÁNÁ PATHIK KENO DÁO NÁ DHARÁ
O The Unknown traveler, into my mental mirror, why do not You come into fold? The bud of
hope is full of honeybees, why do not You bloom that quickly? This threelayered universe
of Yours is full of flowers and fruits. The mind of each nucleus of the bud is smeared
with pollenfragrance. Why is this egoless bud is empty? Why I have devoid of everything?
My eyes are wet with saline water. Will there be no morning of this annihilating night of
agonies. Many floral garlands have dried up, only the thread is left. You bring heap full
of hopes.
3522 (29/04/1986) K
TOMÁRE D́EKECHI TOMÁRE CEYECHI
TUMI CHÁŔÁ KICHU NÁ JÁNI
MANANE METECHI BHÁLOBESECHI
VISHVE SHUDHUI TOMÁRE MÁNI
TUMI CHÁŔÁ KICHU NÁ JÁNI
TOMÁRI BHÁVER SHROTE ÁMI BHÁSI GO
ÁÁÁÁÁÁÁÁÁÁ
TOMÁRI BHÁVER SHROTE ÁMI BHÁSI GO
TOMÁRI KURU VINDATE NÁCIGO
TUMI SINDHU ÁMI VINDU
TOMÁRI PRIITI MORE REKHECHE T́ÁNI
TUMI CHÁŔÁ KICHU NÁ JÁNI
UŚŃA ULKÁGHATE KAŔAKÁPÁTE
ÁÁÁÁÁÁÁÁÁÁ
UŚŃA ULKÁGHATE KAŔAKÁPÁTE
DAKHINÁ SAMIIRAŃE JYOTSNÁ RÁTE
MARME BHÁSE DIKVALAYE HÁSE
TOMÁRI GIITI AMRITA VÁŃII
TUMI CHÁŔÁ KICHU NÁ JÁNI
TOMÁRE D́EKECHI TOMÁRE CEYECHI
TUMI CHÁŔÁ KICHU NÁ JÁNI
I called You,
I yearned for You.
There is no other than You.
I have mentally merged in You and loved You.
In the whole universe,
I accept only You.
I have merged in the flow of Your thought.
I dance within Your kuruvindha (Your mental mirror).
You are the ocean,
I am a drop of water.
Nothing but Your love sustains me.
The blazing meteor strikes lightning flashes.
In the cool southern breeze,
in the moonlit night,
Your song and immortal message
smile on my mental horizon
and dance in my heart.
3523 (29/04/1986) K
TUMI JABE NÁHI ELE
KENO ÁSHÁ DIYE CHILE
ÁÁÁÁÁÁÁÁÁÁ
ÁSIBE BOLIÁ GELE
MUCHIE MOR ÁNKHI JALE
KENO ÁSHÁ DIYE CHILE
AMARÁRA TUMI SUDHÁSÁRA
ÁÁÁÁÁÁÁÁÁÁ
AMARÁRA TUMI SUDHÁSÁRA
MARAKATA MAŃI DHARÁR
PRIITI PAYONIDHI APÁRA
CITI DYUTI JHALA MALE
KENO ÁSHÁ DIYE CHILE
CEYECHI TOMÁY SHATA BÁR
ÁÁÁÁÁÁÁÁÁÁ
CEYECHI TOMÁY SHATA BÁ
SHATA RÚPETE DURNIVÁR
HE PRÁŃERAI SPANDAN ÁMÁR
KON PRÁŃE DÚRE RA HILE
KENO ÁSHÁ DIYE CHILE
O Lord, why did You give me hope when You did not come? You had gone telling to come
again, wiping my tears. You are the essence of nectar of the heaven and the splendid gem
for the earth. You are vast ocean of love, shining as effulgence of consciousness. I love
You hundreds of times in hundreds of irresistible forms. O the vibration of my life, why
as my life You have remained away?
3524 (29/04/1986) D
ÁSHÁR PRADIIP NIYE HÁTE TUMI
ESE CHILE PRABHU AMÁ RÁTE
PATH HÁRÁKE DIIP DEKHÁITE
NIKAŚA KRŚŃA CHILO DHARÁ
TAVA ÁLOKE HOLO BHARÁ
EK PALAKER IUNGITE
PATH HÁRÁKE DIIP DEKHÁITE
SHÁNTA SAMÁHITA DHARÁTALA
ÁÁÁÁÁÁÁÁÁÁ
SHÁNTA SAMÁHITA DHARÁTALA
PRÁŃA SPANDANE HOLO CAINCALA
BHÁLO BÁSÁ BHARÁ BHÁVE UCCHALA
CIDÁBHÁSE HOLO CAKITE
PATH HÁRÁKE DIIP DEKHÁITE
SEI HOTE TUMI ÁCHO SÁTHE SÁTHE
ÁÁÁÁÁÁÁÁÁÁ
SEI HOTE TUMI ÁCHO SÁTHE SÁTHE
AŃU PARAMÁŃU TRYASAREŃUTE
OTAH PROTA YOGE JIIVAN DHARÁTE
MADHU NIŚYANDA SHROTE
PATH HÁRÁKE DIIP DEKHÁITE
ÁSHÁR PRADIIP NIYE HÁTE TUMI
ESE CHILE PRABHU AMÁ RÁTE
PATH HÁRÁKE DIIP DEKHÁITE
O Lord, carrying the lamp of hope in hand, You had come on the dark night, to show the
beacon light to the pathlost. The earth was in deep darkness, it became full of Your
effulgence, in a moment with Your gesture. The world engrossed in peace, became restless
with vibration of life. Restless with the vibration of love, its mind was illuminated
suddenly. Since then, You are ever together with each atom, molecule and particle, into
the flow of life, in the stream of sweet nectar, with individual and collective
association.
3525 (29/04/1986) D
TUMI ÁMÁR CIRA DINER SÁTHII
MANE PRÁŃE JÁNI BUJHI
MANDÁNILE JHAINJHÁNALE
ÁNKHIR JALE CI NIYÁCHI
TUMI ÁMÁR CIR DINER SÁTHII
MANE PRÁŃE JÁNI BUJHI
TUMI ÁMÁR CIRA DINER SÁTHII
UTTÁL HAVÁYA MÁDAKATÁY
ÁÁÁÁÁÁÁÁÁÁ
UTTÁL HAVÁYA MÁDAKATÁY
BHÁVA SURABHI/MÚRATI? JÁTE NÁ HÁRÁY
TÁITO TOMÁY ANDHA NISHÁY
DHRUVA TÁRÁY PEYE GECHI
MANE PRÁŃE JÁNI BUJHI
TUMI ÁMÁR CIR DINER SÁTHII
UDAY ASTA NEIKO TOMÁR
ÁÁÁÁÁÁÁÁÁÁ
UDAY ASTA NEIKO TOMÁR
SARVA KÁLE EK SÁRÁTSÁR
EKERI ÁSHÁY KII TAPASYÁY
ANEKE ÁJ JE GE ÁCHE
MANE PRÁŃE JÁNI BUJHI
TUMI ÁMÁR CIR DINER SÁTHII
O Lord, You are my ever companion. This fact I understand in my heart and soul. During
soft breeze and burning storm with tears I recognise this fact. In order that due to
madness of high wind, the fragrance of ideation is not lost into that, hence, in the dark
night, I continue to find You in the polestar. There is no rising up or setting down for
You. You are the only essence of essence for all the time. With the penance of only one
hope, I am fully awakened.
3526 (29/04/1986) K
BÁNDHAN CHINŔE BERIYE ELUM
KABE KENO KE JÁNE
KE JÁNE GO KE JÁNE KE JÁNE KON KHÁNE
KON MÁYÁY CÁOÁ PÁOÁY CÁINI KON MUKHA PÁNE
KE JÁNE GO KE JÁNE
SHUNI NIKO KÁRO ANURODHA
ÁÁÁÁÁÁÁÁÁÁ
SHUNI NIKO KÁRO ANURODHA
MÁNI NI KONO PRATIRODHA
KEU BOLECHE MATTA ABODHA
TULI NI SE KATHÁ PRÁŃE
KE JÁNE GO KE JÁNE
KŚUDRA DIYE BRIHAT PELUM
ÁÁÁÁÁÁÁÁÁÁ
KŚUDRA DIYE BRIHAT PELUM
RITER NÁGARIK HOLUM
PÁONÁ SABAI BHÁSIYE DILUM
VISHVA PRÁŃER UJÁNE
PRATI PALER PRASÚNE
KE JÁNE GO KE JÁNE
Breaking the bondage when did I come, who knows that? What deluding allurement of desire
and achievement, I did not want looking towards Whom? I did not listen to anyone’s
request, did not submit to any resistance, some people called me mad and foolish, but I
did not heed to that. Having sacrificed the meagre worldly objects, I attained the great
and became a member of the society of truth. I have floated away all my physical longings
in the tide of universal flow with the bud of each moment.
3527 (12/05/1986) D
ÁMÁR TARE AKÁTARE
KII NÁ DIYECHO
KII NÁ DIYECHO GO PRABHU
KII NÁ DIIYECHO
BHÁVA JAGATE ALAKŚYETE ESE BASECHO
KII NÁ DIYECHO GO PRABHU
KII NÁ DIIYECHO
KAITE KATHÁ MARI LÁJE
ÁÁÁÁÁÁÁÁÁÁ
KAITE KATHÁ MARI LÁJE
KII CHILO MOR ÁJ KII ÁCHE
CHILUM, DHULOR PARE HATÁDARE
KÁCHE T́ENECHO
KII NÁ DIYECHO GO PRABHU
KII NÁ DIIYECHO
MANER MÁJHE CHILO NÁ RÚP
ÁÁÁÁÁÁÁÁÁÁ
MANER MÁJHE CHILO NÁ RÚP
JVELENI DIIP SUGANDHI DHÚP
CHILUM, BHAYÁL RÁTE TAMISHRÁTE
KOLE TÚLECHO
KII NÁ DIYECHO GO PRABHU
KII NÁ DIIYECHO
ÁJ BUJHECHI SABAI TOMÁR
ÁÁÁÁÁÁÁÁÁÁ
ÁJ BUJHECHI SABAI TOMÁR
EKÁ TUMII SÁRATSÁR
MOR, EK TÁRÁTE NIIRAVA PRÁTE
GÁNE HESECHO
KII NÁ DIYECHO GO PRABHU
KII NÁ DIIYECHO
O Lord,
You offered all to me ungrudgingly.
What have You not given me?
Unnoticed, You took Your seat in my mental arena.
I felt shy talking to You.
I wonder what I had in the past and what I have now.
I was lying around in dust, neglected,
and You pulled me close.
I had no mental vision nor object.
I did not kindle any candle nor incense.
I was caught in a dreadful and dark night.
You picked me up onto Your lap.
Now I understand that everything is Yours.
You are the sole fundamental essence.
On my lyre in the calm morning
You raised a smiling song.
3528 (12/05/1986) K+D
SAHÁS ÁNANE MOR KÁNANE
KE GO BASE ÁNAMANE
MOR PÁNE CÁO MOR PÁNE
KUSUM TÚLECHI MÁLÁ GENTHECHI
PARÁTE TOMÁY NIRJANE
MOR PÁNE CÁO MOR PÁNE
NEIKO ÁMÁR GUŃER VYÁHRITI
ÁÁÁÁÁÁÁÁÁÁ
NEIKO ÁMÁR GUŃER VYÁHRITI
NEIKO KARMA SÁDHANÁ DIIPTI
NEIKO BHÁŚÁY BHÁVA PRASISTI?
ÁCHE SHUDHU PRIITI MANANE
MOR PÁNE CÁO MOR PÁNE
YUGA YUGA DHARE BASE ÁCHI PATHE
ÁÁÁÁÁÁÁÁÁÁ
YUGA YUGA DHARE BASE ÁCHI PATHE
ALASTA SVEDA SIKTA SMRITITE
MANER GAHANE CETANÁ SARITE
SAḾVITE GÁNE GÁNE
MOR PÁNE CÁO MOR PÁNE
With smiling face, in my garden Who, sitting unmindfully, looks towards me? O Lord, I have
picked up flowers and threaded the garland to place around You in isolation. I do not have
expressions of qualities, neither the shine of good deeds. There is no skill of language
for feeling. Only love in the mind is present. For ages after ages, I am awaiting on the
path, actionless with sweatmoist memories, raising the stream of consciousness in the
depth of the mind with song after song.
3529 (13/05/1986) D
MANER KOŃE SAḾGOPANE
KE GO TUMI BASE EKELÁ
MARMA MÁJHE DICCHO DOLÁ
CÁO NI KICHU KAO NI KICHU
CHAŔAO HÁSI MUKTÁ MÁLÁ
MARMA MÁJHE DICCHO DOLÁ
SAUNGII KI KEU NEIKO TOMÁR
ÁÁÁÁÁÁÁÁÁÁ
SAUNGII KI KEU NEIKO TOMÁR
TÁRI KHONJE GHORO CÁRI DHÁR
ATAL APÁR EI CARÁCARA
TÁI KI NIYE KHELÁY BHOLÁ
MARMA MÁJHE DICCHO DOLÁ
NEIKO TOMÁR KONOI ABHÁVA
ÁÁÁÁÁÁÁÁÁÁ
NEIKO TOMÁR KONOI ABHÁVA
SAKAL BHÁVEI TUMI MAHÁBHÁVA
AŃU BHÚMÁY SAMÁN PRABHÁVA
SHATEK DHÁRÁY RACO LIILÁ
MARMA MÁJHE DICCHO DOLÁ
MANER KOŃE SAḾGOPANE
KE GO TUMI BASE EKELÁ
MARMA MÁJHE DICCHO DOLÁ
Sitting alone in the recess of mind secretly, Who is that You oscillating the core of the
mind? You do not want anything, do not speak anything, scatter the smile like clusters of
pearls. Do not You have any companion, looking for whom You are wandering everywhere? You
are ever engrossed in the game with the unlimited vast world. You do not have any
scarcity, You are the collection of all thoughts as the great Ideation. With equal
influence on the Cosmos and the microcosm, You create illusive game in hundreds of styles.
3530 (14/05/1986) K
EI, TAMASÁCCHANNA DHARÁ Y
ÁLO NIYE ESO PRÁŃE PRÁŃE MESHO
SABE ADHIIR ÁGRAHE TAVA ÁSÁ PATH CÁHE
MRIDU HESE MARME BASO
ÁLO NIYE ESO, EI, TAMASÁCCHANNA DHARÁY
KATA YUGA KET́E GECHE ÁNDHÁR E DHARÁ PARE
ÁÁÁÁÁÁÁÁÁÁ
KATA YUGA KET́E GECHE ÁNDHÁR E DHARÁ PARE
BHAYÁL BHRIKUT́I KATA ÁGHÁT HENECHE TÁRE
RAKTA KŚAYII RAŃE JUJHECHE BÁRE BÁRE
PRIITI MAMATÁY UDBHÁSO
ÁLO NIYE ESO, EI, TAMASÁCCHANNA DHARÁY?
ÁR NAY OGO PRABHU ANEK LIILÁ KARECHO
ÁÁÁÁÁÁÁÁÁÁ
ÁR NAY OGO PRABHU ANEK LIILÁ KARECHO
LIILÁR MÁDHURI NIYE ÁJO KENO DÚRE ÁCHO
NANDAN CANDANE KULIISHE KENO D́HEKECHO
JADI SABE BHÁLOBÁSO
ÁLO NIYE ESO, EI, TAMASÁCCHANNA DHARÁY
O Lord, onto this darkness covered earth, come carrying the light, and merge with each
life. All are impatiently eager to see You on the arrival path. Smiling sweetly, You sit
in the core of the mind. Many eras have passed on this dark earth. The frightening
gestures have hit that many times. It has times and again struggled with much bloodshed.
Now enlighten with affection and love. O Lord, do not continue this delusive game any
more. Keeping the sweetness of the play, why are You far away? Why have You covered the
fragrant sandal paste with mud if You love all?
3531 (15/05/1986) K
KÁNU MOR, YADI NÁHI ELO GOKULE
ÁÁÁÁÁÁÁÁÁÁ, YADI NÁHI ELO GOKULE
KISER TARE SÁJ KISER SAMÁJ LÁJ
MÁLÁ GÁNTHÁ MÁLATI PHÚLE
YADI NÁHI ELO GOKULE
BHÁVI TÁRE DIVÁ NISHI BHÁSI TÁRI BHÁVE MISHI
ÁÁÁÁÁÁÁÁÁÁ
BHÁVI TÁRE DIVÁ NISHI BHÁSI TÁRI BHÁVE MISHI
NAYANER KAJJALE DEKHI SADÁ TÁRI HÁSI
TÁRI PRIITI MARME DOLE
YADI NÁHI ELO GOKULE
LIILÁNANDE SEI MANANER MANORAMA
ÁÁÁÁÁÁÁÁÁÁ
LIILÁNANDE SEI MANANER MANORAMA
NITYÁNANDA VIBHU PRÁŃERI PRIYATAMA
BHÁŚÁR BÁNDHAN BHEUNGE BHÁVA MOR DURDAMA
TÁRI T́ÁNE CHOT́E AKÚLE
YADI NÁHI ELO GOKULE
KÁNU MOR, YADI NÁHI ELO GOKULE
If my Krsna does not come to Gokul, what for is all decoration, social custom, the
garland threaded with ma’latii flower? I have been thinking of You day and night
submerged in Your ideation. Within the dark decoration mark of the eyes, I always see Your
smile. Your love oscillates in the core of the heart. The charming liilananda, the
pleasing illusive game is there in the mind, O the Dearest Lord, ever blissful. My
irresistible ideation breaks the bondage of language and rushes shoreless towards You by
Your pull.
3532 (16/05/1986) D
ÁLOKOCCHALA DHARITRI TALA
E ÁLO JVÁLÁLE BOLO KE
MANER GABHIRE STARE VIISTARE
RÁUNGIYE DILE SABÁKE
E ÁLO JVÁLÁLE BOLO KE
ÁLOKOCCHALA
ANÁDI KÁLER TUMI PURÁTANA
ÁÁÁÁÁÁÁÁÁÁ
ANÁDI KÁLER TUMI PURÁTANA
SHATEK DHÁRÁY TAVA SPANDANA
UTSÁRITA CHANDÁYITA NAVA TAR PRATI PALAKE
E ÁLO JVÁLÁLE BOLO KE
ÁLOKOCCHALA
ANDHA TAMISHRÁ PÁR HOTE
ÁÁÁÁÁÁÁÁÁÁ
ANDHA TAMISHRÁ PÁR HOTE
ÁLOR PRATIITI ANILE JAGATE
MANTRA MUGDHA VYASTA CAKITA
KARE DILE NIIHÁRIKÁ KE
E ÁLO JVÁLÁLE BOLO KE
ÁLOKOCCHALA
The earth is vibrant with illumination. Who has kindled this light, tell. He has coloured
all in different strata and substrata within the depth of the mind. You are ever ancient
since time immemorial. Your vibration is emanated and rhythmic in hundreds of styles each
moment in newer way. Crossing the Cimmerian darkness, You have brought realization of
light onto the world. You have enchanted and startled and engrossed the nebula.
3533 (16/05/1986) D
ÁLOKER EI JHARŃÁ DHÁRÁY
KE GO? TUMI ELE
MOR PÁNE CÁO ÁNKHI MELE
CHILUM GHUME AMÁNISHÁY
KRIPÁ KARE MOR KÁCHE ELE
MOR PÁNE CÁO ÁNKHI MELE
BÁHIR BHIITAR NÁHI KO TOMÁR
ÁÁÁÁÁÁÁÁÁÁ
BÁHIR BHIITAR NÁHI KO TOMÁR
VIKASITA TUMI CAMPAKA HÁR
ABHROTTARA TUNGA ÁNDHÁR
PARASHE KALUŚA NÁSHILE
MOR PÁNE CÁO ÁNKHI MELE
VISHVA MANER MAŃIKÁR HÁR
ÁÁÁÁÁÁÁÁÁÁ
VISHVA MANER MAŃIKÁR HÁR
AMEYA TUMI ATAL APÁR
SHÁNTA SNIGDHA SMITA SUDHÁ SÁR
KE BÁ JÁNE TUMI NÁ JÁNÁLE
MOR PÁNE CÁO ÁNKHI MELE
ÁLOKER EI JHARŃÁ DHÁRÁY
KE GO? TUMI ELE
MOR PÁNE CÁO ÁNKHI MELE
Through the stream of fountain of effulgence, who is that You who came looking at me with
open eyes? I was in intense darkness, You graciously came to me. There is no outside and
inside for You. You are bloomed like a garland of campak. The dirt and darkness higher
beyond the sky You have destroyed by our touch. The gemgarland of the universal mind, You
are immeasurable, unlimited, immense. Who would know the tranquil, soft smiling essence of
nectar, if You would not make it known?
3534 (16/05/1986) D
KOMALE KAT́HORE TUMI PRABHU
ÁMI, DÚRE THEKE CININI TOMÁY
GHRIŃÁ KARO NÁ TUMI KABHU SHUDHU
EGIYE JETE BOLO ÁMÁY
DÚRE THEKE CININI TOMÁY ÁMI
DÚRE THEKE CININI TOMÁY
JE KUNŔIT́I CHILO KÁL RÁTE
ÁÁÁÁÁÁÁÁÁÁ
JE KUNŔIT́I CHILO KÁL RÁTE
SE HOYECHE PHÚL ÁJ BHORE
JE MANANE CHILO OTAH PROTE
SE RAYECHE GÁNTHÁ PRIITI D́ORE
SE JE, TAVA BHÁVANÁTE MURACHÁY
DÚRE THEKE CININI TOMÁY
ÁMI, DÚRE THEKE CININI TOMÁY
CAINCALA SHOŃITER DHÁRÁY
ÁÁÁÁÁÁÁÁÁÁ
CAINCALA SHOŃITER DHÁRÁY
UCCHAL HIYÁ JHALAKÁY
MAKARANDA ÁSHE CHÚT́E JÁY
MOR MAN BHRAMARÁ TOMÁRE CÁY
DÚRE THEKE CININI TOMÁY
ÁMI, DÚRE THEKE CININI TOMÁY
KOMALE KAT́HORE TUMI PRABHU
ÁMI, DÚRE THEKE CININI TOMÁY
O Lord, You are soft and hard both. I have not recognised You by staying at distance. You
never hate, only tell me to move forward. That which was bud last night, it became flower
this morning. That which was present in the mind, associated individually and
collectively, that remained threaded in the thread of love. It gets engrossed in Your
ideation. In restless flow of blood, vibrant heart peeps. With hope of nectar of pollen
my mental bee rushes towards You.
3535 (17/05/1986) D
KUSUM SUVÁSE SUDHÁ SÁR
SONÁLI CÁNDER BHARÁ JOÁR
JYOTSNÁ NISHITHE ATANDRA GIITE
RACANÁ KARECHO HE MAHÁR
SONÁLI CÁNDER BHARÁ JOÁR
ÁSÁ ÁR JÁOÁ JIIVEDER TARE
ÁÁÁÁÁÁÁÁÁÁ
ÁSÁ ÁR JÁOÁ JIIVEDER TARE
HE ANIRVÁŃA TUMI DESHOTTARE
CHILE ÁCHO THÁKIBE CIRA TARE
DIIPTA MAHIMÁ TUMI APÁR
SONÁLI CÁNDER BHARÁ JOÁR
JE RAVIR NEI UDAY ASTA
ÁÁÁÁÁÁÁÁÁÁ
JE RAVIR NEI UDAY ASTA
KÁLER KAVALE HOVE NÁ GRASTA
VAJRE KULIISHE NÁ HOE DHVASTA
SEI TUMI CIR SÁRÁTSÁR
SONÁLI CÁNDER BHARÁ JOÁR
KUSUM SUVÁSE SUDHÁ SÁR
SONÁLI CÁNDER BHARÁ JOÁR
O The Great, with essence of nectar of floral fragrance, full tide by the golden moon, in
the moonlit night, with lively songs, You create golden necklace. Coming and going is for
the living beings, O Evereffulgent, You are beyond the arena of space. You were in the
past, are present now and would remain forever, You are unlimited with ablaze glory. You
are that Sun, which never rises or sets, nor gets devoured by time. O the ever essence of
essence, You are that hard stone that never gets pulverized.
3536 (17/05/1986) D
EI RÚPER SÁGARE KII KARE
TUMI, ARÚPA RATAN DHARÁ DILE
RÚPER SÁGARE KI KARE ÁMI
BHÁVITE PÁRINÁ BUJHIÁ UT́HINÁ
KARO, KEMAN E LIILÁ PRATIPALE
ARÚPA RATAN DHARÁ DILE
TARI BEYE JÁO DÚR HOTE DÚRE
ÁÁÁÁÁÁÁÁÁÁ
TARI BEYE JÁO DÚR HOTE DÚRE
ANÁDI ASHEŚA KALPANÁ NIIRE
MÁSÁRTA KÁLE UPEKŚÁ KARE
ETA YUGA KII KARE RAHILE
ARÚPA RATAN DHARÁ DILE
JÁ ICCHÁ TUMI KARE CALO PRABHU
ÁÁÁÁÁÁÁÁÁÁ
JÁ ICCHÁ TUMI KARE CALO PRABHU
SAMA DARSHI KŚUDRA BRIHATE TABU
SAB MANANE MADHU MÁKHÁLE
ARÚPA RATAN DHARÁ DILE
EI RÚPER SÁGARE KII KARE
TUMI, ARÚPA RATAN DHARÁ DILE
O Formless Gem, into this ocean of forms, what for You came into folds? I am unable to
conceive and understand. How do You perform this divine game, liila, each moment. In
the endless and beginning less water of imagination, You go on sailing the boat, far and
further, ignoring the months, seasons, and time for eras after eras. O Lord, whatever You
want, You go on doing that, never deviating from Your will. You look at small and big
equally, yet smear honey into all minds.
3537 (18/05/1986) K+D
KUSUM KÁNANE MAN VITÁNE
ÁVESHE PÁPIYÁ GÁY
TUMI KOTHÁY BOLO, TUMI KOTHÁY
PRÁŃERI PARASHE GIITI RABHASE
KALITE DOLÁ JÁGÁY
TUMI KOTHÁY BOLO, TUMI KOTHÁY
KISHALAYE ÁR MUKULE MILECHE
ÁÁÁÁÁÁÁÁÁÁ
KISHALAYE ÁR MUKULE MILECHE
SHÁLMALI TARU PHULE BHARE GECHE
MANER GAHANE SUSMITÁNANE
SABÁI EKERE CÁY
TUMI KOTHÁY BOLO, TUMI KOTHÁY
KINSHUK VAN VARŃE HESECHE
ÁÁÁÁÁÁÁÁÁÁ
KINSHUK VAN VARŃE HESECHE
CYUTA KALIKÁR GANDHA BHESECHE
KUŚT́HALE JALE ANALE ANILE
SUDHÁ DHÁRÁ BAYE JÁY
TUMI KOTHÁY BOLO, TUMI KOTHÁY
KUSUM KÁNANE MAN VITÁNE
ÁVESHE PAPIÁ GÁY
TUMI KOTHÁY BOLO, TUMI KOTHÁY
The nightingale sings with impulse into the mental arbor of floral garden, “ Where are
You, tell me Where are You”. With the touch of vitality and upsurge of song, it arises
oscillations onto the buds. The tender leaves and buds are intermingled. The sha’lmalii
tree has become full of flowers. In the depth of mind and with smiling face, all want only
One. The kim’shuk grove smiles with colours, the fragrance of fallen buds floats. In
water, air and sky the stream of nectar goes on flowing.
3538 (18/05/1986) D
TOMÁRI PATH CEYE
CALE GECHE KATA TITHI
TABU NÁ MOR GHARE ELE
HE CIRA AJÁNÁ ATITHI
CALE GECHE KATA TITHI
TRUT́I ÁMÁR NÁ BUJHECHI
ÁÁÁÁÁÁÁÁÁÁ
TRUT́I ÁMÁR NÁ BUJHECHI
TOMÁRI PATHE CALECHI
TAVA BHÁVE BENCE ÁCHI
TOMÁY BHÁVI DIVÁ RÁTI
CALE GECHE KATA TITHI
UCALA ACALE CAŔI
ÁÁÁÁÁÁÁÁÁÁ
UCALA ACALE CAŔI
CALÁCALE KHUNJE MARI
HÁR JIITE TOMÁY SMARI
BHÚLINÁ TOMÁR PRATIITI
CALE GECHE KATA TITHI
TOMÁRI PATH CEYE
CALE GECHE KATA TITHI
O Lord, looking towards Your arrival path, how many days have passed, still You did not
come to my home, O ever unknown traveler. I do not understand my faults. I move on Your
path and survive with Your ideation, thinking of You, day and night. I climb the high
mountains, go on searching while moving in vain. In victory and defeat, I remember You
without forgetting Your impression.
3539 (19/05/1986) K
KAMAL KALI BOLE, PRABHU MOR
KUMUD KALHÁRE JE PRIITI D́OR
RACANÁ KARO SAROVARE
TÁR NÁI TULANÁ TÁR NÁI TULANÁ
ALI GUINJANE PRABHAINJANE
SÁJÁLE JÁ TUMI ÁNAMANE
SE NAY CHALANÁ SE NAY CHALANÁ
TÁR NÁI TULANÁ TÁR NÁI TULANÁ
PRABHÁTE ÁLO D́HELE DIYECHO
ÁÁÁÁÁÁÁÁÁÁ
PRABHÁTE ÁLO D́HELE DIYECHO
SANDHYÁ RÁGER RAUNGE RÁUNGIYECHO
NRITYER TÁLE TÁLE MANDÁNILE
SAB KICHU DILE NIJE ELE NÁ
TÁR NÁI TULANÁ TÁR NÁI TULANÁ
BHUVAN CHEYE TAVA MÁYÁR KHELÁ
ÁÁÁÁÁÁÁÁÁÁ
BHUVAN CHEYE TAVA MÁYÁR KHELÁ
JIIVAN BEYE ÁLO CHÁYÁR MELÁ
TUMI ÁCHO ÁMI ÁCHI SÁR JENECHI
E JÁNÁY ÁCHE CIRA SÁNTVANÁ
TÁR NÁI TULANÁ TÁR NÁI TULANÁ
The lotus bud says, “ O my Lord, within the bunch of lily flowers, the thread that You
have created, it has no comparison. That which You have unmindfully decorated with humming
of bees and storms, it is not simply delusion”. You have poured light in the morning
coloured the evening with tint. Through the rhythms of the dance and soft breeze, You
provided everything but did not come Yourself. The play of Your illusion, ma’ya’, is
spread all over the world. The life flows through the togetherness of light and shade. I
know the essence that You are there and I am there. In this knowledge is permanent
consolation.
3540 (20/05/1986) D
TOMÁRE CEYECHI KUSUM SUVÁSE
BHÁUNGÁ BÚKE DIIRGHA SHVÁSE
TUMI, KAOSTUBHA MAŃI HIIRAKER KHAŃI
MARU YÁTANÁR HÚTÁSHE
BHÁUNGÁ BÚKE DIIRGHA SHVÁSE
ANÁDI ASHEŚA LIILÁ PARIVESHE
ÁÁÁÁÁÁÁÁÁÁ
ANÁDI ASHEŚA LIILÁ PARIVESHE
KÁNDÁO HÁSÁO NÁCÁO ÁVESHE
KÁCHE T́ENE NÁO DIVASA AVASHEŚE
CETANÁR CIRA CIDÁKÁSHE
BHÁUNGÁ BÚKE DIIRGHA SHVÁSE
TOMÁR SAMÁN ÁR KEHO NÁI
ÁÁÁÁÁÁÁÁÁÁ
VISHVE DVITIIYA SATTÁ NÁ PÁI
KOT́I KOT́I TÁI PRAŃÁM JÁNÁI
TAVA NÁME TAVA SAKÁSHE
BHÁUNGÁ BÚKE DIIRGHA SHVÁSE
TOMÁRE CEYECHI KUSUM SUVÁSE
BHÁUNGÁ BÚKE DIIRGHA SHVÁSE
O Lord, I love You with floral fragrance and deep breath of the broken heart. You are the
most valuable kaostubha gem, a diamondmine, yet expression of dismay of the desert agony.
Under the environment of endless and beginning less cosmic play, liila, You make one
cry, smile and dance with impulse. At the end of the day, You pull close to You, in the
eternal firmament of consciousness. There is no one like You, I do not find a second
entity. Hence, I express millions of salutations with Your name, before You.
3541 (20/05/1986) D
ÁLOKER DYUTI TAVA PRADIIPTI
SAORA SHAKAT́E BHESE JÁO
TUMI BHÚMÁ ÁMI TAVA KANIKÁ
MORE PRÁŃÁVEGE BHARE DÁO
SAORA SHAKAT́E BHESE JÁO
JÁHÁ KICHU CHILO JÁHÁ CHILO NÁKO
ÁÁÁÁÁÁÁÁÁÁ
JÁHÁ KICHU CHILO JÁHÁ CHILO NÁKO
JÁHÁ THEKE JÁY JÁHÁ THÁKE NÁKO
SABÁR PRATIIPE PRATYAGÁTMÁ
TUMI DEVA SABÁRE NÁCÁO
SAORA SHAKAT́E BHESE JÁO
ANALE ANILE TOMÁR VIBHÚTI
ÁÁÁÁÁÁÁÁÁÁ
ANALE ANILE TOMÁR VIBHÚTI
KUSHA KÁSH MÚLE TAVA SAḾSTHITI
KÁCHER KAŃIKÁ DÚR NIIHÁRIKÁ
SABÁRE TAVA BHÁVE MÁTÁO
SAORA SHAKAT́E BHESE JÁO
ÁLOKER DYUTI TAVA PRADIIPTI
SAORA SHAKAT́E BHESE JÁO
With Your brilliance of the effulgence of light, You go on floating on the solar cart. You
are Cosmic and I am Your particle. You fill me with impulse of vitality. Whatever existed
whatever did not exist, whatever stays and whatever does not remain, opposite to all, You
are Parama’tma’, The Param Purus’a, The Divine, making all dance. Your power is
present in fire and air. You are well established in the roots of grasses. The nearby
particle or the distant nebula, all You make to dance as per Your will.
3542 (21/05/1986) K
TOMÁKE VIJANE CEYE CHILUM
TUMI, VISHVA SABHÁY CHILE PÁINI EKÁ
PRATI PALAKE MANE BHEVE CHILUM
HRIDAYE DHARE NOBO PELE DEKHÁ
TUMI, VISHVA SABHÁY CHILE PÁINI EKÁ
BHULE GECHI DIN SÁL BHULE GECHI TITHI
ÁÁÁÁÁÁÁÁÁÁ
BHULE GECHI DIN SÁL BHULE GECHI TITHI
KÁNDIÁ KET́ECHE KATA DIIRGHA RÁTI
TOMÁR TARE KATA GEYECHI GIITI
SAHAJ SARAL MANE (?) BINÁ SHAUNKÁ
TUMI, VISHVA SABHÁY CHILE PÁINI EKÁ
ÁJI E KRŚŃÁ RÁTE JHAŔE JHAINJHÁ Y
ÁÁÁÁÁÁÁÁÁÁ
ÁJI E KRŚŃÁ RÁTE JHAŔE JHAINJHÁ Y
ASHNI NIPÁTE JABE PRÁŃA KEMPE JÁYA
KÁCHE ELE DHARÁ DILE EI NIRÁLÁY
SPANDITA KARE MOR CITI ALAKÁ
TUMI, VISHVA SABHÁY CHILE PÁINI EKÁ
TOMÁKE VIJANE CEYE CHILUM
TUMI, VISHVA SABHÁY CHILE PÁINI EKÁ
O Lord, I wanted to have You in a lonely place, but You were involved in Universal
gathering so I could not find You alone. But in my mind, each and every moment I was
thinking that if I see You alone then I would hold You in my heart. I have forgotten the
day and year, and the date. Many nights have passed in crying. I have
sung so many songs for You with simple and straight mind without any doubt. Today, in
this dark night when the strong wind and cyclone is swirling and the sky is filled with
thunder and lightening when the heart is quivering, then You came and allowed Yourself to
be held in this lonely place vibrating the heaven of my mind.
3543 (21/05/1986) K
KAVOŚŃA PRABHÁTE KUNTAL GIRITE
E KII RÚPE ESE GELE OGO MANOHARA
MANERI GAHANE SUSNIGDHA PAVANE
NÁŔÁ DIYE DILE VICITRA SUNDARA
E KII RÚPE ESE GELE OGO MANOHAR
PRÁŃÁVEGE SAḾVEGE TUMI ATULA
ÁÁÁÁÁÁÁÁÁÁ
PRÁŃÁVEGE SAḾVEGE TUMI ATULA
SPANDITA KARE DÁO JIIVANER MÚLA
ATAL ANAL DOLE TOMÁRI ABJA DALE
JÁNÁ NÁ JÁNÁY TUMI CIRA CITA CHOR
E KII RÚPE ESE GELE OGO MANOHARA
HÁRIYE PHELECHILUM NIJEKE
ÁÁÁÁÁÁÁÁÁÁ
HÁRIYE PHELECHILUM NIJEKE
JAD́ER TANDRÁ GHORE BHESE KUHAKE
ÁJI TAVA KARUŃÁY SAMVIT JHALAKÁY
TOMÁKEI SHUDHU CÁI AVÁUNGA MANOGOCARA
E KII RÚPE ESE GELE OGO MANOHARA
O The Charming One, in the warm morning, headhair and mountains, in what a form You came
and went. Into the depth of the mind, and soft breeze, what variegated beautiful response
have You given? In momentum and impulse of life, You are incomparable. You go on
oscillating the very root of life. At the petal of Your lotus, the fire in the depth
oscillates. Knowingly or unknowingly You are the stealer of mind. I had lost myself into
intense drowsiness of inertia, floating enchanted. Today by Your grace, the glimpse of
consciousness shines. I want only You, physically, mentally and spiritually.
3544 (22/05/1986) K
AJÁNÁY CHILE JÁNÁ MÁJHE ELE
TABU KATA T́UKU JÁNIYÁCHI
ÁMI, TABU KATA T́UKU JÁNIYÁCHI
JABE JATA JÁNI TATA NÁHI JÁNI
AJÁNÁR ÁKÁR BÁŔIYECHI
TABU KATA T́UKU JÁNIYÁCHI
KUSUM SUVÁS JALADERI KÁLO
ÁÁÁÁÁÁÁÁÁÁ
KUSUM SUVÁS JALADERI KÁLO
GIRIR GARIMÁ PRÁŃE LÁGE BHÁLO
MAN BHEVE JÁY THAI NÁHI PÁY
KENO EI BHÁLOBÁSIÁCHI
TABU KATA T́UKU JÁNIYÁCHI
TOMÁKE DEKHINI NIKAT́E PÁINI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁKE DEKHINI NIKAT́E PÁINI
MAN VEDII PARE SÁJÁTE PÁRINI
TABU SHATA DHÁY ÁSHÁ CHUT́E JÁY
TOMÁKE T́ÁNITE KÁCHÁKÁCHI
TABU KATA T́UKU JÁNIYÁCHI
AJÁNÁY CHILE JÁNÁ MÁJHE ELE
TABU KATA T́UKU JÁNIYÁCHI
O Lord, You were in unknown arena but came into known world, still how much do I know You.
Whenever whatever I know, that much I do not know and I thus increase the area of
ignorance. The fragrance of flower and darkness of the clouds, and the greatness of
mountain, all I like wholeheartedly. The mind goes on thinking, yet is unable to estimate
why do I love these. I have not seen You, did not find close, could not adorn and
establish You on my mental altar. Still the hope rushes out in hundreds of ways for
pulling You close and closer.
3545 (22/05/1986) K
TOMÁKE SMARIÁ TOMÁKE CÁHIÁ
MOR ÁRÁDHANÁ BHESE JÁY
TUMI ÁSILE NÁ KRPÁ KARILE NÁ
VYATHÁ BUJHILE NÁ KENO HÁ Y
MOR ÁRÁDHANÁ BHESE JÁY
PATH CALITECHI ANÁDI HOITE
ÁÁÁÁÁÁÁÁÁÁ
PATH CALITECHI ANÁDI HOITE
NÚTANER CEYE NAVA TARA SHROTE
ASHEŚE ASIIME MISHIÁ JÁI TE
SNIGDHA SHYÁMAL TAVA CHÁY
MOR ÁRÁDHANÁ BHESE JÁY
KÁJ KARE JÁI TOMÁKEI BHÁVI
ÁÁÁÁÁÁÁÁÁÁ
KÁJ KARE JÁI TOMÁKEI BHÁVI
TOMÁRI ÁLOKE DEKHI TAVA CHAVI
JÁ ÁCHE JÁ NÁI BUJHI TUMI SABAI
VYAKTA HOYECHO SHATA DHÁ Y
MOR ÁRÁDHANÁ BHESE JÁY
TOMÁKE SMARIÁ TOMÁKE CÁHIÁ
MOR ÁRÁDHANÁ BHESE JÁY
O Lord, remembering You and loving You, my worship goes on floating. You did not come did
not shower Your grace, did not understand my pain, alas, why? From the source without
beginning, towards new through newer stream, to merge in the endless, unlimited, under the
soft, green shelter of Yours. I go on performing the actions remembering You. I see Your
image in Your light. Whatever exists, whatever does not, all that I understand as You
only. You express Yourself in hundreds of ways.
3546 (23/05/1986) K
PRABHÁT ESECHE ÁJI NÚTAN RÚPE
NÚTANER VÁŃII NIYE PÚRVÁCALE
ÁÁÁÁÁÁÁÁÁÁ
BHÁVA JAD́ATÁR GLÁNI PRIITI KAKUBHE
SARIYE BHARIYE DITE SMITA KAMALE
NÚTANER VÁŃII NIYE PÚRVÁCALE
SAKALEI CEYE CHILO SÁRÁ RÁTI
ÁÁÁÁÁÁÁÁÁÁ
SAKALEI CEYE CHILO SÁRÁ RÁTI
TAMASÁR AVASÁNE SONÁLII DYUTI
NAY KONO CAPALATÁ MÁTÁ MÁTI
NIIRAVA RABHASE PETE RÁUNGÁ KISHALE
NÚTANER VÁŃII NIYE PÚRVÁCALE
ÁHAVE METECHE ÁNDHÁRER JIIVERÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁHAVE METECHE ÁNDHÁRER JIIVERÁ
CÁYNIKO TÁRÁ HOK MADHUR DHARÁ
E BHRÁNTI EK DIN BHULIBE TÁRÁ
PRABHÁTER PRATIBHÁTE NAVA NIKHILE
KŚUDRA E PRABHÁTE CITI MUKULE
NÚTANER VÁŃII NIYE PÚRVÁCALE
PRABHÁT ESECHE ÁJI NÚTAN RÚPE
NÚTANER VÁŃII NIYE PÚRVÁCALE
Today the morning has come in new form, carrying the message of the new, in the eastern
horizon. Removing the agony of dogma, with loving illumination from Eastern Direction
filling with the smiling lotus. All wanted whole of night, the end of darkness and golden
illumination. There is no restlessness of frenzy, finding the silent upsurge of emotion in
the coloured tender leaves. The living beings are frenzied in fights during the darkness.
They do not want that the world should be sweet. They shall forget this delusion one day
with brilliance of morning in the new world with small morning in the blossom of mind.
3547 (23/05/1986) K
ANEK DINER PARE SE ESECHE
BHARIÁ DIYECHE SABÁKÁR PRÁŃA
ÁJ KONO KATHÁ NAY SHUDHU GÁN ÁRO GÁN
MANJIŚT́HÁ MAINJARII NECE KA Y
ÁÁÁÁÁÁÁÁÁÁ
MANJIŚT́HÁ MAINJARII NECE KA Y
MÁDHAVI MUKUL TOR HOLO JE SAMAY
ÁR SHUYE THÁKÁ NAY SHONO TÁR ÁHVÁN
ÁJ KONO KATHÁ NAY SHUDHU GÁN ÁRO GÁN
BELÁ MÁLATIR MÁJHE BAKULO JÁNÁ Y
ÁÁÁÁÁÁÁÁÁÁ
BELÁ MÁLATIR MÁJHE BAKULO JÁNÁ Y
TÁR ÁSÁR KATHÁ BOLE MALAY VÁ Y
ÁRO BASE KÁNDÁ NAY HESE NÁO TÁR DÁN
ÁJ KONO KATHÁ NAY SHUDHU GÁN ÁRO GÁN
ANEK DINER PARE SE ESECHE
BHARIÁ DIYECHE SABÁKÁR PRÁŃA
ÁJ KONO KATHÁ NAY SHUDHU GÁN ÁRO GÁN
Afer so many days, He has come!
Filling everyone's hearts to the brim.
No more talk today!
Only songs, and more songs
to celebrate His advent!
The buds of the mainjis’t’a’ flowers
dancingly speak to the ma’dhavii buds:
“Your time has come!
Do not remain asleep!
Listen to His call!”
The bela’ and the ma’latii plants,
and the bakul trees too, know He came.
The message of His arrival is also in the sandal breeze.
Hence, no more sitting and lamentation!
Laughingly accept His divine gift.
3548 (23/05/1986) K (Krsna)
HÁRÁNO KÁNU ELO ÁJ
NOTUNERI DIGVALAYE
VRINDÁVANER VANE VANE
MÁTANO MÁKHIE MA LAYE
NOTUNERI DIGVALAYE
VISHTUŚKA KADAMBA TARU
ÁÁÁÁÁÁÁÁÁÁ
VISHTUŚKA KADAMBA TARU
GOŚT́HA HOYE CHILO MARU
YAMU NÁ SHUKHÁYE CHILO
KÁNU CHILO NÁ HR DAYE
NOTUNERI DIGVALAYE
BHÁLOBESE CHILO JÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
BHÁLOBESE CHILO JÁRÁ
STHÁŃU HOYE CHILO TÁRÁ
ÁJI HOLO’ ATMAHÁRÁ
PEYE PRIYARE NI LAYE
NOTUNERI DIGVALAYE
HÁRÁNO KÁNU ELO ÁJ
NOTUNERI DIGVALAYE
Today the lost Krsna appeared in the new horizon, absorbing the gardens of Vrindavan
by smearing sandal fragrance. The kadamba tree is dried, the grazing ground has become
desert. The river Yamuna is dried up, and Krsna is not in the heart. Those loving
have become immobile, losing themselves. Finding the home of the dear.
3549 (24/05/1986) K
DYULOKER DUNDUBHI BEJE UT́HECHE
ARUŃ ESECHE NIYE NAVA PRÁŃA
ÁÁÁÁÁÁÁÁÁÁ
PÚRVÁCALE RÁUNGÁ KISHALE
JIIVAN BHESE CALE BHARE DITE GÁNA
ARUŃ ESECHE NIYE NAVA PRÁŃA
DIIRGHA AMÁR TAMASÁ SARECHE
ÁÁÁÁÁÁÁÁÁÁ
DIIRGHA AMÁR TAMASÁ SARECHE
JIIVANER VÁŃII DIKE DIKE CHÚT́ECHE
SUPTA GAŃACETANÁ JEGE UT́HECHE
JYOTI MANJIIRE ÁJI ABHII AMLÁN
ARUŃ ESECHE NIYE NAVA PRÁŃA
NEI, EKAKER KONO ABHIMÁN ÁJIKE
ÁÁÁÁÁÁÁÁÁÁ
NEI, EKAKER KONO ABHIMÁN ÁJIKE
SABÁI SABÁRE NIYE CALE PULAKE
BHÁŚÁ BHARE DITE JATA MÚKA MUKHE
AMRT KUND́E KARE ÁLOKA SNÁNA
ARUŃ ESECHE NIYE NAVA PRÁŃA
DYULOKER DUNDUBHI BEJE UT́HECHE
ARUŃ ESECHE NIYE NAVA PRÁŃA
The trumpet of heaven has started sounding, the sun has appeared carrying new life. In the
eastern sky and tender leaves, vitality has started flowing filling with new song. The
long dark night has passed. The message of life has rushed in various directions. The
sleeping community consciousness has awakened today with fearless bright light and
jingling bells. Nobody has any pride of being single today. All taking all together move
happily, filling language in all the dumb mouths, and making all bathe in the effulgent
pond of nectar.
3550 (24/05/1986) K
CEYE CHILUM ÁMI SHUDHU TOMÁKE
ANEK KICHU MORE DIYE DILE DÁNA
TUMI, ANEK KICHU MORE DIYE DILE DÁNA
BHEVE CHILUM THÁKI NIYE TOMÁKE
JAD́A SAMPADE MORE DILE UPÁDHÁN
ANEK KICHU MORE DIYE DILE DÁNA
KAMAL DILE DILE KÁNT́ÁR JVÁLÁ
ÁÁÁÁÁÁÁÁÁÁ
KAMAL DILE DILE KÁNT́ÁR JVÁLÁ
CIKE BHARE DILE KUSUM MÁLÁ
SAMMÁN DIYE KARE DILE UTALÁ
BHÚLIYE DILE MORE SHÁSHVATA GÁNA
ANEK KICHU MORE DIYE DILE DÁNA
DIIRGHA PATHER SÁTHII JÁNI TOMÁKEI
ÁÁÁÁÁÁÁÁÁÁ
DIIRGHA PATHER SÁTHII JÁNI TOMÁKEI
ÁMÁR KÁCHE ÁR KEU KOTHÁ NÁ I
TOMÁR PATHE CALI TOMÁKE PETE I
TUMI MOR DHRUVA TÁRÁ KARO AVADHÁNA
ANEK KICHU MORE DIYE DILE DÁNA
CEYE CHILUM ÁMI SHUDHU TOMÁKE
ANEK KICHU MORE DIYE DILE DÁNA
O Lord, I have loved You only. You have given me a lot of gifts. I had thought that I
would remain with You only, but You provided me with effluent material comfort. By giving
lotus, You gave me pain of thorns, by giving floral garland, You filled with tight
necklace. By granting honor, You made me frenzied. You made me forget the eternal song. I
consider You only as companion of the long path. There is nothing else before me anywhere.
I move along Your path to attain You only, You are my pole star, consider me.
3551 (24/05/1986) K
TUMI ESE CHILE PRIYA
KRŚŃÁ AMÁNISHÁR SHEŚE
ÁÁÁÁÁÁÁÁÁÁ
ÁLO D́HELE PÚRVÁCALE
GLÁNI SARIYE NI MEŚE
KRŚŃÁ AMÁNISHÁR SHEŚE
KEU CHILO NÁ PRITHIVIITE
ÁÁÁÁÁÁÁÁÁÁ
KEU CHILO NÁ PRITHIVIITE
MOR VYATHÁR KATHÁ BUJHITE
TUMI ELE NIBHRITE
DUHKHA SUKHER URDHVÁKÁSHE
KRŚŃÁ AMÁNISHÁR SHEŚE
DHARÁ PARE ELO ÁLO
ÁÁÁÁÁÁÁÁÁÁ
DHARÁ PARE ELO ÁLO
RAUNGE RAUNGE RÚPA PHO T́ÁLO
TOMÁR HÁSI ENE DILO
BHÁVOTTARE BHÁVER DESHE
KRŚŃÁ AMÁNISHÁR SHEŚE
TUMI ESE CHILE PRIYA
KRŚŃÁ AMÁNISHÁR SHEŚE
O Dear Lord, You came at the end of dark night, pouring light in the eastern horizon
removing the agonies in a moment. There was no one in the world to understand the tale of
my agony. You came in seclusion, from the sky above pain and pleasure. Illumination came
on the earth, beautiful forms bloomed in diverse colours. You brought smile from an
absolute ideational arena above thoughts.
3552 (25/05/1986) K
VÁRTÁ ESECHE DÚR TÁRAKÁ THEKE
TUMI NÁKI ÁSIBE ÁSHÁ BHARIÁ DEVE
NIRÁSHA HRDAYE EI MARTYA LOKE
VÁRTÁ ESECHE DÚR TÁRAKÁ THEKE
ÁSHÁR AGNI KOŃE JVALIBE NÚTAN ÁLO
ÁÁÁÁÁÁÁÁÁÁ
ÁSHÁR AGNI KOŃE JVALIBE NÚTAN ÁLO
BHÁVANÁR MÁNAVATÁ JE MÁDAKATÁ DILO
TÁHÁRI MÚRTA HOVE KARIBE JÁHÁI BHÁLO
BHÚMÁTE? MANANER JAMAKE
VÁRTÁ ESECHE DÚR TÁRAKÁ THEKE
THÁKIBE NÁ KÁRO DUHKHA BHARIBE SABÁR BÚK
ÁÁÁÁÁÁÁÁÁÁ
THÁKIBE NÁ KÁRO DUHKHA BHARIBE SABÁR BÚK
BRIHATER PREŚAŃÁY RABE SADÁ UNMUKH
SUSMITA ÁNKHI TÁRÁ PROJJVAL PRATI MUKH
MAHÁ JIIVANER JHALAKE
VÁRTÁ ESECHE DÚR TÁRAKÁ THEKE
TUMI NÁKI ÁSIBE ÁSHÁ BHARIÁ DEVE
NIRÁSH HRDAYE EI MARTYA LOKE
VÁRTÁ ESECHE DÚR TÁRAKÁ THEKE
From distant star, message has come. Will You not come filling hope in the disappointed
hearts of this perishable world? In the southeastern direction new light would be ignited.
The intoxication given by the feeling of humanity would materialize and its benevolence
would come in spectacular way in the Cosmic mind. Nobody will have sorrow, all hearts
would be fulfilled, with the impulse of the great, I shall be always eager. With smiling
shining facing eyes with the glimpse of great life.
3553 (25/05/1986) K
TUMI ELE
ÁMÁR MANER KATHÁ
SHUŃE CHILE
BHEVE CHILUM GECHO BHÚLE
SE ÁMÁR BOJHÁRI BHÚLE
MANER KATHÁ SHUNE CHILE
NAYANERI KAJJALE MOR
ÁÁÁÁÁÁÁÁÁÁ
NAYANERI KAJJALE MOR
DHUYE DIYECHE ÁNKHI LOR
KENDE NISHI HOYECHE BHOR
BHEVECHI KII BADHIR HOLE
MANER KATHÁ SHUŃE CHILE
ELE Á J ÁLOK MÁLÁY
ÁÁÁÁÁÁÁÁÁÁ
ELE Á J ÁLOK MÁLÁY
MANERAI MÁJHE NIRÁLÁY
PRIITIRAI MAYUKH MÁLÁY
BHÁVANÁY LUKIYE CHILE
MANER KATHÁ SHUŃE CHILE
TUMI ELE
ÁMÁR MANER KATHÁ
SHUŃE CHILE
O Lord, You came and heard my mental affairs. I had thought that You had forgotten me, but
that was my mistake of understanding. My tears had washed away the dark decoration marks
upon the eyes. Crying whole night, morning appeared and I thought that You had turned
deaf. Today You came with series of effulgence, into the mind in isolation. As series of
glow, You were hidden within the abstract psychic arena.
3554 (26/05/1986) K
AJÁNÁ PATHIK ÁJ KENO D́ÁKE ÁMÁKE
SE BRIHAT AŃU ÁMI KI BÁ DITE PÁRI TÁHÁKE
AJÁNÁ PATHIK ÁJ KENO D́ÁKE ÁMÁKE
JIIVANE RAYECHE MOR CHOT́ SHIKHÁ NIVU NIVU
ÁÁÁÁÁÁÁÁÁÁ
JIIVANE RAYECHE MOR CHOT́ SHIKHÁ NIVU NIVU
JVÁLIYE REKHECHI TÁKE PRÁŃAPAŃA KARE TABU
E KATHÁ KII SE NÁHI JÁNE
JÁCI/NÁCI? TÁRI SUMUKHE
AJÁNÁ PATHIK ÁJ KENO D́ÁKE ÁMÁKE
KHADYOT ÁMI NÁCI JYOTSNÁR CÁNDE GHIRE
ÁÁÁÁÁÁÁÁÁÁ
KHADYOT ÁMI NÁCI JYOTSNÁR CÁNDE GHIRE
PRAJINÁ DYUTITE TÁR HÁRÁI JE BÁRE BÁRE
BHÁSI TÁHÁRI T́ÁNE ANURÁGE PULAKE
AJÁNÁ PATHIK ÁJ KENO D́ÁKE ÁMÁKE
SE BRIHAT AŃU ÁMI KI BÁ DITE PÁRI TÁHÁKE
AJÁNÁ PATHIK ÁJ KENO D́ÁKE ÁMÁKE
Why does the Unknown Traveler, The Supreme, call me today? He is Great and I am a meagre
what can I give Him? My life is like tiny flickering flame of a lamp, which I have kept it
alive with all my might.
Does He not know about this? I beg dancing before Him. I am like a firefly dancing around
the brilliant moon. Within His effulgence of intuition, I get lost again and again
floating by His pull with loving joy.
3555 (26/05/1986) K
ALAKTA SHILÁ? CHILO CIT KAMALE
TUMI ÁSIBE BOLE
CAINCAL PAVANE SAOMYA SNIGDHA GÁNE
NÁŔÁ DILO PRATI PALE
TUMI ÁSIBE BOLE
NIIL SAROVARE MOR PHÚT́E CHILO EKAI PHÚL
ÁÁÁÁÁÁÁÁÁÁ
NIIL SAROVARE MOR PHÚT́E CHILO EKAI PHÚL
GANDHA MADHUTE BHARÁ SE CHILO RÚPE ATUL
UDGRIIVA HOYE CHILO MANE PRÁŃE CEYE CHILO
TUMI ESE NEVE TÚLE
TUMI ÁSIBE BOLE
ÁJ TUMI ÁSIÁCHO MADHUVANE MÁTÁYECHO
ÁÁÁÁÁÁÁÁÁÁ
ÁJ TUMI ÁSIÁCHO MADHUVANE MÁTÁYECHO
VEŃUKÁR SPANDANE CITTE DOLÁ DIYECHO
KAMALER UPAVAN JHAUNKRITA PRATI KŚAŃA
SVARŃA MUKUL NÁCE MRIŃÁL MÚLE
TUMI ÁSIBE BOLE
There was a wick on varnished altar of my mental lotus, as You had told to come. Through
the restless breeze and majestic soft song, each moment it gave a jerk. In the blue pond
of mine, only one flower bloomed. Filled with fragrance and honey, it was incomparable in
beauty. It became upward facing, looking wholeheartedly, for You to come down and lift.
Today You have come and intoxicated the garden, with the vibration of flute, You
oscillated the mind. The lotus garden is tinkled each moment and the golden bud dances
over the stem.
3556 (27/05/1986) K
EI, KISHALAYE RÁUNGÁ PRABHÁTE
TUMI, ESE CHILE TUMI ESE CHILE
SUKHADA MANDA VÁYUTE
TUMI, HESE CHILE TUMI HESE CHILE
TUMI, ESE CHILE TUMI ESE CHILE
ALAKÁR VISHVÁDHARE HÁSI
ÁÁÁÁÁÁÁÁÁÁ
ALAKÁR VISHVÁDHARE HÁSI
CHILO TÁR SÁTHE TAVA MOHAN BÁNSHI
KUT́ILA TAMASÁ SHEŚE JAD́ATÁ NÁSHI
CIDAMBARE TUMI BHESE CHILE
TUMI, ESE CHILE TUMI ESE CHILE
CINITE PÁRI NIKO ÁMI TOMÁKE
ÁÁÁÁÁÁÁÁÁÁ
CINITE PÁRI NIKO ÁMI TOMÁKE
SHÁSTRA DARSHANE BOLENI ÁMÁKE
BHARIYE DIYE MAN PRATI STABAKE
ÁRTI VISHIIRŃATÁ SARIYE DILE
TUMI, ESE CHILE TUMI ESE CHILE
EI, KISHALAYE RÁUNGÁ PRABHÁTE
TUMI, ESE CHILE TUMI ESE CHILE
On this morning, decorated and coloured with tender leaves, You have come. In the pleasing
soft breeze, You have smiled. The heavenly smile on the lip of the world, and along with
that was Your charming flute. At the end of the crooked darkness, destroying the inertia
in the mental sky You had floated. I could not recognise You, the scriptures and
philosophies did not tell me. You fulfilled the mind with each stabak (panegyric offering
with folded pair of hands) and removed the affliction and decaying.
3557 (27/05/1986) K
CIDAMBARE MOR TUMI KE
ÁÁÁÁÁÁÁÁÁÁ
NIJE ELE ÁJI NIJE ELE
D́AMBARU NINÁDE PALAKE
NECE UT́HILE
NIJE ELE ÁJI NIJE ELE
BUJHINI KII CÁI ÁMÁR KII BÁ PRAYOJANA
ÁÁÁÁÁÁÁÁÁÁ
BUJHINI KII CÁI ÁMÁR KII BÁ PRAYOJANA
CHILO, YASHER PAHAŔ KATA NÁ ÁYOJANA
SABE, NIMEŚE GUNŔIYE DIYE
KOLE, NILE TÚLE
NIJE ELE ÁJI NIJE ELE
SATYA SHIVA PRABHU TUMI SUNDAR
ÁÁÁÁÁÁÁÁÁÁ
SATYA SHIVA PRABHU TUMI SUNDAR
MANER ATIITA LOKE CIRA MANOHARA
VAEDYUŚYER GURU BHÁR SARIYE
BOJHÁ, HARIYÁ NILE
NIJE ELE ÁJI NIJE ELE
CIDAMBARE MOR TUMI KE
NIJE ELE ÁJI NIJE ELE
Into the mental sky of mine, who is that You Who came Himself today? With the uproar of
d’ambaru in a moment started dancing. I did not know what I needed, what is the purpose?
I had mountain of fame, and much collection of needed articles. All You pulverized in a
moment, and lifted me up on the lap. O Lord, You are Truth, Benevolent and Beautiful, in
the arena beyond mind and ever charming. Removing the heavy load of intellect, You took
away my burden.
3558 928/05/1986) D
ÁSÁ ÁR JÁOÁ CÁOÁ ÁR PÁOÁ
EI NIYE SHUDHU BENCE THÁKÁ
ÁÁÁÁÁÁÁÁÁÁ
JAD́A O CETAN JATA AŃUMAN
JIIVAN SABÁR E CHAKE ÁNKÁ
EI NIYE SHUDHU BENCE THÁKÁ
ÁSITE CÁINI BOLÁ NÁHI JÁY
ÁÁÁÁÁÁÁÁÁÁ
ÁSITE CÁINI BOLÁ NÁHI JÁY
KEHOI THÁKIÁ JÁITE NÁ PÁI
ÁSÁ JÁOÁR E NITYA LIILÁY
GHARGHARI CALE RATHA CÁKÁ
EI NIYE SHUDHU BENCE THÁKÁ
TARU SHYÁMALIMÁ RAVI RAKTIMÁ
ÁÁÁÁÁÁÁÁÁÁ
TARU SHYÁMALIMÁ RAVI RAKTIMÁ
ÁSHÁKÁSHE JYOTSNÁ MADHURIMÁ
BHÁŚÁY JÁHÁRE DITE NÁRE SIIMÁ
SE PRABHU RACE E KUHELIKÁ
THÁKÁ NÁ THÁKÁR E PRAHELIKÁ
EI NIYE SHUDHU BENCE THÁKÁ
ÁSÁ ÁR JÁOÁ CÁOÁ ÁR PÁOÁ
EI NIYE SHUDHU BENCE THÁKÁ
Coming and going, wishing and gaining, carrying only these, I am surviving. The living and
nonliving beings, all microcosms, each life is marked on this sketch. It is difficult to
say that I do not want to come, some people staying do not want to go. With this eternal
game of coming and going, the wheels of the cart go on rotating with rattling sound
enveloped under the Cosmic mind. That includes the greenness of the tree, redness of the
sun, the sweetness of moonlight in the sky of hopes. The Lord, who has created this fog
riddle and the language is unlimited.
3559 (28/05/1986) D
SE JE, AŃUTE AŃUTE NECE JÁY
SE JE NECE JÁY
KABHU BÁHIRE KAKHANO BHIITARE
MANO MÁJHE MOR DOLÁ DEY
AŃUTE AŃUTE NECE JÁY
SE JE NECE JÁY
JÁNITE PÁRI NÁ BUJHEO BUJHI NÁ
ÁÁÁÁÁÁÁÁÁÁ
JÁNITE PÁRI NÁ BUJHEO BUJHI NÁ
VAEDUŚYETE DHARITE PÁRI NÁ
KABHU NIRÁSHÁY KABHU DURÁSHÁY
MAN TÁRE KÁCHE PETE CÁY
AŃUTE AŃUTE NECE JÁY
SE JE NECE JÁY
SE EK MÁYAVII MÁYÁY RACECHE
ÁÁÁÁÁÁÁÁÁÁ
SE EK MÁYAVII MÁYÁY RACECHE
ALAKÁR LOKE RÚPER SÁJÁYECHE
KII SE/KE? KABE KARE KE BHÁVITE PÁRE
BHÁVANÁY TABU JHALAKÁY
AŃUTE AŃUTE NECE JÁY
SE JE NECE JÁY
SE JE, AŃUTE AŃUTE NECE JÁY
SE JE NECE JÁY
He goes on dancing within each atom, sometimes outside and sometimes inside, He oscillates
the swing within my mind. I am unable to know, unable to understand even after grasping
unable to bring into folds by wisdom and intellect. Sometimes with pessimism and sometimes
with audacity, the mind wants to get Him close. That One Charmer has created such
delusion, decorated with beauty the heavenly arena, no one can imagine what He would do
and when, still He shows the glimpses of ideation.
3560 (29/05/1986) K
EI, ÁLOKOJJVAL PRABHÁTE
TUMI ELE PHÚL PHOT́ÁLE
DHARÁ SURABHITA KARITE
EI, ÁLOKOJJVAL PRABHÁTE
TOMÁRE BARIYÁ NITE ELO SABE
ÁSHÁR KALIKÁ HÁTE E UTSAVE
TÁRÁ, DILO JATA MÁN VRITHÁ ABHIMÁN
TOMÁKE PEYE LOKE MOHITA CITE
EI, ÁLOKOJJVAL PRABHÁTE
DIN NEI RÁT NEI SAKAL SAMAY
SÁTHE ÁCHO PRIYATAMA HE CINMAYA
TAVA, PRIITIR DIIPE BHÁVERA NIIPE
UCCHALTÁ ELO JAD́A JAGATE
EI, ÁLOKOJJVAL PRABHÁTE
EI, ÁLOKOJJVAL PRABHÁTE
TUMI ELE PHÚL PHOT́ÁLE
On this bright white morning, You came blooming the flowers and making the earth fragrant.
For adoring You, all came with the bud of hope in hand during this festivity. You granted
them the honor and even false vanity and prestige. By finding You people are charmed and
engrossed. O Dearest, The embodiment of Consciousness, not only in nights or days but at
all the time, You are together with them accompanying. By the lamp of Your love, niip
flower of Your ideation, activity came in the inert world.
3561 (29/05/1986) D (Krsna)
VRINDÁVANER MÁŃIK KÁŃU
KOTHÁY GELE MODER PHELE
NANDA PITÁ MÁ YASHODÁ
DHENU VEŃU GIYE BHÚLE
KOTHÁY GELE MODER PHELE
YAMUNÁ ÁJ EKELÁ DHÁY
ÁÁÁÁÁÁÁÁÁÁ
YAMUNÁ ÁJ EKELÁ DHÁY
KADAM TARU PHUL NÁ PHOT́ÁY
TAMÁL TALE BHÁUNGÁ GOKULE
KÁLOR ÁLO ÁR NÁ DOLE
KOTHÁY GELE MODER PHELE
MODER JIIVAN TUMI SHYÁM RÁY
ÁÁÁÁÁÁÁÁÁÁ
MODER JIIVAN TUMI SHYÁM RÁY
TUMII GELE SAB CALE JÁY
ÁJ VEŃU VANE GOVARDHANE
KEU NÁ TÁKÁY ÁNKHI MELE
KOTHÁY GELE MODER PHELE
VRINDÁVANER MÁŃIK KÁŃU
KOTHÁY GELE MODER PHELE
O The Ruby gem of Vrindavan, Krsna, leaving me where have You gone? You forgot
father Nanda, mother Yashoda’, the cows and the bambooflute. The river Yamuna’ is
running alone, the kadam tree does not bloom, below the tama’l tree at broken cowshed,
there is darkness, no illumination. In my life, You are the only King Shya’m Ra’i
when You are gone, all are gone. Today in the bamboo grove, at the Govardhan hills, nobody
looks with open eyes.
3562 (30/05/1986) D (Bengali dialect)
TUKE BHÁLBO HÁMI NAYAN BHARE
TU ÁI GO ÁI GO MUR GHAR KE ÁJ
PHULE SÁJÁBO MANE MÁTÁBO
NÁCABO GHIRYE GHIRYE BHULE BHAYA LÁJ
TU ÁI GO ÁI GO MUR GHAR KE ÁJ
DINER BELÁY JABE ÁLOY ÁSE
ÁÁÁÁÁÁÁÁÁÁ
DINER BELÁY JABE ÁLOY ÁSE
PUB ÁKÁSHE TOR MUKHAT́I HÁSE
MAULER JHÁINJHE VÁSE VÁTÁS BHÁSE
MUR, MAN CHUT́E JÁY TOR PÁNE RÁKHÁL RÁJ
TU ÁI GO ÁI GO MUR GHAR KE ÁJ
SÁNJHE RAVI D́OBE ASTÁCALE
ÁÁÁÁÁÁÁÁÁÁ
SÁNJHE RAVI D́OBE ASTÁCALE
DOLÁ DIYE JÁY SHÁLUKER PHULE
KÚLA CHEŔYE MUR MAN JÁY DÚR AKÚLE, ÁR
RÁKHALI NÁI KÚN BÁDHÁ TÚR ÁR MÚR MÁJHA
TU ÁI GO ÁI GO MUR GHAR KE ÁJ
TUKE BHÁLBO HÁMI NAYAN BHARE
TU ÁI GO ÁI GO MUR GHAR KE ÁJ
O Lord, I love You wholeheartedly, You come to my home today. I shall decorate with
flowers, engross my mind and dance around forgetting fear and shyness. During daytime
when light comes, in the eastern sky You face smiles. With the fragrance of honey, the
wind blows. O The King of cowherds, my mind rushes towards You. In the evening the sun
sets down into the horizon, swinging the flowers of water lily. Leaving the shore, my mind
goes rushing far without a shore, and did not have any obstruction between You and me.
3563 (30/05/1986) D
EI, NAVÁRUŃE NAVA JIIVANE
ÁMI, BHESE CALECHI PRABHU TOMÁR PÁNE
ÁMÁR TÁR JE CHENŔÁ VIIŃÁ CHANDA HÁRÁ
METE RAYECHI TABU TOMÁR GÁNE
ÁMI, BHESE CALECHI PRABHU TOMÁR PÁNE
HENO, GAORAVO NÁI JÁHÁ JAGATE JÁNÁI
ÁÁÁÁÁÁÁÁÁÁ
GAORAVO NÁI JÁHÁ JAGATE JÁNÁI
SHUKTI MÁJHE ÁMÁR MUKTÁ NÁ PÁI
PABHU, TOMÁR BHÁVE TOMÁR T́ÁNE
EK HOYE GECHI ÁMI MANE PRÁŃE
ÁMI, BHESE CALECHI PRABHU TOMÁR PÁNE, ÁMI
KŚUDRÁTI KŚUDRA AŃUR AŃU
ÁÁÁÁÁÁÁÁÁÁ
KŚUDRÁTI KŚUDRA AŃUR AŃU
TUMI, SVARÁT́ JYOTIŚKA VIRÁT́ BHÁNUR BHÁNU
TUMI, DHYEYA ÁMÁR SHREYA ALAKÁR
TUMI PRIITI D́HELE CALO AKÁRAŃE
ÁMI, BHESE CALECHI PRABHU TOMÁR PÁNE
EI, NAVÁRUŃE NAVA JIIVANE
ÁMI, BHESE CALECHI PRABHU TOMÁR PÁNE
O Lord, on this new morning with new life, I go on floating towards You. My string is
plucked, and the viin’a’ is mistuned, still I remain engrossed in Your song. I have no
glory such that I present before the world. In my shell, I do not find a pearl. O Lord, in
Your ideation and attraction, I have become one wholeheartedly. I am minutest atom of
atom, You are grandeur of luminous celestial body, most brilliant sun of sun. You are my
object of ideation, heavenly benevolence. You go on pouring love causelessly.
3564 (31/05/1986) K
TOMÁRE CEYECHI NÁME RÚPE RASE
MANANE GAHANE NIRÁLÁY
BHÁVER BHÁVANÁ Y
BHÁVER BHÁVANÁY ARÚPA DYOTANÁY
SHRIT́I STHITI LAYE ÁJÁNÁY
MANANE GAHANE NIRÁLÁY
OGO KARUŃÁMAYA E KII LIILÁ TAVA
ÁÁÁÁÁÁÁÁÁÁ
OGO KARUŃÁMAYA E KII LIILÁ TAVA
KŚANEKE KATA BHÁUNGO KATA GAŔO NAVA
KATA KI JE ÁSE KATA KI JE JÁY
TOMÁR CARAŃ PRÁNTE DHÚLÁY
MANANE GAHANE NIRÁLÁY
ALAKHA NIRAINJANA TOMÁRA NÁM
ÁÁÁÁÁÁÁÁÁÁ
ALAKHA NIRAINJANA TOMÁRA NÁM
AVÁUNGA MANO GOCARA TOMÁRE PRAŃÁM
TUMI ÁDI STHITI TUMII PARIŃÁM
TUMI HÁSO MANER MAŃI DOLÁY
MANANE GAHANE NIRÁLÁY
O Lord, I love You along with Your name, beauty and flow in the depth of the mind secretly
in isolation. I love You in the ideation of thoughts, in formless gestures, in the unknown
arena of creation, sustenance and dissolution. O the Merciful, what an illusive game
liila is this, within moments, how many You destroy and how many You create. How many
come and go away in the arena of the dust of Your feet. Unseen, without blemish, is Your
name. O beyond the reach of words mind and sense perception, I salute You. You are the
beginning, sustenance and result, You smile in the mental swing.
3565 (31/05/1986) D (Krsna)
VRAJER GOPÁL CALE JÁY
KOTHÁ THEKE KOTHÁY
NRITYER TÁLE NABHAH MANDRILE
SMRITIR PASARÁ PHELE JÁY
KOTHÁ THEKE KOTHÁY
JÁNI MOR KÁNU JÁY NÁKO KABHU
ÁÁÁÁÁÁÁÁÁÁ
JÁNI MOR KÁNU JÁY NÁKO KABHU
HIYÁR ANTARE SADÁ HÁSE TABU
COKHE NÁ DEKHIÁ MANANE SMARIÁ
KÁCHE KI DÚRE BOJHÁ DÁY
KOTHÁ THEKE KOTHÁY
BHÁVA MISHE JÁY KATA MAHÁBHÁVE
ÁÁÁÁÁÁÁÁÁÁ
BHÁVA MISHE JÁY KATA MAHÁBHÁVE
ABHÁVER BODHA HÁRÁY SVABHÁVE
ÁMI, KÚLA HÁRÁ TARII AKULETE GHÚRI
GOKULER MAN MAŃIKÁY
KOTHÁ THEKE KOTHÁY
VRAJER GOPÁL CALE JÁY
KOTHÁ THEKE KOTHÁY
The Gopa’l, Krsna, of the land of Vraja, moves on, from where to which place?
Vibrating the sky through the rhythm of dance, He goes on scattering the articles of
memories. I know that my Krsna does not go any time, rather ever smiles within the
heart. Not seeing with eyes, only by remembering in the mind, it is very difficult to
understand whether He is near or far. The thoughts go on merging into the Great Ideation
the feelings of scarcity gets lost in its own characteristics. Like a shoeless boat, I go
round without a shore in the mental gemregion of Gokula.
3566 (01/06/1986) K
TOMÁRI SMARAŃE
TOMÁRI SMARAŃE TOMÁRI MANANE
DIN CALE JÁY TAVA KRIPÁY
BHÁLOBÁSO NÁ BÁSO
BHÁLOBÁSO NÁ BÁSO KÁCHE ÁSO NÁ ÁSO
NIYATA REKHECHO SMITA CHÁYÁY
DIN CALE JÁY TAVA KRIPÁY
DHARÁY ESECHI GO
DHARÁY ESECHI GO KARITE TAVA KÁJ
ÁÁÁÁÁÁÁÁÁÁ
DHARÁY ESECHI GO KARITE TAVA KÁJ
SATATA SEJE THÁKI DIYECHO JE SÁJ
BÁHIRE BHIITARE
BÁHIRE BHIITARE MARAME GABHIRE
ÁMÁR ÁMI NÁCE TAVA DOLÁY
DIN CALE JÁY TAVA KRIPÁY
SAHITE PÁRI NÁ
SAHITE PÁRI NÁ TOMÁKE BHULE THÁKÁ
ÁÁÁÁÁÁÁÁÁÁ
SAHITE PÁRI NÁ TOMÁKE BHULE THÁKÁ
JANMA STHITI LAYA JÁHÁR MANE ÁNKÁ
JÁHÁR SPANDANE
JÁHÁR SPANDANE NÚPUR RAŃANE
BENCE THÁKÁR GIITI BHESE JÁY
DIN CALE JÁY TAVA KRIPÁY
TOMÁRI SMARAŃE TOMÁRI MANANE
DIN CALE JÁY TAVA KRIPÁY
O Lord, in Your memory and meditation, my days pass by Your grace. Whether You love me or
not, whether You come close or remain far, but You constantly keep me like smiling shadow.
I have come to this earth to do Your work. Whatever means You have provided, I am always
ready with that, to execute this work. In the external and internal worlds, in the depth
of the mental core, my own “I” dances to Your oscillations. I am unable to tolerate
being forgetful of You, the One in which the birth, living and dissolution are marked in
Whom, by whose vibrations, resonance of the anklebells, the song of survival and living
goes on floating.
3567 (02/06/1986) K
ÁLOY ELE CHÁYÁY GELE
ÁLO CHÁYÁY E KII LIILÁ PRABHU TAVA
MARU HRIDAYE SHYÁMALA KARILE
E KII KHELÁ TUMI KHELE CALE ABHINAVA
ÁLO CHÁYÁY E KII LIILÁ PRABHU TAVA
AJÁNÁ PATHIK TUMI ITIHÁS KAY
ÁÁÁÁÁÁÁÁÁÁ
AJÁNÁ PATHIK TUMI ITIHÁS KAY
BHÁŚÁR ATIITA TUMI BHÁVE PARICAYA
BHÁVA ÁR BHÁVÁTIITA KÁLA ÁR KÁLÁTIITA
SPARSHA VINDUTE KII MÁDHURII NAVA NAVA
ÁLO CHÁYÁY E KII LIILÁ PRABHU TAVA
NIKAT́ATAMA TUMI CIRA AJÁNÁ
ÁÁÁÁÁÁÁÁÁÁ
NIKAT́ATAMA TUMI CIRA AJÁNÁ
SUDHÁSYANDYA MÁNO NÁ KONO MÁNÁ
KÁCHE ÁSO DÚRE JÁO ALAKŚYE DEKHE JÁO
CIRA PURÁTANA TUMI PRÁŃER PRIITI ÁSAVA
ÁLO CHÁYÁY E KII LIILÁ PRABHU TAVA
O Lord, the light came and darkness has gone, what an illusive game, liila, is Yours
consisting of light and shade? You have converted a desert heart into green, what a new
game You go on playing? O the unknown traveler, You speak history. Beyond language, You
are known with feelings. O within and beyond feelings, within and beyond time, at their
tangential point, You evernew sweetness exists. O the nearest, You are ever unknown
nectaroozing, You do not heed to anything. You come close and go away far, get visualized
without seeing. O Everancient, You are the essence of love of life.
3568 (03/06/1986) K
KUÁSHÁR KÁLO SARIYE
ÁLO JHARIYE TUMI ESECHO
MANANE GAHAN KOŃE SAḾGOPANE
MRIDU HESECHO
TUMI ESECHO
PHULERÁ TOMÁRE CÁY
ÁÁÁÁÁÁÁÁÁÁ
PHULERÁ TOMÁRE CÁY
PÁPAŔITE HÁY PRIITI BHARIYÁ
MANANER AVAGÁHANER
SNIGDHATÁTE SUDHÁ KŚARIÁ
ESO GO PÁSHE ESO MARAME MESHO
DÚRE KENO ÁCHO
TUMI ESECHO
CIDÁKÁSHE RÁKÁ HESE KAY
ÁÁÁÁÁÁÁÁÁÁ
CIDÁKÁSHE RÁKÁ HESE KAY
KÁLOTTIRŃA TUMI MADHUMAY
SAKAL MADHU PRÁŃER BANDHU
RÚPÁDHÁRE KENO REKHECHO
TUMI ESECHO
KUÁSHÁR KÁLO SARIE ÁLO JHARIYE
TUMI ESECHO
O Lord, removing the darkness of the fog, scattering light, You came into the deep recess
of the mind secretly and smiled softly. Alas, flowers want You full of love with petals
by immersing in the softness of the mind, oozing nectar. Come, come close, and merge in my
core, why are You away? In the firmament of mind, the moonlight, smilingly says, that You
have surmounted time and embodiment of sweetness. All the honey, O the dearest companion
why have You kept within the frame of form?
3569 (04/06/1986) K
ÁLOKE ÁNDHÁRE E KII LIILÁ
RACIÁ CALECHO OGO KARUŃÁMAY
MANERI MADHUPE E KII KHELÁ
KARIÁ CALECHO NÁ JENE HE CINMAY
RACIÁ CALECHO OGO KARUŃÁMAY
SONÁLI TAT́INII JALADHIR PÁNE DHÁY
ÁÁÁÁÁÁÁÁÁÁ
SONÁLI TAT́INII JALADHIR PÁNE DHÁY
AYASKÁNTA MAŃI ÁYUDHE NÁCÁY
AŃU KUSHA KÁSHA MULE ATAL ANAL DOLE
DOLAN CÁMPÁR PHULE TRYASAREŃU MADHUMAY
RACIÁ CALECHO OGO KARUŃÁMAY
BHÁVANÁ HÁRIYE JÁY BHÁVERI SHROTE
ÁÁÁÁÁÁÁÁÁÁ
BHÁVANÁ HÁRIYE JÁY BHÁVERI SHROTE
MUKHARATÁ MÚK HOYE TAVA DRUTITE
INDRANIILE NABHAHNIILAO KATHÁ BOLE
NIIHÁRIKÁ KAŃÁ NÁCE PULAKE CHANDOMAY
RACIÁ CALECHO OGO KARUŃÁMAY
ÁLOKE ÁNDHÁRE E KII LIILÁ
RACIÁ CALECHO OGO KARUŃÁMAY
O The merciful, what a game of light and shade You go on creating? O the embodiment of
consciousness, as mental bee, what a game You go on playing, O the merciful? The golden
river rushes towards the sea. The loadstone makes the iron weapon dance. In meagre grass
lies latent the potential of intense fire. In the campa flower, sweet pollen survives. The
thoughts get lost in the stream of ideation, and the expressions become dumb at Your
speed. The blue sapphire and the blue sky speak of that. The particles of the nebula dance
rhythmically with joy.
3570 (05/06/1986) K
JIIVANE MARAŃE
TOMÁKEI ÁMI JÁNI
ÁLOKE ÁNDHÁRE
TOMÁKEI SHUDHU CINI
JIIVANE MARAŃE
TOMÁKEI ÁMI JÁNI
RÚPÁTIITA TUMI PRIYA
RÚPÁTIITA TUMI PRIYA
RÚPÁTIITA TUMI PRIYA
ÁÁÁÁÁÁÁÁÁÁ
RÚPÁTIITA TUMI PRIYA
ESECHO RÚPSÁYARE
BHÁVÁTIITA CINMAYA
BHÁLOBESECHO ÁMÁRE
BUDBUDA ÁMI TUMI
MAHODADHI TOMÁKE MÁNI
JIIVANE MARAŃE
TOMÁKEI ÁMI JÁNI
ESECHI TAVA EŚÁŃÁY
ESECHI TAVA EŚÁŃÁY
ESECHI TAVA EŚÁŃÁY
ÁÁÁÁÁÁÁÁÁÁ
ESECHI TAVA EŚÁŃÁY
BHESECHI SE URMI MÁLÁY
HESECHI TAVA PREŚAŃÁY
NECECHI TAVA JYOTSNÁY
ÁSÁ JÁOÁ THÁKÁ MOR
TAVA SVAPANE VIBHOR
SE SVAPAN GHIRE ÁMÁR
JATA RÁUNGÁ JÁL BUNI
JIIVANE MARAŃE
TOMÁKEI ÁMI JÁNI
ÁLOKE ÁNDHÁRE
TOMÁKEI SHUDHU CINI
JIIVANE MARAŃE
TOMÁKEI ÁMI JÁNI
I know only You in life or death.
I recognise only You in light or darkness.
O formless One, You appeared in the ocean of forms.
O embodiment of consciousness beyond thought,
You loved me.
I am a meagre bubble in You as ocean.
I recognise and follow You only.
I came by Your will and float on Your waves.
I smile by Your impetus and dance in Your light.
My entry, stay and exit are all entranced in Your dream.
Surrounded by that dream,
I weave patterns of colourful webs.
3571 (06/06/1986) D
ÁLOKER EI JHARŃÁ DHÁRÁY
TUMI ELE PRIYA MOR PRÁŃE
CHANDE CHANDE MOHANÁNANDE
SAḾGIITE RÁGE SURE TÁNE
TUMI ELE PRIYA MOR PRÁŃE
ABHÁVA KICHUI NÁI MOR MANE
ÁÁÁÁÁÁÁÁÁÁ
ABHÁVA KICHUI NÁI MOR MANE
UPACIÁ PAŔE TOMÁRI DÁNE
HÁRÁIÁ DISHÁ MOR AMÁNISHÁ
LUKÁLO KOTHÁY KE BÁ JÁNE
TUMI ELE PRIYA MOR PRÁŃE
ATIITER PÁNE CÁHITE NÁ CÁI
ÁÁÁÁÁÁÁÁÁÁ
ATIITER PÁNE CÁHITE NÁ CÁI TAVA
PRERAŃÁY SUMUKHE TÁKÁI
MANOVANE KEKÁ PEYE TAVA DEKHÁ
UDDVEL HOLO SAKÁRAŃE
TUMI ELE PRIYA MOR PRÁŃE
O Dear Lord, through the flow of fountain of effulgence, You came into my life. You came
with each rhythm as charming bliss, and through songs, tunes and melody. There is no
scarcity in my mind. It overflows with gifts from You. My dark night, losing the
directions, is hidden somewhere, who knows. I do not want to go towards the past. By Your
inspiration I look ahead. The peacock, in the mental garden, having seen You, has become
overwhelmed with reason.
3572 (07/06/1986) K
MANERI RÁJÁ MOR MANE LUKÁYE ÁCHO
MANERI RÁJÁ MOR MANE LUKÁYE ÁCHO
MANERI RÁJÁ MOR MANE LUKÁYE ÁCHO
MANETE DEKHIBO TOMÁY
ÁÁÁÁÁÁÁÁÁÁ
ANÁDI KÁLE CHILE ASHEŚE RAYE GECHO
ANÁDI KÁLE CHILE ASHEŚE RAYE GECHO
ANÁDI KÁLE CHILE ASHEŚE RAYE GECHO
TABU PRIITITE DHARÁ JÁY
NAYANE ÁCHO MOR TÁRÁR KÁLO MÁJHE
ÁÁÁÁÁÁÁÁÁÁ
NAYANE ÁCHO MOR TÁRÁR KÁLO MÁJHE
VASANE RAYE GECHO RAUNGA BERAUNGA SÁJE
SE RAUNGA SATATA JHALAKÁY
ESO GO ÁRO KÁCHE ÁMÁR ÁMI MÁJHE
ESO GO ÁRO KÁCHE ÁMÁR ÁMI MÁJHE
ESO GO ÁRO KÁCHE ÁMÁR ÁMI MÁJHE
ÁMI JENO TOMÁRE HÁRÁY
MANERI RÁJÁ MOR MANE LUKÁYE ÁCHO
MANETE DEKHIBO TOMÁY
O The King of my mind, You are hidden within the mind itself. I shall see You within the
mind itself. You were present since time immemorial, and continued in the endlessness
still with love, You can be brought under folds. You are within my eyes, within the
darkness of the pupils. As dress, colourful adornments remain. That colour shows the
glimpses continuously. Come still closer, within my “I” feeling, so that I lose myself
within You.
3573 (08/06/1986) K
TUMI, ÁMÁKE BHÚLE GECHO
ANEKER MÁJHE ANEKERA KÁJE
NIYATA D́UBE ÁCHO
TUMI, NIYATA D́UBE ÁCHO
ÁMÁKE BHÚLE GECHO
ÁMI KARI TAVA DHYÁNA UPÁSANÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁMI KARI TAVA DHYÁNA UPÁSANÁ
AHARAHA YÁCI TOMÁRI KARUŃÁ
ÁNKHI JALE BOLI DÚRE THÁKIO NÁ
KENO MORE EKÁ REKHECHO
TUMI, KENO MORE EKÁ REKHECHO
ÁMÁKE BHÚLE GECHO
TUMI CHÁŔÁ MORA ÁR KEHO NÁI
ÁÁÁÁÁÁÁÁÁÁ
TUMI CHÁŔÁ MORA ÁR KEHO NÁI
PRÁŃERA ÁVEGA JÁHÁ KE JÁNÁI
KUHELII KÁRÁY DISHÁHÁRÁ TÁI
CHÁYÁY NÁCIYÁ CALECHO
TUMI, CHÁYÁY NÁCIYÁ CALECHO
ÁMÁKE BHÚLE GECHO
TUMI, ÁMÁKE BHÚLE GECHO
O Lord, You have forgotten me. Within many, engaged in several jobs, You are ever
engrossed. I perform Your meditation and worship. I constantly beg Your mercy. With
tearful eyes, I tell You not to keep away. Why have You left me alone? I have no one other
than You, to whom I can communicate my impulse of heart. Within dark prison, I have lost
the direction, in which shade, You go on dancing.
3574 (09/06/1986) K (Krsna)
MANETE SÁJÁBO MANE ESO MOR
O HE MOHAN MURÁRI
KII KÁJ ÁBHARAŃE MANERI ÁBHUŚAŃE
REKHECHI HE TRIDASHA VIHÁRI
O HE MOHAN MURÁRI
ALAKHE NECE CALO NAYANERI MAŃI
ÁÁÁÁÁÁÁÁÁÁ
ALAKHE NECE CALO NAYANERI MAŃI
SABÁR PUROBHÁGE TOMÁREI GAŃI
HE CIRA MOHASAḾHÁRI
O HE MOHAN MURÁRI
TOMÁKE CINI NÁ TOMÁKE JÁNI NÁ
ÁÁÁÁÁÁÁÁÁÁ
TOMÁKE CINI NÁ TOMÁKE JÁNI NÁ
TABU TUMI CHÁŔÁ DVITIIYA MÁNI NÁ
KALUŚA SÚDANA KAḾSÁRI
O HE MOHAN MURÁRI
O Mohan (charming) Mura’rii, come into my mind, I shall adorn and decorate You mentally.
What is the use of any ornament? O the dweller of heaven, I have kept the mental jewels
ready. Unseen You go on dancing, O the pupil of my eye. I count You as foremost leader of
all, O the destroyer of infatuation for all the time. I do not know You or recognise You
still other than You, I do not accept any other second entity, O the destroyer of sins and
dirt, and killer of Kam’sa.
3575 (10/06/1986) K
DÚ DINERA BHÁLOBÁSÁ
DHARÁY ÁSÁ KISERA TARE
E LIILÁ NIT́HUR KHELÁ
KHELE CALECHO YUGA YUGÁNTARE
KISERA TARE
MANE NÁ I KII JE KARE JÁI
ÁÁÁÁÁÁÁÁÁÁ
MANE NÁ I KII JE KARE JÁI
ÁSHÁR PAREO ÁSHÁ DHARE JÁI
KII JE BHÁVI KII JE NÁ BHÁVI
DO T́ÁNÁY KÁLA JE JÁY SARE
KISERA TARE
LIILÁMAYA LIILÁ CHÁŔÁ NÁI
ÁÁÁÁÁÁÁÁÁÁ
LIILÁMAYA LIILÁ CHÁŔÁ NÁI
NITYA DHÁMEO TÁRI KRPÁ CÁI
KII JE BUJHI KII JE NÁ BUJHI
BUJHITE GELE NAYAN JHARE
KISERA TARE
DÚ DINERA BHÁLOBÁSÁ
DHARÁY ÁSÁ KISERA TARE
O Lord, what for is coming into the world for a few days’ love? This merciless illusory
game, liila, You continue playing from ages after ages. What I continued doing, I do
not remember. I continued having hope after hope. What I should think and what not, in
this dilemma, time passes. The Embodiment of liila, illusory game, is not without that
and that is why I seek His grace for the eternal abode. What I understand and what not
thinking of that my eyes flow tears.
3576 (15/06/1986) K
TOMÁRI PRIYA NÁM TUMII PARIŃÁMA
TO MÁKEI NIYE JA TA ÁSHÁ
MANJUL MAHÁKÁSHE TAVA LÁVAŃII BHÁSE
TOMÁRI VIDHÁNE JÁOÁ ÁSÁ
TO MÁKEI NIYE JA TA ÁSHÁ
KÁRYA KÁRAŃ TAVA KICHU NÁ JÁNI
ÁÁÁÁÁÁÁÁÁÁ
KÁRYA KÁRAŃ TAVA KICHU NÁ JÁNI
SHRIŚT́I STHITI LAYE TOMÁKE MÁNI
ALAKÁNANDÁ CIRA MADHU CHANDÁ
TAVA PRAJINÁY NÁSHO JA TA NIRÁSHÁ
TO MÁKEI NIYE JA TA ÁSHÁ
MAN NÁCE GHIRE GHIRE SHIINJITA NÚPURE
ÁÁÁÁÁÁÁÁÁÁ
MAN NÁCE GHIRE GHIRE SHIINJITA NÚPURE
DIGVALAYER PÁRE CETANÁR RÁGE SURE
MANDRITA TRIBHUVANE TRIDASHERI SPANDANE
MÚK KARE DIYE JATA MUKHARITA BHÁŚÁ
TO MÁKEI NIYE JA TA ÁSHÁ
O Lord, Your name is dear to me, since You are the ultimate desideratum, all my hopes are
with You only. In the beautiful space, Your charm floats, by Your law, is all coming and
going. I do not know Your cause and effect. I accept You as the creation, sustenance and
dissolution. The eversweet rhythmic heavenly stream of bliss, by Your intuition, destroys
all disappointments. The mind dances around You with the sound of anklebells, with tune
and melody, beyond the horizon. With heavenly vibration, resonating the three world, You
have made all the expressed languages dumb.
3577 (15/06/1986) D
TUMI, NANDANA VANE CANDAN
TAVA, SUVÁSE VASUDHÁ BHESE JÁY
TUMI KAMALERA MAKARANDA
JATA MADHUP TOMÁRE PETE CÁY PETE CÁY
TAVA, SUVÁSE VASUDHÁ BHESE JÁY, TUMI
VARAŚÁ KETAKII SAMA
ÁÁÁÁÁÁÁÁÁÁ
VARAŚÁ KETAKII SAMA
PARÁGE BHÁSICHO MAMA
TUMI CAMPAK CETANÁ DHÁRÁY
BHÁSO DURMAD MANDRIL VÁY
TAVA, SUVÁSE VASUDHÁ BHESE JÁY, TAVA
RÚPER CHAT́ÁY JHALAKÁY
ÁÁÁÁÁÁÁÁÁÁ
RÚPER CHAT́ÁY JHALAKÁY
AŃU BHÚMÁ TÁRÁ MAŃIKÁY
NIIHÁRIKÁ HÁR SHATA DHÁY
UDVELITA TAVA PÁY
TAVA, SUVÁSE VASUDHÁ BHESE JÁY
TUMI, NANDANA VANE CANDAN
TAVA, SUVÁSE VASUDHÁ BHESE JÁY
You are the sandal of paradise.
The earth drifts on Your fragrance.
You are the nectar in the lotus flower.
The bees all want to have You close.
You are like the monsoon screwpine flower.
You are the campaka flower in the flow of cognition,
drifting along a maddening sonorous breeze.
The glow of Your beauty sparkles in the unit,
in the Cosmic, in the stars and in jewels.
The string of nebulae in numerous trails
rolls on Your lotus feet overflowingly.
3578 (16/06/1986) K
ÁJ, NAYAN BHOLÁNO RÚPE TUMI ESECHO
STHÚLA SÚKŚMA KÁRAŃE
MANER MAINJÚŚÁTE DHARÁ DIYECHO
PRIITIR MADHURA T́ÁNE
STHÚLA SÚKŚMA KÁRAŃE
CITKAMALE MOR CHILO MADHU PARÁG
ÁÁÁÁÁÁÁÁÁÁ
CITKAMALE MOR CHILO MADHU PARÁG
SUVÁSERA ÁVESHE CHILO BHARÁ ANURÁGA
CHANDE DODUL DOLE CHILO SURA LAYA RÁGA
KÁR TARE KE TÁHÁ JÁNE
STHÚLA SÚKŚMA KÁRAŃE
RÚPA SÁYARE E KAMAL ELO KII KARE
ÁÁÁÁÁÁÁÁÁÁ
RÚPA SÁYARE E KAMAL ELO KII KARE
TUMI PRABHU JÁNO TÁHÁ SABAI TAVA ANTARE
PRAJINÁR PAYONIDHI SAḾBODHI CITI NIIRE
MUKTÁ BHARO SHUKTIR PRÁŃE
STHÚLA SÚKŚMA KÁRAŃE
Today, with enchanting beauty You have come in gross, subtle and causal style. Into the
casket of mind, You came into the folds by the sweet pull of love. In my mental lotus
sweet pollen existed that was full of fragrance and impulse of love. It was swinging
rhythmically full of melody, and tune, for whom, who can know that? Into the ocean of
beauty, what for this lotus has come? O Lord, You only know that as everything is within
You. You are the ocean of intuition and insight, with the water of Absolute Knowledge of
Consciousness. You fill pearl within the life of shell.
3579 (16/06/1986) K
GÁNER E JHARŃÁ DHÁRÁY
TUMI, NECE CALECHO
JAD́ATÁR ANDHAKÁRÁY
ALO JVELECHO
TUMI, NECE CALECHO
JAKHAN CHILO NÁ KONO AŃU PARAMÁŃU BHAVE
ÁÁÁÁÁÁÁÁÁÁ
JAKHAN CHILO NÁ KONO AŃU PARAMÁŃU BHAVE
KÁRAŃA CHILO KÁLAGHUME NIDRITA JABE
CHILO NÁ ÁLOR HÁSI BÁNSHII KONO UTSAVE
EKÁ TUMI SHUDHU HESECHO
TUMI NECE CALECHO
ÁJ ANEKER SÁTHE LIILÁ RASE BHESE JÁO
ÁÁÁÁÁÁÁÁÁÁ
ÁJ ANEKER SÁTHE LIILÁ RASE BHESE JÁO
EKÁ TUMI ANEKER HIYÁY MADHU MÁKHÁO
NRITYER TÁLE TÁLE RÚPÁLOKE MÁTÁO
SABE JABE BHÁLOBESECHO
TUMI NECE CALECHO
GÁNER E JHARŃÁ DHÁRÁY
TUMI, NECE CALECHO
O Lord, in this flow of the stream of song, You go on dancing. Into the darkness of
inertia, You kindle light. When there were no atoms and molecules in the universe, when
the cause was sleeping with Cimmerian slumber, there was no smile of light, nor the flute
in any festivity, You smiled alone. Today with many, You go on floating in the flow of
Your divine play, liila. Being singular, You smear sweetness in the heart of many. When
You love all, then with each rhythm of dance, intoxicate with the glittering beauty.
3580 (17/06/1986) K
MADHUR MOHAN, TUMI CIT RAINJANA
ÁCHO SADÁ SÁTHE SÁTHE
VIKŚUBDHÁNILE PRIITIR PRADIIP JVELE
CÁHO TAMASÁ NÁSHITE
ÁCHO SADÁ SÁTHE SÁTHE
MADHUR MOHAN,?
PALA ANUPALA VIPALA KONO NÁHI TAVA
ÁÁÁÁÁÁÁÁÁÁ
PALA ANUPALA VIPALA KONO NÁHI TAVA
KÁLOTTIRŃA VIBHU ANUPAMA ANUBHAVA
TABU AŃU JIIVERE
ÁSO BHÁLOBÁSITE
ÁCHO SADÁ SÁTHE SÁTHE
MADHUR MOHAN
SHÁSTRA BUDDHI TARKA VICÁR VISHLEŚÁŃA
ÁÁÁÁÁÁÁÁÁÁ
SHÁSTRA BUDDHI TARKA VICÁR VISHLEŚÁŃA
SABÁR ÚRDDHVE TUMI ALAKHA NIRAINJANA
MOHA MRGA TRIŚŃIKÁ
PÁRO TUMI SARÁTE
ÁCHO SADÁ SÁTHE SÁTHE
MADHUR MOHAN
O The Sweet Charming One, You colour the mind and stay always together. Kindling the lamp
of love, with agitated fire, You want to destroy the darkness. For You there is nothing
like, minutes, seconds or moments. You surpass time, O Lord, with unique feeling. Still
within the microcosms, You come to love. You are unseen and unblemished above the analysis
of scriptures, intellect, logic and consideration. You can remove the mirage of
infatuation.
3581 (17/06/1986) K
TOMÁR, ÁLOKE ÁNDHÁRE E KII LIILÁ
NÁCO KÁLE AKÁLE E KII KHELÁ
TOMÁR SAUNGE ÁMÁR DEKHÁ NÁI
TUMI CATUR TUMI CATUR
TUMI CATUR TUMI CATUR
BHÁLOBESECHI ÁMI TOMÁKE
ÁÁÁÁÁÁÁÁÁÁ
BHÁLOBESECHI ÁMI TOMÁKE
JÁNINÁ BÁSO KI NÁ ÁMÁKE
TABU TOMÁY KÁCHE PETE CÁI
ÁMI VIDHUR ÁMI VIDHUR
TUMI CATUR TUMI CATUR
DIN ÁMÁR ÁSE JÁY AKÁJE
ÁÁÁÁÁÁÁÁÁÁ
DIN ÁMÁR ÁSE JÁY AKÁJE
GATÁNUGATIKERI MÁJHE
SHUDHU TOMÁY BHEVE SHÁNTI PÁI
TUMI MADHUR TUMI MADHUR
TUMI CATUR TUMI CATUR
O Lord, what a divine game of light and shade of Yours is this that You go on dancing
within and beyond time, what a play? You are dexterous. I love You, but do not know
whether You love me or not. Still I want to get You close, I am afflicted. My days come
and go uselessly. In this coming and going, only by ideating on You, I get peace, You are
sweet.
3582 (18/06/1986) K+D
TANDRÁ JAŔIMÁ YADI CHILO ÁMÁR
SARÁLE PRABHU TUMI
ÁJ, KRŚŃÁ NISHÁY EI KRŚNÁ NISHÁY
JAD́ATÁ PREŚAŃÁY TAMASÁR BHÁR
DÚRE GELO LAHAMÁY
ÁJ, KRŚŃÁ NISHÁY EI KRŚNÁ NISHÁY
JÁ CHILO ÁMÁR BHÁVANÁTIITA
ÁÁÁÁÁÁÁÁÁÁ
JÁ CHILO ÁMÁR BHÁVANÁTIITA
TÁI HOLO ÁJ ANUBHAVA GATA
SATATA TAPANER DYUTITE DIIPTA
KARILE TAMAH KÁRÁY
ÁJ, KRŚŃÁ NISHÁY EI KRŚNÁ NISHÁY
VISHVA MÁYÁY E KII LIILÁ TAVA
ÁÁÁÁÁÁÁÁÁÁ
VISHVA MÁYÁY E KII LIILÁ TAVA
PALAKE PULAKE KHELÁ NAVA NAVA
BHÁVA BHÁVANÁR E KII CIKIRŚÁY
LIILÁYITA DYOTANÁ YA
ÁJ, KRŚŃÁ NISHÁY EI KRŚNÁ NISHÁY
TANDRÁ JAŔIMÁ YADI CHILO ÁMÁR
SARÁLE PRABHU TUMI
ÁJ, KRŚŃÁ NISHÁY EI KRŚNÁ NISHÁY
On this dark night today, O Lord, whatever drowsiness of inertia I had, You have removed.
The load of darkness propelled by inertia moved away far within moment. Whatever was
beyond my imagination, that came into my experience. This dark prison You illuminated with
permanent effulgence. What a divine game, liila is Yours, in the universal illusion
that within moments, You joyfully play a new game. What thoughts, feeling and will to act
of Yours is this that is expressed with charm?
3583 (19/06/1986) D
ÁMÁR MANERI GOPÁLA
AŃTE AŃUTE ÁCHO
BHUMÁTE VISHÁLA
MANERI GOPÁLA
ÁMÁR MANERI GOPÁLA
KATA YUGER SÁDHANÁ MOR
ÁÁÁÁÁÁÁÁÁÁ
KATA YUGER SÁDHANÁ MOR
ANURÁGE SMITA PHUL D́OR
BHÁVÁVEGE CITTA CAKOR
TOMÁR TARE HOYE JE UTTÁLA
MANERI GOPÁLA
ÁMÁR MANERI GOPÁLA
CÁONI KICHU KÁRO KÁCHE
ÁÁÁÁÁÁÁÁÁÁ
CÁONI KICHU KÁRO KÁCHE
MAŃIR KHANI TOMÁR ÁCHE
ASHANI TAŔIT MÁJHE
JEGE ÁCHO ANANTA KÁLA
MANERI GOPÁLA
ÁMÁR MANERI GOPÁLA
AŃTE AŃUTE ÁCHO
BHUMÁTE VISHÁLA
MANERI GOPÁLA
ÁMÁR MANERI GOPÁLA
O Gopa’l of my mind, You exist in each atom of this vast universe. My sa’dhana’
endeavor to attain You since ages, the smiling floral garland of love, the enchanted cakor
bird of my mind is agitated for You with impulse of ideation. You do not expect anything
from any body. All the quarry of gems belongs to You. Under lightning and thunder, You are
ever active since time immemorial.
3584 (19/06/1986) D
NIIL ÁKÁSHE OI BALÁKÁ
KON AJÁNÁY BHESE JE JÁY
MAN CHOT́E TÁR PICHU EKÁ
PÁY NÁ DEKHÁ NIIŔA JE KOTHÁY
KON AJÁNÁY BHESE JE JÁY
ÁLO ÁNDHÁRITE D́HÁKÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁLO ÁNDHÁRITE D́HÁKÁ
E NIIŔ SADÁI BHÁVE MÁKHÁ
PRIITIR T́ÁNE UŔE JE PÁKHÁ
SE KHUNJE PÁY T́HIK THIKÁNÁY
KON AJÁNÁY BHESE JE JÁY
KARME JINÁNER D́ÁNÁ MELE
ÁÁÁÁÁÁÁÁÁÁ
KARME JINÁNER D́ÁNÁ MELE
BHAKTIR NI SHÁNÁY CALE
BHÁVALE TÁKE SABE BHULE
SE DHARÁ DEY ARÚPA LIILÁY
KON AJÁNÁY BHESE JE JÁY
NIIL ÁKÁSHE OI BALÁKÁ
KON AJÁNÁY BHESE JE JÁY
That swan goes on gliding in the blue sky to some unknown direction. The mind rushes
behind that alone but unable to find where is the nest. Covered with light and shade, this
nest is always engrossed in ideation. The wings flying at the attraction of love, finds
the correct destination. Spreading the wings of action and knowledge, it goes towards
devotion. Looking towards the object, forgetting all, He comes into folds with
unparalleled divine game.
3585 (20/06/1986) D
ÁJ, GÁN GEYE JÁY TÁRÁRÁ
KÁŃ PETE SHUŃE CALI
MANANE D́HÁLE SUDHÁ DHÁRÁ
TÁRÁ, MANANE D́HÁLE SUDHÁ DHÁRÁ
HIYÁ UCCHALI
KÁŃ PETE SHUŃE CALI
GÁN BHÁSE DESHA DESHÁNTARE
ÁÁÁÁÁÁÁÁÁÁ
GÁN BHÁSE DESHA DESHÁNTARE
SAB CETANÁY SABÁR ANTARE
AŃU PARAMÁŃU TRYASAREŃU GHIRE
CITTER DVÁR KHULI
KÁŃ PETE SHUŃE CALI
SUR SAPTAKE RÁGE RÁGINIITE
ÁÁÁÁÁÁÁÁÁÁ
SUR SAPTAKE RÁGE RÁGINIITE
GÁN DOLÁ DEY SUDÚR NABHETE
DRIKVALAY? ESE SPANDANE MÁTE
PARIDHIR BÁDHÁ BHÚLI
KÁŃ PETE SHUŃE CALI
ÁJ, GÁN GEYE JÁY TÁRÁRÁ
KÁŃ PETE SHUŃE CALI
Today the stars go on singing songs, that I go on listening with attuned ears. The song
goes on pouring stream of nectar into the mind, making the heart restless. The song goes
on flowing from country to country, into all within the consciousness covering each atom
molecule and particle and opening the door of the mind. Through the octave of melody, the
song swings the far sky. Coming into horizon, engrossing in vibration, I forget the
restriction of limitations.
3586 (20/06/1986) D (Krsna)
SAHÁSE MÁNASE E SO
MANER GOPÁL ÁMÁR
TOMÁR LÁGI ÁCHI JÁGI
JHARE JE MOR ÁNKHI DHÁR
JHARE JE MOR ÁNKHI DHÁR
PATH CEYE YUGE YUGE
ÁÁÁÁÁÁÁÁÁÁ
PATH CEYE YUGE YUGE
KATANÁ JANAM GECHE JEGE
TUMI ELE NÁ MÁLÁ NILE NÁ
BOJHONI EŚÁŃÁ ANIVÁRA
JHARE JE MOR ÁNKHI DHÁR
MAN YAMUNÁ VASHE NÁ RAY
ÁÁÁÁÁÁÁÁÁÁ
MAN YAMUNÁ VASHE NÁ RAY
KABHU BHÁNT́I KABHU UJÁNE BAY
TOMÁR MÁJHE CÁY SE NILAY
TOMÁY KHUNJE BÁRE BÁR
JHARE JE MOR ÁNKHI DHÁR
SAHÁSE MÁNASE E SO
MANER GOPÁL ÁMÁR
TOMÁR LÁGI ÁCHI JÁGI
JHARE JE MOR ÁNKHI DHÁR
JHARE JE MOR ÁNKHI DHÁR
O the Gopa’l of my mind, come into my mind smilingly, I have kept awake for You with
tears flowing from eyes. Looking on the path waiting for You since ages, several lives
have passed awakened. You did not come, did not put on the garland meant for You. Did not
understand the essential will. My mental river Yamuna’ is no more within control, flows
with occasional ebb and flow. It wants shelter within You, and searches You again and
again.
3587 (21/06/1986) D
BHÁLOR CEYEO TUMI BHÁLO
TABE KENO DÚRE RAYECHO
ÁNDHÁR HIYÁR TUMII ÁLO
AMÁNISHÁ KENO REKHECHO
TABE KENO DÚRE RAYECHO
KATA YUGER IPSITA MOR
ÁÁÁÁÁÁÁÁÁÁ
KATA YUGER IPSITA MOR
SHATA KÁNANER SMITA PHUL D́OR
KATA NAYANER ÁNANDA LOR
KENO KUYÁSHÁY LUKIYE ÁCHO
TABE KENO DÚRE RAYECHO
MADHUR CEYEO MADHUR TUMI
ÁÁÁÁÁÁÁÁÁÁ
MADHUR CEYEO MADHUR TUMI
SAPTA LOKE ÁDHÁR TUMI
NAMI TOMÁY SABE ÁBHUMI
KENO SÁŔÁ NÁHI DITECHO
TABE KENO DÚRE RAYECHO
BHÁLOR CEYEO TUMI BHÁLO
TABE KENO DÚRE RAYECHO
ÁNDHÁR HIYÁR TUMII ÁLO
AMÁNISHÁ KENO REKHECHO
TABE KENO DÚRE RAYECHO
You are dearest amongst dears, yet why do You remain away? You are the light of the dark
heart, why are You keeping the dark nights? O my longing for several ages, smiling floral
garland of hundreds of gardens, tears of bliss of many eyes, why do You remain hidden
within the fog? O the sweetest amongst the sweet, You are the foundation of the seven
layered world. All offer complete salutation to You, why do not You respond to the calls
3588 (22/06/1986) K
THÁKIBE NÁ YADI PRIYA
KENO ELE MAN BHOLÁTE
VYATHÁHATA CITTE ÁMÁR
NIRÁSHÁ JÁGIYE DITE
KENO ELE MAN BHOLÁTE
CHILUM KUYÁ SHÁTE BHARÁ
ÁÁÁÁÁÁÁÁÁÁ
CHILUM KUYÁSHÁTE BHARÁ
SVASHRIŚT́A PA RIDHI GHERÁ
VÁŃII HÁRÁ JAŔÁKŚARÁ
VIKÁSHERI SUTRAPÁTE
KENO ELE MAN BHOLÁTE
TOMÁY ÁMI BHÁLOBÁSI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁY ÁMI BHÁLOBÁSI
TOMÁR NÁMEI KÁNDI HÁSI
RÁKÁ RÁTER JYOTSNÁ RÁSHI
BHÁVE BHARÁO ALAKSYATE
KENO ELE MAN BHOLÁTE
THÁKIBE NÁ YADI PRIYA
KENO ELE MAN BHOLÁTE
O Beloved, if you are not going to stay, why did you come only for deluding me, only for
raising further disappointment in my already injured heart? I was totally engrossed in
hopelessness, surrounded by selfcreated boundary. I had lost expression, decayed into
matter at the climax. I love you, smile and cry at your name, during moonlit nights full
of the feelings for the unseen.
3589 (22/06/1986) D
TOMÁR GÁNE TOMÁR DHYÁNE
RATA CHILUM NIJA MANE
ELE DYUTIR UPAKÚLE
BAITE CHILO MALAY PAVAN
TAKHAN SVANAN UCCHALE
ELE DYUTIR UPAKÚLE
KEU CHILO NÁ SAUNGE ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
KEU CHILO NÁ SAUNGE ÁMÁR
ANTARE CEYECHI BÁRE BÁR
HIYÁR MADHU KARE UJÁŔ
D́HELE DILUM PRIITI KÚLE
ELE DYUTIR UPAKÚLE
PUŃYER BHÁR NEIKO ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
PUŃYER BHÁR NEIKO ÁMÁR
KARUŃÁ JECECHI BÁRE BÁR
KRIPÁ D́HELE ASHEŚA APÁR
DHARÁ DILE PATH BHULE
ELE DYUTIR UPAKÚLE
TOMÁR GÁNE TOMÁR DHYÁNE
RATA CHILUM NIJA MANE
ELE DYUTIR UPAKÚLE
O Lord, in Your song and meditation, I was constantly engrossed in the mind, You came at
the shore of effulgence. Then the sandal breeze was blowing, restless with resonance.
There was no one with me. I wanted within myself again and again, completely offering the
sweetness of my heart, I poured at the shore of love. I do not have load of virtues, hence
I seek Your mercy again and again. Then ignoring or forgetting the path, You came into
folds.
3590 (23/06/1986) K
APSARÁR SÁJE CALECHO KÁR KÁJE
TOMÁKE CÁI ÁMI JIIVANE
PRÁŃE MANE ESO OTAH PROTE MESHO
TUMI CHÁŔÁ KE ÁCHE E BHUVANE
TOMÁKE CÁI ÁMI JIIVANE
KENO DÚRE ÁCHO ESO ÁRO KÁCHE
ÁÁÁÁÁÁÁÁÁÁ
KENO DÚRE ÁCHO ESO ÁRO KÁCHE
MOR VIINÁR TÁRE TAVA VÁŃII BÁJE
ALAKH RÁJÁ MOR CETANÁ DYUTI GHOR
SHRAVAŃE MANANE NIDIDHYÁSANE
TOMÁKE CÁI ÁMI JIIVANE
DIN CALE JÁY BALÁKÁ PÁKHÁY
ÁÁÁÁÁÁÁÁÁÁ
DIN CALE JÁY BALÁKÁ PÁKHÁY
PHELE REKHE JÁY SMRITI MÁLIKÁY
SÁDHANÁ SHREYA MOR PRIITI PHULA D́OR
ÁSÁ JÁOÁ TAVA CARAŃE
TOMÁKE CÁI ÁMI JIIVANE
APSARÁR SÁJE CALECHO KÁR KÁJE
TOMÁKE CÁI ÁMI JIIVANE
O Lord, in the adornment of a nymph, for what job are You moving? I love You in my life.
Come into my life and mind and merge individually and collectively. Other than You who
else is there in the world? Why are You away? Come still closer. Upon the strings of my
viin’a’, Your words are being played. O the unseen King of mine, intense brilliance of
Consciousness, come into my hearing, meditation and concentration. The days pass like
wings of swan, leaving behind the garlands of memories. O benevolent, my sa’dhana’ and
floral garland of love, all coming and going is at Your feet.
3591 (23/06/1986) D
MOR JIIVANER RAUNGIIN DINER
TUMI CHILE NIIP MUKUL
VARAŚÁ SNÁTA SARASÁSMITA
DOLÁ DITE DODUL DÚL
TUMI CHILE NIIP MUKUL
KEKÁ KÁKALITE ESE
ÁÁÁÁÁÁÁÁÁÁ
KEKÁ KÁKALITE ESE
DÚR NIILIMÁY JETE BHESE
MAŃI MEKHALÁ TÁRÁR MÁLÁ
CHILO NÁ TOMÁR SAMATÚL
TUMI CHILE NIIP MUKUL
RAUNGIIN DINER RAUNGIIN PÁKHI
ÁÁÁÁÁÁÁÁÁÁ
RAUNGIIN DINER RAUNGIIN PÁKHI
UŔE GELO SHÚNYE E KII
SE TAVA KATHÁ ITIKATHÁ
HOYE PHOT́E SMRITIR PHÚL
TUMI CHILE NIIP MUKUL
MOR JIIVANER RAUNGIIN DINER
TUMI CHILE NIIP MUKUL
O Lord, You were the niip bud of colourful days in my life. Bathed in rain with succulent
smile, You oscillated me in the swing. Coming through the peacock’s call, gliding across
the distant blue sky, with the gem jewel of the garland of stars, there is none comparable
to You. Is it that the colourful bird of the colourful days has flown away into void
space? That has become Your event and history and bloomed as flower of Your memories.
3592 (23/06/1986) K
ALAKH NIRAINJAN BHAVA BHAYA BHAINJANA
PRAJINÁINJAN TUMI SHÁSHVATA SANÁTANA
SAḾDHRITI NANDANA SAḾSTHITI RAINJANA
SARVA DARSHII TUMI SARVA DHII VARDHANA
PRAJINÁINJAN TUMI SHÁSHVATA SANÁTANA
TRILOKE TOMÁR SAMA KEHO NÁHI ÁR
ÁÁÁÁÁÁÁÁÁÁ
TRILOKE TOMÁR SAMA KEHO NÁHI ÁR
TOMÁTE SRIŚT́I STHITI LAYA SAMÁHÁRA
JÁHÁ CHILO JÁHÁ ÁCHE JÁHÁ PARE ÁSIBE
SABÁRE NIYE TAVA LIILÁ SAḾRACANA
PRAJINÁNJAN TUMI SHÁSHVATA SANÁTANA
BHÁVANÁR BHÁVA TUMI PRÁŃERI PREYA
ÁÁÁÁÁÁÁÁÁÁ
BHÁVANÁR BHÁVA TUMI PRÁŃERI PREYA
MANANER MAŃI SATTÁRI SHREYA
TAVA KRPÁ KAŃIKÁ MAMATÁSMITA MAŃIKÁ
PRIITI SÁRIKÁR CHANDÁYIITA NARTANA
PRAJINÁNJAN TUMI SHÁSHVATA SANÁTANA
ALAKH NIRAINJAN BHAVA BHAYA BHAINJANA
PRAJINÁINJAN TUMI SHÁSHVATA SANÁTANA
O Unseen, Without blemish, destroyer of worldly fears, ointment of intuition, You are
eternal, coming since time immemorial. O provider of joy through containment and
fulfilment, happiness through establishment, You see all and develop all intellects.
There is no one in the triplelayered world like You. Within You, is aggregate of creation
sustenance and dissolution. Whatever was, whatever is present and whatever would come
taking all is Your constitution. You are the ideational feeling of all thoughts
overwhelmingly dearest. Gem of mind and benevolent amidst all existence. Your particle of
grace and smiling gem rosary of Your affection, the rhythmic dance of the lovebirds.
3593 (23/06/1986) D
GÁNER GOKULE ÁJ
TUMI ESECHO
MAŃIKÁR MÁLÁ GALE MANE MISHECHO
BHULOKE DYULOKE NÁI DVITIIYA KEHO
ÁÁÁÁÁÁÁÁÁÁ
BHULOKE DYULOKE NÁI DVITIIYA KEHO
TAVA SAMA MADHURATÁ ANÚPA SNEHA
ÁSÁ JÁOÁ SABÁKÁR TOMÁY GHIRE ANIVÁRA
EŚAŃÁR DHÁRÁ SHROTE DHARÁ RACECHO
MAŃIKÁR MÁLÁ GALE MANE MISHECHO
KICHUI AJÁNÁ NÁI TOMÁR PRABHU
ÁÁÁÁÁÁÁÁÁÁ
KICHUI AJÁNÁ NÁI TOMÁR PRABHU
PRÁŃER ÁKUTI MOR JÁNÁI TABU
THEKO MOR SÁTHE SÁTHE
AVÁRITA MAMATÁTE
JE GIITE TUMI ATIITE LIILÁY METECHO
MAŃIKÁR MÁLÁ GALE MANE MISHECHO
GÁNER GOKULE ÁJ
TUMI ESECHO
MAŃIKÁR MÁLÁ GALE MANE MISHECHO
O Lord, in the Gokul of songs, You have come today. With the garland of gems in the neck
You merged into the mind. There no other entity in the world or heaven like You in
sweetness and unparalleled affection. For every entity, coming and going around You is
essential. With the flow of will, You create the world. O Lord, there is nothing unknown
to You, still I express my total earnestness. Stay with me with unrestrained affection
with the song of which You are frenzied in the divine play, liila.
3594 (24/06/1986) D
GÁN GEYE JÁI TOMÁKE SHONÁI
SHONO KINÁ JÁNI NÁKO
AKÚL SHROTE SUR BHÁSÁI
GÁN GEYE JÁI TOMÁKE SHONÁI
RÁTRI DIVÁ TOMÁR TARE
ÁÁÁÁÁÁÁÁÁÁ
RÁTRI DIVÁ TOMÁR TARE
GÁNER DHÁRÁ JHAREI PAŔE
ASHÁNTA TÁR SAODHA GHIRE
SHÁNTÁNILE RAUNGA LÁGÁI
GÁN GEYE JÁI TOMÁKE SHONÁI
TOMÁR SMITA VEDIIR MÚLE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR SMITA VEDIIR MÚLE
BHÚ LUŚT́HITA ARGHYA TÚLE
MARMA KATHÁ BHÁŚÁR PHULE
PARÁG MADHUTE BHARÁI
GÁN GEYE JÁI TOMÁKE SHONÁI
O Lord, I go on singing the song to You, though I do not know whether You hear that or
not, I float the melody in the shoreless stream. Day and night for You, the stream of song
goes on flowing. Restlessly moving around Your mansion, I apply colour with tranquil
breeze. At the base of Your altar, carrying in hand the earth smeared offering, with the
flowers of language of the core, I fill the fragrance in the honey.
3595 (24/06/1986) D
ESE CHILUM ÁSHÁ NIYE
ÁLO JHARÁ PRABHÁTE
KUVALAYERA SAḾGIITE
BAITE CHILO MALAY TAKHAN
MADIR MÁKHÁ INGITE
KUVALAYER SAMGIITE
VITTA KONO CHILO NÁ MOR
ÁÁÁÁÁÁÁÁÁÁ
VITTA KONO CHILO NÁ MOR
RIKTA CHILO CITTA CAKOR
MATTA CHILUM TANDRÁRI GHOR
ÁNKÁ CHILO ÁNKHITE
KUVALAYER SAḾGIITE
TOMÁR PÁNE ÁNKHI PETE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR PÁNE ÁNKHI PETE
TOMÁR ÁLOY ÁCAMBITE
MAN BHRAMARÁ UT́HALO METE
MANDA MADHUR SAMVITE
KUVALAYER SAMGIITE
ESE CHILUM ÁSHÁ NIYE
ÁLO JHARÁ PRABHÁTE
KUVALAYERA SAḾGIITE
On this illuminated morning, I have come with hope of the song of blue lotus. Then sandal
breeze was blowing with intoxication smeared gesture. I had no wealth, the mental cakor was
hollow. I was engrossed in intense drowsiness marked in my eyes. Looking towards You
astonished by Your effulgence, my mental bee got excited with slow sweet consciousness.
3596 (24/06/1986) K
GÁNERI RÁJÁ TUMI GÁN CHAŔIYE GELE
GÁNERI RÁJÁ TUMI GÁN CHARIYE GELE
GÁNERI RÁJÁ TUMI GÁN CHAŔIYE GELE
BHUVANERI KOŃE KOŃE
MANERI SERÁ MAŃI DYUTI BHARIYE DILE
MANERI SERÁ MAŃI DYUTI BHARIYE DILE
MANERI SERÁ MAŃI DYUTI BHARIYE DILE
VISHVÁTIITA SPANDANE
BHUVANERI KOŃE KOŃE
JAGATE TOMÁR TULANÁ NÁHI PRABHU
ÁÁÁÁÁÁÁÁÁÁ
JAGATE TOMÁR TULANÁ NÁHI PRABHU
BÁHIR ANTARE KHUNJE BEŔÁI TABU
BUJHINÁ ÁCHO MANE GAHANE
BHUVANERI KOŃE KOŃE
ESO NÁCE GÁNE ESO ÁMÁR PRÁŃE
ÁÁÁÁÁÁÁÁÁÁ
ESO NÁCE GÁNE ESO ÁMÁR PRÁŃE
SANTULITA KARO CHANDÁYITA TÁNE
DÁO DHARÁ MOR ABHIDHYÁNE
BHUVANERI KOŃE KOŃE
O the King of songs, You have started scattering the songs in each corner of the world.
You filled the most glittering shine of gems into the mind, with heavenly vibrations. O
Lord, there is no comparison of Yours in the world, still outside and inside I go on
searching You. I do not understand that You are seated within the depth of the mind. Come
into dances and songs and my life and balance the rhythmic tune. Come into the folds in my
meditation.
3597 (24/06/1986) K
TOMÁRI DÁNE TOMÁRI GÁNE
JIIVAN ÁMÁR BHESE JÁY
TOMÁRI DHYÁNE TOMÁRI PÁNE
CEYE THÁKI SAKÁL SANDHYÁY
JIIVAN ÁMÁR BHESE JÁY
ALAKHA NIRAINJANA TUMI PRIYA
ÁÁÁÁÁÁÁÁÁÁ
ALAKHA NIRAINJANA TUMI PRIYA
BHAVA BHAYA BHAINJAN ÁDARŃIIYA
RÚPE GUŃE BHÁVE ADVITIIYA
AŃU PARAMÁŃU NÁCE GHIRE TAVA PÁY
JIIVAN ÁMÁR BHESE JÁY
TUMI CHÁŔÁ KE BÁ ÁCHE EI JAGATE
ÁÁÁÁÁÁÁÁÁÁ
TUMI CHÁŔÁ KE BÁ ÁCHE EI JAGATE
SHRIT́I STHITI LAYA STHITA TOMÁTE
SABÁKÁR SÁTHE ÁCHO OTAH PROTE
SABÁR BHÁVANÁY TAVA DYUTI JHALAKÁY
JIIVAN ÁMÁR BHESE JÁY
TOMÁRI DÁNE TOMÁRI GÁNE
JIIVAN ÁMÁR BHESE JÁY
O Lord, by Your gift and song, my life goes on floating towards You in Your meditation
each morning and evening. O Dear, You are unseen, without blemish, adorable and destroyer
of worldly fears. O One without a second, in beauty, attributes and ideation, all the
atoms and molecules dance around Your feet. Who else is there in this world, other than
You? Creation, sustenance and dissolution is located within You. You are with all
individually and collectively. Within feelings of all, Your effulgence shines.
3598 (24/06/1986) K
ÁNDHÁR RÁTE TAVA ÁLOK SHROTE
E KII KARUŃÁR VIIŃÁ BEJE CALE
MAN CHUT́E JÁY DÚR ALAKÁ Y
E KII ÁKARŚAŃA PRATI PALE
E KII KARUŃÁR VIIŃÁ BEJE CALE
NÁHI MÁNE KÁCHE DÚRE ÁPAN PARE
ÁÁÁÁÁÁÁÁÁÁ
NÁHI MÁNE KÁCHE DÚRE ÁPAN PARE
E MAN ÁMÁR KENO KEMAN KARE
BHESE JÁY BHÁŚAR ATIITA TIIRE
SUSNIGDHA HIYÁ BHÁVE UCCHALE
E KII KARUŃÁR VIIŃÁ BEJE CALE
RÚPA SÁYARER PÁŔE ARÚPA TIIRE
ÁÁÁÁÁÁÁÁÁÁ
RÚPA SÁYARER PÁŔE ARÚPA TIIRE
VIBHU CARAŃ GHIRE JYOTI MAINJIIRE
BHÁVA NÁCE PULAKE ASHRU NIIRE
MÚCHÁYE KÁLE KÁLÁTIITE AKÁLE
E KII KARUŃÁR VIIŃÁ BEJE CALE
ÁNDHÁR RÁTE TAVA ÁLOK SHROTE
E KII KARUŃÁR VIIŃÁ BEJE CALE
O Lord, in the dark night, originating from Your effulgence, what a viin’a’ of mercy
goes on playing. The mind goes on rushing to far heaven, what an attraction each moment?
It does not accept near and far or own and others. Why and how You have made my mind like
that? The soft heart goes on restlessly floating towards the shore beyond language. Beyond
the ocean of forms, at the formless shore, around the feet of the Lord, with glittering
ankle bells. The feelings dance with tears of joy, wiping the barriers of time and beyond.
3599 (24/06/1986) K
EI, SUSMITA PRÁBHÁTE
ÁLO NIYE SÁTHE
TUMI ESECHILE MOR PÁNE
ÁNILE JIIVAN BHARÁLE BHUVANA
SARÁLE TAMASÁ GÁNE GÁNE
TUMI ESECHILE MOR PÁNE
ÁLO CHUT́E GELO ÁNDHÁRA CIIRE
ÁÁÁÁÁÁÁÁÁÁ
ÁLO CHUT́E GELO ÁNDHÁRA CIIRE
NAVA JIIVANER DIGANTA GHIRE
CIT SPANDANE NIIP NANDANE
KATHÁ KAE GELO KÁŃE KÁŃE
TUMI ESECHILE MOR PÁNE
MAMATÁ PRATIBHU TUMI PRIYATAMA
ÁÁÁÁÁÁÁÁÁÁ
MAMATÁ PRATIBHU TUMI PRIYATAMA
AYUTA DHÁRÁYA NÁSHO MASIITAMAH
ÚRMI MÁLÁY MAŃI MEKHALÁY
D́HEKE DILE MOR ABHIMÁNE
TUMI ESECHILE MOR PÁNE
EI, SUSMITA PRÁBHÁTE
ÁLO NIYE SÁTHE
TUMI ESECHILE MOR PÁNE
On this smiling morning, bringing light with Yourself, You came towards me. Bringing life
filling the universe, You removed darkness through song after song. The light rushed out
piercing the darkness, covering all directions of new life. With oscillations of the mind
through the pleasure of niip flower, You went whispering the in the ears. You are the
dearest icon of affection, with innumerable flows, You destroy the deep darkness. With the
series of waves, and ornamental griddle of gems, You covered my pride.
3600 (25/06/1986) K
SHRIT́I DHÁRÁ DHÁY TOMÁRI KARUŃÁY
LIILÁ RACANÁY TUMI ADVITIIYA
ALAKŚYA CÁRI CITTA VIHÁRII
SARVA DUHKHA HÁRI HE PARAM PRIYA
LIILÁ RACANÁY TUMI ADVITIIYA
TOMÁTE ÁMÁTE MILA ANEK PRABHU
ÁÁÁÁÁÁÁÁÁÁ
TOMÁTE ÁMÁTE MILA ANEK PRABHU
YADIO ÁMI AŃU TUMI JE VIBHU
TOMÁRI SPANDANE NANDAN CANDANE
NECE UT́HE MOR AŃU PARAMÁŃUO
LIILÁ RACANÁY TUMI ADVITIIYA
TOMÁR SÁTHE MOR VIBHED KONO NÁI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR SÁTHE MOR VIBHED KONO NÁI
TUMI ÁCHO ÁMI BENCE ÁCHI TÁI
TUMI NÁ THÁKILE ÁMIO AKÚLE
BHESE JETUM KON SHUNYA AMEYA
LIILÁ RACANÁY TUMI ADVITIIYA
SHRIT́I DHÁRÁ DHÁY TOMÁRI KARUŃÁY
LIILÁ RACANÁY TUMI ADVITIIYA
It is Your grace that sustains the eternal flow of creation.
You are unparalleled in the creation of the divine play.
O dearest one,
You dwell invisibly in minds.
You are the panacea for all pain.
Between You and me there are many similarities,
even though I am but a unit and You are the Lord.
By Your blissful vibrations and delightful sandal fragrance
every atom and molecule of my existence
starts dancing in ecstasy.
There is no difference between You and me.
I exist because You exist.
If You were not, I would have drifted away,
into the limitlessness of the infinite void.
3601 (29/06/1986) K
ARÚPA RATAN PRABHU MOR
TUMI MAN PRÁŃA ABHIRÁMA
BUJHINI TOMÁKE JÁNINÁ TUMI KE
JÁNI SHUDHU TUMI GUŃA DHÁMA
TUMI MAN PRÁŃA ABHIRÁMA
JE AKHAND́A LIILÁY SAB KICHU BHESE JÁY
ÁÁÁÁÁÁÁÁÁÁ
JE AKHAND́A LIILÁY SAB KICHU BHESE JÁY
JE AKHAND́A LIILÁY SAB KICHU BHESE JÁY
JE AKHAND́A LIILÁY SAB KICHU BHESE JÁY
AŃUR AŃUTVA KON ASIIME HÁRÁY
AŃUO BHÚMÁR MÁJHE CETANÁR SHATA SÁJE
RÚPA RACO TUMI AVIRÁMA
TUMI MAN PRÁŃA ABHIRÁMA
NRITYE CHANDE TÁLE CETANÁ EGIYE CALE
ÁÁÁÁÁÁÁÁÁÁ
NRITYE CHANDE TÁLE CETANÁ EGIYE CALE
NRITYE CHANDE TÁLE CETANÁ EGIYE CALE
NRITYE CHANDE TÁLE CETANÁ EGIYE CALE
ÚRMI MÁLÁY DYUTI MEKHALÁY UCCHALE
KII TUMI BHÁVIÁ CALO KE ÁR BUJHIBE BOLO
TAVA CARAŃE KOT́I PRAŃÁMA
TUMI MAN PRÁŃA ABHIRÁMA
ARÚPA RATAN PRABHU MOR
TUMI MAN PRÁŃA ABHIRÁMA
O Lord, You are incomparable formless gem of mine. You are overwhelmingly pleasant. I do
not understand You, do not know who You are, but only I know that You are receptacle of
all attributes. The continuous divine play, in which everything goes on floating, the
meagreness of atoms, lose themselves in the infinite, with that, within microcosms and
Cosmos, through hundreds of adornments of consciousness, You go on creating forms without
pause. With the rhythm and beats of dance, the consciousness moves forwards, oscillating
brilliance within series of waves and the glittering griddles. What You go on thinking
who else can understand, tell. Thus, I offer salutations at Your feet millions of times.
3602 (30/06/1986)
NANDANA CANDANA SÁR HOTE
E SUDHÁSYANDA ESECHE
NRITYE O GIITE CHANDE CAKITE
NAVA JIIVANER VÁŃII ENECHE
E SUDHÁSYANDA ESECHE
ATIITE KAKHANO HOYENIKO JÁHÁ
AMARÁ RABHASE BHESE ELO TÁRÁ
MÁNAVA CITTE NIIRAVE NIBHRITE
PRIITIR PASARÁ D́HELE DIYECHE
E SUDHÁSYANDA ESECHE
JE BÁ JETHÁ ÁCHO SHONO MOR KATHÁ
RACITA HOYECHE RÁG ITIKATHÁ
SABÁR SÁTHE EKÁR SÁTHE
SABE CHUT́E ESO, BHOR HOYECHE
E SUDHÁSYANDA ESECHE
NANDANA CANDANA SÁR HOTE
E SUDHÁSYANDA ESECHE
Through the pleasing essence of sandal, this essence of nectar came. Astonishing through
the dances, rhythms and songs, it has brought message of new life. Whatever has never
happened in the past, came floating with heavenly upsurge. Silently, in isolation, in the
human mind, it has poured the article of love. Whosoever is wherever, listen to me. The
history of coloured love is being created. Along with all, in this ultimate mission of
charity, all come rushing, now morning occurred.
3603 (01/07/1986) K
PRABHU, TUMI ESO
PRABHU, TUMI ESO MOR MANANE BASO
DHYÁNE TOMÁY PETE CEYECHI
TOMÁRI NÁM NIYE TOMÁRI DHÁRÁ BEYE
TOMÁRI KÁJ KARE CALECHI
DHYÁNE TOMÁY PETE CEYECHI
ALAKH NIRAINJA NA TUMI PRIYA
ÁÁÁÁÁÁÁÁÁÁ
ALAKH NIRAINJA NA TUMI PRIYA
ALAKH NIRAINJA NA TUMI PRIYA
ALAKH NIRAINJA NA TUMI PRIYA
MANE PRÁŃE BARAŃIIYA
ÁTMÁRI PA RAMÁTMIIYA
TOMÁRI BHÁVE BHARE RAYECHI
DHYÁNE TOMÁY PETE CEYECHI
JIIVAN ÁSE JÁY INDRA DHANU PRÁYA
ÁÁÁÁÁÁÁÁÁÁ
JIIVAN ÁSE JÁY INDRA DHANU PRÁYA
JIIVAN ÁSE JÁY INDRA DHANU PRÁYA
JIIVAN ÁSE JÁY INDRA DHANU PRÁYA
KATA KII JHALAKÁYA PALAKE MURCHÁYA
MADHU MALAY VÁYA NANDITA CHÁYA
TOMÁRI MÁJHE NÁCE METECHI
DHYÁNE TOMÁY PETE CEYECHI
PRABHU, TUMI ESO MOR MANANE BASO
DHYÁNE TOMÁY PETE CEYECHI
O Lord, You come and get seated in my mind, I want to obtain You in my meditation. Taking
Your name and flowing in Your stream, I continue doing Your work. Unseen, without blemish
You are my dear, most adorable wholeheartedly. Own amongst own, I am filled with Your
ideation. The lives come and go like rainbow, shining much but fading in a moment. Within
sweet sandal breeze, and pleasing shade, within You, I am engrossed in dance.
3604 (02/06/1986) K
EKT́I KATHÁ SHUDHU EKT́I KATHÁ
TOMÁRE SHUDHÁI
HE BHUVANESHVARA NIRDVIDHÁTE
KENO JIIVE ÁNO EI DHARÁTE
SHUDHU KI KLESH DITE
HE BHUVANESHVARA NIRDVIDHÁTE
JAGATE ESE JIIVA HÁSE KÁNDE
ÁÁÁÁÁÁÁÁÁÁ
JAGATE ESE JIIVA HÁSE KÁNDE
KABHU JYOTSNÁ MÁYÁY KABHU ULKÁPÁTE
MISHE JÁY DHULÁY AVALIILÁY
NIRAPEKŚA EK KAT́ÁKŚETE
HE BHUVANESHVARA NIRDVIDHÁTE
E LIILÁ NIT́HUR KHELÁ KENO KARO
ÁÁÁÁÁÁÁÁÁÁ
E LIILÁ NIT́HUR KHELÁ KENO KARO
KABHU, SHOKE BHÁSÁO KABHU KHUSHITE BHARO
KABHU, NIKAT́E ÁSO KABHU DÚRE SARO
ASHEŚA NIRVISHEŚA ÁLO ÁNDHÁRITE
HE BHUVANESHVARA NIRDVIDHÁTE
O The Controller of the world, I am asking only one thing to You, without any hesitation.
Why have You brought living beings, only for giving them pains? The living beings come to
this world, to smile and cry. Sometimes with the charm of moonlight and sometimes with
fall of meteorites. They merge with dust in this game, in carefree manner, by one
impartial look. Why do You perform this liila, merciless play, sometimes floating in
misery and sometimes filling with joy? Sometimes You come close and sometimes move away
into endless, attributeless, light and darkness.
3605 (03/07/1986) D
PATH PÁNE CEYE CEYE
KATA RÁTRI CALE JÁYA
ELO NÁ SE MADHU NISHÁY
ELO NÁ SE MADHU NISHÁYA
ELO NÁ MALAY VÁYA
KATA RÁTRI CALE JÁYA
VYATHÁ ÁMÁR BOJHO NÁ KII
ÁÁÁÁÁÁÁÁÁÁ
VYATHÁ ÁMÁR BOJHO NÁ KII
TÁI KI ÁCHO ÁNKHI D́HÁKI
NIJERE NIJERE SHUDURE? RÁKHI
ÁMÁY PHELE E KÁKII
VIŚAMA E JHAINJHÁY
KATA RÁTRI CALE JÁY
BHÚLECHO KIÁMI AŃU
ÁÁÁÁÁÁÁÁÁÁ
BHÚLECHO KIÁMI AŃU
TAVA KALPANÁY MOR TANU
ÁMI KHADYOT
ÁMI KHADYOT TUMI BHÁNU
TABE KENO BÁJÁO VEŃU
DÚR THEKE E ABELÁY
KATA RÁTRI CALE JÁY
PATH PÁNE CEYE CEYE
KATA RÁTRI CALE JÁYA
Looking towards the arrival path, how many nights go on passing. That sweet night did not
come, the sandal breeze did not come. Perhaps You do not understand my agony, that is why
You have kept Your eyes covered. You have kept Yourself far, leaving me alone under such a
terrible storm. Have You forgotten that I am an atom and that my body is made by Your
imagination. I am a firefly and You are sun. Then why do You go on playing Your flute
leaving me alone at my hard time.
3606 (04/07/1986) D
ANDHAKÁRER ANTARETE
ÁLOR DHÁRÁY TUMI ELE
CININI JÁNITE PÁRINI
E KII KRIPÁ MORE KARILE
ÁLOR DHÁRÁY TUMI ELE
PATH CEYE CEYE PHÚL JHARILO
ÁÁÁÁÁÁÁÁÁÁ
PATH CEYE CEYE PHÚL JHARILO
GÁN GEYE GEYE PÁKHI GHUMÁLO
JÁNINI BUJHITE PÁRINI
KENO KOTHÁY LUKIYE GELE
ÁLOR DHÁRÁY TUMI ELE
ÁKHI MELE TÁKIYE DEKHI
ÁÁÁÁÁÁÁÁÁÁ
ÁKHI MELE TÁKIYE DEKHI
KÁCHE DÚRE TUMIE KII
KII SUDHÁY MARU JYOCHANÁY
KÁNÁY KÁNÁY BHARIE DILE
ÁLOR DHÁRÁY TUMI ELE
ANDHAKÁRER ANTARETE
ÁLOR DHÁRÁY TUMI ELE
O Lord, after a gap of darkness, as flow of effulgence You came. I could not recognise
could not know, what grace have You showered on me. Looking towards the path, the flowers
withered, singing the songs, the bird slept. I do not know, could not understand, why and
where You hid Yourself. Opening the eyes, when I wanted to see, whether You are near or
far. With what sweetness and moonlight, You have filled in each particle.
3607 (04/07/1986) D
TOMÁKEI SMARAŃA KARI
TOMÁKEI MANANE DHARI
KENO TUMI ÁSO NÁ KÁCHE
O GO MOR NIT́HUR HARI
KENO TUMI ÁSO NÁ KÁCHE
O GO MOR NIT́HUR HARI
DIN MOR ÁSE ÁR JÁY
ÁÁÁÁÁÁÁÁÁÁ
DIN MOR ÁSE ÁR JÁY
DIN MOR ÁSE ÁR JÁY
DIN MOR ÁSE ÁR JÁY
AKÁJE AKŚA REKHÁY
TUMI BINÁ BÁNCÁ HOLO DÁY
HALÁHALE KUMBHA BHARI
KENO TUMI ÁSO NÁ KÁCHE
O GO MOR NIT́HUR HARI
DINER ÁLO JYOTSNÁ MÁYÁ
ÁÁÁÁÁÁÁÁÁÁ
DINER ÁLO JYOTSNÁ MÁYÁ
DINER ÁLO JYOTSNÁ MÁYÁ
DINER ÁLO JYOTSNÁ MÁYÁ
KUSUM KÁNAN SNIGDHA CHÁYÁ
SAKALEI MÚLYA HÁRÁY
ATULYA TOMÁY PÁSHARI
KENO TUMI ÁSO NÁ KÁCHE
O GO MOR NIT́HUR HARI
I have been remembering You, keeping in my mind, but why do not You come close, O my
merciless Lord, Hari? My days come and go and surviving without You has become hard, I
fill the pitcher with poison. O the incomparable, the illumination of the day and charm of
moonlight, soft shade of floral garden, all lose their value.
3608 (05/07/1986) K
BHULOKE DYULOKE E KII MÁYÁY
NÁCÁLE PRABHU TUMI CHANDE RÁGE
PRATIT́I PALAKE JYOTI JHALAKE
BHARILE ÁBRAHMASTAMBA ANURÁGE
NÁCÁLE PRABHU TUMI CHANDE RÁGE
PALAKE PALAKE E KII PULAKERI SHROTA
ÁÁÁÁÁÁÁÁÁÁ
PALAKE PALAKE E KII PULAKERI SHROTA
JHALAKE JHALAKE ÁSE BHÁSE OTAH PROTA
CINTÁY BHÁVANÁY SHUBHA PRADYOTA
CHAŔIYE DILE PRIITI PRAETI PARÁGE
NÁCÁLE PRABHU TUMI CHANDE RÁGE
HE DEVATÁ MOR KATHÁ BHULO NÁ JENO
ÁÁÁÁÁÁÁÁÁÁ
HE DEVATÁ MOR KATHÁ BHULO NÁ JENO
NÁI MOR ITIKATHÁ SÁDHANÁ KONO
NÁI PUŃYER BALA CETANÁ JENO
TABU PRATIIKŚÁ RATA CITTA KRPÁ MÁGE
NÁCÁLE PRABHU TUMI CHANDE RÁGE
BHULOKE DYULOKE E KII MÁYÁY
NÁCÁLE PRABHU TUMI CHANDE RÁGE
O Lord, with what a charm You make the physical world and heaven dance with rhythm and
beats? Each moment, with the shine of effulgence, You fill from blade of grass to the
cosmos with affection. In each blink of the eye, stream of joy is present. With each
glimpse, individual and collective associations come floating. In all thinking and
ideations, auspicious glow You have scattered with the fragrance of love. O my Divinity
do not forget me, I have no glory or sa’dhana’, no strength of virtue, no
consciousness, still the mind ever engrossed in waiting seeks grace.
3609 (05/07/1986) K
ANEK VEDANÁ DIYE ANEK ÁNKHI JHARIYE
NIT́HUR DEVATÁ MOR ESECHO
KII CÁO TÁO JÁNI NÁ KII KAO TÁO BUJHI NÁ
SHUDHU JÁNI SHUDHU BUJHI MORE BHÁLOBESECHO
NIT́HUR DEVATÁ MOR ESECHO
JÁNI NÁKO THÁKO KI NÁ ANEK DÚRE
ÁÁÁÁÁÁÁÁÁÁ
TÁI KI PASHENÁ VYATHÁ KARŃA KUHARE
HOETO BADHIR SÁJ JINÁTA SÁRE
KIMVÁ JÁNITE DITE CÁO NÁ KI BHEVECHO
NIT́HUR DEVATÁ MOR ESECHO
TOMÁR LIILÁR CHAVI TUMI ÁNKO
ÁÁÁÁÁÁÁÁÁÁ
HOETO NÁJENE ÁNKO BHÁVETE THÁKO
ÁDI MADHYA ANTA MÁNO NÁKO
SAVISHEŚE NIRVISHEŚE HESE CALECHO
NIT́HUR DEVATÁ MOR ESECHO
After giving much agony, and flow of tears, the Merciless Lord of mine came. What You
want, I do not know. What You say, that also I do not understand. Only this much I know
that You love me. I do not know whether You live far away and that is why my cry does not
reach to Your ears. You may be knowingly pretending deaf or may be thinking that none
should know that. You only sketch the panorama of Your play, liila. You may be
unknowingly sketching remaining in engrossment. You do not consider beginning, middle or
end and go on dancing smilingly with and without attributes.
3610 (06/07/1986) K
ÁMI, GÁN GEYE JÁI
MOR KONO SAMPADA NÁI
PUŃYER BALA NÁI KARUŃÁ JÁCI TÁI
ÁMI, GÁN GEYE JÁI
DIYECHO KANT́HA MORE DILE ÁKUTI
ÁÁÁÁÁÁÁÁÁÁ
DIYECHO KANT́HA MORE DILE ÁKUTI
DIYECHO PARÁŃ BHARÁ MADHU PRAETI
AMI, TÁI DIYE SHATABHÁVE VINATI JÁNÁI
ÁMI, GÁN GEYE JÁI
ÁMI, TOMÁR AŃÚ CARAŃERI REŃU
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR AŃÚ CARAŃERI REŃU
TUMI, CETANÁ GOKULE BASE BÁJÁO VEŃU
SEI, VEŃUKÁ DHVANI ÁMI MARME SHUŃI
ASIIMER T́ÁNE SIIMÁ KE HÁRÁI
ÁMI, GÁN GEYE JÁI
O Lord, I go on singing the song. I do not have any wealth other than this. I do not have
strength of virtues hence I beg for mercy. You have given me the voice and earnestness.
And You have given me overwhelmingly sweet love. With all that in hundreds of ways, I
express my prayer before You. I am Your atom, a dust particle of Your feet. Staying in the
Gokul of Consciousness, You go on playing the flute. That sound of flute, I hear within
the core, and by attraction of the unlimited, lose the limitation.
3611 (07/07/1986) D
TOMÁR KATHÁ BHEVE BHEVE
DIVÁ NISHI ASHRU JHARE
TUMI DÚRE RAILE PRIYA ÁMÁR
E GHAR ÁNDHÁR KARE
DIVÁ NISHI ASHRU JHARE
BÁDAL RÁTER KÁJAL MÁYÁY
ÁÁÁÁÁÁÁÁÁÁ
MAN TOMÁKE KÁCHE PETE CÁY
KETAKI KESHAR SAMA HÁY
ÁSHÁ BHESE JÁY ANDHAKÁRE
DIVÁ NISHI ASHRU JHARE
SHARAT SHEFÁLIR SUVÁSE
ÁÁÁÁÁÁÁÁÁÁ
SÁDÁ MEGHER BHELÁ BHÁSE
TUMI NÁHI ELE SAKÁSHE
VRITHÁI SÁJI PHÚLE BHARE
DIVÁ NISHI ASHRU JHARE
VASANTERI SNIGDHA ÚŚÁR
ÁÁÁÁÁÁÁÁÁÁ
KISHALAYE RAINJITA VÁYA
KHUNJE MARI TUMI KOTHÁY
ÁKÁSHA PÁTÁL GHURE GHURE
DIVÁ NISHI ASHRU JHARE
TOMÁR KATHÁ BHEVE BHEVE
DIVÁ NISHI ASHRU JHARE
O Lord, thinking about You, day and night the tears drop. O my Dear, You remained away
leaving my home dark. During dark charm of the clouded night, the mind wants to get You
closer. Like the pollen of ketakii, alas, the hope goes on floating in the darkness.
During the fragrance of winter shefa’lii the boat of white cloud floats. You did not
come near, my decoration full of flowers is useless. During the soft dawn of the spring
breeze coloured with tender leave colour, I go on searching You, wandering through the
heaven and hell.
3612 (07/07/1986) D
ARÚPA TOMÁR RÚPER PARASHE
ARÚPA TOMÁR RÚPER PARASHE
ARÚPA TOMÁR RÚPER PARASHE
ÁNDHÁR JAGATE ÁLO ESECHE
SE ÁLOTE DIK UDBHÁSITA
MANTRA MUGDHA DHARÁ JEGECHE
ÁNDHÁR JAGATE ÁLO ESECHE
DYULOKER DYUTI BHULOKE ENECHO
ÁÁÁÁÁÁÁÁÁÁ
DYULOKER DYUTI BHULOKE ENECHO
DYULOKER DYUTI BHULOKE ENECHO
DYULOKER DYUTI BHULOKE ENECHO
BALÁKÁR SURE SUR MILIYECHO
ASIIMER GÁN SASIIME GEYECHO
DIK DIGANTA TÁTE METECHE
ÁNDHÁR JAGATE ÁLO ESECHE
TAMISHRÁTE JÁ ÁVRTA CHILO
ÁÁÁÁÁÁÁÁÁÁ
TAMISHRÁTE JÁ ÁVRTA CHILO
TAMISHRÁTE JÁ ÁVRITA CHILO
TAMISHRÁTE JÁ ÁVRITA CHILO
ÚŚÁR KIRAŃE NAYAN MELILO
DARSHAN DRIK DRAŚT́Á HÁSILO
DRISHYA VISHVA PULAKE NÁCE
ÁNDHÁR JAGATE ÁLO ESECHE
O The Formless, by the touch of Your beauty, light came into the dark world. By that light
all directions were illuminated and the mantra charmed earth awakened. You brought heavenly
glow on the earth. You attuned Your melody with that of the swan. You sang the song of
infinite into the limited. By which all the directions got frenzied. Those covered with
darkness, opened the eyes with the rays of dawn. The witness, witnessed and the object
smiled with joy in the scene of the world.
3613 (11/07/1986) D
TÁR, NÁMER MADHU
MANE MEKHE RAI
MANE MEKHE RAI
SE JE ÁMÁR ARUŃ PRÁTER
GAHAN RATER ÁSHÁ BHAROSÁ
TÁRE BHÚLATE PÁRI KAI
ÚŚÁR ÁLOY TÁRI HÁSI
ÁÁÁÁÁÁÁÁÁÁ
ÚŚÁR ÁLOY TÁRI HÁSI
MANER KOŃE BÁJÁY BÁNSHI
PHULER RAUNGE MELÁMESHI
KARE THÁKE TÁI PÁI NÁ THAI
TÁR, NÁMER MADHU
MANE MEKHE RAI
MANE MEKHE RAI
EMAN BHÁVE JÁY ÁR ÁSE
ÁÁÁÁÁÁÁÁÁÁ
EMAN BHÁVE JÁY ÁR ÁSE
EMANI ALAKSYE BHÁSE
TAMISHRÁ KAT́ÁKŚE NÁSHE
NÁ DEKHE CINIYÁ LAI
TÁR, NÁMER MADHU
MANE MEKHE RAI
MANE MEKHE RAI
My mind remains moistened,
with the nectar of His holy name.
He is my only one.
In the crimson dawn,
as well as in the deep dark night,
He is my only refuge.
I cannot forget Him.
In the morning light,
it is His smile that plays the flute
in a lonely corner of my mind.
He is merged in the colours of flowers.
Therefore I cannot fathom Him.
In this way He comes and goes,
drifting away invisibly, dispelling darkness.
I recognise Him even without seeing Him.
3614 (13/07/1986) D
TOMÁR E GÁN ANÁDI KÁLER
ANANTE MESHE
SURE TÁLE NABHAH NIILE JÁY JE BHESE
KABE SHURU KEU JÁNENÁ
ÁÁÁÁÁÁÁÁÁÁ
KABE SHURU KEU JÁNENÁ
DHAREO DHARE RÁKHÁ CALE NÁ
MARMA MÁJHE ÁNÁ GONÁ
KARE THÁKE SHEŚA ASHEŚE
SURE TÁLE NABHAH NIILE JÁY JE BHESE
TOMÁR GÁNE TUMI ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR GÁNE TUMI ÁCHO
VISHVE DOLÁ JÁGIYECHO
PÚRŃA PRÁŃER CHANDE NÁCO
MADHURATAMA ÁVESHE
SURE TÁLE NABHAH NIILE JÁY JE BHESE
TOMÁR E GÁN ANÁDI KÁLER
ANANTE MESHE
SURE TÁLE NABHAH NIILE JÁY JE BHESE
This song of yours flows from eternity and merges into infinity. In the rhythm and melody
it drifts on to the blue void. Nobody knows when it started. No one can hold it even if
one wants to. It comes in and goes out of my mind in an eternal sequence of finitude and
infinitude. You exist in your songs. You have stirred the universe. You keep dancing in
the full rhythm of universal life with sweetest ecstasy.
3615 (14/07/1986) D
TUMI, KAO NÁ KATHÁ SUNAYANÁ
KENO BOLO NÁ
KISER TARE ASHRU JHARE
KE DIYECHE VEDANÁ
KENO BOLO NÁ
RÁTRI DIVÁ KÁHÁR ÁSHE
ÁÁÁÁÁÁÁÁÁÁ
RÁTRI DIVÁ KÁHÁR ÁSHE
CEYE THÁKO NIRNIMEŚE
PRIITIR PARÁG JALE BHÁSE
KÁR SAKÁSHE JE PHIRE CÁY NÁ
KENO BOLO NÁ
DINER ÁLOY KII JE SHOŃO
ÁÁÁÁÁÁÁÁÁÁ
DINER ÁLOY KII JE SHOŃO
RÁTER KÁLOY SVAPAN BONO
KON ÁLEYÁY KÁCHE T́ÁNO
KII JE TOMÁR SÁDHANÁ
TUMI, KAO NÁ KATHÁ SUNAYANÁ
KENO BOLO NÁ
O the beautiful eyed, why do not You speak out, tell me. What for the tears drop? Who gave
you agony? With Whose hope, day and night, you are looking without blink, the pollen of
love floats in water, for Whose proximity, Who does not like that in response? Whatever
you hear in daylight, whatever dream you weave in the darkness of the night, which mirage
you pull close, what is your endeavor?
3616 (15/07/1986) D
TOMÁR GÁNER TÁLE NECECHI
TUMI JÁNO NÁ
TUMI JÁNO NÁ
TOMÁKE BHÁLOBESECHI
TOMÁR GÁNER TÁLE NECECHI
ÚŚÁR ARUŃA RAKTIMÁBHÁY
ÁÁÁÁÁÁÁÁÁÁ
ÚŚÁR ARUŃA RAKTIMÁBHÁY
PHULER HÁSIR MANTHAR VÁYA
TANDRÁ BHÁUNGÁ CETANATÁY?
TOMÁR PÁNE CEYE THEKECHI
TOMÁR GÁNER TÁLE NECECHI
DINER SHEŚE SANDHYÁ TÁRÁY
ÁÁÁÁÁÁÁÁÁÁ
DINER SHEŚE SANDHYÁ TÁRÁY
EKAT́I BHÁVER KON EKTÁRÁY
JE RÁGA RÁTER ÁNDHÁR SARÁY
TÁRI SURE HÁRIYE GECHI
TOMÁR GÁNER TÁLE NECECHI
O Lord, I dance to Your rhythm, do not You that I love You. The crimson red glow of the
morning sun, smile of flower and gentle breeze, with consciousness broken drowsiness, I
look towards You. The evening star at the end of the day, with only one ideation on some
monochord, the tune that removes the darkness of the night, in that melody I am lost.
3617 (16/07/1986) D
TUMI, ÁLOR PRATIBHU PRABHU
TAMASÁ SARÁO
SUDIIRGHA YÁMINI SHEŚE ÚŚÁ ENE DÁO
PRATIKŚÁTE CHILUM KATA
ÁÁÁÁÁÁÁÁÁÁ
PRATIKŚÁTE CHILUM KATA
YUGA YUGÁNTE SHATA SHATA
MÚŔHA MÁNAS ÁSHÁHATA
ÁJ KE PHIRE CÁO
TAMASÁ SARÁO
DIN KET́E GECHE PALA GUŃE
ÁÁÁÁÁÁÁÁÁÁ
DIN KET́E GECHE PALA GUŃE
RÁTER ÁNDHÁR MÚKA VIJANE
JIIVAN GECHE MITHYÁ JINÁNE
PRAJINÁ DIIP JVÁLÁO
TAMASÁ SARÁO
TUMI, ÁLOR PRATIBHU PRABHU
TAMASÁ SARÁO
O Lord, the symbol of light, remove the darkness. At the end of long night, bring morning.
How much I have remained waiting for hundreds and hundreds of eras. To the disappointed
ignorant minds, today again. The days pass counting moments, the nights in darkness
silently in isolation. The life passed in untrue knowledge, kindle the lamp of intuition.
3618 (16/07/1986) K
KUŃÁLE KÁNT́Á THÁKE KE NÁ JÁNE
TÁI BOLE KI KAMAL TULIBO NÁ
BOLO PRIYA
ÁNDHÁR NISHIITHE PÁI NÁ DEKHITE
TABE KI PATHE CALIBO NÁ
AINJYEYA, BOLO PRIYA
JÁ NÁI ÁMÁR KÁCHE TÁI JE ASÁR
ÁÁÁÁÁÁÁÁÁÁ
JÁ NÁI ÁMÁR KÁCHE TÁI JE ASÁR
HENO KATHÁ KAKHANO BHÁVIBO NÁ ÁR
ASÁRE MÁJHE THÁKE SÁR SAMÁHÁR
KHAŃIR ANDHAKÚPE HIIRÁ JVALE RAMAŃIIYA
BOLO PRIYA
ABODHA ÁMI NÁNÁ BHÚL BHEVECHI
ÁÁÁÁÁÁÁÁÁÁ
ABODHA ÁMI NÁNÁ BHÚL BHEVECHI
SATYA TATTVA JENE NÁHI MENECHI
SÁYÁHNE ESE ÁJ PATH PEYECHI
SANDHYÁ SÁYARE JVELO TUMI DYUTI BARAŃIIYA
BOLO PRIYA
KUŃÁLE KÁNT́Á THÁKE KE NÁ JÁNE
TÁI BOLE KI KAMAL TULIBO NÁ
BOLO PRIYA
Who does not know that in the stem of lotus there are thorns? Does it say that it would
not lift the lotus flower? Tell me O Beloved. In the dark night I am unable to see, then
would not I move on the path? O the Unknowable. What I do not possess, that is
insignificant, this type of thing I shall never think any more. Within the useless is
collection of essence. Within the dark well of mine, beautiful diamond glitters. I am
ignorant, I think mostly erroneously. Even after knowing the essence of truth, I do not
accept that. Coming at the evening, today I found the path. Over this ocean at evening
You kindle the adorable glow.
3619 (17/07/1986) D
BAHE, MADHU PAVAN E JYOTSNÁY
MADHU PAVAN E JYOTSNÁY
MADHU PAVAN E JYOTSNÁY
MALAY PARASHE SURABHI RABHASE
PIK KII KATHÁ SHONÁY
KISHALAYE RAUNGE DHARÁ NÁCICHE
ÁÁÁÁÁÁÁÁÁÁ
KISHALAYE RAUNGE DHARÁ NÁCICHE
CYUTA MUKULER GANDHA BHÁSICHE
KIḾSHUK SANE UNMUKHA MANE
SHÁLMALII HESE JÁY
BAHE, MADHU PAVAN E JYOTSNÁY
BAKULER SEJ SUVÁSE MÁKHÁNO
ÁÁÁÁÁÁÁÁÁÁ
BAKULER SEJ SUVÁSE MÁKHÁNO
CAMPAK VAN PÁRULE MÁTÁNO
KUSUM BHÚŚAŃA CARAŃE JAŔÁNO
PRAKRTI RÚPE BHOLÁY
BAHE, MADHU PAVAN E JYOTSNÁY
Sweet breeze is blowing in this moonlight. With the touch of sandal and upsurge of
fragrance, what the cuckoo tells? Colored with tender leaves, the earth dances. The
fragrance of dropped buds floats. Along with kim’shuk flower with eager mind
sha’lmalii flower goes on smiling. The bed of bakul flowers is smeared with fragrance.
The campak garden is frenzied with pa’rul flowers. Decorated with floral ornament at the
feet, the nature charms with beauty.
3620 (18/07/1986) D (Shiva)
ÁNDHÁR SÁGAR PERIYE CALE
TOMÁR PRIITIR DYUTI
TUMI, PIŃÁK PÁŃIR GIITI
SARE MRTYU BHAYÁL DRANŚT́RÁ
KARÁL RÁHU GRÁSER BHIITI
TUMI, PIŃÁK PÁŃIR GIITI
KATA GAORIIR TAPASYÁTE
ÁÁÁÁÁÁÁÁÁÁ
KATA GAORIIR TAPASYÁTE
KATA ATANUR BHASMÁGHATE
KATA DAKŚER SAMIDHE TE
ELO E ÁHUTI
TUMI, PIŃÁK PÁŃIR GIITI
ÁDI MADHYA ANTA NÁ PÁI
ÁÁÁÁÁÁÁÁÁÁ
ÁDI MADHYA ANTA NÁ PÁI
BHÁVE BHEVE NIJEI HÁRÁI
TOMÁR GÁTHÁ GEYEJE JÁI
D́HELE SAB ÁKUTI
TUMI, PIŃÁK PÁŃIR GIITI
ÁNDHÁR SÁGAR PERIYE CALE
TOMÁR PRIITIR DYUTI
TUMI, PIŃÁK PÁŃIR GIITI
O Lord, crossing the dark ocean, the effulgence of Your love moves. You are the song of
Shiva, the holder of bow in the hand. You came removing the fear of the frightening
annihilating, destructive jaws of the death. This oblation came after numerous penance of
Gaurii, much application of the ashes of the bodiless, and offerings of Daks’a. I do not
find the beginning, middle or the end. By meditating on the idea, I lose myself. I
continue singing Your glory, pouring all earnestness.
3621 (19/07/1986) K
CÁNDERI DESHE ELO BHESE
KE EK AJÁNÁ APSARÁ ÁJI
MANERI KOŃE PRATI KŚAŃE
SE ÁGAMANE DUNDUBHI UT́HE BÁJI
KE EK AJÁNÁ APSARÁ ÁJI
GHUMONO KISHALAY JEGE UT́HECHE
ÁÁÁÁÁÁÁÁÁÁ
GHUMONO KISHALAY JEGE UT́HECHE
JHIMONO PATRA PRÁŃA PHIRE PEYECHE
MUKULE SAORABHE KUHU KEKÁ RAVE
VIJAN VANA BHUMI UT́HECHE NÁCI
KE EK AJÁNÁ APSARÁ ÁJI
SABÁR TANDRÁ JAŔIMÁ GECHE T́UT́I
ÁÁÁÁÁÁÁÁÁÁ
SABÁR TANDRÁ JAŔIMÁ GECHE T́UT́I
PHÁGUNER PHÁGE ÁNKHI UT́HECHE PHÚT́I
PATRA SHOBHÁ ÁR PUŚPA MANOLOBHÁ
SE RÚPADAKŚE NEVE ÁSITE KARECHE RÁJI
KE EK AJÁNÁ APSARÁ ÁJI
CÁNDERI DESHE ELO BHESE
KE EK AJÁNÁ APSARÁ ÁJI
Today, one unknown nymph came gliding from the arena of moon. By that arrival, each moment
in the recess of mind, trumpet started sounding. The sleeping tender leaves awakened. The
slackened leaves got again vitality. By the fragrance of buds, and the sound of cooing and
noise of peacock, the silent garden started dancing. The inertial drowsiness of all broke
off. The colour of spring eyes opened up. Through the beauty of the leaves and charm of
the flowers, that skilled in beauty came down making all acceptable.
3622 (20/07/1986) K
JE ÁGUN JVELE GELE TUMI PRIYA
TÁHÁ KABHU NIVIBE NÁ SABÁI JÁNI
JE ÁNDHÁRE TAVA RATNA DIIPCHILO
TÁHÁKE CIR BHÁSVARA MÁNI
JE MÁLIKÁ HÁTE TULE NIYE CHILE
ÁÁÁÁÁÁÁÁÁÁ
JE MÁLIKÁ HÁTE TULE NIYE CHILE
JE MÁLÁ KANT́HE TAVA PARE CHILE
JE PUŚPA STABAKE RÁGE ANURÁGE MEKHE
HÁSIR JHALAK DILE TÁHÁO CINI
JE ÁLOK PÁTE TAVA CARAŃA PÁTE
ÁÁÁÁÁÁÁÁÁÁ
JE ÁLOK PÁTE TAVA CARAŃA PÁTE
TAMAH SARE ÁLO ELO ÁNKHI PÁTE
JE NANDANA MADHU DHARÁY NÁMÁLO VIDHU
TÁHÁKE PHIRE PETE PAL JE GUŃI
O Dear Lord, the fire that have kindled will never be extinguished, all know it. In the
darkness your precious lamp that lighted up, that I consider to be eternally effulgent.
The garland carried in hand and put on your neck, the floral offering soaked with love was
recognised in the light of your smile. The light emerging by your arrival, has removed the
darkness and the eyes are illuminated. The sweet, pleasing moonlight that you brought on
the earth, to find that again, I am counting moments.
3623 (20/07/1986) D ( Bengali dialect)
SÁTAT́I CÁMPÁ
D́EKE BOLE
KOTHÁY CHILI TUI PÁRUL
KHUNJE KHUNJE
AHARNISHE
SABÁI MORÁ CHILUM ÁKUL
KHUNJE CHILUM BHORER ÁLOY
ÁÁÁÁÁÁÁÁÁÁ
KHUNJE CHILUM BHORER ÁLOY
KHUNJE GECHI RÁTER KÁLOY
KHUNJECHI SAB MANDA BHÁLOY
TANNA KARE MAN DEUL
KOTHÁY CHILI TUI PÁRUL
MADHYA DINER SAORA KARE
ÁÁÁÁÁÁÁÁÁÁ
MADHYA DINER SAORA KARE
KHUNJE GECHI ÁVEG BHARE
JYOTSNÁ RÁTER SVAPAN BHARE
KHUNJE KHUNJE PÁINI KÚL
KOTHÁY CHILI TUI PÁRUL
SÁTAT́I CÁMPÁ
D́EKE BOLE
KOTHÁY CHILI TUI PÁRUL
The seven campa flowers called and asked the parul flower:
“Where have you been?
Searching you day and night,
we all have been restless.
We searched you in the morning light,
we continued searching in the darkness of the night,
we searched in all good and bad,
we searched thoroughly in the mental temple.
Under the midday sun rays we searched full of impulse,
we searched filled with dreams in the moonlit night,
but despite all searches,
we did not find any shore.”
3624 (21/07/1986) K
TOMÁRI DEOÁ PRÁŃE
TOMÁRI DEOÁ PRÁŃE
TOMÁRI DEOÁ PRÁŃE
TOMÁRI DEOÁ MANE
TOMÁKE NIYE MOR SÁDHANÁ
TOMÁRI KATHÁ BHÁVI
TOMÁRI KATHÁ BHÁVI
TOMÁRI KATHÁ BHÁVI, BUJHI TOMÁR SABAI
TUMI CHÁŔÁ KICHUI THÁKE NÁ
TOMÁKE NIYE MOR SÁDHANÁ
O GO BEDARADII
ÁÁÁÁÁÁÁÁÁÁ
O GO BEDARADII
O GO BEDARADII KENO ÁCHO BHÚLE
KENO GECHO CALE DÚRE ÁMÁY PHELE
ESO ÁRO KÁCHE, BALÁR KATA ÁCHE
ÁCHE TOMÁY PÁOÁR YÁCANÁ
TOMÁKE NIYE MOR SÁDHANÁ
TOMÁY BHÚLE CHILUM
ÁÁÁÁÁÁÁÁÁÁ
TOMÁY BHÚLE CHILUM
TOMÁY BHÚLE CHILUM JÁNINÁ KATA KÁLA
JAŔER SÁTHE SÁTHE DIYE GECHI TÁL
ÁJ BUJHIYÁCHI TOMÁRI SÁTHE ÁCHI
TOMÁY GHIRE ÁMÁR KALPANÁ
TOMÁKE NIYE MOR SÁDHANÁ
TOMÁRI DEOÁ PRÁŃE TOMÁRI DEOÁ MANE
TOMÁKE NIYE MOR SÁDHANÁ
O Lord, by the life and mind given by You, taking You is my spiritual endeavor
sa’dhana’. I think of You, consider all as Yours, there is nothing other than You. O
The Merciless, why have You ignored me, why did You go far away leaving me? Come still
closer, how much is strength, only begging for Your attainment is there. I do not know for
what duration I have kept You forgotten. I continued attuned to the rhythm of the inert.
Today I have understood that I am Yours, and all my imagination and thoughts are around
You only.
3625 (22/07/1986) K (Krsna)
KENO KRIŚŃA SAJAL TITHITE
TUMI, ÁSIBE NÁ ÁR GHANASHYÁM
MATHURÁR KÁRÁ PURITE
MATHURÁR KÁRÁ PURITE
MATHURÁR KÁRÁ PURITE
ÁLO JVÁLIBE NÁ KI GUŃADHÁM
TUMI, ÁSIBE NÁ ÁR GHANASHYÁM
GOŚT́HER DHENU TAVA NÁME MÁTI
ÁÁÁÁÁÁÁÁÁÁ
GOŚT́HER DHENU TAVA NÁME MÁTI
SHUNIBE NÁ BÁNSHII ÁR KÁŃ PÁTI
ÁLOKOJJWAL THÁKIBE NÁ RÁTI
NANDA NILAYE ABHIRÁM
TUMI, ÁSIBE NÁ ÁR GHANASHYÁM
YAMUNÁR JALE JÁGIBE NÁ D́HEU
ÁÁÁÁÁÁÁÁÁÁ
YAMUNÁR JALE JÁGIBE NÁ D́HEU
KÁLO RAUNGE DEKHITE TOMÁY KEU
TAMÁL PUNJE NIIP NIKUNJE
NÁCIBE NÁ GOPI AVIRÁM
TUMI, ÁSIBE NÁ ÁR GHANASHYÁM
O Lord Krsna, would you not come again at the dark and cloudy hour of the night? O
my beloved, the embodiment of of divine qualities, would not the dark prison house of
Mathura be lit again? Maddened with your sweet name the herds of cows would no more be all
ears to listen to your flute. In the beautiful palace of king Nanda, nights would be no
more be as illuminating as before. Waves would no more rise up in the waters of yamuna. No
one would chance to get a glimpse of of your sin dark colour. The groves of tamala and
kadamba trees would no more see the gopiis dancing around all the time.
3626 (23/07/1986) K
NÚTAN VARAŚE PRÁŃERI HARAŚE
PRAŃATI JÁNÁI TOMÁRE
ÁMÁR JIIVANE VARAŃE VARAŃE
AŃUR MANANE ÁCHO BHARE
PRAŃATI JÁNÁI TOMÁRE
DIYECHO ÁVÁS DILE ANNA JALA
ÁÁÁÁÁÁÁÁÁÁ
DIYECHO ÁVÁS DILE ANNA JALA
DIYECHO ÁLOK DILE PHUL PHALA
DIYECHO VÁTÁS CHÁYÁ SUSHIITALA
DIYECHO MAMATÁ TUŚIVÁRE
PRAŃATI JÁNÁI TOMÁRE
DIYECHO ANAL SHIITER NISHIITHE
ÁÁÁÁÁÁÁÁÁÁ
DIYECHO ANAL SHIITER NISHIITHE
DILE PARIMALA KUSUMERA SÁTHE
DILE MEDHÁ BALA ARÁTI JUJHITE
KII NÁ DILE PRABHU KRPÁ KARE
PATH BHULIYÁCHI JAD́ETE METECHI
KŚAMÁ KARIYÁCHO BÁRE BÁRE
PRAŃATI JÁNÁI TOMÁRE
NÚTAN VARAŚE PRÁŃERI HARAŚE
PRAŃATI JÁNÁI TOMÁRE
O Lord, on the auspicious occasion of New Year's Day, with overwhelming joy, I express my
reverence to You. In my life, with multiplicities of colours, into unit mind, You pervade
filling it. You have provided me with necessities of life like shelter, food, water
light, flowers and fruits. You have given me breeze, cool shade, and affection for
satiating fulfilment. You provided warmth of fire during cold nights, fragrance along
with flowers. You have granted me strength of intellect to face the enemies. What have You
not given me graciously, O Lord? If I forget the path and get engrossed in material
beings, You pardon me again and again.
3627 (23/07/1986) K
BHÁLOR CEYEO BHÁLO TUMI PRIYA
TUMI SABÁKÁR PRIYATAMA
KURISH KÁLOY JYOTI REKHÁ TUMI
RÚPA RÚPÁYAŃE MANORAMA
TUMI SABÁKÁR PRIYATAMA
ÁGUNER TÁPA JALADERO VÁRI
ÁÁÁÁÁÁÁÁÁÁ
ÁGUNER TÁPA JALADERO VÁRI
TOMÁKE KAKHANO BHULITE KII PÁRI
SHAYANE SVAPANE TOMÁRE SMARI
NIRÁSHÁ SÁYARE ÁSHÁ MAMA
TUMI SABÁKÁR PRIYATAMA
KICHU NÁI MOR TUMI ÁCHO SHUDHU
ÁÁÁÁÁÁÁÁÁÁ
KICHU NÁI MOR TUMI ÁCHO SHUDHU
TAMASÁR ÁKÁSHE TUMI EKAI VIDHU
RIKTA HRIDAYE SARORUHA MADHU
D́HELECHO MÁDHURI ANUPAMA
TUMI SABÁKÁR PRIYATAMA
BHÁLOR CEYEO BHÁLO TUMI PRIYA
TUMI SABÁKÁR PRIYATAMA
O Dear, You are most beloved. You are Dearest of all. Amid the darkness of the dried dung
You are the ray of light, charming, as embodiment of beauty. During heat of fire and water
of clouds, can I any time forget You? During sleep, and dream I remember You, You are my
hope in the ocean of disappointment. Nothing belongs to me, only You. In the dark sky, You
are the singular moon. You are the sweet lotus in the empty heart. You pour incomparable
sweetness.
3628 (23/07/1986) D
VISHVA JAKHAN HOYENI TAKHAN
TUMI CHILE KÁR MANE
BOLO, TUMI CHILE KON KHÁNE
KEU CHILO NÁ KAITE KATHÁ
DITE VYATHÁ KÁRO PRÁŃE
TUMI CHILE KON KHÁNE
LIILÁR SÁGAR TOMÁY MÁNI
ÁÁÁÁÁÁÁÁÁÁ
LIILÁR SÁGAR TOMÁY MÁNI
LIILÁ KATA KAT́HOR JÁNI
LIILÁR T́HAKUR BOLO SHUŃI
KEMANE CHILE NIRJANE
TUMI CHILE KON KHÁNE
SHÁSTRA DARSHAN JÁNINÁ
ÁÁÁÁÁÁÁÁÁÁ
SHÁSTRA DARSHAN JÁNI NÁ
TOMÁY CHÁŔÁ KICHU MÁNI NÁ
TOMÁR KRIPÁR EKT́U KAŃÁ
TÁI TO JÁCI RÁTE DINE
TUMI CHILE KON KHÁNE
VISHVA JAKHAN HOYENI TAKHAN
TUMI CHILE KÁR MANE
When the universe had not yet been created,
in whose mind did You exist?
Tell me, where were You?
No one was there for You to speak to,
no one to hurt any heart.
I consider You the ocean of this divine game
and I know how harsh it is.
O Lord of this divine game,
listen and talk,
how could You manage in loneliness?
I know neither philosophy nor scriptures.
I do not accept any entity other than You.
For just a tiny bit of Your grace,
I beg day and night.
3629 (23/07/1986) K
TUMI PRIYA MOR ÁMI TOMÁR
MOR NÁI KONO GUŃA ÁCHE SHUDHU DURGUŃA
TUMI SAKAL GUŃERI SAMÁHÁR
TUMI PRIYA MOR ÁMI TOMÁR
PRABHÁTER BHÁTI TUMI SANDHYÁ RAKTA RÁGA
ÁÁÁÁÁÁÁÁÁÁ
PRABHÁTER BHÁTI TUMI SANDHYÁ RAKTA RÁGA
KUSUMÁSTIIRŃA VANE MADHU ANURÁGA
VARAŚÁ NISHIITHE KETAKII PUŚPA PARÁGA
BHESE CALO ADAM APÁR
TUMI PRIYA MOR ÁMI TOMÁR
MOR ÁCHE KÁLÁKÁLA CHANDA TÁLA BETÁLA
ÁÁÁÁÁÁÁÁÁÁ
MOR ÁCHE KÁLÁKÁLA CHANDA TÁLA BETÁLA
YATIBANDHANMUKTA TUMI MAHÁKÁLA
VAHO SVECCHÁY PRAPAINCERI BHÁR
TUMI PRIYA MOR ÁMI TOMÁR
O Lord, You are my dear and I am Yours. I have virtues, only bad qualities, You are the
collection of all attributes. You are the morning glow and red colour of the evening. In
the garden full of flowers, You are the sweet affection. In the rainy night, You are the
fragrant pollen of ketakii flower, floating with unlimited turbulence. I have
consideration of time with mistuned rhythm and beats. You are the Great Duration, free
from the bondage of stoppage. You carry the load of the universe willingly.
3630 (24/07/1986) K (Krsna)
GOPI JANA VALLABHA TUMI PRIYA
KAḾSA SÚDAN MANOCÁRI
BHÁŚÁR ATIITE CITI GOKULETE
NIYATA HÁSICHO HE MURÁRI
KAḾSA SÚDAN MANOCÁRI
ARUPE RAYECHE ARÚPA ÁBHÁS
ÁÁÁÁÁÁÁÁÁÁ
ARUPE RAYECHE ARÚPA ÁBHÁS
O CÁNDE KARENÁ KABHU RÁHU GRÁS
O KRŚŃA CANDRA HRDI ÁKÁSHA
MAINJULÁNILE DEY BHARI
KAḾSA SÚDAN MANOCÁRI
VINATI SATATA CARAŃA RÁTULE
ÁÁÁÁÁÁÁÁÁÁ
VINATI SATATA CARAŃA RÁTULE
THEKO MOR SÁTHE PALE ANUPALE
NÁCÁO ÁMÁRE SEI TÁLE TÁLE
JE TÁLE BÁJÁLE SE BÁNSARI
KAḾSA SÚDAN MANOCÁRI
GOPI JANA VALLABHA TUMI PRIYA
KAḾSA SÚDAN MANOCÁRI
O dear darling of the Gopiis, killer of the demon Kam’sa and moving in the mind. O
Mura’ri, You are beyond the language and smile always in the mental Gokul. Staying
formless with indistinct presence, that moon is never devoured by the demon Ra’hu. That
Krsna Candra fills the sky of my heart with soft, pleasing breeze. I continuously
pray at Your red feet. Stay with me each moment. Make me dance to that rhythm with which
You play Your flute.
3631 (25/07/1986) K
PRABHU, TOMÁTE ÁMÁTE PARICAY KABE
LEKHÁ NEI ITIHÁSE
TUMI CHILE ÁR ÁMIO CHILUM
CARAŃA REŃUR ÁSHE
LEKHÁ NEI ITIHÁSE
BÁJÁTE VEŃUKÁ TUMI ABHIRÁM
ÁÁÁÁÁÁÁÁÁÁ
BÁJÁTE VEŃUKÁ TUMI ABHIRÁM
TÁHÁTE MÁTIÁ ÁMI NÁCITÁM
TOMÁKEI SHUDHU BHÁLOBÁSITÁM
BÁSINI DÁNER ÁSHE
LEKHÁ NEI ITIHÁSE
TÁR PARE KATA YUGA CALE GECHE
ÁÁÁÁÁÁÁÁÁÁ
TÁR PARE KATA YUGA CALE GECHE
JAD́ERI ÁVESHE TAMASÁ ESECHE
SE KUÁSHÁ BHEDI TAVA DYUTI NÁCE
MORE T́ÁNE JÁNI NÁ KENO SE
LEKHÁ NEI ITIHÁSE
O Lord, when we were introduced to each other, is not recorded in the history. You were
there and I was there with the hope of the dust of Your feet. You were playing charming
flute and I was engrossed in dancing. I loved only You. Unwashed with the hope of gift.
After that how many eons have passed. With the attraction of lifeless beings, inertia
came. Piercing through that fog, Your glow dances, but why does not it pull me, I do not
know.
3632 (26/07/1986) K
AJÁNÁ PATHIK ESECHE ÁJIKE
ÁNO VARAŃ D́ÁLÁ ÁNO MÁLÁ
AGURU CANDANA
AGURU CANDAN CETANÁNANDAN
ÁNO PHOT́Á NIIPE BHARÁ THÁLÁ
ÁNO VARAŃ D́ÁLÁ ÁNO MÁLÁ
SABÁRE BHÁLO
SABÁRE BHÁLO BÁSITE SE JÁNE
ÁÁÁÁÁÁÁÁÁÁ
SABÁRE BHÁLO BÁSITE SE JÁNE
SABÁRE NIJER RÁKHE MANER KOŃE
SABÁRE T́ÁNE SE SVIIYA ÁKARŚAŃE
NIJA GUŃE BHOLÁY SAB JVÁLÁ
ÁNO VARAŃ D́ÁLÁ ÁNO MÁLÁ
TÁHÁR BÁHIRE
TÁHÁR BÁHIRE KICHUI THÁKE NÁ
ÁÁÁÁÁÁÁÁÁÁ
TÁHÁR BÁHIRE KICHUI THÁKE NÁ
TÁHÁRE PÁOÁR VRATAI SÁDHANÁ
ÁTMA PARÁPAR BHEDA SE MÁNE NÁ
TÁR AHAETUKI PRIITI PRÁŃA D́HÁLÁ
ÁNO VARAŃ D́ÁLÁ ÁNO MÁLÁ
AJÁNÁ PATHIK ESECHE ÁJIKE
ÁNO VARAŃ D́ÁLÁ ÁNO MÁLÁ
The Unknown Traveler has come today!
Bring for Him a tray of colours and flowers,
a welcoming garland,
delighting incense and sandalpaste!
He knows how to love all.
He keeps everyone in the recess of His mind.
He attracts and pulls everyone unto Himself.
He makes all forget their burns.
Nothing is outside Him.
All vows and endeavours,
are directed towards attaining Him.
He does not distinguish between Himself and others.
His causeless love is boundless.
3633 (25/07/1986) K
KON, RAUNGIINA PRABHÁTE ARUŃA ÁLOTE
ESECHILE TUMI HE MADHUMAYA
JAD́A STHÁŃU DHARÁ HOLO PRÁŃA BHARÁ
TAVA GIITE HOLO TANMAYA
ESECHILE TUMI HE MADHUMAYA
AŃU PARAMÁŃU NRITYA CAPAL
ÁÁÁÁÁÁÁÁÁÁ
AŃU PARAMÁŃU NRITYA CAPAL
HOYE UT́HE CHILO BHÁVE UCCHAL
MAHODADHIR D́HEU HOLO CHALACHALA
TOMÁRE BARITE HE LIILÁMAYA
ESECHILE TUMI HE MADHUMAYA
ITIHÁSA BHULE GECHE SEI KATHÁ
ÁÁÁÁÁÁÁÁÁÁ
ITIHÁSA BHULE GECHE SEI KATHÁ
TANDRÁ BHÁUNGÁTE MAHATERA GÁTHÁ
ÁKÁSHE VÁTÁSE SEI PURÁKATHÁ
ÁJO BHESE CALE HE BHÚMÁMAYA
ESECHILE TUMI HE MADHUMAYA
KON, RAUNGIINA PRABHÁTE ARUŃA ÁLOTE
ESECHILE TUMI HE MADHUMAYA
O The embodiment of sweetness, on which colourful morning, with crimson glow You had come.
The inert, static earth had become enliven, engrossed in Your song. The atoms and
molecules became restless in dance, with overwhelming feelings. The waves in the ocean
overflowed on adoring You, O the embodiment of the divine game, liila. The history has
forgotten that fact, the glory of the Great that breaks the drowsiness. But in sky and
air, that ancient matter goes on floating even today, O The Cosmic Entity.
3634 (26/07/1986) D
MÁNUŚER MANE TUMI SAYATANE
RACILE JE VEDII HE MANOHARA
PRIITI BHARÁ GÁNE PRIYA ABHIDHYÁNE
MÁTÁLE TÁHÁ CIDÁMBARA
RACILE JE VEDII HE MANOHAR
PRAYOJANA MATO ÁCHE ÁYOJANA
ÁÁÁÁÁÁÁÁÁÁ
PRAYOJANA MATO ÁCHE ÁYOJANA
KUSUMETE MADHU PARÁG MILAN
SHUKTIR MÁJHE MUKUTÁ VARAŃ
SÁJÁYE CALECHO PRATI PRAHAR
RACILE JE VEDII HE MANOHAR
MÁLIKÁ MUKULE GENTHE DILE MÁLÁ
ÁÁÁÁÁÁÁÁÁÁ
MÁLIKÁ MUKULE GENTHE DILE MÁLÁ
BHRINGA AUNGE DANSHAN JVÁLÁ
JYOTSNÁ SVAPNE MOHAKA MEKHALÁ
TAVA MÁDHURITE LOKESHVARA
RACILE JE VEDII HE MANOHARA
MÁNUŚER MANE TUMI SAYATANE
RACILE JE VEDII HE MANOHARA
O The Charming One, the altar that You have created carefully in human mind, that frenzies
the mental sky with song full of love and dear meditation. All arrangements are according
to the purpose. You go on arranging in each period, the honey in flower mixed with pollen
and pearl within the shell. The buds are threaded into garland, in the body of the bee
burning sting is provided, the charming ornamental griddle in the dreamy moonlight, all by
Your sweetness, O the controller of the world.
3635 (27/07/1986) K
ÁNDHÁR SARIYE ELE TUMI PRIYATAMA
BHÁŚÁR ATIITE CHILE BHÁVE DODUL DULE
HOYE GELE SABÁR NIKAT́A TAMA
ÁNDHÁR SARIYE ELE TUMI PRIYATAMA
TUMI JE ÁSIBE BHÁVITE PÁRINI
ÁÁÁÁÁÁÁÁÁÁ
TUMI JE ÁSIBE BHÁVITE PÁRINI
KRPÁ JE KARIBE KAKHANO BUJHINI
TOMÁR LIILÁ BOJHÁ DÁY HE ANÚPAMA
ÁNDHÁR SARIYE ELE TUMI PRIYATAMA
ACALE ATALE ÁCHO SABÁR MÁJHE BHARE
ÁÁÁÁÁÁÁÁÁÁ
ACALE ATALE ÁCHO SABÁR MÁJHE BHARE
MANER SHIKHII NÁCE TOMÁR DYUTI GHIRE
RÚPER SÁJE ELE ARÚPA NIRÚPAMA
ÁNDHÁR SARIYE ELE TUMI PRIYATAMA
O Dearest, You came removing the darkness. You were beyond language oscillating on the
swing of ideas. You have become nearest to all. That You would come, I could not imagine.
That You would shower grace, I never understood. O incomparable, it is difficult to
understand Your divine game, liila. You are filled pervading in all including mountain
and depths. The mental peacock dances around Your effulgence.
3636 (27/07/1986) D
TOMÁR TARE KATA VYATHÁ
TUMI KI JÁNO NÁ BOLO MORE
DIN ÁSE JÁY ÁSHÁTE HÁY
NISHÁBHÁSÁY ÁNKHI NIIRE
TUMI KI JÁNO NÁ BOLO MORE
KENO BESE CHILUM BHÁLO
ÁÁÁÁÁÁÁÁÁÁ
KENO BESE CHILUM BHÁLO
BHÁLO BESE E KII HOLO
KENDE KENDE JANAM GELO
MAN TABU BHÚLITE NÁRE
TUMI KI JÁNO NÁ BOLO MORE
DÚR ÁKÁSHE ÁLOR REKHÁ
ÁÁÁÁÁÁÁÁÁÁ
DÚR ÁKÁSHE ÁLOR REKHÁ
MORE JÁNÁY NÁHI EKÁ
JEGE ÁCHOCIRA SAKHÁ
ÁNDHÁR SÁGARERI PÁRE
TUMI KI JÁNO NÁ BOLO MORE
TOMÁR TARE KATA VYATHÁ
TUMI KI JÁNO NÁ BOLO MORE
O Lord, how much pain I am undergoing to attain You, do not You know that, tell me. Days
come and go in hope, alas, and nights pass flowing tears. Why did I love You, and by
loving what has happened, all my life went in crying only. Yet the mind does not forget
You. The ray of light in the distant sky, tells me that I am not alone. You are ever
active, O the eternal companion, beyond the dark ocean.
3637 (28/07/186) D
TUMI, GIITIR SAORABHE PRIITIR RABHASE
VASUDHÁY T́ENE REKHECHO
ÁLOK DYUTITE ALAKH CITITE
JANE JANE JINE NIYECHO
VASUDHÁY T́ENE REKHECHO
KEU DÚRE NÁI KEU PAR NAY
ÁÁÁÁÁÁÁÁÁÁ
KEU DÚRE NÁI KEU PAR NAY
SABÁI TOMÁR EI PARICAYA
MANERI GAHANE NIBHRITA BHUVANE
SABÁKÁR KATHÁ BHEVECHO
VASUDHÁY T́ENE REKHECHO
AGRYA PURUŚA KUSHÁGRE VICARI
ÁÁÁÁÁÁÁÁÁÁ
AGRYA PURUŚA KUSHÁGRE VICARI
MARME MÁKHIYE MANAN MÁDHURII
ÁKÁSHA VÁTÁS SUDHÁSYANDE BHARI
MAHIMÁNVITA HOYECHO
VASUDHÁY T́ENE REKHECHO
TUMI, GIITIR SAORABHE PRIITIR RABHASE
VASUDHÁY T́ENE REKHECHO
O Lord, with upsurge of love and fragrance of songs, kept the earth attracted towards
Yourself. With glow of effulgence and unseen consciousness, You have won over each and
everyone. No one is far, no one is distant, all are Yours, this is Your introduction. In
the depth of mind, isolated from the world, You think about all. O the Foremost Entity
moving sharply, You have smeared sweetness in the core of heart. Filling the sky and air
with the essence of nectar, You become glorified.
3638 (28/07/1986) D
BHÁLOBESECHILE ÁMÁRE PRIYA
VINIMAYE KICHU CÁONI
DUHÁT BHARIÁ NIYE GECHI DÁNA
KONO KICHU DITE PÁRINI
VINIMAYE KICHU CÁONI
RÁTER ÁNDHÁRE DIYE GECHO ÁLO
ÁÁÁÁÁÁÁÁÁÁ
RÁTER ÁNDHÁRE DIYE GECHO ÁLO
VIVEK JÁGÁYE JÁNÁLE KI BHÁLO
VAJRA ÁGHOŚE JVÁLÁILE KÁLO
SHALÁKÁRO SHIKHÁ NÁONI
VINIMAYE KICHU CÁONI
APARÁHNERI NISTEJA ÁTAPE
ÁÁÁÁÁÁÁÁÁÁ
APARÁHNERI NISTEJA ÁTAPE
KAHILE ÁMÁRE KÁŃE CUPE CUPE
ÁMI ÁCHI SÁTHE SUKHE DUHKHE TÁPE
TOMÁKE KAKHANO BHULINI
VINIMAYE KICHU CÁONI
BHÁLOBESECHILE ÁMÁRE PRIYA
VINIMAYE KICHU CÁONI
O Dear, You have loved me and did not want any thing in return. I have continued
collecting gifts from You spreading both hands, but could not give You any thing. You have
been providing light in the darkness of the night, by awakening the power of
discrimination, You taught me what is good. With thunderous voice, You burnt the darkness
without bringing the flame stick. During dull sunlight of the afternoon, You whispered into
my ears secretly, “ I am there with you during pain, pleasure and heat, without
forgetting you any time.”
3639 (28/07/1986) D
CAMPAK HÁRE SAJÁYE TOMÁRE
BASÁBO VEDIITE ÁJ
JE JÁ KHUSHI BOLE BOLUK ÁMÁRE
SE KATHÁ SHUŃE KII KÁJ
BASÁBO VEDIITE ÁJ
ÁMI, GENTHECHI MÁLATI MÁLÁ
ÁÁÁÁÁÁÁÁÁÁ
GENTHECHI MÁLATI MÁLÁ
SÁJÁYE VARAŃ D́ÁLÁ
PUŚPE PATRE VARŃA SHOBHÁTE
UDDVELA RITU RÁJ
BASÁBO VEDIITE ÁJ
AEK TÁNETE DUNDUBHI BÁJE
ÁÁÁÁÁÁÁÁÁÁ
AEK TÁNETE DUNDUBHI BÁJE
ALAK VIHÁRI DHYÁNÁLOKE RÁJE
JATA ÁVILATÁ MOHA JAT́ILATÁ
LUKOLO PEYE ÁJ
BASÁBO VEDIITE ÁJ
CAMPAK HÁRE SAJÁYE TOMÁRE
BASÁBO VEDIITE ÁJ
O Lord, today, decorating You with the garland of campak flowers, I shall make You seated
on the altar. Others pass whatever comments to me, what is the use of listening to them. I
thread the garland of ma’latii flowers, decorate the tray of colours, with beautiful
colours of flowers and fruits, the spring season is excited. The trumpets play unison, the
heavenly entity is established in the arena of meditation. All impurities and complexities
of infatuation, have hidden today on getting You.
3640 (29/07/1986) K (Krsna)
KADAMBA VANE ELE VEŃUKÁ BÁJÁVE BALE
E KII LIILÁ SHYÁM RÁY
DHARÁ NÁHI DÁO BOLO NÁ KII BÁ CÁO
BOLO NÁ KII KARE DHARÁ JÁY
E KII LIILÁ SHYÁM RÁY
ANANTA LIILÁ TAVA BHÁVER PARIDHI NÁI
ÁÁÁÁÁÁÁÁÁÁ
ANANTA LIILÁ TAVA BHÁVER PARIDHI NÁI
SAB KÁLÁKÁLER ÚRDDHVE TOMÁRE PÁI
AKHAND́A JYOTI TUMI KARUŃÁY ELE NÁMI
SE KARUŃÁ BHÁVE JHALAKÁY
E KII LIILÁ SHYÁM RÁY
MANO VRINDÁVANE MOHAN MÁDHURII SANE
ÁÁÁÁÁÁÁÁÁÁ
MANO VRINDÁVANE MOHAN MÁDHURII SANE
HE GOPI JAN VALLABHA ÁCHO PRATIKŚAŃE
PRIITI YAMUNÁY UJÁNER SHROTE DHÁY
SAMVIT ANUKAMPÁY
E KII LIILÁ SHYÁM RÁY
KADAMBA VANE ELE VEŃUKÁ BÁJÁVE BALE
E KII LIILÁ SHYÁM RÁY
O Krsna, Shya’mra’y, You came to the kadamba grove and told that You would play
the flute, but what a game, liila, You played? You did not come into the folds, tell me
what You want, how can You come into the folds? Your divine game is infinite, there is no
limitation to Your thoughts. I find You above all time and beyond. Mercifully, with
limitless effulgence, You came down, that mercy is seen in Your thoughts. Into the mental
Vrinda’van, with charming sweetness, O the beloved of gopiis, the devotees, come each
moment. The Yamuna’ river of love, rushes with tides, with the grace of consciousness.
3641 (29/07/1986) K
MANER GAHANE ELE BUJHI NÁ KII MÁYÁ BALE
KON SE LIILÁR CHALE JÁNI NÁ TUMI KII CÁO
ADHARE AMIYA HÁSI GOPANE GELE PASHI
BHÁVITE PÁRE NÁ KEU KENO LIILÁ RACE JÁO
KON SE LIILÁR CHALE JÁNI NÁ TUMI KII CÁO
ANÁDI KÁLA THEKE ANANTE BHESE CALO
ÁÁÁÁÁÁÁÁÁÁ
ANÁDI KÁLA THEKE ANANTE BHESE CALO
ALAKŚYE THEKE D́EKE MARME KATHÁ BOLO
RÚPER ÚRDDHVA LOKE ARUP MÁDHURI MEKHE
NIJA PARICAY D́HEKE KALMAŚA NIYE NÁO
KON SE LIILÁR CHALE JÁNI NÁ TUMI KII CÁO
TOMÁR SAMÁN ÁR TRIBHUVANE KEU NÁI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR SAMÁN ÁR TRIBHUVANE KEU NÁI
SVARGA MARTYA PÁTÁLE DVITIIYA NÁHI PÁI
MUKTI SÁDHAN VIBHU SARVÁNUSYÚTA PRABHU
ALAKH ÁLOK MEKHE ÁLOKER GIITI GÁO
KON SE LIILÁR CHALE JÁNI NÁ TUMI KII CÁO
O Lord, you came to the depth of my mind, I do not understand with what hypnotizing
influence, with what deceptive divine game, I do not know what do you want. With ambrosial
smile on lips, secretly you entered. No one can imagine why you go on creating divine
games. From begininglessness to endlessness you keep on floating. Staying in invisible
arena, you call and speak in the core of my heart. In the expressed world of forms, from
the sweet absorbed unexpressed world, concealing your identity, you take away our dirt.
There is no entity like you in the three worlds. In heaven, earth or hell, I do not find
any second entity. O omnitelepathic Lord, you are controlling nucleus and the medium of
liberation. Unseen, absorbed in effulgence, you sing the song of light.
3642 (30/07/1986) D
ARÚPA TOMÁR ÁBHÁS PELUM, RÚPA SÁYARER TIIRE
ÁÁÁÁÁÁÁÁÁÁ
CÁO NI TUMI DHARÁ DITE
LUKIYE CHILE DÚRE
RÚPA SÁYARER TIIRE
ÁÁÁÁÁÁÁÁÁÁ
BHULE GECHI MITI TITHI
ÁÁÁÁÁÁÁÁÁÁ
BHULE GECHI MITI TITHI
NEIKO MANE MILAN GIITI
ÁCHE SHUDHU PÁOÁR SMRITI
MANJULÁMBARE RÚPA SÁYARER TIIRE
ÁÁÁÁÁÁÁÁÁÁ
LIILÁR T́HÁKUR TOMÁY GAŃI
ÁÁÁÁÁÁÁÁÁÁ
LIILÁR T́HÁKUR TOMÁY GAŃI
ÁNDHÁR HIYÁY HIIRAK KHAŃI
DYUTIR MARAKATA MAŃI
AMÁR TIMIRE RÚPA SÁYARER TIIRE
ÁÁÁÁÁÁÁÁÁÁ
ARÚPA TOMÁR ÁBHÁS PELUM
RÚPA SÁYARER TIIRE
ÁÁÁÁÁÁÁÁÁÁ
O The Formless, I found Your glow at the shore of the ocean of beauty. You do not want to
come into folds, and stayed hidden far. I have forgotten the date and the period, the song
of rendezvous is not in the mind. Only the memory of getting exists in the beautiful sky.
I consider You as the Lord of the divine game, liila, as You are the glowing diamond of
the dark heart with shine of gem, in the dark night.
3643 (30/07/1986) D
BHÁLOBESECHI TOMÁRE ÁMI
CÁI NI KICHUI VINIMAYE
BHÁLOBESECHI
SABÁKÁR TUMI MARMER MAŃI
MANDRITA MAN NILAYE
CÁI NI KICHUI VINIMAYE
KHUNJE BEŔIECHI ADRI SHIKHARE
ÁÁÁÁÁÁÁÁÁÁ
KHUNJE BEŔIECHI ADRI SHIKHARE
PÁTÁLERA TARE PÚTA SAROVARE
PATRE PATRE CHATRE CHATRE
PHIRECHI NIRÁSHA HRDAYE
CÁI NI KICHUI VINIMAYE
VIDYÁ BUDDHI JÁ CHILO ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
VIDYÁ BUDDHI JÁ CHILO ÁMÁR
DEKHI SABÁKÁR TUMI SAMÁHÁR
MOR SÁMARTHYE THAI PÁOÁ BHÁR
TOMÁR APÁR ÁSHAYE
CÁI NI KICHUI VINIMAYE
BHÁLOBESECHI TOMÁRE ÁMI
CÁI NI KICHUI VINIMAYE
O Lord, I love and do not want anything in return. You are the innermost gem of all
vibrating in the mental house. I have been wandering looking for You on mountain tops
deep depths and pious ponds, in each leaves and shades, but returned with disappointed
heart. Whatever intellect and wisdom I had, with that I saw that You are the aggregate of
all. With my own capacity, estimating You is difficult with Your limitless arena.
3644 (31/07/1986) K
ÁSHÁR PASARÁ SAHASÁ ELO
ÁÁÁÁÁÁÁÁÁÁ
ÁSHÁR PASARÁ SAHASÁ ELO
ÁLOR TÚFÁN NIKAT́E ELO
ÁLOKERI VÁN ADRI SAMÁN
SÁRÁ VASUDHÁ KE D́HEKE DILO
ÁSHÁR PASARÁ SAHASÁ ELO
ÁNDHÁR THÁKILO NÁ KONO KOŃE
ÁÁÁÁÁÁÁÁÁÁ
ÁNDHÁR THÁKILO NÁ KONO KOŃE
KALUŚA RAHILO NÁ KÁHÁRO MANE
PRÁŃER PARE PRÁŃA D́HÁLIYÁ MAHÁPRÁŃA
SAB BHÁVANÁY T́ENE NILO
ÁSHÁR PASARÁ SAHASÁ ELO
BADDHA CHILO JÁRÁ ANDHA KÚPE
ÁÁÁÁÁÁÁÁÁÁ
BADDHA CHILO JÁRÁ ANDHA KÚPE
BHÁVA JAD́ATÁR TAMASÁ STÚPE
TÁRÁ ÁNKHI MELILO CÁHIYÁ DEKHILO
ÚŚÁY UDBHÁSITA ARUŃÁCALE
ÁSHÁR PASARÁ SAHASÁ ELO
The spread of hope suddenly came. The storm of effulgence came close. That flood of
effulgence like mountain covered the whole earth. In no corner darkness was left. No dirt
remained in any one’s mind. Pouring vitality after vitality, the Great repository of the
energy, pulled all thoughts. Those who were bound within the dark well, those who had dark
heap of dogma, their eyes were opened to see with love, the illuminated mountain at the
dawn.
3645 (01/08/1986) D
ÁLOKETE CHILE ÁLOKER DÚTA
TOMÁKE CINITE PÁRINI
KÁCHE CALE ELE MAN BHULÁILE
TABU JECE KATHÁ BOLINI
TOMÁKE CINITE PÁRINI
ÁLOKETE CHILE
SAPTA SÁYAR PÁR HOYE ELE
ÁÁÁÁÁÁÁÁÁÁ
SAPTA SÁYAR PÁR HOYE ELE
SAPTA SÁYAR PÁR HOYE ELE
SAPTA SÁYAR PÁR HOYE ELE
TAMASÁ BHRKUT́I JVÁLÁIYÁ DILE
SARAŃIIR KÁNT́Á SARÁYE PHELILE
TABU MANE T́ENE NIYINI
TOMÁKE CINITE PÁRINI
ÁLOKETE CHILE
BHÁVIÁ DEKHINI KE BÁ TUMI MOR
ÁÁÁÁÁÁÁÁÁÁ
BHÁVIÁ DEKHINI KE BÁ TUMI MOR
BHÁVIÁ DEKHINI KE BÁ TUMI MOR
BHÁVIÁ DEKHINI KE BÁ TUMI MOR
TAVA KARUŃÁR NISHÁ HOVE BHOR
TUMI CÁHILEI KÁT́E KLESHA GHOR
JENEO JÁNITE SHIKHINI
TOMÁKE CINITE PÁRINI
ÁLOKETE CHILE
ÁLOKETE CHILE ÁLOKER DÚTA
TOMÁKE CINITE PÁRINI
O The envoy of effulgence, You were in brightness, and I could not recognise You. You came
close enchanting the mind, still I did not tell my prayers. You came crossing seven oceans
and burnt the inhibition of inertial darkness. You removed out the thorns of the path
still I did not pull You close to my mind. I did not see on consideration how You were
related to me. Let there be morning to the night of Your mercy. If You want, intense agony
can be overcome, that I did not learn despite knowing.
3646 (02/08/1986) D
ÁLOR DEVATASHOŃO MOR KATHÁ
ÁLO D́HÁLO ÁNDHÁR E BHUVANE
SPARSHA JÁCE MAN SHIKHI NÁCE
ÁNANDA BHARO JIIVANE
ÁLO D́HÁLO ÁNDHÁR E BHUVANE
CARAŃA GHIRE TÁRÁ NIIHÁRIKÁ GHORE
ÁÁÁÁÁÁÁÁÁÁ
CARAŃA GHIRE TÁRÁ NIIHÁRIKÁ GHORE
CARAŃA GHIRE TÁRÁ NIIHÁRIKÁ GHORE
CARAŃA GHIRE TÁRÁ NIIHÁRIKÁ GHORE
ASTI BHÁTI ÁNANDERI TARE
KAOSTUBHA SAMA DYUTI ANUPAMA
ÁNO SAB ÁNANE ÁNANE
ÁLO D́HÁLO ÁNDHÁR E BHUVANE
CALÁR PATHER HE CIRA DISHÁRI
ÁÁÁÁÁÁÁÁÁÁ
CALÁR PATHER HE CIRA DISHÁRI
CALÁR PATHER HE CIRA DISHÁRI
CALÁR PATHER HE CIRA DISHÁRI
TAVA GUŃA KATHÁ BHÁVITE NÁ PÁRI
AŃU PARAMÁŃU SPANDITA KARI
CETANÁ JÁGÁO PRÁŃE PRÁŃE
ÁLO D́HÁLO ÁNDHÁR E BHUVANE
ÁLOR DEVATA, SHOŃO MOR KATHÁ
ÁLO D́HÁLO ÁNDHÁR E BHUVANE
O the Deity of light, listen to me, pour effulgence in the world. Seeking touch, the
peacock of the mind dances, fill bliss in the life. The stars and nebula encircle around
Your feet for existence, glow and bliss. Bring on all faces unparallel glow of kaostubha
diamond gem. O Ever director of the path of movement, the glory of You attributes is
beyond my thought. By vibrating atoms and molecules, awaken consciousness in each life.
3647 (02/08/1986) D
BHULITE CÁHINÁ KABHU BHULIBONÁ
SÁTHE THEKO PRIYA MANE THEKO
JAD́ER TÚFÁNE ALIIKER VÁNE
CETANÁRE MORE DHARE REKHO
SÁTHE THEKO PRIYA MANE THEKO
SAMVIT ÁSAVE PRÁŃA BHARE DIO
ÁÁÁÁÁÁÁÁÁÁ
SAMVIT ÁSAVE PRÁŃA BHARE DIO
SUVIDARIŚT́E KÁJE LÁGÁIO
MANER GABHIRE CIT GHAN NIIRE
RÁGE ANURÁGE MORE D́EKO
SÁTHE THEKO PRIYA MANE THEKO
ATAL APÁR HE PRIITI SINDHU
ÁÁÁÁÁÁÁÁÁÁ
ATAL APÁR HE PRIITI SINDHU
ATAL APÁR HE PRIITI SINDHU
ATAL APÁR HE PRIITI SINDHU
MANE REKHO ÁMI TOMÁR VINDU
TAVA KARUŃÁY ANUKAMPÁY
PALE PALE MORE CEYE DEKHO
SÁTHE THEKO PRIYA MANE THEKO
BHULITE CÁHINÁ KABHU BHULIBONÁ
SÁTHE THEKO PRIYA MANE THEKO
O Lord, I do not want to forget, nor I will ever forget You. Stay with me, O Dear, stay in
mind. In the storm of inert matters, and flood of falsehood, keep me held with
consciousness. Fill my life with the essence of consciousness. With elixir of knowledge
put me in action. In the depth of mind, with water of condensed consciousness, call me
with love and affection. O the deep unlimited ocean of love, keep me in Your mind, I am
Your droplet. With Your mercy and kindness, each moment keep watching me.
3648 (02/8/1986) D
RTURÁJ ESE KÁŃE KAYE GECHE
SHOŃO KATHÁ KALI PHUT́O NÁ ÁJ
PÁIBE YÁTANÁ PRIYA ÁSIBE NÁ
VYATHÁ BUJHIBE NÁ SE CIT RÁJ
SHOŃO KATHÁ KALI PHUT́O NÁ ÁJ
ANAL SAMÁN DAHIBE CITTE
ÁÁÁÁÁÁÁÁÁÁ
ANAL SAMÁN DAHIBE CITTE
ANAL SAMÁN DAHIBE CITTE
ANAL SAMÁN DAHIBE CITTE
SUDÚRE THÁKIYÁ MÁTÁBE NRITYE
MADHUR HÁSIBE DHARÁ NÁHI DEVE
TOMÁRE KÁNDÁVE SEI NILÁJ
SHOŃO KATHÁ KALI PHUT́O NÁ ÁJ
VEŃUKÁ BÁJÁBE RÁGE ANÚPAMA
ÁÁÁÁÁÁÁÁÁÁ
VEŃUKÁ BÁJÁBE RÁGE ANÚPAMA
VEŃUKÁ BÁJÁBE RÁGE ANÚPAMA
VEŃUKÁ BÁJÁBE RÁGE ANÚPAMA
CHANDEO GIITE MÁDHURII PARAM
D́HÁLIÁ JÁIBE VIVASHA KARIBE
ALAKHE THÁKIBE TRILOKA RÁJ
SHOŃO KATHÁ KALI PHUT́O NÁ ÁJ
The king of seasons, Spring came and whispered into the ears, “ O, bud, do not bloom
today. I shall continue getting agony, as the dear one is not coming today, That King of
my mind would not understand my pain. He shall burn the mind like fire, staying far off
make me frenzied by dance, smiling softly, not getting into folds, He makes You cry like
shameless. He plays flute with unparalleled melody, rhythm and song, pouring extreme
sweetness making me helpless, still remaining unseen, the King of the three worlds.
3649 (03/08/1986) K (Krsna)
GOPIJANA VALLABHA NITYA ANUBHAVA
ÁMÁRI BHÁVÁNILE BHÁSE
VRAJARÁJ NANDANA MANASIJA CANDAN
SHUBHRA JYOTSNÁLOKE HÁSE
ÁMÁRI BHÁVÁNILE BHÁSE
E KRIŚŃA CANDRE KABHU RÁHU KARE NÁ GRÁS
ÁÁÁÁÁÁÁÁÁÁ
E KRIŚŃA CANDRE KABHU RÁHU KARE NÁ GRÁS
E MANOBHUMIR RÁJÁ KARE NÁ KICHURI ÁSH
BHÁLOBÁSÁ D́HELE JÁY VINIMAYE NÁHI CÁY
SATATA SPHURTA SVAPRAKÁSHE
ÁMÁRI BHÁVÁNILE BHÁSE
SABÁR PARAMÁGATI VISHVER ADHIPATI
ÁÁÁÁÁÁÁÁÁÁ
SABÁR PARAMÁGATI VISHVER ADHIPATI
KARUŃÁ NAYANE DEKHO SHUBHAUNKAR PRIITI DYUTI
VINATI CARAŃE KARI SADÁ KÁCHE DEKHO HARI
MAN VRINDÁVAN MÁJHE
ÁMÁRI BHÁVÁNILE BHÁSE
The lover (Lord) of gopiis (devotees) ever appears providing realization in the firmament
of my mind. The joyful Lord of Vraja, the deity of love with fragrance of sandalwood
smiles radiating white effulgence. No demon should ever overpower this Krsna moon.
This king of psychic world does not expect anything. He just goes on pouring love without
expecting anything in return. He is ever illuminated in His own light. O, the ultimate
destination of all and controller of the world, look at me with graceful eyes, with
auspicious light of love. I pray unto your feet, in my mental vrida’van ever remain
engaged in action.
3650 (03/08/1986) K (Krsna)
KRŚŃA BINÁ E NIIP KUINJA
RÚPA HIIN HOYE GECHE VÁŃII HÁRÁ PAŔE ÁCHE
DHÚLIR SHAYANE KÁNDE KARAINJA
KRŚŃA BINÁ E NIIP KUINJA
TRIŃA CHEŔE MUKH TÚLE CÁY NÁ VRAJER DHENU
ÁÁÁÁÁÁÁÁÁÁ
TRIŃA CHEŔE MUKH TÚLE CÁY NÁ VRAJER DHENU
TRIŃA CHEŔE MUKH TÚLE CÁY NÁ VRAJER DHENU
TRIŃA CHEŔE MUKH TÚLE CÁY NÁ VRAJER DHENU
UTKARŃA HOYE SHONE NÁKO KÁRO VEŃU
MAYÚR ÁRO NÁ NÁCE CÁTAK VÁRI NÁ JÁCE
KHAINJAN HOYE GECHE KHAINJA
KRŚŃA BINÁ E NIIP KUNJA
YAMUNÁR DHÁRÁ ÁR UJÁNE NÁHI DHÁY
ÁÁÁÁÁÁÁÁÁÁ
YAMUNÁR DHÁRÁ ÁR UJÁNE NÁHI DHÁY
YAMUNÁR DHÁRÁ ÁR UJÁNE NÁHI DHÁY
YAMUNÁR DHÁRÁ ÁR UJÁNE NÁHI DHÁY
MÁCHRÁUNGÁ KÁMARÁUNGÁ RAUNGE MAN NÁ BHOLÁY
DÁDUR VARAŚÁGAME D́ÁKE NÁ D́ÁHUK SANE
NABHE PÁI SHYÁM MEGH PUINJA
KRŚŃA BINÁ E NIIP KUNJA
This arbor of niip in the absence of Krsna, has become devoid of beauty and is lying
dumb. The plum fruits lying in dust crying. The cows of Vraja have left eating grass and
raised their mouth. No one is eager to listen the flute with attentive ears. The peacock
does not dance any more and the ca’tak bird does not seek rainwater. The khainjan bird
has become lame. There is no flow of tide in the stream of Yamuna’. The colours of
kingfisher or chameleon do not charm the mind. The toads do not call along with gallinule
birds on arrival of rains and on finding the collection of dark clouds.
3651 (03/08/1986) K
VARAŚÁ MUKHAR RÁTE SAJAL ÁNKHI PÁTE
CEYE TAVA ÁSÁ PATHE JEGE CHINU HE SAKHÁ
BÁHIRE CHILO JHAT́IKÁ BASE CHINU ÁMI EKÁ
BHEVE CHINU PÁVO DEKHÁ BHEDI KUJJHAT́IKÁ
CEYE TAVA ÁSÁ PATHE JEGE CHINU HE SAKHÁ
PÁVAK SAMA PÚTA TOMÁR PRAGÁŔHA PRIITI
ÁÁÁÁÁÁÁÁÁÁ
PÁVAK SAMA PÚTA TOMÁR PRAGÁŔHA PRIITI
PÁVAK SAMA PÚTA TOMÁR PRAGÁŔHA PRIITI
PÁVAK SAMA PÚTA TOMÁR PRAGÁŔHA PRIITI
MANER MALINATÁ SARIYE JÁGÁYE DYUTI
DÚR KARE SANTÁPA DÚR HOYE JATA BHIITI
MAŃIR RATNÁDHÁRE ÁNKE KANAK T́IIKÁ
CEYE TAVA ÁSÁ PATHE JEGE CHINU HE SAKHÁ
DIN NÁI KŚAŃA NÁI KONO KÁLÁKÁLA NÁI
ÁÁÁÁÁÁÁÁÁÁ
DIN NÁI KŚAŃA NÁI KONO KÁLÁKÁLA NÁI
DIN NÁI KŚAŃA NÁI KONO KÁLÁKÁLA NÁI
DIN NÁI KŚAŃA NÁI KONO KÁLÁKÁLA NÁI
ÁSÁ JÁOÁR TAVA KONO PARIDHI NÁ PÁI
TOMÁTE NIHITA DEKHI JÁHÁ KICHU MORÁ CÁI
CETAN SATTÁ MÁJHE BODHI DHRUVA DIIPIKÁ
CEYE TAVA ÁSÁ PATHE JEGE CHINU HE SAKHÁ
O my Companion, during the rainy night with wet eyes I continued awake looking to Your
path. Outside was storm, I was sitting alone, thinking that piercing through the typhoon
I would see Him. Your dense love is pious like fire, and removing the dirt of the mind, it
awakens light. It removes the pains and all fears vanish. On the gembase of the lamp, it
stamps the golden mark. There is no consideration of day, moment or proper time, there is
no demarcation boundary of Your coming and going. Whatever I wanted, I found located
within You. You are the constant fixed beacon lamp of intuition within conscious entity.
3652 (04/08/1986) K
NIIL SÁYARER SVARŃA KAMALA
PHUT́E CHILO KABE KE JÁNE
NIILÁMBUDHIR VAKŚA MÁJHE ÁLOKER UTSAVE
MADHUR TÁR GÁNE, KE JÁNE
NIIL SÁYARER SVARŃA KAMALA
PHUT́E CHILO KABE KE JÁNE
BHORER ÁLOY MUKHAT́I TÚLE
DULATO HAOÁY DODUL DÚLE
BHULATO NÁ SE DITE SUVÁS
PRIITIRI ÁSAVE CHANDA BHARÁ PRÁŃE, KE JÁNE
NIIL SÁYARER SVARŃA KAMALA
PHUT́E CHILO KABE KE JÁNE
ÁCAMBHITE SE EK PARII
NIYE GELO TÁRE DHARI
MÁNILO NÁ KONO MÁNÁ
VYATHÁR PRATISVARE NIJHUM NIRJANE, KE JÁNE
NIIL SÁYARER SVARŃA KAMALA
PHUT́E CHILO KABE KE JÁNE
When the golden lotus of the blue sea bloomed, who knows? By whose sweet song in the
festivity of light, within the bosom of the blue ocean? Raising the face in the light of
the morning, oscillating on the swing of wind, who is not allowing forgetting that
fragrance with the elixir of love and rhythm full of vitality? Suddenly one angel came and
took it away holding that unrestrained by any forbidding, against the call of pain, into
isolation, silently.
3653 (05/08/1986) K SAḾSKRTA
SHIVA SHAUNKARA HE SHUBHAUNKARAH
VISHVA BIIJAH PRABHU KARUŃÁ ÁKARAH
RAJATÁDRI NIBHAH CANDRA SHEKHARAH
RATNAUJJVALA MAUNGALÁDHÁRAH
VISHVA BIIJAH PRBHU KARUŃÁ ÁKARAH
SHIVA SHAUNKARA
PARASHU MRIG VARÁBHIITI KARAḾ TVÁM
ÁÁÁÁÁÁÁÁÁÁ
PARASHU MRIG VARÁBHIITI KARAḾ TVÁM
PARASHU MRIG VARÁBHIITI KARAḾ TVÁM
PARASHU MRIG VARÁBHIITI KARAḾ TVÁM
NAMÁMI SATATAḾ KURU KRIPÁḾ MÁM
PRASANNA BHAVA HE CITI ANUBHAVA
VYÁGHRA AMBARE VAJRA PINÁKA KARAH
VISHVA BIIJAH PRABHU KARUŃÁ ÁKARAH
SHIVA SHAUNKARA
SAMA SAMÁJA TATTVE ADHIŚT́HITAḾ
ÁÁÁÁÁÁÁÁÁÁ
SAMA SAMÁJA TATTVE ADHIŚT́HITAḾ
SAMA SAMÁJA TATTVE ADHIŚT́HITAḾ
SAMA SAMÁJA TATTVE ADHIŚT́HITAḾ
TAVA GUŃÁRŃAVAḾ SHÁSTRE AKATHITAḾ
TAVA CARAŃA DHÚLI KAŃÁM DEHI MÁḾ
VISHVÁTIITAH VISHVÁDYAH BHIITI HARAH
VISHVA BIIJAH PRABHU KARUŃÁ ÁKARAH
SHIVA SHAUNKARA
O Shiva, Shaunkara, supreme benevolent Lord!
You are the seed of the universe
and the source of all compassion.
You resemble a silver mountain
and hold a crescent moon on Your head.
You are like a bright jewel.
You are the basis of all wellbeing.
You hold in Your hand an axe for taming animals
and bestow blessings through Your vara'bhaya mudra.
I always bow down unto You.
Please grant me Your grace.
Be pleased and bestow realisation upon me
O, one dressed in tiger skin,
holder of the vajra and of the long horn.
All the wealth of Your qualities,
based on the principle of social equality,
are not mentioned in the scriptures.
O Lord, You are above this universe.
You are the cause of creation and the remover of fear.
Give me the dust particles of Your holy feet.
..........................................................................
O Supreme Benevolent Lord!
You are Shivashankara
the seed of the universe
the supreme Lord and the fountain of all compassion.
You are like the silver mountain.
Lord Shiva on whose head shines the moon.
You are brighter than the brightest jewel.
From You came the wellbeing of the universe.
I pay obeisance to You who holds the axe
tames wild animals and bestows the vara'bhaya mudra.
I entreat You to shower Your grace always upon me.
Be pleased, O Lord
who can give the realisation of the Átman.
You are dressed in tiger skin
holding the vajra and the long horn.
All the wealth of Your qualities
based on the principles of social equality
are not mentioned in the scriptures.
O Lord You are above the universe
the cause of creation and the remover of fear.
O dear Lord be gracious to give me
the dust particles of Your holy feet.
3654 (06/08/1986) K
TUMI, KII CÁO ÁMI JÁNI NÁ
KI JE BALA BUJHI NÁ
KE TUMI AJÁNÁ PATHIK
KŚAŃEK KENO THÁMO NÁ
KI JE BALA BUJHI NÁ
ALAKÁR ÁSHIŚ ENECHO
ÁÁÁÁÁÁÁÁÁÁ
ALAKÁR ÁSHIŚ ENECHO
PRIITIR PASARÁ D́HELECHO
MANER RANDHRE BHESECHO
E LIILÁ BUJHITE PÁRI NÁ
KI JE BALA BUJHI NÁ
JYOTSNÁR CÁNDE HESECHO
ÁÁÁÁÁÁÁÁÁÁ
JYOTSNÁR CÁNDE HESECHO
RÁM DHANU RAUNGA MEKHE CHO
VARAŚÁR GÁNE METECHO
HE ARÚP AJÁNÁ
KI JE BALA BUJHI NÁ
I do not know what You want.
I have no capacity to understand that.
Who are You the unknown traveler,
who does not pause even for a moment?
You brought about heavenly blessings.
You made love spread all around.
You shine in the recess of minds.
Your divine game I am unable to understand.
You smile in the moon radiating light.
You are absorbed in the colour of the rainbow.
O formless, unknown one,
You are absorbed in the song of the rain.
3655 06/08/1986) D (Krsna)
GIITIR KÁNU PRIITIR KÁNU
VRAJER KÁNU E ANUNAY
ÁMÁR MANE MADHU KÁNANE
HE MOHAN HÁSO PRATIITI MAYA
VRAJER KÁNU E ANUNAY
KHUNJATE JÁTE HOYE NÁ JETE
DÚR ARAŃYE GIRI GUHÁTE
TÁI CITTER PUŚPA VEDIITE
RÁJ VESHE ESO HE LIILÁMAY
VRAJER KÁNU E ANUNAY
KAITE KATHÁ TOMÁR GUŃER
BAITE DYUTI TOMÁR NÁMER
ÚRMI MÁLÁY SUDHÁRŃAVER
KARUŃÁ KARO HE MARMA MAYA
VRAJER KÁNU E ANUNAY
GIITIR KÁNU PRIITIR KÁNU
VRAJER KÁNU E ANUNAY
O Krsna of song, O Krsna of love, O Krsna of Vraja, I have this request
to You. O the charming, Mohan, smile in my sweet garden of mind, as embodiment of
realization. It is not possible for me to go on searching in far jungles, or
mountain caves. Hence, at the floral altar of my mind, sit in the adornment of a King, O
the embodiment of the illusive play, liila. Singing the glory of Your attributes
flowing in the effulgence of Your name, in the series of waves of the ocean of nectar
have mercy on me, O the embodiment of the inner core.
3656 (07/08/1986) K
ÁKÁSHA BOLE CHILO VÁTÁS BOLE CHILO
ÁBHÁS DIYE CHILO SAKALE
TUMI ÁSIBE DIINESH THÁKIBE NÁ KONO KLESH
TUMI ÁSIBE DIINESH THÁKIBE NÁ KONO KLESH
TUMI ÁSIBE DIINESH THÁKIBE NÁ KONO KLESH
NIHSHEŚA HOBE ANÁCÁR E BHUTALE
ÁBHÁS DIYE CHILO SAKALE
BHAYÁL KETU TÁRÁ ÁR NÁ NÁCIBE NABHE
ÁÁÁÁÁÁÁÁÁÁ
BHAYÁL KETU TÁRÁ ÁR NÁ NÁCIBE NABHE
BHAYÁL KETU TÁRÁ ÁR NÁ NÁCIBE NABHE
BHAYÁL KETU TÁRÁ ÁR NÁ NÁCIBE NABHE
SONÁLI JIIVAN BHÁSÁYE NÁ DEBE KETUBHE
ANTARMUKHI HOYE PRÁŃE BHARÁ HOVE SABE
BHU BHÁR HARAŃ TAVA PRIITI PÁVE PRATI PALE
ÁBHÁS DIYE CHILO SAKALE
TOMÁR SVÁGAT TARE PRASTUTA ÁCHE DHARÁ
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR SVÁGAT TARE PRASTUTA ÁCHE DHARÁ
TOMÁR SVÁGAT TARE PRASTUTA ÁCHE DHARÁ
TOMÁR SVÁGAT TARE PRASTUTA ÁCHE DHARÁ
TUMI KARE DÁO TÁRE SARVA SVAYAMBHARÁ
TANDRÁ APASRITA TÁRÁ SARAŃII DEKHIYE TVARÁ
UCCHÁ KARE DÁO MANDRILA MANOBALE
ÁBHÁS DIYE CHILO SAKALE
ÁKÁSHA BOLE CHILO VÁTÁS BOLE CHILO
ÁBHÁS DIYE CHILO SAKALE
The sky told that, the air told that, and given indication to all, that You, the
benevolent to the poor, would come and no misery would remain, the immorality will be
finished totally from the world. The frightening comet would no more surround the sky, the
golden life would not be allowed to blow away into the descending node. All would be full
of vitality looking inwards, getting Your love each moment, O the remover of the worldly
burden. For welcoming You, the world is ready, You make that selfsufficient. Leaving all
drowsiness, looking at the path, quickly raise their shaking selfconfidence.
3657 (07/08/1986) D (Krsna)
JE ÁMÁRE JÁHÁI BOLUK
TOMÁKE BHÁLOBÁSI
TOMÁR ÁSÁ TOMÁR HÁSÁ
TOMÁR ÁSÁ TOMÁR HÁSÁ
ÁMÁR PRÁŃE BÁJÁYE BÁNSHII
TOMÁKE BHÁLOBÁSI
ÁSHÁ MOR TOMÁY NIYE
ÁÁÁÁÁÁÁÁÁÁ
ÁSHÁ MOR TOMÁY NIYE
THEKE JÁBO MAN NILAYE
HE SHÁNTI DÚTA PRASHÁNTA RÚPA
BÁRE BÁRE TÁI TO ÁSI
TOMÁKE BHÁLOBÁSI
VRAJA BHÁVE SADÁI ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
VRAJA BHÁVE SADÁI ÁCHO
PRIITIRI PHÁG MEKHE RAYECHO
HE GOPI JAN VALLABHA
TOMÁR TAREI KÁNDI HÁSI
TOMÁKE BHÁLOBÁSI
JE ÁMÁRE JÁHÁI BOLUK
TOMÁKE BHÁLOBÁSI
O Lord, whosoever comment and tell me whatsoever, I love You. Your coming and smiling
plays flute in my heart. I have all expectation for You, I shall continue staying in the
mental home. O The messenger of peace, tranquil form, I come again and again for that. You
are ever in the ideation of Vraja. Remain smeared with the colour of love. O the dear of
the gopiis, the devotees, I cry and smile for You only.
3658 (07/08/1986) K (Krsna)
BÁNSHARII BÁJIYE JÁY SAHÁSA NAYANE CÁY
GOLOKER HARI ÁJI GOKULE LIILÁ RACÁY
RAINJITA ADHARE NANDITA KARE
SABÁRE D́EKE D́EKE BOLE CHUT́E ÁY
GOLOKER HARI ÁJI GOKULE LIILÁ RACÁY
KEU TÁR PAR NAY KEU DÚRE NAY
ÁÁÁÁÁÁÁÁÁÁ
KEU TÁR PAR NAY KEU DÚRE NAY
SABÁI ÁTMIIYA MANANE SABÁRE PÁY
YAMUNÁ UJÁNE JALE UCCHALA CHALA CHALE
ÚRMI MÁLÁ DOLÁ TÁR GUINJÁ MÁLÁY
GOLOKER HARI ÁJI GOKULE LIILÁ RACÁY
DUŚT́A DAMAN HETU SHIŚT́A PÁLAN TARE
ÁÁÁÁÁÁÁÁÁÁ
DUŚT́A DAMAN HETU SHIŚT́A PÁLAN TARE
ADHARMA KÁLA KETU DHVANSA KARIVÁRE
ÁSE SE BÁRE BÁRE D́AUNKÁR T́AḾKÁRE
TÁHÁR SAMÁN NÁI GUŃA DHÁM E DHARÁY
GOLOKER HARI ÁJI GOKULE LIILÁ RACÁY
Playing the flute, looking with smile, the Lord of heaven creates illusory play liila
in Gokul, today. Pleasing with coloured lips, calling all, He says, “Come rushing”.
Nobody is disowned or distant. All are own, all get Him mentally. The river Yamuna’
overflows with tides, with series of waves swinging like the garland of coloured guinja’
seeds. For the purpose of suppressing the wicked, For preserving the righteous and for
destroying the annihilating comet of unjust, He comes again and again with the twang of
drum. Like Him, there is no abode of attributes in this earth.
3659 (07/08/1986) K
ÁMI, TOMÁRE CEYECHI GOPANE
ÁMÁR PRIYA TUMI SABÁR SAKHÁ
ÁCHO JIIVANE BHARÁ CHANDE GÁNE
SMARAŃIIYA TUMI SATYE D́HÁKÁ
ÁMÁR PRIYA TUMI SABÁR SAKHÁ
ÁLOKER VARTIKÁ SÁTHE REKHECHO
ÁÁÁÁÁÁÁÁÁÁ
ÁLOKER VARTIKÁ SÁTHE REKHECHO
PRIITIR PALLAVE DODUL DULE CHO
JE ANÁDRITA SEO TOMÁTE STHITA
KAKHANO KARO NÁ TÁKE TRILOKE EKÁ
ÁMÁR PRIYA TUMI SABÁR SAKHÁ
JÁR, KEU KOTHÁ NÁI SEO TOMÁKE D́ÁKE
ÁÁÁÁÁÁÁÁÁÁ
KEU KOTHÁ NÁI SEO TOMÁKE D́ÁKE
BAHIRÁNTARE MEGHERI PHÁNKE PHÁNKE
JAD́E SUPTA TUMI BHÁVE DIIPTA TUMI
SHUBHRA JYOTSNÁLOKE RAMYA RÁKÁ
ÁMÁR PRIYA TUMI SABÁR SAKHÁ
ÁMI, TOMÁRE CEYECHI GOPANE
ÁMÁR PRIYA TUMI SABÁR SAKHÁ
O Dear Lord, companion of all, I love You secretly. You are filling the life with rhythm
and songs, O the memorable One, You are enveloped with Truth. You ever keep the torch of
light with Yourself and oscillate on the swing of petals. Those who are dishonored, they
are also located within You. You never even leave them alone in the three worlds. Those
who are nowhere, they too call You through the gaps of internal and external clouds. You
are latent within the inert beings, glowing in ideation, as beautiful brilliant moonlight.
3660 (08/08/1986) K
ELE ARÚPA SHROTE RÚPER PARIDHITE
PRIYATAMA TUMI TAMASÁ NÁSHO HARI
SRIŚT́I STITHI LAYE VIDHRITA NILAYE
LIILÁ KARO HE ÁNANDA VIHÁRI
PRIYATAMA TUMI TAMASÁ NÁSHO HARI
RÚPÁTIITA VIBHU RÚPE ELE KABE
ÁÁÁÁÁÁÁÁÁÁ
RÚPÁTIITA VIBHU RÚPE ELE KABE
KON SE ATIITE ÁLOK UTSAVE
CHAŔIYE DILE PRÁŃA KON SE ÁSAVE
KATA NÁ KAḾSÁVATANSA SAMHÁRI
PRIYATAMA TUMI TAMASÁ NÁSHO HARI
ÁSÁ JÁOÁ TAVA HOYE NÁKO KABHU
ÁÁÁÁÁÁÁÁÁÁ
ÁSÁ JÁOÁ TAVA HOYE NÁKO KABHU
DESHAGATA BÁDHÁ NÁHI TOMÁR PRABHU
ABODHA MAN TOMÁY KÁCHE D́ÁKE TABU
YADIO TUMI ANTARTARA CÁRI
PRIYATAMA TUMI TAMASÁ NÁSHO HARI
ELE ARÚPA SHROTE RÚPER PARIDHITE
PRIYATAMA TUMI TAMASÁ NÁSHO HARI
O The Dearest Lord, You came within the periphery of form, destroy the darkness. In the
arena held and confined within creation, sustenance and dissolution, You continue Your
illusive game, O the enjoyer of bliss. O the entity beyond form, when did You come within
the form, what time in the past during the festivity of effulgence. With what elixir You
scattered vitality, and how many devilish entities have You destroyed? Never for You
coming and going occurs. O Lord, there is no restriction of place for You. Still this
ignorant mind calls You close, even though You move within the inner arena.
3661 (08/08/1986) D
GÁNER E ÁNGINÁTE
ELE TUMI EI PRABHÁTE
MAN KAJJALE LUKIYE CHILE
DEKHÁ DILE ÁCAMBHITE
ELE TUMI EI PRABHÁTE
TUMI DHARÁR SÁRÁTSÁR
ÁÁÁÁÁÁÁÁÁÁ
TUMI DHARÁR SÁRÁTSÁR
JINÁNA KARMA SABAI TOMÁR
AHAMIKÁY MATTA HOYE
ÁMÁR BHÁVI MANE BHOLÁTE
ELE TUMI EI PRABHÁTE
TUMI CHÁŔÁ ÁR KEHO NÁI
ÁÁÁÁÁÁÁÁÁÁ
TUMI CHÁŔÁ ÁR KEHO NÁI
TAVA BUDBUD JE SABÁI
TAVA SÁYARE SINÁN KARE
MISHE JÁBO SHEŚE TOMÁTE
ELE TUMI EI PRABHÁTE
GÁNER E ÁNGINÁTE
ELE TUMI EI PRABHÁTE
O Lord, in this courtyard of songs, You came this morning. You were hidden within the
darkness of the mind, suddenly You were seen. You are the essence of essence of the world.
All the knowledge and actions belong to You, but remaining frenzied with ego, I considered
them as mine deluding my own mind. There is no existence other than You, all entities are
merely Your bubbles. Bathing within Your ocean, I would finally merge within You at the
end.
3662 (08/08/1986) K
TUMI, CHILE SUKH SHAYANE
ÁMI D́EKE GECHI PRIYA D́EKE GECHI
ÁMI D́EKE GECHI PRIYA D́EKE GECHI
MOR D́ÁK PASHENIKO ALAS TAVA SHRAVAŃE
ÁÁÁÁÁÁÁÁÁÁ
MOR D́ÁK PASHENIKO ALAS TAVA SHRAVAŃE
TABU ÁSHÁ NÁHI CHEŔECHI
ÁMI D́EKE GECHI PRIYA D́EKE GECHI
VAEKUNT́HE TUMI NIDRÁ MAGNA CHILE
ÁÁÁÁÁÁÁÁÁÁ
VAEKUNT́HE TUMI NIDRÁ MAGNA CHILE
KAT́HOR DHARÁY MOR DIN GECHE AVAHELE
MOR PÁNE TUMI BHULE CÁHONI ÁNKHI MELE
DEKHONI KATA KENDECHI
ÁMI D́EKE GECHI PRIYA D́EKE GECHI
PHUL PHAL ÁTAP JAL SABAI ÁCHE TOMÁRI
ÁÁÁÁÁÁÁÁÁÁ
PHUL PHAL ÁTAP JAL SABAI ÁCHE TOMÁRI
MOR NÁI KICHU ÁMI TAVA KRIPÁ BHIKHÁRI
GOŚT́E GOŚT́E NÁCO ADHARE OŚT́HE HÁSO
MÁYÁ GHUME NÁHI BHULECHI
ÁMI D́EKE GECHI PRIYA D́EKE GECHI
O Lord, I continued calling You, but You were sleeping happily, O Dear. Into Your open
ears, my calls never entered, still I never lost hope. You were engrossed in sleep in the
heaven, and my days passed under negligence on this hard earth. Opening the eyes, You
never looked at me even by mistake, and did not see how much I cried. The flowers, fruits
sunlight, water all belong to You. Nothing belongs to me and I am beggar of Your grace.
You go on dancing in all assembly grounds, smiling charmingly with Your lips. This fog of
illusion, ma’ya’, I do not forget.
3663 (09/08/1986) K
VARŚÁ ESE CHILO BHAROSÁ DIYE CHILO
SHYÁMASRI PHIRE PÁVE DHARÁ
SEI BHAROSÁR MÁJHE TAVA GIITI RÚPE RÁJE
CHILO TÁTE TAVA PRIITI BHARÁ
SHYÁMASRI PHIRE PÁVE DHARÁ
D́ÁHUK D́ÁKIBE PUNAH CÁTAK CÁVE NÁ VÁRI
ÁÁÁÁÁÁÁÁÁÁ
D́ÁHUK D́ÁKIBE PUNAH CÁTAK CÁVE NÁ VÁRI
MAYUR KALÁPE NÁCIBE BHÁVA SAINCÁRI
CHANDE CHANDE TÁLE KETAKI PHULE PHULE
PARÁG DEVE MANE NÁŔÁ
SHYÁMASRI PHIRE PÁVE DHARÁ
DARDUR DHVANI UT́HIBE SAROVAR TIIRE
ÁÁÁÁÁÁÁÁÁÁ
DARDUR DHVANI UT́HIBE SAROVAR TIIRE
BHRINGA GUINJARIBE NIIP KESHAR GHIRE
MANER AGOCARE KUÁSHÁR PAR PÁRE
UDBHÁSIBE DHRUVA TÁRÁ
VARŚÁ ESE CHILO BHAROSÁ DIYE CHILO
SHYÁMASRI PHIRE PÁVE DHARÁ
The rain came and gave the confidence that the earth would again get the greenness. Within
that consolation, Your song is established with beauty, within which Your love is filled.
The gallinule bird would call again, the catak bird would no longer seek water, the
peacock would dance raising its tail with sweet feelings. The bloomed ketakii flowers
would provide fragrance oscillating with jerk at each rhythm and beats into the mind. The
sound of toads would rise again at the shore of the lakes. The honeybee would hum
surrounding the pollens of niip flowers. Unseen with the mind, from beyond the fog, the
polestar would shine.
3664 (09/09/1986) K
JHALAMALA ÁLOTE DHARÁ TUMI DÁO NI
DUHKHER ASHRU NIIRE ESE CHILE SAKHÁ
SÁJÁNO VEDIIR PÁNE BHULEO TÁKÁO NI
VYATHÁR ÁRTANÁDE DIYE CHILE DEKHÁ
DUHKHER ASHRU NIIRE ESE CHILE SAKHÁ
SHRÁVAŃER MEGH BHÁR ESE CHILO JIIVANE
ÁÁÁÁÁÁÁÁÁÁ
SHRÁVAŃER MEGH BHÁR ESE CHILO JIIVANE
UTTÁL ÚRMI BHENGE CHILO SVAPANE
KEU CHILO NÁKO KÁCHE SABE BHAYE DÚRE GECHE
TUMI EKÁ ESE BOLE CHILE NAI EKÁ
DUHKHER ASHRU NIIRE ESE CHILE SAKHÁ
VAHNIR DAHANE VARUŃER TÁND́AVE
ÁÁÁÁÁÁÁÁÁÁ
VAHNIR DAHANE VARUŃER TÁND́AVE
PRATI KSAŃE SÁTHE CHILE SAB BHÁVE ABHÁVE
SARONI DÚRE KABHU SHARAŃE REKHECHO PRABHU
ENKECHO DAGDHA BHÁLE DURJAY T́IIKÁ
DUHKHER ASHRU NIIRE ESE CHILE SAKHÁ
O Companion, within the brilliance of light, You do not come into the folds, and came with
the tears of sorrows. You did not see towards the decorated altar even by mistake, but
were seen at the lamentation of pain. In life, loads of clouds appeared, the high waves
broke the dreams. There was nobody close to me, all went away with fears, but You coming
alone told me that I was not alone. During the burns from fire and macabre dance of the
flood water, each moment You were with me in all miseries and affluence. You never go away
and keep me sheltered, and mark the victory mark on the burnt forehead.
3665 (10/08/1986) D
GÁNE GÁNE BHARIYE DILE
GÁNE GÁNE BHARIYE DILE
HE PRABHÚ TOMÁR E JAGAT
NÁCE AŃU PARAMÁŃU
GÁNER TÁLE TUCCHA BRHAT
HE PRABHÚ TOMÁR E JAGAT
NECE CALE NIIHÁRIKÁ
ÁÁÁÁÁÁÁÁÁÁ
NECE CALE NIIHÁRIKÁ
NÁCE ULKÁ TÁRAKÁ
NÁCE GRAHA UPAGRAHA
NECE THÁKE KŚUDRA MAHAT
HE PRABHÚ TOMÁR E JAGAT
KALÁPE SHIKHI NÁCE
ÁÁÁÁÁÁÁÁÁÁ
KALÁPE SHIKHI NÁCE
SHARAT SHEFÁLI KUSH KÁSHE
MADHUL MUKUL KISHAL DUKUL
NÁCÁY VASANTE YUGAPAT
HE PRABHÚ TOMÁR E JAGAT
GÁNE GÁNE BHARIYE DILE
HE PRABHÚ TOMÁR E JAGAT
O Lord, with song after song, You have filled Your world. On the rhythm of Your song, all
small and big entities dance, all atoms and molecules. The nebula go on dancing, stars and
meteorites dance, all meagre and great entities dance. He peacock dances with its raised
tail, in the shefali grove and tall grass of the winter. The mahul buds and the tender
leaves are simultaneously made to dance overwhelmingly by the spring.
3666 (10/08/1986) D
TOMÁR RÁTUL CARAŃE MORE
HE PRABHU DÁO APÁR PRIITI
ÁMI, TRIŃA SAMA BHÁSI JALE ÁMI
CARAŃE CÁI SHARAŃ NITI
HE PRABHU DÁO APÁR PRIITI
BHESE CALI BHÁVER SHROTE
ÁÁÁÁÁÁÁÁÁÁ
BHESE CALI BHÁVER SHROTE
NEI MÚLER YOGA MRITTIKÁTE
ITASTASTATAH GHÚRE BEŔÁI
SHÁNTI NÁ PÁI STHITI
HE PRABHU DÁO APÁR PRIITI
KABE THEKE SHURU BHÁSÁR
ÁÁÁÁÁÁÁÁÁÁ
KABE THEKE SHURU BHÁSÁR
KEU JÁNE NÁ ITIKATHÁR
MANER MÁŃIK TÁKÁO KHÁNIK
SHONÁO KŚAŃIK ABHAY GIITI
HE PRABHU DÁO APÁR PRIITI
TOMÁR RÁTUL CARAŃE MORE
HE PRABHU DÁO APÁR PRIITI
O Lord, towards Your red feet, grant me unlimited love. I float in the water like a blade
of grass, and want eternal shelter at the feet. I go on floating in the stream of
feelings, uprooted from soil, all over I wandered, but did not get peaceful state. When
did this floating started, no one knows the history. O the gem of my mind, look for a
little while, and sing to me the song of fearlessness.
3667 (10/08/1986) D
TUMI JÁNO KI NÁ JÁNINÁ
TOMÁKE BHÁLOBÁSI
MOR PÁNE TÁKÁO KI NÁ TÁKÁO
DEKHI TAVA MADHUR HÁSI
TOMÁKE BHÁLOBÁSI
BHULE JETE CÁO TO BHÚLE JÁO
ÁÁÁÁÁÁÁÁÁÁ
BHULE JETE CÁO TO BHÚLE JÁO
ATHAVÁ KÁCHE T́ENE NÁO
KÚHELI YADI GHIRE DÁO
THÁMIO NÁ MOHAN BÁNSHII
TOMÁKE BHÁLOBÁSI
CÁOÁ NÁI ÁMÁR KICHURAI
ÁÁÁÁÁÁÁÁÁÁ
CÁOÁ NÁI ÁMÁR KICHURAI
RÁJÁ NAI KUBERO TO NAI
TOMÁKE BHEVE TRIPTA HOI
JIIVANE AHARNISHI
TOMÁKE BHÁLOBÁSI
TUMI JÁNO KI NÁ JÁNINÁ
TOMÁKE BHÁLOBÁSI
O Lord, whether You know it or not, I love You. Whether You look towards me or not, I see
Your sweet smile. If You want to forget, then forget me, otherwise pull me close. If You
want me to surround by fog, yet, You do not stop Your charming flute. I have no desire
neither to become king nor to become Deity of wealth. Thinking of You, I am satisfied in
life, day and night.
3668 (11/08/1986) D
ÁLO ESECHILO
PHÚL PHUT́E CHILO
TUMI ELE NÁ KENO
MEGH BOLE CHILO
HAOÁ GEYE CHILO
SE PRIYA ÁSIBE JENO
TUMI ELE NÁ KENO
MAN BHEVE CHILO, ÁRO DERI NAY
ÁÁÁÁÁÁÁÁÁÁ
MAN BHEVE CHILO, ÁRO DERI NAY
SHEFÁLI SUVÁSE SEI KATHÁ KAY
KOKIL KÚJANE MOR KÁŃE KÁŃE
KAYE CHILO TÁRE MANANE ENO
TUMI ELE NÁ KENO
KENO ÁSILE NÁ KICHU BUJHI NÁI
ÁÁÁÁÁÁÁÁÁÁ
KENO ÁSILE NÁ KICHU BUJHI NÁI
HRIDAY KHUNJIYÁ PARE JENE JÁI
ÁNDHÁR E GHARE PRAVESHER TARE
DIIP JVALENI KONO
TUMI ELE NÁ KENO
ÁLO ESECHILO
PHÚL PHUT́E CHILO
TUMI ELE NÁ KENO
O Lord, light came, the flowers bloomed, but why You did not come. The cloud told and the
air sang as if that Dear would come. My mind imagined that there would not be further
delay, the fragrance of shefalii also conveys the same. Why did not You come, I could not
understand at all. After searching the heart, I could know. For the entry into this dark
house, I did not kindle any lamp.
3669 (12/08/1986) K
ÁMI CÁINI KONO KICHU TOMÁR KÁCHE
SHUDHU GEYE GECHI GÁN GEYE GECHI
BOLINI KONO KATHÁ KAKHANO JECE
DHYÁNE DEKHE GECHI GÁN GEYE GECHI
TOMÁR ÁMÁR MÁJHE DUSTAR DÚR
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR ÁMÁR MÁJHE DUSTAR DÚR
CHILO AMEYA APÁR BHARÁ AJÁNÁ SUR
CHILO KUÁSHÁ D́HÁKÁ NIRÁSHÁ BHARAPÚR
TABU BHEVE GECHI GÁN GEYE GECHI
AHAETUKI KRPÁ PRABHU TUMI KARILE
ÁÁÁÁÁÁÁÁÁÁ
AHAETUKI KRPÁ PRABHU TUMI KARILE
ÁMI ÁCHI THEKE JÁBO SARVA KÁLE
TOMÁY BHÁLOBESECHI GÁN GEYE GECHI
ÁMI CÁINI KONO KICHU TOMÁR KÁCHE
SHUDHU GEYE GECHI GÁN GEYE GECHI
O Lord, I do not anything from You, I only continued singing, singing song. I never told
anything begging, just continued seeing You in meditation. Between You and me the distance
is hard to cross. It was full of immeasurable unlimited unknown melodies. There was too
much disappointment blanketing with fog, still I continued thinking of You. O Lord, You
offered causeless grace, continued to look at this disgusted face. I exist and would
remain all the time, loving You.
3670 (12/08/1986) K
TOMÁKE PEYECHI KATA TAPASYÁY
(ÁÁÁÁÁÁÁÁÁÁ)
THÁKO ÁRO KÁCHE MOR MARMA MÁJHE
BHÁVITE BHÁLO LÁGE MADHU JYOTSNÁY
TOMÁKE GHIRE MOR MAN MADHUP NÁCE
THÁKO ÁRO KÁCHE MOR MARMA MÁJHE
VASUDHÁR SÁRÁTSÁR HE PRIYA
ÁÁÁÁÁÁÁÁÁÁ
VASUDHÁR SÁRÁTSÁR HE PRIYA
SABÁKÁR RÚPKÁR VARAŃIIYA
CIKIIRŚÁ MANIIŚÁR SMARAŃIIYA
HE ALAKH DYUTI SABE NITI TOMÁKE JÁCE
THÁKO ÁRO KÁCHE MOR MARMA MÁJHE
TAVA MAMATÁ MAINJÚŚÁ AVIRATA
ÁÁÁÁÁÁÁÁÁÁ
TAVA MAMATÁ MAINJÚŚÁ AVIRATA
TAVA MAMATÁ MAINJÚŚÁ AVIRATA
TAVA MAMATÁ MAINJÚŚÁ AVIRATA
KARUŃÁ KARIYE JÁY PRATI NIYATA
HE VAEDÚRYA MAŃI APÁR HIIRAK KHANI
JIIVANE MARAŃE TAVA MÁDHURII RÁJE
THÁKO ÁRO KÁCHE MOR MARMA MÁJHE
TOMÁKE PEYECHI KATA TAPASYÁY
THÁKO ÁRO KÁCHE MOR MARMA MÁJHE
O Lord, I attained You after too much of penance. Stay more close to me, within the core
of my heart. I like thinking of You like sweet moonlight. My mental bee dances surrounding
You. O the Dear, the essence of the world, most adorable creator artist for all. O the
unseen effulgence, memorable by intellect and for will for action. All seek You always.
Your treasure of affection offers perpetual mercy continuously. O the most precious gem
mine of unlimited diamonds, in life and death both, Your sweetness is established.
3671 (13/08/1986) K (Shiva)
SUDÚR AMBARE MEGH D́AMBARU
BÁJE VIŚÁŃ TOMÁR KÁMPE SÁRÁ CARÁCAR
PRACAND́A BHÁVE JABE NÁCO TÁND́AVA
JATA, KALUŚA KÁLIMÁ HOYE JÁY CHÁR KHÁR
BÁJE, VIŚÁŃ TOMÁR KÁMPE SÁRÁ CARÁCAR
AVYARTHA AMOGHA TRISHÚLE
ÁÁÁÁÁÁÁÁÁÁ
AVYARTHA AMOGHA TRISHÚLE
PÁPA RÁSHI BHESE JÁY KOTHÁ SAMÚLE
TUMI TAMO NÁSHO AT́T́AHÁSO
TRITIYA NAYANE DÁHO JATA AVICÁR
BÁJE, VIŚÁŃ TOMÁR KÁMPE SÁRÁ CARÁCAR
DUŚT́A DAMAN TUMI SHIŚT́A PÁLAN
ÁÁÁÁÁÁÁÁÁÁ
DUŚT́A DAMAN TUMI SHIŚT́A PÁLAN
SABÁR PRIYA TUMI TRILOKA SHOBHAN
TAVA RUDRA VÁŃE KOTHÁ JÁY KE JÁNE
DHARAŃI THEKE SARE JATA DURÁCÁR
BÁJE, VIŚÁŃ TOMÁR KÁMPE SÁRÁ CARÁCAR
SUDÚR AMBARE MEGH D́AMBARU
BÁJE VIŚÁŃ TOMÁR KÁMPE SÁRÁ CARÁCAR
O Lord, when You perform ta’nd’ava dance intensely, the cloud d’ambaru (hand held
drum) plays in the distant sky and with the play of Your long horn, vis’an’, whole of
world shivers. Your valuable and infallible trident wipes the accumulated sins wiped with
root. You destroy the darkness, with laughter and with the third eye, burn all the immoral
thoughts. You are suppressor of the wicked and protector of the righteous, dear of all and
beautifier of the three worlds. By Your annihilating arrow, who would go where, no one
know. From the earth all the immoralities would go away.
3672 (13/08/1986) K
TOMÁR KATHÁ BHEVE DIN CALE JÁY
TOMÁY ÁMI BHÁLOBÁSI, BÁSIGO
TOMÁY ÁMI BHÁLOBÁSI
TOMÁR MAN GOKULE ÁLO JHALAKÁY
SE ÁLOKE ÁNKHI REKHE HÁSI HÁSIGO
TOMÁY ÁMI BHÁLOBÁSI
ACENÁ AJÁNÁ TUMI TABU ÁPANÁR
ÁÁÁÁÁÁÁÁÁÁ
ACENÁ AJÁNÁ TUMI TABU ÁPANÁR
ACENÁ AJÁNÁ TUMI TABU ÁPANÁR
ACENÁ AJÁNÁ TUMI TABU ÁPANÁR
NITYA KÁLER PRABHU SÁRÁTSÁR
TUMI CHÁŔÁ ÁMI NÁI E KATHÁ BUJHI SADÁI
TAVA KARUŃÁ TAMO VINÁSHI, BÁSIGO
TOMÁY ÁMI BHÁLOBÁSI
MARME MISHE ÁCHO HE ALAKH DEVATÁ
ÁÁÁÁÁÁÁÁÁÁ
MARME MISHE ÁCHO HE ALAKH DEVATÁ
MARME MISHE ÁCHO HE ALAKH DEVATÁ
MARME MISHE ÁCHO HE ALAKH DEVATÁ
DEKHITE NÁ PEYE KÁNDI E MOR AJINATÁ
RAJATE SHUKTI JINÁNE PHELE DIYE ÁNAMANE
MARIICIKÁ PÁNE CHUT́E ÁSI
BÁSIGO, TOMÁY ÁMI BHÁLOBÁSI
TOMÁR KATHÁ BHEVE DIN CALE JÁY
TOMÁY ÁMI BHÁLOBÁSI BÁSIGO
TOMÁY ÁMI BHÁLOBÁSI
O Lord, thinking about You my days pass. I love You, In my mental Gokul, Your light
shines, and in that illumination keeping my vision, I smile. You are unknown and
unrecognised, still, You are mine. The Lord of all times and essence of essence. I always
understand the fact that I do not survive without You. O the unseen Lord, You are merged
in the core of my heart, being unable to see, I cry, this is my ignorance. Unmindfully
throwing the knowledge of shining pearl within, I rush towards the mirage.
3673 (14/08/1986) Kf
TUMI, SAOMYA RAMYA PRASHÁNTA DHIIR
JHAT́IKÁ ÁHATA PRÁŃE MALAYA SAMIIR
TUMI, JHAT́IKÁ ÁHATA PRÁŃE MALAYA SAMIIR
BAJRA KETANA HIMAGIRI GAMBHII R
KÁLODADHI TUMI BHÁVE SUGABHIIR
JHAT́IKÁ ÁHATA PRÁŃE MALAYA SAMIIR
TUMI, JHAT́IKÁ ÁHATA PRÁŃE MALAYA SAMIIR
NIDÁGHER DÁHANE TUMI CANDAN
ÁÁÁÁÁÁÁÁÁÁ
NIDÁGHER DÁHANE TUMI CANDAN
VARASÁ KETAKI VANE SURABHI PAVAN
SHARATER KUSH KÁSHE SHUBHRA SVANAN
SÁDÁ MEGHE SAMVEGE SNIGDHA SHISHIR
JHAT́IKÁ ÁHATA PRÁŃE MALAYA SAMIIR
TUMI, JHAT́IKÁ ÁHAT PRÁŃE MALAY SAMIIR
HEMANTE NISHÁNTE KUJJHAT́IKÁ
ÁÁÁÁÁÁÁÁÁÁ
HEMANTE NISHÁNTE KUJJHAT́IKÁ
SHIITER TUSHÁR PÁTE VIBHIISHIKÁ
PHÁGUN NILAYE KISHALAY MÁLIKÁ
RITURÁJE GIITI BÁJE TAVA TANTRIIR
JHAT́IKÁ ÁHATA PRÁŃE MALAYA SAMIIR
TUMI, JHAT́IKÁ ÁHATA PRÁŃE MALAYA SAMIIR
You are graceful, charming, tranquil and steady.
You are the soothing sandal fragrant breeze
to storm-afflicted people.
You are a majestic snowy mountain,
constantly lashed by thunder.
You are the deep ocean
and You are the profound ideas.
You are the soothing sandal paste
in the scorching heat of the sun.
You are the refreshing breeze,
blowing through the ketakii grove
in the rainy season.
You are the gentle autumn breeze,
caressing the grove of kusha and kasha grass.
You are the glistening dewdrops
in the white clouds above.
You are the morning mist in late autumn
and the terrible snowstorm in winter.
Your strings echo the melodious sound of spring.
3674 (15/08/1986) K
ÁMI TOMÁY BHÁLOBÁSI
JÁNÁI KI KARE BOJHÁI KÁRE
BOJHO TUMI MANO MÁJHE PASHI
MOR VÁŃIIHÁRÁ BHÁVE PHALGU DHÁRE
BOJHÁI KÁRE, JÁNÁI KI KARE BOJHÁI KÁRE
BHÁVA MOR NÁHI PÁY BHÁŚÁ
ÁÁÁÁÁÁÁÁÁÁ
BHÁVA MOR NÁHI PÁY BHÁŚÁ
BHÁVA MOR NÁHI PÁY BHÁŚÁ
BHÁVA MOR NÁHI PÁY BHÁŚÁ
VEDANÁHATA JATA ÁSHÁ
NIDÁGHOPAHAT MARU PIPÁSÁ
JHARE ÁNKHI NIIRE BOJHÁI KÁRE
JÁNÁI KI KARE BOJHÁI KÁRE
TAT́INII SAMA TAT́A PLÁVIÁ
ÁÁÁÁÁÁÁÁÁÁ
TAT́INII SAMA TAT́A PLÁVIÁ
NAT́INII NÁCE BHÁVA MATHIYÁ
UTSÁRIYÁ UDDVEL HIYÁ, NIRVIKÁRE
BOJHÁI KÁRE JÁNÁI KI KARE BOJHÁI KÁRE
O Lord, I love You, do not know why, who would explain that? You know that You have
entered my mind in silent feelings, as hidden undercurrent of the river (Phalgu). My
feelings do not find language, all hopes are shattered, afflicted with intense sun, with
desert thirst, my eyes flow tears. Like river, flooding the banks, the dancer dances
churning the feelings, emanating the restless heart, without any hesitation.
3675 (15/08/1986) K
TÁHÁRI ÁSHÁY PATH CEYE HÁY
DINER PAR DIN ÁMÁR CALE JÁY
KEU BÁ BOJHÁY BHOLO E BHÁVANÁY
SE JE ÁKÁSHER CÁNDA TÁRE KE BÁ PÁY
DINER PAR DIN ÁMÁR CALE JÁY
JYOTSNÁLOKE ÁMÁR PRIITI LUŃT́HITA DEKHI
ÁÁÁÁÁÁÁÁÁÁ
JYOTSNÁLOKE ÁMÁR PRIITI LUŃT́HITA DEKHI
JYOTSNÁLOKE ÁMÁR PRIITI LUŃT́HITA DEKHI
JYOTSNÁLOKE ÁMÁR PRIITI LUŃT́HITA DEKHI
AVAGUNT́HITA ÁNKHI SALÁJE KÁCHE D́ÁKI
TÁRI PARÁG MANER AŃU AŃUTE MÁKHI
DHÁRAŃÁ ANUDHYÁNE MURACHÁY
DINER PAR DIN ÁMÁR CALE JÁY
KAMAL KESHAR KAY KAMANIIYA TÁY
ÁÁÁÁÁÁÁÁÁÁ
KAMAL KESHAR KAY KAMANIIYA TÁY
KAMAL KESHAR KAY KAMANIIYA TÁY
KAMAL KESHAR KAY KAMANIIYA TÁY
KE KABE KOTHÁ PÁY KETAN KARUŃÁY
DHYÁNE JE D́EKE JÁY RAUNGETE RAUNGA MESHÁY
TÁRI HIYÁY SE JE JHALAKÁY
DINER PAR DIN ÁMÁR CALE JÁY
TÁHÁRI ÁSHÁY PATH CEYE HÁY
DINER PAR DIN ÁMÁR CALE JÁY
O Lord, hoping for You, looking at the path, alas, my days after days pass. I should
forget the idea that someone would console me. He is moon of the sky, who can get Him? In
my moonlight, I saw my love wallowed, with veiled eyes, I shyly called Him close. Smearing
His pollen into each atom of my mind, it gets engrossed in concentration and meditation.
The pollen of lotus says with charm, who has ever got Him, the icon of mercy, anytime? He
who continues to call Him in meditation, merging his colour with His, into his heart, He
shows His effulgence.
3676 (16/08/1986) K
VISHVA BHUVANE DOLÁ LÁGIYECHO
TANU MANE NÁCIYE CHO
CANDRA TÁRAKÁGRAHA NIIHÁRIKÁ
SABE PRÁŃE BHARIYECHO
TANU MANE NÁCIYE CHO
TOMÁR
TOMÁR PRAŃAY JHALAKE JHALAKE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR PRAŃAY JHALAKE JHALAKE
TOMÁR PRAŃAY JHALAKE JHALAKE
TOMÁR PRAŃAY JHALAKE JHALAKE
NECE CHUT́E JÁY BHULOKE DYULOKE
ÚRMI MÁLÁY JALADERI GÁY
MADHURIMÁ D́HÁLIYECHO
TANU MANE NÁCIYE CHO
TOMÁR
TOMÁR MAHIMÁ BOLÁ NÁHI JÁY
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR MAHIMÁ BOLÁ NÁHI JÁY
TOMÁR MAHIMÁ BOLÁ NÁHI JÁY
TOMÁR MAHIMÁ BOLÁ NÁHI JÁY
BOLIBÁR BHÁŚÁ, BHÁVA NÁHI PÁY
JINÁNÁMBUDHI TIIRE MARME GABHIRE
RAUNGE RAUNGE RÁUNGIYECHO
TANU MANE NÁCIYE CHO
O Lord, You have oscillated the whole Universe and dance within all bodies and minds. You
have filled life into stars, moon, planets and nebulas. Your love goes on rushing, dancing
and shining throughout earth and heaven. Through the songs of series of waves and clouds
You pour sweetness. It is not possible to speak of Your Great Glory. The ideation and
feelings do not find language to speak. On the shore of the ocean of knowledge, in the
depth of the core of mind, You colour with diverse hues.
3677 (17/08/1986) K
ÁMÁKE PRIYA TUMI BHULIÁ GECHO
TOMÁKE BHÁLOBÁSÁR ÁRO ANEKE ÁCHE
TUCCHA ÁMI, BUJHECHO
ÁMÁKE PRIYA TUMI BHULIÁ GECHO
NEIKO ÁMÁR PRIYA BUDDHI DHRITI BALA
ÁÁÁÁÁÁÁÁÁÁ
NEIKO ÁMÁR PRIYA BUDDHI DHRITI BALA
NEIKO ÁMÁR PRIYA BUDDHI DHRITI BALA
NEIKO ÁMÁR PRIYA BUDDHI DHRITI BALA
NEIKO SAINCITA, SHUBHA SAḾSKÁR PHALA
VEDANÁ SIKTA COKHE LAVAŃÁKTA JALA
TÁI KI DÚRE, SARECHO
ÁMÁKE PRIYA TUMI BHULIÁ GECHO
TAVA PÚJÁSTHALIR ÁMI JE MRIT PRADIIP
ÁÁÁÁÁÁÁÁÁÁ
TAVA PÚJÁSTHALIR ÁMI JE MRIT PRADIIP
TAVA PÚJÁSTHALIR ÁMI JE MRIT PRADIIP
TAVA PÚJÁSTHALIR ÁMI JE MRIT PRADIIP
KAMPRA VAKŚE DULI JENO ÁDHA PHOT́Á NIIP
GHARMA LIPTA BHÁLE KURUVINDÚ T́IP
BHULE GECHO BHÁLOI KARECHO
ÁMÁKE PRIYA TUMI BHULIÁ GECHO
O Dear Lord, You have forgotten me. There are many devotees and lovers of Yours, and You
consider me most meagre. O Dear, I have no strength of wisdom and retention. I have no
accumulation of good results of sam’ska’ras. My eyes are wet with the tears of pain
is it due to why You remain away? On the altar of Your worship, I am an earthen lamp. I
swing on the trembling bosom like a half bloomed niip flower, and loose like the mark on
the sweat drenched forehead. You have done good that You have forgotten me.
3678 (17/08/1986) D
PRIYA YADI NÁ ELE PHIRE
KISER TAREÁMI KÁR TARE
THÁKABOGHARE
ÁKÁSHA VÁTÁS BHINNA KARE
GRAHATANNA TANNA KARE
AŃUR MÁJHE KHUNJABO TÁRE
KISER TAREÁMI KÁR TARE
THÁKABOGHARE
KHUNJABO TÁRE NIIHÁRIKÁY
ÁÁÁÁÁÁÁÁÁÁ
KHUNJABO TÁRE NIIHÁRIKÁY
KHUNJABO TÁRE NIIHÁRIKÁY
KHUNJABO SHASHÁUNKE TÁRAKÁY
KHUNJE KHUNJE DÚR ALAKÁY
ÁNABO DHARE
KISER TAREÁMI KÁR TARE
THÁKABOGHARE
THÁKATE DÚRE NÁHI PÁRE
ÁÁÁÁÁÁÁÁÁÁ
THÁKATE DÚRE NÁHI PÁRE
THÁKATE DÚRE NÁHI PÁRE
KHUNJABO MANERI KANDARE
BHÁLOBÁSÁY PÁVOI TÁRE
ÁNDHÁR PÁRE
KISER TAREÁMI KÁR TARE
THÁKABOGHARE
O Dear, if You do not come back, for whom and why should I remain in home? Piercing
through the sky and air, crossing thorough the planets, even within atoms I shall search
You. I shall search You amidst nebulas, amongst moon and stars, and searching You in the
distant heaven, I shall hold and bring You. You can not remain far, I shall search You
within the cave of my mind, and by loving You, I shall get You, beyond the darkness.
3679 (17/08/1986) K
ASHRU SAJAL MOR ÁNKHI PÁTE
HE PRIYA ELE ÁJI PRABHÁTE
NÁI TAVA ÁVÁHAN NÁI KO VÁHAN
ÁSÁ JÁOÁ KARE JÁO NIBHRITE
HE PRIYA ELE ÁJI PRABHÁTE
ÚŚÁR ARUŃODAYE TUMI HÁSO
ÁÁÁÁÁÁÁÁÁÁ
ÚŚÁR ARUŃODAYE TUMI HÁSO
BHÁŚÁR KISHALYE RAUNGE BHÁSO
RAKTIM OŚT́ÁDHARE PRIYA BHÁŚO
MAN KE CINE NÁO CAKITE
HE PRIYA ELE ÁJI PRABHÁTE
GOLÁPI GANDHE TAVA GARIMÁBHÁ
VISHVE PRAKIIRTITA TAVA PRATIBHÁ
RANDHRE RANDHRE ÁCHO OTAH PROTE
HE PRIYA ELE ÁJI PRABHÁTE
O Dear, Lord, over my eyes wet with tears, You arrived today morning. There is no
invocation for You, nor any vehicle. You just come and go silently. You smile in the
rising sun of the morning. You appear in the colour of tender leaves of language. O Dear
You speak with the red lips and astonishingly recognise the mind. In the fragrance of
rose, Your glimpses of glory are seen. Your brilliance is glorified in the universe. You
are present in each pore associated individually and collectively.
3680 (18/08/1986) D
TUMI JABE CHILE MANE
JE CÁNDA ÁKÁSHE CHILO
SE KI ÁR ÁSIBE NÁ
TAVA PRIITI AINJANE
JE CÁNDA BHÁSIÁ CHILO
SE KI ÁR HÁSIBE NÁ
SE KI ÁR ÁSIBE NÁ
MANANE SVANANE ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
MANANE SVANANE ÁCHO
MANANE SVANANE ÁCHO
MANANE SVANANE ÁCHO
BÁHIRE BHIITARE NÁCO
AŃU AŃUTER RAYECHO
TOMÁR NÁHI TULANÁ
SE KI ÁR ÁSIBE NÁ
GOLOKE GOKULE ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
GOLOKE GOKULE ÁCHO
GOLOKE GOKULE ÁCHO
GOLOKE GOKULE ÁCHO
RANDHRE RANDHRE HÁSO
TRYASREŃU MÁTIYECHO
CÁNDER TUMI AJÁNÁ
SE KI ÁR ÁSIBE NÁ
O Lord, when You were in the mind, the moon that was in the sky, would it not come any
more? Within the love decoration mark of Your eyes, the moon that was appearing, would it
no more smile? You are present in meditative resonance, dance both outside and inside
reside in each atom, there is no comparison of Yours. You are present in both heaven and
Gokul, smile in each pore, and make each particle frenzied. You remain like unknown moon.
3681 (18/08/1986) K
MOR, D́ÁKÁTE ÁSONIKO KRPÁTE ELE
D́EKE GECHI NIJA MAN BHÚLÁTE
BHÁŚÁTE ÁSONIKO BHÁVETE ELE
STAVA STUTI PÁRENIKO D́HALÁTE
D́EKE GECHI NIJA MAN BHÚLÁTE
NIKAT́A TAMA TUMI MADHUR TAMA
ÁÁÁÁÁÁÁÁÁÁ
NIKAT́A TAMA TUMI MADHUR TAMA
SAB KICHU JÁNO SHONO PRIYATAMA
AHAMIKÁ KUHELIKÁ SARIYE MAMA
PRASTUTA THÁKO DHARÁ DITE
D́EKE GECHI NIJA MAN BHÚLÁTE
STAVA STUTI VINATI JÁ KICHU KARI
ÁÁÁÁÁÁÁÁÁÁ
STAVA STUTI VINATI JÁ KICHU KARI
TOMÁRE KÁCHE PETE TUŚITE HARI
BUJHE MOR MÚŔHATÁ DAENYA HERI
MÁDHURII MÁKHIYO MOR CETANÁTE
D́EKE GECHI NIJA MAN BHÚLÁTE
MOR, D́ÁKÁTE ÁSONIKO KRPÁTE ELE
D́EKE GECHI NIJA MAN BHÚLÁTE
O Lord, on my call, You never came, You came only by Your grace. I continued calling You
only for my selfsatisfaction. Without listening to the language of the call, You came
hearing the inner feelings. Prayers or solicitations are unable to melt You. You are the
nearest and sweetest. O Dearest, You know and listen to everything. Removing the fog of my
ego, You are ever prepared to come into my folds. Whatever prayers, request, worship I
perform, is for getting You close and satisfying You. Considering my ignorance, and
misery, smear sweetness into my consciousness.
3682 (16/08/1986) D
NIKHIL MÁNAS MANTHAN KARI
HE PRABHU TUMI ESECHO
SVARŃA JHARANÁ SAMA UTSÁRI
SVARŃA JHARANÁ SAMA UTSÁRI
ARÚPA RÚPE HESECHO
HE PRABHU TUMI ESECHO
PALA ANUPALA VIPALA MÁNO NÁ
ÁÁÁÁÁÁÁÁÁÁ
PALA ANUPALA VIPALA MÁNO NÁ
PALA ANUPALA VIPALA MÁNO NÁ
PALA ANUPALA VIPALA MÁNO NÁ
KALYÁŃA VRATE VIPHAL KARO NÁ
SHÁSANE NIYAME SHITHILA HOYO NÁ
DRIŔHATÁ SHIKHÁYECHO
HE PRABHU TUMI ESECHO
MARMA MÁDHURII SABÁRI SAMÁN
ÁÁÁÁÁÁÁÁÁÁ
MARMA MÁDHURII SABÁRI SAMÁN
MARMA MÁDHURII SABÁRI SAMÁN
MARMA MÁDHURII SABÁRI SAMÁN
BHÁVATANTRIITE SABE GÁI GÁN
BÁNCÁRO ADHIKÁR BRIHATERO T́ÁN
SABÁRI ÁCHE BOLECHO
HE PRABHU TUMI ESECHO
NIKHIL MÁNAS MANTHAN KARI
HE PRABHU TUMI ESECHO
O Lord, churning the entire mind, You came. Emanating like a golden fountain, with
incomparable charm, You smile. You have no consideration of moments, seconds, minutes, do
not fail the vow of benevolence. You are never slack in control and regulations, and teach
firmness. The sweetness in the core of all is same. On the string of feelings, all sing
the song. You say that the right of survival and attraction of the great exists in all.
3683 (20/08/1986) K
ÁNDHÁRER PAR PÁRE
ÁLOKER E ABHISÁRE, TUMI ELE
CÁO NI KONO DÁN KARO NIKO ABHIMÁN
CÁO NI KONO DÁN KARO NIKO ABHIMÁN
CÁO NI KONO DÁN KARO NIKO ABHIMÁN
AHAETUKI PRIITI JHARÁLE, TUMI ELE
VIRÁT́A ABHYUDAYE PURVÁKÁSHA RÁUNGÁLE
ÁÁÁÁÁÁÁÁÁÁ
VIRÁT́A ABHYUDAYE PURVÁKÁSHA RÁUNGÁLE
VIRÁT́A ABHYUDAYE PURVÁKÁSHA RÁUNGÁLE
VIRÁT́A ABHYUDAYE PURVÁKÁSHA RÁUNGÁLE
VARŃERI KISHALAYE MANO BHÚMI MÁTÁLE
CHINNA VIIŃÁ SURA SAPTAKE BHARE DILE
NÁ CÁHITE SABAI KARILE, TUMI ELE
YUGA YUGA DHARE LOKE CEYECHE E ÁGAMAN
ÁÁÁÁÁÁÁÁÁÁ
YUGA YUGA DHARE LOKE CEYECHE E ÁGAMAN
YUGA YUGA DHARE LOKE CEYECHE E ÁGAMAN
YUGA YUGA DHARE LOKE CEYECHE E ÁGAMAN
VISHÁLA VYAŚT́I MÁJHE SAMAŚT́I RÚPÁYAŃ
AŃU PARAMÁŃU MÁJHE BRIHATER ÁVARTANA
ESE SE ÁSHÁ PURÁLE, TUMI ELE
ÁNDHÁRER PAR PÁRE
ÁLOKER E ABHISÁRE, TUMI ELE
O Lord, from beyond the darkness, for the rendezvous of effulgence, You came. You do not
expect any gift, and are never egoistic, simply causeless grace You flow. With the grand
rise of the Great, You colour the eastern sky. With the colour of tender leaves, You charm
the mind. Into the broken viin’a’, You have filled octave. Without will You do
everything. Since eras after eras, people wanted this advent, within a grand personality
descend of the cosmic. Revolving of the Great within atoms and molecules, He came
fulfilling the hope.
3684 (21/08/1986) D
TOMÁKE BHÁLOBÁSIÁCHI
JIIVANE JENE SHUŃE
SHAYANE SVAPANE CEYECHI
CEYE GECHI JÁGARAŃE
JIIVANE JENE SHUŃE
BHÁLOBESECHI KENO JÁNINÁ
ANTA VIHIIN CHILO EŚAŃÁ
CHILO NÁ VAEDHII SÁDHANÁ
TABU D́EKECHI PRATI KŚAŃE
JIIVANE JENE SHUŃE
TOMÁR NÁME TOMÁR GÁNE
PÁI JE ÁNANDA APÁR
TUCCHA HOLEO BUJHE GECHI
TUMII SABÁR SÁRÁTSÁR
TUMI YADI MANANE THÁKO
PRIITIR PARÁG PRÁŃE MÁKHO
ÁNDHÁR SHEŚE JÁI JE MISHE
SABE TOMÁTE TAVA GUŃE
HE PRIYA TOMÁKE CÁY LOKE
TÁI TO PRÁŃERA SPANDANE
JIIVANE JENE SHUŃE
O Lord, I love you in life, on hearing and knowing you. I ever loved you in sleep, dream
and wakeful states. Why do I love you, I do not know. I had endless desire. I had no
formal spiritual practice, still I see you every moment. By singing your name and songs, I
get endless bliss. Even though I am meagre, I have understood that you are the essence of
everything. If you stay in mind, absorbing life with fragrance of love, then at the end of
the darkness, all merge in you by your qualities. That is why, O dear, people love you
with rhythm of life.
3685 (21/08/1986) K
JYOTSNÁ RÁTE TUMI ESE CHILE
SHUBHRA SHUCITÁ D́HELE DIYE GIYE CHILE
ÁMI CHINU ÁNAMANE KISER CHALE
MANER KATHÁ MOR TUMI BUJHE NIYE CHILE
SHUBHRA SHUCITÁ D́HELE DIYE GIYE CHILE
SE NISHÁ KI JIIVANE ÁSIBE NÁ ÁR
ÁÁÁÁÁÁÁÁÁÁ
SE NISHÁ KI JIIVANE ÁSIBE NÁ ÁR
SE RÁKÁ KI MANANE HÁSIBE ÁBÁR
SE SHASHÁUNKA ÁTAUNKA SARIYE DIYE
MANER MAYURE KI NÁCÁBE MANTRA BALE
SHUBHRA SHUCITÁ D́HELE DIYE GIYE CHILE
ÁBÁR ESE GECHE PHÁGUNER RÁTA
ÁÁÁÁÁÁÁÁÁÁ
ÁBÁR ESE GECHE PHÁGUNER RÁTA
JHALAKE KIḾSHUKE NAVA ANURÁGA
SHÁLMALII SHÁKHÁ DOLE NAVODITA MUKULE
PRIITIR PASARÁ PUNAH DHARÁTALE REKHE GELE
SHUBHRA SHUCITÁ D́HELE DIYE GIYE CHILE
JYOTSNÁ RÁTE TUMI ESE CHILE
SHUBHRA SHUCITÁ D́HELE DIYE GIYE CHILE
O Lord, You came in the moonlit night, and poured shining purity. I was unmindful under
some delusion, You understood my mental state. Will not that night come into my life
again? Will that moonlight smile in my mind this time again? Will that moon removing the
fear, make my mind dance with the power of mantra? This time again the night of spring had
come. In the kim’shuk flowers, new love is seen. On the branches of sha’lmalii, newly
grown buds swing and again left the article of love on the earth.
3686 (22/08/1986) K
ALAS PRAHARE KARUŃÁY ÁNKHI BHARE
TUMI PRABHU MOR PÁNE TÁKIYE CHILE
MANDRITA PAVANE NANDITA SVANANE
ÁNDHÁRER STÚPE ÁLO JHARIYE CHILE
TUMI PRABHU MOR PÁNE TÁKIYE CHILE
VAJRER HUNKÁRE ESE CHILE BÁRE BÁR
ÁÁÁÁÁÁÁÁÁÁ
VAJRER HUNKÁRE ESE CHILE BÁRE BÁR
ASHANI NIPÁTE CHINNA CHILO SANSÁR
NIRÁLÁY TUMI ESE MADHUR MOHAN HESE
NIJA HÁTE ÁNKHI PÁTE MUCHIYE DILE
TUMI PRABHU MOR PÁNE TÁKIYE CHILE
TUCCHA HOLEO BUJHILÁM ÁMI NAI EKÁ
ÁÁÁÁÁÁÁÁÁÁ
TUCCHA HOLEO BUJHILÁM ÁMI NAI EKÁ
SHAYANE SVAPANE JÁGARAŃE TUMI ÁCHO SAKHÁ
ÁMÁR ÁMIR MÁJHE RÁGA? SAMÁROHE RÁJE
TAVA AMIYA DYUTI AMITA KÁLER
TUMI PRABHU MOR PÁNE TÁKIYE CHILE
O Lord, filling mercy in the eyes, during Your leisure period, You had looked towards me.
With oscillating wind and pleasing resonance, over the pile of darkness, You poured
effulgence. With roar of thunder You came again and again, the world was broken into
pieces by the fall of lightning. In isolation You came smiling with sweet charm, and with
own hands wiped out the tears. Even though I was a meagre, You made me understand that I
am not alone. In my sleep, dream & wakeful condition You are always with me as my
sakha’, companion. Within my “I” feeling, established as Royal festivity, is Your
nectareffulgence for time immemorial.
3687 (22/08/1986) K
VINATI JÁI KARE TAVA CARAŃ DHARE
ESO TUMI MOR GHARE KRPÁ KARE BÁR BÁR
ÁCHE TAVA AGUŃITA MAINJILA MANO MATA
TABU MOR E KUT́IRER TUMII TO RÚPAKÁR
ESO TUMI MOR GHARE KRPÁ KARE BÁR BÁR
TOMÁRI CHANDE NÁCI TOMÁRI DHVANITE GÁI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁRI CHANDE NÁCI TOMÁRI DHVANITE GÁI
TOMÁRI LAYE MÁNI TOMÁRI VIIŃÁ BÁJÁI
ÁMIO TOMÁRI GO TOMÁRI SAKALAI TO
TOMÁRI LIILÁ TUMI ÁMÁDER E SAḾSÁR
ESO TUMI MOR GHARE KRPÁ KARE BÁR BÁR
TOMÁRI BHÁVE BHÁVI TOMÁRI BHÁŚÁY BOLI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁRI BHÁVE BHÁVI TOMÁRI BHÁŚÁY BOLI
TOMÁRI BÁNSHIITE HÁSI TAVA PRERAŃÁTE CALI
TUMI JE SARVÁDHÁR TUMII SÁRÁTSÁR
HE ANANTA APÁR TUMI PRÁŃA SABÁKÁR
ESO TUMI MOR GHARE KRIPÁ KARE BÁR BÁR
VINATI JÁI KARE TAVA CARAŃ DHARE
ESO TUMI MOR GHARE KRPÁ KARE BÁR BÁR
O Lord, holding Your feet, I go on praying You to come to my home again and again gracing
me. You have numerous destinations of Your choice, but You are the creator of this hut of
mine. I dance to Your rhythm, sing in Your voice, considering You only as the tune, I play
Your viin’a’. I am also Yours, though all are Yours, it is Your divine play, liila
and You are my world. I think as per Your thought, speak in Your language. I smile by Your
flute and move by Your inspiration. You are the base of everything, You are the essence of
essence. O the Unlimited and Infinite, You are the life of all.
3688 (22/08/1986) K
TUMI ESO ÁMÁR GHARE PRIYA
DVÁRA KHULE DIYE BASE ÁCHI
DIIP JVELECHI MÁLÁ GENTHECHI
VEDII SÁJIYE REKHECHI
DVÁRA KHULE DIYE BASE ÁCHI
NIJER BOLITE MOR KEHO NÁI
ÁÁÁÁÁÁÁÁÁÁ
NIJER BOLITE MOR KEHO NÁI
MANER KATHÁ JÁHÁKE JÁNÁI
BHÁVE ABHÁVE TÁI TOMÁKEI CÁI
PRIITIR PASARÁ D́HELE DIYECHI
DVÁRA KHULE DIYE BASE ÁCHI
HE CIRA MADHURA ANTARTAMA
ÁÁÁÁÁÁÁÁÁÁ
HE CIRA MADHURA ANTARTAMA
JIIVANE MARAŃE SÁTHE THEKO MAMA
GORASE RASÁBHÁSA TÁPE DÁHIKÁ SAMA
KUSUM KORAKE BHARE REKHECHI
DVÁRA KHULE DIYE BASE ÁCHI
TUMI ESO ÁMÁR GHARE PRIYA
DVÁRA KHULE DIYE BASE ÁCHI
O Dear, You come to my home, I am sitting having kept the door open. I have kindled lamp
threaded the garland, and kept the altar decorated. There is no one whom I can call my
own, and to whom I can tell the feelings of my heart and mind. Thus, during adversity or
affluence, I love You only and poured out all the articles of love. O ever sweet and
innermost, stay with me in my life and death. I have kept filled the nucleus of flower
with honey, like the soothing cow milk opposed to burning quality of heat.
3689 (23/08/1986) K
MADHU, MÁLATIIR MANE KII MÁYÁ CHILO
TÁ JÁNE NÁ LOKE
JYOTSNÁLOKE SE KII KATHÁ KAHILO
BUJHE CHILO SHASHÁUNKE
TÁ JÁNE NÁ LOKE
BOLE CHILO SABE CALE EI CARÁCARE
ÁÁÁÁÁÁÁÁÁÁ
BOLE CHILO SABE CALE EI CARÁCARE
ÁSE ÁR CALE JÁY KEU NÁ RODHE KÁHÁRE
ALAKÁPURIIR PRIITI JHARE SABÁKÁR PARE
UJJVALA ARUŃÁLOKE
TÁ JÁNE NÁ LOKE
ÁRO BOLE CHILO EKAI PRIYATAMA SABÁKÁR
ÁÁÁÁÁÁÁÁÁÁ
ÁRO BOLE CHILO EKAI PRIYATAMA SABÁKÁR
SMITA SHUCI SHUBHAUNKARA SARVÁDHÁR
HE CIRA ALAKH DYUTI TÁRI PARAMÁ PRIITI
PRATI PALAKE JHALAKE
TÁ JÁNE NÁ LOKE
MADHU, MÁLATIIR MANE KII MÁYÁ CHILO
TÁ JÁNE NÁ LOKE
In the mind of sweet malatii flower, what a charm was present that people do not know.
Under the illumination of moonlight, what did it say, that the moon understood. It told
all move in this world, all come and go, nobody stops any one. The heavenly love falls on
all, in the bright sunlight. It told further, that there is only one beloved of all, who
is base of all, pure, benevolent, and smiling. O the everunseen effulgence, your extreme
love shines each moment.
3690 (23/08/1986) D
GÁNER E MÁLÁ GENTHECHI
TOMÁY PRIYA PARÁBO BALE
SUDHÁ SÁRE SIKTA KARI
SANDHYÁ RÁGE SÁSHRU JALE
TOMÁY PRIYA PARÁBO BALE
DULE CALE DODUL DOLE
ÁÁÁÁÁÁÁÁÁÁ
DULE CALE DODUL DOLE
MÁNASÁBJE KESHAR MÚLE
ÁTMA PARER PRABHEDA BHULE
NIRNIMEŚE ÁNKHI TÚLE
TOMÁY PRIYA PARÁBO BALE
TANDRÁ BHÁUNGÁ ÁNKHI MELECHE
ÁÁÁÁÁÁÁÁÁÁ
TANDRÁ BHÁUNGÁ ÁNKHI MELECHE
MAN DEULE ÁLO ESECHE
SUNIILA ÁKÁSHA D́ÁNÁ MELECHE
DÚR BALÁKÁR PÁKHÁR TALE
TOMÁY PRIYA PARÁBO BALE
GÁNER E MÁLÁ GENTHECHI
TOMÁY PRIYA PARÁBO BALE
I am threading the garland of songs for placing around Your neck. I have moistened it with
the essence of nectar, with tears during evening hue. It goes on oscillating on the swing
at the root of pollen of the mental lotus, forgetting the difference of own and others
with unblinking raised eyes. The eyes on breaking the drowsiness opened and in the mental
temple light has come. Below the distant blue sky, the swan spread the wings.
3691 (23/08/1986) D
VISHVA JETHÁY LIIN HOYE JÁY
VISHVAMBHARA TOMÁR SHARAŃE
SHRAVAŃE MANANE NIDIDHYÁSANE
SÁMARASYERI AEKYA TÁNE
VISHVAMBHARA TOMÁR SHARAŃE
ANEKER MÁJHE RAYE GECHE EK
ÁÁÁÁÁÁÁÁÁÁ
ANEKER MÁJHE RAYE GECHE EK
EKAI LIILÁ RASE NÁCE JE ANEK
EKERI KUINJE PUINJE PUINJE
ALI GUINJARE GHIRE CARAŃE
VISHVAMBHAR TOMÁR SHARAŃE
EK THEKE ESE EKE JÁY MISHE
ÁÁÁÁÁÁÁÁÁÁ
EK THEKE ESE EKE JÁY MISHE
ANEK BHÁVANÁ EK HOY SHEŚE
EKI BHÁVE RÁJE ANEKER SÁJE
SE RÁKHÁL RÁJE SABÁI MÁNE
VISHVAMBHAR TOMÁR SHARAŃE
VISHVA JETHÁY LIIN HOYE JÁY
VISHVAMBHARA TOMÁR SHARAŃE
O The Sustainer of he world, Vishvambhar, when the universe gets merged within Your
shelter, with hearing, remembrance, and meditation, in a melodious flow in unison. Within
many multiplicities, You remained as one. Under the flow of spell, liila, of only One
many revolve. In the arbor of One, groups and groups of honeybees, hum, surrounding Your
feet. All came from One and merge in same, innumerable feelings become one at the end. One
ideation is established, in many adornments and all accepts that King of cowherds.
3692 (23/08/1986) K
VEDII SÁJÁTE DIIP JVÁLÁTE
SHALÁKÁ KHUINJE GECHI JIIVAN BHARE
TOMÁRI TARE ÁNKHIR PARE
AINJAN ENKE GECHI BÁRE BÁRE
SHALÁKÁ KHUINJE GECHI JIIVAN BHARE
BUJHE GECHI SE SHALÁKÁ TOMÁRI HÁTE
ÁÁÁÁÁÁÁÁÁÁ
BUJHE GECHI SE SHALÁKÁ TOMÁRI HÁTE
JE MÁLIKÁ KHUINJE JÁI SE TAVA SÁTHE
TUMI KARUŃÁ KARILE SHALÁKÁ MÁLIKÁ MELE
MAN BALÁKÁR D́ÁNÁ NEVE ÁSE NIJA NIIŔE
SHALÁKÁ KHUINJE GECHI JIIVAN BHARE
KATA YUGA KHUNJE GECHI TÁO JÁNINÁ
ÁÁÁÁÁÁÁÁÁÁ
KATA RÚPE DEKHIYÁCHI TÁO BUJHI NÁ
SHUDHU ETA T́UKU BUJHI JIIVANE TOMÁRE KHUINJI
HE ASIIM ANANTA SAMVIT DÁO MORE
SHALÁKÁ KHUINJE GECHI JIIVAN BHARE
VEDII SÁJÁTE DIIP JVÁLÁTE
SHALÁKÁ KHUINJE GECHI JIIVAN BHARE
For kindling the lamp to decorate the altar, I went on searching match stick whole of my
life. For You, O Lord, I continued marking the eye decoration again and again. I understood
that the flame is in Your hands, the garland that I go on searching is with You. You
mercifully forwarded the flame and the garland. The mental swan spreading the wings came
down to its own nest. How many eras I continued searching, that I do not know. In how many
forms, I saw that also I could not understand. I only understood that whole life, I
searched You, O the unlimited, infinite, grant me Consciousness.
3693 (23/08/1986) K
ÁLO ESE CHILO
CÁNDA HESE CHILO
KRŚŃA MEGHER PÁSHE UCCHAL ÁVESHE
MAN BHESE CHILO
SHIKHI NECE CHILO
CÁNDA HESE CHILO
TAMASÁR SHEŚA HOLO BUJHECHI PRIYA
ÁÁÁÁÁÁÁÁÁÁ
TAMASÁR SHEŚA HOLO BUJHECHI PRIYA
NIRÁSHÁ SARIYE DIYE ÁSHÁ BHARIO
MANTRÁVIŚT́A MOR PRAŃATI NIO
MANO VIIŃÁ BÁJILO
CÁNDA HESE CHILO
SUPTA HRDAY MOR JEGE UT́HILO
ÁÁÁÁÁÁÁÁÁÁ
SUPTA HRDAY MOR JEGE UT́HILO
LUPTA CETANÁ BODHE PHIRIYÁ ELO
PRAMATTA ÁVEGE PRÁŃA MÁTILO
EKE ANEK MILILO
CÁNDA HESE CHILO
ÁLO ESE CHILO
CÁNDA HESE CHILO
The light came, and the moon smiled close to dark cloud with overwhelming impulse. The
mind floated, peacock danced. O Dear, I thought that the end of darkness had come
removing the disappointments, You fill hope. Accept my salutation, which is impregnated
with mantra, my mental viin’a’ started playing. My sleeping heart awakened. The lost
awareness of consciousness, returned. The heart became frenzied, with intense impulse.
Many merged into One.
3694 (23/08/1986) D
CHÁNDER DESHE HAT́HÁT ESE
KON PARII GÁN GEYE GELO
SURE MÁTÁLO BHÁVE BHÁSÁLO
NÁ BOLE MAN KEŔE NILO
KON PARII GÁN GEYE GELO
BHÁVER GHARE NÁI SIIMÁ NÁ
ÁÁÁÁÁÁÁÁÁÁ
BHÁVER GHARE NÁI SIIMÁ NÁ
ÁSÁ JÁOÁY NÁIKO MÁNÁ
RDDHIR TÁR NÁI TULANÁ
NARMA DÚKÚL REKHE DILO
KON PARI GÁN GEYE GELO
CHADMA VESHE ESE CHILO
ÁÁÁÁÁÁÁÁÁÁ
CHADMA VESHE ESE CHILO
PRIITI PARÁG REKHE GELO
NIILÁKÁSHE ASIIMÁBHÁSE
GÁNER SROTE BHESE GELO
KON PARII GÁN GEYE GELO
CHÁNDER DESHE HAT́HÁT ESE
KON PARII GÁN GEYE GELO
Coming suddenly from the arena of moon, which nymph has sung the song. Making me frenzied
with melody, floating me in ideation, without telling She snatched away my mind. There is
no limitation in the house of ideation, no restriction for coming and going. There is no
comparison of its affluence, She kept me on the soft shore. She came in delusive dress
left the fragrance of love, into the blue sky, with unlimited shadow, into the stream of
songs, She floated away.
3695 (24/08/1986)
GÁNER MÁLÁKHÁNI DOBO TOMÁY JE
ESO KÁCHE, ÁRO KÁCHE
ÁMÁR DHARÁ CHONYÁRI MÁJHE
GÁNER MÁLÁKHÁNI DOBO TOMÁY JE
LUKIYE ÁCHO PHULE, SURABHITA ANTARÁLE
RAUNGIIN PÁPAŔIR ÁŔÁLE
AJÁNÁR KON ATALE ALAKÁR KON SE NÁCE
GÁNER MÁLÁKHÁNI DOBO TOMÁY JE
LIILÁ BHÁLOBÁSO JÁNI, LIILÁMAYA TÁI TO MÁNI
O LIILÁR EKT́U KHÁNI, AMARÁR HIIRAK KHANI
CHANDE ÁNANDE RÁJE
GÁNER MÁLÁKHÁNI DOBO TOMÁY JE
O Lord, I shall offer the garlands of songs to you. Come close, closer, within the touch
of my world. You have hidden Yourself within the recess of the fragrance of flower, behind
the colourful petals of the flower. Into which unknown depth, which heavenly dance? I know
that You love liila, the illusory game, hence I accept You as Embodiment of liila. A
bit of that liila is a heavenly mine of diamonds established in rhythm and bliss.
3696 (24/08/1986) D
TUMI NITYA, ÁMI RIKTA
AMARÁR SUDHÁ D́HÁLIÁ VASUDHÁ
KARIYÁ DIYÁCHO SIKTA
TUMI NITYA, ÁMI RIKTA
NÁI KONO KŚOBHA MOR BHÁVANÁY
ÁÁÁÁÁÁÁÁÁÁ
NÁI KONO KŚOBHA MOR BHÁVANÁY
NÁI KONO KŚOBHA MOR BHÁVANÁY
NÁI KONO KŚOBHA MOR BHÁVANÁY
APÚRŃA SHUDHU PÚRŃA KE CÁY
KŚUDRER TRUT́I VICYUTI KŚAMI
KARO KRPÁ ABHIŚIKTA
TUMI NITYA, ÁMI RIKTA
TOMÁY ÁMÁY HOYE NÁ TULANÁ
ÁÁÁÁÁÁÁÁÁÁ
TOMÁY ÁMÁY HOYE NÁ TULANÁ
TOMÁY ÁMÁY HOYE NÁ TULANÁ
TOMÁY ÁMÁY HOYE NÁ TULANÁ
ÁMI KHADYOT TUMI JE JYOTSANA
TUCCHA NÁ MÁNI ÁMÁR EŚAŃÁ
KARO BHÁVE SAḾPRIKTA
TUMI NITYA, ÁMI RIKTA
O Lord, You are Eternal but I am hollow, empty. Pouring heavenly nectar on the earth, You
made it wet. There is no sorrow or complain in my thought, only the incomplete, wants to
attain the Whole. Pardoning the lapses and errors of this meagre, make me bathed with Your
grace. There cannot be comparison between You and me. I am a glowworm and You are the
moonlight. Without ignoring my will, saturate me with Your ideation.
3697 (24/08/1986) K
ÁKÁSHE CÁNDA JE HÁSE PHÁGUN MÁSE
E VASANTA VÁYA
KALIRÁ LAJJÁ BHULE ÁNKHI TULE
KON SUHRDE CÁY
E VASANTA VÁYA
BOLE JÁY KÁCHE ESO
ÁÁÁÁÁÁÁÁÁÁ
BOLE JÁY KÁCHE ESO
BOLE JÁY KÁCHE ESO
BOLE JÁY KÁCHE ESO
BHÁLOBESE PÁSHE BASO
MALAY HAOÁY JHAUNKRITA PÁYA
BHULO NÁ MAINJUL HIYÁY
E VASANTA VÁYA
KATA YOJAN DÚRE ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
KATA YOJAN DÚRE ÁCHO
KATA YOJAN DÚRE ÁCHO
KATA YOJAN DÚRE ÁCHO
JÁNATE NÁ CÁI MANE RAYECHO
MAN MUKUREHERI TOMÁRE
SHAŚPA CHÁYÁY SMITA CETANÁY
E VASANTA VÁYA
ÁKÁSHE CÁNDA JE HÁSE PHÁGUN MÁSE
E VASANTA VÁYA
During this breeze of the spring month, the moon smiles in the sky. The buds, forgetting
the shyness, raising the eyes, which friend do they want? They go on saying, “Come
close, lovingly sit near, with tinkling feet of the sandal breeze, do not forget this
tender heart. I do not want to know how much far are You, You remain in mind. I search You
in my mental mirror, in shade of young grass, in smiling consciousness.
3698 (24/08/1986) K
LUKIYE PATH CALÁ E KI LIILÁ
LOKA LOCANE KENO NÁHI ÁSO
TOMÁRE HERITE MANANE DHARITE
CÁY JE TÁRÁ JÁDER TUMI BHÁLOBÁSO
LOKA LOCANE KENO NÁHI ÁSO
E TAVA VAKRA GATI KISER TARE
ÁÁÁÁÁÁÁÁÁÁ
E TAVA VAKRA GATI KISER TARE
SAHAJ SARAL PATHE MAN NÁ DHARE
SE SATYA AVIKRITA YUGÁNTARE
TOMÁR MÁJHE TÁKI NEIKO LESHAO
LOKA LOCANE KENO NÁHI ÁSO
ATHAVÁ HOYETO MOR E BOJHÁRI BHÚL
ÁÁÁÁÁÁÁÁÁÁ
ATHAVÁ HOYETO MOR E BOJHÁRI BHÚL
SÁDHÁRAŃ MÁNADAND́E TUMI ATÚL
TOMÁRE BUJHITE GELE BHINNA PRATIITI MELE
TÁI DHARÁ NÁHI DIYE DÚRE THEKE TUMI HÁSO
LOKA LOCANE KENO NÁHI ÁSO
LUKIYE PATH CALÁ E KI LIILÁ
LOKA LOCANE KENO NÁHI ÁSO
O Lord, moving hidden on the path, what a liila, illusory game of Yours is this, why do
not You come under the vision of the people? Only those whom You love, want to search and
bring you under the fold in the mind. What for is this jagged, curved speed of Yours, why
on simple straight path the mind is unable to hold You? The eternal truth of clearstraight
forwardness, which has been established since ages, even a weebit of that You do not
follow in Your movement. It may be also possible that my understanding is not complete so
that I do not properly comprehend You. By the ordinary measuring scale You are
immeasurable. If anyone wants to understand You and get You, then You escape and never get
held. And remaining at distant, You just smile.
3699 (24/08/1986) K
HATÁSHÁY NIRÁSHÁY MAN D́EKE JÁY
HE PRABHU TOMÁY AVIRÁMA
SHOŃO KI SHOŃO NÁ JÁNITE PÁRI NÁ
SHUDHU BÚJHI TUMI ABHIRÁMA
HE PRABHU TOMÁY AVIRÁMA
PALE AŃUPALE VIPALE NÁCO PRABHU
ÁÁÁÁÁÁÁÁÁÁ
PALE AŃUPALE VIPALE NÁCO PRABHU
ANÁDI ASHEŚE SHEŚA NÁ HOYO KABHU
CHILE ÁCHO THÁKIYÁ JÁBE TUMI TABU
KHUNJE CALI TAVA DHÁMA
HE PRABHU TOMÁY AVIRÁMA
SARITÁ PARVATE MÁNÁ MÁNO NÁ
ÁÁÁÁÁÁÁÁÁÁ
SARITÁ PARVATE MÁNÁ MÁNO NÁ
MAHODADHI ÚRMIGOŃO NÁ
TOMÁRI JYOTI SHIKHÁY SABE NECE JÁY
PÁPA KŚARÁ TAVA NÁMA
HE PRABHU TOMÁY AVIRÁMA
HATÁSHÁY NIRÁSHÁY MAN D́EKE JÁY
HE PRABHU TOMÁY AVIRÁ
O Lord, with disappointments and hopelessness, my mind goes on calling You constantly.
Whether You hear or not, I am unable to know, I only understand that You are gratifying. O
Lord, You keep on dancing each moment and second. There is no end of the beginning less
and endless. You were in past, are present now and will remain in future. I just go on
searching Your abode. Streams or mountains do not restrict You. You do not worry about
waves in the ocean. Around Your flame of light, all go on dancing. Your name decays the
sins.
3700 (24/08/1986) K
JIIVAN SARITÁ MOR, BAHE JÁY
ÁÁÁÁÁÁÁÁÁÁ
JIIVAN SARITÁ MOR, BAHE JÁY
NECE CHUT́E CALE NÁ JÁNE KII JE BOLE
KON SE AMARÁR PÁNE CÁYA
BAHE JÁY ÁÁÁÁÁÁÁÁÁÁ
JIIVAN SARITÁ MOR, BAHE JÁY
AJÁNÁ ATITHI NÁHI MÁNO TITHI
CALÁY CIR DRUTI KANT́HE PRIITI GIITI
BOLO SE KON ACENÁTE DHÁY
BAHE JÁY ÁÁÁÁÁÁÁÁÁÁ
JIIVAN SARITÁ MOR, BAHE JÁY
E MOR SARITÁR DÚKÚLI BHARÁ
ÁÁÁÁÁÁÁÁÁÁ
E MOR SARITÁR DÚKÚLI BHÁUNGÁ
TOMÁR RÁGETE TABU CIRA RÁ ÚNGÁ
MAN MUKUR MOR NÁHI JÁBE BHAÚNGÁ
TÁTE JE TAVA DYUTI JHALAKÁY
BAHE JÁY ÁÁÁÁÁÁÁÁÁÁ
JIIVAN SARITÁ MOR, BAHE JÁY
The stream of my life flows on.
It dances on,
aiming towards an unknown destination of immortality.
O unknown guest,
You have no consideration for a date.
You keep moving on with continuous speed,
maintaining a song of love in Your voice.
Tell me, to which unknown world is my life rushing?
Both sides of my life's stream are broken,
and yet, both are coloured in Your colour.
When the mirror of my mind is not broken,
then in that mirror Your effulgence glitters.
3701 (26/08/1986) K
VASANTE KENO NÁ ELE
ELE NIDÁGHER DÁVA DÁHE
MUKUTÁBHARAŃE PHELE
ELE BHASMA JAT́Á SAMÁROHE
ELE NIDÁGHER DÁVA DÁHE
CHILO SIIVANTI CHILO BAKUL
ÁÁÁÁÁÁÁÁÁÁ
CHILO SIIVANTI CHILO BAKUL
CHILO SIIVANTI CHILO BAKUL
CHILO SIIVANTI CHILO BAKUL
CHILO MÁLATI MÁDHAVI MUKUL
CHILO CAMPAK CÁMELI PÁRUL
ELE DHASTÚR ARKA PARIGRAHE
ELE NIDÁGHER DÁVA DÁHE
CHILO CIINÁNSHUK SVARŃA KUND́AL
ÁÁÁÁÁÁÁÁÁÁ
CHILO CIINÁNSHUK SVARŃA KUND́AL
CHILO CIINÁNSHUK SVARŃA KUND́AL
CHILO CIINÁNSHUK SVARŃA KUND́AL
KANAK KEYUR RATNA MAND́AL
CHILO MANIHÁR MARAKATOJJVAL
TABE KENO RUDRÁKŚE DEKHI HE
ELE NIDÁGHER DÁVA DÁHE
VASANTE KENO NÁ ELE
ELE NIDÁGHER DÁVA DÁHE
Why didn’t You come during spring?
You came during the intense burn of the summer heat.
Rejecting the decoration with a crown,
You came during the congregation of ashes and matted hair.
There were flowers of siivantii and bakul
and buds of ma’latii and ma’dhavii.
Also flowers of campak, ca’meli and pa’rul were there
but You came to accept the wild flowers of dhastur and arka.
There were silken bed sheet,
golden earrings, gem encircled golden armlets.
There was a garland of brilliant gems,
but why did You choose instead rudra’ks’a, a wild nut?
3702 (26/08/1986) D
BEDARADI BANDHU
GHUM BHÁUNGÁO PÁSHE ÁSI
YADI GO TOMÁKE BHEVE
SUPTITE BHÁSI
GHUM BHÁUNGÁO PÁSHE ÁSI
ÁMÁR BOLITE ÁR KEHO NÁI
ÁPANÁR SABAI TOMÁTEI PÁI
BEDARADI BALE SÁNTVANÁ CÁI
YADIO BHÁLOBÁSI
GHUM BHÁUNGÁO PÁSHE ÁSI
SHIIRŚA KEURE TUMI ÁCHO MISHE
KARŃÁBHARAŃE TAVA DYUTI HÁSE
MANER MUKURE BHÁVA SAḾVESHE
NIYATA RAYECHO BASI
GHUM BHÁUNGÁO PÁSHE ÁSI
BEDARADI BANDHU
GHUM BHÁUNGÁO PÁSHE ÁSI
O the merciless companion, coming close You break my slumber, if while thinking about You
I float into sleep. There is nobody else whom I can call my own, Within You only, I find
own of all. If I love You, just I want consolation, O the merciless. You are merged in my
top jewel, into my earring, Your brilliance shines. In the mental mirror, in the adornment
of ideation, You are ever seated.
3703 (27/08/1986) D
TUMI, JYOTSNÁLOKE SMITA PULAKE
RÚPÁLOKE ESE CHILE
PALAKE PALAKE JHALAKE JHALAKE
PRIITIR PASARÁ D́HELE CHILE
RÚPÁLOKE ESE CHILE
ÁKUTI CHILO TOMÁKE CEYE
ÁÁÁÁÁÁÁÁÁÁ
ÁKUTI CHILO TOMÁKE CEYE
ÁKUTI CHILO TOMÁKE CEYE
ÁKUTI CHILO TOMÁKE CEYE
MAN BHARE GELO TOMÁKE PEYE
MANANER DHÁRÁ TOMÁKE NIYE
NECE CHUT́E CALE CHAL CHALE
RÚPÁLOKE ESE CHILE
MAN SHIKHI NÁCE TOMÁKE BHEVE
ÁÁÁÁÁÁÁÁÁÁ
MAN SHIKHI NÁCE TOMÁKE BHEVE
MAN SHIKHI NÁCE TOMÁKE BHEVE
MAN SHIKHI NÁCE TOMÁKE BHEVE
BHÁVER PÚRTI TAVA ANUBHAVE
MÁDHURII ÁSAVE PRAKETA GARVE
SVARŃA JHARŃÁ REKHE GELE
RÚPÁLOKE ESE CHILE
TUMI, JYOTSNÁLOKE SMITA PULAKE
RÚPÁLOKE ESE CHILE
O Lord, smiling with joy, in the moonlight You came in the arena of forms. Each moment
with each glimpse, You poured the articles of love. I had earnest will to love You, and my
desires were fulfilled on attaining You. My mental stream carrying You rushed dancing
overwhelmingly. My mental peacock dances thinking of You. Feelings were satiated with Your
experience. With sweetness of elixir, and pride of achievement, You left the golden
fountain.
3704 (27/08/1986) K
KUSUM STABAKA MOR CHILO HÁTE
ÁPLÚTA ÁNKHITE RAINJITA ÁSHÁTE
ÚŚŃA PRÁŃER ARUŃIMÁTE
KUSUM STABAKA MOR CHILO HÁTE
KEMANE D́ÁKITE HOYE JÁNITÁM NÁ
ÁÁÁÁÁÁÁÁÁÁ
KEMANE D́ÁKITE HOYE JÁNITÁM NÁ
KII SUR SÁDHITE HOYE BUJHITÁM NÁ
MOR, CHILO AJÁNÁVAEDHII SÁDHANÁ
ÁNKHI PÁTÁ CHILO TAVA ÁSÁ PATHE
KUSUM STABAK MOR CHILO HÁTE
BHÁLO BESE CHINU KENO JÁNI NÁ
ÁÁÁÁÁÁÁÁÁÁ
BHÁLO BESE CHINU KENO JÁNI NÁ
KENO JE CEYE CHINU TÁO BUJHI NÁ
TUMI, SURE LAYE HE CIRA ACENÁ
ELE, SAORA KAROJJVAL RÁUNGÁ PRABHÁTE
KUSUM STABAKA MOR CHILO HÁTE
The floral offerings in the folded palms were in my hands and along with flooded eyes and
coloured hopes were warm reddishness of life. I did not know how to call, did not
understand what melody to practice. I had only ritualistic performance, but eyes were
turned to Your arrival path. Why did I love, I did not know, why was this liking, that
also I did not understand. O Ever Unknown, You came with tune and melody, on the colourful
morning with bright sun rays.
3705 (28/08/1986) K
TUMI JABE ESE CHILE
TUMI JABE ESE CHILE
TUMI JABE ESE CHILE
ÁMI GHAN GHUME CHINU ACETAN
SHAYYÁ PÁRSHVE TUMI BASE CHILE
BUJHINI TOMÁR ÁGAMAN
ÁMI GHAN GHUME CHINU ACETAN
TUMI JABE ESE CHILE
TOMÁR VIIŃÁR TÁR KEḾPE CHILO BÁR BÁR
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR VIIŃÁR TÁR KEḾPE CHILO BÁR BÁR
TOMÁR VIIŃÁR TÁR KEḾPE CHILO BÁR BÁR
TOMÁR VIIŃÁR TÁR KEḾPE CHILO BÁR BÁR
SUR SAPTAKE JEGE UT́HE CHILO JHAUNKÁR
NISHIITHÁNILE KHULE GIYECHE RUDDHA DVÁR
ÁMI TABU MELI NI NAYAN
ÁMI GHAN GHUME CHINU ACETAN
TUMI JABE ESE CHILE
JEGE DEKHI PAŔE ÁCHE TOMÁR PUŚPA HÁR
ÁÁÁÁÁÁÁÁÁÁ
JEGE DEKHI PAŔE ÁCHE TOMÁR PUŚPA HÁR
JEGE DEKHI PAŔE ÁCHE TOMÁR PUŚPA HÁR
JEGE DEKHI PAŔE ÁCHE TOMÁR PUŚPA HÁR
MÁNAS KETANE RAYECHE SURABHI TÁR
SE JENO D́EKE BOLE MORE HENO GHUMÁYO NÁ ÁR
DEKHO PUVE PRABHÁT KIRAŃ
ÁMI GHAN GHUME CHINU ACETAN
TUMI JABE ESE CHILE
O Lord, when You had come, I was unconscious in deep sleep. You sat besides the bed, but I
could not know of Your arrival. The strings of Your viin’a’, vibrated again and again.
Tinkling started playing with octave. With night breeze, the closed doors got opened. Then
also I did not open my eyes. On awakening I saw that Your floral garland was lying. In the
mental banner, its fragrance still remains. As if it tells me calling, “do not sleep any
more, look at the morning rays in the east”.
3706 (28/08/1986) K
MOR GHARE ELE HE PRIYA KENO GELE
ÁMÁY KICHU BOLE GELE NÁ
E ÁSÁ ÁSÁ NAY MAN BHARÁR NAY
MANER KATHÁ BOLÁ HOLO NÁ
ÁMÁY KICHU BOLE GELE NÁ
VIIŃÁ BÁJIYE CHILE MAN MÁTIYE CHILE
ÁÁÁÁÁÁÁÁÁÁ
VIIŃÁ BÁJIYE CHILE MAN MÁTIYE CHILE
VIIŃÁ BÁJIYE CHILE MAN MÁTIYE CHILE
VIIŃÁ BÁJIYE CHILE MAN MÁTIYE CHILE
ÁKÁSHE JHARA JHAR PRIITI JHARIYE DILE
BOLILE BHÁLOBÁSO KEMAN BHÁLOBÁSO
MANEI YADI RAHILE NÁ
ÁMÁY KICHU BOLE GELE NÁ
TOMÁTE ÁMÁTE SHATA YOJAN DÚR
ÁÁÁÁÁÁÁÁÁÁ
TOMÁTE ÁMÁTE SHATA YOJAN DÚR
TOMÁTE ÁMÁTE SHATA YOJAN DÚR
TOMÁTE ÁMÁTE SHATA YOJAN DÚR
TABUO TAVA BHÁVE MAN JE BHARAPÚR
DIIPAKE MEGH MALLÁRE JE BÁJE SUR
TÁTE REKHE GELE TAVA DYOTANÁ
ÁMÁY KICHU BOLE GELE NÁ
O dear Lord,
You came to my home
but went away without telling me anything.
This arrival is not real coming.
My mind was not satisfied.
I could not express my feelings.
You played the lyre, enchanting my mind
and flowed the fountain of love from the sky.
You instructed to love.
But how could I love,
if my mind itself
was in a state of nonexistence?
Between You and me
the distance is hundreds of miles
and yet, my mind is saturated with Your ideation.
The melodies of diipak and meghmalla'r style are sounding.
Over them You have spread Your divine effulgence.
3707 (29/08/1986) D
SVAPANE ELE ÁLO D́HELE
BUJHINI CALIYÁ JÁBE
SUKHER SHEŚE DUHKHA ÁSE
TÁ, JENEO KE BÁ KABE BHÁVE
BUJHINI CALIYÁ JÁBE
ESE CHILE NIIRAVA RÁTE
ÁÁÁÁÁÁÁÁÁÁ
ESE CHILE NIIRAVA RÁTE
ESE CHILE NIIRAVA RÁTE
ESE CHILE NIIRAVA RÁTE
SHIULI JHARÁ SHÁNTA PATHE
KANAK KETAN VIJAY RATHE
JÁNI NIKO KISE CÁHIBE
BHÁVINI MAN KÁŔIBE
BUJHINI CALIYÁ JÁBE
ÁMÁR KÁCHE BHÁVANÁTIITA
CHILO TOMÁR E ÁGAMAN
ÁMÁR BHÁVE BHÁŚÁTIITA
CHILO E ÁNANDA SVAPAN
CALE GELE ASHÁNTA MEGHE
HEMANTERI JHAT́IKÁVEGE
ÁÁÁÁÁÁÁÁÁÁ
HEMANTERI JHAT́IKÁVEGE
HEMANTERI JHAT́IKÁVEGE
HEMANTERI JHAT́IKÁVEGE
KOTHÁY GELE TÁRE PÁVE
JÁNI NI KON ANUBHAVE
LIILÁRI MADHUR BHÁVE
BUJHINI CALIYÁ JÁBE
O Lord, You came pouring effulgence, but I did not understand that You would go away.
Sorrows come at the end of pleasure, this fact who thinks any time? You came on the silent
night, on the quiet path on which shiuli flowers were dropped, riding on the victory
chariot of gold, I did not know whom were You searching. I did not imagine that You would
snatch away my mind. For me, this arrival of Yours was beyond imagination. This blissful
dream was beyond my language and thought. Like a restless cloud with blow of autumn storm
You went away. Where did He go, how to get Him, I do not know, what is the feeling in the
sweet feeling of the liila, illusory play.
3708 (29/08/1986) K
ESECHO KÁCHE BESECHO BHÁLO
DURE SARE JEO NÁ
NÁ NÁ NÁ NÁ NÁ NÁ
HÁSITE DYUTI ÁCHE ÁNANE ÁLO
PRIITIR BÁNDHAN JENO CHINŔO NÁ
DURE SARE JEO NÁ
NÁ NÁ NÁ NÁ NÁ NÁ
NÁNÁ JANE BOLE NÁNÁN KATHÁ
ÁÁÁÁÁÁÁÁÁÁ
NÁNÁ JANE BOLE NÁNÁN KATHÁ
NÁNÁ JANE BOLE NÁNÁN KATHÁ
NÁNÁ JANE BOLE NÁNÁN KATHÁ
HIIRAKA HIYÁ PARE DEY KI KABHU VYATHÁ
SVAPAN JÁLE BUNI TOMÁR MADHURATÁ
TÁHÁTE SHUKÁTE DIO NÁ
DURE SARE JEO NÁ
NÁ NÁ NÁ NÁ NÁ NÁ
MANER GAHANE BHÁSE TOMÁR PRIYA MUKHA
ÁÁÁÁÁÁÁÁÁÁ
MANER GAHANE BHÁSE TOMÁR PRIYA MUKHA
MANER GAHANE BHÁSE TOMÁR PRIYA MUKHA
MANER GAHANE BHÁSE TOMÁR PRIYA MUKHA
VIRÁT́A BHÁVE BHARÁ DOLÁ DEOÁ BÚK
MANSIJA MAŃITE APASRITA DUHKHA
ANÚPAHATA HRIT CETANÁ
DURE SARE JEO NÁ
NÁ NÁ NÁ NÁ NÁ NÁ
O Lord, You came close and loved, now do not go away. There is glow in smile, and
effulgence on the face, do not open the bondage of love. Many people tell many stories
but will the diamond on the bosom cause any pain? I weave a net of Your sweetness in
dream, do not let that dry up. Your dear face shows the glimpses in the mind. That
oscillates the heart filled with the ideation of the Great. Sorrows are removed with the
mentally created gem, without affecting the consciousness of the heart.
3709 (29/08/1986) K
JUTHIKÁ VIITHIKÁ PERIYE
TUMI, ESE CHILE PRIYA SEI PRABHÁTE
CAINCALA PAVANE MAYUKHA AYANE
AINJANA ÁNKÁ ÁNKHI PÁTE
TUMI, ESE CHILE PRIYA SEI PRABHÁTE
SABE CHILO GHUM GHORE VIMÚRTA CARÁCARE
ÁÁÁÁÁÁÁÁÁÁ
SABE CHILO GHUM GHORE VIMÚRTA CARÁCARE
SABE CHILO GHUM GHORE VIMÚRTA CARÁCARE
SABE CHILO GHUM GHORE VIMÚRTA CARÁCARE
TAMAH HOTE TAMISRÁ AJASRA UGARE
PRÁŃA CHILO STABDHA GATI AVARUDDHA
NAESHABDA CÁRI BHITE
TUMI, ESE CHILE PRIYA SEI PRABHÁTE
NIRVÁK UDBHIDE CHILO NÁ PRATIITI HENO
ÁÁÁÁÁÁÁÁÁÁ
NIRVÁK UDBHIDE CHILO NÁ PRATIITI HENO
NIRVÁK UDBHIDE CHILO NÁ PRATIITI HENO
NIRVÁK UDBHIDE CHILO NÁ PRATIITI HENO
CHILO NÁ VIIŃÁR TÁRE JHAUNKRITA VÁŃII KONO
TUMI ELE BHÁŚÁ ELO ANUBHÚTI KÁMPÁNO
PRATHAM JIIVER MUKHETE
TUMI, ESE CHILE PRIYA SEI PRABHÁTE
Crossing the lane of the juhi flowers, O Dear, You had come that morning, with restless
breeze and containing glow, with decoration marked eyes. All were in deep slumber in this
materialized world, in darkness to profound Cimmerian darkness resuming. The vitality was
stunned, and the movements obstructed within the silence of fur walls. Amongst the
speechless vegetation, there was no feeling. There was no sound tinkling on the strings of
viin’a’. You came, the language came, to cause stir of feelings in the mouth of
initial living being.
3710 (29/08/1986) D
KHUNJE GECHI TOMÁY
GHARE BÁHIRE
DHARÁ DILE NÁ
CENÁ ACENÁY GECHI
GECHI TIIRTHE NÁNÁ
DHARÁ DILE NÁ
KHUNJECHI SÁGAR TIIRE
KHUNJE GECHI TIIRTHA NIIRE
KHUNJECHI MANDIRE MANDIRE
ARÚPA RÚPE CHILE NÁ
DHARÁ DILE NÁ
PÁINI GIRI KANDARE
PÁINI ÁMÁR T́HÁKUR GHARE
SHEŚE DEKHI ANTARE
HÁSO CIRA AJÁNÁ
DHARÁ DILE NÁ
O Lord, I searched You inside and outside, but You did not come into folds. I went to many
known and unknown places, pilgrim waters, and temples after temples, but I did not find
Your form, O Formless. I did not find You in mountains and caves, or at the altar of my
own Deity, at the end I saw You within myself, smiling, O the Ever Unknown.
3711 (30/08/1986) K
CÁMPÁR KALI BOLE VASANTA
E PHULE PHULE KARO GIITI RACANÁ
ÁÁÁÁÁÁÁÁÁÁ
BHÁLOBÁSÁ BÁSI SHUDHU KHUSHI HÁSI
SMRTI PAT́E ÁNKO DYUTI DOLANÁ
PHULE PHULE KARO GIITI RACANÁ
AMARÁ ÁSAVE PRÁŃA BHARE DÁO
ÁÁÁÁÁÁÁÁÁÁ
AMARÁ ÁSAVE PRÁŃA BHARE DÁO
AMARÁ ÁSAVE PRÁŃA BHARE DÁO
AMARÁ ÁSAVE PRÁŃA BHARE DÁO
BHRAMARÁ GUINJANE KÁCHE T́ENE NÁO
SHIITER DURGAME JAD́ATÁ SARÁO
TOMÁR LIILÁR NÁHI TULANÁ
PHULE PHULE KARO GIITI RACANÁ
TOMÁKE PEYECHI PARAMÁŃU MÁJHE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁKE PEYECHI PARAMÁŃU MÁJHE
TOMÁKE PEYECHI PARAMÁŃU MÁJHE
TOMÁKE PEYECHI PARAMÁŃU MÁJHE
TOMÁR RÚPA CHAT́Á NIIHÁRIKÁTE RÁJE
TOMÁR PRIITI GIITI VIIŃÁR TÁRE BÁJE
VISHVA TOMÁR BHÁVA DYOTANÁ
HE ALAKH DYUTI PARAMÁGATI
VÁKPATHÁTIITA MADHURÁNUBHÚTI
PÁVÁ NÁ PÁVÁR SHEŚ PARIŃATI
ÁMÁR JENO KABHU BHULONÁ
PHULE PHULE KARO GIITI RACANÁ
The ca’mpa’ bud told that the spring came and create song within each flower. Love
with only pleasure and smile, sketch the swing of glow on the plate of memory. With
heavenly elixir, fulfill the life, with hum of the bees, pull close. Remove the intense
inertia, there is no end of Your divine game liila. I obtained You within atom, Your
beauty of form is established in nebula. Your love song is played on the viin’a’. The
Universe is an expression of Your imagination. O the unseen effulgence, the ultimate
desideratum, beyond the path and speech, sweet feeling. You are the ultimate goal beyond
achievement and shortage, do not forget me any time.
3712 (30/08/1986) K
EK, ÁLO ÁNDHÁRER KHELÁ
HE PRBHU TOMÁR E SRIŚT́ITE
HE PRABHU TOMÁR E SRIŚT́ITE
ÁLO DEKHE SARE JÁY CHÚT́E
KUÁSHÁ ÁSE TÁRE D́HÁKITE
HE PRBHU TOMÁR E SRIŚT́ITE
HE PRABHU TOMÁR E SRIŚT́ITE
CÁNDER HÁSI PARE ÁNDHÁR RÁTI
ÁÁÁÁÁÁÁÁÁÁ
CÁNDER HÁSI PARE ÁNDHÁR RÁTI
CÁNDER HÁSI PARE ÁNDHÁR RÁTI
CÁNDER HÁSI PARE ÁNDHÁR RÁTI
SHUKLA NISHÁR PARE KRIŚŃÁ TITHI
SÁJÁNO PRADIIP SAM TÁRÁR BHÁTI
D́HELE DILE JALA RODE ÁSE CAKITE
HE PRBHU TOMÁR E SRIŚT́ITE
HE PRABHU TOMÁR E SRIŚT́ITE
PHULLA KUSUM SAMA SHISHUR HÁSI
ÁÁÁÁÁÁÁÁÁÁ
PHULLA KUSUM SAMA SHISHUR HÁSI
ATULYA RÁM DHANU SHÁRAD SHASHI
THÁKE NÁ BESI KŚAŃ JÁY JE BHÁSI
KÁLER GAHVARE HÁRIE JETE
TÁI, TOMÁR SHARAŃ CÁI SUKHE DUHKHETE
HE PRBHU TOMÁR E SRIŚT́ITE
HE PRABHU TOMÁR E SRIŚT́ITE
O Lord,
in this creation of Yours,
the game of light and darkness is going on.
Light rushes around
but fog approaches to cover it.
After a moon's smile, a dark night comes.
After lighted nights, dark times come.
The stars, decorated like lamps in the sky,
suddenly vanish in rain and sunlight.
A baby's smile resembles a blooming flower.
The incomparably beautiful rainbow and the autumn moon
do not remain for a long time
but lose themselves in the depth of time.
I therefore long for Your shelter in pain and pleasure.
3713 (31/08/1986) K
JHAT́IKÁ YADI ÁSE
HE PRABHU JUJHITE DIYO
VANYÁR JALOCCHVÁSE
SEVÁ KÁRYE MORE NIO
HE PRABHU JUJHITE DIYO
BHU STARA YADI SARE
JVÁLÁMUKHI YADI NAŔE
ÁÁÁÁÁÁÁÁÁÁ
BHU STARA YADI SARE
JVÁLÁMUKHI YADI NAŔE
VIHAGERA BÁSÁ UŔE
MANE MAMATÁ JÁGIO
HE PRABHU JUJHITE DIYO
AŃU ÁMI SARVA RIKTA
KARO MORE KARUŃÁSIKTA
ÁÁÁÁÁÁÁÁÁÁ
AŃU ÁMI SARVA RIKTA
KARO MORE KARUŃÁSIKTA
BHÚMÁ BHÁVE NIŚIKTA
ÁRTER TRÁŃE NÁMIO
HE PRABHU JUJHITE DIYO
JHAT́IKÁ YADI ÁSE
HE PRABHU JUJHITE DIYO
O Lord,
if a storm comes,
let me face it.
At the time of surging floods,
take service from me.
If the earth's layers move,
if a volcano erupts,
if a birds’ nests is blown away,
arouse sympathy in my mind.
I am a mere microcosm,
devoid of everything.
Make me compassionate.
Saturating me with cosmic ideation,
take me to the service of the afflicted.
..............................................................................
Even if a raging storm should come,
O Lord, please give me the strength to fight.
In surging floods and thyphoons,
give me the chance to do relief work.
Even if the lithosphere shifts,
even if a volcano erupts,
even if the nest of birds should be blown away,
O Lord, please arouse sympathy in my mind.
I am a mere microcosm devoid of everything,
please make me saturated with compassion for all.
Please make me full of cosmic love
and take me to the realm of service of the distressed.
3714 (31/08/1986) (SERVICE SONG)
JIIRŃA VISHIIRŃA
JIIVER KARIBO SEVÁ
ÁRTE KŚUDHÁRTE
BÁINCÁBE NATUVÁ KE BÁ
JIIVER KARIBO SEVÁ
JIIRŃA VISHIIRŃA
JIIVER KARIBO SEVÁ
ÁDHITE BHOGE JÁRÁ
VYÁDHI YÁ TANÁTE SÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁDHITE BHOGE JÁRÁ
VYÁDHI YÁ TANÁTE SÁRÁ
SE MÁNAVA PASHU VIHAUNGA
SABÁRI JANNYE MORÁ
LATÁ GULMERA ÁCHE PRÁŃ
TÁDERO TARE BHÁVÁ
JIIVER KARIBO SEVÁ
DÚR KE KÁCHE T́ENE CHI
SAUNGE SABE NIYECHI
ÁÁÁÁÁÁÁÁÁÁ
DÚR KE KÁCHE T́ENE CHI
SAUNGE SABE NIYECHI
PRÁŃE O MANE MENECHI
SAMPADA SABÁRI MÁPÁ
JIIVER KARIBO SEVÁ
JIIRŃA VISHIIRŃA
JIIVER KARIBO SEVÁ
ÁRTE KŚUDHÁRTE
BÁINCÁBE NATUVÁ KE BÁ
JIIVER KARIBO SEVÁ
JIIRŃA VISHIIRŃA
JIIVER KARIBO SEVÁ
We shall serve all living beings:
the wornout and emaciated.
Who else will save those
sufferings from hunger and distress?
Those suffering from physical or mental diseases
humans, animals, and birds are all mine.
Even shrubs and creepers have life.
They are also to be considered.
We pull the distant ones close
and take them all together.
We wholeheartedly accept that the wealth of all is limited.
..............................................................................
We shall serve the impoverished and emaciated.
Otherwise, who else will save the distressed and the hungry?
We are for all human beings
animals and birds and for all those
who suffer mentally and physically.
Even the plants and creepers have life.
We have to care for them too.
Let us bring the distant ones close to us.
Let us respect all and accept everyone wholeheartedly.
The wealth (of the world) is limited
and to be shared with all.
3715 (01/09/1986) K
BÁUNGLÁ ÁMÁR DESH
BÁNGLÁ KE BHÁLOBÁSI
BÁNGLÁR DUHKHE KÁNDI
BÁNGLÁR SUKHE HÁSI
BÁNGLÁ KE BHÁLOBÁSI
BÁNGLÁR BHÁI BONERÁ
ÁÁÁÁÁÁÁÁÁÁ
BÁNGLÁR BHÁI BONERÁ
MOR KHELÁRI SÁTHI
BÁNGLÁR HIYÁ ÁMRÁ
D́HELE JÁY PRIITI NITI
BÁNGLÁ KE BHÁLOBÁSI
BÁNGLÁTERA PHÚL PHAL JALA
PRABHÁTERA SMITA SHATADALA
YUGÁNTARE NIRÁSHÁR
KUÁSHÁY DIK NÁSHI
BÁNGLÁ KE BHÁLOBÁSI
BÁNGÁLIIR JATA ÁSHÁ
BÁNGÁLIIR PRIYA BHÁSHÁ
ÁÁÁÁÁÁÁÁÁÁ
VISHVAEKATÁVÁDE
PHIRE PÁK PRATYÁSHÁ
BÁNGÁLII CHELE MEYERÁ
BÁNGÁLIIR BODHI PASARÁ
SÁRTHAKA HOK HE PRABHU
MAHATER BHÁVE MISHI
BÁNGLÁ KE BHÁLOBÁSI
Bengal is my country and I love it. I cry in its plight and smile in its joy. The
brothers and sisters of Benga’l are my playmates. Its heart fills in mine love. Its
fruits, flowers and water and the smiling lotus of the dawn, will dispel the accumulated
fog of gloom for eras. All its hopes and aspirations and the lovely language will find
fruition in Universalism. With the spread of intuition in its boys and girls, O Lord
should be fruitful by merger in the cosmic idea.
(in this song, the name of the country can be changed with the name of one’s own country)
3716 (02/09/1986) K
GIITI MÁLIKÁ GALE ESE CHILE
JÁTIKÁ VIITHIKÁTE SE RÁTE
SE SVAPNAMÁYÁY LIILÁ DOLÁY
BHESE CALI ÁJO AJÁNÁTE
JÁTIKÁ VIITHIKÁTE SE RÁTE
SUR SAPTAKE BHULE TÁN
ÁÁÁÁÁÁÁÁÁÁ
SUR SAPTAKE BHULE TÁN
GEYE CHILE PRIITI BHARÁ GÁNA
VIIŃÁR TÁRE SHATA DHÁRE
JYOTI MANJIIRER MANJARIITE
JÁTIKÁ VIITHIKÁTE SE RÁTE
SE GIITA KABHU HÁRÁBE NÁ
ÁÁÁÁÁÁÁÁÁÁ
SE GIITA KABHU HÁRÁBE NÁ
YUGA YUGÁNTEO THÁMIBE NÁ
MAHÁKÁSHE JÁBE BHESE
JYOTIŚKÁTIITA SHRUTI PATHE
JÁTIKÁ VIITHIKÁTE SE RÁTE
GIITI MÁLIKÁ GALE ESE CHILE
JÁTIKÁ VIITHIKÁTE SE RÁTE
With the garland of songs in the neck, You came that night through the ja’tika’ lane.
With that oscillation of dreamy game, liila, even today I go on floating into the
unknown. Ignoring the tune, of the octave, You had sung the song full of love, with the
strings of viin’a’, in hundreds of ways. That song would never be lost, and will not
pause even for eras after eras. It would go on floating in the Great Space, beyond the
glowing stars through the audible path.
3717 (02/09/1986) D
RÚPER SÁYARE D́ÚB DIYE ÁMI
ARÚPA RATAN LABHIÁCHI
LÁSYE O HÁSYE DIIRGHÁBHILÁŚE
PRÁRTHITA PRIYA PEYE GECHI
ARÚPA RATAN LABHIÁCHI
RATNÁKARERO E RATNA NÁI
ÁÁÁÁÁÁÁÁÁÁ
RATNÁKARERO E RATNA NÁI
ÁKÁSHE VÁTÁSE JE DIKE TÁKÁI
SAB KICHU ÁCHE EKAI SHUDHU NÁI
SE EKERE ÁJ DHARIÁCHI
ARÚPA RATAN LABHIÁCHI
PRAKÁSHYE CENÁ JÁY NÁ E MAŃI
ÁÁÁÁÁÁÁÁÁÁ
PRAKÁSHYE CENÁ JÁY NÁ E MAŃI
ÁNDHÁRE JHALAKE CITTER KHANI
BHÁVA BANDHANE BÁNDHÁ ÁCHE JÁNI
TABU BHAYE MARI NÁHI BUJHI
ARÚPA RATAN LABHIÁCHI
RÚPER SÁYARE D́ÚB DIYE ÁMI
ARÚPA RATAN LABHIÁCHI
Having submerged in the ocean of forms, I found the most precious formless gem. With smile
and gesture, the long cherished and requested Dear Entity, I attained. That most precious
gem is not available even in the quarry of gems, wherever I look into sky and air. There
are all things except only one, I brought into folds that one today. This gem that cannot
be recognised in light, this mental treasure glows in the darkness. I know it to be bound
by bondage of feelings of love, still without understanding I die with fear.
3718 (03/09/1986) D
SE JE, ACENÁ AJÁNÁ RAYE GECHE
TÁR, MANDA MADIR MALAY SAMIIR
MAHÁKÁSHE BHESE ÁCHE
ACENÁ AJÁNÁ RAYE GECHE
SE JE ÁCHE MISHE ARUŃA PRAKÁSHE
ÁÁÁÁÁÁÁÁÁÁ
SE JE ÁCHE MISHE ARUŃA PRAKÁSHE
PÚRVÁKÁSHE TAMASÁ SHEŚE
ATANDRA NISHÁ HRIT ÁSHÁ BHÁŚÁ
TÁRAI BHAROSÁR PARE NÁCE
ACENÁ AJÁNÁ RAYE GECHE
TÁR GÁN GÁI TÁRI KATHÁ BHÁVI
ÁÁÁÁÁÁÁÁÁÁ
TÁR GÁN GÁI TÁRI KATHÁ BHÁVI
TÁRI TARAUNGE UT́HI ÁR NÁVI
TÁRI PRIITI RASE MADHUR ÁBHÁSE
VIIŃÁ JHAUNKÁRE GIITI BÁJE
ACENÁ AJÁNÁ RAYE GECHE
SE JE, ACENÁ AJÁNÁ RAYE GECHE
He remained unknown and unrecognised. His soft, intoxicating, sandal breeze, goes on
floating in the Great Space. He remains merged in crimson light of the dawn at the end of
the night in the eastern sky. The active night, having lost hope and language, dances due
to His assurance. Under His waves, I rise and drop. In the flow of His love, with sweet
appearance, with the tinkling of viin’a’, the melody plays.
3719 (04/09/1986) K
MÁDHAVII KUINJE ESO SHYÁM
MAN BHRAMARÁY MADIR KARE
UJÁŔ KARO KORAK D́HÁKÁ
MANER MADHU DU HÁT BHARE
MAN BHRAMARÁY MADIR KARE
E MÁDHAVI KUINJA ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
E MÁDHAVI KUINJA ÁMÁR
SE JE ÁCHE ÁSHÁY TOMÁY
PRATIT́I PAL HOYE VIPHAL
VIPAL GUŃE TOMÁRE
ÁSIBE KI NÁJÁNINÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁSIBE KI NÁJÁNINÁ
PUŚPITA KARE SÁDHANÁ
SINCITA JALA PRIITI KOMAL
T́ÁNIBE NÁ KI TOMÁRE
MAN BHRAMARÁY MADIR KARE
ESO TUMI BARER VESHE
ÁÁÁÁÁÁÁÁÁÁ
ESO TUMI BARER VESHE
PHÚLER SÁJE GÁNER RESHE
MADHUR ÁNANA ATANDRA MAN
SMITÁDHARE BHÁVER GHORE
MAN BHRAMARÁY MADIR KARE
MÁDHAVII KUINJE ESO SHYÁM
MAN BHRAMARÁY MADIR KARE
O Shyam, come into the arbor of madhavii flowers, intoxicating the mental honeybee. Fully
open the cover of the nucleus filling mental honey in both hands. In this ma’dhavii
arbor of mine, which waits expecting You, each moment and seconds counting time, becomes
futile. Whether You would come or not, I do not know, to fulfill and bloom my endeavor of
sa’dhana’. Whether the soft love wet water would pull You or not. Come in the
adornment of the respected groom, with decoration of flower and tint of song. Come with
sweet face and active mind, smiling lips with intense feeling.
3720 (05/09/1986) K
EI, TAMASÁY BHARÁ VARAŚÁY
MAN MOR BHESE JÁY SAGHAN SHYÁMALIMÁY
VEŃUKÁ VANER SUŚAMÁY
EI, TAMASÁY BHARÁ VARAŚÁY
SE PRIYA KI ÁSIBE NÁ BÁNSURI BÁJÁBE NÁ
ÁÁÁÁÁÁÁÁÁÁ
SE PRIYA KI ÁSIBE NÁ BÁNSURI BÁJÁBE NÁ
NARMA YAMUNÁ JALE MARMA DOLÁBE NÁ
SUR SAPTAKE VIIŃÁ JHAUNKÁRE MÁTÁBE NÁ
EKEO KII PRIITI BOLÁ JÁY
EI, TAMASÁY BHARÁ VARAŚÁY
BÁHIRE BÁDAL JHARE TANDRÁ BHÁUNGÁR SURE
ÁÁÁÁÁÁÁÁÁÁ
BÁHIRE BÁDAL JHARE TANDRÁ BHÁUNGÁR SURE
SABÁR AGOCARE GHARE MOR ÁNKHI JHARE
SIKTA JAL DHÁRÁY VIVIKTA CARÁCARE
MOR PÁNE KE BÁ PHIRE JÁY
EI, TAMASÁY BHARÁ VARAŚÁY
In this rainy time
full of darkness
my mind floats on
in the beauty of the deep green bamboo grove.
I wonder whether that beloved one of mine will come or not.
I wonder whether He will play the flute or not.
I wonder whether He will stir the depth of the soft Yamuna river water.
Will He not enchant me
by tinkling melodious notes on the lyre?
I wonder whether to consider this real love?
Outside, clouds outpour in awakening tunes.
Inside my home, unseen
tears are pouring from my eyes.
Flooded by the flow of water
my whole world has become isolated.
Will He ever again return?
..............................................................................
In the staticity of rainfall
my mind floats to the deep green vegetation
and enjoys the beauty of the cane forest.
Will my beloved not come and play His flute?
By the banks of the Yamuna river to my delight?
The scale of the seven notes
my mind enjoys the flow like this.
I wonder if to consider this real love?
Outside it is raining
and the sound of that rain
shatters my drowsiness.
Unknown to all, inside my house
tears are flowing from my eyes.
3721 (05/09/1986) K
TUMI ESE CHILE VIIŃÁ BÁJIYE CHILE
JHAUNKÁR TÁR ÁJAO BHESE JÁY
SUR SHIKHIYE CHILE GÁN SHUNIYE CHILE
SE VIIŃÁR TÁR MANE JHALAKÁY
JHAUNKÁR TÁR ÁJAO BHESE JÁY
KARE GIYE CHILE TUMI VASUDHÁ KE VIMOHITA
ÁÁÁÁÁÁÁÁÁÁ
KARE GIYE CHILE TUMI VASUDHÁ KE VIMOHITA
KARE GIYE CHILE TUMI VASUDHÁ KE VIMOHITA
KARE GIYE CHILE TUMI VASUDHÁ KE VIMOHITA
DIIRGHA NIDRÁ PARE VIMÚRTA NANDITA
TOMÁRE SE DYOTANÁY MÁRMIK ANUDHÁRÁY
SVARŃA JHARŃÁ PRÁŃE VARAŚÁY
JHAUNKÁR TÁR ÁJAO BHESE JÁY
JÁONIKO TUMI DÚRE ÁCHO SABE GHIRE GHIRE
ÁÁÁÁÁÁÁÁÁÁ
JÁONIKO TUMI DÚRE ÁCHO SABE GHIRE GHIRE
JÁONIKO TUMI DÚRE ÁCHO SABE GHIRE GHIRE
JÁONIKO TUMI DÚRE ÁCHO SABE GHIRE GHIRE
MANER MAINJÚŚÁY TAVA PRIITI GUINJARE
SE TOMÁR RÚPE RÁGE SHÁSHVATA ANURÁGE
VARAŃÁTIITA MURACHÁY
JHAUNKÁR TÁR ÁJAO BHESE JÁY
TUMI ESE CHILE VIIŃÁ BÁJIYE CHILE
JHAUNKÁR TÁR ÁJAO BHESE JÁY
O Lord, You had come and played viin’a’, the tinkling of which even today goes on
floating. You taught the melody, heard the songs, showing the strings of the viin’a’
in the mind. You made the world enchanted, after a prolonged sleep with materialization of
pleasure. That gesture of Yours, subtle flow of undercurrent, rains the golden fountain
into the heart. You do not go far, remain surrounding all. In the mental casket, You love
resonates. That puts me in trance beyond description by Your beauty, affection and eternal
love.
3722 (05/09/1986) K
ESO TUMI ÁMÁR DESHE
BHALOBESE MADHUR HESE
ÁSAN PETE REKHECHI GHARE
MAN VEDII PUŚPA VÁSE
BHALOBESE MADHUR HESE
ÁMÁR DESHER HOYO ATITHI
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR DESHER HOYO ATITHI
TITHI NÁ MENE THÁKO NITI
ÁMÁR E DESHA VISHVA JOŔÁ
PRIITI BHARÁ PRÁŃOCCHVÁSE
BHALOBESE MADHUR HESE
TUMI YADI NÁ ELE PRIYA
ÁÁÁÁÁÁÁÁÁÁ
TUMI YADI NÁ ELE PRIYA
SAB KICHU MOR VRITHÁ JÁNIO
BÚKER MADHU JYOTSNÁ VIDHU
SUKHER NIIŔER VINIRYÁSE
BHALOBESE MADHUR HESE
ESO TUMI ÁMÁR DESHE
BHALOBESE MADHUR HESE
O Lord, You come to my arena, smiling sweetly with love. I have kept the seat in my home
with floral fragrance on the mental altar. Become a guest of my mental arena, ignoring the
date, stay forever. My arena is overwhelmingly harnessed with the universe. O Dear if You
do not come, then know that everything of mine is useless, all the honey in the heart and
the illumination of the moon, with essence of the happy nest.
3723 (06/09/1986) K
SUMUKHE ÁSITE NÁ CÁO
ESO ESO ÁNKHITE
VIMUKHE VIRÚPE TO
MÁY CÁI NÁ CAI HÁSITE
ESO ESO ÁNKHITE
TOMÁRE JÁY NÁ DHARÁ
ÁÁÁÁÁÁÁÁÁÁ
TOMÁRE JÁY NÁ DHARÁ
BOLE JÁN VIJINA JÁNRÁ
ÁMI AJINA BODHIHÁRÁ
KRIPÁTE CÁI DHARITE
ESO ESO ÁNKHITE
KI NÁ HOY TAVA KARUŃÁY
ÁÁÁÁÁÁÁÁÁÁ
KI NÁ HOY TAVA KARUŃÁY
PAUNGU GIRI LAUNGHI JÁY
MÚKAO PULAKE KATHÁ KAY
AMÁY CÁNDA HÁSE CAKITE
ESO ESO ÁNKHITE
O Lord, if You do not want to come before me, then come on my eyes. I do not want to see
You crossed and apathetic, rather smilingly. It is not possible to get You itno the folds
this is told by the learned people. I am ignorant, devoid of intuition, want to bring You
under folds by Your grace. What is impossible by Your grace? The lame can cross the
mountain, even the dumb speaks out, and even moon smiles in the dark night astonishingly.
3724 (06/09/1986) K
ESE CHILE TUMI SE RÁTE
CHÁPIE DIYE CÁNDER HÁSI
MANDA MADHUR MALAY VÁTE
UPACE DIYE ASHEŚA KHÚSHI
CHÁPIE DIYE CÁNDER HÁSI
KII RITI TOMÁR JÁNI NÁ
ÁÁÁÁÁÁÁÁÁÁ
KII RITI TOMÁR JÁNI NÁ
KI KATHÁ KAO TÁO BUJHI NÁ
PÚRŃA PÁTRE KII JE YÁCANÁ
JÁNIYE JÁO AHARNISHI
CHÁPIE DIYE CÁNDER HÁSI
DITE GELE NITE CÁO NÁ
ÁÁÁÁÁÁÁÁÁÁ
DITE GELE NITE CÁO NÁ
BHUMÁ KI BÁ NEVE BOLO NÁ
JÁ ÁCHE TÁ TÁRI ÁCHE
ÁDI SHEŚER RIKKHARÁSHI
CHÁPIE DIYE CÁNDER HÁSI
ESE CHILE TUMI SE RÁTE
CHÁPIE DIYE CÁNDER HÁSI
O Lord, You had come that night, spreading smile of the moon. With soft sweet sandal
breeze, You overflowed endless joy. I do not know what is Your style, what You want to
convey that also I do not understand. What is the demand of the fulfilled container, know
it for all the time, day and night. You have been always giving, and never wanted to take.
What the Macrocosm would take, tell me. Whatever exists, belong to You, all the wealth
from beginning to end.
3725 (06/09/1986) K
CÁNDER ÁLOR DESHE PHULE PARÁGE MISHE
TUMI ESECHILE KON SE RÁTE
MÁDHURII VIVARDHANA PRATIITI NANDANA
HE MANORAINJANA KISER ÁSHÁTE
TUMI ESECHILE KON SE RÁTE
KETAKI KESHAR ÁJAO SEI KATHÁ KAYE
ÁÁÁÁÁÁÁÁÁÁ
KETAKI KESHAR ÁJAO SEI KATHÁ KAYE
JÚTHIKÁ KÁTAR TABU GÁY TAVA JAY
T́AGAR CÁMELI JÁTI SPANDITA ANUBHÚTI
SE APÁR ABHISÁR GIITI RACE NIBHRITE
TUMI ESECHILE KON SE RÁTE
VAN HARIŃI ÁJAO SE ÁKÁSHE CÁY
ÁÁÁÁÁÁÁÁÁÁ
VAN HARIŃI ÁJAO SE ÁKÁSHE CÁY
VIMÚRTA KALÁPE SHIKHI NIRAKHÁY
DÁDUR PULAKE BOLE PRIITI BHARÁ ÁNKHI JALE
KADAMBA TAMÁLE ÁJO KÁNDE SE SHIKHITE
TUMI ESECHILE KON SE RÁTE
CÁNDER ÁLOR DESHE PHULE PARÁGE MISHE
TUMI ESECHILE KON SE RÁTE
O Lord, from the bright arena of the moon, mixed with floral fragrance, on which night did
You come? O The enhancer of sweetness, pleasing in experience, mind charmer, with what
expectation did You come? The pollen of ketakii flower even today tells that event. Juhi
flower is afflicted, still it sings Your victory. The t’agar and ca’melii group is
vibrated with the experience and create unlimited songs of love in isolation. The wild
deer even today cherishes that environment. With materialization of its call, the peacock
is noticed. The frogs joyously utter with tears of love. The kadamba and tama’l cry even
today to that peacock.
3726 (07/09/1986) D
GÁNER E MÁLÁKHÁNI
TOMÁRAI TARE RACECHI
MAŃI MUKTÁ NÁ PEYECHI
ÁCHE SHUDHU JE GÁNAI
GÁNER E MÁLÁKHÁNI
BHORE PHÚL CAYAN KARI
ÁÁÁÁÁÁÁÁÁÁ
BHORE PHÚL CAYAN KARI
SÁNJHE MÁYÁ D́ORE BHARI
NIYATA TOMÁRE SMARI
SURETE GENTHECHI VÁŃII
GÁNER E MÁLÁKHÁNI
JIIVANER JATA PÚJÁ
ÁÁÁÁÁÁÁÁÁÁ
JIIVANER JATA PÚJÁ
NIBHRITE SHATA KHONJÁ
ANITYERA SAUNGE JOJHÁ
SARÁYE SAKAL GLÁNI
GÁNER E MÁLÁKHÁNI
O Lord, these garlands of song I am creating for You. I did not find any pearl or gem for
threading, I got only songs. I pick up flowers in the morning and thread them into garland
in the evening with the thread of ma’ya’. Remembering You constantly, I thread the
words. All the worship in the life, hundreds of searches in isolation. Struggling with the
phenomenal, discarding all agonies, I do so.
3727 (08/09/1986) K
MOHA BHAINJAN MANORAINJAN VISHVÁTIITA SATTÁ
HE CIRA ÁNANDA GHANA
NÁMER MAHIMÁY BHÁVER GARIMÁY
CEYE ÁCHO PRÁŃAVATTÁ
HE PURUŚA PURÁTANA
HE CIRA ÁNANDA GHANA
PARAMA PURUŚA TUMI PARAMÁRTHA
ÁÁÁÁÁÁÁÁÁÁ
PARAMA PURUŚA TUMI PARAMÁRTHA
JAD́A CETANE SAMA BHÁVE PARIVYÁPTA
AŃU PARAMÁŃU TOMÁTEI ABHIVYAKTA
TUMI JIIVNA MARAŃA
HE CIRA ÁNANDA GHAN
NRITYE ABHISÁRE NRITYER CHANDE
ÁÁÁÁÁÁÁÁÁÁ
NRITYE ABHISÁRE NRITYER CHANDE
TUMI SABÁKÁR SÁTHE ANANTA SUDHÁSÁRE
CHILE, ÁCHO, THEKE JÁBE
YUGE YUGÁNTARE ÁPLUTA KARE
HE CIRA ÁNANDA GHANA
O destroyer of the illusory attachments, mindcharmer, the entity beyond the world, ever
intense bliss. With the glory of name and greatness of ideas, You look to liveliness, O
the ancient Purus’a, O Parama Purus’a, You are the ultimate goal, You pervade the
living and nonliving in same way. All the atoms and molecules are Your expressions. You
are the life and death. For the rendezvous of dance with the rhythm of dance, You are
along with all with infinite essence of nectar. You were present, exist now and will
remain flooding all eras after eras.
3728 (08/09/1986) D
ÁMI, KHUNJECHI TOMÁY NABHE PÁTÁLE DHARÁY
DHARÁ DILE NÁ, DILE NÁ, DILE NÁ
HOYETO ÁMÁRAI DOŚA E ÁSHUTOŚA
ÁMÁR NEIKO JÁNÁ KONO SÁDHANÁ
DHARÁ DILE NÁ, DILE NÁ, DILE NÁ
TUMI, DÁO NÁ DHARÁ SHÁSTRE DARSHANE
ÁÁÁÁÁÁÁÁÁÁ
TUMI, DÁO NÁ DHARÁ SHÁSTRE DARSHANE
TOMÁY JÁY NÁ CHONYÁ MALAY PAVANE
TUMI MANE ÁCHO PRÁŃE NECE CALECHO
TÁI KONO MÚLYE TOMÁY JÁY NÁ KENÁ
DHARÁ DILE NÁ, DILE NÁ, DILE NÁ
TOMÁY, JÁY NÁ CENÁ SÁHITYA KARME
ÁÁÁÁÁÁÁÁÁÁ
TOMÁY, JÁY NÁ CENÁ SÁHITYA KARME
TUMI, MÁNO NÁ MÁNÁ ÚŚÁY SANDHYÁY NARME
TUMI, GHAR KE KARO BÁHIR, BÁHIR KE GHAR
ÁCHO, MARMER MÁRMIKTÁY LIILAY NÁNÁ
DHARÁ DILE NÁ, DILE NÁ, DILE NÁ
O Lord, I have been searching You in sky, earth and netherworld, but You never came into
folds. O The Quickly pleased Lord, it could be due to my faults, I had no knowledge of any
spiritual endeavor, sa’dhana’. You do not come into folds by scriptures or philosophy.
You cannot be touched by sandal breeze. You are in the mind and go on dancing in feelings
thus for any price, You cannot be purchased. You cannot be recognised by literature or
actions. You are not restricted by mornings or soft evenings. You make the insiders out
and outsiders in, remain playing in numerous ways of Your liila, in the inner most
feeling of heart with deep insight.
3729 (08/09/1986) D
KUHELIR RÁTE TAMSÁTE
NIIRAVA CARAŃE ESE CHILE
TÁI, CIRA AJÁNÁ RAYE GELE
NIIRAVA CARAŃE ESE CHILE
TIMIRÁVRITTA CHILO NISHÁ
ÁÁÁÁÁÁÁÁÁÁ
TIMIRÁVRITTA CHILO NISHÁ
ÁMÁR COKHE CHILO GHUMER NESHÁ
ANÁDI ASHEŚA SE TAMASÁ
NIJER MANER RAUNGE RÁUNGIYE DILE
NIIRAVA CARAŃE ESE CHILE
CARAŃA PÁTE JYOTI MAINJIIRE
ÁÁÁÁÁÁÁÁÁÁ
CARAŃA PÁTE JYOTI MAINJIIRE
DHVANI JEGE CHILO DHIIRE DHIIRE
CETANÁ ELO MARME GABHIIRE
DEKHE HESE TUMI LUKIYE GELE
NIIRAVA CARAŃE ESE CHILE
O Lord, on the foggy night, during darkness, with silent feet You had come but remained
ever unknown. The night was covered with darkness, and in my eyes was drowsiness of sleep.
With the fall of feet, slowly the shining musical sound of mainjiira’ arose, and
awareness came into the depth of the core. But when I saw, smilingly You hid Yourself.
3730 (08/09/1986) D
TUMI KABE ESE CHILE
ITIHÁS TÁR AJÁNÁ
HÁR MENE JÁY SHÁSTRA SAKAL
KEU BHÁVITE PÁRE NÁ
ITIHÁS TÁR AJÁNÁ
ESE CHILE NIJER LIILÁY
ÁÁÁÁÁÁÁÁÁÁ
ESE CHILE NIJER LIILÁY
AŃU PARAMÁŃUR DOLÁY
NIIHÁRIKÁY TÁRÁR MÁLÁY
KII VICITRA EŚAŃÁ
ITIHÁS TÁR AJÁNÁ
PRAŃÁM JÁNÁI TOMÁY PRABHU
KOT́I KOT́I BÁR
ESE CHILE KENO KE JÁNE
ÁÁÁÁÁÁÁÁÁÁ
ESE CHILE KENO KE JÁNE
AVYAKTER STABDHA MANE
NIRVIKÁRE KŚAŃE KŚAŃE
URMI ENE NÁNÁ
ITIHÁS TÁR AJÁNÁ
TUMI KABE ESE CHILE
ITIHÁS TÁR AJÁNÁ
O Lord, when had You come, the history of which is unknown. All the scriptures accept
defeat no one is able to imagine. You had come by Your own game, liila, oscillating
atoms and molecules, series of stars and nebula, what an amazing will? I offer my
salutations to You millions of times. Who knows what for did You come into the stupefied
mind of the unexpressed, remaining absolutely pure, bringing numerous waves each moment?
3731 (09/09/1986) D
TÁMASI NISHÁR? AVASÁNE
ARUŃA PRABHÁT ELO
PRÁŃA SARITÁR STARE STARE?
RAUNGER PRALEPA DILO
TÁMASI NISHÁR AVASÁNE
SÚRYA ELO PÚRVÁKÁSHE
ÁÁÁÁÁÁÁÁÁÁ
SÚRYA ELO PÚRVÁKÁSHE
ÁMÁR ÁSHÁY PASARÁ PÁSHE
TAMA SUDAN VARŃÁBHÁSE
GLÁNI SARIYE NILO
TÁMASI NISHÁR AVASÁNE
VARŃA DHÁRÁY RÚPA MEKHALÁY
ÁÁÁÁÁÁÁÁÁÁ
VARŃA DHÁRÁY RÚPA MEKHALÁY
VICITRA TÁR MARMA DOLÁY
VIMÚRTA PRÁŃA TOMÁR LIILÁY
YÁTRÁRAMBHA HOLO
TÁMASI NISHÁR AVASÁNE ARUŃ PRABHÁT ELO
At the end of dark night, crimson morning came. At each level of the stream of vitality
You applied colourful paints. The sun appeared in the eastern sky, with the articles of my
hopes. With the appearance of the darkness destroying colour, the agonies were removed.
With the flow of colours, encircling beauty. Your oscillating of the heart is amazing. The
materialized vitality with Your liila, the journey began.
3732 (09/09/1986) K
CÁNDA HÁRIYE GELO ÁNDHÁR NEVE ELO
TUMI BOLE GIYE CHILE ÁSIBE ÁBÁR
CÁNDA PUNAH PHIRE ELO ÁLO JHALAKÁLO
TUMI ÁSILE NÁ ÁR GHARE ÁMÁR
TUMI BOLE GIYE CHILE ÁSIBE ÁBÁR
SABÁR PRÁŃER PRÁŃA HE PRIYA ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
SABÁR PRÁŃER PRÁŃA HE PRIYA ÁMÁR
TRILOKA UDBHÁSITA DYUTITE TOMÁR
ASTI BHÁTI ÁNANDA APÁR
TOMÁTEI VIDHRITA CETANÁ SABÁKÁR
TUMI BOLE GIYE CHILE ÁSIBE ÁBÁR
MANER MADHU MOR TOMÁR TARE
ÁÁÁÁÁÁÁÁÁÁ
MANER MADHU MOR TOMÁR TARE
JATANE REKHECHI DHARE KORAK PARE
TUMI ELE D́HELE DOBO UJÁŔ KARE
KARUŃÁ KAT́ÁKŚE TÁKÁO EKAT́I BÁR
TUMI BOLE GIYE CHILE ÁSIBE ÁBÁR
The moon disappeared, and the darkness came. You had told that You would come again. The
moon reappeared again showering illumination, but You did not come to my home again. O my
Dear, the life of all lives, by Your effulgence all the three worlds are illuminated, with
unlimited bliss of existence and shine. The microcosmic consciousness of all is sheltered
within You. I have kept my mental honey carefully preserved for You within the nucleus of
my core. When You come, I shall offer to You overwhelmingly. With look of mercy see me at
least once.
3733 (09/09/1986) K
JE ÁGUN JVELE GELE
STÚPIKRITA ANDHAKÁRE
ULKÁ TARAL JVÁLÁR MÁLÁY
KÁLA HOTE KÁLÁNTARE
STÚPIKRITA ANDHAKÁRE
SE ÁGUN CHEYE GELO DIGDIGANTE
ÁÁÁÁÁÁÁÁÁÁ
SE ÁGUN CHEYE GELO DIGDIGANTE
MÁNILO NÁ KONO MÁNÁ SÁNTE ANANTE
LELIHÁNA SHIKHÁ TÁR PROJJVALA O APÁR
CHAŔÁLO SARVANTARE
STÚPIKRITA ANDHAKÁRE
HUTÁSANA VAKŚA UGÁRI CALE ANAL
ÁÁÁÁÁÁÁÁÁÁ
HUTÁSANA VAKŚA UGÁRI CALE ANAL
BHASMIBHÚTA KARE PÁPER ANTAHSTHALA
JE PÁPA PARIBHU PARE DÁNAVA NRITYA KARE
TÁRE SARÁLO ACIRE
STÚPIKRITA ANDHAKÁRE
O Lord, the fire that You kindled in the piled darkness, with the series of blowing flame
of meteorites, from time to time. That fire spread into all directions, unrestricted into
finite and infinite. The blazing flame of which with unlimited brilliance is spread within
all. The flame of sacrificial fire moves erupting the bosom, and burns to ashes the core
of the sins, over the boundary of which, the devils dance. That You quickly removed.
3734 (09/09/1986) D
TUMI YADI NÁHI ELE
VRITHÁI KABARII BÁNDHÁ
VRITHÁI TABE ÁLOKA SAJJÁ
VRITHÁI SUR SÁDHÁ
TUMI YADI NÁHI ELE
VRITHÁI TABE ÁLPANÁ ÁNKÁ
ÁÁÁÁÁÁÁÁÁÁ
VRITHÁI TABE ÁLPANÁ ÁNKÁ
VRITHÁI TABE SEJE THÁKÁ
VRITHÁI ÁNKÁ KÁJALA REKHÁ
KUSUM BHARÁ GÁNTHÁ
TUMI YADI NÁHI ELE
TOMÁR TARE YUGE YUGE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR TARE YUGE YUGE
HE PRIYA MOR ÁCHI JEGE
ANTAH VIHIN BHÁVÁVEGE
LAUNGHI SAKAL BÁDHÁ
TUMI YADI NÁHI ELE
O Lord, if You do not come, useless is my chignon decoration binding. Useless is the
decorated bed of illumination, and useless is practice of the melody. And then waste is
marking welcome decoration and keeping seat. Useless was my dark eye decoration and so was
garland threaded from flowers. For You, O Dear, eras after eras has been my awakening with
endless impulse of feelings, I cross all obstacles.
3735 (09/09/186) D
KENO JE BHÁLOBESE CHILUM
KENOR UTTAR JÁNI NÁ
KENO JE BHÁLO LEGE CHILO
KEŔE NILO BHÁVANÁ
KENOR UTTAR JÁNI NÁ
KENO JE ÁMI NIJHUM RÁTE
ÁÁÁÁÁÁÁÁÁÁ
KENO JE ÁMI NIJHUM RÁTE
TÁR KATHÁ BHÁVITE BHÁVITE
KLIŚT́Á VRITTI PÁSHARITE
KARE GECHI TÁR YÁCANÁ
KENOR UTTAR JÁNI NÁ
KENO TÁKE DHYÁNE DEKHE
ÁÁÁÁÁÁÁÁÁÁ
KENO TÁKE DHYÁNE DEKHE
HOI JE ÁMI ÁNAMANÁ
BÁHIR VISHVA HÁRIYE JÁY
STABDHA HOYE PALA GUNÁ
KENOR UTTAR JÁNI NÁ
KENO JE ÁMI BHÁVER SROTE
TÁRI SÁTHE MISHE JETE
DUHKHA SUKHER URDHVE HOTE
KARE CALI TÁR EŚAŃÁ
BUJHI BOJHÁTE PÁRI NÁ
KENOR UTTAR JÁNI NÁ
KENO JE BHÁLOBESE CHILUM
KENOR UTTAR JÁNI NÁ
Why did I love, the answer to this “why” I do not know. Why did I like so much, Who
has snatched away all feelings? Why during calm nights, thinking constantly about Him
forgetting the painful feelings, I have been seeking Him. Why, on seeing Him during
meditation, I become unmindful and losing the feelings of the external world, I become
stupefied counting moments? Why in the stream of feelings, I go on merging in Him, and
moving above the pains and pleasures, I long for Him? Even after understanding, I am
unable to explain that.
3736 (09/09/1986) D
SE JE ESECHE KÁCHE
NAYANER NINDA KEŔECHE
BHÁLOBESECHE NÁ BESECHE
MOR ÁMIRE NIYE NIYECHE
NAYANER NINDA KEŔECHE
PHULER SUVÁSETE ÁMI
ÁÁÁÁÁÁÁÁÁÁ
PHULER SUVÁSETE ÁMI
PÁI JE TÁR HIYÁR SURABHI
PÚVÁCALE VARŃA SHOBHÁY
BHESE ÁSE TÁR PURAVII
CARÁCARER GÁNE NÁCE
TÁRI PRIITI CHANDE RÁJE
SAKAL CÁOÁ PÁOÁR MÁJHE
SE SABÁRE JINICHE
NAYANER NINDA KEŔECHE
ÁMÁR MANE SAḾGOPANE
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR MANE SAḾGOPANE
KENO I BÁ ÁSE ÁJ? KE JÁNE
NÁ CÁHITEO SADÁ BHÁSE
KONO MÁNÁI NÁHI MÁNE
PHÁGUN MÁSER RAUNGER DOLÁY
UTSÁRITA UTALÁ VÁYA
SE ÁMÁY BHARE TULECHO
NAYANER NINDA KEŔECHE
SE JE ESECHE KÁCHE
NAYANER NINDA KEŔECHE
He came close and snatched away the sleep from my eyes. Whether He loved or not, but He
took away my “I” feeling. In the fragrance of flowers, I find the fragrance of His
heart. From the colourful beauty of the eastern horizon, His particular Puravii tune comes
floating. In all the songs and dances of the whole world, His love and rhythm is
established. Within all desires and achievements, He wins over all. Within my mind
secretly, why did He come today, who knows? Even if unwilling, He always floats without
getting resistance by any obstruction, swinging by colours of the spring month, emanated
though frenzied wind.
3737 (10/09/1986) K (Krsna)
MADHUR MOHAN BHÁVE SHYÁM
TUMI, ESO ÁMÁRI BHÁVANÁTE
MOR CITI YAMUNÁ SHUKHÁYECHE
TAVA, PRIITI PARASH DÁO TÁTE
TUMI, ESO ÁMÁRI BHÁVANÁTE
MOR KUNŔI JHARE GECHE NÁ PHUT́IÁ
ÁÁÁÁÁÁÁÁÁÁ
MOR KUNŔI JHARE GECHE NÁ PHUT́IÁ
TAPAN ÁLOKE NÁ MÁKHIÁ
MADHU SHUKHÁYECHE NÁ JHARIÁ
CEPE RÁKHÁ SHATA VEDANÁTE
TUMI, ESO ÁMÁRI BHÁVANÁTE
ÁMI, BHEVE CHINU TUMI KÁCHE ELE
ÁÁÁÁÁÁÁÁÁÁ
ÁMI, BHEVE CHINU TUMI KÁCHE ELE
KATHÁ KAHIBE BHÁLO BESE
NANDITA MANE MRIDU HESE
ÁJ O PATH CEYE ÁCHI JE ÁSHÁTE
TUMI, ESO ÁMÁRI BHÁVANÁTE
O Krsna, Shyam, You come with sweet feeling into my ideation. The river Yamuna’ of
my heart is dried, You provide it a loving touch. My bud has dropped down without
blooming, without getting smeared by the sunlight. The honey, preserved with much pain, is
dried without oozing. I expected that You would come close and talk to me lovingly
smiling softly with pleasing mind. Even today, with hope, I look to the path.
3738 (10/09/1986) K
MOR, NIRÁSHÁR ÁNDHÁRE TUMI KE
KE GO ELE E NIRJANE
ÁMI SVAPANE BHÁVINI JÁHÁKE
SE KI TUMI BOLO GOPANE
KE GO ELE E NIRJANE
ÁMI, JAD́ÁVESHE CHILUM ÁNAMANE
ÁÁÁÁÁÁÁÁÁÁ
ÁMI, JAD́ÁVESHE CHILUM ÁNAMANE
SAMVIT ENE DILE KENO KE JÁNE
TUMI, CETANÁR DHÁRÁ BHARE DILE MANANE
AHAETUKI KARUŃÁ ARUŃE
KE GO ELE E NIRJANE
TOMÁR SAUNGE CHILO NÁ PARICAYA
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR SAUNGE CHILO NÁ PARICAYA
KARINI KABHU KONO KUSHAL VINIMAYA
ÁMI, ÁSITE BOLINIKO KONO SAMAY
LÁJE DÚRE CHINU VIJANE
KE GO ELE E NIRJANE
MOR, NIRÁSHÁR ÁNDHÁRE TUMI KE
KE GO ELE E NIRJANE
During the darkness of my night, who is that You, who came in isolation? This I could not
imagine even in dream, is that You, tell me secretly. I was unmindful engrossed in
materialistic thoughts. Why did You provide consciousness, who knows? You made the current
of consciousness, flow in the mind, with the rise of causeless mercy. I had no
acquaintance with You earlier. I had never exchanged the words of how do you do and hello.
Never I invited You and remained far in isolation.
3739 (10/09/1986) Df
TUMI, RÚPE BHUVAN ÁLO KARÁ
GÁNE NÁCE TUMI CHANDE BHARÁ
TOMÁR, UPAMÁ NÁI TULANÁ NÁ PÁI
EKÁ TUMI SÁRÁ JAGAT JOŔÁ
TUMI, RÚPE BHUVAN ÁLO KARÁ
GÁNE NÁCE TUMI CHANDE BHARÁ
TUMI, EGIYE JÁO PICHE NÁ CÁO
ÁÁÁÁÁÁÁÁÁÁ
TUMI, EGIYE JÁO PICHE NÁ CÁO
TOMÁR RATHERA CÁKÁ THÁMATE NÁ DÁO
ASMARAŃE KOLE TULIÁ NÁO
TOMÁR GUŃE PRIYA MUGDHA DHARÁ
TUMI, RÚPE BHUVAN ÁLO KARÁ
GÁNE NÁCE TUMI CHANDE BHARÁ
TUMI, BHÁLOBÁSO LIILÁ RACO
ÁÁÁÁÁÁÁÁÁÁ
TUMI, BHÁLOBÁSO LIILÁ RACO
KOMAL KAT́HORE MISHE ÁCHO
JÁR KEHO NÁI TÁR TUMI RAYECHO
ANÁDI ANANTE TUMI GAŔÁ
TUMI, RÚPE BHUVAN ÁLO KARÁ
GÁNE NÁCE TUMI CHANDE BHARÁ
TOMÁR, UPAMÁ NÁI TULANÁ NÁ PÁI
EKÁ TUMI SÁRÁ JAGAT JOŔÁ
TUMI, RÚPE BHUVAN ÁLO KARÁ
GÁNE NÁCE TUMI CHANDE BHARÁ
You illuminated the world with beauty
and provided rhythm to songs and dances.
You have no comparison.
All alone You have kept the universe maintained.
You move only forward not inclined back.
You do not allow the wheels of Your cart to stop.
Without reservation, You lift all onto Your lap
O Dear, by Your attributes the world is enchanted.
You love and create Your divine game (liila).
You are a combination of both harsh and soft.
You are there for those who have none.
You exist within beginninglessness and endlessness.
3740 (11/09/1986) D (Krsna)
BOLE CHILUM ÁMI BÁRE BÁR
BHULIBO NÁ TOMÁKE ÁR
HE CIRA NÚTAN TAMAHSÚDAN
KÁCHE ESO EKAT́I BÁR
BHULIBO NÁ TOMÁKE ÁR
CHILE ÁMÁR MANE GOKULE
ÁÁÁÁÁÁÁÁÁÁ
CHILE ÁMÁR MANE GOKULE
TAMÁL TARUR ANTARÁLE
NIIPER TALE YAMUNÁ JALE
REKHE GELE SMRITIR BHÁR
BHULIBO NÁ TOMÁKE ÁR
ESO ÁMÁR MARME ÁBÁR
ÁÁÁÁÁÁÁÁÁÁ
ESO ÁMÁR MARME ÁBÁR
KARME JINÁNE HE SÁRÁTSÁR
SMITA SUDHÁR SINDHU APÁR
JIIVANE MARAŃE TUMI ÁDHÁR
BHULIBO NÁ TOMÁKE ÁR
BOLE CHILUM ÁMI BÁRE BÁR
BHULIBO NÁ TOMÁKE ÁR
O Evernew, destroyer of darkness, I have been telling again and again that I shall never
forget You any more, come close at least once. You were in my mental Gokul, hidden behind
the tama’la trees. Below the niip trees, and in the water of Yamuna’ river, You left
the load of memories. Come again into the core of my heart, into my knowledge and actions
O the essence of essence. O the unlimited ocean of smiling nectar, You are my base in life
and death.
3741 (11/09/1986) D
ÁMI TOMÁR TUMI ÁMÁR
JÁNE E KATHÁ VISHVA JANE
CHANDE SURE BHÁVER GHARE
ÁCHO BHARE PRATI KŚAŃE
JÁNE E KATHÁ VISHVA JANE
PRABALA PRATÁP ATI PURÁTANA
ÁÁÁÁÁÁÁÁÁÁ
PRABALA PRATÁP ATI PURÁTANA
PURUŚOTTAMA HE CIRA NÚTAN
TOMÁREI CÁI RAUNGE NECE JÁI
ADVITIIYA TUMI BHUVANE
JÁNE E KATHÁ VISHVA JANE
TOMÁR SAUNGE KÁRAO TULANÁ
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR SAUNGE KÁRAO TULANÁ
HOYENI KABHU HOTE PÁRE NÁ
BHÁVER DOLÁY ANÚPA LIILÁY
NÁCIYE JÁO SARVA KŚAŃE
JÁNE E KATHÁ VISHVA JANE
ÁMI TOMÁR TUMI ÁMÁR
JÁNE E KATHÁ VISHVA JANE
O Lord, You are mine and I am Yours, this fact is known to all in the world. You are
filled in my home of feelings, with rhythm and melody each moment. O The most ancient in
strong powers, Purus’ottama and evernew, I want You only, go on dancing in colours, You
are one without a second in the world. With You no body can be compared, in past or in
future. Swinging the feelings with incomparable liila, You go on dancing each moment.
3742 (11/09/1986) D (Krsna)
PRÁŃER GOPÁL PRIITIR GULÁL
BHÁVER DULÁL MANA KÁNANE
TOMÁR TARE ÁSHÁ BHARE
ÁCHI CEYE BHEJÁ NAYANE
BHÁVER DULÁL MANA KÁNANE
CÁI NÁ TOMÁR KÁCHE KICHUI
ÁÁÁÁÁÁÁÁÁÁ
CÁI NÁ TOMÁR KÁCHE KICHUI
CÁI JE TOMÁR KÁCHE NITÚI
TOMÁR HÁSI MOHAN BÁNSHII
BHÁSE NITYA VRINDÁVANE
BHÁVER DULÁL MANA KÁNANE
ESO ÁMÁR KÁCHE PRIYA
ÁÁÁÁÁÁÁÁÁÁ
ESO ÁMÁR KÁCHE PRIYA
DÚRE SARE KABHU NÁ JEO
TUMI CHÁŔÁ SARVA HÁRÁ
HOI JE ÁMI KENO KE JÁNE
BHÁVER DULÁL MANA KÁNANE
PRÁŃER GOPÁL PRIITIR GULÁL
BHÁVER DULÁL MANA KÁNANE
O Gopa’l, the coloured powder of festivity, darling of feelings in the mental garden.
For You I am full of hope looking with wet eyes. I do not want anything from You, I only
want You close to me for ever. Your smile and charming flute floats in Vrindavan forever.
O Dear come close to me, never go away far. Leaving You, I lose everything, why nobody
knows.
3743 (11/09/1986) K
EI, PUŚPITA CAMPAK TALE
HE PRIYATAMA
ESE CHILE TUMI ESE CHILE
KIḾSHUKA RÁGE ANSHUKA ANURÁGE
MUKTÁ JHARÁ DASHANE HESE CHILE
ESE CHILE TUMI ESE CHILE
SE DINER KATHÁ BHULITE PÁRIBO NÁ
ÁÁÁÁÁÁÁÁÁÁ
SE DINER KATHÁ BHULITE PÁRIBO NÁ
SE TITHIR SMRITI GIITI MOCHÁ JÁY NÁ
JYOTSNÁ RÁTE MÁDHAVII VÁTE
SE TITHI ÁKUL KARE PALE VIPALE
ESE CHILE TUMI ESE CHILE
SE TITHITE MISHE ÁCHO SHATA BHÁVANÁ
ÁÁÁÁÁÁÁÁÁÁ
SE TITHITE MISHE ÁCHO SHATA BHÁVANÁ
SE TITHI TE RAYE GECHE MADHU CETANÁ
SE TITHIR NÁCE GÁNE AMARÁ MÁDHURII ÁNE
SPANDANE PRÁŃE MANE BHÁVÁNILE
ESE CHILE TUMI ESE CHILE
EI, PUŚPITA CAMPAK TALE
HE PRIYATAMA
ESE CHILE TUMI ESE CHILE
O The Dearest, below this bloomed campak tree, You had come. With gentle glow of red
kinshuk colour, and pearl flowing teeth, You had smiled. I cannot forget the event of that
day. The memory and song of that day cannot be wiped. In the moonlit ight and breeze
fragrant with ma’dhavii flower, that date makes me restless each moment. Hundreds of
feelings are mixed with that date. Sweet awareness of that date remains with that date.
The dance and song of that date brings heavenly sweetness oscillations in the heart and
mind with breeze of feelings.
3744 (11/09/1986) D
AMBARA MÁJHE D́AMBARU BÁJE
KON SE RUDRA ESECHE ÁJ
JAT́ÁR BÁNDHAN KHULIÁ GIYÁCHE
TÁND́AVERI SEJE CHE SÁJ
KON SE RUDRA ESECHE ÁJ
VIŚÁŃŃA BÁJIYE BHIIŚAŃ DHVANI TE
ÁÁÁÁÁÁÁÁÁÁ
VIŚÁŃŃA BÁJIYE BHIIŚAŃA DHVANI TE
PINÁKII NÁCE KON BHÁVE METE
JÁGÁIYÁ CALE ASHANI DRUTITE
MERU DRÁGHIMÁY HÁNITE BÁJ
KON SE RUDRA ESECHE ÁJ
HE RUDRA BHAERAVA THEME JÁO
ÁÁÁÁÁÁÁÁÁÁ
HE RUDRA BHAERAVA THEME JÁO
TOMÁRE VIBHÚTI SABÁRE BILÁO
JÁHÁ CÁHE DOBO KRIPÁ KARE NÁO
HE SHÁNTA SHIVA TRILOK RÁJ
HE GAUNGÁDHARA HE NAT́ARÁJ
KON SE RUDRA ESECHE ÁJ
From the sky, the sound of the dambaru drum
(a small hand held drum used by Lord Shiva) resounds.
Who is that Rudra
(the deity that makes people cry)
that has come today?
His long and matted hair tufts have opened up.
He has dressed Himself for performing the ta’nd’ava dance.
Bisa’n’a (the long horn used by Lord Shiva)
is blowing with frightening sound.
Engrossed in which thought, is Pina’kii
(Lord Shiva, holder of the bow shaped instrument) dancing?
He goes on waking all
with the speed of lightening
striking thunders on the peaks (longitude)
of mountains.
O Lord Shiva, pause a while
distribute Your divinity to all.
Whatever You want, we shall give
please accept it.
O tranquil Lord Shiva, king of three worlds
O holder of Ganga’, O king of dances!
3745 (11/09/1986) D
BÁDAL NISHIITHE
SEI BÁDAL NISHIITHE GHAN TAMASÁTE
NIIRAVA CARAŃE ELE ÁBÁR
DVÁRAO KHULINI ÁSITE BOLINI
KI KARIYÁ GHARE ELE ÁMÁR
NIIRAVA CARAŃE ELE ÁBÁR
BÁDAL NISHIITHE
JHARA JHARA BÁHIRE JHARE JALA
ÁÁÁÁÁÁÁÁÁÁ
JHARA JHARA BÁHIRE JHARE JALA
KÁJAL DHOYÁ ÁNKHI CHILO SAJALA
ÁKÁSHER NIIRE MOR ÁNKHI NIIRE
VARŚÁ SAMIIRE CHILO EKÁKÁR
NIIRAVA CARAŃE ELE ÁBÁR
BÁDAL NISHIITHE
ÁNKHI MUCHE DEKHI TUMI ÁCHO GHARE
ÁÁÁÁÁÁÁÁÁÁ
ÁNKHI MUCHE DEKHI TUMI ÁCHO GHARE
EK KARE DIYE BÁHIRE BHIITARE
BÁHIRER ÁMI BHIITARER TUMI
PALAKE BHÁUNGILE SIIMÁ KÁRÁGÁR
NIIRAVA CARAŃE ELE ÁBÁR
BÁDAL NISHIITHE
BÁDAL NISHIITHE
SEI BÁDAL NISHIITHE GHAN TAMASÁTE
NIIRAVA CARAŃE ELE ÁBÁR
On that cloudy night, with dense darkness, with silent feet You came this time. I did not
even open the door, did not ask on coming, what for You had come to my home? Outside it
was raining profusely. The eyes were wet washing away the ka’jal. The water from the sky
and water from my eyes, with rainy wind had become unified. On wiping the eyes, I saw that
You were present in home, making one the outside and inside. Within moment, You broke the
prison boundary of me outside and You inside.
3746 (11/09/1986) D (Bengali dialect)
KÁJER SAMAY LÁCÁ KI HOY
TU, KÁJER MÁJHE CÁS LÁCÁTE
MU, KICHUTE LÁRI TU KE BUJHITE
TU, KÁJER MÁJHE CÁS LÁCÁTE
BIHÁN BELÁ LÁGE KÁJER MELÁ
ÁÁÁÁÁÁÁÁÁÁ
BIHÁN BELÁ LÁGE KÁJER MELÁ
LÁCER KHELÁ KENE KARI BOLO
SÁNJHER BELÁ GHAR KE PHERÁR PÁLÁ
ÁNDHÁR CHEIYE PHELE DHARÁ TALA
BOLO GO TU BOLO TU BOLO GO TU BOLO
LÁCER SAMAY KUTHÁ MUR HÁTE
TU, KÁJER MÁJHE CÁS LÁCÁTE
ÁNATE JÁI KÁT́H KHUNJYE PÁHÁŔ MÁT́H
ÁÁÁÁÁÁÁÁÁÁ
ÁNATE JÁI KÁT́H KHUNJYE PÁHÁŔ MÁT́H
RUITE KÁT́ATE DHÁN JÁI GO DÚRER MÁT́H
TU, BOLO GO BOLO GO TU BOLO
TU KE LÁCE KI KARE PÁRI BHULÁITE
TU, KÁJER MÁJHE CÁS LÁCÁTE
KÁJER SAMAY LÁCÁ KI HOY, TU
KÁJER MÁJHE CÁS LÁCÁTE
O Lord, how dance is possible at the time of work? And You want me dance amidst
activities. I totally fail to make You understand. In the early morning time, there is
rush and hustle of jobs, how can I get to play dancing, tell me. At evening time, on
return to home, the surface of earth is engulfed in darkness. You tell me, where is time
in my hands for dancing? I go to bring wood, searching in hills and meadows. I go for
planting and harvesting paddy in far fields. You tell me, how can please You by dancing?
3747 (11/09/1986) D
TOMÁR TARE JIIVAN BHARE
SEDHE GECHI JATA GÁN
ÁÁÁÁÁÁÁÁÁÁ
JÁNI NÁ HE PRABHU TUMI KII
SHUŃE ÁMÁR BHARÁBE PRÁŃA
SEDHE GECHI JATA GÁN
SUR SEDHECHI MADHYA RÁTE
ÁÁÁÁÁÁÁÁÁÁ
SUR SEDHECHI MADHYA RÁTE
SEDHE GECHI ARUŃ PRÁTE
SEDHECHI MÁRTAND́A MÁTHE
SANDHYÁ RÁGE TULE TÁN
SEDHE GECHI JATA GÁN
TOMÁR NÁME TOMÁR BHÁVE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR NÁME TOMÁR BHÁVE
MAN JE ÁMÁR KEMAN KARE
TÁI TO ÁKUL HOECHI GÁN
SHONÁTE TOMÁR TARE
SUR SEDHECHI PHULER SÁTHE
ÁÁÁÁÁÁÁÁÁÁ
SUR SEDHECHI PHULER SÁTHE
MANDÁNILE JYOTSNÁ RÁTE
GEYECHI JHAŔER AMÁNISHÁTE
BUJHI SABAI TOMÁR DÁN
SEDHE GECHI JATA GÁN
O Lord, for You whole life, I have been practicing Your song, still I do not know O Lord
listening what You would be satisfactory. I practice in midnight, continued so in the
morning, in noon and in the evening with melody. With Your name and ideation, my mind gets
a special feeling, hence I get restless to sing the song to You. I practice along with
flowers, in the moonlit nights with soft breeze. I sing in the stormy dark nights
considering everything as Your gift.
3748 (11/09/1986) K
MARAMER GAHANE ELE
MOR ÁMI KE KEŔE NIYE GELE
CHILUM GHÚM GHORE ACETANA
SUYOGA BUJHE NIYE NILE
MOR ÁMI KE KEŔE NIYE GELE
EMANT́I DEKHINI KAKHANO
EMANT́I BHÁVI NI SVAPNEO
EMANAO HOTE PÁRE CIT COR
JIIVANE ÁJ DEKHIYE DILE
MOR ÁMI KE KEŔE NIYE GELE
ÁMIO JÁNI PRIYA PRATIKÁR
ÁMIO KARIBO ER VICÁR
JABE TUMI ÁNAMANÁ RABE
MOR E MAN TOMÁTE DOBO D́HELE
MOR ÁMI KE KEŔE NIYE GELE
MARAMER GAHANE ELE
MOR ÁMI KE KEŔE NIYE GELE
O Lord, You came into the depth of my mind, and snatched away my “I” feeling. I was
unconscious in deep sleep. You made me understand the opportunity. I had never seen like
this, I could never imagine like this even in dream. The stealer of mind can do even such
in life, today You have shown me. O Dear, I also did not know the repayment, I shall think
how to do that. When You would be unmindful, I shall pour out this mind of mine to Your
feet.
3749 (12/09/1986) D
PRABHÁTER ÁLO JABE ESE CHILO
SE PASARÁ NIYE TUMI ELE
ESE CHILE PRIYA SMITA MUKHE
SE ÁLOTE CHILO ANANTA PRÁŃA
NIRYÁS SHATA SUKHE DUHKHE
ESE CHILE PRIYA SMITA MUKHE
SE ÁLO CALILO DÚR HOTE DÚRE
ÁÁÁÁÁÁÁÁÁÁ
SE ÁLO CALILO DÚR HOTE DÚRE
NRITYER TÁLE DIGANTA JÚŔE
ÁKÁSHA VÁTÁS PÁTÁL KE GHIRE
DIGVIJAYE DIKE DIKE
ESE CHILE PRIYA SMITA MUKHE
ÁLOKER ÁLO BHULOKE DYULOKE
ÁÁÁÁÁÁÁÁÁÁ
ÁLOKER ÁLO BHULOKE DYULOKE
CHAŔÁIYÁ DILE PRATIT́I PALAKE
NIJER RAYE GELE VIJANE ALAKHE
VAEJAYANTI MÁLÁ BÚKE
ESE CHILE PRIYA SMITA MUKHE
PRABHÁTER ÁLO JABE ESE CHILO
SE PASARÁ NIYE TUMI ELE
When the morning illumination came, You came bringing the articles of that, with smiling
face. In that light infinite power was present, essence of hundreds of pain and pleasures.
That glow went far and farther, involving all directions with dance and rhythm
surrounding the sky, air and the underworld, winning over the places. That illumination of
effulgence, You scattered in the earth and heaven each moment. But You remained in
isolation unseen, within the core of vaejayantima’la’ flower.
3750 (12/09/1986) K
JIIVANER UTSER ANVEŚAŃE ÁMI GHURI
ÁMI GHÚRI
PHULE PHALE PALLAVE EKAI SATTÁY NIYATA NEHÁRI
ÁMI GHÚRI
JIIVANER RAYE GECHE JÁ KICHU BHÁLO
ÁÁÁÁÁÁÁÁÁÁ
JIIVANER RAYE GECHE JÁ KICHU BHÁLO
JIIVANER RAYE GECHE JÁ KICHU BHÁLO
JIIVANER RAYE GECHE JÁ KICHU BHÁLO
JÁHÁ KICHU MANDA JÁ KICHU KÁLO
SABÁR UTSÁRAŃE EKERI ÁLO
DEKHI PRIITI EKERI
ÁMI GHÚRI
EKETE NIŚIKTA ANEK LIILÁ
ÁÁÁÁÁÁÁÁÁÁ
EKETE NIŚIKTA ANEK LIILÁ
EKAI MARME BHÁSE SHATEKA BOLÁ
MADHU SE PARÁGERI
ÁMI GHÚRI
JIIVANER UTSER ANVEŚAŃE ÁMI GHURI
ÁMI GHÚRI
I have been wandering searching the origin of life. I am always finding the same entity in
all expressions like flowers fruits and leaves. Whatever good remains in life, whatever
inert or dark, I find the same effulgence behind all, attraction of one.
I find numerous plays taking place in singular entity. Within one cosmic mind, with nectar
in core, many expressions
3751 (13/09/1986) TEOR
DINER SHEŚE, ÁNDHÁR ESE
BOLE GELO BHAYA PEYO NÁ
JE PURUŚA BHÁLOBÁSE TOMÁY
ÁMIO TÁR KARI ÁRÁDHANÁ
BOLE GELO BHAYA PEYO NÁ
JE LIILÁ PURUŚA SABÁKÁR
SE NIŚKALUŚA ANÁDI APÁR
ÁMÁR KÁLOY TÁRI ÁLOY
D́HEKE JE JÁY TÁKE JÁNO NÁ
BOLE GELO BHAYA PEYO NÁ
BHIITIR URDHVE SE CETANÁ
GLÁNI STUTI KICHU MÁNE NÁ
MANER KOŃE GÚŔHA GAHANE
LUKIYE THEKEDEY PRERAŃÁ
BOLE GELO BHAYA PEYO NÁ
PURE SHETE ITI PURUŚA
DÚRE NÁ RAY SE APURUŚA
NÁCER CHANDE NITYAÁNANDE
TÁTEI MENE SAB DYOTANÁ
BOLE GELO BHAYA PEYO NÁ
The darkness coming at the end of the day, told, “ Do not to fear, The Supreme, Who
loves You, I also worship the Same. That liila Creator belongs to all, He is pure
unlimited and beginning less. Do not You know that my darkness also calls His effulgence?
That Consciousness is above the fear, does not heed to prayers or repentance. Hiding
within the deep core of the mind, He provides inspiration”. “ The witnessship that
lies quiescent in every entity is the Purus’a”, He who does not stay away, is
a purus’a? All gestures merge in that only with dance and rhythm.
3752 (14/09/1986) TEOR
BÁNDHAN JETHÁY CEYE CHILUM
SE BÁNDHAN KENO NÁ ELO
DINER ÁLOY RÁTER KÁLOY
SE JE DÚRE RAYE GELO
SE BÁNDHAN KENO NÁ ELO
CEYE CHILUM BHÁVER BÁNDHAN
BHÁVÁTIITE TAMOTSÁRAŃA
MANTRÁGHÁTE ÁNKHI PÁ TE
SE DEVE CETANÁR ÁLO
SE BÁNDHAN KENO NÁ ELO
CEYECHI BHÁLOBÁSÁR BÁNDHAN
AŃUTE BHÚMÁR UTTARAŃA
JÁ KARE ASÁDHYA SÁDHAN
SAKAL SATTÁY BÁSABE BHÁLO
SE BÁNDHAN KENO NÁ ELO
BÁNDHAN JETHÁY CEYE CHILUM
SE BÁNDHAN KENO NÁ ELO
The Divine Bondage, which I was looking for, why has that not come? In the darkness of my
nights as well as brightness of my days, He remains far. I wanted loving devotional link
with Him to gradually merge in the absolute by relinquishing the inertial darkness, so
that
by calling Him constantly with the repetition of my mantra & heartfelt feeling
He will provide me His effulgence of consciousness. I wanted bondage of love, so that
microcosm would rise to Cosmic. He can make the impossible fulfilled making me love the
entire existence.
3753 (14/09/1986) K
ÁMÁR KÁCHE YADI NÁ ELE
ESO SABÁR MÁJHE
HE KARUŃÁMAYA
ÁMÁR KÁCHE ÁSITE YADI BHAYA
KARO SABE NIRBHAYA
HE KARUŃÁMAYA
SHABDE SPARSHE RÚPE GANDHE RASE
ÁPLUTA KARE DIYE SAB MÁNUŚE
TANMÁTRER ÚRDHVE ASHEŚE KARO
CIRA CINMAYA
HE KARUŃÁMAYA
LIILÁR PURUŚA LIILÁRASE RAYECHO
LIILÁBHÁVE MADHUR BHÁVE BUJHE NIYECHO
ASTI BHÁTI ÁNANDE NÁCO
HE CIRA CINMAYA
HE KARUŃÁMAYA
ÁMÁR KÁCHE YADI NÁ ELE
ESO SABÁR MÁJHE
HE KARUŃÁMAYA
O the Merciful, if You do not come to me, come within all. If You are afraid of coming
close to me, make all fearless. O Ever Embodiment of Consciousness, You have flooded all
human beings with fundamental factors of touch, sound, form, smell and taste. Make me
endless above these tanma’tra’s, the fundamental factors. O The controlling Entity of
liila, the game of illusion, You remain in the flow of liila and with the sweet
ideation of the feeling of illusion, make Yourself known. You dance within existence
shine and bliss.
3754 (15/09/1986) K
ÁMÁR SAUNGE CALO BANDHU
MAN PAVANERA NÁY
RASULPURER NADIR SHEŚE
JÚN PUT́ERI GÁY
MAN PAVANER NÁY
NADI SÁGARETE MESHE
NIILÁKÁSHE BHÁLOBESE
PÁNI KAOŔI BÁLI HÁSE
SHIITER ÁVÁS CÁY
MAN PAVANERA NÁY
MÁNUŚA JETHÁY ATI BHÁLO
MANE BHARÁ PRIITIR ÁLO
TÁDER MUKHEDUHKHERA KÁLO
SAHÁ NÁHI JÁY
ESO TÁDER TARE TÁDER GHARE
RACI NAVA DHARÁY
MAN PAVANERA NÁY
ÁMÁR SAUNGE CALO BANDHU
MAN PAVANERA NÁY
O, companion, come with me sailing on the mental yacht to the end of the river in Rasulpur
into the village of Ju’nput’. The river merges in the sea, with love in the blue sky.
The Seagulls and ba’lii ducks smilingly look for shelter in the cold. People there are
very good minds filled with effulgence of love. It is unbearable to see darkness of misery
in their face. Come for them to their home, creating new world. Come along with me friend
in the boat of mental wind.
3755 (15/09/1986) K
ESO TUMI ÁMÁR MANE
SHÁSHVATA ANUDHYÁNE
SHEFÁLIIR SUVÁSE SUMADHURA SVANANE
KISHALAYER BHARÁ KÁNANE
SHÁSHVATA ANUDHYÁNE
EI JE PRABHÁT EI JE RAVI RÁUNGÁ
ARUŃER KIRAŃE RAŃANE NÁNÁ
JIIVANER UTSER PRIITIR UTSAVER
SE TOMÁRAI HITA RAJANE
SHÁSHVATA ANUDHYÁNE
RAINJITA VANDITA CHANDÁYITA PRÁŃE
ESO TUMI NÁCE GÁNE VARAŃE VARAŃE
MANER MADHUVANE
TRIPTIR TAPOVANE
CIRA PRASHÁNTA ÁNANE
SHÁSHVATA ANUDHYÁNE
ESO TUMI ÁMÁR MANE
SHÁSHVATA ANUDHYÁNE
O Lord, come into my mind in eternal meditation. Come with fragrance of shefa’lii flower
and sweet resonance into the garden full of tender leaves. This morning, this crimson
colour of the sun, numerous vibrations of the morning sunrays. The festivity of love of
the origin of life, all is due to Your wish of welfare of all. With coloured, adored and
rhythmic heart, You come in varieties of songs and dances, into the sweet garden of the
mind.
The hermitage of fulfilment, with evertranquil face.
3756 (16/09/1986) D
GÁNER SHEŚ KOTHÁY
KE JÁNE, KE JÁNE
KE JÁNE GO KE JÁNE
ANUBHÚTI GÁNER DOLÁY
BHESEJÁY
MÁNÁ NÁ MÁNE
KE JÁNE GO KE JÁNE
GÁNER SURE RAVI JÁGE
GÁNER RAUNGER ARUŃ RÁGE
GÁNER PRIITI BHÁSE PARÁGE
CHANDA ÁNE JIIVANE
KE JÁNE GO KE JÁNE
GÁNER SUDHÁ BENCE ÁCHE
GÁNER SUDHÁY PRÁŃ BHARECHE
SŔŚT́I STHITI PRAŃÁSH NACE
GÁNERI ABHIJINÁNE
KE JÁNE GO KE JÁNE
Where do songs end?
Would anyone know?
With experiences and feelings songs are swayed
and float on and on, unobstructed.
The sun rises at the tune of songs.
The crimson colour of the sun
reflects their colours.
The love in songs appears in the floral pollen
and brings rhythm to life.
Due to songs, nectar is sustained
and life finds fulfilment.
Creation, sustenance and destruction
are dancing to the expressions
of consciousness in songs.
3757 (17/09/1986) K
NEIKO VYATHÁ VEDANÁ ÁJI E PRÁTE
SHUDHU HÁSI KHUSHI EI DHARAŃIITE
KLESHER KRŚŃA MEGHE DÚRE SARÁTE
PRÁŃA BHARE GÁN GÁO ARUŃA ÁLOTE
SHUDHU HÁSI KHUSHI EI DHARAŃIITE
NEIKO UPALÁGHÁTE KONO KAḾPANA
JVÁLÁ MUKHITE AGNI UDGIIRAŃA
CÁPER VRDDHI HRÁSE JHAT́IKÁ SVANANA
KHARÁR ANAL JVÁLÁ SHASYA KŚETE
SHUDHU HÁSI KHUSHI EI DHARAŃIITE
NEIKO SAMÁJ MÁJHE PRETER NÁCAN
KŚUDHÁR ANNA NIYE NEIKO SHOŚÁŃA
NEIKO KUNKAŔE SHIITE JIIVER MARAŃA
EŚAŃÁ ÁCHE SHUDHU KARITE HITE
SHUDHU HÁSI KHUSHI EI DHARAŃIITE
NEIKO VYATHÁ VEDANÁ ÁJI E PRÁTE
SHUDHU HÁSI KHUSHI EI DHARAŃIITE
Today, this morning, there is no pain and agony, only joy and smile are there on this
earth. Removing far away the dark clouds of the pains, sing the song wholeheartedly in
this morning illumination. There is no quivering due to hurt from stones, neither
emanations of fire from any volcano, there is no roar of storm by increase or decrease of
pressure. There is no severe flame of fire in the green fields. There is no dance of
devils in the society, for food stuff to quench the hunger, there is no exploitation.
There is no death of living beings due to intense cold. Only there is will to do good.
3758 (17/09/1986) K
NÚPUR RAŃANE MANER GAHANE
JE DHVANI JÁGIYE DILE
TÁR, UPAMÁ NÁI TÁR TULANÁ NÁI
ESECHE SHRAVAŃE CHEYE BRIIŔÁ VANE
KENO BHEVE NÁHI PÁI
TÁR, UPAMÁ NÁI TÁR TULANÁ NÁI
SMRITIR DEULE BHARÁ ÁCHE JÁR
MARME DRIK JALE DHARÁ ÁCHE TÁR
JYOTSNÁ RÁTER MÁDHAVII SÁTHE
TÁRI SAUNGIITE TÁRI BHÁVE BHESE JÁI
TÁR, UPAMÁ NÁI TÁR TULANÁ NÁI
KISHALAYER RAUNGE MÁKHÁ TUMI PRIYA
CITTA NILAYE CIRA ÁDARŃIIYA
TOMÁR KATHÁ PRIITI ITIKATHÁ
SÁRTHAKATÁ ÁNE HRIT MANE TÁI
TÁR, UPAMÁ NÁI TÁR TULANÁ NÁI
NÚPUR RAŃANE MANER GAHANE
JE DHVANI JÁGIYE DILE
TÁR, UPAMÁ NÁI TÁR TULANÁ NÁI
O Lord, with anklebell sound, in the depth of the mind, the resonance that You raised, has
no comparison, no example. It came into the ears, spreading as shyness, but why I could
not think that? The One, fulfilling the temple of the memories, held by the tears in the
core, in the moonlit night along with ma’dhavii flower, with His song, in His ideation
I go on floating. O Dear, You are smeared with the colour of the tender leaves. In the
abode of the mind, You are ever adored. Your glory and history of love, brings
fulfilment, in heart and mind.
3759 (18/09/1986) D
AJÁNÁR SURE CALIÁCHI DÚRE
AJÁNÁR HÁT CHÁNITE
JE AJÁNÁ MOR CIRA CIT CHOR
RAHASYA GHERÁ BHÁVETE
AJÁNÁR HÁT CHÁNITE
AJÁNÁ ARUŃER CETANÁ ÁLO
CETANÁY ÁMI BÁSIÁCHI BHÁLO
JE AJÁNÁ MORE SMITA PHÚL D́ORE
BENDHECHE AŃUTE AŃUTE
AJÁNÁR HÁT CHÁNITE
AJÁNÁ PATHIK CENÁ HOVE KABE
KŚAŃEK THÁMIBE ÁLOKOTSAVE
JE ÁLOKE BHÁSE HIYÁ MOR BHÁVE
ÚŚŃA PRÁŃER SHOŃITE
AJÁNÁR HÁT CHÁNITE
AJÁNÁR SURE CALIÁCHI DÚRE
AJÁNÁR HÁT CHÁNITE
With some unknown melody I moved far with the call signal of the unknown. That unknown is
ever stealer of my mind, surrounded by mystery in ideation. In the unknown light of the
morning sun, into the consciousness, I float nicely. That unknown, has bound each atom of
my existence, with garland of smiling flowers. O The unknown, when shall I recognise You
would You stay for a moment in the festivity of light. The light in which my heart floats
in ideation, within warm blood of my life.
3760 (16/09/1986) D (Bengali dialect)
ESE CHILI KENO GELI
ESE CHILI KENO GELI
HÁMÁR GAŔÁ GHAR BHEUNGE DIYE GELI GO
HÁMI BOLBO KÁKE BUJHABEK MU KE
BHÁLOBESE I KI KARE DILI GO
HAMÁR GAŔÁ GHAR BHENGE DIYE GELI GO
SHANGYA CILER MATA HUMAŔE PAŔE
EISHYE CHILI CALÁR KULIR PARE
TU CAILYE GELI SAB SHUNÁ KARE
HÁMÁR GAŔÁ HRIDAY KENO BHÁUNGLI GO
HAMÁR GAŔÁ GHAR BHEUNGE DIYE GELI GO
TU HÁIRYEI GELI KENO HÁR MÁNILI
HÁMÁR PHULER HÁR PÁYE KARYE CHINŔE DILI
TU E HÁRE HÁMÁR HÁR NÁ BUJHALI GO
HAMÁR GAŔÁ GHAR BHEUNGE DIYE GELI GO
ESE CHILI KENO GELI
ESE CHILI KENO GELI
HAMÁR GAŔÁ GHAR BHEUNGE DIYE GELI GO
O Lord, You came, but why did You go breaking my wellbuilt house? To whom shall I tell
explain me, is it the way to express love? You have demolished my wellbuilt house. You
were with me overwhelmingly, remaining together all along the path. You went making all
vacant. Even after getting defeated, why You did not accept the defeat? My floral garland
You crushed below Your feet. Do not consider this defeat of mine as my defeat
3761 (20/09/1986) K
TOMÁR SAUNGE PARICAYER
DIN TITHI MANE NÁ PAŔE
SHUDHU TUMI RAYECHO MAN BHARE
TUMI ÁCHO JIIVAN BHARE
KICHUI CHILO NÁ MOR SAMPAD JAGATER
TOMÁY PELUM RATNA SAMÁHÁRE
TUMI ÁCHO JIIVAN BHARE
AŃUR VAKŚE HOLO BÁLUR PRATIPHALAN
NIŚPATRA SHÁKHE KISHALAY SPANDAN
MASIKRIŚŃA MEGHE RÁM DHANU VIKIRAŃ
KARILE KARUŃÁ KARE
TUMI ÁCHO JIIVAN BHARE
JE PHUL ANÁDARE PATH PÁSHE PAŔE CHILO
KE SE MÁLÁKÁR TÁRE KÁNANE TULE NILO
TÁHÁTE GANDHA MADHU VARŃA D́HELE DILO
SEI TUMI TAMASÁ PÁRE
TUMI ÁCHO JIIVAN BHARE
O Lord, I do not remember the date and day of my acquaintance with You. Only You remain
filling my mind whole of my life. I had no worldly wealth, By getting You, I got grand
collection of wealth. At the bosom of this microcosm, reflection of the BÁLU? Was made.
On leafless branch vibration of new tender leaves came. Beauty of rainbow radiated in deep
dark cloud, all You did by Your mercy. The flower that was lying on the path neglected
that through the sting of the garland maker hanged in the garden and in that You poured
out colour and fragrance.
3762 (20/09/1986) K
TOMÁR KATHÁ SHUNI BÁRE BÁRE
ÁMI, TOMÁR KATHÁ BHÁVI NISHI DIN
TOMÁR MADHUR HÁSI KUSUM PARÁGE BHÁSI
DOLÁ DEY TULANÁ VIHIINA
TOMÁR KATHÁ BHÁVI NISHI DINA
CARAŃ CIHNA TAVA ÁNKÁ ÁCHE MOR MANE
TOMÁR MÁLÁR PÁPAŔI MOR SMRITI KÁNANE
TOMÁR CALÁR CHANDA DRUTI ÁNE JIIVANE
HE NIKAT́A HE CIRA ACIN
TOMÁR KATHÁ BHÁVI NISHI DIN
ÁCHO TUMI MOR SÁTHE SAB KÁLA AKÁLE
SARVA JAYIIR JAY TILAK ENKE KAPÁLE
VINDU MÁJHE DHARE AGÁDHA SINDHU JALE
AŃUKE KARO BHUMÁTE LIINA
TOMÁR KATHÁ BHÁVI NISHI DIN
TOMÁR KATHÁ SHUNI BÁRE BÁRE
ÁMI, TOMÁR KATHÁ BHÁVI NISHI DIN
O Lord, I listen about You again and again, and think about You day and night. Your sweet
smile floating through the floral fragrance swings in a unique way. Your footprint is
imprinted in my mind. The petals of Your floral garland are present in my garden of
memories. The rhythm of Your movement brings speed in my life, O the nearest but ever
unknown. You are with me for all the times. O winner of all, You have marked victory sign
on my forehead. By holding immense ocean water in a drop, You merge it Cosmos.
3763 (21/09/1986) K
ÁMI JÁNI NÁ KEU JÁNE NÁ
KABE PRATHAM TUMI ESE CHILE
CHILO NÁ TITHI KŚAŃA CHILO NÁ GAŃANÁ
CHILO NÁ KONO KEU DHARÁTALE
KABE PRATHAM TUMI ESE CHILE
CHILO NÁ DHULIKAŃÁ CHILO NÁ VARŚAŃA
VÁŚPE MEGHER JALE VIVARTANA
CHILO NÁ RAVI KARA E VÁTÁVARAŃA
ALIR GUINJARAŃA PHÚL DALE
KABE PRATHAM TUMI ESE CHILE
CHILO NÁ MARAŃA AMRITA SPARSHA
CHILO NÁ VIBHÁVARII DINERO HARŚA
CHILO NÁ ANUPALA ÁLOKA VARŚA
PRASUPTA CHILO SABE MAHÁKÁLE
KABE PRATHAM TUMI ESE CHILE
ÁMI JÁNI NÁ KEU JÁNE NÁ
KABE PRATHAM TUMI ESE CHILE
O Lord, I do not know, nobody knows, when in the beginning You had advented. There was no
date or hours, no sky or space, nothing existed on the earth. There was no dust particle
no rain, cloud or water. There was no sunlight or atmosphere. There was no humming of bees
on the flower petals. There was no death or touch of nectar, there was no night or joy of
the day. There was no scattering of light any time, all were sleeping dormant in the grand
ocean of time.
3764 (21/09/1986) K
TUMI YADI MOR GHARE NÁ ELE
VRTHÁ BASE PALA GUNE JÁOÁ
VRITHÁI PHÚL SEJE SÁJIYE TULE
RAUNGER MÁDHURII BHARE DEOÁ
VRITHÁ BASE PALA GUNE JÁOÁ
VRITHÁI KÁNANE BELÁ MÁLATI
ÁÁÁÁÁÁÁÁÁÁ
VRITHÁI KÁNANE BELÁ MÁLATI
VRITHÁI KÁNANE BELÁ MÁLATI
VRTHÁI KÁNANE BELÁ MÁLATI
SHEFÁLI CAMPAK CÁMELI JÚTHII
VRITHÁI PAINCA PRADIIP ÁRATI
PRIITIR NIRYÁSE GIITI GÁOÁ
VRITHÁ BASE PALA GUNE JÁOÁ
VRITHÁI PHÚL HÁRE KABARII BÁNDHÁ
ÁÁÁÁÁÁÁÁÁÁ
VRITHÁI PHÚL HÁRE KABARII BÁNDHÁ
MANDÁKRÁNTÁ TÁLE GIITIKÁ SÁDHÁ
LODHRA VALAYE KAT́IKÁ BÁNDHÁ
RÚPETE RÁGA D́HELE DITE CÁOÁ
VRTHÁ BASE PALA GUNE JÁOÁ
TUMI YADI MOR GHARE NÁ ELE
VRTHÁ BASE PALA GUNE JÁOÁ
O Lord, if You do not come to my home, useless is my waiting for You, counting time.
Useless is my floral decoration of altar filled with the sweetness of colours. Waste are
the flowers of bela’ and malati, shefalii, campak and camelii and juhi. Useless is the
worship with five lamps and singing of song with essence of love. Waste is the floral
garland decoration of the chignon and rehearsing of the songs in manda’kra’nta’
rhythm. Useless is the binding cosmetic belt on the waist. Earnestly wiling for You
pouring melody in form and counting time sitting wastefully.
3765 (22/09/1986) K
HE PRABHU TUMI RAYECHO
JALE STHALE SAB KICHUTE
TOMÁR APÁR PRIITI D́HELE DIYECHO
ANANTA BHÁVERI SROTE
JALE STHALE SAB KICHUTE
VASUDHÁR SUDHÁSÁR TUMII BANDHU
ÁÁÁÁÁÁÁÁÁÁ
VASUDHÁR SUDHÁSÁR TUMII BANDHU
NITYA AKAETAVA MAHÁSINDHU
DIVYÁNANDE NÁCE KOT́I VINDU
TAVA TÁMARASERI MÁDHURIITE
JALE STHALE SAB KICHUTE
ÁMIO EKT́I VINDU TAVA SROTE
ÁÁÁÁÁÁÁÁÁÁ
ÁMIO EKT́I VINDU TAVA SROTE
HÁSI KÁNDI NÁVI UT́HI TAVA GIITITE
JIIVANE CHANDA PÁI TAVA DYUTITE
TUMI MOR ÁDI ANTE
JALE STHALE SAB KICHUTE
O Lord, You reside in land, water, everything. You have poured Your unlimited love into
the stream of infinite ideation. You are the ever companion as the essence of essence of
this earth. The great true and eternal ocean, millions of drops and bubbles dance with
divine bliss within the sweetness of Your lotus. I am also a drop in Your stream, smiling
crying, alighting and rising with Your song. I get the rhythm of life within Your
effulgence. You are my beginning and end.
3766 (22/09/1986) K
PRABHU, TUMI ÁCHO ÁR ÁMI ÁCHI
TRITIIYA NEI BHUVANE
MANER SAKAL MADHU D́HELE DIYECHI
TOMÁKE CEYECHI VIJANE
TRITIYA NEI BHUVANE
EKIIBHÚTA HOLO ÁJ TANTRA O VEDA
ÁÁÁÁÁÁÁÁÁÁ
EKIIBHÚTA HOLO ÁJ TANTRA O VEDA
NYÁSA PRÁŃÁYAM DHYÁNA JINÁNE NEI BHEDA
DÚR HOLO ASUYÁ SARE GELO KLEDA
EKAI HIMÁNSHU HÁSE HARŚÁSANE
TRITIIYA NEI BHUVANE
SAKAL VISRIŚT́IR EAKAI SAMÁHÁR
ÁÁÁÁÁÁÁÁÁÁ
SAKAL VISRIŚT́IR EAKAI SAMÁHÁR
SAB ABHISPHURAŃER EKAI ÁDHÁR
RÁGE ANURÁGE SABE HOE EKÁKÁR
EKAI TÁI DHYEYA JIIVANE
TRITIIYA NEI BHUVANE
PRABHU, TUMI ÁCHO ÁR ÁMI ÁCHI
TRITIIYA NEI BHUVANE
O Lord, You are there and I am there, there is no third entity in the world. I have poured
entire sweetness of my mind and wanted You in isolation. Today, tantra and Vedas have
become one. There is no distinction amongst worship processes like nya’sa, breathing
discipline, meditation and knowledge. All the cynicism and dirt are removed. Only one moon
smiles in the posture of joy. There is no third entity in the whole of three worlds.
There is only one aggregate of the universe, and only one basis of all vibrations. All
colours and hue become unified. Thus there is only one desideratum in life.
3767 (23/09/1986) D
PRÁŃERI PARÁGE BHESE TUMI ESE CHILE
ÁMÁR GHARE ÁMÁR MANE PRIYA
PHÁGUNER KISHALAYE SE JE HESECHILE
RAUNGE D́HELE DIYE CHILE AMIYA
ÁMÁR GHARE ÁMÁR MANE PRIYA
ÁR CHILO NÁ KEU SE RÁTE
ÁÁÁÁÁÁÁÁÁÁ
ÁR CHILO NÁ KEU SE RÁTE
KEU JÁGENI JYOTSNÁ RÁTE
ÁR KÁREO CARAŃ PÁTE
SHONÁO NI SHINJINAO
ÁMÁR GHARE ÁMÁR MANE PRIYA
CHILUM TANDRÁ GHORE, ÁNAMANA
ÁÁÁÁÁÁÁÁÁÁ
CHILUM TANDRÁ GHORE
ÁNAMANA, JÁNÁI NI SÁDAR ÁVÁHANA
KARI NI ÁLPANÁ ANKAN
PATH CINE ELE TABUO
ÁMÁR GHARE ÁMÁR MANE PRIYA
PRÁŃERI PARÁGE BHESE TUMI ESE CHILE
ÁMÁR GHARE ÁMÁR MANE PRIYA
O Lord, floating through the fragrance of life, You had come into my home and mind, O
Dear. Coming through the new leaves of the spring, He had smiled and poured nectar and
colour. There was no one else in that night. No one was awake in that moonlit night. No
footstep or ankle bell sound was heard. I was unmindful in deep drowsiness and did not
know respectful invocation. I did not paint decoration of welcome mark, still You came
recognizing the path.
3768 (23/09/1986) K
ANEK TAPASYÁY PEYECHI TOMÁY
BHULIBO NÁ KICHUTEI KONO SAMAY
BÁNDHIÁCHO PRIITI D́ORE HE PRIYA TUMI SABÁRE
ÁÁÁÁÁÁÁÁÁÁ
BÁNDHIÁCHO PRIITI D́ORE HE PRIYA TUMI SABÁRE
BÁNDHIÁCHO PRIITI D́ORE HE PRIYA TUMI SABÁRE
BÁNDHIÁCHO PRIITI D́ORE HE PRIYA TUMI SABÁRE
NANDITA SPANDITA KARE DIYE SURE SURE
VIIŃÁR KOMAL TÁRE SABÁR CETANÁ PURE
ÁCHO BHARE NÁCERI VASUDHÁY?
BHULIBO NÁ KICHUTEI KONO SAMAY
NIT́HUR NIDÁGH DÁHE VARAŚÁR PRAVÁHE
SHARATER SHEFÁLI CHÁYE HEMANTE HIMA VÁHE
SHIITER TUŚÁR GHÁYE, VASANTE UHÁVOHE
DIYE CALO NIJA PARICAYA
BHULIBO NÁ KICHUTEI KONO SAMAY
ANEK TAPASYÁY PEYECHI TOMÁY
BHULIBO NÁ KICHUTEI KONO SAMAY
After a lot of ardous penance
I have now attained You.
I shall never forget You in any way.
You have bound all the people with the thread of love.
You vibrated all pleasing them of with melody and tunes.
You aroused consciousness in all
by touching the innermost strings of the lyre of hearts.
You have filled every pore
of the universe with music and dance.
In the merciless heat of summer
in the heavy downpour of rains
in the shady jasmine (shefa’lii) flowers
in the dew drops of late autumn
in the frost of winter
in the breeze of spring
You have made Your presence felt.
3769 (24/09/1986) D
PRABHU, TOMÁY ÁMÁY NAVA PARICAYA
ANEK DINER PARE
ESE CHINU BHESE ANÁDI ÁVESHE
REKHE CHILE MORE DHARE
ANEK DINER PARE
PEYECHI SUKH PEYECHI JVÁLÁ
ÁÁÁÁÁÁÁÁÁÁ
PEYECHI SUKH PEYECHI JVÁLÁ
HESECHI KABHU VÁ HOYECHI UTALÁ
DIN KÁLA TITHI AJÁNÁ ATITHI
KABHU BHULIÁCHI KABHU MANE PAŔE
ANEK DINER PARE
PEYECHI PARASH PELAVA MADHUR
ÁÁÁÁÁÁÁÁÁÁ
PEYECHI PARASH PELAVA MADHUR
NECECHI HOYECHI PARŃE VIDHUR
HE DYOTANÁ DYUTI HE PARAMA PRIITI
TAVA PRIITI NIYE ÁCHI BHÚDHARE
ANEK DINER PARE
O Lord,
after a long time
we have been introduced mutually anew.
I came drifting about
from the momentum of begininglessness
and You caught hold of me.
I felt pleasure and pain
I sometimes smiled
and I became restless at other times.
O unknown traveler, O guest
I sometimes forgot the count of time
at other times I remembered.
Having felt Your soft and sweet touch
I started dancing in utter joy.
O radiation of effulgence
O embodiment of extreme love
with Your love only
I exist on this earth.
3770 (24/09/1986) D
DIN ÁSE JÁY DRIK CETANÁY
DIN ÁSE JÁY DRIK CETANÁY
DIN ÁSE JÁY DRIK CETANÁY
MOR PÁNE PHIRE NÁHI CÁY
KENO PRABHU ÁMI ASAHÁY
ÁLOKE ÁNDHÁRE RACECHO DHARÁRE
ÁLOKE ÁNDHÁRE RACECHO DHARÁRE
ÁLOKE ÁNDHÁRE RACECHO DHARÁRE
ÁMÁRE REKHECHO DHÚP CHÁYÁY
KENO PRABHU ÁMI ASAHÁY
ARUŃER ÁLO PETE NÁHI PETE
ÁÁÁÁÁÁÁÁÁÁ
ARUŃER ÁLO PETE NÁHI PETE
ARUŃER ÁLO PETE NÁHI PETE
ARUŃER ÁLO PETE NÁHI PETE
PRAKHAR RAVIR KARO UT́HE TETE
KOMAL KORAK JVALE ÚŚŃETE
TRIŃA HUTÁSHANE PUŔE JÁY
KENO PRABHU ÁMI ASAHÁY
VISRIŚT́I TAVA KAT́HOR KOMAL
ÁÁÁÁÁÁÁÁÁÁ
VISRIŚT́I TAVA KAT́HOR KOMAL
VISRIŚT́I TAVA KAT́HOR KOMAL
VISRIŚT́I TAVA KAT́HOR KOMAL
KAKHANO VAJRA KAKHANO DRUMAL
MORE DILE KENO KURIISH KEVALA
ANIIPSITA MARU TRIŚÁY
KENO PRABHU ÁMI ASAHÁY
DIN ÁSE JÁY DRIK CETANÁY
MOR PÁNE PHIRE NÁHI CÁY
KENO PRABHU ÁMI ASAHÁY
The days come and go showing consciousness, but does not look towards me. Why I am so
helpless, O Lord? You have created the world with light and darkness and kept me in sun
and shade. With or without the crimson light of the dawn, You rise the intense sun from
that. The tender nucleus of the flower, burn with heat and the grass burns in fire. Your
special creation the universe, is both soft and hard, sometimes very hard and sometimes
tender.
3771 (25/09/1986) K
RUDRA VIIŃÁR JHAUNKÁRE T́AUNKÁR
ENE DILE DHANUKE
JAMÁ CHILO JATA PÁPA SHATA SHATA
PUŔIE CHÁI KARILE PALAKE
RUDRA VIIŃÁR JHAUNKÁRE T́AUNKÁR
ENE DILE DHANUKE
ASÁR SARIYE ENE DILE SÁR
ÁÁÁÁÁÁÁÁÁÁ
ASÁR SARIYE ENE DILE SÁR
BOJHÁLE JAGATE TUMI SÁRÁTSÁR
JÁHÁ KICHU CÁI JÁ BHÁVI ASÁR
THÁKE SHUDHU SÁTHE KŚAŃEKE
RUDRA VIIŃÁR JHAUNKÁRE T́AUNKÁR
ENE DILE DHANUKE
TOMÁKE BHULIÁ CEYE GECHI JAŔE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁKE BHULIÁ CEYE GECHI JAŔE
CÁHINI DHARITE NABHE CHOT́A NIIŔE
ÁNKHI MUNDE DEKHECHI TAMA SÁGARE
DEKHINI ÁLO JHALAKE JHALAKE
RUDRA VIIŃÁR JHAUNKÁRE T́AUNKÁR
ENE DILE DHANUKE
O Lord, on Your bow, You have brought twang of the annihilating viin’a’. All the
hundreds of accumulated sinful energy, You have burnt to ashes in moment. Removing the
nonessence, You have brought the essence, and made all understand that You are the essence
of essence in the world. Having forgotten You, I desired the inert, and did not want to
hold the small nest in the sky. Having closed the eyes, I saw the ocean of darkness and
never observed the glimpses of light.
3772 (25/09/1986) D
PRABHU, TOMÁR ÁMÁR PRATHAM DEKHÁ
KON SÁYAR TIIRE
BHULE GECHI TITHI TÁRIIKH
BHULE GECHI DEKHÁR NIRIKH
MANE ÁCHE BHÁLOBÁSÁ
DIYE DILE BHARE
KON SÁYAR TIIRE
ÚŚÁR ÁLOY ESE CHILE
SHISHIR DHOYÁ CARAŃ PHELE
ÁÁÁÁÁÁÁÁÁÁ
ÚŚÁR ÁLOY ESE CHILE
SHISHIR DHOYÁ CARAŃ PHELE
RAKTIMÁBHÁY SHUKTI MÁJHE
MUKTÁ DYUTI PARE
KON SÁYAR TIIRE
CÁILE JETE MORE PHELE
SANDHYÁ RÁGER RAUNGA MASHÁLE
DIYINI JETE REKHECHI CITTE
ANANTA KÁLA DHARE
KON SÁYAR TIIRE
PRABHU, TOMÁR ÁMÁR PRATHAM DEKHÁ
KON SÁYAR TIIRE
O Lord, on the shore of which ocean, our first acquaintance occurred? I have forgotten the
date and value of meeting. The only thing that remains in the mind is love that You had
filled. You came with the shine of the dawn, extending the feet washed with dew. Like the
effulgence of pearl within the reddish tinted shell. You wanted to go away rejecting me
like the colourful torch of the evening hue. But I did not let You go and kept within the
mind for endless duration.
3773 (25/09/1986) K
DHYÁNERI SUVÁSE CIDÁKÁSHE
JE URMI JEGE CHILO
TÁKE RODHIBE KE TÁKE BHÚLIBE KE
MANERI MAYÚRE MEGHÁMBARE
KÁKE DEKHE NECECHI
NIRNIMEŚE NIRNIMEŚE
TÁKE RODHIBE KE TÁKE BHULIBE KE
KEU JÁNE NÁ ÁMRÁ JÁNI
ÁÁÁÁÁÁÁÁÁÁ
KEU JÁNE NÁ ÁMRÁ JÁNI
KÁKEO BOLINI SEI KÁHINI
SHUBHRA SHUCI SE BARARUCI
KEŔE NILO ÁMÁKE KEŔE NILO ÁMÁKE
TÁKE RODHIBE KE TÁKE BHULIBE KE
KEU NÁ MÁNÚK, ÁMI JE MÁNI
Á Á
KEU NÁ MÁNÚK, ÁMI JE MÁNI
MOR ANÚBHÚTIR PARASHA KHÁNI
SAḾGOPANE MOR SUPTA MANE
JÁGIYE DILO SE JE PRIITI PULAKE
TÁKE RODHIBE KE TÁKE BHULIBE KE
DHYÁNERI SUVÁSE CIDÁKÁSHE
JE URMI JEGE CHILO
TÁKE RODHIBE KE TÁKE BHÚLIBE KE
In the firmament of my mind, with the fragrance of meditation, the waves that arose cannot
be ignored and obstructed. By observing whom in that firmament, the mental peacock is
dancing unwinkingly? No one knows, but we know. We did not tell that story to anyone. That
pure attractive effulgence has snatched away my mind. Whether anybody accepts that or
not, but I am convinced of that, due to experiences. He awakened the thrill of love in my
sleeping mind secretly.
3774 (26/09/1986) K
MÁGHERI SHEŚE VASANTA ESE
BOLE GELE MORE
UT́HO BANDHU CALO ÁMÁR SAUNGE ÁJ
ÚŚŃA HAOÁY KE JE GO BÁJÁY
DIIPAK PRÁŃOCCHAL
ESO MORA DHARI
TÁKE MANA MÁJHA
UT́HO BANDHU CALO ÁMÁR SAUNGE ÁJ
KISHALAYE HÁRIYE GECHE
SHUŚKA PARŃA DALA
ÁÁÁÁÁÁÁÁÁÁ
KISHALAYE HÁRIYE GECHE SHUŚKA PARŃA DALA
VANA NILAYE HÁSIÁCHE KINSHUK KOMALA
E PARIVESHE PRIITI ÁVESHE
SÁJÁYE TÁKE DIYE PHÚL SÁJ
UT́HO BANDHU CALO ÁMÁR SAUNGE ÁJ
BÁHIR VISHVA RÚPE BHARÁ
ÁÁÁÁÁÁÁÁÁÁ
BÁHIR VISHVA RÚPE BHARÁ
RAIBO KENO DUHKHE SÁRÁ
SAKAL KHUSHII HÁRÁNO HÁSI
DIYE BARI SE RITURÁJ
UT́HO BANDHU CALO ÁMÁR SAUNGE ÁJ
MÁGHERI SHEŚE VASANTA ESE
BOLE GELE MORE
UT́HO BANDHU CALO ÁMÁR SAUNGE ÁJ
At the end of winter, spring came, and told me, “ O brother, arise and come long with me
today, Who is playing overwhelmingly the kindling melody through the warm wind? Keeping
that in the mind, come to me. The tender leaves have been converted into the bunch of dry
matured leaves. The soft kim’shuk flowers smile in their abode in the forest. In this
environment, with the impulse of love, decorate Him with the floral adornment”. The
external world is full of beauty, why should I remain exhausted with sorrows? With smile
accumulating entire joy, I would adore that festive spring.
3775 (26/09/1986)
YUGA YUGA DHARE CEYECHI TOMÁRE
PELUM ANEK PARE
KII LIILÁ TOMÁR BUJHE UT́HÁ BHÁR
REKHE CHILE TIMIRE
PELUM ANEK PARE
BHEVE CHINU BHORE SÁRÁ DIN DHARE
KÁJ KARE JÁBO NIJERI JORE
DUPUR BELÁY JÁNÁLE ÁMÁY
TRIŃAO KRIPÁTE NAŔE
PELUM ANEK PARE
TAVA KARUŃÁY DHARÁ GHURE JÁY
CHAY RTU ÁSE, MEGHE JALA DEY
ÁKÁSHA VÁTÁS SUDHÁ SÁRE CHÁYE
CETANÁ AMRTA BHARE
PELUM ANEK PARE
JINÁNA O KARMA DISHÁ HÁRÁY
TAVA CARAŃER DHÚLITE LUT́ÁY
BHÁLOBÁSÁ BHÁSE AMIYA DOLÁY
MADHU PÁY MADHUKARE
PELUM ANEK PARE
YUGA YUGA DHARE CEYECHI TOMÁRE
PELUM ANEK PARE
O Lord, since ages, I have loved You, but attained after much time. What is Your divine
play, it is hard to understand, why did You keep me in dark? I was thinking that the whole
day since morning, I would continue to work at my own strength. By noon, You made me
realize that even a blade of grass moves with Your grace. By Your mercy, the earth
revolves, the six seasons come and the clouds rain water. Into the sky and air, essence of
sweetness scatters, filling the nectar of consciousness. The wisdom and actions losing
directions, wallow at the dust of Your feet. In the oscillations of the nectar, love
appears and the honey got the bee.
3776 (26/09/1986) D
PRIYATAM ÁMÁR GHARE
ESO ÁLOY PURŃA KARE
HÁSO TOMÁR MADHUR HÁSI
MAN BHULÁLO MADHURÁDHARE
ESO ÁLOY PURŃA KARE
CÁI NÁ ÁMI KICHUI PETE
ÁÁÁÁÁÁÁÁÁÁ
CÁI NÁ ÁMI KICHUI PETE
CÁI JE SHUDHU TOMÁY DITE
TOMÁR CHANDE RÁGE MÁTITE
TOMÁR BHÁVE SHATA DHÁRE
ESO ÁLOY PURŃA KARE
CEYE GECHI ANEK KICHU
ÁÁÁÁÁÁÁÁÁÁ
CEYE GECHI ANEK KICHU
CHUT́ECHI ÁLEYÁR PICHU
VICÁR KARE UNCU NICU
BHÚL KARECHI JIIVAN BHARE
ESO ÁLOY PURŃA KARE
PRIYATAM ÁMÁR GHARE
ESO ÁLOY PURŃA KARE
O Dearest Lord, come to my home fulfilling my expectation of effulgence. Smile with Your
sweet lips, the enchanting sweet smile. I do not want to get anything from You, rather
want only to give You, engrossed in Your rhythm and melody, with Your ideation in hundreds
of ways. I have been desiring many things in past, that mirage is now left behind.
Considering high and low, I made mistake whole of my life.
3777 (27/09/1986) D
JEO NÁ JEO NÁ PRIYA MOR
ELE YADI ÁMÁR GHARE
TOMÁR TARE NISHI BHARE
ÁLPANÁ DIYECHI DVÁRE
ELE YADI ÁMÁR GHARE
JEO NÁ JEO NÁ PRIYA MOR
TULIÁCHI SAHÁSA PÁRUL
ÁÁÁÁÁÁÁÁÁÁ
TULIÁCHI SAHÁSA PÁRUL
MÁLÁTE DIYECHI BAKÚL
GHAT́E REKHE ÁMRA MUKUL
BASE CHILUM PATHER DHÁRE
ELE YADI ÁMÁR GHARE
JEO NÁ JEO NÁ PRIYA MOR
CIT UDADHI ÚRMI MÁLÁY
ÁÁÁÁÁÁÁÁÁÁ
CIT UDADHI ÚRMI MÁLÁY
TOMÁY BHEVE NECE BEŔÁY
MANER MAYUR ÁKÁSHE TÁKÁY
KRŚŃA MEGHE DEKHÁR TARE
ELE YADI ÁMÁR GHARE
JEO NÁ JEO NÁ PRIYA MOR
O My Dear, do not go, do not go, if You come to my home. For You whole of night, I had
marked the door with decoration of welcome. I have picked up in hands pa’rul flowers
with smile, and provided bakul flower in the garland. Keeping the welcome decoration of
the mango leaves and buds at the pitcher, I am sitting at the edge of the path. The series
of waves in the ocean of the mind, dance thinking of You. The mental peacock look towards
the sky, to see the dark clouds.
3778 (27/09/1986) D
BHAERAVA TUMI DURYOGE ELE
KAPÁLE KRŚŃA TILAKE
JÁHÁ KICHU PELE KEŔE NIYE GELE
NÁ THÁMIYE GATI TILAKE
KAPÁLE KRŚŃA TILAKE
KATA VIHAUNGA NIIŔA HÁRÁ HOLO
ÁÁÁÁÁÁÁÁÁÁ
KATA VIHAUNGA NIIŔA HÁRÁ HOLO
PASHU MÁNUŚERÁ ÁVÁSA KHOYÁLO
KATA ÁNKHI JALA VÁNE BHESE GELO
TUMI NÁ TÁKÁLE PALAKE
KAPÁLE KRŚŃA TILAKE
BÁHIR JALETE SHUKTI BHIJILO
ÁÁÁÁÁÁÁÁÁÁ
BÁHIR JALETE SHUKTI BHIJILO
MUKTÁ ATALE TALÁIÁ GELO
BHÁLOBÁSÁ BHARÁ MAN CHUT́E ELO
ÁRTA TRÁŃE E BHULOKE
KAPÁLE KRŚŃA TILAKE
BHAERAVA TUMI DURYOGE ELE
KAPÁLE KRŚŃA TILAKE
O Bhaerava, You came at an odd time, with dark mark on the forehead. Whatever You got, You
went snatching that, without pausing Your speed even for a bit. How many birds have become
nestless, many livestock and human lost their shelter. Much tears flowed away into the
flood, but You did not see even for a moment. With external water, the shells got wet, and
the pearls got sunk into the deep bottom. The lovefull mind came rushing, to protect the
distressed in the world.
3779 (28/09/1986) D
BHÁVI TOMÁY BHULE JÁBO
KEMANE BHULI BOLO NÁ
BHESE UT́HO DIGVALAYE
YADI BHÁVI TÁKÁBO NÁ
KEMANE BHULI BOLO NÁ
NIDÁGHE CANDANE HÁSO
ÁÁÁÁÁÁÁÁÁÁ
NIDÁGHE CANDANE HÁSO
VARŚÁR KEYÁ PARÁGE BHÁSO
SHARATE KUSH KÁSHE NÁCO
SÁDÁ MEGHE BÁNDHO JHULONÁ
KEMANE BHULI BOLO NÁ
HEMANTE DHÁNER SUGHÁNE
ÁÁÁÁÁÁÁÁÁÁ
HEMANTE DHÁNER SUGHÁNE
SHIITERI RAJAT? TUHINE
VASANTE VARŃA SHOBHANE
RAUNGIIN HAOÁY DÁO DYOTANÁ
KEMANE BHULI BOLO NÁ
BHÁVI TOMÁY BHULE JÁBO
KEMANE BHULI BOLO NÁ
O Lord, I thought that I would forget You, but how to forget, tell me. If I think not to
see then You rise at the horizon. You smile like sandal paste during intense sun of the
noon. You float through the fragrance of ketakii (screwpine) flower. During pre winter You
dance as the tall grass and make a swing of the white clouds. In the nice smell of winter
paddy, In the silvery snow of the winter, in the colourful decoration of the spring
through the colourful wind, You provide indications.
3780 (29/09/1986) D
KII DOŚA KARECHI BOLONÁ
KENO ÁMÁR GHARE ELE NÁ
BHÁLOBESECHI MANE PRÁŃE
JENEO KI TÁO JÁNO NÁ
KENO ÁMÁR GHARE ELE NÁ
VRITHÁ HOLO MÁLÁ GÁNTHÁ
ÁÁÁÁÁÁÁÁÁÁ
VRITHÁ HOLO MÁLÁ GÁNTHÁ
VRITHÁI SÁDHER SUR JE SÁDHÁ
SMRITI NIYE HÁSÁ KÁNDÁ
ENKE MÚCHI KI ÁLPANÁ
KENO ÁMÁR GHARE ELE NÁ
MAN DEULE DEKHECHI
ÁÁÁÁÁÁÁÁÁÁ
MAN DEULE DEKHECHI
TOMÁR RAUNGE RÁUNGÁ HOYECHI
TOMÁR GÁNE NÁCE METECHI
TÁI TO DÚRE THÁKÁ SAHE? NÁ
KENO ÁMÁR GHARE ELE NÁ
KII DOŚA KARECHI BOLONÁ
KENO ÁMÁR GHARE ELE NÁ
O Lord, what mistake have I committed, tell me, why did not You come to my home? I love
You wholeheartedly, knowingly, do not You know that? My threading of floral garland is
waste, Useless is rehearsing of the melody. Remembering that I smile and cry, draw and
wipe the welcome decoration markings.
3781 (30/09/1986) K
TOMÁY ÁMI CEYECHI
GOPANE GAHANE
AJÁNÁ PATHIK TÁKÁO KHAŃIK
MOR PÁNE KARUŃÁ NAYANE
GOPANE GAHANE TOMÁY ÁMI CEYECHI
TOMÁKE CHÁŔÁ ÁMI KICHU JÁNI NÁ
ÁÁÁÁÁÁÁÁÁÁ
TOMÁKE CHÁŔÁ ÁMI KICHU JÁNI NÁ
TUMI BINÁ KÁHÁKEO DHYÁNE BHÁVI NÁ
TOMÁRI PRIITI TOMÁRI GIITI?
TAVA ANUPAMA DYUTI UDBHÁSITA KARE JIIVANE
GOPANE GAHANE TOMÁY ÁMI CEYECHI
E KI PHÚL D́ORE MORE BENDHE CHO
CHINŔETE CÁHILE AT́UT́A REKHECHO
TAVA GUŃA KATHÁ SHEŚA NÁHI HOYE
BHÁVIYÁ DEKHI TÁR NÁHI ÁYU KŚAYA
TOMÁRI VRATE
TOMÁRI VRATE TAVA MADHUNISYANDE
ÁMI BHÁSI KAOMUDI, KIRAŃE
GOPANE GAHANE TOMÁY ÁMI CEYECHI
O Lord, I love You, secretly in depth. O the unknown traveler, look for a while towards me
with mercy. Other than You, I do not know anything. Other than You, I do not think of
anyone in my meditation. Your love, song and incomparable glow illuminates my life. With
what floral thread have You tied me, it is unbreakable, even if I want. There is no end of
the narration of Your glories. I observed on thinking that they do not terminate. In Your
vow, and Your essence of sweetness, I float in the rays of moonlight.
3782 (30/09/1986) D
KENO ÁMI TOMÁR GHARE
ÁSI NÁ
TÁ KI TOMÁY BOLBO
NÁ, NÁ BOLBO NÁ
KENO ÁMI BHÁLOBESE
DHARÁ DII NÁ
SE KATHÁ KI JÁNÁBO
NÁ NÁ JÁNÁBO NÁ
NÁ NÁ BOLBO NÁ
BHÁLOBÁSÁ LATÁY PÁTÁY
ÁÁÁÁÁÁÁÁÁÁ
BHÁLOBÁSÁ LATÁY PÁTÁY
BHÁLOBÁSÁ PHÚLER REŃUKÁY
BHÁLOBÁSÁY PARÁG BHESE JÁY
TÁDER SAUNGE KI KATHÁ KAIBO
NÁ NÁ KAIBO NÁ
NÁ NÁ BOLBO NÁ
BHÁLO BÁSÁY MAN BHARE JÁY
ÁÁÁÁÁÁÁÁÁÁ
BHÁLO BÁSÁY MAN BHARE JÁY
SE BHÁLOBÁSÁY PRÁŃA UPACÁY
SE BHÁLO BÁSÁ BHULABO
NÁ, NÁ BHULBO NÁ
NÁ NÁ BOLBO NÁ
KENO ÁMI TOMÁR GHARE
ÁSI NÁ
TÁ KI TOMÁY BOLBO
NÁ, NÁ BOLBO NÁ
Why I do not come to your home that I will not say. Why I do get caught even if love, that
I shall speak. I love all including creepers and leaves and the pollen of flowers, by love
the fragrance goes on floating. What I talk with them, I will not announce. By love, the
mind gets fulfilment and that love overflows vitality, that love I shall not forget.
3783 (01/10/1986) D
CEYE CHILUM TOMÁY ÁMI
RÚPASII KARER SHIHARAŃE
ELE MOHAN PHÚLA SÁJE
JAKHAN CEYECHI TOMÁKE
SIIVANTIIR ÁKARŚAŃE
ESECHO RAJAT NIIRAJE
JÁ KICHU CÁI TÁI TUMI DÁO
ÁÁÁÁÁÁÁÁÁÁ
JÁ KICHU CÁI TÁI TUMI DÁO
TOMÁR RAUNGA KI TÁTE MESHÁO
CEYE MADHU MÁSER RÁGE
PELUM ABJA SAROJE
ELE MOHAN PHÚLA SÁJE
CÁOÁR DAENYA BUJHIYE DILE
ÁÁÁÁÁÁÁÁÁÁ
CÁOÁR DAENYA BUJHIYE DILE
BHÁVANÁR TRUT́I SHODHARÁLE
CEYE CHILUM AHAMIKÁY
NILE CARAŃA RAJA MÁJHE
ELE MOHAN PHÚLA SÁJE
CÁOÁ PÁOÁ ÁMÁR KÁCHE?
ÁÁÁÁÁÁÁÁÁÁ
CÁOÁ PÁOÁ ÁMÁR KÁCHE
TOMÁR SABAI SADÁI RÁJE
JÁ CHILO NÁ JÁHÁ CHILO
JÁ KICHU NÁI JÁHÁ ÁCHE
ELE MOHAN PHÚLA SÁJE
CEYE CHILUM TOMÁY ÁMI
RÚPASI KARER SHIHARAŃE
ELE MOHAN PHÚLA SÁJE
O Lord, I have looked for You, with the quiver of beautiful hands, You came with adoration
of charming flowers. When I wanted You with the attraction of siivantii (hedge plant), You
came upon the silver lotus. Whatever I want, You provide me that. You mix Your colour with
that. On the wish of getting You in colour of spring, I got You on the lotus flower. You
made me understand the meagreness of material desires and rectified the defects of my
thinking. I wanted with ego, but You took me within the dust of Your feet. Longing and
achievement is with me only, for You, everything is present all the time, whatever was
there or not, whenever was or not.
3784 (01/10/1986) K
TUMI, ESECHO MAN NIYECHO
MAN KENO DILE NÁ MORE
BHÁLOBESECHO, KATHÁ KAYECHO
RÁUNGÁ T́HOD́HE MAMATÁ BHARE
MAN KENO DILE NÁ MORE
TRILOKE MÁDHURII TOMÁTE BANDHU
ÁÁÁÁÁÁÁÁÁÁ
TRILOKE MÁDHURII TOMÁTE BANDHU
KARUŃÁ KARAŃA TUMI SUDHÁ SINDHU
KLESHA ÚŚŃA DÁHE CANDAN VINDU
BÁNDHITE PÁRINI TOMÁRE
MAN KENO DILE NÁ MORE
ÚŚÁR ARUŃA RÁGE SAḾKLIRIPTA
ÁÁÁÁÁÁÁÁÁÁ
ÚŚÁR ARUŃA RÁGE SAḾKLIRIPTA
PRIITIR MAINJÚŚÁY MADHU SIKTA
TUMI PÚRŃA ÁR ÁMI RIKTA
TABU REKHECHO CARAŃ PARE
MAN KENO DILE NÁ MORE
TUMI, ESECHO MAN NIYECHO
MAN KENO DILE NÁ MORE
O Lord, You came, took my mind, but why did not You give me Your mind. You have loved
spoke the things, with coloured lips full of affection. The sweetness of all the three
worlds is within You, O Friend. O merciful, You are ocean of nectar. You are the drop of
soothing sandal paste, at the hot burn of agonies. I am unable to bind You. Saturated with
the crimson colour of the dawn, absorbed with sweetness of casket of love, You are full
and I am empty, still You have kept me at Your feet.
3785 (02/10/1986) D
BHEVE CHILUM JINÁNE PÁVO
DHYÁNE DHARÁ DILE
CEYE CHILUM AHAMIKÁY
VINAYE NIKAT́E ELE
DHYÁNE DHARÁ DILE
CEYE CHILUM JINÁNÁLOKE
ÁÁÁÁÁÁÁÁÁÁ
CEYE CHILUM JINÁNÁLOKE
UDBHÁSITA MOR PRIYA KE
PRIITIR DHÁRÁY ABHIŚEKE
SNÁNA KARÁLE TRUT́I BHULE
DHYÁNE DHARÁ DILE
KHUNJE CHILUM AUNGANYÁSE
ÁÁÁÁÁÁÁÁÁÁ
KHUNJE CHILUM AUNGANYÁSE
ÁCAMANE KARANYÁSE
VAEDHII PUJÁR NÁNÁBHYÁSE
NIJE ESE BHUL BHÁUNGÁLE
DHYÁNE DHARÁ DILE
BHEVE CHILUM JINÁNE PÁVO
DHYÁNE DHARÁ DILE
O Lord, I thought that I would attain You with knowledge and wisdom, but You came into
folds during meditation. I wanted You with ego, but You came close by humbleness. I wanted
my Dear illuminated with the light of knowledge, but ignoring my mistake, You honored me
by bathing me in the flow of love. I had searched You in the paraphernalia and many
ritualistic worship steps, but You came Yourself, breaking my misconception.
3786 (02/10/1986) D
TUMI, KENO DÚRE ÁCHO PRIYA MOR
DEKHECHI ÚŚÁTE ARUŃ ÁLOTE
PÁRE NI BÁNDHITE PHULA D́OR
KENO DÚRE ÁCHO PRIYA MOR
VARŃE VARŃE PHULA PHUT́E ÁCHE
ÁÁÁÁÁÁÁÁÁÁ
VARŃE VARŃE PHUL PHUT́E ÁCHE
TOMÁR PRAŃAYA MADHURIMÁ JÁCE
KŚAŃIKER TARE ESE KICHU KÁCHE
CALE GELE BHULE ÁNKHI LOR
KENO DÚRE ÁCHO PRIYA MOR
PASHCIME HELE RAKTIMÁBHÁY
ÁÁÁÁÁÁÁÁÁÁ
PASHCIME HELE RAKTIMÁBHÁY
MAN TAKHANAO DHARE RÁKHITE CÁY
DIGVALAYE TAMAH SANDHYÁY, LUKOLE
PÁT́HÁLE GHUM GHOR
KENO DÚRE ÁCHO PRIYA MOR
TUMI, KENO DÚRE ÁCHO PRIYA MOR
O My Dear, why do You remain far? I see You in the crimson dawn, but I am unable to tie
You with the floral thread. The flowers have bloomed in various colours and seek sweetness
of Your love. Coming a bit close only for a moment, You went away ignoring the tears in my
eyes. The red tint inclined towards the west in the evening, even then the mind wants to
keep You held. You hid in the darkness of the evening on horizon, and sent intense
slumber.
3787 (03/10/1986) K (Krsna)
KRŚŃA KAMAL MOR ELO DEKHO RÁUNGÁ BHOR
GOPI JANA ANTARE ÁJIKE
O HE MAMATÁ PAYODHI PURŃA KARUŃÁ NIDHI
TAVA TARE KEKÁ NÁCE DIKE DIKE
GOPI JANA ANTARE ÁJIKE
LÁBHA KŚATI JÁNÁ NÁI PRIITIR PARASHA CÁI
ÁÁÁÁÁÁÁÁÁÁ
LÁBHA KŚATI JÁNÁ NÁI PRIITIR PARASHA CÁI
HISÁB NIKÁSH NÁ PÁI HISÁB NIKÁS NÁ PÁI
BALE GOPI PEYE TOMÁKE
GOPI JANA ANTARE ÁJIKE
SHUDHU E JIIVANE KENO JANAME JANAME JENO
KÁNU PREMA ENO HENO KÁNU PREMA ENO HENO
PÁY GOPI MÁNASA GOLOKE
KÁNU BINÁ GATI NÁI KÁNU CHÁŔÁ KÁKEO NÁ CÁI
ÁÁÁÁÁÁÁÁÁÁ
KÁNU BINÁ GATI NÁI KÁNU CHÁŔÁ KÁKEO NÁ CÁI
NAYANE NIRAKHI JÁI NAYANE NIRAKHI JÁI
TÁRAKA BRAHME ELO KE
GOPI JANA ANTARE ÁJIKE
KRŚŃA KAMAL MOR ELO DEKHO RÁUNGÁ BHOR
GOPI JANA ANTARE ÁJIKE
On this colourful morning, my lotus Krsna came within the core of gopiis, the
devotees, today. O the ocean full of affection and mercy, for You the peacocks dance all
over. I do not know loss or gain, just want touch of love, I am unable to get explanation
for devotees getting You. Why only in this life, for lives after lives, such love for
Krsna came, that the devotees find in the heaven of their minds. There is no go
other than Krsna, and I do not want any entity other than Krsna, I just go on
watching with the eyes, who has come as Taraka Brahma.
3788 (03/10/1986) D
TUMI, KENO KARE JÁO E LIILÁ
KENO KARE JÁO E LIILÁ
LIILÁMAYA TÁI TAVA PARICAYA
KI VICITRA MÁDHAVII KHELÁ
TUMI, KENO KARE JÁO E LIILÁ
KUSUM STABAKE HÁSE TAVA NÁM
ÁÁÁÁÁÁÁÁÁÁ
KUSUM STABAKE HÁSE TAVA NÁM
KŚIRÁBDI BUKE BHÁSO GUŃA DHÁM
NA JÁNIYÁ KARI KOT́ISHA PRAŃÁM
CIRA CITTA RÚPA MEKHALÁ
TUMI, KENO KARE JÁO E LIILÁ
DEVA LOKE TUMI VISHÁL VIRÁT́A
ÁÁÁÁÁÁÁÁÁÁ
DEVA LOKE TUMI VISHÁL VIRÁT́A
CETANÁ LOKE TUMI JE SVARÁT́
KÁLA PARIBHUR DHRUVA SAMRÁT́
NÁHI MÁNO BELÁ ABELÁ
TUMI, KENO KARE JÁO E LIILÁ
O Lord, why do You o on performing this liila, the divine game? Such is Your
introduction as embodiment of liila, what a sweet game. Within panegyric offering in
folded hands Your name smiles. Within ocean of milk, You appear as aggregate of
attributes. Even without grasping, I salute You, millions of time, O my beautiful mental
jewellery forever. You are vast and expansive in the heavenly arena, and grandeur in the
arena of Consciousness. You are the ever emperor of the boundary of time, having no
particular consideration of time.
3789 (04/10/1986) D
TOMÁKE, D́EKE GECHI KATA JIIVANE
D́EKE GECHI KATA JIIVANE
SHUNEO SHONO NI CEYEO DEKHONI
NIŚT́HURA HOLE KEMANE
D́EKE GECHI KATA JIIVANE
NIYATA SHONÁI ANTAR VÁŃII
ÁÁÁÁÁÁÁÁÁÁ
NIYATA SHONÁI ANTAR VÁŃII
SHUNIVÁRE PÁO TAHÁO JE JÁNI
MARAME VYAKTA JE HRDAY KHÁNI
TÁRE SHONÁ JÁY ANU RAŃANE
D́EKE GECHI KATA JIIVANE
D́ÁKÁ MOR KÁJ TÁI D́EKE JÁI
ÁÁÁÁÁÁÁÁÁÁ
D́ÁKÁ MOR KÁJ TÁI D́EKE JÁI
SHUNITE NÁ CÁO KONO KŚOBHA NÁI
SHUDHU MAN MÁJHE SÁNTVANÁ CÁI
BADHIR CHILE KON KÁRAŃE
D́EKE GECHI KATA JIIVANE
TOMÁKE, D́EKE GECHI KATA JIIVANE
D́EKE GECHI KATA JIIVANE
O Lord, I have been calling You for so many lives. But even after hearing, You ignored and
overlooked even on seeing. How have You become so merciless? I constantly convey to You
the words of my core, and I know that You could listen to that. The feelings of the heart
expressed in the core, is heard in the resonance. My duty is to call, hence I go on
calling. There is no complain, if You do not want to listen to that. I only want
consolation in the mind, for what reason You turned deaf ears to me.
3790 (04/10/1986) D
VARAŚÁ ESECHE
BHAROSÁ ESE CHE
NIIP NIKUNJE VEŃUKÁ PUNJE
SHYÁMALIMÁ CHEYE GECHE
VARAŚÁ ESECHE
BHAROSÁ ESE CHE
DODUL DOLÁY KADAMBA DOLE
ÁÁÁÁÁÁÁÁÁÁ
DODUL DOLÁY KADAMBA DOLE
SHIKHIR PUNJA PULAKE UCHALE
DARDUR ÁJI KALAKOLÁHALE
ÁNANDE METE CHE
VARAŚÁ ESECHE
HAROSÁ ESE CHE
MÁNAS VIIŃÁR TÁRE TÁRE ÁJI
ÁÁÁÁÁÁÁÁÁÁ
MÁNAS VIIŃÁR TÁRE TÁRE ÁJI
SURA SAPTAKE UT́HITECHE BÁJI
SAKAL BHÁVANÁ BHÁVA RÚPE SÁJI
ABJA JHARE? NECE CHE
VARAŚÁ ESECHE
BHAROSÁ ESE CHE
The rain has come and consolations came. Within the niip and bamboo groves greenness
spread. The kadamba tree oscillates like swing, the group of peacocks are overwhelmed with
joy. The toads are frenzied with joy and make noise. Today on the strings of the mental
viin’a’, the octave of melody has started resonating. All the feelings adorned with
beauty of ideation, started dancing.
3791 (05/10/1986) K
GÁNERI DESHE ELE AVASHEŚE
TOMÁR NÁI TULANÁ
DARSHAN O SHÁSTRE TOMÁRE BÁNDHITE
KEU PÁRENI KEU PÁRE NÁ
TOMÁR NÁI TULANÁ
TABUO MÁNAVA MÁNASÁTIITE
ÁÁÁÁÁÁÁÁÁÁ
TABUO MÁNAVA MÁNASÁTIITE
VIDHI NIŚEDHE CÁY DHARITE
MANERI BÁDHÁ MANERI SÁDHÁ
MANER PRABHU KE BÁNDHÁ JÁBE NÁ
TOMÁR NÁI TULANÁ
SABETE ÁCHO SABÁR PRABHU
ÁÁÁÁÁÁÁÁÁÁ
SABETE ÁCHO SABÁR PRABHU
DHARÁ CHONYÁY ÁSO NÁ KABHU
TOMÁRE DHARITE CÁI JE TABU
KENO MORÁ KEU JÁNI NÁ
TOMÁR NÁI TULANÁ
GÁNERI DESHE ELE AVASHEŚE
TOMÁR NÁI TULANÁ
O Lord, at the end, You came from the arena of songs, there is no comparison of Yours.
With philosophy and scriptures, no one could bind You, or would do so. Still the human
beings want to hold You, beyond mind, with the discipline of dos and don’ts. The mental
Lord cannot be bound by mental restrictions and mental endeavor. O the Lord of all, You
are within all, and never come touching the earth. Still people want to hold You, why, I
do not know.
3792 (05/10/1986) D
PRIYA KE BOLE TOMÁKE BHÁLO
KATA NÁ JANAM KATA KLESHA SHRAMA
D́ÁKIÁ CALIÁ GELO
KE BOLE TOMÁKE BHÁLO
DE’KECHI TOMÁY MAYUKHA MÁLÁY
ÁÁÁÁÁÁÁÁÁÁ
DE’KECHI TOMÁY MAYUKHA MÁLÁY
NIDÁGHE PRÁVRIT́E JALADARCI GÁY
D́EKECHI BHÁDRE SHÁRADA RÁTRE
SÁDÁ MEGHE JVELE ÁLO
KE BOLE TOMÁKE BHÁLO
D́EKECHI HEMANTERI HIMA VÁYA
ÁÁÁÁÁÁÁÁÁÁ
D́EKECHI HEMANTERI HIMA VÁYA
SHITER TIIVRA TUŚÁRER GHÁY
ELE VASANTE JIIVAN PRÁNTE
NÁSHI SAINCITA KÁLO
KE BOLE TOMÁKE BHÁLO
PRIYA KE BOLE TOMÁKE BHÁLO
O Dear, who tells that You are good. How many lives, with how much struggle and pains
passed calling You. I call You in the series of effulgence, in summer heat, and flood and
clouds, singing, I call You during rainy season, winter nights, kindling light and in the
white clouds. I call You during cold snowy wind of winter, during cold burn injury by snow
of winter. You came into the arena of life, during spring, destroying the accumulated
darkness.
3793 (06/10/1986) D
GÁNER E MÁLÁ KHÁNI
ÁNER E MÁLÁ KHÁNI
TOMÁR TAREI GENTHE REKHE CHI
TUMI ESE PARABE BALE
TUMI ESE PARABE BOLE
PATH PÁNE CEYE RAYECHI
TOMÁR TAREI GENTHE REKHE CHI
(GÁNER E MÁLÁ KHÁNI
GÁNER E MÁLÁ KHÁNI)
TUMI ÁMÁR SAKAL ÁSHÁ
ÁÁÁÁÁÁÁÁÁÁ
TUMI ÁMÁR SAKAL ÁSHÁ
TOMÁTE MOR MÚRTA BHÁŚÁ
TOMÁR RÚPE TOMÁR RÁGE
NAYANE AINJANA ENKECHI
TOMÁR TAREI GENTHE REKHE CHI
(GÁNER E MÁLÁ KHÁNI
GÁNER E MÁLÁ KHÁNI)
DHRUVA TÁRÁ TUMII ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
DHRUVA TÁRÁ TUMII ÁMÁR
SAKAL CÁOÁR EK SAMÁHÁR
TOMÁR PRIITIR SVARŃA BELÁY
BHÁGYA ÁMÁR SAOMPECHI
TOMÁR TAREI GENTHE REKHE CHI
(GÁNER E MÁLÁ KHÁNI
GÁNER E MÁLÁ KHÁNI)
ÁNKHI MELE CEO PRIYA
ÁÁÁÁÁÁÁÁÁÁ
ÁNKHI MELE CEO PRIYA
VIMUKHA VIRÚPA KABHU NÁ HOYO
TAVA ADHARE HÁSIR REKHÁY
NIJE KE DHANYA MEKHECHI
TOMÁR TAREI GENTHE REKHE CHI
(GÁNER E MÁLÁ KHÁNI
GÁNER E MÁLÁ KHÁNI)
O Lord, these garlands of songs, I have kept threaded for You only, so that You come and
wear them, thus I am waiting at Your path. You are my total hope. My language gets
embodiment within You. With Your beauty and colour, I mark decoration in the eyes. You are
my polestar, only one totality of all desires. At the golden bank of Your love, I am
offering my destiny. O Dear, look with open eyes and never get cross or displeased with
me. With the mark of smile at Your lips, I consider myself fortunate.
3794 (06/10/1986) K
TOMÁR SAUNGE JABE HOYE CHILO PARICAYA
SE TITHI DIN SAMAY ÁJAO MANE RAYECHE
SE ANUBHÚTIR ÁLO NAYANE LEGECHE BHÁLO
SEI SMRITI PAT́E ÁJAO NAYAN SUMUKHE NÁCE
SE TITHI DIN SAMAY ÁJAO MANE RAYECHE
SE DINER SE SÚRYA BÁJÁLO JE TÚRYA
ÁÁÁÁÁÁÁÁÁÁ
SE DINER SE SÚRYA BÁJÁLO JE TÚRYA
MÁNAS ÁNKHI PÁTE D́HELE DILE MÁDHÚRYA
SE KATHÁ KE BHULIBE VISMRITI KI NÁSHIBE
SE JE ÁCHE, THEKE JÁBE KÁLÁTIITER MÁJHE
SE TITHI DIN SAMAY ÁJAO MANE RAYECHE
SE RÁTER SEI VIDHU ENECHILO PRIITI SHUDHU
ÁÁÁÁÁÁÁÁÁÁ
SE RÁTER SEI VIDHU ENECHILO PRIITI SHUDHU
ADVITIIYA MANE D́HELECHO APÁR MADHU
SE SMRITI EKHANO BHÁSE MANDRILA ITIHÁSE
TUCCHA KARIÁ KLESHE ÁJAO SE NÁCITECHE
SE TITHI DIN SAMAY ÁJAO MANE RAYECHE
TOMÁR SAUNGE JABE HOYE CHILO PARICAYA
SE TITHI DIN SAMAY ÁJAO MANE RAYECHE
O Lord, when I was acquainted with You, that day and date and time, even today persists in
my mind. That light of experience, appear nice to the eyes and even today, on the screen
of memory, in front of eyes, it moves. The sun of that day plays the trumpet, which has
poured sweetness over the mental eyes. Who can forget that event, would it be destroyed by
forgetfulness? The One, Who is present and would remain within the arena beyond the time.
The moon of that night, has brought only love and has poured unlimited honey into the
nonbifurcated mind. That memory even now appears as quivering history, and still dances
diminishing the pains.
3795 (07/10/1986) D
TOMÁY PRATHAM BHEVE CHILUM
ÁMÁR JIIVAN DHÁRÁY
TÁI TO ÁMÁR ÁLOR LÁGI
BHÁUNGLE PÁŚÁŃA KÁRÁY
TOMÁY PRATHAM BHEVE CHILUM
ÁMÁR JIIVAN DHÁRÁY
YADI BÁ KEU KABHU SHUDHÁY
ÁÁÁÁÁÁÁÁÁÁ
YADI BÁ KEU KABHU SHUDHÁY
KE TAVA PRIYA BOLO ÁMÁY
BOLABO TÁRE KŚAMA MORE
SE HÁSE TÁRÁY TÁRÁY
TOMÁY PRATHAM BHEVE CHILUM
ÁMÁR JIIVAN DHÁRÁY
PRAŃÁM NIYO PRIYA ÁMÁR
KOT́I KOT́I BÁR
ÁMÁR ÁNDHÁR GHARER MÁŃIK
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR ÁNDHÁR GHARER MÁŃIK
PÁTHAR CÁPÁ CHILE KŚAŃIK
ÁJ SE PÁTHAR SARE DUSTAR
JÁNÁY SE NÁHI HÁRÁY
TOMÁY PRATHAM BHEVE CHILUM
ÁMÁR JIIVAN DHÁRÁY
O Lord, in the flow of my life, I had first thought of You. That is why for my light, You
broke the stoneprison. If anybody can explain me anytime, who is your dear, tell me. I
shall tell him, excuse me, He smiles in each and every stars. O My dear, accept my
salutations, millions of times. The gem of my dark house was covered under stone only
momentarily. Today, removing that stone, the difficult is known, He is not lost.
3796 (07/10/1986) D (Shiva)
HE RUDRA BHAERAVA TAVA RAVE
KÁḾPIÁ UT́HILO DHARAŃII
HE PINÁK PÁŃI VIŚÁNNA VÁŃII
GARJE PHUNKÁRI ASHANI
KÁḾPIÁ UT́HILO DHARAŃI
JALE STHALE ÁR NABHO MAND́ALE
ÁÁÁÁÁÁÁÁÁÁ
JALE STHALE ÁR NABHO MAND́ALE
BÁJILO TÚRYA SHRUTI KUND́ALE
KALYÁŃA ARÁTI CEYE CHE JE RÁTI
SE RÁTI SARILO TAKHANAI
KÁḾPIÁ UT́HILO DHARAŃII
KUÁSHÁR KÁLIMÁ JE PECAKA DAL
ÁÁÁÁÁÁÁÁÁÁ
KUÁSHÁR KÁLIMÁ JE PECAKA DAL
EVECHILO HOVE ÁRO PRABAL
RUDRA VIIŃÁR JVÁLÁ SAMÁHÁR
MÁJHE TÁ T́IKITE PÁRENI
KÁḾPIÁ UT́HILO DHARAŃII
HE RUDRA BHAERAVA TAVA RAVE
KÁḾPIÁ UT́HILO DHARAŃII
O Lord Siva, The Rudra Bhaerava, by Your roar, the earth has started shaking. O the holder
of bow in hand, Your long horn thunders with hissing of lightning. On land and water, and
the expanse of sky, the trumpet sounds into the ears. The enemies of welfare, expected the
dark night, which then moved out. The group of owls, who thought that the darkness of fog
would intensify, within the collection of flame of Rudra Viin’a’, could not even see.
3797 (08/10/1986) D
ÁJI BAKUL SUVÁSE
ÁJI BAKUL SUVÁSE CAETRA VÁTÁSE
KI JÁNI PARÁŃ KÁRE CÁY
MADIR MÁYÁY DÚR ALAKÁY
KÁR PÁNE BÁRE BÁRE CÁY
KI JÁNI PARÁŃ KÁRE CÁY
TRILOKE RAYECHE JATA VYATHÁ BHÁR
ÁÁÁÁÁÁÁÁÁÁ
TRILOKE RAYECHE JATA VYATHÁ BHÁR
JATA HATAMÁN KLESHA SAMBHÁR
PRÁNER JOÁRE UDDEL NIIRE
BHÁSÁIÁ DÁO SHATA DHÁY
KI JÁNI PARÁŃ KÁRE CÁY
DÚR KE NIKAT́E T́ENE ÁNO ÁJI
ÁÁÁÁÁÁÁÁÁÁ
DÚR KE NIKAT́E T́ENE ÁNO ÁJI
SHONO DUNDUBHI NABHE BÁJI
MATTA HAOÁY MERU MEKHALÁY
EGIYE CALO BINÁ DVIDHÁY
KI JÁNI PARÁŃ KÁRE CÁY
ÁJI BAKUL SUVÁSE
ÁJI BAKUL SUVÁSE CAETRA VÁTÁSE
Today with fragrance of bakul flowers and breeze of the chaetra season, I do not know Whom
heart wants. In the intoxicating delusion, towards Whom in heaven, it looks again and
again. All the load of pain existing in the three arenas, all burden of dishonoring
agonies, with overwhelming waters of tide of liveliness, You float away in hundreds of
flows. Today bring the far one close. Listen the drum is sounding in the sky. With
frenzied wind from the series of mountains, go forward without any hesitation.
3798 (08/10/1986) K
ÁCHO, NAVA GHAN NIILÁKÁSHE
MADIR MALAY VÁTÁSE
ÁCHO, JYOTSNÁY MADHUR PARASHE
GIITIR UNMADA ÁKÁSHE
MADIR MALAY VÁTÁSE
TAVA PRIITITE PAPIYÁ GEYE JÁY
ÁÁÁÁÁÁÁÁÁÁ
TAVA PRIITITE PAPIYÁ GEYE JÁY
DYUTITE BHUVAN MURCHÁY
TAVA SMRITITE MÁDHURII VARAŚÁY
ÁCHO MADHUMÁSE HARAŚE
MADIR MALAY VÁTÁSE
TUMI, AJÁNÁ ACENÁ CIRA SAKHÁ
ÁÁÁÁÁÁÁÁÁÁ
TUMI, AJÁNÁ ACENÁ CIRA SAKHÁ
SVAYAM CETANÁ SUDHÁ MÁKHÁ
KAKHANO KÁU KE NÁHI RÁKHO EKÁ
SADÁ ÁCHO SÁTHE CIT PRAKÁSHE
MADIR MALAY VÁTÁSE
ÁCHO, NAVA GHAN NIILÁKÁSHE
MADIR MALAY VÁTÁSE
O Lord, You are in the new dense blue sky, in the intoxicating sandal breeze, in the touch
of sweet moonlight, and the sky frenzied with the song. By Your love, the pa’pia’ bird
goes on singing. The world is under spell by Your glow. By Your memory, sweetness rains.
You are present in the joy of the spring. O Ever companion, You remain unknown and
unrecognised. You are Yourself nectarsmeared consciousness. You never leave anyone alone
and remain ever together as illumination of the mind.
3799 (09/10/1986) K
NITYA NIRAINJANA SAUNKAT́A BHAINJANA
CARAŃRVINDA DÁO HE ÁMÁY
BANDHAN MOCAN ÁNANDA VARDHANA
KOT́I KOT́I PRAŃATI JÁNÁI TOMÁY
CARAŃRVINDA DÁO HE ÁMÁY
JE PHÚL PHÚT́E CHILO PRABHÁT PARASHE
ÁÁÁÁÁÁÁÁÁÁ
JE PHÚL PHÚT́E CHILO PRABHÁT PARASHE
JE MÁLÁ GÁNTHÁ HOLO SHUDHU BHÁLOBESE
TÁHÁRE DÚRE KABHU PHELONÁ OGO PRABHU
TÁHAR HRDAY JENO TOMÁREI PÁY
CARAŃRVINDA DÁO HE ÁMÁY
JE GIITI RACIÁ CHILO PRIITIR BHÁVANÁY
ÁÁÁÁÁÁÁÁÁÁ
JE GIITI RACIÁ CHILO PRIITIR BHÁVANÁY
JE SUR SÁDHIÁ CHILO SHUDHU EK NIŚT́HÁY
TÁHAR NAYAN NIIRE SIKTA CARAŃA DHARE
EI ANURODHA KARI TAVA KARUŃÁY
CARAŃRVINDA DÁO HE ÁMÁY
NITYA NIRAINJANA SANKAT́A BHAINJANA
CARAŃRVINDA DÁO HE ÁMÁY
O ever without blemish, destroyer of obstacles, give me Your lotus feet. O the breaker of
bondages, enhancer of bliss, I express millions of salutations to You. The flowers that
bloomed with the touch of morning, the garland which was threaded only with love, those
You do not throw away any time, O Lord, so that their hearts may also attain You. The song
that was created only with love of Your ideation, the melody that was rehearsed only with
solitary faith, wet with their tears, holding Your feet, I pray for Your mercy.
3800 (10/10/1986) K
BHÁVERI GAHANE MÁDHURII SANE
MÁDHAVI MAINJARI GUINJARI GÁYE
SHUDHU SE NÁ TÁKÁY CÁPÁ VEDANÁY
VIIŃÁ TANTRE MOR DHVANI NÁHI PÁY
MÁDHAVII MAINJARI GUINJARI GÁYE
SHUNI SE ÁSIÁ CHILO NIDÁGH DÁHE
ÁÁÁÁÁÁÁÁÁÁ
SHUNI SE ÁSIÁ CHILO NIDÁGHA DÁHE
BELÁ BAKULER SÁTHE TÁP VIDÁHE
KETAKI PARÁGE VARAŚÁR PRAVÁHE
ESE CALE CHILO TÁRE DEKHINI AVAHELÁY
MÁDHAVII MAINJARI GUINJARI GÁYE
SHARATE SHEFÁLI SÁTHE CHILO SÁJIÁ
ÁÁÁÁÁÁÁÁÁÁ
SHARATE SHEFÁLI SÁTHE CHILO SÁJIÁ
HEMANTE HIMA VÁHE CHILO MISHIYÁ
DEKHITE CÁHI NÁI TÁI DEKHÁ HOE NÁI
SE TRUT́I ÁMÁR TÁRE BHÁVENI UPEKŚÁY
MÁDHAVII MAINJARI GUINJARI GÁYE
SHIITER SHAETYA VÁHE CHINU JAŔATÁY
ÁÁÁÁÁÁÁÁÁÁ
SHIITER SHAETYA VÁHE CHINU JAŔATÁY
DEKHINI SE ÁCHE TUŚÁRE SHUBHRATÁY
VASANTE KLESHÁNTE MADHU NISHÁY
MÁTIÁ CHILUM KHUNJINI SE ÁCHE KOTHÁY
MÁDHAVII MAINJARI GUINJARI GÁYE
BHÁVERI GAHANE MÁDHURII SANE
MÁDHAVI MAINJARI GUINJARI GÁYE
In the depth of ideation combined with sweetness, the bunch of ma’dhavii flowers sing
with hum. Only it is not looking at my suppressed pain. It is not getting my call, which
is combined with tinkling of lyre. I heard that he had came in intense summer sun along
with flowers of bela’ and bakul for soothing the heat. Along with ketakii fragrance
through the flow of rain, he was coming, but I did not see him and neglected. He came
during winter with shefalii flower and then combined with snow. Because I did not want see
we were not introduced. That mistake of mine he did not consider and overlooked. During
intense cold, I was inert and did not observe him within the whiteness of snow. During
spring, at the end of all pains, in the sweet night, I remained intoxicated and did not
bother to search him.
3801 (10/10/1986) D
KALAUNKII CÁNDA TUMI KALAUNKII CÁNDA
ÁMÁR MANE SABÁR MANE
BICHÁYE REKHECHO VICITRA PHÁNDA
KALAUNKII CÁNDA TUMI KALAUNKII CÁNDA
PHULER MÁJHE MADHUR KHONJE
ÁÁÁÁÁÁÁÁÁÁ
PHULER MÁJHE MADHUR KHONJE
ALI ÁSE BASE NIJER KÁJE
TÁRE, ÁSITE DÁO TÁRE BASITE DÁO
TÁRE KÁCHE T́ENE NIYE NÁO APAVÁDA
KALAUNKII CÁNDA TUMI KALAUNKII CÁNDA
JATA, PÁPII TÁPII UTSANNA MÁNASA
ÁÁÁÁÁÁÁÁÁÁ
JATA, PÁPII TÁPII UTSANNA MÁNASA
SABÁR KÁLIMÁ NÁO HE RÁJA TÁPASA
TOMÁR, NÁIKO ÁSHAY TUMI SABAR ÁSHRAYA
TUMI SABÁRE SHÁNTI? DÁO SARIYE VIŚÁDA
KALAUNKII CÁNDA TUMI KALAUNKII CÁNDA
O you the stained moon, what a trap you have spread into my mind and all minds? Looking
for the honey within the flowers, the bee comes for its own purpose, you allow it to come
and allow it to sit. You attract them close to yourself, thus inviting blame. All the heat
producing sinners with utterly depraved minds, You take away the dirt of all, O the top
ascetic. You do not have any receptacle, as You are shelter of all. You provide peace to
all, removing the sorrows.
3802 (11/10/1986)
AVYAKTA SE KÁLÁTIITE
KII BHÁVE CHILE BOLO MORE
DVITIIYA KEU CHILO NÁ
JABE CHILE TABE NIYE KÁRE
KII BHÁVE CHILE BOLO MORE
BHEVE BHEVE HOI VISMRITA
CHILO NÁ KO PAINCABHÚTA
CITTA AHAM MAHATTATTVA
KEU CHILO NÁ TOMÁY GHIRE
KII BHÁVE CHILE BOLO MORE
AVYAKTAE SE NIRGUŃE
VISHRIŚT́I ELO KEMANE
NÁ JÁNIÁO BUJHI MANE
LIILÁR KÁCHE YUKTI HÁRE
KII BHÁVE CHILE BOLO MORE
AVYAKTA SE KÁLÁTIITE KII
BHÁVE CHILE BOLO MORE
O Lord, unexpressed beyond the periphery of time, with what ideation were You existing
tell me. When no second entity existed, then with whom did You exist? Thinking and
pondering over that, I lose memory. There were no fundamental factors of matter, no mind
stuff, ego or mahat, no one surrounded You. Into the unexpressed attributionless entity
how the grand creation occurred. Even if not knowing I feel in the mind that before Your
game liila, the logic is defeated.
3803 (12/10/1986)
TUMI ESECHO ÁMÁR GHARE
SE TAPASHAKTI NÁIKO ÁMÁR
TOMÁKE ÁNIBO DHARE
TUMI ESECHO ÁMÁR GHARE
E SÁR SATYA BUJHIYÁ NIYÁCHI
KRIPÁ TOMÁR PEYECHI
NIJER NAYANE ÁJI DEKHIYÁCHI
VISHVA BHUPE E ÁNDHÁRE
TUMI ESECHO ÁMÁR GHARE
BHÁLOBESE CHINU KON SE ATIITE
YUGA YUGA DHARE RÁKHIYÁCHI CITTE
LUKIYE REKHECHI NIIRAVE NIBHRITE
PUŚPITA HOLO E BÁRE
TUMI ESECHO ÁMÁR GHARE
O Lord
You came to my home.
I do not have the power of austerity
to hold You.
This essence of truth I understood
and attained Your grace.
Though my own eyes
I have seen the darkness of the world.
For eras after eras
I have been keeping in my mind
the fact that I loved You in the distant past.
I kept it hidden silently and secretly
this time it finally bore flowers.
3804 (16/10/1986)
PATH CHEŔE BÁDHÁ NÁHI DÁO
ARUŃA NAYANE CEYO NÁ
TUMI CEYO NÁ
KATA KÁJA ÁCHE E DHARÁR MÁJHE
GHARE BENDHE MORE REKHO NÁ
TUMI CEYO NÁ
DHARITRI SAB VYATHÁY VIDHUR
ROGE SHOKE DUHKHE JVÁLÁTE ÁTUR
SHEFÁLI SHAŚPA BHEUNGE HOE CÚRA
SE KATHÁ KI BHEVE DEKHO NÁ
TUMI CEYO NÁ
PHUL PHOT́E BHORE HÁSI MÁKHÁ MUKHE
KIIT́E KÁT́Á HOYE JHARE PAŔE DUHKHE
CAMPAK KALI BHEUNGE PAŔE JHUNKE
TÁDER KATHÁ KI BHÁVO NÁ
TUMI CEYO NÁ
PATH CHEŔE BÁDHÁ NÁHI DÁ
ARUŃA NAYANE CEYO NÁ
TUMI CEYO NÁ
O Lord, do not obstruct for leaving the path, and do not look at me with red angry eyes.
So much of work is pending on this earth, do not keep me bound to home. All in the world
are afflicted with pain, distressed with burns of sorrows, agonies, and diseases. The
shefa’lii flowers and young grass are broken and crushed, do not You see and think about
them? The flowers bloom in the morning with sweetnesssmeared smile, but they now lie
dropped, sorrowful, bitten with insects. The bud of campa’ are plucked down by blow of
wind, do not You think about them?
3805 (17/10/1986)
SHEFÁLI JHARÁ PATHE SEI NISHIITHE
TUMI ESE CHILE MOR GHARE
MADHU JYOTSNÁR ÁLO ÁMÁR MAN MÁTÁLO
TOMÁRE DEKHINU ÁNKHI BHARE
TUMI ESE CHILE MOR GHARE
CHILO SÁDÁ MEGHE SÁJÁNO ÁKÁSHA
CANDRÁLOKE CHILO TÁR PRATIBHÁSA
SHIHARAŃA ENE CHILO MALAY VÁTÁSA
MOHITA CHILO MAN MADHUKARE
TUMI ESE CHILE MOR GHARE
BHULITE PÁRI NÁI ÁJAO SEI UTSAVE
PRÁŃA KE UPACÁNO SE PRIYA ÁSAVE
MANER JATA DHÁRÁ MILE MISHE SABE
PRAŃATI KARE CHILO EK TOMÁRE
TUMI ESE CHILE MOR GHARE
SHEFÁLI JHARÁ PATHE SEI NISHIITHE
TUMI ESE CHILE MOR GHARE
O Lord, on the path with dropped shefalii flowers, on that night, You had come to my home.
In the illumination of sweet moonlight, my mind was frenzied and I saw You fulfilling my
eyes. The sky was decorated with white clouds, their reflection persisted in the
moonlight. The sandal breeze brought quiver and the mental bee was charmed. I am unable to
forget that festival even today. That Dear had overflowed my vigor with the nectar. All
the flows of the mind merging together expressed salutations in singular You.
3806 (18/10/1986) K
NIRGUŃA AMBARE D́AMBARU SAINCARE
AMBUDARCI SAMA
JÁGILE JE DIN SHRIT́I STHITI
PRALAYER DEVATÁ MAMA
SE DIN CHILO NÁKO KONO VISHEŚAŃA
CHILO NÁ RÚPER SÁR CHILO NÁ ÁBHUŚAŃA
ÁÁÁÁÁÁÁÁÁÁ
SE DIN CHILO NÁKO KONO VISHEŚAŃA
CHILO NÁ RÚPER SÁR CHILO NÁ ÁBHUŚAŃA
PATRER MARMAR VIHAGER KALARAVA
CHILO NÁKO KONO KICHU HE ANÚPAMA
JÁGILE JE DIN SHRIT́I STHITI
PRALAYER DEVATÁ MAMA
NIRGUŃA AMBARE D́AMBARU SAINCARE
AMBUDARCI SAMA
JÁGILE JE DIN SHRIT́I STHITI
PRALAYER DEVATÁ MAMA
ELO PHUL PHAL JAL ELO MADHURIMÁ
ELO MÁNUŚER HIYÁ SUDHÁR TANIMÁ
ÁÁÁÁÁÁÁÁÁÁ
ELO PHUL PHAL JAL ELO MADHURIMÁ
ELO MÁNUŚER HIYÁ SUDHÁR TANIMÁ
ELO MÁNUŚER HIYÁ SUDHÁR TANIMÁ
ELO JÁHÁ KICHU BHÁLO SARE GELO SAB KÁLO
PRÁŃE PRÁŃE DHARÁ DILO HE NIRÚPAM
JÁGILE JE DIN SHRIT́I STHITI
PRALAYER DEVATÁ MAMA
NIRGUŃA AMBARE D́AMBARU SAINCARE
AMBUDARCI SAMA
JÁGILE JE DIN SHRIT́I STHITI
PRALAYER DEVATÁ MAMA
In the unbarred cosmos
with the first expression of sound
creation began to emerge
like a colourful rainbow in the sky
when You, O my Lord
of creation, preservation and destruction
woke up.
In the first stage of creation
there was no adjective to describe
there were no beautiful forms
there were no decorations
nor were there the murmuring of leaves
or the warbling of birds.
There was nothing in fact
O matchless one!
Then there came the water
the flowers, the fruits
and there came allpervading sweetness.
There also came human heart, the repository of nectar.
There came all the goodness.
The forces of darkness vanished.
You came into the lives of all
O unmatched one!
3807 (21/10/1986) D (song with maximum independent a’la’ps)
TOMÁR ÁSÁTE HE PRIYA CAKITE
SARILO TAMASÁ AMÁNISHÁR
JE JEKHÁNE CHILO ANUBHAVE ELO
AHAMIKÁ BHÁR GELO E BÁR
ÁÁÁÁÁÁÁÁÁÁ
MARAM MÁJHÁRE HERIYÁ TOMÁRE
MANAN HOLO JE TRIPTA
BAHIRANTARE SUDHÁ SAROVARE
TAVA BHÁVE SAMKLRIPTA
JATA BHEDA BHÁVA JÁ KICHU ABHÁVA
NATI JÁNÁLO CARAŃE TOMÁRA
ÁÁÁÁÁÁÁÁÁÁ
BHAYA LESHA HIIN KLÁNTI VIHIIN
NIRMALA HOLO CITTA
LÁJA TYÁJIYÁCHI, GHRIŃÁ
BHULIÁCHI HOECHI NISHCINTA
BÁNDHAN MÁNI NÁ ÁSITE JÁNINÁ
ÁSHIS RAYECHE SHIRE ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR ÁSÁTE HE PRIYA CAKITE
SARILO TAMASÁ AMÁNISHÁR
JE JEKHÁNE CHILO ANUBHAVE ELO
AHAMIKÁ BHÁR GELO E BÁR
O Beloved
with Your arrival
the dark nights suddenly vanished.
To all the individuals
wherever they were
actual experience came about
and the load of their ego was diminished.
While searching You within my mind
I became absorbed
in the nectar pond of Your ideation
both within and externally.
All differentiations and shortcomings
surrendered at Your feet.
Without trace of fear, untiringly
my mind was purified.
I discarded all shame and hatred
and became free from worries.
I do not admit any bondage
nor entertain any expectation
so long as Your blessings remain on my head.
3808 (22/10/1986) K
JEO NÁ JEO NÁ
THÁKO KÁCHE
ÁMÁR E KŚUDRA MAN MÁJHE
DHUYE MUCHE SÁJIYE REKHECHI
LÁGITE TOMÁR SAB KÁJE
ÁMÁR E KŚUDRA MAN MÁJHE
ALAKH DEVATÁ TUMI HE PRIYA
ÁÁÁÁÁÁÁÁÁÁ
ALAKH DEVATÁ TUMI HE PRIYA
TRILOKA VIDHÁTÁ VARAŃIIYA
BHULONÁ BHULO NÁ
BHULO NÁ REKHO SMARAŃE
O JIIVANE MARAŃE KÁCHE KÁCHE
ÁMÁR E KŚUDRA MAN MÁJHE
BUDDHI CITTÁHANKÁRE RAYECHI
ÁÁÁÁÁÁÁÁÁÁ
BUDDHI CITTÁHANKÁRE RAYECHI
SABETE TOMÁRE KHUNJE CALECHI
VIMUKHA HOYO NÁ
CÁI JE TOMÁRE RÚPE MÁJHE
ÁMÁR E KŚUDRA MAN MÁJHE
O Lord do not go, do not go come close into the small mind of mine, that I have kept
washed, wiped and decorated for You in all my actions. O the unseen divinity, dear
controller of the three arenas and most revered, do not forget, keep in memory that
closely during my life and death. I remain within the arena of intuition, intellect and
mind stuff, and go on searching You within everything. Do not be cross as I love You
within the periphery of form.
3809 (22/10/1986) D
BHÁLOBESE CHILE JÁNI
KENO MOR GHARE ELE NÁ
KATHÁ DIYE CHILE BHULINI
KENO KATHÁ RÁKHILE NÁ
KENO MOR GHARE ELE NÁ
ÁLPANÁ ÁJO DUÁRETE ÁCHE
TAVA TARE GHAR SÁJÁNO RAYECHE
CIKURE KEUR ÁJAO BÁNDHÁ ÁCHE
GÁNTHÁ MÁLÁ GALE NILE NÁ
KENO MOR GHARE ELE NÁ
MÁNASA PRADIIP ÁJAO JVALITE CHE
ÁÁÁÁÁÁÁÁÁÁ
MÁNASA PRADIIP ÁJAO JVALITE CHE
GHRTA O SALITÁ EKHANO RAYECHE
ÁSHÁR ÁKUTI NAYANE BHÁSICHE
MOR PÁNE KENO TÁKÁLE NÁ
KENO MOR GHARE ELE NÁ
BHÁLOBESE CHILE JÁNI
KENO MOR GHARE ELE NÁ
O Lord, I know You loved, but why did not You come into my home? I have not forgotten that
You gave the word, why did not You keep the word? Even today the welcome mark remains
painted at the door. The home remains decorated for You. The tress of hair is even today
decorated with the ornamental griddle, You did not accept and place on Your neck the
threaded garland. The mental lamp is glowing even today and contains the ghee and the wick
even now. The earnestness of hope appears into the eyes. Why did not You look towards me?
3810 (23/10/1986) D
TUMI, BAHIR VISHVE RAYECHO
TUMI, ÁCHO ANTAR MÁJHE
TABE KÁR TARE JÁO LIILÁ KARE
KENO MARI KHUNJE KHUNJE
ÁCHO ANTAR MÁJHE
TUMI, JÁ CÁOÁR NAY TÁI CEYE JÁO
ÁÁÁÁÁÁÁÁÁÁ
TUMI, JÁ CÁOÁR NAY TÁI CEYE JÁO
ÁMÁY NÁ CEYE ÁMÁREI CÁO
BHÁVER JAGATE ABHÁVER SHROTE
T́ÁNO MORE TAVA KÁJE
ÁCHO ANTAR MÁJHE
JÁ KARÁR NAY TÁI KARE JÁO
ÁÁÁÁÁÁÁÁÁÁ
JÁ KARÁR NAY TÁI KARE JÁO
KŚUDRA ÁMIRE GURUTVA DÁO
JINÁNA O KARME MATHIYÁ MARAME
SÁJÁO SHATEK SÁJE
ÁCHO ANTAR MÁJHE
TUMI, BAHIR VISHVE RAYECHO
TUMI, ÁCHO ANTAR MÁJHE
O Lord, You remain in external world as well as within. Then what for You continue
performing the game, liila? Why do I die searching You? What is not desired that You go
on willing. Even without loving me You like me. Amid the world of feelings, in the stream
of void ness, pull me for Your work. What is undesirable that only You go on doing. To the
small “I”, You provide credit and importance. Churning the core of mind with knowledge
and action, You provide hundreds of panorama.
3811 (24/10/1986) K
BHÁLOBESE CHILE TUMI ÁMÁY
VINIMAYE KICHU CÁO NI
JÁHÁ DIYECHI ÁMI TOMÁY
KICHUTEI TÁHÁ NÁONI
VINIMAYE KICHU CÁO NI
CÁNDA D́HELE DIYE JÁY KAOMUDI
ÁÁÁÁÁÁÁÁÁÁ
CÁNDA D́HELE DIYE JÁY KAOMUDI
VICÁR KARE NÁ VIDHI AVIDHI
TUMI D́HELE GELE PRIITI NIRAVADHI
TUCCHA ATUCCHA BHÁVONI
VINIMAYE KICHU CÁO NI
KETAKII KESHAR KARUSARE BHÁSE
ÁÁÁÁÁÁÁÁÁÁ
KETAKII KESHAR KARUSARE BHÁSE
NISHCHIDRA KÁLO NISHIITHE HÁSE
MAMATÁ TOMÁR MAINJULÁKÁSHE
DHÚMA KETU GHÁTE THÁMENI
VINIMAYE KICHU CÁO NI
BHÁLOBESE CHILE TUMI ÁMÁY
VINIMAYE KICHU CÁO NI
O Lord, You have been loving me, but never wanted anything in return. Whatever I gave You
nothing of that You accepted. The moon goes on pouring its soft moonlight, without any
consideration of proper or improper. You too went on pouring love constantly, without any
consideration of mean or high. In the night of pouring rain, and in the pitch dark the
fragrance of the ketakii flower goes on floating without a care as to darkness or light.
Similarly, resistance of the comet in the beautiful sky does not hinder Your affection.
3812 (25/10/1986) K
TUMI, MARMA MÁJHE RAYECHO
PRABHU DÚRE KATA DÚRE
CÁO NÁ DHARÁ DITE ÁNKHI PÁTE
ÁCHO BASE ANTAHPURE
PRABHU DÚRE KATA DÚRE
TOMÁRE PÁINI KHUNJE MAT́HE DEULE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁRE PÁINI KHUNJE MAT́HE DEULE
TOMÁRE PÁINI PAINCAVAT́II MÚLE
TABU MANE NÁŔÁ ÁLOR DOLÁ LÁGÁO
E LIILÁ KE BUJHITE PÁRE
PRABHU DÚRE KATA DÚRE
TUMI ÁCHO JÁNÁ AJÁNÁR MÁJHÁRE
ÁÁÁÁÁÁÁÁÁÁ
TUMI ÁCHO JÁNÁ AJÁNÁR MÁJHÁRE
RAYE GECHO “ÁMI” BODHE MATHITA KARE
TOMÁRE SARÁTE GELE ÁMI NÁ THÁKI
TÁHOLE RAYECHO JE JIIVAN BHARE
PRABHU DÚRE KATA DÚRE
TUMI, MARMA MÁJHE RAYECHO
PRABHU DÚRE KATA DÚRE
O Lord, You reside within the core of the heart, still how much away do You remain, and do
not want to come into the folds of eyes. I am unable to find You within monasteries and
temples or in the root of five pious trees. Yet, You provide jerk to the mind and
oscillate the swing, who can understand this game liila? You are within the known and
the unknown, and continue to remain churning with the feeling of “I”ness. I cannot
exist without You. Like that You remain filling throughout the life.
3813 (26/10/1986) D
JÁBE NÁ
JÁBE NÁ, JÁBE NÁ
JÁBE NÁ TUMI BOLE CHILE
KENO CALE GELE MORE PHELE
JE TARU ROPAN KARE CHILE
PHULE PHALE TÁRE BHARE GELE
KENO CALE GELE MORE PHELE
VASUDHÁR SUDHÁSÁR TUMI JÁNI
ÁÁÁÁÁÁÁÁÁÁ
VASUDHÁR SUDHÁSÁR TUMI JÁNI
ALAKÁR ALAKÁNANDÁ MÁNI
SAB THÁKITEO KICHUI THÁKE NÁ
TUMI SMITÁNANE NÁ T́ÁNILE
KENO CALE GELE MORE PHELE
VÁK CETANÁR VÁG BHAVA DHÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
VÁK CETANÁR VÁG BHAVA DHÁRÁ
DIK HÁRÁTE DRK DHRUVA TÁRÁ
TOMÁR RAŃANE MANDRITA ÁNANE
MÁRAVA VAHNI JVÁLÁ BHOLE
KENO CALE GELE MORE PHELE
JÁBE NÁ TUMI BOLE CHILE
KENO CALE GELE MORE PHELE
O Lord, when You have said no, then why did You go away leaving me? The tree that You had
planted, has become full with flowers and fruits. I know You as the essence of the world
and accept You as the heavenly stream. There is nothing even if everything is present, if
You do not pull me with smiling face. You are the awareness of speech in the worldly flow
of language. For the visionlost, You are the visible polestar. Visualizing Your face
resonating with Your voice, I forget the fireflame of the desert.
3814 (28/10/1986) K
SEI VARŚÁ SNÁTA NISHIITHE
CHILO NÁ ÁLOR REKHÁ DIGVALAYE ÁNKÁ
ÁÁÁÁÁÁÁÁÁÁ
CHILO NÁ ÁLOR REKHÁ DIGVALAYE ÁNKÁ
CHINU JEGE TAVA ÁSHÁTE
SEI VARŚÁ SNÁTA NISHIITHE
VARŚAŃA SAGHAN CHILO JHAT́IKÁR SÁTHE
ÁÁÁÁÁÁÁÁÁÁ
VARŚAŃA SAGHAN CHILO JHAT́IKÁR SÁTHE
MEGH D́AMBARU DURU DURU BEJE CHILO TÁTE
MANERI IISHÁŃA KOŃE CEYE CHINU ÁNAMANE
PRALEPA DITE VYATHÁTE
SEI VARŚÁ SNÁTA NISHIITHE
KATA MEGH ELO GELO ASHANI TRÁSA JÁGÁLO
ÁÁÁÁÁÁÁÁÁÁ
KATA MEGH ELO GELO ASHANI TRÁSA JÁGÁLO
KATA KETAKIIR KAŃIKÁ KENDE KENDE BHESE GELO
ÁJAO SE BHAYÁL RÁTI REKHECHE BHARIÁ
SMRITI VIŚÁDA BICHÁNO VIITHITE
SEI VARŚÁ SNÁTA NISHITHE
On that rain wet night, there was no trace of light on the horizon. I was awake in Your
hope. The rain was heavy along with storm. Within that the roar of clouds also sounded.
Into the northeastern corner of the mind, I was looking unmindfully, You applied balm over
the pain. Many clouds came and went and lightning frightened. Many pollen particles of the
ketakii flowers floated away crying. Even today that frightening night keeps filled the
memory on the sorrowspread lane.
3815 (29/10/1986) K (Shiva)
ÚRMI UTTÁL MAHODADHI
HE BHAERAVA E KI RÚPA TOMÁR
NARTANA VARTANE NIRAVADHI
E KI BHIITI SAMÁHÁR
HE BHAERAVA E KI RÚPA TOMÁR
ARUŃER ÁLOKE MLÁNA KARE DÁO
ÁÁÁÁÁÁÁÁÁÁ
ARUŃER ÁLOKE MLÁNA KARE DÁO
VARUŃER DYULOKA DYUTI PALAKE SARÁO
TUMI, UDDÁMA TAVA PELO DÁN
MRIGÁUNKA KALÁPE JAT́Á SAMBHÁR
HE BHAERAVA E KI RÚPA TOMÁR
KÁLER KARÁL HALÁHALA TOMÁTE
ÁÁÁÁÁÁÁÁÁÁ
KÁLER KARÁL HALÁHALA TOMÁTE
NIILA KANT́HA DAND́A PÁSHA SÁTHE
TUMI, SUNDAR TUMI MANOHARA
KAPÁLE KRISHÁŃU GALE ÁKANDA HÁR
HE BHAERAVA E KI RÚPA TOMÁR
ÚRMI UTTÁL MAHODADHI
HE BHAERAVA E KI RÚPA TOMÁR
O Lord, as ocean full of rising waves, what a form is this, O Bhaerava? Continuously
revolving and dancing, what a totality of threat? You darken the light of the morning
within moment You remove the heavenly glow of the divinity. You are unrestrained, the
lockchignon was gifted the moon in the raised peacocktail. The annihilating poison is
within You, O Niilakant’ha You keep with You the stick and the rope. You are beautiful
charming, with fire on the forehead and garland of sunplant in the neck.
3816 (31/10/1986) D
KATA KÁCHE TABU KATA DÚR
PEYEO BHÁVI JE PÁINI
OTAH PROTE MISHE RAYECHO JE PÁSHE
TABU JENO DHARÁ DÁO NI
PEYEO BHÁVI JE PÁINI
PAUNKE KAMAL KOMALAKE MADHU
ÁÁÁÁÁÁÁÁÁÁ
PAUNKE KAMAL KOMALAKE MADHU
ANÁDI ASIIMA ÁKÁSHER VIDHU
MARME LUKÁNO MARAMIÁ BANDHU
BANDHANE BÁNDHÁ PAŔONI
PEYEO BHÁVI JE PÁINI
LIILÁ RACE JÁO ASHEŚE ARÚPA
ÁÁÁÁÁÁÁÁÁÁ
LIILÁ RACE JÁO ASHEŚE ARÚPA
PRATI NIYATA HE VISHVADHÚPA
ÚDDVEL MOR MANER MADHUPA
TABU KENO SÁŔÁ DÁO NI
PEYEO BHÁVI JE PÁINI
KATA KÁCHE TABU KATA DÚR
PEYEO BHÁVI JE PÁINI
O Lord, how much close, yet how much away that I am unable to think of attaining. In
individual and collective style, You remain close, yet, You do not allow to come into the
folds. O the sweetness of the soft lotus in the mud. The moon of the sky, unlimited and
beginning less, hidden within the core O the closed friend, You do not allow to get into
the folds. You go on creating endless liila, the illusive game, each moment, O the
Illuminator of the world. My mental bee is restless, then why do not You respond?
3817 (01/11/1986) D
PRÁŃER CEYEO PRIYATAMA
PRIYATAMA TUMI SABÁR
SE BHÁLOBÁSÁ BOJHÁNO
SÁMARTHYE NEI KONO BHÁŚÁR
PRIYATAMA TUMI SABÁR
BHÁLOBÁSI DINE RÁTE
ÁÁÁÁÁÁÁÁÁÁ
BHÁLOBÁSI DINE RÁTE
CÁOÁ PÁOÁR KARMA SHROTE
BHÁLOBÁSI ASHRU PÁTE
SANTVANÁ PÁI JAKHAN TOMÁR
PRIYATAMA TUMI SABÁR
BHÁLOBÁSI JYOTSNÁ RÁTE
ÁÁÁÁÁÁÁÁÁÁ
BHÁLOBÁSI JYOTSNÁ RÁTE
CÁNDER KHELÁY MEGHER SÁTHE
AMÁNISHÁR TAMASÁTE
BHALOBÁSI TOMÁR ÁNDHÁR
PRIYATAMA TUMI SABÁR
PRÁŃER CEYEO PRIYATAMA
PRIYATAMA TUMI SABÁR
O The dearest of the heart, You are Dearest for all. And that love understanding of which
is beyond the capacity of any language. I love You day and night, in the stream of action
of desires and achievements. I love You in the moonlit night, along with the hide and seek
game between the moon and the cloud. In the darkness of the new moon night, I love Your
darkness.
3818 (02/11/1986) K
ÁMI TOMÁY BHÁLOBÁSI
KENO JÁNINÁ
KEU JÁNE NÁ
SAB BHÁVANAY TAVA BHÁVANÁ
CHÁPIE UT́HE
BUJHI BOJHÁTE PÁRI NÁ
KEU JÁNE NÁ
ÁLOR SÁYARE TUMI BHÁSO
ÁÁÁÁÁÁÁÁÁÁ
ÁLOR SÁYARE TUMI BHÁSO
TRIŃÁNKURE TUMII HÁSO
DÚREO NÁCO KÁCHEO ÁSO
DHARÁ JÁY NÁ BÁNDHÁ JÁY NÁ
KEU JÁNE NÁ
TABUO JÁNI BHÁLOBÁSO
ÁÁÁÁÁÁÁÁÁÁ
TABUO JÁNI BHÁLOBÁSO
SARE GELEO PHIRE ÁSO
KOSHÁTKIIR TAMASÁ NÁSHO
DHRUVA TÁRÁ GO TOMÁY BHULI NÁ
KEU JÁNE NÁ
ÁMI TOMÁY BHÁLOBÁSI
KENO JÁNINÁ
KEU JÁNE NÁ
O Lord, I love You, why, I do not know, nobody knows. Your ideation rises overflowing
above all sentiments, I understand but am unable to explain. You appear within the ocean
of effulgence, and smile in the blade of grass. You dance at distance and come close too
but do not within the reach of holding and bonds. Yet I know You love, come back again
after going, You destroy (?) darkness. O The polestar, I do not forget You.
3819 (03/11/1986) D
TOMÁY KE BOLE BHÁLO
BHÁLOBESE DÚRE THÁKO
DEKHONÁ ÁNKHIR JALO
TOMÁY KE BOLE BHÁLO
PRABHÁTE PÚRVÁKÁSHE CÁI
ÁÁÁÁÁÁÁÁÁÁ
PRABHÁTE PÚRVÁKÁSHE CÁI
RÚPER SÁYAR DEKHIÁ JÁI
DÚREI THÁKO KÁCHE NÁ PÁI
KÁR TARE E MÁDHURII D́HÁLO
TOMÁY KE BOLE BHÁLO
JYOTSNÁY VRITHÁI BHÁVI MANE
ÁÁÁÁÁÁÁÁÁÁ
JYOTSNÁY VRITHÁI BHÁVI MANE
KRPÁ HOLO ETA KŚAŃE
ELE BUJHI SMITÁNANE
JVÁLIÁ PRIITIRI ÁLO
TOMÁY KE BOLE BHÁLO
O Lord, who calls You as good? You stay at distance and love, yet do not see the tears in
my eyes. Looking in the eastern sky in the morning, I go on seeing the ocean of beauty
You stay at distance and I do not get You close. What for do You pour such sweetness.
During moonlight, I think in the mind uselessly, the grace occurred that moment, I
understood You came with smiling face, kindling light of love.
3820 (04/11/1986) D
JIIVANE JÁRE SATATA DEKHI
KEMANE BOLO TÁHÁRE D́ÁKI
KON SURE TÁR GÁN GÁI
ÁÁÁÁÁÁÁÁÁÁ?
SE JE MOR MANE ÁCHE PRATI KŚAŃE
BHULEO BHULITE PÁRI NÁI
KON SURE TÁR GÁN GÁI
ÁÁÁÁÁÁÁÁÁÁ?
SANDHYÁY DIGVALAYE LUKÁY
ÁÁÁÁÁÁÁÁÁÁ
SANDHYÁY DIGVALAYE LUKÁY
CÁNDER HÁSITE BHUVANA BHOLÁY
TÁRAKÁY EKTÁRÁ BÁJÁY
VISMAYÁVESHE SHUDHU TÁKÁI
KON SURE TÁR GÁN GÁI
ÁÁÁÁÁÁÁÁÁÁ?
PHULER PARÁGE RÁGE ANURÁGE
ÁÁÁÁÁÁÁÁÁÁ
PHULER PARÁGE RÁGE ANURÁGE
SAMVIT MOR NIYATA JE JÁGE
ÁKUTI D́HÁLIÁ TÁHÁRI ÁBHOGE
HÁRÁNO MÁDHURII PHIRE PÁI
KON SURE TÁR GÁN GÁI
ÁÁÁÁÁÁÁÁÁÁ
JIIVANE JÁRE SATATA DEKHI
KEMANE BOLO TÁHÁRE D́ÁKI
KON SURE TÁR GÁN GÁI
ÁÁÁÁÁÁÁÁÁÁ?
JIIVANE JÁRE SATATA DEKHI
KEMANE BOLO TÁHÁRE D́ÁKI
The One whom I see constantly, how can I call Him, tell me. In what melody, I should sing
His song? Who is present in my mind each moment, Whom I am unable to forget even by
mistake. Hiding in the horizon in the evening, with the smile of the moon the world is
forgotten. The stars play unistring and with the impulse of astonishment, I only watch.
With fragrance of flowers in colour and love, my consciousness remains awake. Pouring
earnestness into the pabulum I get back the lost sweetness.
3821 (04/11/1986) K
TOMÁKEI BHÁLOBÁSI ÁMRÁ
TOMÁR PATHE CALI TOMÁR KATHÁ BOLI
TOMÁRI BHÁVE GAŔÁ
TOMÁKEI BHÁLOBÁSI ÁMRÁ
UNCU NICU CHOT́A BAŔA BHEDA NÁ MÁNI
ÁÁÁÁÁÁÁÁÁÁ
UNCU NICU CHOT́A BAŔA BHEDA NÁ MÁNI
EK PRIITI D́ORE SABE BÁNDHÁ TÁ JÁNI
EKER ÁHVÁN SABÁI SHUNI
LAKŚYA EKAI TUMI DHRUVA TÁRÁ
TOMÁKEI BHÁLOBÁSI ÁMRÁ
VYAŚT́I SVÁTANTRYA SAMAŚT́I BODHA
ÁÁÁÁÁÁÁÁÁÁ
VYAŚT́I SVÁTANTRYA SAMAŚT́I BODHA
EKER ANUDHYÁNA PÁPA PRATIRODHA
EDER SAMANVAYE PRIITI NYAGRODHA
JÁGÁI ÁNI DHARÁ PARE AMARÁR
TOMÁKEI BHÁLOBÁSI ÁMRÁ
We love only You.
We move along the Your path.
We talk about You alone.
We are made up of Your thought waves.
We do not accept distinctions
between high and low
or small and big.
We believe we are all entwined
in a singular thread of love.
We all hear the call from only one.
Our goal is the same
with You as our polestar.
Individual freedom and collective spirit
contemplation of the supreme one
relentless fight against the evils
with all these
we grow the huge banyan tree of love
and bring about a paradise on earth.
3822 (05/11/1986) K
TOMÁRE D́EKE D́EKE TOMÁRE MANANE REKHE
DIN MOR SUKHE DUHKHE CALE JÁY
TUMI AGATIR GATI VISHVER ADHIPATI
MAN BHRINGA TOMÁY PETE CÁY
DIN MOR SUKHE DUHKHE CALE JÁY
AŃUTE AŃUTE HÁSO KRŚŃA KAJJALE BHÁSO
ÁÁÁÁÁÁÁÁÁÁ
AŃUTE AŃUTE HÁSO KRŚŃA KAJJALE BHÁSO
AKINCANE BHÁLOBÁSO KÁINCANE NÁHI ÁSO
TOMÁR LIILÁ BUJHE OT́HÁ DÁY
DIN MOR SUKHE DUHKHE CALE JÁY
ÁDI ANÁDITE ÁCHO ASHEŚE ALAKŚE NÁCO
ÁÁÁÁÁÁÁÁÁÁ
ÁDI ANÁDITE ÁCHO ASHEŚE ALAKŚE NÁCO
PULAKE PRÁŃE RAYECHO DYULOKE DYUTI D́HELECHO
SMITÁLOKE TAVA PRIITI JHALAKÁY
DIN MOR SUKHE DUHKHE CALE JÁY
TOMÁRE D́EKE D́EKE TOMÁRE MANANE REKHE
DIN MOR SUKHE DUHKHE CALE JÁY
O Lord, calling You all the time and keeping You within the mind, my days are passing with
joy and sorrows. You are resort of helpless, controller of the world, my mental bee wants
to attain You. You smile in each atom, and appear in intense darkness. You love the
poor, and are not attracted by wealth. It is hard to understand Your divine game liila.
You are in the beginning and the end and dance n the endlessness secretly. Existing in
joyful life, You pour heavenly glow. Your love shines through smiling glow.
3823 (06/11/1986) K
NAYANE KENO KE JÁNE
ENKE CHILO SE, PRIITIRI AINJAN
ÁJI HÁY PHÁLGUNI VÁYA
SE KATHÁ JÁNÁY SE
PRIITIRI AINJAN
DUHKHA BOJHE NÁ KE SE LIILÁMAYA
ÁÁÁÁÁÁÁÁÁÁ
DUHKHA BOJHE NÁ KE SE LIILÁMAYA
ÁNKHI MOCHE NÁ KON SE NIDAYA
KÁCHE ÁSE NÁ DURE THEKE KAY
BHÁLOBÁSI TOMÁKE AŃUKŚAŃA
PRIITIRI AINJAN
JENECHI TÁRE CINECHI
ÁÁÁÁÁÁÁÁÁÁ
JENECHI TÁRE CINECHI
MANER MUKURE HERECHI
SE BODHIMAYE BUJHECHI
SE ÁMÁR ÁMI TE PRATIKŚAŃA
PRIITIRI AINJAN
NAYANE KENO KE JÁNE
ENKE CHILO SE PRIITIRI AINJAN
He applied the decoration mark of love into the eyes, who knows, why? Alas, during the
spring breeze, that charmer of the mind reminds me of that. That embodiment of illusive
game does not understand my agonies. That merciless does not wipe the tears. Does not come
close and from a distance tells, “ I love You each moment”. I know and understand Him
search Him in the mental mirror. I understand Him as embodiment of intuition. He is within
my “I” feeling each moment.
3824 (07/11/1986) K
TUMI, RÁJÁR RÁJÁ MÁDHURIITE BHEJÁ
TOMÁR NÁHI TULANÁ
PHULE PHALE PARIMALE MUKULE SÁJÁ
CINMAYA CIRA CETANÁ
TOMÁR NÁHI TULANÁ
MANANER MAŃIHÁRE PRIITI ÁSPADA
ÁÁÁÁÁÁÁÁÁÁ
MANANER MAŃIHÁRE PRIITI ÁSPADA
SHRAVAŃER SUDHÁSÁRE STHÁYII SAMPADA
NIDIDHYÁSANE NITYA AŚT́ÁPADA
MARMER MÚRCHANÁ
TOMÁR NÁHI TULANÁ
VIIŃÁR TANTRIITE TUMI JHAUNKÁR
ÁÁÁÁÁÁÁÁÁÁ
VIIŃÁR TANTRITE TUMI JHAUNKÁR
SARVÁDHIVYÁPTITE SÁRÁTSÁR
BODHITE BODHER DYOTANÁ
TOMÁR NÁHI TULANÁ
TUMI, RÁJÁR RÁJÁ MÁDHURIITE BHEJÁ
TOMÁR NÁHI TULANÁ
O Lord, You are the Lord of Lords, moist with sweetness, there is no comparison of Yours.
You are decorated with flowers, fruits, buds and fragrance ever with as the embodiment of
consciousness. You are love deserving, gemnecklace of the mind, permanent wealth as
essence of nectar for the hearing, eternal purified gold, for meditation and trance of the
core. You are the tinkling of the strings of viin’a’, essence of essence of
allpervasiveness, indication of the realization of intuition.
3825 (08/11/1986)
HE PRABHU TOMÁR LIILÁ
KE BUJHITE PÁRE BOLO
MAHÁKÁSHE BHÁVE BHÁSE
MAHÁRŃAVE UCCHALO
KE BUJHITE PÁRE BOLO
ANTARIKŚE JALE STHALE
BHÚDHARE VIT́API TALE
URMI MÁLÁY ULKÁJVÁLÁY
CANDRAKALÁY CAINCALO
KE BUJHITE PÁRE BOLO
BHÁUNGÁ GAŔÁR MÁYÁR KHELÁ
DUHKHA RÁSHI SUKHER MELÁ
AVALIILÁY DEKHIYE JÁY
KÁNDÁY HÁSÁY PRÁŃOTPALO
KE BUJHITE PÁRE BOLO
HE PRABHU TOMÁR LIILÁ
KE BUJHITE PÁRE BOLO
O Lord, who can understand Your illusive game, liila, tell me. You appearas ideation of
the great space and overwhelm in the great ocean. In the cosmic space, in the water and
land, in the mountain and at the root of the tree, in the series of waves, in the glow of
meteors, and in the aspects of moon, You are restless. In the game of illusive
ma’ya’, creation and destruction, in the crowd of joy and accumulation of sorrows
This game of cries and smile is witnessed by the lotus of life.
3826 (09/11/1986) D
O GO PRABHU ÁMÁR GHARE
ÁSBE NÁ KI PATHER BHULE
MÁLÁ GÁNTHÁ VRITHÁ
KI JÁBE ALPANÁ JÁBE VIPHALE
GÁN RACECHI SUR SEDHECHI
ÁÁÁÁÁÁÁÁÁÁ
GÁN RACECHI SUR SEDHECHI
PRIITIR ARGHYA SÁJÁYECHI
MANER KONE SAḾGOPANE
MAŃIKÁ DIIP REKHECHI JVELE
MANER VIIŃÁ TANTRII ÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
MANER VIIŃÁ TANTRII ÁMÁR
GEYE CALE MANTRA TOMÁR
YANTRA ÁMI YANTRII TUMI
KOMAL KARE NEVE KI TÚLE
O GO PRABHU ÁMÁR GHARE
ÁSBE NÁ KI PATHER BHULE
O Lord, would not You come to my home, even by forgetting the path. Would my threading of
garland be waste and decorating the door useless? I create song, rehearse the melody, and
decorate the offering of love. In the recess of the mind, secretly, I have kept the gem
lamp glowing. The strings of my mental viin’a’, go on singing Your mantra. I am
instrument, You are operator, would You lift me up with soft hands?
3827 (10/11/1986)
MAHÁ NIIRAVADHIR OPÁR HOTE AJÁNÁ
KON SE SUR BHESE ÁSE
BÁDHÁ VIPATTIR BHÁUNGIÁ PRÁCIIR
MARME CHUNTE MOR KARŃE PASHE
KON SE SUR BHESE ÁSE
PRABHÁTER ARUŃÁLOTE PÚRVA RÁGE GÁY
SE DÚRER SURE PHUL PARÁGE
MANER GAHAN KOŃE NIBHRITE JEGE BOLE JÁY
SE ÁMÁY BHÁLOBÁSE
KON SE SUR BHESE ÁSE
SANDHYÁ RÁGER SHEŚE PRADOŚA BELÁY
BOLE MORE BÁNDHÁ CHINŔE ÁY CALE ÁY
BASE ÁCHI ÁNIYÁCHI SHONÁLI BELÁY
SE CÁNDER HÁSI JÁHÁ TRIDASHE MESHE
KON SE SUR BHESE ÁSE
MAHÁ NIIRAVADHIR OPÁR HOTE AJÁNÁ
KON SE SUR BHESE ÁSE
Crossing the great ocean from beyond the unknown arena, which unknown melody is coming?
Breaking the walls of obstructions and adversities, it enters the ears and touches the
core of the heart. It sings in the purva melody during the crimson effulgence of the
morning. Coming from distance with the melody of floral fragrance, in isolation, in the
deep recess of the mind, rising it goes on telling that He loves me. In the evening melody
at the end of afternoon, He tells me to come breaking the bondages. I am sitting awaiting
bringing the golden time. That is smile of the moon where the heaven merges.
3828 (10/11/1986) D
TUMI KENO ÁSONÁ
BOLO NÁ TUMI KENO ÁSO NÁ
BOLO NÁ TUMI KENO ÁSO NÁ, BOLO NÁ
BOLO NÁ TUMI KENO ÁSO NÁ, BOLO NÁ
D́EKE D́EKE KATA DIN CALE JÁY
ÁÁÁÁÁÁÁÁÁÁ
D́EKE D́EKE KATA DIN CALE JÁY
ASHRUR SARITÁ BAHE JÁY
KÁLA KÁLÁNTARE JE HÁRÁY
TABU KENO KRPÁ KARO NÁ
BOLO NÁ TUMI KENO ÁSO NÁ, BOLO NÁ
RAVI D́UBE JÁY SANDHYÁ GHANÁY
ÁÁÁÁÁÁÁÁÁÁ
RAVI D́UBE JÁY SANDHYÁ GHANÁY
NAVA PARIVESHE CÁNDA JE TÁKÁY
ÁMÁR AMÁNISHÁ NÁHI PHURÁY
E KEMAN VIDHI BUJHINÁ
BOLO NÁ TUMI KENO ÁSO NÁ, BOLO NÁ
KATA SHISHU TARU MAHIRUHA HOE
ULKÁ TÁRAKÁ KÁLE HOE KŚAY
JÁHÁ CHILO TÁHÁ HOE JÁY LAYA
JÁHÁ ÁCHE TÁHÁ THÁKE NÁ
BOLO NÁ TUMI KENO ÁSO NÁ, BOLO NÁ
O Lord, why do not You come, tell me. Calling You how many days go on passing. The stream
of tears goes on flowing. The time gets lost into recess, yet, why do not You grace me?
The sun goes down, the evening intensifies. In the new environment the moon looks. My dark
period does not end. What is this system, I do not understand. How many small plants have
grown into big trees. The meteorites and stars get decayed into time. Whatever was present
that goes on dissolving, whatever is present now would not stay.
3829 (11/11/1986) K
TUMI YADI NÁHI ELE
KISER TARE JEGE THÁKÁ
KAHÁR LÁGI GHAR SÁJÁNO
SVÁGATA GIIT SEDHE RÁKHÁ
KISER TARE JEGE THÁKÁ
MANER UPAVANE GHURE
ÁÁÁÁÁÁÁÁÁÁ
MANER UPAVANE GHURE
PUŚPA CAYAN SÁJI BHARE
MÁLÁ GENTHE PRIITIR D́ORE
PATH CEYE ABUJHE D́ÁKÁ
KISER TARE JEGE THÁKÁ
SAB KE BHÚLE EK KE BHÁVÁ
ÁÁÁÁÁÁÁÁÁÁ
SAB KE BHÚLE EK KE BHÁVÁ
EK DHYEYERA BHÁVANÁY D́OBÁ
EKAT́I RAUNGER MANOJAVÁ
DIYE SAB ABHÁVE D́HÁKÁ
KISER TARE JEGE THÁKÁ
TUMI YADI NÁHI ELE
KISER TARE JEGE THÁKÁ
O Lord, if You do not come, for whom have I remained awake? For whom I have decorated the
home and for whom I have rehearsed the welcome song? Moving into the mental garden, I have
collected full flowers. Threading the garland with the twine of love, I unknowingly keep
on calling looking at the path. My thinking of only One forgetting all, immersed in the
thought of only one object. Engrossing the mind in only one hue, I covered all shortages.
3830 (12/11/1986) D
DINÁNTERI SHÁNTIR MÁJHE
SHÁNTI SHUDHUI TÁTE PÁI
BHUVANE TÁR TULANÁ NÁI
MANO BHUME SE JE ÁMÁRI RÁJÁ
VANA BHUME RÚPE RÁGE PÁI
BHUVANE TÁR TULANÁ NÁI
AŃU PARAMÁŃU TÁTE VIDHRITA
ÁÁÁÁÁÁÁÁÁÁ
AŃU PARAMÁŃU TÁTE VIDHRITA
MAŃI KÁINCANE SADÁ SAJJITA
PRIITIR ÁLOKE KARE PRAKÁSHITA
JENE NÁ JENE TÁRE CÁI
BHUVANE TÁR TULANÁ NÁI
NIYANTÁ SE JE MAHÁVISHVERA
ÁÁÁÁÁÁÁÁÁÁ
NIYANTÁ SE JE MAHÁVISHVERA
BHÁGYA VIDHÁTÁ SHEŚA ASHEŚERA
VANDITA PRABHU SARVA DESHER
TÁRI SURE TÁR GÁN GÁI
BHUVANE TÁR TULANÁ NÁI
DINÁNTERI SHÁNTIR MÁJHE
SHÁNTI SHUDHUI TÁTE PÁI
While tired at the end of the day, I get peace only within Him, Who has no comparison in
the world. He is my King in the mental arena and within the garden, I get Him with form
and colour. The atoms and molecules are held within Him, ever decorated with gem and gold.
He illuminates with the light of love, and I love Him knowingly or unknowingly. He is the
controller of the Great Universe, controller of the destiny for the end and existence. O
Lord, You are revered in all arenas, in His tune, I sing His song.
3831 (13/11/1986) K
ÁMÁR GÁNER CHANDA ÁJI
SUDURE HÁRIYE GECHE
MAN MAYURE BOJHE NÁKO
CÁNDA MEGHER ÁŔÁLE ÁCHE
SUDURE HÁRIYE GECHE
HÁRIYECHI JÁHÁI BHÁVI
ÁÁÁÁÁÁÁÁÁÁ
HÁRIYECHI JÁHÁI BHÁVI
HÁRÁYENI TÁ ÁCHE SABAI
ASTÁCALE GELEO RAVI
DIGANTERA OPÁRE RÁJE
SUDURE HÁRIYE GECHE
HÁRÁY NÁKO KICHU KABHU
ÁÁÁÁÁÁÁÁÁÁ
HÁRÁY NÁKO KICHU KABHU
AJINÁNATÁY KÁNDI PRABHU
BOJHÁLEO BUJHINÁ TABU
BHÁVI STOKA VÁKYA SHONÁCCHE
SUDURE HÁRIYE GECHE
ÁMÁR GÁNER CHANDA ÁJI
SUDURE HÁRIYE GECHE
Today, the rhythm of my song is lost far away. The mental peacock does not understand, the
moon is hidden behind the cloud. Whatever I imagine, is lost, but it is not totally
consumed, it remains. The sun sets, but stays on the other side of the horizon. Nothing is
lost forever, O Lord, I cry due to ignorance. Even after being explained, I do not
understand, considering that I am only told insincere consoling words.
3832 (14/11/1986) K
GÁNE GÁNE BHARE DILE
ÁKÁSHA VÁTÁS TUMI PRIYA
DYULOKER ÁLOKA ÁNILE
CHANDE TÁLE RAMAŃIIYA
ÁKÁSHA VÁTÁS TUMI PRIYA
DÚR KE KÁCHE T́ÁNILE
ÁÁÁÁÁÁÁÁÁÁ
DÚR KE KÁCHE T́ÁNILE
PAR KE ÁPAN KARILE
BHÁVER SUR SHUNIYE DILE
JÁ MARME BÁJE ÁJIO
ÁKÁSHA VÁTÁS TUMI PRIYA
ÁMÁR MANER RANDHRA PATHE
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR MANER RANDHRA PATHE
ACENÁ AJÁNÁ HOTE
KON SE PLÁVANA ÁCAMBITE
BAHÁLE HE DHYÁNER DHYEYA
ÁKÁSHA VÁTÁS TUMI PRIYA
GÁNE GÁNE BHARE DILE
ÁKÁSHA VÁTÁS TUMI PRIYA
O Dear Lord, you filled the air and the sky with songs after songs. You brought effulgence
from the heaven, beautified it with beats and rhythms. You pulled the distant ones near
and made others your own. You made all others listen to your melodies of deep ideation
which ring even today in the core our heart. O the object of my meditation, through the
narrow path of my mind, from unrecognised and unknown path, suddenly You flowed the
flood.
3833 (15/11/1986) D
VISHVER PRÁŃA TUMI SUMAHÁN
MOR THEKE KENO DÚRE ÁCHO
BHÁVE ABHÁVE TOMÁRI BHEVE
NIYATA ÁCHI DEKHE CALECHO
MOR THEKE KENO DÚRE ÁCHO
JHAŔA JHAINJHÁY ULKÁ NIPÁTE
ÁÁÁÁÁÁÁÁÁÁ
JHAŔA JHAINJHÁY ULKÁ NIPÁTE
CHATRA CHÁYÁ REKHE CHO MOR MÁTHE
VAJRA NIRGHOŚE ASHANI NIPÁTE
DÚRE THEKE BHAYA SARIYECHO
MOR THEKE KENO DÚRE ÁCHO
ANANTÁŃU SAMA TOMÁRI MAHIMÁ
ÁÁÁÁÁÁÁÁÁÁ
ANANTÁŃU SAMA TOMÁRI MAHIMÁ
ÁKÁSHE VÁTÁSE TAVA MADHURIMÁ
PUŚPA STABAKE TOMÁR SUŚAMÁ
D́HÁLIA KII LIILÁ RACECHO
MOR THEKE KENO DÚRE ÁCHO
VISHVER PRÁŃA TUMI SUMAHÁN
MOR THEKE KENO DÚRE ÁCHO
O Lord, the life of the universe, the Great, leaving me why are You staying far? During my
affluence or adversity, I constantly think of You, You go on watching. During storm
cyclones or fall of meteors, You keep protective umbrella over my head. During thunder of
lightning, fall of lightning, even by staying away, You remove the fear. Your glory is
like endless atoms. Your sweetness is present in sky and air. By pouring Your beauty in
the floral offering, what a game, liila, You create?
3834 (16/11/1986) K+D
DINER SHEŚE CÁNDERI DESHE
JYOTSNÁ DHÁRÁY BHESE
ELUM ÁMI TAVA SAKÁSHE
DINER SHEŚE
NEIKO KONO TAPAN DAHAN
TRPTA MANAN DRIPTA NAYANA
TOMÁY PEYE HESHUBHÁNAN
CITTA ÁKÁSHE
DINER SHEŚE
MALAY PAVAN PUŚPA PARÁG
ÁÁÁÁÁÁÁÁÁÁ
MALAY PAVAN PUŚPA PARÁG
D́HELE DILO SAB ANURÁG
BÁNDHAN HÁRÁ E PÚRVA RÁGA
VIBHÁSE BHÁŚE
DINER SHEŚE
UNCU NICU KŚUDRA BRIHAT
ÁÁÁÁÁÁÁÁÁÁ
UNCU NICU KŚUDRA BRIHAT
KALPA LOKA ÁR MÁT́IR JAGAT
PRÁPTI HRTI AŃU BRIHAT
BHÁSE CÁR PÁSHE
DINER SHEŚE
At the end of the day, into the arena of moon, floating through the flow of moonlight, I
have come close to You. There is no heat of the sun, the mind is satiated, eyes are bright
on attaining You, O auspicious face in my mental sky. In the sandal breeze, fragrance of
flowers, You have poured all love. Unrestrained, this musical mode of purvamelody, utters.
High and low, small and big, arenas of imagination or the material world, gain or
deprivation, small or big, float on all the sides.
3835 (17/11/1986) D
CIRA SÁTHII TUMI LUKIE
KENO, SUMUKHE ESO
PHÚL PHÚT́IYECHO
RAUNGA DHARIYECHO SUVÁSE HÁSO
SUMUKHE ESO
SARIYE AMÁR KÁLO
ÁÁÁÁÁÁÁÁÁÁ
SARIYE AMÁR KÁLO
D́ELECHO JÁ KICHU BHÁLO
JIIVANE ENECHO ÁLO
BUJHI MORE BHÁLOBÁSO
SUMUKHE ESO
KÁLA KÁLÁNTARE DHÁY
ÁÁÁÁÁÁÁÁÁÁ
KÁLA KÁLÁNTARE DHÁY
MRG TRIŚŃIKÁ PRÁYA
TUMI PRIITI GIITITE BHÁSO
SUMUKHE ESO
CIRA SÁTHII TUMI LUKIE
KENO, SUMUKHE ESO
O Ever Companion, why are You hiding, come in front. You have bloomed flowers, painted
colours, and smile in fragrance. You remove my darkness and pour whatever is good. You
bring illumination into the life. I understand that You love me. The time rushes into its
intervals, like a mirage, the known is lost into unknown, You float in the songs and
love.
3836 (18/11/1986) D
DHYEYA TUMI SHREYA TUMI
TOMÁY NAMI BÁRE BÁR
APÁR E BHAVA SÁGARE
TUMII EKAI KARŃADHÁR
TOMÁY NAMI BÁRE BÁR
ATIITE JÁ KICHU CHILO
ÁÁÁÁÁÁÁÁÁÁ
ATIITE JÁ KICHU CHILO
ÁJO JÁHÁ PRÁŃOCCHALO
ASHRUTE JÁ CHALA CHALA
JÁNI SABAI LIILÁ TOMÁR
TOMÁY NAMI BÁRE BÁR
SHRIŚT́I STHITI LAYE ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
SHRIŚT́I STHITI LAYE ÁCHO
MARME MÁJHE NECE CALECHO
NIJER LIILÁY BÁNDHÁ PAŔECHO
TÁI TO TUMI PRIYA SABÁR
TOMÁY NAMI BÁRE BÁR
DHYEYA TUMI SHREYA TUMI
TOMÁY NAMI BÁRE BÁR
O Lord, You are the object of meditation, benevolent, I salute You, again and again. In
this limitless ocean of the world, You are the singular helmsman. Whatever was present in
the past, today whatever is enliven, whosoever is tearful, I know that all is Your game
liila. You exist in creation, sustenance and dissolution. You go on dancing in the core
of the heart. You remain bound in Your own game, liila, that is why You are dear to
all.
3837 (18/11/1986) D
ÁMI TOMÁY BHÁLOBÁSI JÁNÁI KII KARE
MARME ÁMÁR TARE TOMÁR ÁNKHI JHARE
ÁMI TOMÁY BHÁLOBÁSI JÁNÁI KII KARE
PRABHÁT ELE NAYAN MELE DEKHI TOMÁR ÁLO
ÁÁÁÁÁÁÁÁÁÁ
PRABHÁT ELE NAYAN MELE DEKHI TOMÁR ÁLO
PHULER RÚPE GANDHA NIIPE MÁDHURII D́HÁLO
PÚRVÁCALE SNIGDHÁNILE D́ÁKO ÁMÁRE
ÁMI TOMÁY BHÁLOBÁSI JÁNÁI KII KARE
SANDHYÁ RÁGE ANURÁGE MIŚT́I HÁSI HESE
ÁÁÁÁÁÁÁÁÁÁ
SANDHYÁ RÁGE ANURÁGE MIŚT́I HÁSI HESE
BOLE JE JÁO E BÁR GHUMÁO D́ÁKBO KÁL ESE
TOMÁR KATHÁ PRIITI GÁTHÁ BHÁSE AMBARE
ÁMI TOMÁY BHÁLOBÁSI JÁNÁI KII KARE
O Lord, I love You, explain me what for. In the core of my heart, tears fall for You. When
morning comes, opening the eyes, I see Your effulgence. You pour sweetness fragrance and
beauty in the niip flower. You call me in the eastern horizon in the soft breeze. During
red evening hue smiling sweetly, You go on telling revolve this time, I shall call You
when the time would come. Your glory and tale of love floats in the sky.
3838 (19/11/1986) D
D́EKE D́EKE JANAM GELO
D́EKE D́EKE JANAM GELO
D́EKE D́EKE JANAM GELO
TABU KRPÁ HOLO NÁ
KEMAN PRIITI BOJHÁ GELO
SHUNEO SÁŔÁ DILE NÁ
TABU KRPÁ HOLO NÁ
AHARNISHI TOMÁR DHYÁNE
ÁÁÁÁÁÁÁÁÁÁ
AHARNISHI TOMÁR DHYÁNE
AHARNISHI TOMÁR DHYÁNE
AHARNISHI TOMÁR DHYÁNE
KÁLA KET́ECHE BHÁVE SMARAŃE
LIILÁR CHALE, LIILÁR CHALE, LIILÁR CHALE
KENO KE JÁNE, DEKHEO DEKHATE PELE NÁ
TABU KRPÁ HOLO NÁ
ÁDI ANÁDIR TUMI PRÁŃA
ÁÁÁÁÁÁÁÁÁÁ
ÁDI ANÁDIR TUMI PRÁŃA
ÁDI ANÁDIR TUMI PRÁŃA
ÁDI ANÁDIR TUMI PRÁŃA
ASHEŚE TOMÁRO ADHIŚT́HÁN
HE PRIYA MOR, HE PRIYA MOR, HE PRIYA MOR
MARME STHÁN, NIYE KARO KARUŃÁ
TABU KRIPÁ HOLO NÁ
D́EKE D́EKE JANAM GELO
TABU KRPÁ HOLO NÁ
O Lord, calling and calling You my life has passed, still Your grace did not take place.
How do You explain Your love, that even after listening You did not respond. Day and
night, meditating upon You, time passes in thinking and remembering You. Who knows by what
delusive game, liila, even after seeing You could not look. You are the life of the
initial and subsequent entities. Even in the endless You are present. O Dear, make Your
seat in the core of my heart mercifully.
3839 (19/11/1986) D
GÁNER E TARII KHÁNI
BHÁSIE CHILUM NABHONIILE
TUMI KE ELE MOR SURER SÁTHI
E TARAŃII VÁHIBE BALE
BHÁSIE CHILUM NABHONIILE
SAHASÁ KE JENO KAY
ÁÁÁÁÁÁÁÁÁÁ
SAHASÁ KE JENO KAY
SE ÁSE E DUHKHER SAMAY
E KARŃADHÁR LUKIYE RAY
MANER KOŃE KICHU NÁ BOLE
BHÁSIE CHILUM NABHONIILE
PARICAYA D́HÁKE REKHE?
ÁÁÁÁÁÁÁÁÁÁ
PARICAYA D́HÁKE REKHE?
KICHUTE NÁ BOLE SE KE
BOLE SHUDHU THEKE THEKE
PRIITIR T́ÁNE MORE ÁNILE
BHÁSIE CHILUM NABHONIILE
GÁNER E TARII KHÁNI
BHÁSIE CHILUM NABHONIILE
This boat of song I have floated in the blue sky. Who is that You, the companion of my
melody, who would steer this boat of mine. Suddenly as if someone tells, He would come at
the time of sorrows. This helmsman remains hidden silently, without speaking anything, in
the recess of the mind. He keeps the introduction covered, does not tell anything, Who is
that? He only says sitting there that bring me with the pull of love.
3840 (20/11/1986) K
TOMÁY BHÁLOBESE PRIYA
TOMÁR RAUNGA MOR MAN RÁUNGÁLO
JE MAN ÁMÁR CHAŔIYE CHILO
TOMÁY KENDRIBHÚTA HOLO
TOMÁR RAUNGA MOR MAN RÁUNGÁLO
BENDHE REKHE CHILO MORE
ÁÁÁÁÁÁÁÁÁÁ
BENDHE REKHE CHILO MORE
JAD́A BHÁVANÁ MOHER D́ORE
SAHASÁ SE GIYE SARE
MUKTIR ÁSVÁDA ENE CHILO
TOMÁR RAUNGA MOR MAN RÁUNGÁLO
MANER GOPÁL MANEI ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
MANER GOPÁL MANEI ÁCHO
RAUNGE BHARIYE CALECHO
MAN YAMUNÁY MÁTIYE CHO
UJÁNE KARE UCCHALO
TOMÁR RAUNGA MOR MAN RÁUNGÁLO
TOMÁY BHÁLOBESE PRIYA
TOMÁR RAUNGA MOR MAN RÁUNGÁLO
O Dear, by loving You, my mind has been coloured with Your colour. The mind that has left
me, has become centralized to You. The materialistic thoughts had kept me bound, with the
rope of infatuation, suddenly that is removed and taste of liberation is brought. Te
Gopa’l of mind, stays in the mind only, and goes on filling with colours. He intoxicates
the mental river Yamuna’, by overwhelmingly overflowing that.
3841 (20/11/1986) K
ESO MANER MADHU VRNDÁVANE
ESO CIT KAMALE
TOMÁRE KHUNJECHI KATA VANE VIJANE
KHUNJECHI TIIRTHA JALE
ESO MANER MADHU VRINDÁVANE
ESO CIT KAMALE
JIIVANE ÁSE PATAN ABHYUDAYA
ÁÁÁÁÁÁÁÁÁÁ
JIIVANE ÁSE PATAN ABHYUDAYA
KATA JYOTSNÁR MÁYÁ SÚRYODAYA
KATA AMÁNISHÁ TÁRAKÁ NICAYA
SABETE KHUNJE GECHI PALE VIPALE
ESO MANER MADHU VRINDÁVANE
ESO CIT KAMALE
KE JENO KAYE GELO KÁŃE KÁNE
ÁÁÁÁÁÁÁÁÁÁ
KE JENO KAYE GELO KÁŃE KÁNE
JÁRE KHONJO SE RAYECHE MANE PRÁŃE
AŃU PARAMÁŃUTE SAKAL STHÁNE
DEKHO CEYE ÁNKHI PRIITI KÁJALE
ESO MANER MADHU VRNDÁVANE
ESO CIT KAMALE
O Lord, come into sweet vrnda’van of my mind, come upon the lotus of my heart. I have
searched You in many forests and isolations and in pious waters. In life rise and fall
come, many illusions of moonlight and sunrise, many dark nights and assemblage of stars
in all I went on searching each moment. As if someone came and went away whispering into
my ears, “ the One Whom you are searching remains in the mind and life, in each atom and
molecule, at all the places. See Him on opening the eyes and after applying the ka’jal
ointment of love into them.
3842 (21/11/1986) D
TUMI JAKHAN ESE CHILE
ÁMI CHILUM GHUM GHORE
AHAM GHERÁ BADDHA GHARE
KII BHÁVE ARGALA KHULILE BHITARE ELE KII KARE
ÁMI CHILUM GHUM GHORE
JIYAN KÁT́HI MARAŃ KÁT́HI
MÁTHÁR KÁCHE RÁKHÁ CHILO
ÁÁÁÁÁÁÁÁÁÁ
JIYAN KÁT́HI MARAŃ KÁT́HI
MÁTHÁR KÁCHE RÁKHÁ CHILO
JIIYAN KÁT́HI TULE NILE
MARAŃ KÁT́HI HÁRIYE GELO
ANANTA “ÁMI”R MÁJHE MOR
ÁMI ABHIŚIKTA HOLO
TOMÁR HOYE JAOÁ SE “ÁMI”
HE PRIYA PELO TOMÁRE
ÁMI CHILUM GHUM GHORE
CIDÁKÁSHE JYOTSNÁ ESE
PRATHAM ÁMÁR MAN BHULÁLO
ÁÁÁÁÁÁÁÁÁÁ
CIDÁKÁSHE JYOTSNÁ ESE
PRATHAM ÁMÁR MAN BHULÁLO
CÁOÁ PÁOÁR BHIŔERA SHEŚE
EKER BHÁVEI BHARE DILO
SE PRATHAM SE SHEŚE MISHE
DIGVALAYE CHAŔIYE GELO
NITYA KÁLER “ÁMI”R JAKHAN
GHUM BHÁUNGILO CIRA TARE
ÁMI CHILUM GHUM GHORE
TUMI JAKHAN ESE CHILE
ÁMI CHILUM GHUM GHORE
O Lord, when You had come, I was in deep slumber, surrounded by ego, in closed house. With
what intentions, You opened the doorbolts, and why did You enter inside? Both, burning
wood for pyre and wood for life was kept close to my head. You lifted up the wood of life
and pyrewood was lost. Within the Infinite “I”, my small “I” was bathed. That
small “I”, after becoming Yours, attained You, O Dear. In the mental sky, moonlight
coming initially distracted my mind. At the finish of the crowd of desires and
achievements, only one ideation You filled in. He was the first who merged in the end
leaving the horizon. Then the Eternal “I”, broke the slumber forever.
3843 (21/11/1986) K
JIIVANE ESE CHILO BHOR
JIIVANE ESE CHILO BHOR
JIIVANE ESE CHILO BHOR
SE BHORE NÚTAN ÁLO ELO
SAB KE BHULE NILUM TÚLE
JE MORE BHÁLOBESE CHILO
SE BHORE NÚTAN ÁLO ELO
KÁŃ PETE RAI RÁTRI JEGE
ÁÁÁÁÁÁÁÁÁÁ
KÁŃ PETE RAI RÁTRI JEGE
SHUNATE KE CÁY ANURÁGE
MÁKHIYE MANER PARÁGE
KE ÁMÁKE D́EKE GELO
SE BHORE NÚTAN ÁLO ELO
AHARNISHI TÁRI ÁSHÁY
ÁÁÁÁÁÁÁÁÁÁ
AHARNISHI TÁRI ÁSHÁY
KÁLA KÁLÁNTARE HÁRÁY
VYATHÁE SÁGAR AKÚLE DHÁY
SHEŚE TÁR KARUŃÁ HOLO
SE BHORE NÚTAN ÁLO ELO
JIIVANE ESE CHILO BHOR
SE BHORE NÚTAN ÁLO ELO
In life, morning came and in that morning, new light came. The One, Who loved me, lifted
me up, ignoring all others. With rapt attention, keeping awake whole night, who wants to
listen with love. Churning the fragrance of my mind who wet calling me. Hoping for Him day
and night, the time gets lost into the periods, the ocean of pains, rushed shoreless, and
at the end His mercy occurred.
3844 (22/11/1986) D
ÁMI TOMÁY BHÁLOBÁSI
KENO TÁHÁ JÁNI NÁ
DÚREI THÁKO KÁCHEI THÁKO
ÁMI DÚRE BHÁVINÁ
ÁMI TOMÁY BHÁLOBÁSI
KENO TÁHÁ JÁNI NÁ
RAVI RÁUNGÁ TOMÁR RÁGE
ÁÁÁÁÁÁÁÁÁÁ
RAVI RÁUNGÁ TOMÁR RÁGE
PHUL RAUNGIIN TAVA ANURÁGE
ÁKÁSHA VÁTÁS CHANDE JÁGE
TOMÁR TÁKI BOLO NÁ
ÁMI TOMÁY BHÁLOBÁSI
KENO TÁHÁ JÁNI NÁ
ÁMÁR MANER KŚUDRA KOŃE
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR MANER KŚUDRA KOŃE
LUKIYE THÁKO KEMANE
SEI KOŃE TOMÁY GOPANE
KHUINJI TÁ KI BOJHO NÁ
ÁMI TOMÁY BHÁLOBÁSI
KENO TÁHÁ JÁNI NÁ
O Lord, why do I love You that I do not know? Whether You are far or near, I do not
consider You distant. The sun is coloured with Your colour, flowers are colourful with
Your love. Into the sky and air, rhythm arises, is that not Yours, tell me. In a small
recess of my mind, how are You hidden, in that very recess, I search You do not You
understand that?
3845 (23/11/1986)
NIRMALA NIILÁKÁSHE MAINJULA JYOTI BHÁSE
PRÁŃER ÁVESHE KE SE GÁY
ÁDI ANTA HIIN ASHEŚE HOYE LIIN
MANER MÁDHURII D́HELE JÁY
PRÁŃER ÁVESHE KE SE GÁY
SPANDITA MANDRITA KARE DEY CARÁCAR
NANDITA VANDITA SE JE PRIYA SABÁKÁR
MÚRTA AMRT RTA TRIDASHER SUDHÁSÁR
MANER KŚUDRATÁ BHOLÁY
PRÁŃER ÁVESHE KE SE GÁY
UNCU NIICU CHOT́A BAŔ NEI TÁR ABHIMÁN
KÁLA THALA? VIDDVAN MÚRKHER ABHIJINÁNA
SABÁKÁR SAMÁHÁR SE JE PRABHU SUMAHÁN
BHÁLOBESE RABHASE NÁCÁY
PRÁŃER ÁVESHE KE SE GÁY
NIRMALA NIILÁKÁSHE MAINJULA JYOTI BHÁSE
PRÁŃER ÁVESHE KE SE GÁY
In the clear blue sky, beautiful moonlight appears, with heartfelt impulse, who is that
singing? The One without beginning and end, gets dissolved into infinity, and goes on
pouring mental sweetness. He, Who goes on oscillating and vibrating the whole of world, is
pleasing and revered of all. The real materialized essence of heavenly nectar makes me
forget the meanness of the mind. He has no feeling for high and low, small or big, no
consideration for time and place, wise or fool. As collection of all, that Lord is Great.
With the upsurge of love He makes everyone dance and with impulse of heart He sings.
3846 (23/11/1986) D
NAVIIN MUKULE HÁSI MÁKHÁ PHULE
PHÁGUN ESECHE ÁJIKE, ÁJIKE
RAUNGER MELÁY PRIITI MEKHALÁY
ÁPAN KARITE SABÁKE, ÁJIKE
VEDANÁR BHÁR HOK APANIITA
ÁÁÁÁÁÁÁÁÁÁ
VEDANÁR BHÁR HOK APANIITA
KISHALAYE MAN CHANDÁYIITA
PRIITI BHÁVANÁY UDBHÁSITA
ALAKE ÁLOKE PULAKE, ÁJI KE
ATIITER GLÁNI ÁJ BHULE JÁO
ÁÁÁÁÁÁÁÁÁÁ
ATIITER GLÁNI ÁJ BHULE JÁO
ÁPAN KARITE SABE T́ENE NÁO
GHAN NABHONIILE CHAŔAIÁ DÁO
VARŃA SHOBHÁR STABAKE, ÁJIKE
NAVIIN MUKULE HÁSI MÁKHÁ PHULE
PHÁGUN ESECHE ÁJIKE, ÁJIKE
Today the spring season has come, with new buds and smile smeared flowers. With the
festivity of colours and jewel of the love, He made all His own. Let the load of pain be
dropped. The minds of tender leaves be resonated with rhythms and illuminated with the
feeling of love, with quiver of heavenly joy and light. Forget all agonies of the past.
Pull all making them your own. Into the dense blue sky, scatter the offerings of beauty of
colours.
3847 (24/11/1986) K
TOMÁY ÁMI CEYE CHILUM
CEYE CHILUM JIIVANERI PRATI CARAŃE
MANANERI ABHISMARAŃE
BHÁLOBESE CHILUM
CEYE CHILUM JIIVANERI PRATI CARAŃE
JE NISHÁ CALE GECHE JE PHÚL SHUKIYECHE
ÁÁÁÁÁÁÁÁÁÁ
JE NISHÁ CALE GECHE JE PHÚL SHUKIYECHE
JE CÁNDA SARECHE MÁDHURI JHARE GECHE
TÁDER MÁJHEO KHUNJE CHILUM
CEYE CHILUM JIIVANERI PRATI CARAŃE
JE ÁMI DISHÁHÁRÁ HÁRIYE DHRUVA TÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
JE ÁMI DISHÁHÁRÁ HÁRIYE DHRUVA TÁRÁ
TAMASÁVARTE CHILUM HATÁSHÁ GHERÁ
TAVA BHÁVANÁY TAVA PREŚAŃÁY
NAVA BHÁVE PRÁŃ PEYE CHILUM
CEYE CHILUM JIIVANERI PRATI CARAŃE
TOMÁY ÁMI CEYE CHILUM
CEYE CHILUM JIIVANERI PRATI CARAŃE
O Lord, I have loved You in each step of my life. With remembrance, I loved. The night
that passed, the flower that dried, the moon that went, the sweetness that withered, even
within that, I searched. I was direction lost, losing the polestar, I was covered with
darkness, surrounded by disappointments. With Your ideation, by Your push, in new
feelings, I got life.
3848 (25/11/1986) K
TOMÁY, BHÁLOBÁSIYÁCHI GOPANE
SHAYANE SVAPANE NINDE JÁGARAŃE
DHARIÁ REKHECHI JIIVANE
TOMÁY, BHÁLOBÁSIYÁCHI GOPANE
TOMÁR ÁLOKE ÁMI ÁLOKITA
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR ÁLOKE ÁMI ÁLOKITA
TOMÁR JHALAKE HOI PULAKITA
PRATIT́I PALAKE CHANDÁYIITA
HOE THÁKI TAVA MANANE
TOMÁY, BHÁLOBÁSIYÁCHI GOPANE
SAPTA LOKER TUMI SAMÁHÁR
ÁÁÁÁÁÁÁÁÁÁ
SAPTA LOKER TUMI SAMÁHÁR
MARMÁLOKER MÁDHURII ÁDHÁR
JÁNÁ NÁ JÁNÁR YOJANÁR HÁR
TOMÁRE BHULIBO KE MANE
TOMÁY, BHÁLOBÁSIYÁCHI GOPANE
O Lord, I love You secretly. And hold You during sleep, dream or awake. Your light I am
illuminated, by Your glimpse shivers me. I am vibrated by Your thought each moment. You
are the collection of all the seven strata of world. Basis of sweetness for the
illumination of the core. You are the garland of combination of known and unknown, how can
I forget You?
3849 (26/11/1986) D
SHREYA TUMI DHYEYA TUMI
TOMÁKEI BHÁLOBESECHI
PAUNKERI AMBUJA SAMA
ÚRDHVA PÁNE CEYE RAYECHI
TOMÁKEI BHÁLOBESECHI
DIN ÁSE DIN JÁY
ÁÁÁÁÁÁÁÁÁÁ
DIN ÁSE DIN JÁY
ÁLOKE ÁNDHÁRE HÁY
MOR PÁNE NÁHI CÁY
KŚAŃEK NÁHI SHUDHÁY
KENO ÁMI KENDE CALECHI
TOMÁKEI BHÁLOBESECHI
VARAŚÁ SNIGDHA YUTHIKÁ
VASANTE MADHU MALLIKÁ
MORE PHELE JÁY EKÁ
TUMI SHUDHU SÁTHII JENECHI
TOMÁKEI BHÁLOBESECHI
SHREYA TUMI DHYEYA TUMI
TOMÁKEI BHÁLOBESECHI
O Lord, You are benevolent, object of meditation, I love You only. Like a lotus of mud, I
go on looking upwards. The days come and go. Alas, with light and darkness, but do not
look upon me, does not enquire even for a moment, why do I go on crying. The rain wet
juhii flower, the madhu mallika’ flowers of spring, all go away leaving me alone. I
consider only You as my ever companion.
3850 (27/11/1986)
PRIYA HE, ESO MOR MADHU VRNDÁVANE
MANER GOPÁL TUMI RÁUNGÁO E MANOBHUMI
VIRATI VIHIIN PRATI KŚAŃE
PRIYA HE, ESO MOR MADHU VRNDÁVANE
SHŔŚT́I STHITI LAYE DULICHO BHÁVA NILAYE
DHARÁ DÁO TABU JÁNI GOPI JANA HRDAYE
TÁI D́ÁKI MANERI GAHANE
PRIYA HE, ESO MOR MADHU VRINDÁVANE
CARÁCARER PRABHU AKÁLE VASATI TABU
AŃU PARAMÁŃU VIBHU BHOLO NÁ KÁREO KABHU
TÁI T́HÁIN CÁI O CARAŃE
PRIYA HE, ESO MOR MADHU VRNDÁVANE
O Dear, come into my sweet vrnda’van, O the Gopa’l of my mind, You colour this mental
arena of my mind pauselessly each moment. You swing amid creation, sustenance and
destruction within the psychic arena, yet You come into the fold of the hearts of
devotees, the Gopiis. Hence I call You within the depth of the mind. O the Lord of the
universe, yet You reside beyond the periphery of time. O the controller of the atoms and
molecules, You, never forget anyone. Hence I seek shelter in those feet.
3851 (29/11/1986) K
NAYANE KENO KE JÁNE
ESE CHILE SEI SUPRABHÁTE
TAKHANO ÁNKHITE JALA
CHILO CHALA CHALA
MANERI AJINÁTE
BOLILE ÁMÁRE HESE
ÁÁÁÁÁÁÁÁÁÁ
BOLILE ÁMÁRE HESE
AKRITRIM BHÁLOBESE
TUMI NAO KAKHANO EKÁ
ÁMI JE CIRA SAKHÁ DUHKHE SUKHETE
JHAŔA ÁSUK JHAINJHÁ ÁSUK
ÁÁÁÁÁÁÁÁÁÁ
JHAŔA ÁSUK JHAINJHÁ ÁSUK
PISHÁCE AT́T́AHÁSUK
ÁCHI ÁMI THEKE JÁBO
KLESHA SARÁBO
YADI TUMI, KÁNDO VYATHÁTE
NAYANE KENO KE JÁNE
ESE CHILE SEI SUPRABHÁTE
Into the eyes, You had come that morning, who knows what for. Then the eyes were submerged
in tears, due to ignorance of the mind. You told me smilingly, with nonartificial love
“you are never alone, I am ever companion during pain and pleasure. Let stroms, cyclone
come, let the laughter of monster come, I am there, would remain and would remove the
sorrow if you cry due to pain.
3852 (29/11/1986)
DÚRER MÁYÁY SUR BHESE JÁY
TUMI, GÁNER DOLÁY DULE CALECHO
ÁKÁSHE PÁTÁLE ANALE ANILE
MÁDAKATÁ DHELE DIYECHO
KEU TOMÁR PAR NAY KEU NAY DÚRER
SABÁI ÁPANÁR SABÁI NIKAT́ER
SABÁR MANE TUMI SABÁI TOMÁR MANER
LIILÁR VASUDHÁ RACE CALECHO
JE SURER NEI ÁDI NEIKO ANTA
SEI TUMI ANÁDI CIDÁNANDA
ASHÁNTA ÚRMITE CIRA SHÁNTA
ANURÁGE DHRÁ DIYECHO
DÚRER MÁYÁY SUR BHESE JÁY
TUMI, GÁNER DOLÁY DULE CALECHO
The melody goes on floating in the distant illusion of ma’ya’. You go on oscillating
in the swing of song. You have poured charm in the sky, nether world, fire and air. Nobody
is alien for You. None is away, all are own and near. You are in all minds and all are
within Your mind. Through Your charming illusive game, liila, You go on creating the
world. The melody, which has no beginning or end, that is You beginning less, bliss and
consciousness. Within restless waves, You are ever tranquil, and get into folds by love.
3853 (30/11/1986) K
TUMI ÁMÁR SAB KICHU KEŔE NIYECHO
TUMI ÁMÁR
MARAME CHILO JÁHÁ BHÁVANÁTE TÁHÁ
BÁHIR JAGATE T́ENE ENECHO
TUMI ÁMÁR SAB KICHU KEŔE NIYECHO
TUMI ÁMÁR
JÁHÁ CHILO GOPANE RÁKHÁ SAYATANE
ÁÁÁÁÁÁÁÁÁÁ
JÁHÁ CHILO GOPANE RÁKHÁ SAYATANE
PÁPAŔITE D́HÁKÁ CITTE GAHANE
TRYASAREŃU MÁJHE SONÁLI SVAPANE
SABAI TOMÁR RAUNGE D́HEKECHO
TUMI ÁMÁR SAB KICHU KEŔE NIYECHO
TUMI ÁMÁR
AJÁNÁ PATHIK BHÁVERI MÁŃIK
ÁÁÁÁÁÁÁÁÁÁ
AJÁNÁ PATHIK BHÁVERI MÁŃIK
MANE DOLÁ DIYE TÁKÁLE KŚAŃIK
TAVA MADHUR HÁSI JÁ DEY JÁ NÁ DIK
SABETE TUMI BHARE RAYECHO
TUMI ÁMÁR SAB KICHU KEŔE NIYECHO
TUMI ÁMÁR
O Lord, You have snatched away everything belonging to me. Whatever was within the core of
the mind as feeling that You pulled out in the external world. Whatever was kept secretly
with care, covered within the petals in the depths of mind. Within the particles as golden
dream, that You have covered with Your colour. The Unknown traveler, gem of the feeling
by momentary look, You vibrated the mind. Your sweet smile whether given or not, in all
You have kept filled.
3854 (30/11/1986) K
TUMI NAYANER MAŃI SHREŚT́A TOMÁRE MÁNI
BENCE THÁKÁ MOR TOMÁRAI TARE
SÁGARER LÁVAŃII ADRIR HIMÁNI
SHÁSHVATA VÁŃII SHUNI TAVA BHÁVANÁ GHIRE
BENCE THÁKÁ MOR TOMÁRI TARE
KAMALE KOMALAKE JIIVANE KRISHÁŃU
ÁÁÁÁÁÁÁÁÁÁ
KAMALE KOMALAKE JIIVANE KRISHÁŃU
NARTANÁVARTANE JÁGÁO PARAMÁŃU
CHANDE TÁLE LAYE SAḾGIITE VIBHÁNU
TUMI ÁCHO PRIYA ANTARE BÁHIRE
BENCE THÁKÁ MOR TOMÁRI TARE
SHÚNYA JÁHÁ BHÁVI SHÚNYA TÁHÁ NAY
ÁÁÁÁÁÁÁÁÁÁ
SHÚNYA JÁHÁ BHÁVI SHÚNYA TÁHÁ NAY
TOMÁRI BHÁVE BHARE HOE ÁCHE TUMI MAY
GUŃÁTIITA TUMI SAMÁHÁRE ADVAYA
EKÁ TUMI SÁRÁ CETANÁ BHARE
BENCE THÁKÁ MOR TOMÁRI TARE
TUMI NAYANER MAŃI SHREŚT́A TOMÁRE MÁNI
BENCE THÁKÁ MOR TOMÁRI TARE
O Lord, the gem of my eyes, I consider You the best. I am surviving for You only. Like
salinity of ocean, snow over the mountain peaks, I listen to the eternal words, around
Your feelings. Like fire for the soft life of lotus, with dance and revolution, You awaken
the atom. Within the rhythm, tune, melody and music You are glow. O Dear, You reside both
inside and outside. Where I consider total vacuum, there also void ness is not there.
Filled with Your ideation, it becomes embodiment of Yours. Beyond the attributes, You are
collection as singular aggregate. Alone You are full of entire Consciousness.
3855 (01/12/1986) K
EI PRADOŚE JALADÁKÁSHE
GÁN GEYE GEYE KE SE BHESE JÁY
AMITA NILAYE DIGVALAYE
SNIGDHA PARASHE MALAY VÁY
GÁN GEYE GEYE KE SE BHESE JÁY
KETAKI KESHARE KE SE KRTA KABARII
ÁÁÁÁÁÁÁÁÁÁ
KETAKI KESHARE KE SE KRTA KABARII
HOE BHÁVI JEGE SÁRÁ VIBHÁVARII
SHRUTI PATHE D́HELE DIYE SMITA SURABHI
E PRÁVRIT́E KI VÁŃII SHONÁY
GÁN GEYE GEYE KE SE BHESE JÁY
DIN TITHI VÁR MITI BHULÁIÁ DEY
ÁÁÁÁÁÁÁÁÁÁ
DIN TITHI VÁR MITI BHULÁIÁ DEY
SE AJÁNÁ ATITHI MÁDHURII MÁYÁY
MOHAN SUHÁSE TÁR DYUTI JHALAKÁY
NITI NITI TÁR SMRTI RABHASE MÁTÁY
GÁN GEYE GEYE KE SE BHESE JÁY
At this evening, with cloudy sky, constantly singing the song, who goes on gliding though
the unlimited home of the horizon with soft touch of the sandal breeze? With ketakii
fragrance applied on the chignon, whole night I have been wondering Who was that, Who
through the ears, had poured smiling fragrance by unknown message during this rain. Day
date and time period, That unknown traveler makes me forget, with sweet charm. With
charming smile His glow is seen. Constantly His memory makes me frenzied with upsurge.
3856 (01/11/1986) D
ÁMI TOMÁY CINI NI PRIYA
TUMI ÁMÁY SAB DIYECHO
TUMI ÁMÁY SAB DIYECHO
ÁJ ÁMÁR PRAŃATI NIO
ÁJ BUJHECHI BHÁLOBESECHO
ÁJ BUJHECHI BHÁLOBESECHO
TUMI ÁMÁY SAB DIYECHO
PHÚLETE DIYECHO MADHU
ÁÁÁÁÁÁÁÁÁÁ
PHÚLETE DIYECHO MADHU
NABHETE RAJATA VIDHU
PRIITI BHARÁ SUDHÁ SINDHU
MANETE MAN MISHIYECHO
MANETE MAN MISHIYECHO
TUMI ÁMÁY SAB DIYECHO
SAPTA LOKER TUMII SERÁ
ÁÁÁÁÁÁÁÁÁÁ
SAPTA LOKER TUMII SERÁ
STHÁVAR JAUNGAM TOMÁY BHARÁ
CÁNDA TÁRÁ JE NÚPURE GHERÁ
JE NÚPURE NECE CALECHO
TUMI ÁMÁY SAB DIYECHO
ÁMI TOMÁY CINI NI PRIYA
TUMI ÁMÁY SAB DIYECHO
TUMI ÁMÁY SAB DIYECHO
O Beloved,
You gave me everything
but I failed to recognise You.
Now, I realise how much You loved me.
Please accept my obeisance today.
Today, I realised that You love me.
You gave honey to flowers
and the silver moon to the sky.
You are the ocean of the nectar of love.
You merged my mind into Yours.
You are the supreme entity of the seven worlds.
You pervade all living and nonliving entities.
You continue dancing with ankle bells
surrounding the moon and the stars.
3857 (02/12/1986) K
BÁHIR VISHVE DHARÁ DÁO NÁKO
MARME LUKIYE THÁKO
TUMI MARME THÁKO
TUMI MARME THÁKO
KE CÁY KE NÁ CÁY KABHU BHÁVO NÁKO
SABÁRE NIKAT́E D́ÁKO
TUMI MARME THÁKO
TUMI MARME THÁKO
GRAHA TÁRÁ RAVI BHÚDHAR AT́AVII
ÁÁÁÁÁÁÁÁÁÁ
GRAHA TÁRÁ RAVI BHÚDHAR AT́AVII
KRIŚŃA KÁJALE NAYANERO CHAVI
VISHTUŚKA MARU GHANA SHYÁMA TARU
MÁDHURII TE SABE D́HÁKO
TUMI MARME THÁKO
TUMI MARME THÁKO
TOMÁR ÁMÁR EI JÁNÁ JÁNI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR ÁMÁR EI JÁNÁ JÁNI
AMEYA UPALE SHÁSHVATA MÁNI
DHARAŃIIRA DHÚLI PÁKHIRA KÁKALII
PRIITI CETANÁY MÁKHO
TUMI MARME THÁKO
TUMI MARME THÁKO
BÁHIR VISHVE DHARÁ DÁO NÁKO
MARME LUKIYE THÁKO
TUMI MARME THÁKO
TUMI MARME THÁKO
In the external world, You keep eluded our grasp.
You hide Yourself in a corner of my heart.
You do not discriminate
between who loves You and who loves You not.
You keep calling all near You.
The stars, the planets, the sun
the mountains, the forest
the dark and decorated pupils of eyes
the dry desert, the deep green trees
are all filled with Your sweetness.
This mutual awareness of ours
I consider eternal.
The immeasurable mountain
the dust of the earth
and the chirping of birds
are all smeared with Your loving consciousness.
3858 (03/12/1986) D
EI, SNIGDHA SHARATE JHARÁ SHEFÁLI TE
SHISHIRE SIKTA HOYECHI
SNIGDHA SHARATE
SONÁLI DHÁNER MAINJARI MÁJHE
NÚTAN RAUNGA PEYECHI
SNIGDHA SHARATE
KUSH KÁSHER DOLE MALAY ANILE
ÁÁÁÁÁÁÁÁÁÁ
KUSH KÁSHER DOLE MALAY ANILE
SÁDÁ MEGHE DEKHE GHAN NABHO NIILE
MANER GAHANE CIRA NIRJANE
ÁVESHE BHESE CALECHI
SNIGDHA SHARATE
KÁLA ÁSE JÁY BALÁKÁ PÁKHÁY
ÁÁÁÁÁÁÁÁÁÁ
KÁLA ÁSE JÁY BALÁKÁ PÁKHÁY
DÚR HOTE ESE DÚRE BHESE JÁY
BÁLUKÁ BELÁY BASE NIRÁLÁYA
CEYE CEYE SHUDHU DEKHECHI
SNIGDHA SHARATE
EI, SNIGDHA SHARATE JHARÁ SHEFÁLI TE
SHISHIRE SIKTA HOYECHI
SNIGDHA SHARATE
With this soft winterdropped shefa’lii flowers, I get wet with the dew. Within the
golden new buds of paddy, I get colour of the new. The tall grass swings with the sandal
breeze, white clouds watch through the dense blue sky. Within the depth of mind, in long
silence, with impulse, I keep on gliding. The time comes and goes like the wings of swan
coming from far goes it on floating far. Sitting on the sandy beach, in isolation, eagerly
I just go on watching.
3859 (04/12/1986) K
TUMI ÁMÁR BHÁLOBÁSÁ
TUMI ÁMÁR BHÁLOBÁSÁ
AKÚLA SAMUDRE KÚLA PEYE
PÁOÁR ÁNANDE KÁNDÁ HÁSÁ
TUMI ÁMÁR BHÁLOBÁSÁ
HÁRIYE GECHE SÁNJHE BHÁVI
ÁÁÁÁÁÁÁÁÁÁ
HÁRIYE GECHE SÁNJHE BHÁVI
BHORE PHIRE PÁI SE RAVI
AMÁNISHÁY PATH HÁRIYE
DHRUVA TÁRÁY PÁOÁ DISHÁ
TUMI ÁMÁR BHÁLOBÁSÁ
KÁCHEO ÁCHO DÚREO ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
KÁCHEO ÁCHO DÚREO ÁCHO
AHAMIKÁY LÚKIE ÁCHO
SAMARPAŃE PHIRE ÁSÁ
JYOTSNÁ CÁNDER MELÁ MESHÁ
TUMI ÁMÁR BHÁLOBÁSÁ
O Lord, You are my love. On finding a shore in the limitless ocean, with bliss of
attainment, I cry and smile. I had thought the sun vanished in the evening, but I find it
again in the morning. Losing path in the darkness, with pole star, I found the direction.
You are close as well as far, hidden within the ego. By surrender I come back again like
merger of moon and the moonlight.
3860 (05/12/986) K
PÚRVA DIGANTE TAMASÁR ANTE
UNKI DEY RAKTIM ÁBHÁ
YUGE YUGÁNTE EI PRATYÁNTE
KE SE ÁSE PURURAVÁ
UNKI DEY RAKTIM ÁBHÁ
KŚUDRA JÁ KICHU MOR NILO JE KEŔE
ÁÁÁÁÁÁÁÁÁÁ
KŚUDRA JÁ KICHU MOR NILO JE KEŔE
BRHATER BHÁVANÁY DIYECHE BHARE
ÁLOKER UDBHÁSE PRÁŃER BHÁVOCCHÁSE
BHÁVÁLOKE MANO LOBHÁ
UNKI DEY RAKTIM ÁBHÁ
ÁMÁR JÁ KICHU SABAI DIYECHI TÁRE
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR JÁ KICHU SABAI DIYECHI TÁRE
EGIYE CALI PATHE TÁHÁRI TARE
UTSAVE ÁSAVE NITYA SE VÁSAVE
SMARE CALI RAJANII DIVÁ
UNKI DEY RAKTIM ÁBHÁ
The red glow in the morning at the end of the night peeps in the eastern horizon of sky.
At the end of eras after eras, Who, Purarava’ has come? He snatched away all the
meanness in me and filled me with the ideation of the Great. Illuminating with light with
overwhelming heart, He has charmed with effulgence of feelings. Whatever is mine, all that
I have given to Him, and for Him with His ideation, I go on moving forward. With the
nectar of festivity, ever remembering the Controller of all, I move day and night.
3861 (06/12/1986) D
ÁJI, NÚTANE JATANE MANER BHUVANE
SAHÁS ÁNANE BARIÁ NÁO
PÚRÁŃO JÁ CHILO DURE SARE GELO
NÚTANER RAUNGE MAN RÁNGÁO
SAHÁS ÁNANE BARIÁ NÁO
JE DIN ÁJIKE HOYECHE ATIITA
ÁÁÁÁÁÁÁÁÁÁ
JE DIN ÁJIKE HOYECHE ATIITA
JE PHUL SHUKHIYE DHULI KAŃÁGATA
TÁHÁRI SHOKE HATÁSHÁY DUHKHE
MLÁNA MUKHE KENO KÁLA KÁTÁO
SAHÁS ÁNANE BARIÁ NÁO
JE TITHI ÁJI KE ITIHÁSA GATA
ÁÁÁÁÁÁÁÁÁÁ
JE TITHI ÁJI KE ITIHÁSA GATA
DHVANSA STÚPER LIPITE LIKHITA
TÁRI CINTÁY BHÁVA JAD́ATÁY
KÁLA PRAVÁHE KI RODHITE CÁO
SAHÁS ÁNANE BARIÁ NÁO
ÁJI, NÚTANE JATANE MANER BHUVANE
SAHÁS ÁNANE BARIÁ NÁO
Today with new enthusiasm adore in the mental world with smiling face. Whatever was old
have gone away far, now colour your mind with colour of the new. The day that have become
past, the flower that dried up and have merged with the dust particles, worrying about
that with disappointment and sorrow why do you pass time with sad face? The date that has
become part of history today, written in the script of destroyed pile, worrying about that
with dogmatic feelings do you want to obstruct the flow of time?
3862 (06/12/1986) D
TUMI, LIILÁ KARE JÁO KII KÁRAŃE
VISHVA BHUVAN TOMÁRI MANAN
NÁCE GHIRE TAVA SHRII CARAŃE
TUMI, LIILÁ KARE JÁO KII KÁRAŃE
AŃU PARAMÁŃU KIIT́A PATAUNGA
ÁÁÁÁÁÁÁÁÁÁ
AŃU PARAMÁŃU KIIT́A PATAUNGA
VÁTYÁ VIKŚUBDHA TARAUNGA
TÚHINÁVRITA ADRI SHRINGA
PRAŃATI JÁNÁI PRATI KŚAŃE
TUMI, LIILÁ KARE JÁO KII KÁRAŃE
ÚŚŃA UTTAPTA KAT́ÁH MARU
ÁÁÁÁÁÁÁÁÁÁ
ÚŚŃA UTTAPTA KAT́ÁH MARU
HIMA NILAYA HRTA PRÁŃA MERU
PHUL PALLAVE D́HÁKÁ CHÁYÁ TARU
SADÁ RÁKHE TOMÁRE SMARAŃE
TUMI, LIILÁ KARE JÁO KII KÁRAŃE
O Lord, for what reason do You go on performing the divine play, liila? The whole
universe as Your thought projection goes on dancing revolving around Your pious feet. All
atoms, molecules, insects and fleas, are restless within the stormy waves. The snowclad
mountain peaks express their salutations to You each moment. The hot burning cauldron of
desert, the lifeless dust in the house of ice, the shading tree covered with flowers and
leaves, always remember You.
3863 (07/12/1986) D
PUŚPE PUŚPE TOMÁRI VÁRTÁ
REŃUTE REŃUTE TUMI ÁCHO
RANDHRE RANDHRE TAVA ITIKATHÁ
AŃUTE AŃUTE HÁSITE CHO
REŃUTE REŃUTE TUMI ÁCHO
SHRIRT́I STHITI PRALAYER MÁJHE
ÁÁÁÁÁÁÁÁÁÁ
SHRIRT́I STHITI PRALAYER MÁJHE
TAVA MADHURIMÁ SINJINE BÁJE
VANA VIITHIKÁY VIJANE KUJANE
SÁM RÁGE GEYE CALITECHO
REŃUTE REŃUTE TUMI ÁCHO
ADVAYA TUMI GUŃERI ÁKAR
ÁÁÁÁÁÁÁÁÁÁ
ADVAYA TUMI GUŃERI ÁKAR
TOMÁTE NIHITA SÁRÁ CARÁCAR
SHRAVAŃE MANANE NIDIDHYÁSANE
KÁLA DRÁGHIMÁY NÁCITE CHO
TUMI, LIILÁNANDE MÁTIÁCHO
REŃUTE REŃUTE TUMI ÁCHO
O Lord, in each flower Your glory is present, You are present in each particle. Your
history is included in each pore, You smile in each atom. Within the creation, sustenance
and destruction, Your sweet sound resonates. Within forest lanes, in solitude or noise
You go on singing in melodious tune. You are the Unique origin of all attributes, the
whole world is located within You. Within listening, meditation and concentration, and
within the longitudes of time, You go on dancing.
3864 (08/12/1986) K
ASÁR E SAḾSÁRE BÁRE BÁRE GHURE
STHÁYII KONO KICHUI PÁINI
CHUT́E GECHI MICHE ÁLEYÁR PICHE
BUJHEO TÁ BUJHITE PÁRINI
ASÁR E SANSÁRE BÁRE BÁRE GHURE
STHÁYII KONO KICHUI PÁINI
NIDÁGH JVÁLÁY ASHÁNTA HIYÁY
ÁÁÁÁÁÁÁÁÁÁ
NIDÁGH JVÁLÁY ASHÁNTA HIYÁY
BHEVECHI E BÁR DHARIBO TOMÁY
AHAMIKÁ ESE DÚRE SARIYE CHE
TOMÁR PÁSHE ÁSÁ HOYE NI
ASÁR E SANSÁRE BÁRE BÁRE GHURE
STHÁYII KONO KICHUI PÁINI
KÁLA SARPA YOGE KÁLA NISHÁ ÁSE
ÁÁÁÁÁÁÁÁÁÁ
KÁLA SARPA YOGE KÁLA NISHÁ ÁSE
BHRUKIT́I DASHANE JIIVE GRÁSE
EI SATYA JINÁNE JE REKHECHE DHYÁNE
GLÁNI TÁRE KABHU GRÁSENI
ASÁR E SANSÁRE BÁRE BÁRE GHURE
STHÁYII KONO KICHUI PÁINI
Wandering through this worthless world again and again, I could never find anything
permanent. The false mirage is left behind, even after knowing this reality, I hardly
understand that. With restless heart of intense heat, I think that this time I shall bring
You within folds. But the ego comes and removes that object and Your coming close never
takes place. With the inauspicious coincidence dark night comes to devour the living
beings with frightening teeth. But whosoever remembers this true knowledge, they are never
devoured by agonies.
3865 (08/12/1986) D
ÁMI TOMÁY KAKHANO D́ÁKINI
TUMI, MOR SAB BHÁR NIYECHO, NIYECHO
ÁMI AVAHELÁY DHULÁY THEKECHI
TUMI, ÚRDHVE MOR TULECHO, TULECHO
MOR SAB BHÁR NIYECHO
ÁMI, BÁHIRE BHITARE MALIN THEKECHI
ÁÁÁÁÁÁÁÁÁÁ
BÁHIRE BHITARE MALIN THEKECHI
JAD́A BHÁVANÁY KÁLIMÁ MEKHECHI
TUMI, MÁLINYA JHEŔE SAḾSKÁRA KARE
PRIITI PÁSHE MORE BENDHECHO
BENDHECHO
MOR SAB BHÁR NIYECHO
ÁMI, NIJERE NÁ CINE BÁHIRE CEYECHI
ÁÁÁÁÁÁÁÁÁÁ
NIJERE NÁ CINE BÁHIRE CEYECHI
BHITARE NÁ DEKHE JINÁNI HOTE GECHI
TUMI, AHAMIKÁ MULE KHAD́GA HÁNILE
SAMVIT SHIKHÁ JVELECHO
MOR SAB BHÁR NIYECHO
O Lord, I have never called You, but You have taken my entire burden. I was lying
neglected within dust, You have lifted me up. I was dirty inside and outside, absorbed in
dark materialistic thoughts. You removed the dirt, purified me and tied me with the twine
of love. Having not recognised my real self, I was looking outside. Not seeing inside, I
was trying to be externally wise. You cut the root of the ego with blow of sword, and
kindled the flame of Consciousness.
3866 (08/12/1986) K
ÁJ PAŔE MANE
ÁJ PAŔE MANE GODHULI LAGANE
TUMI ESECHILE MOR GHARE
SÁDÁ MEGHER BHELÁ
SÁDÁ MEGHER BHELÁ BALÁKÁRI MELÁ
BHESE CALE CHILO AMBARE
TUMI ESECHILE MOR GHARE
BHOLÁ KABHU KI JÁY
BHOLÁ KABHU KI JÁY
BHOLÁ KABHU KI JÁY SE MALAY VÁYA
SE ESE CHUNYE CHILO SONÁLII HIYÁYA
TÁRI BHÁVANÁY
TÁRI BHÁVANÁY SMITA DYOTANÁYA
MÁYÁ KÁNANE CHILUM BHÁVA GHORE
TUMI ESECHILE MOR GHARE
SHEFÁLI PHUT́E CHILO
SHEFÁLI PHUT́E CHILO
SHEFÁLI PHUT́E CHILO JHARIVÁRI TARE
RÁTER SHEŚA YÁME BHULITE YÁMINIIRE
JÁBE JABE JHARE
JÁBE JABE JHARE TÁKÁBE NÁ PHIRE
KE KÁNDE TÁR TARE AGOCARE
TUMI ESECHILE MOR GHARE
ÁJ PAŔE MANE GODHULI LAGANE
TUMI ESECHILE MOR GHARE
O Lord, today on this evening twilight time, I remembered that You had come to my home. In
the sky, sails of white clouds and festive groups of swans, were floating, gliding. Can it
be forgotten anytime, that sandal breeze that having come, touched the golden heart. In
Your ideation, and smiling gesture, I was intensely engrossed in the deep thought.
Shefalii flower bloomed to drop later, towards the end of the night, forgetting the night.
Whenever they drop, they never look back again, who cries for them unseen.
3867 (08/12/1986) K
TOMÁRI JAGATE, TOMÁRI JAGATE
TOMÁRI JAGATE, TOMÁRE PETE
ÁCHI TOMÁR PATH CEYE
TOMÁKE BHEVE TOMÁTE D́ÚBE
TOMÁR SURE GIITI GEYE
ÁCHI TOMÁR PATH CEYE
THEKO NÁ THEKO NÁ ÁR DÚRE PRIYA
ÁÁÁÁÁÁÁÁÁÁ
THEKO NÁ THEKO NÁ ÁR DÚRE PRIYA
MOR JÁ TRUT́I ÁCHE TÁ SARIYE DIYO
ÁMÁRE TOMÁR ÁPAN KARE NIO
KRPÁ KAT́ÁKŚE TÁKIYE
ÁCHI TOMÁR PATH CEYE
JEONÁ JEONÁ LIILÁ CHALE SARE
ÁÁÁÁÁÁÁÁÁÁ
JEONÁ JEONÁ LIILÁ CHALE SARE
BHUMÁ CHÁŔÁ AŃU KI BÁNCITE PÁRE
AŃU BINÁ SINDHUO THÁKITE NÁRE
TUMIO ÁMÁRE NIYE
ÁCHI TOMÁR PATH CEYE
TOMÁRI JAGATE, TOMÁRE PETE
ÁCHI TOMÁR PATH CEYE
O Lord, in Your world, for attaining You, I am looking at Your path, thinking of You
immersed within You, singing songs in Your tune. O Dear, do not stay far. Whatever are my
defects that You remove. Looking at me with graceful eyes make me Your own. Do not go away
with delusive game of liila, can the microcosm survive without Macrocosm? Even ocean
cannot exist without drops, like You with me.
3868 (08/12/1986) K
ÁMI, BHÁLOBÁSIÁCHI TOMÁRE
ÁMI, BHÁLOBÁSIÁCHI TOMÁRE
ÁMI, BHÁLOBÁSIÁCHI TOMÁRE
MANER MÁJHÁRE JÁ CHILO GABHIRE
KII KARE DEKHÁBO TÁHÁRE
ÁMI, BHÁLOBÁSIÁCHI TOMÁRE
JE PHUL RAYECHE KALIR ÁNDHÁRE
ÁÁÁÁÁÁÁÁÁÁ
JE PHUL RAYECHE KALIR ÁNDHÁRE
JHARÁTE KI PÁRI TÁHÁR MADHURE
JE REŃU RAYECHE BHARE ANTARE
ÁNIBO KE MANE BÁHIRE
ÁMI, BHÁLOBÁSIÁCHI TOMÁRE
JE UDAK DHÁRÁ MRITTALE BHARÁ
ÁÁÁÁÁÁÁÁÁÁ
JE UDAK DHÁRÁ MRITTALE BHARÁ
TAPAN TÁPANE HOENIKO HÁRÁ
PRASRAVANETE SE AMRTA DHÁRÁ
ÁLOKE ÁSIBE KI KARE
ÁMI, BHÁLOBÁSIÁCHI TOMÁRE
O Lord, I love You. Whatever was within the depth of my mind, how can I show that to You?
The flower that remained in darkness of the bud can it ooze out its sweetness? The pollen
that filled the core, how can I bring it out? The water current that is full of mud at the
bottom, and does not get dried up with sun and heat, how can that flow of nectar be
trickled out into light?
3869 (08/12/1986) K
GÁN GEYE JÁI TOMÁKE SHONÁI
TUMI SHOŃO KI NÁ JÁNI NÁ
BHÁLOBÁSI JÁRE
BHÁLOBÁSI JÁRE KHUNJE BEŔÁI TÁRE
SE MORE KHONJE KI NÁ BUJHI NÁ
TUMI SHOŃO KI NÁ JÁNI NÁ
GÁN SEDHE JÁI
GÁN SEDHE JÁI NÁNÁ SURE LAYE
ÁÁÁÁÁÁÁÁÁÁ
GÁN SEDHE JÁI NÁNÁ SURE LAYE
CHANDA VIITHIKÁY TÁLE ANUNAYE
KICHUI VRITHÁ NAY E DIGVALAYE
E BHAROSÁTE RÁGA SÁDHANÁ
TUMI SHOŃO KI NÁ JÁNI NÁ
O GO KRPÁNIDHI
O GO KRPÁ NIDHI SHONO ÁMÁR KATHÁ
ÁÁÁÁÁÁÁÁÁÁ
O GO KRPÁ NIDHI SHONO ÁMÁR KATHÁ
RACITE PÁRO ÁJI NAVA ITIKATHÁ
DHIIRE KÁCHE ESO BOJHO ÁMÁR VYATHÁ
JAY GÁTHÁ KARIBO GHOŚAŃÁ
TUMI SHOŃO KI NÁ JÁNI NÁ
O Lord, I go on singing the song to You, but I do not know whether You hear that or not.
The One Whom I love and search, does He look for me or not, I do not understand. I go on
practicing the song in diverse melodies and tunes, along the rhythmic path in accordance
with the beats. There is nothing wasteful in this world with this confidence is my
practice of melody. O the treasure of grace, listen to my affairs, today You can create a
new history. Coming close slowly, understand my agony, I shall announce the glory of
victory.
3870 (09/12/1986) D
JYOTSNÁ RÁTE MALAYA VÁTE
(ÁMI), ÁMI TOMÁY KATA KHUNJECHI
PÁI NI DEKHÁ THEKECHI EKÁ
(EKEI), EKEI VIDHIR LIPI BHEVECHI
ÁMI TOMÁY KATA KHUNJECHI
PHULER VANE SAḾGOPANE
ÁÁÁÁÁÁÁÁÁÁ
PHULER VANE SAḾGOPANE
HOE NI DEKHÁ TOMÁR SANE
DEKHINU RÁJA SIḾGHÁSANE
(HATÁ), HATÁSHÁTE KATA KENDECHI
ÁMI TOMÁY KATA KHUNJECHI
ÁLOY TOMÁY KHUNJE GECHI
ÁÁÁÁÁÁÁÁÁÁ
ÁLOY TOMÁR KHUNJE GECHI
KÁLOY EŔIYE CALECHI
TUMI SHUDHU ÁLO BHEVECHI
(ÁJ), ÁJ KÁLOTE MAN BHARECHI
ÁMI TOMÁY KATA KHUNJECHI
JYOTSNÁ RÁTE MALAYA VÁTE
(ÁMI), ÁMI TOMÁY KATA KHUNJECHI
O Lord, in the moonlit night, with sandal breeze, how much have I searched You. I could
not see You, remained alone, thinking that it is writing of the destiny. In the floral
garden, I could not meet You, could not see You on the Royal Throne and how much did I cry
with disappointment. I went to search You in light, moving avoiding the darkness. I
considered You alone as light, today my mind is full of darkness.
3871 (09/12/1986) K (Krsna)
JE MÁLÁT́I KANT́HE CHILO
SE MÁLÁT́I KÁKE DIYECHO
SE MÁLÁT́I KÁKE DIYECHO
RAUNGIIN MEGHER UTTARAŃE
KÁR PARÁŃE BÁSÁ BENDHECHO
KÁR PARÁŃE BÁSÁ BENDHECHO
JE MÁLÁT́I KANT́HE CHILO
SE MÁLÁT́I KÁKE DIYECHO
UJÁNE NÁ BAY YAMUNÁ
ÁÁÁÁÁÁÁÁÁÁ
UJÁNE NÁ BAY YAMUNÁ
VRAJER DHENU ANYAMANÁ
GOPIKÁ JE MRG NAYANÁ
TÁR VYATHÁ KI BHULE RAYECHO
TÁR VYATHÁ KI BHULE RAYECHO
JE MÁLÁT́I KANT́HE CHILO
SE MÁLÁT́I KÁKE DIYECHO
MADHUVANE KUINJA VANE
ÁÁÁÁÁÁÁÁÁÁ
MADHUVANE KUINJA VANE
KE KÁNDE TAMÁL SVANANE
CEYE ÁCHE PATHERI PÁNE
TÁR HIYÁ KI DALE CALECHO
TÁR HIYÁ KI DALE CALECHO
JE MÁLÁT́I KANT́HE CHILO
SE MÁLÁT́I KÁKE DIYECHO
O Lord Krsna, the garland that You wore on the neck, whom have You given that? With
the descend of coloured clouds, in whose life do You build a home? The river Yamuna’
does not overflow. The cows of Vraja are unmindful. The devotees cow maids are like
deareyed, do You remain oblivious of their pains? Within the sweet garden of flowers and
shrubs, who is crying with the noise of palm tree and look towards the arrival path? Do
You go on stamping their heart?
3872 (09/12/1986) D
HE PRABHU TOMÁR TARE
GÁNTHIÁCHI KATA MÁLÁ
KATA VEDII SÁJIECHI
DINEO RÁTE SÁNJHER BELÁ
HE PRABHU TOMÁR TARE
GÁNTHIÁCHI KATA MÁLÁ
SHUNECHI TOMÁR KATHÁ
ÁÁÁÁÁÁÁÁÁÁ
SHUNECHI TOMÁR KATHÁ
PAŔIÁCHI ?ITI KATHÁ
GÁIÁCHI STUTI GÁTHÁ
GÁIÁCHI STUTI GÁTHÁ
KATA NÁ HOYE UTALÁ
HE PRABHU TOMÁR TARE
GÁNTHIÁCHI KATA MÁLÁ
VIDYÁ BUDDHI JÁHÁ DILE
ÁÁÁÁÁÁÁÁÁÁ
VIDYÁ BUDDHI JÁHÁ DILE
D́HELECHI CARAŃ KAMALE
TABU DÚRE RAHE GELE
TABU DURE RAHE GELE
SAHE NÁ E DÚRER JVÁLÁ
HE PRABHU TOMÁR TARE
GÁNTHIÁCHI KATA MÁLÁ
HOETO CHILO AHAMIKÁ
ÁÁÁÁÁÁÁÁÁÁ
HOETO CHILO AHAMIKÁ
HOYETO MOR CHÁHIE D́HÁKÁ
TÁI THÁMENI RATHER CÁKÁ
TÁI THÁMENI RATHER CÁKÁ
NITE ÁMÁR PRIITIR D́ÁLÁ
HE PRABHU TOMÁR TARE
GÁNTHIÁCHI KATA MÁLÁ
O Lord, for You, several garlands I have threaded. Many altars I have decorated day and
night and in evenings. I have been listening to Your glory, reading Your history and
singing much of Your prayers with frenzy. Whatever wisdom and intellect You had granted
me, all I have poured at Your lotus feet. Yet You have remained far away, and I cannot
tolerate the agony of distance. Probably I had ego and was covered with infatuation. That
is why the wheels of the cart did not stop to accept the bouquet of my love.
3873 (10/12/1986) K
CINI JABE MANE KARI
AHAMIKÁY DÚRE SARI
CENÁ HOLO NÁ CENÁ HOLO NÁ
KAMAL DHARITE KARE
PÁPAŔI JHARIÁ PAŔE
MADHU THÁKE NÁ
KENO KARO EI LIILÁ
KENO KARO EI LIILÁ
KENO KARO EI LIILÁ
ÁÁÁÁÁÁÁÁÁÁ
KENO KARO EI LIILÁ
DHARÁ NÁ DEOÁR KHELÁ
BHÁUNGÁ GAŔHÁ NIYE MELÁ
BOJHÁ GELO NÁ BOJHÁ GELO NÁ
CENÁ HOLO NÁ CENÁ HOLO NÁ
KON AJÁNÁR SROTE
KON AJÁNÁR SROTE
KON AJÁNÁR SROTE
ÁÁÁÁÁÁÁÁÁÁ
KON AJÁNÁR SROTE
BÁRE BÁRE E DHARÁTE
ÁSI KISERI ÁSHÁTE
KENO BOLO NÁ KENO BOLO NÁ
CENÁ HOLO NÁ CENÁ HOLO NÁ
CINI JABE MANE KARI
AHAMIKÁY DÚRE SARI
CENÁ HOLO NÁ CENÁ HOLO NÁ
O Lord, when I think that I recognised You removing my ego, then too I could not
understood You well. Holding the lotus in hand, its petals whither down and no honey is
found. Why do You perform this liila, the delusive play, the game of coming into folds
and escaping, the congregation of creation and destruction, You never explained. From some
unknown origin, I come into this earth again and again, with what expectation, why do not
You tell me?
3874 (10/12/1986) K
TOMÁR TARE ÁMI
KATA KENDECHI, TUMI SHONONI
KAT́HIN HRIDAY BUJHI
Á NIYECHI VYATHÁ BHULINI
TUMI SHONONI
BOLECHI KÁTARE REKHO NÁKO DÚRE
ÁÁÁÁÁÁÁÁÁÁ
BOLECHI KÁTARE REKHO NÁKO DÚRE
O GO PRIYA MOR KÁCHE T́ÁNO MORE
PALAKE PALAKE PULAKE JHALAKE
HALAKIÁ ESO MÁNONI
TUMI SHONONI
JABE ABELÁY BASE ÁNAMANE
ÁÁÁÁÁÁÁÁÁÁ
JABE ABELÁY BASE ÁNAMANE
BHÁVITE CHILÁM VIJANE GAHANE
KEHO KI ÁMÁR NÁI KON KHÁNE
TUMI KÁCHE ELE TAKHANI
TUMI SHONONI
O Lord, how much have I cried for You, but You did not listen to that. I considered You as
stonehearted and did not forget the agony. O my Dear, I requested You not to keep this
distressed one away and pull me close. I also prayed You to come and blissfully show Your
glimpses each moment, but You did not accept. While sitting unmindfully, untimely, I
thought in intense solitude, that no one is my own anywhere, then You came close.
3875 (11/12/1986) K
ALOKE AMIYA HÁSO, DYULOKE DYUTITE BHÁSO
TRILOKE TOMÁR PRABHU NÁHI KONO TULANÁ
BHULOKER HÁR TUMI, PULAKE SÁJÁYE BHÚMI
SATYA LOKER TUMI SHÁSHVATII CETANÁ
TRILOKE TOMÁR PRABHU NÁHI KONO TULANÁ
JÁ KICHU BHUVANE ÁCHE, PRAPAINCE JÁHÁ NÁI
ÁÁÁÁÁÁÁÁÁÁ
JÁ KICHU BHUVANE ÁCHE, PRAPAINCE JÁHÁ NÁI
JÁ KICHU MANANE BHÁSE, MANANE JÁHÁ NÁHI PÁI
SABÁR MADHYE TUMI SABÁR URDDHVE BHRAMI
SABÁRE BENDHECHO NITI DIYE PRIITI DYOTANÁ
TRILOKE TOMÁR PRABHU NÁHI KONO TULANÁ
JÁ KICHU ÁMÁR BHÁLO, TOMÁTE SAOḾPITE CÁI
ÁÁÁÁÁÁÁÁÁÁ
JÁ KICHU ÁMÁR BHÁLO, TOMÁTE SAOḾPITE CÁI
JÁ KICHU MANDA MAMA, MENE NITE BÁDHÁ NÁI
NIŚKALUŚA KARO TAVA BHÁVANÁTE BHARO/BHAVA?
ÁMÁR ÁMI R TAVA DÁO SHUBHA PREŚAŃÁ
TRILOKE TOMÁR PRABHU NÁHI KONO TULANÁ
O Lord, You smile with heavenly nectar and appear as heavenly effulgence. In all the three
worlds, there is no comparison of Yours. You are the garland of the physical world
decorating the earth with joy, You are the Eternal Consciousness of the Absolute arena.
Whatever is present in the world, whatever is not present in the world, whatever appears
in the mind, whatever I do not find in the mind, You are at the centre of all, moving
above all. You have tied all by ever providing gesture of love. Whatever is my good, I
want to offer to You, whatever is bad of mine, I have no hesitation in accepting that.
Make me clean filling with Your ideation. To my own “I” provide auspicious jerk.
3876 (12/12/1986)
PRAJINÁLOKER TUMI PRABHU MOHE
BÁNDHO KENO, ÁMI BUJHINÁ
MAYÁR ADHIISHVARA DEVATÁ
KENO MÁKHO/SÁTHE? MÁYIKATÁ
KEU JÁNE NÁ, ÁMI BUJHINÁ
JHALAKE TRILOKE TAVA
LIILÁR RÚPA NAVA NAVA
BHÁUNGE GARHE PRATI PALE
E KII MÁYÁ ABHINAVA
ANANTA BHÁVA TARAUNGE
PALÁNUPALA JE BHÁUNGE
KEU THÁKE NÁ
KEU JÁNE NÁ, ÁMI BUJHINÁ
KÁLÁKÁLA BAHE JÁY
ASIIME ASHEŚE DHÁY
KRIYÁ MANE JHALAKÁY
BUDDHI BHEVE NÁHI PÁY
SURE TÁLE LAYE CHANDE
CALE SABE BHUMÁNANDE
KEU THÁKE NÁ, KEU JÁNE NÁ
ÁMI BUJHINÁ
PRAJINÁLOKER TUMI PRABHU
MOHE BÁNDHO KENO
KEU JÁNE NÁ, ÁMI BUJHINÁ
O Lord, why have You tied me in the bond of infatuation, even in the light of intuition, I
cannot understand. O The Divine Controller of illusion, why do You immerse me delusion
nobody knows. In the three worlds, Your illusive form is ever new. Creating and destroying
each moment what a new illusion? Within infinite thought waves, each moment destruction
takes place, nothing stays. The time and pause go on flowing rushing into endless
infinite, showing glimpses of activities in the mind. The mind is unable to grasp that.
With rhythm, melody and tune all move within Cosmic Bliss, no one stops.
3877 (13/12/1986)
TUMI E KI LIILÁ KARO
GAŔÁ PUTUL BHEUNGE PHELO
BHÁUNGÁ JINIS GAŔE TOLO
MANE NEIKO VIKÁRO
GAŔÁ PUTUL BHEUNGE PHELO
NEIKO TOMÁR JÁOÁ ÁSÁ
NEIKO SHAYAN UT́HÁ BASÁ
NEIKO KONO KÁNNÁ HÁSÁ
PRATYÁSHÁ KÁRAO
GAŔÁ PUTUL BHEUNGE PHELO
KÁKE KAKHAN KII BHÁVE T́ÁNO
VIDHI TÁHÁR TUMI JÁNO
SINDHU MÁJHE CHANDA ÁNO
TARAUNGE BHARAO
GAŔÁ PUTUL BHEUNGE PHELO
TUMI E KI LIILÁ KARO
GAŔÁ PUTUL BHEUNGE PHELO
O Lord, what an illusive game do You perform, You break a beautifully made doll and make
one out of broken pieces, without any perversion in the mind. For You there is nothing
like coming and going or awakening or sleeping. No crying or joy nor any counter
expectation. Whom You pull close to You with what feeling and when, those rule You only
know. You bring rhythms within the ocean filling with waves.
3878 (13/12/1986)
TUMI YADI NÁ CÁO ÁMÁRE
ÁMÁR HIYÁ TOMÁY CÁHIBEI
MAN CÁHIBEI
YADI NÁ BÁNDHO PRIITI D́ORE
MOR CETANÁ TOMÁRE BÁNDHABEI
ÁMÁR HIYÁ TOMÁY CÁHIBEI
MAN CÁHIBEI
TARU YADI NÁ CÁY LATÁY
LATÁ TABU TARURE CÁY
CÁNDA YADI NÁ CÁY SÁGARE
JOÁR ÁSABEI
ÁMÁR HIYÁ TOMÁY CÁHIBEI
MAN CÁHIBEI
ASTÁCALER RAVI KABHU
ASATE NÁ CÁY BHORE TABU
BHORE DHARÁ BHORER SURE BENDHE ÁNBEI
ÁMÁR HIYÁ TOMÁY CÁHIBEI
MAN CÁHIBEI
TUMI YADI NÁ CÁO ÁMÁRE
ÁMÁR HIYÁ TOMÁY CÁHIBEI
MAN CÁHIBEI
O Lord, even if You do not love me, my heart and mind will certainly continue to love You.
If You do not tie me with rope of love, my consciousness will tie You. Even if the tree
does not like the creeper, still the creeper likes the tree. Even if the moon does not
like the ocean, the tide would definitely come. If the sun after setting does not want to
come in the morning, the earth, binding that with the morning melody will positively bring
it.
3879 (14/12/1986)
RÁJÁ TUMI MANER RÁJÁ
VISHVA TOMÁR ADHIINE
NIIHÁRIKÁ THEKE AŃU
PARAMÁŃU SHÁSANE
VISHVA TOMÁR ADHIINE
TOMÁR ÁDESHE PHÚL PHOT́E
INGITA ELEI ULKÁ CHOT́E
TUNGÁDRI CARAŃE LOT́E
PAVAN BAHE SVANANE
VISHVA TOMÁR ADHIINE
SABÁR PRABHU VARAŃIIYA
SABÁI JE TOMÁREO PRIYA
MOR E ANURODHA MÁNIO
SHARAŃA DIO CARAŃE
VISHVA TOMÁR ADHIINE
RÁJÁ TUMI MANER RÁJÁ
VISHVA TOMÁR ADHIINE
King of the mind
the entire universe is under Your control.
From nebulae to smallest particles
all are governed by You.
At Your order, flowers bloom
at Your command, meteors and comets rush
the high peaks of mountains
bend unto Your feet
and the wind blows with sound.
You are the most venerable of all beings. All are dear to You.
Soplease accept my request
and give me shelter at Your feet.
3880 (14/12/1986)
RÚPE RASE MISHE ÁCHO TUMI SAKHÁ
DEKHÁ DÁO NÁ
BHÁVIÁ UTALÁ HOI, KENO PÁSE ÁSO NÁ
DEKHÁ DÁO NÁ
JÁHÁ BHÁVI JÁHÁ NÁ BHÁVI
STHÁVARA JAUNGAM TUMII SABAI
BHÁVÁLOKE BOJHE LOKE KENO
ÁSHÁ PURÁO NÁ, DEKHÁ DÁO NÁ
TUMI BHULOKA, TUMI DYULOKA
MATHITA KARO SAPTA LOKA
CETANÁTE BHÁVA SROTE MISHE
THEKEO ÁSO NÁ DEKHÁ DÁO NÁ
RÚPE RASE MISHE ÁCHO TUMI SAKHÁ
DEKHÁ DÁO NÁ
O Friend, You are mixed with inferences, tanma’tra’s of beauty, form and flow etc. and
do not allow to be seen. Why do not You come close, thinking that I become frenzied.
Whatever I imagine, whatever is beyond my imagination, stationary or mobile, You are all.
With illumination of ideation, showing the world, why do not You fulfill my hope? You are
the world and heaven, churning all the seven arenas. You remain as consciousness in the
stream of feelings, and do not come.
3881 (15/12/1986)
CEONÁ, CEONÁ, CEONÁ ÁMÁR PÁNE
AMAN VINATI KARE
DHARÁYE ESECHI KÁJE
REKHO NÁ ÁMÁRE DHARE
CEONÁ, CEONÁ, CEONÁ ÁMÁR PÁNE
AMAN VINATI KARE
ANÁDIKÁLER SROTE BHESE CALI ASHEŚETE
UPEKŚÁ KARE JÁI ULKÁ VAJRAPÁTE
TUMI ESE MOR PATHE RODHITE, RODHITE
RODHITE CEONÁ MORE AMAN VINATI KARE
CEONÁ, CEONÁ, CEONÁ ÁMÁR PÁNE
AMAN VINATI KARE
RACE JÁBO EI DHARÁ PHULE PHALE PALLAVE
SAKAL MANER KOŃE ÁSHÁR ÁLO JVÁLIBE
ATANDRA ANIDRA RAJANI KABE SARIBE
ÁSIBE, ÁSIBE, ÁSIBE
JIIVAN DHÁRÁ BHARIÁ SUDHÁSÁRE
CEONÁ, CEONÁ, CEONÁ ÁMÁR PÁNE
AMAN VINATI KARE
Please do not look at me with such entreating eyes.
I have come to this earth to perform duties.
Please do not hold me back.
In the flow of eternity
I have been drifting endlessly towards the infinite
ignoring crashes of meteors and thunderclaps.
Please do not stand in my way
and obstruct my movement
by imploring me in such a manner.
I shall decorate this earth with flowers
fruits and foliage.
I shall kindle the light of hope
in the recess of every mind.
When will the tireless and sleepless night
come to an end?
All life will one day flow
in the essence of nectar.
3882 (16/12/1986)
BAKULA VIITHITE SE SHEŚA YÁMINITE
KEU CHILO NÁKO TUMI CHÁŔÁ
LUKIE GAHANE, SONÁLI SVAPANE
TOMÁY DEKHINU HE ÁLO JHARÁ
KEU CHILO NÁKO TUMI CHÁŔÁ
MAN DEULA MOR SHÚŃYATÁY GHERÁ
VIJANE PAŔE CHILO NIHSHVATAMA TAMAH KÁRÁ
TOMÁRE DEKHINU, PALAKE BUJHINU
E YÁME TAMASÁ HOBE HÁRÁ
KEU CHILO NÁKO TUMI CHÁŔÁ
BÁHIR PRAKRTITE, ARUŃODAYA HOLO
MANER KEKÁ MOR NECE CHUT́E ELO
BÁHIRE BHIITARE HE PRIYA TAVA TARE
PRAMÁ DEKHÁ DILO PRIITI BHARÁ
KEU CHILO NÁKO TUMI CHÁŔÁ
BAKULA VIITHITE SE SHEŚA YÁMINITE
KEU CHILO NÁKO TUMI CHÁŔÁ
O Lord, on the path within bakul flower trees, towards the end of the night, there was no
one other than You. O the effulgent, You were hidden in depth of the golden dream, I could
not see You. My mental temple was surrounded by vacuity. The dark prison was calm lying in
solitude. I could see and recognise You in a moment, and the darkness of the night was
lost. Outside in the nature, sunrise occurred, and my mental peacock’s call came
rushing, dancing. O Dear, for You, inside and outside true knowledge, full of love was
shown.
3883 (16/12/1986)
TOMÁR ÁMÁR E NIIVIŔATÁ
KATA DINER KEU JÁNE NÁ
RAVI JÁNE NÁ TÁRÁ JÁNE NÁ
JÁNE NÁ SHASHI JYOTSANÁ
KATA DINER KEU JÁNE NÁ
JAKHAN CHILO AVYAKTA
SRIŚT́I GHUME SAMÁHITA
ÁMIO CHILUM GHUM GHORE
PÁSE CHILO TAVA CETANÁ
KATA DINER KEU JÁNE NÁ
TOMÁR ÁLOY GHUM BHÁUNGÁLO
RAUNGER NESHÁ COKHE ELO
SHURU HOLO PATH PARIKRAMÁ
TÁRAO KÁLE TAVA DYOTANÁ
KATA DINER KEU JÁNE NÁ
TOMÁR ÁMÁR E NIIVIŔATÁ
KATA DINER KEU JÁNE NÁ
O Lord, this proximity between You and me, is of so many days, no one knows. The sun does
not know, the stars do not know, nor the moon or its light. When the unexpressed universe
was latent in deep slumber, I was also in dense sleep, but together with Your
Consciousness. Your light broke the slumber, the frenzy of colours came into eyes. Then
started the revolution on the path, even at that time Your gesture was there.
3884 (16/12/1986)
ARUPA TOMÁR RÚPA SÁYARE
D́ÚB DIYE HÁRIE GECHI
SAḾGIITERI BHÁVÁSPADE
EK KE MISHIE DIYECHI
ARUPA TOMÁR RÚPA SÁYARE
D́ÚB DIYE HÁRIE GECHI
DINER ÁLO RÁTER KÁLO
JÁ KICHU MOR MANDABHÁLO
MÁT́IR MÁYÁ TARUR CHÁYÁ
SAB CÁOÁ EKE CHUT́IECHI
ARUPA TOMÁR RÚPA SÁYARE
D́ÚB DIYE HÁRIE GECHI
DHARÁR DHÚLI KALA KÁKALII
RATNÁKARER RATNÁVALII
ÁNDHÁR MANER DIIPÁVALII
SAB DIE PRAŃATI KARECHI
ARUPA TOMÁR RÚPA SÁYARE
D́ÚB DIYE HÁRIE GECHI
O Formless, within the ocean of Your beautiful form, I am submerged and lost. Within the
abode of music and songs, I have merged that One. The light of the day and darkness of the
night, the earthen delusion and shade of the tree, all expectations and desires, I have
dissolved into that one. The dust of the earth, the chirping of the birds, the range of
gems of the ocean, the festivity of lights of the dark mind, offering all, I pray and
salute.
3885 (16/12/1986)
ÁNDHÁR SÁGAR PERIE ELE
NIYE ÁLOK VARTIKÁY
DHANYA TUMI PÚŃYA TUMI
MÁNYA TUMI E DHARÁY
ÁNDHÁR SÁGAR PERIE ELE
NIYE ÁLOK VARTIKÁY
ANDHAKÁRE CHILO JÁRÁ
UPEKŚITA SARVAHÁRÁ
ÁSHÁR ÁLO PELO TÁRÁ
BÁNDHATE NÚTAN EŚAŃÁY
ÁNDHÁR SÁGAR PERIE ELE
NIYE ÁLOK VARTIKÁY
JIIVAN CHILO VYARTHA JÁDER
KÁNNÁ BHARÁ ANÁDARER
SONÁLII CÁNDA ELO TÁDER
JIIVANE MADHU JYOTSANÁY
ÁNDHÁR SÁGAR PERIE ELE
NIYE ÁLOK VARTIKÁY
O Lord, crossing the dark ocean You came, carrying the wick of light. You are pious
adorable and praiseworthy on this earth. Those who were in dark, neglected, alllost, they
got ray of hope, expecting new fulfilment of their wills. Those, whose life was waste
full of disrespect and cries
3886 (16/12/1986)
TOMÁKE CÁOÁ, PÁOÁ NÁ PÁOÁ
HE PRIYA ÁMÁR SÁDHANÁ
JE BHÁVE JE NIK, JATAI BÁDHÁ DIK
KONO BÁDHÁ MAN MÁNE NÁ
HE PRIYA ÁMÁR SÁDHANÁ
KŚITITE PÁI ÁMI TAVA SUGANDHA
JALETE UCCHALA TOMÁRI CHANDA
PRÁŃER PRÁŃIINATÁY TAVA ÁNANDA
PALAKER PULAKER DYOTANÁ
HE PRIYA ÁMÁR SÁDHANÁ
MARUTE BHESE CALE KETAKI SUVÁSA
BHÁLOBÁSÁR SE JE MANDRILA NIRYÁSA
MAHÁKÁSHE BHÁSE KÁR JENO UDBHÁSA
E CIT CORER NÁI TULANÁ
HE PRIYA ÁMÁR SÁDHANÁ
TOMÁKE CÁOÁ, PÁOÁ NÁ PÁOÁ
HE PRIYA ÁMÁR SÁDHANÁ
O Dear Lord, loving You is my spiritual endeavor, whether attaining or not. Whatever is
feeling, whatever is taken, whatsoever obstruction is provided, my mind would not heed to
that. I find Your fragrance in the solid factor, ks’iti, earth. Your rhythm is vibrant
in liquid factor, jala, water. The liveliness of life is Your bliss, providing gesture of
joy each moment. Within the desert, fragrance of ketakii goes on floating, the vibrant
essence of which full of love. As if His expression goes on floating in the Grand Space.
Of that stealer of mind, there is no comparison.
3887 (17/12/1986)
KEU TOMÁR KÁCHE SHUDHU PETE CÁY
KEU TOMÁRE CÁY PRABHU
KEU ÁLOR SÁGARA TIIRE SHUKTI KHUINJE MARE
SÁGARE NÁ HERE KABHU
DIYECHO JIIVERE PRAPAINCA UPÁDÁNA
DIYECHO SABÁRE VASAN ANNA PÁNA
DIYECHO BHÁLOBÁSÁ
KAOSHIK AVADÁNA, ÁSHÁ NÁ MET́E TABU
KEU TOMÁRE CÁY PRABHU
SABÁI ÁSE JÁY CALAMAN E JAGATE
THÁKITE ÁSITE NÁ KEU
SADÁ RATA CALE JETE
MANER MAYÚR JÁR NÁCE
MÁTE TOMÁTE
SE BHÁSE UDBHÁSE VIBHU
KEU TOMÁRE CÁY PRABHU
KEU TOMÁR KÁCHE SHUDHU PETE CÁY
KEU TOMÁRE CÁY PRABHU
O Lord, some people want only to attain proximity with You, and some want only You. Some
people die searching shells on the shore of the ocean of effulgence, without searching the
ocean itself at all any time. You have provided living beings articles of utilities in the
world. You have given all food, water and clothing. You gifted love and beautiful
coverings, still the expectations are not satiated. All come and go within this moving
universe. No one can stay stationary, ever engaged in movement. He, whose mental peacock
dance frenzied for You, floats like illuminated moon.
3888 (17/12/1986)
ÁNDHÁR KÁRÁR DUÁR BHEUNGE
KE ELO ÁJ KE ELO
YUGÁNTAREI KALMAŚERI
YAVANIKÁ T́ENE DILO
KE ELO ÁJ KE ELO
SUVARŃA DIIP PÁYANI JÁRÁ
ARTHA VITTA KÁNTIHÁRÁ
KÁNNÁ BHULE ÁJKE TÁRÁ
MÁT́IR PRADIIP JVÁLÁLO
KE ELO ÁJ KE ELO
AJÁNÁ PATHIK KE ELO
PRIITIR D́ORE BENDHE NILO
KÁLA GHUM ÁNKHIR SARIE DILO
BÁNCÁR VÁNII SHONÁLO
KE ELO ÁJ KE ELO
ÁNDHÁR KÁRÁR DUÁR BHEUNGE
KE ELO ÁJ KE ELO
Breaking the doors of the dark prison, Who has come today? He pulled open the curtain of
dirt coverings accumulated since ages. Those who could not get golden lamp, lost their
wealth, means and charm, they, forgetting their cries, today kindled the earthen lamp.
Which Unknown traveler has come, and tied with the thread of love. Removing the Cimmerian
slumber from the eyes, announced the message of living.
3889 (17/12/1986)
ÁLOKE ÁNDHÁRE LIILÁ VIBHAVA
MAN CHUT́E JÁY DHARITE NÁ PÁY
SMARAŃE MANANE KII ANUBHAVA
BUJHITE PÁRÁ JÁY BOJHÁNO NÁ JÁY
MAN CHUT́E JÁY DHARITE NÁ PÁY
EKÁNTE BASE BHÁVI JAKHAN
E PRIYA ÁMÁR KENO EMAN
SAKAL BHÁVANÁ ESE JÁNÁY JAKHAN
SIIMÁY E PRIYATAM DHARÁ NÁHI DEY
MAN CHUT́E JÁY DHARITE NÁ PÁY
MANER GAHAN PÁNE, JAKHANI DEKHI
E PRIYA ÁY DEY UNKI JHUNKI
DHARÁ NÁHI DILEO DEY NÁ PHÁNKI
ÁMI DHARÁ DILEI TÁRE PÁOÁ JÁY
MAN CHUT́E JÁY DHARITE NÁ PÁY
ÁLOKE ÁNDHÁRE LIILÁ VIBHAVA
MAN CHUT́E JÁY DHARITE NÁ PÁY
With the illusive magnanimity of light and shade, the mind goes on rushing, without
holding. What an experience in remembering and meditation, it is not possible to
understand and explain. Sitting in solitude when I think, how is that Dear my own, then
all thoughts come together to explain that the Dearest cannot be held within the periphery
limitation. When I saw towards the depth of the mind, I found that Dear peeping there. It
is not deception that He does not come into the fold, rather by my own coming into His
folds, He can be attained.
3890 (17/12/1986)
KÁJAL COKHE, AINJAN ENKE
KE GO TUMI MEGHA PÁNE CÁO
KE SE BANDHU KÁNDÁY SHUDHU
TÁHÁR KATHÁ MORE BOLE DÁO
KE GO TUMI MEGHA PÁNE CÁO
RÁTRI DINE KHUNJABO TÁNRE
ÁNBO DHARE TOMÁR TARE
BOLBO TÁRE CUPI SÁRE
E HIYÁ ALAKÁY KENO KÁNDÁO
KE GO TUMI MEGHA PÁNE CÁO
BOLO MORE TÁR T́HIKÁNÁ
BOLO TOMÁR KI YÁCANÁ
KII CÁO DITE KII BÁ PETE
KATA DINER PARICAYA JÁNÁO
KE GO TUMI MEGHA PÁNE CÁO
KÁJAL COKHE, AINJAN ENKE
KE GO TUMI MEGHA PÁNE CÁO
With eyes decorated with dark collyrium, who is that You, looking towards the clouds? Who
is that friend, who makes you cry only, tell me about Him to me. I shall search Him day
and night, and bring Him holding for you. I shall ask Him secretly, why are You making
this heavenly heart cry? Tell me His address, tell me also what you want from Him. What
you want to give and what do you want to take, also to explain how old was the intimacy?
3891 (17/12/1986)
TOMÁR ÁMÁR EI PARICAY
DU CÁR YUGER KATHÁ NAI
CHILO NÁ TAKHAN TÁRAKÁ NICAY
HOENI SRIŚT́IR ABHYUDAYA
TOMÁR ÁMÁR EI PARICAY
DU CÁR YUGER KATHÁ NAI
JÁGENI KŚITI, THÁKENI TRIŃA
CHILO NÁ SABUJ ÁBHARAŃAO
CHILO NÁ ÁVEGA, CHILO NÁ MANAO
DHARÁ JANMA MRITYUMAYA
TOMÁR ÁMÁR EI PARICAY
DU CÁR YUGER KATHÁ NAI
HÁSALE TUMI, SARJANA ELO
BÁSALE BHÁLO PRÁŃA CHUT́ILO
NANDANERI SPANDAN HOLO
JÁGLO JIIVAN CHANDAMAYA
TOMÁR ÁMÁR EI PARICAY
DU CÁR YUGER KATHÁ NAI
O Lord, this acquaintance of Your and mine, is not a matter of a few eras. Then there was
no development of stars, the creation was not expressed. The earth was not made, there
were no grass, no coverage of greenery. There was no impulse, no mind, on this mortal
earth with birth and death. You smiled, creation occurred, the vitality of love rushed.
The pleasing vibration took place and rhythmic life awakened.
3892 (17/12/1986)
TUMI ÁMÁR PRÁŃER PRADIIP
TUMI ÁSHÁR ÁLO
APALAKE TÁKIE ÁCHO
DEKHECHO ÁMÁR MANDA BHÁLO
TUMI ÁSHÁR ÁLO
MOR JIIVANE JÁ KICHU SUKHA
ATRIPTI NÁPÁOÁRI DUHKHA
ÁNKHIR KÁJAL, ASHRU BÁDAL
TOMÁY UCCHALO
TUMI ÁSHÁR ÁLO
EKALÁ BASE BHÁVI JAKHAN
KE ÁCHE MOR BOLATE ÁPANA
JIIVAN BELÁY SHUKTI
MÁLÁY MUKTÁ D́HÁLO
TUMI ÁSHÁR ÁLO
TUMI ÁMÁR PRÁŃER PRADIIP
TUMI ÁSHÁR ÁLO
O Lord, You are the lamp of my life, ray of hope. Unblinkingly You see, watching my good
and bad. All the pleasure of my life, the sorrow of nonachievement, and dissatisfaction
the dark decoration of the eyes, clouds of tears, all are restless for You. Sitting alone
when I think, who is to be called as my own. At the shore of life, in the series of
shells, pour pearl.
3893 (18/12/1986)
MÁDHAVII RÁTE, KAOMUDI SÁTHE
MAINJIŚT́HÁ MAINJARI GUINJARE HÁY
CENÁ ACENÁY, BHEDA HÁRÁIYÁ JÁY
MAN NILAYE SABE T́ÁNITE CÁY
MAINJIŚT́HÁ MAINJARI GUINJARE HÁY
KE KOTHÁY CHILO, ÁCHE, KOTHÁ THÁKIBE
KÁR LÁGI TÁR HIYÁ UTALÁ HOVE
KII ÁLEKHYA CITRA PAT́E ÁNKIBE
TÁRAI IIUNGITA SAḾGIITE SHONÁ JÁY
MAINJIŚT́HÁ MAINJARI GUINJARE HÁY
CALÁR KLÁNTITE KE PATHE THÁMIBE
RATHER CÁKÁR PICHE KE CHUT́E JÁBE
LAKŚYE VAKŚE DHARITE KE DHÁIBE
SABÁR MARMA VÁŃII GIITE MURCHÁY
MAINJIŚT́HÁ MAINJARI GUINJARE HÁY
MÁDHAVII RÁTE, KAOMUDI SÁTHE
MAINJIŚT́HÁ MAINJARI GUINJARE HÁY
In the sweet night, along with white lily, the buds of madder hum, alas. The distinction
between known and unknown gets lost, and want to pull all into the mental home. Who was
where, present where and would remain where, for Whom their hearts would be restless. What
script is to be drawn on the screen, their indication is heard in sam’giita. Who would
pause on the path of movement due to tiredness, who would be left behind the wheels of the
cart, who rush to hold on to the bosom of the target, the voice of the core of all of them
get stupefaction into the song.
3894 (18/12/1986)
KHUNJE KHUNJE KLÁNTA
HOYE EKALÁ BASE TARUR CHÁYE
URDDHVA PÁNE BHÁVACHI
CEYE SHUDHU EKT́I KATHÁ
ARUPA TUMI VIRÚPA KENO
LUKIE ÁCHO KOTHÁ
SHUDHU EKT́I KATHÁ
NEIKO ÁMÁR KONO SIDDHI
NEIKO VIDYÁ SAMRIDDHI
NEIKO AGÁDHA PRAJINÁ
BUDDHI KÚLER ITIKATHÁ
ABUJHA HOLEO BUJHITE CÁI
TOMÁR GUŃA GÁTHÁ
SHUDHU EKT́I KATHÁ
CÁI NÁ ÁMI YOGASIDDHI
CÁI NÁ ARTHA SAMRIDDHI
CÁI NÁ VIDYÁDIIPTA
BUDDHI NIŚIKTA NIICATÁ
ACIN HOLEO CINITE CÁI
TOMÁR HE DEVATÁ
SHUDHU EKT́I KATHÁ
URDDHVA PÁNE BHÁVACHI
CEYE SHUDHU EKT́I KATHÁ
Searching and searching, having been tired, sitting alone in the shade of the tree
looking upwards only one subject I think. O The Formless, why are You adverse to me, where
are You hidden? I have no attainment, no wealth of wisdom, no deep intuition or intellect
or glorifying history of lineage. Remaining unwise, I want to understand Your attributes.
I do not want attainment of yoga, I do not wish plenty of riches, I do not want meagreness
devoid of real knowledge, though shining with skill. O The Divinity, being unknown, I want
to recognise You.
3895 (18/12/1986)
TOMÁRI TARE KATA KENDECHI
TUMI KENO ELE NÁ KÁCHE
DIVÁ NISHI D́EKE GECHI
SE D́ÁK KÁŃE KI NÁ PAONCECHE
TUMI KENO ELE NÁ KÁCHE
PRAHARE PRAHARE TÁRÁ GECHE JHARE
VIHAGA VIHARE KÁCHE DÚRE SARE
MAMATÁ HÁRIYE RAYECHE KI KARE
TUMI CHÁŔÁ MOR KE ÁCHE
TUMI KENO ELE NÁ KÁCHE
AJÁNÁ PATHIK TAVA PARICAY
NÁ ÁSÁ DIN TITHI GÁY JE JAY
ÁSHÁ NIRÁSHÁY EKAI KATHÁ KAY
TUMI ÁCHO TÁI DHARÁ NÁCE
TUMI KENO ELE NÁ KÁCHE
TOMÁRI TARE KATA KENDECHI
TUMI KENO ELE NÁ KÁCHE
O Lord, how much have I cried for You, why did not You come close to me. I continued
calling You day and night, did not that call reach Your ears? At time intervals, stars
whither off, the frolicking birds come and go away. What for the affection remains lost
who is mine other than You? O the Unknown traveler, Your acquaintance, even by not
arrival, sing Your victory. The hope and despair, speak only one thing, that the world
revolves because You exist.
3896 (18/12/1986)
JE TOMÁKE BHÁLOBÁSE
TÁR KENO KÁNDIYÁ DIN JÁY
SE NAY KI TÁR DUHKHER KÁNNÁ
KEU KE SUKHE ASHRU JHARÁY
TÁR KENO KÁNDIYÁ DIN JÁY
JE MAŃI BHÚGARBHE CHILO
ÁLOY SE DIIPTI PELO
JE MAN ÁNDHÁRE CHILO
TOMÁY PEYE JVALE JHALAKÁY
TÁR KENO KÁNDIYÁ DIN JÁY
CIRA NÚTAN CIRA SÁTHI
SABÁR TUMI VYATHÁR VYATHII
E PRAJINÁY JE UT́HE MÁTI
ÁNANDE SE ASHRU BAHÁYA
TÁR KENO KÁNDIYÁ DIN JÁY
JE TOMÁKE BHÁLOBÁSE
TÁR KENO KÁNDIYÁ DIN JÁY
O Lord, those who love You, why their days pass crying? Is it not that they are crying
with sorrow, does anyone flow tears in joy? The gem that was within the depth of the
earth, that obtained lustre in light. The mind that was in darkness, started showing shine
on attaining You. O Ever New, Ever Companion, You feel pained by the pain of all. With
this intuition, he who is frenzied, flow tears with bliss.
3897 (18/12/1986)
BHÁLOBÁSO SABÁY TUMI
ÁMI JÁNI, ÁMI JÁNI
BHALOBÁSO SAHÁSA PRABHÁTA
BHÁLOBÁSO TÁMASI RÁTA
JYOTSNÁ MADHUR YÁMINII
ÁMI JÁNI, ÁMI JÁNI
BHÁLOBÁSO SUSMITA PHÚLA
CHANDA DODUL RÁUNGÁ MUKUL
BHÁLOBÁSO CHÁPIYE DUKUL
TÁREO JE BHÁLOBÁSENI
ÁMI JÁNI, ÁMI JÁNI
BHÁLOBÁSO MARUR MÁYÁ
ADRI SÁGAR TARUR CHÁYÁ
BHÁLOBÁSO ASÁ JÁOÁ
HÁSÁ KÁNDÁR KÁHINII
ÁMI JÁNI, ÁMI JÁNI
BHÁLOBÁSO SABÁY TUMI
ÁMI JÁNI, ÁMI JÁNI
O Lord, You love all, I know that well. You love smiling morning, and You love, dark night
as well as sweet moonlit night. You love bloomed flower, and the coloured buds swinging
rhythmically. Even those who do not love You, You over flowingly love them. You love
desert mirage, mountains, oceans, and tree shades. You love coming and going, and events of
cries and smile.
3898 (19/12/1986)
BHÁLOBESE CHILE MAN
BHARILE VYATHÁ BUJHILE
PALAKE PALAKE NUTAN
ÁLOKE PHUL PHOT́ÁLE
VYATHÁ BUJHILE
JÁHÁ KEHO KABHU BHÁVITE PÁRENI
BHÁVIBÁR KEU TRILOKE ÁSENI
ÁKÁSHA VÁTÁS TRIDASHAO RACENI
TUMI SAB KICHU KARILE
VYATHÁ BUJHILE
JÁGÁLE VISHVE, PRÁŃERI ÁVEGA
DILE BHÁLOBÁSÁ CITI SAMVEGA
PARAMÁŃU MÁJHE DILE GATI VEGA
NIJA RACANÁY LUKÁLE
VYATHÁ BUJHILE
BHÁLOBESE CHILE MAN
BHARILE VYATHÁ BUJHILE
O Lord, You loved me, satiated my mind understanding my agony. Each moment, in new light
You bloomed flowers. That which no one could imagine any time, no one capable of
understanding ever came into the three worlds. The sky, air and heaven was not created
You did all. You awakened in the world the impulse of life, provided love and momentum of
Consciousness. You provided acceleration within atom and hid Yourself within the creation.
3899 (16/12/1986)
BÁRE BÁRE JIIVER TARE
ÁSO TUMI E DHARÁTE
DEVÁDIDEVA SAMBHÚTITE
SRIŚT́I STHITI PRALAYERI
HE ADHIISHVAR PRIITIR SROTE
ÁSO TUMI E DHARÁTE
KEU JÁNENÁ KOTHÁO THÁKO
KENO TUMI THÁMO NÁKO
HOETO ÁSÁ JÁOÁ NEIKO
LIILÁY NÁCÁO NIJER MATE
ÁSO TUMI E DHARÁTE
TÁRAK BRAHMA PARAM
PRIYA SAKAL GUŃEI VARAŃIIYA
SAB LOKER TUMII DHYEYA
THÁKO SÁTHE OTAH PROTE
ÁSO TUMI E DHARÁTE
BÁRE BÁRE JIIVER TARE
ÁSO TUMI E DHARÁTE
O Lord, You come to this earth again and again for the living beings. O The Supreme
Divinity, You come as medium of Great creation, within creation, sustenance and
destruction, O The Controller, through the stream of love. No one knows where is Your
abode, and why do not You pause. Without coming and going, You make everything revolve
with illusion, as per Your wish. O The Ta’raka Brahma, Dear Most, adorable with all
attributes, You are the object of meditation of the whole universe, staying together
individually and collectively.
3900 (19/12/1986)
BHALOBÁSI TOMÁY ÁMI
TABU KENO DÚRE ÁCHO
CALÁ BASÁ KÁNDÁ HÁSÁ
SABAI JAKHAN DEKHE CALECHO
TABU KENO DÚRE ÁCHO
THÁKI JAKHAN NIBHRITE
BHÁVI MANE ÁCAMBHITE
JE PRIYA KE RÁKHI CITE SE
TUMI BHULE RAYECHO
TABU KENO DÚRE ÁCHO
MOR JIIVANER SAKÁLE SÁNJHE
PRAVRTTI NIVRTTIR MÁJHE
SHUBHÁSHUBHA SAKAL KÁJE
THEKEO DÚRE RAYE GECHO
TABU KENO DÚRE ÁCHO
BHALOBÁSI TOMÁY ÁMI
TABU KENO DÚRE ÁCHO
O Lord, I love You, then why do You remain away? While You go on seeing the movements
rests, crying and smile of all. When seated in isolation, I think in the mind with
astonishment, those who hold that Dear in the mind, them You have kept forgotten. During
mornings and evenings of my life, within thoughts and calmness, in all actions good or
bad, even if present, You stay away.
3901 (20/12/1986) D
TOMÁY, CENÁ HOLO DÁY
JAKHANI BHÁVI CINE GECHI?
BHULE JÁI MÁYÁY
TOMÁY, CENÁ HOLO DÁY
ARUPA RATAN TUMI JÁNI
ÁÁÁÁÁÁÁÁÁÁ
ARUPA RATAN TUMI JÁNI
RÚPERI HIRAKA KHANI
SAB DYOTANÁY MADHYA MAŃI
BHÁVE JHALAKÁY
TOMÁY, CENÁ HOLO DÁY
AJÁNÁ PATHIK HE PRIYA
ÁÁÁÁÁÁÁÁÁÁ
AJÁNÁ PATHIK HE PRIYA
MOR KOT́I PRAŃATI NIO
SÁMARASYE BHARE DIO
MADHUR LIILÁY
TOMÁY, CENÁ HOLO DÁY
O Lord, it is difficult to understand You. Whenever I think, I have recognised You, I
forget again due to illusion. I know You as most precious formless gem, the mine of
beautiful diamonds. As the central gem of all glittering gestures, You show the glimpses.
O Dear, Unknown traveler, accept millions of my salutations. Fill Your sweet illusive
game, liila with flow of melody.
3902 (21/12/1986) K
TOMÁY ÁMI CEYE CHILUM
JYOTSANÁ RÁTER SVAPANE
SVAPANE GO SVAPANE
ELE KÁCHE ÁNDHÁR MÁJHE
ÁÁÁÁÁÁÁÁÁÁ
ELE KÁCHE ÁNDHÁR MÁJHE
LAOHA KÁRÁR EK KOŃE
SVAPANE GO SVAPANE
BUKER KÁCHE TOMÁR SITÁR
ÁÁÁÁÁÁÁÁÁÁ
BUKER KÁCHE TOMÁR SITÁR
BÁJÁLO TÁR UCCHALATÁR
MANTRA MUGDHA HOLUM TÁHÁR
VIRATIHIINA GUINJANE
SVAPANE GO SVAPANE
KAILO SE KÁNE KÁNE ÁMÁR
NAOKO EKÁ ÁMI JE TOMÁR
NAYKO STHÁII E ANDHAKÁR
ÁSCHE ÁLO ARUŃE
SVAPANE GO SVAPANE
TOMÁY ÁMI CEYE CHILUM
JYOTSANÁ RÁTER SVAPANE
O Lord, I have loved You, in the dreams of moonlit nights. You came close during darkness
in one corner of iron prison. In my bosom, Your string instrument, sita’r, played with
restless strings. With the pause less resonance of that, I became enchanted. That
whispered into my ears, “ you are not alone, when I am yours, this darkness is not
permanent, the morning light will come”.
3903 (22/12/1986) K
MANDRITA ÁKÁSHE, BALÁKÁRÁ BHÁSE
SAḾGIITA CHÚT́E JÁY
MAN MOR TÁRE CHUNTE DHÁY
ALAKŚITA KARE VIIŃÁR JHAUNKÁRE
PALE PALE MIIŔA JÁGÁY
MAN MOR TÁRE CHUNTE DHÁY
EKELÁ CALE ESO? KE KOTHÁY ÁCHO BHAVE
ÁÁÁÁÁÁÁÁÁÁ
EKELÁ CALE ESO? KE KOTHÁY ÁCHO BHAVE
NANDITA BHUVANER MILITA ANUBHAVE
JÁHÁ CHILO JÁHÁ NÁHI SAKALI HETHÁY PÁVE
SHUNILE BHOLÁ NÁHI JÁY
MAN MOR TÁRE CHUNTE DHÁY
ACENÁ AJÁNÁ LOKA HOTE ÁSIÁCHI
ÁÁÁÁÁÁÁÁÁÁ
ACENÁ AJÁNÁ LOKA HOTE ÁSIÁCHI
PUNAH AJÁNÁR PÁNE BHÁSIYÁ CALIYÁCHI
EKAI LAKŚYA CHILO, EKERE NIYEI ÁCHI
SE EKE JAGAT JHALAKÁY
MAN MOR TÁRE CHUNTE DHÁY
MANDRITA ÁKÁSHE, BALÁKÁRÁ BHÁSE
SAḾGIITA CHÚT́E JÁY
MAN MOR TÁRE CHUNTE DHÁY
In the resonant sky, the swans glide, and the music goes on rushing. My mind runs towards
touching them. In the unseen hands, the tinkling of viin’a’, each moment awakes a
chord. Come all alone, who else is there in the world? This is a mixed experience of the
happy world. Whatever existed, whatever did not exist, in all that is found, and cannot be
forgotten on hearing. Through the unknown, unrecognised arena I have come. And go on
floating towards unknown again. There was only one desideratum, I am holding that alone
that singular is shown as glimpses in the world.
3904 (22/12/1986) K
ALAKHA NIRAINJANA TUMI PRIYA
TOMÁR LIILÁR KABHU NÁHI SHEŚA
TOMÁR LIILÁR KABHU NÁHI SHEŚA
TOMÁR LIILÁR KABHU NÁHI SHEŚA
VISHVA MANORAINJANA ADVITIIYA
NIRVIKÁR NIRVISHEŚA
TOMÁR LIILÁR KABHU NÁHI SHEŚA
BHORER ÁLOY ÁCHO KUSUME PHUT́E
ÁÁÁÁÁÁÁÁÁÁ
BHORER ÁLOY ÁCHO KUSUME PHUT́E
RÁTER KÁLOY GHUME AKŚI PUT́E
SANDHYÁY SINDHUR SONÁLII TAT́E
SONÁO SAMÁPTIR SANDESHA
TOMÁR LIILÁR KABHU NÁHI SHEŚA
TUMI ÁCHO TÁI EI JAGAT ÁCHE
ÁÁÁÁÁÁÁÁÁÁ
TUMI ÁCHO TÁI EI JAGAT ÁCHE
TOMÁR CARAŃA GHIRE SAKALE NÁCE
TAVA NÚPURER SHINJINE BÁJE
MAHÁ SAḾGIITER MADHUR E RESHA
TOMÁR LIILÁR KABHU NÁHI SHEŚA
ALAKHA NIRAINJANA TUMI PRIYA
TOMÁR LIILÁR KABHU NÁHI SHEŚA
O Unseen Spotless Dear You, there is no end of Your illusive game, liila. O Charmer of
the world, without a second, immutable, and without attributes. You are present in the
bloomed flower of the morning and as sleep on the eyelids in the darkness of the night.
During evening on the golden beach of the ocean, You announce the message of the
finishing. You are there hence this world is there. All revolve around Your feet. The
tinkling of Your ankle bell sounds leaving sweet effect of Grand music.
3905 (22/12/1986) D
ÁMI, CINITE PÁRINI TOMÁRE
TUMI YADIO ÁCHO SÁTHE
BUJHINI BHÁLOBÁSO ÁMÁRE
YADIO ÁSHIIS VAHI MÁTHE
TUMI YADIO ÁCHO SÁTHE
SÁGAR JÁNE NÁ CÁNDA TÁRE T́ÁNE
ÁÁÁÁÁÁÁÁÁÁ
SÁGAR JÁNE NÁ CÁNDA TÁRE T́ÁNE
TÁI SE JOÁRE DHÁY TÁR PÁNE
AYASKÁNTA NÁ BOJHE NÁ JÁNE
SUMERU CÁY TÁKE BÁNDHITE
TUMI YADIO ÁCHO SÁTHE
JE PARÁG RAYE GECHE KORAKE
ÁÁÁÁÁÁÁÁÁÁ
JE PARÁG RAYE GECHE KORAKE
JÁNENÁ KESHAR DHARE ÁCHE TÁKE
JE MADHU RAYECHE MADHUPARKE
BHULE GECHE TÁR SAḾVIITE
TUMI YADIO ÁCHO SÁTHE
ÁMI, CINITE PÁRINI TOMÁRE
TUMI YADIO ÁCHO SÁTHE
O Lord, even though You are ever together with me, I am unable to recognise You. Even if I
am carrying Your blessings on the head, I could not understand that You loved me. The
ocean does not know that the moon pulls that, hence it gushes through tides towards You.
The loadstone does not know and understand that the mountain wants to tie that. The
fragrance remaining in the nucleus of the flower does not know that the pollen had held
that. The honey remaining in the syrup has forgotten its essential value.
3906 (23/12/1986) D
TUMI RUDRA ÁMI KŚUDRA
TUMI MOR PÁNE CÁO KRPÁ KARE
TUMI SINDHU ÁMI VINDU
TAVA ÁSHRAYE RÁKHO ÁMÁRE
TUMI MOR PÁNE CÁO KRPÁ KARE
NABHAH NILAYE JATA TÁRÁ ÁCHE
ÁÁÁÁÁÁÁÁÁÁ
NABHAH NILAYE JATA TÁRÁ ÁCHE
KEU STHIRA NAY SABE CHUT́ITECHE
VICITRA GATI AJINEYA PRAKRTI
SABE BÁNDHÁ TAVA PRIITI D́ORE
TUMI MOR PÁNE CÁO KRPÁ KARE
NAI NIIHÁRIKÁ NAIKO SÚRYA
ÁÁÁÁÁÁÁÁÁÁ
NAI NIIHÁRIKÁ NAIKO SÚRYA
BÁJE NÁKO MOR VIJAYA TÚRYA
ÁMI TAVA AŃU HE BHUMÁ KRSHÁŃU
NECE CALI TAVA CÁRI DHÁRE
TUMI MOR PÁNE CÁO KRPÁ KARE
TUMI RUDRA ÁMI KŚUDRA
TUMI MOR PÁNE CÁO KRPÁ KARE
O Lord, You are Great and I am meagre, You graciously pay attention to me. You are ocean
and I am a drop, keep me under Your shelter. All the stars that are present in the Great
Blue sky, no one is stationary, all go on rushing. The unknowable nature has amazing
movement, all are tied with the rope of love. There is no nebula or sun where my victory
horn does not sound. I am Your atom, O the Great Cosmic Fire, and go on revolving around
You.
3907 (23/12/1986) D
TUMI, KUSUM KORAK SAMA KOMALA
ÁÁÁÁÁÁÁÁÁÁ
TABE KURIISH KAT́HOR KENO HOLE
KUSUM KORAK SAMA KOMALA
NIIP NIKUNJE JE VEŃU BÁJÁTE
SVARÁGHÁTA? TÁTE KENO DILE
KUSUM KORAK SAMA KOMALA
JE MALAY VÁYA BHARE SANDHYÁY
CANDAN SPARSHA DITO GÁY
MADHYÁHNE MÁRTAND́A JVÁLÁY
HUTÁSH TÁKE KENO KARILE
KURIISH KAT́HOR KENO HOLE
KUSUM KORAK SAMA KOMALA
TABU TAVA SÁTHE NITYA KÁLE MISHE
THÁKI CHANDE O TÁLE
TAVA NÚPURE NIKKAN D́ORE
MOR MAN JENO DULE CALE
KURIISH KAT́HOR KENO HOLE
KUSUM KORAK SAMA KOMAL
O Lord, You are soft like the pollen of flower, then why did You become hard like a stone?
Those who played flute in the niip arbor, why did You forbid, stop them? The air filled
with sandal fragrance during morning and evening, applied sandal paste touch on the body
during noon with burning heat of the sun, why did You burn? Still merged along with You
all the time, I stay with rhythm and beats. With the twine of the ankle bell sound of
Yours, my mind goes on swinging.
3908 (23/12/1986) D
AŃUTE AŃUTE BHARIÁ RAYECHO
AŃUTE AŃUTE BHARIÁ RAYECHO
AŃUTE AŃUTE BHARIÁ RAYECHO
RAYECHO MANER GAHANE
BHÁVE BHÁVÁTIITE NÁCIÁ CALECHO
MÁTIÁ REKHECHO BHUVANE
TUMI, RAYECHO MANER GAHANE
ANALE DÁHIKÁ HIME SHIITALATÁ
ÁÁÁÁÁÁÁÁÁÁ
ANALE DÁHIKÁ HIME SHIITALATÁ
PHULE KOMALATÁ PAYE SHUBHRATÁ
ULKÁY DIYE GATI TIIVRATÁ
NIJERE REKHECHO GOPANE
TUMI, RAYECHO MANER GAHANE
JÁHÁ CHILO ÁCHE JÁHÁ THEKE JÁBE
ÁÁÁÁÁÁÁÁÁÁ
JÁHÁ CHILO ÁCHE JÁHÁ THEKE JÁBE
ANANTE JÁHÁ KABHU NÁ ÁSIBE
JANAME MARAŃE UTSAVÁSAVE
VIMURTA TAVA MANANE
TUMI, RAYECHO MANER GAHANE
AŃUTE AŃUTE BHARIÁ RAYECHO
RAYECHO MANER GAHANE
O Lord, You pervade all filling each atom and the depth of the mind. You go on dancing
within and beyond feelings, keeping the world under frenzy. As the burning capability in
fire and cooling capacity in snow, softness in flower, whiteness in milk, providing
momentum in the meteorites, You keep Yourself secretly hidden. Whatever existed, what is
present now and whatever would remain, and whatever would never come in the infinity, in
life and death, spirit of festivity, they are all materialized within Your mind.
3909 (24/12/1986) D
NIIL SAROVARE DINAKAR KARE
PHUT́E CHILO EK SARORUHA
CÁY NI SE KONO VITTA VIBHAVA
PRATIŚT́HÁ YASHA SAMÁROHA
PHUT́E CHILO EK SARORUHA
DULITO DODUL DOLE SE
ÁÁÁÁÁÁÁÁÁÁ
DULITO DODUL DOLE SE
UŚÁR URMI ÁVESHE
NÁCITO CHANDE MOHANÁNANDE
EKÁNTE RASA RABHASE
KEU, CENE NI TÁHÁRE JÁNENI TÁHÁRE
DEKHE NI TÁHÁR UHAVOHA
PHUT́E CHILO EK SARORUHA
CHUT́E ELO JHAŔA ULKÁ PRALAY
ÁÁÁÁÁÁÁÁÁÁ
CHUT́E ELO JHAŔA ULKÁ PRALAY
KŚUDRA JIIVANE TÁKI TÁR SAY
ELO KÁLO CHÁYÁ KUHELIKÁ MÁYÁ
NÁMILO AKÁLE DUHSAMAY
MÁNUŚER HÁTE JIGHÁNSÁ SÁTHE
DILO TÁRE DUHKHA DUHSAHA
CHENŔÁ MRIŃÁLER JVÁLÁ DÁHA
PHUT́E CHILO EK SARORUHA
NIIL SAROVARE DINAKAR KARE
PHUT́E CHILO EK SARORUHA
One lotus bloomed in the blue pond with the ray of sun. It does not want any riches or
wealth, or even grand assemblage of prestige and fame. Those who oscillate on the swings
with the impulse of morning waves, they dance with charming bliss rhythmically, in
isolation with the upsurge of flow. No one knows them or recognise them or see their
thought waves. The annihilating meteorite come rushing, can the meagre living beings
tolerate that? The dark shadow of illusive fog comes untimely bring bad period. The
killing fury in hands of human beings, provide them unbearable sorrow, like burning of
lotus stalk.
3910 (24/12/1986) D (Bengali dialect)
TU JAKHAN ÁS CHILI MUR
TU JAKHAN ÁS CHILI MUR
GHAR KE RE NIT́HUR
MU TAKHAN BHÁL CHILI TU KE
MAUL RUKHER ÁŔÁLE BAISYE
TUR CIKAN SHYÁMAL
TUR CIKAN SHYÁMAL
CIKAN SHYÁMAL ÁNANA
KOMAL HÁSITE MADHUR
CHILO JE MUR NAYANE MISHYE
MAUL RUKHER ÁŔÁLE BAISYE
MUR ÁNKHIR KÁJAL
MUR ÁNKHIR KÁJAL
ÁNKHIR KÁJAL BHÁVERI JAL
EK HOE BAITE CHILO DHÁRÁ
MANER MAYUR MANER MAYUR MÁTHÁR KEYUR
NÁC CHILO HOYE ÁTMA HÁRÁ
TU HAT́HÁT ESE, HAT́HÁT ESE, KÁR ÁVESHE
GELI CALE KUN VIDESHE
MAUL RUKHER ÁŔÁLE BAISYE
SEI THEKYE MAN SEI THEKYE MAN KATHÁ SHUNE NÁ
KONO MÁNÁI MUR MÁNE NÁ
BELÁ ABELÁ JÁNE NÁ
TUKE CHÁŔÁ KICHU CÁHE NÁ
RÁTE DINE, RÁTE DINE SÁNJHE VIHÁNE
TUKEI KHUNJE PÁTÁL ÁKÁSHE
MAUL RUKHER ÁŔÁLE BAISYE
TU JAKHAN ÁS CHILI MUR
TU JAKHAN ÁS CHILI MUR, GHAR KE RE NIT́HUR
MU TAKHAN BHÁL CHILI TU KE
MAUL RUKHER ÁŔÁLE BAISYE
O Merciless, when you had come to my home, I had loved you. You were sitting under the
shade of mahua tree. Your soft dark complexion face wore sweet smile. That mingled in my
eyes. The dark decoration mark and the tears of emotion, mixed together flowed to the
ground. My mental peacock and the hackle of the head danced with full engrossment. You
came suddenly, with some unknown impulse went away far off. Since then my mind does not
listen to me. It has lost the consideration of time and does not want anything other than
you. It goes on searching for you day and night, morning and evening in all worlds.
3911 (25/12/1986) K
BHUMÁ KUVALAYE DIGVALAYE
JE ÁLO D́HÁLILE PRIYA
TÁ BHESE CALE TÁ NECE CALE
ANÁDI SARITE BHÁVERI SHROTE
ALAUNGHYA AVARŃANIIYA
KÁLE AKÁLE
TÁ BHESE CALE TÁ NECE CALE
EKAK ADVITIIYA HE MAHÁ KÁLA
ÁÁÁÁÁÁÁÁÁÁ
EKAK ADVITIIYA HE MAHÁKÁLA
CHANDE TÁLE LAYE NÁCE UTTÁLA
SUSMITA ÁNANDE? MANERI GOPÁL
HÁSO LIILÁRI CHALE
TÁ BHESE CALE TÁ NECE CALE
TUMI CHÁŔÁ KEU NEI VISHRIT́ITE
ÁÁÁÁÁÁÁÁÁÁ
TUMI CHÁŔÁ KEU NEI VISHRIT́ITE
SABÁR MÁJHÁRE THEKE SABÁR ÚRDHVE
AŃUTE AŃUTE ÁCHO OTAH PROTE
PRATI PALE VIPALE
TÁ BHESE CALE TÁ NECE CALE
BHUMÁ KUVALAYE DIGVALAYE
JE ÁLO D́HÁLILE PRIYA
TÁ BHESE CALE TÁ NECE CALE
O Dear, the effulgence that You have poured all over the Cosmic blue lotus, that goes on
floating, goes on dancing, originating from the will, like a beginning less stream, that
is beyond description and insurmountable at any time. The Singular, without a second, O
the Great Devourer, it goes on dancing agitated, with rhythm beats and melody. O the
mental Gopa’l with blissful smile, and illusive game liila, You smile. In this Great
Creation, there is nothing other than You. You exist within all and above all.
Individually and collectively, You are present in each atom, each moment.
3912 (26/12/1986) D
SONÁLI SVAPAN ÁSHÁR SVANAN
NÚTAN KARIÁ ELO E BÁR
ÁÁÁÁÁÁÁÁÁÁ
CHINŔE CHILO JE SETÁRERA TÁRA
NAVA RÁGE BHULILO JHAUNKÁRA
NÚTAN KARIÁ ELO E BÁR
ÁSIÁCHO TUMI OGO PRIYATAMA
ÁÁÁÁÁÁÁÁÁÁ
ÁSIÁCHO TUMI OGO PRIYATAMA
RAJAN PARIBHURAINJAN MAMA
ÁLÁPE ÁVESHE BHÁVE ANUPAMA
SAKAL SHUBHER SUSAMÁHÁRA
NÚTAN KARIÁ ELO E BÁR
ANDHA TAMASÁ JANA MÁNASERA
ÁÁÁÁÁÁÁÁÁÁ
ANDHA TAMASÁ JANA MÁNASERA
SARÁIÁ CHILE YUGÁNTARERA
JE PRAMÁ CHILO NÁ JIIVANE TÁDER
ÁNILE RDDHI SIDDHI TÁRA
NÚTAN KARIÁ ELO E BÁR
SONÁLI SVAPAN ÁSHÁR SVANAN
NÚTAN KARIÁ ELO E BÁR
The golden dream with resonance of hope, came this time in a new way. It plucked the
strings of the seta’r, in a new tune forgetting the tinkling. O the Dearest, You came
colouring my whole surrounding. With incomparable feelings, impulse and tune, as aggregate
of all auspicious. You removed the intense darkness accumulated in public mind for ages.
Those, who did not have balanced life, You brought success and accomplishments in their
life.
3913 (26/12/1986) K
SE PRIYA YADI NÁ ELO
KENO MICHE VEŃII BÁNDHÁ
KÁHÁR TARE GHAR SÁJIYE
SVÁGATERI GIITI SÁDHÁ
KENO MICHE VEŃII BÁNDHÁ
KAPOLE TIL CIHNA ENKE
KAPÁLE T́IP VRITHÁI RÁKHÁ
SVARŃA DIIPER SARPI SIKTA
SALITÁY KRISHÁŃU SHIKHÁ
D́EKE YÁDI NÁ DEY SÁŔÁ
KENOI TABE TÁKE D́ÁKÁ
DARSHAN O VIJINÁN NÁHI PÁY
YUKTI VITARKA ASMITÁ
KENO MICHE VEŃII BÁNDHÁ
AJÁNÁ PATHIK PÁSHE PÁSHEO
THEKE SE DEY NÁ DHARÁ
MANER MÁJHE LUKIYE THÁKE
MANER DIIPER ÁLO JHARÁ
MANANE SE KÁCHE ÁSE
MANEI TÁKE PÁI JE MORÁ
ÁMÁR “ÁMI”R VINIMAYE
SARÁYE SE SAKALAI BÁNDHÁ
KENO MICHE VEŃII BÁNDHÁ
If that Dear does not come why did I uselessly tie my chignon, what for I decorated the
house and rehearse welcome song? I uselessly marked my cheeks with dark mole, and the
forehead. The flame of fire with butter moist wick in the golden lamp, ever after calling
if I do not get response, what is the use of my calling? The philosophy and science cannot
find with ego of logic and reason. The unknown traveler staying even very close does not
come into folds. He stays hidden within the mind, scattering light from the mental lamp.
By meditation, He comes close mentally, and by looking within the mind, I find Him, in
exchange of my own “I” feeling, He who has bound all.
3914 (27/12/1986) D (Bengali dialect)
TU RÚPE LAYAN BHULÁI DILI
TU RÚPE LAYAN BHULÁI DILI
GUŃE VIBHOR KARAEYÁ DILI
TU KUTHÁ CHILI KUTHÁKE GELI
HAT́HÁT KENE EISYE CHILI
GUŃE VIBHOR KARAEYÁ DILI
DEKHYE LAYAN BHARE LÁI HÁMÁR
ÁÁÁÁÁÁÁÁÁÁ
DEKHYE LAYAN BHARE LÁI HÁMÁR
ÁRO DEKHYÁR ÁSHÁ JE APÁR
TU KE BHÁLATE GELE BHULATE GELE
TUR MADHU MÚR MANE MÁKHÁLI
GUŃE VIBHOR KARAEYÁ DILI
BHÁVER GHARE TU JE ÁCHIS
ÁÁÁÁÁÁÁÁÁÁ
BHÁVER GHARE TU JE ÁCHIS
NUKÁIN NUKÁIN LIILÁ KARIS
TUKE JÁNATE GELE BUJHATE GELE
TÚR BHÁVE MUR BHÁVE MISHÁLI
GUŃE VIBHOR KARAEYÁ DILI
TU RÚPE LAYAN BHULÁI DILI
GUŃE VIBHOR KARAEYÁ DILI
O Lord, by Your beauty, You made my eyes forget and enchanted me by Your attributes. Where
were You, and where did You go, why came suddenly? My eyes are not satiated on looking at
You. There is unlimited desire to see You more and more. You smeared honey in my mind. You
came into the dwelling of ideas, and continue illusive game, liila, hiding Yourself.
When I try to know and understand You, You merge my ideation in Your ideation.
3915 (27/12/1986) D ( Bengali dialect)
LUBIN SÁNJHE LUTUN CÁNDE
D́ÁK DIYE JÁY KENE GO
TU BOLO BOLO BOLO
TU BOLO BOLO BOLO
HAMÁR MANE SABÁR MANE
HAŔKÁ LÁMÁY KENE GO
UŚÁR ÁNKHI CHALA CHALA
TU BOLO BOLO BOLO
TU BOLO BOLO BOLO
BHULATE LÁRI UYÁKE BHÁVI
ÁÁÁÁÁÁÁÁÁÁ
BHULATE LÁRI UYÁKE BHÁVI
UYÁR BHÁVEI HÁSI D́UBI
UYÁR LÁGI SAKAL TYÁGI
MAN HOLO VIKALO
TU BOLO BOLO BOLO
TU BOLO BOLO BOLO
RÁTE DINE SÁNJHA VIHÁNE
ÁÁÁÁÁÁÁÁÁÁ
RÁTE DINE SÁNJHA VIHÁNE
UYÁKE CÁI MAUL VANE
Ú RÁJÁ MUR MOHAN MADHUR
JIIVANE SAMBALO
TU BOLO BOLO BOLO
TU BOLO BOLO BOLO
LUBIN SÁNJHE LUTUN CÁNDE
D́ÁK DIYE JÁY KENE GO
TU BOLO BOLO BOLO
TU BOLO BOLO BOLO
O Lord, in setting dusk with new moon, why do You go on calling me? You tell me. Why do
You bring flood into my mind and all minds, overflowing dry eyes? I cannot forget Him, in
spite of willing, smiling in that ideation, I sink. For The One for Whom I renounced all
my mind is restless. Day and night, morning evening, I want Him in the mahul grove. He is
my sweet charming King strength and treasure of my life.
3916 (28/12/1986) D
TUMI YADI NÁHI ELE
TUMI YADI NÁHI ELE
KÁHÁR TARE MOR ÁBHARAŃA
KISER LÁGI SHRAVAŃA MANANA
KISER TARE NIDIDHYÁSANA
KÁHÁR TARE MOR ÁBHARAŃA
MIIN THÁKE UDAK MÁJHE
UDAK PELE TAVE SE BÁNCE
MOR HIYÁ TOMÁTE NÁCE
MOR HIYÁ TOMÁTE NÁCE
TOMÁY NIYEI JIIVAN MARAŃA
KÁHÁR TARE MOR ÁBHARAŃA
CALÁR PATHE CIRA SÁTHI
ÁNDHÁR RÁTE ÁLOR DYUTI
LIILÁ KARO NITI NITI
LIILÁ KARO NITI NITI
BHARÁTE MOR E SHÚŃYA MAN
KÁHÁR TARE MOR ÁBHARAŃA
TUMI YADI NÁHI ELE
KÁHÁR TARE MOR ÁBHARAŃA
O Lord, if You do not come, what for is my dressing up? What for is listening, meditation
and concentration? The fish lives in water and survives only on finding water. My heart
dances for You and my life and death is for You only. O ever companion of the movement on
the path, illumination of light during dark night, You ever go on performing divine
illusive game, liila, filling my void mind.
3917 (28/12/1986) K
AJÁNÁ PATHIK MAN BHULÁLO
KOTHÁ HOTE ESE KOTHÁY HÁRÁLO
MANER PASARÁ D́HELE DILO
AJÁNÁ PATHIK MAN BHULÁLO
ALOKA ÁVESHE KATHÁ SE HÁRÁLO
ÁÁÁÁÁÁÁÁÁÁ
ALOKA ÁVESHE KATHÁ SE HÁRÁLO
BHÁVER VIBHÁSE MATHIÁ HÁSILO
BOLILO SABÁRE CALO ÁMÁR GHARE
CITI SAMVITE PRIITITE BÁNDHILO
AJÁNÁ PATHIK MAN BHULÁLO
ARUŃÁLOTE SE ÁSIÁ CHILO
ÁA
ARUŃÁLOTE SE ÁSIÁ CHILO
HEM RATHER PRAGRAH HÁTE CHILO
CAKRA GHARGHARE ASIIMA AMBARE
ÁLOKER EKT́I REKHÁ REKHE LUKÁLO
AJÁNÁ PATHIK MAN BHULÁLO
O Unknown traveler, You have deluded my mind. Coming from unknown place You are lost to
unknown, pouring articles for the mind. With heavenly impulse, You spoke the facts
churning with luster of feelings, You smiled. You told all, “ Come to my abode”, and
tied with love and consciousness. He came with the morning light, with reign of chariot in
hands. With whirling sound of the wheels, in the infinite space, marking a single line of
effulgence, You hid.
3918 (29/12/1986) K
ÁNDHÁR SÁGAR PERIYE ELE
ÁLO NIYE E DHARÁY
KEU JÁNENI KEU BOJHENI
AHAETUKII KARUŃÁY
ÁLO NIYE E DHARÁY
SABÁR MANEI EKERI ÁSHÁ
ÁÁÁÁÁÁÁÁÁÁ
SABÁR MANEI EKERI ÁSHÁ
EK KE GHIREI KÁNDÁ HÁSÁ
EKERI SÁMARASYE BHÁSÁ
PRIITIRI MADHUR ATÁYA
ÁLO NIYE E DHARÁY
KEU BOLENI ÁSCHE PRIYA
ÁÁÁÁÁÁÁÁÁÁ
KEU BOLENI ÁSCHE PRIYA
KEU BÁJÁY NI DUNDUBHIO
KEU JÁNÁYNI E MADHURÁDHEYA
D́HÁLBE PRÁŃER PASARÁY
ÁLO NIYE E DHARÁY
ÁNDHÁR SÁGAR PERIYE ELE
ÁLO NIYE E DHARÁY
O Lord, crossing the dark ocean You came, carrying light, You came on this earth. No one
could know or understand, this causeless mercy. In all minds, there is hope for one, all
crying and smiling is around that One, floating in singular soothing flow, with sweetness
of love. No one declared that the Dear had come, no one played victory trumpet too. No one
knew that this sweet adorable One would pour article of life.
3919 (29/12/1986) D
TOMÁR KARUŃÁRI ÁSHÁY
SÁRÁ JIIVAN CEYE ÁCHI
SÁRÁ JIIVAN CEYE ÁCHI
GÁICHI TOMÁR GUŃA GÁTHÁ
RÚPÁLOKE SNÁNA KARECHI
SÁRÁ JIIVAN CEYE ÁCHI
BOLO ÁMÁY KOTHÁY ÁCHO
ÁÁÁÁÁÁÁÁÁÁ
BOLO ÁMÁY KOTHÁY ÁCHO
KÁR ANURAKTI BHÁLOBESECHO
KON SE TÁLE NECE CALECHO
CHANDA TÁR BHEVE CALECHI
SÁRÁ JIIVAN CEYE ÁCHI
ÁMÁR TUMI TOMÁR ÁMI
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR TUMI TOMÁR ÁMI
E SÁR JENEO NÁIKO THÁMI
D́ÁKCHI TOMÁY ESO NÁMI
ÁMÁR ÁRO KÁCHÁ KÁCHI
SÁRÁ JIIVAN CEYE ÁCHI
TOMÁR KARUŃÁRI ÁSHÁY
SÁRÁ JIIVAN CEYE ÁCHI
O Lord, expecting Your grace, whole life I have been waiting. I sing Your glories and
bathe in effulgence of Your beauty. Tell me where are You, with what affection do You
love. In what rhythm do You go on dancing, about the meter of which I go on thinking. You
are mine and I am Yours. Knowing this fact, I do not pause. I call You, You come down
closer to me.
3920 (30/12/1986)
TOMÁY SHUDHU CEYECHI KÁCHE ÁMI
TOMÁY SHUDHU BHÁLOBÁSI
TOMÁR TARE MOR JANAM MARAŃA PRIYA
TOMÁR NÁMEI KÁNDI HÁSI
TOMÁY SHUDHU BHÁLOBÁSI
JÁHÁ CHILO MOR MANE GAHANE SAYATANE
BHÁŚÁR ATIITA TIIRE NIIRAVE SAḾGOPANE
KEHO NÁ JÁNITE JÁHÁ SAB PRIITI SAB ANIIHÁ
TOMÁTEI GECHE BHÁSI
TOMÁY SHUDHU BHÁLOBÁSI
TUMI CHÁŔÁ ÁMI NÁI, ÁMÁR VASUDHÁ NÁI
PRAPANCE SHREYA PREYA DVITIIYA KICHU NÁ PÁI
MARTYE CHILO JÁHÁ MARME JÁ CHILO VAHÁ
TAVA BHÁVE GECHE MISHI
TOMÁY SHUDHU BHÁLOBÁSI
TOMÁY SHUDHU CEYECHI KÁCHE ÁMI
TOMÁY SHUDHU BHÁLOBÁSI
O Lord, I want You only close to me, and love You only. O Dear my berth and death is for
You only and by Your name I smile and cry. Whatever was carefully preserved within my
mind, silently and secretly, on side beyond language, no one knows and all love, O the
Supreme, goes on floating towards You. Without You, I do not exist and have no world.
Nothing else as benevolent or dearest, I find in the world. Whatever was in the mortal
world, or within the core of the mind, all that flow and merge in Your ideation.
3921 (30/12/1986) D
ÁMI TOMÁRE KÁCHE PETE CÁI
O GO PRIYA
TUMI JÁNO KI NÁ JÁNO, BOLO
SAHAJA BHÁVEI EGIE JÁI
DVIDHÁ DVIMATA TILAKAO NÁI
TABU KENO ÁMÁRE CHALO
TUMI JÁNO KI NÁ JÁNO, BOLO
RÁTRI DINE EKAT́I KATHÁI
TOMÁR KÁŃE SHONÁTE CÁI
ÁÁÁÁÁÁÁÁÁÁ
RÁTRI DINE EKAT́I KATHÁI
TOMÁR KÁŃE SHONÁTE CÁI
KONO ANUYOGA MOR NÁI
PRIITIR GIITI SÁDHIYÁ JÁI
TOMÁR BHÁVEI HOYE UCHALO
TUMI JÁNO KI NÁ JÁNO, BOLO
EKAT́I BHÁŚÁI ÁCHE ÁMÁR
EKAT́I SUREI E EKTÁRÁR
ÁÁÁÁÁÁÁÁÁÁ
EKAT́I BHÁŚÁI ÁCHE ÁMÁR
EKAT́I SUREI E EKTÁRÁR
SAKAL BHÁVER EK SAMÁHÁR
ÁRO KÁCHE ESO ÁMÁR
DÚRATVA SAHE NÁ EK PALAO
TUMI JÁNO KI NÁ JÁNO, BOLO
ÁMI TOMÁRE KÁCHE PETE CÁI
O GO PRIYA
TUMI JÁNO KI NÁ JÁNO, BOLO
I cherish you to have you very close. O my dear Lord. Tell me if you understand this or
not. I move ahead with a free mind. Without having a moment’s hesitation or second
thought. Why do you then keep deceiving me? Day and night I strive To put this prayer of
mine into your ears. I have no grievances. I only keep practicing you song s of love
sincerely. I can articulate in one language only. My lute can play only one melody. You
are the unique point at which all ideations converge. Pray come closer to me. I can not
bear a separation from you even for a moment.
3922 (31/12/1986) D
CÁNDER DESHER APSARÁ SE
CÁNDER DESHER APSARÁ SE
CÁNDER DESHER APSARÁ SE
CÁNDER DESHER APSARÁ SE
BOLALE ESE PRADOŚE
HESE HESE HESE HESE
KISER TARE EMAN KARE
BHÁVER GHORE ÁCHO KI ÁSHE
BOLALE ESE PRADOŚE, HESE HESE
JÁNI NÁKO ÁMI BOLI
KÁR TARE DINE RÁTE CALI
CALÁR SHEŚE KE SE ESE
KAIBE KATHÁ BHÁLOBESE
BOLALE ESE PRADOŚE, HESE HESE
HE APSARÁ BOLO ÁMÁY
ÁÁÁÁÁÁÁÁÁÁ
HE APSARÁ BOLO ÁMÁY
SE MOR PRIYA THÁKE KOTHÁY
KAR NÚPURE MOHAN PURE
AJÁNÁJÁNÁY MESHE
BOLALE ESE PRADOŚE, HESE HESE
CÁNDER DESHER APSARÁ SE
BOLALE ESE PRADOŚE, HESE HESE
That Nymph from the arena of moon came and told in the pre evening smilingly, “For Whom
with what hope, you are thinking so intensely like this”? I told, “ I do not know
for Whom I am moving day and night, Who is there at the end of the journey, tell me about
Him lovingly. O Nymph, tell me where is that Dear of mine dwelling, Whose charming ankle
bell joins the known and unknown arenas.
3923 (01/01/1987) D
SHÁSTRA DARSHAN JÁNINÁ
SHUDHU JÁNI TUMI JE ÁMÁR
KRITRIM BHEDÁBHEDA MÁNI NÁ
SABÁY JAKHAN EK SHILÁDHÁR
SHUDHU JÁNI TUMI JE ÁMÁR
EKAI MAHÁKÁSHER MÁJHE
ÁÁÁÁÁÁÁÁÁÁ
EKAI MAHÁKÁSHER MÁJHE
RAVI SHASHI ULKÁ NÁCE
CHÁYÁ PATH NIIHÁRIKÁ RÁJE
PRTHAK GOTRA ÁCHE KII TÁHÁR?
SHUDHU JÁNI TUMI JE ÁMÁR
BRIHAT MANER EKT́I KOŃE
ÁÁÁÁÁÁÁÁÁÁ
BRIHAT MANER EKT́I KOŃE
SINDHU BELÁY SHUKTI SANE
KHUNJE BEŔÁI SAḾGOPANE
SE KOTHÁY JE SABÁR SAMÁHÁR
SHUDHU JÁNI TUMI JE ÁMÁR
SHÁSTRA DARSHAN JÁNINÁ
SHUDHU JÁNI TUMI JE ÁMÁR
O Lord, I do not know any scripture or philosophy, I only know that You are mine.
I do not accept any artificial difference and distinction, when there is only One
foundation. Within only one great sky in space the sun, moon and meteorites revolve, the
galaxies and nebula exist. Do they have different caste or race? In one corner of the vast
Cosmic mind, at the shore of the ocean along with shells, I secretly search, where is the
He who is aggregate of all.
3924 (01/01/1987) K
LIILÁY ADVITIIYA SE JE ÁMÁR PRIYA
SE DIN ESE CHILO MOR GHARE
HOETO PATH BHULE HOETO LIILÁCHALE
KENO ELE JÁNIBO KI KARE
SE DIN ESE CHILO MOR GHARE
ÁNANE CHILO HÁSA
ÁNANE CHILO HÁSA NAYANE UDBHÁSA
ÁNANE CHILO HÁSA NAYANE UDBHÁSA
ÁNANE CHILO HÁSA NAYANE UDBHÁSA
OŚT́HE ÁNKÁ CHILO MÁDHURII NIRYÁSA
KARE CHILO VEŃU SE CINMAY TANU
ÁSIBE BOLE GELO ELO NÁ PHIRE
SE DIN ESE CHILO MOR GHARE
KHUNJE KHUNJE PHIRI
KHUNJE KHUNJE PHIRI SHUDHU TÁRI TARE
ÁÁÁÁÁÁÁÁÁÁ
KHUNJE KHUNJE PHIRI SHUDHU TÁRI TARE
KOTHÁO NÁ PELUM BÁHIR SAḾSÁRE
CEYE MAN MÁJHE DEKHI SE PRIYA RÁJE
ALAKH ALAKE ÁLO JHARE
SE DIN ESE CHILO MOR GHARE
LIILÁY ADVITIIYA SE JE ÁMÁR PRIYA
SE DIN ESE CHILO MOR GHARE
The One without a second in performing the illusive game, liila is dear to me and that
day He had come to my home. Did He come perchance forgetting the path or possibly by
delusive game, liila, what for did He come, how can I know that? On His face was smile
shine in the eyes, upon the lips was marked sweet essence. In His hand was flute, that
embodiment of consciousness, told to return but never came back. I wander only looking for
Him, but never found Him anywhere in the external world. When I looked within the mind, I
found Him dwelling scattering unseen heavenly effulgence.
3925 (02/01/1987) K
KATA KÁCHE TABU KATA DÚR
KATA KÁCHE TABU KATA DÚR
BHÁŚÁY BÁNDHITE NÁ RE HE PRIYA TOMÁRE
MÚKA HOYE JÁY SÁDHÁ SUR
KATA KÁCHE TABU KATA DÚR
KATA KÁCHE TABU KATA DÚR
MANER TAT́INI DHÁY NAT́INII SAMA NECE
ÁÁÁÁÁÁÁÁÁÁ
MANER TAT́INI DHÁY NAT́INI SAMA NECE
UCCHÁSE ULLÁSE PÁOÁRI ABHILÁŚE
SINDHUTE VINDU SAMA SE ESE MESHE
RÚPE BHÁSE ARUPA CIKUR
KATA KÁCHE TABU KATA DÚR
KATA KÁCHE TABU KATA DÚR
NANDITA STAMBHITA KARE DEY EKÁDHÁRE
RÚPER DIIPA SHIKHÁ ARÚPA DIIPÁDHÁRE
ASTI BHÁTI ÁNANDAERI UTSÁRE
NECE CALE MANERI MAYUR
KATA KÁCHE TABU KATA DÚR
KATA KÁCHE TABU KATA DÚR
O Lord, though so close, yet much far, with language You are impossible to get bound, O
Dear. The wellrehearsed melody becomes dumb. The mental stream rushes dancing like a
dancer, with enthusiasm and exhalation with strong will of attainment. Like a drop it
comes to merge into the ocean, rash, floating as form into the formless. Together it
pleases and stupefies, like beautiful flame of lamp on the formless lamp base. With the
emanation of existence, brilliance and bliss, the mental peacock goes on dancing.
3926 (03/01/1987) K
JE TOMÁRE BHÁLOBÁSE
KENO TÁRE BHULE THÁKO
TÁRE DURE PHELE REKHE
APARERA RAUNGA MANER MÁKHO
KENO TÁRE BHULE THÁKO
JE TOMÁRE DIYECHE SAB
ÁÁÁÁÁÁÁÁÁÁ
JE TOMÁRE DIYECHE SAB
DIYECHE MAN PRIITIR ÁSAVA
HIYÁR SUDHÁ TÁR VASUDHÁ
TÁR PÁNE ÁR TÁKÁO NÁKO
KENO TÁRE BHULE THÁKO
TUMI CHÁŔÁ ÁR JÁNE NÁ
ÁÁÁÁÁÁÁÁÁÁ
TUMI CHÁŔÁ ÁR JÁNE NÁ
DVITIIYA KÁREO MÁNE NÁ
TOMÁR PÁNE ABHIDHYÁNE
SAB DIYEO KICHUI CÁY NÁKO
KENO TÁRE BHULE THÁKO
JE TOMÁRE BHÁLOBÁSE
KENO TÁRE BHULE THÁKO
O Lord, those who love You, why do You remain oblivious of them? Ignoring them
another’s colour You smear in the mind. He Who has offered his all to You, given mind
and essence of love, nectar of heart, their whole world, towards them, why do not You look
at them any more. Those who do not know anyone else other than You, do not accept any
second entity, and towards You in meditation, offered all without desiring anything.
3927 (03/01/1987) D
SEI KAOMUDII SNÁTA NISHIITHE
TUMI ÁSIÁ CHILE PRIYATAMA
TAVA RÚPER APÁR DYUTITE
SEI JYOTSNÁ HOLO MADHUR TAMA
TUMI ÁSIÁ CHILE PRIYATAMA
KÁCHEO DÚRER BHEDA SARE GELO
ÁÁÁÁÁÁÁÁÁÁ
KÁCHEO DÚRER BHEDA SARE GELO
ABHRA MEKHALÁ KŚITI JE NÁSHILO
MANER MAYUR KALAPE MÁTILO
UTKRANTA MAYUKH SAMA
TUMI ÁSIÁ CHILE PRIYATAMA
MÁNUŚE MÁNUŚE JATA HÁNÁ HÁNI
ÁÁÁÁÁÁÁÁÁÁ
MÁNUŚE MÁNUŚE JATA HÁNÁ HÁNI
SVÁRTHERA VASHE VRTHÁ T́ÁNÁ T́ÁNI
JÁHÁ KICHU JÁNI JÁHÁ NÁHI JÁNI
SÁMARASYE MISHE GELO MAMA
TUMI ÁSIÁ CHILE PRIYATAMA
SEI KAOMUDII SNÁTA NISHIITHE
TUMI ÁSIÁ CHILE PRIYATAMA
O The Dearest, on that moonlight bathed night, You had come. By unlimited brilliance of
Your beauty, that moonlight became sweetest. The distinction of near and far moved out.
The series of high skies immersed into the earth. The mental peacock danced with raised
tail, like highascended glow. All the killings between human beings, tussle due to
selfishness, whatever I know and whatever I do not know, merged in my flow of composure.
3928 (04/01/1987) K
ÁMI PATH HÁRÁ PATHIK ESECHI ÁSHRAY TARE
HATÁSHÁ NIMAJJITA ÁNDHÁRE ÁCCHÁDITA
KRPÁ KARO PRABHU MORE
ESECHI ÁSHRAY TARE
ÁMÁR BOLITE ÁR KEHO NÁI ÁPANÁR
ÁÁÁÁÁÁÁÁÁÁ
ÁMÁR BOLITE ÁR KEHO NÁI ÁPANÁR
HUTÁSHE VIDAGDHITA CAETIKA UPÁCÁR
TUMI VISHVER PRÁŃA MAHÁ BODHI MAHÁPRÁŃA
T́HÁIN DÁO KARUŃÁ KARE
ESECHI ÁSHRAY TARE
JÁHÁR KEHO NÁI TUMII RAYECHO TÁHÁR
ÁÁÁÁÁÁÁÁÁÁ
JÁHÁR KEHO NÁI TUMII RAYECHO TÁHÁR
ANÁTHER NÁTHA TUMI ANURÁGE SAMÁHÁR
PRASANNÁNANA TAVA ANINDYA ANUBHAVA
SARÁYE KALUŚA NIKARE
ESECHI ÁSHRAY TARE
ÁMI PATH HÁRÁ PATHIK ESECHI ÁSHRAY TARE
I am a traveler who has lost the proper path, coming for shelter, immersed n despair and
covered with darkness. O Lord, shower grace on me. I have no one else amongst close by
whom I can call my own and who can treat mentally, consoling a burn of fire. You are the
life of the universe, the Great Intuition and Great vitality. Provide me shelter
mercifully. Those who have none, for them You are there. You are the owner of destitute
orphans with collected love. O the pleasing faced one, with flawless feelings, You remove
the multitude of flaw and dirt.
3929 (04/01/1986) K
ÁMI, TOMÁY CEYE GECHI BÁRE BÁRE
TUMI DEKHO KI NÁ BUJHINÁ
ÁSHÁR PARE ÁSHÁ PÁVO TOMÁRE
TUMI MOR HOVE KI NÁ JÁNINÁ
TUMI DEKHO KI NÁ BUJHINÁ
NIDÁGHER DHARÁ CÁY KAJJALE
ÁÁÁÁÁÁÁÁÁÁ
NIDÁGHER DHARÁ CÁY KAJJALE
KAJVAL TÁR BUKE D́HÁLE JVALE
CÁTAK JECE JÁY PHAT́IK JALE
PÚRŃA HOYE TÁR JÁCANÁ
TUMI DEKHO KI NÁ BUJHINÁ
ALI CEYE JÁY PHUL MÁJHE MADHU
ÁÁÁÁÁÁÁÁÁÁ
ALI CEYE JÁY PHUL MÁJHE MADHU
CAKOR JÁCIÁ JÁY SHEFÁLII VIDHU
MADHU VIDHU DUI ÁSE NÁ SHUDHU
SE VIDHU JE MOR KATHÁ MÁNE NÁ
TUMI DEKHO KI NÁ BUJHINÁ
ÁMI, TOMÁR CEYE GECHI BÁRE BÁRE
TUMI DEKHO KI NÁ BUJHINÁ
O Lord, I continued loving You again and again, do not You see and understand that? I have
hope after hope to attain You, but I do not know whether You would be my own. The earth
heated by intense sunlight, wants dark clouds, the clouds pour cooling water into its
bosom. The cha’taka bird keeps on demanding pure water, let their demands be fulfilled.
The bee looks for honey within flowers, the cakor bird goes on demanding white moon like
shefa’lii flower. The sweetness and moon both only do not come, the moon that does not
heed to my talk.
3930 (05/01/1987) K
TAMASÁY D́HÁKÁ GHARETE
GHUMIYE CHILUM NIBHRITE
KEU KARENI KARÁGHÁTA
BADDHA DVÁRE SE RÁTE
GHUMIYE CHILUM NIBHRITE
SAHASÁ KE ELE GO
BOLILE ÁMÁRE JÁGO
ÁÁÁÁÁÁÁÁÁÁ
SAHASÁ KE ELE GO
BOLILE ÁMÁRE JÁGO
GHUMIE ÁCHO KATA KÁLA
DEKHO CEYE CÁRI BHITE
GHUMIYE CHILUM NIBHRITE
DVÁR KHULI NIKO ÁMI
TABU BHITARE JE TUMI
ÁÁÁÁÁÁÁÁÁÁ
DVÁR KHULI NIKO ÁMI
TABU BHITARE JE TUMI
E ÁMÁR BHÁVANÁTIITA
BUJHI TUMI TARKÁTIITA
GHUMIYE CHILUM NIBHRITE
TAMASÁY D́HÁKÁ GHARETE
GHUMIYE CHILUM NIBHRITE
Within the darknesscovered room, I was in sleep alone. No one knocked the closed door that
night. Suddenly someone came and told me “ Get up, how much time have you slept, look
all around you”. I still did not open the door, as You were inside, That Who were beyond
my imagination, I understood that You were beyond logic.
3931 (05/01/1987) D
JE TOMÁRE DIYECHE MAN
DIYECHE MADHU JIIVAN
TÁRE TUMI KENO ÁJI BHULILE
DEKHATE TOMÁY CUPI SÁRE
JE CHILO PATH DHÁRE
ASHRUTE TÁR KÁJAL KENO DHOYÁLE/BAHÁLE?
TÁRE TUMI KENO ÁJI BHULILE
YUGE YUGE E LIILÁ TOMÁR
ÁÁÁÁÁÁÁÁÁÁ
YUGE YUGE E LIILÁ TOMÁR
KARIÁ CALO BÁRE BÁR
KÁNDIYE JÁO TÁRE ANIVÁR
BHÁLOBÁSÁR MUKUL JÁHÁR JÁGÁLE
TÁRE TUMI KENO ÁJI BHULILE
TOMÁR PRIITI ALOKA DYUTI
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR PRIITI ALOKA DYUTI
MAHÁKÁSHER MÚRTA GIITI
KAOMUDITE KÁRŚA GATI
AJÁNÁ PATHIK DIYE KHÁNIK SARÁLE
TÁRE TUMI KENO ÁJI BHULILE
JE TOMÁRE DIYECHE MAN
DIYECHE MADHU JIIVAN
TÁRE TUMI KENO ÁJI BHULILE
He Who has given you the mind, and given sweet life, why have You forgotten Him today? He
Who has been watching you secretly, and remained along the path, why do you wash His
eyedecoration with tears? O Lord, eras after eras, You go on performing Your illusive play
again and again. Amidst those, in whom You should have bloomed the bud, You make them
certainly cry. The unseen glow of Your love, the materialized song of the Great Devourer.
Providing momentary dark shade within the moonlit night, the Unknown Traveler went away.
3932 (05/01/1987) K
ÁNDHÁR DHARÁY ESE CHILE
ÁLO JVELE DILE
KE CÁY KE NÁ CÁY BHÁVILE
SABÁR TARE KÁJ KARE GELE
ÁLO JVELE DILE
E DHARÁ BHARÁ CHILO TAMASÁY
ÁÁÁÁÁÁÁÁÁÁ
E DHARÁ BHARÁ CHILO TAMASÁY
MANER VAKŚAO DEKHÁ NÁ JÁY
ÁNDHÁR SARÁLE ÁLO JHALAKÁY
NAVÁRUŃE MAN BHARÁLE
ÁLO JVELE DILE
KII CÁO KII NÁ CÁO KE JÁNE
ÁÁÁÁÁÁÁÁÁÁ
KII CÁO KII NÁ CÁO KE JÁNE
ÁBRAHMASTAMBHA SADÁ MANE
SAMVIT BHARE DIYE MANE PRÁŃE
NOTUN JOÁRE BHÁVE BHÁSÁLE
ÁLO JVELE DILE
ÁNDHÁR DHARÁY ESE CHILE
ÁLO JVELE DILE
O Lord, You came into the dark world, and kindled light. Without considering who wants You
and who does not, You continued to do work for all. This world was full of darkness, the
bosom of the mind could not be seen. You removed the darkness, scattered light, and with
new dawn satiated the mind. Nobody knows, what You want and what You do not want, as from
a blade of grass to the Grand Cosmos, everything is ever within Your mind. You have filled
consciousness in mind and life and with tide of new feelings, floated.
3933 (06/01/1987) D
ÁSHÁ KARE CHILUM KATA
TOMÁY GHIRE GHIRE
HE PRIYA MOR KOMAL KAT́HOR
TUCCHA BHÁVILE TÁRE
TOMÁY GHIRE GHIRE
BHEVE CHILUM ÁSABE KHULI
ÁÁÁÁÁÁÁÁÁÁ
BHEVE CHILUM ÁSABE KHULI
BADDHA GHARER ÁGALA GULI
PÁVO TOMÁR CARAŃA DHULI
ANDHAKÁRER MANDIRE
TOMÁY GHIRE GHIRE
CEYE CHILUM DIIRGHA NISHÁR
ÁÁÁÁÁÁÁÁÁÁ
CEYE CHILUM DIIRGHA NISHÁR
ÁSABE PARE MARICI SÁR
PUNJIBHUTA SAḾSKÁR ÁMÁR
SARE JÁBE ACIRE
TOMÁY GHIRE GHIRE
ÁSHÁ KARE CHILUM KATA
TOMÁY GHIRE GHIRE
How much have I aspired around You, O my Dear, Soft and Hard, You neglected them. I
thought that You would come opening the door bolts of the closed house. And I would get
You feetdust in the temple of darkness. I had thought after the long night, the sun would
come and my accumulated reactive momentas, sam’ska’ras, would be removed immediately.
3934 (06/01/1987) D
BUJHI, ESECHE MADHUNISHÁ
ABÁR, JALE STHALE DIGVALAYE
PARAVÁSI SEI PRIYA ÁMÁR
PHIRECHE MÁNASA NILAYE
ABÁR, JALE STHALE DIGVALAYE
SHAMITÁNANE SHAUNKITA PRÁŃE
ÁÁÁÁÁÁÁÁÁÁ
SHAMITÁNANE SHAUNKITA PRÁŃE
CÁHIYÁ CHILÁM JÁR PATH PÁNE
PAL GUŃIÁ VASANTE PHÁGUNE
UDBHINNA KALI MALAYE
ABÁR, JALE STHALE DIGVALAYE
KE GO ELE CIRA PATHIK AJÁNÁ
ÁÁÁÁÁÁÁÁÁÁ
KE GO ELE CIRA PATHIK AJÁNÁ
BOLO TUMI MOR SEI PRIYA KI NÁ
MADHYA NISHIITHE SHUNI JÁR VIIŃÁ
ÁPLÚTA BODHI ÁSAVE
ABÁR, JALE STHALE DIGVALAYE
BUJHI, ESECHE MADHUNISHÁ
ABÁR, JALE STHALE DIGVALAYE
I understood that again, this time, my sweet night has come, in land, water, all over.
That far dwelling Dear of mine, returned back into the mental abode. With smiling face and
doubtful feeling, I was looking at His path counting moments during festivity of spring
with sprouted bud of sandal. Who is ever that unknown traveler, You tell me is He not that
Dear? Whose viin’a’ I listen in the mid night, flooded with intuition.
3935 (07/01/1987) D (Krsna)
O SE PRIYATAMA D́EKE JÁY ÁMÁY
PRIYATAMA, D́EKE JÁY ÁMÁY
MADHUR TAMA, MADHUR TAMA MOHAN MAMA
MAN MÁJHE MURALII BÁJÁY
D́EKE JÁY ÁMÁY
JATA BHÁVI NÁHI SÁŔÁ DOBO TÁRE
ÁÁÁÁÁÁÁÁÁÁ
JATA BHÁVI NÁHI SÁŔÁ DOBO TÁRE
D́ÁKIÁ CALUK JATAI SE PÁRE
DHAERYA NÁ MÁNE HIYÁ VIDARE
ÁNKHI NIIR DHÁRE D́HEKE JÁY
D́EKE JÁY ÁMÁY
VRINDÁVANE KUINJE KUINJE
KHUINJI TÁRE VEŃUKÁ NIKUINJE
VANA VIHAUNGI PUNJE PUNJE
MARMER T́ÁNE MURCHÁY
D́EKE JÁY ÁMÁY
O SE PRIYATAMA D́EKE JÁY ÁMÁY
That Dearest goes on calling me playing charming and sweetest flute within my mind. How
much I thought that I would not respond to His call, the more He goes on calling me. The
patience does not heed, the heart tears apart, the eyes get covered with flow of tears.
Within the various shrubs of Vrindavan I search Him even in bamboo groves. The herds of
wild birds pull the core of heart stupefying it.
3936 (08/01/1987) D (Krsna)
MAN VRINDÁVANE RAYECHO
RUNU JHUNU JHUNU JHUNU JHUNU JHUNU
MADHURATÁ MÁKHÁ KRŚŃA MOR
NÁCE GÁNE BHARE REKHECHO
SURE TÁLE LAYE KARE VIBHOR
MADHURATÁ MÁKHÁ KRIŚŃA MOR
KATA DÚRE ÁCHO TÁHÁO JÁNINÁ
ÁÁÁÁÁÁÁÁÁÁ
KATA DÚRE ÁCHO TÁHÁO JÁNINÁ
KATA KÁCHE TÁO MÁPITE PÁRI NÁ
PRIYA TUMI MOR SÁDHYA SÁDHANÁ
ÁMI TAVA CARAŃER CAKORA
MADHURATÁ MÁKHÁ KRŚŃA MOR
MAN NIKUINJE TAVA VEŃU BÁJE
ÁÁÁÁÁÁÁÁÁÁ
MAN NIKUINJE TAVA VEŃU BÁJE
SHAYANE SVAPANE JÁGARAŃA MÁJHE
TAMÁLE NIIPE KII MOHAN SÁJE
BENDHECHO MORE DIYE PRIITI D́OR
MADHURATÁ MÁKHÁ KRŚŃA MOR
O my Lord Krsna You live in the Vrinda’van of my heart with sweetness smeared
tinkling. You have kept my mind filled with dance, song, engrossing with melody, rhythm
and tunes. I do not know how far are You, how close are You that too I cannot measure. O
the Dear, You are my goal and the means, I am at Your feet like a cakor bird looking
forward for the grace. In my mental arbor, Your flute plays in dream, sleep or awaken
state. With charming decoration of tama’la and niip flowers and plants, You have tied me
with the rope of love.
3937 (09/01/1987) K
TOMÁR NÁMER TARII BEYE
BHESE CALECHI SUDURE
ÁÁÁÁÁÁÁÁÁÁ?
HÁRÁBO NÁ JENE GECHI
HÁL DHARECHI TAVA SURE
BHESE CALECHI SUDURE
NEIKO KONO KAPAT́ATÁ
ÁÁÁÁÁÁÁÁÁÁ
NEIKO KONO KAPAT́ATÁ
ASMITÁ KUMBHIIRER KÁNT́Á
ÁNKÁ BÁNKÁ JOÁR BHÁNT́Á
RAŃITA HOI TAVA NÚPURE
BHESE CALECHI SUDURE
CÁI NÁ TÁKÁTE PICHONE
ÁÁÁÁÁÁÁÁÁÁ
CÁI NÁ TÁKÁTE PICHONE
EGIYE CALI MANE PRÁŃE
HÁRÁNO SMRITI T́ENE ENE
PATH BHULI NÁ VRITHÁ GHURE
BHESE CALECHI SUDURE
Rowing the boat of Your name, I go on floating far. I know that I will not be lost, as I
am holding the rudder of Your tune. I have no crookedness, like crocodile thorns of
egotism or conceit, or curved tide and flow, as I am resonant with Your ankle bell. I do
not want to look back, and I move forward wholeheartedly. Even if memories of past come to
pull me, I shall not forget the path wandering uselessly.
3938 (10/01/1987) K
SE SHÁRAD NISHÁ ÁMÁR
JYOTSNÁY CHILO UTALÁ
ÁKÁSHE BHESE CHILO BALÁKÁR KÁTÁRA
KUMUDER HÁSI PRÁŃA DHÁLÁ
JYOTSNÁY CHILO UTALÁ
KUSHE KÁSHE SÁDÁ MEGHER SVAPNA MELÁ
ÁÁÁÁÁÁÁÁÁÁ
KUSHE KÁSHE SÁDÁ MEGHER SVAPNA MELÁ
SHEFÁLI PHULE GÁNTHÁ CHILO MÁLÁ
UPACE PAŔE CHILO PRIITIR D́ÁLÁ
GIITI SÁRE PRADOŚA BELÁ
JYOTSNÁY CHILO UTALÁ
TUMI CHILE BHUVAN VYÁPIYÁ PRIYA
ÁÁÁÁÁÁÁÁÁÁ
TUMI CHILE BHUVAN VYÁPIYÁ PRIYA
URDHVE ADHARE DIGVALAYE
ÁMI HÁRIYE GIYEO BHULINI TABUO
MORE NIYE KARICHO LIILÁ
JYOTSNÁY CHILO UTALÁ
SE SHÁRAD NISHÁ ÁMÁR
JYOTSNÁY CHILO UTALÁ
That winter evening of mine was frenzied with moonlight. The rows of swans were gliding in
the sky, and lily flowers were smiling overwhelmingly. There was dreamy togetherness of
white clouds with tall flowering grass. And there was garland made of shefa’lii flowers.
The tray of loving offering was overflowing with essence of songs during pre evening time.
O Dear, You had pervaded whole world, above, below and around. Though I lost, still I did
not forget that You perform Your divine play, liila with me.
3939 (10/01/1987) K
DÚR ÁKÁSHER SHASHÁUNKA TUMI PRIYA
TUMI ÁMÁR PRIYA
DHARÁ CHONYÁ DÁO NÁKO
SHUDHU HÁSO ATULANIIYA
TUMI ÁMÁR PRIYA
ALAKÁTE BHESE CALO
ÁÁÁÁÁÁÁÁÁÁ
ALAKÁTE BHESE CALO
BALÁKÁ KE D́EKE BOLO
EGIE CALO EGIE CALO
EGIE CALO SHUDHU EGIE CALO
BHÁLOBÁSÁ NIO
MANER KOŃE ÚNKI DIYE
ÁÁÁÁÁÁÁÁÁÁ
MANER KOŃE ÚNKI DIYE
GOPAN PARÁG CHINIYE NIYE
SMITA SURABHI CHAŔIYE
ÁLO JHARIYE DIO
TUMI ÁMÁR PRIYA
DÚR ÁKÁSHER SHASHÁUNKA TUMI PRIYA
O Dear, You are moon of the far sky, You are dear to me. You do not allow to be touched by
the earth and only smile in a unique style. You go on gliding in heaven call and tell the
swans, “ Move ahead, only move forward, and take love”. Peeping in the recess of the
mind, snatching the secret essence, scattering smiling fragrance, You emanate effulgence.
3940 (10/01/1987) D
KARÁR KATA CHILO ÁMI KARI NI TÁY
BELÁ JE JÁY, ÁMÁR BELÁ JE JÁY
RATHER CÁKÁ TOMÁR
THÁME NÁ HÁY, PHIRE NÁ TÁKÁY
BELÁ JE JÁY, ÁMÁR BELÁ JE JÁY
KÁJ KARE JÁI ATHAVÁ NÁ KARI
ÁÁÁÁÁÁÁÁÁÁ
KÁJ KARE JÁI ATHAVÁ NÁ KARI
RATHERI CAKRA CALE GHARGHARI
THÁMITE NÁ CÁY SUMUKHEI CÁY
HERE JÁOÁ RAVI SÁNJHE HÁRÁY
BELÁ JE JÁY, ÁMÁR BELÁ JE JÁY
MAHÁ RAVI TOMÁR UDAYÁSTA NÁI
ÁÁÁÁÁÁÁÁÁÁ
MAHÁ RAVI TOMÁR UDAYÁSTA NÁI
E BHÁVE PRADOŚE SAMA BHÁVE PÁI
YÁMINI GAHANE SHUKA TÁRÁ SANE
TAVA MADHURIMÁ ÁLO JHARÁY
BELÁ JE JÁY, ÁMÁR BELÁ JE JÁY
KARÁR KATA CHILO ÁMI KARI NI TÁY
BELÁ JE JÁY, ÁMÁR BELÁ JE JÁY
How many promises I had to fulfil, that I did not do, my time simply passes off. Alas
the wheels of Your cart does not does not stop, does not look back. Whether I work or not
the wheels of cart goes on moving continuously. Does not want to pause, only looks ahead.
Goes on watching the sun setting in the evening. O The Great Sun, for You there is no rise
or setting. I find You in mornings and evenings with equality. In dense nights, with Venus
star, Your sweetness scatters light.
3941 (11/01/1987) K
JE ÁLO JVELE GELE TUMI PRIYA
DYUTI TÁR DHARÁ PARE ÁJAO AMLÁNA
BÁDHÁ KONO NÁHI MÁNO HE VARAŃIIYA
KÁCHE DURE NÁCO BHULE JATA VYAVADHÁNA
DYUTI TÁR DHARÁ PARE ÁJAO AMLÁNA
TOMÁR KATHÁ BHÁVITE BHÁLO LÁGE
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR KATHÁ BHÁVITE BHÁLO LÁGE
TOMÁR GIITI GÁTHÁ MARME JÁGE
TOMÁR ITIKATHÁ PHUL PARÁGE
BHÁSE ANURÁGE SAḾVITE MAHÁNA
DYUTI TÁR DHARÁ PARE ÁJAO AMLÁNA
AŃU PARAMÁŃU MÁJHE TOMÁR GATI
ÁÁÁÁÁÁÁÁÁÁ
AŃU PARAMÁŃU MÁJHE TOMÁR GATI
OTO PROTE NÁNÁ SÁJE RAYECHO NITI
CHANDÁYIITA RÁGE CETANÁ STHITI
KÁLÁKALE PALÁPALE DHYEYA DHRITI DHÁMA
DYUTI TÁR DHARÁ PARE ÁJAO AMLÁNA
JE ÁLO JVELE GELE TUMI PRIYA
DYUTI TÁR DHARÁ PARE ÁJAO AMLÁNA
O Dear, the light that You kindled, the brilliance of that is still untarnished. O the
Adorable, You do not heed to any obstacle, go on dancing near and far ignoring all
obstructions. I like thinking about You, Your glory appears in the core of heart. Your
history floats in the pollen of flowers, with great love and consciousness. Your movement
exists in atoms and molecules. You ever exist in diverse adornments both individually and
collectively. With rhythmic melody You stay as consciousness, within and beyond time each
moment as meditation and its object.
3942 (11/01/1987) K
MARUR JVÁLÁY TARULATÁ SHUKHÁY
PÁPAŔI JHARE JÁY AKÁLE
NADIR DHÁRÁ HÁRÁY UDAK UŔE JÁY
BALÁKÁ BHESE JÁY UCALE
PÁPAŔI JHARE JÁY AKÁLE
AJÁNÁ HE PATHIK ÁSO GO KŚAŃIK
ÁÁÁÁÁÁÁÁÁÁ
AJÁNÁ HE PATHIK ÁSO GO KŚAŃIK
BÁREK BOLE JÁO SABAI KI ALIIK
SHYÁMALIMÁR CHÁYÁ MARUR ASHEŚA MÁYÁ
HOBE KI GRASTA ATALE
PÁPAŔI JHARE JÁY AKÁLE
ÁCHI KI NEI ÁMI ÁCHE KI NÁ E TUMI
ÁÁÁÁÁÁÁÁÁÁ
ÁCHI KI NEI ÁMI ÁCHE KI NÁ E TUMI
SÁRÁTSÁR JÁNO HE PRABHU SHUDHU TUMI
BHÁVER DEULE HÁY ABHÁVA T́HÁIN NÁ PÁY
NIKKANE NÁHI NÁCE BETÁLE
PÁPAŔI JHARE JÁY AKÁLE
MARUR JVÁLÁY TARULATÁ SHUKHÁY
PÁPAŔI JHARE JÁY AKÁLE
With the heat of desert, the trees and creepers go on drying, petals whither untimely. The
current in the river gets lost, water goes on evaporating. The swans go on gliding high. O
The Unknown traveler, come for a while, tell me at least once if everything is false. Will
the shade of greenness be totally devoured by infinite mirage of the desert? Whether
“I” am there or not, whether the world exists or not, You only know the essence of
essence, O Lord. Alas in the temple of ideation, dearth cannot exist, the ankle bell does
not sound out of rhythm.
3943 (12/01/1987) K
KOTHÁ HOTE ESE CHILO BENDHE CHILO PRIITI D́OR
BHÁLOBESE CALE GELO BUJHILO NÁ VYATHÁ MOR
HUTÁSHE DÁHIKÁ SAMA PASHE CHILO MANE MAMA
ÁÁÁÁÁÁÁÁÁÁ
HUTÁSHE DÁHIKÁ SAMA PASHE CHILO MANE MAMA
MANANE AMIYA GHANA, NÚPURERETE NIKKANA
PARASHE SE ANUPAMA, HARAŚE SE RÁUNGÁLO BHOR
BHÁLOBESE CALE GELO BUJHILO NÁ VYATHÁ MOR
VIIŃÁR TANTRII MOR NIIRAVA KARIÁ GELO
ÁÁÁÁÁÁÁÁÁÁ
VIIŃÁR TANTRII MOR NIIRAVA KARIÁ GELO
PRIITIR YANTRI MOR PARAG KÁŔIYÁ NILO
ÁNKHI JALE REKHE GELO MATHIYÁ CIT CAKOR
BHÁLOBESE CALE GELO BUJHILO NÁ VYATHÁ MOR
KOTHÁ HOTE ESE CHILO BENDHE CHILO PRIITI D́OR
BHÁLOBESE CALE GELO BUJHILO NÁ VYATHÁ MOR
O Lord, coming from which origin, You tied the twine of love, and went away on loving, did
not understand my agony. Like burning fire, You entered my mind, O the dense nectar of
mind, tinkling of ankle bell. That touch was unparalleled and like pleasant colourful
morning. You went silencing the strings of my viin’a’. The machine man of love, You
snatched away my essence. You left tears in my eyes churning the mind.
3944 (12/01/1987) K
KÁCHE ÁCHO SÁTHE ÁCHO
DEKHITE NÁ PÁI PRIYA
BHÁVI BUJHI BHULE GECHO
OGO MOR ÁDARŃIIYA,
BAESHÁKHE NIDÁGHA JVÁLÁY
ÁÁÁÁÁÁÁÁÁÁ
BAESHÁKHE NIDÁGHA JVÁLÁY
PRÁVRT́E JALAMEKHALÁY
SHARATER KÁSH SHEFÁLIKÁYA
SÁDÁ MEGHE BHELÁ BHÁSIO
BHÁVI BUJHI BHULE GECHO
OGO MOR ÁDARŃIIYA
HEMANTE HIMÁNIIPÁTE
ÁÁÁÁÁÁÁÁÁÁ
HEMANTE HIMÁNIIPÁTE
SHIITERI TUŚÁRÁGHÁTE
VASANTE MALAYVÁTE
SHINJITA CARAŃA PHELIO
BHÁVI BUJHI BHULE GECHO
OGO MOR ÁDARŃIIYA
KÁCHE ÁCHO SÁTHE ÁCHO
DEKHITE NÁ PÁI PRIYA
BHÁVI BUJHI BHULE GECHO
OGO MOR ÁDARŃIIYA
O dear Lord, You are close, together with me, but I am unable to see You. In the intense
burning heat of summer, in series of heavy rains, in the tall grass and shefalii flowers
of the winter, You float me on the boat of white clouds. I think that You have forgotten
me, O my most revered One. During the snowfall of the cold, fall of hails in cold, in
sandal breeze of the spring, You place Your feet forward with melody of ankle bells.
3945 (12/01/1987) D
TOMÁR TARE ÁMI
KATA KENDECHI
TUMI JÁNO NÁ
D́EKE D́EKE KATA
KÁLA KÁT́IYECHI
TUMI SHONO NÁ
TUMI JÁNO NÁ
DIVAS ENECHE ABHIMÁNA BHÁR
ÁÁÁÁÁÁÁÁÁÁ
DIVAS ENECHE ABHIMÁNA BHÁR
RÁTRI BAHECHE ASHRU DHÁR
YUGA CALE GECHE BHEVE ANIVÁR
TUMI KI KICHUI DEKHO NÁ
TUMI JÁNO NÁ
JHAINJHÁ ESECHE JHAT́IKÁ ESECHE
ÁÁÁÁÁÁÁÁÁÁ
JHAINJHÁ ESECHE JHAT́IKÁ ESECHE
PHULER BAGÁNE KÁNT́Á JAMIÁCHE
KOMAL KORAK KIIT́E KÁT́IÁCHE
RUDRA ÁLOKE ELE NÁ
ÁMI TABUO ÁSHÁ CHÁŔI NÁ
TUMI JÁNO NÁ
TOMÁR TARE ÁMI
KATA KENDECHI
TUMI JÁNO NÁ
O Lord, how much did I cry for You, You do not know. Calling and calling You how much time
have I passed, You did not listen. The day brings the burden of ego, the night flows
tears. The eras pass essentially thinking, did not You see that at all? The storms come
the typhoons come, in the floral garden thorns have accumulated. The insects bite the soft
core, the tremendous light did not come. Still I have not lost hope.
3946 (13/01/1987) D
ÁJI, VASANTA VANE MUKULITA MANE
KÁR SHINJINA SHOŃÁ JÁY, VASANTA VANE
MAN MÁTIYÁCHE ALOKE ÁLOKE
PALAKE PULAKE KOTHÁ DHÁY
KÁR SHINJIN SHOŃÁ JÁY, VASANTA VANE
OGO PRIYATAMA SURER ATITHI
ÁÁÁÁÁÁÁÁÁÁ
OGO PRIYATAMA SURER ATITHI
KISHALAYE HESE NECE CALO NITI
BAKULE PÁRULE PALÁSHE SAHÁSE
PRIITIR UCCHÁSE GIITI GÁY
KÁR SHINJIN SHOŃÁ JÁY, VASANTA VANE
VEŃUKA VITÁNE VANA VIBHÁ ELO
ÁÁÁÁÁÁÁÁÁÁ
VEŃUKA VITÁNE VANA VIBHÁ ELO
HRIT PALLAVA VALLABHE PELO
BHÁVER VIBHAVE BHUVAN BHARILO
RÚPÁTIITA RÚPE UPACÁY
KÁR SHINJIN SHOŃÁ JÁY, VASANTA VANE
ÁJI, VASANTA VANE MUKULITA MANE
KÁR SHINJINA SHOŃÁ JÁY, VASANTA VANE
Today, in the spring garden, with budded mind, whose tinkling is heard? The mind is
frenzied with heavenly illumination, and rushes each moment with joy somewhere. O the
Dearest, guest from distance, smiling in tender leaves, You ever go on dancing. He goes on
singing song with love and exhalation of love in bakul, pa’rul and pala’sh trees with
smile. In the arbor of bamboos, the forest moonlight came. The leaves got back the lost
dear. The world got filled with wealth of ideation, with the overflowing beauty of the
formless.
3947 (13/01/1987) K (Krsna)
NÁ PELE TOMÁRE HARI
VRTHÁ VRNDÁVANE GHURI
DEKHÁ NÁHI DILE YADI
VRITHÁI BÁNDHÁ KABARII
VRTHÁ VRNDÁVANE GHURI
KHUNJECHI YAMUNÁ TAT́E
ÁÁÁÁÁÁÁÁÁÁ
KHUNJECHI YAMUNÁ TAT́E
ADHUVANE VANSHII VAT́E
KUNJA VANE SAUNGOPANE
VRAJA PARIKRAMÁ KARI
VRITHÁ VRINDÁVANE GHURI
TAMÁL SHÁLMALII MULE
ÁÁÁÁÁÁÁÁÁÁ
TAMÁL SHÁLMALII MULE
NIIP NIKUNJE GOKULE
SHEŚE DEKHI MAN DEULE
HÁSO PRIITI UTSÁRI
VRITHÁ VRINDÁVANE GHURI
NÁ PELE TOMÁRE HARI
VRTHÁ VRNDÁVANE GHURI
O Lord, Hari, on not finding You, I uselessly wandered in Vrndavan. You were not seen and
I uselessly decorated my chignon. I searched on the banks of Yamuna’, in sweet garden
in bamboo and banyan groves. Secretly through the shrubs and garden, I revolved around the
land of Vraja. I searched in the roots of tama’l and sha’lmalii trees, in niip groves
and in Gokula. At the end I saw that You were smiling within the temple of mind
scattering love.
3948 (13/01/1987) K
PRIYA SE JE PRIYATAMA
ÁMÁR MANER MAINJÚŚÁY
LUKIYE RÁKHI JATANE D́HÁKI
TÁI SE PRIITIR ALAKÁY
ÁMÁR MANER MANJÚŚÁY
JHAINJHÁ JHAŔE HÁRIYE NÁ JÁY
ÁÁÁÁÁÁÁÁÁÁ
JHAINJHÁ JHAŔE HÁRIYE NÁ JÁY
KÁLA VAESHÁKHIR CHONYÁ NÁ PÁY
IISHÁN MEGHE SHILÁVEGE
KEU TÁRE SARÁTE NÁ PÁY
ÁMÁR MANER MANJÚŚÁY
PHULER KORAKETE RÁKHI
ÁÁÁÁÁÁÁÁÁÁ
PHULER KORAKETE RÁKHI
MANANE TÁR MADHU JE MÁKHI
IŚT́A NIŚT́ÁY SHUBHA PRACEŚT́ÁY
PRERAŃÁ PÁI TÁR KRIPÁY
ÁMÁR MANER MANJÚŚÁY
PRIYA SE JE PRIYATAMA
ÁMÁR MANER MAINJÚŚÁY
He is dear most amongst dears within the gemcasket of my mind. I have kept Him hidden
carefully covered as he is heavenly love. Storms do not lose it and the annihilating
typhoon cannot touch that. The northwestern clouds or speedy hails no one can move that. I
have kept Him within the nucleus of the flower as I am absorbed in the sweet bliss. With
firm devotion and by benevolent effort, I get inspiration by His grace.
3949 (13/01/1987) K
TOMÁR TARE ÁMI MÁLÁ GÁNTHI NITI
TOMÁY NIYEI MOR ABHIMÁN
TOMÁR KATHÁ BOLI TOMÁR PATHE CALI
UTTUNGA ADRI AMLÁN
TOMÁY NIYEI MOR ABHIMÁN
TUMI CHÁŔÁ ÁMI NÁI E KATHÁ BUJHI SADÁI
ÁÁÁÁÁÁÁÁÁÁ
TUMI CHÁŔÁ ÁMI NÁI E KATHÁ BUJHI SADÁI
HE PRIYA/PRABHU? TOMÁR TARE DUHKHA JVÁLÁ BHULE JÁI
JÁHÁ ÁCHE JÁHÁ NÁI SABETE TOMÁRE PÁI
SHÁSHVATA SINDHU SAMÁN
TOMÁY NIYEI MOR ABHIMÁN
DIVASE PRADOŚE RÁTE PRABHÁTE ARUŃÁLOTE
ÁÁÁÁÁÁÁÁÁÁ
DIVASE PRADOŚE RÁTE PRABHÁTE ARUŃÁLOTE
JÁGARAŃE SVAPANE NIDRITA ÁNKHI PÁTE
HE PRIYA RAYECHO SÁTHE SHINJITA MEKHALÁTE
SARVÁVINÁBHÁVI MAHÁN
TOMÁY NIYEI MOR ABHIMÁN
TOMÁR TARE ÁMI MÁLÁ GÁNTHI NITI
TOMÁY NIYEI MOR ABHIMÁN
O Lord, for You how many garlands I have threaded, my entire ego surrounds You only. I
talk about You, move on Your path, even on high white mountains. I do not survive without
You, this fact I always understand. O Dear, for You I ignore all burns of sorrows.
Whatever exists, whatever does not, in all I find You, like an eternal ocean. Days and
nights, evenings and in morning lights, during awaken dream or sleep state, O Dear You
remain together with me on my eyes, like tinkling ornament belt, O omni telepathic Great.
3950 (14/01/1987)
SEI SAJAL SANDHYÁ SAMIIRE ÁMÁR GHARE
TUMI ESE CHILE PRIYA LIILÁ CHALE
CHILO NÁ KÁCHE ÁMÁR KICHUI DEOÁR
CARAŃA DHUYE CHILUM ASHRU JALE
TUMI ESE CHILE PRIYA LIILÁ CHALE
GUŃER GARIMÁ MANANER MAHIMÁ NÁI
ÁMÁR KICHU JÁR NÁIKO SIIMÁ
VINDU ÁMI SINDHU MADHURIMÁ KHUNJE JÁI
PETE CÁI PRATI PALE
TUMI ESE CHILE PRIYA LIILÁ CHALE
OHA AVOHER MELÁ TAVA SPANDANA
AŃU PARAMÁŃU BUKE TAVA NARTANA
CHANDE TÁLE LAYE KII ÁVARTANA
GOPI JANA VALLABHA RACO VIRALE
TUMI ESE CHILE PRIYA LIILÁ CHALE
SEI SAJAL SANDHYÁ SAMIIRE ÁMÁR GHARE
TUMI ESE CHILE PRIYA LIILÁ CHALE
O Dear Lord, on that evening with moist breeze, You had come to my house by illusive
delusion. I had nothing to offer You, and washed Your feet with my tears. I had no gravity
of good qualities or mental glories that was unlimited. As a drop, I went on searching
ocean of sweetness, and wanted to attain each moment. The crowd of feelings is Your
vibration. Within each atom and molecule is Your dance. What a refraction within rhythm
melody and beats, You go on creating in seclusion, O the Dear of the devotees.
3951 (14/01/1987) K SAḾSKRTA
TVAM MAMA PRIYA TVAMASI AMEYA
VASATI MANASI VRAJA RÁJA
CANDAN CARCITA KAOSTUBH NANDITA
KINSHUKÁDHÁRAH MATHURÁJA
VASATI MANASI VRAJA RÁJA
TAMÁL NIIP VANE VEŃUKÁ SVANANE
ÁÁÁÁÁÁÁÁÁÁ
TAMÁL NIIP VANE VEŃUKÁ SVANANE
HASADASI PRIYAH MAMA SHAYANE JÁGARAŃE
CINTÁYÁMASI KRIPÁYÁM SNÁPAYASI
VAHASI ANTARE DHIRÁJA
VASATI MANASI VRAJA RÁJA
ÁGACCHATU PRIYA MARME GABHIRE MAMA
ÁÁÁÁÁÁÁÁÁÁ
ÁGACCHATU PRIYA MARME GABHIRE MAMA
TUŚÁRE DHAVALATÁ HUTÁSHE DÁHIKÁ SAMA
RITAMBHARÁ DYUTI SVAYAMBHARÁ PRIITI
VISHVÁTIITA ADHIRÁJA
VASATI MANASI VRAJA RÁJA
O Lord, You are immeasurable.
You have taken Your seat in the mental Vraja.
O noble child of Mathura
Your body is anointed with sandal paste
and decorated with kaostubha gems.
It emanates the beauty of a red kinshuka flower.
In the tamala, kadamba and bamboo groves of Gokula
You appear before me.
In my wakeful and sleeping states
with a charming smile
as if standing under the trees
You appear.
You are in my thought.
You always shower Your grace upon all.
You are the effulgent light in the core of every heart.
Come, O dear Lord, into the depths of my heart.
Be with me like the inherent quality of whiteness in snow
or the burning faculty in fire.
Your effulgence engulfs every particle of the creation.
Your overflowing love fills every microcosm.
You are above and beyond the universe.
You are the Supreme Lord of the intellect
of every unit being.
3952 (15/01/1987) K (Shiva)
HE RUDRA ESECHO E KI SÁJE ÁJ
KAPÁLE KRISHÁŃU JVÁLE HASTE VIŚÁN TAVA
D́AMBARU SÁTHE ÁCHE VARÁBHAY ABHINAVA
UTTÁLE TÁND́AVA NÁCO
HE RUDRA ESECHO E KI SÁJE ÁJ
SABÁKÁR PARÁGATI ÁNDHÁR SÁGARE BHÁTI
ÁÁÁÁÁÁÁÁÁÁ
SABÁKÁR PARÁGATI ÁNDHÁR SÁGARE BHÁTI
AVYAKTA VISHVE KOT́I TÁRAKÁR DYUTI
CAINCALA CALÁCALA UCCHALA DHARÁTALA
SARVÁSHRAYA SABÁR ADHIRÁJ
HE RUDRA ESECHO E KI SÁJE ÁJ
TAVA SPANDANE PRABHU VIMURTA KÁLÁKÁL
ÁÁÁÁÁÁÁÁÁÁ
TAVA SPANDANE PRABHU VIMURTA KÁLÁKÁL
NARTANÁVARTANE CHINŔE JÁY MÁYÁJÁL
KRIPÁ KAT́ÁKŚE TAVA KALMAŚÁDRI SAB
CÚRŃA HOYECHE NAT́ARÁJA
HE RUDRA ESECHO E KI SÁJE ÁJ
O Lord, Rudra, The one making others cry, with what adornment have you come? Carrying the
brilliant black point on the forehead and your long horn vis’a’n’a in hand. Along
with that the hand held percussion instrument dambaru and a new form of Varabhaya. You
dance intense ta’nd’ava. The ultimate desideratum of all appears in the dark ocean in
the form of effulgence of millions of stars pertaining to the unexpressed universe. O
shelter and supreme controller of all, the world is restless with vibrant movements. By
your vibration, O Lord, the embodiment of entities within and without time is observed. By
your dance and revolution, the web of ma’ya’ is broken. By wee bit of your grace, all
sins are powdered and wiped away O the Greatest dancer.
3953 (15/01/1987) K
AJÁNÁ PATHIK ELO
ASHOK VIITHIKÁY
SAHASÁ KENO SE HÁSILO
MOR MAN MAŃIKÁY
ASHOK VIITHIKÁY
LAUNGHI ARAŃYÁNI PARVATA RÁJI
ÁÁÁÁÁÁÁÁÁÁ
LAUNGHI ARAŃYÁNI PARVATA RÁJI
BOLE DEKHO EI ÁMI ESE GECHI ÁJI
BHOR HOLO DVÁR KHOLO CEYE DEKHO ÁNKHI MELO
SARIE DIYECHI TAMASÁY
ASHOK VIITHIKÁY
BADDHA GHARE CHINU GHUM GHORE ACETANA
ÁÁÁÁÁÁÁÁÁÁ
BADDHA GHARE CHINU GHUM GHORE ACETANA
D́ÁK SHUNE BUJHILÁM CHILUM JAD́E MAGAN
ÁNKHI MELE CÁHILÁM SHUBHÁSHUBHA BUJHILÁM
ARUŃ ÁLOY ÁRAKTIMA ÚŚÁY
ASHOK VIITHIKÁY
AJÁNÁ PATHIK ELO
ASHOK VIITHIKÁY
The unknown traveler came into the ashok grove. Suddenly why did He smile in my mental
casket? Crossing the forests and high mountains, He told, “ See, I have come today. It
is morning now, open Your door, look opening the eyes. I have removed the darkness”. But
I was unconscious in deep sleep within the closed room. After hearing the call I
understood that I was immersed in matter. On opening the eyes, I could understand good and
bad in the illumination of crimson dawn.
3954 (15/01/1987) K (Krsna)
VENUKÁR BÁNSHII BEJE JÁY
GOPIKÁRÁ KÁRÁ JÁBI CALE ÁY
BÁNSHI BÁJE PAINCAME SABÁKÁR MANE MANE
UJÁNE BAHÁY YAMUNÁY
ANANTE DULE CALE LIILÁR DODUL DOLE
ÁÁÁÁÁÁÁÁÁÁ
ANANTE DULE CALE LIILÁR DODUL DOLE
ÁMRA MUKULE PÁRULE BAKULE SHIMULE
VRNDÁ VANE GOKULE KADAMBA TAMÁLE
DYOTANÁY PRIITI UPACÁY
SE DHVANI ÁCAMBITE SAMVITE CAKITE
ÁÁÁÁÁÁÁÁÁÁ
SE DHVANI ÁCAMBITE SAMVITE CAKITE
JÁGÁLO VIMBA PÁTE MANO MÁJHE NIBHRITE
BHÁLOBÁSÁR BHÁŚÁ RÁGE ANURÁGE MESHÁ
CINMAYE CITI CETANÁY
VENUKÁR BÁNSHII BEJE JÁY
GOPIKÁRÁ KÁRÁ JÁBI CALE ÁY
The bamboo flute goes on sounding, the devotees, Gopika’s, come for going to the prison.
The flute blows in high pitch within all minds creating tides in the river Yamuna’. It
goes on swinging infinitely oscillating on swing of liila, the illusion, through the
mango buds, flower trees of pa’rul, bakul and shimul, in Vrnda’van, Gokul, and trees
of kadamba and tama’l, overflowing love by gesture. That sound, surprising with
astonishment awakens consciousness in seclusion within all minds of the world. With
language of love, and tint of affection, mixed with consciousness as its embodiment.
3955 (16/01/1987) K
BHUVAN BHARIÁ KE GO ELE
ELE EI SHÁRAD PRÁTE
SHUBHRA JYOTSNÁLOKE MAN MÁTÁLE
MÁTÁLE SHEFÁLI GANDHE
ELE EI SHÁRAD PRÁTE
DHARAŃI D́HÁKIYÁ DILE KUSHE KÁSHE
ÁÁÁÁÁÁÁÁÁÁ
DHARAŃI D́HÁKIYÁ DILE KUSHE KÁSHE
SHYÁMAL DHÁNER KŚETE SHIIŚE SHIIŚE
CETANÁ JÁGÁLE SAMVITE ÁSHIŚE
ÁNITE SONÁLII PRABHÁTE
ELE EI SHÁRAD PRÁTE
NEI KONO T́ÁNÁ T́ÁNI HÁNÁ HÁNI
ÁÁÁÁÁÁÁÁÁÁ
NEI KONO T́ÁNÁ T́ÁNI HÁNÁ HÁNI
SÁDÁ MEGH DEY ÁŔÁLE HÁTACHÁNI
KE PAR KE ÁPANÁR NÁHI MÁNI
BHESE JÁY ASHEŚA SHROTE
ELE EI SHÁRAD PRÁTE
BHUVAN BHARIÁ KE GO ELE
ELE EI SHÁRAD PRÁTE
Who has come satiating the world on this winter morning, intoxicating the mind, with
bright moonlight and fragrance of shefa’lii flower. He has covered the earth with tall
flowering grass and with corns of rice in green paddy fields. He awakened awareness with
consciousness and blessings and brought golden morning. There is struggle or killing, the
white clouds call with gesture from behind. Who is own and who are others, without that
consideration, I go on floating into the infinite stream.
3956 (16/01/1987) K
ÁLOKER UTSAVE MADHUR E ÁSAVE
BHARE DILE SABÁKÁR PRÁŃA
ÁNO SUSMITA DYUTI JÁGÁO AMRITA PRIITI
KARO ANRTERA AVASÁN
BHARE DILE SABÁKÁR PRÁŃA
ESO TUMI MOR ÁLAYE DRUTA KABHU MRIDU LAYE
ÁÁÁÁÁÁÁÁÁÁ
ESO TUMI MOR ÁLAYE DRUTA KABHU MRIDU LAYE
MANDÁKRÁNTÁ TÁLE PRATI PALE ANUPALE
SARIYE SAKAL ABHIMÁNA
BHARE DILE SABÁKÁR PRÁŃA
TUMI ÁCHO TÁI ÁCHI TOMÁRI MÁJHE RAYECHI
ÁÁÁÁÁÁÁÁÁÁ
TUMI ÁCHO TÁI ÁCHI TOMÁRI MÁJHE RAYECHI
TAVA BHÁVE BHÁVITECHI TOMÁRI NÁME METECHI
TUMII NITYA NIDHÁNA
BHARE DILE SABÁKÁR PRÁŃA
O Lord, during the festivity of light with this sweet nectar, You have satiated all. Bring
smiling glow and awaken immortal love, ending the falsehood. Come into my home quickly
sometimes with soft melody, each moment with the rhythm of manda’kra’nta’ meter
removing entire egoistic feeling. You exist, hence I exist, and stay within You. I ideate
in Your ideas, I am engrossed only in Your name, You alone are eternal repository.
3957 (16/01/1987) K
TOMÁRE CEYECHI MANANE METECHI
TUMI, ESO MANERI PHOT́Á NIIPE
ESO PRABHU DHÚPE ESO TUMI DIIPE
ESO MANER MADHUPE
TUMI, ESO MANERI PHOT́Á NIIPE
TUMI JÁR SE ÁBÁR CÁHIBE PÁNE KÁR
SABÁI JE TÁHÁR SABÁI ÁPANÁR
PAYASE HUTÁSHE TUŚÁRE NIIHÁRE
DEKHE JE SE VISHVA BHÚPE
TUMI, ESO MANERI PHOT́Á NIIPE
TOMÁR ÁMÁR MÁJHE REKHO NÁKO VYAVADHÁNA
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR ÁMÁR MÁJHE REKHO NÁKO VYAVADHÁNA
TOMÁR CARAŃE MOR KARE DÁO STHÁYII STHÁNA
TUMI PRATIIK ÁSHÁR PRATIBHU BHÁLOBÁSÁR
JVÁLIYE BHASMA KARO MOR KÁLIMÁ STUPE
TUMI, ESO MANERI PHOT́Á NIIPE
TOMÁRE CEYECHI MANANE METECHI
TUMI, ESO MANERI PHOT́Á NIIPE
O Lord, I love You, and I am engrossed in Your thought, You come into the full bloomed niip
flower of my mind. Come into sunlight, come into lamp, come into mental honeybee. Those to
whom You belong, why they should seek anyone else? Since all belong to You and are own.
They see same You, King of the world, in water, fire, ice and snow. Do not keep any
obstruction between You and me. Make my abode permanent at Your feet. You are the symbol
of hope, icon of love. Burn to ashes the heap of my dirt.
3958 (17/01/1987) K
TOMÁRI TARE DIVÁ NISHI MOR ÁNKHI JHARE
KÁCHE KÁCHEO GHURE DHARÁ NÁHI DÁO MORE
PRIITI EKE BOLI KII KARE
DIVÁ NISHI MOR ÁNKHI JHARE
ALAKHA NIRAINJANA BHAVA BHITI BHAINJANA
ÁÁÁÁÁÁÁÁÁÁ
ALAKHA NIRAINJANA BHAVA BHITI BHAINJANA
LOKE BOLE TUMI PRIYA MÁNASÁDHIRAINJANA
SARVA LOKÁSHRAY CIDÁKÁSHA NANDANA
KAT́HOR KENO MOR PARE
DIVÁ NISHI MOR ÁNKHI JHARE
TUMI CHÁŔÁ ÁMI NÁI, TÁI TO TOMÁRE CÁI
ÁÁÁÁÁÁÁÁÁÁ
TUMI CHÁŔÁ ÁMI NÁI, TÁI TO TOMÁRE CÁI
BHÁVANÁ ANSHUK D́ORE BÁNDHITE CÁI SADÁI
ESO ÁRO KÁCHÁ KÁCHI PATH PÁNE CEYE ÁCHI
DHARÁ DÁO DHYANA MANDIRE
DIVÁ NISHI MOR ÁNKHI JHARE
TOMÁRI TARE DIVÁ NISHI MOR ÁNKHI JHARE
O Lord, for You, day and night my eyes flow. You move close to me but do not allow letting
Yourself within folds. How can I call this love? O the Unseen, Spotless, destroyer of
worldly fears, people call You as charmer of the mind. O the shelter of the whole
universe, charmer of the mental arena, why are You harsh towards me? I do not exist
without You, that is why I love You and always want to tie You with silken thread of
feelings. Come further close, I am looking at the path, come into folds within my mental
temple for meditation.
3959 (17/01/1987) K
JE PATHE SE ESE CHILO
SE PATHER DHULI VRAJARÁJA
SE VIITHITE JE JUTHII CHILO
TÁR SURABHI BHÁSE JE ÁJO
JE PATHE SE ESE CHILO
SE PATHER DHULI VRAJARÁJA
ESE CHILO EKALÁ PATHE
ÁÁÁÁÁÁÁÁÁÁ
ESE CHILO EKALÁ PATHE
PRIITIR ÁLO DILO SÁTHE
JE ÁLO SE REKHE GELO
RÚPER DHARÁY RAUNGER SÁJAO
JE PATHE SE ESE CHILO
SE PATHER DHULI VRAJARÁJA
CALE GELO KICHU NÁ BOLE
ÁÁÁÁÁÁÁÁÁÁ
CALE GELO KICHU NÁ BOLE
YÁTÁYÁTA TÁR LIILÁR CHALE
THÁKATE KÁCHE CINI NI TÁRE
PARE BUJHI ÁMI TÁR MANOJA
JE PATHE SE ESE CHILO
SE PATHER DHULI VRAJRÁJ
The path through which He came, the dust of that path is as holy as dust of Vraja. The joy
that was present in that lane, the fragrance of that floats even today. He came alone on
the path, carrying light of love. That light He left off leaving colourful decoration on
the beautiful earth. He went without telling, His coming and going was a delusive game.
When He was nearby, I could not recognise Him, when He is away, I understood Him as Deity
of love.
3960 (17/01/1987) D
ÁMI TOMÁY KHUNJE CALECHI
TUMI PRABHU LUKIE ÁCHO
ÁKÁSHA PÁTÁLA ATIPÁTÁLE
JÁNI NÁ KOTHÁY RAYECHO
TUMI PRABHU LUKIE ÁCHO
LUKIE KORAKER ANTARE
ÁÁÁÁÁÁÁÁÁÁ
LUKIE KORAKER ANTARE
ABHRAḾLEHII ADRI SHIRE
MANO VIIŃÁR TÁRE TÁRE
CUPI SÁRETE DEKHE CALECHO
TUMI PRABHU LUKIE ÁCHO
ABODHA ÁMI BUJHINÁ KICHU
ÁÁÁÁÁÁÁÁÁÁ
ABODHA ÁMI BUJHINÁ KICHU
CHUT́I JAD́ER PICHU PICHU
MANA MAYURII CITCAKORI
PRAMATTATÁY BHULIECHO
TUMI PRABHU LUKIE ÁCHO
SARÁO TÁDER KALMAŚA BHÁR
ÁÁÁÁÁÁÁÁÁÁ
SARÁO TÁDER KALMAŚA BHÁR
JAD́A BHÁVANÁR SAB SAMÁHÁR
PRIITI YAMUNÁR ASHRU DHÁR
DEKHEO KENO NÁHI DEKHICHO
TUMI PRABHU LUKIE ÁCHO
ÁMI TOMÁY KHUNJE CALECHI
TUMI PRABHU LUKIE ÁCHO
O Lord, I go on searching You, but You are hidden. The sky, netherworld, extreme dungeon
I do not know where You reside. You are hidden within the core, upon skykissing mountain
peak, through each string of the mental viin’a’, You go on observing secretly. I am
ignorant, do not understand anything, and rush behind material pursuits. Due to frenzy of
pride and ego, the mental peahen and the cakorii bird of the mind is forgotten. Remove
their load of dirt, entire accumulation of materialistic thoughts. The flow of tears of
the love of the Yamuna’ river, even after watching, why do You ignore.
3961 (17/01/1987) K
DÁNŔIYE CHILUM ÁMI PATHA PÁSHE
TUMI JABE ESECHILE PRIYATAMA
KAMPITA CARAŃE KAḾPRITA KARAŃE
MÁLÁ KHÁNI CHILO VARNE ANUPAMA
TUMI JABE ESECHILE PRIYATAMA
BHÁVITE CHILÁM TUMI KAHIBE KI KONO KATHÁ
ÁÁÁÁÁÁÁÁÁÁ
BHÁVITE CHILÁM TUMI KAHIBE KI KONO KATHÁ
SHUNIBE KI MOR VYATHÁ BHÁLOBÁSÁ GIITI GÁTHÁ
NEVE KI ÁMÁR HÁR KŚUDRA E UPAHÁR
GENTHECHI BAKULE DIYE PRIITI MAMA
TUMI JABE ESECHILE PRIYATAMA
TUMI ELE SMITÁNANE TÁKÁLE ÁMÁR PÁNE
ÁÁÁÁÁÁÁÁÁÁ
TUMI ELE SMITÁNANE TÁKÁLE ÁMÁR PÁNE
SHUDHÁLE TOMÁR TARE KENO DÁNŔIE EKHÁNE
ÁMI JE MARME TAVA AMÚRTA ANUBHAVA
ANTAR KORAKE ANTAR TAMA
TUMI JABE ESECHILE PRIYATAMA
DÁNŔIYE CHILUM ÁMI PATHA PÁSHE
TUMI JABE ESECHILE PRIYATAMA
O Dearest, I was standing beside the path, when You had come. With quivering feet and
shaking body, I was carrying unique coloured garland. I was thinking that You would speak
something, listen to my agonies and loving songs. I was wondering whether You would accept
my garland, a meagre gift, threaded out of bakul flowers offering my love. You came with
smiling face and looked towards me and asked, “ Why are you standing here, I am within
core of your mind, as unexpressed feeling, seated deep in the depth of the core”.
3962 (18/01/1987) D
ÁSIBE BOLE JE GELE
ELE NÁ ÁR ÁMÁR GHARE
ÁLO NIYE ESECHILE PHELE
GELE MORE ÁNDHÁRE
ELE NÁ ÁR ÁMÁR GHARE
ÁLOKE ÁNDHÁRE KHELÁ
ÁÁÁÁÁÁÁÁÁÁ
ÁLOKE ÁNDHÁRE KHELÁ
KARE CALE E KI LIILÁ
KIḾSHUKE KÁNAN MÁJHE
HUTÁSHANE HATÁSHA KARE
ELE NÁ ÁR ÁMÁR GHARE
JE RAYECHE D́UBE NIRÁSHÁY
ÁÁÁÁÁÁÁÁÁÁ
JE RAYECHE D́UBE NIRÁSHÁY
JÁ PÁNE CEYECHE TAMASÁY
PRIITIR DYUTI DUHKHA
RÁTE/(HESER SÁTHI)?
ÁSHÁY ÁLO BHARÁO TÁRE
ELE NÁ ÁR ÁMÁR GHARE
ÁSIBE BOLE JE GELE E
LE NÁ ÁR ÁMÁR GHARE
O Lord, You went telling to return back, but never returned to my home. You came carrying
the light, but left me in darkness. With light and shade what game, liila, You go on
performing? The delusion of fire in the forest of red flowering kim’shuk disappoints.
Those who remain submerged in pessimism, in whose life darkness blankets, with the glow of
love in nights of sorrow, You fulfill ray of hope in them.
3963 (18/01/1987) K
GÁNE GÁNE BHARIE DILE
PRÁŃE PRÁŃE CHAŔIE DILE
ANÁGATA DINERI KATHÁ
AJÁNÁ PATHIK APARICITA
SABÁKÁR ÁKÁUNKŚITA
BOLENI TAVA ITIKATHÁ
ANÁGATA DINERI KATHÁ
KON SE SUDÚR HOTE TUMI ESECHO
ÁÁÁÁÁÁÁÁÁÁ
KON SE SUDÚR HOTE TUMI ESECHO
KON AJÁNÁR SHROTE BHESE CALECHO
KON SE HIYÁR AMARÁTE METECHO
SHOŃLE NÁ TÁR VÁRTÁ
ANÁGATA DINERI KATHÁ
TUMI PRIITI TUMI PRIYA TUMI PRERAŃÁ
ÁÁÁÁÁÁÁÁÁÁ
TUMI PRIITI TUMI PRIYA TUMI PRERAŃÁ
SAMVRIDDHI RDDHI SÁDHANÁ
SIDDHI TOMÁR CARAŃER EŚAŃÁ
SÁMRASYE MADHURATÁ
ANÁGATA DINERI KATHÁ
GÁNE GÁNE BHARIE DILE
PRÁŃE PRÁŃE CHAŔIE DILE
ANÁGATA DINERI KATHÁ
O the Unknown traveler, Unrecognised and cherished by all, You have fulfilled with song
after songs, and scattered vitality in all lives, with events of coming days, did not tell
about Your history. From what distant origin have You come, in which unknown stream You go
on floating, remain engrossed in what heart, You did not tell about that. You are Dear
You are love, You are inspiration and endeavor of fulfilment and success. The attainment
is the will of Your feet as sweetness of the soothing flow.
3964 (17/02/1987) K
NECE NECE BHESE ÁSE ANÁHATER SUR
ÁSHÁTE BHARAPÚR
CÁI NÁ JÁRE BÁRE BÁRE SHUNI TÁR NUPÚR –
ÁSHÁTE BHARAPÚR
AJÁNÁ PATHIK SE ÁMÁR
KHULE DIYE ARGALA DVÁR
ÁÁÁÁÁÁÁÁÁÁ
AJÁNÁ PATHIK SE ÁMÁR
KHULE DIYE ARGALA DVÁR
BOLE, “BÁHIRE ESO E BÁR NEI TO ÁMI DÚR“
ÁSHÁTE BHARAPÚR
NÁ JENE CÁY SABÁI MORE
JENEO KI KEU THÁKE DÚRE
ÁÁÁÁÁÁÁÁÁÁ
NÁ JENE CÁY SABÁI MORE
JENEO KI KEU THÁKE DÚRE
GHUMIYE ÁMÁR ANTAH PURE
VYATHÁR HOE VIDHÚR
ÁSHÁTE BHARAPÚR
The internal melody of deep meditation
comes floating and dancing, full of hopes.
Many time had I heard
His jingling sound of ankle bells
and yet, I had never really loved Him.
That unknown traveler
opened the latches of my door and told me:
“Come out this time, I am not far away.
Even unknowingly, all love me
so who should stay away after knowing me?
Do not sleep anymore in my internal arena
afflicted by pain”.
3965 (18/01/1987) K
KATA PHÚL JHARE JÁY AVAHELÁY
KATA BUKE CÁPÁ THÁKE KATA KANNÁY
TUMI KI JÁNO NÁ TUMI KI SHONO NÁ
KATA SARITÁ HÁRÁY MARUBHUMITE
ÁÁÁÁÁÁÁÁÁÁ
KATA SARITÁ HÁRÁY MARUBHUMITE
KATA KUT́IR PUŔE VAJRA PÁTE
KATA PRIITI VÁŃII HÁRÁ THÁKE AJÁNÁ
TUMI KI JÁNO NÁ TUMI KI SHONO NÁ
KUÁSHÁY GOLÁPER PÁPAŔI SHUKÁY
ÁÁÁÁÁÁÁÁÁÁ
KUÁSHÁY GOLÁPER PÁPAŔI SHUKÁY
NIRÁSHÁY TARUŃER PRÁŃA JHARE JÁY
TAVA RÁGE ANURÁGE KE KÁNDE EKT́ÁNÁ
TUMI KI JÁNO NÁ TUMI KI SHONO NÁ
O Lord, how many flowers whither away by negligence, how many keep much agonies suppressed
in their bosom, do not You know that, do not You hear that? How many rivers get lost in
the desert, how many huts burn by lightning, how much speechless love remain unknown? By
fog the rose petals dry, due to disappointment how many youths lose vitality, who
constantly cry due to love for You?
3966 (18/01/1987) K
TOMÁR TARE GHURE GHURE ÁMI
ÁMI JE ÁJ DISHÁHÁRÁ
MUKTA PATHER BÁNDHAN CHÁŔÁ
BÁNDHAN CHÁŔÁ
BÁNDHAN CHÁŔÁ
ÁSBE ÁMÁR NIIP VANE
ÁÁÁÁÁÁÁÁÁÁ
ÁSBE ÁMÁR NIIP VANE
HÁSBE KEYÁR KESHAR SANE
KHULABE MANER BADDHA KÁRÁ
MUKTA PATHER BÁNDHAN CHÁŔÁ
BÁNDHAN CHÁŔÁ
ÁSABE KHULE ARGAL DVÁR
ÁÁÁÁÁÁÁÁÁÁ
ÁSABE KHULE ARGAL DVÁR
KAIBE KATHÁ KÁŃE ÁMÁR
BOLABE EI TO DILUM SÁŔÁ
MUKTA PATHER BÁNDHAN CHÁŔÁ
BÁNDHAN CHÁŔÁ
Wandering and roaming for You, I have lost the direction today, unbound on an open path.
You would come into my niip grove, smile with the pollen of keya’ (screw pine) flower
and open the closed prison of the mind. You would come opening the door bolts, and speak
into my ears telling that You responded to my call thus.
3967 (18/01/1987) D
TUMI ÁCHO TÁI ÁMI ÁCHI PRABHU
TOMÁR KRPÁY DHARÁ ÁCHE
DHARÁ ÁCHE
TOMÁR CHANDE TÁLE SABÁI DHEYE CALE
TOMÁR RAUNGE MÁTIÁCHE
TOMÁR KRPÁY DHARÁ ÁCHE
DHARÁ ÁCHE
SHINJINE NIKKANE NECE CALO
ÁÁÁÁÁÁÁÁÁÁ
SHINJINE NIKKANE NECE CALO
AINJITA NAYANE HÁSI D́HÁLO
RAINJITA ADHARE D́EKE BOLO
ÁCHI SABÁR KÁCHE KÁCHE
TOMÁR KRPÁY DHARÁ ÁCHE
DHARÁ ÁCHE
MAN VRNDÁVANE SABÁR ÁCHI
ÁÁÁÁÁÁÁÁÁÁ
MAN VRNDÁVANE SABÁR ÁCHI
MANER DEUL RÁUNGIE CALECHI
HÁRÁTE DII NÁ HÁRIECHI
MOR T́ÁNE CETANÁ NÁCE
TOMÁR KRPÁY DHARÁ ÁCHE
DHARÁ ÁCHE
TUMI ÁCHO TÁI ÁMI ÁCHI PRABHU
TOMÁR KRPÁY DHARÁ ÁCHE
DHARÁ ÁCHE
O Lord, You are there, hence I exist and the world exists by Your grace. All move running
at Your rhythm and beats frenzied in Your colour. You go on dancing with the tinkling of
ankle bell, pour smile into the decorated eyes, You speak announcing with red lips, “ I
am close to all. In the mental Vrndavan of all I am present, move on colouring the mental
temple, I do not let anyone lose neither I lose, the consciousness dances at my pull”.
3968 (18/01/1987) K
MANER MÁŃIK TUMI KŚAŃEK D́ANŔÁO, THÁMI
ÁMI? MÁLÁ PARÁBO TOMÁKE
AJÁNÁ PATHIK NÁMI ESECHO E DHARÁ BHÚMI
PRAŃATI JÁNÁBO ÁJIKE
MÁLÁ PARÁBO TOMÁKE
PHULE PHALE GANDHE ÁKÁSHE VATÁSE AMALA
MANER KOŃE RAYECHO SUSMITA PARIMALA
ANTARIKŚE JALE STHALE NÁCO AVIRALA
BHOLO NÁKO SUKHE VIPÁKE
MÁLÁ PARÁBO TOMÁKE
MALAY PAVANE KÁLA VAESHÁKHIIR SVANANE
NIDÁGHA DÁHAN SHARATER SHEFÁLII SANE
PARÁGE GEYECHEO GIITI ANURÁGE SUKHA SMRITI
MATHIYÁ MANER MADHUKE
MÁLÁ PARÁBO TOMÁKE
TOMÁY ÁMÁR MÁJHE REKHO NÁKO VYAVADHÁNA
ALAKHA DYUTI TUMI SABÁKÁR SUMAHÁN
NITYA DHÁME THEKE RACO LIILÁRI VITÁN
VIRÁT́A VISHÁLA STABAKE
MÁLÁ PARÁBO TOMÁKE
O the Gem of my mind, You pause for a while and stand, I shall put a garland around Your
neck. O the Unknown Traveler, You come down to this earth, today I shall express my
salutation to You. Within fragrance of flowers and fruits, in clear sky and air, in the
recess of mind, You dwell as smiling pollen. You constantly dance in space, water and
land, and never forget pleasure and trouble. Within sandal breeze, and the roar of
annihilating storm, along with burning heat and shefalii flower of the winter, within the
pollen You sing song, with affection and memories of joy, You go on churning the honey of
the mind. Within Yourself and me, do not keep any obstruction. You are unseen effulgence
great moon. Staying in the eternal abode, You go on creating canopy with immensely large
palms.
3969 (18/01/1987) K
EI NIRÁLÁY RAUNGER MELÁY
ELE ÁJI PATH BHULE
PATH BHULE GO PATH BHULE
CÁO NI KICHU NÁO NI KICHI
DIYE GELE NIJEKE D́HELE
PATH BHULE GO PATH BHULE
ÁNALE SAUNGE ARUŃA ÁLOKA
DYUTI TE BHARE DILE TRILOKA
D́HÁLALE AD́HELA PRÁŃER PULAK
PRATI PALAKER PÁKHÁ MELE
PATH BHULE GO PATH BHULE
BHULATE PÁRÁ JÁY NÁ TOMÁY
TOMÁR BHÁVE PRÁŃA MURACHÁY
ASMITÁR ABHÁVA SARE JÁY
PRIITIR DOLAKE DULE
PATH BHULE GO PATH BHULE
EI NIRÁLÁY RAUNGER MELÁY
ELE ÁJI PATH BHULE
PATH BHULE GO PATH BHULE
O Lord, within the festival of colours, You came today alone, mistakenly forgetting the
path. You do not want anything, do not bring anything, just went on giving Yourself
pouring. You brought with You morning light, and by illumination filled the entire three
worlds. You go on pouring plentiful joy of life, each moment spreading the wings. It is
not possible to forget You, the vitality stupefies with Your ideation. The scarcity of
egotism goes on vanishing oscillating on the swing of love.
3970 (19/01/1987) D
OGO NIT́HUR HARI
KATA JANAM PARE ELE ÁMÁR GHARE
ÁMI KHUNJE MARI YUGE YUGÁNTARE
ELE ÁMÁR GHARE
KATA KISHALAYA HOLO JE LAYA
ÁÁÁÁÁÁÁÁÁÁ
KATA KISHALAYA HOLO JE LAYA
KATA TÁRÁ KHASE ÁNDHÁRE KŚAY
JHAINJHÁ HÁRIE GELO KATA MALAY
KATA GOLÁP BHUME JHARE PAŔE
ELE ÁMÁR GHARE
ADVITIIYA TUMI SARVA GUŃE
ÁÁÁÁÁÁÁÁÁÁ
ADVITIIYA TUMI SARVA GUŃE
ÁMÁR KATHÁ BHULE JÁO KEMANE
D́EKE GECHI TOMÁY PRATI KŚAŃE
ÁJ ELE PRABHÁTE RÁUNGÁ RAVIR KARE
ELE ÁMÁR GHARE
OGO NIT́HUR HARI
KATA JANAM PARE ELE ÁMÁR GHARE
O the merciless Lord, after how many lives You came to my home. I searched to extreme from
eras after eras. How many tender leaves vanished, how many stars decayed in darkness. How
many sandal breeze were lost in storms, how many rose flowers dropped down on earth? In
all attributes, You are one without a second. How do You continue to forget about me? Each
moment I continued to call You, You came today with colourful sun rays in the morning.
3971 (19/01/1987) D
ÁLOR DESHER PARII ESE
BOLALE EKHAN GHUMIYO NÁ
ÁÁÁÁÁÁÁÁÁÁ
KÁJ RAYECHE ÁLO ÁCHE
DÁMI SAMAY HÁRIO NÁ
BOLALE EKHAN GHUMIO NÁ
ÁÁÁÁÁÁÁÁÁÁ
KÁJ KARE JÁY MADHU MAKŚI
PIPILIKÁ SÁRIKÁ PAKŚI
ÁÁÁÁÁÁÁÁÁÁ
KÁJ KARE JÁY MADHU MAKŚI
PIPILIKÁ SÁRIKÁ PAKŚI
MAHÁKÁSHER KÁRÁR RAKŚI
KÁJE BÁDHÁ DIO NÁ
BOLALE EKHAN GHUMIYO NÁ
ÁÁÁÁÁÁÁÁÁÁ
UDAYÁSTA KÁJ KARE JÁO
SHVÁSA PRASHVÁSE KÁJ BHARE NÁO
ÁÁÁÁÁÁÁÁÁÁ
UDAYÁSTA KÁJ KARE JÁO
SHVÁSA PRASHVÁSE KÁJ BHARE NÁO
KÁJ KE PURASKÁR MENE NÁO
NINDÁ STUTITE THÁMIO NÁ
BOLALE EKHAN GHUMIYO NÁ
ÁÁÁÁÁÁÁÁÁÁ
BOLALE EKHAN GHUMIYO NÁ
ÁLOR DESHER PARII ESE
BOLALE EKHAN GHUMIYO NÁ
ÁÁÁÁÁÁÁÁÁÁ
The Nymph of the arena of light came and told, “ Do not sleep now, there are pending
tasks, light is there, do not lose valuable time. All continue to perform actions, the
bee, the ant, the sa’rika’ bird, even guards of prison of the great devourer
Mahaka’la, do not obstruct their functions. From morning to evening continue performing
action, fill action into each inhalation and exhalation. Accept the action as reward and
do not pause by praise or condemnation.
3972 (19/01/1987) D
DAYÁL NIDHÁN TUMI BHAGAVÁN
ALAKE ÁLOKE SHÁSHVATA
VISHVA VIDHÁN SHREYA SUMAHÁN
APARIŃÁMI SHRUTI SHRUTA
ALAKE ÁLOKE SHÁSHVATA
JÁHÁ KARE JÁO JÁHÁ NÁHI KARO
ÁÁÁÁÁÁÁÁÁÁ
JÁHÁ KARE JÁO JÁHÁ NÁHI KARO
JÁRE CHUNŔE PHELO JÁRE TULE DHARO
SABÁI BHITARE RÁJE ANTARE? SABE TOMÁTEI SPANDITA
ALAKE ÁLOKE SHÁSHVATA
ANÁDI PURUŚA PURUŚOTTAMA
ÁÁÁÁÁÁÁÁÁÁ
ANÁDI PURUŚA PURUŚOTTAMA
SAMÁHÁR SATTVA RAJAH TAMAH
MAHATER MÁJHE HE MAHATTAMA
APARÁMRIŚT́A BHÁVÁTIITA
ALAKE ÁLOKE SHÁSHVATA
DAYAL NIDHÁN TUMI BHAGAVÁN
ALAKE ÁLOKE SHÁSHVATA
O Lord, Repository of Kindness, You are eternal heavenly effulgence. O The Controller of
the universe, Great benevolent, You are incomparable as heard to ears. Whatever You go on
doing, what You do not do, whom You leave and whom You lift up, all dwell within inside
and all are oscillated by You. O the beginning less Purus’a, the Supreme Hub
Purus’ottama, aggregate of all the three Principles, sentient, mutative and static, You
are Greatest amongst Great, untouched and beyond imagination.
3973 (19/01/1987) D
DARSHANE VIJINÁNE O SHÁSTRE
TAVA PARICAYA KE BÁ PEYECHE
JÁRE DAYÁ KARO TÁRE TULE DHARO
SATYA SATTÁ SEI JENECHE
TAVA PARICAYA KE BÁ PEYECHE
KATA T́UKU BALA DHARE E MÁNAVA
KATA BALA DHARE VIDHÁTÁ TÁHÁR
MÁNAVER JINÁNA VRITHÁ ABHIMÁNA
SAB JINÁNA TÁR KRPÁ VIDHÁTÁR
JE KRPÁ PEYECHE DHANYA HOECHE
SEI TOMÁREI KICHU BUJHECHE
TAVA PARICAYA KE BÁ PEYECHE
ATIITA VARTAMÁN O BHAVIŚYAT
NIJERAO JYOTIŚII BOLITE NÁ RE
CANDRA SÚRYA TÁRÁ NIIHÁRIKÁ
KEHO KI KICHUI BUJHITE PÁRE
SABÁSHRAYA JE ANÁSHRAYA SAB
JINÁNA TABU TOMÁTE ÁCHE
TAVA PARICAYA KE BÁ PEYECHE
DARSHANE VIJINÁNE O SHÁSTRE
TAVA PARICAYA KE BÁ PEYECHE
O Lord, who can get acquaintance of Yours by philosophy, science and scriptures? On whom
You shower mercy, and whom You lift up, they only can know the absolute truth. How meagre
is this human strength, how much unlimited strength is Yours, O the Controller? Human
knowledge and false vanity, all wisdom is Your grace O God. Those who get Your grace are
really blessed and they only understand You a little bit. Past, present and future of own
self, the astrologer himself never tells. Something about sun, moon, stars and nebula
some understand a bit. O the shelter of all, without any shelter, all knowledge exist
within You only.
3974 (19/01/1987) D
CAMPAK KALI JHARIÁ GIYÁCHE
MANER KUINJA VANE ÁMÁR
SE PRIYA ÁSENI STABAK NEYANI
PHUL SAHE NI SE VEDANÁ BHÁR
MANER KUINJA VANE ÁMÁR
PRABHÁTE UT́HIÁGENTHE CHINU MÁLÁ
ÁÁÁÁÁÁÁÁÁÁ
PRABHÁTE UT́HIÁGENTHE CHINU MÁLÁ
RÁGÁTMIKÁR MADHU TÁTE D́HÁLÁ
SÁJIYE SONÁLII VARAŃA D́ÁLÁ
PATH PÁNE CEYE CHINU TÁHÁR
MANER KUINJA VANE ÁMÁR
SAMVIT BOLE SAMAY ESECHE
ÁÁÁÁÁÁÁÁÁÁ
SAMVIT BOLE SAMAY ESECHE
EKHANAO TÁHÁR ÁSÁR ÁSHÁ ÁCHE
PRIITIR DEULE SÁJÁIÁ PHULE
DIIPJVELE D́ÁKO? TÁRE EBÁR
MANER KUINJA VANE ÁMÁR
CAMPAK KALI JHARIÁ GIYÁCHE
MANER KUINJA VANE ÁMÁR
In my mental garden, the bud of campa’ withered down. The Dear did not come, did not
accept the offering in the hands, the flowers could not bear the load of this agony.
Getting up in the morning, I threaded the garland, poured the honey of total devotion into
that, decorating the golden tray of colours, I stood beside the path of His arrival. The
consciousness tells that there was still time, even now there is hope of His arrival.
Decorating the temple of love with flowers, kindle lamp and call Him again this time.
3975 (19/01/1987)
KÁR TARE MOR PRADIIP JVÁLÁ
KÁR TARE MOR MÁLÁ GÁNTHÁ
JÁR LÁGI MAN HOYE UTALÁ
SE SHUNALE NÁ GIITI GÁTHÁ
KÁR TARE MOR MÁLÁ GÁNTHÁ
BHEVE CHILUM JÁ MOR BHÁLO
MANER RAUNGIIN RAUNGA MASHÁLO
SANDHYA RÁGE JHALAMALA
DOBO MANER MADHURATÁ
KÁR TARE MOR MÁLÁ GÁNTHÁ
JE SUR SEDHECHI ÁJIIVANA
BHÁVE BHÁŚÁY CIRA NÚTAN
PRÁŃER VIINÁ PRIYASPANDANA
DOBO PRIITIR ÁKULATÁ
KÁR TARE MOR MÁLÁ GÁNTHÁ
KÁR TARE MOR PRADIIP JVÁLÁ
KÁR TARE MOR MÁLÁ GÁNTHÁ
What is the use of my kindling the lamp and threading the garland? The One for whom, the
mind is restless, He does not listen to the song. I thought that all my best possessions
the charming glowing colours of my mind, shining with the evening melody, and all
sweetness of my mind, I shall offer. I had thought that all the melodies that I practiced
throughout my whole life, which are ever new in ideas and language, the charming tinkling
of the viin’a’ of my heart, I shall offer to Him, with earnest love.
3976 (19/01/1987) D
ESECHILE PRABHU ÁMÁRI GHARE
TITHI JÁNI NÁ
BHULE GECHOTABUSMRTI KAŃÁ
MORE CHEŔE JÁY NÁ
TITHI JÁNI NÁ
PARÁ MÁLÁ TAVA SHUKÁIÁ GECHE
ÁÁÁÁÁÁÁÁÁÁ
PARÁ MÁLÁ TAVA SHUKÁIÁ GECHE
PHUL JHARE GECHE D́OR PAŔE ÁCHE
SÁJÁNO BÁGÁN KÁNT́ÁY BHARECHE
ALI PATH BHÚLE ÁSE NÁ
TITHI JÁNI NÁ
PHELE REKHE GELE JE CARAŃA REKHÁ
SE REKHÁ EKHANO MOR MANE ÁNKÁ
TÁRI SANE ÁNKÁ TAVA RATH CÁKÁ
SE CÁKÁ KAKHANO THÁME NÁ
TITHI JÁNI NÁ
ESECHILE PRABHU ÁMÁRI GHARE
TITHI JÁNI NÁ
O Lord, You visited my home the date I do know. You have forgotten but the bit of memory
does not leave me. Your garland worn by You then is dried up, the flowers withered away
only the thread is left lying. The decorated garden is full of thorns, the bees do not
come even by mistake. The foot mark that You had left, that even now is impressed on my
mind. Along with that is marked the impression of the wheels of Your cart, which never
stops.
3977 (19/01/1987) K
MANER MAYUR MOR MEGH DEKHE METECHE
ÁŔÁLE CÁNDER KHELÁ CALE
HÁRÁNO DIN GULI JENO KHUINJE PEYECHE
VIRALE MANE MANE BOLE
ÁŔÁLE CÁNDER KHELÁ CALE
EKAT́I DUT́I KARE KATA VATSAR GECHE
ÁÁÁÁÁÁÁÁÁÁ
EKAT́I DUT́I KARE KATA VATSAR GECHE
KATA NIDÁGHER JVÁLÁ VARAŚAY BHESECHE
SHARAT ÁKÁSHER PÁSHE HEMANTE SHIITA ESECHE
VASANTA D́EKE GECHE PHULE
ÁŔÁLE CÁNDER KHELÁ CALE
NIDÁGHE BELÁ MÁLATI VARAŚÁY JUTHIKÁ
ÁÁÁÁÁÁÁÁÁÁ
NIDÁGHE BELÁ MÁLATI VARAŚÁY JUTHIKÁ
SHARATE SHEFÁLII HIME CANDRA MALLIKÁ
SHIITE SHOBHAINJANE PHÁGUNER RAUNGA ÁNKÁ
VASANTA KISHALAYE DULE
ÁŔÁLE CÁNDER KHELÁ CALE
MANER MAYUR MOR MEGH DEKHE METECHE
ÁŔÁLE CÁNDER KHELÁ CALE
My mental peacock is frenzied looking towards the clouds. Behind the game of moon was
going on. In seclusion, as if it was telling that it found the lost days on searching. How
many years passed, one after another, how many summer heats floated away in rainy seasons.
Soon after autumn grasses, winter came, and spring went called with flowers. During
summer, the bela’, during rains, malatii, during autumn, shefa’lii, during winter
candramallika’, during cold, shobha’injana, during spring, colourful new leaves, all
oscillate.
3978 (19/01/1987) D
DHARE RÁKHÁ JÁY NI SAKHÁ
SHONÁLII MOR DIN GULI
RAUNGA BERAUNGER DIN GULI
KATAK KÁINCÁ KATAK TÁJÁ
KATAK BHÁŚÁ VARŃÁLII
SHONÁLI MOR DIN GULI
RAUNGA CHILO ARUŃODAYER
ÁÁÁÁÁÁÁÁÁÁ
RAUNGA CHILO ARUŃODAYER
SUPRABHÁTER SÚRYÁLOKER
RAUNGA CHILO TAPANÁSTER
CÁNDER HÁSI PRADOŚERA
GELO UŔE KHÁNCÁ CHEŔE
POŚÁ PÁKHIR KÁKALI
SHONÁLII MOR DIN GULI
RAUNGA CHILO MOR RÁG RÁGINIIR
ÁÁÁÁÁÁÁÁÁÁ
RAUNGA CHILO MOR RÁG RÁGINIIR
RAUNGA CHILO ANÁHATER DHVANIR
MUKTÁKÁSHER MUKTA VÁŃIIR
DRPTA PRÁŃE JÁ DIIPÁVALII
SHONÁLII MOR DIN GULI
DHARE RÁKHÁ JÁY NI SAKHÁ
SHONÁLI MOR DIN GULI
O Friend, it is not possible to keep holding my golden days. Those colourful days
somewhat tender, somewhat fresh, somewhat spectrum of language. Crimson colour of sunlight
was there, with morning illumination. There was colour of evening after sunset with smile
of the moon. And chirping of those pet birds that flew leaving the cage. There were
colours in my tunes and melodies, also of the internal sound heard in meditation, also of
materialized message of free sky, illuminated life or festivity of light.
3979 (19/01/1987) D
HE PRIYA TOMÁR TARE
GENTHE GECHI JATA MÁLÁ
TUMI KICHUI PARILE NÁ
SHUKHÁLO ÁTAPA JVÁLÁY
BÁRE BÁRE TOMÁRE SMARE
PHULE PARÁYECHI D́ORE
SE HÁRE KENO NILE NÁ
TÁI BHÁVI BASE ABELÁY
GENTHE GECHI JATA MÁLÁ
BHÁLOBÁSI TOMÁY PRIYA
ÁÁÁÁÁÁÁÁÁÁ
BHÁLOBÁSI TOMÁY PRIYA
BHEVE CHILUM JÁ MOR BHÁLO
SABAI TUMI HESE NIYO
KRPÁR KAŃÁ MORE D́HELO
CAOÁR KICHUI NÁHI ÁCHE
THEKO SHUDHU KÁCHE KÁCHE
EI ANURODHA JÁNÁI TOMÁY
DIN CALE JÁY SANDHYÁ GHANÁY
GENTHE GECHI JATA MÁLÁ
KICHUI ÁMÁR NEI APANÁR
ÁÁÁÁÁÁÁÁÁÁ
KICHUI ÁMÁR NEI APANÁR
ÁMÁR “ÁMI”O JE TOMÁR
BUDBUD ÁMI, TUMI APÁR
ÁMI HÁSI BHÁSI LIILÁY
GENTHE GECHI JATA MÁLÁ
HE PRIYA TOMÁR TARE
GENTHE GECHI JATA MÁLÁ
O Dear, all the garlands that I threaded for You, You did not wear a single, and they
dried up due to burning heat. Remembering You again and again, I threaded the flowers into
the twine, that garland why did not You accept, that I think sitting untimely. O Dear I
love You, thinking of that I liked. All You accept smilingly, pouring wee bit of love upon
me. I have no expectation, just stay close to me. This request I express before You, the
day passes and evening deepens. I have nothing of my own. My own “self” is also Yours.
I am a bubble, You are infinite, I smile floating in illusive game, liila.
3980 (20/01/1987) D
ÁMI TOMÁRI KATHÁ SHUNIGO
ÁR TOMÁRI GÁN GÁI
ÁÁÁÁÁÁÁÁÁÁ,?
ÁMI TOMÁRI PÁNE CEYE RAI
MOR DVITIIYA KEHO NÁI
ÁR TOMÁRI GÁN GÁI
BHORER ARUŃODAYE NISHCINTA HRIDAYE
ÁMI TOMÁREI D́ÁKI MOR ÁLAYE
ÁR TOMÁRE DEKHE JÁI
ÁR TOMÁRI GÁN GÁI
TUMI ÁMÁR SHUDHU, ÁMÁR
TUMI NÁSHO MANERI ÁNDHÁR
SABÁR ÁDHÁR NIJE NIRÁDHÁR
BHEVE ÁNANDA PÁI
ÁR TOMÁRI GÁN GÁI
ÁMI TOMÁRI KATHÁ SHUNIGO
ÁR TOMÁRI GÁN GÁI
O Lord, I shall ever listen about You and sing Your song. I long and move towards You, and
I have no one else. During sunrise in the morning, with clean tranquil heart, I call You
at my home, and keep on looking at You. You are mine and only mine, You destroy the
darkness of mind. You are shelter and base for all, remaining Yourself without any base.
While meditating on You, I find bliss.
3981 (20/01/1987) D
DINE TOMÁY CEYE CHILUM PRIYA
TUMI ELE SÁNJHER BELÁY
ÁLO TAKHAN CHILO NÁ MOR GHARE
DINER ÁLO CALE GELO
SÁNJHER KÁLO NEVE ELO
DEKHÁ DILE NIVIŔA ANDHAKÁRE
ÁLO TAKHAN CHILO NÁ MOR GHARE
DIIP TAKHANO HOYENI JVÁLÁ
JHARE GIYE CHILO MÁLÁ
CHILO NÁ SÁJÁNO D́ÁLÁ
BHARÁ PÚJÁR UPÁCÁRE
ÁLO TAKHAN CHILO NÁ MOR GHARE
HOYENI VRTHÁ ÁMÁR D́ÁKÁ
DERI HOLEO DILE DEKHÁ
CÁOÁR MATAI ELE EKÁ
BHAYA SARÁLE GLÁNI MUKTA KARE
ÁLO TAKHAN CHILO NÁ MOR GHARE
DINE TOMÁY CEYE CHILUM PRIYA
TUMI ELE SÁNJHER BELÁY
ÁLO TAKHAN CHILO NÁ MOR GHARE
O Dear, during daytime, I wanted You, but You came during evening time, when there was no
illumination in home. The daytime passed, the darkness of evening came down, and were seen
in deep darkness. Lamp could not be lit at that time, the garland got withered. The
offering tray, full of articles of worship could not be arranged. But my call was not
waste. You were seen, though late. As per wish, You came alone, to remove fear and provide
freedom from agonies.
3982 (20/01/1987) D
TOMÁY KHUNJE KHUNJE PRIYA
DIN JE KET́E JÁY
ÁMÁR JANAM CALE JÁY
SÁT SÁGARE ADRI SHIRE
GHURE GHURE HÁY
ÁMÁR JANAM CALE JÁY
PHULER VANE SAḾGOPANE
KHUNJECHI RÁTRI DINE
TIIRTHE JANAPADE KÁNANE
KHUNJECHI ÁSHÁY
ÁMÁR JANAM CALE JÁY
NIIHÁRIKÁY TÁRÁY TÁRÁY
ÁÁÁÁÁÁÁÁÁÁ
NIIHÁRIKÁY TÁRÁY TÁRÁY
KÁJAL KÁLO MEGHER MÁYÁY
NIDÁGH DÁHE TARU CHÁYÁY
CEYECHI TOMÁY
ÁMÁR JANAM CALE JÁY
ELE TUMI AVASHEŚE
DIIRGHA NISHÁR ÁNDHÁR SHEŚE
PHUL PHOT́ÁNO ÁLOKÁBHÁSE
RAUNGA LÁGÁ ÚŚÁY
ÁMÁR JANAM CALE JÁY
TOMÁY KHUNJE KHUNJE PRIYA
DIN JE KET́E JÁY
ÁMÁR JANAM CALE JÁY
O Dear, in search after search for You, my days pass, my life and birth passes in vain.
Alas, roaming and wandering over the seven oceans and the mountain peaks. Day and night
secretly, I have been searching You in floral gardens, holy places, forests and towns with
hopes. I searched You amidst stars, nebula, and scenes of dark clouds. I longed for You in
intense heat of the sun, and under the shade of the trees. At the end You came at the end
of the long night, blooming the flowers with appearance of light, during colourful
morning.
3983 (20/01/1987) K
TUMI, ÁLO JHALAMALA ÚŚÁY ELE
ÁNDHÁRER JÁLA CHINŔILE
YUGÁNTARER JAMÁ CHILO JE ÁNDHÁR
NIMEŚE TÁRE SARÁLE
ÁNDHÁRER JÁLA CHINŔILE
OGO PRIYA MOR KII JÁDU JÁNO
ÁÁÁÁÁÁÁÁÁÁ
OGO PRIYA MOR KII JÁDU JÁNO
RAUNGER KHELÁY ALAKÁ ÁNO
DÚR KE KÁCHE PALAKE T́ÁNO
BHEDÁBHEDA NÁHI RÁKHILE
ÁNDHÁRER JÁLA CHINŔILE
TOMÁRE JÁNÁI ÁMI KOT́ISHAH PRAŃÁM
ÁÁÁÁÁÁÁÁÁÁ
TOMÁRE JÁNÁI ÁMI KOT́ISHAH PRAŃÁM
TUMI MOR ÁDI TUMI SHEŚA PARIŃÁMA
MOR PARICAYA MOR NÁM MOR DHÁM
TOMÁTEI MISHIYE DILE
ÁNDHÁRER JÁLA CHINŔILE
TUMI, ÁLO JHALAMALA ÚŚÁY ELE
ÁNDHÁRER JÁLA CHINŔILE
O Lord, You came during morning shining with light and tore away the net of darkness. The
darkness was accumulated since eras, You removed that in a moment. O my Dear, what a magic
You know, that You bring heaven by the game of colours. Within blink of eye, You pull the
distant ones close, without keeping any distinction. I express my innumerable salutations
to You. You are my beginning and end. My acquaintance, address, name, all You have merged
in Yourself.
3984 (20/01/1987) K
MÁNAVATÁR MUKTA DHÁRÁ
BAHÁYE DILE DHARÁTE
NEI KONO T́ÁNÁ T́ÁNI HÁNÁ HÁNI
BAHÁYE DILE DHARÁTE
SHOŚAŃA DÁNAVER HÁTHE
KATA YUGA YUGA DHARE KENDECHE JAGAT
ÁÁÁÁÁÁÁÁÁÁ
KATA YUGA YUGA DHARE KENDECHE JAGAT
KATA ASTRÁGHÁTA HENECHE ASAT
ÁLO JVELE ÁJI ELE TUMI MAHAT
SARÁLE SAKAL KŚATE
BAHÁYE DILE DHARÁTE
MÁNUŚA BHULE CHILO NIJA PARICAYA
ÁÁÁÁÁÁÁÁÁÁ
MÁNUŚA BHULE CHILO NIJA PARICAYA
BHEVE CHILO PASHU CHÁŔÁ SEO KICHU NAY
PRAVRITTI TEI TÁR HOBE BUJHI JAY
TUMI ELE BHÚL BHÁUNGÁTE
BAHÁYE DILE DHARÁTE
MÁNAVATÁR MUKTA DHÁRÁ
BAHÁYE DILE DHARÁTE
You came and brought the fountain of human liberation on this earth.
Demons will no longer be able to continue their ugly dance of disaster, exploitation and
murder. Since ages, this whole world was crying in agony and pain. Immoralists
were torturing one and all with their weapons. Today You have come and
created strong vibration. Ignited the light. And removed the pain and
suffering for one and all. All this happened because of Your grace
3985 (20/01/1987)
TOMÁR PATH PÁNE CEYE
JANAM MOR JE CALE JÁY
KAO NI KATHÁ SHONO NI VYATHÁ
DÁO NI DEKHÁ ÁMÁY
JANAM MOR JE CALE JÁY
EKLÁ BASE KŚUDRA GHARE
BHÁLOBESECHI TOMÁRE
DÚR ÁKÁSHER BALÁKÁRE
SHUDHÁY CENE KI TOMÁY
JANAM MOR JE CALE JÁY
ANDHAKÁRER ANTARÁLE
ÁSAN PÁTI CIT KAMALE
BHÁVI PRIYA KAKHAN BALE
DHARÁ DILUM EŚAŃÁY
JANAM MOR JE CALE JÁY
TOMÁR PATH PÁNE CEYE
JANAM MOR JE CALE JÁY
O Lord, looking towards Your arrival path this life of mine goes on passing. You do not
speak anything, do not listen to my agony, nor You have shown Yourself to me. Sitting
alone in the small room, I love You, enquiring from the swans of the distant sky whether
they recognise You. With the interval of darkness, making You seated on the lotus of my
mind, I think, when shall I get held, O Dear.
3986 (20/01/1987)
RAJANI GANDHÁ BOLE NISHIITHE
SABE ESO MOR KÁNANE
MITÁLI KARIÁ REKHECHI GOPANE
SHARAD SHEFÁLI SANE
SABE ESO MOR KÁNANE
SARÁITE CÁI BHÁR DHARAŃIIR
SHOKÁHOTER MUCHÁBO ÁNKHI NIIR
BHÁVA JAD́ATÁY BAHÁBO SAMIIR
MANUJER MANE MANE
SABE ESO MOR KÁNANE
SÁMARTHYA MOR BESHI KICHU NÁI
JATA T́UKU ÁCHE KÁJETE LÁGÁI
PARAMA PURUŚA SMARI JE SADÁI
PRIITI NIŚIKTA DHYÁNE
SABE ESO MOR KÁNANE
RAJANI GANDHÁ BOLE NISHIITHE
SABE ESO MOR KÁNANE
The creeper of the night queen flower tells in the night, “All come into my mental
garden. I have made friendship secretly, with winter shefa’lii. I want to remove the
load of the earth. I shall wipe the tears of the distressed. Within each human mind, I
shall blow off the dogma. I do not have much strength, whatever is there, I shall put to
use. I ever remember the Supreme, Parama Purus’a, with love absorbed meditation”.
3987 (20/01/1987) D
KATHÁ DIYE GECHE SE
ÁSIBE, KATHÁ KABHU SE BHULIBE NÁ
JE PRADIIP SE JVELE GECHE
TÁHÁ KAKHANO NIVIBE NÁ
KATHÁ DIYE GECHE SE
ÁSIBE KATHÁ KABHU SE BHULIBE NÁ
BANDHU ÁMÁR ÁSBE JÁNI
ÁÁÁÁÁÁÁÁÁÁ
BANDHU ÁMÁR ÁSBE JÁNI
KANAK KIRIIT́ MÁTHE
CANDRA KETUR SHIIRŚE ÁNKÁ
SONÁR ARUŃA RATHE
VARAŃ TARE CANDANERI
ÁLPANÁ DII PATHE
ÁMÁR, NEI KONO BHÁVANÁ
KATHÁ DIYE GECHE SE
ÁSIBE KATHÁ KABHU SE BHULIBE NÁ
PATH BHULE SE YADI NÁ ÁSE
ÁÁÁÁÁÁÁÁÁÁ
PATH BHULE SE YADI NÁ ÁSE
ÁNABO TÁRE CIT SAKÁSHE
NAY KO CÁOÁ PÁOÁR ÁSHE
KALPA TARU SE KICHU CÁY NÁ
KATHÁ DIYE GECHE SE
ÁSIBE, KATHÁ KABHU SE BHULIBE NÁ
He, Who has gone away, giving assurance, will come, He would never forget the promise. The
lamp that He kindled and went, that will never extinguish. I know that my Friend will come
with golden crown on the head, with moon mark on the top, on the golden solar chariot. For
decorating welcome colouration on the path, I provided sandal paste, I have no other
thought. If He would not come on the path even by mistake, I shall bring Him close to my
mind. He has no expectation to get, as He is wishgranting tree, does not desire anything.
3988 (20/01/1987) D
SE PATHIK ESECHE
KATA YUGA PARE
SÁNJHER BALÁKÁ JE MAN
PATH CINE PHERE NIIŔE
DHARÁR MALINATÁY CHILO
DHULI DHUSARATÁY
ÁJ SE HOYECHE UNMAN
DYULOKER ABHISARE
PATH CINI PHERE NIIŔE
CHILO TÁR JATA KATHÁ
ÁÁÁÁÁÁÁÁÁÁ
CHILO TÁR JATA KATHÁ
MARMER VYÁKULATÁ
SHÁŃITA SÁYAK VYATHÁ
SAKALI GELO JE SARE
PATH CINI PHERE NIIŔE
KHUNJE CHILO SE KÁHÁKE
ÁÁÁÁÁÁÁÁÁÁ
KHUNJE CHILO SE KÁHÁKE
CHUT́E CHILO KÁR D́ÁKE
KE RODA MEGHER PHÁNKE
BENDHE CHILO MOHE TÁRE
PATH CINI PHERE NIIŔE
SE PATHIK ESECHE
KATA YUGA PARE
That Unknown traveler came after so many eras, like the bird returning to its nest in the
evening having recognised the path. The world was dirty with dust and mud, it has become
frenzied with the love of the spiritual arena. All the pains of piercing arrow removed
out. Whom did He search? At whose call He rushed out? Who tied Him with attachment through
the gaps of clods and sun?
3989 (20/01/1987) K
ARÚPA RATAN TUMI RÚPE ENECHO
TRILOKERA SUDHÁSÁRE
TÁI MAN ÁMÁR DHARITE CÁY TOMÁRE
PUŚPE PUŚPE DILE MADHURATÁ SURABHI
INDRA DHANUTE ENKE DILE RAUNGE RÁUNGÁ CHAVI
PRABHÁTE RÁUNGIYE DILE NÚTAN ÚŚAR RAVI
KAOSTUBHA BASÁLE MANIHÁRE
TÁI MAN ÁMÁR DHARITE CÁY TOMÁRE
DIN TITHI CALE JÁY KEHO THÁMITE NÁ PÁY
ÁÁÁÁÁÁÁÁÁÁ
DIN TITHI CALE JÁY KEHO THÁMITE NÁ PÁY
SABÁR CALÁR PATHE TAVA DYUTI JHALAKÁY
GOKULE GOLOKE RAYECHO NITYALOKE
PRIITI BHARÁ ÁNKHI DÚRE NEHÁRE
TÁI MAN ÁMÁR DHARITE CÁY TOMÁRE
ARÚPA RATAN TUMI RÚPE ENECHO
TRILOKERA SUDHÁSÁRE
TÁI MAN ÁMÁR DHARITE CÁY TOMÁRE
O the Formless Gem, You came into form as essence of nectar for the three worlds. Thus my
mind wants to bring You within folds. In each flower You have provided sweetness and
fragrance, within the rainbow, You have sketched colourful picture. In mornings, You have
painted sun of the new dawn, and fixed the pendant of kaustubha diamond within the garland
of gem. The days and dates pass, no one can pause, and on the movement path of all Your
effulgence shines. You dwell within heaven and Gokul and in the eternal world. The eyes
full of love, look far.
3990 (20/01/1987) K
TUMI ÁMÁR E SÁR JIIVANER JENECHI
TOMÁRI JINÁNE TOMÁRI DHYÁNE
TOMÁRI KATHÁ SHUNE
TOMÁREI SHUDHU MENECHI
TUMI ÁMÁR E SÁR JIIVANER JENECHI
UPAL PATHE CHOT́E TAT́INI
ÁÁÁÁÁÁÁÁÁÁ
UPAL PATHE CHOT́E TAT́INI
CHANDA SÁTHE NÁCE NAT́INI
AŃURAKTIR ÁNÁN KHÁNI
SABETE TOMÁY DEKHECHI
TUMI ÁMÁR E SÁR JIIVANER JENECHI
KAKHANO KICHUI HOYE NÁ HÁRÁ
ÁÁÁÁÁÁÁÁÁÁ
KAKHANO KICHUI HOYE NÁ HÁRÁ
SABE SATATAI TOMÁTE BHARÁ
TOMÁTE METE SAḾSÁR ÁCHE SÁRÁ
AVASHEŚE BUJHE NIYECHI
TUMI ÁMÁR E SÁR JIIVANER JENECHI
O Lord, You are mine, this essence of life, I have known. Knowing You, meditating upon
You, listening about You, I accept You only. Within the small river of the hilly path, in
the rhythmic dance of the dancer, on the face, full of love, within all I see You. Nothing
is lost any time, all are full of You forever, entire world is frenzied for You, and this
fact I have understood at the end.
3991 (21/01/1987) K
BHESE JÁY BHESE JÁY
BALÁKÁ BHESE JÁY
KON AJÁNÁR GÁNE CALE ANANTA PÁNE
SURE SURE SHUDHU GÁY
BALÁKÁ BHESE JÁY
NEI PECHANER T́ÁN, RAYECHE PATHER GÁN
ÁÁÁÁÁÁÁÁÁÁ
NEI PECHANER T́ÁN, RAYECHE PATHER GÁN
SUMUKHER PÁNE CEYE BHÁVE TÁRE KE MAHÁN
JHAINJHÁ VÁRTYÁ KEHO ULKÁ AVAROHA
RODHITE TÁHÁRE NÁHI PÁY
BALÁKÁ BHESE JÁY
VAJRA ASHANI ÁR UTTUNGA PAHÁŔ
ÁÁÁÁÁÁÁÁÁÁ
VAJRA ASHANI ÁR UTTUNGA PAHÁŔ
RODHE NÁ TÁHÁR GATI ITIR SAMÁHÁR
UCCHVÁSE DHÁVAMÁN ULLÁSE PRIYAMÁN
SHONÁLII VARTAMÁN EKE MURCHÁY
BALÁKÁ BHESE JÁY
BHESE JÁY BHESE JÁY
BALÁKÁ BHESE JÁY
The swan goes on gliding, goes on gliding. With what unknown melody, it goes towards
infinite, only singing with tunes after tunes. There is no backward pull, only song of the
path remains, it just wants to move forward You the Great. The cyclone, storm or the fall
of meteors, none can stop that. The lightning, the thunder, and very high mountain, none
can stop its movement towards the culminating point of all. Rushing through exhalations
attracted with joy, the golden present, all get stupefied into One.
3992 (21/01/1987) D
HE VIRÁT́A PURUŚA TOMÁKE
VIDYÁY NÁHI PÁOÁ JÁY
BUDDHIO HÁR MÁNIÁ JÁY
ANURAKTI SHEŚA SAHÁY
HE VIRÁT́A PURUŚA TOMÁKE
VIDYÁY NÁHI PÁVÁ JÁY
CALO TUMI NIJER BHÁVE
ÁÁÁÁÁÁÁÁÁÁ
CALO TUMI NIJER BHÁVE
CALO NÁ KÁRO PRABHÁVE
MIŚT́I MADHUR TIKTA VIDHUR
SAMÁN BHÁVE KRPÁ PÁY
HE VIRÁT́A PURUŚA TOMÁKE
VIDYÁY NÁHI PÁVÁ JÁY
TOMÁR RÁGE ANURÁGE
SIKTA HOYE E DHARÁ
JÁRÁI EKE TIKTA KARE
TOMÁY BOJHE NÁ TÁRÁ
VAJRA HASTE ESO TUMI
ÁÁÁÁÁÁÁÁÁÁ
VAJRA HASTE ESO TUMI
TOMÁR GOLOK HOTE NÁMI
DUHSHÁSANER SAB SHOŚAŃER
ANTERA TUMI EK UPÁY
HE VIRÁT́A PURUŚA TOMÁKE
VIDYÁY NÁHI PÁOÁ JÁY
O The Vira’t’a Purus’a, You cannot be attained by skill. Even the intellect accepts
defeat and at the end only love is helpful. You move as per Your own will, and do not
deviate by any influence. The sweetness of the sweets, and bitterness of the afflicted
all seek Your grace equally. This earth is moistened by Your colour and love. Those who
make it bitter, do not understand You. You come down from Your abode, Goloka, with firm
hands. To end the bad governance and exploitation, You are the only way out.
3993 (21/01/1987) D
ÁLOR SÁGAR PERIYE DEKHI
ÁRO ÁCHE? ÁLO
DEKHI ÁLOR PAREO ÁLO
MANDA SE DESHE NAY KEHOI
BHÁLOR PÁSHE BHÁLO
DEKHI ÁLOR PAREO ÁLO
TARU LATÁ PHULE PHALE
ÁÁÁÁÁÁÁÁÁÁ
TARU LATÁ PHULE PHALE
MALAY VÁTE DODUL DOLE
MIŚT́I MÁNUŚA MIŚT́I BALE
SHUDHÁY KI CÁY BOLO
DEKHI ÁLOR PAREO ÁLO
NEIKO SETHÁY JALA VIDUŚAŃA
ÁÁÁÁÁÁÁÁÁÁ
NEIKO SETHÁY JALA VIDUŚAŃA
HOYENI HAOÁ VIŚE BHIIŚAŃA
KALER DHOYÁY GÁCHA PÁLÁRÁ
HOENI SETHÁY KÁLO
DEKHI ÁLOR PAREO ÁLO
MÁNAVA MANER NEIKO KALUŚA
ÁÁÁÁÁÁÁÁÁÁ
MÁNAVA MANER NEIKO KALUŚA
GLÁNITE NAY NATA PURUŚA
NÁRIIR KATHÁO BHÁVE SAMÁJA
BOLE SÁMANE CALO (DEKHI)?
DEKHI ÁLOR PAREO ÁLO
ÁLOR SÁGAR PERIYE DEKHI
ÁRO ÁCHE ÁLO
DEKHI ÁLOR PAREO ÁLO
Crossing the ocean of effulgence, I observed there was more effulgence, I saw light beyond
light. In that world, no one is dull, rather good and better. The trees and creepers with
fruits and flowers, oscillate on the swings with sandal breeze. The sweet human speak
sweet, what to ask, tell me. There is no contamination of water there. The air is not
polluted with deadly poison. The machine washed vegetation does not become dirty there.
There is no sin in human minds, No body is bowed down with agony or repentance. The
society also has considerations for females and tells to move forward.
3994 (21/01/1987) K
CETANÁR AVAGÁHANE
TANDRÁ ÁMÁR BHÁUNGIO
BHÁVA JAD́ATÁR ÁNDHÁRE
JE GHUMÁY TÁRE JÁGIO
TANDRÁ ÁMÁR BHÁUNGIO
ALAS PRAHARE YADI
ÁÁÁÁÁÁÁÁÁÁ
ALAS PRAHARE YADI
JAD́ATÁY GHERE JALADHI
KÁŃE KÁŃE NIRAVADHI
KÁJER KATHÁ SHUNIO
TANDRÁ ÁMÁR BHÁUNGIO
NINDÁ STUTITE DÚLE
ÁÁÁÁÁÁÁÁÁÁ
NINDÁ STUTITE DÚLE
AHAMIKÁR KAVALE
YADI JÁI TOMÁKE BHULE
SAMVIT ÁMÁTE DIO
TANDRÁ ÁMÁR BHÁNGIO
CETANÁR AVAGÁHANE
TANDRÁ ÁMÁR BHÁUNGIO
O Lord, with the covering of illumination, break my drowsiness. Those who are in darkness
of dogmas, awaken them. If the ocean is immersed in inertia during idle periods, You
whisper into their ears constantly the value of action. Gulped by ego, swinging due to
praise and condemnation, if I forget You, then provide me consciousness.
3995 (21/01/1987) D
JAY GÁI JAY GÁI
MÁNAVER JAY GÁI
ÁMÁR CAKŚE MÁNUŚE MÁNUŚE
DESHE DESHE BHEDA NÁI
MÁNAVER JAY GÁI
EKAI SURYÁLOKE TRPTA
ÁÁÁÁÁÁÁÁÁÁ
EKAI SURYÁLOKE TRPTA
EKAI PRÁŃA RASE SAKAL DRPTA
EKAI NIRÁSHÁY SABE ATRPTA
ÁSHÁR ÁLO KHUNJE JÁI
MÁNAVER JAY GÁI
CHOTA SHISHU KE SABE GAŔE TULI
ÁÁÁÁÁÁÁÁÁÁ
CHOTA SHISHU KE SABE GAŔE TULI
MÁTÁ PITÁ GURUR ÁDESHE CALI
KONO BHEDÁBHEDE KABHU NÁHI T́ALI
MÁNUŚA MÁNUŚA BHÁI
UNCU NIICU KICHU NÁI
MÁNAVER JAY GÁI
JAY GÁI JAY GÁI
MÁNAVER JAY GÁI
We are singing the victory of human beings. In our outlook and heart, there is no
difference between one human being and another, between one country and another. Everyone
is getting energy from the same singular sun. From the Onesource all get their vital
energy, pra'nah. Everyone has the same type of longing, All lift a Young infant in lap.
All follow he instructions of parents and teachers. Without getting disturbed by any
distinction any time, all human beings are just brothers. There is nothing like high and
low.
3996 (21/01/1987) K
DHARÁY JANAM NIYE ÁSÁ
DHARÁY JANAM NIYE ÁSÁ
TOMÁRI TARE SHUDHU TOMÁRI TARE
JATA HÁSI JATA GÁNA BHÁLOBÁSÁ
TOMÁRE GHIRE, TOMÁRE GHIRE
TOMÁRI TARE SHUDHU TOMÁRI TARE
BHORER ÁLOR MIŚT́I HÁSI
ÁÁÁÁÁÁÁÁÁÁ
BHORER ÁLOR MIŚT́I HÁSI
RÁTER ÁKÁSHER TÁRKÁ RÁSHI
SABAI THEKE JÁY MARAME PASHI
TAVA ANTARE HIMÁNSHU KARE
TOMÁRI TARE SHUDHU TOMÁRI TARE
MÁNUŚER BHÁLOBÁSÁ MÁT́IR MÁYÁ
ÁÁÁÁÁÁÁÁÁÁ
MÁNUŚER BHÁLOBÁSÁ MÁT́IR MÁYÁ
NIDÁGH DÁHANE MAHIIRUHER MÁYÁ
HÁRIYE JÁOÁ ÁR CÁOÁ PÁOÁ
TAVA KANDARE ANSHUMÁLII KARE
TOMÁRI TARE SHUDHU TOMÁRI TARE
DHARÁY JANAM NIYE ÁSÁ
TOMÁRI TARE SHUDHU TOMÁRI TARE
O Lord, my coming onto this earth & taking new life is only for You, oh my
Lord. All my sweetness and smiles, all my song and dance, and all my love, everything of
mine is revolving and dancing around You. All these things are for You. The sweet
smile and effulgence of the dawn, and the twinkling of the clusters of the stars in the
night, all stay entered within moonlight of Your core. Whatever love and affection are
present in the hearts of human beings, and also whatever pain like burning heat, and
pleasure like attachment and shade of tree, All the losses and desires and gains, they are
all within Your cave, like sun rays.
3997 (21/01/1987)
TUMI ÁMÁY BHULE GECHO
OGO NIT́HUR PRIYA
ÁMI KABHU BHULINI TOMÁRE
DIIP JVELE GHAR SÁJIYE REKHECHI
YADI TUMI ÁSO TÁRI TARE
BHORER ÁLOY BHARE NIYE PRÁŃA
SÁRÁT́I DIN KARI TAVA DHYÁN
YADI TUMI BHULA KARE DEKHÁ DÁO ÁMÁRE
ÁMI KABHU BHULINI TOMÁRE
JYOTSNÁLOKE ÁKÁSHA PÁNE CÁI
YADI PUŚPA RATHE ESE GELE TÁI
UTTARE CÁI DHRUVA TÁRÁY YADI DEKHATE PÁI
SEO KI D́ÁKE TOMÁRE PRIITI BHARE
ÁMI KABHU BHULINI TOMÁRE
TUMI ÁMÁY BHULE GECHO
OGO NIT́HUR PRIYA
ÁMI KABHU BHULINI TOMÁRE
O the merciless Dear, You have forgotten me. But I have never forgotten You. I have kept
the house decorated, kindling the lamp, expecting that You would arrive by that. Filled
with vitality in the morning light, whole day I meditate upon You, expecting that even by
mistake You would show Yourself to me.
3998 (22/01/1987) K
TUMI ÁCHO TÁI PRABHU RAYECHE JAGAT
ÁCHE JATA NÁM DHÁMA KŚUDRA BRIHAT
ÁCHE JATA NÁM DHÁMA KŚUDRA BRIHAT
TOMÁR KRPÁY HOYE ARUŃODAYA
ÁÁÁÁÁÁÁÁÁÁ
TOMÁR KRPÁY HOYE ARUŃODAYA
PALAKE JYOTIR KAŃÁ SHATA DHÁRE BAY
MODER E DHARÁ PRABHU TAVA MANOMAY
ER JATA GUŃÁGUŃA JATA SADASADA
ÁCHE JATA NÁM DHÁM KŚUDRA BRIHAT
JOÁRER TOŔE NADI OJÁNE BAHÁO
ÁÁÁÁÁÁÁÁÁÁ
ANÁDI NATH HOYEO ÁDI NÁTH HOYO
ULKÁ VAJRA PÁTE BHITI BHARE DÁO
BHITI BHAINJANA TUMI BRHATE MAHAT
O Lord, because of Your presence the universe exists and all small or big names and
places. By Your grace sunrise takes place and within moments sparks of effulgence flow in
hundreds of ways. This world of mine is made out of Your mind containing all good and bad
qualities. With the impact of current in tides, You flow the river upwards. Though
remaining controller of endless ness, become controller of beginning less ness. Within
fall of meteorite and lightning You fill fear, You are the destroyer of all small anf big
fears.
3999 (22/01/1987) K
RÚPER DEUL MÁJHE ARÚPA RATAN KHUNJI
BHÁVI YADI KRPÁ KAŃÁ PÁI
BHÁVI YADI KRPÁ KAŃÁ PÁI
MOR, GUŃA NÁI JINÁNA NÁI KONO YOGYATÁ NÁI
KRPÁ BHAROSÁY KÁJ KARI TÁI
BHÁVI YADI KRPÁ KAŃÁ PÁI
CHILO NÁKO KONO PATH CHINU NIHSAMBALA
ÁÁÁÁÁÁÁÁÁÁ
CHILO NÁKO KONO PATH CHINU NIHSAMBALA
TUMI KARE DILE PATH DILE CALÁR BALA
KRIPÁY CALECHI PATHE RAYECHI CÁLÁY METE
ER PARE ÁR KII JÁNÁI
BHÁVI YADI KRIPÁ KAŃÁ PÁI
TUMI MOR SIDHI TUMI SÁDHYA SÁDHANÁ
ÁÁÁÁÁÁÁÁÁÁ
TUMI MOR SIDHI TUMI SÁDHYA SÁDHANÁ
TUMI PRAMÁ RDDHI TUMII SHUBHA PRERAŃÁ
TOMÁR MÁJHÁRE TÁI ABHIIŚT́A PETE CÁI
MOR KONO VIKALPA NÁI
BHÁVI YADI KRIPÁ KAŃÁ PÁI
RÚPER DEUL MÁJHE ARÚPA RATAN KHUNJI
BHÁVI YADI KRPÁ KAŃÁ PÁI
BHÁVI YADI KRPÁ KAŃÁ PÁI
I search for the formless gem, in the temple of forms hoping for a wee bit of your grace.
I have neither any qualities nor knowledge or competence. Hence I act relying on solely on
your grace. I was pathless, a pauper. You showed me the way and gave me strength to move.
Deeply intoxicated with my journey, I move on by your grace. What else may I say O Lord?
You are my attainment, my sa’dhana’. You are the equilibrium, the prosperity and the
very inspiration behind everything good. In you only, therefore I cherish to have my
fulfilment. I have no other way out.
References
- ^ Narayan, P. D. A Composite Collection (Presentation) of All 5018 Songs Forming Prabháta Saḿgiita
- ^ Songs 1-5018 on Prabhatasamgiita.net
- ^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 1-100 Translated by Acarya Abhidevananda Avadhuta (3rd ed.) Tel Aviv: AmRevolution, Inc. ASIN B082RDDH81 ISBN 9781386726890
- ^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 101-200 Translated by Acarya Abhidevananda Avadhuta (3rd ed.) Tel Aviv: AmRevolution, Inc. ASIN B082SCW552 ISBN 9781386077879
- ^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 201-300 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B082TWBFZX ISBN 9781386899754
- ^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 301-400 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B082VHJBK1 ISBN 9781386489122
- ^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 401-500 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B082WFJPSJ ISBN 9781386431787
- ^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 501-600 Translated by Acarya Abhidevananda Avadhuta (3rd ed.) Tel Aviv: AmRevolution, Inc. ASIN B082X65YMB ISBN 9781386728276
- ^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 601-700 Translated by Acarya Abhidevananda Avadhuta Tel Aviv: AmRevolution, Inc. ASIN B082XJY826 ISBN 9781386095170
- ^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 701-800 Translated by Acarya Abhidevananda Avadhuta Tel Aviv: AmRevolution, Inc. ASIN B082YJ8MYB ISBN 9781386967255
- ^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 801-900 Translated by Acarya Abhidevananda Avadhuta Tel Aviv: AmRevolution, Inc. ASIN B082Z7FRXH ISBN 9781386976707
- ^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 901-1000 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B082ZS2RGC ISBN 9781386144267
- ^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 1001-1100 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B0831P7HQD ISBN 9781386532316
- ^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 1101-1200 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B0833C8TWR ISBN 9781386538998
- ^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 1201-1300 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B0833GD8XR ISBN 9781386807537
- ^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 1301-1400 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B0833XCRJK ISBN 9781386629412
- ^ Sarkar, Prabhat Ranjan (2020) Prabhat Samgiita Songs 1401-1500 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B084LPYLHV ISBN 9781393988007
- ^ Sarkar, Prabhat Ranjan (2020) Prabhat Samgiita Songs 1501-1600 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B089S33T8D ISBN 9781393400363
- ^ Sarkar, Prabhat Ranjan (2020) Prabhat Samgiita Songs 1601-1700 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B08HY4FFZ2 ISBN 9781393645771
- ^ Sarkar, Prabhat Ranjan (2020) Prabhat Samgiita Songs 1701-1800 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B08RC8XSQ2 ISBN 9781393154877
- ^ Sarkar, Prabhat Ranjan (2021) Prabhat Samgiita Songs 1801-1900 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B094GQMCJF ISBN 9781393595281
- ^ Sarkar, Prabhat Ranjan (2021) Prabhat Samgiita Songs 1901-2000 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B09DBB4HNV ISBN 9798201598891
- ^ Sarkar, Prabhat Ranjan (2021) Prabhat Samgiita Songs 2001-2100 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B09MKNJYFY ISBN 9798201399177
- ^ Sarkar, Prabhat Ranjan (2021) Prabhat Samgiita Songs 2101-2200 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B09TZSBWHY ISBN 9798201016975
- ^ Sarkar, Prabhat Ranjan (2022) Prabhat Samgiita Songs 2201-2300 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B0B3VK2VV8 ISBN 9798201819286
- ^ Sarkar, Prabhat Ranjan (2022) Prabhat Samgiita Songs 2301-2400 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B0BFR8TKB2 ISBN 9798201896676
- ^ Sarkar, Prabhat Ranjan (2022) Prabhat Samgiita Songs 2401-2500 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B0BRJS1W7C ISBN 9798215576731
- ^ Sarkar, Prabhat Ranjan (2023) Prabhat Samgiita Songs 2501-2600 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B0C1XC5362 ISBN 9798215502570
- ^ Sarkar, Prabhat Ranjan (2023) Prabhat Samgiita Songs 2601-2700 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B0CBN6WX8T ISBN 9798223353959
- ^ Sarkar, Prabhat Ranjan (2023) Prabhat Samgiita Songs 2701-2800 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B0CLJWZHXM ISBN 9798223315087
- ^ Sarkar, Prabhat Ranjan (2023) Prabhat Samgiita Songs 2801-2900 Translated by Acarya Abhidevananda Avadhuta (2nd ed.) Tel Aviv: AmRevolution, Inc. ASIN B0CTFLM81L ISBN 9798223249382
- ^ Sarkar, Prabhat Ranjan (2024) Prabhat Samgiita Songs 2901-3000 Translated by Acarya Abhidevananda Avadhuta (1st ed.) Tel Aviv: AmRevolution, Inc. ASIN B0D3BTFN3G ISBN 9798224417551
- ^ Sarkar, Prabhat Ranjan (2024) Prabhat Samgiita Songs 3001-3100 Translated by Acarya Abhidevananda Avadhuta (1st ed.) Tel Aviv: AmRevolution, Inc. ISBN 9798224917662
- ^ Sarkar, Prabhat Ranjan (1993) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 1 Kolkata: Ananda Marga Publications ISBN 81-7252-041-7
- ^ Sarkar, Prabhat Ranjan (1994) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 1 (in Bengali) (2nd ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-082-4
- ^ Sarkar, Prabhat Ranjan (1994) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 2 (in Bengali) (2nd ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-084-0
- ^ Sarkar, Prabhat Ranjan (1998) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 3 (in Bengali) (2nd ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-155-3
- ^ Sarkar, Prabhat Ranjan (1999) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 4 (in Bengali) (2nd ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-160-X
- ^ Sarkar, Prabhat Ranjan (1999) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 5 (in Bengali) (2nd ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-161-8