Dance, Mudra and Tantra

Dance, Mudra and Tantra
Speaker	Shrii Shrii Anandamurti
Date	1979 May 10
Time	Morning
Place	Fiesch, Switzerland
Language	English
Topic	Sadashiva and the science of dance
Included in	Ananda Vacanamrtam Part 12
Location in Sarkarverse

Dance, Mudra and Tantra is the sixth discourse given by Shrii Shrii Anandamurti in Fiesch, Switzerland. The discourse was delivered in English on the morning of 1979 May 10. This discourse is the sixth chapter of Ananda Vacanamrtam Part 12.^[1]

Synopsis

You know that even before Sadáshiva there was dance, there was music; people used to sing, also; but everything was in a disorderly manner. The dexterous hands of Sadáshiva made it a science – rather, an artistic science.

“

”

Shrii Shrii Anandamurti

Anandamurti starts the discourse by stating that Shiva combined music, song, and dance into an orderly science. He explains that Oriental dance contains various mudras (postures) and tandava is its pristine expression.^[1]

Anandamurti goes on by stating that tandava represents life, and tantra is the practice of overcoming darkness through struggle.^[1]

References

^ ^a ^b ^c Shrii Shrii Anandamurti Ananda Vacanamrtam Part 12

Ananda Vacanamrtam portal

Preceded by The Starting Point and the Last Point	Ananda Vacanamrtam Part 12 With: Dance, Mudra and Tantra	Succeeded by The Supreme Witness and the Great Thief

v t e Ananda Vacanamrtam

Part 1	The Secret behind Colours Uttisthata Jagrata Be a First-Class Person The Supreme Sun Refuge for All The Three Factors for Spiritual Elevation The Culmination of Devotion "Mayametam Taranti Te" - 2 / The Nectar Beyond Maya Hari, the Divine Stealer "Be a Ship to Us, Lord" He Is Everything The Consequences of Free Will and Mind Leaving Bondage "Krsna" and "Rama" Even Middle-Men Differ Pleasing the Lord Opening, Not Closing, the Heart With Kiirtana Finding the Supreme Veracity What Do You Want? Svadharma and Paradharma – 1 The Best Category of Persons Proper Intellect The Advent of the Lord The Purpose Behind the Advent Mental Equipoise The Complications of Doing Evil Be Firm Tears of Supreme Happiness Who Is Gopa? Devotion Savitr Rk Supreme Desideratum The Singular Entity Lord of All Lords The Glory of Pranava From Animality to Divinity Beyond the Periphery

Part 2	Guru Krpáhi Kevalam The Excellence of a Bhakta Omniscience of the Macro-Psychic Entity Soliloquy of the Supreme Love – the Essential Prerequisite Cardinal Attributions of God Salvation and Corporeal Beings The Supreme Magician Liberation from Visnumaya Cognitive Faculty – the Supreme Element How Does Jiiva Become Shiva The Supreme Abode of Satya Bhavambodhipotam Energy and Cognition Mind and Cognitive Faculty Pratyahara Yoga and Paramagati Interpretation of "Rama" and "Narayana" Krsna, the Nucleus of the Universe Keep Company with the Virtuous The Difference between Macrocosm and Microcosm The Role of the Cognitive Faculty Agama and Nigama

Part 3	Can Women Attain Salvation? The Tantric Definition of Yoga The Seven Secrets of Success Guru Pújá Prańáma Mantra The Birthright of the Microcosm The Fear of Him Psychic Development and Karma Guru Prańáma Sadguruḿ Taḿ Namámi Saḿgacchadhvaḿ The Requirements for Sádhaná Nityaḿ Shuddhaḿ Everybody Obeys Him Superstitions about Death Shráddha Ghosts and Evil Spirits Jiivátmá and Pratyagátmá Beyond the Periphery His Reflections Are Everywhere

Part 4	The People's God The Three Prerequisites for Spiritual Knowledge Your Real Friend The Role of the Cosmic Puruśa Names of the Lord The Endless Quest for Him He Is Even Nearer Than You Think Opposition to Dharma Will Certainly Invite Destruction Parama Puruśa Doesn't Hate Anyone Artha and Paramártha Which Is the Right Path? It Is Better to Die While Following Bhágavad Dharma The Three Stages of Spiritual Progress Tantra Is Sádhaná, Sádhaná Is Tantra The Four Stages of Human Progress Ye Yathá Máḿ Prapadyante The Minimum Qualifications for a Sádhaka Treading the Broad Path of Spirituality The Ten Characteristics of a Dhármika Remain United with the Supreme Benevolence Don't Be Afraid Caraeveti Caraeveti – Move On, Move On

Part 12	How to Find the Lord The Birthright of All The Only Cult Shortening the Radius The Starting Point and the Last Point Dance, Mudra and Tantra The Supreme Witness and the Great Thief Names of the Lord A Purely Personal Entity He Knows His Duty Parama Purusa, Not Scriptures The Coming of Taraka Brahma Two Hundred Mirrors The Goal of Human Ideation One Should Know Everything The Four Kinds of Approach Beyond Temporary Experience You Should Do Accordingly Shiva's Seven Secrets Dances and the Path of Vidya What Are You? From the Physical Stratum to the Apex Social Animals and Friends Punya All Twenty-Four Hours The Chance to Be One with Him An Expression Is Never Alone The Value of Dance Lord Buddha's Cardinal Principles Select Your Object Very Carefully Everything Comes from Something Making the Man Universal The Real Value of the Human Entity Permanent Shelter Towards the Noumenal Entity

Part 33	Brahma Cakra The Three Vital Factors Svábhávika Dharma and Bhágavata Dharma Scope for Environmental Adjustment Our Concept of Creation and Cosmic Mind Concept of Guńábhivyakti and Jad́asphot́a The Difference Between Developed and Undeveloped Mind Savikalpa and Nirvikalpa Samádhi Guńayantraka and Svarúpa Parińáma Our Concept of Táraka Brahma Abhedajiṋána and Daeshika Vyavadhána Vilopa Dasha, Bháva and Mahábháva Samádhi and Mrtyu Liilábháva and Nityabháva Bhusuku and Brahmabháva Yatamána, Vyatireka, Ekendriya and Vashiikára The Liila of Parama Puruśa Sálokya, Sámiipya, Sáyujya, Sárúpya, Sárśt́hi Pashvácára, Viirácára and Divyácára Samádhi, Senselessness and Sleep Satsauṋga Puruśatattva Atimánasa Yoga Samádhi Conversion of Energy Bhaktitattva Change of Objects Mind, Memory and Colours The Mana-Pradhána Creature Pará and Apará Knowledge Liilá and Kriidá Perception You Must Live Glorious Lives

Part 34	There Is Oil in the Sesame The Best Process Every Word Is Meaningful Fighting at Each and Every Step I Have Become a Hero I Will Not Discourage Jiṋánam Prańava Names of the Supreme Further Names of the Supreme Gáyattrii Rhythm and the "Gáyattrii Mantra" One Will Have to Know Oneself Blind Mind and Conscience The Universal Expression of Parama Puruśa The Best Tiirtha Beyond Temporary Experience He Thinks and We Perceive To Save Humanity Be Free from All Complexes Society Expects Your Guidance Aesthetics and Mysticism Revolt against Dogma The Best Mental Engagement

@@ Line 1: / Line 1: @@
 {{Infobox discourse
-| title = <!-- Write the name of the title -->Dance, Mudrá and Tantra
+| title = <!-- Write the name of the title -->Dance, Mudra and Tantra
 | image = <!--Write image name eg. Example.jpg, do not include "File:" -->
 | caption =
@@ Line 10: / Line 10: @@
 | also known as = <!--Other names -->
 | language = English
-| topic    = <!-- Topic -->Sadashiva brought all the existing expressions of music into a scientific srtucture
+| topic    = <!-- Topic -->Sadashiva and the science of dance
 | event    = <!-- Event, if any -->
 | included in = [[Ananda Vacanamrtam Part 12]]
 }}
-'''''Dance, Mudrá and Tantra''''' is the sixth discourse given by [[Shrii Shrii Anandamurti]] in Fiesch, Switzerland.<ref name="AV12">{{cite book|title=Ananda Vacanamrtam Part 12|author=Shrii Shrii Anandamurti}}</ref> The discourse was delivered in English on the evening of 1979 May 10.
+'''''Dance, Mudra and Tantra''''' is the sixth discourse given by [[Shrii Shrii Anandamurti]] in Fiesch, Switzerland. The discourse was delivered in English on the morning of 1979 May 10. This discourse is the sixth chapter of [[Ananda Vacanamrtam Part 12]].<ref name="AV12">{{cite book|title=Ananda Vacanamrtam Part 12|author=Shrii Shrii Anandamurti}}</ref>
-== Snyopsis ==
+== Synopsis ==
-{{Quote box|width=360px|bgcolor=|align=left|quoted=1|salign=right|quote=Dance is a highly-developed art. In the Oriental variety of music, you know, three items come within the fold of saḿgiita, or music: dance, song, and instrumental music. The collective name in Sanskrit is saḿgiita. Lord Sadáshiva brought everything within the framework of science, and just now I called it “artistic science”.
+{{Quote box|width=360px|bgcolor=|align=left|quoted=1|salign=right|quote=You know that even before Sadáshiva there was dance, there was music; people used to sing, also; but everything was in a disorderly manner. The dexterous hands of Sadáshiva made it a science – rather, an artistic science.|source=Shrii Shrii Anandamurti}}
-<ref name="AV12"/>|source=Shrii Shrii Anandamurti}}
+Anandamurti starts the discourse by stating that Shiva combined music, song, and dance into an orderly science. He explains that Oriental dance contains various ''mudras'' (postures) and ''[[tandava]]'' is its pristine expression.<ref name="AV12"/>
-Anandamurti starts the discourse by stating that music, dance and song already existed before Shiva (7000 years ago), but It was Lord Shiva who combined them into an orderly science. He explains that Oriental dance contains various mudrás (postures) and táńd́ava is it's pristine expression. <ref name="AV12"/>
-Anandamurti goes on by stating that táńd́ava represents life and Tantra is the spirit of overcoming darkness through struggle. <ref name="AV12"/>
+Anandamurti goes on by stating that tandava represents life, and tantra is the practice of overcoming darkness through struggle.<ref name="AV12"/>
 == References ==
 {{reflist}}
 {{Portal|Ananda Vacanamrtam}}
 {{S-start}}
 {{Succession box
-  | title  =  ''[[Ananda Vacanamrtam Part 12]]''
+  | title  =  [[Ananda Vacanamrtam Part 12]]
   | years  =
-  | with   = Dance, Mudrá and Tantra
+  | with   = Dance, Mudra and Tantra
   | before = ''[[The Starting Point and the Last Point]]''
   | after  = '' [[The Supreme Witness and the Great Thief]]''

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